TYPE DESIGN INFORMATION PAGE last updated on Thu Oct 18 01:06:26 EDT 2018






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[1932 ad by Établissements Plantin for their Bristol and Carlton typefaces]


21st Annual TDC Type Design Competition (2018)

International typeface competition in 2018 organized by the Type Directors Club in New York. The chair of the competition was Elizabeth Carey Smith. The judges: Sahar Afshar, Verena Gerlach, YuJune Park, Dyana Weissman. The winners:

  • Mirza (Amir Mahdi Moslehi, Tehran, Iran). Foundry: Bagh-e Tafarroj Studio. Client: Maryam Soft. Website: https://twitter.com/AMMoslehi.
  • Lamon (Artemy Lebedev, Moscow). Foundry: Art Lebedev Studio.
  • Plex (Mike Abbink, Paul van der Laan, and Pieter van Rosmalen). Client: IBM. Website: https://www.ibm.com/plex/.
  • Source Han Serif (Ryoko Nishizuka, Frank Griesshammer, Wenlong Zhang, Soohyun Park, Yejin We & Donghoon Han). Client: Adobe Systems, Inc. and Google, San Jose, California. Web site: https://typekit.com/foundries/adobe.
  • Noort (Juan Bruce, Paine, Chile). Foundry: TypeTogether.
  • Origen (Alex Camacho, London). Foundry: Alex Camacho Studio.
  • Teddy (Minjoo Ham, Berlin). Foundry: Fust & Friends. Website: http://www.fustandfriends.com.
  • Pelago (Robert Slimbach, San Jose, California). Foundry: Adobe Systems.
  • Harrison Serif Pro (Lisa Fischbach, Hamburg). Foundry: TypeMates.
  • Read Greek Condensed (Elliott Amblard and Théo Guillard, Paris). Client: Groupe Renault. Website: https://black-foundry.com.
  • Koning (Luc(as) de Groot, Martina Flor, Jan Fromm, Phillipp Neumeyer, Daria Petrova, Berlin). Foundry: LucasFonts. Website: http://www.lucasfonts.com.
  • Vazeh (Reza Bakhtiarifard and Omid Emamian, Tehran). Client: Ofogh Rooydad. Website: http://twitter.com/rbakhtiarifard.
  • Ray (Reza Bakhtiarifard and Omid Emamian, Tehran).
  • Artigo Display (Joana Maria Correia da Silva, Porto, Portugal). Foundry: Nova Type Foundry. Website: http://www.novatypefoundry.com.
  • Guyot (Ramiro Espinoza, The Hague). Foundry: Retype Foundry. Kostas Bartsokas, Reading, UK). Website: https://kostasbartsokas.com/oi-you-mate/.
  • Kinetic (Noel Pretorius and Maria Ramos, Stockholm and Santiago de Compostela, Spain). Foundry: NM type. Web site: http://www.kinetictypeface.com.
  • Greta Text Hebrew (Michal Sahar, Tel Aviv, and Peter Bilak, The Hague). Foundry: Typotheque.
[Google] [More]  ⦿

Adam Freese

Kansas City, MO-based designer of the hexagonal monoline typeface Matryx (2018). [Google] [More]  ⦿

Adianto Nuri Fahrezy

[More]  ⦿

[Adianto Nuri Fahrezy]

Indonesian designer of the bold retro signage typeface Kalulla (2018). [Google] [More]  ⦿

Adriana Zwolinska

Graduate in industrial design from Koszalin University of Technology, Poland. Poznan, Poland-based creator of the thin modular typeface Culture Fangs (2018). [Google] [More]  ⦿

Adrien Masanaba

Bordeaux, France-based designer of the simplified sans typeface Police (2018). [Google] [More]  ⦿

Agung Rohmat

[More]  ⦿

Aida Ruzana Bungsu

Brunei-based designer of the free display typeface Booster (2018). [Google] [More]  ⦿

Akira Kobayashi
[Neue Frutiger]

[More]  ⦿

Aku Jomblo

Indonesian designer of the script typeface Willona Love (2018). [Google] [More]  ⦿

Alan Hossinger

At Griffith University, Brisbane, Australia-based Alan Hossinger designed the constructivist typeface Cosmonaut (2018). [Google] [More]  ⦿

Aleksandar Veljasevic

Serbian type designer. In 2018, he co-designed Hanley Pro with Megan Tamaccio of District 62. This typeface family was influenced by wood block lettering and consists of Script, Slim, Sans and Block subfamilies. [Google] [MyFonts] [More]  ⦿

Alexe Crisna
[Marwah Store]

[More]  ⦿

Alexey Popovtsev

Graphic designer in Kiev, Ukraine, who made the commercial sans typeface Rothko (2018) for Latin and Cyrillic. Earlier, in 2016, he published the Latin / Cyrillic sans typeface Nachalnaya. Rentafont link. [Google] [More]  ⦿

Alina Soldatova

Moscow-based designer of the hand-crafted typeface Osolki Pechalki (2018). [Google] [More]  ⦿

[Agung Rohmat]

Grobogan, Indonesia-based designer (b. 1996) of the script typefaces Russhell (2018), Helsinki (2018), Tallitha (2018) and Salhena (2018), and the display typeface Cutebold (2018). Creative Fabrica link. [Google] [More]  ⦿

Alyssa Hiller

Graduate of Iowa State University. Designer in Minneapolis, MN, who designed the display typeface Disturbance in 2018. [Google] [More]  ⦿

Amakden RHS

Aka Gellengna. Toba, Indonesia-based designer of the free (but incomplete) typeface Rasmina HS (2018). [Google] [More]  ⦿

Amakden RHS
[Inang Pangi Tubu]

Or Gellengna. Designer of Rasmina HS (2018). [Google] [More]  ⦿

Amanda Yau

Puyong, Malaysia-based designer of the messenger bike-inspired typeface Coury (2018). [Google] [More]  ⦿

Amit Chalakh

Nagpur, India-based designer of the Marathi display typeface Orange Nagpur (2018). [Google] [More]  ⦿

Anais Lievens

Belgian type designer. In 2018, she graduated from the University of Reading's MATD program. For her graduation, she designed Khela, a multi-script type family for longer book texts, such as novels. It supports settings in Latin and Bengali. [Google] [More]  ⦿

Anastasy N

Kharkiv, Ukraine-based designer of several decorative typefaces, including Lock (2018). [Google] [More]  ⦿

Andrea Ricciarini

Graphic designer in Arezzo, Italy. Creator of several experimental all caps typefaces in 2018. [Google] [More]  ⦿

Andrew Bagsit

Taguig, Philippines-based designer of the free soccer font PF UEFA Super Cup (2018). [Google] [More]  ⦿

Andrew Prasetya

Toronto, Ontario-based designer of the Adem Fox branding typeface (2018). [Google] [More]  ⦿

Andri Juhaeri Sinaga

Designer of the free stone cut font Zubrutal (2018). [Google] [More]  ⦿

Annika Messmer

Olathe, KS-based designer, at the University of Kansas, of the hexagonal typeface Honeycomb (2018). [Google] [More]  ⦿

Anthony Damico

Columbus, OH-based designer of the free font Operator (2018), a monospaced font for space cadets that shares some features with OCR. [Google] [More]  ⦿

Arifin Kasrul
[Arifin Studio]

[More]  ⦿

Arifin Studio
[Arifin Kasrul]

Aceh, Indonesia-based designer (b. 2000) of the free signature script typeface Sodera (2018). [Google] [More]  ⦿

