TYPE DESIGN INFORMATION PAGE last updated on Sat Jul 23 22:01:03 EDT 2016






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[1932 ad by Établissements Plantin for their Bristol and Carlton typefaces]


A Friend of Mine
[Suzy Tuxen]

Suzy Tuxen, who runs A friend of Mine in Melbourne, Australia, created the poster typeface Embla in 2016 for the identity of Christian McCabe's wine bar / restaurant in Melbourne's inner city. Behance link. [Google] [More]  ⦿

Aaron Aguilar

Overland, KS-based designer of the outlined typeface Nin-Nah (2016). [Google] [More]  ⦿

Abaz Studio
[Abdul Aziz]

Indonesian designer of Aneh (2016, sans). [Google] [More]  ⦿

Abdul Aziz
[Abaz Studio]

[More]  ⦿

Abdul Azizul
[Bluesky Type]

[More]  ⦿

Adam Klimas

Czestochowa, Poland-based designer of the body text typeface Spacer (2016). [Google] [More]  ⦿

Adella Guo

During her studies in Pittsburgh, PA, Adella Guo created the charcoal typeface Beatnik (2016, with Lily Fulop at CMU). [Google] [More]  ⦿

Adrianne Born

American designer of a text typeface for butchers, Rashid (2016), and of Farfalla Display Text (2016, a decorative didone). [Google] [More]  ⦿

Agata Wozniak

Warsaw, Poland-based designer of the modular typeface Zlocona Pigulka (2016). [Google] [More]  ⦿

Agustina Vel

Graphic designer in Buenos Aires, Argentina. In 2016, she designed the urban graffiti font Urban Hallyu. Behance link. [Google] [More]  ⦿

Aiyi Wu

Graphic designer in Sydney, Australia, who created the display typeface Mechanical Movement (2016). [Google] [More]  ⦿

Al Rizki

Banda Aceh, Indonesia-based designer of Marsellina (2016). [Google] [More]  ⦿

Aleksandra Mrozek

In 2016, at SWPS University in Wroclaw, Poland, Aleksandra Mrozek designed the umbrella and raindrop-themed typeface Lluvia. [Google] [More]  ⦿

Alessandra Ravida

Dublin, Ireland-based designer of the manicured display typeface Femmina (2016). [Google] [More]  ⦿

Alexander Bobrov

Alexander Bobrov (Indian Summer Studio, Moscow) designed the vintage didone typeface family Dodo (Latin and Cyrillic) from 2008-2012. This beautiful typeface is partly based on Old Standard. His web site shows lots of calligraphic work, but also a few typefaces such as Photon Display (2014) and Trafareta (2015, stencil). [Google] [More]  ⦿

Alexander Riffel

During his studies at AAA school of Advertising in Cape Town, South Africa, Alexander Riffel created the grungy typeface Son of a Glitch (2016). [Google] [More]  ⦿

Alexandra Polukhina

Zaporizhzhia, Ukraine-based designer of the hand-crafted typeface Black Point (2016). [Google] [More]  ⦿

Alexandra Savelkaeva

Moscow, Russia-based designer of a rhombic Latin typeface in 2016. She also made the hand-crafted Cyrillic typeface Native Type (2016), and a set of Olympic Icons (2016). [Google] [More]  ⦿

Alexandros Poursanidis

Thessaloniki, Greece-based designer of a rhobic typeface called Art Deco (2016). [Google] [More]  ⦿

Alia Azzouz

Cairo, Egypt-based designer of the Arabic typeface Al-Motaereg (2016). For a design course, she created the Latin typeface Leafy (2016). [Google] [More]  ⦿

Aliaga Mirguseinov

During his studies in Vilnius, Lithuania, Aliaga Mirguseinov designed the vintage serif typeface Antonieta (which is built on a Roboto Condensed skeleton). [Google] [More]  ⦿

Alice Stollery

Sidney, Australia-based designer of the display typeface Mokito Cubana (2016). Behance link. [Google] [More]  ⦿

Alisa Katrevich
[Red Studio]

[More]  ⦿

Alper Tunga Sen

Art director in Istanbul, who created the playfl hand-crafted typeface Didit in 2016. Behance link. [Google] [More]  ⦿

Amber Garde

Brisbane, Australia-based designer of the brushy typeface Sediment (2016). [Google] [More]  ⦿

Amina Urkumbayeva

During her studies at Btk University of Applied Science in Berlin, Germany, Amina Urkumbayeva designed the rune-inspired hipster typeface Runotype (2016). [Google] [More]  ⦿

Ana Filipa Caetano

During her studies at IADE, Lisbon, Portugal-based Ana Filipa Caetano designed the exerimental art deco typeface Steely (2016). [Google] [More]  ⦿

Ana Ganilho

During her studies in Lisbon, Ana Ganilho designed a modular typeface (2016). [Google] [More]  ⦿

Ana Muñiz

London-based graphic designer who created the brush script typeface Sweet Annie in 2016. [Google] [More]  ⦿

Ana Palacios

Logroño, Spain-based designer of Tim Siskup (2016), a tiki type font based on the work of Tim Biskup. [Google] [More]  ⦿

Anastasia Aiguzina

During her studies at British Higher School of Art and Design in Moscow, Anastasia Aiguzina designed the straight-edged techno typeface Kurskaya (2016, for Latin). [Google] [More]  ⦿

Anastasia Lisenko

Designer in Lviv, Ukraine. Creator of a Latin / Cyrillic typeface in 2016. [Google] [More]  ⦿

Anastasia Mihaleva

Designer, with Jovanny Lemonad, of the free typeface USSR Stencil (2016). [Google] [More]  ⦿

Anastasios Nanopoulos

Greek designer of the Comic Sans style Latin and Greek typeface SX Handy (2016). Creative Market link. [Google] [More]  ⦿

Anders Waltz

At the School of Visual Communication in Haderslev, Denmark, Anders Waltz designed the free vector format heavy condensed four-angled constructivist typeface Kalashnikov (2016). [Google] [More]  ⦿

Andreas Twardzik

During his studies in Trier, Germany, Andreas Twardzik (b. Schweinfurt) designed the free brush script typeface Hammock (2016). Behance link. [Google] [More]  ⦿

Angel Resendiz

San Francisco-based designer of the 3d shadow typeface Pemex Placas (2016). It is inspired by graffiti artist Pemex's style of cholo block letters seen in gang graffiti. Behance link. [Google] [More]  ⦿

Angela Gutierrez Garcia

During her studies in Sevilla, Spain, Angela Gutierrez Garcia designed the steampunk typeface Steampang (2016). [Google] [More]  ⦿

Angelica de Jong

During her studies in Utrecht, The Netherlands, Angelica de Jong designed the hand-crafted flower power font Curvy Straight (2016). [Google] [More]  ⦿

Anja Schmutterer

Vienna-based graphic designer who created the text typeface family Diamant Serif during her studies in 2016. [Google] [More]  ⦿

Anne van Ohlen

During her studies, Anne van Ohlen (Hamburg, Germany) designed the display typeface Alfie (2016). [Google] [More]  ⦿

Antara Bhargava

Helsinki, Finland-based designer of the free heavy hand-crafted font Icecany Fontantara (or Tropical Ice) (2016, during her studies at Srishti Institute of Art, Design and Technology). Behance link. [Google] [More]  ⦿

Anthony Pinna

During his studies at ECV Nantes, Anthony Pinna designed the decorative typeface Impromptu (2016). [Google] [More]  ⦿

Anuj Vijay Gadre

Hyderabad, India-based designer of the 3d Escher font Pichana (2016). Behance link. [Google] [More]  ⦿

Ariel Vainstein

Buenos Aires-based designer of the geometric display typeface Estilo (2016). [Google] [More]  ⦿

Baptiste Bernazeau

During his studies in Paris, Baptiste Bernazeau designed the typeface Brique (2016). Behance link. [Google] [More]  ⦿

Barcelona Design Shop

Barcelona-based designer of Original Burger Font (2016), which combines a signage style with some food dingbats. [Google] [More]  ⦿

Bart Vollebregt

Dutch graduate of the Typemedia program at KABK, class of 2016. Typefaces designed by him include Sterk (2014) and an animated alphabet (2016).

Behance link. [Google] [More]  ⦿

Bartek Ryba

Krakow, Poland-based designer of the fat dot matrix typeface Evolv (2016). [Google] [More]  ⦿

Bartosz Aziewicz

During his studies in Poznan, Poland, Bartosz Aziewicz designed an angular text typeface (2016). [Google] [More]  ⦿

Baynham Goredema

Johannesburg, South Africa-based designer of the blackboard bold typeface This Flag (2016). Behance link. [Google] [More]  ⦿

Beatriz Furlanetto

During her studies in Sao Paulo, Beatriz Furlanetto (sao Caetano do Sul, Brazil) codesigned William Sans (2016) with Gabriel Santos. Devian Tart link. [Google] [More]  ⦿

Becca Hirsbrunner Spalinger

American type designer who graduated from the MATD program at the University of Reading in 2015. Her graduation typeface was Etincelle, which was designed with long ascenders and descenders to better blend with the deep swashes of a specific style of Arabic used for Ajami languages in northern Nigeria and southern Niger. In addition to Arabic, Etincelle currently includes Greek, Cyrillic, and extended Latin characters. Etincelle Arabic Bold is the first attempt at a typeface design based on handwritten manuscripts from Nigeria, in a style of writing called Rubutun Kano by the speakers of the Hausa language.

