TYPE DESIGN INFORMATION PAGE last updated on Wed Nov 20 11:13:38 EST 2024
FONT RECOGNITION VIA FONT MOOSE |
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Type design in Saudi Arabia | ||
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Designer in Riyadh, Saudi Arabia. He created the curvy font Al Masa (2010) and the Arabic typeface QR (2010). [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the knot fon Emotion (2017). [Google] [More] ⦿ | |
Adel Banfeel
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Riyadh, Saudi Arabia-based creator of a free prismatic multiline (Latin) vector font in 2012. Devian tart link. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the Arabic typeface Nadher (2017). In 2017, Ahlam Alsaqrah, Maryam Almohanna, Ashwag Madkhli, and Faten Almogeem co-designed the Book of Life font. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the free monoline sans typeface Ahmad First (2016). Behance link. [Google] [More] ⦿ | |
Saudi graphic and type designer. Creator of the (Arabic) Chams font family made for the redesign of the Shams Newspaper in Saudi Arabia. The font was digitized by Hasan Abu Afash from Palestine. Al Mohtaraf is his graphic design house with branches and affiliated offices in the Arabian Peninsula and the Middle East. AlMohtaraf has developed complete families of Arabic fonts named AlMohtaraf, AlDarah (for the magazine), AlYawm (for the magazine), Modern, Cortas (or Qurtas: for the Qurtas food company), Mizan, Watad, Basit, SHB (or Saudi Hollandi Bank Font) and Metro. Midan Regular (Linotype) is free at OFL. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based co-designer (with Sara A. Al Suwaiygh, Al Khobar, Saudi Arabia, and Fayzah Alghamdi, Dammam, Saudi Arabia) of the Arabic typeface Fulad (2017). In 2016, she designed another Arabic typeface. [Google] [More] ⦿ | |
Graphic designer in Riyadh, Saudi Arabia, who created the painted Arabic alphabet Holm (2015). [Google] [More] ⦿ | |
Ali Alattas
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Saudi Arabian, b. 1988, located in Jeddah, who created the interesting Face Typography poster in 2008. [Google] [More] ⦿ | |
Alilato
| Saudi Arabian graphic designer Ali Al-Attas began designing fonts at the end of 2020. In 2021, he published Alilato (a 9-style wayfinding sans for Latin and Arabic). [Google] [MyFonts] [More] ⦿ |
Jeddah, Saudi Arabia-based designer of Arabic Znikomit (2018). [Google] [More] ⦿ | |
At the University of Dammam, Al Khobar, Saudi Arabia-based Anfal M. Alzarraj designed the Arabic typeface Rhuda (2017). [Google] [More] ⦿ | |
Arabeyes.org
| Free GNU license package of Arab truetype fonts developed by the Arabeyes.org project in 2003, and maintained by Khaled Hosny:
Fontspace link. Yet another URL. See also here. Old URL. [Google] [More] ⦿ |
Riyadh, Saudi Arabia-based designer of Eid Free (2014, an Arabic typeface). Behance link. [Google] [More] ⦿ | |
Ashfaq A. Niazi
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Dammam, Saudi Arabia-based student-designer (at the University of Dammam) of the Arabic typeface Sama (2015). [Google] [More] ⦿ | |
Graphic designer in Jeddah, Saudi Arabia, who created the Arabic typeface Al-Hzm in 2017. [Google] [More] ⦿ | |
During her studies at the University of Dammam in Dhahran, Saudi Arabia, Asmaa AlOmair designed a creamy Arabic typeface (2016). [Google] [More] ⦿ | |
Banfeel Type
| Type and graphic designr based in Saudi Arabia, who specializes in Latin and Arabic typefaces. Typefaces from 2021: Balaleen (a layerable chunky font for Latin and Arabic, perhaps with applications in children's books). [Google] [MyFonts] [More] ⦿ |
Riyadh-based designer of the Arabic font Bassam Ostorah (2000). Download here or here. [Google] [More] ⦿ | |
At Imam Abdulrahman Bin Faisal University, Dammam, Saudi Arabia-based Bushra Sughayer designed the Latin / Arabic handcrafted typefaces Darij and Typomatic (2017). [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the rounded handcrafted Arabic typeface Maalam (2017) and the antiqued Arabic typeface Adghal (2017). [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of Arabic Wire Font (2014). [Google] [More] ⦿ | |
Saudi designer in Jeddah who obtained an MA in typeface design from The University of Reading (2009), based on her monoline comic book script typeface Squiggly. It was designed in several styles for children's story books. | |
