TYPE DESIGN INFORMATION PAGE last updated on Sun Apr 22 22:49:49 EDT 2018






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Aba Sh

Chelyabinsk, Russia-based designer of the free Latin / Cyrillic typefaces Elfabe (2018) and One (2018, a brush script). [Google] [More]  ⦿

Adam Charlton

Cofounder with Gregor Vand in 2015 of Brand Craft. Hong Kong-based designer of the free beveled vector format typeface Brighton Sans (2018). [Google] [More]  ⦿

Adrian Wrzesinski

Plymouth, UK-based designer of the EEG-inspired typeface Dream (2018). [Google] [More]  ⦿

Aishwarya Mestry

Mumbai, India-based designer of a Latin display typeface in 2018. [Google] [More]  ⦿

Alba Tatsumaki

Barcelona-based designer of Madnezz Quiin (2018) and the oriental emulation typeface Shinsengumi (2018). [Google] [More]  ⦿

Alberto del0Real

Graphic designer in Ciudad Real, who created the decorative typeface Muelle and the rhombic typeface Robodo in 2018. [Google] [More]  ⦿

Albi Baraku

During his studies in Toronto, Albi Baraku designed the constructivist typeface Baeier (2018). [Google] [More]  ⦿

Alde Saputro

Yogyakarta, Indonesia-based designer of Annisa Script (2018), Ubur Ubur (2018), Good Egg (2018), Pink Script (2018) and Ma Fille (2018). [Google] [More]  ⦿

Aleksandra Jakubowska

During her studies in Warsaw in 2015, Aleksandra Jakubowska designed the display typeface Handgloves. [Google] [More]  ⦿

Alex Rosario

Alex Rosario (b. New York City) revived Roc Mitchell's retro-futuristic phototype Corporate as Corporatus (2018).

As Neologix on FontStruct, he made these pixelish or modular typefaces: Harpoon Art (2016, loosely based on Dan X. Solo's Lampoon), Negesis (2014-2017, after the Sega Genesis logotype), New Era Software (2014-2017), Trigger (2011-2018: a pure pixel family). Alex explains: Descended from the classic Chicago font, Trigger Bold is a recreation of the original dialogue font from the award-winning game, Chrono Trigger.

Other typefaces: Ensconce Sans. [Google] [MyFonts] [More]  ⦿

Alexander Kirillov

Alexander Kirillov studied at the Faculty of Economics of the St. Petersburg Polytechnic University. As a student at TypeType Education in 2016-2017, he created the almost miltary semi-angular sans typeface Taiga. [Google] [More]  ⦿

Alice Kindborg Elofsson

As a student, Malmö, Sweden-based Alice Kindborg Elofsson designed the art deco typeface Plum Royale (2018). [Google] [More]  ⦿

Alice Whales

Malang, Indonesia-based designer of these typefaces in 2018: Mouley, Chickadee, Alice Whales (script), Passion (script), Daydream (script), Zallord (brush font), Eisley Claise (script). [Google] [More]  ⦿

Amanda Edholm

Stockholm, Sweden-based designer, with Jens Schildt, of a geometric solid typeface in 2018. [Google] [More]  ⦿

Amber Catford

Graphic designer in Innsbruck, Austria, who created the warm calligraphic teardrop-themed script typeface Vigna in 2018. [Google] [More]  ⦿

Amber Pitcher

Cape Town, Soth Africa-based designer of the expermental typeface Bad Geometry (2018). [Google] [More]  ⦿

Andree Ng

Graduate of Ton Duc Thang University. Ho Chi Minh City, Vietnam-based designer of the illustrated caps typeface Khong Gian Am (2018). [Google] [More]  ⦿

Andriansyah M. Komarudin

Kota Bekasi, Indonesia-based designer of the all caps Dutch deco typeface Lampau (2018). [Google] [More]  ⦿

Antoinette de Maintenant

During her studies at ESAG Penninghen in Paris, Antoinette de Maintenant designed the 1970s era typeface Pepite (2018). [Google] [More]  ⦿

Anya Polunina

Born in Severodvinsk, Russia, Anya Polunina graduated from Bonch-Bruevich Saint Petersburg State University of Telecommunications. As a student at TypeType Education in 2016-2017, she designed the antiqua typeface Glamer. [Google] [More]  ⦿

Arekusanda Diaz

Guarenas, Venezuela-based designer of the modular typeface Arekusanda (2018). [Google] [More]  ⦿

Art Design

Kuala Lumpur, Malaysia-based designer of these predominantly script typefaces in 2018: New Lettering, Maulydia, Astiola, Sophia, The Distro (brush), Love Cindy, Goodbye (upright), Angelina, California Beach, Bellagia. [Google] [More]  ⦿

Arthur Coppens

During his studies, Hasselt, Belgium-based Arthur Coppens designed the free modular outline typeface BRTX (2018), an experimental font inspired by brutalist architecture and Duplo playing blocks. [Google] [More]  ⦿

Arthur Moustik Gaillon

Paris-based designer of the modular typeface Chet (2018). [Google] [More]  ⦿

Ayesha AlSharid

During her studies in Dubai, Ayesha AlSharid designed the shar-edged Arabic typeface Bakkah (2018). [Google] [More]  ⦿

Barbara Campos

Brazilian designer of Moon Sans (2018). [Google] [More]  ⦿

Berta Cubi

Igualada, Spain-based designer ofthe geometric display typeface Cubik (2018) and the grotesque all caps typeface Lux (2018). [Google] [More]  ⦿

Bianca Cerda

As a student at Universidad Iberoamericana (UNIBE) in Santo Domingo, Dominican Republic, Bianca Cerda designed the wavy typeface Rachel (2018). [Google] [More]  ⦿

Braeden Price

Owings Mills, MD-based designer of the modular typeface Badmen (2018). [Google] [More]  ⦿

Brett Snowball

Vancouver, BC-based designer of the display typeface Golden ratio (2018). [Google] [More]  ⦿

Bruna Raiado

During her studies, Bauru, Brazil-based Bruna Raiado designed the lively hand-crafted typeface Kiwi Amarelo (2018). [Google] [More]  ⦿

Cadu Carvalho

Sao Paulo, Brazil-based designer of the layerable circus style typeface Junina (2018). [Google] [More]  ⦿

Caio Portugal

Brazilian designer of a modular molecular typeface in 2018. [Google] [More]  ⦿

Calixte Palissier

Paris-based designer of the free AI format rounded sans typeface family Vibra Type, which comes in these styles: Rounded Bold, Rounded Regular, Straight, s\and Volume. [Google] [More]  ⦿

Calvin-Noël Klein
[Klein Productions]

[MyFonts] [More]  ⦿

Cam Bam Fonts

Free single stroke truetype fonts designed in 2011 for CNC and Cam Bam engraving. [Google] [More]  ⦿

Cameron Knight

Greenville, SC-based designer of Bluenote (2018). [Google] [More]  ⦿

Camila Leal

At Universidade Federal do Ceara, Camila Leal designed the upright cursive typeface ewa in 2018. [Google] [More]  ⦿

Camila Rios Palma

Santiago, Chile-based designer of the angular typeface Desertica (2018). [Google] [More]  ⦿

Carla Gal

Art director in Barcelona who created the display typeface Suave and the wide sans typeface Soo White in 2018. [Google] [More]  ⦿

Carla Salaun

During their studies at ECV in Nantes, France, in 2018, Julie Bertrais, Solenne Pagès, Clara Tourneux, Carla Salaun and Constance Reygrobellet codesigned the super-heavy typeface family Mauer, to commemorate the Berlin Wall that came down in 1989. [Google] [More]  ⦿

Cassidy Byers

During her studies at Texas State University, Cassidy Byers (Austin, TX) designed Yoshi (2018), a custom typeface fr the Yoshi Sushi restaurant in Seattle, WA. [Google] [More]  ⦿

Catalina Chung

Santiago, Chile-based designer of Alicia (2016), a typeface that is based on Carroll Lewis's Alice in Wonderland tale. [Google] [More]  ⦿

Charlotte Cannon

American designer of the semi-stencil typeface Interlace (2018). [Google] [More]  ⦿

[Galuh K]

Malang, Indonesia-based designer in 2018 of Sugar Rush, Chocotype, Moonlight (brush font), Selfind (script), Mints Script, Frostbite, Scripthink Script and Lovebites Script. [Google] [More]  ⦿

Chris Koelsch

Columbus, OH-based designer of some great animated letters in 2018. [Google] [More]  ⦿

Christian Gruber

Waldsassen, Germany-based designer of the straight-edged typeface Geze (2018). [Google] [More]  ⦿