Becca is affiliated with SIL International, where she was involved in the following projects:

  • Gentium. This famous free typeface supports a wide range of Latin-based alphabets and includes glyphs that correspond to all the Latin ranges of Unicode. Gentium Plus supports a wide range of Latin, Greek and Cyrillic characters. It was developed between 2003 and 2014 by J. Victor Gaultney (main designer), Annie Olsen, Iska Routamaa, and Becca Hirsbrunner. CTAN download link.
  • In 2011-2012, George Nuss designed the Arabic typeface Fouta for the Guinean community. This was at the basis of the free font Harmattan (2015, Becca Hirsbrunner and Iska Routamaa at SIL International; Google Font link). SIL explains: Harmattan, named after the trade winds that blow during the winter in West Africa, is designed in a Warsh style to suit the needs of languages using the Arabic script in West Africa. The font does not cover the full Unicode Arabic repertoire. It only supports characters known to be used by languages in West Africa. This font provides a simplified rendering of Arabic script, using basic connecting glyphs but not including a wide variety of additional ligatures or contextual alternates (only the required lam-alef ligatures.) This simplified style is often preferred for clarity, especially in non-Arabic languages, but may be considered unattractive in more traditional and literate communities.
[Google] [More]  ⦿

Benjamin Comeau

Gatineau, Quebec-based designer of the vintage map font Mythrandir (2016). Behance link. [Google] [More]  ⦿

Benjee Lianism

Kuala Lumpur, Malaysia-based designer of Borneo (2016), which was inspired by the geometric lines of the traditional patterns of the Kadazan people in Borneo's Sabah region. [Google] [More]  ⦿

Benji Neumann

Graphic designer in Auckland, New Zealand. Designer of the classical single-weight text typeface M1911 (2016). [Google] [More]  ⦿

Benoit Beracassat

Art director in Paris who designed the art deco typeface Veloztica (2016) and the display typeface Anguline (2016). [Google] [More]  ⦿

Bianca Patchett

Wellington, New Zealand-based designer of the Peignotian typeface Waitangi Park (2016). [Google] [More]  ⦿

Black Cats Media

Designer of the swashy calligraphic typeface Enyssala Script (2016). [Google] [More]  ⦿

Bloom Art

Designer of the hand-crafted typefaces Handy Font (2016) and Third (2016). [Google] [More]  ⦿

Bluesky Type
[Abdul Azizul]

Banda Aceh, Indonesia-based designer of the curly typeface Anohana (2016), the signage typefaces Tuha Script (2016) and Cantique (2016), the hand-crafted Antique (2016) and Volutra (2016), and the display typeface Ethictical (2016). Behance link. [Google] [More]  ⦿

Boîte à lettres
[Jean-Claude Siegrist]

Jean-Claude Siegrist is a Swiss type designer. He designed the text typeface Gradot in 2009 for his graduation work at the Haute école d'art de Zurich (or ZhdK: Z^uuml;rcher Hochschule de Künste). He is working on Béridier, Vorbourg, Brunchenal and Domont. [Google] [More]  ⦿

Brandon Washington

New Orleans, LA-based designer of Revival (2015), a free typeface created for the 2015 AIGA conference held in New Orleans. Revival Modern is a modular all caps typeface. Revival Gothic is derived from it by removing all non-essential strokes. Behance link. [Google] [More]  ⦿

Brenan Stetzer

During his studies at Kent State University in Kent, OH, Brenan Stetzer created the free slab serif typeface Umbra (2016). [Google] [More]  ⦿

Bryan Nance

During his studies at Drake University in Des Moines, IA, Bryan Nance designed a 3d cubic typeface (2016) and a triangulated typeface (2016). [Google] [More]  ⦿

Caitlin Cheek

College Station, TX-based designer of the Texas A&M school project font Visualization (2016), a modular semi-stencil design inspired by Russian constructivism. [Google] [More]  ⦿

Callum Templeman

Callum Strachan Templeman is the Sydney, Australia-based designer of the outlined didone typeface Zetterberg (2016). This typeface was done during his studies at Billy Blue College of Design. [Google] [More]  ⦿

Calvin Thy

During his studies at University of Technology in Sydney, Australia, Calvin Thy designed the squarish typeface Mazzle (2016). [Google] [More]  ⦿

Carmen Manson

Phoenix, AZ-based designer of the poster typeface Fizzzle (2016). Behance link. [Google] [More]  ⦿

Carolina Monaco

Rome, Italy-based designer of Giotto (2016), a school project typeface based on the Angela di Giotto mosaic. [Google] [More]  ⦿

Caroline Prudhon

During her graphic design studies in Nanterre, France, Caroline Prudhon created the experimental typeface Quitte ou Double (2016) and the bubblegum typeface Chewie (2016). [Google] [More]  ⦿

Cassandra Dimitroff

As a student at Queensland University of Technology, Brisbane, Australia-based Cassandra Dimitroff designed the display typeface Flux (2016, with Amy Kim). Behance link. [Google] [More]  ⦿

Catarina Ferreira

For a project at IPCA (Instituto Politecnico do Cavado e do Ave) in Porto, Portugal, Catarina Ferreira and Mafalda Lopes codesigned the sans typeface Get Got (2016). [Google] [More]  ⦿

Catherine Leigh Schmidt

American type designer. In 2016, she published the Google Font Yatra One (original design from 2014), a free Latin / Devanagari / Marathi brush typeface inspired by the hand-painted signage of a local railway in Mumbai. Github link. [Google] [More]  ⦿

Cathrin Malmqvist

Graphic designer in Malmö, sweden, who created the display typeface Catastrophe in 2016. [Google] [More]  ⦿

Chane Khamal

To remember the Marikana Massacre, Chane Khamal (Durban, South Africa) designed the decorative caps typeface Miner Control (2016). [Google] [More]  ⦿

Charlie Harvey Jones

Swindon, UK-based designer of the script typeface Hitchcock (2016) during his studies at Plymouth University. [Google] [More]  ⦿


Illustrator based in Northern Russia, whose first name is Katya. In 2016, she designed the dry brush typeface Sungai. [Google] [More]  ⦿

Chike Lee

Illustrator and letterer in Seoul, Korea. In 2016, for a school project, she designed a traditional Korean knot font (for Latin) and called it Jieum. [Google] [More]  ⦿

Chloe Johnson

London-based designer of a modular typeface in 2016. [Google] [More]  ⦿

Christian Spindler

[More]  ⦿

Christian Vukomanovic

During his studies at Hochschule Hannover, Germany, Christian Vukomanovic designed the wavy display typeface Ebrietas (2016). [Google] [More]  ⦿

Christine Sung

Brisbane, Australia-based designer of the lachrymal liquid typeface Invisible Life (2016). [Google] [More]  ⦿

Christo Bino

Thessaloniki, Greece and Korce, Albania-based designer of the fine free (Latin) display typeface Geometrico (2016). His main thing, though, is the design of sets of icons, such as the large varied sets Slimicons (2016) and Sharpicons (2016). His company is called Dreamstale. Behance link. Creative Market link. [Google] [More]  ⦿

Christoph Reichelt

During his studies in Vienna, Christoph Reichelt designed the modular retro typeface Grande Coppi (2016). [Google] [More]  ⦿

Claudia Juncosa

Barcelona-based designer of Escher Type (2016). [Google] [More]  ⦿

Clémentine Tantet

Creative director based in Paris. In 2016, she designed Walbaum Sans (2016). Any didone with amputated serifs is bound to look like Peignot, and this is not different. Behance link. [Google] [More]  ⦿

Constantina Klepetsani

During her studies in Athens, Greece, Constantina Klepetsani designed the hipster typeface Geom (2016) and Mondrian Font (2016). [Google] [More]  ⦿

Creative Lafont

Indonesian designer of the thick brush script typeface Mabotim Brush (2016). [Google] [More]  ⦿

Cristian Fernando Talavera Freire

Santo Domingo, Ecuador-based designer (b. 1991) of the textured typeface Tsachi (2016). It uses symbolism from the Tsachila culture. [Google] [More]  ⦿


Quito, Ecuador-based designer of the modular typeface Ecuatoriana (2014), the squarish typeface Slim Regular (2016) and the compass-and-ruler font Linea 2 (2016). [Google] [More]  ⦿

Cynthia Cruzado

Lima, Peru-based designer of the Indian pattern typeface Pashash (2016). [Google] [More]  ⦿

Daniel Duncan

Birmingham, UK-based designer of the Hebrew simulation typeface Hebrew Land (2016) for a school project at Solihull College. [Google] [More]  ⦿

Daniel Miller

During his studies at Ravensbourne, Daniel Miller (London Colney, UK) designed the modular typeface Imply (2016). [Google] [More]  ⦿

Danisa Gutierrez

As a student at FADU / UBA in Buenos Aires, Danisa Gutierrez designed the vintage display typeface Vendimia (2016). [Google] [More]  ⦿

Daria Petrova

Graduate of the Typemedia program at KABK, class of 2016. [Google] [More]  ⦿

Darip Kim

Brussels-based designer of the free constructivist typeface Urbanoiz (2016). [Google] [More]  ⦿

Davin B

Waimea, HI-based designer of the slabby typeface I'm Just Your Type (2016). [Google] [More]  ⦿

Denis Kara
[Tag Design]

[More]  ⦿

Denisa Slivovicova

Kosice, Slovakia-based designer of the display typeface Ludovienka (2016). [Google] [More]  ⦿

Design Cuts

London-based designer of Salt & Pepper (2016), and Sun Kissed (2016, brush script). Perhaps Design Cuts is Ian Barnard. [Google] [More]  ⦿

Dharma Syahputra
[ETF Supply]

[More]  ⦿

Diana Corredin

Graphic designer and lettering artist in Brooklyn, NY. In 2016, she designed the Victorian era ornamental typeface Bushwick Brooklyn, and drew a decorative all caps. Behance link. [Google] [More]  ⦿

Digby Banks

Kyneton, Australia-based designer of a vintage custom logotype for The Argus Dining Room in Hepburn Springs (2014). [Google] [More]  ⦿

Dimitris Goro

Graphic designer in Athens, Greece, who designed the beautiful calligraphic Greek Wild Pirate Font in 2016. This comes close to emulating true handwriting. [Google] [More]  ⦿

Dimitriy Moga

Odessa, Ukraine-based designer of the free blackletter typeface Gothic Modern (2016). [Google] [More]  ⦿

Diogo Matos

As a graphic design student in Porto, Portugal, Diogo Matos designed the typeface Relaxamento (2016). He graduated in 2016 from ESAD (Escola Superior de Artes e Design). [Google] [More]  ⦿

Diogo Mendes

Lisbon, Portugal-based designer of the tape typeface Samurai (2016). [Google] [More]  ⦿

Diogo Santos

Graphic designer in Caldas da Rainha, Portugal, who created the thin typeface Euqor Light in 2016. [Google] [More]  ⦿

Dom Richichi

Ottawa, Ontario-based designer of the wedge-serifed typeface Domonic (2016), which was created for satanists. [Google] [More]  ⦿

Dominik Reichartzeder

During his studies at New Design University St. Pölten, Vienna, Austria-based Dominik Reichartzeder designed the striking modular typeface Schlossberg (2016). [Google] [More]  ⦿

Don Sterrenburg

Don Sterrenburg (Camarillo, CA) has been active in an array of visual disciplines since 1963, holding positions in graphic design, type design, and art direction. He has taught lettering and typography at four U.S. universities. Sterrenburg is the recipient of several awards for design and typographic excellence from the Printing Industries of America and the U.S. Small Business Administration.

