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Achilleas Aspris

Limassol, Cyprus-based designer of Double Lanes (2018). [Google] [More]  ⦿

Adnan Tabassum

Lahore, Pakistan-based designer of the linocut emulation typeface Brushlaker (2018). [Google] [More]  ⦿

Aga Gorzen

Wroclaw, Poland-based designer of the sans typeface Spozywczy (2018). [Google] [More]  ⦿

Agung Harto

Pasuruan, Indonesia-based designer, b. 1979, of the script typefaces Good Vibe and Beauty Forest in 2018. Creative Fabrica link. [Google] [More]  ⦿

Ahmad Havij
[Mad Havey]

[More]  ⦿

Ahmad Mubarak
[Dreamsucht Studio]

[More]  ⦿

Ahmed Tarek

During his studies at University of Lower Silesia in Wroclaw, Poland, Ahmed Tarek designed the monoline and rigorously geometric sans typeface Abo (2018). [Google] [More]  ⦿

Aija Sebre

Malpils, Latvia-based designer of the rune emulation typeface Rakstu Raksti (2018). [Google] [More]  ⦿

AineX
[Ksenija Milicevic]

Serbian designer of the ransom note font Threatening Letter (2018). [Google] [MyFonts] [More]  ⦿

Akhmad Misbakhul Munir

Indonesian designer of Hello World (2018). [Google] [More]  ⦿

Alandya Type Foundry
[Cut Nurfajarlia]

Aceh, Indonesia-based designer of the script typefaces Sky High (2018) and Meikayla (2018). [Google] [More]  ⦿

Aleksandra Wasilczuk

During her studies at the Academy of Fine Arts in Gdansk, Poland, Aleksandra Wasilczuk designed a condensed display sans typeface (2018). [Google] [More]  ⦿

Alessandro Morelli

Italian designer of the hand-crafted typeface Brizel (2018). [Google] [More]  ⦿

Alex Buckley

Manchester, UK-based designer of these typefaces in 2018: Renk (squarish, modular), IRP Sans (pixel face) and Geinua (a text typeface). [Google] [More]  ⦿

Alexa Lalinde

Bogota, Colombia-based designer of the pointillist typeface BS Point Ink (2018). [Google] [More]  ⦿

Alexander Thomas

Dubai, UAE-based designer of the Indic simulation font Delhi (2018). [Google] [More]  ⦿

Alexey Atapin

Saint Petersburg, Russia-based designer of the free Latin / Cyrillic modular typeface Molodo (2018). [Google] [More]  ⦿

Alice Peracio

Belo Horizonte, Brazil-based student-designer of the vernacular typoeface Castanha (2018). [Google] [More]  ⦿

Alice Stains

Melbourne, Australia-based designer of the hand-crafted Jam Hands (2018). [Google] [More]  ⦿

Alina Sava
[Fonts Arena]

[More]  ⦿

Allie Mcqueen

Honolulu, HI-based designer of Sophistic Script (2018) and the brushy Autumn Script (2018). [Google] [More]  ⦿

Amannda Cavalcante

In 2018, during their studies at Universidade Federal do Rio Grande do Norte, Matheus Nogueira (Natal, Brazil), Beatriz Freire, Amannda Cavalcante (Natal, Brazil) and Zenobio Almeida co-designed the free ironwork dingbat typeface Firula. [Google] [More]  ⦿

Amba Mears
[Amba Smith]

Amba Mears or Amba Smith. Doncaster, UK-based designer of the display typefaces In Stitches (2018), Time For A Laugh (2018) and Doodle (2018). These were projects at Cambridge School of Art ARU. [Google] [More]  ⦿

Amba Smith
[Amba Mears]

[More]  ⦿

Amber Nest Design

Designer of the monoline geometric sans typeface Atlantic Neue (2017) and the large multilayered font family Oblivium (2018). [Google] [More]  ⦿

Amira Osama

Cairo, Egypt-based student-designer of a Latin typeface in 2018. [Google] [More]  ⦿

Ana Laura de Paoli Costa

Garibaldi, Brazil-based designer of the modular typeface Burj (2018), which was inspired by the Burj El Arab skyscraper. [Google] [More]  ⦿

Ana Perez-Sala

Salamanca, Spain-based designer of a wavy shaky Latin typeface in 2018. [Google] [More]  ⦿

Anastasia Savchenko

During her studies in Lviv, Ukraine, Anastasia Savchenko designed the squarish and weathered typeface Platforma (2018) for Latin and Cyrillic. [Google] [More]  ⦿

Anastasija Gorbova

At HSE Art & Design School in Moscow, Anastasija Gorbova designed Treestick (2018). [Google] [More]  ⦿

Anastasiya Dyachkova

Graphic designr in Saint Petersburg, Russia. In 2018, she designed the text typeface family Academi. [Google] [More]  ⦿

Andre Claro

London, UK-based designer of the monoline sans typeface Linda (2018). [Google] [More]  ⦿

Andrea Lorenzo Gutierrez

Valladolid, Spain-based designer of the circle-based typeface Delicia (2018). [Google] [More]  ⦿

Andreea Bizic

Bucharest, Romania-based designer of the squarish modular typeface Bizinia (2018). [Google] [More]  ⦿

Andrei Assis

Salvador, Brazil-based designer of the free Japanese gate emulation typeface Torii (2018). [Google] [More]  ⦿

Andres Acosta Blaschitz

Caracas, Venezuela-based designer of the connect-the-dots font Inklusiv (2018). [Google] [More]  ⦿

Andrio Nascimento

Motion designer in Sao Paulo, Brazil, who created the display typeface Persephone in 2018. [Google] [More]  ⦿

Anel Henning

Tampa, FL-based designer of the free hand-crafted typeface family Outlines (2018). [Google] [More]  ⦿

Anna Koplovich

Russian designer of the modular techno typeface Flickulor (2018, made with FontStruct). She also designed the street art Cyrillic font Amons (2018). FontStruct link. [Google] [More]  ⦿

Anton Sivatski

Wrclaw, Poland-based designer of Grass Sans (2018). [Google] [More]  ⦿

Antonio Medina

Jaen, Spain-based designer of the Cyrillic emulation and Stalinesque typeface Kremlin (2018) and the newspaper typeface Daily (2018). [Google] [More]  ⦿

Antonio Rodriguez

Puerto Rico-based designer of Mabs Arts (2018). [Google] [More]  ⦿

Aqeela Studio

Aceh, Indonesia-based designer of the following script or signage typefaces in 2018: Angies Luis Script, Krusyida, Ossellany, Austria Script, Motesia (calligraphic). [Google] [More]  ⦿

Aracely F. Calle

During her studies at Kingsborough Community College, Queens, NY-based Aracely F. Calle designed the colorful typeface Salvador Dali (2018). [Google] [More]  ⦿

Archetype
[Carolyn Ward]

Australian designer of Mango Chutney (2018), Instant Noodle (2018) and Dogfish (2018). [Google] [More]  ⦿

Ardi Setiyawan

Yogyakarta, Indonesia-based designer (b. 1993) of the free script font New Scraper (2018). [Google] [More]  ⦿

Ariana Gomez Valverde

Alajuela, Costa Rica-based designer of the display typeface Quanell (2018). [Google] [More]  ⦿

Ariel Chan

Seattle, WA-based designer of the text typeface Theophilus (2018) and Arctic Animal Alphabet (2018). Both were finished during her studies at the University of Washington. [Google] [More]  ⦿

Arjun Thangapandi

Erode, India-based designer of the heavy geometric sans typeface Seyon Black (2018). [Google] [More]  ⦿

Ash Booth

Manchester, UK-based designer of the chunky typeface Chunk (2018). [Google] [More]  ⦿

Ashly Rojas Quispe

During her studies in Lima, Peru, Ashly Rojas Quispe designed GW Romance (2018), which is named after Gerard Way. [Google] [More]  ⦿

Attype Studio
[Fadli Ramadhan Iskandar]

Bogor, Indonesia-based designer, b. 1996, of the script typefaces Reed Hop (2018), Ourlastt (2018) and Mudica (2018) and the vintage typeface Bromoto (2018). [Google] [More]  ⦿

