TYPE DESIGN INFORMATION PAGE last updated on Mon Oct 16 16:30:04 EDT 2017
FONT RECOGNITION VIA FONT MOOSE
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Adaptype
| For her Master's degree in Design and Multimedia at the University of Coimbra, Portugal, Beatriz Diogo created a script---Adaptype--- that allows any font's width to respond to the window size and the development of a website. Github link. [Google] [More] ⦿ |
Surabaya, Indonesia-based designer of various icon sets (Kitchen Appliance, Birthday, Basketball, Blood) and the vector font family Minimalist (2017). Behance link. [Google] [More] ⦿ | |
During her studies at Akademia Sztuk Pieknych w Krakowie in Krakow, Poland, Agnieszka Dudek designed the super-heavy Overweight (2017) and the super-condensed Prolong (2017). [Google] [More] ⦿ | |
Designer in Sydney, Australia, who created the grid-based typeface Kiku in 2017: Kiku means chrysanthemum in Japanese. The font is created using a grid, inspired by the Imperial Seal of Japan (also known as the Chrysanthemum seals). Behance link. [Google] [More] ⦿ | |
Mexican graphic designer and illustrator who is based in Philadelphia, PA. In 2017, she created the sans serif typeface Funny Tell. Creative Market link. [Google] [More] ⦿ | |
During her studies at Universidad de la Republica in Montevideo, Alejandra Lamenza designed the jazzy display typeface Swingtronica (2016). [Google] [More] ⦿ | |
Merida, Venezuela-based designer of the display typeface Vientana (2017). [Google] [More] ⦿ | |
Polish designer of the yummy plumpish typeface Skrzat (2017). [Google] [More] ⦿ | |
Aka Nova Sama. During his studies in Venice, Italy, Alessandro Caminiti (b. 1995) designed the free typeface Hexagon Cup (2018). Dafont link. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of Celsius Rounded (2017). Behance link. [Google] [More] ⦿ | |
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Graphic designer in Sao Paulo who created the sci-fi typeface Invader and the steampunk typeface Clockworks in 2017. [Google] [More] ⦿ | |
Quebec City-based designer of the rounded grid-based typeface Nantes (2017) and Brush (2017). [Google] [More] ⦿ | |
Rostov-on-Don, Russia-based designer of the organic sans typeface Happy Sprat (2017). Creative Market link. Behance link. [Google] [More] ⦿ | |
Glasgow-based illustrator and designer. Creator of the hand-crafted typeface Des Medecins Malades (2017). Behance link. [Google] [More] ⦿ | |
Graphic designer in San Salvador, El Salvador. In 2017, she designed the Treefrog-style typeface Fast Note. [Google] [More] ⦿ | |
Madrid, Spain-based designer of the hipster typeface AMM (2017). [Google] [More] ⦿ | |
At The University of Kansas, Lawrence, KS-based AmyDeHart designed the slab serif typeface Cheeky (2017). [Google] [More] ⦿ | |
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During his studies in Dublin, Ireland, Andrzej Wasilewski designed the decorative caps typeface Asymmetrical (2017). [Google] [More] ⦿ | |
Graphic designer in Bogota, Colombia, who published the free AI-format rounded sans all caps typeface Alvania in 2017. [Google] [More] ⦿ | |
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At the 15th Typeclinic, held in 2017, Anna Dulska (Poland) designed the fashion mag text typeface Glam. [Google] [More] ⦿ | |
German designer at xplicit Berlin. Codesigner of Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures). [Google] [MyFonts] [More] ⦿ | |
Graphic designer in London, who created the geometric solid typeface Aku Display in 2017. [Google] [More] ⦿ | |
Ukraine-based designer of the display typefaces Bones (2017), Graffiti Bubbles (2017), and Hip Hop Graffiti (2017). [Google] [More] ⦿ | |
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ATypI 2018 will be held in Antwerp, Belgium, from the 11th until the 15th September 2018. The local organizing team consists of Ann Bessemans, Jo De Baerdemaker, Joke Gossé, Yves Peters and Frederik Berlaen. [Google] [More] ⦿ | |
Kochi, India-based designer of the free modular FontStruct font Shark Fin (2017). Behance link. [Google] [More] ⦿ | |
Designer of the signage script typeface Dreamdelion (2017). Graphicriver link. [Google] [More] ⦿ | |
Budapest, Hungary-based designer of the dada style monospaced font Locksmith (2017). [Google] [More] ⦿ | |
Beatriz Diogo
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Graphic designer in Porto, Portugal. In 2017, she cooperated with Pacifica on the (very innovative) hybrid display sans typeface Braamcamp. [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of the techno typeface Fusion (2017). [Google] [More] ⦿ | |
Graphic designer in Zaragoza, Spain. In 2017, she created these typefaces: Volantis (a connect-the-dots font), Divex (hairline sans), Orion (slab serif). [Google] [More] ⦿ | |
Chicago, IL-based designer of the stencil typeface Noncompliant (2017). Behance link. [Google] [More] ⦿ | |
German designer and engineer who is an expert in the technical aspects of type design. She graduated from the typeface design program at the University of Reading (UK) . In 2011, she joined Dalton Maag, a London-based type foundry, where she heads the Skills & Process department, a multidisciplinary team of typeface designers, font engineers and software developers. [Google] [More] ⦿ | |
