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Fonderie Deberny&Peignot

The timeline of this French foundry of the 19th century and early 20th century:

• Gustave Peignot's type foundry was taken over by his son Georges Peignot when Gustave died. Georges's son Charles took it over when Georges and his three brothers were all killed in The Great War.
• 1923: The foundry becomes Deberny&Peignot when the Laurent&Deberny foundry was purchased. Merger with Girard et cie.
• 1923-1960: Charles Peignot directed the creation of a series of original designs.
• Phototype era: Starting in the late fifties, the company prepared the fonts for Lumitype, European Photon. In the sixties, Charles Peignot invested heavily in Lumitype, which used up some of the money to buy control of Deberny&Peignot, and let Charles go.
• Deberny&Peignot closes in 1979 (some say 1972...), at which time the designs passed to the Haas'sche type foundry in Basel/Münchenstein. Haas in turn was merged into D. Stempel AG in 1985, then into Linotype GmbH in 1989, and is now part of Monotype Corporation. Starting in 1925, Deberny & Peignot types were distributed in the United States by Continental Type Founders Association.

• A.M. Cassandre: Acier Noir (1936), Bifur (1928-1929), Peignot (1937), Touraine (1947, with Charles Peignot).
• Bernard Naudin: Naudin (1911-1924). A set of open capitals that complement this typeface were sold in France as Champlevé and in the United States as Sylvan.
• Robert Girard: Astrée (1921). The Stephenson Blake version is Mazarin (1926).
• Georges Auriol: Auriol (1901-1904), Auriol Laberur, Auriol Champlevé, Française allongée, Française légère, Robur Pale (ca. 1912; variations are known as Royal Lining and Claire de Lune).
• Marcel Jacno: Chaillot, Film (1934), Jacno (1950), Scribe (1937).
• Imre Reiner: Contact (1952), Floride (1939).
• Maximilien Vox: Eclair (1935).
• Georges and Charles Peignot: Le Garamont (1912-1928). That is to say, from 1912-1914, they directed the development of this Garamond based on Jean Jannon's roman. The typeface was finished by Henri Parmentier in 1926.
• M. Deberny: Sphinx (1925).
• Henri Bellery-Desfontaines: Bellery-Desfontaines (1910-1912).
• P. Roy and A. Marty: Cochin, Nicolas-Cochin (1912), and Moreau-le-Jeune (later copied by Ludwig & Mayer as Sonderdruck).
• A. Giraldon: Giraldon (1900).
• Eugène Grasset: Grasset (1898).
• Adrian Frutiger: Égyptienne, Méridien (1957), Ondine (1954), Phoebus (1953), Président (1954), Univers (1957).
• Rémy Peignot: Cristal Initiales (1955).
• G. Vidal: Amethyste (1954), Bolide (1954).

Many specimen books were published by them. For their vignettes, see Spécimen de vignettes typographiques (Paris, Rue Visconti, 17, près le Palais des Beaux-Arts, faubourg Saint-Germain. [1870]) and Vignettes typographiques: attributs mélanges armes, médales (Paris, 1886). Early work is shown in Les créations de la fonderie typographique Deberny et cie depuis 1878 (1889) and in Les nouvelles creations de la fonderie typographique Deberny&cie (1895). Fancy type is shown in Les caractères d'affiches. Extrait du Livret typographique (Paris, 1905). Older fleurons are in Nouvelle série des fleurons de la fonderie de Laurent et Deberny (ca. 1844). Other publications by them include Album de clichés et gravures (1934), Premières épreuves du Caractère Peignot dessiné par A. M. Cassandre (Paris: 1937).

Digital revivals include Sonderduck Antiqua (2008, Gerhard Helzel). Sphinx (1925) was revived by Steve Jackaman as Sphinx RR (1925), and by Douglas Olena as FFD Sphinx (1995).

Peignot foundry genealogy.

View the digital typeface that are descendants of Deberny.

FontShop link.

References: Wikipedia. History of Peignot, by Georges Peignot's grandson Jean-Luc Froissart. Rochester Institute of Technology: History of Deberny et Peignot [dead link]. And finally, the book L'or, l'âme et les cendres du plomb. L'épopée des Peignot, 1815-1983 (2004, Jean-Luc Froissart: Paris: librairie Tekhnê).

EXTERNAL LINKS
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INTERNAL LINKS
Extinct 20th century foundries ⦿ Type design in France ⦿ Modern style [Bodoni, Didot, Walbaum, Thorowgood, Computer Modern, etc.] ⦿ Calligraphic typefaces ⦿ Foundries of the 19th century ⦿ Elzevir ⦿ Fournier ⦿ Baskerville ⦿