TYPE DESIGN INFORMATION PAGE last updated on Mon Jun 18 23:19:15 EDT 2018
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Designer of the free text typeface Arrow Serif (2018). [Google] [More] ⦿ | |
Indian designer of the technoid sans typeface Demo (2018, Indian Type Foundry). [Google] [MyFonts] [More] ⦿ | |
Designer of the free organic sans typeface Lamon (2018). [Google] [More] ⦿ | |
Indian designer of the free font Together (2018). [Google] [More] ⦿ | |
Paris-based student-designer of the techno typeface Diodr (2018). [Google] [More] ⦿ | |
During her studies at Rochester Institute of Technology Kosovo, Pristina, Kosovo-based Adea Ademi designed the children's script Five Year Old (2018) and RIT Wayfinding Icons (2018). [Google] [More] ⦿ | |
Five of the Bauhaus treasures were revived in 2018 unde te supervision of Erik Spiekermann:
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Indonesian designer, b. 1982, of the wavy font Men in Pink (2018). [Google] [More] ⦿ | |
Aceh, Indonesia-based designer of the signage script typeface Merciana (2018). [Google] [More] ⦿ | |
Rennes, France-based designer of Fire Stone (2018) and Trombone (2018). [Google] [More] ⦿ | |
Albert Filatov
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Medellin, Colombia-based designer of Mani (2018, prismatic caps) and Niyo (2018, a hyper-decorative typeface). [Google] [More] ⦿ | |
Puebla, Mexico-based designer of the free (vector format) paperclip font Clip (2018). [Google] [More] ⦿ | |
Kelowna, BC-based designer of the brush typeface Wanderer (2018). [Google] [More] ⦿ | |
Den Haag, The Netherlands-based designer of several experimental 3d typefaces in 2018: Font Fury, Furytism. [Google] [More] ⦿ | |
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Iasi, Romania-based brand identity designer. Creator of the strictly geometric sans typeface Medica (2018). [Google] [More] ⦿ | |
Alfi Design
| In 2018, Albert Filatov (Saint Petersburg) published Citifont, a latin / Cyrillic serif typeface with a robust outlook, that according to him was made for navigation in the city of Saint Petersburg, Russia. Graphicriver link. [Google] [More] ⦿ |
Giza, Egypt-based designer of the free minimalist experimental typeface family Scritus (2018). [Google] [More] ⦿ | |
At Pontificia Universidad Catolica del Peru, Alice Valle (Lima, Peru) and Valeria Florindez designed the octopus-themed all caps typeface Alfabeto Pulpo (2017). [Google] [More] ⦿ | |
Ciudad Obregon, Mexico-based designer of the Western typeface Rodeo (2018). [Google] [More] ⦿ | |
Zaragoza, Spain-based designer of the titling typeface Deep Blues (2018). [Google] [More] ⦿ | |
Torun, Poland-based designer of an origami typeface in 2018. [Google] [More] ⦿ | |
London, UK-based designer of a decorative typeface in 2018. [Google] [More] ⦿ | |
Aarhus, Denmark-based student-designer of the all caps sans typeface Mr. Bold (2018). [Google] [More] ⦿ | |
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Designer of the hand-crafted and sometimes swashy calligraphic typefaces in 2018: Dhitha, Charline, Thisay, Yuliya, Abilya, Arinda, Goday, Seelyn, Motira, Ginta, Stika, Binar, Hilona, Mungkin, Dahasta, Ingat, Klapjo. Ascota. [Google] [More] ⦿ | |
Newcastle upon Tyne, UK-based designer of the squarish typeface 9Bar (2018). [Google] [More] ⦿ | |
Barcelona-based Colombia-born designer of the text typeface Ninive (2018). [Google] [More] ⦿ | |
During her studies at Appalachian State University, Boone, NC-based Anna Barlow designed the old typewriter font Bark (2018). [Google] [More] ⦿ | |
Vilnius, Lithuania-based designer of several Latin and Cyrllic display typefaces in 2018. [Google] [More] ⦿ | |
Indonesian designer of the calligraphic script typefaces Afilla (2018) and Afiqa (2018). [Google] [More] ⦿ | |
The web links of Alyona Vorotnikova and Artem Vorotnikov are interspersed. Saint Petersburg, Russia-based designers of the great dry brush typeface Shuher (2018). [Google] [More] ⦿ | |
Designer at Fontsmith of FS Sally Triestina (2018). [Google] [More] ⦿ | |
Hungarian designer of Circular Slab (2018). [Google] [More] ⦿ | |
Nantes, france-based co-designer of the trekkie / alchemic typeface family Yoda (2018), which was developed together with Yuting Tang, Oriane Noguès-Lassaigne and Doriane Ono-Dit-Biox at ECV Nantes. [Google] [More] ⦿ | |
Indonesian designer (b. 1988) of the creamy script typeface Vladviqo (2018). [Google] [More] ⦿ | |
Indonesian designer of the script typeface Doncella (2018). [Google] [More] ⦿ | |
Budapest-based designer, as a student at Jaschik Álmos Secondary School of Art, of Caedmon Gothic (2018), a blackletter typeface that is as dark as Orban's Macchiavelism. [Google] [More] ⦿ | |
Istanbuul-based designer of the angry modular typeface Pasif Agresif (2018). [Google] [More] ⦿ | |
Trondheim, Norway-based designer of Times New Rosetta (2018). [Google] [More] ⦿ | |
Best Font Studio
| Banda Aceh, Indonesia-based designer (b. 1990) of the thin script font The Bellaria (2018). [Google] [More] ⦿ |
Big Cat Creative
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Istanbul, Turkey-based designer of Norm Round Stencil (2018). [Google] [More] ⦿ | |
Cincinnati, OH-based designer of the art deco typeface Expo (2018). [Google] [More] ⦿ | |
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Argentinian designer of the minimalist sans typefae Intervenida (2018), which is based on Michael Muranaka's Dolce Vita Light (2013). [Google] [More] ⦿ | |
During her studies in Cairo, Carole Magued designed the Arabic typeface Marah (2018) and the Latin display typeface Elegole (2018). [Google] [More] ⦿ | |
Perivian designer of a needle-and-thread font in 2018. [Google] [More] ⦿ | |
Paris-based designer of the free modular monoline sans typeface CLM Rallye 02 (2017). [Google] [More] ⦿ | |
Lille, France-based designer of a typeface in 2018 that was inpired by the art of Swiss dada era painter / sculptor Jean Tinguely (1925-1991). [Google] [More] ⦿ | |
