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205 Corp

French typefoundry with headquarters in Lyon that sells typefaces made by French type designers Matthieu Cortat, Roxane Gataud, Damien Gautier, Thomas Huot-Marchand, Yoann Minet, and Alice Savoie. These include:

  • Matthieu Cortat: Petit Serif, Louize (+Display), Henry, Helvetius, Stuart, Basetica, Stockmar, Brett, Cosimo, Battling, Anacharsis, Bonesana, Chrysaora.
  • Roxane Gataud:
  • Damien Gautier: Maax (+Display, Rounded, Raw, Mono), La Chaufferie, Robin, Plaak, Le Beaune, Caporal, Colonel, Amiral, Beretta (Sans, Serif).
  • Thomas Huot-Marchand: Minérale, Minuscule.
  • Yoann Minet: Clifton.
  • Alice Savoie:
[Google] [More]  ⦿

Aan Kurniawan

Makassar, Indonesia-based designer of these typefaces in 2017: Hallows (pointy Halloween typeface), The Future, Legend, Asman Script, Trying Brush. [Google] [More]  ⦿

Abdurrahman Assidiq

Yogyakarta, Indonesia-based designer of the display sans typeface Gogila (2017). [Google] [More]  ⦿

Abraham Rodriguez

Cadiz, Spain-based designer of the book typeface Axelino (2017). [Google] [More]  ⦿

Aceler Chua

Raised in Hong Kong and a resident of The Philippines, Aceler Chua designed the Farro sans typeface family in 2017 for his company, Grayscale. Link at Typedrawers. [Google] [More]  ⦿

Ada-Sofia Nieminen

Kouvola, Finland-based designer of the rune-inspired typeface Ilmatar (2017). [Google] [More]  ⦿

Adèle Type Foundry
[Matthieu Salvaggio]

Lyon, France-based designer of these typefaces:

  • AT Surt (2017). An 18-style Scandinavian sans typeface family.
  • Scriptures Memoriam (2017). A didone.
  • Scriptures Keops (2017). A didone with angular modifications inspired by blackletter type.
  • Arges (2017). A very condensed American headline sans.
  • Osmose (2017). A "neoclassical grotesk". He writes that all of his licenses have been sold. Huh?
  • AT Global (2017). A sans.
  • Vuit Grotesk (2016). Not part of the Adele collection.
  • S1 (2013). A sans typeface designed during his studies at L'École européenne supérieure d'art de Bretagne (2012-2014). Not part of the Adele collection.
  • AT Inexpugnable. A free font that was promised for 2017.
  • AT Goliath. A free font that was promised for 2017.

Behance link.

Cargocollective link. Behance link. Link for Adele Type Foundry. [Google] [More]  ⦿

Agata Knajdek
[Nowa Era]

[More]  ⦿

Ageng Jatmiko

Designer of the free font Aamonoline (2017). [Google] [More]  ⦿

Agi Pramudiman
[Loch Typography]

[MyFonts] [More]  ⦿

Agnieszka Dudek

During her studies at Akademia Sztuk Pieknych w Krakowie in Krakow, Poland, Agnieszka Dudek designed the super-heavy Overweight (2017) and the super-condensed Prolong (2017). [Google] [More]  ⦿

Akbar Fadholi

Bogor, Indonesia-based designer of the free fluffy modularly designed typeface Artern (2017). [Google] [More]  ⦿

Akilan Nagarajan

Pune, India-based designer of the zen garden Tamil typeface Karkkal (2017). [Google] [More]  ⦿

Akina Lam

Designer in Sydney, Australia, who created the grid-based typeface Kiku in 2017: Kiku means chrysanthemum in Japanese. The font is created using a grid, inspired by the Imperial Seal of Japan (also known as the Chrysanthemum seals). Behance link. [Google] [More]  ⦿

Alan Yoshimura Pires

Bournemouth, UK-based designer of the free hand-crafted blackboard bold typeface Eva Cute (2017) and the free free handdrawn typeface Woodbone (2017). Behance link. [Google] [More]  ⦿

Ale Casor

Bogota, Colombia-based designer of the experimental typeface Circonica (2017). [Google] [More]  ⦿

Alejandra Estrada

Mexican graphic designer and illustrator who is based in Philadelphia, PA. In 2017, she created the sans serif typeface Funny Tell. Creative Market link. [Google] [More]  ⦿

Aleksandra Stamenkovic

Belgrade, Serbia-based designer of the rounded Latin / Cyrillic sans typeface Sugarfree (2017). [Google] [More]  ⦿

Alena Dubinets

Belarussian designer of Cute Advertising (2017) and Simple Alphabet (2017). [Google] [More]  ⦿

Alessandro Caminiti

Aka Nova Sama. During his studies in Venice, Italy, Alessandro Caminiti (b. 1995) designed the free typeface Hexagon Cup (2018). Dafont link. [Google] [More]  ⦿

Alex Mitchell

Melbourne, Australia-based designer of Celsius Rounded (2017). Behance link. [Google] [More]  ⦿

Alexey Koshelev

Rostov-on-Don, Russia-based designer of the organic sans typeface Happy Sprat (2017). Creative Market link. Behance link. [Google] [More]  ⦿

Ali Derinogullu

Graphic designer in Istanbul. Creator of the free slab serif typeface Derinogullu (2017). [Google] [More]  ⦿

Alice Bottigliero
[Studio Pépouze]

[More]  ⦿

Aliv Pandu
[Type Colony]

[More]  ⦿

Alphabets by Chileans (or: ABC)

Foundry, est. 2015 by Miguel Hernandez and Tania Chacana. Their typefaces include ABC Normal (2016, by Miguel Hernandez and Tania Chacana) which they motivate in this way: Normal is a working horse for the Modern Grotesk Canon, result of study of the models from Theinhardt, Renner, Novarese & Gerstner; avoiding to reveal a personal style. It is timeless but has a large x-height (which makes it not so timeless). [Google] [MyFonts] [More]  ⦿

Amanda Bonnar

During her studies at Art Institute of Pittsburgh, Buzzards Bay, MA-based Amanda Bonnar designed the brush script typeface Roman Holiday (2016), which was inspired by the 1953 movie starring Audrey Hepburn and Gregory Peck. Behance link. [Google] [More]  ⦿

Amélie Touchet

Marseille, France-based designer of the Memphis style color font Aigu (2017). Behance link. [Google] [More]  ⦿

Amni Aziz

Malaysian designer of the cat-themed display typeface Kuc Ink (2017). [Google] [More]  ⦿

Ana Palomino

During her studies, Jaen, Spain-based Ana Palomino designed the condensed display typeface Julia (2017). [Google] [More]  ⦿

André-Pascal Werthwein

During his studies, Mannhein, Germany-based André-Pascal Werthwein designed Generative Type (2017). Behance link. [Google] [More]  ⦿

Andreea Drobota

Cluj-Napoca, Romania-based designer of Kailo Sans (2017). Behance link. [Google] [More]  ⦿

Andrei Versail

Saint Petersburg, Russia-based designer who created a modern latin / Cyrillic sans typeface with an extensive set of dingbats, Garage Tools, in 2017 in cooperation with Jovanny Lemonad. Behance link. [Google] [More]  ⦿

Angelo Konofaos

Cambridge, UK-based designer of the calligraphic brush script typeface Inkinity (2017). Creative Market link. Behance link. [Google] [More]  ⦿

Anna Paruch
[Hella Cool Fonts]

[More]  ⦿

Anna Skrinnikova

During her studies at Royal Academy Antwerp (Antwerp, Belgium), Anna Skrinnikova designed the experimental typeface Noach (2017). [Google] [More]  ⦿

Anna Szonn

Graphic designer in Gemmingen, Germany, who created the brush script typeface Mishelle (2017), and several sets of icons such as Clothing Icons and Gold Crown Icons. Creative Market link. [Google] [More]  ⦿

Anna Zhang

Auckland, New Zealand-based designer of a decorative doodled all caps typeface (2017). [Google] [More]  ⦿

Annette Wüsthoff

German designer at xplicit Berlin. Codesigner of Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures). [Google] [MyFonts] [More]  ⦿

Anton Nevin

Hamburg, Germany-based web and graphic designer. In 2017, he created the squarish typeface Bricker. Behance link. [Google] [More]  ⦿

Ariel Graphics
[Jury Zambon]

Italian designer of the free font Ariel Insular (2017). [Google] [More]  ⦿

Arina Shubina

Moscow-based designer of the Latin / Cyrillic pixel game font Wiwy (2017). Behance link. [Google] [More]  ⦿

Arman Khorramak

Graphic designer, b. Tehran, Iran, 1986. A graduate of Azad University, he designed the squarish modular typeface family Ebtekar (2017, FontBros). Home page. Behance link. [Google] [More]  ⦿

Art Slave

Alya AS (aka Art Slave) is the Jakarta, Indonesia-based designer of the colourful caps typefac Manroe (2017). Behance link. [Google] [More]  ⦿

Artlantis
[Kurt Harahap]

Medan, Indonesia-based designer of the geometric sans typefaces Amora Sans (2017), Gaston (2017) and Louisa (2017). Creative Market link. [Google] [More]  ⦿

Arwah Studio

Designer of script typefaces Holliday Script (2017), Santhia Script (2017), Ellisa (2017), Kila Katana (2017), Clara Script (2017), Alone Script (2017), Datanna (2017). [Google] [More]  ⦿

Ashley Powers

Fort Lauderdale, FL-based designer of Twenty-six Balloons (2017). [Google] [More]  ⦿

Astrid Ogereau

During her studies in Nantes, France, Astrid Ogereau designed the 3d typeface Isométrie (2017) [Google] [More]  ⦿

Atakan Caliskan

During his studies at Yasar University, Izmai, Turkey-based Atakan Caliskan designed the logotype face Rubicon (2017). [Google] [More]  ⦿

Attila Suto

Attila Sütö is a graphic designer in Eger, Hungary. He created the modular display typeface Azidhor (2017), the cosmic typeface Lauronos (2017), and the compass-and-ruler roman caps typeface Imperiem (2017). Behance link. [Google] [More]  ⦿

Autograph
[Peter Korsman]

Autograph is Peter Korsman (b. 1982), the 's Hertogenbosch, The Netherlands-based co-founder and former member of Attak Powergestaltung, a creative partnership with Casper Herselman. In May 2016, after almost twelve years, he left Attak and started Autograph. He also teaches at AKV St. Joost. The fonts (which cost the last two digits of the year, so 17 dollars in 2017) at Autograph have the prefix APK and include:

  • APK Rigimono (2017). A wonderful monospaced Wim Crouwel / Bauhaus / De Stijl-inspired typeface family.
  • APK Reformas (2017). A fifties Swiss style sans.
  • APK Katalogue (2017). Aka Korsman's Grotesk.
  • APH Galeria (2017).