In 2016, he designed the text and inline typeface Summa at Delvefonts. [Google] [More]  ⦿

Douglas Moura

Sao Paulo, Brazil-based designer of a copperplate typeface in 2016. [Google] [More]  ⦿

Drashti Borda

Surat, India-based designer of a triangle-themed typeface in 2016. [Google] [More]  ⦿

Dylan Roop

Colorado Springs, CO-based designer of the wavy typeface Bleach (2016). [Google] [More]  ⦿

Edoardo Santamato
[Invasione Creativa]

[More]  ⦿

Eduardo Zemeczak

Sao Bernardo do Campo, Brazil-based designer of the display typeace family Crummers (2016). [Google] [More]  ⦿

Elder Marques

Belo Horizonte, Brazil-based designer of the free bilined all caps typeface Parallels (2016). [Google] [More]  ⦿

Elena Cameselle

[More]  ⦿

Elena Paletskaya

[More]  ⦿

Elena Wershinina

Saint Petersburg, Russia-based designer of the wide connected script typeface Lorraine (2016) and the hand-crafted typeface 5Hours (2016). [Google] [More]  ⦿

Elisabeta Simoes

Coimbra, Portugal-based designer of the stencil typeface Aeminium (2016). [Google] [More]  ⦿

Eliza Good

Kunkletown, PA-based designer of the free hand-crafted typeface Blue Sunn (2011). Behance link. [Google] [More]  ⦿

Eliza Gwendalyn

Calligrapher in New York City. In 2016, she published the copperplate calligraphic script typeface Petunia (Great Lakes Lettering). [Google] [MyFonts] [More]  ⦿

Emily Galea

Designer of the experimental typeface Heroic (2016). [Google] [More]  ⦿

Emily Peacock

American designer of a decorative typeface that is based on arrows (2016). [Google] [More]  ⦿

Emma Marsh

Aylesbury, United Kingdom-based graphic designer who designed the modular typeface Edge in 2016 for a university project. [Google] [More]  ⦿

Emory Allen

Illustrator in Minneapolis, MN, who designed a colorful splashing water decorative caps typeface in 2016. Behance link. [Google] [More]  ⦿

Enzo Lo Re

Born in Sicily, Enzo Lo Re is the Milano, Italy-based designer of the decorative caps typeface Escher (2016). [Google] [More]  ⦿

Eric Newsom

Warrensburg, MO-based designer of Schweizer Comic Font (2016), a font based on handwriting of author-artist Chris Schweizer, published in his Crogan series for Oni Press, and his Creeps series for Abrams. He also published Airship Dialogue Comic Font in 2016. Behance link. [Google] [More]  ⦿

Erika Firm

Charleston, SC-based designer of Grade School Hand (2016). Creative Market link. [Google] [More]  ⦿

ETF Supply
[Dharma Syahputra]

Medan, Indonesia-based designer of the roundish slab serif typeface Canaal Slab (2016). Firman Suci Ananda (Medan, Indonesia) is somehow also involved in the production or adverisement of this typeface. [Google] [More]  ⦿

Ewelina Kotra

At the Art Institute in Tarnow, Poland, Ewelina Kotra designed the smooth art deco poster typeface Amy (2016). [Google] [More]  ⦿

Fabian Horst

German designer who made Elementarfont (2016). [Google] [More]  ⦿

Fargus Meiser

German type designer. In 2016, Fargus Meiser and Lukas Bischoff codesigned Paul Grotesk. [Google] [MyFonts] [More]  ⦿

Federico David

Graphic designer in Montevideo, Uruguay. Creator of the chubby rounded sans typeface Contenta (2015) for a school project at a local university. [Google] [More]  ⦿

Feifei Akkarathammakul

Bangkok, Thailand-based designer of the monoline slab serif typeface Doublef (2016) for Latin and Thai. [Google] [More]  ⦿

Felipe Packer

Elias Fausto, Brazil-based designer of an alchemic typeface. Behance link. [Google] [More]  ⦿

Fernando Martinez

Art director and designer in Madrid who runs Unos Tipos Muy Serios. In 2016, he made the free counterless typeface Gronland Blind Sans. earlier display typefaces include Rocka (2014), Terremoto (2014), Muzzy (2014) and Madrid (2014). Behance link. [Google] [More]  ⦿

Font No. 19

Creators of these typefaces in 2016: Helen (connected script), Bleraus Flow. [Google] [More]  ⦿

Franca Winter

During her studies at HS Mainz in Germany, Franca Winter designed the hand-crafted outlined typefae Cloudabout (2016). [Google] [More]  ⦿

Francisco Lopez

Tlaquepaque, Mexico-based designer of the free typeface Harlem Display (2016) and the poster typeface Jukebox (2009). [Google] [More]  ⦿

Frank Conradie

Cape Town, South Africa-based illustrator and designer. Creator of Brooks Happy Feet Font (2016). [Google] [More]  ⦿

Fredrick R. Brennan

Designer of the free font Some Time Later (2016), which is based on the beatnik lettering used in the credits of the SpongeBob Squarepants movie. He also made the free font LCD (2015). [Google] [More]  ⦿


Designer of the free sans typeface Edgelet (2016). [Google] [More]  ⦿

Gabby Lord

Designer in Sydney, Australia. Creator of the powerful straight-edged constructivist typeface Ecke (2016). Behance link. [Google] [More]  ⦿

Gabriel Espinosa

Under the supervision of Cristobal Henestrosa in Mexico City, Gabriel Espinosa (b. 1995, Mexico City) designed the blackletter typeface Egocentrica (2016) and the free rounded text typeface Delicia Melted (2016). Behance link. [Google] [More]  ⦿

Gabriel S. Santos

During his studies in Sao Paulo, Gabriel S. Santos codesigned William Sans (2016) with Beatriz Furlanetto. [Google] [More]  ⦿

Gaël Faure

Graphic designer in Lausanne, Switzerland, b. 1984, who teaches at ECAL and EPFL. With Raphaël Verona, he designed the commercial typeface Thames Capsule (2015-2016), which is based on the Doves Type whose letterpress blocks were thrown into the Thames in 1917 by T.J. Cobden-Sanderson. [Google] [More]  ⦿

Geno Spasov

Newcastle upon Tyne, UK-based designer of the free colorful multiline typeface Olympic Font (2016). [Google] [More]  ⦿

Georgina Page

During her studies at Auckland University of Technology in Auckland, New Zealand, Georgina Page designed the Maori-inspired all caps typeface Korowai (2016). [Google] [More]  ⦿

Gianfranco Agreda Tirado

During his studies in Trujillo, Peru, Gianfranco Agreda Tirado designed the decorative caps typeface Michael Jackson (2016). [Google] [More]  ⦿

Gil Pinto

Paris-based designer of the rounded techno typeface Tama (2016). [Google] [More]  ⦿

Gisele Murias

Madrid, Spain-based designer of the rounded modular sans typefaces Opium (2016) and Renata (2016). [Google] [More]  ⦿

Giuliana Vicente

For a school project at FADU / UBA in Buenos Aires, Giuliana Vicente designed Wanderlust (2016), which is loosely based on Bodoni Poster Italic. [Google] [More]  ⦿

Gleydson Isecke

Anapolis, Brazil-based designer of the free squarish sans typeface Anapolino (2016, with Danilo Inacio, Joao Ricardo and Patrick Neves), which was inspired by lettering seen in the old train station of Anapolis. [Google] [More]  ⦿

Graphic Dash

Italian designer of the signage script typeface Formia Script (2016). [Google] [More]  ⦿

Greiner Grafik
[Norman Greiner]

German type designer who created Tri-Font in 2016. [Google] [MyFonts] [More]  ⦿

Greta Bassanese

At Politecnico di Milano, Greta Bassanese designed the text typeface Karmina (2014) and the experimental Alvin Lustig typeface (2014). [Google] [More]  ⦿

[Christian Spindler]

Vienna-based designer of the hand-crafted typeface KW29 (2016). Creative Market link. [Google] [More]  ⦿

Guida Nobre

Lisbon, Portugal-based designer, who, during her studies at IADE, created the deco typeface Unexpected (2016). [Google] [More]  ⦿

Guilherme Baracho

Curitiba, Brazil-based designer of the watercolor brush typeface Baracho (2016) during his studies at Universidade Positivo. [Google] [More]  ⦿

Guilherme Franca

At the Universidade Federal de Pernambuco, Guilherme Franca (Recife, Brazil) designed the free hand-crafted vernacular typeface Tapioca (2016). [Google] [More]  ⦿

Gulsah Cansever

During her studies at Sabanci University in Istanbul in 2016, Gulsah Cansever codesigned the free high-contrast display typeface Casual Regular with Pelin Maravent. [Google] [More]  ⦿

Hanna Talkanitsa

Berlin-based designer of a sans typeface in 2016. [Google] [More]  ⦿

Harin Namgung
[Toodac Studio]

[More]  ⦿

Hartmut Schütte

Designer of the tape font Borusse (2016). [Google] [More]  ⦿

Helena Prata

Coimbra, Portugal-based designer of the graffiti-inspired typeface Nobre (2016). She also designed Coimbra City Icons (2016) and Zen Beauty Service Icons (2016). [Google] [More]  ⦿

Hellobrand Design

Warsaw, Poland-based designer of the octagonal typeface Aleda (2016, in Bold and Light). Behance link. [Google] [More]  ⦿

[Elena Paletskaya]

Saint Petersburg, Russia-based designer of the runic emulation typeface Nordica (2016). Behance link. [Google] [More]  ⦿

Hend Kamel

Cairo, Egypt-based student-designer of an angular Latin typeface in 2016. [Google] [More]  ⦿

Hening Wang

Wellington, New Zealand-based designer of a typeface designed for a court of law (2016). [Google] [More]  ⦿

Hernan Kael

Graphic designer in Santiago, Chile. For a school project at UC, he created the modular techno typeface Modem Unicase (2016). [Google] [More]  ⦿

Hilary Barilla

Graduate of the University of Nevada at Las Vegas. Las Vegas-based designer of the poster typeface Button (2016). [Google] [More]  ⦿

H.P. Becker

German codesigner, with Lars Cellini at New Cat Orange, of NCO Potatoe, a prototypical potato carving font. [Google] [MyFonts] [More]  ⦿

Huda AlJawini

Riyadh, Saudi Arabia-based designer of the display typeface KIB231 (2016) and the hand-crafted Latin typeface Iman (2016). [Google] [More]  ⦿

Hugo Kornyeli

Graphic designer who during his studies in Lille, France, designed the decorative all caps Rodent alphabet (2016), the angular display typeface Majestik (2016), and the art deco typeface Festival de Dour (2016). [Google] [More]  ⦿

