TYPE DESIGN INFORMATION PAGE last updated on Mon Oct 16 16:30:04 EDT 2017






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[Beatriz Diogo]

For her Master's degree in Design and Multimedia at the University of Coimbra, Portugal, Beatriz Diogo created a script---Adaptype--- that allows any font's width to respond to the window size and the development of a website. Github link. [Google] [More]  ⦿

Aditya Wirabakti

Surabaya, Indonesia-based designer of various icon sets (Kitchen Appliance, Birthday, Basketball, Blood) and the vector font family Minimalist (2017). Behance link. [Google] [More]  ⦿

Agnieszka Dudek

During her studies at Akademia Sztuk Pieknych w Krakowie in Krakow, Poland, Agnieszka Dudek designed the super-heavy Overweight (2017) and the super-condensed Prolong (2017). [Google] [More]  ⦿

Akina Lam

Designer in Sydney, Australia, who created the grid-based typeface Kiku in 2017: Kiku means chrysanthemum in Japanese. The font is created using a grid, inspired by the Imperial Seal of Japan (also known as the Chrysanthemum seals). Behance link. [Google] [More]  ⦿

Alejandra Estrada

Mexican graphic designer and illustrator who is based in Philadelphia, PA. In 2017, she created the sans serif typeface Funny Tell. Creative Market link. [Google] [More]  ⦿

Alejandra Lamenza

During her studies at Universidad de la Republica in Montevideo, Alejandra Lamenza designed the jazzy display typeface Swingtronica (2016). [Google] [More]  ⦿

Alejandro Valero

Merida, Venezuela-based designer of the display typeface Vientana (2017). [Google] [More]  ⦿

Aleksandra Napieralska

Polish designer of the yummy plumpish typeface Skrzat (2017). [Google] [More]  ⦿

Alessandro Caminiti

Aka Nova Sama. During his studies in Venice, Italy, Alessandro Caminiti (b. 1995) designed the free typeface Hexagon Cup (2018). Dafont link. [Google] [More]  ⦿

Alex Mitchell

Melbourne, Australia-based designer of Celsius Rounded (2017). Behance link. [Google] [More]  ⦿

Alexandr Mindryukov

Saint Petersburg, Russia-based designer of the scientific decorative all caps typeface Letter Symbol (2017). Behance link. [Google] [More]  ⦿

Alexandre Frasca

Graphic designer in Sao Paulo who created the sci-fi typeface Invader and the steampunk typeface Clockworks in 2017. [Google] [More]  ⦿

Alexandre Poirier

Quebec City-based designer of the rounded grid-based typeface Nantes (2017) and Brush (2017). [Google] [More]  ⦿

Alexey Koshelev

Rostov-on-Don, Russia-based designer of the organic sans typeface Happy Sprat (2017). Creative Market link. Behance link. [Google] [More]  ⦿

Ali Grant

Glasgow-based illustrator and designer. Creator of the hand-crafted typeface Des Medecins Malades (2017). Behance link. [Google] [More]  ⦿

Alma Campos

Graphic designer in San Salvador, El Salvador. In 2017, she designed the Treefrog-style typeface Fast Note. [Google] [More]  ⦿

Alvaro Muñoz Perez

Madrid, Spain-based designer of the hipster typeface AMM (2017). [Google] [More]  ⦿

Amy DeHart

At The University of Kansas, Lawrence, KS-based AmyDeHart designed the slab serif typeface Cheeky (2017). [Google] [More]  ⦿

Andrea Groisman

Costa Rican graduate of the type design program at the University of Reading, class of 2017. Her graduation typeface there was Goji, a multi-script reverse-contrast typeface family created to celebrate the benefits of superfoods on websites. The family covers Latin, Greek and Kannada scripts. It includes various weights and styles, such as light, regular, bold, and an italic display. The most distinct feature of Goji is the horizontal stress. [Google] [More]  ⦿

André-Pascal Werthwein

During his studies, Mannhein, Germany-based André-Pascal Werthwein designed Generative Type (2017). Behance link. [Google] [More]  ⦿

Andrzej Wasilewski

During his studies in Dublin, Ireland, Andrzej Wasilewski designed the decorative caps typeface Asymmetrical (2017). [Google] [More]  ⦿

Angelica Cardona

Graphic designer in Bogota, Colombia, who published the free AI-format rounded sans all caps typeface Alvania in 2017. [Google] [More]  ⦿

Angelo Konofaos

Cambridge, UK-based designer of the calligraphic brush script typeface Inkinity (2017). Creative Market link. Behance link. [Google] [More]  ⦿

Anna Dulska

At the 15th Typeclinic, held in 2017, Anna Dulska (Poland) designed the fashion mag text typeface Glam. [Google] [More]  ⦿

Annette Wüsthoff

German designer at xplicit Berlin. Codesigner of Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures). [Google] [MyFonts] [More]  ⦿

Anthony Odu

Graphic designer in London, who created the geometric solid typeface Aku Display in 2017. [Google] [More]  ⦿

Anton Chernianu

Ukraine-based designer of the display typefaces Bones (2017), Graffiti Bubbles (2017), and Hip Hop Graffiti (2017). [Google] [More]  ⦿

Attila Suto

Attila Sütö is a graphic designer in Eger, Hungary. He created the modular display typeface Azidhor (2017), the cosmic typeface Lauronos (2017), and the compass-and-ruler roman caps typeface Imperiem (2017). Behance link. [Google] [More]  ⦿

ATypI 2018

ATypI 2018 will be held in Antwerp, Belgium, from the 11th until the 15th September 2018. The local organizing team consists of Ann Bessemans, Jo De Baerdemaker, Joke Gossé, Yves Peters and Frederik Berlaen. [Google] [More]  ⦿

ATypI 2019

ATypI 2019 will be held in Tokyo, Japan. [Google] [More]  ⦿

Augustine Ajith

Kochi, India-based designer of the free modular FontStruct font Shark Fin (2017). Behance link. [Google] [More]  ⦿

B Machina

Designer of the signage script typeface Dreamdelion (2017). Graphicriver link. [Google] [More]  ⦿

Beata Sosity

Budapest, Hungary-based designer of the dada style monospaced font Locksmith (2017). [Google] [More]  ⦿

Beatriz Diogo

[More]  ⦿

Beatriz Garcia-Tapia

Graphic designer in Porto, Portugal. In 2017, she cooperated with Pacifica on the (very innovative) hybrid display sans typeface Braamcamp. [Google] [More]  ⦿

Beatriz Pereira

Caracas, Venezuela-based designer of the techno typeface Fusion (2017). [Google] [More]  ⦿

Belen Azagra

Graphic designer in Zaragoza, Spain. In 2017, she created these typefaces: Volantis (a connect-the-dots font), Divex (hairline sans), Orion (slab serif). [Google] [More]  ⦿

