LettError
[Erik van Blokland]
LettError is a foundry in Den Haag, founded by the interesting duo, Just Van Rossum (b. 1966) and Erik van Blokland (b. Gouda, 1967). Many of their fonts can be found in the FontFont library. Erik van Blokland is a graduate of the Royal Academy of Art in The Hague (KABK), class of 1989. He develops niche tools for type design and font production and has been involved with Tal Leming in the development of the UFO (for font sources) and WOFF (for font binaries) formats. Since 1999, he is a senior lecturer at the TypeMedia master at the Royal Academy of Arts in Den Haag. Erik developed many type software tools such as the acclaimed type interpolation tools MutatorMath and Superpolator, and the teaching tool TypeCooker. Their typefaces: - At FUSE 11, Erik designed FF Beowolf (1989-1990, a randomized font, sometimes still called Beowulf; with Just van Rossum), FF Erikrighthand, FF Kosmik (1993), FF Trixie (based on an old typewriter: Trixie was taken from a typed sample from a typewriter owned by a friend in Berlin, Beatrix Günther, or Trixie for short.) and FF Zapata. Trixie was at FontShop until it was bought by Monotype. In 2023, it was withdrawn from the Monotype library.
- Erik created LTR ThePrintedWord and LTR TheWrittenWord (2001), both free fonts designed to be unreadable.
- LTR Salmiak (2001).
- Critter (2001) and New Critter.
- Bodoni Bleifrei.
- LTR BitPull.
- Federal: great dollar bill lettering font family, which earned him an award at the TDC2 Type Directors Club's Type Design Competition 2002.
- What You See/What You Get (with Just Van Rossum).
- At FUSE 2, Erik published Niwida.
- FFAdvert.
- Schulschrift.
- FFHands.
- FFBrokenscript.
- LTR Monsta.
- In 2005, Erik and his brother Petr made the Künstlerbrüder-Schriftfamilie of 30 fonts (10 widths, 3 weights) based on 3 width masters for each of two weights. It is a quirky and refreshing family made for banners for the Münchener Haus der Kunst in 2005.
- Jointly with Erik Spiekermann and Ralph du Carrois, Erik developed Axel (2009), a legible system font.
- His masterpiece, in my view, is the 2009 family Eames Century Modern, finished at House Industries, a take on Clarendon. It won an award at TDC2 2011. A special extra award was given at that competition for Eames Poster Numerals. For another complete modern Clarendon family, see Canada Type's Clarendon Text.
- Plinc Hasler Circus (2011, House Industries) is a digitizztion of a photo era font, Circus, done by Hasler for Photo-Lettering, Inc. in the 1950s. This circus font was digitized by Erik van Blokland in 2011 at House Industries, with a helping hand from Ken Barber.
- In 2016, he published Action Condensed at Commercial Type. Action Condensed was designed for the screen. Each of the family's four weights has three grades of the same width, allowing text to change weight on rollover without disrupting the layout. In 2020, he added Action Text in 16 styles, with Bright and Dark options. And variable styles.
Erik speaks often about his work. At ATypI 2004 in Prague, LettEror spoke about education in type design, and the RoboFab toolkit. Speaker at ATypI 2013 in Amsterdam and at ATypI 2014 in Barcelona [on interpolations with Superpolator3]. Klingspor link. FontShop link. Wired interview. Shop. FontFont link.
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EXTERNAL LINKS
LettError
[Designer info]
Klingspor Museum page
MyFonts search
Monotype search
Fontspring search
Google search
INTERNAL LINKS
Commercial fonts (small outfits) ⦿
Type designers ⦿
Type designers ⦿
Pixel/bitmap fonts ⦿
Dutch type design ⦿
Handwriting fonts ⦿
Experimental type ⦿
Randomized fonts ⦿
Typewriter fonts ⦿
Modern style [Bodoni, Didot, Walbaum, Thorowgood, Computer Modern, etc.] ⦿
Clarendon ⦿
Unified Font Object ⦿
Variable fonts ⦿
Circus fonts ⦿
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