Christian Horsbøl Christiansen

During his studies at Skolen For Visuel Kommunikation (School of Visual Communication) in Haderslev, Denmark, Christian Horsbøl Christiansen designed the free typeface Fibonacci Fraktur (2018) and the hand-painted all caps typeface Sticks n Stripes (2018). [Google] [More]  ⦿

Christoph Schütz

Austrian type designer. In 2018, Michael Hochleitner, Christoph Schütz, Simon Liesinger and Franziska Weitgruber co-designed Gretel Script at Typejockeys. This optically sized three-style typeface is based on the hand of calligrapher Natascha Safarik. [Google] [MyFonts] [More]  ⦿

Claire Perlot

During her studies in Paris in 2018, Claire Perlot designed the counterless typeface Pijama (2018). [Google] [More]  ⦿


French design group that published the free ampersand typeface Saintjean in 2018 at Velvetyne. In 2017, Pauline Cormault, Esther Michaud, Claire Mucchieli, Merlin Andreae, Raphaël Maman, Pedro Gomes-Cardoso, Juliette Nier, Gabrielle Meistretty and Damien Bauza co-designed Résistance during a three-day workshop with Martin Desinde, Julien Imbert, Raphaël Bastide and Jérémy Landes. [Google] [More]  ⦿

Conor Dunbar

Auckland, New Zealand-based designer of Punch It Chewie (2018). [Google] [More]  ⦿

Cookie Type

Designer of the screen glitch font Scanlines (2018). [Google] [More]  ⦿

[Diana Grigore]

Bucharest, Romania-based FontStructor who designed the free typeface Onfire (2018), later renamed Bonfire. FontStruct link. [Google] [More]  ⦿

Danna Guzman

Colombian designer of Connecting Dots (2018). [Google] [More]  ⦿

Darren Ho Jian Hunt

During his studies in Singapore, Darren Ho Jian Hunt designed Colure Sans (2018). [Google] [More]  ⦿

David Canaes

Designer of the monoline art deco typeface Demonde (2018). [Google] [More]  ⦿

David Dabronaki

Budapest, Hungary-based designer of the Peignotian typeface Ano (2018). [Google] [More]  ⦿

David Samuel Oluwadamilare

Or just David Samuel. Designer and illustrator in Lagos, Nigeria, who developed the children's book color font Kidag in 2018. [Google] [More]  ⦿

David Velasco

Barcelona-based designer of the high-contrast typeface Forger (2018). [Google] [More]  ⦿

Dead Language Design
[Jamie Lear]

Baltimore, MD-based designer of the thick brush typeface Cairn (2018). [Google] [More]  ⦿

Deon Dennis

At National Institute of Fashion Technology, Deon Dennis (New Delhi, India) designed the sci-fi typeface ET Civil (2018). [Google] [More]  ⦿

Derrick Huss

Kaukauna, WI-based designer of the spurred typeface Trinity (2018). [Google] [More]  ⦿

Design Under Pressure

Patras, Greece-based designer of the free Latin and Greek comic book typeface Odessa (2018) and the free Latin / Greek display typeface Vavoura (2018). [Google] [More]  ⦿

[Simon Bassler]

Simon Baßler (Designconcepts, Furtwangen, Germany) designed the free typeface Iconconcepts Round (2017). [Google] [More]  ⦿

Desiree Seeto

During her studies in Brisbane Australia, Desiree Seeto designed the Africa-themed typeface Twiigle And Tak (2018). [Google] [More]  ⦿

Diana Grigore

[More]  ⦿

Dila Cilez

Istanbul, Turkey-based designer of the futuristic typeface family The Jetsons (2018). [Google] [More]  ⦿

Divyanshu Sinha

As a student at IIAD, New Delhi-based Divyanshu Sinha designed the techno stencil typeface Blade (2018). [Google] [More]  ⦿

Donis Miftahudin
[Donism (or: Din Studio)]

[More]  ⦿

Donism (or: Din Studio)
[Donis Miftahudin]

Yogyakarta, Indonesia-based designer of these script typefaces in 2018: Mister Froggie, Amadora (upright script), Brilliant, Portland, Adora Queen, Amadora, Breaking Down (brush-lettered), Welcome Home. Graphicriver link. [Google] [More]  ⦿

Dot HK
[Hisyam Kamil]

Designer of the brush font Octopus Script (2018). [Google] [More]  ⦿

Edhi Sarwo
[Haksen Graphic]

[More]  ⦿

Eduardo Guzman

London, UK-based designer of the monoline display typeface Asayita (2016). [Google] [More]  ⦿

El Universo Sael
[Jose Alfonso]

Buenos Aires, Argentina-based designer of the color font Enterline (2018, with Alejandro Paul at Sudtipos). [Google] [MyFonts] [More]  ⦿

Elif Ildes

Ankara, Turkey-based designer of Melon Seeds (2018). [Google] [More]  ⦿

Elizabeth Arostegui

Interface designer based in La Paz, Bolivia. Winner at Tipos Latinos 2018 of a type design award for the wonderful free illustrated character font Cosmocollita. [Google] [More]  ⦿

Elsa Nogueira

Lagos, Portugal-based designer of Bones (2018). [Google] [More]  ⦿

Emilie Combes

Toulouse, France-based designer of the Braille/Latin combination font Monster (2018). [Google] [More]  ⦿

Emily Frink

During her studies at University of Louisville (KY), Emily Frink designed Circus Silly (2018). [Google] [More]  ⦿

EmilyRae Burton

Colorado Spings, CO-based designer of a striped typeface in 2018. [Google] [More]  ⦿

Ensar Sewer

Graphic designer in Skopje, Macedonia. In 2018, he developed a flat top Latin typeface. [Google] [More]  ⦿

Erman Yilmaz

Istanbul, Turkey-based designer of the sticky tape typeface Anafor (2018). [Google] [More]  ⦿

Eva Parkhomenko

As a student at TypeType Education in 2016-2017, she designed the sharp-edged book typeface Aurora. [Google] [More]  ⦿

Fabian Donoso

Santiago, Chile-based designer of the angular display or poster typeface Albo (2018). [Google] [More]  ⦿

Fabio Pereira

Coimbra, Portugal-based designer of the bolted typeface Parafusa (2018), which was inspired by house door numbers. [Google] [More]  ⦿

Farul Arjianto

Aka Typefar. Jepara, Indonesia-based designer of the free fonts Royalia Signature (2018), Karam Italic (2018, brushed) and Kutoen (2018: an eerie font). Fontspace link. [Google] [More]  ⦿

Fatemeh Hajipour

Dubai, UAE-based designer of a squarish semi-stencil Latin / Arabic typeface in 2018. [Google] [More]  ⦿

Fellipe Iacks

At UFPEL, Pelatoas, Brazil-based Fellipe Iacks designed the then stencil typeface Iridium77 (2018). [Google] [More]  ⦿

Fernanda Saranholi

Sao paulo, Brazil-based designer of Cutepunk (2018). [Google] [More]  ⦿

Filipe Costa

London, UK-based designer of Filipe (2018: a lapidary font based on street sign lettering in Viseu, Portugal) and a monoline typeface (2018) inspired by the work of Herb Lubalin. [Google] [More]  ⦿

Fortunee Cohen

American designer of the geometric solid typeface Formas Geometricas (2018). [Google] [More]  ⦿

Frederik Rafn Barfod

During his studioes at KADK in Copenhagen, Denmark, Frederik Rafn Barfod designed Myterano Stencil (2018). [Google] [More]  ⦿


Design studio in Düsseldorf, Germany. In 2014, together with Andreas Steinbrecher, they designed a curly monoline typeface for the Aquazoo Löbbecke Museum Branding. [Google] [More]  ⦿

Gabriella (Junjiao) Li

As a student at Emily Carr University of Art and Design in Vancouver, BC, Gabriella (Junjiao) Li designed TTTT (2018). [Google] [More]  ⦿

Galuh K

[More]  ⦿


Designer of the brush script typeface Autise (2018). [Google] [More]  ⦿

Gerard Sierra

Barcelona-based designer of Centcelles (2018), a typeface that is inspired by the calligraphic shapes of the Capitalis Rustica. [Google] [More]  ⦿

Graphic Press

Designer of these typefaces:

  • Calligraphic style: Armando (2018), Merry Hamida (2018), Veola (2018).
  • Scripts: Mogellos (2018), Roselle (2018), Bettylavia (2018), Justtrue (2018).
  • Display fonts: Bandet (2018).
  • Hand-printed sans: Elegantly Modest (2018), Mogellos Sans (2018).
[Google] [More]  ⦿

[Iswadi Basri]

Aceh, Indonesia-based designer of the Western font Mafia (2018). [Google] [More]  ⦿