Art director in Montreal who created the hand-crafted font duo Bliss and Blush and the hand-drawn typefaces Tropicalling and Send My Love in 2018. Creative Fabrica link. [Google] [More] ⦿ | |
At the University of Pretoria, South Africa, Christoff Gericke designed the modular typeface Hypermodern (2018). [Google] [More] ⦿ | |
Designer of the imaginary Alien Script (2018). [Google] [More] ⦿ | |
Claudia Canovas
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During her studies at LUCA School Of Arts Gent, Belgium, Clementine Hoens designed the chair-themed typeface Tubular (2018). [Google] [More] ⦿ | |
Corinne holds a Bachelors in Digital and Graphic Design Art Direction from ECV Provence, France, class of 2017. Luxembourg, Luxembourg-based designer of the variable-width typeface Chantsigne (2018). [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Cynthia Zheng designed an architecturally inspitred typeface (2018). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer of the hand-crafted vintage typefaces Resolve (2018) and Antafunny (2018). [Google] [More] ⦿ | |
Indonesian designer of the formal calligraphic typefaces Anna Marrie (2018) and Blueprint (2018). [Google] [More] ⦿ | |
During his studies in Singapore, Darren designed the 3d outlined typeface Lockpers (2018). [Google] [More] ⦿ | |
British designer of a glitchy typeface for the 2018 Supersonic Festival. [Google] [More] ⦿ | |
Dawdy Brothers
| Nathan and Spenser Dawdy, the Dawdy Brothers (Lincoln, NE), designed the free font DBD sans (2018). [Google] [More] ⦿ |
Delafa
| Surakarta, Indonesia-based dreator of these script typefaces in 2018: Passionate (upright connected script), Ballerine. [Google] [More] ⦿ |
Sao Paulo, Brazil-based designer of the sports shirt typeface Dart (2018). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of Waxo (2018), a display typeface that is inspired by a hanger. [Google] [More] ⦿ | |
San Salvador, El Salvador-based designer of the free deco typeface Alcala (2018). [Google] [More] ⦿ | |
Valencia, Spain-based designer of the bilined poster tyepface Horta (2018). [Google] [More] ⦿ | |
Eskisehir, Turkey-based designer of Subtract (2018). [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of the curly typeface Drops Artmond (2018). [Google] [More] ⦿ | |
Tangerang, Indonesia-based designer of the display typeface Gibsons (2018). Free demo. [Google] [More] ⦿ | |
Designer of Glyphic (2018), who explains: A heavy influence of Chinese and Japanese calligraphy, with a blend of Mike Giant and cholo-graffiti style lettering. [Google] [More] ⦿ | |
Donia Farid
| Donia Tarek (or Donia Farid, Cairo, Egypt) created the Latin sans typeface Taweel in 2016. [Google] [More] ⦿ |
Donia Tarek
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Hungarian designer of an experimental 3d typeface in 2018. [Google] [More] ⦿ | |
Art director in Madrid. In 2018, together with Nadya Angelova (Madrid), she designed the inline typeface Heartbeat (2018). [Google] [More] ⦿ | |
Designer of the uncial typeface Crush Your Enemies (2018), which is based on the title credits of the 1982 movie Conan the Barbarian. [Google] [More] ⦿ | |
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Semarang, Indonesia-based designer (b. 1991) of the script typefaces Blista rade (2018), Cattalleya (2018: upright and monoline) and Marsseille (2018). Creative Fabrica link. [Google] [More] ⦿ | |
Denpasar, Bali-based designer of the connected script typefaes Neira (2018) and senja (2018), and the hand-crafted typefaces Sarada (2018, a slab serif), Inku (2018, a slab serif) and Shinigami (2018: a haunting brush font). [Google] [More] ⦿ | |
Cuiaba, Brazil-based designer of the hand-crafted rounded sans typeface Mangaba (2018). [Google] [More] ⦿ | |
Eskisehir, Turkey-based designer of Wave Script (2018). [Google] [More] ⦿ | |
Pristina, Kosovo-based make-up artist. Designer of the Chinese emulation typeface Chinese Restaurant (2018). [Google] [More] ⦿ | |
Emary Aguayo
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Emary Designs
| Houston, TX-based designer of the connect-the-dots constellation typeface Oblivion (2018). [Google] [More] ⦿ |
Designer of these typefaces in 2018: EP Wiggle, EP Pipes, EP Lazy, EP Heaven, EP Dominate, EP Big Guy, EP Chaos. [Google] [More] ⦿ | |
Designer in Cambridge, UK, who created the minimalist poster typeface galaxy in 2018. [Google] [More] ⦿ | |
Tangerang, Indonesia-based designer of the script typefaces Salmon Script (2018), Cashion Script (2018), Menulist (2018), and Valencia (2018). [Google] [More] ⦿ | |
Or Maxim Apperian. Magelang, Indonesia-based designer of these typefaces in 2018: Alien Frogs, Algorithm Brush, Gefan (a multiline typeface), New Bhabhie (brush), Papies, Banis (rough painted brush), Vetican (brush style), Dr. Faq. Graphicriver link. [Google] [More] ⦿ | |
Erica Hartwick
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Erik Seitz studied at the University of Applied Sciences Trier. In 2018, he designed Altum Sans. [Google] [MyFonts] [More] ⦿ | |
Izmir, Turkey-based designer of the free modular typeface Gorem (2018). [Google] [More] ⦿ | |
Oslo, Norway-based designer of the free typeface Pogo Display (2018). [Google] [More] ⦿ | |
Antalya, Turkey-based designer of Downup Light (2018) during his studies at Necmettin Erbakan University. [Google] [More] ⦿ | |
At the University of the Arts in London, Ethan Phan designed the Victorian typeface Cinerva (2018). [Google] [More] ⦿ | |
Or Betwixt Designs. London, UK-based designer (b. 1992) of the metal band typeface BTX Ornstein (2018). [Google] [More] ⦿ | |
Graduate of Kuban State University. Krasnodar, Russia-based designer of the (Latin) children's book font Sly Plan (2018). [Google] [More] ⦿ | |
Pasar Lamno, Indonesia-based designer of the script typefaces The Magic (2018), Shattuck (2018), Clarabella (2018), Michalline (2018: a signature script) and Almahira (2018). [Google] [More] ⦿ | |