Behance link. A newer Behance link. [Google] [More]  ⦿

Aydin Abbas

Graphic designer in Baku, Azerbaijan, who created the free octagonal Latin typeface Auroor in 2017. [Google] [More]  ⦿

B Machina
[Bruno Maioral]

Portuguese designer of the signage script typeface Dreamdelion (2017). Graphicriver link. Behance link. [Google] [More]  ⦿

Bakoom Studio

Barcelona-based designer of the free neon typeface Neoneon (2017). Behance link. [Google] [More]  ⦿

Baldam

Designer of the brush script typefaces Jack Matras (2017), Creamy&Chungky (2017) and The Casviyan (2017), and the techno display typefaces Quadcore (2017) and Original Hunting (2017). [Google] [More]  ⦿

Barbara Queiroz

Sao Paulo, Brazil-based student-designer of a curvy modular typeface in 2017. [Google] [More]  ⦿

Barcelona Design Shop

Barcelona-based designer of the connected brush script typeface Coffeelover (2017). Behance link. [Google] [More]  ⦿

Beata Sosity

Budapest, Hungary-based designer of the dada style monospaced font Locksmith (2017). [Google] [More]  ⦿

Beatrice Davies

Bio copied from Fust & Friends, a foundry set up in 2017 by Jan Middendorp in Berlin: Beatrice Naomi Davies grew up in Acquapendente, Central Italy, but as a young girl spent two years in New York and two years in Seoul, South Korea, where her grandmother lived. She attended IISAC art high school in Orvieto, Italy. In 2010 she attended the School of Visual Arts of New York, NY. She moved to Berlin in early 2012. [...] She combines her illustration work with animation, theatre, branding, logo design and hand-lettering. She became MyFonts' principal illustrator and portrayed dozens of type designers. Noticing her stylistic versatility, Fust & Friends invited her to contribute a set of dingbats and illustrations compatible with Minjoo Ham's Teddy script---which became the Teddings font. Teddings (2017) was fontified by Andreas Seidel and Minjoo Ham. [Google] [More]  ⦿

Beatriz Tanger Marques

During her studies at the University of Coimbra, Portugal, Beatriz Tanger Marques (Lisbon, Portugal) designed the triangle-serifed typeface Almedina (2017). Behance link. [Google] [More]  ⦿

Ben Nguyen

Auckland, New Zealand-based designer of Toi o Tamaki (2017), a decorative caps typeface that is inspired by the Arts Precinct of the city of Auckland. [Google] [More]  ⦿

Benjamin Gattet

French designer of the programmed typeface Typorond (2017). [Google] [More]  ⦿

Bettina Lüber

Graduate of Zürcher Hochschule der Künste ZHdK. Creative director in Zurich, Switzerland. Designer of the elliptical sans typeface Curiance (2017). Linkedin link. [Google] [More]  ⦿

Bianca Dupre

American designer of these typefaces in 2017: Barebones, Lovely (blackboard board style), Terror Time (scary, hand-crafted). [Google] [More]  ⦿

Bianca Schlich

Aka Bad Taste Design. German creator of the spurred typeface Biker Diamond (2017). [Google] [More]  ⦿

Blake Olmstead

New York City-based designer. During his studies at Type@Cooper (2011-2012), he designed the angular text typeface Quarry, which evokes Czech type design masters such as Menhart and Preissig. [Google] [More]  ⦿

Blau Group

Guatemala City-based designer of the wide squarish typeface Recta (2017). [Google] [More]  ⦿

Bonusta

Bangkok, Thailand-based designer of Diff (2017). [Google] [More]  ⦿

Borho Studio

Lyon, France-based designer of the reverse stress display sans typeface Fadoli (2017). [Google] [More]  ⦿

Boyan Nurdiansyah
[Pana Type and Studio]

[More]  ⦿

Bradley Kennedy

Graduate of the University of Northern Iowa. Cedar Falls, IA-based creator of Playing Card Font (2017). [Google] [More]  ⦿

Brando Corradini

Rome, Italy-based designer of the modulated sans typeface Segmento (2017). Behance link. [Google] [More]  ⦿

Brianna Jelks

Birmingham, AL-based designer of the rounded monoline cursive typeface Bon Voyage (2017). Behance link. [Google] [More]  ⦿

Brine

Designer in 2017 of the techno typeface Kontakt. [Google] [More]  ⦿

Bruno Maioral
[B Machina]

[More]  ⦿

Bruno Saez Lopez

Graphic designer in Madrid. Creator of the free heavy didone display typeface Regattia (2017, +Regattia Stencil). Behance link. [Google] [More]  ⦿

Bureau Borsche
[Mirko Borsche]

Bureau Borsche, a graphic design studio in München, Germany, was founded in 2007 by Mirko Borsche. They made almost exclusively bespoke typefaces. These include:

  • Isar, Tush Extra (2012: a flared typeface), Archive and Alston (2012, The Entente) for Tush Magazine.
  • A custom typeface for Tunica Magazine.
  • Tweety for Korakrit Arunanondchai.
  • Super Paper Grotesque for Super Paper.
  • Moroi (2013, by Galle Renaudin) for (R)evolution by Danton Denk Raum.
  • Libreville (2012: derived from Libre Baskerville) for SEPP Magazine.
  • Felipe (by Geoffrey Pellet) for I Iz Felipe Fanzine.
  • Muenchen Regular (2012, by Bureau Borsche and Tobias Weber: a Trajan caps typeface).
[Google] [More]  ⦿

Camila Acosta

Graphic designer in Montreal who created the italic didone typeface Vogue in 2017---her Vogue is not at all related to the well-known geometric sans Vogue. Behance link. [Google] [More]  ⦿

Camila Lazinho

Sao Paulo, Brazil-based designer of Aina Text (2017). [Google] [More]  ⦿

Carmen Woodrow

During her studies at the University of Columbia-Missouri, Carmen Woodrow designed the hand-crafted typeface aptly called The Sexy Serif (2017). [Google] [More]  ⦿

Carole Guihard

During her studies at AGR in Nantes, France, Carole Guihard designed the decorative caps typeface Typo Contraire (2017). [Google] [More]  ⦿

Carolyn Wassmer

At Cornish College of the Arts, Carolyn Wassmer (Seattle, WA) designed the didone caps typeface Flourish (2017). Behance link. [Google] [More]  ⦿

Caterina Paglilla

Buenos Aires-based designer of the Walt Disney movie-inspired typeface Babidi Bu (2017), during her studies at Universidad de Palermo. [Google] [More]  ⦿

Ceyda Kurtes

Bursa, Turkey-based designer of the quaint hand-crafted typeface Nigredo (2017). [Google] [More]  ⦿

Chis Glover

Designer of the hand-crafted typeface Drops (2017). [Google] [More]  ⦿

Chloe Pelloquin

During her studies in Limoges, France, Chloe Pelloquin designed the decorative typeface CirteMoeg (2017). [Google] [More]  ⦿

Chontelle Hohaia

Designer of the free display typeface Four Sisters (2017). [Google] [More]  ⦿

Christian Horrer

Konstanz, Germany-based designer of the sneaker lace-inspired typeface Lace Up (2017). [Google] [More]  ⦿

Christopher Ngalu

Designer of the squarish 90s emulation typeface Heartbit (2017). [Google] [More]  ⦿

Cinthya Leite

Fortaleza, Brazil-based designer of the paperclip typeface Grampuh (2017). [Google] [More]  ⦿

Claudia Henty

During her studies at Auckland University of Technology, Claudia Henty (Auckland, New Zealand) designed the all caps multiline display typeface family OCR Sprawl (2017). [Google] [More]  ⦿

Clément Baychelier

Parisian art director who designed the modular semi-blackletter display typeface Piano (2017). [Google] [More]  ⦿

Courtney Blair

Lettering artist in Salt Lake City, UT, who designed Killer Deco in 2017. Behance link for Blair Design. [Google] [More]  ⦿

Crystal Baier

Aka Design Shark. Conroe, TX-based designer of these display typefaces in 2017: f-Stop, Chunkster, Winter Holiday, Starry Sky, Snowball Fight (connect-the-dots), Sneaker Girl, Semi Charmed Life, I Love Books, Goal Line, Felty Dot, Fairytale Forest (curly, vampirish), Fairy Dust (hyper-curly), Dots A Lot (connect-the-dots script), Dream Days, Christmas Sweater (a stitching font), Candy Cane Cutie, Be My Honeybee, Apple Pie, Hot Chocolate. Behance link. [Google] [More]  ⦿

Crystella Quintero

Graphic designer in Las Vegas. During her studies at University of Nevada, Las Vegas, she created the 3d typeface Line2 (2017). [Google] [More]  ⦿

Cyril Kimmerlin

During his studies, Habsheim, France-based Cyril Kimmerlin designed the free expressive typeface Cognitype (2017) that was inspired by OpenDyslexic (by Abelardo Gonzalez) and Montreuil (by Julien Priez). Behance link. [Google] [More]  ⦿

Dakota Bragdon

Louisville, KY-based designer (b. 115) of the duct tape font Riley's Tape 92017). [Google] [More]  ⦿

Dalia Kamel

Or Dalia Abdel Moneim. Cairo, Egypt-based designer of the angular semi-blackletter typeface Oee Regular (2016), which was developed during her studies at German University. She also designed the Arabic typeface Dee Koufi (2017). [Google] [More]  ⦿

Dalvin Garcia

American designer of the squarish titling typeface Orbit (2017). [Google] [More]  ⦿

Daniel Herrera

During his studies, Santa Cruz de Tenerife, Spain-based daniel Herrera designed a beveled all caps typeface (2017). [Google] [More]  ⦿

Daniel Pullan

During his studies at Brigham Young University, Provo, UT-based Daniel Pullan designed the piano key typeface Deseret Header (2017). Behance link. [Google] [More]  ⦿

Daniel Ramirez Pinzon

Bogota, Colombia-based designer of the connected poster typeface semana Fusion (2017). [Google] [More]  ⦿

Daniel Uliano

Jundiai, Brazil-based codesigner, with Giovanna Santos, of the spurred typeface Quina (2017). [Google] [More]  ⦿

Daniela Armendariz

Quito, Ecuador-based designer of the scribbly Halloween typeface Branch (2017). [Google] [More]  ⦿

Daniela Spinelli

Graphic designer from Saarbrücken, Germany who lectures on typography at HBK Saar, University of Applied Science. In 2017, Stefan Huebsch and Daniela Spinelli codesigned Konkret (a sharp-edged all-caps secret service sans with some left-leaning Kontra italics) at Typocalypse. Behance link. [Google] [MyFonts] [More]  ⦿

Daria Makarova

Krasnoyarsk, Russia-based designer od the display typefaces Makarova (2017: sans) and caravana (2017: squarish), for both Latin and Cyrillic. [Google] [More]  ⦿

Darina Yem

Artist in Gyeongjusi, Korea, who designed the textured (Latin) display typeface Rapan in 2017. [Google] [More]  ⦿

