TYPE DESIGN INFORMATION PAGE last updated on Sun Feb 25 13:59:14 EST 2018

SEARCH THIS SITE:

IMAGE SEARCH:

FONT RECOGNITION VIA FONT MOOSE

LUC DEVROYE


ABOUT







Latest links



[1932 ad by Établissements Plantin for their Bristol and Carlton typefaces]








SWITCH TO INDEX FILE


Acknesia (or: Hustletter)

Designer of these hand-crafted typefaces in 2018: Rockwild, Jacklyne, Acknesia. [Google] [MyFonts] [More]  ⦿

Adam Werven

Minneapolis, MN-based musician and graphic artist who designed the avant garde / art deco typeface Obchod in 2018. Behance link. [Google] [More]  ⦿

Adam Werven

Minneapolis, MN-based musician and graphic artist who designed the avant garde / art deco typeface Obchod in 2018. Behance link. [Google] [More]  ⦿

Adela Holubcikova

Namestovo, Slovakia-based designer of Linedot (2018). [Google] [More]  ⦿

Adriana Garcidueñas

Mexico City-based designer of the decorative textured typeface Supalover (2018). [Google] [More]  ⦿

Adriana Longoria

Italian graphic designer. At TypeParis 2017, she designed the warm text typeface Domenico, which is based on a text from 1723 published in Urbino. [Google] [More]  ⦿

Adrienne Simmons

Houston, TX-based graphic designer who designed the pixel / video game typeface Robocat in 2018. [Google] [More]  ⦿

Ady Suhar
[Asahar Studio]

[More]  ⦿

Aika

Chinese designer of the free compass-and-ruler sans typeface Term (2017). [Google] [More]  ⦿

Aiste Zalaite

Vilnius, Lithuania-based designer of the deconstructed typeface Craft (2018) and a small sert of Public Space Icons (2016). [Google] [More]  ⦿

Ak Mal
[Tertia Type]

[More]  ⦿

Alara Selin Murkozoglu

Istanbul-based cdesigner of the triangulated typeface Gently (2018). [Google] [More]  ⦿

Albert Marti

Granada, Spain-based designer of the free techno typeface Arcade Fractured (2018), during his studies at Escuela Arte Granada. [Google] [More]  ⦿

Ale Navarro

Designer and letter artist in Santiago, Chile. In 2018, he designed the free angular text typeface Parranda. [Google] [More]  ⦿

Alejandra Rodriguez

Valencia, Venezuela-based designer of Gego (2018). [Google] [More]  ⦿

Alena Morgunova

Aka Malena. Kharkiv, Ukraine-based designer of the Latin / Cyrillic bitmap color font Happy Pencil (2018), the color font Mosaic (2018), and the brush font Plan Pen (2018). In 2017, she designed Grid and the dog-themed typeface Lovely Rustica. [Google] [More]  ⦿

Alexander Grazhdan

Athens, Greece-based designer of the Latin / Greek display typeface Edgy Elegance (2018). [Google] [More]  ⦿

Alfonso Antonio Jimenez Leon

Cordoba, Spain-based designer of the text typeface Juanola (2018). [Google] [More]  ⦿

Alice Gautier

Parisian student-designer of the painter's font Karel Appel (2018). [Google] [More]  ⦿

Alicia André

Paris-based designer of Genesis Mono (2018), a display typeface that is influenced by nuclear disasters such as the one in Fukushima in 2011. [Google] [More]  ⦿

Alicja Pona

Graphic designer and illustrator in Toronto who created the straight-line typeface Vamp in 2018. [Google] [More]  ⦿

Alizée Ramiara

Lorient, France-based co-designer, with Justine Herbel, of the modular display typeface KWay (2018). In 2017, she designed the experimental hybrid typefac Jukebox. [Google] [More]  ⦿

Alphabet Type

In December 2014, font engineer Andreas Eigendorf and type designer Stephan Müller founded a font-production, type-technology, and knowledge hub based in Berlin called Alphabet Type. Its expertise and custom tools help type designers and foundries turn their typefaces into fully functional software. As of early 2018, it employed these technical type specialists and font engineers: Andreas Eigendorf, Stephan Müller, Philipp Acsany, Monika Bartels, Anke Bonk, Benedikt Bramböck, Sophie Caron, Gergo Kokai and Paul Spehr. [Google] [More]  ⦿

Alyssa Barella

During her studies at Flagler College in St. Augustine, FL, Alyssa Barella designed the dot matrix typeface Conbria (2018). [Google] [More]  ⦿

Alyssa Tornese

During her studies at The School of Visual Arts in New York, Alyssa Tornese designed the thin sans display typeface ease (2018). [Google] [More]  ⦿

Amanda Liimatainen

Helsinki, Finland-based designer of the spurred typeface Riivio (2017). [Google] [More]  ⦿

Amanda Rios

At TypeParis 2017, Amanda Rios designed FD Slab, which is loosely based on didones. [Google] [More]  ⦿

Amélie Ruellan

At LISAA in Rennes, France, Amélie Ruellan designed a display typeface (2018). [Google] [More]  ⦿

Amy Haseldem

Huddersfield, United Kingdom-based designer of the 3d typeface Off The Shelf (2018). Behance link. [Google] [More]  ⦿

Amy Lomax

Crowthorne, United Kingdom-based graphic designer and illustrator. In 2018, she created the modular typeface Mind The Gap. [Google] [More]  ⦿

Ana Clara Gerundo

Rio de Janeiro, Brazil-based designer of Dots (2018). [Google] [More]  ⦿

Anastasia Musinova

Moscow-based designer of the formal calligraphic typeface Hertsgard (2018). [Google] [More]  ⦿

Andrea Almo P

Amposta, Spain-based designer of the experimental modular typeface Sempitern (2018). [Google] [More]  ⦿

Andrea Poon

Toronto-based designer of the 3d typeface Lucent (2018). [Google] [More]  ⦿

André Serafim

Figueira da Foz, Portugal-based designer (at the University of Coimbra) of Eclectica (2018). [Google] [More]  ⦿

Andres Torres Coronel

Cuenca, Ecuador-based designer of the free typeface Facultad (2016). [Google] [More]  ⦿

Andrius Maknevicius

Manchester, UK-basded designer in 2018 of an experimental 3d mesh-based typeface to recall Marshall McLuhan's The medium is the message adage. Devian tart link. [Google] [More]  ⦿

Anita Tincau

As a student in Cluj-Napoca, Romania, Anita Tincau designed the children's book font Kiddo (2018), the calligraphic Before (2018), and the brushy script typeface Skellington (2018). [Google] [More]  ⦿

Anna Bajorek

Detroit, MI-based designer of the display typeface Regal (2018). [Google] [More]  ⦿

Anna Dardou

Paris, France-based designer of an experimental typeface in 2018. [Google] [More]  ⦿

Anran Zhou

During her studies at OCAD University, Toronto, Canada, Anran Zhou designed a Chines Lute-themed typeface (2016). [Google] [More]  ⦿

Antonio Mejia Lechuja

In 2018, Antonio Mejia Lechuja (Mexico City) designed the handwriting typeface Handasa (programming by Ivan Moreno, Veracruz, Mexico). Handasa imitates the handwriting of architect Pedro Pablo Velasco Ochoa in his thesis Handasa. La epica en la arquitectura. [Google] [More]  ⦿

Arthur Ravenel

During his studies in Lyon, France, Arthur Ravenel designed the great concentric circle typeface Typo Cinema (2018). [Google] [More]  ⦿

Asahar Studio
[Ady Suhar]

Banda Aceh, Indonesia-based designer of these calligraphic or hand-crafted typefaces in 2017 and 2018: Anggita, Sketsa Leo, Delight Script, Ameila Script, Umbrella, Melly Love, Bregede Love, Meilalya, Braiden, Raihan, Bergila. [Google] [More]  ⦿

Athal Bertht

Madrid, Spain-based designer of the sans display typefaces Culonite (2018) and Acatisia (2018). [Google] [More]  ⦿

Athang Samant

During his studies at IIT Bombay, Athang Samant designed the free typeface Crafto Stencil (2018). [Google] [More]  ⦿

Aude Trémoureux

Nantes, France-based designer of the rounded sans typeface Around (2018). [Google] [More]  ⦿

August 10

A member of the Klapaucius team in Indonesia, speecializing in hand-crafted typefaces. In 2017, "August 10" designed Lisa Marie, Bartolomew, Tim, Bronze & Copper, Carlagata, Anita Liana, Leah Gaviota, Jenna Jenkins, Paula Paulina, Paris 1920, Sarah Loewe, Butterscotch Popcorn, Carissa Wellington, Every Summer, Oatmeal Jack, Patricia Dorothy, Nicoline, Old Emma, Herbert Lemuel, Ilana Bloom, Patrick Pie, Harper Moe, Brandine, Hannah Abbot, Ornette, Briella, Margot & Margery, Astrud Miller, Jane Bugg, Emilia Baker, Edeline, Clark & Lou, August. [Google] [More]  ⦿