Deep Blue
| There are several studios in the world called Deep Blue. This one is located in Ankara, Turkey, and offers professional vector format font services. At Graphic River, one can buy some of Deep Blue's fonts. These include Vicasso (2012), Equilibrium (2013). On Behance, we read that the designer is the Torbit Mine, Columbia, Canada-based Kevin Portman. Elsewhere, the designer of Vicasso is identified as Ramzi Abdulbari (Dammam, Saudi Arabia). [Google] [More] ⦿ |
During her studies at the University of Dammam in Saudi Arabia, Al Jubayl Industrial City-based Dhay Almindeel designed a colorful decorative typeface (2018) that was inspired by the geometric patterns found in Turkish rugs and carpets. [Google] [More] ⦿ | |
Graphic designer in Riyadh, Saudi Arabia. His typefaces include Qusay Square Kofi (2013) and Hamodi Square Kofi (2013). [Google] [More] ⦿ | |
Emad Fohid
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Riyadh, Saudi Arabia-based designer of a connect-the-dots Arabic typeface in 2015. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the Arabic typeface Catalogue (2017). [Google] [More] ⦿ | |
Dhahran, Saudi Arabia-based designer of the plain form Arabic typeface WAKF (2017) at the University of Dammam. [Google] [More] ⦿ | |
Dhahran, Saudi Arabia-based designer of the Arabic techno typeface WAKF (in 2017, at the University of Dammam). [Google] [More] ⦿ | |
Computer engineer in Riyadh, Saudi Arabia. Creator of the modern Kufi Arabic typeface Nawar (2013). Free download. For Bein Sports, he created Bein Arabic in 2014. Still in 2014, he designed Taqniya. Designer of the pixelish typeface Sakhr (2015), the handwriting font Yaseer (2015, Latin and Arabic), Circle Typeface (2015, Arabic), and the free paint brush Arabic typeface FF Bouya (2015). In 2016, he designed the warm woolly rounded Latin /Arabic typeface Hekaya, the monoline Latin / Arabic script typeface Sacramento Arabic (which extends Brian Bonislawsky's Sacramento to Arabic), the Latin / Arabic script typeface La Belle Aurore, the kufi Arabic typeface FF Khallab (free), and the Latin / Arabic handwriting font Hamish. In 2017, he designed the free Latin / Arabic grunge typeface FF Taweel. In 2018, he designed the comic book typeface Musally for Arabic, the free font FF Dusha Arabic (to accompany Ducha by DS Type Foundry designed for the FIFA World Cup 2018), Mshabbak, and the Latin and the Arabic super-family Shamel. Typefaces from 2019: Wahm (a scribbly Latin / Arabic script), Mufreh (a marker pen font). [Google] [More] ⦿ | |
During her studies in Dammam, Saudi Arabia, Farah Alarifi designed the Arabic typeface Layla (2016). [Google] [More] ⦿ | |
Saudi Arabia-based designer of the grid-based Arabic typeface Durra (2017). [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the Arabic logotype Naseem (2017). [Google] [More] ⦿ | |
Safwa, Saudi Arabia-based designer of the Arabic typeface Forty Five (2018). [Google] [More] ⦿ | |
During her studies at the University of Dammam (Saudi Arabia), Fatimah Allawaim designed the decorative Latin typeface Carrom (2017), which took inspiration from the game of carrom. [Google] [More] ⦿ | |
Safwa, Saudi Arabia-based designer of the monoline Arabic typeface Fosool (2016). [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the Arabic typeface Lulu (2015). [Google] [More] ⦿ | |
As a student at UOD in Dammam, Saudi Arabia, Fayzah Alghamdi designed the Arabic typeface Zukhrof (2016). Co-designer (with Sara A. Al Suwaiygh, Al Khobar, Saudi Arabia, and Alaa Zakary, Dammam, Saudi Arabia) of the Arabic typeface Fulad (2017). [Google] [More] ⦿ | |
As a student at Abdulrahman bin Faisal University, Foziya Al-aujan (Al Khobar, Saudi Arabia, Saudi Arabia) designed a 3d experimental Arabic typeface (2017) and a decorative Latin typeface called Dracos (2017). [Google] [More] ⦿ | |
As a graphic design student at Imam Abdulrahman bin Faisal University in Al Khobar, Saudi Arabia, Foziya Al-aujan created the colorful decorative caps typeface Dracos (2017). [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of a few Arabic typefaces in 2014 and 2015, such as Hadeel, Talin and Nanquim. VIP Sbgh is free. In 2016, they designed the free font VIP Hakm and the free font VIP Arabic. Home page. [Google] [More] ⦿ | |
