Paul Harpin
British designer who worked for Condé Nast in the 1980s. Paul Harpin created his first typeface, Laura---a twelve-weight typeface family--in 2014, assisted by Paul Hickson. It is named after his niece Laura, who died of cancer, and has Display, Stencil, Ribbon and Regular styles. In 2017, he co-founded London Type. At London Type he published these typefaces: - LDN Mammoth Woodblock and LDN Mammoth (2019), which is based on a hand drawn letterpress style headline typeface by artwork expert Peter Taylor.
- LDN CircleLine (2019), with single, double and triple line typefaces. He writes: LDN CircleLine is an eclectic slab serif in eight overlapping styles [...] to work well on their own or as stackable layers. Paul drew inspiration from several sources; the Post Office Double Line typeface designed by John Miles (Banks & Miles), the simplicity of the London Underground symbol, and by Lance Wyman's designs for the 1968 Olympic Games.
- London Hoxton Square (2019). An extra black, slab serif headline font, where every character is the same width and fits into a square for alignment purposes.
- The high contrast fashion mag typeface Kondon Modern (2019).
- London Mixed (2019). Three styles, from a humanist sans to slab.
- London Grace Roman (2019). A roman inscriptional caps typeface.
- LDN Southbank (2020). A sturdy slab serif inspired by London during the Festival of Britain era. Accompanied by its art school and more experimental cousin LDN Northbank (2020).
- LDN Queenstown (2020). A single weight slightly quirky ultra light monolinear typeface that takes inspiration from a sketch of an early sans by the Victorian calligraphic artist John Vinycomb Esq. Paul writes: Vinycomb was probably about 120 years ahead of the game, and Queenstown faithfully retains some of the charmingly unusual letterforms of JV's early modern sans serif. Characters of note include a gorgeous pince-nez letter g and a long tailed cap Q, one of four Q alternates.
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Paul Harpin
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Typefaces inspired by the Trajan column in Rome ⦿
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