Arturo Cortez

Oxnard, CA-based designer of the creamy font Complex Roots (2018). [Google] [More]  ⦿

Aschwege Creative
[Jordan Aschwege]

St. Louis, MO-based designer of these typefaces in 2018: Lagarto (for athletic lettering), Stag, Home Plate, Titan Sans. [Google] [More]  ⦿

[Romain Diant]

Asenso is the design studio of Romain Diant (art director; he founded Ansenso in 2005) and Samuel Roger, located in Béziers, France. In 2018, Romain Diant designer the art deco typeface Braciola for the branding of Le Boucanier, a bistro in Sète, France. [Google] [More]  ⦿

Attract Studio

Sigli, Indonesia-based designer of Attract Script (2018). [Google] [More]  ⦿

Aurora Freyvoll

Norwegian designer of the dots-and-lines font Dots (2018). [Google] [More]  ⦿


Art director in Miami, FL, who designed the squarish typeface Puneta (2018). [Google] [More]  ⦿

Bayu Rakhmadio

Indonesian designer of the Halloween typeface Jarian (2018). [Google] [More]  ⦿

Ben Townsend

Tauranga, New Zealand-based designer of the great high-contrast compass-and-ruler display typeface Fole (2018). [Google] [More]  ⦿

Bernardita Espinoza

Madrid, Spain-based designer of the Latin fashion mag typeface Estilosa (2018). [Google] [More]  ⦿

Bilal Ahmed

Lahore, Pakistan-based designer of the techno or architectural lettering font Italichno (2018). [Google] [More]  ⦿

Birkin Blick

Aka Redshade Blue. Photographer and painter in Zurich, Switzerland, who studied at Moscow University of Printing Arts. In 2018, she published the script typeface Persian Garden. [Google] [More]  ⦿

Blade Settler

For Lauderdale, FL-based designer of the hand-crafted typefaces Master Block (2018) and Irate Ninja (2018). [Google] [More]  ⦿

Bold Type Istanbul

Fatih Hardal and Muhittin Gunes (Bold Type Istanbul) both garduated from Marmara University Faculty of Fine Arts. They co-designed the sans typeface families Bold Type Modern (2018) and Bold Type Grotesk (2018).

Behance link for Fatih Hardal. Behance link for Muhittin Gunes. [Google] [More]  ⦿

Borja Holke
[Holke 79]

[More]  ⦿

Brittney Stone

Jacksonville, FL-based designer of the modular striped typeface saguaro (2018). [Google] [More]  ⦿

Caleb Pillay

Johannesburg, South Africa-based designer of the jazzy free display typeface Tapz (2018). [Google] [More]  ⦿

Callie McPhail

American designer of the squarish video game typeface Arcadia (2018). [Google] [More]  ⦿


Designer of the all caps brush font Moonlighting (2018). [Google] [More]  ⦿

Christine Lee

Athens, Greece-based designer of the squarish typefaces Zenovia (2018) and Seoul (2018). [Google] [More]  ⦿

City Davies

Cape Town, South Africa-based designer (b. UK) of the high-contrast fashion typeface Agnes (2018). [Google] [More]  ⦿

C.J. Zilligen

Chicago, IL-based designer of the sports fonts League (2018), Redzone (2018) and Fresno (2018, made for the Fresno Bobcats). [Google] [More]  ⦿

Compania Tipografica de Chile

The Compania Tipografica de Chile is a Chilean typefoundry based in Santiago de Chile set up by Raul Israel, Franco Jonas and Ale Navarro in 2018. Their typefaces:

  • Maipo Sans (2018) in 40 styles, 826 glyphs per font, including a stencil style; by Ale Navarro: Maipo Sans is a modern typeface inspired by the mountain landscape of Cajon del Maipo, Chile. Its forms are inspired by the first sans serif European humanist fonts of the twentieth century along with a touch of reverse contrast. This typeface is specially designed for projects using extensive text blocks and striking ads..
  • Passiflora (2018) by Valentina Pino and Franco Jonas. A unicase rounded brush font inspired by facade inscriptions.
  • Hatchet (2018). A reverse stress tyeface.
[Google] [More]  ⦿

Corina Alvarez Loeblich

Buenos Aires, Argentina-based designer of the fat finger font Stop Yelling (2018). [Google] [More]  ⦿

Courtney Olver

Gold Coast, Australia-based designer of the stencil typeface Construct (2018), which combines geometric elements and was inspired by the De Stijl movement. [Google] [More]  ⦿

Craig Morgan

Idaho-based designer of the free font family Zombie (2018) and of HoHoHo (2017). [Google] [More]  ⦿


Indonesian designer of the display typeface Moge (2018). [Google] [More]  ⦿

Dana Font Co

Beureunuen, Indonesia-based designer of the calligraphic script typefaces Blueprint (2018), Angie's Dean (2018) and Anna Marie (2018). [Google] [More]  ⦿

Daniel Busoi

Designer of Spooky Wooky (2018). [Google] [More]  ⦿

Daniela Alexandra

Daniela Alexandra graduated from Universidade Lusofona do Porto, Porto, Portugal (2017) and started a Masters at Faculdade de Belas Artes, Porto, Portugal, in 2017. She designed the minimalist sans typeface Botanic Sans in 2018. [Google] [More]  ⦿

Daria Riverside

Illustrator in Kiev, Ukraine. Designer of the chalky all caps alphabet Scabrous (2018). [Google] [More]  ⦿

Darlan Silva

Aracaju, Brazil-based designer of a medieval typeface in 2018. [Google] [More]  ⦿


Designer in 2018 of these typefaces: Hillingdon, Summer of 76 (multilined), Versot. [Google] [More]  ⦿

David Jurado

Graphic designer in Cordoba, Spain, who created the modular serifed typeface DJPM in 2018 for a school project. [Google] [More]  ⦿

David Pastor

During his graphic design studies, David Pastor (Murcia, Spain) created the striped shaded typeface Retro Red (2018). [Google] [More]  ⦿

David Samuel Oluwadamilare

Lagos, Nigeria-based designer of the colorful children's book font Kidag (2018) and the modern stencil typeface Quaf (2018). [Google] [More]  ⦿

Denis Indeikin

Russian designer of the script typeface Nemesis (2018, with Naruru Stachelschwein). [Google] [More]  ⦿

Design Co

Designer of the Victorian label typeface Countdown Ville (2018), the cigar box font Hartons (2018) and the all caps roman typeface Hacrley (2018). [Google] [More]  ⦿

Design Dojo

San Jose, CA-based designer of the comic book typefaces Dojo Toon (2018) and Dojo Pen Master (2018), and the modular display typeface Dojo Kick (2018) [Google] [More]  ⦿

Dilara Begisi

At Yasar University, Dilara Begisi (Izmir, Turkey) designed the gridded typeface Bao Bao (2018). [Google] [More]  ⦿

Doel Creative
[Fajri Yandi]

Aka Bardol and Doel. Aceh, Indonesia-based designer, b. 1992, of the connected script typefaces Bardeng (2018), Cintella (2018), Anatomia (2018), Mountain Script (2018), Graf Call (2018), Grafiteg (2018), Washington Signature (2018), Madania (2018), Teiqulato (2018). [Google] [More]  ⦿

Dongchen Hou

Gold Coast, Australia-based designer of the decorative typeface Deco (2018). [Google] [More]  ⦿

Douglas Zerlaut

Fremont, MI-based designer of the sci-fi typeface Space Poster (2018). [Google] [More]  ⦿