Aurelija Slapsyte

Vilnius, Lithuania-based designer of Daro (2018). [Google] [More]  ⦿

Bagas Setriawan

Malang, Indonesia-based designer, b. 1988, of the paperclip typeface Melankola (2018). [Google] [More]  ⦿

Bagas Zhafran Rinjani Priyambodo

Bagas Zhafran (Bandung, Indonesia) designed the vintage typeface family Haythem in 2018. [Google] [More]  ⦿

Bal Studio

Indonesian designer of the calligraphic typeface Mustika (2018). [Google] [More]  ⦿

Bart Miko

London, UK-based designer of the experimental square-themed typeface Miko18 (2018). [Google] [More]  ⦿

Barwuah Anam
[Muhammad Rifqil Anam HR]

Indonesian designer, b. 1991, of Radina (2018), a modular monoline sans typeface. [Google] [More]  ⦿

Beatrice Tamagnini

London, UK-based designer of the floriated caps typeface Naturale (2018), which was created during a course taught by the Riccardo Olocco at the University of Bolzano, Italy. [Google] [More]  ⦿

Belinda Amelia

During her studies at Bandung Institute of Technology in Indonesia, Belinda Amelia designed the pearly caps typeface Embara (2018). [Google] [More]  ⦿

Bodyhand
[Jonas Bohlin]

Swedish graphic designer who made the children's book typeface Bodyhand in 2018. [Google] [MyFonts] [More]  ⦿

Borys Kosmynka

Freelance graphic and type designer in Lodz, Poland. He cooperates with the Book Art Museum (which stores the legacy of Polish typography) to revive the spirit of letterpress printing and digitize old type. Speaker at ATypI 2017 in Montreal.

In 2018, Mateusz Machalski, Borys Kosmynka and Przemek Hoffer co-designed the six-style antiqua typeface family Brygada 1918, which is based on a font designed by Adam Poltawski in 1918. Free download from the Polish president's site. The digitization was made possible after Janusz Tryzno acquired the fonts from Poltawski's estate. The official presentation of the font took place in the Polish Presidential Palace, in presence of the (right wing, ultra-conservative, nationalist, law and order) President of Poland, Andrzej Duda. Calling it a national typeface, the president assured the designers that he would use Brygada 1918 in his office. It will be used for diplomas and various other official forms. [Google] [More]  ⦿

Brada
[Manuel Fernandez del Campo Garcia]

Branding design studio in Queretaro, Mexico. His typefaces include De Valencia (2018) and Riviera (2018). [Google] [More]  ⦿

Brent Airey

Brisbane, Australia-based designer of the futuristic 90s-retro militaristic typeface Tailgunnar (2018). [Google] [More]  ⦿

Brian Jhosept Guevara Lugo

Mexico City-based designer of the curly vampire font Lirixa (2018). [Google] [More]  ⦿

Brittnee Snodgrass

Designer of the free circled dingbat font Screnery (2018). [Google] [More]  ⦿

Bruna Oliveira

During her studies in 2015, Espinho, Portugal-based Bruna Oliveira designed the compass-and-ruler didone typeface Tuesday Morning. [Google] [More]  ⦿

Bruno Vasconcelos
[Serifa Co]

[More]  ⦿

Calixte Patissier

Paris-based designer of the free rounded monoline sans typeface Vibra (2018). [Google] [More]  ⦿

Callum David Finn

Warrington, UK-based designer of the minimalist all caps sans typeface Alpha (2018). [Google] [More]  ⦿

Calvert Type Studio

Ban, Indonesia-based designer of the brush font Simplicity (2018). [Google] [More]  ⦿

Candi Erwanto

Indramayu, Indonesia-based designer of these hand-crafted typefaces in 2018; Hilya, Guards Spirit (brush). Candi also designed the slab serif Space Rock (2018). [Google] [More]  ⦿

Caput Mortuum
[Tomasz Myczka]

Graphic designer in Poland who graduated from the Academy of Fine Arts in Warsaw. Creator of Quarterpound (2018), which takes inspiration from the Remington typewriter. [Google] [MyFonts] [More]  ⦿

Carlos Ardila Gonzalez

Bogota, Colombia-based student-desiogner of Duo Contrast Font (2018). [Google] [More]  ⦿

Carolyn Ward
[Archetype]

[More]  ⦿

Catherine Hau

American designer of the squarish modular typeface Yanika (2018). [Google] [More]  ⦿

Cayman Roader

Designer of the silhouette alphabet font Grover's Pain (2018). [Google] [More]  ⦿

Charles Lingerfelt

Tulsa, OK-based designer of the stencil typeface Somnia (2018). [Google] [More]  ⦿

Charles Rabin

Chennai, India-based designer of the free font Anto Mechanical (2018). [Google] [More]  ⦿

Chloe Champion

Lille, France-based desifgner of the patterned typeface Mezzanie (2018). [Google] [More]  ⦿

Chris Letterle

Designer in Indiana, PA, who created the free< hand-crafted typeface Block in 2018. [Google] [More]  ⦿

Chris Place

Macclesfield, United Kingdom-based designer of the modular techno typeface Swoosh (2018). [Google] [More]  ⦿

Cintia Marques

Belo Horizonte, Brazil-based designer of the counterless typeface Tropicalista (2018). [Google] [More]  ⦿

Coraline Mas-Prévost

Graduate of ENSAD. Paris-based designer of Monocle (2018). [Google] [More]  ⦿

Corinne Su

Canadian designer of the display typeface Moderno (2018). [Google] [More]  ⦿

Cristian Tournier

Rosario, Argentina-based designer of the free typeface family Aldo Sans (2018). [Google] [More]  ⦿

Cropstudio (or: Juniors 94)
[Rahmat Syaputra]

Ingin Jaya, Kabupaten Aceh Besar, Aceh-based designer, b. 1994, of the upright script typeface Berkarya (2018), the signage script typeface Hunkydory (2018), and the calligraphic script typefaces Robertortiz (2018), Rodanthe (2018), Kristopher (2018), Serendipity (2018), Whitening (2018) and Matthew (2018). [Google] [More]  ⦿

Cut Nurfajarlia
[Alandya Type Foundry]

[More]  ⦿

Daddi Daryawan

Bandung, Indonesia-based designer, b. 1969, of Betterday Calligraphic (2018). [Google] [More]  ⦿

Dan Sullivan

Missoula, MT-based designer of the multiline typeface Kelly (2018). [Google] [More]  ⦿

Danae Jones

York, PA-based designer of Mackerel (2018). [Google] [More]  ⦿

Dandy Aryawan

Kendari, Indonesia-based designer of a retro font in 2018. [Google] [More]  ⦿

Daniel Azopardo

Caracas, Venezuela-based designer of the rounded stone cut typeface Fantasy Abstract (2018). [Google] [More]  ⦿

Daniel Vorobyov

Almaty, Kazakhstan-based designer of the free squarish typeface Furore (2018), and of Cyrillic styles of Yanone Kaffeesatz (2018: free) and Trajan Pro (2018). Note: the Furore he claims as his is in fact made in 2009 by Daniel Pouzeot and Jovanny Lemonad, so there is an unexplained conflict. Also, his Behance name is Pouzeot, so probably it's a question of two aliases for the same designer---welcome to the web's chaos. [Google] [More]  ⦿

Daniela Cominale

Graphic designer and illustrator in Genoa, Italy, who created the comic book / marker pen typefaces Primo (2018) and Boldone (2018). [Google] [More]  ⦿

David Chavez

Lima, Peru-based designer of the display typeface Fire (2018). [Google] [More]  ⦿

David den Ouden

Utrecht, The Netherlands-based designer of Go Baaa Handwritten Comic (2017), a hand-crafed comic book typeface intended for use in his own cartoons and comic strips. [Google] [More]  ⦿

David Kasidi

Designer of Amarilis Script (2018). [Google] [More]  ⦿

Denis Ignatov

Designer in Moscow, Russia, b. 1984. In 2018, he created the rounded sans typeface Coiny Cyrillic for Latin and Cyrillic. This appears to be a cyrillization of Marcelo Magalhães Pereira's Google font Coiny (2015). [Google] [More]  ⦿