Aka Bad Taste Design. German creator of the spurred typeface Biker Diamond (2017). [Google] [More] ⦿ | |
Bicycle
| An orphaned circle-based sans typeface made in 2017. It is possibly made by Kelly Smith. [Google] [More] ⦿ |
Bogstav
| Bogstav is the new identity of Pizzadude, kindergarten teacher Jakob Fischer. Jakob is the Danish designer in 2017 of these hand-crafted typefaces: Tastebud, Leisurely, Automnious, Ravishing, Charmelade (dry brush), Habitatus, Temperamental, Ahorn, Chaplet, Everlasting, Honeypunch, Lemonism, Osculate, Repartee, Talkback, Tantamount. [Google] [MyFonts] [More] ⦿ |
Lyon, France-based designer of the reverse stress display sans typeface Fadoli (2017). [Google] [More] ⦿ | |
Graduate of the University of Northern Iowa. Cedar Falls, IA-based creator of Playing Card Font (2017). [Google] [More] ⦿ | |
Rome, Italy-based designer of the modulated sans typeface Segmento (2017). Behance link. [Google] [More] ⦿ | |
Canberra, Australia-based designer of several sets of drop caps. [Google] [More] ⦿ | |
During her studies at the University of Kansas in Lawrence, KS, Brielle Green designed the gothic serif typeface Luster (2017). [Google] [More] ⦿ | |
Sao Paulo, Brazil-based designer of Aina Text (2017). [Google] [More] ⦿ | |
Cotia, Brazil-based designer of an artsy display typeface in 2017. [Google] [More] ⦿ | |
During her studies at AGR in Nantes, France, Carole Guihard designed the decorative caps typeface Typo Contraire (2017). [Google] [More] ⦿ | |
At Cornish College of the Arts, Carolyn Wassmer (Seattle, WA) designed the didone caps typeface Flourish (2017). Behance link. [Google] [More] ⦿ | |
American designer of these display typefaces in 2017: Willow, Imagine Space. [Google] [More] ⦿ | |
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Ansan, South Korea-based designer of Modern (2017: a sans titling typeface), and Yesul (2016: a rounded sans). [Google] [More] ⦿ | |
Cyrus Highsmith
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Designer of these typefaces in 2017: Wave of Love, Sleeping Child, Move On, Hompimpa, Cheap Road, Cheerful, Stay Close, Wholess Script, Morning Painters, Slow Down Script, Empty Family, Jumping Pack, Signaspies (signature font), Private Emotion, Cubby Cheeks, Lonely, Cat Cute, Thin Man, Sheep Horn, Angelie, Aza (brush script), Wrong Way, Solid, Swirling, Slash, Child Write, Ink Scratches, Stalk, Being Lazy, Longitudinal End, Unchained, Curbside, Naura, Lay, Elastic, and Ladies Sky. [Google] [More] ⦿ | |
Bogota, Colombia-based designer of the connected poster typeface semana Fusion (2017). [Google] | |
During her studies at Flagler College, and exactly obn the day hurricane Irma hit Florida in 2017, Orlando, FL-based Daniela Acevedo designed the decorative caps typeface Interlace. [Google] [More] ⦿ | |
At Mount Ida College, Holbrook, MA-based Danielle Demers designed a honeycomb grid-based typeface in 2017. [Google] [More] ⦿ | |
Art director in Bucharest, Romania, who created the deco typeface Benew Sans in 2017. [Google] [More] ⦿ | |
Under the mentoship of Nikola Durek and Marko Hrastovec, Darian Bakliza (Zagreb, Croatia) designed the blackletter typeface Unholy (2017). [Google] [More] ⦿ | |
Caracas, Venezuela-based designer of the striped all caps typeface Rupias (2017). [Google] [More] ⦿ | |
During her studies in Embu das Artes, Brazil, Dayana Barbosa designed the sci-fi typeface Moon Sides (2017). [Google] [More] ⦿ | |
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During her studies at Saint-Luc in Liège, Belgium, Delphine Lemaitre designed an experimental modular typeface (2017). [Google] [More] ⦿ | |
Dutch designer of a grungy Cyrillic typeface in 2017. [Google] [More] ⦿ | |
During his studies at Polytechnic Institute of Cavado and Ave, Porto, Portugal-based Diogo Rocha codesigned the slab serif typeface Badecki (2017), which is an extension of the Goofle Web Font Arimo. [Google] [More] ⦿ | |
Osnabrück, Germany-based designer of the experimental grunge typeface Random (2017), which uses noise signals to disturb the glyph outlines. [Google] [More] ⦿ | |
Cesano Maderno, Italy-based designer of the original display typerface Asile (2017). [Google] [More] ⦿ | |
Berlin, Germany-based designer of the experimental typeface Indecisive (2017). Behance link. [Google] [More] ⦿ | |
Sydney, Australia-bsed codesigner, with Joelan Wong, of Unity Sans (2017). [Google] [More] ⦿ | |
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At the 15th Typeclinic, held in 2017, Emilia Wesolowska (Poland) designed the monoline sans typeface Lubatka. [Google] [More] ⦿ | |
London, UK-based designer of the electric circuit typeface Googles First Server Font (2017). [Google] [More] ⦿ | |
Washington, DC-based designer of ITC Serif Dust or ITC Serif Ceylon (2017), a grungy hand-crafted version of ITC Serif Gothic (designed in 1972 by Herb Lubalin and Tony DeSpigna for the International Typeface Corporation). Behance link. [Google] [More] ⦿ | |
Detroit Lakes, MN-based designer of Geometric Sans serif (2017). Creative Market link. [Google] [More] ⦿ | |
Guanajuato, Mexico-based designer of the formidable and colorful decorative caps alphabet called Snapchat Geofilters Brazil (2017). [Google] [More] ⦿ | |
