TYPE DESIGN INFORMATION PAGE last updated on Thu Nov 28 19:19:04 EST 2024
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Italian Old Style
A Venetian typeface designed by Frederic Goudy in 1924. Mac McGrew: Italian Old Style was designed by Frederic W. Goudy for Lanston Monotype in 1924. It is based on early Venetian types of the latter part of the fifteenth century. Bruce Rogers, in a handsome booklet introducing the face, says it "reminds me most strongly and admirably of Ratdolt's fine Roman." However, Goudy says this was not the source. Goudy also says he persuaded Monotype to cut this original rendition rather than copy ATF's Cloister Oldstyle, which was quite popular then, and which was based on similar sources. This typeface is a little more delicate and individual than Cloister, and is larger in relation to the body size, but makes a very distinctive and impressive page. Compare Centaur. Italian Old Style Wide was drawn by Sol Hess, also in 1924. It is slightly heavier and substantially wider than Goudy's design. Berry, Johnson and Jaspert relate Goudy's face to Phinney's Jenson: [Italian Old Style was] designed originally as Jenson by Jos W. Phinney for American Typefounders. This type resembles Veronese, in colour, in its slab serifs and short ascenders and descenders. But the serifs on the tops of ascenders extend both sides of the main strokes. The italic is the roman inclined, even the a preserving the two-storeyed form, p and q are without foot serifs, the k has an enclosed, angular bowl. The Italian Old Style of F.W. Goudy is another recutting of Jenson, made for the Lanston Monotype. It has an unusual italic with some swash capitals. Typefaces like Goudy's Italian Old Style. The most direct digital revivals are Italian Old Style (Monotype), LTC Italian Old Style (2007-2001, |
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Luc Devroye ⦿ School of Computer Science ⦿ McGill University Montreal, Canada H3A 2K6 ⦿ lucdevroye@gmail.com ⦿ https://luc.devroye.org ⦿ https://luc.devroye.org/fonts.html |