David Bedggood

Designer of Lunar Sans (2017). [Google] [More]  ⦿

David Massara

Lausanne, Switzerland-based designer of Neptune (2014: a sans typeface with hipster options; free trial) and Seingalt (2017: a high-contrast fashion mag didone with a free trial). Behance link. [Google] [More]  ⦿

Delphine Lemaitre

During her studies at Saint-Luc in Liège, Belgium, Delphine Lemaitre designed an experimental modular typeface (2017). [Google] [More]  ⦿

Desainer Males
[HN Fonts]

[More]  ⦿

Design Assets

Designer of the brushy typeface Mémoire (2017). [Google] [More]  ⦿

Devon Bain

During his studies in New York City, Devon Bain designed the hexagonal typeface Hexagon 92017). [Google] [More]  ⦿

Diana Padra

Graphic designer in San Diego, Veezuela. In 2017, she created the hand-painted or brushed typefaces Serendipia, Sobrio, and Ruida (dry brush). [Google] [More]  ⦿

Diego Rodas

During his studies at UFRJ Universidade Federal do Rio de Janeiro, Diego Rodas designed the Greek God figurine typeface Adonis (2017). [Google] [More]  ⦿

Dirk Erdmann

Osnabrück, Germany-based designer of the experimental grunge typeface Random (2017), which uses noise signals to disturb the glyph outlines. [Google] [More]  ⦿

Dmitry Astakhov

Russian designer of the free font Pepsi Cyr-Lat (2017), a Cyrillic adaptation By Dmitry Astakhov of 2000 typeface by Jakub Degorski. [Google] [More]  ⦿

Donald Partyka

Donald Partyka is the Creative Director of the policy journal Americas Quarterly, which he launched in 2007 and still oversees. Previously he has art directed numerous consumer and academic magazines, including the National Magazine Award-winning Linguafranca. Other recent projects include the design of the monograph Typography, Referenced. A graduate of The Rhode Island School of Design, he is also an adjunct faculty member at The City College of New York.

At Type@Cooper in 2012, he reinterpreted Jaroslav Benda's 1952 typeface Betu, and published it as Benda. [Google] [More]  ⦿

Douglas Thomas

Douglas Thomas is a graphic designer, writer, and historian. He holds an MA in history from the University of Chicago and an MFA in graphic design from the Maryland Institute College of Art, where he also taught. He currently teaches at Brigham Young University. Author of Never Use Futura (2017). The blurb: It's everywhere, including the moon (on the commemorative plaque left by Apollo 11 astronauts), Nike sneakers, the artworks of Barbara Kruger, Ed Ruscha, and Jenny Holzer, 2001: A Space Odyssey credits, Domino's Pizza boxes, Absolut Vodka bottles, and Red Bull cans. Futura and its typographic offspring have been the face of presidential campaigns from Richard Nixon to Hillary Clinton. Indeed, Futura is one of the most used fonts in the world today---the typeface of modern design---more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that's so common you might not notice, until you start looking, and then you can't escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner's 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. [Google] [More]  ⦿

DPIKTD

Designer of these typefaces, ca. 2017: DML Sans, DML Serif, Victorian Cyborg, Guerilla, Graphic Novel T. [Google] [More]  ⦿

Dunja Ilic

Kragujevac, Serbia-based designer of the dada papercut typeface Kiddocut (2017). [Google] [More]  ⦿

Easel Design
[Kasey Stevenson Buck]

New York City-based designer of the beveled typeface Emerald Cut (2017). [Google] [More]  ⦿

Ekaterina Yakovenko

Volgograd, Russia-based illustrator and designer. Creator of a Cyrillic typeface in 2017. [Google] [More]  ⦿

Elaina DeBoard

Spencerian calligrapher. In 2017, Elaina DeBoard, Eliza Gwendalyn, and Jim Lyles (Studioways) published Madison Street, which consists of four Spencerian fonts and is accompanied by three styles that are based on the handwriting of Elaina DeBoard. [Google] [MyFonts] [More]  ⦿

Elena Bokhan

Samara, Russia-based designer of the minimalist circle-based (Latin) sans typeface Defoe (2017). [Google] [More]  ⦿

Elena Castellon Saez

Malaga, Spain-based designer of the textured all caps typeface Hamabe (2017). [Google] [More]  ⦿

Elena Maslova

Moscow-based designer of the Latin / Cyrillic brush script typeface Helena (2017). [Google] [More]  ⦿

Eleonora Petrova

Aka Travel Rabbit and Sunset Rabbit. Dumaguete, Philippines-based designer of the minimalist futuristic typeface Futare (2017) and the hand-crafted typeface Blacked Doodle (2017). She also designed several sets of icons, including a collection of cacti, Pretty Prickly (2017). Home page. Behance link. Home page. [Google] [More]  ⦿

Elisa Terbonetti

Cesano Maderno, Italy-based designer of the original display typerface Asile (2017). [Google] [More]  ⦿

Elizabeth Carey Smith

Lettering artist and graphic designer in Brooklyn, NY, who runs the design studio, The Letter Office, and teaches typography and design at City College. She specializes in text-heavy publications and information graphics. Her typefaces:

  • At Type@Cooper (2011-2012), she designed the crisp, elegant and feminine geometric sans typeface Brightcut.
  • In 2011, she created Howland New at Type@Cooper. This is a revival of a typeface from 1892 by John F. Cumming. Mac McGrew comments on Howland: Howland was introduced by Dickinson in 1892 as a "companion series to DeVinne." The same design was called DeVinne Condensed (No.3) by Keystone Type Foundry, but differs from the De Vinne Condensed issued by other sources. Howland Open followed in 1894; it was copied by Linotype as Condensed Outline and suggested through the 1940s as a display typeface for classified advertising pages which banned bold types. Compare DeVinne Condensed, MacFarland Condensed.
  • Various typefaces that are part of Elizabeth's Imaginary Alphabets: Marguerite (Victorian), Harlemite (vernacular).
  • Typefaces in the works (as of 2017): Jada (a great rounded sans), Avedon.

Home page. Imaginary Alphabets link at Alphabettes. [Google] [More]  ⦿

Elizabeth Prefontaine

Designer of the free hand-crafted typeface Hands On (2017). [Google] [More]  ⦿

Eller Type
[Emerson Eller]

Emerson Nunes Eller is a Brazilian graphic designer based in Lisbon, Portugal. He has a Masters from UEMG in Belo Horizonte, Brazil, in 2014, and his thesis there was entitled Letras do cotidiano: a tipografia vernacular na cidade de Belo Horizonte. It led to the (caps only, Tuscan, Victorian) vernacular typeface Sucata. In 2017, he designed the innovative hybrid (sans / serif) typeface Sagarana. Fontspring link. Behance link. You Work For Them link. [Google] [More]  ⦿

Elvin Akkan

Art director in Istanbul, Turkey. In 2017, she designed the free ball terminal-themed typeface Globe. [Google] [More]  ⦿

Ema Sarfati

During her studies at ESAG Penninghen in Paris, Ema Sarfati designed the hand-crafted typeface Kanye West (2017, also called Scratchy). [Google] [More]  ⦿

Emanuel Barcelo

Buenos Aires-based designer of the computer age display typeface Replicante (2017). [Google] [More]  ⦿

Emanuel Istvan

Arad, Romania-based designer of the italic speed font Gasca (2017), which has a free demo. Dafont link. [Google] [More]  ⦿

Emerson Eller
[Eller Type]

[More]  ⦿

Emma Make

Cambridge, UK-based designer of the clean sans typeface Paper Orange (2017), and the hand-crafted sans typeface Tortoise & Deer (2017). Behance link. [Google] [More]  ⦿

Emöke Németh

During her studies in Budapest, Hungary, Emöke Németh designed the free decorative all caps typeface Half Philip (2017), and the experimental stitched Alphabet (2017). [Google] [More]  ⦿

Eniko Gal

Budapest, Hungary-based designer of the inline display typeface Klauzal (2017). [Google] [More]  ⦿

Enrique Ross

San José, Costa Rica-based designer of a set of modern decorative numbers (2017). He runs or works at Guanatico Studio. [Google] [More]  ⦿

Eran Waldeck

Johannesburg, South Africa-based designer, as a student at the Greenside Design Center College of Design, of the thin sans typeface Aesthete (2017). [Google] [More]  ⦿

Eric Bonillo

Graduate of the Faculty of Fine Arts of the Polytechnic University of Valencia. Madrid, Spain-based designer of the fat didone display typeface 1994 (2017). Its design is based, according to Bonillo, on Pistilli Roman (John Pistilli) and Paris Pro (Moshik Nadav). [Google] [More]  ⦿

Eric Coke

During his studies in Hong Kong in 2017, Eric Coke designed the display typeface Mitosis (2017). [Google] [More]  ⦿

Eric Oliver

Salt Lake City-based designer of Haunted Serif (2017) and Brother Joseph Script (2017, a penmanship font named after the founder of Mormonism and the Latter Day Saint movement, Joseph Smith, 1805-1844). [Google] [More]  ⦿

Erica Marquis

Detroit Lakes, MN-based designer of Geometric Sans Serif (2017). Creative Market link. [Google] [More]  ⦿

Erin Fitzsimmons

Brooklyn-based book and type designer. During her studies at Type@Cooper in New York (2011-2012), she designed the elegant text typeface family Spright. [Google] [More]  ⦿

Erwin Luijendijk

Zwolle, The Netherlands-based designer of the circle-theed typeface Round (2017). Behance link. [Google] [More]  ⦿

Estelle Scalzo

During her studies at Ecole de Condé in Lyon, France, Estelle Scalzo designed the monoline hand-crafted typeface rewalk (2017) and the display typeface La Neon (2017). [Google] [More]  ⦿

Estudio Cacto

Graphic designer in Goiania, Brazil, who created the blackletterish typeface York (2017). [Google] [More]  ⦿

Eva Del Angel

Monterrey, Mexico-based designer of the modular typeface Pinwheel (2017). [Google] [More]  ⦿

Eva Reuter

During her art studies in Kiev, Ukraine, Eva Reuter designed the eerie all caps alphabet The Ghosts Of An Old Cemetery (2017). [Google] [More]  ⦿

Evan Jolley

Graphic designer in Salt Lake City, UT. In 2017, he created a gorgeous black sans display typeface simply called Grotesk Love, and a crisp high contrast text typeface, L'Ecole. [Google] [More]  ⦿

Eve Lyn Lau

Petaling Jaya, Malaysia-based designer of the floral caps typeface Hoppity (2017). [Google] [More]  ⦿

Extra Brut (Bureau Brut)

Bureau Brut was founded in 2015 by Julia Joffre, Yoann Minet and Camille Prandi. In 2017 Bureau Brut opened up Extrabrutshop to sell their typefaces. Both are located in Montreuil, France. The original collection of typefaces were all done by Yoann Minet. They include Droulers, Ostai Antica, Totentanz and Traulha. Behance link. Bureau Brut link. [Google] [More]  ⦿

