TYPE DESIGN INFORMATION PAGE last updated on Mon Jun 18 23:19:15 EDT 2018






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[1932 ad by Établissements Plantin for their Bristol and Carlton typefaces]



Designer of the free text typeface Arrow Serif (2018). [Google] [More]  ⦿

Aarya Purohit

Indian designer of the technoid sans typeface Demo (2018, Indian Type Foundry). [Google] [MyFonts] [More]  ⦿

Abdusselam Ondin

Designer of the free organic sans typeface Lamon (2018). [Google] [More]  ⦿

Abhishek Malhotra

Indian designer of the free font Together (2018). [Google] [More]  ⦿

Adan Nadot

Paris-based student-designer of the techno typeface Diodr (2018). [Google] [More]  ⦿

Adea Ademi

During her studies at Rochester Institute of Technology Kosovo, Pristina, Kosovo-based Adea Ademi designed the children's script Five Year Old (2018) and RIT Wayfinding Icons (2018). [Google] [More]  ⦿

Adobe Originals: Hidden Treasures of the Bauhaus Dessau

Five of the Bauhaus treasures were revived in 2018 unde te supervision of Erik Spiekermann:

  • Joschmi by Flavia Zimbardi. A piano key typeface named after Joost Schmidt.
  • Xants by Luca Pellegrini. A stencil typeface adorned with ball terminals. Named after Xanti Schawinsky.
  • A typeface by Hidetaka Yamasaki based on a design by Carl Marx.
  • A typeface by Celine Hurka based on a design by Alfred Arndt.
  • A typeface by Elia Preuss based on designs by Reinhold Rossig and Otto Hermann Werner Hadank.
[Google] [More]  ⦿

Ahmad Fashihullisan

Indonesian designer, b. 1982, of the wavy font Men in Pink (2018). [Google] [More]  ⦿

Akifatype Studio

Aceh, Indonesia-based designer of the signage script typeface Merciana (2018). [Google] [More]  ⦿

AL Creation

Rennes, France-based designer of Fire Stone (2018) and Trombone (2018). [Google] [More]  ⦿

Albert Filatov
[Alfi Design]

[More]  ⦿

Alberto Alvarez

Medellin, Colombia-based designer of Mani (2018, prismatic caps) and Niyo (2018, a hyper-decorative typeface). [Google] [More]  ⦿

Aldo Barradas

Puebla, Mexico-based designer of the free (vector format) paperclip font Clip (2018). [Google] [More]  ⦿

Aleksina Teto

Kelowna, BC-based designer of the brush typeface Wanderer (2018). [Google] [More]  ⦿

Alexander Raadman

Den Haag, The Netherlands-based designer of several experimental 3d typefaces in 2018: Font Fury, Furytism. [Google] [More]  ⦿

Alexandre Renard

Paris-based Chilean student-designer of the art deco typeface Palais de Tokyo (2018). [Google] [More]  ⦿

Alexandru Darie

Iasi, Romania-based brand identity designer. Creator of the strictly geometric sans typeface Medica (2018). [Google] [More]  ⦿

Alfi Design
[Albert Filatov]

In 2018, Albert Filatov (Saint Petersburg) published Citifont, a latin / Cyrillic serif typeface with a robust outlook, that according to him was made for navigation in the city of Saint Petersburg, Russia. Graphicriver link. [Google] [More]  ⦿

Alhussein Ibrahim

Giza, Egypt-based designer of the free minimalist experimental typeface family Scritus (2018). [Google] [More]  ⦿

Alice Valle Chavez

At Pontificia Universidad Catolica del Peru, Alice Valle (Lima, Peru) and Valeria Florindez designed the octopus-themed all caps typeface Alfabeto Pulpo (2017). [Google] [More]  ⦿

Alicia Castelo

Ciudad Obregon, Mexico-based designer of the Western typeface Rodeo (2018). [Google] [More]  ⦿

Alicia Garcia Arana

Zaragoza, Spain-based designer of the titling typeface Deep Blues (2018). [Google] [More]  ⦿

Alicja Grabowska

Torun, Poland-based designer of an origami typeface in 2018. [Google] [More]  ⦿

Aman Raiyat

London, UK-based designer of a decorative typeface in 2018. [Google] [More]  ⦿

Amanda Hjeds

Aarhus, Denmark-based student-designer of the all caps sans typeface Mr. Bold (2018). [Google] [More]  ⦿

Ana Estrada

Ana Estrada Martos is a UX/UI developer in Madrid, Spain. In 2018, she designed the free experimental modular typeface family Dana. This typeface, conceived in an 11x12 grid, consists of lines and circle arcs, and is named after the X-Files star Dana Scully. The font is also coded directly in HTML. [Google] [More]  ⦿

Andrian Dehasta

Designer of the hand-crafted and sometimes swashy calligraphic typefaces in 2018: Dhitha, Charline, Thisay, Yuliya, Abilya, Arinda, Goday, Seelyn, Motira, Ginta, Stika, Binar, Hilona, Mungkin, Dahasta, Ingat, Klapjo. Ascota. [Google] [More]  ⦿

Andy Kelly

Newcastle upon Tyne, UK-based designer of the squarish typeface 9Bar (2018). [Google] [More]  ⦿

Angie Neira

Barcelona-based Colombia-born designer of the text typeface Ninive (2018). [Google] [More]  ⦿

Anna Barlow

During her studies at Appalachian State University, Boone, NC-based Anna Barlow designed the old typewriter font Bark (2018). [Google] [More]  ⦿

Anna Konopelko

Vilnius, Lithuania-based designer of several Latin and Cyrllic display typefaces in 2018. [Google] [More]  ⦿

Arie Design

Indonesian designer of the calligraphic script typefaces Afilla (2018) and Afiqa (2018). [Google] [More]  ⦿

Artem Vorotnikov

The web links of Alyona Vorotnikova and Artem Vorotnikov are interspersed. Saint Petersburg, Russia-based designers of the great dry brush typeface Shuher (2018). [Google] [More]  ⦿

Astrid Stavro

Designer at Fontsmith of FS Sally Triestina (2018). [Google] [More]  ⦿

Attila Gulyas

Hungarian designer of Circular Slab (2018). [Google] [More]  ⦿

Aude Trémoureux

Nantes, france-based co-designer of the trekkie / alchemic typeface family Yoda (2018), which was developed together with Yuting Tang, Oriane Noguès-Lassaigne and Doriane Ono-Dit-Biox at ECV Nantes. [Google] [More]  ⦿

Aulia Al Farabi

Indonesian designer (b. 1988) of the creamy script typeface Vladviqo (2018). [Google] [More]  ⦿

Ayeela Studio

Indonesian designer of the script typeface Doncella (2018). [Google] [More]  ⦿

Balazs Lengyel

Budapest-based designer, as a student at Jaschik Álmos Secondary School of Art, of Caedmon Gothic (2018), a blackletter typeface that is as dark as Orban's Macchiavelism. [Google] [More]  ⦿

Bedirhan Agac

Istanbuul-based designer of the angry modular typeface Pasif Agresif (2018). [Google] [More]  ⦿

Bendik Kristiansen

Trondheim, Norway-based designer of Times New Rosetta (2018). [Google] [More]  ⦿

Best Font Studio
[Rifan Asri]

Banda Aceh, Indonesia-based designer (b. 1990) of the thin script font The Bellaria (2018). [Google] [More]  ⦿

Big Cat Creative
[Erica Hartwick]

Designer in 2018 of the script typefaces Jolly, Unleash, Dawn and Edmonton, the fashion mag typeface Vienna and the sans typefaces Jolly Sans, Unleash Sans, and Tropicana. [Google] [More]  ⦿

