TYPE DESIGN INFORMATION PAGE last updated on Wed Nov 20 11:40:08 EST 2024

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ABOUT

Lipton Letter Design [Richard Lipton]

Calligrapher, sign painter, and graphic and type designer from Milton, Mass., who was born in New York, studied design and photography at Harpur College there (graduating in 1975), did some lettering in Syracuse until 1977, worked for Bitstream in Boston from 1983-1991, and made a career afterwards as a staff type designer at Boston's Font Bureau. In 2016, he joined Type Network, where his fonts can be bought. MyFonts page. MyFonts interview in which his modesty comes to the fore. His typefaces:

• Alhambra: a calligraphic typeface.
• Apotek: based on lettering on old medicine bottles seen in Oslo.
• Arrus BT (Bitstream, 1991). This is a serif typeface with heavy calligraphic influences. The capitals are roman inscriptional. More typefaces in this style are to come, he promised in 2010.
• Avalon (1995, calligraphic): based on the calligraphic writing of Austrian artist Friedrich Neugebauer.
• Bennet Text, Bennet Display (36 styles: a wedge serif news text family), Bennet Banner (36 styles). This high contrast didone-themed superfamily (but for the wedge serifs) can't shed that "look at me" vibe. The initial idea for Bennet came from Moth Design's logotype and stationery system for the North Bennet Street School in Boston.
• Benton Modern Display (2008, co-designed with Richard Lipton at Font Bureau: Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from Morris Fuller Benton's turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook.). See also here.
• Bickham Script (1997, Adobe): The 2004 OpenType Pro version has hundreds of ligatures and substitute forms. See also Bickham Script 3 (2014). Review of Bickham by Timothy Rolands. Bickham Script is based on examples from Bickham's The Universal Penman. Poster by Fernanda D'Andrea (2013). Bickham Script 3 won an award at Modern Cyrillic 2014.
• Bodoni FB (1992, Font Bureau, a headline bold based on Benton's 1933 Ultra Bodoni).
• Bremen (Bitstream), Bremen (1992, Font Bureau). This German art deco face was influenced by the poster lettering of Ludwig Hohlwein in 1922. Munich is an angular version of Bremen.
• Bureau Grot. One of Font Bureau's bestsellers.
• Canto (2011, Font Bureau) is a 32-style roman family that started out from the Trajan inscriptions via a few styles called Canto Brush to smooth and delicate styles such as Canto Pen. New styles were added in 2017.
• Cataneo BT (Bitstream, 1993; with Jacqueline Sakwa): an elegant chancery cursive based on the calligraphic work of the 16th-century writing master Bernardino Cataneo.
• Ecru
• Escrow Banner (2016). An extension of Cyrus Highsmith's Scotch Roman, Escrow (2006).
• Hoffmann (1993): a display family that is based on lettering by Lothar Hoffmann.
• Meno (1994, Font Bureau). Lipton explains his oldstyle design: the romans gain their energy from French baroque forms cut late in the sixteenth century by Robert Granjon, the italics from Dirk Voskens' work in seventeenth-century Amsterdam. In 2016, he extended Meno to a 78-style superfamily. In 2021, MyFonts released Meno Text and in 2022 Meno Display (36 styles) and Meno Banner (36 styles).
• Miller Banner (2010, Font Bureau): a completion of Matthew Carter's Scotch family Miller, that has banner and titling styles, and adds styles with extreme contrast and hairline serifs.
• Moderno FB
• Munich.
• Nutcracker.
• Rocky (2008, Font Bureau, with Matthew Carter).
• Savanna Script (2013). A connected tightly spaced calligraphic script in three weights.
• Shimano: an industrial geometric font.
• Shogun (with Margo Chase, 1995).
• Sloop Script (a penmanship script, 1994), inspired by the lettering of Raphael Boguslav. Sloop Script won an award at Modern Cyrillic 2014. Type Network published Sloop Script Pro in 2018. MyFonts relesed Sloop Script Pro in 2021.
• Talon

• Tangier (2010, Font Bureau): a Spencerian calligraphic family that was part of the 2008 redesign of Glamour Magzine.

  A redesign of Matthew Carter's Postoni (1997), called Stilson (2009, with Jill Pichotta and Dyana Weissman): Since 1997, The Washington Post's iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display & Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post's founder, Stilson Hutchins.

• Delaney (2016).
• Collier (2018). A 150+-style lapidary flared stem typeface family ranging from Compressed to Extra Extended widths.
• Englewood (2022). A script whose inspiration for Englewood came from the calligraphic hand of Philip Grushkin.

I Love Typography link. Klingspor link. FontShop link. Type Network link. MyFonts interview.

View Richard Lipton's typefaces.

EXTERNAL LINKS
Lipton Letter Design
 [Buy fonts]
 [Designer info]
Monotype link
Behance page
Klingspor Museum page
MyFonts search
Monotype search
Fontspring search
Google search

INTERNAL LINKS
Type designers ⦿ Type designers ⦿ Calligraphic typefaces ⦿ Type scene in New York ⦿ Type scene in Massachusetts ⦿ Penmanship ⦿ Modern style [Bodoni, Didot, Walbaum, Thorowgood, Computer Modern, etc.] ⦿ Chancery hand, cancellaresca ⦿ Typefaces inspired by the Trajan column in Rome ⦿ Brush script typefaces ⦿ Modern style [Bodoni, Didot, Walbaum, Thorowgood, Computer Modern, etc.] ⦿ Cyrillic type design ⦿ Scotch Roman ⦿ Fashion mag typefaces ⦿ Commercial fonts (small outfits) ⦿ Lapidary typefaces ⦿