Saudi Arabia-based designer, b. The Philippines. Aka Plex, Grandos Plex, Grandoplex and GrandChaos9000. He created these free sans typefaces in 2014: Alegre Sans (caps only), Sani Trixie Sans. Open Font Library link. [Google] [More] ⦿ | |
Illustrator and designer in Jeddah, Saudi Arabia, who created the Latin display typeface Congrats (2017). Behance link. [Google] [More] ⦿ | |
At Dar Alhekma University in Jeddah, Saudi Arabia, Hadya Samman designed a squarish kufi style Arabic typeface in 2016. [Google] [More] ⦿ | |
Born in 1891 in the city of "Diyar-e-Bakr" south Anatolia, Turkey. His real name is "Moses Azmi", the renamed as "Hamid Aytash Alamidi" after his village. He studied in the great Mosque named "Ulu" in his village. His calligraphy work embodied all kinds of Arab calligraphic types, but he was greatly famous in "Jali Thulth". Hamid Al Amidi has many writings on the domes and walls of mosques which can be seen in Turkey as a legacy of some of his calligraphy for verses of the Holy Quran, such as: "Ayoub Mosque", "Paschbahchi Mosque", "Haji Koushk Mosque" in Istanbul, the dome of "Cokhateb Mosque" in Ankara and many other mosques in Istanbul and Densley and "Shana Kalaa". The master piece of his production was when he copied the Holy Quran twice in a beautiful Nsekh type. It has been reprinted recently in Istanbul and Berlin. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the bit-textured squarish typeface Cipher (2017). [Google] [More] ⦿ | |
Hasan Abu Afash
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At Dar Al-Hekma University in Jeddah, Saudi Arabia, Haya Mouawad designed an Arabaic typeface (2017). [Google] [More] ⦿ | |
Hiba Studio
| Arabic typography web site and font foundry established in 2007 by Hasan Abu Afash, an Arab designer living in Gaza/Palestine. Typefaces: HS Dream (2019), HS Gold (2018), HS Almisk, HS Almisk Serif (2018: modern kufi style), HS Aleman (2018: a kufi /naskh hybrid), HS Alnasma (2017), HS Alhoson (2017), HS Alwajd (2016), HS Almajd (2016), HS Rahaf (2015, covering Pashtu, Persian, Urdu, Kurdish Sorani, Kurdish Kirmanji, and Arabic), HS Alnada (2015, kufi), HS Headline (a fat calligraphic didone display typeface by Gunnlaugur Briem (Latin) and Hasan Abu Afash (Arabic, based on the simple lines of Naskh calligraphy), HS Ali (2015; designed using equal amounts of anger and sorrow, Hasan writes: HS Ali was designed in memoriam of my brother---Ali Abu Afash who was martyred during the last aggression on Gaza in summer 2014), HS Alhuda (2014, Kufi font), HS Almaha (2014: this font combines the features of linear Naskh and modern Kufi), HS Almidad (2014), HS Ishraq (2013), HS Alkitab (2013), HS Albadr (2013), HS Almohandis (2007-2011, Arabic display face), HS Alhandasi (2007 and 2011), Hasan AlQuds family (2004, a display typeface done with Mamoun Sakkal), Hasan Hiba, Hasan Enas (Arabic text typeface), Hasan Elham (2006, a modern Kufi art deco face), Hasan Ghada (2007-2008, based on modern Kufi calligraphy--first known in 2002 as KactTitle), Hasan Manal (2008, Kufi style), Hasan Aya (2007, Kufi style famaily based on Corel's 1992 typeface Bedrock), Kouffi Fatemic, Safwat, HS Amal. In 2008, Hasan Hiba and Hasan Noor (a classic squarish Kufi face) were upgraded to the DecoType font format for use in WinSoft Tasmeem which is now bundled with InDesign CS4---thanks to a cooperation with Mirjam Somers. Still with Somers, he upgraded the Basim Marah display typeface (2008) for Tasmeem. Basim Marah was drawn by Basim Salem Al Mahdi from Iraq and then digitized by Hasan himself. The same year, Hasan developed an OpenType project for Alinma TheSans fonts which are based on TheMix Arabic (designed by Luc(as) de Groot and Mouneer ElShaarani for Al Inma Bank, Saudi Arabia). Later he developed the OpenType features for Jumeirah Arabic which was designed by Pascal Zoghbi (29letters) and Huda AbiFares (Khatt) for Jumeirah International, UAE. He developed the OpenType layout features needed for the Arabic script system in the Seria Arabic fonts family which was designed by Pascal Zoghbi for FontShop International, as well as the Chams fonts family which was designed by Al Mohtaraf Assaudi for the redesign of the Shams Newspaper in Saudi Arabia and the Arajhi fonts for Alrajhi Bank. Since 2002 Hasan has worked and collaborated with Mamoun Sakkal in several projects, such as the Burj Dubai Shilia project, Sakkal Baseet and the Microsoft project which included the updating of the OpenType instructions for fonts such as Tahoma, Microsoft Sans Serif (1997), Arial, Times New Roman, Segoe, Courier, Time New Roman, Ms Uighur and Majalla UI. In 2009-2010, he cooperated with Parachute to make DIN Text Arabic. Releases in 2012 include HS Future Sans (with Abdulsamie Rajab Salem), HS Amal, HS Alfaris, HS Al Basim A, and HS Almohandis. Typefaces from 2013: HS Alwafa, HS Masrawy (a display typeface done with Abdulsamiea Rajab Salem), HS Elham (Kufi). Behance link. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ |
Riyadh, Saudi Arabia-based designer of an Arabic display typeface in 2015. [Google] [More] ⦿ | |
Hind Suliman (JayDz) is a graphic designer in Ad Dammam, Saudi Arabia. She created Round Corners (2011), and rounded LED-style face. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the watercolor brush typeface Huda (2016), the display typeface KIB231 (2016) and the handcrafted Latin typeface Iman (2016). [Google] [More] ⦿ | |
Ibrahim Jamali
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Studio in Riyadh, Saudi Arabia, which created the Arabic typeface Ara Assaf (2013). Behance link. [Google] [More] ⦿ | |
Jamali Foundry
| Ibrahim Jamali, an electronic techician from Pakistan, started his own type foundry, Jamali Foundry, in Saudi Arabia in 2012. In 2012, he created the zany Latin display typeface Aliya. [Google] [MyFonts] [More] ⦿ |
Jayvee D. Enaguas
| Jayvee lives in Al-Khobar, Saudi Arabia, and was born in 1996. Known as Grand Chaos, he also calls himself Nippon Central Fontmaster, NipCen Hacks Incorporated, and SMWCNC, and uses the abbreviation NC in some of his fonts. Recently, he started posting as Moad Jameel from Jeddah, Saudi Arabia. Home page. Dafont link. Devian tart link. Another Devian Tart link. And yet another Devian Tart link. FontStruct link. In 2009, he made Reality Pursuit NC and Pixel Operator (2009-2018). In 2010, he created the hand-printed typefaces Retrieve NC, NipCen's Print, NipCen's Handwriting, CartoonicMassive, CartoonicMassive3D, CartoonicMassiveCollage, CartoonicMassiveWacky, Cartonsix NC, and Basic Comical (a take on Comic Sans). Other 2010 typefaces include Retroville NC (pixel), Matthan Sans (mechanical sans), Monkirta Pursuit NC (squarish face), AeromaticsSmallCapsNC (techno), DynoNC (octagonal, techno), MatrixComplex3DNC (dot matrix face), MatrixComplexNC, MatrixComplexWaveNC, SpotlightTypewriterNC, SuplexmentaryComicNC, Coyotris (hand-printed), SMWTextNC (pixel family), and AeromaticsNC (angular face). In 2011, he made Neon Teocho NC (a techno face), Burbin Casual (2011, a casual sans face), Curse Casual (2011), Squaren Daren NC (2011, constructivisit), Hauracherell NC (2011, a movie lettering font based on "Senorella and the Haurache", 1961), Burvetica (2011, grungy), Allegre Sans (2011), 8bitoperator JVE (2011, pixel typeface done at FontStruct), The 2K12 (2011, dot matrix face, FontStruct), and Big Bimbo (2011, hand-printed). Typefaces from 2012: Minercraftory, New Era Casual (based on Dom Casual, 1951), Splendid Plan 9 (headline all-caps sans face), Aeromatics (inspired by Plan 9 from Outer Space), Destroyed Aero, Aeromatics Stencil, That's Font Folks (after the famous That's All Folks of Looney Tunes fame, 1930s), Dyno Sans, Stanberry (hand-printed), Pixisma (techno), Ander Hedge (octagonal), Jengle Jungallery, Freedom, Freeroad, Receiptional Receipt (dot matrix), Dimbo, Capital Daren, Tepeno Sans, Kemco Smooth, Kemco Pixel, Slabby Pices (an Egyptian), Mattelit (pixel typeface based on a Mattel game font from 1979), Barthowheel (comic book font), Minecraftory (pixel face). Typefaces from 2013: Moder DOS 437 (pixel face), Telespania (pixel face: Telespania is a monospaced pixel font, based from Teletext 1.5 for TVE (Television Espanola) in Spain or other services in Austria, Germany and Portugal), Sanidana (squarish), Santitechtro (a sans), Sanitrixie, Soniano Sans (octagonal), Magzetician, Grand9K Pixel (pixel face), Deluxe16 (pixel face), Polentical Neon (octagonal), Nechao Sharp (octagonal face), Magzetician (alien writing simulation), Saniretro. Typefaces from 2014: Reality Hyper (octagonal). Typefaces from 2017: Strow (free). Typefaces from 2018: Generic Mobole System (a pixel font). Typefaces from 2019: Half Eighties (a pixel font), Aire Exterior (a geometric sans serif typeface based on the title screen of the 1959 film Plan 9 from Outer Space). [Google] [More] ⦿ |