Banda Aceh, Indonesia-based designer of the calligraphic script typeface Bold Lovely (2018), Horror House (2018), Meusaneut (2018), The Lughokk (2018), and Bakk Trieng (2018). [Google] [More] ⦿ | |
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Belo Horizonte, Brazil-bassed designer of a brush typeface in 2018. [Google] [More] ⦿ | |
Buenos Aires-based designer of the display typeface Finland (2018). [Google] [More] ⦿ | |
Font & Co
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Aceh, Indonesia-based designer, b. 1993, of the script typefaces Dellia Script (2018), Mystery (2018), Sintiya (2018: calligraphic), Estadia (2018) and Ecuador (2018). [Google] [More] ⦿ | |
Francesco Gianesini
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Future Fonts
| Future Fonts is run by Lizy Gershenzon and Travis Kochel of Scribble Tone, with James Edmondson of OH no Type Co helping shape and grow the community. Scribble Tone is a design studio in Portland, Oregon, known for designing experimental typefaces like FF Chartwell. OH no Type Co is a type foundry in San Francisco that published Hobeaux and Vulf Mono. Both Travis and James also teach typeface design. Travis is currently an adjunct professor at Portland State University, while James teaches Type at Cooper West. On launch in 2018, Future Fonts showed the work of Inga Plönnigs, Dave Coleman, Ryan Bugden, Rüdiger, Sun Helen Isdahl Kalvenes, Erik Marinovich, Acute Studio, Teo Tuominen, Jake Fleming, JazzMaType, OH no Type, and Scribble Tone. [Google] [More] ⦿ |
Sao Paulo, brazil-based designer of a hand-crafted blacknoard bold typeface in 2018. [Google] [More] ⦿ | |
Tatui. Brazil-based designer of the script typeface Amate (2018). [Google] [More] ⦿ | |
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Brisbane, Australia-based designer of Medusae (2018) during her computer science studies at QUT. [Google] [More] ⦿ | |
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During her studies at UNAM in Mexico City, Guadalupe Molina designed the text typeface Cumbre (2018) and the rounded sans typeface Vasconcelos (2018). [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of the free fat finger font Good Morning Purple (2018). [Google] [More] ⦿ | |
Nantes, France-based designer of the tiki font Tiki Taka (2018). [Google] [More] ⦿ | |
Las Vegas, NV-based designer of the free font Yang (2018). [Google] [More] ⦿ | |
Nasr City, Egypt-based designer of the Arabic typeface Princess for a school project in 2018. She also created the Latin typeface Queen B (2018). [Google] [More] ⦿ | |
HB Font
| Korean designer of Haru (2018), a squarish techno typeface family with several choices of textures. [Google] [MyFonts] [More] ⦿ |
Stockholm, Sweden-based designer of the handlettered brush font Belle Helene (2017) and the modular typeface Karolina (2018). [Google] [More] ⦿ | |
London, Ontario-based designer, as a student at Fanshawe College, of Vääksy (2018). This geometric sans is based on the architecture of classical bridges. [Google] [More] ⦿ | |
Here East
| Minsk, Belarus-based designer of the logotype Carpazzi Soft (2014) and Grossweight Stencil (2018). She also created Turnu (2018), a squarish logofont for a new Danish taxi service. Other fonts from 2018 include OCR Camp, Pretty Much Fur, and Fat Porn. [Google] [More] ⦿ |
Indian designer of a display typeface in 2018. [Google] [More] ⦿ | |
Osaka, Japan-based designer of the curly typeface Bone in Plant (2018) and the stencil typeface Cyber Grotesque (2018). [Google] [More] ⦿ | |
Imam Nurrahmat
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New York City-based designer of the bicolored typeface The Other Side (2018). [Google] [More] ⦿ | |
Moscow-based designer of the brush typeface Wilde Wasser (2018). [Google] [More] ⦿ | |
Irwan Felani
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Dutch designer of the bilined display typeface Pointy (2018). [Google] [More] ⦿ | |
During her studies in Sao Paulo, Brazil, Isabela D. Caragelasco designed the floral caps typeface Beautiful Power (2018). [Google] [More] ⦿ | |
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Canadian lettering artist wh runs the design studio Hoffmann Angelic Design together with his wife, graphic designer Andrea Hoffmann. Ivan created the vernacular script typeface Sashay Script in 2018. [Google] [MyFonts] [More] ⦿ | |
Paris-based designer who published the experimental rounded typeface Gothic Lab Gecko together with Jean-Baptiste Levée at Production Type in 2018. It features a molecular texture. [Google] [More] ⦿ | |
Baja California, Mexico-based designer of New Nouveau (2018). [Google] [More] ⦿ | |
Alcoy, Spain-based designer of the free display typeface Holden Cauldfield (2018). [Google] [More] ⦿ | |
Zaragoza, Spain-based designer of Ayax (2018). [Google] [More] ⦿ | |
At Future Fonts, Jake Fleming designed Boxout (2018) and Goiters (2018). Boxout is inspired by Impact but has more contrast and curvature. [Google] [More] ⦿ | |
Pasadena, CA-based designer of Bounce (2018). [Google] [More] ⦿ | |
Designer of the wavy typeface Under The Surface (2018). [Google] [More] ⦿ | |
Jan Weidemüller
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Australian designer of Future Palms (2018). [Google] [More] ⦿ | |
Linwood, NJ-based designer of Blackletter 1905 (2018) and Architectural 1905 (2018). These typefaces are based on alphabets found in Architectural Lettering (American School of Correspondence, Chicago, IL, 1905). He also designed Foil Balloon Font (2018). [Google] [More] ⦿ | |
South Norwalk, CT-based designer of the sans typeface Kithe (2018). [Google] [More] ⦿ | |
Subang Jaya, Malaysia-based designer of Gartannic (2017). [Google] [More] ⦿ | |
Amerian designer of the spurred typeface Thorny Bits (2018). [Google] [More] ⦿ | |
