TYPE DESIGN INFORMATION PAGE last updated on Fri Dec 13 00:52:54 EST 2024

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ABOUT

Dai Foldes

Painter turned type designer in Baltimore, d. 2021. Creator of Velocipede Stencil (2011), an art deco typeface made for a bike shop in Baltimore. At Lost Type Coop, he published the humanist remaissance italic typeface Pigeon (2011) and the calligraphic script Cylburn (Lost Type): Cylburn is a semi-connected script, structurally based on Roundhand but written with a pointed brush and restrained tension that separate it from its traditional roots.

In 2014, he created the commercial signage typeface Globe Script, which was renamed Eubie Script (dedicated page). Eubie Script draws from the many lettering styles of Harry Knorr, an artist at Globe Poster for over 50 years.

In 2016, Dai Foldes and Laura Worthington designed the connected script typeface family Adorn Garland Smooth. Fairwater (2016), co-designed by Laura Worthington and Dai Foldes, has Script, Sans, and Serif subfamilies, as well as several sets of Ornaments. The Serif subfamily conjures up tattoo lettering, but also mathematical blackboard bold style and art deco. And still with Laura Worthington, Dai designed Renata (2016), a connected calligraphic script.

He started the Spencerian calligraphic typeface Kadabra, which was finished and released by his partner, Victoria Rushton, at Future Fonts in 2021, a few months after Dai's passing.

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Type designers ⦿ Type designers ⦿ Art deco typefaces ⦿ Type scene in Maryland ⦿ Calligraphic typefaces ⦿ Penmanship ⦿ Commercial fonts (small outfits) ⦿ Signage typefaces ⦿ Tattoo fonts ⦿ Blackboard type ⦿ Dingbats (original) ⦿ Penmanship ⦿