Jeff Mouie Ramirez (b. Philippines) is based in Jeddah, Saudi Arabia. He created the Latin display typeface Fleux (2014). Behance link. [Google] [More] ⦿ | |
During her studies, Al Khobar, Saudi Arabia-based Judy Bastaty designed the Latin typeface Bitmap (2017). [Google] [More] ⦿ | |
Kevin Portman
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Khaled Hosny
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King Fahd Glorious Quran Printing Complex relaeased a free font in 2010-2011 called Hafs Uthmanic Script. Alternate URL. [Google] [More] ⦿ | |
King Fahd Glorious Quran Printing Complex
| Ashfaq A. Niazi is a designer in Lahore, Pakistan, who graduated from Govt Islamia College in Lahore. Since 2008, he is associated with the King Fahd Glorious Quran Printing Complex in Saudi Arabia, which in 2009 released the free Arabic language font Uthman Taha's Naskh (2008, +Bold). Earlier fonts by King Fahd Complex include QCF P001 and QCF BSML, which are here. He also made the free symbols typeface KFGQPC Arabic Symbols 01 (2010). In 2008, Peter Bilak, Eike Dingler, Ondrej Jób, and Ashfaq Niazi created the 21-style family History at Typotheque: Based on a skeleton of Roman inscriptional capitals, History includes 21 layers inspired by the evolution of typography. These 21 independent typefaces share widths and other metric information so that they can be recombined. Thus History has the potential to generate thousands of different unique styles. History 1, e.g., is a hairline sans; History 2 is Peignotian; History 14 is a multiline face; History 15 is a stapler face, and so forth. He writes: My objective is to work on Quranic Fonts, with Latest Digital Technology, and enhance them for the maximum visibility. My aim is to produce High Quality Mushaf & Naskh fonts, with the best possible placement of Tashkeel (Diacritics). I've developed, Indo-Pak Quranic Calligraphy System (QCS), Full Quran, having more than 15000 Ligatures, now used widely in Pakistan, for the printing of Quran. Now this complete package is free for everyone. Typedia link. [Google] [More] ⦿ |
Jeddah, Saudi Arabia-based designer of an Arabic typeface in 2016. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of a refined Latin / Arabic typeface in 2019. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of an Arabic logotype face for Masmak fortress (2017). [Google] [More] ⦿ | |
During her studies in Dammam, saud Arabia, Mariem Osama designed an Arabic rope font (2018). [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of a Chinese simulation typeface (2016). [Google] [More] ⦿ | |
Al Qatif, Saudi Arabia-based designer of a squarish Arabic typeface in 2016. [Google] [More] ⦿ | |
Al Jubayl, Saudi Arabia-based designer of the techno style Arabic typeface Zawaya (2016). [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of Ododgraphy (2013-2017), a calligraphic Arabic typeface. [Google] [More] ⦿ | |
Located in Al Khobar and/or Jeddah, Saudi Arabia, Maya Alhomsi created the music-inspired Latin / Arabic typeface Tune (2014). Behance link. [Google] [More] ⦿ | |
Located in Jeddah, Saudi arabia, Maya Alhomsi created the music-inspired Latin / Arabic typeface Tune (2014). Behance link. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the blackletter Arabic / Latin font Arabic Royal (2015). [Google] [More] ⦿ | |
Moad Jameel
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Designer from Riyadh, Saudi Arabia. He created the oriental simulation typeface Saif (2011). [Google] [More] ⦿ | |
Mohammad Al Shalfan
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Al Qatif, Saudi Arabia-based designer of the colorful display typeface Game Over in 2017. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the free experimental Latin alphabet Hologram Letters (2015). [Google] [More] ⦿ | |
Tabuk, Saudi Arabia-based designer of the Arabic typeface Amin (2015), which extends the Latin typeface Harabara (2009, André Harabara). [Google] [More] ⦿ | |
Motken.com (or: Maleksoft Developer Co)