Gregory Wood

Philadelphia, PA-based designer of the film noir script font Boulevard (2018). [Google] [More]  ⦿

Grzegorz Kaczmarek

Wroclaw, Polans-based designer of the art cafe font Cocofli (2018). [Google] [More]  ⦿

Guma Creative

Indonesian designer of the connected script typefaces Keith (2018) and Hamburger (2018). [Google] [More]  ⦿

Habiba Ayad
[Habiba Hesham]

Cairo, Egypt-based designer of a display typeface in 2018. [Google] [More]  ⦿

Habiba Hesham
[Habiba Ayad]

[More]  ⦿

Haksen Graphic
[Edhi Sarwo]

Indonesian designer, b. 1982, who designed Lincoln (2018). [Google] [More]  ⦿

Hannah Green

During her masters studies in Bristol, UK, Hannah Green combined Braille and Latin glyphs in her Braille Type (2018). [Google] [More]  ⦿

Hannah Seibert

Colora, MD-based designer of Saga (2018). [Google] [More]  ⦿

Hardik Patel

Anand, India-based designer of the circle-themed typeface Circular (2018). [Google] [More]  ⦿

Heer Hugo

UK-based designer of the engineering font Voltonium (2018). [Google] [More]  ⦿

Heidi Bunk Bisgaard

At Skolen for Visuel Kommunikation in Haderslev, Denmark, Heidi Bunk Bisgaard designed the display typeface Bare in 2018. [Google] [More]  ⦿

Helena Nowicka

During her studies in Warsaw, Helena Nowicka designed an inline typeface (2018) and a hand-crafted typeface (2018). [Google] [More]  ⦿

[Tania Dominguez]

San Salvador, El Salvador-based designer of these hand-crafted typefaces in 2018: Cala (dingbats), Sansa Kid (Scandinavian style), Martina (script), Sansa. Earlier typefaces: Begonia Sans (2014), Soda Pop (2014), Lemonade (2014), Dodo (2014), Gefont (2014: geometric). She also made many sets of hand-drawn icons. [Google] [More]  ⦿

Hirday Pal Aujla

Jalandhar, India-based designer of the neon typeface Virtue (2018). [Google] [More]  ⦿

Hisyam Kamil
[Dot HK]

[More]  ⦿

Hubert Wedel

Düsseldorf, Germany-based designer of the straight-edged monoline industrial typeface Obacht (2010). [Google] [More]  ⦿

Ian Evertson

Boston, MA-based designer of Retro Futura (2018). [Google] [More]  ⦿

Ich Bin Ben

Bristol, UK-based designer of the all caps typeface Hot Rod (2018). [Google] [More]  ⦿

Idil Inan

Designer in Ankara, Turkey, who studied at Hacettepe University. In 2018, she designed the decorative typeface Poesie (2018). [Google] [More]  ⦿

Iliris Art

Russian designer of the brush typeface Widle Wasser (2018) and the hand-crafted cactus Romanus (2017). [Google] [More]  ⦿

Inessa Mitrozor

Graphic designer who graduated from the National Design Institute in Moscow. As a student at TypeType Education in 2016-2017, whe created the high contrast modern antiqua typeface Capella. [Google] [More]  ⦿

Inna Serik

Kiev, Ukraine-based designer of a prismatic all caps Latin typeface in 2018. [Google] [More]  ⦿

Iñes Beja

Santarem, Portugal-based designer of Radical (2018). [Google] [More]  ⦿

Iswadi Basri

[More]  ⦿

Ivan Achmad F

Bandung, Indonesia-based designer of the display typeface Pulat (2018). [Google] [More]  ⦿

Jack Sampson

American designer of the sans display typeface Sampsonjt (2018). [Google] [More]  ⦿

Jacki Gipp

Trier, Germany-based designer of the animated techno typeface Lunik (2018). [Google] [More]  ⦿

Jacob Ploesser

Laguna Niguel, CA-based designer of the heavy metal font Helvetica Metal (2018). It was bound to happen some day---the use of the word Helvetica to denote a typeface or font, and not necessarily a font that looks like Helvetica. One could say that Helvetica was xeroxed. [Google] [More]  ⦿

James Fitzgerald

Sydney-based designer of the all caps titling grotesk typeface Charles (2018). [Google] [More]  ⦿

Jamie Ferrato

Graphic designer in Toronto, Ontario. In 2018, he designed the techno typeface Cyber Freight. [Google] [More]  ⦿

Jamie Lear
[Dead Language Design]

[More]  ⦿

Jamison Reisbeck

San Diego, CA-based designer of the graffiti font Cholo Goth (2018). [Google] [More]  ⦿

Javier Garcia

Puebla, Mexico-based designer of the informal monoline typeface Colcia (2018). [Google] [More]  ⦿

Javier Royo

[MyFonts] [More]  ⦿

[Javier Royo]

Illustrator based in Barcelona. In 2018, he designed the pointillist pebble-themed color font Playa with Alejandro Paul at Sudtipos. [Google] [MyFonts] [More]  ⦿

Jessica King

St. Louis, MO-based designer of the color font Chromatype (2018). [Google] [More]  ⦿

Jesus Aleejandro Nieto Arrieta

Guanajuato, Mexico-based designer of the blackboard bold typeface Bucle (2018). [Google] [More]  ⦿

Jhon Steve

Nanchang, China-based designer of the hipster sans typeface Black Panther (2018). [Google] [More]  ⦿

Jisoo Li

Korean designer located in Singapore, who created the 3d Latin typeface Urban Blocks (2018). [Google] [More]  ⦿

Joao Pedro Pereira Freire

Jundiai, Brazil-based designer of the rounded techno typeface family Oma (2018). [Google] [More]  ⦿

Joao Vitor Scarpim

During his studies in Curitiba, Brazil, Joao Vitor Scarpim designed the free squarish typeface Long Johnson (2018). [Google] [More]  ⦿

Jorsh Pe&nttilde;a

Mexico City-based co-designer, with Hector Hernandez, of Darkade (2018), a pixel typeface commissioned by the band Emulators [Google] [More]  ⦿

Jose Alfonso
[El Universo Sael]

[MyFonts] [More]  ⦿

Jose Manuel Vega

Malaga, Spain-based designer of the free modular squarish typeface Atalanta (2018). [Google] [More]  ⦿

José Guerrero

Graphic designer and illustrator in Barcelona, who designed Monopatin (2018), a grotesque typeface that was inspired by old license plates. [Google] [More]  ⦿

Joshua Blair

Savannah, GA-based designer of the notched Latin / Cyrillic typeface wyssheé (2018). [Google] [More]  ⦿

Juan Jeje

Aka JFK. Bogor, Indonesia-based designer of the blackletter / tattoo typefaces Kallbarus (2018) and Steam Gear (2018), the graffiti font Wall Hunter, and the grungy sans typeface Codex Gigas (2018). [Google] [More]  ⦿

Juan Miguel Medina Prieto

[More]  ⦿

Julia Raschke

Konstanz, Germany-based designer of Split Font (2018). [Google] [More]  ⦿

Julia Sousa

Sant Andre, Brazil-based designer, with a group of co-students, of the rounded sans typeface Abatjul (2018). [Google] [More]  ⦿

Juliana Pedemonte

Colorblok founder Juliana Pedemonte's illustration and motion graphic work first appeared on VH1, MTV and Nickelodeon Latin America in 2003. Born in Bahia Blanca, Argentina, she studied at the University of Buenos Aires. In 2018, with Alejandro Paul at Sudtipos, she designed the Memphis-style color font Ponche in 2018. [Google] [MyFonts] [More]  ⦿

Julie Bertrais

During their studies at ECV in Nantes, France, in 2018, Julie Bertrais, Solenne Pagès, Clara Tourneux, Carla Salaun and Constance Reygrobellet codesigned the super-heavy typeface family Mauer, to commemorate the Berlin Wall that came down in 1989. Also in 2018, Julie Bertrais and Solenne Pagès co-designed Jauria. [Google] [More]  ⦿

Julie Castelain

Nantes, France-based student-designer of an all-caps Peignotian display typeface for a dance festival called Nijinskid (2018). [Google] [More]  ⦿

Julieta Pelloni

Sometimes less is more. If designers are restricted in some way, beautiful things can be created as if the artists are forced to dig deeper and thus be more creative. Crous-Vidal's Superveloz from the 1950s is a first example in that direction. For a project at FADU / UBA in Buenos Aires, Julieta Pelloni developed a strictly modular typeface, Vantea (2018), that can only be characterized as a total success. [Google] [More]  ⦿

Justine Guillon

During her studies in Nantes, France, in 2018, Justine Guillon designed Cryptographie and a modular typeface. [Google] [More]  ⦿

