David Einwaller

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David Einwaller Salzburg, Austria-based creator of these typefaces: Bolivia (2017-2019). This typeface started as an interpretation of Albert Hollenstein's famous Brasilia from 1958. A second version with vertical terminals was drawn in order to let the modernistic feeling collide with a more humanistic expression. The atypical long tails of f, j, r and t are emphasized and accompanied with stylistic alternatives to give it a more contemporary feeling. Brubeck (2018). A revival of a vernaciular 1960s jazz album cover sans. Bull 5 (2019). A monospaced sans. Delphia (2016-2020). Delphia's design references early 20th century Gothics like ATF's Lining Gothic and Gothic No. 545. Elaphus (2020). David writes: With great support of Bruce Kennett and others, I was able to get my hands on original drawings of an unfinished typeface by W. A. Dwiggins for Linotype in 1947. I wanted to keep a warm and organic quality within my interpretation for a lively texture, in true with Dwiggins' intent and style. For the italics I went back even further in time, to one of the best punchcutters to ever do it: Robert Granjon and his Gros Romain from ca. 1550. This project is in a very early stage and a display version with a modern twist will soon be the counterpart to this classic, soft text-face. Flatspot (2019). A grotesque influenced by Permanent (Karlgeorg Hoefer, 1962-1969). Modulo (2020). A monolinear rounded sans influenced by Nebiolo experiments from the 1960s and Nebiolo types like Recta. The horseshoe-serifed transitional typeface Morion (2015, The Designers Foundry). The 1920s art deco sans typeface Neue Droschke (2013, Ten Dollar Fonts). Undo Sans (2020). An inline / neon typeface influenced by the 1970s. Tumblr link.	EXTERNAL LINKS David Einwaller Behance page MyFonts search Monotype search Fontspring search Google search INTERNAL LINKS Type designers ⦿ Type designers ⦿ Art deco typefaces ⦿ Type in Austria ⦿ Commercial fonts (small outfits) ⦿ Monospaced fonts ⦿ Neon tube or faux neon typefaces ⦿