Beth Voigt

Chicago, IL-based designer of the stencil typeface Noncompliant (2017). Behance link. [Google] [More]  ⦿

Bianca Berning

German designer and engineer who is an expert in the technical aspects of type design. She graduated from the typeface design program at the University of Reading (UK) . In 2011, she joined Dalton Maag, a London-based type foundry, where she heads the Skills & Process department, a multidisciplinary team of typeface designers, font engineers and software developers. [Google] [More]  ⦿

Bianca Schlich

Aka Bad Taste Design. German creator of the spurred typeface Biker Diamond (2017). [Google] [More]  ⦿

[Kelly Smith]

An orphaned circle-based sans typeface made in 2017. It is possibly made by Kelly Smith. [Google] [More]  ⦿

[Jakob Fischer]

Bogstav is the new identity of Pizzadude, kindergarten teacher Jakob Fischer. Jakob is the Danish designer in 2017 of these hand-crafted typefaces: Tastebud, Leisurely, Automnious, Ravishing, Charmelade (dry brush), Habitatus, Temperamental, Ahorn, Chaplet, Everlasting, Honeypunch, Lemonism, Osculate, Repartee, Talkback, Tantamount. [Google] [MyFonts] [More]  ⦿

Borho Studio

Lyon, France-based designer of the reverse stress display sans typeface Fadoli (2017). [Google] [More]  ⦿

Bradley Kennedy

Graduate of the University of Northern Iowa. Cedar Falls, IA-based creator of Playing Card Font (2017). [Google] [More]  ⦿

Brando Corradini

Rome, Italy-based designer of the modulated sans typeface Segmento (2017). Behance link. [Google] [More]  ⦿

Brett English

Canberra, Australia-based designer of several sets of drop caps. [Google] [More]  ⦿

Brielle Green

During her studies at the University of Kansas in Lawrence, KS, Brielle Green designed the gothic serif typeface Luster (2017). [Google] [More]  ⦿

Camila Lazinho

Sao Paulo, Brazil-based designer of Aina Text (2017). [Google] [More]  ⦿

Carlos Madureira

Cotia, Brazil-based designer of an artsy display typeface in 2017. [Google] [More]  ⦿

Carole Guihard

During her studies at AGR in Nantes, France, Carole Guihard designed the decorative caps typeface Typo Contraire (2017). [Google] [More]  ⦿

Carolyn Wassmer

At Cornish College of the Arts, Carolyn Wassmer (Seattle, WA) designed the didone caps typeface Flourish (2017). Behance link. [Google] [More]  ⦿

Celina Day

American designer of these display typefaces in 2017: Willow, Imagine Space. [Google] [More]  ⦿

Chelsea Ekberg

Illustrator in Murray, UT, who designed the lovely hand-crafted Gentle Giant typeface in 2017. Behance link. [Google] [More]  ⦿

Choiseo Yun

Ansan, South Korea-based designer of Modern (2017: a sans titling typeface), and Yesul (2016: a rounded sans). [Google] [More]  ⦿

Cyrus Highsmith
[Morisawa Providence Drawing Office]

[More]  ⦿

Da Only Aan

Designer of these typefaces in 2017: Wave of Love, Sleeping Child, Move On, Hompimpa, Cheap Road, Cheerful, Stay Close, Wholess Script, Morning Painters, Slow Down Script, Empty Family, Jumping Pack, Signaspies (signature font), Private Emotion, Cubby Cheeks, Lonely, Cat Cute, Thin Man, Sheep Horn, Angelie, Aza (brush script), Wrong Way, Solid, Swirling, Slash, Child Write, Ink Scratches, Stalk, Being Lazy, Longitudinal End, Unchained, Curbside, Naura, Lay, Elastic, and Ladies Sky. [Google] [More]  ⦿

Daniel Ramirez Pinzon

Bogota, Colombia-based designer of the connected poster typeface semana Fusion (2017). [Google]

Daniela Acevedo

During her studies at Flagler College, and exactly obn the day hurricane Irma hit Florida in 2017, Orlando, FL-based Daniela Acevedo designed the decorative caps typeface Interlace. [Google] [More]  ⦿

Danielle Demers

At Mount Ida College, Holbrook, MA-based Danielle Demers designed a honeycomb grid-based typeface in 2017. [Google] [More]  ⦿

Daria Bundur

Art director in Bucharest, Romania, who created the deco typeface Benew Sans in 2017. [Google] [More]  ⦿

Darian Bakliza

Under the mentoship of Nikola Durek and Marko Hrastovec, Darian Bakliza (Zagreb, Croatia) designed the blackletter typeface Unholy (2017). [Google] [More]  ⦿

David Pabon

Caracas, Venezuela-based designer of the striped all caps typeface Rupias (2017). [Google] [More]  ⦿

Dayana Barbosa

During her studies in Embu das Artes, Brazil, Dayana Barbosa designed the sci-fi typeface Moon Sides (2017). [Google] [More]  ⦿

Dayeong Yu

Seoul, Korea-based designer of these display typefaces: Constellation (2015: connect-the-dots style), Zedo (2015: architectural), Maze (2015: pixelish), Angle (2015), Radioactivity (2015: dingbat font), Hangeul (Korean). [Google] [More]  ⦿

Delphine Lemaitre

During her studies at Saint-Luc in Liège, Belgium, Delphine Lemaitre designed an experimental modular typeface (2017). [Google] [More]  ⦿

Dinar Misochka

Dutch designer of a grungy Cyrillic typeface in 2017. [Google] [More]  ⦿

Diogo Rocha

During his studies at Polytechnic Institute of Cavado and Ave, Porto, Portugal-based Diogo Rocha codesigned the slab serif typeface Badecki (2017), which is an extension of the Goofle Web Font Arimo. [Google] [More]  ⦿

Dirk Erdmann

Osnabrück, Germany-based designer of the experimental grunge typeface Random (2017), which uses noise signals to disturb the glyph outlines. [Google] [More]  ⦿

Elisa Terbonetti

Cesano Maderno, Italy-based designer of the original display typerface Asile (2017). [Google] [More]  ⦿

Elise Chastel

Berlin, Germany-based designer of the experimental typeface Indecisive (2017). Behance link. [Google] [More]  ⦿

Elke Owens

Sydney, Australia-bsed codesigner, with Joelan Wong, of Unity Sans (2017). [Google] [More]  ⦿

Ema Duarte

Porto, Portugal-based designer of the display typeface Wavy (2017). [Google] [More]  ⦿

Emilia Wesolowska

At the 15th Typeclinic, held in 2017, Emilia Wesolowska (Poland) designed the monoline sans typeface Lubatka. [Google] [More]  ⦿

Emily Crook

London, UK-based designer of the electric circuit typeface Googles First Server Font (2017). [Google] [More]  ⦿