Newcastle, UK-based illustrator. Designer at Fontsmith of FS Erskine (2018), an experimental randomized display typeface. [Google] [More] ⦿ | |
Kochi, India-based designer of Martian Display Font (2018). [Google] [More] ⦿ | |
Trondheim, Norway-based designer of the free paperclip typeface Homework (2018). [Google] [More] ⦿ | |
Caruaru, Brazil-based designer of the modular typeface Modtype 47 (2018). [Google] [More] ⦿ | |
Brooklyn, NY-based designer of the flowing typeface family Souq (2018). [Google] [More] ⦿ | |
Johnny Vigne
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Osnabrück, Germany-based designer of Ahoi (2018), a wavy font inspired by the international morse code. This font was finished during his studies at the University of Applied Science Osnabrück. [Google] [More] ⦿ | |
Bogota, Colombia-based designer of the techno or video game font Phalax (2018). [Google] [More] ⦿ | |
Bandung, Indonesia-based designer (b. 1996) of the free hand-crafted typeface Tahu (2018). [Google] [More] ⦿ | |
Tijuana, Mexico-based designer of Bubbles (2018). [Google] [More] ⦿ | |
Wroclaw, Poland-based designer of Blok (2018). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer of the free brush script typeface Mona (2018) and the free squarish typeface Efesto (2018). Julian also designed several sets of icons, including Cleaning Icons, Travel Icons, and a set of emoticons. [Google] [More] ⦿ | |
Graduate of California Institute of the Arts (MFA) and Konkuk University (BFA). Valencia, CA-based designer of Rabbit (2018), a typeface with rabbit shoe-themed serifs. [Google] [More] ⦿ | |
Johannesburg, South Africa-based designer of the connected cursive typeface Matilda (2018). [Google] [More] ⦿ | |
Hanoi, Vietnam-based designer of the bamboo font Take (2018). [Google] [More] ⦿ | |
Kamigawi Design
| Malang, Indonesia-based designer of Reilly Beck (2018) and the signature fonts Devonian (2018: free) and Bleinheim (2018). Graphicriver link. [Google] [More] ⦿ |
UK-based designer, b. 1986, of of the white-on-black typeface Brickyol (2018). [Google] [More] ⦿ | |
At UNAM in Mexico City, Karen Cartas designed the slightly tilted text typeface Tehuana (2018). [Google] [More] ⦿ | |
Kasper-Florio
| Kasper-Florio (Sankt Gallen, Switzerland) is a joint venture of Swiss designers Larissa Kasper and Rosario Florio established in 2013. In 2018, they published Monument Grotesk at the Dinamo typefoundry. It had served up to that point as their in house typeface and was developed in 2014-2015. [Google] [More] ⦿ |
Graduate of Kutztown University of Pennsylvania. Philadelphia, PA-based designer of the coffee cup stain-themed circular typeface Bialetti (2018), which is named after the inventor of the espresso machine, Alfonso Bialetti. [Google] [More] ⦿ | |
South African designer of the stencil typeface Radio Edit (2018). [Google] [More] ⦿ | |
Pathanamthitta, India-based designer of the free oriental simulation typeface Chinese Arch (2018) and the free Synuous Bold (2018). [Google] [More] ⦿ | |
Singapore-based designer of a decorative caps typeface in 2018 called Geode. [Google] [More] ⦿ | |
Seoul, Korea-based designer of Hanger (2018), a fun display typeface that marries Neil Bold and Horatio. He also designed the programmed ultra-black Hangul / Latin poster typeface Tuem (2018). [Google] [More] ⦿ | |
Ljubljana, Slovenia-based designer of the text typeface Cankerif (2018), which is named after Ivan Cankar. [Google] [More] ⦿ | |
Johannesburg, South Africa-based designer of the dispaly caps typeface Ekae (2018). [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the monoline sans typeface Cycle (2018). [Google] [More] ⦿ | |
Kwun Tong, Hong Kong-based designer of a decorative typeface in 2017. [Google] [More] ⦿ | |
La Petite Prune
| Reus, Spain-based designer of Alice (2018: a floral caps typeface) and Beatrice (2018: a floral typeface). [Google] [More] ⦿ |
Cambridge, New Zealand-based designer of Ambriosia (2018) during her studies at Wintec, Hamilton. [Google] [More] ⦿ | |
Larissa Kasper
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As a student at Middlesex University, London-based Laura baxter designed the architectural typeface Dawson Construct (2018). [Google] [More] ⦿ | |
Bilbao, Spain-based designer of the straight-edged typeface Luc (2018). [Google] [More] ⦿ | |
Graphic designer in Hannover, Germany. The typeface Magdalena was developed during a course at the University of Applied Sciences and Arts Hannover taught by Florian Schick. In 2018, the typeface was used for the Elefant tea brand corporate identity. [Google] [More] ⦿ | |
Leeds, UK-based designer of the all caps sans typeface Pebble Sans (2018). [Google] [More] ⦿ | |
Designer of Selectric and Selectric Mono (2015), free typefaces that are based on IBM Selectric Adjutant. [Google] [More] ⦿ | |
Aberdeen, Scotland-based designer of the slab serif typeface Valentina (2018), which is named after the first female astronaut, Valentina Tereshkova. It pays homage to the space race of the 1960's, and 2001: A Space Odyssey. [Google] [More] ⦿ | |
Rio de Janeiro, Brazil-based designer of Square Monkey (2018). [Google] [More] ⦿ | |
Lisa Bukreyeva
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Lisa Kalev
| Kiev, Ukraine-based designer of the paper cutout font Cut Me (2018), the experimental Dots Lines (2018) and the simple sans typeface family Atlas (2018). [Google] [More] ⦿ |
Lizy Gershenzon
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Lizy Gershenzon
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Lucas Descroix is graphic and type designer based in France. After researching at the National Institute for Typographic Research in Nancy, France, he is now designing typefaces, books, posters and visual identities. French designer of ultra-condensed sans family Grandmaster (2018, The Designers Foundry). [Google] [More] ⦿ | |
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Luciano Quaranta