Diana Molyte

Vilnius, Lithuania-based designer of the glitch typeface Minija (2018). [Google] [More]  ⦿

Diego Gandara

Vigo, Spain-based designer of the prismatic typeface Campus Simple (2018). This typeface is a decorative version of the University of Vigo's typeface Campus. His graduation typeface there was Gandara Roman (2018). [Google] [More]  ⦿

Diersciption Studio

Banjarmasin, Indonesia-based designer of Nebbulla (sic) (2018: font duo), Doupple Signature (2018) and Snowman The Woppie (2018: font duo). [Google] [More]  ⦿

Donna Wearmouth

At The Northern Block in Newcastle upon Tyne, UK, Pablo Balcells, Mariya Vasiljevna Pigoulevskaya and Donna Wearmouth co-designed the industrial sans typeface Ordax (2018). With Jonathan Hill, she co-designed the information design sans typefaces Loew Next (2018, for Latin and Cyrillic) and Loew Next Arabic (2018). [Google] [More]  ⦿

Dreamsucht Studio
[Ahmad Mubarak]

Or Ahmed Crvst. Makassar, Indonesia-based designer of the modular sans typeface Lurix (2018). [Google] [More]  ⦿

Dung Nguyen

Danang, Vietnam-based designer of the decorative typeface Dreamer (2018). [Google] [More]  ⦿

Ecem Tarhan

Izmir, Tukey-based graphic designer. In 2018, she created the counterless all caps typeface simply called Turkish Alphabet. [Google] [More]  ⦿

Ed Creative

Designer of the extensive hand-crafted typeface family Patraovila Sans (2018). [Google] [More]  ⦿

Ed Hemphill
[Typed]

[MyFonts] [More]  ⦿

Elena Bykova

Moscow-based designer of the fantastic blocky Geometric Font (2018). [Google] [More]  ⦿

Elin Filipsson

Malmö, Sweden-based designer of Typeface 2B (2018). [Google] [More]  ⦿

Elisa Iadicicco

Torino, Italy-based designer of the modern stencil typeface Kaigo (2018, with Marta Cagno). [Google] [More]  ⦿

Elise Montanari

Amiens, France-based designer of the cursive typeface La Rondine (2018). [Google] [More]  ⦿

Ellis Design
[Stephanie Peay]

Saint Petersburg, FL-based designer of the font duo Garden Fancy (2018). [Google] [More]  ⦿

Emelie Josefin

Stockholm, Sweden-based designer of the custom sans typeface Grevgatan (2018) and the blackletter typeface Poseidon (2016). [Google] [More]  ⦿

Emilie Findsen

At the School of Visual Communication in Haderslev, Denmark, Odense, Denmark-based Emilie Findsen designed Orthodox (2018). [Google] [More]  ⦿

Engin Celik

Istanbul, Turkey-based designer of the free blocky typeface Burc (2018). [Google] [More]  ⦿

Eri Papaefstathiou

At Vakalo College, Eri Papaefstathiou (Athens, Greece) designed the (latin) didone display typeface Spinster (2018) and the high contrast Greek display typeface Eclipse (2018). [Google] [More]  ⦿

Eric Be

Alicante, Spain-based designer of the condensed Victorian typeface Regencia (2018). [Google] [More]  ⦿

Erick Donate

Brazilian graphic and type designer who worked for Massimo Studio in Curitiba, Brazil. In cooperation with Soulcraft and Nelson Balaban, he created the geometric display typeface Moncloa (2015) for the Moncloa Tea Boutique. In 2018, Massimo Studio designed the bespoke wide sans typeface family Massimo. It is unclear who designed this great typeface---Behance associates it with Jean Wojciechowski, Marcelo de Costa, and Erick Donate. [Google] [More]  ⦿

Eva Voog

Tartu, Estonia-based designer of a stencil typeface in 2018. [Google] [More]  ⦿

Fabio Biesel

Konstanz, Germany-based desigfner of the experimental sans typeface family Increase (2018). [Google] [More]  ⦿

Fadli Ramadhan Iskandar
[Attype Studio]

[More]  ⦿

Faiza Mustafa

Pakistan-based designer of the techno typeface Pylon (2018). [Google] [More]  ⦿

Faras Dina

Langkat, Indonesia-based designer of Mainmia (2018) and Maldiva Script (2018). [Google] [More]  ⦿

Federico Salesi

For a branding project for BIG4 streetball, a 3x3 basketball tournament based in La Spezia/East Coast Liguria, Federico Salesi (Florence, Italy) designed the cool custom font Big 4 Streetball (2018). [Google] [More]  ⦿

Fitria Ulfa
[Type Gang (or: Type Holic)]

[More]  ⦿

Font Bakery

Awful and mysterious web site, apparently organized by Dave Crossland and/or Vitaly Volkov. It seems to be down 95% of the time. Just a cryptic message: Font Bakery displays the status of font projects on GitHub. It wants to access your lucdevroye account, just like any old phishing site. Really? I thought you were the good guys. Have you gone to the other side? [Google] [More]  ⦿

FontBoutique

British designer (b. 1980) of the script font Market Saturday (2018). [Google] [More]  ⦿

Fonts Arena
[Alina Sava]

FontsArena is a curated typography website with a focus on web typography and high quality free fonts. It is run by Berlin, Germany-based Aline Sava. Aline herself designed the free font Alphabet Caps Lined (2018, an all-caps font with penmanship lines, designed for primary school and kindergarten education support), and published it at Open Fonts Library. [Google] [More]  ⦿

Franzi Draws

Illustrator in Berlin. Designer of the free hand-crafted font Caroni (2018). Fontsquirrel link. [Google] [More]  ⦿

Fuad Hasan
[Jangen Ngintype]

[More]  ⦿

Gaelle Roubault

Bordeaux, France-based designer of a curvy ball terminal stencil typeface in 2018. [Google] [More]  ⦿

Georges Yannopoulos

Georges Yannopoulos is a graphic and web designer and illustrator in Montreal. In 2018, he created the free simplified blackletter typeface Monolith. [Google] [More]  ⦿

Germ Art
[German Parada Diaz]

Barranquilla, Colombia-based designer of Musical Illustrated Alphabet (2018). [Google] [More]  ⦿

German Parada Diaz
[Germ Art]

[More]  ⦿

Gianella Arosquipa Caceres

During her studies in Arequipa, Peru, Gianella Arosquipa Caceres designed a modular typeface (2018). [Google] [More]  ⦿

Giant Template

Blitar, Indonesia-based designer of the script typeface Quick Shinobi (2018). [Google] [More]  ⦿

Gintare Sneideryte

Vilnius, Lithuania-based designer of the condensed typeface Gins (2018). [Google] [More]  ⦿

Graham Dow

During his studies at NCAD, Dublin, Ireland-based Graham Dow designed the squarish textured typeface Pink Blue (2018). [Google] [More]  ⦿

Gustavo Benato

Curitiba, Brazil-based designer of the display sans typeface Movement G (2018) and Galaxyy (2018). [Google] [More]  ⦿

Harri Podd

Ipswich, UK-based designer of Varsity (2018). [Google] [More]  ⦿

Helve Tian

Yogyakarta, Indonesia-based designer of Prganea (2018: sans) and Kickgatura (2018: connected script). [Google] [More]  ⦿

Hiep Tong

Nam Dinh, Vietnam-based designer, b. 1996, of the free experimental grid-based typeface Bacotu (2018) and the free beveled typeface Poppy Flowers (2018). [Google] [More]  ⦿

Iklaz Studio
[Salman Mashudi]

Solo and/or Surakarta, Indonesia-based designer, b. 1989, of the signature script typeface Velocity (2018) and the modular typeface Platina (2018). [Google] [More]  ⦿

Ingrid Masutti

During her studies, Ingrid Masutti (Sao Paulo, Brazil) designed the solar punk typeface Solaris (2018). This wishing for a better world typeface was co-designed by Fernando Koti Meneghetti, Gabriel Lopes Alpiste, Ingrid de Carlo Masutti, Luiz Antonio Rodrigues and Maria Gabriella Liberato. [Google] [More]  ⦿

Insannita Muthiahs

Indonesian calligrapher who designed Serafina (2018), a typeface published by Fadhl Waliy Ul Haqq. By it at Creative Market. [Google] [More]  ⦿