Bora Uz

Istanbul, Turkey-based designer of Norm Round Stencil (2018). [Google] [More]  ⦿

Brian Nicely

Cincinnati, OH-based designer of the art deco typeface Expo (2018). [Google] [More]  ⦿

Burak Yurur

Istanbul-based designer of a generative prismatic typeface in 2018. [Google] [More]  ⦿

Camila Basso Rubbo

Born in Montevideo. After working as a designer at the Peluffo Giguens Foundation in 2016, she worked in 2018 as head of graphic communication at the Sodre National Auditorium. During her studies at ORT in Montevideo, Camila Basso Rubbo designed the condensed movie credit font family Cinematica (2018). [Google] [MyFonts] [More]  ⦿

Candela Nocedo

Argentinian designer of the minimalist sans typefae Intervenida (2018), which is based on Michael Muranaka's Dolce Vita Light (2013). [Google] [More]  ⦿

Carole Magued

During her studies in Cairo, Carole Magued designed the Arabic typeface Marah (2018) and the Latin display typeface Elegole (2018). [Google] [More]  ⦿

Carolin Campos Arenas

Perivian designer of a needle-and-thread font in 2018. [Google] [More]  ⦿

Charlie Le Maignan

Paris-based designer of the free modular monoline sans typeface CLM Rallye 02 (2017). [Google] [More]  ⦿

Charlotte Blancart

Lille, France-based designer of a typeface in 2018 that was inpired by the art of Swiss dada era painter / sculptor Jean Tinguely (1925-1991). [Google] [More]  ⦿

Christine Teixeira

Art director in Montreal who created the hand-crafted font duo Bliss and Blush and the hand-drawn typefaces Tropicalling and Send My Love in 2018. Creative Fabrica link. [Google] [More]  ⦿

Christoff Gericke

At the University of Pretoria, South Africa, Christoff Gericke designed the modular typeface Hypermodern (2018). [Google] [More]  ⦿

Clara Meath

Designer of the imaginary Alien Script (2018). [Google] [More]  ⦿

Claudia Canovas
[La Petite Prune]

[More]  ⦿

Clementine Hoens

During her studies at LUCA School Of Arts Gent, Belgium, Clementine Hoens designed the chair-themed typeface Tubular (2018). [Google] [More]  ⦿

Corinne Kesseler

Corinne holds a Bachelors in Digital and Graphic Design Art Direction from ECV Provence, France, class of 2017. Luxembourg, Luxembourg-based designer of the variable-width typeface Chantsigne (2018). [Google] [More]  ⦿

Cynthia Zheng

During her studies in Sydney, Australia, Cynthia Zheng designed an architecturally inspitred typeface (2018). [Google] [More]  ⦿

Dald Sgh

Bandung, Indonesia-based designer of the hand-crafted vintage typefaces Resolve (2018) and Antafunny (2018). [Google] [More]  ⦿


Indonesian designer of the formal calligraphic typefaces Anna Marrie (2018) and Blueprint (2018). [Google] [More]  ⦿


During his studies in Singapore, Darren designed the 3d outlined typeface Lockpers (2018). [Google] [More]  ⦿

David Hand

British designer of a glitchy typeface for the 2018 Supersonic Festival. [Google] [More]  ⦿

Dawdy Brothers
[Spenser Dawdy]

Nathan and Spenser Dawdy, the Dawdy Brothers (Lincoln, NE), designed the free font DBD sans (2018). [Google] [More]  ⦿

[Milla Febriana Tanjung]

Surakarta, Indonesia-based dreator of these script typefaces in 2018: Passionate (upright connected script), Ballerine. [Google] [More]  ⦿

Deryty J. Santos

Sao Paulo, Brazil-based designer of the sports shirt typeface Dart (2018). [Google] [More]  ⦿

Devina Phangestu

Jakarta, Indonesia-based designer of Waxo (2018), a display typeface that is inspired by a hanger. [Google] [More]  ⦿

Deysi Alcala

San Salvador, El Salvador-based designer of the free deco typeface Alcala (2018). [Google] [More]  ⦿

Diego Mir

Valencia, Spain-based designer of the bilined poster tyepface Horta (2018). [Google] [More]  ⦿

Dilruba Guneysu

Eskisehir, Turkey-based designer of Subtract (2018). [Google] [More]  ⦿

Dionny Perez

Caracas, Venezuela-based designer of the curly typeface Drops Artmond (2018). [Google] [More]  ⦿

DNS Studio

Tangerang, Indonesia-based designer of the display typeface Gibsons (2018). Free demo. [Google] [More]  ⦿

Donald Hunt

Designer of Glyphic (2018), who explains: A heavy influence of Chinese and Japanese calligraphy, with a blend of Mike Giant and cholo-graffiti style lettering. [Google] [More]  ⦿

Donia Farid
[Donia Tarek]

Donia Tarek (or Donia Farid, Cairo, Egypt) created the Latin sans typeface Taweel in 2016. [Google] [More]  ⦿

Donia Tarek
[Donia Farid]

[More]  ⦿

Dora Juhasz

Hungarian designer of an experimental 3d typeface in 2018. [Google] [More]  ⦿

Dulce Emeve

Art director in Madrid. In 2018, together with Nadya Angelova (Madrid), she designed the inline typeface Heartbeat (2018). [Google] [More]  ⦿

Edgard Rupel

Designer of the uncial typeface Crush Your Enemies (2018), which is based on the title credits of the 1982 movie Conan the Barbarian. [Google] [More]  ⦿

Eduardo Viramontes

Los Angeles, CA-based designer of Ribbon Serif (2016). [Google] [More]  ⦿

Eko Nurcahyo

Semarang, Indonesia-based designer (b. 1991) of the script typefaces Blista rade (2018), Cattalleya (2018: upright and monoline) and Marsseille (2018). Creative Fabrica link. [Google] [More]  ⦿

Eko Setiawan

Denpasar, Bali-based designer of the connected script typefaes Neira (2018) and senja (2018), and the hand-crafted typefaces Sarada (2018, a slab serif), Inku (2018, a slab serif) and Shinigami (2018: a haunting brush font). [Google] [More]  ⦿

Eliezer Grawe

Cuiaba, Brazil-based designer of the hand-crafted rounded sans typeface Mangaba (2018). [Google] [More]  ⦿

Elif Acikgoz

Eskisehir, Turkey-based designer of Wave Script (2018). [Google] [More]  ⦿

Elza Gashi

Pristina, Kosovo-based make-up artist. Designer of the Chinese emulation typeface Chinese Restaurant (2018). [Google] [More]  ⦿

Emary Aguayo
[Emary Designs]

[More]  ⦿

Emary Designs
[Emary Aguayo]

Houston, TX-based designer of the connect-the-dots constellation typeface Oblivion (2018). [Google] [More]  ⦿

Emily Penley

Designer of these typefaces in 2018: EP Wiggle, EP Pipes, EP Lazy, EP Heaven, EP Dominate, EP Big Guy, EP Chaos. [Google] [More]  ⦿

Emmanuel Asare-Adu

Designer in Cambridge, UK, who created the minimalist poster typeface galaxy in 2018. [Google] [More]  ⦿


Tangerang, Indonesia-based designer of the script typefaces Salmon Script (2018), Cashion Script (2018), Menulist (2018), and Valencia (2018). [Google] [More]  ⦿

Erfan Pranantiyo

Or Maxim Apperian. Magelang, Indonesia-based designer of these typefaces in 2018: Alien Frogs, Algorithm Brush, Gefan (a multiline typeface), New Bhabhie (brush), Papies, Banis (rough painted brush), Vetican (brush style), Dr. Faq. Graphicriver link. [Google] [More]  ⦿

Erica Hartwick
[Big Cat Creative]

[More]  ⦿

Erik Seitz

Erik Seitz studied at the University of Applied Sciences Trier. In 2018, he designed Altum Sans. [Google] [MyFonts] [More]  ⦿