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At UABC Valle de las Palmas, Tijuana, Mexico-based Lucy Miguel designed the liquidy typeface Aquosa (2018). [Google] [More] ⦿ | |
In 2018, Omse and Luke Woodward co-designed the monospaced typewriter family TypeType. [Google] [More] ⦿ | |
Indonesian designer of Maigreds and the script typefaces Anghones and Hugtophia in 2018, and Airates Script in 2017. [Google] [More] ⦿ | |
Banten, Indonesia-based designer, b. 1996, of Ngobet (2018). [Google] [More] ⦿ | |
At the Academy of Fine Arts in Warsaw, Magda Dzielinska designed the blackletter typeface Breslau Black (2018). [Google] [More] ⦿ | |
Main-jae Oh
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Merauke, Papua, Indonesia-based designer of these typefaces in 2018: Nocturnal, Benza (display sans), Almar (display sans), Little Boss (hand-crafted). [Google] [More] ⦿ | |
Mumbai, India-based designer of the free Peignotian typeface Suave (2018). [Google] [More] ⦿ | |
Earlier, in 2017, he published the blackletter font Kodex. [Google] [MyFonts] [More] ⦿ | |
During his studies under Kenn Munk in Haderslev, Denmark, Marchan Christiansen designed Black Slab (2018). [Google] [More] ⦿ | |
Magnitogorsk, Russia-based designer of the hand-crafted typeface Bright Sugar (2018). [Google] [More] ⦿ | |
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Cairo, Egypt-based designer of an Arabic typeface and a Latin typeface (calleed Phoebe) in 2018. [Google] [More] ⦿ | |
During her studies in Monterrey, Mexico, Mariana Ortiz designed the blackletter typeface Hello (2017). [Google] [More] ⦿ | |
At UNAM in Mexico City, Mariola del Pino designed the rounded sans typeface Genion (2017). [Google] [More] ⦿ | |
Toronto-based designer. During his studies at Concordia University, he created the display typeface Anthony (2018), which is based on design elements in the Braun BN0031 watch. [Google] [More] ⦿ | |
Chantilly, VA-based designer of the vernacular (lemonade stand) typeface Lemon (2018). [Google] [More] ⦿ | |
Paris-based designer of a decorative typeface in 2018. [Google] [More] ⦿ | |
Designer of the modular font family Rigor Mortis (2018). [Google] [More] ⦿ | |
Designer of Vorm (2018), which is modeled after Misztotfalusi Kis Miklos's Kis Antiqua. [Google] [More] ⦿ | |
During her studies in Bordeaux, France, Mathilde favre designed the elliptical sans typeface Gastone (2018). [Google] [More] ⦿ | |
Paris-based designer of the spaghetti Western font Ennio (2018), which was a school project at Les Gobelins. [Google] [More] ⦿ | |
Italian artist who, with the help of Cosimo Lorenzo Pancini at Zetafonts, designed the chalky typeface Berton(2017). [Google] [MyFonts] [More] ⦿ | |
Brisbane, Australia-based designer of the free rounded monoline sans typeface Forma (2018). [Google] [More] ⦿ | |
Maulana Hibban
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Mageklang, Indonesia-based designer, b. 1980, of the sci fi typeface Elasis (2018). [Google] [More] ⦿ | |
Parisian designer of the rounded sans typeface Louro (2018), the experimental New Braille (2018), and Electronic Pictograms (2018). [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the hipster typeface Vova (2018). [Google] [More] ⦿ | |
Melany is a graphic and motion designer. During her studies at the University of Technology, Sydney, she created the experimental typeface Darjeeling to Budapest (2018), influenced by the movie art of Wes Anderson. [Google] [More] ⦿ | |
Madrid, Spain-based designer of the Mad Max-themed decorative caps typeface Apocalypse (2018) and the ghoulish Horror Sans (2018). [Google] [More] ⦿ | |
Brussels-based designer of the art deco typeface Bruxelles Bouge (2018). [Google] [More] ⦿ | |
Michael Mervinetsky
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Michael Sharpe
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London, UK-based designer of the school project font Guglielmo (2013). [Google] [More] ⦿ | |
Milla Febriana Tanjung
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At the University of Seoul, Min Hong designed Block Sans Extreme in 2018. [Google] [More] ⦿ | |
Bucharest, Romania-based student-designer of the wavy font Zig Zag (2018). [Google] [More] ⦿ | |
Born in Egypt, Moataz Ahmed now lives in Stamford, CT. In 2018, he designed the free curly text typeface Teach. Aka Motizzy. [Google] [More] ⦿ | |
Mohamad Arif Prasetyo
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Seremban, Malaysia-based designer of the glitch fonts Shape (2018) and Shap (2018). [Google] [More] ⦿ | |
American designer of the display typeface Bending (2018). [Google] [More] ⦿ | |
Malang, Indonesia-based designer of Comicslab (2018). [Google] [More] ⦿ | |
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Designer of the display typeface Space (2018). [Google] [More] ⦿ | |
Indonesian designer of the calligraphic typeface Matesia (2018). [Google] [More] ⦿ | |
Banda Aceh, Indonesai-based designer (b. 1980) of the blackletter typeface Amstha (2018). [Google] [More] ⦿ | |
My Longley (b. 1986, Åland Islands) works as a graphic designer in Stockholm. Studied design at Konstfack and printmaking arts at Grafikskolan. In 2018, My designed the modular stencil typeface Blåkulla. [Google] [More] ⦿ | |
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Nadhira Felani
| Parakan Temanggung Jawa Tengah, Indonesia-based designer of the connected monolinear script typefaces West Side (2018) and Mallaga (2018), a curly delight. [Google] [More] ⦿ |
At University of Sharjah, Dubai-based Nadia Namvar designed the aluminum foil font Recycled (2018). [Google] [More] ⦿ | |
Nastia Piven
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Moscow-based illustrator. Designer of the brush typeface Afisha Premiere (2018). [Google] [More] ⦿ | |
Designer of the display typeface Remo (2018), which is influenced by a traditional Indonesian dance. [Google] [More] ⦿ | |