KA Designs
[Kaitlynn Albani]

KA Designs is Kaitlynn Albani's shop on the web. She created these hand-crafted typefaces in 2018: Gingerbread, Calm, Vanilla Cupcake, Baked Goods, Park, Bearly awake, Moonwake, Grateful, Blooming, Friday, Lakehouse, Beautiful Awakening, Sophisticated, SaltWater, Serendipity, All the Things (doodles), Monday Blues, Sunday Morning (fat finger font), Silence, Pink Lemonade, Lynchburg, Alpenglow, Darlington Park, The Lighthouse, Extraordinary, In Lust. [Google] [More]  ⦿

Kaitlynn Albani
[KA Designs]

[More]  ⦿

Karen Dunn

Akupu, HI-based designer of the script and sans typeface trio Hasta la Vista (2018), and the hand-crafted typeface Aescudos (2018). [Google] [More]  ⦿

Kelley Bates

Designer in Toronto, who created Kelmo Sans (2018) and Warehouse (2018: a futuristic blackletter).. [Google] [More]  ⦿

Kenza Mezouar

Paris-based co-designer, with Magali Castel and Leila Yüce, of the typeface family Movietone (2018), which contains Serif, Sans and Condensed subfamilies. [Google] [More]  ⦿

Khairil Adithya

Banda Aceh, Indonesia-based designer of Takeshi (2018), Studio 18 (2018), the creamy script font Chocolate (2018), the squarish typeface Everest (2018), and Winda (2018: a signature font). [Google] [More]  ⦿

Khushi Sompura

At CVM College of Fine Arts in 2017, Khushi Sompura (Mumbai, India) designed Fledgling Fork (2018). [Google] [More]  ⦿

Kimberly Camilleri

During her studies at University of Malta, In-Nadur, Malta-based Kimberly Camilleri designed the thin display sans typeface Twig (2018). [Google] [More]  ⦿

[Juan Miguel Medina Prieto]

Kimeki also used the name Paul Gomez Givera. Malaga, Spain-based designer of the free font Lightshadow (2018). Open Font Library link. [Google] [More]  ⦿

Kira Harper

Plymouth, UK-based designer of the gridded typefaces Jenson (2018), Tyler (2018) and Andrej (2018). [Google] [More]  ⦿

Kira Linneberg

During her studies at Skolen for Visuel Kommunikation in Haderslev, Denmark, Kira Linneberg designed a devanagari emulation typeface (2018). [Google] [More]  ⦿

Kitya Toropowski

Moscow-based designer of these typefaces in 2018:

  • Keleti (2018). A pixelized typeface.
  • Lahti (2018). A stylish fat didone derivative based on compass-and-ruler. Covers Latin and Cyrillic.
[Google] [More]  ⦿

Klein Productions
[Calvin-Noël Klein]

Calvin-Noël Klein (Klein Productions, Germany) designed a geometric junkyard typeface, Littlemetry, in 2018. [Google] [MyFonts] [More]  ⦿

Klervie Hamon

As a student at ECV in Nantes, France, Klervie Hamon designed a text typeface (2018). [Google] [More]  ⦿

Kosuke Takahashi

Japanese designer (b. 1993, Tokyo) who studied at Keio University, Fujisawa, Japan, where he obtained a Bachelor of Art in Environmental Information. Creator of Braille Neue (2017), a typeface that combines Braille and Latin. According to Takahashi, Braille Neue is a universal typeface that combines braille with existing characters. This typeface communicates to both the sighted and blind people in the same space. Braille Neue consists of two typesets - Braille Neue Standard which is for English alphabet and Braille Neue Outline which is for Japanese and English. Our aim is to use this universal typeset for Tokyo Olympics and Paralympics 2020 to create a truly universal space where anyone can access information.

In 2013, he designed the free sans typeface Ootori. [Google] [More]  ⦿

Kristen Hayter

Blacksburg, VA-based designer of a modular outlined typeface in 2018. [Google] [More]  ⦿

Ksenia Kichina

Graduate of the University of Technology and Design with an Applied Informatics in Design degree in 2012. As a student at TypeType Education in 2016-2017, she designed the sahrply cut display antiqua typeface Exposition. [Google] [More]  ⦿

Kunal Kapur

New Delhi-based designer of the brick typeface Empire (2018). [Google] [More]  ⦿

Kylie Radick

American designer of the copperplate genre typeface Radickal Slab (2018). [Google] [More]  ⦿

Laetitia Brun

Bordeaux, France-based designer of these display typefaces in 2018: Afro (based on the Mandombe alphabet from Congo), Version 2000 (monospaced and modular), Gentille, Diane (angular), Bråthult (wide sans). [Google] [More]  ⦿

Lara Ala-Olla

At Lahti Institute of Design in 2018, Finnish illustrator Lara Ala-Olla (b. 1995) designed the rigid geometric sans typeface Nocturne. [Google] [More]  ⦿

Laura Picciolli

Albi, France-based designer of the art deco typeface Picciolli (2018). [Google] [More]  ⦿

Laura Stoellger

Utrecht, The Netherlands-based designer of Nocturne (2018), which according to Laura is evokes Chopin's Nocturne opus 9, no. 1, but turns out to be a great Hebrew simulation typeface. [Google] [More]  ⦿

Leandro Castelao

Illustrator in Buenos Aires who heads Studio Castelao. In 2018, he designed Maquina at Sudtipos in cooperation with Alejandro Paul. Maquina is a geometric Memphis-style decorative color font. They explain: The package contains a normal OTF font in Black and White and 3 versions of colorfonts in SVG-OTF format. [Google] [MyFonts] [More]  ⦿

Leo Waitere

New Zealand-based designer of the display typeface Harakeke (2018). [Google] [More]  ⦿

Lesia Izikova

Graphic designer and illustrator in Kharkiv, Ukraine. In 2018, she designed the clean minimalistic (Latin) sans typeface Ukrlogic. Ukrlogic is a company located in Kiev. [Google] [More]  ⦿

Lily Gongaware

During her studies at California University of Pennsylvania, Lily Gongaware designed the art deco tyepface Diaphanous (2018). [Google] [More]  ⦿

Lohan Daniel

Sao Paulo, Brazil-based designer of the octagonal typeface Adaga (2018) and the squarish typeface Minim-A (2018). [Google] [More]  ⦿

Louis Colin

Strasbourg, France-based designer of Vault (2018). [Google] [More]  ⦿

Louise Courtois

UK-based designer of the severe wedge serif typeface White Crypt (2017). [Google] [More]  ⦿

Luana Tumiatti

During her studies at Universidade Estadual Paulista (UNESP), Bauru, Brazil-based phtographer and designer Luana Tumiatti created the rounded sans typeface Abracadabra (2018). [Google] [More]  ⦿

Luca De Stefano

Illustrator in Milan, Italy, who designed Canada (2018). [Google] [More]  ⦿

Lucas Franco
[Now Type]

[More]  ⦿

Ludivine Bouillot

During her studies in Lille, France, Ludivine Bouillot designed the circle-themed typeface DG2 (2018). [Google] [More]  ⦿

Lux Font

Donetsk, Ukraine-based designer of these fonts in 2018: Monblank, Manchester, Gabrielle (upright script), California, Casablanca (script and sans duo), Fabiano (rounded sans). [Google] [More]  ⦿

Luz Saldaña

Mexico City-based designer of the all caps display typeface Fati (2018). [Google] [More]  ⦿

M Hilmi Farizqi

Bogor, Indonesia-based designer of Maze (2018). [Google] [More]  ⦿

Madame Tschissik

Paris, France-based designer of the color font Constellation (2018). [Google] [More]  ⦿

Magali Raynard

During her studies in Montpellier, France, Magali Raynard designed the compass-and-ruler typeface Big Day (2018). [Google] [More]  ⦿

Malem Diwa

Designer of the connected script typeface Malem Diwa (2017). [Google] [More]  ⦿

Manu Puertas

Palencia, Spain-based designer of the straight-edged modular typeface Dewana (2018). [Google] [More]  ⦿

Marcela Aguilera

Marcela Aguilera is a Chilean type designer and calligrapher. She graduated from the Santo Tomas professional institute in 2013, and has a post-graduate degree in Type Design from Universidad de Chile (2015) and a Masters in Advanced Type Design (2017) from EINA in Barcelona. She develops typefaces for Type-o-Tones with Laura Meseguer and Josema Uros, and for PeGGO Fonts with Pedro Gonzalez.