Fabio Mansos

During his studies at ESAD.CR, Fabio Mansos (Vila Nova de Santo André, Portugal) designed the geometric solid typeface Plexis (2017). [Google] [More]  ⦿

Farhan Latif

Islamabad, Pakistan-based designer of the organic sans typeface Warid LTE (2017), which covers both Latin and Urdu. [Google] [More]  ⦿

Fhamaulid

Designer in 2017 of the partially striped display typeface Intersection. [Google] [More]  ⦿

Florent Gobet

Lyon, France-based designer of the thin display typeface Test (2017). [Google] [More]  ⦿

Francisco Javier Rangel Meza

Mexican designer of the stripping pole-themed typeface Table Dance (2017). [Google] [More]  ⦿

Frank Lawrence

Hamilton, Ontario-based designer of the knife and dagger dingbat font Cut Point (2017). Dafont link. [Google] [More]  ⦿

Fredrik Welde-Solsvik

Oslo, Norway-based designer of a custom rune simulation font in 2017. [Google] [More]  ⦿

Fust & Friends
[Jan Middendorp]

Fust & Friends was started in 2017 by Jan Middendorp (the main motor behind this project), Minjoo Ham, Andreas Seidel, Allan Daastrup, Dan Reynolds, Florian Hardwig, Beatrice Davies and Ed Noel: We're a group of text, typography and lettering lovers with a warm interest in good-looking language. Most of us are based in Berlin, where we participate in type-related activities and work on publications, videos, events and fonts. The group is international: the first and second batches of typefaces have been, and are being, designed and produced by professionals from Germany, the Netherlands, South Korea, Italy, Denmark, Austria, Britain, and Brazil.

  • The expressionist typeface Alarm (2017, by Andreas Seidel), which is based on an old design of Heinz König also called Alarm (1928, at Trennert).
  • Presto (2017, by Andreas Seidel), a revival of a script by Helmut Matheis (1970).
  • Teddy (2017, by Minjoo Ham). A layerable typeface that started out as a digital version of Ernst Bentele's Freely Drawn Italic alphabet (1953). It comes with an interesting set called Teddy Catchwords.
  • Teddings (2017, by Beatrice Davies). These dingbats, specially designed to accompany Teddy, were fontified by Andreas Seidel and Minjoo Ham.
[Google] [More]  ⦿

Gabor Meszaros

Hungarian designer of the curvy yet modular typeface Vibeti (2017). Instagram link. [Google] [More]  ⦿

Galle Renaudin

French designer of the corporate sans typeface Moroi Bold (2013), created for (R)evolution by Danton Denk Raum. [Google] [More]  ⦿

Gareth Eastwood

Manchester, UK-based designer of the all caps art deco typefaces Chevron (2017) and Half Moon (2017). Behance link. [Google] [More]  ⦿

Geoffrey Pellet
[Large Projects]

[More]  ⦿

George Antony
[George Katticaran]

Florence, Italy-based designer of the fun poster typeface Croca (2017) and an unnamed hexagonal typeface (2017). [Google] [More]  ⦿

George Katticaran
[George Antony]

[More]  ⦿

Gillian Wong

Sydney, Australia-based designer of a cutout typeface in 2017 for the Manchester International Festival. Behance link. [Google] [More]  ⦿

Gilmar Rodrigues

Designer of the sans typeface family Mathe (2017), which was developed at the University of Brasilai, Brazil, and HGB Leipzig, where Gilmar was supervised by Fred Smeijers. [Google] [More]  ⦿

Giovanna Santos

Americana, Brazil-based codesigner, with Daniel Uliano, of the spurred typeface Quina (2017). [Google] [More]  ⦿

Gisele Eiras

Rio de Janeiro, Brazil-based student at PUC Rio in 2017. Designer of the art nouveau typeface Conac Bisquit (2017). [Google] [More]  ⦿

Glifo Art Fonts

Designers of the futuristic typeface Perseus Arm (2014). [Google] [More]  ⦿

Gloria Mendoza

Englewood, NJ-based designer (b. Colombia) of a squarish Latin / Cyrillic typeface in 2017. [Google] [More]  ⦿

Goncalo Marques

Pombal, Portugal-based designer of Birmap Font (2017). [Google] [More]  ⦿

Graham Bradley

Graham Bradley grew up in Pasadena, CA. He studied twentieth-century European history at the University of California, Berkeley, and graduated in 2009. He designs printed materials, lettering, typefaces, and the occasional website. He is located in New York. During his studies at Type@Cooper in 2012, he designed Anacapa, and writes: Anacapa is an attempt to subtly express, in type, the identity of my home state: the cool, gray calm of beach volleyball courts in the early morning, the dispersed energy of Los Angeles, the warmth of the sunlight on the rocky Central Coast... It is an imagined piece of California's vernacular, designed to be as flexible and complex as the emotional range it seeks to capture. [Google] [More]  ⦿

Granshan 2017

Non-Latin typeface competition in these categories, held in 2017: Armenian, Arabic, Chinese, Cyrillic, Greek, Hebrew, Indic, Thai, Korean, and display typefaces. Chairmen of the jury are Edik Ghabuzyan (Head of Department of Creating and Keeping Armenian Fonts at the National Book Chamber of Armenia, consultant for Adobe Systems, Armenia) and Boris Kochan (CEO of Kochan & Partner, and Past President of tgm Typographische Gesellschaft München). The jury: Gerry Leonidas (UK), Chang Sik Kim (USA), and these specialists: (for Armenian) Vahan Balasanyan, Garegin Martirosyan, Ruben Malayan, (for Arabic) Bahia Shehab, (for Chinese) Min Wang, Curt Huang, Zhiwei Zhu, Keith Tam, (for Greek) Klimis Mastoridis, Irene Vlachou, (for Hebrew) Liron Lavi, Anat Katzir, (for South Asian scripts) Ravi Pooviah, Rathna Ramanathan, Graham Shaw, (for Korean) Joo Sung Kim, Jeong-mi Yu, Seong Jae Song.

The results: Special categories in which some or all of 1st, 2nd and 3rd prizes are give. Special mentions are denoted by 4, 5 and 6 below, in the order listed on the Granshan page. Categories without awards are not listed. There was no grand prize this year.

  • Armenian Typefaces: 1 Hash Eva (Hrachuhi Grigoryan) 2 Zah Hasmik (Hasmik Zakaryan) 4 Avm Vahagn (Vahagn Minasyan)
  • Arabic Typefaces: 2 Mirza (Amirmahdi Moslehi) 4 Ray (Reza Bakhtiarifard, Omid Emamian)
  • Chinese Typefaces: 4 Dongxin (Xuwei Zhang) 5 ZhaoPai (Ye Tianyu, Ye Ni)
  • Cyrillic Typefaces: 3 Averta CY (Kostas Bartsokas)
  • Greek Typefaces: 4 Bynx (Franziska Hubmann)
  • Thai Typefaces: 1 Thutija (Panuwat Usakulwattana) 4 Tatsana Chon (Knaz Uiyamathiti) 5 Satidti (Parin Rungpattarathakun)
  • Display typefaces: 1 Lamon (Dmitry Lamonov) 2 SGH Sepftar (Syuzi Grigoryan) 4 Kanun (Kourosh Beigpour) 5 Fit (David Jonathan Ross and Maria Doreuli) 6 Jaini (Girish Dalvi and Maithili Shingre) 7 TheClassic (Park Yunjung, Choi Eunkyu, Kim Woori, Lee Hyunho) 8 Mudan Type (Reeji Studio)
  • Latin / Arabic Typefaces: 1 Graphic Arabic (Wael Morcos, Khajag Apelian)
  • Multiscript: 4 November (Peter Bilak, Irina Smirnova, Kristyan Sarkis)
  • Latin / Armenian Typefaces: 4 LGSH Liana (Liana Shushanyan)
  • Latin / Cyrillic Typefaces: 2 Triplet (Yana Kutyina, Andrey Belonogov, Valery Golyzhenkov) 3 Vesterbro (Jeremie Hornus, Ilya Naumoff, Alisa Nowak)
  • Latin / Hebrew Typefaces: 2 Greta Text Hebrew (Michal Sahar)
[Google] [More]  ⦿

Graphéine

Paris-based designer of corporate typefaces sich as VM (2017, for Vitrine Media). Behance link. [Google] [More]  ⦿

Graphic Crews

Indonesian designer of the calligraphic typeface Elizabeth Script (2017). [Google] [More]  ⦿

Greenlines Studio

Designer in 2017 of Ama Zink, Broken Printer, Badra (black condensed sans), and Rotitawar (rounded sans). [Google] [More]  ⦿

Gregoire Simon

Graphic designer in Paris, who studied at LISAA Paris. He created the monoline sans typeface Izi and the modernized transitional serif typeface Azi in 2017. [Google] [More]  ⦿

Gwennina Moigne

Graphic designer in Paris who created the elongated church arch-inspired typeface Souffle (2017). [Google] [More]  ⦿

Hailey Metzger

Cedar Falls, IA-based designer of the bilined typeface Round & Roll (2017). [Google] [More]  ⦿

Haneen Bawazir

Dammam, Saudi Arabia-based designer of the bit-textured squarish typeface Cipher (2017). [Google] [More]  ⦿

Hannah Barr

Lobelville, TN-based designer of the display typeface Boketto (2017). [Google] [More]  ⦿

Hannah Neil

Fleet, UK-based designer of the knot font Saturn (2017), during her studies at the University for the Creative Arts (UCA). [Google] [More]  ⦿

Haxon
[Shokouh Razavi]

New York City-based designer of the decorative floral caps alphabet Magic Forest (2017). Behance link. Behance link for Shokouh Razavi. [Google] [More]  ⦿

Hazzel Anne P. Lactaoen

Manila, the Philippines-based graphic designer. In 2017, she created a brush script font for the rebranding of ROX. Behance link. [Google] [More]  ⦿

Hella Cool Fonts
[Anna Paruch]

Designer of these hand-crafted typefaces in 2017: Penguin, Zambia, Jungle, Wise Men, Stupid Cupid, Jessica, Winter Snow, Star Heart, Noodles, Amber, Blue Berries, Annabella, Christmas Trees, Ballet Dancer, Bones, Smokes. Dafont link. [Google] [More]  ⦿

Helmar Fischer

German designer (b. 1960) of the pixelish typeface Angulo Black (2017). Dafont link. [Google] [More]  ⦿

HN Fonts
[Desainer Males]

Indonesian designer of the hand-crafted typefaces Discobaby (2017), Faito (2017) and Shabrina (2017: brush script). Graphicriver link. [Google] [More]  ⦿

Iara Aguiriano Hidalgo

During their studies at EASD Vitoria-Gasteiz ADGE, Irati Sagasta (Elorrio,Spain), Salvia Perez San Jose (Vitoria-Gasteiz, Spain) and Iara Aguiriano Hidalgo (Vitoria-Gasteiz, Spain) designed the modular typefaces Filetto (2017) and Iwik (2017). [Google] [More]  ⦿