Ankara, Turkey-based designer of the rounded sans tpeface Happy World (2018) and a dingbat font called Happy Dings (2018). [Google] [More] ⦿ | |
Venezuelan designer, b. 1991, of the grungy typeface Artmar (2018). [Google] [More] ⦿ | |
Denpasar, Bali-based designer (b. 1989) of the script typeface Britson (2018). [Google] [More] ⦿ | |
Sao Paulo, Brazil-based designer of the graffiti typeface Rabera (2018). [Google] [More] ⦿ | |
Medan, North Sumatra, Indonesia-based designer of the brush script font Ribet (2018). [Google] [More] ⦿ | |
Jakarta, Indonesia-based designer (b. 1991) of the script typefaces Granshey (2018), Naycila Script (2018), Night Work (2018), Little Spring (2018), Basfar (2018) and Troficanos (2018) and the squarish typeface Bedebah (2018). [Google] [More] ⦿ | |
Indonesian designer, b. 1985, of the modular typeface First Job (2018). [Google] [More] ⦿ | |
Nurrehmet Studio
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Indonesian designer (b. 1983) of the modular typeface Gamelan (2018). [Google] [More] ⦿ | |
Russian designer of the free Latin / Cyrillic didone typeface Elisabethische (2018). It is a revival of the Jelisawethinskaja Lehmann-Garnitur (1904), with modern additions such as the rubel sign and proper German ß ligatures. Home page. [Google] [More] ⦿ | |
Olga Glinskaja
| Olga Shcherba or Olga Glinskaja operates as Oligliya Art in Minsk, Belarus. Designer of the hand-crafted typeface Questo (2018). [Google] [More] ⦿ |
Olga Shcherba
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OMFD Official
| Stefanie Vogl (OMFD Official, Berlin, Germany) graduated from FH Würzburg. In 2018, she designed the experimental typefaces Movement (2018) and Saedge (2018). [Google] [More] ⦿ |
Istanbul, Turkey-based designer of the outlined straight-edged typeface Pearl Jam (2018). [Google] [More] ⦿ | |
Indonesian designer (b. 1987) of the connected script typeface Jayakarta (2018). [Google] [More] ⦿ | |
During his studis at Visual Arts Institute Eger (Hungary), Pal Elekes designed an experimental prismatic typeface (2017). [Google] [More] ⦿ | |
Designer of the free garffiti font Triffiti (2018). [Google] [More] ⦿ | |
Paris-based type designer. At Future Fonts, she created the incised typeface Giboula (2018). [Google] [More] ⦿ | |
Gimhae, Korea-based designer of the circular Latin typeface Pjean (2018). [Google] [More] ⦿ | |
During his studies at ESAD in Porto, Portugal, in 2018, Pedro Meireis designed the gorgeous art deco typeface Manhattan. [Google] [More] ⦿ | |
Indonesian designer of these signage script typefaces in 2018: Shintania, Mutimel, Valentina, Valaseh. [Google] [More] ⦿ | |
Indonesian designer of the script typeface Beautiful (2018). [Google] [More] ⦿ | |
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San Francisco, CA-based designer of Genius-M (2018) and Genius-P (2018), two abstract art typefaces influenced by Piet Mondrian and Pablo Picasso, respectively. [Google] [More] ⦿ | |
Governor's Beach, Cyprus-based designer of the free minimalist sans typeface Abster (2018). [Google] [More] ⦿ | |
Muar, Malaysia-based designer of the decorative caps typeface Spiral Eyes (2018), which was developed during her studies Tunku Abdul Rahman University College, Kuala Lumpur. [Google] [More] ⦿ | |
Radinal Riki
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During his studies in Wroclaw, Poland, Rafal Drozdzik designed the slab serif typeface Foptera (2018). [Google] [More] ⦿ | |
Rahmad Fajri
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During her studies, New Cairo, Egypt-based Randa ashraf designer the Arabic typeface samir Sbot (2018) and the blackboard bold Latin typeface Harvard (2018). [Google] [More] ⦿ | |
Rengga Zulkarnaen
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Bandung, Indonesia-based designer of the free vintage typeface The 1998 (2018). [Google] [More] ⦿ | |
Designer based in New Delhi. In 2018, he published the free dry brush typeface The Dolbak Brush at Pixel Surplus. [Google] [More] ⦿ | |
Rifan Asri
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Aka Noschey. Banda Aceh-based designer (b. 2000) of the modular squarish typeface Lucinta Luna (2018). [Google] [More] ⦿ | |
Sao paulo, Brazil-based designer of the organic typeface Tarsila (2018), which honors tthe plastic artist Tarsila do Amaral. [Google] [More] ⦿ | |
Glendale, CA-based designer of an all caps 3d alphabet in 2018. [Google] [More] ⦿ | |
Kasper-Florio (Sankt Gallen, Switzerland) is a joint venture of Swiss designers Larissa Kasper and Rosario Florio established in 2013. In 2018, they published Monument Grotesk at the Dinamo typefoundry. It had served up to that point as their in house typeface and was developed in 2014-2015. [Google] [More] ⦿ | |
American designer of the bicolored caps typeface Ketab (2018). [Google] [More] ⦿ | |
Designer of the thick signage script typeface Creasi (2018) and the script typeface Belgendes (2018). [Google] [More] ⦿ | |
Mexico City-based co-designer, with Ernesto Cerna, of Metro Sans (2018). [Google] [More] ⦿ | |
Los Angeles-based designer of Pliny (2018), a typeface that is based on the beer label for Pliny the Elder from Russian River Brewing. He also designed the octagonal mechanical typeface Mascot (2018) and the experimental Mash (2018). [Google] [More] ⦿ | |
During her studies at the School of Visual communication in Haderslev in Denmark, Sabine Piletti (Esbjerg, Denmark) designed the dry brush typeface Scratch It (2018). [Google] [More] ⦿ | |
At Ger-Yor University, Safa Zmaili (Stuttgart, Germany) designed Triangle Grid (2018). [Google] [More] ⦿ | |
Graphic designer in Cairo who created the elegant display typeface Melinda and the Arabic typeface Gawaher in 2018. [Google] [More] ⦿ | |
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Indonesian designer of the script typeface Austral (2018). [Google] [More] ⦿ | |
Scribble Tone