In 2018, Pedro Gonzalez and Marcela Aguilera co-designed Orqquidea and Orqquidea Garden (dingbats). [Google] [MyFonts] [More]  ⦿

Marco Bienek

Berlin-based art director. Designer of Fruboni (2018), a hybrid of Frutiger Extra Black and Bodoni Bold (2018). [Google] [More]  ⦿

Marcos Paulo Caetano

Mogo Mirim, Brazil-based designer of Doomed Blades (2018), which is inpired by the game of Doom. [Google] [More]  ⦿

Margarida Calcada

During her studies at ESAD, Porto, Portugal-based Margarida Calcada designed a paperclip typeface (2018). [Google] [More]  ⦿

Margarida Frazao

Lisbon, Portugal-based designer of the sketched deco typeface Sky Lines (2018). [Google] [More]  ⦿

Margaux Vlérick

Le Raincy, France-based designer of a music-evoking typeface in 2018. [Google] [More]  ⦿

Maria Afroditi Patsi Jackson

Miami, FL-based designer of these free Greek fonts: AF Aphrodite Caps (2018), AF Futurismo GR Caps (2018), AF Greka Fat (2016), AF Patsi Marathon (2016), AF Patsi Cap (2016), AF Creta Fat (2016). [Google] [More]  ⦿

Mariah Kohl

Orange, CA-based designer of the decorative typeface Melody in 2018. [Google] [More]  ⦿

Marianna Angouridaki

Athens, Greece-based designer of the rune-inspired Latin / Greek typeface Witchcraft (2018). [Google] [More]  ⦿

Marie-Aude Camus

Marie-Aude Camus (Paris, France) blended Latin, runic, kana and Braille characters in her design of a new experimental universal alphabet, La Mue (2018). [Google] [More]  ⦿

Marina Coll Puchol

During her studies at ESDAP, Sant Cugat del Valles, Spain-based Marina Coll Puchol designed the deco typefaces Ruston (2018) and Orangey (2018), and the modular outlined typeface Bigweld (2018).. [Google] [More]  ⦿

Marina Khodak

As a student at TypeType Education, Marina Khodak designed the rounded slab serif typeface Splash (2016-2017). [Google] [More]  ⦿

Marion Detournay

French designer of the art deco typeface Brigitte (2018). [Google] [More]  ⦿

Marleen Sørensen

Dutch designer of the SVG Opentype brush font Painting with Chocolate (2018). [Google] [More]  ⦿

Marlon Hurtado

Island Park, NY-based designer of the hand-crafted typeface Hellen (2018). [Google] [More]  ⦿

Martin Laksman

Argentinian illustrator who is based in Buenos Aires. He studied at University of Buenos Aires. In 2018, together with Alejandro Paul at Sudtipos, he designed the color multiline font Popolare. [Google] [MyFonts] [More]  ⦿

Matthias Zimmermann

Designer of the great vernacular supermarket signage typeface Sandwich Marker (2018). [Google] [More]  ⦿

Max Sparrow

Designer in Bath, UK, who created Cloud in 2018. [Google] [More]  ⦿

[Quirino Sosas]

Filipino electrical engineer. Designer of the free dry brush typeface Skydome (2018). [Google] [More]  ⦿

M.G. Maresova

Brno, Czechia-based designer of the wiry typeface Abeceda (2018). [Google] [More]  ⦿

Mia Tran

At Ryerson University in Toronto, Mia tran designed a hand-crafted deco typeface in 2018. [Google] [More]  ⦿

Michael Eadie

Cape Town, South Africa-based designer of an AK-47-themed typeface in 2018 called Kalasnifont. [Google] [More]  ⦿

Michael Lema

Graphic designer in Buenos Aires. During his studies at FADU / UBA, he created the decorative condensed typeface Makos Display (2014). [Google] [More]  ⦿

Michelle Sloth

As a student at the School of Visual Communication in Haderslev, Denmark, Michelle Sloth designed the thin display typeface Alon (2018). [Google] [More]  ⦿

Mihkel Annus

Tallinn, Estonia-based designer of the sans typeface family Tropfen (2018). [Google] [More]  ⦿

Mihrinaz Ilgun

Istanbul, Turkey-based designer of a modular typeface (2018). [Google] [More]  ⦿

Mildret AR

Mexico City-based designer of typefaces influenced by Salvador Dali (2018) and Joan Miro (2018). [Google] [More]  ⦿

Miray Özmutlu

Istanbul-based designer of the display sans typeface PerSpectomance (2018) PerSpectomance SA, a Swiss premium car club. [Google] [More]  ⦿

Mireia Selma

Valencia, Spain-based designer of the decorative art nouveau typeface Scargot (2018). [Google] [More]  ⦿

Mitali Mehta

At Parsons School of Design in New York City in 2018, Mitali Mehta designed Geometrique Grotesque. [Google] [More]  ⦿

Mohammad Arafin

Aka Duke. Dhaka, Bangladesh-based designer of the free squarish sans typeface Sundarbans (2018). [Google] [More]  ⦿

Monkey Type

Typefoundry based in Berlin and New York. In 2016, Monkey Type and Mitch paone designed the typeface family Banana Grotesk. [Google] [More]  ⦿

Motin Blanco

Buenos Aires-based designer of the decorative caps typeface Vision (2018), which is based on architectural plans. It was developed at FADU / UBA. [Google] [More]  ⦿

Muhammad Ridha

Architect and designer in Banda Aceh, Indonesia, who created the tattoo and metal band blackletter font Amstha, Architecture (technical writing font), Ghotic, and the signature font Attitude in 2018. Graphicriver link. [Google] [More]  ⦿

Muhammad Taufiq

Pekalongan, Indonesia-based designer of the monoline display typeface Nirwana (2018). [Google] [More]  ⦿

MyFonts: Bestsellers for April 2018

The fifty best-selling typefaces at MyFonts, as reported by them on April 5, 2018: #1 Helvetica Neue (Linotype), #2 Proxima Nova (Mark Simonson), #3 Brandon Grotesque (HVD Fonts), #4 FF DIN (FontFont), #5 DIN Next (Linotype), #6 Avenir Next (Linotype), #7 Avenir (Linotype), #8 Univers (Linotype), #9 Pluto (HVD Fonts), #10 TT Commons (TypeType), #11 Gilroy (Radomir Tinkov), #12 Brandon Text (HVD Fonts), #13 Neue Haas Grotesk (Linotype), #14 Cera Pro (TypeMates), #15 Trade Gothic (Linotype), #16 Frutiger (Linotype), #17 TT Jenevers (TypeType), #18 TT Norms (TypeType), #19 Franca (Rene Bieder), #20 Futura (Linotype), #21 Mont (Fontfabric), #22 Qualion (ROHH), #23 Campton (Rene Bieder), #24 Gill Sans (Monotype ), #25 Sofia Pro (Mostardesign), #26 ITC Avant Garde Gothic (ITC), #27 Helvetica Neue LT Std (Adobe), #28 Museo Sans (exljbris), #29 Neurial Grotesk (Indian Type Foundry), #30 Foco (Dalton Maag), #31 Intervogue (Miller Type Foundry), #32 FF Dax (FontFont), #33 Averta (Intelligent Design), #34 FF Mark (FontFont), #35 Freight Text Pro (GarageFonts), #36 Neue Haas Unica (Linotype), #37 Nexa Rust (Fontfabric), #38 Freight Sans Pro (GarageFonts), #39 Geogrotesque (Emtype Foundry), #40 ITC Franklin Gothic (ITC), #41 Madera (Monotype ), #42 Akzidenz-Grotesk BE (Berthold), #43 Futura PT (ParaType), #44 Tazugane Gothic (Monotype ), #45 Nexa (Fontfabric), #46 Century Gothic (Monotype ), #47 Zesta (Indian Type Foundry), #48 Intro (Fontfabric), #49 Gilam (Fontfabric), #50 DIN 2014 (ParaType). [Google] [More]  ⦿

Nabilla Letter

Bali, Indonesia-based designer of the brush script typefaces Smatter (2018), Starla Neika (2018), and Bethagia (2018). [Google] [More]  ⦿

Nastya Levina

Nastya Levina studied mathematics at the Faculty of Mathematics and Mechanics of the St. Petersburg State University. In her second year she began to create websites on demand. As a student at TypeType Education in 2016-2017, she designed the Latin / Cyrillic stencil typeface Depot. [Google] [More]  ⦿

Nelli Långstedt

During her studies in Helsinki, Nelli Långstedt designed the rounded sans typeface Girlgang (2018). [Google] [More]  ⦿


Designer of these sans typefaces in 2018: Victoria, Enriq Sans, Enriq Round Sans, George Round Sans. They also made many icon sets, such as Gamers, Galaxy, Fruits, E-Commerce, Christmas, Agriculture, Adventure. [Google] [More]  ⦿