IBM Plex
[Mike Abbink]

A large free font family created by Mike Abbink and Bold Monday for IBM's new corporate identity in 2017. It includes the IBM Plex Sans, IBM Plex Serif and IBM Plex Mono subfamilies. Github link. Direct download at Github. CTAN link. Local download. [Google] [More]  ⦿

Igor Gbiorczyk-Morel

Bagnolet, France-based student-designer of Birman (2017), a typeface that emulates Burmese in Latin. [Google] [More]  ⦿

Ines Coelho

Lisbon, Portugal-based co-designer, with Elsa Rodrigues, of the playful typeface Barna (2017). [Google] [More]  ⦿

Inguna Ziemele

London-based graphic designer and illustrator. In 2017, she created the fuzzy display typeface Furry Friend. Behance link. [Google] [More]  ⦿

Irati Sagasta

During their studies at EASD Vitoria-Gasteiz ADGE, Irati Sagasta (Elorrio,Spain), Salvia Perez San Jose (Vitoria-Gasteiz, Spain) and Iara Aguiriano Hidalgo (Vitoria-Gasteiz, Spain) designed the modular typefaces Filetto (2017) and Iwik (2017). [Google] [More]  ⦿

Isabelle Norouz

German designer of the typewriter typeface Dear Diary (2017). [Google] [More]  ⦿

Istvan Krizsanyik

During his studies at Budai Art School, Eger, Hungary-based Istvan Krizsanyik designed the art deco typeface FS Deco Display (2017, FontStruct) and a modular typeface in 2016. [Google] [More]  ⦿

Ivan Bügel

Graphic designer in Barcelona, who created the fantastic decorative Surcito Capital in 2017 and explains: Display [typeface] designed for Picmedia. The font design is inspired by the decorative ornaments of the streets of AndalucĂ­a. The tiles of its streets, the ornaments of doors, windows and balconies, act as the "architecture" used to construct this [typeface]. [Google] [More]  ⦿

Ivana Maric
[Le Punkt Noir]

[More]  ⦿

Jacob J. Wise

UK-based designer of the spiky art nouveau typeface Kraft (2017). Instagram link. [Google] [More]  ⦿

Jacob Mitchell

During his studies, Te Kowhai, New Zealand-based Jacob Mitchell designed the modular typeface Equanimous (2017). [Google] [More]  ⦿

Jacob Starkey

St. George, UT-based designer of the modular typeface Jetstream (2017). [Google] [More]  ⦿

Jade Kelli Sumption

Johannesburg, South Africa-based designer of a bouncing letter typeface in 2017, specially designed for fitting and stuffing letters in small spaces. Another Behance link. [Google] [More]  ⦿

Jake Lim

Toronto-based designer of Betelnut (2017), a rounded sans typeface that is inspired by old Taiwanese license plates. Behance link. [Google] [More]  ⦿

James Lewis
[Studio James Lewis]

[More]  ⦿

Jamie Nichols

Milton Keynes, UK-based designer of the Peignotian typeface Rhythm (2017). [Google] [More]  ⦿

Jan Middendorp
[Fust & Friends]

[More]  ⦿

Jasmin Bannister

During her studies in Manchester, UK, Jasmin Bannister designed the thin squarish outlined typeface Sqeleton (2017). [Google] [More]  ⦿

Jasmin Kruse

Kleve, Germany-based designer of the modular squarish typeface Dot Font (2017). [Google] [More]  ⦿

Javi Montoya

Jaen, Spain-based designer of the distinguished text and stencil pair of typefaces Botera (2017). Behance link. [Google] [More]  ⦿

Jenny Mae S. Fox

Brisbane, Australia-based designer of the free dry brush typeface Mr. Grieves (2017). Behance link. [Google] [More]  ⦿

Jeremy Tribby

San Francisco-based designer of the free variable font Barlow (2017). He writes: Barlow is a slightly rounded, low-contrast, grotesk type family designed by Jeremy Tribby. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. The family includes 54 manually-hinted styles in three widths and nine weights, as well as obliques, suitable for large and small digital and print use. Customizable weights and widths are available via the included variable font (GX) file. Barlow is named after internet pioneer, EFF co-founder, songwriter, and activist John Perry Barlow, in tribute to his lasting impact on the information superhighway. The original motivation was to replace the DIN Engschrift font currently used by the Eletronic Frontier Foundation by an open source font that does not look too different.

Github link for Barlow. Behance link. Google Font links for Barlow, Barlow Condensed and Barlow Semi Condensed. Typedrawers link. [Google] [More]  ⦿

Jericho Jayme

Auckland, New Zealand-based designer of the architectural decorative caps typeface Pride of Place (2017). [Google] [More]  ⦿

Jessica Luna Peña

Visual designer in Bogota, Colombia. Creator of the hexagonal typeface Hexarcle (2017). Behance link. [Google] [More]  ⦿

Jessica McCarty
[Rare Bird Font Foundry]

[MyFonts] [More]  ⦿

Jihyun Park

Seoul, Korea-based designer of several experimental typefaces that are derived from or inspired by Futura. These include Pastra, New Futura and Presentra. Behance link. [Google] [More]  ⦿

Joao Andree

Lima Peru-based designer of the display typeface Fractal (2017). [Google] [More]  ⦿

Joaquin Kunkel

During his studies at New York University Abu Dhabi in Abu Dhabi, United Arab Emirates, Joaquin Kunkel designed the didone text typeface Marcela (2017). [Google] [More]  ⦿

Jonas Vacek

During his studies in Maastricht, The Netherlands, Jonas Vacek designed the avanat garde sans typeface Saqare (2017) and a straight-edged experimental typeface (2017). Behance link. [Google] [More]  ⦿

Jorge Mercado

Mexico City-based designer of the spiky almost Western typeface family Gandul (2017). Behance link. [Google] [More]  ⦿

Jose Morquecho

San Jose, CA-based designer of the vector format chrome look typeface Retro 80s (2017), which is based on Futura Bold outlines. Behance link. [Google] [More]  ⦿

Josefina Accini

Art director in Buenos Aires, Argentian, who designed a squarish all caps typeface called Thesame (2017). [Google] [More]  ⦿

Josh Levi

Originally from Michigan, Josh Levi moved to New York City in 2005. He worked briefly at the Benetton Group's communication's research center in Treviso, Italy, and served as a designer and art director for Colors Magazine. In 2011-2012, during his studies at type@Cooper in New York, he designed the strong text typeface Denali. [Google] [More]  ⦿

Jørgen Håland

Designer in Bergen, Norway, who created the free blackletter typeface Svart in 2017. Behance link. [Google] [More]  ⦿

Jozgandoz

Designer in 2017 of the marker or brush typefaces Gendhist, Beliday and Belina. [Google] [More]  ⦿

Ju Ji

Hanoi, Vietnam-based designer of an ornamental caps typeface that is based on Billy Collins' poem Fishing on the Susquehanna in July (2017). [Google] [More]  ⦿

Juan De La\Cruz

Chiclayo, Peru-based designer of the paperclip or electrical wire typeface Conexion (2017). [Google] [More]  ⦿

Juan Santiago Salazar

Ecuadorian designer of the penmanship typeface Guayaquil 1800 (2017), which is based on calligraphic pieces from the 19th century in Ecuador. [Google] [More]  ⦿

Julia Guan

Graphic designer in Sydney, Australia, b. China. In 2017, she designed Ffeyffolken, a display typeface that is rooted in Norse mythology. [Google] [More]  ⦿

Julia Kennedy

At Flagler College in St. Augustine, Florida, Julia Kennedy designed the pixelish typeface Blocked (2017). [Google] [More]  ⦿

Julia Ockert

Australian designer of the textured colored all capsBeatles Alphabet (2017). [Google] [More]  ⦿

Julia Shironina

Saint Petersburg, Russia-based designer of the floral caps typeface Intober (2017). [Google] [More]  ⦿

Juliana Figueiredo

Rio de Janeiro-based designer of the stencil typeface Urban (2017). [Google] [More]  ⦿

Julie De Abreu

Illustrator in Funchal, Portugal, who designed the ornamental caps typeface Constellation Sky (2017). [Google] [More]  ⦿

Julie Lobo

Curitiba, Brazil-based designer of the avant garde typeface The Unbearable Lightness Of The Font (2017). [Google] [More]  ⦿

Julien Costa

Toulouse, France-based designer of the hipster typeface Minina (2017). [Google] [More]  ⦿

Juliette Charpentier

During her studies at Brassart Nantes, Juliette Charpentier designed the partial experimental typeface Curved (2017) based on Century Gothic. [Google] [More]  ⦿

Julio Claudius Giraldes Junior

Sao Paulo, Brazil-based designer of an engraved money typeface and a calligraphic Fraktur alphabet in 2017. Earlier he designed the typefaces Gafieira and Primeira. Behance link. [Google] [More]  ⦿

Jury Zambon
[Ariel Graphics]

[More]  ⦿

Justyna Zabielska

During her studies in Gdansk, Poland, Justyna Zabielska designed a minimalist hipster typeface (2017). [Google] [More]  ⦿

Kasey Stevenson Buck
[Easel Design]

[More]  ⦿

Kate Nox

Vilnius, Lithuania-based designer of Pink Font (2017). [Google] [More]  ⦿

Katerina Yanchuk

Kiev, Ukraine-based designer of the rounded monoline color stencil font Yanchuk Kate (2017). [Google] [More]  ⦿

Kathryn McComas

Charlotte, NC-based designer of the display typeface Empire (2017). Behance link. [Google] [More]  ⦿

Maria Martinez

Maria Martinez (b. Venezuela) lives in Buenos Aires, where she works and practices flamenco. In 2017, she designed experimental typefaces such as Ginger Man and Marti (a connect-the-dots font). [Google] [More]  ⦿

Maria Smageor

Saint Petersburg, Russia-based designer of the free hand-crafted brush typeface Drunk Monday (2017). [Google] [More]  ⦿

Marlon Gonçalves

Aracaju, Brazil-based designer of the free hand-crafted all caps typeface Cactus (2017). Behance link. [Google] [More]  ⦿

Martin Hrtanek

Prague, Czechia-based designer of the multiline number typeface The Sleepy Eight (2017). [Google] [More]  ⦿

Mas Anis

Designer of the brush script typefaces Peudada (2017) and Pallaraja (2017). [Google] [More]  ⦿

Mascha Wansart

German designer at xplicit Berlin. Codesigner of Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures). [Google] [MyFonts] [More]  ⦿

Matheus A. Monteiro

During his studies in Rio de Janeiro, Matheus A. Monteiro designed the Harry Potter-inspired Elder Font (2017). [Google] [More]  ⦿