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At University of Aveiro in Portugal, Sergio Martins designed the display typeface Tirana (2017). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the bold typeface Black Widow (2018). [Google] [More] ⦿ | |
Mumbai, India-based designer of Meitei Script (2018). Meitei Mayek was used for the Metei language (aka manipuri) spoken in the south-eastern Himalayan state of Manipur. It was replaced in the 18th century by Bengali. She also designed the Marathi font Tamasha (2018). [Google] [More] ⦿ | |
Campbelltown, Australia-based designer of a font in 2018 that was inspired by witchcraft. [Google] [More] ⦿ | |
During her studies at German University in Cairo, Sherine Abulmagd designed the elegant Arabic typeface Sherif ElKordy (2018), and the Latin typeface Edward Scissorhands (2018), for which she took Stuart sandler's Swanky (1996) as a model.. [Google] [More] ⦿ | |
Surabaya, Indonesia-based designer of the cultural pattern-themed typeface Buna Insana (2018). [Google] [More] ⦿ | |
Temanggung, Indonesia-based graphic designer. Creator of the script typeface Moonlight (2018) and the signature font Heartful Time (2018). [Google] [More] ⦿ | |
Mumbai, India-based designer of a counterless Latin typeface in 2018. [Google] [More] ⦿ | |
Designer of the free organic typeface Nillima (2018). [Google] [More] ⦿ | |
Spenser Dawdy
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Stefanie Vogl
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SticksToo
| A free Open Font Libray font package started in 2018 by and maintained by Michael Sharpe: SticksToo is a reworking of some of the fonts in the newly released STIX2 font package and the STIX2 beta font package from 2016 to allow LaTeX users to make better use of some of the text features of STIX2. A companion release of newtx, version 1.55, contains an option stix2 that uses Roman and Greek letters together with newtxmath symbols, as a work-around for some current problems with STIX2 math rendering in LaTeX. The fonts are provided in PostScript formats. [Google] [More] ⦿ |
Cebu City, Philippines-based designer of the vintage typeface family Villagers (2018) and the connected script Infatuation (2018). [Google] [More] ⦿ | |
Studio and Story
| Michael Mervinetsky's typefoundry located in Israel. Designer of the hand-crafted typeface Exceptional. [Google] [MyFonts] [More] ⦿ |
Studio Variabile
| Firenze, Italy-based designer of the octagonal / mechanical sans serif typeface Rucker (2018), which is inspired by Pick-up Basketball, by basketball signs and by road and industrial signs of the early 20th century. The font is available on demand at Studio Variabile. [Google] [More] ⦿ |
Supotype
| Indonesian designer of the script typeface Miadiena (2018). [Google] [More] ⦿ |
Syntetype Studio
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Minsk, Belarus-based designer of Monatik (2018) and Alphabetic Zoo (2018). [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of the formal calligraphic typeface Sinestesia (2018) which was inspired by brush lettering from old sign paintings. [Google] [More] ⦿ | |
Graphic designer in New York City who hails from Beirut, Lebanon. In 2018, he created the display typeface Splash. [Google] [More] ⦿ | |
Than J
| Johnny Vigne and Nathan Lacroix run Than J in Martinique. They were inspired by Cassandre's Bifur in the design of Lunaticus (2016). [Google] [More] ⦿ |
Artist and author Thi Bui was born in Vietnam and immigrated to the United States as a child. She studied art and legal studies and became a public school teacher. Bui lives in Berkeley, California. The Best We Could Do (2018) was created by Thi Bui who used the font in her graphic novel by the same name. It was published by Chank. [Google] [MyFonts] [More] ⦿ | |
Creator of a new logo and branding typeface for Buzzfeed UK in 2018. It was inspired by the trending arrow. [Google] [More] ⦿ | |
Tolya Doodko is a type and graphic designer from Moscow, who studied type design at the British Higher School of Art and Design. In 2018, Tolya created Monogamma. [Google] [MyFonts] [More] ⦿ | |
Indramayu, Indonesia-based designer, b. 1993, of the script typeface Creative Word (2018). [Google] [More] ⦿ | |
French designer of Mika Teuf (2010) and the grungy Blanc et Noir (2018). [Google] [More] ⦿ | |
Ultra Kühl
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Surabaya, Indonesia-based designer of the script typeface Peaceful Heart (2018). [Google] [More] ⦿ | |
Many variable fonts were designed by the students in the Type Design and Typography studio at the UMPRUM Academy in Prague during the Winter term of 2017. These include:
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Bilbao, Spain-based designer of the bicolored deco typeface Auurbo (2018). [Google] [More] ⦿ | |
Urban Store
| Indonesian designer of the script typefaces Montelin (2018), Dipatunal (2018) and Mellson (2018). [Google] [More] ⦿ |
Muenchen-based designer of several experimental and deconstructed typefaces in 2018. [Google] [More] ⦿ | |
At Pontificia Universidad Catolica del Peru, Alice Valle (Lima, Peru) and Valeria Florindez designed the octopus-themed all caps typeface Alfabeto Pulpo (2017) or Octo (2017). [Google] [More] ⦿ | |
Vasily Daymarius
| Kharkiv, Ukraine-based designer of the free sans typeface Trender (2018). [Google] [More] ⦿ |
Vasily Draigo
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Art directr at McCann. Montreal-based designer of the free didone stencil typeface Saint George (2018) which is loosely based on Carter's Georgia. In 2015, he made the free blackletter typeface Blackberg. [Google] [More] ⦿ | |
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Lyon, France-based designer of the sans typeface Violaine (2018). [Google] [More] ⦿ | |
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Brno, Czechia-based designer, b. 1996, of Peyote Handwrite (2018). [Google] [More] ⦿ | |