Dustin Delgross

American designer of the outlined display typeface Decora De Lis (2018). [Google] [More]  ⦿

Dyan Muharom

Bandung, Indonesia-based designer of the display typeface Cleaver (2018). [Google] [More]  ⦿

Ed Yu

Melbourne, Australia-based designer of the high-contrast straight-edged typeface Blink (2018). [Google] [More]  ⦿

Ef Studio

Purwakarta, Indonesia-based designer of the script typefaces Sathar (2018) and Roughsy (2018), the sans display typeface Kagura (2018), the curly script Little Edward (2018), and the free knife-sharp display typeface Arnietty (2018). [Google] [More]  ⦿

Eighty One

Studio in Wellington, New Zealand. In 2018, worried about the negative impact of the Trump presidency in New Zealand, they published TrumpFace. [Google] [More]  ⦿

Eli Block

Graduate of the Brown University and Rhode Island School of Design Dual Degree Program, where he studied biology and industrial design. His typefaces:

  • Notable (2018, Google Fonts). Co-designed by Eli Block, Hana Tanimura and Noemie Le Coz, the art deco typeface Notable is an uppercase sans serif display font; its letterforms are based on those found on U.S. currency. Notable was designed for Notable Women, an initiative by former Treasurer of the United States Rosie Rios. Notable Women is an augmented reality experiment that lets anyone see 100 historic American women where they have historically been left out: U.S. currency.
  • Gene (2018). A small, round text typeface for print and web.
[Google] [More]  ⦿

Eliana Lemos

During her studies at FADU / UDELAR (Universidad de la Republica) in Montevideo, Uruguay, Eliana Lemos designed a fat display typeface (2017). [Google] [More]  ⦿

Ella Clark

Brisbane, Australia-based designer of the display typeface festival (2018). [Google] [More]  ⦿

Enab Mshelh

Israel-based designer of the decorative typeface Lennon (2018). [Google] [More]  ⦿

Epitage Type

Indonesian designer of the vintage spurred typeface Sieber & Satire (2018). [Google] [More]  ⦿

Eric Zimmer

Lawrence, KS-based designer, at the University of Kansas, of the modular piano key typeface Glitz (2018). [Google] [More]  ⦿

Erick Alexandre

Belem, Brazil-based designer of a vernacular outlined typeface in 2018. [Google] [More]  ⦿

Erik Schoefer

Type designer at Avoid Red Arrows in Germany. His typefaces there, ca. 2018, include Foster. [Google] [More]  ⦿

Eros Androulidakis

Athens, Greece-based designer of Liquid Golden (2018). [Google] [More]  ⦿

Eye Type

Designer in 2018 of Bunta (a didone), Mustache, Thick, Solution and Quick On. [Google] [More]  ⦿

Fabrizio Torchia

At Istituto Europeo di design (IED), Fabrizio Torchia (Oristano, Italy) designed the hipster typeface Graven (2018). [Google] [More]  ⦿

Facu Rodriguez Ramos

Blanes, Spain-based designer of the modular typeface Nevermind (2018). [Google] [More]  ⦿

Fadiel Muhammad

Lumajang, Indonesia-based designer of the free octagonal mechnaical typeface Bondoyudo (2018). [Google] [More]  ⦿

Fajar Rachmadi

[More]  ⦿

Fajri Yandi
[Doel Creative]

[More]  ⦿

Farida Kurniawan

Designer of the hand-crafted printed typeface Cylla (2018). [Google] [More]  ⦿

Fatimah Allawaim

During her studies at the University of Dammam (Saudi Arabia), Fatimah Allawaim designed the decorative Latin typeface Carrom (2017), which took inspiration from the game of carrom. [Google] [More]  ⦿

Fikry Alif

Indonesian designer (b. 1999) of the free hand-crafted typefaces La Lune (2018) and Jannet (2018). [Google] [More]  ⦿

[Fajar Rachmadi]

Sidoarjo, Indonesia-based designer in 2018 in the display typefaces Glenmore and Gores Sans. [Google] [More]  ⦿

Franco Fuentes

Bahia Blanca, Argentina-based designer of the free all caps sans typeface Versalita (2018) which features interlocking ligatures. [Google] [More]  ⦿

Gabriel Klein de Almeida

Graphic designer, b. Curitiba, Brazil. In 2018, he designed Space O Mono. [Google] [More]  ⦿

Gabriel Lam
[Gia Bao lam]

Gabriel (or Gia Bao) Lam is an art director in Toronto. He designed the gorgeous free high-contrast text display typeface Monarch Display (2018). [Google] [More]  ⦿

Gabriel Rosa

Gama, Brazil-based designer of the curly typeface Fancy Script (2018). [Google] [More]  ⦿

Ghober Karat
[Karat Design]

[More]  ⦿

Gia Bao lam
[Gabriel Lam]

[More]  ⦿

Gonjetso C

Blantyre, Malawi-based designer of the hipster typeface Anthu (2018). [Google] [More]  ⦿

Gooborg Studios

Designer of the gooey font Goofont (2018). [Google] [More]  ⦿

Greta Agst

During her studies in Vilnius, Lithuania, Greta Agst designed the display typefaces Viscera (2018) and Teutonik (2018). [Google] [More]  ⦿

Grim Letter

Indonesian designer of the creamy upright script typeface Sanverina (2018). [Google] [More]  ⦿

Guillermo Mendoza

During his studies at ESDA (Spain) and ESAD of Matosinhos (Portugal), Guillermo Mendoza co-deigned Didona en do menor (2018) together with Maria Sancho Garcia. This typeface combines Didot with musical elements. [Google] [More]  ⦿

Gustavo Ferreira
[Universidade de Brasilia]

[More]  ⦿

Hana Tanimura

Designer and art director currently working at Google Creative Lab in New York (previously in London). Her typefaces:

  • In 2011, Mother London and Thames & Hudson published a children's book titled The Ministry of Letters: Operation Alphabet. Its purpose was to get kids excited about words, language, and the power of storytelling. Hana designed a colorful children's alphabet for that publication.
  • Notable (2018, Google Fonts). Co-designed by Eli Block, Hana Tanimura and Noemie Le Coz, the art deco typeface Notable is an uppercase sans serif display font; its letterforms are based on those found on U.S. currency. Notable was designed for Notable Women, an initiative by former Treasurer of the United States Rosie Rios. Notable Women is an augmented reality experiment that lets anyone see 100 historic American women where they have historically been left out: U.S. currency.
[Google] [More]  ⦿

Hayley Byrne

At Griffith University in Gold Coast, Australia, Haley Byrne designed the monoline script typeface Hayley's Comet (2018). [Google] [More]  ⦿

Hazel Yap Si Yi

As a student in Gold Coast, Australia, Hazel Yap Si Yi designed the turtle-inspired display typeface Don't Use (2018). [Google] [More]  ⦿

Helen Aragao

Belo Horizonte, Brazil-based designer of the octagonal typeface Urbano (2018). [Google] [More]  ⦿

Holke 79
[Borja Holke]

Madrid, Spain-based designer of Wadeye (2018), a font inspired by Keith Haring's work and Australian aboriginal art. [Google] [More]  ⦿

Holly Crookes

Sheffield, UK-based designer of Balloon Type (2018). [Google] [More]  ⦿

[Vindy Ary]

Designer of the brush script or signage typefaces Sapous (2018), Diora (2018) and Think Action (2018). [Google] [More]  ⦿