Yogyakarta, Indonesia-based designer of the signage script typeface Craftmanship (2017). Behance link. [Google] [More] ⦿ | |
During her studies at Sabanci University, Istanbul, Turkey-based Eylül Gümüsöz designed the teardrop typeface Elvis (2017). [Google] [More] ⦿ | |
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Graphic designer and lettering artist in Porto, Portugal. [Google] [More] ⦿ | |
Lyon, France-based designer of the thin display typeface Test (2017). [Google] [More] ⦿ | |
At the 15th Typeclinic, held in 2017, Florian Payer (Austria) designed the calligraphic sans typeface Karotto Sans. [Google] [More] ⦿ | |
Fontra Foundry
| Koslice, Slovakia-based designer of Retro Nova TW (2017), Retro Nova GL (2017, or Retro Nova Glow), Asphalt Racer (2017: sci-fi style), Papercut (2017), and Papercut Cat & Mouse (2017). Behance link. [Google] [More] ⦿ |
Montreal-based designer of Punto (2017), a typeface obtained by subtracting from Futura Light. [Google] [More] ⦿ | |
Vancouver, BC-based designer of the free connected script typeface Lament (2017). Behance link. [Google] [More] ⦿ | |
Oslo, Norway-based designer of a custom rune simulation font in 2017. [Google] [More] ⦿ | |
Athens, Greece-based designer of the creamy didone typeface Shrimp (2017). Behance link. [Google] [More] ⦿ | |
Athens, Greece-based designer of the elegant ball terminal-adorned typeface Shrimp (2017). Behance link. [Google] [More] ⦿ | |
Graduate (UK and India) of the type design program at the University of Reading, class of 2017. Her graduation typeface there was Omala, a Latin / Devanagari text typeface with calligraphic roots. [Google] [More] ⦿ | |
George Antony
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George Katticaran
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Rio de Janeiro, Brazil-based student at PUC Rio in 2017. Designer of the art nouveau typeface Conac Bisquit (2017). [Google] [More] ⦿ | |
Non-Latin typeface competition in these categories, held in 2017: Armenian, Arabic, Chinese, Cyrillic, Greek, Hebrew, Indic, Thai, Korean, and display typefaces. Chairmen of the jury are Edik Ghabuzyan (Head of Department of Creating and Keeping Armenian Fonts at the National Book Chamber of Armenia, consultant for Adobe Systems, Armenia) and Boris Kochan (CEO of Kochan & Partner, and Past President of tgm Typographische Gesellschaft München). The jury: Gerry Leonidas (UK), Chang Sik Kim (USA), and these specialists: (for Armenian) Vahan Balasanyan, Garegin Martirosyan, Ruben Malayan, (for Arabic) Bahia Shehab, (for Chinese) Min Wang, Curt Huang, Zhiwei Zhu, Keith Tam, (for Greek) Klimis Mastoridis, Irene Vlachou, (for Hebrew) Liron Lavi, Anat Katzir, (for South Asian scripts) Ravi Pooviah, Rathna Ramanathan, Graham Shaw, (for Korean) Joo Sung Kim, Jeong-mi Yu, Seong Jae Song. The results: Special categories in which some or all of 1st, 2nd and 3rd prizes are give. Special mentions are denoted by 4, 5 and 6 below, in the order listed on the Granshan page. Categories without awards are not listed. There was no grand prize this year.
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Guerillacraft
| Senica, Slovakia-based designer of the free angular poster typeface Pool Riders (2017, +Dingbats), which is inspired by punk and skateboarding culture. He also drew several great alphabets in vector format, such as the dry brush set Classic Strokes (2017) and the woodsy Woodcraft (2017). Behance link. [Google] [More] ⦿ |
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Edmond, OK-based designer of the neo deco typeface Flare (2017). [Google] [More] ⦿ | |
Graphic designer in Pune, India, who created several modular typefaces in 2017, including Csome and Capsule (which is entirely constructed using circles and lines as with compass and ruler). [Google] [More] ⦿ | |
Istanbul, Turkey-based designer of the free display typeface Contrastica (2017). [Google] [More] ⦿ | |
Madrid-based student-designer of the geometric solid color typeface Creario (2017) and the squarish typeface Glime (2017). Behance link. [Google] [More] ⦿ | |
German designer (b. 1960) of the pixelish typeface Angulo Black (2017). Dafont link. [Google] [More] ⦿ | |
Hendra Pratama
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Frankfurt-based designer and illustrator who created Modular Stencil Font in 2017. Behance link. [Google] [More] ⦿ | |
Designer of the connected script typeface Anisha (2017). Creative Market link. [Google] [More] ⦿ | |
HP Typework
| Serang, Indonesia-based designer (b. 1985) of the free brush pen calligraphic typeface Azkia Script (2017). Dafont link. [Google] [More] ⦿ |
During her studies, Atlanta, GA-based Iliana Taylor designed the rounded display typeface Son of Irwin (2017). [Google] [More] ⦿ | |
Kyiv, Ukraine-based designer of the hand-crafted typeface Go Green (2017). Creative Market link. [Google] [More] ⦿ | |
During his studies at Univali, Florianopolis, brazil-based Inacio Berutti designed the free display typeface Funky Break (2017, FontStruct). [Google] [More] ⦿ | |
During her studies at Universidade de Lisboa, Ines Pereira designed the circle-themed typeface Sphera (2017). [Google] [More] ⦿ | |
During her studies at ESDI, Terrassa, Spain-based Irene Talló designed the occult Barnbrook style typeface Ritual (2017), which is based on Ong Chong Wah's Footlight MT (1986). [Google] [More] ⦿ | |