Erinc Kara

Izmir, Turkey-based designer of the free modular typeface Gorem (2018). [Google] [More]  ⦿

Erland Storaker

Oslo, Norway-based designer of the free typeface Pogo Display (2018). [Google] [More]  ⦿

Ersin Acir

Antalya, Turkey-based designer of Downup Light (2018) during his studies at Necmettin Erbakan University. [Google] [More]  ⦿

Ethan Phan

At the University of the Arts in London, Ethan Phan designed the Victorian typeface Cinerva (2018). [Google] [More]  ⦿

Euan Smith

Or Betwixt Designs. London, UK-based designer (b. 1992) of the metal band typeface BTX Ornstein (2018). [Google] [More]  ⦿

Evgenia Ertel

Graduate of Kuban State University. Krasnodar, Russia-based designer of the (Latin) children's book font Sly Plan (2018). [Google] [More]  ⦿

Fakhrul Razi

Pasar Lamno, Indonesia-based designer of the script typefaces The Magic (2018), Shattuck (2018), Clarabella (2018), Michalline (2018: a signature script) and Almahira (2018). [Google] [More]  ⦿

Farhan Fuad

Banda Aceh, Indonesia-based designer of the calligraphic script typeface Bold Lovely (2018), Horror House (2018), Meusaneut (2018), The Lughokk (2018), and Bakk Trieng (2018). [Google] [More]  ⦿

Felippe Cavalcanti

Recife, Brazil-based designer of the linocut / xylographic typeface Lampiao (2018). [Google] [More]  ⦿

Flavio Souza Alves

Belo Horizonte, Brazil-bassed designer of a brush typeface in 2018. [Google] [More]  ⦿

Flory Guiraud

Buenos Aires-based designer of the display typeface Finland (2018). [Google] [More]  ⦿

Font & Co
[Francesco Gianesini]

Font & Co. is an independent type foundry established in 2017 by Francesco Gianesini, co-founder and Creative Director of Gianesini Design, a multidisciplinary design studio based in New York City. He started Gianesini Design with his wife Tina in 1994. In 2018, he published the Italian art deco typeface Via Roma Display. [Google] [MyFonts] [More]  ⦿


Aceh, Indonesia-based designer, b. 1993, of the script typefaces Dellia Script (2018), Mystery (2018), Sintiya (2018: calligraphic), Estadia (2018) and Ecuador (2018). [Google] [More]  ⦿

Francesco Gianesini
[Font & Co]

[MyFonts] [More]  ⦿

Frida Corona

Mexico City-based designer of the rounded sans typeface Hocking (2018) and the chiseled typeface Madre e Hija (2018). She also designed a set of stick figure emoticons called Bastonio (2018). [Google] [More]  ⦿

Future Fonts
[Lizy Gershenzon]

Future Fonts is run by Lizy Gershenzon and Travis Kochel of Scribble Tone, with James Edmondson of OH no Type Co helping shape and grow the community. Scribble Tone is a design studio in Portland, Oregon, known for designing experimental typefaces like FF Chartwell. OH no Type Co is a type foundry in San Francisco that published Hobeaux and Vulf Mono. Both Travis and James also teach typeface design. Travis is currently an adjunct professor at Portland State University, while James teaches Type at Cooper West.

On launch in 2018, Future Fonts showed the work of Inga Plönnigs, Dave Coleman, Ryan Bugden, Rüdiger, Sun Helen Isdahl Kalvenes, Erik Marinovich, Acute Studio, Teo Tuominen, Jake Fleming, JazzMaType, OH no Type, and Scribble Tone. [Google] [More]  ⦿

Gabriel Coppola

Sao Paulo, brazil-based designer of a hand-crafted blacknoard bold typeface in 2018. [Google] [More]  ⦿

Gabriella Amate

Tatui. Brazil-based designer of the script typeface Amate (2018). [Google] [More]  ⦿

Giedre Mikutenaite

Vilnius, Lithuania-based student-designer of the wavy font Flexia (2018) and a wonderful Music Icon Set (2018).. [Google] [More]  ⦿

Grace Pointon

Brisbane, Australia-based designer of Medusae (2018) during her computer science studies at QUT. [Google] [More]  ⦿

Graham McFie

Toronto, Ontario-based designer of the polygonal sports franchise typeface Arc Sculler (2018), which was published on Black Thursday, the day Ontario elected its first Trumpian premier, Doug Ford. Arc Sculler was made for the Toronto Argonauts and references 19-th century wood types. [Google] [More]  ⦿

Guadalupe Molina

During her studies at UNAM in Mexico City, Guadalupe Molina designed the text typeface Cumbre (2018) and the rounded sans typeface Vasconcelos (2018). [Google] [More]  ⦿

Guiltype Studio

Yogyakarta, Indonesia-based designer of the free fat finger font Good Morning Purple (2018). [Google] [More]  ⦿

Gwenola Boileau

Nantes, France-based designer of the tiki font Tiki Taka (2018). [Google] [More]  ⦿

Haoyang Guan

Las Vegas, NV-based designer of the free font Yang (2018). [Google] [More]  ⦿

Haya Fawzy

Nasr City, Egypt-based designer of the Arabic typeface Princess for a school project in 2018. She also created the Latin typeface Queen B (2018). [Google] [More]  ⦿

HB Font
[Main-jae Oh]

Korean designer of Haru (2018), a squarish techno typeface family with several choices of textures. [Google] [MyFonts] [More]  ⦿

Helena Öhman

Stockholm, Sweden-based designer of the handlettered brush font Belle Helene (2017) and the modular typeface Karolina (2018). [Google] [More]  ⦿

Henry Postons

London, Ontario-based designer, as a student at Fanshawe College, of Vääksy (2018). This geometric sans is based on the architecture of classical bridges. [Google] [More]  ⦿

Here East
[Nastia Piven]

Minsk, Belarus-based designer of the logotype Carpazzi Soft (2014) and Grossweight Stencil (2018). She also created Turnu (2018), a squarish logofont for a new Danish taxi service. Other fonts from 2018 include OCR Camp, Pretty Much Fur, and Fat Porn. [Google] [More]  ⦿

Hiral Vasant

Indian designer of a display typeface in 2018. [Google] [More]  ⦿

Hiro W

Osaka, Japan-based designer of the curly typeface Bone in Plant (2018) and the stencil typeface Cyber Grotesque (2018). [Google] [More]  ⦿

Imam Nurrahmat
[Nurrehmet Studio]

[More]  ⦿

Imori Oto

New York City-based designer of the bicolored typeface The Other Side (2018). [Google] [More]  ⦿

Irina Dubovik

Moscow-based designer of the brush typeface Wilde Wasser (2018). [Google] [More]  ⦿

Irwan Felani
[Nadhira Felani]

[More]  ⦿

Isa Werleman

Dutch designer of the bilined display typeface Pointy (2018). [Google] [More]  ⦿

Isabela D. Caragelasco

During her studies in Sao Paulo, Brazil, Isabela D. Caragelasco designed the floral caps typeface Beautiful Power (2018). [Google] [More]  ⦿

Isha Shah

Mumbai, India-based designer of a Memphis-style decorative caps typefce (2018) and of the devanagari typeface Avshicha Gho (2018), which was inspired by the architectural design of the temple Padmanabh Swamy. [Google] [More]  ⦿

Ivan Angelic

Canadian lettering artist wh runs the design studio Hoffmann Angelic Design together with his wife, graphic designer Andrea Hoffmann. Ivan created the vernacular script typeface Sashay Script in 2018. [Google] [MyFonts] [More]  ⦿

Ivan Murit

Paris-based designer who published the experimental rounded typeface Gothic Lab Gecko together with Jean-Baptiste Levée at Production Type in 2018. It features a molecular texture. [Google] [More]  ⦿

