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Philip Kelly
Type designer who runs Philip Kelly Digital Design in the UK. He worked for Letraset from 1959-1994 as a type designer. His type design work there included Arabic and Hebrew letterforms. From 1994 until 1997, he designed typefaces at Signus, and became an independent designer in 1997. His typefaces: - Codesigner with Mike Daines of the well-known University Roman (1972, Letraset), which is now offered in a myriad of digital libraries, such as Scangraphic, where it is called University SH.
- Gillies Gothic Extra Bold Shaded (1982).
- Cortez (1977). An exaggerated flashy copperplate.
- Pump EF (1980). This family has rounded simple letterforms including a triline style.
- Croissant (1978, ITC or Elsner+Flake). Rounded and almost an oriental simulation face. See Croissant SH at Scangraphic).
- The often copied Algerian (1988). See, e.g., Algerian SB.
- Emporium (Letraset). A circus font.
- Spritzer (1987, Letraset). A shadowed face.
- Impress (1983, Letraset).
- Sendai (2010). A gracious copperplate-influenced 6-weight sans family.
- Fantail (2012). An arts and crafts style all caps typeface inspired by an RO monogram used during a Roy Orbison concert at the now defunct Cocoanut Grove nightclub in Los Angeles.
- Elan Greek and Elan Cyrillic to match ITC Elan (1985, Albert Boton).
- Elegant hand-drawn numeral typefaces based on calligraphic samples by illustrator Sarah Jane Coleman (2009).
- The italics for IR Modena (IR stands for Inland Revenue).
- Calligraphic typefaces done for Mandalay in 2009.
- Sendai (2001-2010).
- Shiosai and Shiosai Calm (2015). Wavy display typefaces.
Linotype link. FontShop link. Klingspor link. Portfolio. Testiminial of Kelly's days at Letraset.
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EXTERNAL LINKS
Philip Kelly
[Designer info]
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INTERNAL LINKS
Type designers ⦿
Type designers ⦿
Photo and film type era ⦿
Oriental simulation fonts ⦿
Type design in the United Kingdom ⦿
Typefaces and type design for Arabic ⦿
Hebrew font links ⦿
Arts and Crafts Movement ⦿
Copperplate ⦿
Corporate typefaces ⦿
Prismatic typefaces ⦿
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