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Saul Bass

American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos. Born in the Bronx, NY, in 1920, he died in Los Angeles in 1996. Bass worked for some of Hollywood's most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Among his best known title sequences are the animated paper cut-out of a heroin addict's arm for Preminger's The Man with the Golden Arm, the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock's North by Northwest, and the disjointed text that races together and apart in Psycho. Bass designed some of the most iconic corporate logos in North America, including the Bell System logo in 1969, as well as AT&T's globe logo in 1983 after the breakup of the Bell System. He also designed Continental Airlines' 1968 jet stream logo and United Airlines' 1974 tulip logo, which became some of the most recognized airline industry logos of the era.

Type design came as a by-product of his famous logos or movie posters. He designed the artsy Rainbow Bass (1982), as well as a gaspipe-style logo typeface for Alcoa (1963) to accompany his logo for Alcoa.

Revivals and descendants of Bass's work:

  • Alumi (Michael Hernan). Based on the Alcoa typeface.
  • Hitchcock (Matt Terich). A free font. This is strictly speaking not a Bass revival, because Dave Nagata did most of the drawings. The style, however, is one hundred percent vintage Bass. According to Keith Morris, the lettering artist who did the lettering for the Saul Bass titles was Art Goodman. Not soi according to Jill Bell: Art Goodman did not do the lettering for Saul Bass. Rather Saul utilized a number of different lettering artists through out his career. Harold Adler did most of the Hitchcock/Preminger titles, Maury Nemoy did some (St. Joan).
  • Chank Diesel's Hitchcock (1997).
  • Rainbow Bass, a vertically striped disco style design, was remade by Nick Curtis as Backstage Pass (2008), Kymmera Deco NF (2011), and High Five and High Five Jive.
  • Harold Lohner's Alumino (2008) was inspired by Saul Bass's design for the aluminum company Alcoa.
  • Saul (Laura French, 2011) is based on the cut-out letter movie titling style used by Bass in some movies.
  • In 2015, Robin Lassalle created Saul Bass Font to honor Saul's genre.
  • Zetafonts pays tribute to Bass in their Double Bass (2018, by Cosimo Lorenzo Pancini).

Jennifer Bass (his daughter) and Pat Kirkham published Saul Bass: A Life in Film&Design (2011). The book's blurb: This is the first book to be published on one of the greatest American designers of the 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. With more than 1,400 illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusiasts have been eagerly anticipating. Saul Bass (1920-1996) created some of the most compelling images of American post-war visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man With The Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick s Spartacus in the early 1960s to Martin Scorsese s Cape Fear and Casino in the 1990s. Designed by Jennifer Bass, Saul Bass's daughter and written by distinguished design historian Pat Kirkham who knew Saul Bass personally, this book is full of images from the Bass archive, providing an in depth account of one of the leading graphic artists of the 20th century.

Wikipedia page.

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INTERNAL LINKS
Type designers ⦿ Type designers ⦿ Type scene in New York ⦿ Movie fonts ⦿ Nick Curtis ⦿ Cutout or paper-cut typefaces ⦿ Gaspipe fonts ⦿








file name: Nick Curtis Kymmera Deco N F 2011


file name: Nick Curtis Backstage Pass N F 2008 after Saul Bass


file name: Matt Terich Hitchcock 1997


file name: Matt Terich Hitchcock 1997


file name: Saul Bass Rainbow Bass


file name: Zetafonts Do Ub Le Ba Ss 2019


file name: Zetafonts Double Bass 2018


file name: Zetafonts Double Bass 2018b


file name: Zetafonts Double Bass 2018c


file name: Zetafonts Double Bass 2018d


file name: Zetafonts Double Bass 2018e


file name: Zetafonts Double Bass 2018f


file name: Zetafonts Double Bass 2018h


file name: Zetafonts Double Bass 2018i


file name: Zetafonts Double Bass 2018j


file name: Zetafonts Double Bass 2018k


file name: Zetafonts Double Bass 2018m


file name: Zetafonts Double Bass 2018n


file name: Robin Lassalle Saul Bass Font 2015


file name: Saul Bass Motto Poster by Mark Franklin 2016


file name: Saul Bass Poster by Alejandra Lopez 2014


file name: Michael Hernan Alumi 1996


file name: Laura French Saul 2011


file name: U L C Saul Bass Portrait 1977


file name: Saul Bass Pic







Luc Devroye ⦿ School of Computer Science ⦿ McGill University Montreal, Canada H3A 2K6 ⦿ lucdevroye@gmail.com ⦿ https://luc.devroye.org ⦿ https://luc.devroye.org/fonts.html