Iveth Villalobos

Baja California, Mexico-based designer of New Nouveau (2018). [Google] [More]  ⦿

Jaime de la Torre

Alcoy, Spain-based designer of the free display typeface Holden Cauldfield (2018). [Google] [More]  ⦿

Jaime Demiba

Zaragoza, Spain-based designer of Ayax (2018). [Google] [More]  ⦿

Jake Fleming

At Future Fonts, Jake Fleming designed Boxout (2018) and Goiters (2018). Boxout is inspired by Impact but has more contrast and curvature. [Google] [More]  ⦿

Jake Masakayan

Pasadena, CA-based designer of Bounce (2018). [Google] [More]  ⦿

Jamie Collins

Designer of the wavy typeface Under The Surface (2018). [Google] [More]  ⦿

Jan Weidemüller
[Ultra Kühl]

[More]  ⦿

Jay Allan

Australian designer of Future Palms (2018). [Google] [More]  ⦿

Jeffry Macpherson

Linwood, NJ-based designer of Blackletter 1905 (2018) and Architectural 1905 (2018). These typefaces are based on alphabets found in Architectural Lettering (American School of Correspondence, Chicago, IL, 1905). He also designed Foil Balloon Font (2018). [Google] [More]  ⦿

Jessica Nichol

South Norwalk, CT-based designer of the sans typeface Kithe (2018). [Google] [More]  ⦿

Jesslyn Fabryando

Subang Jaya, Malaysia-based designer of Gartannic (2017). [Google] [More]  ⦿

Jim Morel

Amerian designer of the spurred typeface Thorny Bits (2018). [Google] [More]  ⦿

Jimmy Turrell

Newcastle, UK-based illustrator. Designer at Fontsmith of FS Erskine (2018), an experimental randomized display typeface. [Google] [More]  ⦿

Jithin Mohan

Kochi, India-based designer of Martian Display Font (2018). [Google] [More]  ⦿

Joakim Ulseth

Trondheim, Norway-based designer of the free paperclip typeface Homework (2018). [Google] [More]  ⦿

Joao Emmanuel

Caruaru, Brazil-based designer of the modular typeface Modtype 47 (2018). [Google] [More]  ⦿

Joao Miranda

Brooklyn, NY-based designer of the flowing typeface family Souq (2018). [Google] [More]  ⦿

Johnny Vigne
[Than J]

[More]  ⦿

Jonas Mai

Osnabrück, Germany-based designer of Ahoi (2018), a wavy font inspired by the international morse code. This font was finished during his studies at the University of Applied Science Osnabrück. [Google] [More]  ⦿

Jorge Aroca

Bogota, Colombia-based designer of the techno or video game font Phalax (2018). [Google] [More]  ⦿

Josep Andrians

Bandung, Indonesia-based designer (b. 1996) of the free hand-crafted typeface Tahu (2018). [Google] [More]  ⦿

Josue Alexander Nieblas Ruvalcaba

Tijuana, Mexico-based designer of Bubbles (2018). [Google] [More]  ⦿

Julia Wrobel

Wroclaw, Poland-based designer of Blok (2018). [Google] [More]  ⦿

Julian Ma

Jakarta, Indonesia-based designer of the free brush script typeface Mona (2018) and the free squarish typeface Efesto (2018). Julian also designed several sets of icons, including Cleaning Icons, Travel Icons, and a set of emoticons. [Google] [More]  ⦿

Junki Hong

Graduate of California Institute of the Arts (MFA) and Konkuk University (BFA). Valencia, CA-based designer of Rabbit (2018), a typeface with rabbit shoe-themed serifs. [Google] [More]  ⦿

Justine Montgomery

Johannesburg, South Africa-based designer of the connected cursive typeface Matilda (2018). [Google] [More]  ⦿

Kame Saro

Hanoi, Vietnam-based designer of the bamboo font Take (2018). [Google] [More]  ⦿

Kamigawi Design
[Rengga Zulkarnaen]

Malang, Indonesia-based designer of Reilly Beck (2018) and the signature fonts Devonian (2018: free) and Bleinheim (2018). Graphicriver link. [Google] [More]  ⦿

Kamil Umaev

UK-based designer, b. 1986, of of the white-on-black typeface Brickyol (2018). [Google] [More]  ⦿

Karen Cartas

At UNAM in Mexico City, Karen Cartas designed the slightly tilted text typeface Tehuana (2018). [Google] [More]  ⦿

[Larissa Kasper]

Kasper-Florio (Sankt Gallen, Switzerland) is a joint venture of Swiss designers Larissa Kasper and Rosario Florio established in 2013. In 2018, they published Monument Grotesk at the Dinamo typefoundry. It had served up to that point as their in house typeface and was developed in 2014-2015. [Google] [More]  ⦿

Kaylyn Gustafson

Graduate of Kutztown University of Pennsylvania. Philadelphia, PA-based designer of the coffee cup stain-themed circular typeface Bialetti (2018), which is named after the inventor of the espresso machine, Alfonso Bialetti. [Google] [More]  ⦿


South African designer of the stencil typeface Radio Edit (2018). [Google] [More]  ⦿

Kevin Shaj

Pathanamthitta, India-based designer of the free oriental simulation typeface Chinese Arch (2018) and the free Synuous Bold (2018). [Google] [More]  ⦿

Khairah Majid

Singapore-based designer of a decorative caps typeface in 2018 called Geode. [Google] [More]  ⦿

Kichan Ma

Seoul, Korea-based designer of Hanger (2018), a fun display typeface that marries Neil Bold and Horatio. He also designed the programmed ultra-black Hangul / Latin poster typeface Tuem (2018). [Google] [More]  ⦿

Klemen Vodopivec

Ljubljana, Slovenia-based designer of the text typeface Cankerif (2018), which is named after Ivan Cankar. [Google] [More]  ⦿

Koketso Letlape

Johannesburg, South Africa-based designer of the dispaly caps typeface Ekae (2018). [Google] [More]  ⦿

Kubilay Aydemir

Istanbul, Turkey-based designer of the monoline sans typeface Cycle (2018). [Google] [More]  ⦿

Kwok Ka Lung

Kwun Tong, Hong Kong-based designer of a decorative typeface in 2017. [Google] [More]  ⦿

La Petite Prune
[Claudia Canovas]

Reus, Spain-based designer of Alice (2018: a floral caps typeface) and Beatrice (2018: a floral typeface). [Google] [More]  ⦿

Lara Anderson

Cambridge, New Zealand-based designer of Ambriosia (2018) during her studies at Wintec, Hamilton. [Google] [More]  ⦿

Larissa Kasper

[More]  ⦿

Laura Baxter

As a student at Middlesex University, London-based Laura baxter designed the architectural typeface Dawson Construct (2018). [Google] [More]  ⦿

Laura Urquijo

Bilbao, Spain-based designer of the straight-edged typeface Luc (2018). [Google] [More]  ⦿

Lea Morand

French designer of Saint Valentin (2018). [Google] [More]  ⦿

Lena Stichternath

Graphic designer in Hannover, Germany. The typeface Magdalena was developed during a course at the University of Applied Sciences and Arts Hannover taught by Florian Schick. In 2018, the typeface was used for the Elefant tea brand corporate identity. [Google] [More]  ⦿

Leo Lim

Leeds, UK-based designer of the all caps sans typeface Pebble Sans (2018). [Google] [More]  ⦿

Leonard Mabille

Designer of Selectric and Selectric Mono (2015), free typefaces that are based on IBM Selectric Adjutant. [Google] [More]  ⦿

Lewis Whibley

Aberdeen, Scotland-based designer of the slab serif typeface Valentina (2018), which is named after the first female astronaut, Valentina Tereshkova. It pays homage to the space race of the 1960's, and 2001: A Space Odyssey. [Google] [More]  ⦿