Huw Williams

Manchester, UK-based designer of [Google] [More]  ⦿

Ian Frost Nielsen

During his studies in Haderslev, Denmark, Ian Frost Nielsen designed the octagonal typeface family Millennium Falcon (2016). [Google] [More]  ⦿


Costa Rican designer of the decorative display typeface Caribe (2016). [Google] [More]  ⦿

Ilana Zatkowsky

Designer of the hand-crafted typeface Griffin II (2016). [Google] [More]  ⦿

Ilya Zherikov

Moscow-based designer of the free avant garde Latin / Cyrillic typeface Oks (2016). Behance link. [Google] [More]  ⦿

Imperator Kot
[Liudmila Riumina]

Moscow-based designer of the decorative caps typefaces Gothic Ornamental (2016: this blackletter typeface also has lowercase letters, and is based on "Gems of Penmanship" by Williams&Packard, 1867) and Vintage Ornamental (2016, also based on "Gems of Penmanship" by Williams&Packard, 1867). All fonts are in vector format. [Google] [More]  ⦿

Ines Mena Silva

Graduate of Escola Artística Soares dos Rei, class of 2014. Based in London, she designed the squarish typeface Le Corbusier (2016). [Google] [More]  ⦿

Inga Plönnigs

Graduate of the Typemedia program at KABK, class of 2016. [Google] [More]  ⦿

Inigo Lopez

Designer of Mazarine (2015), a typeface created during a workshop in Paris. [Google] [More]  ⦿

Invasione Creativa
[Edoardo Santamato]

Invasione Creativa is based in Milan, Italy. At this studio, Benedetto Papi and Edoardo Santamato codesigned the free constructivist typeface Scighera (2014) and a set of round icons (2014). Behance link. [Google] [More]  ⦿

Inyoung Choi

Melbourne, Australia-based designer of the squarish typeface Rectangle Hard (2016). [Google] [More]  ⦿

Iolanda Virginia

Lisbon, Portugal-based designer, who, during her studies at IADE, created the deco typeface Olan (2016). Behance link. [Google] [More]  ⦿

Ismael Godinez

Monterrey, Mexico-based designer of Square Font (2016). [Google] [More]  ⦿

Ismael Rey Saucedo

Cadiz, Spain-based designer of Slim Johnny (2016). [Google] [More]  ⦿

Ivan Alves

Born in Porto, Portugal, Ivan Alves studied graphic design at ESEIG, Erasmus at Camberwell School of Arts in London and went to Barcelona to do an internship at Stanton Studio. Since 2011 he works at a studio in Porto called Nor267. In 2016, he designed the potato cut font Wild Potato. Its letterforms are based on the Jean-Luc font by Atelier Carvalho Bernau. Behance link. [Google] [More]  ⦿

Ivan Harsanto

Jakarta, Indonesia-based designer of the modular typeface Leak (2016), whose shapes are influenced by Balinese script. Snake (2016) is a free experimental typeface. Home page. [Google] [More]  ⦿

Ivan Moreno

Graduate of Centro de Estudios Gestalt. Veracruz, Mexico-based designer of the sans typeface Fresca (2011, Google Fonts). [Google] [More]  ⦿

Ivanna Locmanidis

For her type project at FADU UBA in Buenos Aires, Ivanna Locmanidis designed the ultra-condensded thin typeface Rhythm (2015). [Google] [More]  ⦿

Jahde Vaccani

Rio de Janeiro-based designer of Foxy Font (2016) during her studies at ESPM-RJ (class of 2017). Behance link. [Google] [More]  ⦿

Jake Arnold

Graphic designer in London, who created the hairline art deco typeface James Bond in 2016. [Google] [More]  ⦿

Jane Lawler

Preston, UK-based designer of the colored initial caps typeface Secret Garden (2016). [Google] [More]  ⦿

Javier Biondo

Buenos Aires, Argentina-based designer of Biggie (2016). [Google] [More]  ⦿

Javier Frutos

During his studies, Almeria, Spain-based Javier Frutos designed the modular experimental typeface Practica (2016). [Google] [More]  ⦿

Jean-Claude Gourvat

French type designers at Olivier Gourvat's typefoundry, Mostar Design. In 2016, Olivier and Jean-Claude Gourvat codesigned the oriental brush typeface Fengo, which was influenced by Sino-Japanese and traditional Chinese hieroglyphic characters. [Google] [MyFonts] [More]  ⦿

Jean-Claude Siegrist
[Boîte à lettres]

[More]  ⦿

Jen Wagner

Jen Wagner (Denver, CO) designed the avant garde typeface Sacramento (2016), the sans typeface Portland (2016), the stencil typeface Faroe (2016) and the hand-crafted typefaces Seattle (2016), Dana Point (2016) and Honolulu (2016). Creative Market link. [Google] [More]  ⦿

Jeremy Landes

French designer of the elegant monoline sans typeface family Millimètre (2016), which is free at Open Font Library. [Google] [More]  ⦿

Joan Tian

During his studies in Bogota, Colombia, Joan Tian designed the compass-and-ruler typeface family Curved (2016). [Google] [More]  ⦿

Joana Dziezaski

Joana Dziezaski is a graphic designer in Lisbon, who studied at Escola Superior de Artes e Design, Caldas da Rainha from 2013 until 2016. She created a monoline stencil typeface in 2016. [Google] [More]  ⦿

Joana Henrique

Santos, Brazil-based designer of the vernacular typeface Veio Abusado (2016). [Google] [More]  ⦿

Joao Red

Lima, Peru-based designer of the polygonal typeface Fractal (2016). [Google] [More]  ⦿

Joel Masson

As a student in Edinburgh, Scotland, Joel Masson designed the display typeface Madison (2016). [Google] [More]  ⦿

Johanna Reeves

Atlanta, GA-based designer of an art deco poster typeface in 2016. [Google] [More]  ⦿

Johanna Ruukholm

Tallinn, Estonia-based designer of Building CSS (2016), an experimental typefaces that is based on Yusuke Sugomori's font CSS Sans. Behance lonk. [Google] [More]  ⦿

John Harrington

Irish type designer who graduated from the MATD program at the University of Reading in 2015. His graduation project was Tala (2015). [Google] [More]  ⦿

Jona Flores

Salamanca, Spain-based designer of the modular typeface Bare (2016). [Google] [More]  ⦿

Jordan Hannon

During his studies in Birmingham, UK, Jordan Hannon designed the triangulated typeface Posted (2016). Behance link. [Google] [More]  ⦿

Jorge Alberto Martinez

Chilean type designer. At Latinotype, he published the cursive typeface family Fondue (2016). [Google] [MyFonts] [More]  ⦿

Jose Luis Urriola Godoy

Art director in Santiago, Chile. At Universidad Diego Portales, he designed the squarish typeface NIN Pro Font (2016), where NIN stands for Nine Inch Nails. [Google] [More]  ⦿

Josep Muñoz

Graduate of Eina, Escola de Disseny i Art in Barcelona, who works as a graphic designer in Barcelona. In 2016, he designed Pixel Stencil. [Google] [More]  ⦿

Joseph D'Alessio

Staten Island, NY-based designer of the all caps headline typeface Valen (2016). His company is called Sagittarian Design. Behance link. [Google] [More]  ⦿

Juciara Rodrigues

During her studies at UFRN (Universidade Federal do Rio Grande do Norte), Juciara Rodrigues (Natal, Brazil) designed the outlined Bauhaus-style font Staatliches (2016). [Google] [More]  ⦿

Judita Cernauskaite

Vilnius, Lithuania-based designer of the thin typeface City Center Casual (2016). [Google] [More]  ⦿

Jui Pandya

Mumbai-based designer, who, during her studies at National Institute of Fashion Technology in the Induasrial Design Centre, Indian Institute Of Technology, Bombay, designed the hand-crafted Latin typeface Chapan (2016). [Google] [More]  ⦿

Julia Holdnack

Designer of Jury Duty (2016), a typeface made while waiting to be called for jury duty. [Google] [More]  ⦿

Julia Pertek

Graphic designer in Poznan, Poland, who created the sans typeface Tramwajarz during his studies in 2016. [Google] [More]  ⦿

Justine Richard

During her studies in Bordeaux, Justine Richard created the thin display typeface Walk (2016). [Google] [More]  ⦿

Kaitlin Carlson

For a design course at Texas A&M University, Austin, TX-based Kailtlin Carlson (b. 1994) designed the elegant display typeface Beaded Necklace (2016). [Google] [More]  ⦿

Kale Liew Soon Huen

Kuala Lumpur, Malaysia-based designer of the display typeface Animal Zone in 2016. [Google] [More]  ⦿

Kanani Miranda

Indianapolis, IN-based designer of the squarish typeface The North West (2016). Behance link. [Google] [More]  ⦿

Karl Ludick

Durban, South Africa-based designer of the decorative caps typeface Afrika Typografika (2016) during his studies at Durban University of Technology. [Google] [More]  ⦿

Kasia Noske

Wroclaw, Poland-based designer of the stylish thin sans typeface Nose (2016). [Google] [More]  ⦿

Kasper Løkkegaard

Aarhus, Denmark-based designer of the extreme contrast fashion mag typeface Oscar 92016). [Google] [More]  ⦿

Katarzyna Geborek

Zabrze, Poland-based designer of the ballet-themed text typeface Pointa (2016) and the Aztec-themed typeface Zanoir (2016). Both were developed during her studies at Katowice Academy of Fine Arts. [Google] [More]  ⦿

Kate Shash

Moscow-based designer of the experimental typeface Geom (2016), which was created on a doodled grid. The principle is timeless: draw a grid in some way, no matter how crazy. Then designe all your letters by following lines in that grid. No exceptions. For her school, BHSAD, she designed a set of icons (2016). Behance link. [Google] [More]  ⦿

Kateryna Frankenstein

Reutlingen, Germany-based designer of the hipster typeface Urban (2016). [Google] [More]  ⦿

Katherine Prieto

Bogota, Colombia-based designer of the display typeface Botamen (2016). [Google] [More]  ⦿

Katia Baro

French graphic designer based in London when Brexit happned. A few days later, she designed the circle-themed deco sans typeface Black Mamba (2016). Behance link. [Google] [More]  ⦿

Kayra Paköz

Izmir, Turkey-based designer of the stencil typeface Never Argue With A Fool (2016). [Google] [More]  ⦿

Kevin Hayes

Adelaide, Australia0based designer of the experimental typeface Topsy Sans (2016). [Google] [More]  ⦿

