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Aaron Chiffers
[Arctype]

[MyFonts] [More]  ⦿

AB Studio
[Andreas Brandstetter]

Austrian type designer who founded AB Studio, ca. 2019. In 2019, he released AB One. Initially designed with compass and ruler for titling, this 3-style sans typeface is also useful in other settings. He writes: Its very cinematic and simple look is generated by having no edges in the single letters. The font was designed using a grid, that made it possible to create geometric but very dynamic shapes, influenced by architectural design. [Google] [MyFonts] [More]  ⦿

Abda Laka

Yogyakarta, Indonesia-based lettering artist who designed the vintage duo typeface Oldy Beany (2019). [Google] [More]  ⦿

Adam Yusoff

Perth, Australia-based designer of the low contrast sans typeface Enkei (2019). [Google] [More]  ⦿

Adela Aruxandei

Romanian designer of the techno typeface Neo Modern (2019). [Google] [More]  ⦿

Adi Widyantoro
[Zums Graphic]

[More]  ⦿

Adis Sandy

Kediri, Indonesia-based designer of the slab serif typeface Balanar (2019). [Google] [More]  ⦿

Adrianna Bilas

Type designer in the United Kingdom. In 2019, she released Cinque, a vintage slab serif with arts and crafts elements that was inspired by the movie The Grand Budapest Hotel. [Google] [MyFonts] [More]  ⦿

Agung Triyanto
[Cempluk Studio]

[More]  ⦿

Ahmad Syarif Afandi
[Peterdraw]

[More]  ⦿

Ahmet Salih Say

As a student at Uskudar University, Ahmet Salih Say (Istanbul, Turkey) designed the knife-edged typeface Hircin (2019). [Google] [More]  ⦿

Aisiv
[Alexis Carrillo]

Mexican designer of the antiqued and perhaps watercolor script typeface Schattig (2019). [Google] [MyFonts] [More]  ⦿

Akarija Studio

Indonesian designer of the script typeface Chiqua (2019). [Google] [More]  ⦿

Alexander Bartlett

During his studies, Boston, MA-based Alexander Bartlett designed Caslon Remixed (2019) and created hilarious animated gifs in the process. [Google] [More]  ⦿

Alexander Manfred Poellmann

Designer of the free Paymentfont (2017), which features icons of payment services. [Google] [More]  ⦿

Alexander Silva

Barueri, Brazil-based designer of a modular typeface in 2015. [Google] [More]  ⦿

Alexandra Ashikhina

During her studies in Moscow, Alexandra Ashikhina designed an octagonal typeface for Latin and Cyrillic in 2019. [Google] [More]  ⦿

Alexis Boscariol

Paris-based graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. His graduation typeface is Picardy, a variable font designed for the web. Github link. [Google] [More]  ⦿

Alexis Carrillo
[Aisiv]

[MyFonts] [More]  ⦿

Alexis Faudot

In 2019, Alexis Faudot and Rafael Ribas released five free fonts that are all revivals, and resulted from a 2015 workshop led by Jerome Knebusch at ANRT in Nancy, France, a 2016 workshop at ESAD Valence led by Jerome Knebusch and Thomas Huot-Marchand, a workshop at Hochschule Mainz and Gutenberg-Bibliothek, Mainz in 2016, a workshop at ISDAT in Toulouse, France in 2018, and a workshop at Bauhaus University Weimar and Anna Amalia Bibliothek Weimar in 2018:

  • Ptolemy Great Primer 18 (from the 2015 workshop). Ptolemy was designed in Chelsea by St John Hornby, Sidney Cockerell and Emery Walker, and was cut in 18 pt by Edward Prince for Cervantes's Don Quixote, which was published by the Ashendene Press in 1927. The type used until 1935 was a revival of Lienhart Holle's cut for Ptolemaeus's Cosmographia printed in 1482 in Ulm. It is possible that Lina Kahal was the actual designer at that 2015 workshop in Nancy.
  • Jessen Mittel 14 and Jessen Cicero 12 (from the 2016 workshop in Valence). Jessen Schrift is hybrid of gothic (blackletter) minuscules and roman capitals (including the characteristic Basque capital A) designed and cut without preliminary drawings in Offenbach am Main by Rudolf Koch for The Four Gospels, which was printed at the Klingspor press in 1926 and published by Koch himself. Formerly named Bibel-Gotisch, the type was released as Jessen in several sizes by the Klingspor foundry in 1930.
  • Hamlet Tertia 18 and Hamlet Cicero 12 (from the 2018 workshop in Weimar). Hamlet (also named Kessler-Blackletter) was designed by Edward Johnston and cut in three sizes (10, 12 and 18 pt) by Edward Prince for William Shakespeare's Hamlet (published by Harry Kessler's Cranach Press in Weimar in 1929). The type is based on the Durandus for the lowercases, and Sweynheim & Pannartz's Subiaco type for the capitals.
  • Parix Hybrid 111R (from the Toulouse workshop in 2018). This hybrid was first used in Toulouse by Johann Parix for Rodericus Zamorensis's Speculum vitae humanae, around 1475 (exact date unknown) and was used until 1481.
  • Fust&Schoeffer-Durandus-GoticoAntiqua118G (from the Mainz workshop in 2016). Durandus's 118G, Gotico-Antiqua was first used in Mainz by Peter Schoeffer and Johann Fust for Guillaume Durand's Rationale Divinorum Officorum in 1459. The book displays two sizes, the smaller 92G for the main text and the bigger and more contrasted 118G used only for the colophon and later for the famous 48-line Bible in 1462. It was used until the end of the 15th century.

ANRT Nancy link. [Google] [More]  ⦿

Aline Chica

Porto, Portugal-based designer of the monoline script typeface Sa de Bandeira (2019). [Google] [More]  ⦿

Alison Giorgana

Monterrey, Mexico-based designer of the rough brush typeface Dark (2019). [Google] [More]  ⦿

Aliya Robinson

American designer of the display typeface Modixo (2019). [Google] [More]  ⦿

Alrendra Studio

Surabaya, Indonesia-based designer of the monoline script typeface Solfia (2019). [Google] [More]  ⦿

Alt-A Typefaces

Chilean typefoundry, est. 2019 by Pedro Gonzalez and Isabel Gatuslao. Their typefaces include Qualta (2019). [Google] [MyFonts] [More]  ⦿

Amandine Mauvais

French designer of the stick font Tokyo (2019). [Google] [More]  ⦿

Amy Hitchener

During her studies at Queensland University of Technology, Brisbane, Australia-based Amy Hitchner co-designed the display typeface Deliciae (2019) with Michelle Killalea. [Google] [More]  ⦿

Anastasios Pappas

Graphic designer, b. 1975, Athens, Greece. Designer of the free clean sans typeface Aneo (2019) for Latin and Greek. [Google] [More]  ⦿

Anastasiya Plotnikova

Vilnius, Lithuania-based designer of the rounded sans typeface Chewing Gum (2019) and the art deco outline typeface The Great Gatsby (2019). [Google] [More]  ⦿

Andreas Brandstetter
[AB Studio]

[MyFonts] [More]  ⦿

Andry Andriansyah

Subang, Indonesia-based designer, b. 1994, of the curly textured typeface Batik Ganasan (2019). [Google] [More]  ⦿

Anel Gil

Mexican designer of the Mexican-style typeface Mexanel (2019). [Google] [More]  ⦿

Anita Autorino

At UBA, Buenos Aires-based Anita Autorino designed the display typeface Deco (2019). [Google] [More]  ⦿

Anna Drozd

During her studies, Yekaterinburg, Russia-based Anna Drozd designed the free experimental Latin / Cyrillic typeface Abraxas (2019). [Google] [More]  ⦿

Anna Harutyunyan

Yerevan, Armenia-based designer of the Latin / Armenian font Agent 044 (2019). [Google] [More]  ⦿

Anna Khorash

Member of the Contrast Type Foundry in Moscow.

In 2019, Maria Doreuli and Anna Khorash released the variable font CoFo Peshka at Future Fonts. Inspired by the industrial and military lettering in the Soviet era, it is named after the Pe-2 aircraft also called the Peshka. CoFo Peshka features weight and width axes.

Future Fonts link. [Google] [More]  ⦿

Anna Tsuranova
[Letter Muzara]

[MyFonts] [More]  ⦿

Anna Witkowska

Polish designer of a geometric display typeface in 2019. [Google] [More]  ⦿

Anya Danilova

Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. Her angular graduation typeface, Rezak, refers to the Die Brücke movement and linocuts. [Google] [More]  ⦿

Aptatype Studio
[Deni Pramadita]

Malang, Indonesia-based designer (b. 1990) of the brush typeface Makoa (2019). [Google] [More]  ⦿

Arctype
[Aaron Chiffers]

Falmouth, UK-based designer of a copperplate-inspired all caps typeface, Caeli AT (2019), for Latin, Greek and Cyrillic. [Google] [MyFonts] [More]  ⦿

Arief Munandar
[Dot HK Studio]

[MyFonts] [More]  ⦿

Arnaud Aubry

Graphic designer and illustrator in Nantes, France, who designed the reverse stress display typeface Louisette in 2019. [Google] [More]  ⦿

Arthur Otaviano

In 2019, Luiz Felipe (Blumenau, Brazil), Pedro Bogo (Indaial, Brazil), Arthur Otaviano (Blumenau, Brazil), and Eduarda Cristina Towe (Jaragua do Sul, Brazil) designed the squarish typeface Monday. [Google] [More]  ⦿