Ian Shapen

American designer of the tall blackboard bold typeface Pannaggi (2018). [Google] [More]  ⦿


Designer of Specta Retro Script (2018). [Google] [More]  ⦿

Ina Kuchuk

Czech designer of the experimental typefaces Imperfection (2018: scratchy) and Rock On (2018: textured). [Google] [More]  ⦿

Inang Pangi Tubu
[Amakden RHS]

[More]  ⦿

Indriyanti Sidiq

[More]  ⦿

Ink Creative Art

Designer of the signature font Osulent (2018), the script typeface Emma (2018), and the calligraphic script typefaces Modennta (2018) and Bellissima (2018). [Google] [More]  ⦿

Ioane Chabaidze

Georgian designer of the Latin display typeface Butterfly (2018). [Google] [More]  ⦿

Irina Nosova

Ryazan, Russia-based lettering artist. Designer of a decorative Latin all caps alphabet (2018). [Google] [More]  ⦿

Izabela Janicka

Wroclaw, Poland-based designer of the connect-the-dots typeface Space Rangers (2018). [Google] [More]  ⦿

Jacki Thearle

As a student at Griffith University in Gold Coast, Australia, Jacki Thearle designed the free graffiti font Inktag (2018). [Google] [More]  ⦿

Jackie Bennett

Australian designer of the curly mosaic art typeface Gaudia (2018), which is inspired by Gaudi's work. [Google] [More]  ⦿

Jaeda Abraham

Graphic designer based in Gold Coast, Australia. In 2018, she created the rounded sans typeface Mochi. [Google] [More]  ⦿

James Harding

Manchester, UK-based designer who studied at Leeds University. In 2018, he designed the techno typeface Monkey Wrench. [Google] [More]  ⦿

Jana Hoffmann

During her studies in Trier, Germany, Jana Hoffmann designed the bold script typeface Sueka Bold that takes elements of the rotunda. [Google] [More]  ⦿

Jangs Müller
[Jangs Müller Type Foundry]

[More]  ⦿

Jangs Müller Type Foundry
[Jangs Müller]

Typefoundry, est. 2012 by Jangs Müller in New Haven, CT. Typefaces as of 2018:

  • Arquare. Squarish.
  • Asialphabet. Oriental simulation font.
  • August. A sans.
  • Bernhard. A sans.
  • Biti. A sans.
  • Bottomi. A pixel typeface.
  • Closed. A heavy super condensed typeface.
  • Commencement.
  • Flutter.
  • Fraktur.
  • Futulabyrinth.
  • Heritageo. Bilined and of variable width.
  • Knedgei (2015). a wedge serif typeface family.
  • Mies.
  • Opcode. Vintage computer screen emulation font.
  • Rebuild. Bilined.
  • Rocle.
  • Rubend.
[Google] [More]  ⦿

Jani Zsuzsi

Budapest, Hungary-based designer of experimental typefaces such as Kaleidoscope (2018). [Google] [More]  ⦿

Jaren Law

Guangzhou, China-based designer of the fat condensed typeface Order (2018). [Google] [More]  ⦿

Jeanne Lohff

Illustrator in Hamburg, Germany, who designed the modular octagonal typeface Klappspiel in 2018 for an alphabet book for children. [Google] [More]  ⦿

Jeff Mosquera

Alajuela, Costa Rica-based designer (b. 1990) of the free font Phoresta. [Google] [More]  ⦿

Jennifer Lim

Jen Lim is a senior art director in Marikina, Manila, The Philippines. In 2018, she created the decorative alphabet Monster (2018). [Google] [More]  ⦿

Jessie Kemp

During her studies in Gold Coast, Australia, Jessie Kemp designed the hand-crafted typeface Slinky (2018). [Google] [More]  ⦿

Jiali Luo

Gold Coast, Australia-based student-designer of the striped typeface Cactus (2018). [Google] [More]  ⦿

Jil Reinig

During her studies in Hamburg, Germany, Jil Reining designed the soft techno typeface Jil Sans (2018). [Google] [More]  ⦿

Johannes Hucht

Type designer at Avoid Red Arrows in Germany. His typefaces there, ca. 2018, include Retour. [Google] [More]  ⦿

Johnathan Sinden

Johannesburg, South Africa-based designer of the school project font Rounda (2018) [Google] [More]  ⦿

Jonas Moreira

Sao Caetano do Sul, Brazil-based designer of the sans typeface Geometrya Sans (2018). [Google] [More]  ⦿

Jordan Aschwege
[Aschwege Creative]

[More]  ⦿

Jose Alejandro Calero Londono

During their studies, Colombia, Jose Alejandro Calero Londono (who lives in Palmira, Colombia) and Juan David Mafla (Cali, Colombia) designed the semi-stencil display typeface Without Line (2018). [Google] [More]  ⦿

Juan David Mafla

During their studies, Colombia, Jose Alejandro Calero Londono (who lives in Palmira, Colombia) and Juan David Mafla (Cali, Colombia) designed the semi-stencil display typeface Without Line (2018). [Google] [More]  ⦿

Julia Gassner

Sankt Pölten, Austria-based designer of the condensed display typeface Lillemor (2018). [Google] [More]  ⦿

Juliana Cioffi

Linz, Austria-based designer of the geometric modular typeface Module (2018), which has a stencil substyle. [Google] [More]  ⦿

Justin Delmotte

Art director in Lille, France, who designed the great free 3d tubular typeface Cout in 2018. [Google] [More]  ⦿

Karat Design
[Ghober Karat]

Karat Designer is either Ghober Karat or Faridh Nugraha (Subang, Indonesia). Creator of the blackletter / metal band typeface Karson (2018). [Google] [More]  ⦿

Karley Pearson

Kansas City, KS-based student-designer at the University of Kansas of the high-contrast display typeface Divine (2018). [Google] [More]  ⦿

Katie Arpin

Overland Park, KS-based student-designer (at KU) of the hairline sans typeface Kindred (2018). [Google] [More]  ⦿

Kaylan Moore

American designer of the modular typeface Radio City (2018). [Google] [More]  ⦿

Kayselle Ruiz

American designer of the origami alphabet Chiyogami (2018). [Google] [More]  ⦿

Kimberly Tran

Topeka, KS-based designer of the modular typeface NeoFuture (2018) for a school project at KU. [Google] [More]  ⦿

Konrad Alexander Kjeldstadli

Trondheim, Norway-based designer of a monoline script typeface (2018) that is inspired by a grocery store sign in Oslo that dates back to the 1950s. [Google] [More]  ⦿

Kristina Radovanovic

Belgrade, Serbia-based designer of a geometric solid / decorative art deco typeface for Latin and Cyrillic in 2018. [Google] [More]  ⦿

Kristoffer Aarak

Norwegian designer of the detached all caps typeface Detached (2018). [Google] [More]  ⦿

Lara Hochreiter

Innsbruck, Austria-based designer of the experimental modular typeface Circus (2018). [Google] [More]  ⦿

Lee Yuen-Rapati

Canadian type designer who specializes in type for watches. In 2018, he graduated from the University of Reading's MATD program. For his graduation, he designed Matic, a multi-script type family that finds its inspiration in the typography of vintage wrist watches. The family is made up of two styles: Matic A uses wide, boxy letterforms with a low contrast and tall x-height. Matic B tones down both the width and the boxiness of its sans-serif partner, but only marginally. Both styles include a set of upright optical weights for extra small settings as well as accompanying italics.