Lin Ling

Rio de Janeiro, Brazil-based designer of Square Monkey (2018). [Google] [More]  ⦿

Lisa Bukreyeva
[Lisa Kalev]

[More]  ⦿

Lisa Kalev
[Lisa Bukreyeva]

Kiev, Ukraine-based designer of the paper cutout font Cut Me (2018), the experimental Dots Lines (2018) and the simple sans typeface family Atlas (2018). [Google] [More]  ⦿

Lizy Gershenzon
[Scribble Tone]

[More]  ⦿

Lizy Gershenzon
[Future Fonts]

[More]  ⦿

Lucas Descroix

Lucas Descroix is graphic and type designer based in France. After researching at the National Institute for Typographic Research in Nancy, France, he is now designing typefaces, books, posters and visual identities. French designer of ultra-condensed sans family Grandmaster (2018, The Designers Foundry). [Google] [More]  ⦿

Lucia Antruego

Valladolid, Spain-based designer of Risueña (2018: a friendly informal sans), Natura (2017: textured floral caps), and a children's book alphabet (2018). [Google] [More]  ⦿

Luciano Quaranta
[Studio Variabile]

[More]  ⦿

Lucy Miguel

At UABC Valle de las Palmas, Tijuana, Mexico-based Lucy Miguel designed the liquidy typeface Aquosa (2018). [Google] [More]  ⦿

Luke Woodward

In 2018, Omse and Luke Woodward co-designed the monospaced typewriter family TypeType. [Google] [More]  ⦿

Lukmanul Khikmatullah

Indonesian designer of Maigreds and the script typefaces Anghones and Hugtophia in 2018, and Airates Script in 2017. [Google] [More]  ⦿

M. Ilham Maulana

Banten, Indonesia-based designer, b. 1996, of Ngobet (2018). [Google] [More]  ⦿

Magda Dzielinska

At the Academy of Fine Arts in Warsaw, Magda Dzielinska designed the blackletter typeface Breslau Black (2018). [Google] [More]  ⦿

Main-jae Oh
[HB Font]

[MyFonts] [More]  ⦿

Malik Wisnu

Merauke, Papua, Indonesia-based designer of these typefaces in 2018: Nocturnal, Benza (display sans), Almar (display sans), Little Boss (hand-crafted). [Google] [More]  ⦿

Manu Ambady

Mumbai, India-based designer of the free Peignotian typeface Suave (2018). [Google] [More]  ⦿

Manuel de Lignières

During his studies at Ecole Estienne (Paris), Manuel de Lignières (Montpellier, France) published Waba (2018) with Lewis McGuffie. Inspired by woodblock types and art nouveau, Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe. The free variable font Waba Border (2018) was added by Lewis McGuffie.

Earlier, in 2017, he published the blackletter font Kodex. [Google] [MyFonts] [More]  ⦿

Marchan Christiansen

During his studies under Kenn Munk in Haderslev, Denmark, Marchan Christiansen designed Black Slab (2018). [Google] [More]  ⦿

Maria Catary

Magnitogorsk, Russia-based designer of the hand-crafted typeface Bright Sugar (2018). [Google] [More]  ⦿

Maria Kuziola

Poznan, Poland-based designer of the script typeface Goplanka (2018). [Google] [More]  ⦿

Mariam Omar

Cairo, Egypt-based designer of an Arabic typeface and a Latin typeface (calleed Phoebe) in 2018. [Google] [More]  ⦿

Mariana Ortiz Gonzalez

During her studies in Monterrey, Mexico, Mariana Ortiz designed the blackletter typeface Hello (2017). [Google] [More]  ⦿

Mariola de Pino

At UNAM in Mexico City, Mariola del Pino designed the rounded sans typeface Genion (2017). [Google] [More]  ⦿

Mark Khoury

Toronto-based designer. During his studies at Concordia University, he created the display typeface Anthony (2018), which is based on design elements in the Braun BN0031 watch. [Google] [More]  ⦿

Mary Duran

Chantilly, VA-based designer of the vernacular (lemonade stand) typeface Lemon (2018). [Google] [More]  ⦿

Marylou Chalon

Paris-based designer of a decorative typeface in 2018. [Google] [More]  ⦿

Mason Mulcahy

Designer of the modular font family Rigor Mortis (2018). [Google] [More]  ⦿

Mate Osvald

Designer of Vorm (2018), which is modeled after Misztotfalusi Kis Miklos's Kis Antiqua. [Google] [More]  ⦿

Mathilde Favre

During her studies in Bordeaux, France, Mathilde favre designed the elliptical sans typeface Gastone (2018). [Google] [More]  ⦿

Mathilde Herard

Paris-based designer of the spaghetti Western font Ennio (2018), which was a school project at Les Gobelins. [Google] [More]  ⦿

Matteo Berton

Italian artist who, with the help of Cosimo Lorenzo Pancini at Zetafonts, designed the chalky typeface Berton(2017). [Google] [MyFonts] [More]  ⦿

Matthew Bishop

Brisbane, Australia-based designer of the free rounded monoline sans typeface Forma (2018). [Google] [More]  ⦿

Maulana Hibban
[Urban Store]

[More]  ⦿

Max Lee

Mageklang, Indonesia-based designer, b. 1980, of the sci fi typeface Elasis (2018). [Google] [More]  ⦿

Maxime Roulleaux

Parisian designer of the rounded sans typeface Louro (2018), the experimental New Braille (2018), and Electronic Pictograms (2018). [Google] [More]  ⦿

Mehmet Kirlangic

Istanbul, Turkey-based designer of the hipster typeface Vova (2018). [Google] [More]  ⦿


Melany is a graphic and motion designer. During her studies at the University of Technology, Sydney, she created the experimental typeface Darjeeling to Budapest (2018), influenced by the movie art of Wes Anderson. [Google] [More]  ⦿

Mentecalamar Studio

Madrid, Spain-based designer of the Mad Max-themed decorative caps typeface Apocalypse (2018) and the ghoulish Horror Sans (2018). [Google] [More]  ⦿

Meredith Roturier

Brussels-based designer of the art deco typeface Bruxelles Bouge (2018). [Google] [More]  ⦿

Michael Mervinetsky
[Studio and Story]

[MyFonts] [More]  ⦿

Michael Sharpe

[More]  ⦿

Michele D'Andrea Rodrigues

London, UK-based designer of the school project font Guglielmo (2013). [Google] [More]  ⦿

Milla Febriana Tanjung

[More]  ⦿

Min Hong

At the University of Seoul, Min Hong designed Block Sans Extreme in 2018. [Google] [More]  ⦿

Miruna Arsene

Bucharest, Romania-based student-designer of the wavy font Zig Zag (2018). [Google] [More]  ⦿

Moataz Ahmed

Born in Egypt, Moataz Ahmed now lives in Stamford, CT. In 2018, he designed the free curly text typeface Teach. Aka Motizzy. [Google] [More]  ⦿

Mohamad Arif Prasetyo

[More]  ⦿

Mohd Fikray

Seremban, Malaysia-based designer of the glitch fonts Shape (2018) and Shap (2018). [Google] [More]  ⦿