Isabel Cervellera

Or Isabella Azul. Cartoonist in Buenos Aires, who designed the oriental brush typeface Katana in 2018. [Google] [More]  ⦿

Iulian Iancu

Cluj-Napoca, Romania-based designer of the brush typeface Toshi Emori (2018, with Nikita Paula Rus) and the elliptical sans typeface Anlock (2018, with Nikita Paula Rus). [Google] [More]  ⦿

Ivana Grande

Curitiba, Brazil-based designer of Olinda Grande (2018). [Google] [More]  ⦿

Izabella Silveira

Bandung, Indonesia-based designer of the stylish display typefaces Izabella (2018) and Getty (2018). [Google] [More]  ⦿

Jaime Fernandez
[Tata&Friends Studio]

[More]  ⦿

James L. Hubbell

Cologne, Germany-based designer of Reaktor (2018). [Google] [More]  ⦿

Jan Pietkewicz

Designer of the text typeface Scarbo (2018). [Google] [More]  ⦿

Janette Xiao

During her studies at Sheridan College (York University, Toronto), Janette Xiao designed the sans typeface Plain Air (2018). [Google] [More]  ⦿

Jangen Ngintype
[Fuad Hasan]

Indonesian designer, b. 1997, of This is Signature (2018) and The Sweet Teddy (2018). [Google] [More]  ⦿

Jared Tookes

Durham, NC-based designer of the thin sans typeface Light Rails (2018). [Google] [More]  ⦿

Jean Jardson

Designer of the kanji-inspired display typeface Generica Primitiva (2015). [Google] [More]  ⦿

Jeffery P. Ess

Founder and creative director of Gestalt, est. 2002. Minneapolis, MN-based designer of the sharp-edged display typeface Zyfr (2018). [Google] [More]  ⦿

Jeonghee Shin

In 2017, Jeonghee Shin and Heejin Choi designed the Latin / Hangul font family Happy Myeongjo. [Google] [More]  ⦿

Jessica Carwardine

Australian designer of the thin monoline sans typeface Off Moon (2018). [Google] [More]  ⦿

Jihee Lee

Seoul, Korea-based designer of a Hangul typeface in 2017, at Kaywon University of Art & Design. [Google] [More]  ⦿

Jimmy Smith
[Smiths Workshop]

[More]  ⦿

Joao Rafael de Aquino

Rio de Janeiro-based designer of the modular sports shirt typeface Una (2018), which was finished during his studies at PUC Rio. [Google] [More]  ⦿

Jojomoto Studio
[Marcel Vockrodt]

Design studio in Berlin. In 2018, they published the free hand-crafted sans typeface Jomohand. [Google] [More]  ⦿

Joke De Winter

Web designer in Loughborough, United Kingdom, who studied at Shillington. In 2018, she published the monoline soft curve font Zaha Hadid which was inspired by the architecture of Zaha Hadid. [Google] [More]  ⦿

Jonas Bohlin
[Bodyhand]

[MyFonts] [More]  ⦿

Jonathan Andrew Smith

Motion designer in London. In 2018, he designed the modular piano key typeface Skyscraper. [Google] [More]  ⦿

Jonathan Ara

Coburg, Germany-based designer of the Startrek style font Warpalpha (2018). [Google] [More]  ⦿

Jonathan Merry

Batavia, IL-based designer of the octagonal stencil typeface Picket Fence (2018). [Google] [More]  ⦿

Joonas Tielinen

Designer of the free wide sci-fi movie typeface family Requesta (2018). [Google] [More]  ⦿

Juan David Caceres Murillo

At Universidad de los Andes, Juan David Caceres Murillo (Bogota, Colombia) designed the spurred display typeface Veneno (2017). [Google] [More]  ⦿

Juan Hodgson

Panama City-based designer, b. 1976, of the retro brush font Lazer84 (2018). [Google] [More]  ⦿

Juan Hurtado

Art director in Palma de Mallorca, Spain, who studied in Granada. In 2017, he deconstructed Slimach's Adobe Garamond Pro in his La Garramond (sic): Type design based on Adobe Garamond Pro by Robert Slimbach after a process of characters being laser-printed, then wrapped in found stones as if they were planets, then photographed and vectorized to be useful again. [Google] [More]  ⦿

Julia Canton

During her studies in Porto Alegre, Brazil, Julia Canton designed a floriated all caps typeface (2018). [Google] [More]  ⦿

Julia Miaso

Cracow, Poland-based designer of the ultra-black block typeface System (2018). [Google] [More]  ⦿

Julie Newkirk

Duxbury, MA-based designer of Bonespur (2018). [Google] [More]  ⦿

Juna Mr
[Juna Nobi]

Tuban, Indonesia-based designer, b. 1992, of the monoline script typeface Berliana Monoline (2018). [Google] [More]  ⦿

Juna Nobi
[Juna Mr]

[More]  ⦿

Juyeon Lim

Seoul, Korea-based graphic and type designer. His typefaces include a Hangul typeface (2018) and a Latin text typeface (2018). [Google] [More]  ⦿

Kait McNally
[Think Make Design]

[More]  ⦿

Karol Bilski

Wroclaw, Poland-based designer of a hairline display typeface in 2018. [Google] [More]  ⦿

Karolina Jakubowska

Katowice, Poland-based designer of the tape font Pluszek (2018). [Google] [More]  ⦿

Katerin Perez Pinto

During her studies in Bogota, Katerin Perez Pinto designed the display typefaces Bovem (2018) and Halbmiond (2018). [Google] [More]  ⦿

Katerina Aleshchyk

Grodno, Belarus-based designer of the deco typeface Razrabotka (2018). [Google] [More]  ⦿

Katie Holland
[Makeitrock]

[More]  ⦿

Katy Marian

Aka Kamil E. Arequipa, Peru-based designer of a hand-crafted typeface in 2018. [Google] [More]  ⦿

Kid Monkey Design

Graphic designer and illustrator in Cuenca, Spain, who created the decorative caps typeface Brain Type in 2018. [Google] [More]  ⦿

Kirill Yudin

Novosibirsk, Russia-based designer of the free futuristic missing-stroke-segment font Solarian (2018). [Google] [More]  ⦿

Kitiyaporn Chalermlarp

Thai type designer who created the rounded sans typeface Freshy in 2018. [Google] [MyFonts] [More]  ⦿

Kristina Snyder
[Snyder Studio]

[More]  ⦿

Ksenija Milicevic
[AineX]

[MyFonts] [More]  ⦿

Lara Domenech Sanchez

Valencia, Spain-based designer of a display sans typeface in 2018. [Google] [More]  ⦿

Larisa Mihaela Toma

During her studies in Bucharest, Romania, Larisa Mihaela Toma designed the FontStruct fonts Pinata (2018) and One Line (2018). FontStruct link. [Google] [More]  ⦿

Lasse Pedersen

Danish designe of Masayo Sans (2018). [Google] [More]  ⦿

Laura Mays

During her studies in London, Laura Mays designed the mosaic typeface Whimsy Wall (2018), which has a color font style. [Google] [More]  ⦿

Lauriane Rérolle

Graphic designer in Paris, who designed Minuscules (2018). [Google] [More]  ⦿

Leila Tjor

For a school project at FADU / UBA in Buenos Airers, Leila Tjor designed the deco stencil typeface Jodry (2018). [Google] [More]  ⦿

Leonie Schäffer

During her studies at the Muenster School of Design, under Jakob Runge, Leonie Schäffer created the sans typeface Monogami (2018), a display type that is based on Apercu and GT Sectra. [Google] [More]  ⦿

Levi Webster

Designer of the free Daedric font Skyrim Daedra (2018). [Google] [More]  ⦿

Lim Sujin

Anyang, Korea-based designer of a Hangul typeface in 2018. [Google] [More]  ⦿

Lindsay Kramlich
[Luna Paper Co]

[More]  ⦿

Liu Yaxin

Australian designer of the oriental simulation font Tibetan CXZ (2018). [Google] [More]  ⦿

Liz on Call

Phoenix, AZ-based designer of Phoenix Summer (2018) and Slightly Sweet (2018). [Google] [More]  ⦿