At One Hour Watch, he shows watch drawings done by hand every day in one hour or less. [Google] [More]  ⦿

Lemoncraft Studio

Tangerang, Indonesia-based designer of the techno display typeface Venesia (2018) and Mustache (2018). [Google] [More]  ⦿

Leonardo Lima

Art director in Sao Paulo, Brazil, who designed the blackboard bold typeface Leonna (2018). [Google] [More]  ⦿

Letter Fresh Studio

Studio specializing in calligraphic typefaces. In 2018, they designed Ballesia, Bunglone, Diamond, Fathinya, Girly Love (upright script), Margaretha, and Ranger. [Google] [More]  ⦿

Likun Zhu

London-based designer of Camberwell (2015) and the geometric solid typeface family Geo (2015). [Google] [More]  ⦿

Linda Castro

Porto, Portugal-based designer of some typefaces including the serif typeface Bela (2018). [Google] [More]  ⦿

Linda Walter

Linda Walter (b. Winterthur, Switzerland) works as a visual communicator in Basel, Switzerland. In 2018, she designed the sans typeface Bishek during her studies under Beat Stamm at Kunsthochschule für Gestaltung und Kunst in Basel. [Google] [More]  ⦿

Lindsey Tobin

Lawrence, KS-based designer, at the University of Kansas, of the modular art deco sans typeface Corretto (2018). [Google] [More]  ⦿

Lisa Hu

During her studies in Gold Coast, Australia, Lisa Hu designed Midnight Nouveau (2018). [Google] [More]  ⦿

Liv Hamar

Norwegian designer of Mycenaean (2018). [Google] [More]  ⦿

Logic Type

Beureunuen, Indonesia-based designer of Ballerinha (2018: a curly calligraphic script) and Kattiney Script (2018). [Google] [More]  ⦿

Lonely Day

Nantes, France-based designer of the textured typeface Pigment (2018). [Google] [More]  ⦿

Lorena Rodriguez Urdiales

Madrid, Spain-based designer of a circular typeface (2018) and a set of icons (2018). [Google] [More]  ⦿

Lorenzo Miola

Designer in Ferrara, Italy. In 2018, Lorenzo Miola, Luca Pedali and Lorenzo Richetta co-designed the didone stencil typeface Affettato for a school project. [Google] [More]  ⦿

Lorenzo Richetta

Designer in Brandizzo, Italy. In 2018, Lorenzo Miola, Luca Pedali and Lorenzo Richetta co-designed the didone stencil typeface Affettato for a school project. [Google] [More]  ⦿

Louis-Philippe Chouinard

Graphic designer in Quebec City, who designed the (great!) slatted sketched slightly eerie font Limbo (2018) during his studies at Cegep sainte-Foy. [Google] [More]  ⦿

Luca Mohacsi

Budapest-based designer of the artsy decorative typeface Holnap (2018). [Google] [More]  ⦿

Luciana Gil Pedraza

During her studies, Guaymallen, Argentina-based Luciana Gil Pedraza designed a dry brush typeface (2018). [Google] [More]  ⦿

Lucy Fergusson

As a student at Griffith University in Gold Coast, Australia, Lucy Fergusson designed the scratchy hand-crafted typeface family Fergs (2018). [Google] [More]  ⦿

Luke Rowbotham

As a student in Gold Coast, Australia, Luke Rowbotham designed the curly Victorian typeface Parthenon (2018). [Google] [More]  ⦿

Lutfi Hakim

Aka Ell Haqim. Creator of the Victorian label typeface Melanesia (2018). [Google] [More]  ⦿

Maria del Mar Moreno

Colombian designer of Geometric Deco (2018). [Google] [More]  ⦿

Maria Sancho Garcia

During her studies, Maria Sancho Garcia (Huesca, Spain) co-designed Didona en do menor (2018) together with Guillermo Mendoza. [Google] [More]  ⦿

Marianna Papadogiannaki

London, UK-based designer of the geometric solid typeface Geometric (2018). [Google] [More]  ⦿

Martijn Striker

Groningen, The Netherlands-based designer of the display typeface Visus (2018). [Google] [More]  ⦿

Marwah Store
[Alexe Crisna]

Aceh, Indonesia-based designer, b. 1991, of the formal calligraphic typefaces Hipnoties (2018), Melinda (2018), Alifa (2018), Quantum (2018) and Amanda (2018). [Google] [More]  ⦿

Mary Revina

Poltava, Ukraine-based designer of a hand-crafted sans serif typeface in 2018. [Google] [More]  ⦿

Masahiko Yamada

Japanese type designer, b. 1952, Nagoya. Since 1970, he has been acrtive as art director and designer, winning the Ishi award three times. He won at the Morisawa international typeface design competition in 1996. He is a member of FONT1000, and is best known for his Japanese typefaces Yamabiko and Kotodama. [Google] [MyFonts] [More]  ⦿

McKenna Olson

Phoenix, AZ-based designer of Weather Icons (2018). [Google] [More]  ⦿

Megan Hayes

Johannesburg, South Africa-based designer of the free monoline rounded sans typeface Comic Revive (2018). [Google] [More]  ⦿

Mehmet Öztaban

Izmir, Turkey-based designer of the display typefaces Geomancy (2018) and Ebru (2018). [Google] [More]  ⦿

Mehul Munjani

Indian designer of the hand-crafted typefaces Wow (2018) and Leo Sans (2018). [Google] [More]  ⦿

Micaela Molina

During her studies in Buenos Aires, Micaela Molina designed the display typeface Meriwa (2018). [Google] [More]  ⦿

Michael DiFabio

Oswego, NY-based designer of Lyuda Sans (2018). [Google] [More]  ⦿

Michaela Heini

American designer of the display typeface Warbirds (2018). [Google] [More]  ⦿

Michele Giordano

Italian designer (b. 1952) of the minimalist rounded sans typeface Pianaforma (2018). [Google] [More]  ⦿


Birmingham, UK-based designer of the techno typeface Azonix (2018). [Google] [More]  ⦿

Mohammed Aadhil Hussain

Australia-based designer of the thin straight-edged typeface Muqarna (2018). [Google] [More]  ⦿

Morgan Pierson

Morgane Pierson holds a Diplôe supéieur d'Arts Appliqué in Graphic Design from Lille, 2016. She has also been engaged in the personal study of Nsibidi, pictograms and ideograms of Nigeria. Since 2017, Pierson has been a research student at Atelier National de Recherche Typographique (ANRT), Nancy, in the Missing Scripts Program. Speaker at ATypI 2018 in Antwerp. [Google] [More]  ⦿


An internet media company that creates easily discoverable and obsessively sharable digital products and experiences for the internet. One of these products is the free font Times Newer Roman (2018) that purports to increase the space taken by a text by at least 10% simply by increasing the x-height of the glyphs of Times New Roman, and increasing the size of and the space around punctuations. Times Newer Roman is actually an altered version of Nimbus Roman No.9 L, a free and open-source font by URW meant to mimic the size and look of the original Times New Roman typeface. The target audience are students who want to to boost the apparent length of their essays by up to ten percent without resorting to any other cheats. [Google] [More]  ⦿

Muhammad Hasan

Jakarta, Indonesia-based designer of Brecelets (2018: script), Brengkel (2018: modular) and Ucu Aned (2018). [Google] [More]  ⦿

Muhammad Muzammil

Aceh, Indonesia-based designer, b. 1995, of the connected script typeface Fayalong (2018). [Google] [More]  ⦿