Maracaibo, Venezuela-based designer of the high-contrast typeface Intransigencia (2017). [Google] [More] ⦿ | |
For a university project in Barcelona, Isabel Plana designed the slightly disconnected text typeface Delta (2017). [Google] [More] ⦿ | |
Isbert Design
| Barcelona-based designer of the modular display typeface Mig (2017). Behance link. [Google] [More] ⦿ |
Birmingham, AL-based designer of the vernacular fast food font French Fries (2017). [Google] [More] ⦿ | |
American designer of the pixel typeface Kid Architect (2017). [Google] [More] ⦿ | |
During her studies in Cape town, South Africa, Jade Ludski designed the decorative caps typeface Nude HBO Girls (2017). [Google] [More] ⦿ | |
Toronto-based designer of Betelnut (2017), a rounded sans typeface that is inspired by old Taiwanese license plates. Behance link. [Google] [More] ⦿ | |
Jakob Fischer
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Aka Graphic Hunter. Jakarta, Indonesia-based esigner of these typefaces in 2017: Balifont, Nebraska, Tamara, Pairon, Qumbah, Qubeq (stencil), Skyline, Galaxyn (sci-fi), Mantapbos, Paspude, Zefajal, Arakup (minimalist stencil), Zombie. Creative Market link. Behance link. [Google] [More] ⦿ | |
Phoenix, AZ-based designer of Next Level (2017), a typeface that was inspired by video games and sci-fi movies. [Google] [More] ⦿ | |
Ljubljana, Slovenia-based designer of the experimental typeface Triangular (2017). [Google] [More] ⦿ | |
Jardin Anderson (Museum of Old and New Art (MONA), Melbourne, Australia) designed the free typeface Sans Sixteen Sans (2017). This typeface contains only 84% of the ink of a standard sans, to point out that the wage gap between men and women in Australia is sixteen percent. [Google] [More] ⦿ | |
Kleve, Germany-based designer of the modular squarish typeface Dot Font (2017). [Google] [More] ⦿ | |
During her studies, Canyon Country, CA-based Javiera Schmidt Silva designed the sans typeface Humm (2017). [Google] [More] ⦿ | |
Londrina, Brazil-based designer of the hand-crafted typeface Buk (2017), named in honor of Charles Bukowski (1920-1994). [Google] [More] ⦿ | |
Creative Director at BowStern Marketing Communications, who graduated from the University of Reading (UK). In 2017, he designed Aglia Neue, a sans typeface he created for clean industrial design applications. [Google] [More] ⦿ | |
Auckland, New Zealand-based designer of the architectural decorative caps typeface Pride of Place (2017). [Google] [More] ⦿ | |
Graphic designer in Stockholm, who created a bold sans display typeface in 2017 called Lemons Sans. Behance link. [Google] [More] ⦿ | |
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Porto, Portugal-based designer of the all caps typeface D Type (2017). [Google] [More] ⦿ | |
During his studies at New York University Abu Dhabi in Abu Dhabi, United Arab Emirates, Joaquin Kunkel designed the didone text typeface Marcela (2017). [Google] [More] ⦿ | |
Rochester, NY-based designer of Chipotle (2017). [Google] [More] ⦿ | |
During his studies in St. Louis, MO, Jonathan Neal designed the connect-the-dots typeface Constellation (2017). [Google] [More] ⦿ | |
Sao Paulo, Brazil-based designer of the Peignotian typefaces Arkivo (2017) and Limb (2017). Behance link. [Google] [More] ⦿ | |
Designer in Bergen, Norway, who created the free blackletter typeface Svart in 2017. Behance link. [Google] [More] ⦿ | |
Ecuadorian designer of the penmanship typeface Guayaquil 1800 (2017), which is based on calligraphic pieces from the 19th century in Ecuador. [Google] [More] ⦿ | |
Peruvian type designer who studied at Type@Cooper in 2014. He is currently based in New York, USA and works for Monotype. In 2017, Karl Leuthold, Juan Villanueva and Carl Crossgrove codesigned the breezy script typeface Sagrantino (Monotype) in Regular, Highlight and Shadow substyles. [Google] [More] ⦿ | |
At the 15th Typeclinic, held in 2017, Judith Heimhilcher (Austria) designed the text typeface Storyteller. [Google] [More] ⦿ | |
German designer of the paperclip typeface Drahtika (2017). [Google] [More] ⦿ | |
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During her studies in Gdansk, Poland, Justyna Zabielska designed a minimalist hipster typeface (2017). [Google] [More] ⦿ | |
At the 15th Typeclinic, held in 2017, Karolina Wisniewska (Poland) designed the Latin text typeface Bangla. [Google] [More] ⦿ | |
Aalborg, Denmark-based designer of the decorative Finger Font (2017). Behance link. [Google] [More] ⦿ | |
Kiev, Ukraine-based designer of the rounded monoline color stencil font Yanchuk Kate (2017). [Google] [More] ⦿ | |
During her studies in Fort Wayne, IN, Katheryn Poling designed the neon tube typeface Prism (2017). [Google] [More] ⦿ | |
During her studies at Skolen for Visuel Kommunikation in Haderslev, Denmark, Kathrine Shackleton Nissen designed the squarish typeface Obey (2017). [Google] [More] ⦿ | |
Moscow, Russia-based designer of Plastic Typeface (2017). [Google] [More] ⦿ | |
Zaporizhzhia, Ukraine-based designer of the display typeface Mermaids (2017). [Google] [More] ⦿ | |
Kelly Smith
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Rennes, France-based designer of experimental hexagonal and circle-based typefaces in 2017. [Google] [More] ⦿ | |
