Clément Le Tulle-Neyret

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Clément Le Tulle-Neyret Clément Le Tulle-Neyret was born in 1986. He graduated from the École nationale supérieure des beaux-arts of Lyon and the Atelier national de recherche typographique in Nancy. He lives and works in Paris as graphic and type designer. He has worked for Télérama, the Centre national des arts plastiques, the museums of the city of Strasbourg, the Cité du design of Saint-Étienne as well as a various museums, publishing houses and art schools. Designer in 2017 of Immortel, a long text typeface based on an elegant 1559 typeface, Immortelle, a Long Primer Italic by influential French punchcutter Robert Granjon. It was developed as part of a research project at l'Atelier National de Recherche Typographique (ANRT) in Nancy. In 2020, he joined 205TF. At 205TF, he further developed Immortel, which was commercially released in 2021 with four variants, each named after one of the four fluids in the Hippocratic theory of humors: Immortel Infra (for phlegm, which represents a lymphatic, sluggish, slow character). Immortel Infra finds its source in 16th century work of Robert Granjon. Immortel Colera (for yellow bile, an angry and prideful character). Immortel Colera goes back to the work of Jean Jannon, a 17th century engraver. Immortel Vena (for blood, a jovial and warm character). Immortel Vena is influenced by the work of Jacques-François Rosart, an 18th century Belgian engraver. Immortel Acedia (for black bile, which provokes hopelessness and melancholy). Immortel Acedia takes its inspiration from the engraving Melencolia I by Albrecht Dürer (1514) and attempts a synthesis between two traces of a priori opposing tools, one made by the flat tip and the other by the narrow point.	EXTERNAL LINKS Clément Le Tulle-Neyret MyFonts search Monotype search Fontspring search Google search INTERNAL LINKS Type designers ⦿ Type designers ⦿ Type design in France ⦿