Emily Tartanella

Washington, DC-based designer of ITC Serif Dust or ITC Serif Ceylon (2017), a grungy hand-crafted version of ITC Serif Gothic (designed in 1972 by Herb Lubalin and Tony DeSpigna for the International Typeface Corporation). Behance link. [Google] [More]  ⦿

Erica Marquis

Detroit Lakes, MN-based designer of Geometric Sans serif (2017). Creative Market link. [Google] [More]  ⦿

Erik Gonzalez

Guanajuato, Mexico-based designer of the formidable and colorful decorative caps alphabet called Snapchat Geofilters Brazil (2017). [Google] [More]  ⦿

Ery Prihananto

Yogyakarta, Indonesia-based designer of the signage script typeface Craftmanship (2017). Behance link. [Google] [More]  ⦿

Eylül Gümüsöz

During her studies at Sabanci University, Istanbul, Turkey-based Eylül Gümüsöz designed the teardrop typeface Elvis (2017). [Google] [More]  ⦿

Ferran Riera Bonito

Barcelona-based designer in 2017 of these typefaces: Calafat (a gorgeous balckletter that revives a typeface made by the first printing press in Mallorca, Nicolau Calafat), Mirona (Scotch), Eixam (octagonal; named after the octagonal intersections of the Eixample neighborhood of Barcelona), and Kely (piano key stencil). [Google] [More]  ⦿

Flavio Marques

Graphic designer and lettering artist in Porto, Portugal. [Google] [More]  ⦿

Florent Gobet

Lyon, France-based designer of the thin display typeface Test (2017). [Google] [More]  ⦿

Florian Payer

At the 15th Typeclinic, held in 2017, Florian Payer (Austria) designed the calligraphic sans typeface Karotto Sans. [Google] [More]  ⦿

Fontra Foundry
[Rafael Rybar]

Koslice, Slovakia-based designer of Retro Nova TW (2017), Retro Nova GL (2017, or Retro Nova Glow), Asphalt Racer (2017: sci-fi style), Papercut (2017), and Papercut Cat & Mouse (2017). Behance link. [Google] [More]  ⦿

Francisco Arico

Montreal-based designer of Punto (2017), a typeface obtained by subtracting from Futura Light. [Google] [More]  ⦿

Freda Lewko

Vancouver, BC-based designer of the free connected script typeface Lament (2017). Behance link. [Google] [More]  ⦿

Fredrik Welde-Solsvik

Oslo, Norway-based designer of a custom rune simulation font in 2017. [Google] [More]  ⦿

Galini Scarlatou

Athens, Greece-based designer of the creamy didone typeface Shrimp (2017). Behance link. [Google] [More]  ⦿

Galini Scarlatou

Athens, Greece-based designer of the elegant ball terminal-adorned typeface Shrimp (2017). Behance link. [Google] [More]  ⦿

Geetika Alok

Graduate (UK and India) of the type design program at the University of Reading, class of 2017. Her graduation typeface there was Omala, a Latin / Devanagari text typeface with calligraphic roots. [Google] [More]  ⦿

George Antony
[George Katticaran]

Florence, Italy-based designer of the fun poster typeface Croca (2017) and an unnamed hexagonal typeface (2017). [Google] [More]  ⦿

George Katticaran
[George Antony]

[More]  ⦿

Gisele Eiras

Rio de Janeiro, Brazil-based student at PUC Rio in 2017. Designer of the art nouveau typeface Conac Bisquit (2017). [Google] [More]  ⦿

Granshan 2017

Non-Latin typeface competition in these categories, held in 2017: Armenian, Arabic, Chinese, Cyrillic, Greek, Hebrew, Indic, Thai, Korean, and display typefaces. Chairmen of the jury are Edik Ghabuzyan (Head of Department of Creating and Keeping Armenian Fonts at the National Book Chamber of Armenia, consultant for Adobe Systems, Armenia) and Boris Kochan (CEO of Kochan & Partner, and Past President of tgm Typographische Gesellschaft München). The jury: Gerry Leonidas (UK), Chang Sik Kim (USA), and these specialists: (for Armenian) Vahan Balasanyan, Garegin Martirosyan, Ruben Malayan, (for Arabic) Bahia Shehab, (for Chinese) Min Wang, Curt Huang, Zhiwei Zhu, Keith Tam, (for Greek) Klimis Mastoridis, Irene Vlachou, (for Hebrew) Liron Lavi, Anat Katzir, (for South Asian scripts) Ravi Pooviah, Rathna Ramanathan, Graham Shaw, (for Korean) Joo Sung Kim, Jeong-mi Yu, Seong Jae Song.

The results: Special categories in which some or all of 1st, 2nd and 3rd prizes are give. Special mentions are denoted by 4, 5 and 6 below, in the order listed on the Granshan page. Categories without awards are not listed. There was no grand prize this year.

  • Armenian Typefaces: 1 Hash Eva (Hrachuhi Grigoryan) 2 Zah Hasmik (Hasmik Zakaryan) 4 Avm Vahagn (Vahagn Minasyan)
  • Arabic Typefaces: 2 Mirza (Amirmahdi Moslehi) 4 Ray (Reza Bakhtiarifard, Omid Emamian)
  • Chinese Typefaces: 4 Dongxin (Xuwei Zhang) 5 ZhaoPai (Ye Tianyu, Ye Ni)
  • Cyrillic Typefaces: 3 Averta CY (Kostas Bartsokas)
  • Greek Typefaces: 4 Bynx (Franziska Hubmann)
  • Thai Typefaces: 1 Thutija (Panuwat Usakulwattana) 4 Tatsana Chon (Knaz Uiyamathiti) 5 Satidti (Parin Rungpattarathakun)
  • Display typefaces: 1 Lamon (Dmitry Lamonov) 2 SGH Sepftar (Syuzi Grigoryan) 4 Kanun (Kourosh Beigpour) 5 Fit (David Jonathan Ross and Maria Doreuli) 6 Jaini (Girish Dalvi and Maithili Shingre) 7 TheClassic (Park Yunjung, Choi Eunkyu, Kim Woori, Lee Hyunho) 8 Mudan Type (Reeji Studio)
  • Latin / Arabic Typefaces: 1 Graphic Arabic (Wael Morcos, Khajag Apelian)
  • Multiscript: 4 November (Peter Bilak, Irina Smirnova, Kristyan Sarkis)
  • Latin / Armenian Typefaces: 4 LGSH Liana (Liana Shushanyan)
  • Latin / Cyrillic Typefaces: 2 Triplet (Yana Kutyina, Andrey Belonogov, Valery Golyzhenkov) 3 Vesterbro (Jeremie Hornus, Ilya Naumoff, Alisa Nowak)
  • Latin / Hebrew Typefaces: 2 Greta Text Hebrew (Michal Sahar)
[Google] [More]  ⦿

[Matej Ilcik]

