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LUC DEVROYE


ABOUT







Friedrich Bauer

German type designer (b. Dorste, 1863, d. Schönberg, 1943). In 1882, he becomes the type director at the foundry of Schelter&Giesecke in Leipzig, until 1890, and again from 1896-1898. From 1898 until 1911, he is the head of printing at Genzsch&Heyse, first in München and then in Hamburg. From 1911 until 1924, he taught at the Staatlichen Gewerbeschule Hamburg. At Genzsch&Heyse, he designed Albingia (1906), Bürgerschafts Fraktur (1907; Schnelle claims 1913), Genzsch Antiqua (1906), Genzsch Kursiv (1906), Genzsch Antiqua halbfett (1908), Genzsch Kursiv halbfett (1908), Genzsch Antiqua fett (1910), Genzsch Antiqua schmallfett (1910), Genzsch Fraktur (1931), Genzsch Fraktur halbfett (1932), Heyse Antiqua (1921), Heyse Antiqua halbfett (1924), Heyse Kursiv (1921), Senats Fraktur (1907), Senats Fraktur halbfett (1908), Germanische Antiqua (1911), Germanische Antiqua halbfett (1912), Germanische Kursiv (1911), Hamburger Druckschrift (1904; halbfett and fett in 1908).

The first appearance of Nordisk Antiqua (or Genzsch-Antiqua) was in 1906 with a single weight under the name of "Nordisk Antiqua". In 1912 a family of seven weights was announced under the name "Genzsch-Antiqua" honoring the foundry in Hamburg where Bauer had been the manager of composing and printing since 1900. As the foundry Genzsch&Heyse had a lot of customers in Scandinavia, their Nordisk Antiqua became widely spread over the north of Europe. Gerhard Helzel has a digital revival of the Genzsch Antiqua family, in mager, halbfett and kursiv.

All his other typefaces appeared at J.D. Trennert&Sohn: Fortuna (1930), Friedrich-Bauer-Grotesk (1933), Friedrich-Bauer-Grot. kräftig (1934), Friedrich-Bauer-Grot. halbfett (1934), Friedrich-Bauer-Grotesk fett (1934), F.-Bauer-Grot. schmalhalbfett (1934), Friedrich-Bauer-Grotesk licht (1934), Trennert Antiqua (1926), Trennert Kursiv (1927), Trennert Antiqua halbfett (1927), Trennert Antiqua fett (1929), Trennert Kursiv fett (1930), Trennert Antiqua schmalhalbfett (1929), Trennert Latein (1932).

For a digital revival of Friedrich Bauer Grotesk, see FF Bauer Grotesk (2014, Thomas Ackermann and Felix Bonge for Fontfont).

Author of Chrobik der Schriftgiessereien in Dutschland und den deutschsparchigen Nachbarländen (1928, Offenbach am Main). A PDF file exists that was made and expanded by Hans Reichardt in 2011.

Klingspor link.

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file name: Thomas Ackermann Felix Bonge F F Bauer Grotesk 2014


file name: Thomas Ackermann Felix Bonge F F Bauer Grotesk 2014b


file name: Thomas Ackermann Felix Bonge F F Bauer Grotesk 2014c


file name: Thomas Ackermann Felix Bonge F F Bauer Grotesk 2014d


file name: Thomas Ackermann Felix Bonge F F Bauer Grotesk 2014e


file name: Thomas Ackermann Felix Bonge F F Bauer Grotesk 2014f


file name: Thomas Ackermann Felix Bonge F F Bauer Grotesk 2014g


file name: Thomas Ackermann Felix Bonge F F Bauer Grotesk 2014h


file name: Gerhard Helzel Genzsch Antiqua Nordisch Antiqua after Friedrich Bauer 1905


file name: Genzsch Heyse Genzsch Antiqua 1908







Luc Devroye ⦿ School of Computer Science ⦿ McGill University Montreal, Canada H3A 2K6 ⦿ lucdevroye@gmail.com ⦿ http://luc.devroye.org ⦿ http://luc.devroye.org/fonts.html