Austin Coll

Calgary, Alberta-based designer of Forward Sans (2018). [Google] [More]  ⦿

Ayda Ekin Mete

During her studies in Izmir, Turkey, Ayda Ekin Mete designed the circular experimential typeface Nubia Smartphone (2018). [Google] [More]  ⦿

Bala G

Mumbai, India-based designer of the icon font Green Tuern Water Saver (2018). [Google] [More]  ⦿

Bang Toyib

Indonesian designer of these typefaces in 2018: Cantilena, Alabama (signature font), Aerodi (stencil), Ashley (signature font), Afanan (brush style), Bellada (retro brush font), Munich (sans). [Google] [More]  ⦿

Baudouin Willemart

Belgian designer of the beveled all caps typeface Atlas Regular (2018). [Google] [More]  ⦿

Benny Water

Prague, Czechia-based designer of the sans typeface Fundamenteel (2018). [Google] [More]  ⦿

Benny Yap

Melbourne, Australia-based designer of multiline display typeface in 2018. [Google] [More]  ⦿

Benoit Dupré

French designer of Fazioli (2017: a piano key typeface) and Mo (2018: a geometric solid typeface). [Google] [More]  ⦿

Bezz Javan

Los Angeles-based multimedia designer. In 2018, he published these display typefaces: Cubart (3d), Esquare, Slinky, Dumber, Dumberer, Blockage (3d), Chizzeld, Lotty Dotty, Dimetia, Nockt, Domals, Hangerz, Sirkly, Geomiez, Diamonz (rhombic), Cirquetta (labyrinthine), Whetted, Solark, Eggo. [Google] [More]  ⦿

Bhawna Shaktawat

New Delhi, India-based designer of Facda 404 (2018), an enigmatic cyber font made for 404 pages. [Google] [More]  ⦿

Bondan Gail

Jakarta, Indonesia-based designer of the color all caps typeface Mags (2018). [Google] [More]  ⦿

Brad Ross

American designer of BRM (2018), a logo font. BRM stands for Brass Media. [Google] [More]  ⦿

Brenda Lee

Singapore-based designer of Handlebars (2018). [Google] [More]  ⦿

Brittany Farley

During her studies at Flagler College in St. Augustine, FL, Brittany Farley designed Drizzle (2018). [Google] [More]  ⦿

Brumale
[Stefano Giliberti]

Salerno, Italy-based designer of these typefaces in 2018: Vluta (rounded sans, with a handicapped lower case e), Stoica (a fine monolinear sans), Anodina, Mandorlato (a display typeface with almond-shaped glyphs). [Google] [More]  ⦿

Bruno de Oliveira

Florianopolis, Brazil-based designer of the display typeface B Wayne (2013). Its outlines are based on Chinese calligraphic principles, and were influenced at the same time by the movie Batman. [Google] [More]  ⦿

Cakil EceCakmakci

Izmir, Turkey-based designer of the logotype Arko 1957 (2018) and the condensed hand-crafted Keops (2018). [Google] [More]  ⦿

Cameron Morton Watts

Petersfield, UK-based designer of the triangulated typeface Pryzm (2018) and the circle-and-squre typeface Valiant (2018). [Google] [More]  ⦿

Camila Escobar

During her studied at the University of Buenos Aires, Camila Escobar (Lomas de Zamora, Argentina) designed a striped money font (2018). [Google] [More]  ⦿

Capitalics
[Michal Jarocinski]

Warsaw-based typefoundry set up by Michal Jarocinski (who also founded Dada Studio), with initial participation of Mateusz Machalski (Borutta, Duce Type), Maciej Wloczewski (Picador) and Ludka Niezgoda. They offer revivals and high quality novelty typefaces, often related to or flowing from Polish typographic heritage. As of 2018, their fonts include:

  • By Michal Jarocinski: Servus, Sharik Sans, Macho, Clavo.
  • By Maciej Wloczewski: Artigua, Praha Pro, Mato Sans.
  • By Mateusz Michalski: Bona, Favela, Nocturne Serif, Migrena Grotesque.
  • By Ludka Niezgoda: Atoli.
[Google] [More]  ⦿

Carlota Gallart

At EINA in Barcelona, Carlota Gallart designed a geometric display typeface in 2018. [Google] [More]  ⦿

Carson Hartung

During her studies, Carson Hartung (Ballwin, MO) designed the script typeface Callie Regular (2018). [Google] [More]  ⦿

Cassandra Harger

During her studies at Flagler College in St. Augustine, FL, Cassandra Harger designed Charger (2018: an electrical circuit font). [Google] [More]  ⦿

Cayley Creekmore

American designer of the stencil typeface Identity Theft (2018). [Google] [More]  ⦿

Channah Kuipers

Leiden, The Netherlands-based designer of the blackboard bold typeface Indie (2018). [Google] [More]  ⦿

Charlene Pajak

Graphic designer in Princeton, NJ, who created the display typeface Baxen (2018). [Google] [More]  ⦿

Charly IX

Lyon, France-based designer of the art deco typeface Au Revoir Nicholas (2018). [Google] [More]  ⦿

Cheyenne Haytham

At the German University in Cairo, Cheyenne Haytham designed the sans+stencil typeface George Jung (2018). [Google] [More]  ⦿

Christy Stephanie Halim

Singapore-based student-designer of the sans typeface Anatole Regular (2018), which is based on the Google font Spectra. [Google] [More]  ⦿

Ciaran Crawley

Boston, MA-based designer of the pixel typeface Bit Noire (2018, FontStruct). FontStruct link. [Google] [More]  ⦿

Cinthia Balbuena

Sydney, Australia-based designer of Clara (2018: a school font) and the free architecturally-inspired typeface Articular (2018). [Google] [More]  ⦿

Clara Mur

Barcelona, Spain-based designer of a colorful geometric all caps typeface, Geo Type (2018). [Google] [More]  ⦿

Clint Self

Baton Rouge, LA-based designer of the free all caps typeface family Assurant Beta (2018). [Google] [More]  ⦿

Corentin Riviere

During his studies at Graphic Arts School (AGR) in Nantes, France, Corentin Riviere designed the free font College Stencil (2018). He writes: It began as an experimental project as a tribute to the College de France and is now a fully functioning classically styled font. [Google] [More]  ⦿

Corridor
[Florian Kriegner]

Linz, Austria-based designer of these typeface families, ca. 2018:

  • Dueblo Sans and Serif. Dueblo Sans is almost Peignotian.
  • Nomad Sans.
  • Ratatam Egyptienne.
  • Berto Headline (avant-garde).
  • f-Line. A signature script.
  • Slabton (slab serif).
  • Turale. A painted typeface.
[Google] [More]  ⦿

Creatype Studio
[Rian Rahardi]

Depok, Indonesia-based designer (b. 1979) of these script typefaces in 2018: Jelytta, Bulgatti, Southampton, Little Jack. [Google] [More]  ⦿

Cristina Dorda

At URJC in Madrid, Cristina Dorda designed the decorative caps alphabet El Relojero (2018). [Google] [More]  ⦿

Daniel Nardes

Itajai, Brazil-based designer (b. 1990, Itajai) who studied at UNIVALI---Universidade do Vale do Itajai. Creator of the circular arc typeface In Rainbows (2018). [Google] [More]  ⦿

Daniele Capelli
[Lasagner]

[More]  ⦿

Dasha Goldfinch

During her studies at HSE Art and Design School in Moscow, Dasha Goldfinch created Libera Room (2018). [Google] [More]  ⦿

Dat Trong Do

Dat Trong Do (Blank Creative Lab, Ho Chi Minh City, Vietnam) designed the geometric deco Vietnamese typeface Yen in 2018. [Google] [More]  ⦿

Dave Merson Hess

Austin, TX-based designer of the arcade game font Digigraf Headline 1983, or simply DH83, (2017, FontStruct). FontStruct link. [Google] [More]  ⦿

David J. Shipley
[Equisymbol]

[More]  ⦿

David Kerkhoff
[Ensotype]

[MyFonts] [More]  ⦿

Deepa Chauhan

New Delhi, India-based designer of a modular Latin typefasce in 2018. [Google] [More]  ⦿

Dena Schena

Vienna, Austria-based designer of Donauweibchen (2018, FontStruct). FontStruct link. [Google] [More]  ⦿

Denis Tsmbl

Rzeszow, poland-based designer of the display typeface family Matris (2018). [Google] [More]  ⦿

Derek Shafer

Southern California-based designer (b. 1998) of the blackletter pixel typeface Digi Castle (2018). [Google] [More]  ⦿