Kiev, Ukraine-based designer of the constructivist Latin / Cyrillic typeface Artemovsck (2018). [Google] [More] ⦿ | |
Sydney, Australia-based student-designer of the old Chinese emulation typeface Qinguo (2018). [Google] [More] ⦿ | |
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Ydhra Studio
| jakarta, Indonesia-based designer (b. 1996) of the bold script typefaces Manhattan (2018) and Matane (2018), the monoline script typeface Royaland (2018) and the modern script typeface Pharosi (2018). Graphicriver link. [Google] [More] ⦿ |
Yellowline
| Semarang, Indonesia-based designer of the signature font Badriyah Two (2018), the hand-crafted typefaces Clumsy (2018), Oxlade (2018) and Ashalina (2018, the sans typefaces Chapter 76 Sans (2018) and Higher (2018), and Gazala (2018) and Syadhes (2018). [Google] [More] ⦿ |
Jakarta, Indonesia-based designer of the teardrop-themed typeface Talise (2018). [Google] [More] ⦿ | |
Istanbul-based designer, with Ayse Sismanoglu, of the free Most Powerful Font (2018). The letters are taken from the signatures of the G7 leaders that met in Charlevoix, Quebec in June 2018. [Google] [More] ⦿ | |
Designer of the free font Habesha Stencil (2018). [Google] [More] ⦿ | |
Yudha Ageng
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Bandung, Indonesia-based designer of the display serif font Sifora (2018). [Google] [More] ⦿ | |
Yusuke Yamazaki is a Toronto based graphic designer. He was born and raised in Shizuoka, Japan. In 2018, he created the decorative alchemic typeface Nova. [Google] [More] ⦿ | |
During her studies, Eger, Hungary-based Zsofia Majorosi designed the rounded sans typeface Talooga (2018). [Google] [More] ⦿ |
Paris-based Chilean student-designer of the art deco typeface Palais de Tokyo (2018). [
Ana Estrada Martos is a UX/UI developer in Madrid, Spain. In 2018, she designed the 
Designer in 2018 of the script typefaces Jolly, Unleash, Dawn and Edmonton, the fashion mag typeface Vienna and the sans typefaces Jolly Sans, Unleash Sans, and Tropicana. [
Istanbul-based designer of a generative prismatic typeface in 2018. [
Born in Montevideo. After working as a designer at the Peluffo Giguens Foundation in 2016, she worked in 2018 as head of graphic communication at the Sodre National Auditorium. During her studies at ORT in Montevideo, Camila Basso Rubbo designed the condensed movie credit font family 
Los Angeles, CA-based designer of Ribbon Serif (2016). [
Recife, Brazil-based designer of the linocut / xylographic typeface Lampiao (2018). [
Font & Co. is an independent type foundry established in 2017 by Francesco Gianesini, co-founder and Creative Director of Gianesini Design, a multidisciplinary design studio based in New York City. He started Gianesini Design with his wife Tina in 1994. In 2018, he published the Italian art deco typeface 
Mexico City-based designer of the rounded sans typeface Hocking (2018) and the chiseled typeface Madre e Hija (2018). She also designed a set of stick figure emoticons called Bastonio (2018). [
Vilnius, Lithuania-based student-designer of the wavy font Flexia (2018) and a wonderful Music Icon Set (2018).. [
Toronto, Ontario-based designer of the polygonal sports franchise typeface Arc Sculler (2018), which was published on Black Thursday, the day Ontario elected its first Trumpian premier, Doug Ford. Arc Sculler was made for the Toronto Argonauts and references 19-th century wood types. [
Mumbai, India-based designer of a Memphis-style decorative caps typefce (2018) and of the devanagari typeface Avshicha Gho (2018), which was inspired by the architectural design of the temple Padmanabh Swamy. [
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Valladolid, Spain-based designer of Risueña (2018: a friendly informal sans), Natura (2017: textured floral caps), and a children's book alphabet (2018). [
During his studies at Ecole Estienne (Paris), Manuel de Lignières (Montpellier, France) published Waba (2018) with Lewis McGuffie. Inspired by woodblock types and art nouveau, Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe. The 
Poznan, Poland-based designer of the script typeface Goplanka (2018). [
Monotype Hong Kong Ltd.is a subsidiary of Monotype responsible for the design and development of Simplified Chinese and Traditional Chinese typefaces, and also other Asian languages/scripts. It grew out of the acquisition in 2006 by Monotype of China Type Design Ltd. They write: The Monotype HK typeface collection includes a wide range of high quality designs in popular type styles for text and display setting, in print and screen environments. Today the Monotype team continues to create new Chinese typefaces for the library, as well as custom and bespoke typefaces for global brands and enterprises. The typefaces as of 2018: 
The fifty best-selling typefaces at MyFonts, as reported by them on June 1, 2018: #1 
Kuningan, Indonesia-based designer of Diva Forever (2018: a script font) and Fujimaru (2018: a free oriental brush typeface). [
Mumbai, India-based designer of the display typefaces Ornate (2018: based on a Times Roman skeleton) and Pisces (2018). [
[
During her studies at German University in Cairo, Sarah Ahmed designed the curly hyper-Victorian typeface Spiral (2018) and the curly Arabic typeface Belle (2018). [
Scribble Tone (Portland, OR) was founded by 
Bandung, Indonesia-based designer (b. 1990) of the hand-crafted four-style archeological museum font family Neozoic (2018). 
Berlin-based designer of the didone typeface Para Supreme (2018) at 
Russian co-designer, with Aleksander Lubovenko at Paratype, of 
Bandung, Indonesia-based designer of these typefaces in 2018: Royal Morgue, Romantic Blues, Romano, Bronx Awesome (vintage), Salomon Script, Laluna (sans). 
Yanky Goldman runs a design boutique in Brooklyn, NY, since 2014. In 2018, he created |
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