| Vendor of Arabic typefaces located in Riyadh. Download page: AF_Abha-NormalTraditional, AF_Abha-NormalTraditional, AF_Tabook-NormalTraditional, AF_Tabook-NormalTraditional, AF_Tholoth-NormalTraditional, AL-Aser-Outline, AL-Aser, AL-Battar-Outline, AL-Battar, AL-Bsher-Outline, AL-Bsher, AL-Hor-Outline, AL-Hor, AL-Hosam-Outline, AL-Hosam, AL-Hotham, AL-Manzomah, AL-Mateen-Outline, AL-Mateen, AL-Mohanad-Bold, AL-Mohanad, AL-Qairwan, AL-Sarem-Bold, AL-Sarem, AL-Sayf-Bold, AL-Sayf, AdvertisingBold, AdvertisingExtraBold, AdvertisingLight, AdvertisingMedium, Al-Hadith1, Al-Hadith2, Al-Homam, Al-Mothnna, Al-Samsam, Alawi-Hashim-Bafageeh.., Bader, Bassam-Ostorah, FS_Abdo, FS_Africa, FS_Ahram, FS_Alex, FS_Alex, FS_Arabic, FS_Black, FS_Bold, FS_Egypt, FS_Free, FS_Graphic, FS_India, FS_Japan, FS_Jet, FS_Lotas, FS_Metal, FS_Nice, FS_Old, FS_Point, FS_Rajab, FS_Rope, FS_Salem, FS_Shadow, FS_Wood, M-Unicode-Abeer, M-Unicode-Dawlat, M-Unicode-Diala, M-Unicode-Hadeel, M-Unicode-Noora, M-Unicode-Sara, M-Unicode-Sima, M-Unicode-Susan, M-Unicode-Wafa, MCS-Modern-S_U-normal., MCS-Taybah-S_U-normal., MCSFREEDOM, MCSPEN, MCSTOPAZ, MO_Nawel, Mcs-BookTitle1, Mcs-BookTitle2, Mcs-BookTitle3, Mcs-BookTitle4, Mcs-BookTitle5, Mcs-BookTitle6, Mcs-Hadeith1, Mcs-Hadeith2, Mcs-Honor, Mcs-LetterWord1, Mcs-LetterWord2, Mcs-LetterWord3, Mcs-LetterWord4, Mcs-LetterWord5, Mcs-Quran, Mcs-School1, Mcs-School2, Mcs-SwerAl_Quran1, Mcs-SwerAl_Quran2, Mcs-SwerAl_Quran3, Mcs-SwerAl_Quran4, Mohammad-Dawlat, Mokhtar-Bold, Motken-AL-Rafidain-Art, Motken-AL-Rafidain, Motken-K-Elham, Motken-K-Farnaz, Motken-K-Homa, Motken-K-Kamran, Motken-K-Nasim, Motken-K-Sina, Motken-K-Tabassom, Motken-K-Traffic, Motken-Ramlah, Motken-daeira, Motken-noqta-ii, Motken-noqta, Othmani, Pen-Kufi-Shadow, Pen-Kufi, Quran-1, Quran-2, SC_ALYERMOOK, SC_AMEEN, SC_DUBAI, SC_GULF, SC_HANI, SC_KHALID, SC_LUJAYN, SC_OUHOD, SC_REHAN, SC_SHARJAH, SC_SHMOOKH-01, SC_TARABLUS, SKR-HEAD1, Simplified-Arabic, Simplified-Arabic, Traditional-Arabic, Traditional-Arabic, Zokrofi, mokhtar_bold, mokhtar_daiery, mokhtar_daiery_1. Additionally, Motken itself (Maleksoft Developer Co) has these fonts: Motken-AL-Rafidain-Art, Motken-AL-Rafidain, Motken-K-Elham, Motken-K-Farnaz, Motken-K-Homa, Motken-K-Kamran, Motken-K-Nasim, Motken-K-Sina, Motken-K-Tabassom, Motken-K-Traffic, Motken-Ramlah, Motken-daeira, Motken-noqta-ii, Motken-noqta. Here we find Motken-'3areeb, Motken-AL-Rafidain-Art, Motken-AL-Rafidain-Art, Motken-AL-Rafidain, Motken-K-Elham, Motken-K-Farnaz, Motken-K-Homa, Motken-K-Kamran, Motken-K-Nasim, Motken-K-Sina, Motken-K-Tabassom, Motken-K-Traffic, Motken-Ramlah, Motken-daeira, Motken-daeira, Motken-noqta-ii, Motken-noqta-ii, Motken-noqta, Motken-noqta. Maleksoft Developer Co made AL-Gemah-Alhoda, AL-Gemah-Almajd, AL-Gemah-Assarim. Others presumably "cracked by Al-Amri": AL-Aser-Outline, AL-Aser, AL-Battar-Outline, AL-Battar, AL-Bsher-Outline, AL-Bsher, AL-Dorrh, AL-Hor-Outline, AL-Hor, AL-Hosam-Outline, AL-Hosam, AL-Hotham, AL-Majd, AL-Manzomah, AL-Mateen-Outline, AL-Mateen, AL-Mohanad-Bold, AL-Mohanad, AL-Qairwan, AL-Sarem-Bold, AL-Sarem, AL-Sayf-Bold, AL-Sayf, Al-Hadith1, Al-Hadith2, Al-Homam, Al-Mothnna, Al-Samsam. The designer of some of the Motken fonts is Mohammad Al Shalfan. [Google] [More] ⦿ |
Riyadh, Saudi Arabia-based graphic designer and photographer. In 2021, he released the incised all caps headline typeface Ugaritica. [Google] [MyFonts] [More] ⦿ | |
Saudi designer of Besmellah (five fonts for Arabic). I am confused because I always thought that these fonts were made by Mojtaba Kia, an Iranian. Alternate URL. [Google] [More] ⦿ | |
Arabic font archive:
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During her graphic design studies in safwa, Saudi arabia, Najebah Hashim created the Kufi/sans style Latin / Arabic typeface Bukra (2015). [Google] [More] ⦿ | |
Natalie Amy Margaret Houston was born in Durban, South Africa. She attended the then-named Natal Technikon. She graduated with a Diploma in Marketing and Sales Management in 1989, after which she was awarded an 18-month scholarship by the German Government to work and gain practical experience in that country. While in Germany she worked for Volkswagen and Audi, in their Marketing and Strategic Planning departments respectively. She returned to Germany from South Africa to study Graphic Design at the University of Applied Sciences in Dusseldorf. She completed a Bachelors and Masters degree in graphic design. Natalie lectured at the Durban University of Technology in the Faculty of Arts, in the Department of Graphic Design for nine years. In 2013 she joined the University of Dammam in Saudi Arabia, as a