Monica Stock

American designer of the display typeface Bending (2018). [Google] [More]  ⦿


Malang, Indonesia-based designer of Comicslab (2018). [Google] [More]  ⦿

Monotype HK

Monotype Hong Kong Ltd.is a subsidiary of Monotype responsible for the design and development of Simplified Chinese and Traditional Chinese typefaces, and also other Asian languages/scripts. It grew out of the acquisition in 2006 by Monotype of China Type Design Ltd. They write: The Monotype HK typeface collection includes a wide range of high quality designs in popular type styles for text and display setting, in print and screen environments. Today the Monotype team continues to create new Chinese typefaces for the library, as well as custom and bespoke typefaces for global brands and enterprises. The typefaces as of 2018: M Comic HK, M Computer HK, M Finance HK, M Sung Gold HK, M Sung PRC, M Razor HK, M Stiff Hei PRC, M Kai PRC, M Ling Wai P HK, M Razor PRC, M Finance PRC, M Zhi Ngai HK, M Zhi Ngai PRC, M Gentle HK, M Gentle PRC, M Banquet P HK, M Banquet P PRC, M Bitmap Square HK, M Circus PRC, M Bei HK, M Bitmap Round HK, M Circus HK, M Hei PRC, M Yuppy HK, M Yuppy PRC, M Lady HK, M Lady PRC, M Young Hei PRC, M Young HK, M Young PRC, M Yoyo HK, M Yoyo PRC, M Sung Gold PRC, M Elite Hei HK, M Elite Hei PRC, M J Ngai HK, M J Ngai PRC, M Yuen PRC, M Elle PRC. [Google] [MyFonts] [More]  ⦿

Moses BIma Dewantara

Designer of the display typeface Space (2018). [Google] [More]  ⦿

Muhammad Nasir

Indonesian designer of the calligraphic typeface Matesia (2018). [Google] [More]  ⦿

Muhammad Ridha Agusni

Banda Aceh, Indonesai-based designer (b. 1980) of the blackletter typeface Amstha (2018). [Google] [More]  ⦿

My Longley

My Longley (b. 1986, Åland Islands) works as a graphic designer in Stockholm. Studied design at Konstfack and printmaking arts at Grafikskolan. In 2018, My designed the modular stencil typeface Blåkulla. [Google] [More]  ⦿

MyFonts: Bestsellers for June 2018

The fifty best-selling typefaces at MyFonts, as reported by them on June 1, 2018: #1 Neue Helvetica (Linotype), #2 Proxima Nova (Mark Simonson), #3 Brandon Grotesque (HVD Fonts), #4 FF DIN (FontFont), #5 Avenir Next (Linotype), #6 Avenir (Linotype), #7 Frutiger (Linotype), #8 Gilroy (Radomir Tinkov), #9 Futura (Linotype), #10 Futura PT (ParaType), #11 DIN Next (Linotype), #12 Cera Pro (TypeMates), #13 Trade Gothic (Linotype), #14 Univers (Linotype), #15 Neue Plak (Monotype ), #16 Kapra Neue Pro (Typoforge Studio), #17 TT Norms (TypeType), #18 Neue Haas Grotesk (Linotype), #19 Brandon Text (HVD Fonts), #20 Neue Haas Unica (Linotype), #21 FF Mark (FontFont), #22 Campton (Rene Bieder), #23 Museo Sans (exljbris), #24 Codec (Zetafonts), #25 Panton (Fontfabric), #26 ITC Avant Garde Gothic (ITC), #27 Geogrotesque (Emtype Foundry), #28 Co (Dalton Maag), #29 Mont (Fontfabric), #30 Lexia (Dalton Maag), #31 TT Commons (TypeType), #32 Freight Sans Pro (GarageFonts), #33 Northwell (Set Sail Studios), #34 Hurme Geometric Sans 4 (Hurme), #35 Nexa (Fontfabric), #36 Nexa Rust (Fontfabric), #37 TT Tricks (TypeType), #38 Darwin Rounded (Los Andes), #39 Effra (Dalton Maag), #40 ITC Conduit (ITC), #41 Sofia Pro (Mostardesign), #42 Hurme Geometric Sans 1 & 2 (Hurme), #43 Hope Sans (Monotype ), #44 Scotch (Positype), #45 Neo Sans (Monotype ), #46 Averta (Intelligent Design), #47 Galano Grotesque (Rene Bieder), #48 Tazugane Gothic (Monotype ), #49 DIN 2014 (ParaType), #50 Century Gothic (Monotype ). [Google] [More]  ⦿

Nadhira Felani
[Irwan Felani]

Parakan Temanggung Jawa Tengah, Indonesia-based designer of the connected monolinear script typefaces West Side (2018) and Mallaga (2018), a curly delight. [Google] [More]  ⦿

Nadia Namvar

At University of Sharjah, Dubai-based Nadia Namvar designed the aluminum foil font Recycled (2018). [Google] [More]  ⦿

Nastia Piven
[Here East]

[More]  ⦿

Natalia Tkachenko

Moscow-based illustrator. Designer of the brush typeface Afisha Premiere (2018). [Google] [More]  ⦿

Nathania Kawitan

Designer of the display typeface Remo (2018), which is influenced by a traditional Indonesian dance. [Google] [More]  ⦿

Nazli Senerdi

Ankara, Turkey-based designer of the rounded sans tpeface Happy World (2018) and a dingbat font called Happy Dings (2018). [Google] [More]  ⦿


Venezuelan designer, b. 1991, of the grungy typeface Artmar (2018). [Google] [More]  ⦿

Nirmana Visual

Denpasar, Bali-based designer (b. 1989) of the script typeface Britson (2018). [Google] [More]  ⦿

Nomve Design

Sao Paulo, Brazil-based designer of the graffiti typeface Rabera (2018). [Google] [More]  ⦿


Medan, North Sumatra, Indonesia-based designer of the brush script font Ribet (2018). [Google] [More]  ⦿

Nur Cholis Majid

Jakarta, Indonesia-based designer (b. 1991) of the script typefaces Granshey (2018), Naycila Script (2018), Night Work (2018), Little Spring (2018), Basfar (2018) and Troficanos (2018) and the squarish typeface Bedebah (2018). [Google] [More]  ⦿

Nurf Designs

Indonesian designer, b. 1985, of the modular typeface First Job (2018). [Google] [More]  ⦿

Nurrehmet Studio
[Imam Nurrahmat]

Kuningan, Indonesia-based designer of Diva Forever (2018: a script font) and Fujimaru (2018: a free oriental brush typeface). [Google] [More]  ⦿

Oktora Mila

Indonesian designer (b. 1983) of the modular typeface Gamelan (2018). [Google] [More]  ⦿

Oleg Matison

Russian designer of the free Latin / Cyrillic didone typeface Elisabethische (2018). It is a revival of the Jelisawethinskaja Lehmann-Garnitur (1904), with modern additions such as the rubel sign and proper German ß ligatures. Home page. [Google] [More]  ⦿

Olga Glinskaja
[Olga Shcherba]

Olga Shcherba or Olga Glinskaja operates as Oligliya Art in Minsk, Belarus. Designer of the hand-crafted typeface Questo (2018). [Google] [More]  ⦿

Olga Shcherba
[Olga Glinskaja]

[More]  ⦿

OMFD Official
[Stefanie Vogl]

Stefanie Vogl (OMFD Official, Berlin, Germany) graduated from FH Würzburg. In 2018, she designed the experimental typefaces Movement (2018) and Saedge (2018). [Google] [More]  ⦿

Onur Can Sakar

Istanbul, Turkey-based designer of the outlined straight-edged typeface Pearl Jam (2018). [Google] [More]  ⦿

Outline Studio

Indonesian designer (b. 1987) of the connected script typeface Jayakarta (2018). [Google] [More]  ⦿

Pal Elekes

During his studis at Visual Arts Institute Eger (Hungary), Pal Elekes designed an experimental prismatic typeface (2017). [Google] [More]  ⦿

Patricia Anderson

Designer of the free garffiti font Triffiti (2018). [Google] [More]  ⦿

Pauline Fourest

Paris-based type designer. At Future Fonts, she created the incised typeface Giboula (2018). [Google] [More]  ⦿

Pear Jean

Gimhae, Korea-based designer of the circular Latin typeface Pjean (2018). [Google] [More]  ⦿