Senica, Slovakia-based designer of the free angular poster typeface Pool Riders (2017, +Dingbats), which is inspired by punk and skateboarding culture. He also drew several great alphabets in vector format, such as the dry brush set Classic Strokes (2017) and the woodsy Woodcraft (2017). Behance link. [Google] [More]  ⦿

Guilherme Lobao

Sao Paulo, Brazil-based designer of these typefaces in 2017: the art deco typeface family Bermudas, the experimental typeface Lanogaid, Quantum (sci-fi), Wide, Lardo, So Below, Alien, 104, Palette (hexagonal), Astrix, Gear, Rion Type. [Google] [More]  ⦿

Hannah Babb

Edmond, OK-based designer of the neo deco typeface Flare (2017). [Google] [More]  ⦿

Harshal Duddalwar

Graphic designer in Pune, India, who created several modular typefaces in 2017, including Csome and Capsule (which is entirely constructed using circles and lines as with compass and ruler). [Google] [More]  ⦿

Hazal Kutlu

Istanbul, Turkey-based designer of the free display typeface Contrastica (2017). [Google] [More]  ⦿

Hazel Nguyen

Madrid-based student-designer of the geometric solid color typeface Creario (2017) and the squarish typeface Glime (2017). Behance link. [Google] [More]  ⦿

Helmar Fischer

German designer (b. 1960) of the pixelish typeface Angulo Black (2017). Dafont link. [Google] [More]  ⦿

Hendra Pratama
[HP Typework]

[More]  ⦿

Henrik Petersen

Frankfurt-based designer and illustrator who created Modular Stencil Font in 2017. Behance link. [Google] [More]  ⦿


Designer of the connected script typeface Anisha (2017). Creative Market link. [Google] [More]  ⦿

HP Typework
[Hendra Pratama]

Serang, Indonesia-based designer (b. 1985) of the free brush pen calligraphic typeface Azkia Script (2017). Dafont link. [Google] [More]  ⦿

Iliana Taylor

During her studies, Atlanta, GA-based Iliana Taylor designed the rounded display typeface Son of Irwin (2017). [Google] [More]  ⦿

Ilona Repkina

Kyiv, Ukraine-based designer of the hand-crafted typeface Go Green (2017). Creative Market link. [Google] [More]  ⦿

Inacio Berutti

During his studies at Univali, Florianopolis, brazil-based Inacio Berutti designed the free display typeface Funky Break (2017, FontStruct). [Google] [More]  ⦿

Ines Pereira

During her studies at Universidade de Lisboa, Ines Pereira designed the circle-themed typeface Sphera (2017). [Google] [More]  ⦿

Irene Talló Palomar

During her studies at ESDI, Terrassa, Spain-based Irene Talló designed the occult Barnbrook style typeface Ritual (2017), which is based on Ong Chong Wah's Footlight MT (1986). [Google] [More]  ⦿

Isabel Mitri

Maracaibo, Venezuela-based designer of the high-contrast typeface Intransigencia (2017). [Google] [More]  ⦿

Isabel Plana

For a university project in Barcelona, Isabel Plana designed the slightly disconnected text typeface Delta (2017). [Google] [More]  ⦿

Isbert Design
[Pablo Calzado Isbert]

Barcelona-based designer of the modular display typeface Mig (2017). Behance link. [Google] [More]  ⦿

Izzy Clarke

Birmingham, AL-based designer of the vernacular fast food font French Fries (2017). [Google] [More]  ⦿

Jackson Hall

American designer of the pixel typeface Kid Architect (2017). [Google] [More]  ⦿

Jade Ludski

During her studies in Cape town, South Africa, Jade Ludski designed the decorative caps typeface Nude HBO Girls (2017). [Google] [More]  ⦿

Jake Lim

Toronto-based designer of Betelnut (2017), a rounded sans typeface that is inspired by old Taiwanese license plates. Behance link. [Google] [More]  ⦿

Jakob Fischer

[MyFonts] [More]  ⦿

James Adam

Aka Graphic Hunter. Jakarta, Indonesia-based esigner of these typefaces in 2017: Balifont, Nebraska, Tamara, Pairon, Qumbah, Qubeq (stencil), Skyline, Galaxyn (sci-fi), Mantapbos, Paspude, Zefajal, Arakup (minimalist stencil), Zombie. Creative Market link. Behance link. [Google] [More]  ⦿

James Nelson

Phoenix, AZ-based designer of Next Level (2017), a typeface that was inspired by video games and sci-fi movies. [Google] [More]  ⦿

Jan Lavtar

Ljubljana, Slovenia-based designer of the experimental typeface Triangular (2017). [Google] [More]  ⦿

Jardin Anderson

Jardin Anderson (Museum of Old and New Art (MONA), Melbourne, Australia) designed the free typeface Sans Sixteen Sans (2017). This typeface contains only 84% of the ink of a standard sans, to point out that the wage gap between men and women in Australia is sixteen percent. [Google] [More]  ⦿

Jasmin Kruse

Kleve, Germany-based designer of the modular squarish typeface Dot Font (2017). [Google] [More]  ⦿

Javiera Schmidt Silva

During her studies, Canyon Country, CA-based Javiera Schmidt Silva designed the sans typeface Humm (2017). [Google] [More]  ⦿

Jefferson Camargo

Londrina, Brazil-based designer of the hand-crafted typeface Buk (2017), named in honor of Charles Bukowski (1920-1994). [Google] [More]  ⦿

Jeremy Spinks

Creative Director at BowStern Marketing Communications, who graduated from the University of Reading (UK). In 2017, he designed Aglia Neue, a sans typeface he created for clean industrial design applications. [Google] [More]  ⦿

Jericho Jayme

Auckland, New Zealand-based designer of the architectural decorative caps typeface Pride of Place (2017). [Google] [More]  ⦿

Jesper Jansson

Graphic designer in Stockholm, who created a bold sans display typeface in 2017 called Lemons Sans. Behance link. [Google] [More]  ⦿

Jo Hyun Wang

Seoul, Korea-based designer of an intricate and detailed 3d all caps font (2017), where one can ask the question: Where does a typeface end and art begin?. [Google] [More]  ⦿

Joao D'Mello

Porto, Portugal-based designer of the all caps typeface D Type (2017). [Google] [More]  ⦿

Joaquin Kunkel

During his studies at New York University Abu Dhabi in Abu Dhabi, United Arab Emirates, Joaquin Kunkel designed the didone text typeface Marcela (2017). [Google] [More]  ⦿

Joey Navedo

Rochester, NY-based designer of Chipotle (2017). [Google] [More]  ⦿

Jonathan Neal

During his studies in St. Louis, MO, Jonathan Neal designed the connect-the-dots typeface Constellation (2017). [Google] [More]  ⦿