Arthy Type

Indonesian designer of Neuron (2019: sans), In The Dark (2019: based on the ACDC logo), Bodhi (2019: a wild brush font), Sylvanna script (2019), Emely script (2019), Tom Harvey (2019), Brave Heart (2019: Victorian), Riogrande (2019: a retro signage script), Reaverock (2019: a spurred black metal typeface), Brotherjhon (2019, Bold and stencil), and Gajetto (2019: a bold geometric sans). [Google] [More]  ⦿

Ashley Wong

During her studies in London in 2019, Ashley Wong designed a typeface influenced by carpentry, i.e., each piece is rectangular. [Google] [More]  ⦿

Ash-Shiddiq Studio

Bandung, Indonesia-based designer of the dry brush script typeface Ancient (2019). [Google] [More]  ⦿

Atilim Kozmonot

Istanbul, Turkey-based designer of the display typeface Straight Ahead (2019). [Google] [More]  ⦿

Axel Nahuel Sosa

Mataderos, Argentina-based designer of the grid-based sci-fi typeface Space Block (2019). [Google] [More]  ⦿

Aziret Nurlanov

Bishkek, Kyrgyzstan-based graphic designer who created Mega Sans in 2019. [Google] [More]  ⦿

Basyir Junaidi

Graduate of Politeknik Brunei, who is based in Bandar Seri Begawan, Brunei Darussalam. In 2019, she designed the textured patterned latin typeface Kindred B. [Google] [More]  ⦿

Beatrice Kairyte

Vilnius, Lithuania-based designer of the modular display typeface Quadratum (2019). [Google] [More]  ⦿

Benjamin Taschner

Muenchen, Germany-based designer of the Cyrillic simulation typeface Anom (2019). [Google] [More]  ⦿

Bianca Marchesan

During her studies at UFSM, Bianca Marchesan (Santa Maria, Brazil) designed the great monoline organic no-nonsense sans typeface Papaya (2019). [Google] [More]  ⦿

Bingbing Zhang

American designer of the stylish sans typeface Scorpius (2019). [Google] [More]  ⦿

Black Orbit Art
[Slava Antipov]

Voskresenk, Russia-based designer of the free Latin / Cyrillic rounded sans typeface Aqum (2019) and the octagonal typeface family Woodsans (2019). [Google] [More]  ⦿

Borjan Grujic

Belgrade, Serbia-based designer of the display typeface Suverenost (2019). [Google] [More]  ⦿

Brandon Buerkle
[Society of Fonts]

[MyFonts] [More]  ⦿

Brenners Template
[Ryul Davidson]

Korean designer of Along Sans (2019), an organic and geometric sans family designed for headlines and logos. It is characterized by a wind-swept ascender on the k. [Google] [MyFonts] [More]  ⦿

Bruna Vasconcelos

Berlin, Germany-based designer of the legible sans typeface Cappuccino (2019, done while studying at Design Akademie Berlin). [Google] [More]  ⦿

Bruno Fontenelle

Japanese-born Brazilian designer based in Toronto, Canada. Creator of the free lower case-only balckletter font Delirium (2019). [Google] [More]  ⦿

Caleb Andrews

St. Louis, MO-based designer of William Deco (2019). [Google] [More]  ⦿

Camila Torres

At Universidad Tecnologica Metropolitana in Santiago, Chile, Camila Torres designed Calada Display (2019) with Josefa Almarcegui, Vicente del Pedregal, Andres Aburto, Eduardo Tobar, Juan Pablo Hernandez, Bana Aeasanz, and Deivid Suid y Truenos.. [Google] [More]  ⦿

Camille Ardeois

Bayonne, France-based designer of Cardinal (2019: a revival of a modern text typeface), Justine (2019: a typeface with injuries), and Ligatur (2019). [Google] [More]  ⦿

Cansu Gumus

Istanbul, Turkey-based designer of the monster alphabet Illustratif (2019). [Google] [More]  ⦿

Céline Odermatt

Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. Her graduation typeface, Coat, is a fashionable distinguished sans with subtle flaring. She works as a graphic designer in Switzerland, where she designs typefaces, magazines and identities. [Google] [More]  ⦿

Cempluk Studio
[Agung Triyanto]

Sidoarjo, Indonesia-based designer of the script typefaces Berlyna (2019) and Taniya (2019). [Google] [More]  ⦿

Chantal Nijhof

Designer of the hand-crafted typefaces Oh So Lovely (SVG brush font), My Beloved, Blossomy and Jellysea in 2018 and 2019. [Google] [More]  ⦿

Charles Decoray

Graduate of ESAD in Amiens, France, class of 2017. His graduation typeface is a sturdy book font, Léonie, specially designed for e-book readers. [Google] [More]  ⦿

Cherry Vishnya

Kiev, Ukraine-based graphic designer. She cyrillicized Anton Cahyono's Atziluth Script and Irina Dvilyuk's Miss Katherine in 2019. [Google] [More]  ⦿

Cho Young Park

Seoul, Korea-based designer of Minhwa (2019), a decorative caps font based on Korean folk art. [Google] [More]  ⦿

Choi Co

Manila, The Philippines-based designer of the free modular all caps typeface Barabara (2018). [Google] [More]  ⦿

Christian Jansky
[Kometa]

[More]  ⦿

Chutikarn Damrongrak

Bangkok, Thailand-based designer of the display typeface Sirivannavari (2019). [Google] [More]  ⦿

Claire Menager

In 2019, Alejandro Freitez and Claire Menager, under the art directoship of Alejandro Paul, designed the multistyle wood type look / Western / Victorian / reverse stress / hyper-decorative Presley Slab (Sudtipos). [Google] [More]  ⦿

Claudia Coelho

Portuguese creator of Stencil (2019) at the Lisbon School of Design. [Google] [More]  ⦿

Clement Odai
[Rerd Systems]

[More]  ⦿

Conjectatione

Kiev, Ukraine-based designer of the great decorative didone typeface Mayotto (2019) and the free curly vector format font Lollipop (2019). [Google] [More]  ⦿

Constanza Cadiz

During her studies in Chile, Constanza Cadiz designed Rockabilly (2019) by adding spurs to Rockwell. [Google] [More]  ⦿

Creatnow Studio

Pati, Indonesia-based designer (b. 1999) of the script typefaces Carina (2019) and Kattyland (2019). [Google] [More]  ⦿

Cristian Tournier
[Rostype]

[More]  ⦿

D SD
[Danil Swvastianov]

Ukrainian designer of the rounded sans typeface Firststep (2019). [Google] [More]  ⦿

Daan Jesper Kars

Vienna, austria-based designer of the sans typeface Trias Politica, which comes with sans (Excequi), slab serif (Legis) and monospaced (Judicium) versions. [Google] [More]  ⦿

Damaris Reyes

Designer in Guayaquil, Ecuador. In 2019, Jeremy Joshua C, Damaris Reyes and Yuri Zambrano co-designed the textured school project font Torn, and the display sans typeface Hook. [Google] [More]  ⦿

Danil Swvastianov
[D SD]

[More]  ⦿

Daphne Preston-Kendal
[David Kendal]

Using webfont conversion tools by Adam Schwartz, David Kendal (Berlin, Germany) created a set of free opentype fonts, ET Book OT, in 201 based on ET Book, the free Bembo-style tyopeface family by Dmitry Krasny, Bonnie Scranton, and Edward Tufte. Github link. [Google] [More]  ⦿

David Kendal
[Daphne Preston-Kendal]

[More]  ⦿

David Molnar

During his studies at ECAL in Lausanne, Switzerland, David Molner designed the display typeface Parabole (2019) and the text typeface Mediaan (2018). [Google] [More]  ⦿

Daxdu 28

Surabaya, Indonesia-based designer of the compressed display sans typeface families Budak Tuhan (2019) and Hangover Decade (2019). [Google] [More]  ⦿

Deni Pramadita
[Aptatype Studio]

[More]  ⦿

Denis Kukushkin

Ufa, Russia-based designed. In 2019, he added cyrillics to Iordanis Passas's sketched typeface Sanek. [Google] [More]  ⦿

Designformerch

Weleri, Indonesia-based designer of the squarish typeface Whylarry (2019), the hand-crafted typeface Zelene (2019), and the cartoon font Funny Rabbit (2019). [Google] [More]  ⦿

Diego Massaro

During his studies at Isia Urbino (Italy), Diego Massaro (Imola, Italy) designed the display typeface Residua (2019). [Google] [More]  ⦿

Dimas aji Virgiawan

Purwakarta, Indonesia-based designer (b. 2000) of the thin script typeface Eilisia (2019). [Google] [More]  ⦿

Dmitry Baranov

Vitebsk, Russia-based designer of the free molecular stencil font Cosmo (2019), renamed Galaxy, and the free squarish typeface Slender (2019). [Google] [More]  ⦿

Dot HK Studio
[Arief Munandar]

Banda Aceh, Indonesia-based designer (b. 1991) of Channelley Script (2019), Redesey (2019: a brush font), Octopus (2019: a dry brush script), Caldwell (2019: a dry brush font) and Matterhorn (2019: an octagonal slab serif). [Google] [MyFonts] [More]  ⦿

Ebi Forgo

Budapest, Hungary-based designer of three all caps display typefaces in 2019, including an art deco face and a pixel font. [Google] [More]  ⦿

Eduarda Cristina Towe

In 2019, Luiz Felipe (Blumenau, Brazil), Pedro Bogo (Indaial, Brazil), Arthur Otaviano (Blumenau, Brazil), and Eduarda Cristina Towe (Jaragua do Sul, Brazil) designed the squarish typeface Monday. [Google] [More]  ⦿