Louise Birkebaek Laursen

During her studies at the School of Visual Communication in Haderslev, Denmark, Louise Birkebaek Laursen (Kolding, Denmark) designed an experimental typeface (2018). [Google] [More]  ⦿

LTNG Studio
[Lulu Imanda Priyandhitya]

Indonesian designer in 2018 of Double Smoothie (font duo), Freedom (a minimalist sans family), Sans One and Upright. [Google] [More]  ⦿

Luci Lacasa

Buenos Aires-based designer of the rough-edged typeface Margo (2018). [Google] [More]  ⦿

Luis GCV

Monterrey, Mexico-based designer of the paperclip font Light Santori (2018). [Google] [More]  ⦿

Luis Vasconcelos

Funchal, Portugal-based designer of the display typeface The Wall (2018). [Google] [More]  ⦿

Luiza Saad de Moura

During her studies at UFRN, Natal, Brazil-based Luiza Saad de Moura designed the display sans typeface Didatica (2018). [Google] [More]  ⦿

Lujain Al Anany

During her studies in Cairo, Egypt, Lujain Al Anany designed an Arabic and a Latin typeface (2018). [Google] [More]  ⦿

Lulu Imanda Priyandhitya
[LTNG Studio]

[More]  ⦿

Luna Paper Co
[Lindsay Kramlich]

Denver, CO-based creator of delicate and classy calligraphic typefaces. In 2018, she published Julietta, Somersette Script and Adore. [Google] [More]  ⦿

Macul Inc

Kecamatan Tersono, Indonesia-based designer of the free fonts Hugtophia (2018), Anghones (2018) and Maigreds (2018). [Google] [More]  ⦿

Mad Havey
[Ahmad Havij]

Ahmad Havey, aka Mad Havij, Ahmad Haviy, and Mad Havey, is the Banten, Indonesia-based designer of the hand-crafted typeface Vabeulit (2018) and the free bilined typefaces Aleman (2018) and Aleman Serif (2018). [Google] [More]  ⦿

Maiara Barbosa

Recife, Brazil-based designer of a paper cutout stencil typeface in 2018. [Google] [More]  ⦿

Makeitrock
[Katie Holland]

Designer of script and soft brush fonts. In 2018, she published Donnio, Radjari (a lovely script), Joysin (script), Fabinache, Jaywish, Deelishes. Godfrey, White Rose, Sheryll, Wonderberry, Kingsland (free), Riverdale, Semmily, Jillzay, Animo, and Kimba. [Google] [More]  ⦿

Manali Hudar

Mumbai, India-based designer of the colorful decorative caps alphabet Indovasi 92018), which is inspired by Gond art. The Gond constitutes the largest Adivasi community in India. [Google] [More]  ⦿

Manuel Fernandez del Campo Garcia
[Brada]

[More]  ⦿

Manuel Rivera

Lima, Peru-based designer of the modular typeface Nameming (2018). [Google] [More]  ⦿

Marc-Alain Grenon

During his studies in Montreal, Marc-Alain Grenon designed the free futuristic typeface Evaa (2018). [Google] [More]  ⦿

Marcel Backscheider

Mainz, Germany-based designer of a squarish font (2018) that was programmed with Nodebox, and a monoline modular typeface called Module (2018). [Google] [More]  ⦿

Marcel Vockrodt
[Jojomoto Studio]

[More]  ⦿

Marcelo de Costa

Brazilian graphic and type designer based in Curitiba, Brazil. In 2018, Massimo Studio designed the bespoke wide sans typeface family Massimo. It is unclear who designed this great typeface---Behance associates it with Jean Wojciechowski, Marcelo de Costa, and Erick Donate. Marcelo published the experimental liquid typeface Oxy in 2018. [Google] [More]  ⦿

Marcelo Sbaquiero

Cascavel, Brazil-based designer of the scratchy typeface Trevor Philips (2018). [Google] [More]  ⦿

Marco Inve

London, UK-based designer of the oriental constructivist typeface Gakgung (2018) and the sans display typeface Pactim (2016), which is based on Impact. [Google] [More]  ⦿

Marcus Pinder

Graphic designer in San Francisco. Creator of the sharply cut experimental typeface Seattle (2018). [Google] [More]  ⦿

Maria Clara Narvaez Fernandez de Soto

During her studies at Pontificia Universidad Javeriana Cali (Colombia), Maria Clara Narvaez designed the Rockwell-meets-Bauhaus-meets-Memphis movement typeface Rockhaus (2018). [Google] [More]  ⦿

Maria Pilar Roldan

During her studies, Cordoba, Argentina-based Maria Pilar Roldan designed a display typeface with small triangular serifs (2018). [Google] [More]  ⦿

Marie Oever

At the Royal Academy of Arts, Marie Oever (Den Haag, The Netherlands) designed a blackletter typeface (2018). [Google] [More]  ⦿

Marina Kryazheva

Vitebsk, Belarus-based designer of the pixacao font Virocco (2018) for latin and Cyrillic. [Google] [More]  ⦿

Marius Iulian Stan

Bucharest, Romania-based designer of the octagonal typeface Geotrix (2018). [Google] [More]  ⦿

Marta Cagno

Torino, Italy-based designer of the modern stencil typeface Kaigo (2018, with Elisa Iadicicco). [Google] [More]  ⦿

Marta Sousa

Brag, Portugal-based designer of a geometric solid typeface in 2018. [Google] [More]  ⦿

Martin Kadlecik
[ME Typography]

[MyFonts] [More]  ⦿

Massimo Studio

Studio in Curitiba, Brazil. In 2018, it designed the bespoke wide sans typeface family Massimo. It is unclear who designed this great typeface---Behance associates it with Jean Wojciechowski, Marcelo de Costa, and Erick Donate. [Google] [More]  ⦿

Matheus Morais

Sao Paulo, Brazil-based designer of the counterless typeface Bold in 2018. [Google] [More]  ⦿

Matheus Nogueira Damasceno

In 2018, during their studies at UFRN, Matheus Nogueira (Natal, Brazil), Beatriz Freire, Amannda Cavalcante (Natal, Brazil) and Zenobio Almeida co-designed the free ironwork dingbat typeface Firula. [Google] [More]  ⦿

Matra Creative
[May Adifarzan Muis]

Indonesian designer of Janetha Script (2018). [Google] [More]  ⦿

Matthieu H

At l'Ecole des Gobelins in Paris, Matthieu H designed the trilined typeface Unshine (2018). [Google] [More]  ⦿

Mattia Capitani

Ascea, Italy-based designer of Gaviria Sans (2018). [Google] [More]  ⦿

Maulana Arrahman
[Maulana Semar]

Indonesian designer of the free signage script Malaga (2018) and the logo script font Gama Hand (2018: free demo). [Google] [More]  ⦿

Maulana Semar
[Maulana Arrahman]

[More]  ⦿

May Adifarzan Muis
[Matra Creative]

[More]  ⦿

Mbronk Kukuh

Yogyakarta, Indonesia-based designer of the script typeface Yegritte (2018) and the blackletter typeface Silent Bob (2018). [Google] [More]  ⦿

ME Typography
[Martin Kadlecik]

Czech designer, b. 1974, of the Latin / Hebrew geometric sans typeface family Shapirit (2018). He specializes in Hebrew and Arabic scripts. [Google] [MyFonts] [More]  ⦿

Megan Beyerlein

West Bradenton, FL-based designer of Dinosaurus Text (2018), which includes a set of dinsaur doodles for children. She also created an icon set called Under The Sea (2018). [Google] [More]  ⦿

Mehdi Thiriot

During his studies in Toulouse, France, Mehdi Thiriot designed the flared terminal typeface Nova Serif (2018) and the condensed Harajuku Sans (2018). [Google] [More]  ⦿

Melinda Michaels

During her studies, Cleveland, OH-based Melinda Michaels designed a manicured sans typeface in 2018. [Google] [More]  ⦿

Meri de Merienda

Designer of the washing machine dingbat font Cuidados (2018). [Google] [More]  ⦿

Michael Bernal

Graphic designer in Medford, NY. He created the soccer shirt number typeface Tuzografia for the Mexican soccer team Club Pacheco (2015-2018). [Google] [More]  ⦿