Jorge Luiz Campos

Sao Paulo, Brazil-based designer of the Peignotian typefaces Arkivo (2017) and Limb (2017). Behance link. [Google] [More]  ⦿

Jørgen Håland

Designer in Bergen, Norway, who created the free blackletter typeface Svart in 2017. Behance link. [Google] [More]  ⦿

Juan Santiago Salazar

Ecuadorian designer of the penmanship typeface Guayaquil 1800 (2017), which is based on calligraphic pieces from the 19th century in Ecuador. [Google] [More]  ⦿

Juan Villanueva

Peruvian type designer who studied at Type@Cooper in 2014. He is currently based in New York, USA and works for Monotype. In 2017, Karl Leuthold, Juan Villanueva and Carl Crossgrove codesigned the breezy script typeface Sagrantino (Monotype) in Regular, Highlight and Shadow substyles. [Google] [More]  ⦿

Judith Heimhilcher

At the 15th Typeclinic, held in 2017, Judith Heimhilcher (Austria) designed the text typeface Storyteller. [Google] [More]  ⦿

Juliane Adomat

German designer of the paperclip typeface Drahtika (2017). [Google] [More]  ⦿

Juliya Kochkanjan

Ukhta, Russia-based designer of the funky (beatnik?) Latin / Cyrillic typeface Zazoo (2017). [Google] [More]  ⦿

Justyna Zabielska

During her studies in Gdansk, Poland, Justyna Zabielska designed a minimalist hipster typeface (2017). [Google] [More]  ⦿

Karolina Wisniewska

At the 15th Typeclinic, held in 2017, Karolina Wisniewska (Poland) designed the Latin text typeface Bangla. [Google] [More]  ⦿

Kart Koos

Aalborg, Denmark-based designer of the decorative Finger Font (2017). Behance link. [Google] [More]  ⦿

Katerina Yanchuk

Kiev, Ukraine-based designer of the rounded monoline color stencil font Yanchuk Kate (2017). [Google] [More]  ⦿

Katheryn Poling

During her studies in Fort Wayne, IN, Katheryn Poling designed the neon tube typeface Prism (2017). [Google] [More]  ⦿

Kathrine Shackleton Nissen

During her studies at Skolen for Visuel Kommunikation in Haderslev, Denmark, Kathrine Shackleton Nissen designed the squarish typeface Obey (2017). [Google] [More]  ⦿

Katy Sushanskaya

Moscow, Russia-based designer of Plastic Typeface (2017). [Google] [More]  ⦿

Katya Kistrin

Zaporizhzhia, Ukraine-based designer of the display typeface Mermaids (2017). [Google] [More]  ⦿

Kelly Smith

[More]  ⦿

Ksenia Magas

Rennes, France-based designer of experimental hexagonal and circle-based typefaces in 2017. [Google] [More]  ⦿

Lauren Friend

Highland, IL-based designer of an all caps sans typeface family Layers (2017), which is created for textured and layered looks. [Google] [More]  ⦿

Lea Gosselin

French graphic designer based in Annecy, France, and London, UK, who studied at National School of Fine Arts (ENSBA), Lyon, class of 2014. She designed these typefaces: Affolter Hertz (2016, wavy), Renner Serif (2016, for Hato Press), Renner Rounded (2015, for Hato Press). [Google] [More]  ⦿

Lee Robson Spence
[LRS Fonts and Lettering]

[More]  ⦿


Paco Marco, Raul Mendez, Sergi Hernando and Marta Marzal run Letrs (est. 2017), a commercial type cooperative. [Google] [More]  ⦿

Liina Plaado

Tartu, Estonia-based designer of the sans typeface Questrial (2017) and the condensed spurred display typeface Lunar Spire (2017). [Google] [More]  ⦿

Lina Alejandra Lopez

In 2017, Lina Alejandra Lopez Patiño (Bogota, Colombia) designed the curvy humanist typeface Belaman. [Google] [More]  ⦿

Lizon Khokhlov

Moscow-based designer of an experimental hipster Cyrillic typeface in 2017. [Google] [More]  ⦿

LRS Fonts and Lettering
[Lee Robson Spence]

Portland, OR-based designer (b. Plymouth, UK) of the inline hexagonal typeface Envoyer (2017). Creative Market link. Behance link. [Google] [More]  ⦿

Lucia Otero

Buenos Aires-based designer of the regular and starred typeface pair Honoka (2017). [Google] [More]  ⦿

Luna Hirai

Americana, Brazil-based designer of Fuji Brush (2017). [Google] [More]  ⦿

Magda Kalman

Poznan, Poland-based designer of the very high contrast typeface Miseli (2017). [Google] [More]  ⦿

Magdalini Stefanatou

Greek-German designer in Athens who created the condensed blackletter typeface Dürer in 2017. [Google] [More]  ⦿

Manraj Ubhi

Graphic designer in London, who created the manicured serif typeface Nautiq in 2017. [Google] [More]  ⦿

Mara Vulfa

Salaspils, Latvia-based designer of White Vulff (2017). [Google] [More]  ⦿

Marcelo Jorquera Oyarzun

Santiago, Chile-based designer of Chaplin Actpr (2017). [Google] [More]  ⦿

Marcin Liedtke

Polish designer of a hexagonal typeface in 2017. [Google] [More]  ⦿

Marcos Vinicius Machado de Oliveira

Aka Marcos Oliveira. Porto Alegre, Brazil-based designer of a prismatic decorative set of initials in 2017, with some impossible Escher-style glyphs thrown in. [Google] [More]  ⦿

Maria Laura Arakaki

During her studies at FADU / UBA in Buenos Aires, Maria Laura Arakaki designed a curvy typeface (2017). [Google] [More]  ⦿

Maria Martinez

Maria Martinez (b. Venezuela) lives in Buenos Aires, where she works and practices flamenco. In 2017, she designed experimental typefaces such as Ginger Man and Marti (a connect-the-dots font). [Google] [More]  ⦿

Maria Smageor

Saint Petersburg, Russia-based designer of the free hand-crafted brush typeface Drunk Monday (2017). [Google] [More]  ⦿

Mariam Omara

Cairo, Egypt-based designer of the multistroke typeface Alloy (2017). [Google] [More]  ⦿

Marlon Gonçalves

Designer of the free hand-crafted all caps typeface Cactus (2017). [Google] [More]  ⦿

Mart Biemans

Art director in Groningen, The Netherlands, who created the heavu brush typeface Mot Massive in 2017. Behance link. [Google] [More]  ⦿

Mascha Wansart

German designer at xplicit Berlin. Codesigner of Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures). [Google] [MyFonts] [More]  ⦿

Matej Ilcik

[More]  ⦿

Mathieu Loutre
[Mathieu Triay]

[More]  ⦿

Mathieu Triay
[Mathieu Loutre]