Eduardo Molea

Buenos Aires-based Venezuelan designer of the free many-styles-in-one polygonal typeface Collisio (2019), which would be perfect for a Mad Max movie. [Google] [More]  ⦿

Edward Hu

At the London College of Communication (LCC), Edward Hu designed Black Square (2019; together with Elisa Borrat Rivera). [Google] [More]  ⦿

Efrain Caravantes

San Salvador, El Salvador-based designer of a deco alphabet in 2019, which was used in La Piscucha magazine. [Google] [More]  ⦿

Elastic1 Studio

Banda Aceh, Indonesia-based designer of Sakila Script (2019). [Google] [More]  ⦿

Elena Serrano Cuenca

Malaga, Spain-based designer of the rounded sans typeface Techno (2019). [Google] [More]  ⦿

Emanuele Cristine de Souza

Sao Paul-based designer of a modular typeface in 2019. [Google] [More]  ⦿

Emerson Felipe

During his studies in Fortaleza, Brazil, Emerson Felipe designed the watercolor typeface Water Coffee Display (2019). [Google] [More]  ⦿

Emilios Theofanous

Graduate of ESAD in Amiens, France, where his graduation typeface was Topos (2018). He writes: Topos is a type family designed for contemporary book and poetry publications. [...] In addition to the standard weights, from Light to Black, Topos comes in four grades, all sharing the same spacing for the Book size. This offers the flexibility of choice of colour, without altering the layout: the calibration will remain the same, while the weight is fine-tuned. Historical references from the Baroque era run throughout this type family with more celebrated features visible in the italics. Greek, including polytonic, is supported as well. [Google] [More]  ⦿

Enes Besinci

Istanbul, Turkey-based designer of the rhombic and hexagonal typeface Prayer (2019). [Google] [More]  ⦿

Eric Liles

Kansas City, MO-based designer of Cuna (2019), a custom titling typeface for the band Making Movies. [Google] [More]  ⦿

Erry Nugraha

Bandung, Indonesia-based designer of the free script typeface Bagilatte (2019). [Google] [More]  ⦿

Estudio Agrade

Mexico City-based designer of the revival typeface Bembo Latin (2019). [Google] [More]  ⦿

Ethan Cohen

Typeface designer and calligrapher from New York City, where he worked at Mucca and studied typeface design at The Cooper Union's Type@Cooper Extended Program. Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. His typefaces:

  • Sig (2018). An update and extension of Rudolf Koch's blackletter typeface, Wallau.
  • His KABK graduation typeface, Decibel (+Text, +Display) (2019). He writes that Decibel embodies the ethos of 1960's and 1970's American funk music: it is quirky, flavorful and syncopated. He writes that Decibel Text was inspired by the charming but naive 19th century British slab serif designs of caslon, Figgins and Thorowgood.
  • Contrakt (2017). A text typeface family for contracts. He writes: Contrakt is a warm, but sturdy and authoritative, text typeface family inspired by the limited palette of typefaces that were available to me in my former life, when I worked in the legal department at a NYC record label. Contrakt was my final project for the 2016-2017 Type@Cooper Extended Program.
  • Melantius (2016). A revival of Bulmer as it appeared in Cheshire House's 1932 edition of Beaumont & Fletcher's The Maide's Tragedy. Melantius was Ethan's first semester project for the Type@Cooper Extended Program.
[Google] [More]  ⦿

Eva Abdulina

Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. [Google] [More]  ⦿

Ewelina Klimik

During her studies, Ewelina Klimik (Lodz, Poland) designed Everly (2019: a hexagonal typeface). [Google] [More]  ⦿

Fabiola Mejia Lutz

Or just Fabi Mejia, from San José, Costa Rica. Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. Her graduation typeface, Rodina, has sharp serifs and high contrast. She also designed a few display typefaces during her stdies, such as Bizco (2019). Instagram link. [Google] [More]  ⦿

Fangchen Dai

Beijing, China-based designer of the all caps Latin display typeface DFC (2019). [Google] [More]  ⦿

Fatma Dündar

Izmir, Turkey-based designer of the display typeface Vapur (2019). [Google] [More]  ⦿

Felix Obinna

Lagos, Nigeria-based designer of Flutterwave (2019). [Google] [More]  ⦿

Fiodar Kuleunich

Strasbourg, France-based designer of the modular circle-based typeface Neon Type (2019). [Google] [More]  ⦿

Firdaus Moses Studio
[Firdaus Musa]

Kuala Lumpur, Malaysia-based designer of the calligraphic script typeface Sterling (2019) and the font duo Cramella )2019). [Google] [More]  ⦿

Firdaus Musa
[Firdaus Moses Studio]

[More]  ⦿

Fo Da
[Nohamad Foda]

Egyptian designer of Luxury Home (2019, with Ahmed Eraqi), a Latin slab serif with lower case letters of unequal x-height. [Google] [MyFonts] [More]  ⦿

Fontherapy

Typefoundry specializing in display type, with a weakness for textured fonts. Publisher of these typefaces as of 2019: Ampera, Analyst, Antic, Akasia (textured), Alasans, Aloha (rounded sans), Alusans, Amblas, Ambyar, Apache, Arsiran, Asolola, Black Forest, Bound, Bisix, Bitink, Black Boxes, Britania, Brocolli, Bubble, Canthink, Clorofiil, Coblosans, Cooland, Calista, Checker, Comixs, Coobra, Coretz, Cotton Candy, Cumils, Darling, Darling Lovable, Diestya, Direction, Drops, Drought, Dymbrud, Exclude, FastaR, Fillet, Flowrish, Focus, Force, Fragile, Gedung, Gigs (layered, octagonal), Gopoh, GresiX, Gubeng v.1, Gubeng v.2, Gazebo, Gelish, Greysia (floral), Hiking (spurred), Ion Plus, Ink Scribble, Intens, Kaleng, Laron, Lotus, Lucky Line (multiline), Mandalika, Moca, Madrosah, Morse (copperplate style), Mosaic (textured), Nona, Oldiest, Pleaster, Pashion, Pentol, Pieces, Pinky (rounded sans), Plank, Playon, Prabu, Pring, Queens, Quicker, Robeck, Roman, Rubber, Racheto, Reactive, Red Blood, Risole, Rooti, Salmoon, Sealand, Squad, Squash, Squash EffecT, Super FanS, Safira, Serifah, Silo, Starled, Susans, Susteria, Threemore (sketched), Tooth, Trailer, Tuman, Tevos, Tornado, Trobost, Velove, Villa, Wave, WinteR, Wood (textured), Wooden, Xania, Zebra. [Google] [More]  ⦿

Francis Chouquet

Lettering and logo design artist who used Fontself to make the fun color font Farandole in 2019. He also made the creamy typeface Maui (2019). Author of Les Ateliers du Lettering (2018, Eyrolles). [Google] [More]  ⦿

Fype Co

Aka Fitiyawan, who seems to have many other identities as well. As "Fype Co", based in Magelang, Indonesia, he/she designed these script typefaces in 2019: Baliany, HoneySome, Blacks, Sunday Sugar (signage script), Minerals Buble, Panda Script. [Google] [More]  ⦿

Gabriel Aparicio

Aka Flakkk Biel. During his studies, Peñaranda de Bracamonte, Spain-based designer of the tweetware hand-crafted typeface Dellafont (2019). [Google] [More]  ⦿

George Katsigiannis

Patras, Greece-based designer of the free techno display typeface SpirtO (2019) for Latin and greek. [Google] [More]  ⦿

Giorgi Lashkarashvili

Graphic designer in Tbilisi, Georgia. Creator of the Latin sci-fi typeface Imperfect23 (2019). [Google] [More]  ⦿

Giri Design

Indonesian designer of the script typefaces Gillingham (2019: monoline) and Hamburg (2019). [Google] [More]  ⦿

Gladys Benichou

French designer of the organic display typeface Typographie (2019). [Google] [More]  ⦿

Glaucia Graciano

At Universidade do Estado de Minas Gerais, Glaucia Graciano (Uba, Brazil) designed the lava lamp typeface Luta (2019). [Google] [More]  ⦿

Goda Petruskeviciute

During her studies at Vilnius Art Academy in Vilnius, Lithuania, Goda Petruskeviciute designed the Bauhaus-inspired sans typeface Obsurdo (2019) and a set of animal icons (2018). [Google] [More]  ⦿

Good Stuff and Supplies

In 2019, this outfit released a set of Japanese-inspired hand-crafted typefaces: Sushi Trash, Konnichi Wa (+Outline), Tokyo Ink, Arigato (+Outline), Milk Bread, Banana Milk, Onigiri Station, Instant Noodles, Tokyo Brush, Spicy Ramen. [Google] [More]  ⦿

Grazil Ltd

Company in Brighton, UK, that sells the programming font Dank Mono (2018). [Google] [More]  ⦿

Gulio Studio

Lampung, Indonesia-based designer (b. 1999) of the hand-crafted and brush typefaces Kamathara (2019), Twikle (2019), Sughar (2019, by Wahy Sapt), Dealova (2019), and Atrusttacho (2019). [Google] [More]  ⦿

Gustavo Santos

At UTFPR, Gustavo santos (Curitiba, Brazil) designed Expetimental types (2019). [Google] [More]  ⦿

Hein J

Seoul, South Korea-based designer of the Latin sans typeface Clovelly (2019). [Google] [More]  ⦿

Henrique Martinowski

Born in Brazil, but based in Marinha Grande, Portugal, Henrique Martinowski designed the German expressionist typeface Geoblack in 2019. [Google] [More]  ⦿