Diana Ferreira

Graduate of the University of Coimbra, class of 2016. In 2018, during studies at FBAUP in Porto, Portugal, she designed the wedge serif high contrast typeface Monitor Display. [Google] [More]  ⦿

Diana Soares

Lisbon, Portugal-based designer of the modular typeface Maritima (2018). [Google] [More]  ⦿

Diane McCloskey

During her studies at Flagler College in St. Augustine, FL, Diane McCloskey designed the coffee bean font Grounded Modular (2018). [Google] [More]  ⦿

Diego Miranda

Santiago, Chile-based designer of the hipster typeface Fonica (2017) during his studies at the University of Chile. [Google] [More]  ⦿

Diletta Vignolo

Torino, Italy-based designer of the blackletter typeface Urban Engravers (20180, which revives Morris Fuller Benton's Engravers Old English (1901). [Google] [More]  ⦿

Ditton Supply Co

Indonesian designer of the brush ttypeface Attack (2018). [Google] [More]  ⦿

Dixie Type

Salt Lake City, UT-based designer of these hand-lettered typefaces in 2018: Newport Beach, Sandcastle, Rowan, Bella Rose, Blossom Brush, Allysa Script. [Google] [More]  ⦿

Dominik Korolczuk

Warsaw, Poland-based designer of Kore (2018). [Google] [More]  ⦿

Dominika Kaczmarek

Polish designer of Zapatito (2018). [Google] [More]  ⦿

Doni Sukma
[Letter Omega]

[More]  ⦿

Doug Houvener

Peoria and/or Phoenix, AZ-based designer of the stencil typeface Sea Dog (2018). [Google] [More]  ⦿

Douglas Ferraz

At UTFPR, Curitiba, Brazil-based Douglas Ferraz designed the shifted typeface Divided (2018). [Google] [More]  ⦿

Douglas Reis

Sao Paulo, Brazil-based designer of the op-art typeface Portifa (2018). In 2018, he did a revival of Martin Jacoby-Boy's Bravour (1912) called -Bravour Meio Prata. [Google] [More]  ⦿

Drawn TheArt

Saint Petersburg, Russia-based designer of the sans typeface family Goodline (2018). Creative Fabrica link [Google] [More]  ⦿

Eduard Martinez

Bogota, Colombia-basd designer of the hexagonal typeface Hexatrap (2018). [Google] [More]  ⦿

Eduardo Calvetti

During his studies in Curitiba, Brazil, Eduardo Calvetti designed the octagonal typeface savages (2018). [Google] [More]  ⦿

Ekaterina Akhmatgaraeva

Ufa, Russia-based designer of the Latin typeface Paper Town (2018). [Google] [More]  ⦿

Elif Melisa Boz

Izmir, Turkey-based designer of the logotype sans typeface Mappa (2018). [Google] [More]  ⦿

Elisabeth Bolzon

Graphic designer in London. At TypeParis 2017, she designed the Baskerville / Garamond hybrid Basgar. [Google] [More]  ⦿

Elizaveta Gvozdeva

During her studies in Prague, Elizaveta Gvozdeva designed the wavy display typeface Wine (2018), which is based on Frantisek Storm's Trivia Sans. [Google] [More]  ⦿

Ellie Powell

Falmouth, UK-based student-designer of Glitch (2018). [Google] [More]  ⦿

Elvin Leblebici

Ankara, Turkey-based designer of the avant garde typeface Alien (2018) and the paper cutout stone cut typeface Caveman (2018). [Google] [More]  ⦿

Emily Iles
[Haff Raff]

[More]  ⦿

Emily Schlotter

During her studies in Kutztown, PA, Emily Schlotter designed a colorful font, PM21 (2018), which is based on Piet Mondrian's style. [Google] [More]  ⦿

Emma Emilie Christensen

Graphic design student at The Danish School of Media and Journalism in Copenhagen in 2018, when she designed Gridtypo (pixelish) and the display sans typeface KLM (2018). [Google] [More]  ⦿

Emma Williams

Macon, GA-based designer of Bones (2017). [Google] [More]  ⦿

Engi Elbelbesi

Graphic designer in Cairo, Egypt, who created the hand-crafted typeface Claise in 2018. [Google] [More]  ⦿

Ensotype
[David Kerkhoff]

Ensotype was established in 2018 by Dutchman David Kerkhoff, who also runs Hanoded. In 2018, he published the Japanese brush ink typeface Murasaki and the Arabic emulation typeface Ruhaniyat. [Google] [MyFonts] [More]  ⦿

Equisymbol
[David J. Shipley]

Equisymbol is the international symbol of balance and equilibrium that was created by inventor and entrepreneur David J. Shipley in 2017. Based in Haarlem, The Netherlands, Shipley took out trademark protection for the name and the symbol itself. Two personal remarks: (1) I thought that trademark only referred to names, but he claims otherwise. (2) This will not win him the award of mensch of the year. [Google] [More]  ⦿

Erica Mallia

St. Paul's Bay, Malta-based designer of the free decorative caps typeface Petals (20178). [Google] [More]  ⦿

Esmeralda Mejia

Graphic designer in Vancouver, BC, b. 1996. In 2018, she published the slimy typeface Monstrocity. [Google] [More]  ⦿

Eyyup Tezcan

Istanbul, Turkey-based designer of the straight-edged display typeface Ilmek (2018). [Google] [More]  ⦿

Fabio Servolo

Turin, Italy-based designer of the free ultra-condensed fashionable retro display typeface Granfondo (2018). [Google] [More]  ⦿

Fanshu Ding

Communication designer in London who created the hexagonal typeface Sky Wheels in 2018. [Google] [More]  ⦿

Fatih Hardal

Istanbul, Turkey-based designer of Hardal Serif (2018). [Google] [More]  ⦿

Fatima Itsumi Inoue Pereira

Graphic designer in Fatima, Portugal, who created the octagonal typeface Bergamo in 2018. [Google] [More]  ⦿

Faustine Montoro-Dray

Paris-based designer of a blackboard bold typeface in 2018. [Google] [More]  ⦿

Fien Robbe

Brussels, Belgium-based designer of the nibbed calligraphic typeface Exclipse (2018). [Google] [More]  ⦿

Firat Dogan

Istanbul-based designer of the bitmap font Kerner (2018). [Google] [More]  ⦿

Florian Karsten

Designer of the free font family Space Text (2016), which is based on Colophon's space Mono. Open Font Library link. Fontsquirrel link. Github link. [Google] [More]  ⦿

Florian Kriegner
[Corridor]

[More]  ⦿

Francisco Javier Paez

Santiago, Chile-based designer of Alquitran Stencil and Alquitran Rust (2018, at Rodrigo Typo; with Rodrigo Araya Salas and Andrey Kudryavtsev). [Google] [MyFonts] [More]  ⦿

Frank Granados

During his studies at EESS, Frank Granados (Algeciras, Spain) designed the curvy typeface Arbolada (2018), which was inspired by Christian Schwartz's Amplitude. [Google] [More]  ⦿

Frans Wiklund
[Studio Reko]

[More]  ⦿

Gabri Garcia

Bailen, Spain-based designer of the condensed display typeface Gabriela (2018). [Google] [More]  ⦿

Gabriel Baum

Londrina, Brazil-based designer of the distinguished sans typeface Farth (2018). [Google] [More]  ⦿

Gabriel Quiros

San Jose, Costa Rica-based designer of the condensed display typeface On Road (2017). Behance link. [Google] [More]  ⦿

Gabriela Hukalowicz

Katowice, Poland-based designer of the text typeface Olimpia (2018). [Google] [More]  ⦿

Gabrielle Galban

During her studies at Flagler College in St. Augustine, FL, Gabrielle Galban designed Boba Modular (2018). [Google] [More]  ⦿

Gaelle Pérot

Paris-based designer of the display typeface Evil (2018). [Google] [More]  ⦿

Geoffrey Krawcczyk

Geoffrey Krawcczyk is Creative Director at TVP Studio in New York City. In 2018, he designed the free all caps sans typeface Vain Capital. [Google] [More]  ⦿

George Pavskii

Moscow-based designer of the free techno font Folgore (2018). [Google] [More]  ⦿

Ghassani Kargi

Bekasi, Indonesia-based designer of the semi-stencil typeface Aeglyph (2018). [Google] [More]  ⦿

Grady Jeon

Designer of the free squarish typeface Alforim (2018). [Google] [More]  ⦿

Greg "Seso" Ortiz

New York City-based designer (b. 1996) of the free futuristic stencil typeface Quantum (2018). [Google] [More]  ⦿

Haff Raff
[Emily Iles]

St. Louis, MO-based designer of Midwest (2018). [Google] [More]  ⦿

Hale Vatansever

During her studies at ─░zmir University Of Economic, Hale Vatansever (Izmir, Turkey) designed a nice set of hospital icons (2018) and a multiline typeface, Lines (2018). [Google] [More]  ⦿