lecturer in Graphic Design. In 2015, she started pursuing a PhD in the Department of Social Sciences, at the University of KwaZulu-Natal. She posted several Kufi style Arabic typefaces designed by her students in 2015 at the University of Dammam, College of Design for Girls. These include fonts by Arwa Alshammari (Moderfla), Najebah Alhashim (Handasah), Raghda Almakami (Zawiya), Ghadeer Haddad (Bubble: a circle-based font), Lina (Tammuz), Sukaina Albasha (Lightning), Fatima AlMoaili (MOQ'LA), Nora Alshammari (ZBRQAN), and Layla Alkhalifah (Thakerah). Her students jointly designed the Kufic Arabic typefaces Asia (2014), Ragda (2015, based on Avenir), Sumaya (2015), Layla (2015, based on Helvetica), and Lojain (2015). [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the trilined typeface Trio (2015). Behance link. [Google] [More] ⦿ | |
During her studies at Imam Abdulrahman Bin Faisal University, Al Qatif, Saudi Arabia-based Noor Aljishi designed the Arabic typeface Hadal (2018). [Google] [More] ⦿ | |
Graduate of Imam Abdulrahman Bin Faisal university at Khobar. Saudi Arabia-based designer of the straight-edged modular Arabic typeface Nooran (2019). [Google] [More] ⦿ | |
Riyadh, saudi-Arabia-based designer of the free brush script typeface Brushed (2015), the free handcrafted Latin typeface Uno (2014)and the free handcrafted typeface Editor (2015). Behance link. Dafont link. [Google] [More] ⦿ | |
During her studies at University of Dammam, Al Qatif, Saudi Arabia-based Noor Alzaher designed the rounded stencil typeface Domino (2017). [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the pixelish typeface Bethlehem Moon (2015). [Google] [More] ⦿ | |
As a student at IAU in Al Khobar, Saudi Arabia, Noorah Al-Otaibi designed the Latin script typeface papyri (2018). [Google] [More] ⦿ | |
Saudi Arabian designer of the free fashion serif typeface Branic (2021). [Google] [More] ⦿ | |
Saudi Arabia-based designer of the free fashionable Latin typeface Branic (2021). [Google] [More] ⦿ | |
Arabic font archive. It includes this:
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Jeddah, Saudi Arabia-based designer of the Arabic typeface Haykal (2014). [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of Two Lines (Latin and Arabic) (2015). [Google] [More] ⦿ | |
Jeddah, Saudi arabia-based designer of the free Arabic typeface Rami (2018). [Google] [More] ⦿ | |
Khobar, Saudi Arabia-based designer of Arabic Greeky (2014). A the College of Design at UOD, now located in Boston, MA, Rawan Hammad designed the modular experimental typeface ABMK (2015). [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of a bilined Arabic typeface in 2018 which is the Arabic version of Josip Kelva's Metropolis font. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the Arabic typeface Munhana (2015). [Google] [More] ⦿ | |
Graduate of the TDi program at the University of Reading, UK, 2017. He is based in Riyadh, Saudi Arabia. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of Arabic typeface (2013). [Google] [More] ⦿ | |
RTL Type (was: Black Tiger)
| As Black Tiger, this outfit was reportedly based in Riyadh, Saudi Arabia, but as RTL Type, it appears to be in Hebron, Palestine. It was also known as Emad ISkyFalcons. On Behance, we learn that the designer is Emad Fohid. They designed the Arabic typefaces Halime (2017), Natalie (2017), TV Sans (2016), Moscow (2016), Hajar (2016), Hilary (2016), Hattan (2015), Amal (2014, Latin / Cyrillic art deco), Lamis (2014), Saba (2014), Saba Mubarak (2014, integrated with Latin), Hajar (2014), Kufi (2014), Nicole (2013), Rajab (2014), Jody (2014), Logo (2014), Misr (2014), Egypt (2014), Free (2014), Salim (2014), Nagham (2014), Lujain (2014), Nora, Nicole, Yasmin, Joory, Rim Extra Min, Jannat Extra and Diana Extra in 2013. He also made Nicole Latin (2013) and Maram (2013, Arabic). Old Behance link. Behance link. [Google] [More] ⦿ |
Creator of the Latin typeface Emagin (2012, techno). [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of an Arabic blackletter typeface in 2017 that matches the blackletter style of the heade of The New York Times. [Google] [More] ⦿ | |
Al Khobar, Saudi Arabia-based co-designer (with Alla Zakary, and Fayzah Alghamdi) of the Arabic typeface Fulad (2017) at Imam Abdulrahman bin Faisal University. [Google] [More] ⦿ | |