Idealogo Studio

Designer of the signature script typeface Ontohood Boys (2019). [Google] [More]  ⦿

Ilayda Aslan

At FMV Isik University, Istanbul-based Ilayda Aslan designed the ovctagonal typeface Less Is More (2019). [Google] [More]  ⦿

Ilstudios ID

Indranayu, Indonesia-based designer of the monoline script typeface Ganbatta (2019) and the cursive typeface Azmerotta (2019). [Google] [More]  ⦿

Ingvar Meen

Graduate of Tartu Art School, Pärnu Non Grata Academy and Estonian Academy of Arts. Tallinn, Estonia-based designer of a modern modular typeface in 2019. [Google] [More]  ⦿

Irene Figueres

Graphic designer In Barcelona. Creator of the art deco typeface Colmado (2019), which was inspired by shop signs in Barcelona. [Google] [More]  ⦿

Isabel Gatuslao

Chilean type designer who released Qualta in 2019 at Alt-A Typefaces. Qualta, a geometric sans with broken stems, was conceived in 2017 by Isabel Gatuslao for a school project, and was further developed by Pedro Gonzalez. [Google] [MyFonts] [More]  ⦿

Isaias Barreto Silveira

Palhoça, Brazil-based designer of the decorative caps typeface Bauhaus Flow (2019). [Google] [More]  ⦿

Izam Martinez Sandoval

Salamanca, Spain-based designer of an inline all caps typeface in 2019. [Google] [More]  ⦿

Jack Halten Fahnestock

American designer currently (i.e., 2019) studying at the Rhode Island School of Design. Creator of the free variable font Tiny (2019, Velvetyne), a monospaced dot-matrix typeface based on the smallest type size of five dots on the HandJet EBS-250 hand-held printer. The sizes of the dots make up the variable axis. He writes: The TINY font family was originally created at over the summer of 2018 as the visual identity for an experimental retail pop-up shop in Chinatown, New York City called Today in New York, or TINY for short. The shop was the result of an intern project at Verdes, a creative agency, between Jack Halten Fahnestock and Theia Flynn. There they sold T-shirts and tote bags customized on the spot with a fancy (and stupid expensive) handheld inkjet printer called a HandJet EBS-250.

Personal web site. [Google] [More]  ⦿

Jan Kosek

Polish designer of the thin squarish typeface Odrodzenie (2019). [Google] [More]  ⦿

Jann Kuusisaari

Copenhagen, Denmark-based designer of the free font Jann Script (2019). 1001 Fonts link. [Google] [More]  ⦿

Jason Gonzalez

New York City-based designer of the wavy typeface Current (2019). [Google] [More]  ⦿

Jenjok

Designer of the script typefaces Cratti (2019) and Xandrella (2019). [Google] [More]  ⦿

Jennifer Scureman

American designer of the hairline sans typeface Penelope (2019), Curson Handwriting (2019) and the script typeface Charlotte (2019). [Google] [More]  ⦿

Jeremy Joshua C

Designer and illustrator in Guayaquil, Ecuador. In 2019, Jeremy Joshua C, Damaris Reyes and Yuri Zambrano co-designed the textured school project font Torn, and the display sans typeface Hook. [Google] [More]  ⦿

Jessica Davis

Bothell, WA-based desigigner of the decorative caps typeface Animal Letters (2019). [Google] [More]  ⦿

Jessica Greenfield

At Ravensbourne University, Jessica Greenfield (Stretton, UK) designed the kitchen tile font Cheerful (2019). [Google] [More]  ⦿

Jessie Lovano

Columbus, OH-based designer of the display typeface Grimm (2019). [Google] [More]  ⦿

Joana Antunes

At Universidade de Aveiro, Joana Antunes and Joao Cardoso designed Galos (2019), an informal typeface inspired by Portugal, sardines, and all things Portuguese. [Google] [More]  ⦿

Joao Cardoso

At Universidade de Aveiro, Joana Antunes and Joao Cardoso designed Galos (2019), an informal typeface inspired by Portugal, sardines, and all things Portuguese. [Google] [More]  ⦿

Joey Chng

Graduate of Nanyang Academy of Fine Arts (NAFA). Singapore-based designer of Sharpe (2019). [Google] [More]  ⦿

Johan Montenegro

San Cristobal, Venezuela-based designer of a modular typeface simply called Monospace (2019). [Google] [More]  ⦿

John Bikaz

Designer of the free font Planet 7 Casino (2019). [Google] [More]  ⦿

Joona Louhi

Helsinki, Finland-based designer. Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. His graduation typeface, Maneuver, is a joyful and masterful experiment in display type, a genre made fashionable by David Jonathan Ross that characterizes the second decade of the 21st century. [Google] [More]  ⦿

Josep Agüero

Barcelona-based designer of the blackletter font Gothic Proto (2019) and the circle-themed Round Proto (2019). [Google] [More]  ⦿

Josephine Briley

During her studies at University of Nebraska-Lincoln, Josephine Briley designed the all caps display sans family fitzgerald (2019), which includes inline and beveled styles. [Google] [More]  ⦿

Josh Denny

London-based designer of the rope font Twine (2019). [Google] [More]  ⦿

Juan Martin Diez

Graphic designer and illustrator in Buenos Aires, Argentina. In 2019, he designed the art gallery typeface Banana. [Google] [More]  ⦿

Judith Vinals

Spanish designer of the modular display typeface Candles (2019) and the squarish typeface Bjoern (2019). [Google] [More]  ⦿

Julio Ruiz

Designer in Guatemala City who created the piano key typeface Brutal Condensed in 2019. [Google] [More]  ⦿

Justin Ho
[Uno Bello Design Studio]

[More]  ⦿

Kai Lehmann

During his studies at ECAL in Lausanne, Switzerland, David Molner designed the display typeface Rungli (2019). [Google] [More]  ⦿

Kaique Gomes

Sao Paulo, Brazil-based designer of the ball terminal-laden text typeface Maroge (2019) for a school project at Belas Artes College. [Google] [More]  ⦿

Kara Zichittella
[Zeitype]

[More]  ⦿

Karloxky

Graphic artist in Bogota, Colombia, sopecilaizing in big brash in-yoour-face typefaces, mostly in some vector format. These include Very Cool (2019), Comic Font (2019), Big Sale (2019: 3d), My Hero (2019: a color font), and Next (2019: techno, chrome style). [Google] [More]  ⦿

Karmen Cesnovar

Graphic designer in Ljubljana, Slovenia, who published the typeface Steampunk in 2019. [Google] [More]  ⦿

Katherine Kuhn

During her studies, Katherine Kuhn (Sycamore, IL) designed the display typeface Sloth (2019). [Google] [More]  ⦿

Kayla Wade

American designer of a frivolous curly typeface in 2019. [Google] [More]  ⦿

Kaysie Pillai

Singapore-based designer of Hassliebe Regular (2019), which was inspired by the dislike Erik Spiekermann had for Helvetica. Hassliebe Regular is a serif typeface with pointy serifs and a tall x-height. [Google] [More]  ⦿

Kelsey Ragain

American designer of Modular Type (2019). [Google] [More]  ⦿

Kometa
[Christian Jansky]

Kometa is Christian Jansky's typefoundry located in Brno, Czechia. His typefaces: Attila Sans (a contemporary sans with an attitude, 2019), Labil Grotesk and Stabil Grotesk (2018, based on his Masters thesis), Victor Serif (2019, a transitional typeface famiy named after Victor Lardent who designed Times New Roman; it has a variable option with a weight axis). Home page. [Google] [More]  ⦿

KonKhmer
[Suonmay Sophanith]

Between 2015 and 2018, Suonmay Sophanith designed these free typefaces and dingbat fonts for Latin and Khmer: 2022-unoifficial (for the Qatar FIFA World Cup in 2022), FIFA-18-ART, Jun Ho, KH-NITH-MUFAN, KonKhmer_S-Phanith1, KonKhmer_S-Phanith10, KonKhmer_S-Phanith11, KonKhmer_S-Phanith12, KonKhmer_S-Phanith13, KonKhmer_S-Phanith14, KonKhmer_S-Phanith2, KonKhmer_S-Phanith3, KonKhmer_S-Phanith4, KonKhmer_S-Phanith5, KonKhmer_S-Phanith6, KonKhmer_S-Phanith7, KonKhmer_S-Phanith8, KonKhmer_S-Phanith9, PHANITH-FONTER, Phanith-FONTER-aZ, Phanith-Fonter-THAT, Phanith-THAT, S-PHANITH-FONTER-ROCK, S-PHANITH-FONTER-SAM, S-PHANITH-FONTER-TOUCH, S-PHANITH-FONTER-WW, S-PHANITH-FONTER-ZOUL, S-PHANITH-FONTER-ZZ, S-PHANITH-FONTER, S-PHANITH_FPefect, S-PHANITH_FTHIN, S-PHANITH_THINKE, S-Phanith-FONTER-DRAQ, S-Phanith-FONTER-GONE, S-Phanith-FONTER-PC-TOOL, S-Phanith-FONTER-THIN, S-Phanith-FONTER-WEEN, S-Phanith-Fonter-LAM, S-Phanith14-GREAT-1, S-Phanith14-GREAT-2, S-Phanith14-KH-PENCIL, S-Phanith_2019, S-Phanith_miss-you. [Google] [More]  ⦿

Koray Özbey
[Koray Özbey]

Turkish designer of Spaco Stencil SC (2019: a futuristic stencil typeface) and the 36-style Sadi (or Sadi Slab) (2019), which has enough sturdiness to make it shine in small print. [Google] [MyFonts] [More]  ⦿

Koray Özbey
[Koray Özbey]