Hana Alsamni

Egyptian designer of the terminal-laden typeface Amelie (2017), which was inspired by the movie. [Google] [More]  ⦿

Hans Christian Øren

For Nike Consept Store in Oslo, Hans Christian Øren (Oh Yeah Studio, Oslo) designed the prismatic typeface Oslo (2018), which takes a bit after the logo font for the Mexico City Olympics. Earlier, he designed a hipster font for Nike USA. [Google] [More]  ⦿

Hans Sidharth

Bangalore City, India-based designer of the intergalactic stencil typeface Andromeda (2018). [Google] [More]  ⦿

Haris Purnama Putra
[Letter Rits Type]

[More]  ⦿

Harish Harry

Bangalore, India-based designer of a modular typeface in 2018. [Google] [More]  ⦿

Haziq Affandy

Bandar Seri Begawan, Brunei Darussalam-based designer of the free display typeface Forged (2017). Behance link. [Google] [More]  ⦿

Henaris R

During her studies at EASD, Valencia, Spain-based Henaris R designed the psychedelic typeface Slaughterhouse (2018). [Google] [More]  ⦿

Hendri Arizandy

Malang, Indonesia-based designer of the script typefaces Flower Grave (2018) and Djajady (2018), and the rounded sans typeface Alisca (2018). Creative Fabrica link. [Google] [More]  ⦿

Hilda Wong

During her studies at the School of Visual Arts in New York, Hilda Wong designed the all caps sans typeface Anderson (2018). Behance link. [Google] [More]  ⦿

Hinting and the web

Hinting has traditionally been used for design on grids and pixel screens. Dave Crossland (Google) summarizes the state of affairs in early 2018 quite accurately: Designing to a pixel grid is no longer required, because most of screen reading is on phones which have very high resolutions that are better than print. Since there are still a good chunk of users with Windows, it is still important to apply auto hinting for their reading comfort, but most users don't benefit much from hints. Of course if you are trying to retail a font family for top dollar then you will go the extra mile and do hand hinting, but the value of this for users is going to continue to decline. I think we are already at the point where there is zero distinction between typefaces intended for print and digital; that future is here, it just isn't evenly distributed. Certainly, forward-looking companies will stop investing in hand-hinting from this point on, closing one of the ugliest, darkest and least understood chapters of type design. [Google] [More]  ⦿

HSHR

Designer of Ijut Script (2018) and Bastian (2017). [Google] [More]  ⦿

Ida Louise Waeraas

Oslo, Norway-based designer of Sulten (2017). [Google] [More]  ⦿

Ieva Radzeviciute

Graphic design student in Vilnius who created the display typeface Savickis in 2018. [Google] [More]  ⦿

Igreka2n

La Rochelle, France-based designer of the free mechanical all caps font Blackchurch (2018). [Google] [More]  ⦿

Ilham Taro
[Ilham Waryu]

Indonesian graphic designer (b. 1986) who created these script typefaces in 2018: Chesterville, Asthenia. [Google] [More]  ⦿

Ilham Waryu
[Ilham Taro]

[More]  ⦿

Imola Sarkadi

At Moholy Nagy University in Budapest, Hungary, Imola Sarkadi designed the experimental typeface Osteoporosis (2017). [Google] [More]  ⦿

Initiatype
[Liam Philip]

London-based designer (b. 1988) of Sheptember (2018). [Google] [More]  ⦿

Inna Serik

Kiev, Ukraine-based designer in 2018 of the logotypes Fly, Advio and Rogue (stencil). [Google] [More]  ⦿

Inria (Sans and Serif)

Free typefaces made in 2017 by the Black Foundry. Fontsquirrel link. Github link. [Google] [More]  ⦿

Irene Burlet

During her studies in Paris, Irene Burlet designed the display typeface Ronda in 2018. [Google] [More]  ⦿

Irini Gleglakou

At the School of Applied Arts in La Chaux-de-Fonds, Switzerland, Irini Gleglakou designed the display sans typeface Onoma (2018). [Google] [More]  ⦿

Ivan de Deus

Curitiba, Brazil-based designer (at Universidade Positivo) of Duke sans (2017). [Google] [More]  ⦿

Jack Sells

During his studies, Denver, CO-based Jack Sells designed the compass-and-ruler typeface Blink (2018). [Google] [More]  ⦿

Jaclyn Kremposky

During her studies at Flagler College in St. Augustine, FL, Jaclyn Kremposky designed Lock N Key (2018). [Google] [More]  ⦿

Jacob Franklin

Atlanta, GA-based designer of the connect-the-dots typeface Space (2018). [Google] [More]  ⦿

Jaikishan Patel
[Magic Type]

[More]  ⦿

Jake Hartline

Philadelphia, PA-based designer of Gradient Bubble (2017). [Google] [More]  ⦿

James Alves

Brazilian designer---I think---of the stencil typeface Columbina (2018) for a branding project. [Google] [More]  ⦿

Janis Kalaus
[June 23]

[MyFonts] [More]  ⦿

Jason Waterfalls

Melbourne, Australia-based designer of the constructivist typefaces Rudiment001 and Rudiment002 (2018) and the display typeface Softly Ooming (2018). [Google] [More]  ⦿

Jason Zagreab

Illustrator and graphic designer in Gig Harbor, WA. In 2018, he published a sharp rhythmic typeface called Killing It. [Google] [More]  ⦿

Jaume Giralt

During his Master of Typeface and Editorial Design studies at Eina Barcelona in 2015, Jaume Giralt (London, UK) designed the text typeface Cosmo. [Google] [More]  ⦿

Jay Campbell

American designer of the free all caps sans typeface Marfa Post (2018). [Google] [More]  ⦿

Jem Maybank

Leeds, UK-based designer of Gulf (2018). [Google] [More]  ⦿

Jenna Davenport

During her studies at Flagler College in St. Augustine, FL, Jenna Davenport (Newman, GA) designed Funky Music (2018). [Google] [More]  ⦿

Jennifer Hall

Manchester, UK-based designer of the experimental typeface Fragment (2018). [Google] [More]  ⦿

Jimena Granados

Bogota, Colombia-based designer of the Bifur-inspired typeface Jazzy (2018). [Google] [More]  ⦿

Johann Robert G

At Escuela de Arte de Sevilla, Spain, Johann Robert G designed the typeface Gelida (2018). [Google] [More]  ⦿

Johannes Neumeier
[Underscore]

[More]  ⦿

John Gnieski

At the Ringling College of Art and Design, Sarasota, FL-based John Gnieski designed Geo Gothic (2017). [Google] [More]  ⦿

Jon Young

Jon Young was born in Pittsburgh, PA and studied graphic design at American University in Washington, DC. He did design projects for Bally Design, Staples and Charles, Philadelphia Museum of Art, Detroit Institute of Art, Phil's Fonts, University of Pittsburgh, and the World Movement for Democracy, and specializes in front end development, visual design, and typography. He is presently based in Madrid, Spain. At TypeParis 2017, Jon developed the text typeface Fuqua and wrote: Fuqua is a text typeface dedicated to the city of Pittsburgh, Pennsylvania. It references the character and personality of its people, its industrial history, and the identity of its football team, the almighty Steelers. [Google] [More]  ⦿

Jonathan Bell

During his studies, Aberdeen, Scotland-based Jonathan Bell designed Stoneywood (2018). [Google] [More]  ⦿

Jose Roses
[The Guy Brush]

[More]  ⦿

Josh Krecioch

Milwaukee, WI-based designer (as a student based in Oconomowoc, WI) of the great Opentype SVG-format floral caps typeface Posy (2018). [Google] [More]  ⦿

Joz Gandoz

Yogyakarta, Indonesia-based designer of the monoline script typeface Belina (2018). [Google] [More]  ⦿

Julia Moskalenko

Kryvyi Rih, Ukraine-based illustrator, aka Danko Art. Designer of these display typefaces in 2018: Syzygy, Eros, Air (multilined), Distorted. [Google] [More]  ⦿

Julia Welch

During her studies at UQAM in Montreeal, Julia Welch designed the inversed stress typeface Form Sans (2018). [Google] [More]  ⦿

Julie Åsbo

Norwegian designer of the display typefaces Broadway (2018) and Sharp (2018). [Google] [More]  ⦿

Julie Matulla

Paris-based designer of the ball terminal typeface Gaea (2017) for the fashion industry. [Google] [More]  ⦿

June 23
[Janis Kalaus]

June23 is a Latvian typefoundry run by Janis Kalaus. In 2018, he published Framer Sans (a low-contrast condensed basic sans). [Google] [MyFonts] [More]  ⦿