Pedro Meireis

During his studies at ESAD in Porto, Portugal, in 2018, Pedro Meireis designed the gorgeous art deco typeface Manhattan. [Google] [More]  ⦿

Pineung Type

Indonesian designer of these signage script typefaces in 2018: Shintania, Mutimel, Valentina, Valaseh. [Google] [More]  ⦿

Poen Tf

Indonesian designer of the script typeface Beautiful (2018). [Google] [More]  ⦿

Pooja Pabale

Mumbai, India-based designer of the display typefaces Ornate (2018: based on a Times Roman skeleton) and Pisces (2018). [Google] [More]  ⦿

Q. Kim

San Francisco, CA-based designer of Genius-M (2018) and Genius-P (2018), two abstract art typefaces influenced by Piet Mondrian and Pablo Picasso, respectively. [Google] [More]  ⦿

Rachel Manch

Governor's Beach, Cyprus-based designer of the free minimalist sans typeface Abster (2018). [Google] [More]  ⦿

Rachel Toh Jia Xin

Muar, Malaysia-based designer of the decorative caps typeface Spiral Eyes (2018), which was developed during her studies Tunku Abdul Rahman University College, Kuala Lumpur. [Google] [More]  ⦿

Radinal Riki
[Syntetype Studio]

[More]  ⦿

Rafal Drozdzik

During his studies in Wroclaw, Poland, Rafal Drozdzik designed the slab serif typeface Foptera (2018). [Google] [More]  ⦿

Rahmad Fajri

[More]  ⦿

Randa Ashraf

During her studies, New Cairo, Egypt-based Randa ashraf designer the Arabic typeface samir Sbot (2018) and the blackboard bold Latin typeface Harvard (2018). [Google] [More]  ⦿

Rengga Zulkarnaen
[Kamigawi Design]

[More]  ⦿

Restu Dicky

Bandung, Indonesia-based designer of the free vintage typeface The 1998 (2018). [Google] [More]  ⦿

Richard Khuptong

Designer based in New Delhi. In 2018, he published the free dry brush typeface The Dolbak Brush at Pixel Surplus. [Google] [More]  ⦿

Rifan Asri
[Best Font Studio]

[More]  ⦿

Rizki Mrdth

Aka Noschey. Banda Aceh-based designer (b. 2000) of the modular squarish typeface Lucinta Luna (2018). [Google] [More]  ⦿

Rodrigo Felder

Sao paulo, Brazil-based designer of the organic typeface Tarsila (2018), which honors tthe plastic artist Tarsila do Amaral. [Google] [More]  ⦿

Rolando Bojorquez

Glendale, CA-based designer of an all caps 3d alphabet in 2018. [Google] [More]  ⦿

Rosario Florio

Kasper-Florio (Sankt Gallen, Switzerland) is a joint venture of Swiss designers Larissa Kasper and Rosario Florio established in 2013. In 2018, they published Monument Grotesk at the Dinamo typefoundry. It had served up to that point as their in house typeface and was developed in 2014-2015. [Google] [More]  ⦿

Ruby Abutaleb

American designer of the bicolored caps typeface Ketab (2018). [Google] [More]  ⦿

Rudhi Sasmito

Designer of the thick signage script typeface Creasi (2018) and the script typeface Belgendes (2018). [Google] [More]  ⦿

Rulo Peco

Mexico City-based co-designer, with Ernesto Cerna, of Metro Sans (2018). [Google] [More]  ⦿

Ryan Cassidy

Los Angeles-based designer of Pliny (2018), a typeface that is based on the beer label for Pliny the Elder from Russian River Brewing. He also designed the octagonal mechanical typeface Mascot (2018) and the experimental Mash (2018). [Google] [More]  ⦿

Sabine Piletti

During her studies at the School of Visual communication in Haderslev in Denmark, Sabine Piletti (Esbjerg, Denmark) designed the dry brush typeface Scratch It (2018). [Google] [More]  ⦿

Safa Zmaili

At Ger-Yor University, Safa Zmaili (Stuttgart, Germany) designed Triangle Grid (2018). [Google] [More]  ⦿

Samar Amir

Graphic designer in Cairo who created the elegant display typeface Melinda and the Arabic typeface Gawaher in 2018. [Google] [More]  ⦿

Sarah Ahmed

During her studies at German University in Cairo, Sarah Ahmed designed the curly hyper-Victorian typeface Spiral (2018) and the curly Arabic typeface Belle (2018). [Google] [More]  ⦿

Scooth Line

Indonesian designer of the script typeface Austral (2018). [Google] [More]  ⦿

Scribble Tone
[Lizy Gershenzon]

Scribble Tone (Portland, OR) was founded by Lizy Gershenzon and Travis Kochel. Their typefaces at Scribble Tone and Future Fonts: Skyward Sans (a free Hylian alphabet featured in Zelda's Skyward Sword), Kicker (2012-2018: a neon light font), Iso (2018: a monospaced almost typewriter font). [Google] [More]  ⦿

Sergio Martins

At University of Aveiro in Portugal, Sergio Martins designed the display typeface Tirana (2017). [Google] [More]  ⦿

Shaden Abdulaziz

Cairo, Egypt-based designer of the bold typeface Black Widow (2018). [Google] [More]  ⦿

Sharayu Bedre

Mumbai, India-based designer of Meitei Script (2018). Meitei Mayek was used for the Metei language (aka manipuri) spoken in the south-eastern Himalayan state of Manipur. It was replaced in the 18th century by Bengali. She also designed the Marathi font Tamasha (2018). [Google] [More]  ⦿

Sheridan Bennett

Campbelltown, Australia-based designer of a font in 2018 that was inspired by witchcraft. [Google] [More]  ⦿

Sherine Abulmagd

During her studies at German University in Cairo, Sherine Abulmagd designed the elegant Arabic typeface Sherif ElKordy (2018), and the Latin typeface Edward Scissorhands (2018), for which she took Stuart sandler's Swanky (1996) as a model.. [Google] [More]  ⦿

Shierly Caroline

Surabaya, Indonesia-based designer of the cultural pattern-themed typeface Buna Insana (2018). [Google] [More]  ⦿

Sholeha Anata

Temanggung, Indonesia-based graphic designer. Creator of the script typeface Moonlight (2018) and the signature font Heartful Time (2018). [Google] [More]  ⦿

Shubham Chinchkar

Mumbai, India-based designer of a counterless Latin typeface in 2018. [Google] [More]  ⦿

Sifat Ahmed

Designer of the free organic typeface Nillima (2018). [Google] [More]  ⦿

Spenser Dawdy
[Dawdy Brothers]

[More]  ⦿

Stefanie Vogl
[OMFD Official]

[More]  ⦿

[Michael Sharpe]

A free Open Font Libray font package started in 2018 by and maintained by Michael Sharpe: SticksToo is a reworking of some of the fonts in the newly released STIX2 font package and the STIX2 beta font package from 2016 to allow LaTeX users to make better use of some of the text features of STIX2. A companion release of newtx, version 1.55, contains an option stix2 that uses Roman and Greek letters together with newtxmath symbols, as a work-around for some current problems with STIX2 math rendering in LaTeX. The fonts are provided in PostScript formats. [Google] [More]  ⦿

STS Lifestyle

Cebu City, Philippines-based designer of the vintage typeface family Villagers (2018) and the connected script Infatuation (2018). [Google] [More]  ⦿

Studio and Story
[Michael Mervinetsky]

Michael Mervinetsky's typefoundry located in Israel. Designer of the hand-crafted typeface Exceptional. [Google] [MyFonts] [More]  ⦿

Studio Variabile
[Luciano Quaranta]

Firenze, Italy-based designer of the octagonal / mechanical sans serif typeface Rucker (2018), which is inspired by Pick-up Basketball, by basketball signs and by road and industrial signs of the early 20th century. The font is available on demand at Studio Variabile. [Google] [More]  ⦿