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French graphic designer based in Annecy, France, and London, UK, who studied at National School of Fine Arts (ENSBA), Lyon, class of 2014. She designed these typefaces: Affolter Hertz (2016, wavy), Renner Serif (2016, for Hato Press), Renner Rounded (2015, for Hato Press). [Google] [More] ⦿ | |
Lee Robson Spence
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Paco Marco, Raul Mendez, Sergi Hernando and Marta Marzal run Letrs (est. 2017), a commercial type cooperative. [Google] [More] ⦿ | |
Tartu, Estonia-based designer of the sans typeface Questrial (2017) and the condensed spurred display typeface Lunar Spire (2017). [Google] [More] ⦿ | |
In 2017, Lina Alejandra Lopez Patiño (Bogota, Colombia) designed the curvy humanist typeface Belaman. [Google] [More] ⦿ | |
Moscow-based designer of an experimental hipster Cyrillic typeface in 2017. [Google] [More] ⦿ | |
LRS Fonts and Lettering
| Portland, OR-based designer (b. Plymouth, UK) of the inline hexagonal typeface Envoyer (2017). Creative Market link. Behance link. [Google] [More] ⦿ |
Buenos Aires-based designer of the regular and starred typeface pair Honoka (2017). [Google] [More] ⦿ | |
Americana, Brazil-based designer of Fuji Brush (2017). [Google] [More] ⦿ | |
Poznan, Poland-based designer of the very high contrast typeface Miseli (2017). [Google] [More] ⦿ | |
Greek-German designer in Athens who created the condensed blackletter typeface Dürer in 2017. [Google] [More] ⦿ | |
Graphic designer in London, who created the manicured serif typeface Nautiq in 2017. [Google] [More] ⦿ | |
Salaspils, Latvia-based designer of White Vulff (2017). [Google] [More] ⦿ | |
Santiago, Chile-based designer of Chaplin Actpr (2017). [Google] [More] ⦿ | |
Polish designer of a hexagonal typeface in 2017. [Google] [More] ⦿ | |
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During her studies at FADU / UBA in Buenos Aires, Maria Laura Arakaki designed a curvy typeface (2017). [Google] [More] ⦿ | |
Maria Martinez (b. Venezuela) lives in Buenos Aires, where she works and practices flamenco. In 2017, she designed experimental typefaces such as Ginger Man and Marti (a connect-the-dots font). [Google] [More] ⦿ | |
Saint Petersburg, Russia-based designer of the free hand-crafted brush typeface Drunk Monday (2017). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the multistroke typeface Alloy (2017). [Google] [More] ⦿ | |
Designer of the free hand-crafted all caps typeface Cactus (2017). [Google] [More] ⦿ | |
Art director in Groningen, The Netherlands, who created the heavu brush typeface Mot Massive in 2017. Behance link. [Google] [More] ⦿ | |
German designer at xplicit Berlin. Codesigner of Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures). [Google] [MyFonts] [More] ⦿ | |
Matej Ilcik
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Mathieu Loutre
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Mathieu Triay
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Cape Town, South Africa-based designer of the hand-crafted typeface Cubek Touch (2017). [Google] [More] ⦿ | |
Ruka, Finland-based designer of the techno display sans typeface I Am Now (2017). [Google] [More] ⦿ | |
During her studies at Escuela de Arte Algeciras, this Los Barrios, Spain-based designer created the typeface Huma (2017). Behance link. [Google] [More] ⦿ | |
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Art director in Moscow who made a custom display face for Lauren Coffee Dark Chocolate in 2017. Behane link. [Google] [More] ⦿ | |
Glossop, UK-based designer of the hipster typeface Shoggoth (2017). Behance link. [Google] [More] ⦿ | |
Designer of the free semi-condensed Latin / Cyrillic semi-condensed sans serif typeface Vladivostok (2017). [Google] [More] ⦿ | |
San Diego, CA-based designer of the decorative didone typeface Misha Nova (2017). [Google] [More] ⦿ | |
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Studio in Guayaquil, Ecuador, that designed the decorative caps typeface Viva Guayaquil in 2017. Behance link. [Google] [More] ⦿ | |
Munich, Germany-based designer of the free pixelish typeface MD Maya (2017), which was designed as part of the branding for the Panama Plus music and arts festival. Behance link. [Google] [More] ⦿ | |
Indonesian designer of these typefaces in 2017: Carita (round brush script with a glaz krak substyle), Borneo, Darker Time (stone chisel type), Mosqita, Segaris (curly). [Google] [More] ⦿ | |
Morisawa Providence Drawing Office
| In September 2017, Morisawa announced the establishment of "Morisawa Providence Drawing Office" in Providence, RI, as its new base for developing Latin fonts. Cyrus Highsmith, who had served as a designer for Font Bureau for many years, and who started Occupant Fonts in 2015, has been appointed as its creative director. By this move, Morisawa acquired Occupant Fonts. [Google] [More] ⦿ |
mrkhoir012
| Jepara, Indonesia-based designer of the decorative caps typeface Karakter (2017) and the free fat finger font Romzul Sans (2017, Letterhend Studio). [Google] [More] ⦿ |
Yogyakarta, Indonesia-based designer of Morning Glory (2017). [Google] [More] ⦿ | |
Muhammad Romzul Khoir
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Islamabad, Pakistan-based designer of the beveled all caps typeface Majestic (2017). [Google] [More] ⦿ | |