Mathew Roswell

Christchurch, New Zealand-based designer of the free sci-fi typeface Avayx (2017). [Google] [More]  ⦿

Matthieu Salvaggio
[Adèle Type Foundry]

[More]  ⦿

Max Everard-Batchelor

Graduate of the University of Portsmouth. London, UK-based designer of Umano sans (2017). [Google] [More]  ⦿

Mei Sim Tan

Creator of the Miro painting emulation typeface in 2017, during her studies in Kuala Lumpur, Malaysia. [Google] [More]  ⦿

Melissa Hildebert

During her studies at Escuela de Arte Algeciras, this Los Barrios, Spain-based designer created the typeface Huma (2017). Behance link. [Google] [More]  ⦿

Merk Mansoon
[The Traveling Fox]

[More]  ⦿

Michael Hermann

Linden, UT-based designer of Climbing Rope (2017). [Google] [More]  ⦿

Michael Tirtanegara

Designer of the squarish typeface Bakena (2017), which is inspired by the Dayak tribe's traditional shields. Instagram link. [Google] [More]  ⦿

Mickael Hoebregs

Belgian typographer, type designer, painter, sculptor, graphic designer, teacher, and artist from Berloz, Belgium, who is now based in Liège. He teaches typography and designed several experimental typefaces between 2002 and 2017: Hoebregs Didone, Hoebregs Grotesk, Incise, Azur Classical, DIN Serif, Architype Hoebregs (Alpha, Beta), Architype Gamma, Architype Delta, and Architype Epsilon. He studied at Ecole de Recherche Graphique Belge de Bruxelles, and took courses from Neville Brody and Lucas de Groot in the late nineties. [Google] [More]  ⦿

Mike Abbink
[IBM Plex]

[More]  ⦿

Miral El Nahry

Cairo-based designer of the organic typeface Seaside (2017). [Google] [More]  ⦿

Miriam Terilli

London, UK-based designer of the deco typeface Disaccord (2017). Behance link. [Google] [More]  ⦿

Mirko Borsche
[Bureau Borsche]

[More]  ⦿

Mitul Grover

New Delhi, India-based student-designer of a few typefaces in 2017 that are inspired by brutalist architecture. [Google] [More]  ⦿

MJ Studio

Designer in 2017 of these display typefaces: The Razor One (spurred tattoo font), The Razor Blade, Bahala, Ring (medieval), Qalam (Arabic emulation?), Rota (with multiline Victorian curls as in Kismet), Naku. Hollom, Hello Smile. [Google] [More]  ⦿

Mohammed Khirallah

Cairo, Egypt-based designer of the clean all caps sans typeface Bavro (2017). [Google] [More]  ⦿

Monartype

Designer in 2017 of Gigalow and the swashy typeface Sonetta. [Google] [More]  ⦿

Morelli

Italian designer of the thorny text typeface Rondospino (2017). [Google] [More]  ⦿

Morgane Pambrun

Type designer in Paris who created the text typeface Toine in 2016 during her studies at Ecole Estienne. [Google] [More]  ⦿

MyFonts: Bestsellers for November 2017

The fifty best-selling typefaces at MyFonts, as reported by them on October 31, 2017: #1 Helvetica Neue (Linotype), #2 Avenir (Linotype), #3 Proxima Nova (Mark Simonson), #4 Brandon Grotesque (HVD Fonts), #5 FF DIN (FontFont), #6 Gilroy (Radomir Tinkov), #7 Heading Pro (Zetafonts), #8 Univers (Linotype), #9 Nexa Rust (Fontfabric), #10 Avenir Next Pro (Linotype), #11 Frutiger (Linotype), #12 Futura (Linotype), #13 Trade Gothic (Linotype), #14 Sofia Pro (Mostardesign), #15 Scotch (Positype), #16 FF Mark (FontFont), #17 ITC Avant Garde Gothic (ITC), #18 TT Norms (TypeType), #19 Cera Pro (TypeMates), #20 Museo Sans (exljbris), #21 Serendipity (Nicky Laatz ), #22 Helvetica Neue LT Std (Adobe), #23 Campton (Rene Bieder), #24 Banjax (Paulo Goode), #25 Neue Haas Grotesk (Linotype), #26 Nexa (Fontfabric), #27 DIN Next (Linotype), #28 Brandon Text (HVD Fonts), #29 Myriad Pro (Adobe), #30 Intro (Fontfabric), #31 Organika (Mika Melvas), #32 Eina (Textaxis), #33 Geogrotesque (Emtype Foundry), #34 Helvetica Neue Pro (Linotype), #35 Galano Grotesque (Rene Bieder), #36 Wolpe Pegasus (Monotype ), #37 Limon (Typesenses), #38 TT Backwards (TypeType), #39 Bourton (Kimmy Design), #40 Albertus Nova (Monotype ), #41 Tazugane Gothic (Monotype ), #42 Mrs Eaves (Emigre), #43 Panton (Fontfabric), #44 Larsseit (Type Dynamic), #45 Pluto Sans (HVD Fonts), #46 Helvetica (Linotype), #47 Averta (Intelligent Design), #48 Muller (Fontfabric), #49 Rift (Fort Foundry), #50 Sagona (Rene Bieder). [Google] [More]  ⦿

Nadiuska Ruiz

Nadiuska N. Ruiz G. designed a funny futuristic decorative caps alphabet in 2017. [Google] [More]  ⦿

Najibudin Hakiim

Brunei Darussalam-based designer of Dotty Tech (2017). [Google] [More]  ⦿

Nam Yip Fung

Designer at The One academy in Penang, Malaysia, of the 3d typeface Jakku (2017). [Google] [More]  ⦿

Natalia Jaworska

Warsaw, Poland-based designer of the figurine font Keith Haring (2017). [Google] [More]  ⦿

Nathan Manske

Minneapolis, MN-based designer of the high contrast typeface Lusitania (2017). Behance link. [Google] [More]  ⦿

Neue Helvetica World

The Linotype Design team released Neue Helvetica World in 2017. It covers the pan-European area (extended Latin alphabet, Cyrillic and Greek) as well as Arabic, Hebrew, Armenian, Georgian, Thai and Vietnamese. Each font has about 1700 glyphs. Back in 1983, D. Stempel AG redesigned Miedinger's Helvetica typeface and created a digital version. Neue Helvetica World has six additional styles including Arabic, Georgian and a specially-designed Hebrew version. For pairing with languages further afield, Monotype / Linotype recommend these typefaces: Saral Devanagari (for devanagari), Tazugane Gothic or Yu Gothic (for Japanese), YD Gothic 100 or YD Gothic 700 (for Korean), M Ying Hei PRC or M Hei PRC (for Simplified Chinese), M Ying Hei HK or M Hei HK (for traditional Chinese). [Google] [More]  ⦿

Nichole Reid

Chicago, IL-based designer of the connect-the-dots typeface Horoscope (2017) and the free tangram / origami typeface Tan (2017). [Google] [More]  ⦿

Nick Asphodel

Italian designer of the brushy Hosp Script (2017) and the monoline script Calligro (2017). [Google] [More]  ⦿

Nigel Owen

During his studies at Falmouth University in Falmouth, UK, illustrator Nigel Owen designed several hand-lettered alphabets (2017), including a great dry brush script. Behance link. [Google] [More]  ⦿

Nina Shileva

Sofia, Bulgaria-based designer of the space typeface Cosmos (2017). [Google] [More]  ⦿

Nina Tangerina

During her architecture studies in Fortaleza, Brazil, Nina Tangerina designed the pixelish typeface Strfckr (2017). Behance link. [Google] [More]  ⦿

Nina Valle Bruch

Vic, Spain-based designer of the modular typeface Anaconda (2017). [Google] [More]  ⦿

Noelia Sevillano

Aka Shirocreate. Noelia Sevillano (Cadiz, Spain) designed the text typeface Vilona in 2017. [Google] [More]  ⦿

Nowa Era
[Agata Knajdek]

Gdansk, Poland-based designer of the informal typeface Illustra NE (2017). [Google] [More]  ⦿

Nurhamizah Mazlan

At Universiti Teknologi Brunei, Bandar Seri Begawan, Brunei Darussalam-based Nurhamizah Mazlan designed the free star-studded typeface Constel (2017). [Google] [More]  ⦿

Nurkhalish Mansor

Brunei Darussalam-based designer of the textured pop-art typeface Radioactive 50s (2017) that was inspired by comic book pop artists such as Roy Lichtenstein. [Google] [More]  ⦿

ODS (Our Design Space)

Designer in 2017 of Rainy Day, Jonathan (a beatnik font), Doodle Doo, as well as numerous sets of flowers and trees. [Google] [More]  ⦿

Ofir Shavit
[OS Type]

[More]  ⦿

Oksana Nalivaiko

Minsk, Belarus-based designer of the hand-crafted brush typeface Nesterka (2017). Behance link. [Google] [More]  ⦿

Olesia Misty

Kiev, Ukraine-based designer of the hand-crafted Latin / Cyrillic typeface Kuplu (2017: dadaist) and the experimental typefaces Unpleasant Dream (2017) and Stkl (2017). [Google] [More]  ⦿

Omar Cajusol

Morrope, Peru-based designer of the pixel typeface Telar CC (2017). [Google] [More]  ⦿

Ooi Ee Theng

Designer at The One academy in Penang, Malaysia, of the sharp-edged poster typeface Rainbow (2017). [Google] [More]  ⦿

OS Type
[Ofir Shavit]

OS Type is the commercial branch of Israeli type designer Ofir Shavit. Designer in 2016 of OS Aran: Aran typeface is an 8 weights sans-serif font family (No Italics). It is a Latin expansion of the successful Aran Hebrew typeface created a year earlier by Ofir Shavit from OS-Type. Supports eastern Latin languages and Hebrew. Low contrast, a bit condensed, suitable for text and display. Very clean and non dominant appearance. [Google] [More]  ⦿

Oskar Sobolewski

Torun, Poland-based designer of a modular display typeface in 2017. [Google] [More]  ⦿

Oskream

Houston, TX-based designer of the display typeface Red (2017) and Soar (2017). [Google] [More]  ⦿

Pana Type and Studio
[Boyan Nurdiansyah]

Bandung, Indonesia-based designer of Baysoir Sans (2017) and Baysoir Script (2017). [Google] [More]  ⦿

Paola Guevara

San Salvador, El Salvador-based designer of Strings (2017). [Google] [More]  ⦿

Paul Christ

During his studies in München, Germeny, Paul Christ designed the angular typeface Oh No (2017). Behance link. [Google] [More]  ⦿

Pawel Kenig
[Kentype]

[More]  ⦿

Pellisco

Colombian artist. Designer, with Cosimo Lorenzo Pancini at Zetafonts, of the signage script typeface family Atlantica (2017). [Google] [MyFonts] [More]  ⦿

Peter Korsman
[Autograph]