At the University of Dammam, Jubail, Saudi Arabia-based Sara KR designed the experimental DecoType in 2017. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the experimental iD Font (2017) for the British fashion magazine iD. Behance link. [Google] [More] ⦿ | |
Dammam, Saudi Arabia-based designer of the Arabic typeface Sater (2016). [Google] [More] ⦿ | |
As a student at the University of Dammam in Saudi Arabia, Shaden Abdulrahman created the squarish Kufic typeface Diamond (2015). [Google] [More] ⦿ | |
Graphic designer in Jeddah, Saudi Arabia, who created the Arabic display typeface Maawi in 2018. It was made using seven goat intestines. [Google] [More] ⦿ | |
Dharbin, Saudi Arabia-based designer of the Arabic display typeface Leef (2018) and a tribally patterned typeface in 2017. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of the straight-edged Arabic typeface Murakab (2018). [Google] [More] ⦿ | |
Medina, Saudi Arabia-based creator of the custom stencil font Areen (2017) for the Areen Artistic Solutions Company. [Google] [More] ⦿ | |
Riyadh, Saudi Arabia-based designer of the free Latin / Arabic display typeface Motoirah (2016). Behance link. [Google] [More] ⦿ | |
As a student based in Al Qatif, Saudi Arabia, Sumayah Hussain designed the Arabic Qaf & Moon Font (2016). [Google] [More] ⦿ | |
Simon Ager's page on Tagalog, a syllabic alphabet used to write Tagalog (Filipino, or Pilipino), an Austronesian language with about 15 million speakers in the Philippines, the USA, Canada, the UAE, Guam, the UK, Saudi Arabia and many other places. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of the Arabic typeface Lughat Aldhad (2014). [Google] [More] ⦿ | |
At the University of Dammam, Al Qatif, Saudi Arabia-based Wala Aljishi designed the Arabic typeface Retag in 2016. [Google] [More] ⦿ | |
At Dar Al Hekma University, Jeddah, Saudi-Arabia-based Wijdan Bahadi designed a rounded Arabic typeface in 2017. [Google] [More] ⦿ | |
Graphic and type designer based in Beirut. Award winner at 25 TDC in 2022 for Mithaq. Yara writes: Mithaq is a custom-designed Arabic geometric display typeface that investigates the level of abstraction letterforms can reach within a typeface. Inspired by the triangular Lahj openings of mud houses typical of Najdi architecture in the Kingdom of Saudi Arabia, the typeface is based on basic elementary shapes. It seeks to modernize, unify and standardize letters into an idealistic form that combines function and form while challenging its own legibility. The letters seek to reflect the visual heritage of the area; they are clean and concrete, as if cut from stone. The strokes are very brisk and uniform in width. The counter spaces within the one letter and the inter-letter spacing maintain the geometric aspect with an emphasis on the triangular form. Commissioned by AlMohtaraf design house for the King Salman Commission for Architecture and Urbanism by the Architecture and Design Commission, Ministry of Culture, Saudi Arabia. Mithaq was developed together with AlMohtaraf Design House in Jeddah. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of Art Deco Arabic Font (2015). Behance link. [Google] [More] ⦿ | |
During his studies, Khobar, Saudi Arabia-based Yomn Baroudi designed the Arabic typeface Arabiski (2015). [Google] [More] ⦿ | |
Younes Alaboudi
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Younestype
| Graphic designer at Hawyia Agency in Riyadh, Saudi Arabia. In 2018, Youns designed the wide Arabic typeface Yanson. [Google] [MyFonts] [More] ⦿ |
Or Yusuf Jamal. Riyadh, Saudi Arabia-based designer of the fun fluid Arabic typeface Marshmallow (2017). The OpenType work was done by Abd-Elrahman Ammar. Free download for personal use. In 2017, Yousuf Gamal (design) and Abd-Elrahman Ammar (development) published the free Arabic font family Caramel. [Google] [More] ⦿ | |
Zahar Al-Dabbagh (Jeddah, Saudi Arabia) created the Arabic typeface Syoola in 2013. [Google] [More] ⦿ | |
During her studies, Zahra Alawami (Dammam, Saudi Arabia) designed three art deco Latin typefaces that were inspired by stained glass. [Google] [More] ⦿ | |
At the University of Dammam in 2015-2016, Zainab Alrowai (Al Qatif, Saudi Arabia) designed the squarish Arabic typeface Zainab. [Google] [More] ⦿ | |
Jeddah, Saudi Arabia-based designer of the Arabic typeface Kunuze (2017). [Google] [More] ⦿ |
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