Kajetan Andrzejak

Szczecin, Poland-based student-designer of the blackletter pixel typeface Pixel Gothic (2018). [Google] [More]  ⦿

Kane Killgore

Mobile, AL-based designer of Sunburnt (2018). [Google] [More]  ⦿

Kate Lawliet

As a student in Vilnius, lithuania, Kate Lawliet designed several display typefaces, ca. 2018. [Google] [More]  ⦿

Kea SK
[Peter Felix]

Peter Felix (Krea SK, Slovakia) designed Krea Sans (2018). [Google] [MyFonts] [More]  ⦿

Kebon Badeng

Designer of the free marker script typeface Aeland (2018). [Google] [More]  ⦿

Kelsey Coleman

During her studies in Lawrence, KS, Kelsey Coleman designed the modular typeface Organic Leaf (2018). [Google] [More]  ⦿

Klaas Horeis

Hamburg, Germany-based designer of Anarcho (2018). [Google] [More]  ⦿

Kristin Busitzky

During her studies at Flagler College in St. Augustine, FL, Kristin Busitzky designed Bubble Drive (2018). [Google] [More]  ⦿

Krzysztof Kujawski

Warsaw-based designer of the the thin display sans typeface Patyki (2018). [Google] [More]  ⦿

La Katsula

Quito, Ecuador-based designer of the thin avant garde typeface Muyu (2018). [Google] [More]  ⦿

Laeticia Gracio

Santarem, Portugal-based designer of the blackletter stitching font Bordado (2018). [Google] [More]  ⦿

Lane Weinheimer

During her studies at Flagler College in St. Augustine, FL, Lane Weinheimer designed the rope font Can You Knot (2017). [Google] [More]  ⦿

Lasagner
[Daniele Capelli]

Bergamo, Italy-based designer, b. 1998, who, as a student at S.Giulia Academy in Brescia, created the bold condensed sans typeface Build (2018). [Google] [More]  ⦿

Laura Rosina

Rome, Italy-based designer of the pixelish / gridded typeface Streyes (2018). [Google] [More]  ⦿

Lea De Block

Paris-based designer of Captain Fraktur (2018). [Google] [More]  ⦿

Lee Yun Chen

Taipei, Taiwan-based designer of Meteorological Alphabet (2017). [Google] [More]  ⦿

Leila Yüce
[See Yüce Soon]

[More]  ⦿

Leo de Almeida

During his studies in Rio de Janeiro, Leo de Almeida designed the squarish deco typeface Varal (2018). [Google] [More]  ⦿

Leon Dijkstra

COOEE is an Amsterdam-based studio founded in 2010 and run by Leon Dijkstra. In 2017, he designed the display typeface Mongrel. Behance link. [Google] [More]  ⦿

Letter Omega
[Doni Sukma]

Akureyri, Iceland and/or Indonesia-based typefoundry which popped up in 2018. Its typefaces include Neufile Grotesk (2018, by Doni Sukma). [Google] [More]  ⦿

Letter Rits Type
[Haris Purnama Putra]

Lampung, Indonesia-based designer of the signage script typefaces Purnama (2018) and Chasing Star (2018). [Google] [More]  ⦿

Liam Philip
[Initiatype]

[More]  ⦿

Lillian Enzler

American designer of a dot matrix typeface in 2017 for a poster for Drake University's Architecture Symposium lecture series. [Google] [More]  ⦿

Linda Ozola

During her studies in Nottingham, UK, Linda Ozola designed the curvy typeface Shark Tooth (2018). [Google] [More]  ⦿

Lorena Muñoz

Merida, Spain-based designer of the sans typeface Millennial (2018). [Google] [More]  ⦿

Lourdes Casado Sanchez

Don Benito, Spain-based designer of Manifold (2018). [Google] [More]  ⦿

Lucas da Silva

Sao Paulo, Brazil-based designer, at Centro Universitario Belas Artes, of the duct tape font Lukoi (2018). [Google] [More]  ⦿

Luciana Sottini

Designer of the icons in Protipo (2018), an information design typeface family by Veronika Burian and José Scaglione at TypeTogether. [Google] [More]  ⦿

Luis Carneiro Leao

Salvador, Brazil-based designer of the brush typeface Itacimirim (2018). [Google] [More]  ⦿

Luis Cherubini

Porto Alege, Brazil-based designer of the sans typeface Sahut (2018). [Google] [More]  ⦿

Luiza Chamma

Graphic designer in Rio de Janeiro. At TypeParis 2017, she designed the large x-height creamy brush typeface Chocolat. [Google] [More]  ⦿

Lunarts Studio
[Volodymyr Hryshchenko]

Korosten, Ukraine-based designer of Valentine Font (2018). [Google] [More]  ⦿

Macarena Galindo

Valparaiso, Chile-based designer of Quilpueina Sans (2018) for the city of Quilpue. [Google] [More]  ⦿

Macy Rajacich

During her studies, Macy Rajacich (Minneapolis, MN) designed a wonderful all caps color alphabet (2018). [Google] [More]  ⦿

Maggie Brekka

During her studies at Flagler College in St. Augustine, FL, Maggie Brekka designed Derailed (2018). [Google] [More]  ⦿

Magic Type
[Jaikishan Patel]

Mumbai, India-based designer of the free font Red Rose. [Google] [More]  ⦿

Make
[Muhammed Akif Kayacan]

Turkish designer of the free rounded sans font G Rounded (2018). [Google] [More]  ⦿

Mantra Studio

Mexico City-based designer of Funky Letters (2018), a colorful geometric set of capitlas. [Google] [More]  ⦿

Marco Knight Designs

Johannesburg, South Africa-based designer of the hand-crafted Forty Five Degree (2018). [Google] [More]  ⦿

Marcos Alvaradado

Guaynabo, Puerto Rico-based student-designer of the backslanted display typeface Ansible (2018). [Google] [More]  ⦿

Marcus Bichel Lindegaard

Copenhagen, Denmark-based designer of the curvy wavy typeface Schwung (2018), which is named and shaped after Niels W. Gade's hairstyle. [Google] [More]  ⦿

Marcus Dandy

Brussels, Belgium-based student-designer of SquadBats (2018). [Google] [More]  ⦿

Marek Ciesarik

During his studies, Zilina, Slovakia-based Marek Ciesarik designed the paperclip typeface Last (2018). [Google] [More]  ⦿

Margo Rulens

Graphic designer in Brussels, who created the paperclip typeface Light in 2018. [Google] [More]  ⦿

Maria Eugenia Toto

During her studies at FADU (University of Buenos Aires), Maria Eugenia Toto designed the counterless typeface Alfabeto Abstracto (2018). [Google] [More]  ⦿

Maria Kalashnik

Burgas, Bulgaria-based designer of the hand-drawn Latin serif typeface Veneziano (2018). [Google] [More]  ⦿

Maria Lazarevic

Leskovac, Serbia-based designer of the futuristic typeface Orbits (2018) on the same day that Elon Musk launched his Heavy Falcon rocket into outer space. [Google] [More]  ⦿

Maria Miguel Pires

Chaves, Portugal-based designer of as bitmap font in 2018. [Google] [More]  ⦿

Mariam Komnen

The Hague, Netherlands-based designer of Godfrey (2018). [Google] [More]  ⦿

Mariana Tavares

Lisbon, Portugal-based designer of the humanist sans serif typeface Navis (2018). [Google] [More]  ⦿

Marie Wagner
[Type Toucan]

[MyFonts] [More]  ⦿

Marina Dragicevic

During her studies in Vienna, Marina Dragicevic designed the angular typeface Bossy (2017). [Google] [More]  ⦿

Marsha Haryanto

Creator of the free display typeface Parinock (2018). [Google] [More]  ⦿

Marta Anna P

During her studies at Algonquin College School of Media and Design in Ottawa, Ontario, Marta Anna P designed the free slab serif typeface Ada Round (2017). [Google] [More]  ⦿

Martin Liguori

Designer in Buenos Aires. In 2018, he combined Moolborany and Lucida Calligraphy Italic to make Simon Coffee. [Google] [More]  ⦿

Maryfer Gama

Designer of the curly hand-crafted typeface Lujuria (2018). [Google] [More]  ⦿

Matthew James

Matthew James (London) and Petros Afshar co-designed the Japanese emulation font Okami. [Google] [More]  ⦿

Matthew Powers

Salt Lake City, UT-based designer of Finger Print Font (2018). [Google] [More]  ⦿

Matyas Strelec

Nachod, Czechia-based student-designer of an art deco typeface simply called Art Deco (2018). [Google] [More]  ⦿

Max Yazz

Or Maxime "Yazz" Lamoureux. Canadian designer of the free reverse stress typeface Clay Feet (2018) and the squarish typeface Americanos (2018). [Google] [More]  ⦿

