Christina Torre
Co-designer with Richard Kegler of several fonts at P22 type foundry, which she joined in 2000. She graduated from the State University of New York at Buffalo with a BA in Communication Design. She worked at the Pushpin Group in NYC and at Dog Eat Dog Advertising, Inc. in Buffalo, NY. Her typefaces: - P22 Art Nouveau Bistro, P22 Art Nouveau Cafe, P22 Art Nouveau Extras (ornaments), all made in 2001-2002.
- P22 Dearest Script, P22 Dearest Swash: calligraphic in the style of medieval scribes, and a winner of an award at the TDC2 Type Directors Club's Type Design Competition 2002.
- P22 FLW Exhibition and P22 FLW Terracotta, both done in 2000: these are based on alphabets by Frank Lloyd Wright published in 1931 and in 1896-1897 (in his book The House Beautiful), respectively.
- Gothic Gothic (2001): a blackletter done with James Grieshaber.
- P22 Mucha (2001): an art nouveau font inspired by Alfons Mucha, ca. 1900.
- P22 Pan Am (1999, with Richard Kegler). Created for the centennial of the Pan-American exposition of 1901, held in Buffalo, NY.
- P22 Salon (2001): more art nouveau.
- P22 Victorian Gothic (2000, with Richard Kegler and Amy Greenan). Based on a type style called Atlanta, similar to Copperplate.
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EXTERNAL LINKS
Christina Torre
[Designer info]
Klingspor Museum page
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INTERNAL LINKS
Type designers ⦿
Type designers ⦿
Type scene in New York ⦿
Art Nouveau typefaces ⦿
Blackletter fonts ⦿
Arts and Crafts Movement ⦿
Victorian typefaces ⦿
Copperplate ⦿
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