TYPE DESIGN INFORMATION PAGE last updated on Sat Nov 17 17:40:15 EST 2018
FONT RECOGNITION VIA FONT MOOSE
AK Desain (or: Bangun Studio)
Makassar, Indonesia-based designer of these typefaces in 2017: Gaja Hidoep, Crashand, Blank (sci-fi), Fontolo (poster sans), Teratur (trekkie font), Hallows (pointy Halloween typeface), The Future, Legend, Asman Script, Trying Brush.
Typefaces from 2018: The Shift (a modular monoline sans), Irisan, Boya (minimalist rounded sans), Lonjong, Akur, Tebal, Lhove, Bunga, Grand Pix (art deco), Balle (thn sans), Tulisan (signature font). Graphicriver link. [Google] [More] ⦿
American designer of the very geometric typeface P22 Il Futurismo (1996), which was inspired by the graphic works of artists in the Italian Futurist movement (1908-1943), including Fortunato Depero, Fillippo T. Marinetti, Giacomo Balla, and C.V. Testi. [Google] [MyFonts] [More] ⦿
Typefaces from 2014: Brava, Otrebla, Naula, Aghila, Wex, Malk, Fulgura, Dawner, Hebe, Mulago, Wako, Senzi, Awelita, Serpi, Connexion (circuit typeface), Caramelo, Matcha, Pazuzu, Rustika (art nouveau).
Typefaces from 2015: Drabe, Respingo, Keyla, Greenstone, Linu (bilined).
Typefaces from 2016: Molona (brush script), Zem (a futuristic typeface), Uglygraphy, Glabori, Campana (vector font), Grobb, Xtravagant, Wouliane, Kuasar.
Alex Banks (AB Design; b. 1983) is based in Warrington, UK. Creator of the free octagonal font Sliced AB (2006) and the chunky Chukny (2013). In 2015, he made the free rounded sans typeface Duster AB. In 2016, he designed the squarish Flat Four typeface family.
In 2018, he published the speed-themed techno typeface Hachiroku86, the pixel / video game font Gridner AB, the industrial futuristic typeface Karbonis, and the modular monoline typeface Shampoo AB.
Alex Rosario Type
Alex Rosario (b. New York City) revived Roc Mitchell's retro-futuristic phototype Corporate as Corporatus (2018).
As Neologix on FontStruct, he made these pixelish or modular typefaces: Harpoon Art (2016, loosely based on Dan X. Solo's Lampoon), Negesis (2014-2017, after the Sega Genesis logotype), New Era Software (2014-2017), Trigger (2011-2018: a pure pixel family). Alex explains: Descended from the classic Chicago font, Trigger Bold is a recreation of the original dialogue font from the award-winning game, Chrono Trigger.
Other typefaces include Ensconce Sans (2017; free demo): Taking inspiration from the Univers family of typefaces, Ensconce is a project undertaken to recreate in a digital format the work originally performed by Girvin Design for the English branding of the Super Nintendo Entertainment System. Taking great measures to retain the design choices of the original logotype, Ensconce has been successfully used to recreate the SNES logo currently in use on Wikipedia. [Google] [MyFonts] [More] ⦿
Alex Traian Munteanu
Graduate of the Design Department of the National University of Art in Bucharest, Romania. He created these typefaces:Google] [More] ⦿
Zaporozhchyne, Ukraine-based designer of these custom (logo) typefaces in 2016: Sage (modular), Sport (techno), Space (futuristic)Shark (techno), Get Better, Juno (multiline headline face), Impossible (sans), Vintage, Faster Stronger (techno), Sheriff (Western), Airborn. [Google] [More] ⦿
In 2018, Albert Filatov (Saint Petersburg) published Citifont, a Latin / Cyrillic serif typeface with a robust outlook, that according to him was made for navigation in the city of Saint Petersburg, Russia.
Aka Logo Labs. Tangerang, Indonesia-based designer of the signage typeface Ready For Fashion (2016), the handwriting font Marseille (2018), Swag Marker (2017), and the futuristic / techno typeface Hermes (2017).
Designer and illustrator in Buenos Aires. Creator of the futuristic serifed caps typeface Futuroni Serif (2011).