Meagan Garrett

During her studies, Meagan Garrett (Lawrence, KS) designed the monoline circle-based typeface Leisure (2018). [Google] [More]  ⦿

Med Aziz Ben Hadj Amor

Tunis, Tunisia-based designer of the Latin all caps typeface Hachtacta (2018). [Google] [More]  ⦿

Melisa Perrotta

Barcelona, Spain-based designer of the display typeface Ice (2018) and Elf Font (2018). [Google] [More]  ⦿

Melissa Campbell

Designer of the free grunge typeface Chomp (2018). [Google] [More]  ⦿

Merete Studio

Novosibirsk, Siberia-based designer of the script typeface Funny Cupid (2018). [Google] [More]  ⦿

Michal Jarocinski
[Capitalics]

[More]  ⦿

Michel Jacquet

At TypeParis 2017, Michel Jacquet developed the playful text typeface Comptine specifically for children's books. [Google] [More]  ⦿

Michelangelo De Cia

London, UK-based designer of the roman caps typeface Sentow (2018). [Google] [More]  ⦿

Michelle Mallard

During her studies at Flagler College in St. Augustine, FL, Michelle Mallard designed the camera aperture-themed typeface Capture (2018). [Google] [More]  ⦿

Miguel Gonzalez Valderrama

Santiago, Chile-based designer of the free typeface Aventine (2018). [Google] [More]  ⦿

Miriam Raynolds

During her studies at Flagler College in St. Augustine, FL, Miriam Raynolds designed the paperclip typeface Copy Cat (2018). [Google] [More]  ⦿

Monk Scriptorium

Lisbon, Portugal-based designer of the Brazilian graffiti font Pixo 92018). [Google] [More]  ⦿

Morton Duemose

Copenhagen, Denmark-based designer of Bellagio (2018). [Google] [More]  ⦿

Motokiwo

Indonesian designer of Beatrix Signature (2018) and Rotterland (2018). [Google] [More]  ⦿

Muhammad Fathi Al Ghazi

Or Zrox Studio. Bandar Lampung, Indonesia-based graphic designer and lettering artist, b. 1997. Creator of the signage script typeface Thipe (2018). Graphicriver link. [Google] [More]  ⦿

Muhammed Akif Kayacan
[Make]

[More]  ⦿

MyFonts: Bestsellers for February 2018

The fifty best-selling typefaces at MyFonts, as reported by them on February 1, 2018: #1 FF DIN (FontFont), #2 Proxima Nova (Mark Simonson), #3 Helvetica Neue (Linotype), #4 Brandon Grotesque (HVD Fonts), #5 Avenir (Linotype), #6 Gilroy (Radomir Tinkov), #7 FF Mark (FontFont), #8 Above the Sky (My Creative Land), #9 DIN Next (Linotype), #10 Futura (Linotype), #11 Cera Pro (TypeMates), #12 Helvetica Neue LT Std (Adobe), #13 Univers (Linotype), #14 Rumble Brave Vintage Fonts (Alit Design), #15 Museo Sans (exljbris), #16 Avenir Next Pro (Linotype), #17 Kuunari Rounded (Mika Melvas), #18 Trade Gothic (Linotype), #19 Mont (Fontfabric), #20 Geogrotesque (Emtype Foundry), #21 ITC Avant Garde Gothic (ITC), #22 Frontage Condensed (Juri Zaech), #23 Neue Haas Grotesk (Linotype), #24 Myriad Pro (Adobe), #25 TT Norms (TypeType), #26 Zing Rust (Fontfabric), #27 Nexa (Fontfabric), #28 Sofia Pro (Mostardesign), #29 Akzidenz-Grotesk BE (Berthold), #30 Frutiger (Linotype), #31 Nexa Rust (Fontfabric), #32 Brandon Text (HVD Fonts), #33 Larsseit (Type Dynamic), #34 Galano Grotesque (Rene Bieder), #35 Campton (Rene Bieder), #36 FF Netto (FontFont), #37 VAG Rundschrift (URW++), #38 Helvetica (Linotype), #39 Core Sans DS (S-Core), #40 ITC Conduit (ITC), #41 Aktiv Grotesk (Dalton Maag), #42 Averta (Intelligent Design), #43 Cervo Neue (Typoforge Studio), #44 Intro (Fontfabric), #45 Futura PT (ParaType), #46 Urban Grotesk (Suitcase Type Foundry), #47 Hurme Geometric Sans 1 + 2 (Hurme), #48 Gill Sans (Monotype ), #49 Axiforma (Kastelov), #50 Futura (Bitstream). [Google] [More]  ⦿

Nada Haidar Karim

Beirut, Lebanon-based designer of the Latin / Arabic poster typeface Yum (2018). [Google] [More]  ⦿

Nadaa Aniis

During her studies at German University in Cairo, Nadaa Aniis designed the modular Latin typeface Bryan (2018). [Google] [More]  ⦿

Nadyr Rakhimov

Type designer in Saint Petersburg, Russia, who is active in the TypeType team. TypeType is particularly stingy with its credits of who-designed-what, but it appears that Nadyr Rakhimov had a hand in many of the TypeType team typefaces. In 2018, I believe---but am not sure---that Nadezhda Polomoshnova, Phill Nurullin, Vika Usmanova, Nadyr Rakhimov and the TypeType Team co-designed TT Jenevers. [Google] [More]  ⦿

Namogo Design
[Tudor Munteanu]

Iasi and Bucharest, Romania-based design studio. Tudor Munteanu (Iasi) and Cristi Bordeianu (Iasi) designed the great mischievous retro sans typeface family Brightwell in 2018. You Work For Them link. [Google] [More]  ⦿

Nebojsa Gelevski

Designer at Kome Design Lab in Skopje, Macedonia. Her typefaces:

  • Ekran (2017). A free unicase font.
[Google] [More]  ⦿

Nefhar Rocha

Rio de Janeiro, Brazil-based designer of Valkyrie (2018). [Google] [More]  ⦿

Nes Calado

Portuguese designer of LostnFont (2018). [Google] [More]  ⦿

Nicholas Losacco

Montreal-based designer of the free typeface Miter 2018), a titling typeface inspired by industrial machinery and the playfulness derived from perfect circles. [Google] [More]  ⦿

Nicolas Bacile

Cordoba, Argentina-based designer of the free pixelish video game typeface family Kid A (2017). [Google] [More]  ⦿

Nicolas Chretien

During his studies in Lens, France, Nicolas Chretien designed a grid-based typeface (2018). [Google] [More]  ⦿

Nina Ignjatovic

At Univerzitet Metropolitan in Belgrade, Serbia, Nina Ignjatovic designed a hipster typeface called Geometric (2018). [Google] [More]  ⦿

Nina Scherrer

Zurich, Switzerland-based designer of Nina Tutnix (2018). [Google] [More]  ⦿

Nisa Silva

New York City-based designer of the modular typeface Inclined (2017). [Google] [More]  ⦿

Noree Saisalam

Thailand-based designer of vector format fonts such as AZ Owl (2017), Lover (2017), and Cartoon Character (2017). [Google] [More]  ⦿

Novia Angelin

Indonesian designer of the blackboard bold typeface Lightning Strike (2018). [Google] [More]  ⦿

Nubefy

Nubefy groups Ale Cota and Rosana Martinez. Based in Sao Paulo, Brazil, they designed the floral typeface Spring (2018), the decorative caps typeface Winter Light (2018), the wavy Copacabana (2017), the display typefaces Dark Forest and Green Forest (2017), the colorful Summer Bold (2017), Summer (2017), and Summer Light (2017, + dingbats). Home page of Rosana Martinez. [Google] [More]  ⦿

Nur Khalidien

Indonesian designer in 2017 of these calligraphic typefaces: Indiana, Amalyara, Magnalia, Orlando. [Google] [More]  ⦿

Object Form

Kiev, Ukraine-based designer of Wing Font (2018). [Google] [More]  ⦿

Olena Kuts

Wroclaw, Poland-based designer of a geometric color font in 2018. [Google] [More]  ⦿

Olga Otryvanova

Chelyabinsk, Ri=ussia-based designer of the colorful decirative caps typeface Loki Color (2018). [Google] [More]  ⦿

Olia Leykina

Saint Petersburg, Russia-based designer, with Olexa Volochay at TypeType in 2016, of TT Lakes (54 fonts in all). [Google] [More]  ⦿

OMFD Official

Art director in Berlin. In 2018, he designed the sharp-edged display typeface Saedge. [Google] [More]  ⦿

Onur Cem

Istanbul-based designer of 3D Block Letters (2018). [Google] [More]  ⦿

Osvald Landmark

Copenhagen, Denmark-based designer of Bavian Grotesque (2018) during a course taught by Trine Rask at the Danish School of Media and Journalism. [Google] [More]  ⦿

