Johann Daniel Trennert&Sohn
[Johann Daniel Trennert]
Type foundry located in Altona, Germany. Typefaces issued by this extinct foundry include - Alarm (1928, Heinz König)
- Chronika (1936, Walter Jakobs)
- Fortuna (1930, Friedrich Bauer)
- Friedrich-Bauer-Grotesk (before 1936, Friedrich Bauer). In addition to a basic art deco sans face, there were three other versions, halbfette, fette, and an in-line version, lichte. Also cast by Genzsch & Heyse, AG. For a digital revival, see FF Bauer Grotesk (2014, Thomas Ackermann and Felix Bonge for Fontfont).
- Hansa Fraktur (digitally revived by Gerhard Helzel; the original metal type was also at Genzsch&Heyse, Hamburg, ca. 1915, and at Schtiftguss AG)
- Potsdam (1934, Robert Golpon)
- Rheingold (1936, Erich Mollowitz), in magerer and fetter weights. Later copied by Weber as Forelle and by Stephenson Blake as Mercury.
- Trennert (1926-27, Friedrich Bauer). Includes a regular, an italic (with swash capitals), a semi-bold, a bold, and a bold condensed. To be more precise, we have Trennert Antiqua (1926, Friedrich Bauer), Trennert Kursiv (1927, Friedrich Bauer), Trennert Antiqua halbfett (1927, Friedrich Bauer), Trennert Antiqua fett (1929, Friedrich Bauer), Trennert Kursiv fett (1930, Friedrich Bauer), Trennert Antiqua schmalhalbfett (1929, Friedrich Bauer), Trennert Latein (1932, Friedrich Bauer).
- Trennert Fraktur (1931, Friedrich Wilhelm Kleukens)
- Trocadero Kursiv (1927, Albert Christoph Auspurg)
- Wiking (1925, Heinz König)
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