Muhammed Aswar

Malili and Makassar, Indonesia-based designer (b. 1990) of the monoline script typeface Southfilla (2018) and Six Away (2018). Aka Azetype 86. [Google] [More]  ⦿

MyFonts: Bestsellers for October 2018

The fifty best-selling typefaces at MyFonts, as reported by them on October 1, 2018: #1 Univers (Linotype), #2 Neue Helvetica (Linotype), #3 Proxima Nova (Mark Simonson), #4 FF DIN (FontFont), #5 Avenir Next (Linotype), #6 Gilroy (Radomir Tinkov), #7 Brandon Grotesque (HVD Fonts), #8 Cera Pro (TypeMates), #9 Avenir (Linotype), #10 FF Mark (FontFont), #11 DIN Next (Linotype), #12 Campton (Rene Bieder), #13 TT Norms (TypeType), #14 TT Commons (TypeType), #15 Brandon Text (HVD Fonts), #16 ITC Avant Garde Gothic (ITC), #17 Lota Grotesque (Los Andes), #18 Futura PT (ParaType), #19 Trade Gothic (Linotype), #20 TT Rounds Neue (TypeType), #21 Frutiger (Linotype), #22 Univers Next (Linotype), #23 Trade Gothic Next (Linotype), #24 Recoleta (Latinotype), #25 Sofia Pro (Mostardesign), #26 Mont (Fontfabric), #27 Neue Haas Unica (Linotype), #28 Helvetica (Linotype), #29 Galano Grotesque (Rene Bieder), #30 Museo Sans (exljbris), #31 Tazugane Info (Monotype ), #32 Multiple (Latinotype), #33 Neue Haas Grotesk (Linotype), #34 Monroe (Latinotype), #35 Nexa (Fontfabric), #36 Shentox (Emtype Foundry), #37 Futura (Linotype), #38 Intro Rust (Fontfabric), #39 Freight Sans Pro (GarageFonts), #40 Aktiv Grotesk (Dalton Maag), #41 FF Scala Sans (FontFont), #42 Turbinado (Aerotype), #43 Averta (Intelligent Design), #44 Authenia (Mika Melvas), #45 Larsseit (Type Dynamic), #46 Century Gothic (Monotype ), #47 Klint (Linotype), #48 Intro (Fontfabric), #49 Sailec (Type Dynamic), #50 Panton (Fontfabric), [Google] [More]  ⦿

Nabila Tyanara

Jakarta, Indonesia-based designer of Jellish (2018). [Google] [More]  ⦿

Nadezda Gudeleva

Moscow-based designer of Chalk (2018), the hand-crafted Kitty (2018), Fantasm 3D (2018: a vector font), the monoline sans Gravitation (2018), the LED font FIFA (2018) and the monoline sports font Jordan (2018). Her icon sets in 207 include Space Icons and Ice Cream Icons. [Google] [More]  ⦿

Naruru Stachelschwein

Kazan, Russia-based designer of the script typeface Nemesis (2018, with Denis Indeikin). [Google] [More]  ⦿

Natalia Quintana Barco

Colombian designer of Juicy (2018). [Google] [More]  ⦿

Natalie LaPerre

Lawrence, KS-based student-designer of the squarish typeface Silicon (2018). [Google] [More]  ⦿

Neue Frutiger
[Akira Kobayashi]

Neue Frutiger was developed by Akira Kobayashi and the Monotype (ex-Linotype) Design Team, in 2018. An outgrowth of Adrian Frutiger's successful Frutiger font, this wayfinding family was split by Monotype into several packages:

  • Neue Frutiger World. Neue Frutiger World supports more than 150 languages and scripts including Latin, Greek, Cyrillic, Georgian, Armenian, Hebrew, Arabic, Thai and Vietnamese. The Neue Frutiger World fonts can be paired with Monotype's CJK fonts: M XiangHe Hei TC (Chinese), Tazugane Gothic (Japanese) and Seol Sans (Korean).
  • Neue Frutiger Tamil. Neue Frutiger Tamil was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi.
  • Neue Frutiger Georgian. Neue Frutiger Georgian was created by Akaki Razmadze and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi.
  • Neue Frutiger Arabic. Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi.
  • Neue Frutiger Vietnamese.
  • Neue Frutiger Hebrew. Neue Frutiger Hebrew was created by Yanek Iontev and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi.
[Google] [More]  ⦿

Neve Tufuga

Gold Coast, Australia-based student-designer of the decorative hand-crafted typeface Buddy System (2018). [Google] [More]  ⦿

Nick Edlin

Melbourne, Australia-based designer of Logic (2018), a fun hip-hop typeface that is influenced by graffiti art, and gothic and blackletter types. [Google] [More]  ⦿

Nicolas Payen

Tours, France-based designer of the abstract geometric typeface Kandinsky (2018). [Google] [More]  ⦿

Nikita Sharma

Gurgaon, India-based designer of the bilined typefa e Atikin (2018) at Pearl Academy. [Google] [More]  ⦿

Noemie Le Coz

Noemie Le Coz is an Australian, independent designer, living and working in New York City. With Eli Block and Hana Tanimura, she co-designed the art deco typeface Notable (2018, Google Fonts): Notable is an uppercase sans serif display font; its letterforms are based on those found on U.S. currency. Notable was designed for Notable Women, an initiative by former Treasurer of the United States Rosie Rios. Notable Women is an augmented reality experiment that lets anyone see 100 historic American women where they have historically been left out: U.S. currency. [Google] [More]  ⦿

Nurul Hidayah Adnan

Sydney, Australia-based designer of the 3d typeface Cubic (2018). [Google] [More]  ⦿

Odin Lowsley

Gold Coast, Australia-based designer of the free modular retro-futuristic typeface Space (2018). [Google] [More]  ⦿

[Indriyanti Sidiq]

Wonosobo, Indonesia-based designer of the script typeface Bellania (2018) and the monoline script typefaces Queenesia (2018) and Bellievia (2018). [Google] [More]  ⦿

Pedro Corso

Montevideo, Uriguay=based designer of the weathered typeface family Dafunk (2014), which was developed dring his studies at ORT. [Google] [More]  ⦿

Phil Moore

Designer of the pointy script font Sistana (2018). [Google] [More]  ⦿

Philippe Carrier

Quebec-based graphic designer of the display typeface Mecanica (2018). [Google] [More]  ⦿

[Violeta Bulajic]

Designer of the free comic book font Marvelous Rex (2018). [Google] [More]  ⦿

Piotr Lapa

Cracow, Poland-based designer of the free geometric sans typeface family Gilmer (2018). [Google] [More]  ⦿

Rachele Andrews

During her student days in Brisbane, Australia, Rachele Andrews designed the fashion mag typeface A La Paris (2018). [Google] [More]  ⦿

Rafael Montoito

Lisbon-based designer of the paperclip typeface Clip It (2018). [Google] [More]  ⦿

Ramli Rahmansyah

Cianjur, Indonesia-based designer of these typefaces in 2018: Indri, Anjany, Rafika, Handsome, Rollink Script, The Journey Kingstone. [Google] [More]  ⦿

Rasmus Hetoft

Copenhagen, Denmark-based designer of Shahna Sans (2018). Developed as part of a course by Trine Rask, it was used in an exhibition about Persian art at the Copenhagen-based museum Davids Samling. [Google] [More]  ⦿

Rasyid Annas

Indonesian designer of the upright connected script typeface Sellebeew (2018). [Google] [More]  ⦿

RC Graphics
[Robin Campistron]