Kevin Lee

Graphic designer and illustrator in Tampa, FL, who created the script typeface Just Peachy (2016). Behance link. [Google] [More]  ⦿

Key Audri Type
[Kiena Audri]

Kiena Audri (Sumedang, Indonesia) and Shabrina W. codesigned many hand-crafted typefaces in 2016. Their collection includes Lark Script, Harrison Sans, Krate, Simone, Jazzmine, Catchword, Signage Shape, Flourishes, Edmond, Grenson, and Herschel. [Google] [More]  ⦿

Kiena Audri
[Key Audri Type]

[More]  ⦿

Kimberley Anne Bishop

During her studies at Birmingham City University, Kimberley Anne Bishop designed a hand-drawn comic book style typeface (2016). [Google] [More]  ⦿

Klaudyna Joczyn

During her studies at Huddersfield University, Dewsbury, UK-based Klaudyna Joczyn designed the connect-the-dots typeface Slavia (2016), which is based on Slavic mythology and culture. Behance link. [Google] [More]  ⦿

[Elena Cameselle]

During her studies in Madrid, Spain, Elena Cameselle designed the condensed outlined art deco typeface Tostadero Nossibe (2016). [Google] [More]  ⦿

Kristianne Phillips

Designer in London, who created a 3d all caps alphabet in 2016. [Google] [More]  ⦿

Kristina Klaffke

Aka Ratticsassin. Toronto-based designer of the brush typeface Bear Hugs (2016) and the weathered typeface Campkid (2016). Home page. Behance link. Fontspace link. [Google] [More]  ⦿

Lars Cellini
[New Cat Orange (or: NCO)]

[MyFonts] [More]  ⦿

Lars Winter

Mainz, Germany-based designer of the display typeface Kastell (2016), which is based on the 1906 logotype of Faber Castell. Behance link. [Google] [More]  ⦿

Laura Lezman

Designer in Florence, Italy, who created the circuit font Circuit Chords (2016). [Google] [More]  ⦿

Laura Meekhof

During her studies, Grand Rapids, MI-based Laura Meekhof designed the decorative geometric hipster typeface Glasgow (2016). Behance link. [Google] [More]  ⦿

Laura Molkenstroth

Hannover, Germany-based designer of the blackletter typeface Gargole (2016). [Google] [More]  ⦿

Lauren Bernstein

Lauren Bernstein (Atlanta, GA) designed the script typeface Goldenwood in 2016 and writes: Goldenwood is a typeface inspired by a whimsical woodland wedding. [Google] [More]  ⦿

Lauren Lee

Lauren Eliza Lee is the Manhattan, NY-based designer of the connected script typeface Wildera (2016). Behance link. [Google] [More]  ⦿

Leila Bensghaiyar

For a school project in Santander, Spain, Leila Bensghaiyar and Javier Amigo codesigned the geometric typeface Three Angles (2016). [Google] [More]  ⦿

Lenka Opalkova

Zabreh, Czechia-based designer of the 19th century style display typeface Liebental (2016). [Google] [More]  ⦿

Leonardo Guerra

As a student based in Venice, Leonardo Guerra designed the monoline Scandinavian sans typeface Raal (2016). [Google] [More]  ⦿

Lia Araujo

During her studies in Porto, Portugal, Lia Araujo designed a decorative typeface (2016). [Google] [More]  ⦿

Lindsey Robin Hudlow Charles

Greenville, SC-based designer of the free tape typeface Cassius (2016). [Google] [More]  ⦿

Little Sisters Studio

Fort Worth, TX-based designer of the marker pen font Field Notes (2016). Creative Market link. [Google] [More]  ⦿

Liudmila Riumina
[Imperator Kot]

[More]  ⦿

Luca Bresolin

Graphemica is the work of Luca Bresolin, an Italian graphic designer currently based in London and Zagreb. He created typefaces such as Mio Display (2016) and OCR-A Extended (2016, which covers English, Greek, Cyrillic, Arabic and Hindi). Behance link. [Google] [More]  ⦿

Luca Grimaz

Aldeno, Italy-based designer of the simple sans typeface GRMZ (2016). [Google] [More]  ⦿

Luca Terzo

Florence, Italy-based designer of the squarish typeface setto (2016). [Google] [More]  ⦿

Lucky Anugerah

Jakarta, Indonesia-based designer of Bimaclare (2016), a decorative typeface that combines Clarendon with elements of Wayang Bima. [Google] [More]  ⦿

Lucy Lee

At University of Technology Sydney, Lucy Lee designed the display typeface Moonwalk Air in 2016 and writes: Moonwalk Air is an original, predominately hand-generated font inspired by the work and practice of French/American cellist Yo-Yo Ma. [Google] [More]  ⦿

Lukasz Ziemba

Industrial designer Lukasz Ziemba (Poznan, Poland) used Futura as a model for the development of his art deco typeface CNC (2016). [Google] [More]  ⦿

Luta Olszewski

Polish designer of the free font Teode Basic (2016). [Google] [More]  ⦿

Madelyn DiPasquale

Edmond, OK-based designer of the mechanical style typeface Reflection (2016), which was finished for a school project at the University of Central Oklahoma. [Google] [More]  ⦿

Madison Besch

Madison Besch (b. Omaha, NE) designed the slab serif typeface Madislab in 2016 during her studies at the University of Nebraska at Omaha. [Google] [More]  ⦿

Mafalda Lopes

For a project at IPCA (Instituto Politecnico do Cavado e do Ave) in Porto, Portugal, Catarina Ferreira and Mafalda Lopes codesigned the sans typeface Get Got (2016). [Google] [More]  ⦿

Maiken Kloster Hviid Larsen

During her studies at the School of Visual Communication in Haderslev, Denmark, Maiken Kloster Hviid Larsen designed the display typeface Stairs To The Moon (2016). [Google] [More]  ⦿

Maiken Wang

For Kenn Munk's class at Skolen for Visuel Kommunikation in Haderslev, Denmark, Maiken wang designed the counterless outlined typeface Toast (2016). Behance link. [Google] [More]  ⦿

Mailen Medina

Buenos Aires, Argentina-based designer of the display typeface Aleph in 2016 at FADU / UBA. [Google] [More]  ⦿

Maja Mint

German designer who created the clean hand-printed typeface Paper Daisy in 2016. [Google] [More]  ⦿

Malena Nazabal

Buenos Aires, Argentina-based designer of the condensed spurred typeface Dark Stone (2016) which was inspured by rock groups from the 1970s. [Google] [More]  ⦿

Manuel Duarte

Graphic designer in Ensenada, Mexico, who designed the art deco typeface Antique in 2016. [Google] [More]  ⦿

Marc Bacani

Carson, CA-based designer who studied at the Art Institute of Los Angeles. In 2016, he designed a modular rhombic typeface. [Google] [More]  ⦿

Marc Catafal Pedragosa

Graphic designer in Barcelona, who designed the heavy blackletter typeface Wurth in 2016 for a university project supervised by Andreu Balius and Ferran Milan. [Google] [More]  ⦿

Marcel Farias

Pelotas, Brazil-based designer of the glitch art typeface Tilt (2016). [Google] [More]  ⦿

Marcela Zimmerle

Recife, Brazil-based designer of Le Chocolat (2015, a display typeface derived from OPTI Caslon Two) and Elza (2016, hand-drawn vernaculat yypeface done as a project at UFPE). [Google] [More]  ⦿

Marco Galtarossa

Padova, Italy-based designer of the sans typeface MG Motan (2016). Google] [More]  ⦿

Mariam Cadena

Hermosillo, Mexico-based designer of a display typeface in 2016. [Google] [More]  ⦿

Mariana Leyton

Graphic designer based in Montreal, who was born and raised in Sucre, Bolivia, and graduated at Concordia University in Montreal. In 2016, she designed the free brush typeface Anana (2016). Behance link. [Google] [More]  ⦿

Markos Messiha

Creative designer in Cairo, who made the monolibe Latin display typeface Purinteen (2016). [Google] [More]  ⦿

Marlon Lana

At Universidade do Estado de Minas Gerais in Belo Horizonte, Brazil, Marlon Lama designed the monoline sans typeface Audacity (2016). [Google] [More]  ⦿

Marta Guerreiro

During her studies at IADE, Marta Guerreiro (Alcochete, Portugal) designed a display typeface (2016). [Google] [More]  ⦿

Mary Kate

Designer of the connected hand-crafted typeface Jasmine (2016). [Google] [More]  ⦿

Matthew Powell

Designer of the scary typeface Clownoween (2016). [Google] [More]  ⦿

Matthew Roop

During his studies at The University of the Arts, Philadelphia, PA-based Matthew Roop designed the roman caps typeface Prima Serif (2016). [Google] [More]  ⦿

Maxime Malécot

Paris-based graphic designer. In 2016, he created the roundish outlined poster typeface Rondular. [Google] [More]  ⦿

Melina Lortie

Montreal-based designer of the spiky angular typeface Incantation (2016). [Google] [More]  ⦿

Michael Germaine

Designer of the squarish typeface Taylor (2016). [Google] [More]  ⦿

Michael Gredler

Melbourne, Australia-based designer of an experimental modular typeface in 2016. [Google] [More]  ⦿

Michal Kluch

During his studies, Szczecin, Poland-based Michal Kluch designed the text typeface Chimarrao (2016). [Google] [More]  ⦿

Michelle McDuling

Johannesburg, South Africa-based designer of the poster typefaces Curla (2016) and Alpha Lines (2016). [Google] [More]  ⦿

Miglena Spasova

During her studies in Sofia, Bulgaria, Miglena Spasova designed the brush script typeface Slay (2016), Blase Brush (2016), Byrgos (2016), the hand-crafted typeface Wasteland (2016), and the monoline rounded sans typeface Prodigy (2016). Creative Market link. [Google] [More]  ⦿

Mikel Enriquez

Basque designer who studied at EASD Vitoria-Gasteiz, and works in London. In 2016, he created the Basque typeface Relbau, which revives one of the first Basque typefaces, Bilbao. Behance link. [Google] [More]  ⦿

Minna Picture

Designer of the modular typeface Hamboe (2016). [Google] [More]  ⦿

Mio Yokota

During her studies in London, Mio Yokota designed Polar (2016), a typeface that was influenced by Optima. Earlier, in 2011, she designed twelve fonts, one for each month of the calendar: Thorn, Snow, Seed, Flower, Wind, Rain, Shadow, Cloud, Moon, Ivy, Rwig, Ice. She also created Jour Sans in 2011. [Google] [More]  ⦿

Mira Khandpur

Designer in Brooklyn, NY, who created the circular compass-and-ruler virtual identity typeface Brooklyn Bridge Park in 2016. Its glyphs are sectioned for easy coloring and stretching. Behance link. [Google] [More]  ⦿

Miran Basic

Designer in Zagreb, Croatiam who created Quentin (2016), a typeface revival, at the School of Design, Zagreb. It uses a combination of the old Badel comapany logo and custom lettering from old Yugoslavian books. [Google] [More]  ⦿

Mitchell Palmer

Glen Gardner, NJ-based designer of the connect-the-dots typeface Rubiks (2016). [Google] [More]  ⦿

MM Fonts
[Mugur Mihai]

MM fonts, and before that, Mugur Mihai is a design and type studio in Brasov, Romania run by Mugur Mihai (b. 1972, Brasov). Typefaces:

Fonts sold by MyFonts. Behance link. Fontsquirrel link. [Google] [MyFonts] [More]  ⦿

Monotype: The Foundation Collection

In 2016, Monotype published its Foundation Collection (75 fonts for 490 dollars: see this PDF file) described as follows in its corporate promo: This carefully-curated type collection draws from the acclaimed Monotype, Linotype, ITC, Bitstream and other libraries to provide a strong foundation for any designer's type library. No Futura, Gill Sans, Times or Helvetica? No recent hot fonts? Luckily, the collection contains Litterbox ICG and Smile ICG. So, I would replace "carefully-curated" by "random", and "strong" by "rickety".

