Rochester Institute of Technology's School of Printing graduate who lived in California and in Holland, MI, and now resides in Louisville, Colorado. MyFonts page on him. In 1990, he started work at Monotype in Palo Alto to create the Windows truetype core fonts Arial, Times New Roman and Courier New. He stayed with Monotype and then Agfa/Monotype until 2003 (when he was probably fired, but that is only an unreliable guess), directing type development from the design office in Palo Alto, CA. Bio at Agfa/Monotype. He has directed branding projects such as Agilent Technology's corporate sans serif and Microsoft's corporate font family 'Segoe'. At the same time, he was involved in producing bitmaps and outline fonts for cell phones and TV set top environments. He has worked extensively designing Greek, Cyrllic, Thai, Hebrew and Arabic alphabets to satisfy the requirements of customers such as IBM, Microsoft, Nokia, Sun and Sybase. In 2004, he co-founded Ascender Corporation in Northbrook, IL, where he presently is Type Design Director.

CBC interview in 2012. Fontspace link. FontShop link. At ATypI 2011 in Reykjavik, he spoke on typefaces for Android OS.

His typefaces:

• Amanda.
• Andale Mono: Andalé Mono (also known as Andale Mono, Monotype.com) is a monospace sans-serif typeface designed for terminal emulation and software development environments. It was originally created by Monotype. Andalé Mono was first distributed as an Internet Explorer 4.0 add-on under the name Monotype.com. In version 1.25 of the font, it was renamed to Andale Mono, distributed with Internet Explorer 5. It is often used by programmers, and is bundled with Mac OS X.
• Andy, his first face, a design based on a friend's lefty handwriting. Published at Agfa's Creative Alliance.
• Arimo (2010). A free sans family at Google Code that is metrically compatible with Arial.
• Ascender Sans Mono (2004-2008), metrically compatible with Courier New. Ascender Serif (2005, 4 styles) is metrically compatible with Times New Roman.
• Ascender Uni Duo is a fixed-width comprehensive Unicode-compatible font available with support for the Unicode Standard. Ascender Uni Duo is a 39MB TrueType font with approximately 53,000 glyphs. The Latin and related glyphs (designed by Steve Matteson) are Sans Serif, with Gothic ideographs drawn in Japanese style, and complementary styles for other scripts. There are also versions of Ascender Uni that provide localized support for Korean, Simplified Chinese and Traditional Chinese. OpenType layout support is included for Arabic (initial, medial, final, isolate, and required ligature forms, as well as basic mark positioning), and vertical writing for CJK locales (consisting mostly of Latin, symbol, punctuation, and kana glyph variants). Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish), Chinese, Japanese, Korean, Thai, Vietnamese, Hebrew, Arabic. Ashley Crawford.
• Ayita (2006, Ascender), a decorative sans family co-designed with Jim Ford.
• Bertham Pro (2009), 4 styles including Open, after Goudy's Bertham.
• Blueprint (1993).
• Chicory (2006, Ascender), a calligraphic script face.
• Cousine (2010). A free family at Google Code that is metrically compatible with Courier New. See also OFL.
• Creepy (Ascender Corporation): a Halloween font designed with Carl Crossgrove.
• Curlz MT. Done with Carl Crossgrove in 1995.
• Droid Sans, Droid Sans Mono and Droid Serif Pro: a font family designed in 2006-2007 by Steve Matteson at Ascender for Google's Android project, mobile phone software for handsets. Free download at CTAN.
• Dujour (2005, Ascender Corporation): an art deco revival of the 1930's typeface Independant by Joan Collette and Jos Dufour for Plantin. Compare with the free Independant by Apostrophic Labs.
• Endurance Pro (2009): neo-grotesque sans.
• Facade Condensed.
• Fineprint, a design loosely based on his own penmanship ("on a good day"). Another Creative Alliance face.
• Friar Pro (2009): Friar Pro is a revival of Frederic W. Goudy's "Friar" typeface. Goudy described this typeface design as a 'typographic solecism' as it combines a lowercase of half-uncial forms from the 4th through 7th centuries with an uppercase of square capitals from the 4th century. Friar was originally designed in 1937 and used to print a Christmas keepsake produced by Goudy and printer Howard Coggeshall. The fire that burned Goudy's studio in 1939 destroyed the drawings and matrices before many metal fonts were cast. Of all that was lost in the fire, Goudy once said he missed Friar the most.
• Gill Floriated Caps.
• Goudy Fleurons (2010).
• Goudy Ornate (2002). Unsure if Matteson made this or Carl Crossgrove.
• Kennerley. Based on Goudy's Kennerley family.
• Kootenay (2006, Ascender), a sans family.
• LeBeau: signage font.
• Lindsey Pro (2006, Ascender): a cursive script based on his niece's hand.
• Louisville Script (2008): Ordinary handwriting.
• Massif Pro (2006-2011, Ascender).
• Mayberry (2008, ascender): a 14-font sans family with extremely large x-height and strange proportions. Mayberry semibold is free.
• McZee, a Microsoft symbols font.
• Open Sans. A free family.
• Newstyle. Based on Goudy's 1920 face, Newstyle.
• Pericles Pro (2005): An Ascender face based on the work of Robert Foster who created the original for American Type Founders in 1934), a 433-glyph OpenType font for Greek simulation or stone cut looks.
• Pescadero Pro (2005): a serif face.
• Rockwell Team (Ascender): an athletic lettering face.
• Rebus Script (2009): done with Terry Weinzierl.
• Scooter Script (2009, Ascender): comic book style face.
• Segoe (2009, Ascender) and Segoe Mono (2012, Ascender: with Jim Ford) and Segoe TV (1997-2004, done for MSNTV).
• Tinos (2010). A free serif family at Google Code, metrically compatible with Times New Roman.
• Titanium (2006), an organic font. Titanium Motors (2012) is a techno font.
• Truesdell, a revival and extension of the "lost" Goudy types cut in 1931. Also at Creative Alliance. Also includes Truesdell Sorts.
• Tucker Script (2009, Ascender): ordinary handwriting face.
• Twentieth Century Poster (2002), an art deco display font straight from the late 1920s.
• Verdorgia (2010): an ugly duckling.

EXTERNAL LINKS
Steve Matteson
 [Designer info]
Fontspace page
Google search page

INTERNAL LINKS
Type designers ⦿ Type designers ⦿ Handwriting fonts ⦿ Monospaced fonts ⦿ Ornamental caps typefaces ⦿ Athletic lettering faces ⦿ Horror fonts ⦿ Greek simulation fonts ⦿ Stone age fonts ⦿ Type scene in Michigan ⦿ Dingbats (original) ⦿ Type scene in California ⦿ Type scene in Illinois ⦿ Type scene in Colorado ⦿ Comic/cartoon fonts ⦿ Standards/ISO/Unicode ⦿ Art deco typefaces ⦿ Signage typefaces ⦿ Uncial typefaces ⦿ Floriated initial caps ⦿ Type for TV ⦿ Courier and derived typefaces ⦿

Luc Devroye ⦿ School of Computer Science ⦿ McGill University Montreal, Canada H3A 2K6 ⦿ lucdevroye@gmail.com ⦿ http://luc.devroye.org ⦿ http://luc.devroye.org/fonts.html