Oussama Choudane

Marrakesh, Morocco-based designer of a calligraphoc blackletter typeface in 2018. [Google] [More]  ⦿

Paola Szmygiel

Buenos Aires-based designer of the spindly eerie vampire script typeface Obituary (2018). [Google] [More]  ⦿

Pascale Alie-Crete

Graphic designer and illustrator in Montreal, who created the powerful display typeface Gauche in 2018. It was designed in Alessandro Colizzi's class at UQAM. [Google] [More]  ⦿

Patricia Delgado

Graphic designer in Sao Paulo, Brazil. [Google] [More]  ⦿

Patrick Losbichler

Amstetten, Austria-based designer of the display typeface Schlachthof (2017). [Google] [More]  ⦿

Paula Santanna

Posadas, Argentina-based designer of Ecolalias (2018). [Google] [More]  ⦿

Paulina Strojniak

During her studies in Krakw, Poland, Paulina Strojniak designed the art deco typeface Goniec (2018), which is inspired by the defunct World War II newspaper Goniec Warszawski. [Google] [More]  ⦿

Pauline Neves

Montlignon, France-based designer of the kitchen tile typeface Hesitaton (2018). [Google] [More]  ⦿

Peter Felix
[Kea SK]

[MyFonts] [More]  ⦿

Pierre Ang

Jakarta, Indonesia-based designer of Beluga (2018). [Google] [More]  ⦿

Piotr Klyszejko

During his architecture studies, Warsaw, Poland-based Piotr Klyszejko designed the monoline geometric sans typeface Fontanna (2018). [Google] [More]  ⦿

Porter Fig Studios

Illustrator in Los Angeles. In 2018, he designed the African style typeface Safari and the futuristic typeface Zzyzx (2018). Link to Porter Fig Type. [Google] [More]  ⦿

Rafael Tofanello

Bauru, Brazil-based designer of the display typeface Acies Composta (2018). [Google] [More]  ⦿

Ramona Kovacs

As a student, Szabadkigyos, Hungary-based Ramona Kovacs designed the stencil slab serif typeface Kalap (2018). [Google] [More]  ⦿

Raphael Brandin

Graphic designer in Stockholm, Sweden. In 2018, he designed several display typefaces. [Google] [More]  ⦿

Raphaela Alexopoulos

Melbourbne, Australia-based student-designer of a folding tape font in 2018. [Google] [More]  ⦿

Raphaël Ronot

At TypeParis 2017, Raphaël Ronot designed Raster. He started out from a pixel or bitmap font, and then drew smooth shapes on top of it. The resulting typeface family has a squarish hey-look-at-me adolescent flavor. [Google] [More]  ⦿

Ravi Rajcoomar

Paramaribo, Suriname-based designer of the vintage / Western typeface Westa (2018). [Google] [More]  ⦿

Rayan Mansour

Beirut, Lebanon-based student-designer of the Latin / Arabic display typeface London Blocks (2018). [Google] [More]  ⦿

Reem Sawan

As a student in Sharjah, UAE, Reem Sawan designed the bicephalic alphabet Gothic (2018). [Google] [More]  ⦿

Regina Castiglione

American designer of the naval typeface Anchor (2018). [Google] [More]  ⦿

Renate B. Hagen

Oslo, Norway-based designer of the free text typeface Kraketaer (2018). [Google] [More]  ⦿

Rian Rahardi
[Creatype Studio]

[More]  ⦿

Riel Louise Castalone

Calamba, Philippines-based student-designer of a Memphis-style typeface in 2018. [Google] [More]  ⦿

Rita Policarpo

Lisbon, Portugal-based designer of the ball terminal-laden typeface Askatu (2018). [Google] [More]  ⦿

Riya Swami

New Delhi, India-based designer of a curly cursive typeface in 2017. [Google] [More]  ⦿

Robert Suarez

San Jose, CA-based designer (as a student at San Jose State University) of the experimental compass-and-ruler typeface Medici (2018). [Google] [More]  ⦿

Robin Bugdahn

Stockholm-based designer of the modern textura typeface Frid (2018). [Google] [More]  ⦿

Robin Schu

Oldenburg, Germany-based designer of the octagonal hipster typeface Peak (2018). [Google] [More]  ⦿

Rocio Robledo

Santiago, Chile-based designer of the modular rounded Tuscan typeface Colosal (2018). [Google] [More]  ⦿

Ron Dale

Bad Bramstedt, Germany-based designer of the dry brush typeface Brushstroke (2018). [Google] [More]  ⦿

Rui Lu

Illustrator in Paris who designed a silhouette typeface in 2018. [Google] [More]  ⦿

Ryan Stephany

During his studies in Minneapolis, MN, Ryan Stephany designed the modular typeface Flux (2018), which was inspired by Wim Crouwel's work. [Google] [More]  ⦿

Sabari Ramiro

Coimbatore, India-based designer of the snimated Latin tyoeface bounce (2018). [Google] [More]  ⦿

Salma Atef

Egyptian designer of a display typeface called Harry Potter (2018). [Google] [More]  ⦿

Samar Zureik

Graphic designer and illustrator. At TypeParis 2017, he designed the angular text typeface Ancor. [Google] [More]  ⦿

Sara Alex Cornish

Salamanca, Spain-based designer of the basic sans display typeface Aerospace (2018). [Google] [More]  ⦿

Sara Olmos

Graduate of the Complutense University of Madrid. Rome-based designer of Spanish Alphabet (2018, decorative caps). Behance link. [Google] [More]  ⦿

Sarah Le Nevé

Bordeaux, France-based designer of the display typeface York (2018). [Google] [More]  ⦿

Sarvagya Rajan

During her studies, Bangalore, India-based Sarvagya Rajan designed the experimental typeface Elliptic (2018), which is inspired by geometrically deconstructing an elliptic totapuri leaf. [Google] [More]  ⦿

Sean Dougherty

Designer and art director who was active in New York City and Los Angeles from 2000 until today. At TypeParis 2017, he created Binge Watcher, a low contrast slab serif intended for big, bold messaging [Google] [More]  ⦿

Sebastian Arredondo

Chattanooga, TN-based designer of the display typeface Javel Sans (2018). [Google] [More]  ⦿

See Yüce Soon
[Leila Yüce]

Leila Yüce has a Masters from Ecole De Communication Visuelle (ECV), class of 2017. Paris-based designer of the Peignotian typeface La Chambre (2018). [Google] [More]  ⦿

Semen Mareev

At Open Font Library, we find a number of free Latin / Cyrillic typefaces in the VAG Rounded LT Cyr W10 family. It is unclear if these are just cyrillizations of the old Monotype VAG Rounded family. [Google] [More]  ⦿

Sergio Lacueva

Cape Town, South Africa-based designer of the experimental typefaces LightSerge (2018) and Stock Market (2018). [Google] [More]  ⦿

Sergio Mora

During his studies at Escuela de Arte de Granada in Granada, Spain, Sergio Mora designed the sci-fi typeface Mu Arae (2018). [Google] [More]  ⦿

Shaak

Seoul, Korea-based designer of the ribbon typeface Flag (2018). [Google] [More]  ⦿

Shams Mrad

During his studies, Susah, Tunisia-based Shams Mrad designed the condensed display typeface Shams (2018). [Google] [More]  ⦿

Shawn Hight

Vancouver, BC-based motion designer. For a children's TV channel, she designed the bicolored rounded sans typeface families Fun and sans Fun in 2018. [Google] [More]  ⦿

Shivam Soni

New Delhi-based designer of the multiline typeface X (2018). [Google] [More]  ⦿

Shola Harrison

During her studies at the University of Hertfordshire, Shola Harrison (London, UK) designed a colorful all caps typeface based on sport floors (2018). [Google] [More]  ⦿

Shruti Gunda

San Francisco, CA-based designer of the experimental and modular tpefaces Morph Code (2018) and Phyto (2018). [Google] [More]  ⦿

Shutian Chan

Designer from Singapore. At TypeParis 2017, Shutian Chan designed the sharp-edged wedge serif text typeface Emery, which was inspired by the sharp chiseled type adorning tombstones, especially those seen in Paris. [Google] [More]  ⦿

Simone Bilé de Matos

Lisbon-based designer of the high-contrast typeface plié (2018). [Google] [More]  ⦿

Sneha Chotia

New Delhi, India-based designer of a Latin art nouveau typeface in 2018. [Google] [More]  ⦿

Solid Type

Aceh and Jakarta, Indonesia-based designer of these calligraphic typefaces in 2018: Stay Classy (free), Staychill (dry brush), Solidar, Albertyna Script, Rosabelia. [Google] [More]  ⦿

Sophie Jameson

During her studies, Oakville, Ontario-based Sophie Jameson designed the display typeface Bent Out Of Shape (2018). [Google] [More]  ⦿