Mathieu Triay (Mathieu Loutre) is a software engineer who studied at University College London and the University of London. In 2017, he designed Marvin Visions to revive the successful avant garde typeface Marvin (1969, Michael Chave, Face Photosetting) for the sci-fi magazine Visions. It also contains Cyrillic. Mathieu explains: The result of that process is a more consistent Marvin. It has larger counters and strong, stable shapes. It's a little more versatile, will look great on screen and in print, and it can be tracked without collapsing. It retains the charm and genial look of its forefather but brings its distinctive feel into the digital world with a bang. Download link for personal use. Github link. Twitter link. Home page. [Google] [More]  ⦿

Matthew Bayly

Cape Town, South Africa-based designer of the hand-crafted typeface Cubek Touch (2017). [Google] [More]  ⦿

Matti Räty

Ruka, Finland-based designer of the techno display sans typeface I Am Now (2017). [Google] [More]  ⦿

Melissa Hildebert

During her studies at Escuela de Arte Algeciras, this Los Barrios, Spain-based designer created the typeface Huma (2017). Behance link. [Google] [More]  ⦿

Michael Amprimo

Montpellier, France-based designer of the free 400+ web icon font Jam Icons (2017). Behance link. [Google] [More]  ⦿

Michael Chernykh

Art director in Moscow who made a custom display face for Lauren Coffee Dark Chocolate in 2017. Behane link. [Google] [More]  ⦿

Michael Lonergan

Glossop, UK-based designer of the hipster typeface Shoggoth (2017). Behance link. [Google] [More]  ⦿

Michael Sharanda

Designer of the free semi-condensed Latin / Cyrillic semi-condensed sans serif typeface Vladivostok (2017). [Google] [More]  ⦿

Michele Hauer

San Diego, CA-based designer of the decorative didone typeface Misha Nova (2017). [Google] [More]  ⦿

Miguel Angel Gonzalez

Maracay, Venezuela-based designer of the creamy signage script font Gordita (2017). [Google] [More]  ⦿

Milton Magaña

San Salvador, El Salvador-based designer of the colorful all caps Reef Font (2017). [Google] [More]  ⦿

Mir Agency

Studio in Guayaquil, Ecuador, that designed the decorative caps typeface Viva Guayaquil in 2017. Behance link. [Google] [More]  ⦿

Moby Digg

Munich, Germany-based designer of the free pixelish typeface MD Maya (2017), which was designed as part of the branding for the Panama Plus music and arts festival. Behance link. [Google] [More]  ⦿


Indonesian designer of these typefaces in 2017: Carita (round brush script with a glaz krak substyle), Borneo, Darker Time (stone chisel type), Mosqita, Segaris (curly). [Google] [More]  ⦿

Morisawa Providence Drawing Office
[Cyrus Highsmith]

In September 2017, Morisawa announced the establishment of "Morisawa Providence Drawing Office" in Providence, RI, as its new base for developing Latin fonts. Cyrus Highsmith, who had served as a designer for Font Bureau for many years, and who started Occupant Fonts in 2015, has been appointed as its creative director.

By this move, Morisawa acquired Occupant Fonts. [Google] [More]  ⦿

[Muhammad Romzul Khoir]

Jepara, Indonesia-based designer of the decorative caps typeface Karakter (2017) and the free fat finger font Romzul Sans (2017, Letterhend Studio). [Google] [More]  ⦿

Muhammad Hastian

Yogyakarta, Indonesia-based designer of Morning Glory (2017). [Google] [More]  ⦿

Muhammad Romzul Khoir

[More]  ⦿

Muhammad Saeed

Islamabad, Pakistan-based designer of the beveled all caps typeface Majestic (2017). [Google] [More]  ⦿

Murad Wawi

Jordanian graduate of the type design program at the University of Reading, class of 2017. Her graduation typeface there was Al-Rashad, a typeface family for academic magazines that require both Latin and Arabic. [Google] [More]  ⦿

Musyi Jini

During his/her studies at Universiti Teknologi Brunei, Tutong, Brunei-based Musyi Jini designed the free exermental typeface Pendulum. [Google] [More]  ⦿


Nairoba, Kenya-based designer of the silhouette figurine font Simon Says (2017). [Google] [More]  ⦿

MyFonts: Bestsellers for October 2017

The fifty best-selling typefaces at MyFonts, as reported by them on October 31, 2017: #1 FF DIN (FontFont), #2 Proxima Nova (Mark Simonson), #3 Brandon Grotesque (HVD Fonts), #4 Avenir (Linotype), #5 Isidora Sans (Latinotype), #6 Helvetica Neue (Linotype), #7 Gilroy (Radomir Tinkov), #8 Avenir Next Pro (Linotype), #9 Ciutadella Rounded (Emtype Foundry), #10 Univers (Linotype), #11 Colby (Jason Vandenberg), #12 Scotch (Positype), #13 Cera Pro (TypeMates), #14 Frutiger (Linotype), #15 Praktika (Fenotype), #16 Amsi Pro (Stawix), #17 Trade Gothic (Linotype), #18 Nudista (Suitcase Type Foundry), #19 Museo Sans (exljbris), #20 DIN Next (Linotype), #21 TT Norms (TypeType), #22 Blog Script (Sudtipos), #23 Balford (Ilham Herry), #24 Brandon Text (HVD Fonts), #25 Lovingly Friends (My Creative Land), #26 ITC Avant Garde Gothic (ITC), #27 Neue Haas Grotesk (Linotype), #28 FF Mark (FontFont), #29 Sofia Pro (Mostardesign), #30 Futura (Linotype), #31 Brown Pro (ShinnType), #32 Gill Sans (Monotype ), #33 Intro (Fontfabric), #34 ITC Franklin Gothic (ITC), #35 Muller (Fontfabric), #36 Aktiv Grotesk (Dalton Maag), #37 Nexa (Fontfabric), #38 Campton (Rene Bieder), #39 FF Good Pro (FontFont), #40 Moments (DearType), #41 Helvetica Neue LT Std (Adobe), #42 Nexa Rust (Fontfabric), #43 Kapra Neue (Typoforge Studio), #44 Helvetica (Linotype), #45 Museo Sans Rounded (exljbris), #46 Glober (Fontfabric), #47 Akzidenz-Grotesk Pro (Berthold), #48 PhotoWall (DearType), #49 Akzidenz-Grotesk BE (Berthold), #50 Geogrotesque (Emtype Foundry). [Google] [More]  ⦿

Nadine Amr

During her design studies at German Jordanian University in Amman, Jordan, Nadine Amr designed a wavy display typeface called Latin (2017). [Google] [More]  ⦿

Nadine Schach

During her studies in Graz, Austria, Nadine Schach designed the slab serif typeface Garnitur (2017). [Google] [More]  ⦿

Natalia Trochowska

Poznan, Poland-based desiugner of the blackletter typeface Kaligraf (2017). [Google] [More]  ⦿