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During his/her studies at Universiti Teknologi Brunei, Tutong, Brunei-based Musyi Jini designed the free exermental typeface Pendulum. [Google] [More] ⦿ | |
Nairoba, Kenya-based designer of the silhouette figurine font Simon Says (2017). [Google] [More] ⦿ | |
The fifty best-selling typefaces at MyFonts, as reported by them on October 31, 2017: #1 FF DIN (FontFont), #2 Proxima Nova (Mark Simonson), #3 Brandon Grotesque (HVD Fonts), #4 Avenir (Linotype), #5 Isidora Sans (Latinotype), #6 Helvetica Neue (Linotype), #7 Gilroy (Radomir Tinkov), #8 Avenir Next Pro (Linotype), #9 Ciutadella Rounded (Emtype Foundry), #10 Univers (Linotype), #11 Colby (Jason Vandenberg), #12 Scotch (Positype), #13 Cera Pro (TypeMates), #14 Frutiger (Linotype), #15 Praktika (Fenotype), #16 Amsi Pro (Stawix), #17 Trade Gothic (Linotype), #18 Nudista (Suitcase Type Foundry), #19 Museo Sans (exljbris), #20 DIN Next (Linotype), #21 TT Norms (TypeType), #22 Blog Script (Sudtipos), #23 Balford (Ilham Herry), #24 Brandon Text (HVD Fonts), #25 Lovingly Friends (My Creative Land), #26 ITC Avant Garde Gothic (ITC), #27 Neue Haas Grotesk (Linotype), #28 FF Mark (FontFont), #29 Sofia Pro (Mostardesign), #30 Futura (Linotype), #31 Brown Pro (ShinnType), #32 Gill Sans (Monotype ), #33 Intro (Fontfabric), #34 ITC Franklin Gothic (ITC), #35 Muller (Fontfabric), #36 Aktiv Grotesk (Dalton Maag), #37 Nexa (Fontfabric), #38 Campton (Rene Bieder), #39 FF Good Pro (FontFont), #40 Moments (DearType), #41 Helvetica Neue LT Std (Adobe), #42 Nexa Rust (Fontfabric), #43 Kapra Neue (Typoforge Studio), #44 Helvetica (Linotype), #45 Museo Sans Rounded (exljbris), #46 Glober (Fontfabric), #47 Akzidenz-Grotesk Pro (Berthold), #48 PhotoWall (DearType), #49 Akzidenz-Grotesk BE (Berthold), #50 Geogrotesque (Emtype Foundry). [Google] [More] ⦿ | |
During her design studies at German Jordanian University in Amman, Jordan, Nadine Amr designed a wavy display typeface called Latin (2017). [Google] [More] ⦿ | |
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Poznan, Poland-based desiugner of the blackletter typeface Kaligraf (2017). [Google] [More] ⦿ | |
At Flagler College in St. Augustine, Florida, Natalie Harris designed the multiline typeface Dames Point (2017). [Google] [More] ⦿ | |
Sevnica, Slovenia-based designer of the vintage text typeface Autodidact (2017). [Google] [More] ⦿ | |
During his studies at Washington University in St. Louis, MO, Nicholas Rogers designed a stencil typeface (2017). Behance link. [Google] [More] ⦿ | |
During his studies at The College of Saint Rose, Albany, NY-based Nick Paquin designed the beveled textured typeface Avaitor (2017). [Google] [More] ⦿ | |
During his studies at Falmouth University in Falmouth, UK, illustrator Nigel Owen designed several hand-lettered alphabets (2017), including a great dry brush script. Behance link. [Google] [More] ⦿ | |
Vic, Spain-based designer of the modular typeface Anaconda (2017). [Google] [More] ⦿ | |
Tauranga, New Zealand-based designer of the free modular typeface Matamata (2017), the free rounded hand-crafted typeface Daycare (2017) and the free paper cut-out dada typeface Cut It Out (2017). Behance link. [Google] [More] ⦿ | |
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Designer of the compass-and-ruler all caps typeface Oliphont Pro (2017). [Google] [More] ⦿ | |
British designer of the decorative Praying Mantis typeface (2017). [Google] [More] ⦿ | |
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Houston, TX-based designer of the display typeface Red (2017) and Soar (2017). [Google] [More] ⦿ | |
Pablo Calzado Isbert
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Designer and illustrator in Santiago, Chile, who created the scratchy typeface Warria (2017). [Google] [More] ⦿ | |
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Graphic designer in Merida, Venezuela, who designed Doble Vision in 2017. [Google] [More] ⦿ | |
Graphic designer in Toulouse, France, who created the decorative modern all caps typeface typeflex in 2017. [Google] [More] ⦿ | |
At the 15th Typeclinic, held in 2017, Pawel Schulz (Poland) designed the text typeface Capillary. [Google] [More] ⦿ | |
Indian designer of the hexagonal typeface Arexa (2017). [Google] [More] ⦿ | |
Graphic designer in Malaga, Spain, who created the great angular text typeface Norden (2017). Behance link. [Google] [More] ⦿ | |
Designer from St. Petersburg, Russia, specializing in type design, typography and web design. His typefaces include TT Backwards (2017): an experimental script and grotesque font family inspired by the typographic scenery in the USSR in the late 70s and early 80s, designed by Tanya Cherkiz, Sergey Kotelnikov, Philipp Nurullin and the TypeType Team. [Google] [MyFonts] [More] ⦿ | |
Mesolongi, Greece-based designer of the kitchen tile typeface Square Break (2017). [Google] [More] ⦿ | |
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Rafael Rybar
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As a student at IFPE campus Recife, Raianne Florencio designed the typeface Fine Point (2017). [Google] [More] ⦿ | |
UK-based designer of the hand-crafted connect-the-dots typeface Spotty Dottier (2017). Dafont link. [Google] [More] ⦿ | |