[MyFonts] [More]  ⦿

Krygene Design

Toronto, Canada-based designer of the free all caps sans headline typeface Make Ya Cry Grotesque (2019). [Google] [More]  ⦿

Kyryll Myly

Poland-based designer of the hipster typeface Antychrystio (2019) for Latin and Cyrillic. [Google] [More]  ⦿

Laura Anastasio

Milan, Italy-based designer of Abecedario del Falso Libro (2019). [Google] [More]  ⦿

Lazly Bateman

Sopron, Hungary-based designer of the piano key typeface Monostein (2019). [Google] [More]  ⦿

Léa Manchajm

During their studies at L'École de design Nantes Atlantique (France), Marie Königsdörfer and Léa Manchajm co-designed the watercolor brush typeface Reykjavik (2019). [Google] [More]  ⦿

Leonor Sa Machado

Portugal-based Macau-born designer of the award-winning Arte Macau 2019 poster (and lettering). [Google] [More]  ⦿

Letter Muzara
[Anna Tsuranova]

Russian designer of Cursivica (2019) for Latin and Cyrillic. [Google] [MyFonts] [More]  ⦿

Letterlogy
[Luki Pratomo]

Jakarta, Indonesia-based designer of the simple sans typeface Asake (2019) and the text typeface Chitogo (2019). Instagram link. [Google] [More]  ⦿

Levent Ak

Izmir, Turkey-based designer of the display typeface Kemeralti (2019) and the wavy typeface Bipolar (2019). [Google] [More]  ⦿

Linefab

Designer of mostly display or techno or futuristic sans typefaces for Latin and Cyrillic. The list:

  • 2019: Stoptic (a full rounded sans), Adelina, Medium, Childling, Kerberos, Academy, Barbara, Doodler, Cave Age, Pixellance (pixelish), Ivanka, Dottle (dot matrix), Adriana, SpaceAge, Javier, Thumper, Bionic, Martian Luxury.
  • 2018: Sweet Monkey , HelloDolly!, StoneAge, Spectre, StoryBook, Drenareon Display (octagonal), Colette, Jacqueline, Roller, SuperDario Pixel, Punto (dot matrix), Gennaro, Cosette, Ninova, Budapest Regular + Italic, Quad Display, Verona Display, Juvenile.
[Google] [More]  ⦿

Lole Roman
[Variable Type Foundry]

[MyFonts] [More]  ⦿

Lorenzo Tommasi

Naples, Italy-based designer of Jack Sans (2019). [Google] [More]  ⦿

Louis Mallart

At ESAG Penninghen, Louis mallart (Paris, France) designed the animated caps typeface nobodi. [Google] [More]  ⦿

Louis Nebinger

Graduate of ESAD in Amiens, France, class of 2018. He writes about his graduation typeface, Grand Tourisme, which thrives on stress and tension: Grand Tourisme is a large typeface system designed for editorial purposes, and especially for magazines. It takes inspiration from the concept of tuning and imagines type as a car frame on which one applies any kind of transformation. [Google] [More]  ⦿

Luca Panna Gulyas

During her studies at the Visual Arts Institute in Eger, Hungary, Luca Panna Gulyas designed the art deco sans typeface Unonmar (2019). [Google] [More]  ⦿

Ludvig S. Ipsen

Type designer based in Malden, MA. In 1903, he patented two typefaces for ATF, and many people believe that he therefore was the designer at ATF of ATF Florentine Old Style (1896). Mac McGrew writes: Florentine or Florentine Oldstyle was advertised by ATF in 1896 as a cap-and-small-cap design, but quickly replaced by Florentine Oldstyle No.2. with lowercase instead of small caps. Florentine Heavyface followed in 1898. The latter was renamed Florentine Bold, and condensed and extra condensed widths were added in 1903, and became popular advertising typefaces. Some of these were patented in the name of Ludvig S. Ipsen, and presumably he was the designer. ATF said of the Oldstyle: "Many of the characters are transcripts of the lettering of a famous Italian monument of the sixth century," although it is a rather bizarre novelty series.

The advertizing for Florentine Old Style was in The Inland Printer, March 1896.

In the digital age, we have these revivals and interpretations:

  • Florentine by URW. No date, no designer.
  • Florentine (2012) by SoftMaker. Earlier, SoftMaker had F761 Deco in its line-up.
  • OPTI Tommy by Castcraft.
[Google] [More]  ⦿

Luiz Felipe

In 2019, Luiz Felipe (Blumenau, Brazil), Pedro Bogo (Indaial, Brazil), Arthur Otaviano (Blumenau, Brazil), and Eduarda Cristina Towe (Jaragua do Sul, Brazil) designed the squarish typeface Monday. [Google] [More]  ⦿

Luka Zubic

Belgrade, Serbia-based designer of Qubik (2019). [Google] [More]  ⦿

Luke Charsley

Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. His graduation typeface was the sturdy classical serif Adorno. Dribble link. [Google] [More]  ⦿

Luki Pratomo
[Letterlogy]

[More]  ⦿

Luna Masri

During her studies at Bahcesehir University, Istanbul-based Luna Masri designed the free wavy hand-crafted typeface Pipistrello (2019). [Google] [More]  ⦿

Mabhal Hallud

Serang, Indonesia-based designer of these typefaces in 2019: Beveled (monoline script), Cikandei (a straight-edged poster typeface), Taryland, Browrie, Happy Birthday (monoline script). [Google] [More]  ⦿

Madie Homan

Madie Homan (Cumming, GA) designed the sp[eed font Competitive Eimaq (2019) during her studies at SCAD. [Google] [More]  ⦿

Maikeru Fukurou

Kyoto, Japan-based designer of the Latin display typeface Eagle Sight (2019). [Google] [More]  ⦿

Marco Goran Romano

Illustrator in Milan, Italy. Together with Valentina Casali, he runs the studio Sunday Büro. In 2019, Sunday Büro released the hexagonal / octagonal typeface Thndrbolt, which was co-designed by Valentina Casali and Marco Goran Romano. They explain: In 2017 we had the honour to work, under the art direction of Francesca Pignataro, on the restyling of Il Mucchio Selvaggio Magazine, the oldest (and boldest) Italian music magazine. A brand new font for titling was designed, aiming to represent the new soul of the magazine, its modern look, its freshness. The result is an overbearing typeface inspired from the typography of 70s / 80s music fanzine like Damaged Goods, Punkture or some openings of ZIG ZAG. [Google] [More]  ⦿

Maria José Pardo

During her studies, Bogota, Colombia-based Maria José Pardo designed the octagonal typeface Maquenjo (2019). [Google] [More]  ⦿

Mariana Kouno

During her studies at ESPM, Sao Paulo, Brazil-based Mariana Kouno designed the rhythmic text typeface Uraipuru (2019). [Google] [More]  ⦿

Marie Königsdörfer

During their studies at L'École de design Nantes Atlantique (France), Marie Königsdörfer and Léa Manchajm co-designed the watercolor brush typeface Reykjavik (2019). [Google] [More]  ⦿

Mark Darren Chang

Oakville, Canada-based designer of the sci-fi typeface Aslade (2019). [Google] [More]  ⦿

Mark Farris
[Studio One Four]

[More]  ⦿

Martin Poyet

Paris-based designer of the backslanted typeface Nik( 92019). [Google] [More]  ⦿

Martin Violette

Graduate of ESAD in Amiens, France, class of 2017. His graduation typeface was Nicostrate, a hybrid typeface. He explains: Nicostrate draws from studying a peculiar Italian Renaissance manuscript, Amyris (1478-1480) by Mario Filelfo and juxtaposing this with geometric form inspired by Edward Johnston and Paul Renner. [Google] [More]  ⦿

Maryam Kamal

Interior architect in Oman. Designer of the font duo Sunkissed (2019). [Google] [More]  ⦿

Masego Moanakwena

During her studies in Johannesburg, South Africa, Masego Moanakwena designed the display typeface Mgongo (2019). [Google] [More]  ⦿

Mateusz Adamczyk

Graphic designer in Poznan, Poland, who published the squarish typeface Quadrum (2019). [Google] [More]  ⦿

Matheus Fio Gonçalves
[Tipogra Fio]

[More]  ⦿

Maximilian Müsgens
[t-1]

[More]  ⦿

Mayara Silvestrini

Sao Paulo, Brazil-based designer of the vernacular typeface Sono Eterno (2019). [Google] [More]  ⦿

Mayara Teixeira

Brazilian designer of the display typeface Compasso (2019). [Google] [More]  ⦿

Mesintik Studio

Indonesian designer of these script typefaces in 2019: Junette (a fat brush script), Garisha (a signature font), Arlen (a creamy brush script). [Google] [More]  ⦿

Micaela Signorelli

Argentinian designer of the Batman-inspired Bat Font (2019). [Google] [More]  ⦿

Michaela Ricci Schenker

During her studies in Sao Paulo, Brazil, Michaela Ricci designed the simpla sans typeface Amazing Grace (2019). [Google] [More]  ⦿

Michelangelo Nigra

Designer in Torino, Italy. Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. His graduation typeface, Rapida, evokes speed and pressure to buy (or else!). In 2018, Joseph Miceli (Alpha Type) and Michelangelo Nigra co-designed Arial Grotesk. They write: Arial appears to be a loose adaptation of Monotype's venerable 215 Grotesque series, redrawn trying to match the proportions and weight of Helvetica. Arial Grotesk is truer to the original. [Google] [More]  ⦿

Michelle Killalea

During her studies at Queensland University of Technology, Brisbane, Australia-based Amy Hitchner co-designed the display typeface Deliciae (2019) with Amy Hitchener. [Google] [More]  ⦿

Miguel Felix

Culiacan, Mexico-based designer of the geometric solid typeface Vector (2019). [Google] [More]  ⦿

Milagros Wienert

Buenos Aires, Argentina-based designer of the ink splash brush font Urbana (2019). [Google] [More]  ⦿

Mist Design
[Stefan Milic]

Kragujevac, Serbia-based designer of the medieval Serbian typeface Prizren (2019), Fruit Engravings (2019) and Outdoor Pictograms (2019). [Google] [More]  ⦿

Molly Suber Thorpe

Calligrapher and lettering artist from Los Angeles who graduated from The American University of Paris and UCLA's Design Communication Arts program (class of 2009). Today, Molly lives in Athens, Greece. Shw wrote these books:

  • Modern Calligraphy: Everything You Need to Know to Get Started in Script Calligraphy (St. Martin's Press, 2013).
  • The Calligrapher's Business Handbook (2017).
  • Mastering Modern Calligraphy (St. Martin's Griffin, 2019).

