Erik Faulhaber

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Erik Faulhaber Type designer involved with Linotype. He studied design in Karlsruhe with Kurt Weidemann and others. His mentor is Adrian Frutiger. Since 1996 he is an independent designer. He has taught typography at the universities of Halle, Weimar and Wuppertal. He helped develop Frutiger Next at Linotype. However, after that effort, Linotype did not give him credit in the way he thought he deserved (the credited designer for Frutiger Next is Adrian Frutiger / Linotype Design Studio). He also worked on the Compatil family (Linotype), Vialog (Linotype: 22 weights commissioned by Professor Werner Schneider, originally developed for the signs in the Munich subway), Heidelberg Gothic (Linotype: for Heidelberger Druckmachinen AG), and corporate typefaces for the city of Milan (Milano), BMW (tracking adjustments for BMW Helvetica), Microsoft (Microsoft SC), and IBM (Greek and Vietnamese characters for the IBM corporate typeface). Wiki page. In 2006, he published Generis (Linotype) type system which consists of slab serif, serif, sans, and simple sans sub-systems, all compatible and loosely in the spirit of American gothic styles. His Aeonis font family (2009) contains 42 sans styles about which Linotype brags: Lapidary inscriptions from Ancient Greece spurred Faulhaber on to create this typeface's basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms. Author of Frutiger Die Wandlung eines Schriftklassikers (Niggli Verlag). Free lance designer since 1996. About the Frutiger Next flap: Erik Faulhaber was interviewed and expressed his ideas about Frutiger and Frutiger Next in Frutiger Die Wandlung eines Schriftklassikers (2004, Niggli Verlag). Adam Twardoch (Linotype) explains: No doubt, Erik Faulhaber has worked on the Frutiger Next project but the extent of that work is disputable. This is a typical case of getting credit. Type design only recently became an individual effort. Previously, a large team of people worked on a particular type, and yet typically, only one person got the credit as the designer. Even today, when FF Meta Pro is published, the credited designer is Erik Spiekermann and not Spiekermann, van Rossum, de Groot, Schäfer, Lipton, Schwartz, Safayev, Chayeva, Haratzopoulos et al. If it were so, it would be quite ridiculous anyway. If you want personal credit, you need to negotiate it upfront in the contract. Christian Schwartz and Erik Spiekermann collaborated on FF Unit and on FF Meta Headline. Schwartz does get personal credit for FF Meta Headline but not for FF Unit. This is obviously result of different negotiations in different projects. The credited designer for Frutiger Next is Adrian Frutiger / Linotype Design Studio. This means that Linotype chose not to personally credit the other designers who worked on the project, including Erik Faulhaber. This is similar for Linotype Univers. This is different for other projects, e.g., Avenir Next is credited to Adrian Frutiger / Akira Kobayashi, just like Palatino Nova and Optima Nova are credited Hermann Zapf / Akira Kobayashi. Altogether, such decisions are made on a per-project basis, and surely depend on the actual creative input of the other designer. Sometimes, designers arrange collaborations by themselves they might hire a collague to draw the small caps or florins in their own typeface if there is a tight deadline. Whenever youre a junior designer and embark on such a project, make sure to clarify issues such as personal credit upfront. Erik Faulhaber seemingly has not. He has seemingly agreed to hide his name behind the Linotype Design Studio label but now is trying to change reality retroactively. This is not how you work with other people. Bruno Steinert (type manager, Linotype) retorts: the idea for Frutiger Next originated from discussions between himself, Adrian Frutiger, Professor Reinhard Haus, and Otmar Hoefer (marketing, Linotype). Linotype guided and financed the development and paid Faulhaber on an hourly basis. Frutiger and Faulhaber never worked together outside Linotype. In 2013, he published Xenois, Xenois Semi Pro, Xenois Sans Pro, Xenois Serif Pro, Xenois Soft, Xenois Super and Xenois Slab at Linotype. In 2017, he published Qantis Sans and Qantis Soft. Klingspor link.	EXTERNAL LINKS Erik Faulhaber [Designer info] Monotype link Klingspor Museum page MyFonts search Monotype search Fontspring search Google search INTERNAL LINKS Type designers ⦿ Type designers ⦿ German type scene ⦿ Lapidary typefaces ⦿ Telephone directory typefaces ⦿