During her studies in Bandar Seri Begawan, Brunei, Rina Abdullah designed Hexrunic (2017). [Google] [More] ⦿ | |
Bekasi, Indonesia-based designer of the free squarish typeface Hijix (2017). Behance link. [Google] [More] ⦿ | |
Indonesian designer of the hand-crafted typeface Dliya (2017). [Google] [More] ⦿ | |
Wirral, UK-based designer of the triangulated typeface Polygon (2017). Creative Market link. [Google] [More] ⦿ | |
Dutch designer, living and working in Vierhouten. During his studies at Windesheim University of Applied Sciences in Zwolle, he created the sans typeface Humaan (2017, free demo). Behance link. [Google] [More] ⦿ | |
Cork, Ireland-based designer of the traingulated logotype font Vexila (2017). [Google] [More] ⦿ | |
American designer of the stick font Simply Line (2017). [Google] [More] ⦿ | |
During her studies in San Francisco, Rylee Jackson designed the minimalist Avenir Altered (2017). [Google] [More] ⦿ | |
During his studies in Mumbai, Sachi Chowdhry designed a text typeface (2017). [Google] [More] ⦿ | |
During her studies at PUCP in Lima, Peru, Samantha Carlos designed the circle-themed typeface Wus (2017). [Google] [More] ⦿ | |
As a student, Palermo, Italy-based Sara Panepinto designed the adaptive signage typeface More (2016). [Google] [More] ⦿ | |
During her studies, Sao Luis, Brazil-based Sarah Andrade designed the vernacular typeface Aghora (2017). [Google] [More] ⦿ | |
Marlboro, NJ-based graphic designer, who created Hand-painted Typeface and Simple Mechanics Font in 2017. Behance link. [Google] [More] ⦿ | |
Santa Caterina, Mexico-based designer of the molecular typeface Oblivion Plasma (2017). [Google] [More] ⦿ | |
Russian motion and 3D designer based in Nizhny Tagil. In 2017, Sergei graduated from the six month font design course at TypeType Education. His typefaces include TT Backwards (2017): an experimental script and grotesque font family inspired by the typographic scenery in the USSR in the late 70s and early 80s, designed by Tanya Cherkiz, Sergey Kotelnikov, Philipp Nurullin and the TypeType Team. [Google] [MyFonts] [More] ⦿ | |
During her studies at the University of Waikato, Shannen Perry (Shannen Perry Design, Cambridge, New Zealand) created the hipster sans typeface Orphic (2017). [Google] [More] ⦿ | |
Cairo, Egypt-based designer of the Latin / Arabic typeface Mothalathany (2017), which is composed of thin acute triangles, with Ugaritic influences. [Google] [More] ⦿ | |
In Kenn Munk's class in Haderslev, Denmark, Simon Thorup designed the speed font Festina Lente (2017). [Google] [More] ⦿ | |
Pekanbaru, Indonesia-based designer of the weathered typeface Tushka (2017). [Google] [More] ⦿ | |
Baroda, India-based designer of the scribbly typeface Tree (2017). [Google] [More] ⦿ | |
Buenos Aires, Argentina-based designer of a decorative typeface in 2017. [Google] [More] ⦿ | |
St. Louis, MO-based designer of the Escher font Optical Illusion (2017). [Google] [More] ⦿ | |
Graphic designe in Athens, Greece, who created Tutfont, Circlefont and the experimental sans typeface Geometric in 2016. [Google] [More] ⦿ | |
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Parisian art director and designer. Creator of the monoline circle-themed typeface Circula (2017) and the bilined stencil typeface Opening (2017). [Google] [More] ⦿ | |
French designer of the scribbly typeface Salvat Study (2017). Dafont link. [Google] [More] ⦿ | |
Industrial and graphic designer in Belgrade, Serbia, who created Wide Type in 2017. [Google] [More] ⦿ | |
Creative designer in Bristol, UK, who published Triangle Futura (2017) and Space Moon (2017) during a course at Central Saint Martins in London. Behance link. Dafont link. [Google] [More] ⦿ | |
Abbotsford, BC-based designer of Bauhouse Universal (2017), a typeface family that is based on Herbert Bayer's Universal (1925). Behance link. [Google] [More] ⦿ | |
Toronto-based designer of the heavy hand-crafted typeface X Marcs The Scott (2017). [Google] [More] ⦿ | |
Singapore-based student-designer (at Nanyang Academy of Fine Arts) of the avant-garde sans typeface Jack & Ennis (2017). Behance link. [Google] [More] ⦿ | |
Suthi Srisopha
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Dutch designer of a great plumpish alphabet in 2017. [Google] [More] ⦿ | |
Kiev, Ukraine-based designer of the matchstick typeface Skeleton (2017). [Google] [More] ⦿ | |
Moscow-based desgner of a modular Cyrillic typeface in 2017. [Google] [More] ⦿ | |
Graphic designer in Vigo, Spain, who created the art deco typeface Van Chrysler in 2017. Behance link. [Google] [More] ⦿ | |
Graphic designer in Viana do Castelo, Portugal, who codesigned the slab serif typeface Badecki (2017) with Diogo Rocha and Flavio Marques. [Google] [More] ⦿ | |
Düsseldorf-Germany-based designer of the vintage signage typeface Royal signage (2017) and Blackriver (2017). Behance link. [Google] [More] ⦿ | |
During her studies, Kansas City, MO-based Tracy Khiew designed an outlined 3d typeface (2017). Behance link. [Google] [More] ⦿ | |
Type design duo consisting of Mary Catherine Pflug (Boston, MA) and Lily Feinberg (Nw York City). [Google] [More] ⦿ | |
Typhoon Type
| Bangkok, Thailand-based designer (b. 1976) of the free brush script typeface Zomtam Thai (2017). Dafont link. [Google] [More] ⦿ |