Andrew & Emily Beauman
Minsk, Belarus-based designer of the free hipster (vector format) typeface Cosmic (2017). He also designed three free gorgeous Latin calligraphic brush typefaces in 2017. Designer of the hand-crafted Handic (2017), the athletic lettering font Hardcore (2017), Stencil (2017, which, remarkably, is not a stencil font), the brushed Graffitist (2017), the display sans Interface (2017), the vintage typeface Old Time (2017), the brush script typeface Drive (2017) and the brushed calligraphic typefaces simply called 1, 2 and 3 (2017). Behance link. [Google] [More] ⦿
Ariel Di Lisio
Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:
Astigmatic One Eye
Astigmatic One Eye (AOE) has lots of nice original fonts by Brian J. Bonislawsky (b. 1973, Pittsburgh, PA). Many are free, others are not. AOE joined Font Brothers Inc in 2006. Brian Bonislawsky currently lives in Las Vegas, NV.
A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco typeface at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2011, free typewriter face), Aclonica (2011).
Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline; + grungy version), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (2004), Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003: papercut sans), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Mervale Script (2012: a brushy script based on the 1940's Fawcett Publications Mary Marvel comic), Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE (described as a bacterial stencil typeface), PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie, BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth (an eerie brush script), Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper (Halloween font), Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier.
In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm.
In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum.
From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong.
In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif typeface Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012).
In 2011, several other typefaces followed there, like Ultra (fat didone), Maiden Orange, Special Elite, Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display typeface at Google Web Fonts).
Contributions in 2012: Marcellus (2012, Trajan, flared roman), Eagle Lake (a free calligraphic font at Google Web Fonts), Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation typeface inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts), Romanesco (Google Web Fonts: a narrow calligraphic style), Galindo (Google Web Fonts), Oregano (Google Web Fonts: based on cartoon style lettering of calligrapher and logo designer Rand Holub. This style of hand lettering adorned many retro brochures and advertisements of the late 40's through the 1960's), Peralta (Google Web Fonts: an Egyptian comic book face), Eagle Lake (Google Web Fonts: calligraphic), McLaren (Google Web Fonts: comic book style alphabet), Freckle Face, Hanalei Fill, Hanalei [Polynesian bamboo or tiki lettering], Purple Purse, Margarine, Risque, Clicker Script [image], Stalemate [a gracious script, by Jim Lyles for AOE], Mouse Memoirs, Quintessential [Google Web Fonts: chancery hand], Bigelow Rules, Englebert [Google Web Fonts: from the title screen of the 1930's film titled Der blue Engel, starring Marlene Dietrich], Sacramento [Google Web Fonts: connected script].
Typefaces from 2013: Freckle Face (grunge), Grand Hotel, Purple Purse (Purple Purse draws its inspiration from a vintage Ivory Soap ad from the 1950's. Somewhat of a cross between Bodoni and Pixie, this font finds that it never truly takes itself seriously).
Stiggy & Sands is the American typefoundry of Brian Bonislawsky and Jim Lyles, est. 2013. Their first commercial typefaces, all jointly designed, are Luckiest Guy Pro (a fat comic book font based on vintage 1950s ads) and Marcellus Pro (a flared roman inscriptional typeface with both upper and lower case, originally published in 2012 by Astigmatic).
Typefaces from 2014: Franken Jr AOE Pro (inspired by the title screen from the 1966 Hanna Barbera cartoon Frankenstein Jr), Good Eatin Pro AOE (inspired by the title screen from the 1942 Warner Bros. cartoon Dog Tired), Ghostkid AOE Pro (comic letter style).
Typefaces from 2015: Shanks Antique 5 AOE (after the newspaper typeface Memorial (1865, Stevens, Shanks & Sons)), Reliquaire AOE (a somber blackletter typeface inspired by Memorial (1881, Boston Type Foundry)).
Typefaces from 2016: Mailuna Pro AOE (a gothic sans), Kentish AOE Pro (art deco). Reardon AOE (a digitization of a film typeface called Joyce Black by LetterGraphics), Berkmire AOE (1970s style robot-inspired techno font), Blackheath Pro AOE (this typeface started as a digitization of a film typeface called Roberts Square by LetterGraphics), Delaware Pro AOE (art deco), Rutland AOE (a futuristic font that is a digitization of a film typeface called Maccaro by LetterGraphics). In 2016, Brian J. Bonislawasky and Jim Lyles published the rugged octagonal mega typeface family Tradesman at Grype. In 2017, they added the art deco typeface Cowling Sans AOE (which is based on alphabet from "Lettering for Commercial Purposes" by Wm. Hugh Gordon). In 2018, they published the letterpress emulation typeface Prison Pro, Pink Sangria (50s style movie font), Manic Tambourine, Motenacity (a Martian cartoon font), the old typewriter font Office Memorandum Pro, and the Flintstone font Strongman.