[More]  ⦿

Philipp Nurullin

Designer from St. Petersburg, Russia, specializing in type design, typography and web design. His typefaces include TT Backwards (2017): an experimental script and grotesque font family inspired by the typographic scenery in the USSR in the late 70s and early 80s, designed by Tanya Cherkiz, Sergey Kotelnikov, Philipp Nurullin and the TypeType Team. [Google] [MyFonts] [More]  ⦿

Plectron Logos

Mesolongi, Greece-based designer of the kitchen tile typeface Square Break (2017). [Google] [More]  ⦿

Qi Yuan

Designer in Xiamen, China, who designed a beautiful connect-the-dots typeface in 2017 called Kaleidoscope. [Google] [More]  ⦿

Quentin Girard

Graduate of EG in Brussels who works in Paris as a graphic designer. In 2017, he created Diakomistika, a typeface inspired by ancient roman and greek stonecut fonts. [Google] [More]  ⦿

Rachel Tokash

Rehovot, Israel-based designer of the Hebrew poster typeface Kartiv (2017). [Google] [More]  ⦿

Rafael Abril

Bogota, Colombia-based designer of the paper fold typeface Fabric Type (2017). [Google] [More]  ⦿

Rahma Hutami

During her graphic designe studies, Rahma Hutami (Jakarta, Indonesia) created Adobe garamond Corpus Experimental (2017). Behance link. [Google] [More]  ⦿

Rami Tawil

Originally from Aleppo, Syria, Rami Tawil is now based in Frankfurt, where he designed the bold war-inspired slab serif typeface Bundeswehr (2017). [Google] [More]  ⦿

Ramona Blau

Valencia, Spain-based designer a modular geometric solid typeface in 2017. [Google] [More]  ⦿

Rare Bird Font Foundry
[Jessica McCarty]

Seattle, WA-based foundry, est. 2017, that is dedicated to releasing only the highest quality hand-lettered fonts on the market. The co-founders are Jessica McCarty (of Magpie paper Works) and "Tristan and Michelle" of Besotted Co. Their initial typefaces are calligraphic and hand-lettered based on samples of well-known calligraphers. The list: Rare Bird Specimen I (2017: lettered in calligrapher Maybelle Imasa-Stukuls's exquisite signature hand), Rare Bird Specimen II (2017: an elegant hand by Karla Lim of Written Word Calligraphy), Rare Bird Specimen III (2017: a graceful hand by Karla Lim of Written Word Calligraphy), Rare Bird Specimen IV (2017: lettered by Toronto-based artist Lisa Mavian of Post Calligraphy). [Google] [MyFonts] [More]  ⦿

Reckless Hen

UK-based designer of the hand-crafted connect-the-dots typeface Spotty Dottier (2017). Dafont link. [Google] [More]  ⦿

Rei Rei Co

Graphic designer in Paris who published these techno-grunge typefaces in 2017: Libellule, Tetsuo, Virevolt, RR Odeca (octagonal, 15 fonts in all). [Google] [More]  ⦿

Rekamidea

Bandung, Indonesia-based designer of the textured typeface Merry Structure (2017), which was influenced by Wassily Kandinsky's paintings. [Google] [More]  ⦿

Rie Hueg-Davidsen

Aarhus, Denmark-based designer of the corporate sans typeface Energi Danmark (2017). [Google] [More]  ⦿

Rizky Chandra Sofyan

Indonesian designer of the hand-crafted typeface Dliya (2017). [Google] [More]  ⦿

Romeo Soon

During his studies in Kuala Lumpur, Malaysia, Romeo Soon designed the textured caps typeface Egypt Digital (2017). [Google] [More]  ⦿

Ross Collier

Wirral, UK-based designer of the triangulated typeface Polygon (2017). Creative Market link. [Google] [More]  ⦿

Ruben Hervas

During his studies, zaragoza, Spain-based Ruben Hervas designed the gory killer typeface Knife (2017), together with Alvaro Alonso. Behance link. [Google] [More]  ⦿

Ruben Vandennieuwenborg

Ghent, Belgium-based desugner of the polygonal typeface Bolt and Nut Sans (2017). [Google] [More]  ⦿

Rudolf Vychovaly

During his studies at University of Tomas Bata in Zlin, Czechia, Trencin, Slovakia-based Rudolf Vychovaly designed the ball terminal-laden display typeface Cornea (2017). [Google] [More]  ⦿

Ryan Losordo

American designer of the stick font Simply Line (2017). [Google] [More]  ⦿

Rylee Jackson

During her studies in San Francisco, Rylee Jackson designed the minimalist Avenir Altered (2017). [Google] [More]  ⦿

Saba Tareq

Amman, Jordan-based designer of the Latin typeface Shadi Mubark (happy wedding) which is inspired by the Indian wedding culture. Its letters follow a henna pattern grid. [Google] [More]  ⦿

Sabrina Bolzoni

Buenos Aires, Argentina-based designer (b. 1997) of a delightful painted alphabet in 2017. [Google] [More]  ⦿

Salvia Perez San José

During their studies at EASD Vitoria-Gasteiz ADGE, Irati Sagasta (Elorrio,Spain), Salvia Perez San Jose (Vitoria-Gasteiz, Spain) and Iara Aguiriano Hidalgo (Vitoria-Gasteiz, Spain) designed the modular typefaces Filetto (2017) and Iwik (2017). [Google] [More]  ⦿

Sam Lynch

Dublin, Ireland-based designer of the abstract typeface Zero (2017). [Google] [More]  ⦿

Samanta Serrano

Jaen, Spain-based designer of the quarter circle typeface Tulipan (2017). [Google] [More]  ⦿

Samantha Carlos

During her studies at PUCP in Lima, Peru, Samantha Carlos designed the circle-themed typeface Wus (2017). [Google] [More]  ⦿

Samuel Salminen

Stockholm, Sweden-based designer of the free typeface Elefant Display (2017) and the free slab serif display typeface Globetrotter (2017). [Google] [More]  ⦿

Samvel Nazaryan

Yerevan, Armenia-based designer of the well-integrated Latin / Cyrillic / Armenian typeface family AYB (2017). Behance link. [Google] [More]  ⦿

Sara KR

At the University of Dammam, Jubail, Saudi Arabia-based Sara KR designed the experimental DecoType in 2017. [Google] [More]  ⦿

Sara Panepinto

As a student, Palermo, Italy-based Sara Panepinto designed the adaptive signage typeface More (2016). [Google] [More]  ⦿

Sara Pascale

American designer of Homemade (2017). [Google] [More]  ⦿

Sarah Dsouza

Indian designer of Triangle Font (2017). [Google] [More]  ⦿

Sarah St

Riyadh, Saudi Arabia-based designer of the experimental iD Font (2017) for the Brish fashion magazine iD. Behance link. [Google] [More]  ⦿

Sarvagya Rajan

During her studies in Bangalore, India, Sarvagya Rajan designed the 3d typeface Let's Font (2017). [Google] [More]  ⦿

Sasha Prood
[Sasha Prood Studio]

[More]  ⦿

Sasha Prood Studio
[Sasha Prood]

Sasha grew up just outside of Philadelphia, PA, and trained at Carnegie Mellon's School of Design, St. Gallen, Switzerland's Schule fur Gestaltung and Cooper Union's typeface design certificate program, Type@Cooper (2011-2012). She is a full-time freelance designer, illustrator and artist who currently resides in Brooklyn, NY. In 2010, she drew several (watercolor and other) painted alphabets. At Type@Cooper in 2012, she designed the art deco typeface Breccia. In 2013, she drew Glutton For Life Alphabet and Microscopic Organism Alphabet. Behance link. [Google] [More]  ⦿

Satriotype

Designer of the brush script typeface Miganty (2017). [Google] [More]  ⦿

Sebastian Fermin

Graphic designer and illustrator in Punto Fijo, Venezuela. In 2017, during his studies at Universidad Simon Bolivar, he created the free blackletter typeface Ozymandias, the free sans typeface Romero, and the sharp-edged sans display typeface Ohm. [Google] [More]  ⦿

Selina Sophia Heursen

During her studies in Berlin, Selina Sophia Heursen designed the informal typeface Quirky (2017). Behance link. [Google] [More]  ⦿

Sergey Kotelnikov

Russian motion and 3D designer based in Nizhny Tagil. In 2017, Sergei graduated from the six month font design course at TypeType Education.

His typefaces include TT Backwards (2017): an experimental script and grotesque font family inspired by the typographic scenery in the USSR in the late 70s and early 80s, designed by Tanya Cherkiz, Sergey Kotelnikov, Philipp Nurullin and the TypeType Team. [Google] [MyFonts] [More]  ⦿

Sergio Martinez

Monterrey, Mexico-based designer of Bunch Sans (2017). Behance link. [Google] [More]  ⦿

Shane Hutton

Cookeville, TN-based designer of the prismatic typeface Tram (2017). Behance link. [Google] [More]  ⦿

Sharvanna Kenny

Designer of the free inky typeface Tumult (2017). [Google] [More]  ⦿

Shasa Samuels

Rome, Italy-based designer of the crystal-like typeface Infinitype (2017). [Google] [More]  ⦿

Shaun Koh

Singapore-based designer of an exoperimental geometric typeface (2017). [Google] [More]  ⦿

Shokouh Razavi
[Haxon]

[More]  ⦿

Shuvam Jaiswal

During his studies in Ahmedabad, India, Shuvam Jaiswal designed the Benagli emulation typeface Bongish (2017). [Google] [More]  ⦿

Silvestre Rondon

Brazilian designer of the graffiti-inspired typeface Jequiti (2007). [Google] [More]  ⦿

Simon Thorup

In Kenn Munk's class in Haderslev, Denmark, Simon Thorup designed the speed font Festina Lente (2017). [Google] [More]  ⦿

Sine Asmussen

Danish designer of the rough brush typeface Tin Foil (2017). [Google] [More]  ⦿

SKM Studios

Designer in 2017 of Little Swish. [Google] [More]  ⦿

Snizhana Chernetska

Kiev, Ukraine-based architect and graphic designer who studied at Projector Design School. In 2017, she created the minimalist monoline sans typeface Fest for Latin and Cyrillic. [Google] [More]  ⦿

Sol Lee

St. Louis, MO-based designer of the Escher font Optical Illusion (2017). [Google] [More]  ⦿

Sophia Apostolopoulou

Graphic designe in Athens, Greece, who created Tutfont, Circlefont and the experimental sans typeface Geometric in 2016. [Google] [More]  ⦿

Stefan Gajic

Industrial and graphic designer in Belgrade, Serbia, who created Wide Type in 2017. [Google] [More]  ⦿

Stefan Tabencki

Graphic designer in Los Angeles who created the very flared typeface Conflux in 2017. Behance link. [Google] [More]  ⦿

Stefano Torregrossa

Stefano Torregrossa is a creative director in Verona, Italy, who is associated with Onice Design. In 2017, Stefano Torregrossa and Lorenzo Ballarini codesigned the custom sans typeface Salvagnini for the sheet metal company by that name. Behance link. [Google] [More]  ⦿