Michael Helden

London, UK-based designer of the sans serif typeface family Blossom Sans (2018). [Google] [More]  ⦿

Michal Cichy

Wroclaw, Poland-based designer of the stone cut typeface Cubrick (2018). [Google] [More]  ⦿

Michelle Kjeldbjerg

During her studies in Herning, Denmark, Michelle Kjeldbjerg designed Horror (2018: brush styles) and Stripe (2018). [Google] [More]  ⦿

Mightype

Designer of these script typefaces in 2018: Bellindia, Fiolenitta (calligraphic), Bahytsah Script, Stefian Script. [Google] [More]  ⦿

Miguel Nieto

Madrid, Spain-based designer of these free fonts in 2018: Rocker (spurred), Rude (spurred). [Google] [More]  ⦿

Mike Dinesen Petersen

At the School of Visual Communication in Haderslev, Denmark, Mike Dinesen Petersen designed the bilined typeface Douglas Firs (2018). [Google] [More]  ⦿

Mikhail Pabor

Tartu, Estonia-based designer of Kenabi (2018). [Google] [More]  ⦿

Mindaugas Zitkus

Klaipeda, Lithuania-based designer of Unknown (2018). [Google] [More]  ⦿

Miss Grotesque

Croatian designer, b. 1993, of the beach dingbat font Pikto Tea (2015). [Google] [More]  ⦿

Mohamed Elharrak

Moroccan icon designer. He created the free icon font Smartphone Pro in 2018. Other icon fonts include Font Social Media, Social Media, Social Media Pro, Font 120 Icons, Font Hearts Love, Mandalas Pro, Nature Pro, Shapes Pro, Color Qatar, Color Germany, Color Saudi Arabia, Font Morocco Algeria, Font Color Germany, Color Morocco Algeria. Fontspace link. [Google] [More]  ⦿

Monalisa Oliveira

Sao Paulo, Brazil-based photographer and designer, who created the swashy script typeface Beccari in 2018. [Google] [More]  ⦿

Monika Grzywa

Gdansk, Poland-based student in industrial design engineering. Creator of Moka (2018), a typeface whose outlines are following a circular lattice. [Google] [More]  ⦿

Moron Brother Co

Jakarta, Indonesia-based lettering artist and type designer. His typefaces include Primata Script (2018), Raflesia Script (2018: in Treefrog style), Carolina Script (2018), Theory Signature (2018) and Automatic Signature (2018). [Google] [More]  ⦿

Muhammad Rifqil Anam HR
[Barwuah Anam]

[More]  ⦿

Muhammad Sofyan Izzah
[SOF Design]

[More]  ⦿

Mustafa Akülker

Istanbul, Turkey-based co-founfder of Monajans. In 2018, Fatih Hardal and Mustafa Akülker co-designed the hipster sans typeface Unshaped. [Google] [More]  ⦿

MyFonts: Bestsellers for August 2018

The fifty best-selling typefaces at MyFonts, as reported by them on August 1, 2018: #1 Gilroy (Radomir Tinkov), #2 FF DIN (FontFont), #3 Neue Helvetica (Linotype), #4 Proxima Nova (Mark Simonson), #5 Avenir Next (Linotype), #6 Univers (Linotype), #7 Brandon Grotesque (HVD Fonts), #8 Avenir (Linotype), #9 Brandon Text (HVD Fonts), #10 Walbaum (Monotype ), #11 FF Mark (FontFont), #12 TT Norms (TypeType), #13 Blacker (Zetafonts), #14 DIN Next (Linotype), #15 Cera Pro (TypeMates), #16 Recoleta (Latinotype), #17 Mont (Fontfabric), #18 TT Commons (TypeType), #19 Neue Haas Grotesk (Linotype), #20 Trade Gothic (Linotype), #21 Futura (Linotype), #22 ITC Avant Garde Gothic (ITC), #23 Miniline Icons (Howcolour), #24 Campton (Rene Bieder), #25 Frutiger (Linotype), #26 Trade Gothic Next (Linotype), #27 Futura (Bitstream), #28 Neue Haas Unica (Linotype), #29 Museo Sans (exljbris), #30 Sofia Pro (Mostardesign), #31 Colby (Jason Vandenberg), #32 TT Smalls (TypeType), #33 Larsseit (Type Dynamic), #34 Proxima Soft (Mark Simonson), #35 Foco (Dalton Maag), #36 Averta (Intelligent Design), #37 Optima (Linotype), #38 Helvetica (Linotype), #39 Nexa (Fontfabric), #40 Anteb (Typesketchbook), #41 Fineday (Mika Melvas), #42 Panton (Fontfabric), #43 Harmonia Sans (Monotype ), #44 Artegra Sans (Artegra), #45 Neo Sans (Monotype ), #46 Bison (EllenLuff), #47 Kings Caslon (Dalton Maag), #48 Intro (Fontfabric), #49 FF Clan (FontFont), #50 Karlie (DearType). [Google] [More]  ⦿

Nadee Neelarathna

Colombo, Sri Lanka-based designer of The Voices of The Soul font (2018), and a few icon packs including one called The Magic Galaxy (2018). [Google] [More]  ⦿

Nadine Gamaleldin

Cairo, Egypt-based designer, at German University, of the hand-crafted typeface Amelie (2018) and the Arabic typeface Mr. Robot (2018). [Google] [More]  ⦿

Nadya Cord

As a student at Jakarta Institute of Arts, Nadya cord designed the (color?) display typeface Zeidler46 (2018), which is named after the architect of the Wisma BNI 46 building in Jakarta. The pointy end of that building provided inspiration for the typeface. [Google] [More]  ⦿

Naoya Hirooka

Shinjuku, Japan-based designer of the free minimalist sans typeface Nitaka (2018). [Google] [More]  ⦿

New Tropical Design Studio

Byron Bay-based designer of these fonts in 2018: Modernist Milk (stencil), Signwriter, Cloak (stencil), Stamp & Co, Merchant (vintage sans), Big Show (layerable), Sea Spray (experimental minimalist stencil). [Google] [More]  ⦿

Nidhin Chandran

Bangalore, India-based designer of the brush font Road Trip (2018). [Google] [More]  ⦿

Niels Otto Andersen

Denmark-based designer of the free font Ant Serif (2018). [Google] [More]  ⦿

Nienasycenie

Krakow, Poland-based designer of the art deco typeface Mehlyzna (2018). [Google] [More]  ⦿

Nikhil Tokas

New Delhi-based designer of the lachrymal piano key typeface Clavier (2018), which was developed during his studies at Pearl Academy. [Google] [More]  ⦿

Nikita Paula Rus

Cluj-Napoca, Romania-based designer of the brush typeface Toshi Emori (2018, with Iulian Iancu) and the elliptical sans typeface Anlock (2018, with Iulian Iancu). [Google] [More]  ⦿

Nina Pykhtina

Moscow-based designer of Dracula (2018) and Services Icons (2018). [Google] [More]  ⦿

Nisia Coelho

At OPorto School of Arts in 2018, Nisia Coelho designed the narrow display typeface Classy. [Google] [More]  ⦿

Niza Fahmi

Indonesian designer of the script typeface Malicute (2018). [Google] [More]  ⦿

Noor Eldin Mohamed

Madinaty, Egypt-based designer of a squarish Latin typeface in 2018. [Google] [More]  ⦿

Nour Sobhi

Cairo, Egypt-based designer of the Arabic lava lamp typeface Zalat (2018) and the experiumental Latin typeface In And Out (2016). [Google] [More]  ⦿

Novian Fahrurriza

Jombang Jawa Timur, Indonesia-based designer, b. 1991, of the script typeface Lorea (2018). [Google] [More]  ⦿

Olga Begak

Graz, Austria-based illustrator and graphic designer who created the display typeface Mur (2018). [Google] [More]  ⦿

Olga Filatova

Graphic designer in Moscow. Designer of the deco typeface Filaite (2018). [Google] [More]  ⦿

Omar Abdellatif

Designer at Full Sail University in Winter park, FL, of the multiline art deco typeface FS Radial )2018). [Google] [More]  ⦿