Stéhpane Béguin

Toulouse, France-based designer, b. 1968, of the hand-crafted typeface Simplixi (2018). [Google] [More]  ⦿

Stéphanie Desjeunes

Parisian designer of a colorful geometric solid typeface for Festival de l'air in Fréjus, France, in 2018. [Google] [More]  ⦿

Stefan Imhoff

Hamburg, Germany-based designer of the free dry brush cipher font Iga Ninja Cipher (2018). [Google] [More]  ⦿

Stefano Giliberti
[Brumale]

[More]  ⦿

Stephanie Henry

During her studies at Maine College of Art, Stephanie Henry (Portland, ME) designed the didone typeface Mary (2018). [Google] [More]  ⦿

Struvictory.art
[Viktoryia Strukouskaya]

Hrodna, Belarus-based vector artist who designed the patterned typeface Endless Hygge in 2017, and the decorative Mexican flavor typeface Mexico in 2018. [Google] [More]  ⦿

Studio Reko
[Frans Wiklund]

[More]  ⦿

Summer Hartenstine

During her studies at Flagler College in St. Augustine, FL, Summer Hartenstine designed the pizza slice typeface Sliced (2018). [Google] [More]  ⦿

Surbhi Arora

Gurgaon, India-based designer of the Latin display typeface Potli (2018). [Google] [More]  ⦿

Svetlana Wittmann

Novosibirsk, Russia-based designer of the tribal African font Hello Africa (2018). [Google] [More]  ⦿

Tak Fung Chan
[Tomson Chan]

[More]  ⦿

Tara Stewart

Graphic designer from Jefferson City, TN, who studied at Anderson University, SC. In 2018, she designed the free transitional text typeface Panthera. [Google] [More]  ⦿

Teresa Lacerda

Matosinhos, Portugal-based designer of the display typefaces Shade (2018) and Haz (2018). [Google] [More]  ⦿

Tertia Type
[Ak Mal]

Sigli, Indonesia-based designer of the script typeface Tallented (sic) (2018),. [Google] [More]  ⦿

The Guy Brush
[Jose Roses]

Designer of the free cartoon font Lapsus Pro (2018). Fontsquirrel link. [Google] [More]  ⦿

Thomas Banner

Liverpool, UK-based designer of Glitch Font (2018). [Google] [More]  ⦿

Timea Koszegi

Oradea, Romania-based designer of the geometric display typeface Slat (2018). [Google] [More]  ⦿

Tomson Chan
[Tak Fung Chan]

Designer in Hong Kong. At TypeParis 2017, Tomson Chan designed the Latin typeface Anvers to fit in with standard Chinese strokes. [Google] [More]  ⦿

TTX The Type Experience

A series of one to 2-hour videos and interviews related to typography and type design. In Portuguese or Spanish, this is organized by dooType (Eduilson Coan and Gustavo Soares). Videos by or about Jackson Alves, Rodolfo Franca, Elaine Ramos, Gustavo Greco, Alceu Nunes, Paulo Chagas, Daniel Coutinho, Felipe Luize, Samia Jacintho, Allysson Lucca, Fabio Lopez, Claudio Santos, Daniel Souza, Niko Fernandez, and Crystian Cruz. [Google] [More]  ⦿

Tudor Munteanu
[Namogo Design]

[More]  ⦿

Type Toucan
[Marie Wagner]

Munich, Germany-based creator of the signage script font Casual Crew (2018). [Google] [MyFonts] [More]  ⦿

Ultratypes

Small typefoundry based in Barcelona specializing in display fonts. [Google] [More]  ⦿

Underscore
[Johannes Neumeier]

Underscore is based in Espoo, Finland. Designer of Silta (2018, a humanist sans designed for screen legibility) and Jozef (2018, a plucky slabby serif typeface). Home page. [Google] [More]  ⦿

Uuily

Bogota, Colombia-based designer of Triangle Type (2018). [Google] [More]  ⦿

Valentina Rueda

During his studies in Barcelona, Valentina Rueda designed the kitchen tile typeface Selah (2018). [Google] [More]  ⦿

Valerija Jovanovski

Ljubljana, Slovenia-based designer of the teardrop terminal typeface Grenouille JBV (2018). [Google] [More]  ⦿

vamps45

Designer of the techno typeface Kakin (2018). [Google] [More]  ⦿

Varduhi Harutyunyan

Yerevan, Armenia-based designer of the cutting knife typeface Hrat (2018) and the outlined typeface Yerkatagir (2018).. [Google] [More]  ⦿

Vera Schmid

London-based designer of the gothic font Arev (2018). [Google] [More]  ⦿

Veronica Alamo

Santa Cruz de Tenerife, Spain-based designer of Familia Pictogramas (2018). [Google] [More]  ⦿

Victor Furtado

Fortaleza, Brazil-based designer of the psychedelic typeface Oczy (2018). [Google] [More]  ⦿

Viktoryia Strukouskaya
[Struvictory.art]

[More]  ⦿

Vinicius Santos

Salvador, Brazil-based game designer who created the heavy hand-crafted typeface Sao Roque in 2018. [Google] [More]  ⦿

Virginia Nolan

Buenos Aires, argentina-based designer of the shadow display typeface Alma (2018). [Google] [More]  ⦿

Vlada Smirnova

Russian designer of the creamy script typeface Lanikai (2018) and the brush script typeface Cilantro (2018). [Google] [More]  ⦿

Volodymyr Hryshchenko
[Lunarts Studio]

[More]  ⦿

Wahyu Ichsan Fauzi

Medan, Indonesia-based designer of the signage script typeface Nadheeya script (2018). [Google] [More]  ⦿

Wendy Varela

During her studies at Grafisch Lyceum Rotterdam, Wendy Varela designed the tape typeface Tecticz (2018). [Google] [More]  ⦿

William G. Sherman

Aaron Bell (Saja Typeworks) digitized the free logo font Air America in 2018. He writes: This font was produced for William G. Sherman who recreated this alphabet from samples of the logo and other sources from the airline company Air America. [Google] [More]  ⦿

Wonder Template

Designer of Wonder Template (2018). [Google] [More]  ⦿

Xavier Cédric Gareau Bergeron

Montreal-based designer at Spotful. His typefaces:

  • At TypeParis 2017, he created the angular text typeface Jourdain.
  • At Bonjour La Police typefoundry, he intends to publish the clean sharp screen-ready typeface Azerty some time in 2018.
[Google] [More]  ⦿

Xiang Dong

Baltimore, MD-based design of the sans typeface XD (2018). [Google] [More]  ⦿

Yannick Floßdorf

Or Momos Design, Cologne, Germany. Designer of the experimental typeface Whiteout On Glass (2018) and the free font Ink Thin Italic (2018). [Google] [More]  ⦿

Yomna Aly

During her studies at German University in Cairo, Egypt, Yomna Aly designed a font dedicated to Kevin McAllister (2018). [Google] [More]  ⦿

Yusuf Demirci

Illustrator in Istanbul who drew the children's book alphabets Animal Letters (2018) and Funny Letters (2018). [Google] [More]  ⦿

Zachary Jacques

During his studies at Flagler College in St. Augustine, FL, Zachary Jacques designed Film Noir (2018). [Google] [More]  ⦿

Zahra Alawami

During her studies, Zahra Alawami (Dammam, Saudi Arabia) designed three art deco Latin typefaces that were inspired by stained glass. [Google] [More]  ⦿

Zainab's Echo

Islamabad, Pakistan-based designer of the semi-blackletter typeface Lord Foldermort (2018). [Google] [More]  ⦿

Zimages
[Zinaida Zaiko]

Illustrator and designer in Minsk, Belarus. Creator of the geometric color font Love Birds (2018). [Google] [More]  ⦿

Zinaida Zaiko
[Zimages]

[More]  ⦿

Zoe Allison

During her studies in Johannesburg, South Africa, Zoe Allison designed the lava lamp typeface Anthro Po (2018). [Google] [More]  ⦿

Zoe Priday

United Kingdom-based designer of the display typeface Hazzar (2018). [Google] [More]  ⦿

Zoya Sokolova

Aka meookami. Komsomolsk-on-Amur, Russia-based designer of the wedding calligraphy typeface Maganda (2018) and the Tuscan Western typeface Westild (2018: for Latin and Cyrillic). [Google] [More]  ⦿

Zsofia Nagy

Budapest, Hungary-based designer of the free pixelish typeface Benga (2018). [Google] [More]  ⦿

Zulkhair Lettering
[Zulkhairi M. Saleh]

Banda Aceh, Indonesia-based designer of the script typefaces Natasa (2018), Seullanga (2018) and Breathtaking (2018). [Google] [More]  ⦿

Zulkhairi M. Saleh
[Zulkhair Lettering]

[More]  ⦿