The fonts: Akko Pro-Regular, Akko Pro-Italic, Akko Pro-Bold, Akko Pro-Bold Italic, Ashley Inline MTStd, Avenir Next LTPro-Medium, Avenir Next LTPro-Medium It, Avenir Next LTPro-Bold, Avenir Next LTPro-Bold It, Ayita Pro, Ayita Pro-Italic, Ayita Pro-Bold, Ayita Pro-Bold Italic, Baskerville MTStd-Regular, Baskerville MTStd-Italic, Baskerville MTStd-Bold, Baskerville MTStd-Bold It, Bodoni LTPro, Bodoni LTPro-Italic, Bodoni LTPro-Bold, Bodoni LTPro-Bold Italic, Bodoni Std-Poster, Bodoni Std-Poster Italic, Cariola Script Std, Centaur MTPro-Regular, Centaur MTPro-Italic, Centaur MTPro-Bold, Centaur MTPro-Bold Italic, Charter ITCStd-Regular, Charter ITCStd-Italic, Charter ITCStd-Bold, Charter ITCStd-Bold Italic, Chicory, Clarendon BT Pro Light, Clarendon BT Pro Roman, Clarendon BT Pro Bold, Clarendon BT Pro Black, DINNext LTPro-Regular, DINNext LTPro-Italic, DINNext LTPro-Bold, DINNext LTPro-Bold Italic, DIN Next Slab Pro Light, DIN Next Slab Pro Black, Eclat, Litterbox ICGStd, Malabar LTPro-Regular, Malabar LTPro-Italic, Malabar LTPro-Bold, Malabar LTPro-Bold Italic, Neue Haas Unica Pro Ultra Light, Neue Haas Unica Pro, Neue Haas Unica Pro Italic, Neue Haas Unica Pro Bold, Neue Haas Unica Pro Bold Italic, Neue Haas Unica Pro Black, Pokerface, Schmutz Pro-Clogged, Scooter, Shelley Script LTPro, Smile ICG-Medium, Stempel Garamond LTPro-Roman, Stempel Garamond LTPro-Italic, Stempel Garamond LTPro-Bold, Stempel Garamond LTPro-Bold It, Titanium Motors Std-Oblique, Titanium Motors Std-Regular, Trade Gothic Next LTPro-Rg, Trade Gothic Next LTPro-It, Trade Gothic Next LTPro-Bd, Trade Gothic Next LTPro-Bd It, Unit Slab OT-Ita, Unit Slab OT-Bold, Unit Slab OT, Unit Slab OT-Bold Ita, William Lucas Std. [Google] [More]  ⦿

Morris Fuller Benton's Venetian

Venetian and Venetian Italic are typefaces that were designed by Morris Fuller Benton about 1911. Venetian Bold followed circa 1913. McMcGrew writes: They are rather reserved transitional typefaces, almost modern, instead of classic designs ofVene- tian origin as the name implies. The result is closer to Bodoni than to Cloister. The working title was Cheltenham No.2, but the relationship to that family is not apparent. It is carefully and neatly done, but never achieved widespread use. Compare Benton, a later typeface by the same designer, which has similar characteristics but more grace and charm.

Digital revivals include the free typeface family HK Venetian (2016, Alfredo Marco Pradil). [Google] [More]  ⦿

Mugur Mihai
[MM Fonts]

[MyFonts] [More]  ⦿

Murillo Beraldo

During his studies at Technology Senac University in Sao Paulo, Murillo Beraldo designed the techno typeface Straight Jam (2016). [Google] [More]  ⦿

MyFonts: Bestsellers for July 2016

The fifty best-selling typefaces at MyFonts, as reported by them on July 1, 2016: #1 The Foundation Collection (Monotype ), #2 FF DIN (FontFont), #3 Proxima Nova (Mark Simonson), #4 Brandon Grotesque (HVD Fonts), #5 Helvetica Neue (Linotype), #6 Meltow (Typesketchbook), #7 Avenir (Linotype), #8 Publica Sans (FaceType), #9 Rainier (Kimmy Design), #10 Brandon Text (HVD Fonts), #11 FF Kievit (FontFont), #12 Sailec (Type Dynamic), #13 Trade Gothic (Linotype), #14 FF Meta (FontFont), #15 FF More Pro (FontFont), #16 Avenir Next Pro (Linotype), #17 Freeland (Trial by Cupcakes), #18 Rational TW (Rene Bieder), #19 Univers (Linotype), #20 Black Script (Fenotype), #21 Cera (TypeMates), #22 DIN Next (Linotype), #23 Frutiger (Linotype), #24 Helvetica Neue LT Std (Adobe), #25 Panton (Fontfabric), #26 Blonde Script (Indian Type Foundry), #27 Microbrew Soft (Albatross), #28 ITC Avant Garde Gothic (ITC), #29 Amberly (DearType), #30 Garden Grown (Cultivated Mind), #31 Campton (Rene Bieder), #32 FF Mark (FontFont), #33 Museo Sans (exljbris), #34 Intro (Fontfabric), #35 Nexa Rust (Fontfabric), #36 Futura PT (ParaType), #37 Avenir (Adobe), #38 Blend (Typesenses), #39 Nexa (Fontfabric), #40 Aktiv Grotesk (Dalton Maag), #41 Prangs (Sudtipos), #42 Sofia Pro (Mostardesign), #43 Handelson (Mika Melvas), #44 Geogrotesque (Emtype Foundry), #45 Effra (Dalton Maag), #46 Akzidenz-Grotesk BE (Berthold), #47 Futura (Bitstream), #48 Futura (Linotype), #49 FF Dax (FontFont), #50 Amsi Pro (Stawix). [Google] [More]  ⦿

N. Amalin

Bandung, Indonesia-based designer of the textured typeface Hudoq (2015) for a school project. Hudoq is based on the Dayak traditional culture in Kalimantan, Borneo. [Google] [More]  ⦿

Najla M. Badran

Egyptian type designer who graduated from the MATD program at the University of Reading in 2015. His graduation project was Razeen (2015). Razeen covers Arabic, Cyrillic, Greek and Latin scripts, with the aim of providing balance across all four scripts. [Google] [More]  ⦿

Naomi Desmedt

During a type design workshop in 2016, Brussels-based Naomi Desmedt created the school script typeface Scolaire. She also designed a eavy titling typeface that same year. [Google] [More]  ⦿

Natasha Anisimova
[Sobaka Pavlova]

[More]  ⦿

Nathan Zimet

Designer of the roman typeface Alive Serif (2016) for Latin and Greek. [Google] [More]  ⦿

Neo Mphahlele

Born and raised in Katlehong, a township to the east of Johannesburg, South Africa, Neo Mphahlele studied at the University of Johannesburg, where he designed Dysfunctional Typeface in 2016. [Google] [More]  ⦿

New Cat Orange (or: NCO)
[Lars Cellini]

German typefoundry, est. 2016 in Wiesbaden. Their first typeface is NCO Potatoe (2016, Lars Cellini and H.P. Becker), a prototypical potato carving font. [Google] [MyFonts] [More]  ⦿

Nia Foster

Savannah, GA-based designer of the vintage shadow typeface Lowrider (2016). Behance link. [Google] [More]  ⦿

Nicholas Charles

Art director based in Savannah, GA. During his studies at SCAD there, he created the multiline caps only typeface Copenhagen (2016). [Google] [More]  ⦿

Nicla Marino

Graphic and web designer in Kingston, NY, who created the free font Crazy Cat Lady in 2016. Behance link. [Google] [More]  ⦿

Nikita Sologubovskiy

Artist, illustrator and designer based in Moscow. In 2016, he designed the squarish modular Latin typeface absurde (2016). Behance link. [Google] [More]  ⦿

Nikola Ignjatovic

Belgrade, Serbia-based designer of the sqaurish Latin / Cyrillic typefae Fontastic (2016). [Google] [More]  ⦿

Nina Acciuolo

Buenos Aires-based designer of the tall thin typeface family Dunn (2016) as a project at Universidad de Palermo. [Google] [More]  ⦿

Noel Pretorius

Swedish graphic and type designer whose company is called Made By Noel. He graduated from the MATD program at the University of Reading in 2015. His graduation project was Frances (2015). This flexible type system includes roman, script and sans styles, and covers Latin, Arabic, Greek and Cyrillic. He also made the custom children's script font Friends (2016), a set of numerals for Rolleiflex (2016), and a slightly modified Futura for a custom project called Folkoperan (2016).