[Rahmad Fajri]

Indonesian designer of the script typeface Miadiena (2018). [Google] [More]  ⦿

Syntetype Studio
[Radinal Riki]

Bandung, Indonesia-based designer (b. 1990) of the hand-crafted four-style archeological museum font family Neozoic (2018). Free trial of Neozoic. . [Google] [More]  ⦿

Tamara Baleika

Minsk, Belarus-based designer of Monatik (2018) and Alphabetic Zoo (2018). [Google] [More]  ⦿

Telllu Craft

Yogyakarta, Indonesia-based designer of the formal calligraphic typeface Sinestesia (2018) which was inspired by brush lettering from old sign paintings. [Google] [More]  ⦿

Tevin Zetalian

Graphic designer in New York City who hails from Beirut, Lebanon. In 2018, he created the display typeface Splash. [Google] [More]  ⦿

Than J
[Johnny Vigne]

Johnny Vigne and Nathan Lacroix run Than J in Martinique. They were inspired by Cassandre's Bifur in the design of Lunaticus (2016). [Google] [More]  ⦿

Thi Bui

Artist and author Thi Bui was born in Vietnam and immigrated to the United States as a child. She studied art and legal studies and became a public school teacher. Bui lives in Berkeley, California. The Best We Could Do (2018) was created by Thi Bui who used the font in her graphic novel by the same name. It was published by Chank. [Google] [MyFonts] [More]  ⦿

Thomas Pavitte

Designer of Spaghetti Sans (2018). [Google] [More]  ⦿

Tim Lane

Creator of a new logo and branding typeface for Buzzfeed UK in 2018. It was inspired by the trending arrow. [Google] [More]  ⦿

Tolya Dodko

Tolya Doodko is a type and graphic designer from Moscow, who studied type design at the British Higher School of Art and Design. In 2018, Tolya created Monogamma. [Google] [MyFonts] [More]  ⦿

Toni Setiawan

Indramayu, Indonesia-based designer, b. 1993, of the script typeface Creative Word (2018). [Google] [More]  ⦿

Tristan Savoie

French designer of Mika Teuf (2010) and the grungy Blanc et Noir (2018). [Google] [More]  ⦿

Ultra Kühl
[Jan Weidemüller]

Berlin-based designer of the didone typeface Para Supreme (2018) at The Designers Foundry. He also designed the reverse stress typeface family Guzi Warp. Both Para and Guzi have variable font versions. [Google] [More]  ⦿

Ultra Yellow

Surabaya, Indonesia-based designer of the script typeface Peaceful Heart (2018). [Google] [More]  ⦿

UMPRUM Academy 2017: Variable Fonts

Many variable fonts were designed by the students in the Type Design and Typography studio at the UMPRUM Academy in Prague during the Winter term of 2017. These include:

  • Jan Buble: Softhard.
  • Josefina Karlikova: Krabat.
  • Matej Vojtus: Kultivar.
  • Stefan Osciatka: Hares.
  • Simon Matejka: Baseliner.
  • Premysl Zajicek: Reda.
  • Viktor Janousek: Retroduktor.
  • Jakub Hojgr: In the Pines.
  • David Rericha: Flextura.
  • Matyas Machat: Heroica.
  • Matyas Barto: Minim.
  • Zuzana Uhlova: Divotvor.
[Google] [More]  ⦿

Unax Gomez

Bilbao, Spain-based designer of the bicolored deco typeface Auurbo (2018). [Google] [More]  ⦿

Urban Store
[Maulana Hibban]

Indonesian designer of the script typefaces Montelin (2018), Dipatunal (2018) and Mellson (2018). [Google] [More]  ⦿

Valentin Wühr

Muenchen-based designer of several experimental and deconstructed typefaces in 2018. [Google] [More]  ⦿

Valeria Florindez

At Pontificia Universidad Catolica del Peru, Alice Valle (Lima, Peru) and Valeria Florindez designed the octopus-themed all caps typeface Alfabeto Pulpo (2017) or Octo (2017). [Google] [More]  ⦿

Vasily Daymarius
[Vasily Draigo]

Kharkiv, Ukraine-based designer of the free sans typeface Trender (2018). [Google] [More]  ⦿

Vasily Draigo
[Vasily Daymarius]

[More]  ⦿

Vedran Vaskovic

Art directr at McCann. Montreal-based designer of the free didone stencil typeface Saint George (2018) which is loosely based on Carter's Georgia.

In 2015, he made the free blackletter typeface Blackberg. [Google] [More]  ⦿

Viktor Fitzner

Russian co-designer, with Aleksander Lubovenko at Paratype, of Wak (2018), a lively display typeface. [Google] [MyFonts] [More]  ⦿

Violaine Gonzales

Lyon, France-based designer of the sans typeface Violaine (2018). [Google] [More]  ⦿

Virgi Ghow

Bandung, Indonesia-based designer of these typefaces in 2018: Royal Morgue, Romantic Blues, Romano, Bronx Awesome (vintage), Salomon Script, Laluna (sans). Graphicriver link. [Google] [More]  ⦿

Vojtech Cizmar

Brno, Czechia-based designer, b. 1996, of Peyote Handwrite (2018). [Google] [More]  ⦿

Vyacheslav Kolb

Kiev, Ukraine-based designer of the constructivist Latin / Cyrillic typeface Artemovsck (2018). [Google] [More]  ⦿

Wojtek Zolty

Polish designer of New Magnetic (2018). [Google] [More]  ⦿


Designer of Round Monogram (2018). [Google] [More]  ⦿

Xiaolin Huang

Sydney, Australia-based student-designer of the old Chinese emulation typeface Qinguo (2018). [Google] [More]  ⦿

Yanky Goldman

Yanky Goldman runs a design boutique in Brooklyn, NY, since 2014. In 2018, he created Ringlings, a decorative typeface that comes with Deco Caps and Borders, to give the package a late Victorian, early art nouveau feel. [Google] [MyFonts] [More]  ⦿

Ydhra Studio
[Yudha Ageng]

jakarta, Indonesia-based designer (b. 1996) of the bold script typefaces Manhattan (2018) and Matane (2018), the monoline script typeface Royaland (2018) and the modern script typeface Pharosi (2018). Graphicriver link. [Google] [More]  ⦿

[Mohamad Arif Prasetyo]

Semarang, Indonesia-based designer of the signature font Badriyah Two (2018), the hand-crafted typefaces Clumsy (2018), Oxlade (2018) and Ashalina (2018, the sans typefaces Chapter 76 Sans (2018) and Higher (2018), and Gazala (2018) and Syadhes (2018). [Google] [More]  ⦿

Yesica Stefanie

Jakarta, Indonesia-based designer of the teardrop-themed typeface Talise (2018). [Google] [More]  ⦿

Yigit Karagoz

Istanbul-based designer, with Ayse Sismanoglu, of the free Most Powerful Font (2018). The letters are taken from the signatures of the G7 leaders that met in Charlevoix, Quebec in June 2018. [Google] [More]  ⦿

Yonathan Seyoum

Designer of the free font Habesha Stencil (2018). [Google] [More]  ⦿

Yudha Ageng
[Ydhra Studio]

[More]  ⦿

Yusuf Matra

Bandung, Indonesia-based designer of the display serif font Sifora (2018). [Google] [More]  ⦿

Yusuke Yamazaki

Yusuke Yamazaki is a Toronto based graphic designer. He was born and raised in Shizuoka, Japan. In 2018, he created the decorative alchemic typeface Nova. [Google] [More]  ⦿

Zsofia Majorosi

During her studies, Eger, Hungary-based Zsofia Majorosi designed the rounded sans typeface Talooga (2018). [Google] [More]  ⦿