Toulon, France-based designer of Harmonial (2018), Aliseo (2018) and Basicaline (2018). [Google] [More]  ⦿

Revo Farisky
[Stripline Co]

[More]  ⦿

Ricardo Santos

Graphic designer in Lisbon, Portugal. In 2018, he published the ultra-condensed typeface family RS Absurdo. [Google] [More]  ⦿

Riccardo Latini

Italian designer of Gothic Eye (2018). [Google] [More]  ⦿

Robin Campistron
[RC Graphics]

[More]  ⦿

Romain Diant

[More]  ⦿

Ron Ruedisueli
[Sed4 Type Foundry (or: Sed4tives)]

[More]  ⦿

Roselle Png

Bandar Seri Begawan, Brunei-based designer of the free hand-crafted typeface Relentless (2018). [Google] [More]  ⦿

Sabina Szkarlat

Krakow, oland-based designer of a display typeface in 2013. [Google] [More]  ⦿

Sadie Hiland

American designer of the modular typeface Lark (2018). [Google] [More]  ⦿

Saiful Maliki

Indonesia-based designer (b. 1990) of the flared serif all caps typeface Bigboz (2018). Graphicriver link. Creative Fabrica link. [Google] [More]  ⦿

Sam Miller

Plymouth, United Kingdom-based designer of Didoni Stencil (2018) and Desire (2018: a typeface designed to be a reflection of Roman Polanski's most famous films). [Google] [More]  ⦿

Sanderson Amaral

Fortaleza, Brazil-based designer of the fantasmagoric font Coraline (2018). [Google] [More]  ⦿

Sara Link

New Richmond, WI-based designer of the arts-and-crafts typeface Fearless (2018). [Google] [More]  ⦿

Sasha Sergeeva

Or Aliaksandra Siarheyeva. Lithuanian designer of several experimental typefaces in 2018. [Google] [More]  ⦿

Savannah Wakefield

During her studies at the University of Kansas, Savannah Wakefield designed the thin modular sans typeface Paradise (2018). [Google] [More]  ⦿

Sed4 Type Foundry (or: Sed4tives)
[Ron Ruedisueli]

Dutch professional music producer and audio engineer who founded his own record label. He also makes (mostly free) fonts. His work:

  • A FontStruct series called STF Letters op Maat, which attempts to recreate all alphabets designed by Dutch Bauhaus designer Jurriaan Schrofer (1926-1990). That list: STF Cutout 1985 (+Solid), STF JS Bevel (+Fill), STF Grafisch, STF Etage Aanduiding (17x17-Inline 1, 17x17-Inline 2, 17x17-Medium Fill, , 17x17-Multiline, 17x17-Full Fill, 5x5 Matrix, Hi-res) [op-art, prismatic], STF Gemeentereiniging, STF Berlage (after the letters Schrofer originally designed for The "Beurs Van Berlage", a commodity market building located in the centre of Amsterdam. Later it was also digitalized and used to for the Dutch passport), STF Elevated (3d shadow typeface), STF Semiotica (Incised Outline, Incised, Book, Regular, Title), STF Sater, STF Sans Severe (Light, Heavy, Outlined, Multilines), STF Sans Rounded, STF Avant-Garde i10, STF Schrofer Modular Blocks, STF Social Human Trends (Outlined, Solid, Fill Isolated, Outined Isolated), STF Girokantoor, STF Marx (Solid, Striped), STF Squared Sans, STF Onleesbaar Alfabet (Stroke, Solid, Outlined), STF Bols Jaarverslag, STF Bredero (for the Bredero Bouwbedrijf), STF A.S.C. Communications, STF Connaissance et Langage, STF Paspoort, STF Last Warning (v1), STF Connected Squares (+Fill, +v2 Headline, +v2 Fill, +v2 Outline).
  • Other FontStruct typefaces, now over 180 in all, made in 2017-2018. Included are STF Don't Count on Me, STF Hyster (a modernist stencil), STF Der Zyklus, STF Scriptorium (blackletter), STF Paradox, STF Sutoraipu Origami Multiline, STF Sutoraipu Origami Filled Stencil, STF Futureline, STF Frescher (Escher-inspired), STF Whiskey-A-Go Go, STF Labrat (op-art, prismatic), STF Tranziztor, STF Otto Font Schirach (mosaic lettering), STF BFG (condensed piano key style), STF Ace of Maze, STF Amsterdam School, STF Neon Flux, STF Wendingen 1922 (based on a old brochure by Wendingen for the Internationale Theater Tentoonstelling Amsterdam 1922; letters designed by Hendricus Theodorus Wijdeveld (1885-1987)), STF Van Nelle (based on an early 1900's poster ad for Van Nelle coffee), STF Purple Maze, STF Militia Stencil, STF Idiocracy (stencil), STF Rode Draad, STF Praesens (based on the lettering found in the second issue of Polish avant garde architectural magazine Praesens), STF Fabricon (a De Stijl stencil; +Outline, +CrossSection), STF Defrag, STF Trilineae, STF Bolsjewie (constructivist), STF Kraftwerk (a tiled typeface; after a 2015 poster by Chuck Sperry for Kraftwerk), STF De Stijl, STF Portfolio Peeters (a tribute to Belgian modernist artist Jozef Peeters (Antwerp, 1895-1960), based on the folder art for his 1921 linocut portofolio), STF Sector 7 (military stencil).
  • Pax Romana. Based on the capitalis monumentalis seen at the base of Trajan's Column.
  • STF Espionaje. Inspired by the lettering found on a vintage sheet music cover art for "La Java bousculée" (1924).
  • STF Oudvreugde's Ontwaken. Based on the Dutch deco lettering of Dutch graphic designer Frederika Sophia (Fré) Cohen (1903-1943). The letters were taken from a book cover design for the "Arbeiders-jeugdcentrale Amsterdam" which was published in 1924.
[Google] [More]  ⦿

Sembodo Studio

Purbalingga, Indonesia-based designer, b. 1996, of the heavy stencil typeface Robotop (2018). [Google] [More]  ⦿

Serdar Ozturk

Sakarya, Turkey-based designer of the free modular typeface family Ocean (2018). [Google] [More]  ⦿

Seth McWhorter

Designer of the crispy bacon-textured typeface Baconlicious Crispy (2018). [Google] [More]  ⦿

Shannah Maggs

During her studies at Griffith University Gold Coast (Australia), Shannah Maggs designed the fingerprint-based typeface Identity (2018). [Google] [More]  ⦿

Sharon Garelli

Tampa, FL-based designer of the frilly display typeface Prida (2018). [Google] [More]  ⦿

Shovkat K

[More]  ⦿

Sidiq Fahmi

Indonesian designer of these script typefaces in 2018: Rameline Script, Boshella Script, Maritha Script, Cynthia Script. [Google] [More]  ⦿

Sierra Hunter

American designer of the modular typeface Citrus (2018). [Google] [More]  ⦿

Simple Line

Sigli, Indonesia-based designer of Qailitha Script (2018). [Google] [More]  ⦿

Six Twenty Studio

Palembang, Indonesia-based designer of Galgatot (2018). [Google] [More]  ⦿

Skye Maguire

Australian designer of the frilly akll caps typeface Bliss (2018). [Google] [More]  ⦿

Sophie Armstrong

During her studies in Gold Coast, Australia, Sophie Armstrong designed the all-but-imperfect hand-crafted display typeface Imperfect (2018). [Google] [More]  ⦿

[Shovkat K]

Tashkent, Uzbekistan-based designer of the horror brush font Black Beast (2018). [Google] [More]  ⦿