In 2019, she designed the monoline script font Cantaloupe. [Google] [More]  ⦿

Monica Yatmatama

Jakarta, Indonesia-based designer of the sans typeface Shinjuku (2019). [Google] [More]  ⦿

Monika Grause

Hamburg, Germany-based designer of the free modular all caps typeface MGGeometricColor NoColor (2019) and the freeGeometric Color. Both were made with Fontself. Other fonts by Monika include MG Skribble. [Google] [More]  ⦿

Mukhlis Muhammad

Makassar, Indonesia-based designer of the monoline script typeface Kalister (2019). [Google] [More]  ⦿

Muzi Li

During his/her studies in New Zealand, Muzi Li designed the decorative typeface Luminous (2019). [Google] [More]  ⦿

My Van Loc

Designer in Toronto, who designed the color font Anatomia in 2019. [Google] [More]  ⦿

MyFonts: Bestsellers for August 2019

The fifty best-selling typefaces at MyFonts, as reported by them on July 31, 2019: #1 Gilroy (Radomir Tinkov), #2 Neue Helvetica (Linotype), #3 FF DIN (FontFont), #4 Avenir (Linotype), #5 Helvetica Now (Monotype), #6 Avenir Next (Linotype), #7 DIN Next (Linotype), #8 TT Hoves (TypeType), #9 Cera Pro (TypeMates), #10 Univers (Linotype), #11 Proxima Nova (Mark Simonson), #12 Brandon Grotesque (HVD Fonts), #13 FF Mark (FontFont), #14 TT Commons (TypeType), #15 TT Norms Pro (TypeType), #16 Neue Haas Grotesk (Linotype), #17 Helvetica (Linotype), #18 Recoleta (Latinotype), #19 Averta (Intelligent Design), #20 Nimbus Sans Chinese (URW Global), #21 Nexa (Fontfabric), #22 Effra (Dalton Maag), #23 Axiforma (Kastelov), #24 Mont (Fontfabric), #25 Brandon Text (HVD Fonts), #26 Trade Gothic (Linotype), #27 Frutiger (Linotype), #28 Futura (Linotype), #29 Museo Sans (exljbris), #30 Cooper BT (Bitstream), #31 Campton (Rene Bieder), #32 ITC Avant Garde Gothic (ITC), #33 Eina (Textaxis), #34 Freight Text Pro (GarageFonts), #35 Univers Next (Linotype), #36 Sofia Pro (Mostardesign), #37 Turbinado (Aerotype), #38 Mokoko (Dalton Maag), #39 Futura PT (ParaType), #40 Intro (Fontfabric), #41 Amsi Pro (Stawix), #42 Sailec (Type Dynamic), #43 Galano Grotesque (Rene Bieder), #44 Gill Sans (Monotype), #45 Bebas Neue Pro (Dharma Type), #46 Isidora Sans (Latinotype), #47 Silk Serif (SilkType), #48 FF Good (FontFont), #49 Gordita (Type Atelier), #50 Harmonia Sans (Monotype). [Google] [More]  ⦿

Nanda Krista

Jember, Indonesia-based designer of Krista (2019). [Google] [More]  ⦿

Naomi Tirronen

Los Angeles-based designer of the text typeface Dudamel (2019), which is named after conductor Gustavo Dudamel. [Google] [More]  ⦿

Natalie Lyra

Sao Paulo, Brazil-based designer of Psyxel (2019), Baulaus (2019) and Bubly (2019: a rounded sans). [Google] [More]  ⦿

Neil Cattermole

Ipswich, UK-based designer of the papercut typeface Papier Couper (2019). [Google] [More]  ⦿

Nicole Moura

During her studies in bauru, Brazil, Nicole Moura designed the modular video game typeface Nostalgic (2019). [Google] [More]  ⦿

Niki Polyocan

In 2019, Niki Polyocan and Eli Block co-designed the free Google web font Lacquer. Github link. Lacquer is an expressive display font featuring heavy drips and dozens of alternate glyphs. Lacquer was hand drawn using a paint pen by Niki Polyocan and was extrapolated and finished by Eli Block at Google Creative Lab. [Google] [More]  ⦿

Nil Petsko

Saint Petersburg, Russia-based designer of the thin squarish typeface Skerpka (2019). [Google] [More]  ⦿

Nilson Art Design
[Nilson Lima]

Brazilian designer of the squarish typeface Quadratic (2019). [Google] [MyFonts] [More]  ⦿

Nilson Lima
[Nilson Art Design]

[MyFonts] [More]  ⦿

Nisha Singh

Faridabad, India-based designer of the octagonal all caps typeface Nishaconut (2019). [Google] [More]  ⦿

Noah Askienazy

At Gobelins, Ecole de l'image, Noah Askienazy (Paris, France) designed the glitch font Datamosh (2019) and the sloppy slushy unusual Brush (2019). [Google] [More]  ⦿

Nohamad Foda
[Fo Da]

[MyFonts] [More]  ⦿

Norbert Kowalczyk

Wroclaw, Poland-based designer of the squarish industrial typeface Bloki (2019). [Google] [More]  ⦿

Nugraha Jati Utama
[Rokoe Type]

[More]  ⦿

Nur Miftah
[Rakata Studio]

[More]  ⦿

Olga Sereda

Moscow, Russia-based designer of the scratchy Latin / Cyrillic typeface Csarapka (2019). [Google] [More]  ⦿

Olivia Sue

Designer of these typefaces in 2019: Neno (sans), Forty Nine (script), Bokken (script), Zelkova (a supermarket sans). [Google] [More]  ⦿

Onedsgn

Designer of Lucrethia (2019), Djakarta (2019) and Frogress Calligraphy Script (2019). [Google] [More]  ⦿

Oscar Design

Designer of these hand-crafted typefaces in 2019: Dilema, Brintale, Loving You, Cheya, Mettani. [Google] [More]  ⦿

Panji Rizquloh

Tulungagung, Indonesia-based designer, b. 1998, of the upright script typeface Rosalina (2019). [Google] [More]  ⦿

Paul Paun

Bucharest, Romania-based designer of Mitsubitchy Neo Gothic (2019). [Google] [More]  ⦿

Paul Peter Piech

Paul Peter Piech (b. Brooklyn, NY, 1920, d. 1996) was a poster and linocut artist who spent most of his professional career in Britain. He produced a large number of original prints on social, political and literary themes over five decades, combining innovative lettering with original artwork and bold colours in a unique style. Concerned with social and racial injustice and annoyed by some political classes and Richard Nixon in particular, he is known for a print of Nixon with the word dicktator inscribed above.

Typefaces influenced by his lettering:

  • Peich (2018, Robert Young). A free linocut style font.
  • Pieches (2019, Erica Jung and Ricardo Marcin). A commercial typeface that also emulates the linocut style of Piech.
[Google] [More]  ⦿

Pedro Bogo

In 2019, Luiz Felipe (Blumenau, Brazil), Pedro Bogo (Indaial, Brazil), Arthur Otaviano (Blumenau, Brazil), and Eduarda Cristina Towe (Jaragua do Sul, Brazil) designed the squarish typeface Monday. [Google] [More]  ⦿

Pedro Gonzalez

Chilean type designer who founded Alt-A Typefaces, which released Qualta in 2019. Qualta, a geometric sans with broken stems, was conceived in 2017 by Isabel Gatuslao for a school project, and was further developed by Pedro Gonzalez. [Google] [MyFonts] [More]  ⦿

Perdana Kurniawan
[Perdana Kurniawan Arta (or: Noun Visual)]

[More]  ⦿

Perdana Kurniawan Arta (or: Noun Visual)
[Perdana Kurniawan]

Illustrator and icon designer in Jakarta, Indonesia, who created the the vampire font The Wambires (2018), free modular sci-fi typeface Skywalker (2019) and the culr typeface the Wambires (2019). His icon sets: Summer Holidays, Asian Games, Olympic Sports, Fruit & Vegetables. [Google] [More]  ⦿

Peterdraw
[Ahmad Syarif Afandi]

Indonesian designer of the display typefaces Brewok (2019: a sans with hairy outlines), Glippy (2019: a glitch font), Maven (2019) and Neon Desmon (2019), the rounded hand-crafted sans typeface Dear Audrey (2019) and the script typefaces Molita (2019), Geulis Stylish (2019), Gladyss (2019), Nina Ninut (2019), Lulla (2019), Dear Audrey Script (2019) and Camellia (2019). [Google] [More]  ⦿

Phil Jackson

Manchester, UK-based designer of the squarish typeface Infoka (2019). [Google] [More]  ⦿