Nicolas Damiens
[Songwriters Fonts]

[More]  ⦿

Nicolas Restrepo

Cali, Colombia-based designer of Antoni (2018), an art nouveau typeface that is inspired by the art of Antoni Gaudi. [Google] [More]  ⦿

Niels Alkema

Den Haag, The Netherlands-based designer of a new typeface for Jumbo in 2016, Sympatico, which replaces Jumbo The Sans. [Google] [More]  ⦿

Nina Vinogradova

Nizhny Novgorod, Russia-based designer of the modular Latin typeface Soft square (2018). [Google] [More]  ⦿

Noel Ramos

Arlington, TX-based designer of the mechanical object all caps typeface Prototype (2018). This seems to be a proect at the University of Texas at Arlington. [Google] [More]  ⦿

Noelia Rivas

Salamanca, Spain-based designer of the colorful typeface Miro (2018). [Google] [More]  ⦿

Now Type
[Lucas Franco]

Brazilian typefoundry run by Lucas Franco and Claudio Rocha. Their typefaces:

  • Comic Voss (2017): Alain Voss was a comics artist born in France, he spent his early life in Brazil, and moved to France in 1972. From 1975 he worked for the experimental Metal Hurlant, Tobiaze, parodies of famous comics characters such as Popeye, Asterix and Superman, the series Anarcity (influenced by Phillip K. Dick's work), and the strip Zensetos. He returned to Brazil in 1981, and during the rest of his life collaborated with Brazilian publishers. In 1982 he won the European Album of the Year Award for Adrénaline. Comic Voss is the work of digitalisation of the hand letters present is Alain Voss' comic books and graphic works. The font has an informal look and a slight inclination, that gives a sense of speed and unconventionality. The typeface has 4 weights (regular, medium, bold and black), 26 ligatures, arrows and a complete set with 256 glyphs.
  • Antonio Maria (2017): Antonio Maria, a font by Claudio Rocha and Lucas Franco, takes its shapes from the lettering found in the cover of Afixação Proibida (Display Prohibited), a book by the Portuguese poet Antonio Maria de Lisboa (1928-1953). In fact, Antonio Maria was the leader-writer of Afixação Proibida, a collective manifesto from 1949, that initiated the surrealist movement in Portugal. It is an inverted-contrast typeface with 150 ligatures and a large character set.
  • Ciclope (2017): Ciclope was launched during the 1930s by the Fonderia Tipografica Reggiani, a typefoundry based in Milan. The font was created under the guidance of Guido Modiano, a modernist typographer. The typeface has a strong and bold look, characteristic of the Italian art deco style.
  • Maggiore (2017): Maggiore, designed by Lucas Franco, takes inspiration from the 1930s Italian Art Deco style, with strong geometrical shapes, synthetic forms with no counters at all. The upper case keyboard keys offer straight and economical letterforms, while the lower case keyboard keys contain letterforms with subtle and angled nicks.
  • Mefistofele. A revival in 2018 by Claudio Rocha and Lucas Franco of the modular stencil typeface Mefistofele (1930, Reggiani foundry).
  • Rudolf Titling (Lucas Franco and Claudio Rocha), a typeface that won an award at Tipos Latinos 2018.
  • Franco Titling (Lucas Franco). Winner at Tipos Latinos 2018 of a type design award.
[Google] [More]  ⦿

Nuria Lopez

Nurai Lopez (b. 1992) studied at Art School of Jerez (2016). Today, she is a member of the ADG-FAD at Barcelona and the Collegi Oficial de Disseny Gafic de Catalunya. Designer of Blind Type (2016), a typeface that combines Braille and Latin. [Google] [More]  ⦿

Océane Moutot

Hastings, UK-based designer of the typefaces Alma, Victoria and Villa Extra Bold. [Google] [More]  ⦿

Onur Cem

Istanbul, Turkey-based designer of Balat Sans Thin (2018), handwriting Marker (2018), 3D Block Letters (2018), Brush Numbers (2018), Retro 3D Numbers (2018), and Melted Liquid Numbers (2018). [Google] [More]  ⦿

Patricia Penedo

Leiria, Portugal-based designer of Primula (2018). [Google] [More]  ⦿

Paulina Pelikan

Wroclaw, Poland-based designer of the free monoline circle-based sans typeface Jumpie (2017). [Google] [More]  ⦿

Pedro Franca

San Diego, CA-based designer of the decorative typeface Papagaio (2018). [Google] [More]  ⦿

Penny Type Co

Bandung, Indonesia-based designer of Mostachos (2018), a typeface that is based on vintage sign painting. [Google] [More]  ⦿

Phat Xiong

During her studies, Minneapolis, MN-based Phat Xiong designed the display sans typeface Reno (2018). [Google] [More]  ⦿

Philipp von Schlechtleitner

Berlin, Germany-based designer of Tribute (2018). [Google] [More]  ⦿

Pop & Pac

Design studio in Melbourne, Australia. In 2018, they designed the branding typeface Monroe Cafe. [Google] [More]  ⦿

Prachi Bhagwat

Pune, India-based designer of the foliate typeface Edge (2018). [Google] [More]  ⦿

Prince Patel

Anand, India-based designer of the decorative typeface Magnetis (2018). [Google] [More]  ⦿

Qi Wei Kong

During her studies, Woodlands, Singapore-based Qi Wei Kong designed the Chinese brush stroke-inspired Latin typeface Bi Hua (2018). [Google] [More]  ⦿

Quirino Sosas

[More]  ⦿

Rafael Leal

Salvador, Brazil-based designer of the frilly decorative caps typeface Capitulares (2018). [Google] [More]  ⦿


Indonesian designer of ACACA (2018) and Rahmat (2018). [Google] [More]  ⦿

Rayan Tannir

During her studies in Beirut, Lebanon, Rayan Tannir designed the Latin / Arabic typeface Pretty in Punk (2018). [Google] [More]  ⦿

Rebecca Griffith

Canadian designer of the modular semi-stencil futuristic typeface Aura (2018). [Google] [More]  ⦿

Reginald Taffy

Bandung, Indonesia-based designer of taffy Grotesk (2018). [Google] [More]  ⦿

Rehab Ayman

During his studies in Cairo, Rehab Ayman designed the display typeface The Red Queen (2018). [Google] [More]  ⦿

Reka Vidra

Budapest, Hungary-based designer of Kifli (2018). [Google] [More]  ⦿

Renard Rouge
[Romain Despaux]

Montpellier, France-based designer of the free oriental simulation font Zero Mojo (2018). See also here. [Google] [More]  ⦿

Renata Ibañez

Santiago, Chile-based designer of the Viking rune-inspired display typeface Ansuz (2018). [Google] [More]  ⦿

Rene Lazovy

Bratislava, Slovakia-based designer of Vertigonal (2017, FontStruct). [Google] [More]  ⦿

Resource Studio

London-based studio. Designer of Otto Slab Serif (2018) and the monolinear geometric grotesque Resource Sans (2018).. [Google] [More]  ⦿

Rhea Gill

Indian designer of the compass-and-ruler typeface Bahaus (2018). [Google] [More]  ⦿

Rio Purba

Medan, Indonesia-based designer of Mirwana Sans (2018) and Mirwana Script (2018), and Flatolin Ecommerce Icons (2018). [Google] [More]  ⦿

Risman Ginarwan

Bandung, Indonesia-based designer of the hand-crafted typeface Kakara (2018). [Google] [More]  ⦿

Roba Amr

During her studies at the German University in Cairo, Egypt, Roba Amr designed the informal typeface Tinhard (2018). [Google] [More]  ⦿

Robert Martinez

Robert Martinez is associated with the Open Font Library (OFL). Free typefaces published by him at OFL include the modular typeface Ponyo (2012) and the counterless Flintstone style rock typeface Puk (2015). [Google] [More]  ⦿

Roberto Muñoz

During his studies, Barranquilla, Colombia-based Roberto Muñoz designed a Chinese brush typeface (2018). [Google] [More]  ⦿

Rocio Lalia

Buenos Airs-based designer of the watercolor script typeface Sea Search (2018, at Universidad de Buenos Aires). [Google] [More]  ⦿

Roger Oliveira

Art director in Sao Paulo, Brazil, who designed the artificial language font Wakanda (2018), the all caps typeface Beer Type (2014) and the PSD-format Brush Type (2014). [Google] [More]  ⦿

Romain Despaux
[Renard Rouge]

[More]  ⦿

Rubi Valverde

Graduate of UNAM who is based in Mexico City. In 2018, she designed the curly Victorian typeface in a class taught by Cristobal Henestrosa. [Google] [More]  ⦿

Ryan Miglinczy

British designer of the ultra-condensed typeface Burokku (2018: free trial). Ryan is based in Dubai, and his company is called Design by Platform. [Google] [More]  ⦿

Saidi Studio

Designer of these calligraphic script typefaces in 2018: Maudy, Angeline, Amelia, Nayla. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Samalanga Studios

Indonesian designer of these hand-crafted typefaces in 2018: Manchester City, estham United, Ametika Serikat, Liverpool, Kingston, Kingston Clean, Canadavanada, malaysia, Toshiba, Sriwijaya, Aremania, Balidevata, Surabaya, Samalanga, Bismillah, American. [Google] [More]  ⦿

Sanika Salvi

During her studies in Mumbai, Sanika Salvi designed the colorful bird-themed typeface Flock (2018). [Google] [More]  ⦿

Sanil K.T.