Stripline Co
[Revo Farisky]

Magelang, Indonesia-based designer (b.1998) of Cassadio (2018: calligraphic script), Cattalonia (2018), Hadfield (2018) and Attaliand (2018). Creative Fabrica link. [Google] [More]  ⦿

Sultan Studio

Aceh, Indonesia-based designer of Rogertt Script (2018) and Binattiah (2018). [Google] [More]  ⦿

Sumbo Pinheiro

Copywriter based in Hamburg, Germany. In 2018, she teamed up with Harald Geisler to develop the fun typeface Excited Alphabets, which is based on Sumbo's illustrations. [Google] [MyFonts] [More]  ⦿

Supernova 1054

Lodz, Poland-based designer of the brush font Malarz (2018). [Google] [More]  ⦿

Supertype Studio

Indonesian designer of Lottime Script (2018: a signage script). [Google] [More]  ⦿

Sylvia Attie

Mexican designer of the basic sans typeface Isadora (2018). [Google] [More]  ⦿

Syukur Setiadi

Indonesia-based designer of the script typefaces Budapest (2018) and Aisy Khadijah (2018). Aka SSI Scraps. [Google] [More]  ⦿

Tabitha Swanson

Berlin-based designer of the free typeface Naive (2018). [Google] [More]  ⦿

Tahlia Homan

At Griffith University in Gold Coast, Australia, Tahlia Homan designed a molecular and ecological typeface in 2018. [Google] [More]  ⦿

Tarik Kirpi

Art director in Istanbul, Turkey, who created the monoline display sans typefac Quest Mono (2018). [Google] [More]  ⦿

Terri Prato

Durban, South Africa-based designer of the brush typeface Hot Wheels (2018). [Google] [More]  ⦿

Thao Nguyen

Ho Chi Minh City, Vietnam-based designer of the thin monoline script font Afina (2018). [Google] [More]  ⦿

Timoteo Werner

Manaus, Brazil-based designer of the decrative floral all caps typeface Rebeca (2018). [Google] [More]  ⦿

Tipo de Fabrica

Depok, Indonesia-based designer of the calligraphic script typeface Ciellda (2018). [Google] [More]  ⦿

TJ Creative
[Tommy James]

Designer of these script typefaces in 2018: Snallie Soul, Nindalla, Quick Cloud, Glimpse, Fall of the Ghost, Exella, Lamhawk, Rattun, The Shellra, Cinthia Font, The Quick Brown, The Yellon, Elevation, Morale, The Breat, So Fresh, Vander, Belashic, Snaus, Wanda, Weendovre, Avantyre, Gamodora, Bring, Rakhino, Kahendra, Some One, Horizon, The Monse, Across, The Nicco, The Pamele. [Google] [More]  ⦿

Tjandra Rinaldi

Bandung, Indonesia-based designer of the display typeface family Lordo (2018). [Google] [More]  ⦿

Tomas Pikna

Ceske Budejovice, Czechia-based designer of the free heavy monoline sans typeface Karel (2018) and the free hand-crafted typeface Slimak (2018). [Google] [More]  ⦿

Tommy James
[TJ Creative]

[More]  ⦿


Montevideo, Uruguay-based designer of Istometric (2018). [Google] [More]  ⦿

Txell Palau Julia

During her studies in Barcelona, Txell Palau Julia designed the serif signage typeface Maricarmen (2018). [Google] [More]  ⦿

[Yusuf Sangdes]

Makassar, Indonesia-based designer (b. 1984) of the futuristic typeface Umbrellast (2018) and the brush script typeface Artdraws (2018). Behance link for Typemacz. [Google] [More]  ⦿

Universidade de Brasilia
[Gustavo Ferreira]

In 2008, Universidade de Brasilia asked Gustavo Ferreira (Cunha, Brazil) to design a Helvetica-style free font family, UnB (in versions UnB Pro and UnB Office). Free download. Fontsquirrel link. [Google] [More]  ⦿

Vaishali Jain

As a student at the Indian Institute of Crafts and Design, Jaipur, India-based Vaishali Jain designed the geometric solid typeface She (2018). [Google] [More]  ⦿

Valentina Pino

Co-designer with Franco Jonas of the commercial typeface Passiflora (2018) at The Compania Tipografica de Chile. It is a unicase rounded brush font inspired by facade inscriptions. [Google] [More]  ⦿

Vero Pallardo

Graduate of EASD in Valencia, Spain. Valencia-based based designer of the didone-serifed fashion mag typeface Vero (2018). [Google] [More]  ⦿

Veronika Broll

Muenster, Germany-based designer of Silvan (2018). [Google] [More]  ⦿

Vibhore Singhal

New Delhi, India-based designer of Day of the Dead (2018). [Google] [More]  ⦿

Viktoria Lemiakina

Lviv, Ukraine-based designer of the dispaly typefaces Cosmos (2018: sci-fi style), Roonah (2018: rune emulation) and Silencio (2018). [Google] [More]  ⦿

Vindy Ary

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Vinicius Mezalira

For a school project in Sao Paulo, Brazil, Vinicius Mezalira, Paloma Silva, Pedro Takeda and Paulo Moraes co-designed the text typeface Bigorna (2018). [Google] [More]  ⦿

Vinn Hass

Almere, The Netherlands-based designer of Dripp (2018) and the circuit typeface Circon (2018). [Google] [More]  ⦿

Violeta Bulajic

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Vito Tassinari

During his studies at San Francisco State University, Vito Tassinari designed the trilined all caps typeface Traq (2018). [Google] [More]  ⦿

Wafiy Bakar

Bandar Seri Begawan, Brunei-based designer of the free display typeface Blek Hol (2018). [Google] [More]  ⦿

Wrong Studio

Indonesiana, Indonesia-based designer of Srempunk (2018: a signage typeface), Labrich (2018: a glitch font) and Tarango (2018: a multiline deco font). [Google] [More]  ⦿

Xiangdong Zeng

Designer of the free font Fira Math Regular (2018), which is based on Fira Sans and Fira Go Sans. CTAN link. Another CTAN link. [Google] [More]  ⦿

Xunchang Cheng

Chinese type designer who graduated in 2018 from the University of Reading's MATD program. Xunchang's graduation typeface was Sino, a crisp poetic Latin / Chinese / Devanagari font trio. [Google] [More]  ⦿

Yusuf Sangdes

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Zachary Bizzarro

American designer of Quandaray (2018). [Google] [More]  ⦿

Zack Blanton

St. Augustine, FL-based designer of a swashy calligraphic initials alphabet in 2018. [Google] [More]  ⦿

Zavier Wright

American designer of the outlined all caps typeface Neon Analoge (2018). [Google] [More]  ⦿

Zephram (or: Pixel Kitchen, or: The Gongclonker)

Game developer, artist, and designer. Fontspace link. FontStruct link.

His free typefaces from 2018: 2K4S, Anachronaut, Badwolf, Chimera, Comicool, Cybernaut, Diamond-Eyes, Disco-Bling, Donjonikons, Gongclonker, Might Chain, Navajo-Deco, Nirvanite-Fossil, Nirvanite, Qualtron, Slabberton, Space Wham, Sportsball, Temple-of-Gong, Vampire-Nation, Video-Dames, Zap-Cannon, Zigourat, Zigourati, Zoia-Stencil. [Google] [More]  ⦿

Zoe Murray

Australian designer of the liquid ink typeface Arthur (2018). [Google] [More]  ⦿