Pi Creative Studio

Braga, Portugal-based designer of Rampa (2019), a bespoke sans typeface done for Primavera BSS. [Google] [More]  ⦿

Piotr Wardziukiewicz
[Wardziukiewicz]

[MyFonts] [More]  ⦿

Primafox Design (or: Tanincreate)
[Tanya Amos]

UK-based designer of these script typefaces in 2019: Tiara (a calligraphic script), Morning Mood, Michael (a signature script), Violets (brush), Cookie Jar, Parapluie. She also designed the decorative sans typeface Peronel (2019). [Google] [MyFonts] [More]  ⦿

Productype Store

Indonesian designer of the brush script typeface Maria Curieg (2019). [Google] [More]  ⦿

Pumah

Aka Slyzi P. Indonesian designer of Krempeng Sans (2019). [Google] [More]  ⦿

Quatrevingtquinze

Montelimar, France-based designer of the 3d gridded typeface Filaire (2019). [Google] [More]  ⦿

Quentin Coulombier

French designer of the display typeface Zoo (2019, at Blaze Type). [Google] [More]  ⦿

Rachael Legge

Scottish graphic/ux design student located in Los Angeles. In 2019, she designed the didone fashion mag typeface Effrontée. [Google] [More]  ⦿

Rakata Studio
[Nur Miftah]

Bandar Lampung, Indonesia-based designer of the brush script typefaces Kekyoto (2019), Roberty Buso (2019), Rosydit (2019), The Question (2019), and Staryl (2019), the monoline script Otakutt (2019) and the script typefaces iReghina (2019), Hesgaki (2019), Ania Gamelia (2019), Bad Ride (2019) and Adore Voeu (2019). [Google] [More]  ⦿

Ramiro Perez

Argentinian designer of the sans typeface Rampe (2019). [Google] [More]  ⦿

Rangga Ilyasa

Jakarta, Indonesia-based designer of Batavia (2019: a Dutch deco sans, and a monoline script), Zula (2019: an informal sans) and Cotana (2019: a signature script). [Google] [More]  ⦿

Rania Azmi

Graphic designer in Florence, Italy. Creator of the arabic version of Tarif (2019, Zetafonts). Tarif is a typeface family inspired by the multicultural utopia of convivencia---the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, togheter with Muslim culture and aesthetics. It is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing latin zest, calligraphic details, extreme inktraps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic version of Tarif, where the humanist shapes and inverted contrast of the latin letters find a natural connection with modern arabic letterforms. [Google] [MyFonts] [More]  ⦿

Rantau Type

Labuhan Batu, Indonesia-based designer (b. 1995) of the script and hand-crafted typefaces Snobi (2019), Just Blossom (2019), Synthia (2019), Northrow (2019) and Doubtless (2019: brush script). [Google] [More]  ⦿

Rejazer Project
[Reza Muhammad]

Malang, Indonesia-based designer of the free infprmal sans typeface Bread (2019). [Google] [More]  ⦿

Remi Bordet

Montpellier, France-based designer of these display typefaces in 2019: Auriga, Neo Sapiens, Hydra, Zephyr, Leviathan, Mythologics, Scarab, Scythe, Heretics. [Google] [More]  ⦿

Renate Körbel

Vienna, Austria-based designer of the circle-based display typeface Bubbles (2019). Her Bildalphabet (2018) evokes op-art. [Google] [More]  ⦿

Rerd Systems
[Clement Odai]

Accra, Ghana-based designer of the clean sans typeface Nanotech (2019). [Google] [More]  ⦿

Reza Muhammad
[Rejazer Project]

[More]  ⦿

Ricard Garcia

Barcelona-based designer. Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. Prelude, his graduation typeface, is a display sans that has calligraphic traits in the heavier weights. It has many styles that make this humanistic ensemble a wonderful and useful toolbox, even for short texts. [Google] [More]  ⦿

Rizkan Arrahman

Aka Nasrun. Payakumbuh or Jambi, Indonesia-based designer of the script typefaces Cleverlands (2019) and Readfaster (2019). [Google] [More]  ⦿

Rodolpho Malvestiti

At UFSC, Florianopolis, Brazil-based Rodolpho Malvestiti designed the modular typeface Bubble (2019). [Google] [More]  ⦿

Rokoe Type
[Nugraha Jati Utama]

Yogyakarta, Indonesia-based designer of Angkasa (2019). [Google] [More]  ⦿

Rostype
[Cristian Tournier]

Typefoundry and type cooperative in Rosario, Argentina, providing well-designed free fonts. The type director is Cristian Tournier. Others contrbuting include Alejo Bergmann, Mariano Diez, Denis Ignatov and Emmanuel Baldor. As of 2019, they have the following fonts:

  • Aldo Sans (2018, Cristian Tournier).
  • Arturito (2019, Cristian Tournier).
  • Bulky (2017, Mariano Diez).
  • Bondi (2018, Alejo Bergmann).
  • Cunia (2018, Alejo Bergmann).
  • Don José (2018, Cristian Tournier).
  • Facón (2018, Alejo Bergmann).
  • MD Tall (2018, Mariano Diez).
  • NY Bricks (2019, Mariano Diez).
  • Potra (2018, Alejo Bergmann).
  • Rousseau Deco (2019, Mariano Diez).
[Google] [More]  ⦿

Ruang Kerja

Designer of Ayudisha (2019) and Mimitee (2019). [Google] [More]  ⦿

Rutherford Craze

British graduate of Falmouth University in 2018. Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. His typefaces:

  • Apothek (2018). A type project at TypeMedia.
  • Battalion (2018). His degree project at Falmouth University. A wide monospaced programming font.
  • Chasmata (2018). A blocky interlocking typeface.
  • Greymarch (2019). His graduation typeface at KABK: a sturdy slabby serif with angular counters, and many references to humanist calligraphy.
  • Helium Gold (2018). An experimental variable font with extreme width contrast.
  • M74 (2019). A 1970s style sci-fi font.
  • Weiss Antiqua (2019). A revival of Emil Rudolf Weiss's Weiss Antiqua (1928), done for a school project at KABK.
[Google] [More]  ⦿

Ryul Davidson
[Brenners Template]

[MyFonts] [More]  ⦿

Salomé Becquard

French designer of the modular color font Morphe (2019). [Google] [More]  ⦿

Sara Wird Raffaelli

Montignoso, Italy0based designer of the hipster typeface Body (2019). [Google] [More]  ⦿

Sasha Selezneva

Moscow-based designer of the painted Latin / Cyrillic typeface Looser (2019). [Google] [More]  ⦿

Saxvify Studio

Indonesian designer of the script typefaces Full Moon (2019), Barcelona (2019) and Valensia (2019). [Google] [More]  ⦿

Seunghyun Kang

Seoul, South Korea-based designer of the squarish Latin typeface KangD (2019). [Google] [More]  ⦿

Sharad Garole

Illustrator in Mumbai, India, who designed a foliate typeface in 2019. [Google] [More]  ⦿

Shinchan Wassup

Bangkok, Thailand-based designer of a geometric display typeface in 2019. [Google] [More]  ⦿

Sidney Geller

Graphic designer in Louisville, KY, who created these typefaces in 2019: Firenze, Margot. [Google] [More]  ⦿

Signatoro Studio

Semarang, Indonesia-based designer of the monoline script Scoutline (2019). [Google] [More]  ⦿

Sina Gerschwiler

Aka Lady Tiger. Goldach, Switzerland-based designer of the display typeface Gruus (2018). [Google] [More]  ⦿

Skiiller Studio

Designer of these hand-crafted typefaces in 2019: Selfilla, Gillithig. [Google] [More]  ⦿

Slava Antipov
[Black Orbit Art]

[More]  ⦿

Slidesignus

Designer of these script typefaces in 2019: Tottenham, Rocklen (monoline). [Google] [More]  ⦿

Society of Fonts
[Brandon Buerkle]

American designer of the hand-crafted typeface Protest (2019). [Google] [MyFonts] [More]  ⦿

Sofia Ruffo

Mexico City-based designer of the slab serif typeface Kion (2019). [Google] [More]  ⦿

Stanislaw Stupkiewicz

Warsaw, Poland-based designer of the layered geometric deco typeface Social (2019). [Google] [More]  ⦿

Stefan Milic
[Mist Design]

[More]  ⦿

Stephanie Nieuwenhuisen

Graphic designer in Barcelona who released the wide open counter sans typeface Aperture Curved in 2019. [Google] [More]  ⦿

Stuart Hazley

British designer of the sans typeface Ostent (2019), which was influenced by DIN 1451. [Google] [MyFonts] [More]  ⦿

Studio One Four
[Mark Farris]

Fort Loramie, OH-based designer of the sports font Dagger (2019), Gasoline (2019), Butcher (2019), Certified (2019), the octagonal typeface Diesel (2019), the sports font Gameday (2019), the sports font Flyer (2018), the athletics fonts Tribe (2018) and Lightning (2018), Lawson (2018), the Tuscan typeface Warsaw (2018), and the futuristic typeface Krypto (2018). [Google] [More]  ⦿

Sunday Büro
[Valentina Casali]

Studio in Jesi, Italy, run by Valentina Casali (Jesi) and partner partner Marco Goran Romano (Milano). In 2019, Sunday Büro released the hexagonal / octagonal typeface Thndrbolt, which was co-designed by Valentina Casali and Marco Goran Romano. They explain: In 2017 we had the honour to work, under the art direction of Francesca Pignataro, on the restyling of Il Mucchio Selvaggio Magazine, the oldest (and boldest) Italian music magazine. A brand new font for titling was designed, aiming to represent the new soul of the magazine, its modern look, its freshness. The result is an overbearing typeface inspired from the typography of 70s / 80s music fanzine like Damaged Goods, Punkture or some openings of ZIG ZAG.