Ozum Yasar

Istanbul, Turkey-based graphic designer. In 2018, she published the modular display typeface Stone. [Google] [More]  ⦿

Pablo Madrigal

San Jose, Costa Rica-based designer of the display typeface Fabulosa (2018). [Google] [More]  ⦿

Paloma Ruiz

Sevila, Spain-based designer of the modular display typeface Brite (2018). [Google] [More]  ⦿

Paula Rivadeneira

Quito, Ecuador-based designer of the great squarish hand-crafted poster typeface Ecuadorian Sushi (2018). [Google] [More]  ⦿

Pedro Pereira

Penafiel, Portugal-based designer of the display sans typeface Artifa (2018). [Google] [More]  ⦿

Plesbolstudio

Designer of the brush and weathered wooden plank font Bohitekweng Brush (2018). [Google] [More]  ⦿

Prabhsharan Kaur

Mumbai-vbased designer of New York Taxi (2018). [Google] [More]  ⦿

Pranali Govekar

Mumbai-based designer of a Latin display typeface in 2018. [Google] [More]  ⦿

PriaAdmaja

Designer of the upright script typeface Silvermain (2018). [Google] [More]  ⦿

Publiworks

Calais, France-based designer of the rounded sans typefaces Devra Rounded (2018) and Anita Rounded (2018). [Google] [More]  ⦿

Putra Novembria Candra Kusuma

Karanganyar, Indonesia-based designer, b. 1989, of the monoline cursive script typefaces Simbok Pudjie (2018) and Yesie (2018), the upright script Shaquilla (2018), the color font Circuitra (2018), the textured typeface Quiltrix (2018) and the poster typeface Audrey (2018). [Google] [More]  ⦿

Qomar Creative

Pasuruan, Indonesia-based designer of the logo font Mesi Sans (2018). [Google] [More]  ⦿

Rachel Edery

Bordeaux, France-based designer of Stencil Font (2018). [Google] [More]  ⦿

Rahmat Syaputra
[Cropstudio (or: Juniors 94)]

[More]  ⦿

Raphael Wittmann

Designer of the free font Typoliner (2018). [Google] [More]  ⦿

Raven Mo

During her studies in Chicago, Raven Mo designed the wavy emotional typeface Manifesto (2018). [Google] [More]  ⦿

Rhea Jain

During her studies at RISD in Providence, RI, Rhea Jain designed the text typeface Elatior (2018). [Google] [More]  ⦿

Richard Heramis

At The Art Institute of Dallas, Dallas, TX-based Richard Hermais designed the 8-bit pixel font Handglove (2018). [Google] [More]  ⦿

Rita Diniz

During her studies at ESAD.CR, Lisbon-based Rita Diniz designed the text typeface Gore (2018). [Google] [More]  ⦿

Rita Nagy

Kosice, Slovakia-based designer of Freeze (2018). [Google] [More]  ⦿

Riz Ali

Riz Ali is at Noetic Brands, a Toronto based branding agency. He designed the deconstructed sans typeface Corporate Glitch in 2018. [Google] [More]  ⦿

Rizalul Ammar

Medan, Indonesia-based designer, b. 1993, of the lava lamp typeface Melbournistic (2018), the brushed Spiky (2018), the script typefaces Azzanya (2018) and Baluap (2018), and the cursive typeface Chorety (2018). He runs Zhalul Design Studio. [Google] [More]  ⦿

RK

Phoenix, AZ-based designer of the sans typefaces Faraday (2018) and Gothura (2018). [Google] [More]  ⦿

Romulo Marini

Graphic designer in Sao Paulo, Brazil. In 2018, he created Hoch Sans. [Google] [More]  ⦿

Ryuhei Nakadai

Designer in 2015, with Jonathan Barnbrook and Julian Moncada, of Resolution and Resolution Blackletter (2015): A family of display typefaces that were developed as part of a creative response to the political situation in Northern Ireland. [Google] [More]  ⦿

Sabrine Lassen

Hvidovre, Denmark-based student-designer of an all caps color font in 2018. [Google] [More]  ⦿

Sadikh Seyidzade

Baku, Azerbaijan-based designer of Hairline Delicious (2018) and Hexagon Icons (2018). He also designed the hand-crafted Manuscript (2018) for Latin and Cyrillic. [Google] [More]  ⦿

Salima Kobaiter

Tripoli, Lebanon-based designer of a grungy Latin typeface and a thin Arabic typeface in 2018. [Google] [More]  ⦿

Salman Mashudi
[Iklaz Studio]

[More]  ⦿

Sara Alisha Louhenapessy

Jakarta, Indonesia-based designer of the batik motif typeface Kawung (2018). [Google] [More]  ⦿

Sarah Tan

At The One Academy Penang, Sarah Tan (Kuala Lumpur, Malaysia) designed the arched typeface Kabytkowe (2018). [Google] [More]  ⦿

See Toh Qin Yunn

During her studies in 2017 in Singapore, See Toh Qin Yunn designed the stick figure font Sticqman. [Google] [More]  ⦿

Sergen Temel Bayram

Art director in Istanbul, Turkey. In 2018, he published the sports and soccer shirt typeface Besiktas. [Google] [More]  ⦿

Sergiy Kurilenkov

Almaty, Kazakhstan-based designer of the Latin / Cyrillic typeface Futura Round (2018) and cyrillizations of Panforte Pro (2018: called Panforte Pro KZ, after the Zetafonts original from 2013) and Bliss Pro (2018: called Bliss Pro KZ). [Google] [More]  ⦿

Serifa Co
[Bruno Vasconcelos]

Rio de Janeiro, Brazil-based designer of the free molecular typeface family Serifa Sans (2018). [Google] [More]  ⦿

Seyda Seker

At Dogus University, Seyda Seker (Istanbul, Turkey) designed the futuristic typeface saturned (2018). [Google] [More]  ⦿

shanjce

Based in The Philippines, "shanjce" designed the script typeface Roca Loca (2018). [Google] [More]  ⦿

Sheehan Sista

Graphic designer in Leipzig, Germany. Creator of the tall condensed sans typeface Novus (2018) and the didone typeface Initium (2018), which was created under supervision at the Academy of Visual Arts in Leipzig. [Google] [More]  ⦿

Shreya Sinha

Anand, India-based designer of the colored children's book font Water Balls (2018). [Google] [More]  ⦿

Smartfont
[Stanislav Hatznik]

Ukrainian designer of the techno typeface family Sfera (2018), which includes Sfera Stencil. Sfera was inspired by titanium bullet resistant combat helmets. [Google] [MyFonts] [More]  ⦿

Smiths Workshop
[Jimmy Smith]

Jimmy Smith (Leeds, UK) designed the modular typefacr Black Stuff in 2018. Black Stuff is based on the opening titles of the 80s TV program "The Boys from the Black Stuff", which features Futura Display by Paul Renner. Home page. [Google] [More]  ⦿

Snyder Studio
[Kristina Snyder]

Snyder Studio (New York) is run by Kristina Snyder (CEO b. Sweden) with her partners, John Foster and Gary Cunliffe. In 2018, they designed the free political typeface Trump Grotesk. [Google] [More]  ⦿

SOF Design
[Muhammad Sofyan Izzah]

Jakarta, Indonesia-based designer of the font duos Hastungkoro (2018: Peignotian; art deco), Dodopop (2018) and Muhaqu (2018), the signature script Malynda (2018), the octagonal typeface Growlyns (2018), the connected script typeface Restario (2018) and the sans/script font duos Feondra (2018) and Deanos (2018). Creative Fabrica link. Linkedin link. [Google] [More]  ⦿

Sofia Fonda

Milan-based designer of the cursive typeface Sophie (2018). [Google] [More]  ⦿

Sophie Charlotte Gaudry

Lyon, France-based designer of the military stencil typeface Baton (2018). [Google] [More]  ⦿

Stanislav Hatznik
[Smartfont]

[MyFonts] [More]  ⦿

Stefanie Eifler

Graphic designer in Weimar, Germany, who created the hand-crafted antiqua typoeface Homisage in 2018. [Google] [More]  ⦿

Stephanie Peay
[Ellis Design]

[More]  ⦿

Susana Mendez

Graduate of Universidad La Salle. Mexico City-based designer of Posh Book (2018) and Bodona (2018), a slabby interpretation of Bodoni. [Google] [More]  ⦿

Svetlana Petrosyan

At American University of Armenia in Yerevan, Armenia, Svetlana Petrosyan designed the Harry Potter font 1997 Potteric (2015). [Google] [More]  ⦿

Svetlin Balezdrov

Svetlin Balezdrov was born in 1981 in Sliven, Bulgaria. He graduated in Poster and Visual Communication from the National Academy of Art, Sofia. He is a doctor of History of Art and Fine Arts. At present he is a lecturer in Advertising Design at the National Academy of Art, Sofia. He works in the fields of typography, graphic design and animation.

