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'<'B''' '!'" '#'$'%'&'''(')3'*Y'+ ','.'/'0'1'2'3'4'5'6'7 '8'9':';'<'='>'?'@'A'B'Cz'D'E( (((( (((((B((!(?(E((( (!(" (#($(%(&('((()6(*^(+ (,(.(/(0(1(2(3(4(5(6(7 (8(9(:(;(<(=(>(?(@(A(B(Cr(D(E(Hd(Kd) )))))))))))) ) ))) )!)")#)$)%B)&)'!)(!)))* )+),)-).)/)0)1)2)3)4)5)6)7)8)9):);)<)=)>)?)@)A)B)C)D)E* ******** **!***!*#*%j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dJ(d*fmf%mm ?  *6F V 0 6  ( J 6 0 6 :  *  .  ~                 $ -        From >>Das neue Schriftenbuch<<, Max Korner, 1949. Page 39. Aka Haircut Block. Depression Press on flickr. At: http://www.flickr.com/photos/depressionpress/6797736494/in/photostream/ Mindofone Fonts. Max Korner (1883-1963) was a painter and German trademark designer. From 1913 to 1921 he was a teacher of visual design and crafts at the School of Applied Arts in Stuttgart. From 1921 he held a professorship at the State School of Applied Arts in Nuremberg and was director of the master class for applied graphics. From 1945 to 1948 entrusted temporarily to direct the Ellingen Academy until Fritz Griebel took over. Among his students was the painter Richard Lindner. He also published Monograms, Initials, Trademarks, Publishers Marks, Characters and Ornamental Letters (circa 1950), a collection of bold, modernistic examples of the Germanic style. RegularMax Korner Haircut Block:Version 1.10Version 1.10 October 31, 2013MaxKornerHaircutBlockDigitized by TTD. 2013.This font was created using FontCreator 6.5 from High-Logic.comoby ejnnormalStandardFrom >>Das neue Schriftenbuch<<, Max Korner, 1949. Page 39. Aka Haircut Block. Depression Press on flickr. At: http://www.flickr.com/photos/depressionpress/6797736494/in/photostream/ Mindofone Fonts. Max Korner (1883-1963) was a painter and German trademark designer. From 1913 to 1921 he was a teacher of visual design and crafts at the School of Applied Arts in Stuttgart. From 1921 he held a professorship at the State School of Applied Arts in Nuremberg and was director of the master class for applied graphics. From 1945 to 1948 entrusted temporarily to direct the Ellingen Academy until Fritz Griebel took over. Among his students was the painter Richard Lindner. He also published Monograms, Initials, Trademarks, Publisher s Marks, Characters and Ornamental Letters (circa 1950), a collection of bold, modernistic examples of the Germanic style. RegularMax Korner Haircut Block:Version 1.10Version 1.10 October 31, 2013MaxKornerHaircutBlockDigitized by TTD. 2013.This font was created using FontCreator 6.5 from High-Logic.comNormaaliNormaleStandaardNormalny1KG=K9NormlneNavadnoArrunta'S $%&'()*+,-./0123456789:;<=DEFGHIJKLMNOPQRSTUVWXYZ[\]EurouniF001uniF002