Home page of Valentina Casali. Behance page of Valentina Casali. [Google] [More]  ⦿

Suonmay Sophanith
[KonKhmer]

[More]  ⦿

Sup Port

Bandung, Indonesia-based designer of the rounded informal monoline all caps typeface Blunt (2019). [Google] [More]  ⦿

Susan Grzybowski

During her studies at Billy Blue College of Design, Susan Grzybowski (Sydney, Australia) designed the squarish typeface Continue (2019). [Google] [More]  ⦿

t-1
[Maximilian Müsgens]

t-1 is Maximilian Müsgens's typefoundry, est. 2019. Its fonts are free for students. Typefaces include Bandeins Sans and Bandeins Strange, both designed as variable fonts in 2019. The latter has two axes, width and "strange width". [Google] [More]  ⦿

Talison Nascimento

Curitiba, Brazil-based designer of Tal (2019), an Africa-inspired font. [Google] [More]  ⦿

Tanya Amos
[Primafox Design (or: Tanincreate)]

[MyFonts] [More]  ⦿

Tardiex

Designer of these script typefaces in 2019: Belista, Antebas, Bethadyn, Welinedion, Bidaq Brush, Bidaq, Hallelujah, Kindentosca, Botdoh, BisQuid. [Google] [More]  ⦿

Tatiana Mourad

Lebanese designer of the artsy Latin / Arabic typeface Tripoli (2019). [Google] [More]  ⦿

Terri Hiu

Brisbane, Australia-based designer of a 3d typeface in 2019. [Google] [More]  ⦿

Terry Gholson

Terry Gholson (Pencil Pusher Graphics, USA) designed the video game font Player 1 (2019), the cutout typeface Castaway (2019), the futuristic stencil typeface Andromeda (2019), and the colored hand-crafted typeface Spitball (2019). [Google] [More]  ⦿

The Trending Fonts

Designer (b. 1990) of the fat titling sans C800 (2019), the free script fonts Brushpen Story (2019) and Magiera Script (2019), and the fat brush typeface Danska (2019). [Google] [More]  ⦿

Thomas Sen

Lima, Peru-based designer of the wayfinding icons typeface Senaletica UCAL (2019). [Google] [More]  ⦿

Tipogra Fio
[Matheus Fio Gonçalves]

Or just Fio Gonçalves. Bauru, Brazil-based designer who studied at Universidade Estadual Paulista (UNESP). In 2019, he released the condensed and wide typeface Tambau. [Google] [More]  ⦿

Tojanna

Creative agency in Indonesia. Designer(s) of the free formal calligraphic typeface Amelina (2019). [Google] [More]  ⦿

Tri Kuncoro

Sukoharjo, Indonesia-based designer of Coffete (2019: hand-crafted) and the display sans typeface Greentype (2019). [Google] [More]  ⦿

Trifani

Bandung, Indonesia-based designer of the signature font Paperlane (2019). [Google] [More]  ⦿

Trinh Thanh

Hanoi, Vietnam-based designer of the kitchen tile font Union (2019). [Google] [More]  ⦿

Tuan Le

For the identity of the on-line flower store Jan nha co hoa in Vietnam, Tuan Le designed the high-contrast fashion typeface Gypsophila (2019). [Google] [More]  ⦿

Ugly Gerry

To fight against the undemocratic practice of gerrymandering, Ben Doessel and James Lee designed Gerry (2019), a free typeface with glyphs in the shape of gerrymandered districts. [Google] [More]  ⦿

Unati Singh

India-based designer of the Latin stitch font Kantha (2019). [Google] [More]  ⦿

Uno Bello Design Studio
[Justin Ho]

Dallas, TX-based designer of the extreme contrast typeface Le Vaux (2019). [Google] [More]  ⦿

Valentina Casali
[Sunday Büro]

[More]  ⦿

Variable Type Foundry
[Lole Roman]

Spanish designer of Exter (2019). Lole explains: Exter is a geometric Sans-Serif font inspired by the work of Russian artist Alexandra Exter that combines geometric and angled forms. Exter has been designed for advertising, posters, web, branding, packaging or any place where you need a clean and forceful voice. [Google] [MyFonts] [More]  ⦿

Ventsislav Djokov

Type designer at Fontfabric in Sofia, Bulgaria. With Plamen Motev and Stan Partalev, he co-designed Panton Rust and Panton Rust Script in 2019. This weathered typeface family accompanies Fontfabric's popular Panton family. [Google] [MyFonts] [More]  ⦿

Vietanh Nguyen

Vietnamese type designer. In 2019, Gabriel Lam and Vietanh Nguyen co-designed the free Google web font Darker Grotesque, a 14-style contemporary grotesque. [Google] [More]  ⦿

Viktor Pesotsky

During his studies in Saint Petersburg, Russia, Viktor Pesotsky designed the free artsy Latin / Cyrillic variable opentype typeface Brozas (2019). [Google] [More]  ⦿

Viktor Vavra

Kosice, Slovakia-based designer of the hand-crafted school project font Hommage (2019). [Google] [More]  ⦿

Vitor Hugo Guimaraes Gomes

Sao Paulo, Brazil-based designer of the native American-themed typeface Tupan (2019). [Google] [More]  ⦿

Vladislav Monakhov

Russian designer of the all caps deco sans typeface Soradolphia (2019). [Google] [More]  ⦿

Vunira

Designer of these script typefaces in 2019: Alkilri, Anggita, Arzeta, Atalintar, Baladewa, Balistik, Beliau, Blackout, Blooqe Stages, Brand Hole, Braser, Delphina, Diana Rough, Doglas, Ecustic, Emerland, Enigma, Famous, Goteru, Harbala, Hastron, Helegra, Himaliya, Hollims, Jagalana, Magdalena, Monalisa, Ollson, Orlandia, Queny, Rekyoto, Reysha, River Young, Santoy, Seventy, Silloute, Staryl, State Moques, Vintage Legends, Zaskia, ZeBrush, Zillion. [Google] [More]  ⦿

Wachid Ristiyanto

Yogyakarta, Indonesia-based designer of these vintage display and script typefaces in 2019: Almerian Script (monoline), Beastline Script, Fringland Script, Gorgeous Script, Gunstone Script, Harrison (Sans, script, Illustration), Herschel (Sans, Script), Horseman, Ironhead, Juliette (Sans, script), Milestone (retro signage script), Narmada (signage script), Portland (Sans+Script: monolined), Rampsey Script, Roosevelt, Shinola (script), Sultrans (Victorian, with ornaments), The Hometown. [Google] [More]  ⦿

Wardziukiewicz
[Piotr Wardziukiewicz]

Polish type designer who released Sydonia Atramentiqua in 2019. The inspiration came from the first releases of "Malleus Maleficarum" and the Caslon typeface. The first version of Sydonia Atramentiqua was created in 2018 for the purposes of the exhibition at the National Museum in Szczecin. The project's supervisors were Waldemar Wojciechowski and Patrycja Makarewicz. Named after a local witch, Sydonia von Borck, the typeface spills ink around its outlines. [Google] [MyFonts] [More]  ⦿

William Zhang

Medan, Indonesia-based designer of a decorative caps typeface in 2019. [Google] [More]  ⦿

Wynne Pankusya

During his studies, Wynne Pankusya (Subang Jaya, Malaysia) designed the glitch font Fuglitch (2019). [Google] [More]  ⦿

Yasir Burak Akkaya

During his studies, Yasir Burak Akkaya (Edirne, Turkey) designed Pipette (2019). [Google] [More]  ⦿

Yulia Chernova

Moscow, Russia-based designer of the hand-crafted Latin / Cyrillic typefaces Giraffe (2019) and Kishki (2019). [Google] [More]  ⦿

Yun Studio

Lille, France=based designer of the wide experimental typeface Echo (2019). [Google] [More]  ⦿

Zainul Faozi

Aka Enong03. Lombok, Indonesia-based designer of the hand-crafted typefaces Dewandaru (2019), Debut (2019), Semanggi (2019) and Abacaga (2019), and the tall geometric sans typeface Ciplukan (2019). [Google] [More]  ⦿

Zeitype
[Kara Zichittella]

Kara Zichittella runs Zeitype, a Berlin-based studio. She studied visual communication in Arizona and completed a Master's degree at Leeds Arts University in 2016. Her work focuses on typography and graphic design within the cultural field. In 2018, she released Rockbox, a squarish display typeface, at The Designers Foundry. Rockbox was originally designed for a poster to promote the MIC LP release by Dane Close on the Power Station record label. [Google] [More]  ⦿

Zeki Michael
[Zeki Michael Keskin]

British designer of Sharplion (2019), together with Leyla Melis Aslan. Zeki Michael characterizes it as neo-vintage industrial. [Google] [MyFonts] [More]  ⦿

Zeki Michael Keskin
[Zeki Michael]

[MyFonts] [More]  ⦿

Zero Desain

Designer of the script typefaces Yaeba (2019) and Swandana (2019). [Google] [More]  ⦿

Zulhilmi Hanif

Graphic designer in Yogyakarta, Indonesia, who created the hyper-curly typeface Mahatala (2019), which was inspired by Borneo's Dayak tribe. [Google] [More]  ⦿

Zums Graphic
[Adi Widyantoro]

Designer of these script typefaces in 2019: Beatrix, Delphine, Celesta. [Google] [More]  ⦿