Stella Kian

Malaysian designer of a colourful jewelized all caps typeface in 2017. [Google] [More]  ⦿

Stephanie Carroll

American student-designer of the textured typeface Face Pom (2017). [Google] [More]  ⦿

Stephen Bau

Abbotsford, BC-based designer of Bauhouse Universal (2017), a typeface family that is based on Herbert Bayer's Universal (1925). Behance link. [Google] [More]  ⦿

Studio James Lewis
[James Lewis]

Publisher of the hand-drawn typeface Quaint (2014, designed together with Jorgen Grotdal). [Google] [More]  ⦿

Studio Pépouze
[Alice Bottigliero]

Bordeaux, France-based studio set up in 2016 by Alice Bottigliero, a graduate of ENSAAMA, Olivier de Serres. In 2017, she published Memento, a typeface that includes compressed and stretched letters for special effects. Behance link. [Google] [More]  ⦿

Sub Job

Kiev, Ukraine-based designer of a grungy brush typeface in 2017. [Google] [More]  ⦿

Suthi Srisopha
[Typhoon Type]

[More]  ⦿

Suzanne van Iddekinge

Dutch designer of a great plumpish alphabet in 2017. [Google] [More]  ⦿

Svetlana Efremenko

Saint Petersburg, Russia-based designer of the sketched Line Font (2017) and the art deco typeface Multiletter (2017). [Google] [More]  ⦿

Sylvain Girault

Toulouse, France-based designer of the display typeface Movaizherbe (2008). Behance link. [Google] [More]  ⦿

Synoptic Office

Design studio based in New York City. In 2017, they published Praha, a text typeface that revives Grafotechna's Praha (1968). Behance link. [Google] [More]  ⦿

Taqdees Zahra

Rawalpindi, Pakistan-based designer of the display typeface Dandiya in 2017. [Google] [More]  ⦿

Tary Meutia
[Zatari]

[More]  ⦿

Tasha Wentling

American designer of Suburbs (2017: hand-crafted sans), and Tokyo 2020 (2017: probably not the official Olympic Games font). [Google] [More]  ⦿

Tawhidur Rahman Dear

Designer of the hand-carfted typeface manu (2017). [Google] [More]  ⦿

Teknike
[Thomas Kikis]

Publisher of these hand-crafted typefaces in 2017: Anamorphic, Evangelos, Passagem, Privé, Qipao. Teknike also created Nautis (sans), Cycladic (sans), Vantagram (blackletter), Uny (slab serif perhaps for athletic lettering), Fugues (star-studded textured style), Jadeite (sans) and Designator (squarish). All his fonts cover Latin and Greek. Some cover Cyrillic and Hebrew too.

Fugues is inspired by organic geometry as apparent in the work of Antoni Gaudi. [Google] [More]  ⦿

Templatehere

Indonesian designer of the signage script typeface Purnama in 2017. [Google] [More]  ⦿

The Jumping Foxes

Romanian foundry set up in 2017 by Pose Radu and Andrei Ograda. Designers of JF Matisse Fauve Display (2017), a typeface that emulates the style of impressionist painter Henri Matisse. [Google] [MyFonts] [More]  ⦿

The Traveling Fox
[Merk Mansoon]

Designer of these typefaces:

  • Scripts: Marettimo (2017), Swindon (2017), Mustique (2017), Isle of Staffa (2017), Mauna Loa (2017: calligraphic), Roman Love Story (2017), Natron (2017), Splendis (2017).
  • Inline: Catumbo (2017: Tuscan).
  • Display types: Skulk (2017), Abberwick (2017).

Creative Market link. [Google] [More]  ⦿

Thiago Oliveira
[Typographias]

[More]  ⦿

Thijs Kestens

During his studies in Ghent, Belgium, Thijs Kestens (Leuven, Belgium) designed Gridnik (2017) as a tribute to Wim Crouwel. [Google] [More]  ⦿

Thomas Donninger

Dutch designer of a straight-edged modular typeface in 2017. [Google] [More]  ⦿

Thomas Kikis
[Teknike]

[More]  ⦿

Tim van Eyssen

Auckland, New Zealnad-based designer of the art deco typeface Civic Deco (2017). [Google] [More]  ⦿

Tim Xez

Nizhny Novgorod, Russia-based designer of the free Latin / Cyrillic bubblegum typeface Airfool (2017) and the free Latin / Cyrillic hipster typeface Komi (2016). Behance link. [Google] [More]  ⦿

TOAP Multimedia Design

TOAP Multimedia Design is a multimedia design department of The One Academy from Penang dedicated to digital media design research & development. Occasionally, they produce typographic work and original typefaces. [Google] [More]  ⦿

Tom Rouleau

Graphic designer and illustrator in Joinville-le-Pont, France. Creator of the funny decorative caps typefaces GunGunType (2017) and Detectype (2017). [Google] [More]  ⦿

Toma Varsano

Sofia, Bulgaria-based designer of the display typeface Sshh (2017). [Google] [More]  ⦿

Tomas Hurtado

Santiago, Chile-based designer of the anthroposophic typeface Malva Vali (2017). [Google] [More]  ⦿

TV Art Works

I suspect that TV Art Works is yet another alias of Slovakian designer Peter Olexa. At Graphicriver, as TV Art Works, he sells the grungy typeface family Marquee (2017). [Google] [More]  ⦿

Tydugusa

Designer of the free squarish typeface Cosmos (2017). [Google] [More]  ⦿

Type Colony
[Aliv Pandu]

Yogyakarta, Indonesia-based designer of Heatslide Script (2017) and Subletter Script (2017, for signage). Behance link for Aliv Pandu. Behance link for Type Colony. [Google] [More]  ⦿

Typhoon Type
[Suthi Srisopha]

Bangkok, Thailand-based designer (b. 1976) of the free brush script typeface Zomtam Thai (2017), and the script typefaces Journey to Thailand (2017), Midnight Bangkok (2017), Vacations in Phuket (23017) and Chiangmai Hostel (2017: formal calligraphic style). Dafont link. [Google] [More]  ⦿

Typographias
[Thiago Oliveira]

Typographias is Thiago Oliveira's foundry in Sao Paulo, Brazil. In 2017, he published the classical text typeface family Paciencia, which is rooted in calligraphy. Behance link. [Google] [More]  ⦿

Valentin Jabaud

During his studies in Paris, Valentin Jabaud designed the display typeface Loop (2017), in which every character has at least one loop. Behance link. [Google] [More]  ⦿

Victoria Uebe

During her studies at ESPM in Sao Paulo, Brazil, Victoria Uebe designed a modular display typeface (2017). [Google] [More]  ⦿

Vidhunnan Murugan

Singapore-based designer of the free font Raleway Color SemiBold (2017), with a color scheme and method inspired by Gilbert Baker. Background on Raleway: Raleway is an elegant sans-serif typeface family intended for headings and other large size usages. Initially designed by Matt McInerney as a single thin weight, it was expanded into a 9 weight family by Pablo Impallari and Rodrigo Fuenzalida in 2012 and iKerned by Igino Marini. It is available as a Google Font. Murugan also designed Raleway Light, an animated version of Raleway. [Google] [More]  ⦿

Vikrant Karve

Pun, India-based designer of Waves (2017). [Google] [More]  ⦿

Vincent van Opdorp

Breda, The Netherlands-based designer of a colorful decorative initial caps typeface in 2017. [Google] [More]  ⦿

Vinicius Cirino

At Instituto Federal de Pernambuco in Recife, Brazil, Vinicius Cirino designed the inline typeface Aqua (2017) and the all caps typeface Mystery (2017). [Google] [More]  ⦿

Vivyan Leal

Brazilian designer of the curly almost Victorian tyeface Flowicca (2017). [Google] [More]  ⦿

Wendy Robles

Chicago, IL-based designer of the pixelish typeface Villita (2017), which is inspired by the tiling found in the National Museum of Mexican Art in Chicago. Behance link. [Google] [More]  ⦿

Wladson Araujo

Fortaleza, Brazil-based designer of the free connect-the-dots typeface Conexao (2017). Behance link. [Google] [More]  ⦿

Yana Khodkina

Vologda, Russia-based designer of the hand-crafted typeface Greeniya (2017). Behance link. [Google] [More]  ⦿

Yeonjoo Huh

Korean designer of the all caps Latin Halloween font Monster Town (2017). [Google] [More]  ⦿

Yesaya Amnestian

Pemalang, Indonesia-based designer of Aliyaa Script (2017, a yummy brush script) and Martin (2017). [Google] [More]  ⦿

Yevgeniy Anfalov

Hannover, Germany-based designer of the custom typeface Malba Sans (2017) for Museo de Arte Latinoamericano de Buenos Aires (MALBA). He explains: Malba Sans is a corporate font of the museum, whose capital letters were drawn in-house (Aldus De Losa) and served the titling purposes. We were asked by the museum's graphic design team to analyse and update the capital letters, draw the lowercase letters, based upon the improved model and extend the character sets to cover more languages. The new version, named Malba Sans is characterised by a stronger vertical accent and more consistency due the reshape of all the letter forms. A new tighter spacing contributed to the better titling function. Malba Sans was fully kerned and is going to be implemented in the museum's upcoming identity in 2018. The font was exclusively drawn for the internal use and is not available for licensing. Behance link. [Google] [More]  ⦿

Ylja Levv Belinsckih

Odessa, Ukraine-based designer of the display typeface Heimdall (2017). Behance link. [Google] [More]  ⦿

Yuri Boeira Loeser

Brazilian designer of the free minimalist sans typeface Mamada (2017), which was made with the template app Calligraphr. [Google] [More]  ⦿

Yvonne Weng

In 2017, during her studies at City College of New York, Haihua "Yvonne" Weng (Brooklyn, NY) used FontStruct to design Elegant Sans. [Google] [More]  ⦿

Zaina Madi

Graphic designer in Amman, Jordan. In 2017, she created a modular sans typeface. [Google] [More]  ⦿

Zatari
[Tary Meutia]

Banda Aceh, Indonesia-based designer (b. 1992) of these free hand-crafted typefaces in 2017: Armed, Brush Bold, Zatari. Fontspace link. Behance link. Dafont link. [Google] [More]  ⦿

Zawed Akhtar

Goregaon, India-based designer of an electrical circuit typeface in 2012. Behance link. [Google] [More]  ⦿

Zein Alabidine Hajj Chehadeh

Beirut, Lebanon-based designer of the Latin chisel script typeface Gaia (2017). Behance link. [Google] [More]  ⦿

Zizai Design

Beijing, China-based designer of the high-contrast display typeface ZZ Daylily (2017). [Google] [More]  ⦿

Zulfikar Ali

Aceh, Indonesia-based designer of these script typefaces in 2017: Cumtbum (or Camtbum), Vathina Script (calligraphic), Alif Script. [Google] [More]  ⦿