Natalie Harris

At Flagler College in St. Augustine, Florida, Natalie Harris designed the multiline typeface Dames Point (2017). [Google] [More]  ⦿

Nejc Romih

Sevnica, Slovenia-based designer of the vintage text typeface Autodidact (2017). [Google] [More]  ⦿

Nicholas Rogers

During his studies at Washington University in St. Louis, MO, Nicholas Rogers designed a stencil typeface (2017). Behance link. [Google] [More]  ⦿

Nick Paquin

During his studies at The College of Saint Rose, Albany, NY-based Nick Paquin designed the beveled textured typeface Avaitor (2017). [Google] [More]  ⦿

Nigel Owen

During his studies at Falmouth University in Falmouth, UK, illustrator Nigel Owen designed several hand-lettered alphabets (2017), including a great dry brush script. Behance link. [Google] [More]  ⦿

Nina Valle Bruch

Vic, Spain-based designer of the modular typeface Anaconda (2017). [Google] [More]  ⦿

No Ponies

Tauranga, New Zealand-based designer of the free modular typeface Matamata (2017), the free rounded hand-crafted typeface Daycare (2017) and the free paper cut-out dada typeface Cut It Out (2017). Behance link. [Google] [More]  ⦿

Olesia Misty

Kiev, Ukraine-based designer of the hand-crafted Latin / Cyrillic typeface Kuplu (2017: dadaist) and the experimental typefaces Unpleasant Dream (2017) and Stkl (2017). [Google] [More]  ⦿

Oliver Potter

Designer of the compass-and-ruler all caps typeface Oliphont Pro (2017). [Google] [More]  ⦿

Olivia Deveney

British designer of the decorative Praying Mantis typeface (2017). [Google] [More]  ⦿

Omse Type

Design consultancy in London founded by James and Briton. James was born in New Zealand but grew up in Sydney, Australia. He received a Bachelor of Design from the University of NSW in 2010, completing his final year at the University of Gothenburg, Sweden. Briton hails from Wellington, New Zealand. Briton gained a BA in Design Theory and a BCom in Marketing and Economics at the University of Otago in 2006 before heading across the ditch to Sydney. In 2016-2017, Omse created the sans typeface families Modern Era and Modern Era Mono. [Google] [More]  ⦿


Houston, TX-based designer of the display typeface Red (2017) and Soar (2017). [Google] [More]  ⦿

Pablo Calzado Isbert
[Isbert Design]

[More]  ⦿


A very innovative graphic design studio based in Matosinhos (Porto), Portugal. In 2015, they custom-designed the Kirimizi typeface for a beach hotel project in Mozambique. [Google] [More]  ⦿

Paloma Valenzuela

Designer and illustrator in Santiago, Chile, who created the scratchy typeface Warria (2017). [Google] [More]  ⦿

Paul Hanslow

Australian graduate of the type design program at the University of Reading, class of 2017. His graduation typeface there was the Latin / Syriac / Greek typeface Antipode, which is a low contrast serif meant for biblical texts, dictionaries and academic publications. [Google] [More]  ⦿

Paula Mora

Graphic designer in Merida, Venezuela, who designed Doble Vision in 2017. [Google] [More]  ⦿

Pauline Vidal

Graphic designer in Toulouse, France, who created the decorative modern all caps typeface typeflex in 2017. [Google] [More]  ⦿

Pawel Schulz

At the 15th Typeclinic, held in 2017, Pawel Schulz (Poland) designed the text typeface Capillary. [Google] [More]  ⦿

Peninsula Studioz

Indian designer of the hexagonal typeface Arexa (2017). [Google] [More]  ⦿

Pepe Amores

Graphic designer in Malaga, Spain, who created the great angular text typeface Norden (2017). Behance link. [Google] [More]  ⦿

Philipp Nurullin

Designer from St. Petersburg, Russia, specializing in type design, typography and web design. His typefaces include TT Backwards (2017): an experimental script and grotesque font family inspired by the typographic scenery in the USSR in the late 70s and early 80s, designed by Tanya Cherkiz, Sergey Kotelnikov, Philipp Nurullin and the TypeType Team. [Google] [MyFonts] [More]  ⦿

Plectron Logos

Mesolongi, Greece-based designer of the kitchen tile typeface Square Break (2017). [Google] [More]  ⦿

Radek Lukasiewicz

Designer at T-26 of the text typeface family Calisia (2014). [Google] [More]  ⦿

Rafael Rybar
[Fontra Foundry]

[More]  ⦿

Raianne Florencio

As a student at IFPE campus Recife, Raianne Florencio designed the typeface Fine Point (2017). [Google] [More]  ⦿

Reckless Hen

UK-based designer of the hand-crafted connect-the-dots typeface Spotty Dottier (2017). Dafont link. [Google] [More]  ⦿

Rina Abdullah

During her studies in Bandar Seri Begawan, Brunei, Rina Abdullah designed Hexrunic (2017). [Google] [More]  ⦿

Rioniga Zandy

Bekasi, Indonesia-based designer of the free squarish typeface Hijix (2017). Behance link. [Google] [More]  ⦿

Rizky Chandra Sofyan

Indonesian designer of the hand-crafted typeface Dliya (2017). [Google] [More]  ⦿

Ross Collier

Wirral, UK-based designer of the triangulated typeface Polygon (2017). Creative Market link. [Google] [More]  ⦿

Rutger Groothedde

Dutch designer, living and working in Vierhouten. During his studies at Windesheim University of Applied Sciences in Zwolle, he created the sans typeface Humaan (2017, free demo). Behance link. [Google] [More]  ⦿

Ryan Browne

Cork, Ireland-based designer of the traingulated logotype font Vexila (2017). [Google] [More]  ⦿

Ryan Losordo

American designer of the stick font Simply Line (2017). [Google] [More]  ⦿

Rylee Jackson

During her studies in San Francisco, Rylee Jackson designed the minimalist Avenir Altered (2017). [Google] [More]  ⦿

Sachi Chowdhry

During his studies in Mumbai, Sachi Chowdhry designed a text typeface (2017). [Google] [More]  ⦿

Samantha Carlos

During her studies at PUCP in Lima, Peru, Samantha Carlos designed the circle-themed typeface Wus (2017). [Google] [More]  ⦿

Sara Panepinto

As a student, Palermo, Italy-based Sara Panepinto designed the adaptive signage typeface More (2016). [Google] [More]  ⦿

Sara Pascale

American designer of Homemade (2017). [Google] [More]  ⦿

Sarah Andrade

During her studies, Sao Luis, Brazil-based Sarah Andrade designed the vernacular typeface Aghora (2017). [Google] [More]  ⦿

Sarah Dsouza

Indian designer of Triangle Font (2017). [Google] [More]  ⦿

Scott Arbital

Marlboro, NJ-based graphic designer, who created Hand-painted Typeface and Simple Mechanics Font in 2017. Behance link. [Google] [More]  ⦿

Sebastian Fuentes

Santa Caterina, Mexico-based designer of the molecular typeface Oblivion Plasma (2017). [Google] [More]  ⦿

Sergey Kotelnikov

Russian motion and 3D designer based in Nizhny Tagil. In 2017, Sergei graduated from the six month font design course at TypeType Education.

