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MyFonts: Bestsellers for October 2012

The fifty best-selling typefaces at MyFonts, as reported by them on October 1, 2012: #1: Brandon Grotesque (HVD Fonts), #2: Proxima Nova (Mark Simonson), #3: Futura (Bitstream), #4: Helvetica Neue (Adobe), #5: Museo Sans (exljbris), #6: Bombshell Pro (Emily Lime), #7: Geogrotesque (Emtype Foundry), #8: Interstate (Font Bureau), #9: Intro (Fontfabric), #10: Carolyna Pro Black (Emily Lime), #11: Veneer (Yellow Design Studio), #12: Museo Slab (exljbris), #13: Adelle (TypeTogether), #14: Pluto Sans (HVD Fonts), #15: Sancoale Slab (insigne), #16: Hipster Script Pro (Sudtipos), #17: Akzidenz-Grotesk BE (Berthold), #18: PF Din Text Pro (Parachute), #19: Frutiger (Adobe), #20: Pluto (HVD Fonts), #21: Benton Sans (Font Bureau), #22: Peoni Pro (Emily Lime), #23: Thirsty Script (Yellow Design Studio), #24: Trade Gothic (Linotype), #25: Clarendon (Bitstream), #26: Univers (Linotype), #27: Andes Condensed (Latinotype), #28: Museo Sans Rounded (exljbris), #29: Gesta (Rui Abreu), #30: Populaire (PintassilgoPrints), #31: Ride my Bike (Latinotype), #32: Museo (exljbris), #33: Aire (Lián Types), #34: Vermandois (Magpie Paper Works), #35: Flexo (Durotype), #36: Avenir (Linotype), #37: Narziss (Hubert Jocham Type), #38: Klavika (Process Type Foundry), #39: Mishka (Fenotype), #40: Clio Condensed (LeType), #41: Alright Sans (Okay Type), #42: ITC Avant Garde Gothic (ITC), #43: Almibar (Corradine Fonts), #44: Swiss 721 (Bitstream), #45: Neo sans (Monotype Imaging), #46: Diamonds (HVD Fonts), #47: News Gothic (Bitstream), #48: Myriad Pro (Adobe), #49: Alda (Emigre), #50: AG Book Pro (Berthold).

The main dishes served up this month are grotesks and other sans typefaces. Brandon Grotesque and Proxima Nova have exchanged the top two places again. It is quite amazing how much food is offered on fifty-year old plates, like Futura (in #3), Helvetica Neue (in #4), Akzidenz Grotesk (in #17), Trade Gothic (in #24), Clarendon (in #25---this one is served on a hundred year-old antique), Univers (in #26, still a decade away from 50), Swiss 721 (in #44), and News Gothic (in #48, in hundred and three-year old bentonware). There is still enough on the menu for a script sugar high, with Bombshell Pro in #6 as main dessert. I feel like a mini-surge of slabs is peeking out from underneath the ossobucco---Museo Slab (#12), Adelle (#13), Sancoale Slab (#15), and Clarendon (#25). The plain carpaccios today consist of the simple but successful office sans typefaces like Clio Condensed from LeType (#40), Flexo from Durotype (#35) and the well-known Klavika (#38), all closely related to each other.

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