In 2016, Noel joined TypeTogether as a type designer. [Google] [More]  ⦿

Noha Morgan

During her studies in Cairo, Egypt, Noha Morgan (or Noha Elsayed) designed the tall condensed display sans typeface Succinct (2016). [Google] [More]  ⦿

Nora Meszaros

Budapest-based designer of the painted typeface Nomi (2016). [Google] [More]  ⦿

Norman Greiner
[Greiner Grafik]

[MyFonts] [More]  ⦿

Nour Puch

San Diego, CA-based designer of the squarish typeface Happy Idiot (2016). [Google] [More]  ⦿

Nur Muhammad Hasif

Type designer in Singapore. At TDC 2016, he won an award for Mornic. [Google] [More]  ⦿

Olga Shvedina

Chelyabinsk, Russia-based designer of the decorative caps Marine Alphabet (2016). [Google] [More]  ⦿

Olympe Silve

Paris-based designer of the firework-themed decorative caps typeface L'Artificielle (2016), the monoline Greek simulation typeface Hydapse (2016), and the modular outlined typdeface La Faculté (2016). Behance link. [Google] [More]  ⦿

Parag Chitale

For a school project at Haute Ecole des Arts du Rhin in Mulhouse, France, Ahmedabad, India-based Parag Chitale designed L'Avenir Dupont (2016), a bridge-themed modification of Avenir Next Light. He is currently studying at the National Institute of Design in India. [Google] [More]  ⦿

Patricia Pereira

Vila Nova de Gaia, Portugal-based designer of the school project typeface Quartzo (2014) and Cosmopolita (2015) at ESAD Matosinhos. [Google] [More]  ⦿

Patricio Truenos

Chilean type designer. In 2016, Without Foundry published his German expressionist (or German beer label) font Lupulus, which was inspired by Rudolf Koch's Neuland. His Canilari (2016) is described by Patricio as having an intense and consistent personality, thanks to its angular, almost Czech, design. It is best suited for headlines, but can also be used for running text. [Google] [MyFonts] [More]  ⦿

Paul Troppmair

Graduate of New Design University in Austria, class of 2013, and the Typemedia program at KABK, class of 2016, who is based in Innsbruck, Austria. Behance link. [Google] [More]  ⦿

Paulina Koziel

Krakow, Poland-based designer of the monoline monospace typeface Monoways (2016). [Google] [More]  ⦿

Paulo Bolaños

Lima, Peru-based designer of the pre-Colombian pattern typeface Moche (2016) during his studies at Universidad San Ignacio de Loyola. [Google] [More]  ⦿

Pavel Rozmahel

Jihlava, Czechia-based designer of the the thin grotesk all caps typeface Neoteric (2016). [Google] [More]  ⦿

Pelin Maravent

During her studies at Sabanci University in Istanbul in 2016, Pelin Maravent codesigned the free high-contrast display typeface Casual Regular with Gulsah Cansever. [Google] [More]  ⦿

Pixel Bazaar
[Zlatko Najdenovski]

Designer at Pixel Bazzar of the free Airline Icons (2016). Pixel Bazaar sells many other sets of icons as well, such as Urban Hustle and Bustle, All That Pollution, All dressed Up, All Aboard, Go Green, and Mother Earth. [Google] [More]  ⦿


La Vendée, France-based designer of the hairline sans typefaces Minimism (2016) and Minimism Neue (2016, free). [Google] [More]  ⦿

Polina Tyurnikova

Graphic designer in Moscow who created the eerie frilly display typeface Wildthings (2016). [Google] [More]  ⦿

Pyier Trpn

Illustrator and designer in Alsace Lorraine, France. In 2016, he designed a slab serif typeface. [Google] [More]  ⦿

Racheal Pontin

Durban, South Africa-based designer of the rhino poaching font Afrika Typografika (2016), which was finished during her studies at DUT. [Google] [More]  ⦿

Rachel Drice

Spring Valley, NY-based designer of 16th Century Gothic Capitals (2016). [Google] [More]  ⦿

Rafael Costa

Joao Pessoa, Brazil-based designer of the squarish logotype Sementes (2016). [Google] [More]  ⦿

Rafael Ferreira

Designer of the display typeface Anfibia (2016). [Google] [More]  ⦿

Rafaela Barrileiro

Graduate of IADE, based in Lisbon, Portugal. In 2016, she designed the experimental typeface Double. [Google] [More]  ⦿

Raminta Jogminaite

During her studies in Volnius, Lithuania, Raminta Jogminaite designed a display typeface (2016). [Google] [More]  ⦿

Raphaël Verona

Editorial and graphic designer and art director based in Lausanne, Switzerland, who graduated from ECAL in 2009. Since 2012, he teaches typography and type design at Eracom Lausanne---École romande d'arts et communication---and ECAL. He designed Celstine (a school project typeface at ECAL in 2009), Super Achachi (2013, a text typeface), Dominicale Medium (2012, an expressive text typeface originally designed for the book Sacré), Millionaire, Rounded, Renard (2014, sans), Thames Capsule (2015-2016), Kirsch Rund Grotesk, ThreeThousand and Monaako (2016, an angular poster typeface).

In this list, the Thames Capsule project stands out because of its historic relevance. A feud between founder T.J. Cobden-Sanderson and partner Emery Walker of the Doves Press culminated in Cobden-Sanderson stealthily hurling the last of the Doves Type letterpress blocks off London's Hammersmith Bridge into the River Thames in 1917. In 2014, Robert Green (Doves Type) managed to recover 150 original metal letterpress blocks with the help of divers from Port of London Authority, updating a digital facsimile of the typeface he had first issued in 2013. With Gaël Faure, he designed the commercial typeface Thames Capsule (2015-2016). [Google] [More]  ⦿

Raymond Cheung

As a student in Manchester, Raymond Cheung designed the dripping paint font Rain (2016). Behance link. [Google] [More]  ⦿

Red Studio
[Alisa Katrevich]

Moscow-based designer of Comics Font (2016) and Military Font (2016, a rough Russian military stencil typeface). All her fonts are in vector or image format. [Google] [More]  ⦿

Renae Kleef

During her studies in Melbourne, Australia, Renae Kleef designed the experimental typeface Geodance (2016). It was inspired by dance moves and geometry. Behance link. [Google] [More]  ⦿

Rene Kovalchuk

During her studies in Wroclaw, Poland, Iryna (Rene) Kovalchuk designed the stencil typeface Laika (2016). [Google] [More]  ⦿

René Wagner

Wolgast, Germany-based designer, b. 1985, of the display typeface Rustswords (2016). [Google] [More]  ⦿

Rico Julianep

Designer of the free font SMG Lawang Sewu (2016), which is inspired by the arch of Lawang Sewu building in Semarang, Indonesia. Other free fonts by him include SMG Tugu Muda (2016) and Sam Poo Kong (2016, oriental simulation style). [Google] [More]  ⦿

RifkyFadly Akbar

Jakarta, Indonesia-based designer of the angular typeface Isometric (2016). [Google] [More]  ⦿

Rizki Maulana

Aceh, Indonesia-based designer of the display typeface Queen (2016). Creative Market link. [Google] [More]  ⦿

Rob Hungerman

Rob Hungerman (b. Pittsburgh, PA) studied at the University of Dayton, OH (class of 2014) and Cincinnati State (class of 2017). In 2016, he designed the orintal simulation typeface California Roll. [Google] [More]  ⦿

Roberto Arista

Graduate of the Typemedia program at KABK, class of 2016. [Google] [More]  ⦿

Robinson Cursor

Budapest, Hungary-based designer of the experimental font Tug (2012) and the condensed beveled typeface R9 (2016). [Google] [More]  ⦿

Rodrigo Silva

Lisbon, Portugal-based designer of the display typeface God's Elements (2016). [Google] [More]  ⦿

Rumyana Sokolova

During her art studies in Sofia, Bulgaria, Rumyana Sokolova designed the thin Cyrillic display typeface Grand (2016) [Google] [More]  ⦿

Rupert Bruce Barclay Harvey

During his studies in Norwich, UK, Rupert Bruce Barclay Harvey designed the modular typeface Hamish (2016), which is named after Hamish Muir. Behance link. [Google] [More]  ⦿

Saachi Dubey

Bangalore, India-based designer of the multiline typeface Tape Type (2016). [Google] [More]  ⦿

Sabrina Gilmore

Boston, MA-based designer of a great display typeface in 2016. Behance link. [Google] [More]  ⦿

Sakina Khan

Designer in Groningen, The Netherlands, of the Urdu emulation typeface Harf (2016). [Google] [More]  ⦿

Samuel Carmona Rincon

Designer in Sevilla, Spain, who created the roman titling typeface Cartuja in 2015. It is based on the lettering for the gravestone of the dukes of Ribera de la Isla de la Cartuja. [Google] [More]  ⦿

Samuel Clothier

As a student at Falmouth University, Samuel Clothier (Falmouth, UK) designed the free hand-crafted outlined typeface KiwiType (2016). Behance link. [Google] [More]  ⦿

Sandy Bellec

During her studies at LISAA Rennes (France) in 2016, Sandy Bellec designed a paperclip typeface. [Google] [More]  ⦿

Sarah Dowling

Graphic and web designer in Ottawa, Ontario. who created the vintage serif typeface verbiseam in 2016. [Google] [More]  ⦿

Sasha Lend

Belgorod, Russia-based designer of the free techno headline font Illuminateur (2016), the free circle--themed font Nota Subtilis (2016), and the free rounded monoline sans typeface Discographix (2016). [Google] [More]  ⦿

Sebastian Castellanos

Colombian type designer who graduated from the MATD program at the University of Reading in 2015. His graduation project was Orca (2015). It covers Latin, Greek and Thai: Orca was inspired by alcoholic beverage labels. It is constructed of a blend of sharp serifs and brush out-strokes which create a dynamic combination of angular lines and curves. [Google] [More]  ⦿

Sebastian Haiss

Vienna, Austria-based designer of the free typeface Triangula Display (2016). Behance link. [Google] [More]  ⦿

Sebastian Matamoros

Mexico City-based designer of the display didone typeface Textsy (2016). [Google] [More]  ⦿

Selina Bernet

Graduate of the Typemedia program at KABK, class of 2016. [Google] [More]  ⦿

Sergio Vento

Milan, Italy-based designer of the hipster typeface zero (2016). [Google] [More]  ⦿

Shane Murphy

Australian designer of Driftwood (2016), Sea Rope (2016), the hand-crafted typeface Splinter (2016) and the accompanying dingbat font, Splinter Ornamental (2016). [Google] [More]  ⦿

Shannon Kilbride

During her studies at Pratt, New York City-based Shannon Kilbride designed the experimental typeface TPX (2016). Behance link. [Google] [More]  ⦿

Shea Sjoberg

Graphic designer at Astro Studios in San Francisco. In 2016, he created the free monospaced typeface Arkitextura. Behance link. [Google] [More]  ⦿

Shin & Del
[Vukasin Delevic]

Shin and Del is the Belgrade-based team of Vukasin Delevic (photography) and Adel Fares (graphic design). In 2016, they created the text typeface Delevic (for Latin and Cyrillic) and the script font Fares Script. [Google] [More]  ⦿