His typefaces include TT Backwards (2017): an experimental script and grotesque font family inspired by the typographic scenery in the USSR in the late 70s and early 80s, designed by Tanya Cherkiz, Sergey Kotelnikov, Philipp Nurullin and the TypeType Team. [Google] [MyFonts] [More]  ⦿

Shannen Perry

During her studies at the University of Waikato, Shannen Perry (Shannen Perry Design, Cambridge, New Zealand) created the hipster sans typeface Orphic (2017). [Google] [More]  ⦿

Shorouk Sharaf-Eldin

Cairo, Egypt-based designer of the Latin / Arabic typeface Mothalathany (2017), which is composed of thin acute triangles, with Ugaritic influences. [Google] [More]  ⦿

Simon Thorup

In Kenn Munk's class in Haderslev, Denmark, Simon Thorup designed the speed font Festina Lente (2017). [Google] [More]  ⦿

Slob n Slow

Pekanbaru, Indonesia-based designer of the weathered typeface Tushka (2017). [Google] [More]  ⦿

Smit Mistry

Baroda, India-based designer of the scribbly typeface Tree (2017). [Google] [More]  ⦿

Sofia Caviezel

Buenos Aires, Argentina-based designer of a decorative typeface in 2017. [Google] [More]  ⦿

Sol Lee

St. Louis, MO-based designer of the Escher font Optical Illusion (2017). [Google] [More]  ⦿

Sophia Apostolopoulou

Graphic designe in Athens, Greece, who created Tutfont, Circlefont and the experimental sans typeface Geometric in 2016. [Google] [More]  ⦿

Stan Partalev

Type designer at Fontfabric in Sofia, Bulgaria. He was part of the Fontfabric team that designed the 521-font family Zing Rust in 2017. [Google] [More]  ⦿

Stéphanie Daoud

Parisian art director and designer. Creator of the monoline circle-themed typeface Circula (2017) and the bilined stencil typeface Opening (2017). [Google] [More]  ⦿

Steeven Salvat

French designer of the scribbly typeface Salvat Study (2017). Dafont link. [Google] [More]  ⦿

Stefan Gajic

Industrial and graphic designer in Belgrade, Serbia, who created Wide Type in 2017. [Google] [More]  ⦿

Stefano Chies

Creative designer in Bristol, UK, who published Triangle Futura (2017) and Space Moon (2017) during a course at Central Saint Martins in London. Behance link. Dafont link. [Google] [More]  ⦿

Stephen Bau

Abbotsford, BC-based designer of Bauhouse Universal (2017), a typeface family that is based on Herbert Bayer's Universal (1925). Behance link. [Google] [More]  ⦿

Steven Marc Scott

Toronto-based designer of the heavy hand-crafted typeface X Marcs The Scott (2017). [Google] [More]  ⦿

Sudden Yap

Singapore-based student-designer (at Nanyang Academy of Fine Arts) of the avant-garde sans typeface Jack & Ennis (2017). Behance link. [Google] [More]  ⦿

Suthi Srisopha
[Typhoon Type]

[More]  ⦿

Suzanne van Iddekinge

Dutch designer of a great plumpish alphabet in 2017. [Google] [More]  ⦿

Taisiia Kalinichenko

Kiev, Ukraine-based designer of the matchstick typeface Skeleton (2017). [Google] [More]  ⦿

Tatiana Makarova

Moscow-based desgner of a modular Cyrillic typeface in 2017. [Google] [More]  ⦿

Tere Fernandez Vazquez

Graphic designer in Vigo, Spain, who created the art deco typeface Van Chrysler in 2017. Behance link. [Google] [More]  ⦿

Thirteen Hounds

Graphic designer in Viana do Castelo, Portugal, who codesigned the slab serif typeface Badecki (2017) with Diogo Rocha and Flavio Marques. [Google] [More]  ⦿

Tobias Saul

Düsseldorf-Germany-based designer of the vintage signage typeface Royal signage (2017) and Blackriver (2017). Behance link. [Google] [More]  ⦿

Tracy Khiew

During her studies, Kansas City, MO-based Tracy Khiew designed an outlined 3d typeface (2017). Behance link. [Google] [More]  ⦿

Type Sisters

Type design duo consisting of Mary Catherine Pflug (Boston, MA) and Lily Feinberg (Nw York City). [Google] [More]  ⦿

Typhoon Type
[Suthi Srisopha]

Bangkok, Thailand-based designer (b. 1976) of the free brush script typeface Zomtam Thai (2017). Dafont link. [Google] [More]  ⦿

Valentine Sadaune

Lille, France-based designer of the visual identity typeface Louvre Lens (2017). [Google] [More]  ⦿

Victoria Castro

During her studies in Buenos Aires, Victoria Castro designed the uncial emulation typeface Sindarin (2017). [Google] [More]  ⦿

Victor&Victoria Strukovski

Hrodna, Belarus-based designers of several display typefaces in 2017, including Organic. [Google] [More]  ⦿

Vivian Sakahara

Brazil-based designer of the curly typeface Hummingbird (2017). [Google] [More]  ⦿

Yanghee Ryu

Korean graduate of the type design program at the University of Reading, class of 2017. His graduation typeface there was Willow, a type family for multi-lingual typesetting in Latin, Korean, and Greek. It is inspired by Korean traditional woodblock printing. It combines the elegance and organic shape of the brush with the sharpness of wood carving. [Google] [More]  ⦿

Yui Yoshitomi

Japanese graduate of the type design program at the University of Reading, class of 2017. His graduation typeface there was Cerasus, a multi-script typeface family for editorial use in fashion, arts and culture publications that covers Latin, Greek and Kannada: Its flexible system with different styles and scripts gives a variety for typography and helps designers to produce harmonised typographic design in publications. Cerusus consists of a range of styles for text, subhead and display use. [Google] [More]  ⦿

Yuka Yatomi

Art director and illustrator in Toronto who designed the experimental typefa Thomas in 2016. [Google] [More]  ⦿

Zane Lingard

Perth, Australia-based designer of the wavy scribbly typeface Ignit (2017). [Google] [More]  ⦿

Zizai Design

Beijing, China-based designer of the high-contrast display typeface ZZ Daylily (2017). [Google] [More]  ⦿

Zuzanna Labus

At the 15th Typeclinic, held in 2017, Zuzanna Labus (Poland) designed the text typeface Fika. [Google] [More]  ⦿