Graduate of College of Fine Arts in Thiruvananthapuram, Kerala in 2017. Bangalore, India-based designer of the squarish modular typeface Roadsan (2018). [Google] [More]  ⦿

Seb Neil

Senior art director in Paris, France, who created the multiline prismatic typeface Maxam and the spurred display typeface Acan in 2018. [Google] [More]  ⦿

Sebastiaan van de Venne

Eindhoven, The Netherlands-based designer of Black Blok (or Zwart Blok) (2018). [Google] [More]  ⦿

Sebastian Nebrera Zapata

Spain-based designer of a pointy display typeface (2018). [Google] [More]  ⦿

Seda Pehlivan

Graphic designer in Istanbul. In 2018, she created the multiline tuxedoed art deco typeface Seda. [Google] [More]  ⦿

See Ning Lee

Petaling Jaya, Malaysia-based designer of the display typeface Cabbage (2018). [Google] [More]  ⦿

See Toh Qin Yunn

Singapore-based designer of the stick figure font Sticqman (2018). [Google] [More]  ⦿

Serge Hollander

Interior design architect who is based in Nabuntaran, The Philippines. In 2018, he designed the free experimental 3d geometric grid typefaces Geometrica and Geometrica Bold, and the trompe-l'oeil typeface Trans Font. [Google] [More]  ⦿

Sherine Abouelmagd

Inspired by the movie Edward Scissorhnads (1990), and Fontdiner Swanky (1996, Stuart Sandler), Sherine Abouelmagd designed a display typeface in 2018 during her studies at German University in Cairo. [Google] [More]  ⦿

Shumpei Yoshitsugu

Shumpei Yoshitsugu (Peach Studio, Tokyo) designed the geometric solid typeface Sailor in 2018. [Google] [More]  ⦿

Sigit Nur Wicaksono

Yogyakarta, Indonesia-based designer of these typefaces in 2018, both free and commercial: Oliver Quin (signature style), Sail Tortuga, Rio de Janeiro (childish fat finger font), Alfa Delta, Tapagasmo, Gozmer, Casey Neistat. [Google] [More]  ⦿

Simon Bassler

[More]  ⦿

Simon Liesinger

Austrian type designer. In 2018, Michael Hochleitner, Christoph Schütz, Simon Liesinger and Franziska Weitgruber co-designed Gretel Script at Typejockeys. This optically sized three-style typeface is based on the hand of calligrapher Natascha Safarik. [Google] [MyFonts] [More]  ⦿

Sofia Yasenkova

Sofia has a Masters degree in information technology. As a student at TypeType Education, she designed the modern serif typeface Ditar (2018) for Latin and Cyrillic. In 2018, Sofia Yasenkova, Philipp Nurullin, and Vika Usmanova designed the modern serif TT Tricks at TypeType. TT Tricks has many stencil styles. [Google] [MyFonts] [More]  ⦿

Solenne Pagès

During their studies at ECV in Nantes, France, in 2018, Julie Bertrais, Solenne Pagès, Clara Tourneux, Carla Salaun and Constance Reygrobellet codesigned the super-heavy typeface family Mauer, to commemorate the Berlin Wall that came down in 1989. Also in 2018, Julie Bertrais and Solenne Pagès co-designed Jauria. [Google] [More]  ⦿

Songwriters Fonts
[Nicolas Damiens]

Art director in Long Island City, NY. In 2017, he designed a fonts collection based on original handwritten letters and notes from songwriters Serge Gainsbourg, John Lennon, David Bowie, Kurt Cobain and Leonard Cohen. Songwriters Fonts is a dedicated site where one can download the fonts. [Google] [More]  ⦿

Sophie Ghesquier

Bordeaux, France-based designer of Hello (2018: a floriated stencil typeface), the ransom note font Chus (2018), and the experimental geomtric typeface Luna (2018). [Google] [More]  ⦿

Soti Brother

Bandung, Indonesia-based designer of Batriysh (2018). [Google] [More]  ⦿

Soulaf Khalifeh

In 2017, Mourad Boutros and Soulaf Khalifeh published the free low contrast Tajawal sans typeface family for Latin and Arabic. Google Fonts link. Github link. [Google] [More]  ⦿


Indonesian designer of the hand-crafted typefaces Rahayu (2018), Chiko (2018) and Lillylucky (2018). [Google] [More]  ⦿

Stefan Circovic

Loznica, Serbia-based designer of the free AI-format experimental typeface Audiowave (2018). [Google] [More]  ⦿

Stephanie Dickerson

During her studies at acific Northwest College of Art, Portland, OR-based Stephanie Dickerson designed a slab serif typeface (2018). [Google] [More]  ⦿


Indonesian designer of the script typeface Rouge Maheira (2018). [Google] [More]  ⦿

Susi Type

Yogyakarta, Indonesia-based designer of the brush signage script typeface Thirthy (2018). [Google] [More]  ⦿

Syabab Studio

Medan, Indonesia-based designer of the sans typeface Laxero (2018). [Google] [More]  ⦿

Talent Designer

Chinese designer of the Latin handwriting font Milano Sky (2018). [Google] [More]  ⦿

Tananun Kongkaew

At Chiang Mai University (Thailand), Tananun Kongkaew designed the Latin all caps typeface Wrench in 2018. [Google] [More]  ⦿

Tania Dominguez

[More]  ⦿

Taylor Kolo

American designer of the floral-themed coloring font Dream Team (2018). [Google] [More]  ⦿

Teona Cupic

Novi Sad, Serbia-based designer of a few hand-crafted Latin and Cyrillic typefaces in 2018. [Google] [More]  ⦿

Teuku Rinaldi

Aceh, Indonesia-based designer of the baseball signage script font Shailent Script (2018). [Google] [More]  ⦿

The Feminist Letters

A free orphaned font by unknown designers, published in 1981: Each letter and number is specifically designed with purpose, calling attention to issues like equal pay, reproductive rights, women's health, women in politics, and campus assault laws. The Feminist Letters were created by New York-based ad agency Y&R in collaboration with Women of Sex Tech, another New York-based group of entrepreneurs dedicated to increasing the diversity of sex tech. The font first debuted at the Women's March in January 2017, where the letters were used on signs in NYC, LA, Philadelphia and other U.S. cities, as up to 5 million women worldwide marched for equality. In particular in rallies against the election of President Donald "Grab 'Em By the Pussy" Trump. [Google] [More]  ⦿

Theo Seemann
[Visual Braille]

[More]  ⦿

Theo Weltman

Graphic designer in Bordeaux, France, who created Space Monospace in 2018. [Google] [More]  ⦿

Thomas Kelly

Alexandria, VA-based designer of Thomas Condensed Ultra Light (2018). [Google] [More]  ⦿

Tildem Tokdemir

Izmir, Turkey-based designer of the display typeface Suzgec (2018). [Google] [More]  ⦿

Tipos Latinos 2018

Tipos Latinos 2018 (or TL8) selected 73 winning entries from 444 nominations. There were seven categories, and four grand prize winners, Skill (Maximiliano R. Sproviero), Thesaurus (Fermin Guerrero), Atahualpa (Alejandro Lo Celso), and Otta (Paco Galvez). The full list:

  • Emerging talent:
    • Aline (Julio Claudius Giraldes Junior)
    • Anabella (Martin Sesto)
    • Cardone (Fatima Lazaro)
    • Ceibo (Juan Martin Krause)
    • Chucky (Maria Candela Caudana)
    • Discordia (Alvaro Franca)
    • Découpe (Maria Carla Mazzitelli)
    • Franco Titling (Lucas Franco)
    • Gigio (Ana Laydner)
    • Lagar (Celina Mazziotti)
    • Lygia (Flavia Zimbardi)
    • Parranda (Ale Navarro Miranda)
    • Picarona (Leo Calderon)
    • Pitaya Italic (Aline Kaori Yoshimatsu)
    • Shekyna (Nicolas Palominos)
  • Experimental:
    • Ahsurini (Luciano Cardinali)
    • Isografia (Alexander Wright)
    • Octothorpe (Jorge Ivan Moreno Majul)
    • Scratch TTM (Felipe Sanzana)
    • Tennis Set (Alejandro Paul)
  • Scripts:
    • Bibliophile Script (Ale Paul)
    • Chepina Script (Andres Felipe Ramirez Ortiz)
    • Envelove (Yanina Arabena, Guillermo Vizzari, Alejandro Paul)
    • Font Anita (Soledad Fontana)
    • French Bulldog (Alejandro Paul, Carolina Marando)
    • La Taqueria (Alejandro Paul, Carolina Marando)
    • Limon (Sabrina M. Lopez)
    • Skill (Maximiliano R. Sproviero)
  • Miscellaneous:
    • Cosmocollita (Elizabeth Arostegui)
    • Grande Vitorinha (Filipe Motta, Alex Furtado, Thais Melotti)
    • Papaia (Diego Sanz Salas)
  • Superfamilies:
    • Elizeth (Daniel Sabino)
    • Guyot (Ramiro Espinoza)
    • Portada (Jose Scaglione, Veronika Burian)
    • Reforma (Alejandro Lo Celso)
    • Thesaurus (Fermin Guerrero)
    • Victus (Gen Ramirez)
  • Text typefaces:
    • Atahualpa (Alejandro Lo Celso)
    • Brother 1816 (Ignacio Corbo, Fernando Diaz)
    • Elisetta (Lucia Ronderos)
    • FS Irwin (Fernando Mello)
    • Laura ht (Carolina Giovagnoli)
    • Malva (Henrique Beier)
    • Mosonyi (Yorlmar Campos)
    • Nikola (Sergio Leiva Whittle, Rodrigo Lopez Fuentes)
    • Noort (Juan Bruce)
    • Otta (Francisco Galvez)
    • Phonos (Manuel Lopez Rocha)
    • Piazzolla (Juan Pablo del Peral)
    • Telder ht Pro (Andres Torresi)
    • Ticerz (Franco Jonas Hernandez)
    • Violeta (Javier Quintana Godoy)
  • Titling:
    • Antonietta (Mauricio Astete aka Mauro Andres)
    • BT Orca Display (Sebastian Castellanos, Jason Guzman)
    • Clothing (Camilo Zamora, Carlos Fabian Camargo G)
    • Electrica (Santiago Torres)
    • Gabriela Stencil (Antonio Mejia Lechuga, Latinotype)
    • Grenze (Renata Polastri)
    • Joanne (Ale Navarro Miranda)
    • Loyola Pro (Rodrigo Araya)
    • Lubaline (Maximiliano R. Sproviero)
    • Mixta (Rodrigo Fuenzalida)
    • Olar (Andrea Kulpas)
    • Posh (Maximiliano R. Sproviero)
    • Preta (Maximiliano R. Sproviero)
    • Proprietor (Guillermo Vizzari, Alejandro Paul)
    • Rague (Rodrigo Araya, Andrey Kudryavtsev)
    • Rocher (Henrique Beier)
    • Royal Charter (Cristobal Henestrosa)
    • Rudolf Titling (Lucas Franco, Claudio Rocha)
    • Santiago (Joaquin Contreras)
    • Speakeasy Set (Ale Paul)
    • Terafile (Raul Plancarte)
[Google] [More]  ⦿

Tiyasha Ghattak

At School of Visual Arts in New York City, Tiyasha Ghattak designed the splendid modular display typeface Lambu (2018). [Google] [More]  ⦿

Tomy James

Type designer based in Perm, Russia. In 2018, he published these script typefaces: So Fresh, The Pamele, Bring, The Nicco, The Breat, The Monse, Horizon. [Google] [More]  ⦿

Tsen Lin

Taipei, Taiwan-based designer of the Latin display typeface Sarsi (2018). [Google] [More]  ⦿

Tuomas Nurmi

During his studies in Helsinki, Tuomas Nurmi designed the notched snas typeface Cutting Edge (2018). [Google] [MyFonts] [More]  ⦿

Ulises Chacon

Ulises Chacon (b. Merida, Venezuela) studied at the University of the Andes. Noww based in Ravenna, Italy, he designed the text tyepface Garmendia (2018). [Google] [More]  ⦿

Ultra Letter

Designer of these hand-crafted typefaces in 2018: Geudong, Magot, Melanie. [Google] [More]  ⦿

Umar Al-Farouq

Designer of these typefaces in 2018: Routen Lightning (monoline script) and Barthon. In 2017, he designed Montharo (sans), The Dodger and Blockers. [Google] [More]  ⦿

Valentin Bajolle

In 2018, together with Virgile Flores, Paris-based Valentin Bajolle designed the variable with typeface La Gomme, which was inspired by the Pirelli logotype. In 2015, he made the modular typeface Herbie Hancock. [Google] [More]  ⦿

Valentina Sanfilippo

Berlin, Germany-based designer of the squarish modular 3d typeface Dimensions (2018). [Google] [More]  ⦿

Veronia Adel

Cairo, Egypt-based designer of The Mask (2018), which is named after the 1994 movie. [Google] [More]  ⦿

Veronica Beltran

Tijuana, Mexico-based designer of Doble Line (2018). [Google] [More]  ⦿

Vineet Nair

Illustrator and graphic designer in Ahmedabad, India, who created the folded typeface Fowldown (2018). [Google] [More]  ⦿

Virginie Debeaune

During her studies in Lille, France, Virginie Debeaune designed the architectural typeface Porte de Paris (2018) and the figurine alphabet Natation Synchronisée (2018). [Google] [More]  ⦿

Visual Braille
[Theo Seemann]

VisualBraille (2009) is a free font that combines standard Braille and Latin. It was developed in 2009 at Merz Akademie Stuttgart by co-students Christopher Heller, Michael Ruß and Theo Seemann. [Google] [More]  ⦿

Visual Braille fonts

Several attempts have been made to overlay or combine Latin letters with Braille to make visual Braille fonts. These include:

[Google] [More]  ⦿

Vitoria Brandao Dalla Valle

During her studies at ESPM Sul, Porto Alegre, Brazil-based Vitoria Brandao designed the free hand-crafted vernacular typeface Washing Dishes (2018). [Google] [More]  ⦿

Vladimir Likhachev

Designer in Moscow who created the free circle-based typeface Okruglizm (2018) and Option Grotesque (2018: Option Light is free). [Google] [More]  ⦿

VR Graphics

Chennai, India-based designer of Dusker Tall (2018). [Google] [More]  ⦿

Vrinda Agarwal

As a student at NIFT in New Delhi, Gurgaon, India-based Vrinda Agarwal designed the fun figurine typeface Porangi (2018). [Google] [More]  ⦿

Wahyu Hadi Yuana

Designer, under the direction of Nazzar Saputra, of the Peignotian typeface family Espoir (2018) and the script typeface Pommel (2018, Craft Supply Co). He also designed the free beveled and layerable typeface CS Andreas (2018) under the direction of Trio Nazzar Saputra. [Google] [More]  ⦿

Wandani Creative

Designer of Oh Darling, Lovely Natasya Script, and Wandani (2018). [Google] [More]  ⦿

Winnie Lee

Baltimore, MD-based designer of the experimental typeface Futunie (2018). [Google] [More]  ⦿

Yahdi Romelo

Pekanbaru, Indonesia-based designer of Casiopeia (2018: futuristic), Pink Blue (2018: rough brush), Stranglethorn (2018) and Exodar (2018), an outline font. Creative Fabrica link. [Google] [More]  ⦿

Yevgeny Evstigneev

Graduate of Obninsk Franco-Russian Institute of Business Administration with a degree in Organizational Management, After moving to St. Petersburg in 2008, he worked as a designer. As a student at TypeType Education in 2016-2017, he designed the great perfectly spaced and balanced round sans typeface Circus. [Google] [More]  ⦿

Yorkatronic (or: Rock N Roller Fonts)

Tattoo artist and tattoo font designer, whose fonts include Traditional Tattoo Cap N Serif (2018), Pike (2018), Tattoo Rose Extravaganza (2018: roses) and Tattoo Banner Bonanza (2018). [Google] [More]  ⦿

Yuriy Nako
[Yurlick Yuriy]

[More]  ⦿

Yurlick Yuriy
[Yuriy Nako]

Or Yuriy Nako. Kazan, Russia-based designer of the brush script font Fresh Herbs (2018). [Google] [More]  ⦿

Zahid Hossain Alif

Dhaka, Bangladesh-based designer of the script typeface Figurat (2017) and the display typeface Grandiose (2018). [Google] [More]  ⦿