In 2018, Svetlin Balezdrov and Svetoslav Simov co-designed the humanist sans typeface family Squad at Fontfabric. [Google] [MyFonts] [More]  ⦿

Tanvi Shah

Mumbai, India-based designr of a decorative lemon-themed typeface in 2018. [Google] [More]  ⦿

Tata&Friends Studio
[Jaime Fernandez]

Madrid, Spain-based designer of the futuristic octagonal stencil typeface Laforge Stencil (2018). [Google] [More]  ⦿

Tejal Patil

Mumbai, India-based designer of the pot art font Matka (2018). [Google] [More]  ⦿

Teresa Tiffany

Surabaya, Indonesia-based designer of the free children's party font Birthday Boy (2018). [Google] [More]  ⦿

Tharindi Anuththara

Colombo, Sri Lanka-based student-designer of the (Latin) melting chocolate font Chocola (2018). [Google] [More]  ⦿

Theda Berry

Madison, WI-based designer of the paperclip typeface Tubing (2018), which was developed during her studies at the University of Wisconsin-Madison. [Google] [More]  ⦿

Thiago Gomes

Recife, Brazil-based designer of the free pixel typeface balance (2018) and the calligraphic typeface Wonderland (2017). [Google] [More]  ⦿

Think Make Design
[Kait McNally]

Designer of hand-crafted typefaces who is based in Salt Lake City, UT, and/or Bend, OR. In 2018, she created Dark Seas, Vaska, Late Night (dry brush), Lodge Script (monoline script), Board & Batton, Meadowlark Script, Party Time, Quickly, Dazey Display, American Traditional (a spurred tattoo font), Caribbean Limbo (a tiki font), Gally, Mauna Loa, Witchy, Zion, Hoagie Brush, Denali. [Google] [More]  ⦿

Thuany Paixao

Osasco, Brazil-based designer of the rune emulation typeface Valhalla Rising (2018). [Google] [More]  ⦿

Tikhon Reztcov

At ATFI (Moscow), Tikhon Reztcov designed the free monoline display sans typeface ForestSmooth (2018) and the free scratchy font Ustroke (2018) for Latin and Cyrillic. [Google] [More]  ⦿

Tim Ripper

Tim Ripper is a type designer at Commercial Type in New York. He has an MFA in graphic design from the Yale School of Art (2015) and an AB in physics from Amherst College (2009). His typefaces:

  • Corridor Hand and Corridor Oldstyle (2013).
  • GH Guardian Headline (2017). A newspaper headline typeface family at Commercial Type done for The Guardian. The other type designer involved in this project is Paul Barnes.
[Google] [More]  ⦿

Toma Kanyte

Vilnius, Lithuania-based designer, at the Vilnius Academy of Arts, of Foliah (2018). [Google] [More]  ⦿

Tomasz Myczka
[Caput Mortuum]

[MyFonts] [More]  ⦿

Tommaso Calderini

Perugia, Italy-based designer of the counterless typeface Palace (2018). [Google] [More]  ⦿

Trini Kwok

Brisbane, Australia-based designer of the graffiti typeface Pssh (2018). [Google] [More]  ⦿

Tulsi Devi

Chandigarh, India-based designer of the Latin display typefaces Oceantic (2018), Sweet Display (2018) and Attitude (2018). These typefaces were created during her studies at Government College of Art, Chandigarh. [Google] [More]  ⦿

Two Times Elliott

Creative agency in London. In 2018, they designed the square block custom typeface Kish Kash. [Google] [More]  ⦿

Type Gang (or: Type Holic)
[Fitria Ulfa]

Banda Aceh, Indonesia-based designer (b. 1992) of the hand-crafted typefaces Berallya (2018), Steamship (2018) and Genjutsu (2018: a marker pen font), the squarish Misuse (2018), and the rounded sans typeface family Beralo (+Light, +Inline; 2018). [Google] [More]  ⦿

Type Junction

British type foundry located in London, est. 2018. The Type Junction Foundry project is one type enthusiasts answer to a tedious commute. Started in 2018 as a shop for designers to download experimental display typefaces for the price of the daily commute they are created on. Their typefaces include TJ Commute (2018: a wide sans). [Google] [More]  ⦿

Typed
[Ed Hemphill]

Typed stands for type by Ed. Ed Hemphill is a branding and packaging designer from England who founded Typed in 2018. His typefaces include Heyday (2018), a vintage all caps font family in serif and sans styles. [Google] [MyFonts] [More]  ⦿

Undercoster

Desiner of the script typeface Anggrek (2018). [Google] [More]  ⦿

Unidaas

A collective digital type studio based in Jakarta & Medan, Indonesia, which comprises Firman Suci Ananda (art director and type designer), Fajar Wahyu Pribadi (type engineer) and Irfan Ulya (type designer). It was set up in 2017. Designers of US Bill Sans (2018). [Google] [MyFonts] [More]  ⦿

Uyen Vo

During her studies in Brisbane, Australia, Uyen Vo designed the blackletter typeface Ventana (2018). [Google] [More]  ⦿

Val To

Monterey, CA-based student-designer of a display sans typeface in 2018. [Google] [More]  ⦿

Valentin Bajolle

Paris-based designer of the display typeface Marmo (2018). [Google] [More]  ⦿

Valerie Ramirez

Alajuela, Costa Rica-based designer of Paper Cut (2018). [Google] [More]  ⦿

Valerio Ghirardani

At Politecnico di Milano, Valerio Ghirardani designed the italic typeface Franc (2018). [Google] [More]  ⦿

Vania Cabuto

Tijuana, Mexico-based designer of the grungy tyeface Haggard (2018). [Google] [More]  ⦿

Victor Gérard

At Le Cambre in Brussels, Belgium, Victor Gérard designed the thorny typeface Posidon (2018). [Google] [More]  ⦿

Vitoria Alves

During her studies in Sao Paulo, Brazil, Vitoria Alves designed the decorative multi-outline typeface Mockingjay (2018). [Google] [More]  ⦿

Wataru Aiso

Japanese designer of Fray Deco (2018). [Google] [More]  ⦿

Wellington Santos

Sao Paulo, Brazil-based designer of the display typeface Octopus (2018). [Google] [More]  ⦿

Will Stewart

Designer of the free all caps sans typeface Monometric (2018). [Google] [More]  ⦿

William Muthaura

Nairobi, Kenya-based designer of the free typeface One Drop Sans (2018). [Google] [More]  ⦿

Willie Smith

Jackson, MS-based designer of the display typeface Wolfgang (2018), which is named after Swiss typographer Wolfgang Weingart. [Google] [More]  ⦿

Yana Yusof

Johor Bahru, Malaysia-based designer (b. 1996) of Kyodoja (2018). [Google] [More]  ⦿

Yc Ding

Beijing, China-based designer of the Latin sans typeface family Aurora (2018). [Google] [More]  ⦿

Zain Mustafa
[Zainalabdin Mustafa]

Designer of the free rounded monoline sans typeface family Sary Soft (2018). [Google] [More]  ⦿

Zainalabdin Mustafa
[Zain Mustafa]

[More]  ⦿

Zoe Wehman

At Mediacollege in Amsterdam, Zoe wehman designed the modular display typeface The Gatsby (2018, FontStruct). [Google] [More]  ⦿

Zosia Ciupa

Graduate of the Academy of Art in Szczecin, Poland. Berlin, Germany-based designer of the avant garde sans typeface Forma (2018). [Google] [More]  ⦿