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During her studies in Buenos Aires, Victoria Castro designed the uncial emulation typeface Sindarin (2017). [Google] [More] ⦿ | |
Hrodna, Belarus-based designers of several display typefaces in 2017, including Organic. [Google] [More] ⦿ | |
Brazil-based designer of the curly typeface Hummingbird (2017). [Google] [More] ⦿ | |
Korean graduate of the type design program at the University of Reading, class of 2017. His graduation typeface there was Willow, a type family for multi-lingual typesetting in Latin, Korean, and Greek. It is inspired by Korean traditional woodblock printing. It combines the elegance and organic shape of the brush with the sharpness of wood carving. [Google] [More] ⦿ | |
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Art director and illustrator in Toronto who designed the experimental typefa Thomas in 2016. [Google] [More] ⦿ | |
Perth, Australia-based designer of the wavy scribbly typeface Ignit (2017). [Google] [More] ⦿ | |
Beijing, China-based designer of the high-contrast display typeface ZZ Daylily (2017). [Google] [More] ⦿ | |
At the 15th Typeclinic, held in 2017, Zuzanna Labus (Poland) designed the text typeface Fika. [Google] [More] ⦿ |
Saint Petersburg, Russia-based designer of the scientific decorative all caps typeface Letter Symbol (2017). 
Costa Rican graduate of the type design program at the 
During his studies, Mannhein, Germany-based André-Pascal Werthwein designed Generative Type (2017). 
Cambridge, UK-based designer of the calligraphic brush script typeface Inkinity (2017). 
Attila Sütö is a graphic designer in Eger, Hungary. He created the modular display typeface Azidhor (2017), the cosmic typeface Lauronos (2017), and the compass-and-ruler roman caps typeface Imperiem (2017). 
Illustrator in Murray, UT, who designed the lovely hand-crafted Gentle Giant typeface in 2017. 
Seoul, Korea-based designer of these display typefaces: Constellation (2015: connect-the-dots style), Zedo (2015: architectural), Maze (2015: pixelish), Angle (2015), Radioactivity (2015: dingbat font), Hangeul (Korean). [
Porto, Portugal-based designer of the display typeface Wavy (2017). [
Barcelona-based designer in 2017 of these typefaces: Calafat (a gorgeous balckletter that revives a typeface made by the first printing press in Mallorca, Nicolau Calafat), Mirona (Scotch), Eixam (octagonal; named after the octagonal intersections of the Eixample neighborhood of Barcelona), and Kely (piano key stencil). [
Florence, Italy-based designer of the fun poster typeface Croca (2017) and an unnamed hexagonal typeface (2017). [
Sao Paulo, Brazil-based designer of these typefaces in 2017: the art deco typeface family Bermudas, the experimental typeface Lanogaid, Quantum (sci-fi), Wide, Lardo, So Below, Alien, 104, Palette (hexagonal), Astrix, Gear, Rion Type. [
Seoul, Korea-based designer of an intricate and detailed 3d all caps font (2017), where one can ask the question: Where does a typeface end and art begin?. [
Ukhta, Russia-based designer of the funky (beatnik?) Latin / Cyrillic typeface Zazoo (2017). [
Highland, IL-based designer of an all caps sans typeface family Layers (2017), which is created for textured and layered looks. [
Aka Marcos Oliveira. Porto Alegre, Brazil-based designer of a prismatic decorative set of initials in 2017, with some impossible Escher-style glyphs thrown in. [
Mathieu Triay (Mathieu Loutre) is a software engineer who studied at University College London and the University of London. In 2017, he designed 
Montpellier, France-based designer of the 
Maracay, Venezuela-based designer of the creamy signage script font Gordita (2017). [
San Salvador, El Salvador-based designer of the colorful all caps Reef Font (2017). [
Jordanian graduate of the type design program at the 
During her studies in Graz, Austria, Nadine Schach designed the slab serif typeface Garnitur (2017). [
Kiev, Ukraine-based designer of the hand-crafted Latin / Cyrillic typeface Kuplu (2017: dadaist) and the experimental typefaces Unpleasant Dream (2017) and Stkl (2017). [
Design consultancy in London founded by James and Briton. James was born in New Zealand but grew up in Sydney, Australia. He received a Bachelor of Design from the University of NSW in 2010, completing his final year at the University of Gothenburg, Sweden. Briton hails from Wellington, New Zealand. Briton gained a BA in Design Theory and a BCom in Marketing and Economics at the University of Otago in 2006 before heading across the ditch to Sydney. In 2016-2017, Omse created the sans typeface families Modern Era and Modern Era Mono. [
A very innovative graphic design studio based in Matosinhos (Porto), Portugal. In 2015, they custom-designed the Kirimizi typeface for a beach hotel project in Mozambique. [
Australian graduate of the type design program at the 
Designer at T-26 of the text typeface family Calisia (2014). [
Type designer at Fontfabric in Sofia, Bulgaria. He was part of the Fontfabric team that designed the 521-font family 
Lille, France-based designer of the visual identity typeface Louvre Lens (2017). [
Japanese graduate of the type design program at the |
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