Simon Barrenechea

Paris-based designer of the modular all caps typeface Modul (2016). Behance link. [Google] [More]  ⦿

Siqi Cheng

Minneapolis, MN-based designer of the chair-inspired typeface White Shadow (2016). [Google] [More]  ⦿

Slava Krivonosov

Kemerovo, Siberia-based designer of the image format typeface Juicy (2016). Behance link. [Google] [More]  ⦿

Sobaka Pavlova
[Natasha Anisimova]

Sochi and/or Moscow, Russia-based designer of the fine poster typeface Tall Stripes (2016, for Latin). Behance link. [Google] [More]  ⦿

Sofie Elgaard

Haderslev, Denmark-based designer of the display typeface Wavy (2016), which was a school project at Skolen for Visuel Kommunikation. [Google] [More]  ⦿

Sofie Graff Horup

Aarhus, Denmark-based designer of the monoline deco sans typeface Metric Sans (2016). [Google] [More]  ⦿

Sophia Nikolaeva

Graduate of the British Higher School of Art&Design. Moscow-based designer of a diamond-themed typeface in 2016. [Google] [More]  ⦿

Stacey Fussmann

Groningen, The Netherlands-based designer of a colorful all-caps alphabet in 2016. Behance link. [Google] [More]  ⦿

Stéphanie Nougarède

French graphic designer who created a modular minimalist typeface in 2016 perhaps called Liebestraume. [Google] [More]  ⦿

Steph Marlow

During her studies at Nottingham Tent University in the UK, Steph Marlow designed Beton Brut (2016), a semi-square rounded architectural sans serif typeface inspired by the Barbican centre in London. [Google] [More]  ⦿

Stephanie Paiement

Ottawa, Ontario-based designer of the cusom typeface Wingardium (2016). [Google] [More]  ⦿

Surfaces Studio

Studio based in Lille, France. In 2016, it designed the bilined poster typeface IC Music, the bespoke titling typeface Raoul Nord Pas de Calais, the video game font Arcade, and the hipster typeface Moebius. Behance link. [Google] [More]  ⦿

Susi Rik

Susi Rik (Vienna, Austria) used toilet paper to shape the glyphs, and then digitized them to make the display typeface Fency (2016). [Google] [More]  ⦿

Suzy Tuxen
[A Friend of Mine]

[More]  ⦿

Tag Design
[Denis Kara]

Saint Petersburg, Russia-based designer of Morion Bold (2016). The Latin part is not free. The Cyrillic part, including some arrows, is free. Behance link. Graphicriver link. [Google] [More]  ⦿

Tanzil Adduha

Designer in Yogjakarta, Indonesia. His typefaces include Fadillah (2016, brush script), Raya (2016, spurred Victorian style), and Cabe Brush (2016). [Google] [More]  ⦿

Tatyana Navoyan

Designer of the script typeface Valeria Brushpen (2016). [Google] [More]  ⦿

TDC Type Directors Club's Type Design Competition 2016

International typeface competition in 2016 organized by the Type Directors Club in New York. The chairs of the competition were Cara DiEdwardo and Craig Ward. Judges: Veronika Burian (Type Together), Stéphane Elbaz, Petr van Blokland (Blokland + Claudia Mens), Alexander Tochilovsky (The Lubalin Center, The Cooper Union). International typeface competition in 2016 organized by the Type Directors Club in New York. The winners, in decreasing order:

  • BC Mikser (Filip Kraus, Prague): Briefcase Type Foundry.
  • Mornic (Nur Muhammad Hasif, Singapore).
  • Tremolo (Nikola Djurek, Zabok, Croatia): Typonine Ltd.
  • Bressay (Tom Foley, Sebastian Losch, and Spike Spondike, London): Dalton Maag. Additional Credits: Design Lead and Engineering: Stuart Brown, Hinting: Michael Cunliffe and Mark Ward, Creative Direction: Ron Carpenter and Fabio Haag.
  • Acanto Regia (Jonathan Cuervo Cisneros, Mexico City): Atypic Co.
  • Infini (Sandrine Nugue, Paris): Centre national des arts plastiques (CNAP).
  • Froben Antiqua (Ueli Kaufmann, Zürich).
  • Zico (Marko Hrastovec, The Hague): Typotheque.
  • Bustani (Patrick Giasson): Monotype. Additional Credits: Linguistic Typographer: Kamal Mansour.
  • Greta Arabic (Peter Bilak and Kristyan Sarkis, The Hague): TPTQ Arabic. This typeface also won at TDC 2012. Can the same font (idea) win twice?
  • The Spirit of Cursive Script (Zhang WeiMin, Shenzhen, China) for WESUN Brand Consultant.
  • Greta Sans Hebrew (Daniel Berkovitz and Peter Bilak, The Hague): Typotheque.
  • Bixa (Mark van Wageningen, Amsterdam): Novo Typo.
[Google] [More]  ⦿

Tera Gena Sukmara

Bandung, Indonesia-based designer of the brush type Arsenio (2016) and the dada typeface Syzda (2016). [Google] [More]  ⦿

The Purists

Johannesburg, South Africa-based designer of te art deco typeface father (2016). Behance link. [Google] [More]  ⦿

Thomas Jack Fleming

At the Savannah College of Art and Design in savannah, GA, Jack Fleming designed an octagonal shadow typeface called Lowkey (2016). Behance link. [Google] [More]  ⦿

Timothé Gourdin

During his studies at Ecole de Design de Nantes, Timothé Gourdin designed the colorful typeface Sottsass (2016), named to honor designer Ettore Sottsass. Behance link. [Google] [More]  ⦿

Tom Gee

As a student at Loughborough University, London-based Tom Gee designed the free art deco typeface Debon (2016). [Google] [More]  ⦿

Toodac Studio
[Harin Namgung]

Seoul, South Korea-based designer of a free vector format Latin comic book typeface in 2016. Behance link. [Google] [More]  ⦿

Travis Miller

Travis Miller (Red Lead Type Company) is the Washington, DC-based designer of these revival typefaces in 2016: Spurred Gothic (1940s style wedge serif titling typeface), Squeezed Headline (1940s style all caps headline typeface), Sho Card Gothic 1948, Display Gothic 1958. Creative Market link. [Google] [More]  ⦿

Tsingtao Chow

Tientsin, China-based designer of the ultra-condensed typeface Stray (2016) and the dry brush-painted poster font Elak (2016). [Google] [More]  ⦿

Tunahan Pehlivan

Istanbul, Turkey-based designer of the geometric art deco typeface Bad (2016) and the brutalist display typeface Daved (2016). [Google] [More]  ⦿


Indonesian designer of the brush script typeface Balliget (2016) and the connected swashy calligraphic typeface Crontang (2016). [Google] [More]  ⦿

Valentina Shapiro

For a university project in Geneva, Valentina Shapiro designed the paperclip typeface Schrift (2016). [Google] [More]  ⦿

Vasiliy Gorbuntsov

Moscow-based graphic designer. In 2016, he created a connect-the-dots typeface. Behance link. [Google] [More]  ⦿

Velvetyne Type Foundry Workshops: Font Fonk Fork

Regular workshops held by Velvetyne Type Foundry at La Générale in Paris. These workshops result in a number of hybrid or derived typefaces that are free to use. Download link for all fonts. A list of initial typefaces, all named Coupeur (after the French pronunciation of Cooper in Cooper Hewitt):

  • Alexandre Lescieux, Hadrien Bulliat: Haltère.
  • Hugo Dumont: Coupeur Jack (2016).
  • Anton Moglia: Coupeur Bricoleur (2014).
  • Clément Baudouin: Coupeur de Légumes.
  • Paol Darcel: Coupeur Bold Block (2014).
  • Arthur Dinant: Coupeur Skull .
  • Aurélia de Azambuja: Coupeur Crise (2016: angular typeface).
  • Jeanne Frantz, Vincent Ricard, Camille Rigou-Chemin: Coupeur Carve (2014).
  • Antoine Gros, Gil Ndjouwwou: Coupeur Rounded (2016).
  • Martin Campillo, Laurie Giraud: Coupeur Monospace (2016, a programming font family).
  • Léa Rolland: Coupeur Texte (2016).
  • Yohanna My Nguyen: CoupeurDeco (2016, a neon or popart font).
  • Domitille Debret, Florian Michelet, Margaux Saulou: Coupeur Reverse (2016).
  • Thomas Bouillet: Coupeur Almeida (2014).
  • Pauline Pourcelot, Fanny Guilhen, Tibo: Coupeur Ligadom (2016).
[Google] [More]  ⦿

Veronika Starikova

Perm, Rusia-based designer of the medieval style Ancient Book Font (2016), which has a slavonic-themed set of initial caps. [Google] [More]  ⦿

Vilma Lappalainen

Helsinki, Finland-based designer of the latin / Cyrillic / Greek text typeface family Hedvig (2016) as part of her MA Thesis. [Google] [More]  ⦿

Vincent Jaffredo

Paris-based designer of the display typeface Cupor (2016). Behance link. [Google] [More]  ⦿

Vincenzo Vuono

Italian type designer who graduated from the MATD program at the University of reading in 2015. his graduation project was Ruota (2015). Ruota is a superfamily is designed for the digital era, and intends to hamonoze Latin, Greek, Cyrillic, Thai and Arabic. [Google] [More]  ⦿

Viviane Bastos

Graphic designer in Sao Caetano do Sul, Brazil. In 2016, she created the striking organic display eco magazine typeface Leafy (2016). [Google] [More]  ⦿

Vladimir Kosanovic

Designer in Belgrade, Serbia, who created Kosans (2016), a Serbian license plate font. Behance link. [Google] [More]  ⦿

Vrishti Jain

Florence, Italy-based designer of the straight-edged typeface Caesar Cipher (2016). [Google] [More]  ⦿

Vukasin Delevic
[Shin & Del]

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Yachna Marwah

During her studies in New Delhi, Yachna Marwah designed a decorative caps typeface called Sex Education (2016). [Google] [More]  ⦿

Ying Chang

During her studies at Type@Cooper in New York in 2015, Ying Chang designed the didone typeface family Evelina. Behance link. [Google] [More]  ⦿

Yumi Kown

Changwon, South Korea-based designer of Cardcaptor Sakura (2016). [Google] [More]  ⦿

Zazi Alimo

Florence, Italy-based designer of the neuron network-inspired typeface Neuron (2016). [Google] [More]  ⦿

Zeynep Dilmen

San Francisco, CA-based designer of a deco typeface in 2016. Behance link. [Google] [More]  ⦿

Zlatko Najdenovski
[Pixel Bazaar]

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