While at the National Institute of Fashion Technology, Bangalore-based graphic designer Aswin Menon created the free ball terminal-laden Latin display typeface Mysore (2015). In 2018, he published the Latin / Sanskrit fusion font Yuga, and the squarish futuristic and dystopian cyberpunk typeface Neototem. [Google] [More] ⦿
Vienna, Austria-based design studio, est. 2002 by Peter Olschinsky and Verena Weiss. They published the type family Ato (2012), which has Sans, Slab and Display (art deco) subfamilies. Outer Space (2012), Sato (2012, a bilined display typeface), Neopolis (2012, futurismo), Deconstruct (2012), Chaos (2012) and Construct (2012) are experimental. Bato (2012) is an alchemic type family. And Vato (2012) is a wonderful brushy poster headline face.
In 2017, he published the bespoke typeface BirdYard, the free AO Grotesk (with poygonal outlines), free display sans typeface family Matol, the free geometric solid typeface AOX, which comes in Stencil and Regular styles, the free polygonal typeface family AO Mono, and the free monospaced Minimal Mono.
Kalamazoo and/or East Lansing, MI-based designers of the tattoo typeface Mancer (2016), the space age / futuristic typeface Wilhelm (2017), and the 1980s-inspired sans headline typeface Barkleigh (2017). Creative Market link. [Google] [More] ⦿
Graduate of ECAL, class of 2015. Originally from Lyon, France, he presebtly is a designer in Evian Les Bains, France. Creator of the spectacular display typeface Bosozoku (2015), which is inspired by Japanese culture and NHRA in the USA. This work was declared Exhibition winner at Pangrame International Student Typeface Design, with a special Coup de coeur of Gerard Unger.
Brian J. Bonislawsky
Graphic design student at the University of Salford, Manchester, UK who made the futuristic typeface Apastron (2011).
During her studies at the University of South Wales, Atrium, Cerys Wilcox designed the experimental typeface Space (2017), the hand-crafted Eilwen (2017) and the scary spiky The Freaks of Fairytales (2015). [Google] [More] ⦿
Graphic design collective in Orchamps near Besançon, France, est. 2012, consisting of graduates in the Masters program of the École des Beaux-Arts de Besançon, i.e., Clément Moussard, Antonin Buchwalter, and Simon-Pierre Chapuis. Their typeface creations:
Born in Firenze in 1969. Cofounder with Francesco Canovaro and Debora Manetti of the Italian design firm in Firenze called Studio Kmzero. He co-designed some typefaces there such as Arsenale White (2009). Targa Monospace (2002) is a sans inspired by Italian vehicle registration plates. It has an handmade version (Targa Hand) that can be used for comic book lettering.
MyFonts credits him with the rounded avant garde sans family Antipasto (2007), but elswhere we read that this typeface is made by Matteo di Iorio, so there is some confusion. It was extended in 2017 by Pancini as Antipasto Pro.
In 2014, Cosimo Lorenzo Pancini and Francesco Canovaro co-designed Amazing Grotesk (+Ultra). He also designed the calm bold geometric rounded sans typeface Cocogoose (2014; replaced by Cocogoose Pro in 2017) and the stylish deco font Offensive Behaviour. Cocogoose Letterpress is free. Cocogoose is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named after fashion icon Coco Chanel. Cocogoose is Coco Gothic for the 1940s.
In 2015, Pancini published the grand family Coco Gothic. This Latin / Greek / Cyrillic typeface family features a small x-height and sligghtly rounded corners to make the avant garde and geometric sans typefaces in vogue in the 1970s come alive again, ready for 21st century fashion magazines. It comes with substyles that recreate many moods, including art nouveau and arts and crafts (Cocotte), Italian propaganda style and Italian deco (Cocosignum), hipster style (CocoBikeR), or Bauhaus (Cocomat). Coco Gothic was initially developed as a corporate font for Lucca Comics & Games Festival 2013. The rounded geometric sans family Cocomat (by Cosimo Lorenzo Pancini, Deborah Manetti and Francesco Canovaro) was inspired by the style of the twenties and the visions of italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant'Elia.
Still in 2015, Cosimo and Zetafonts published the connected creamy baseball script Bulletto, the grungy handvetica Neue, and the calligraphic wedding typeface Hello Script. In 2015, at Zetafonts, Cosimo Lorenzo Pancini designed CocoBikeR (2015) to celebrate the hipster and bike cultures. CocoBikeR (for Latin, Greek and Cyrillic) is part of the successful Coco Gothic typeface family. In 2017, Pancini designed the 1930s Italian art deco typeface families Cocosignum Maiuscoletto and Cocosignum Corsivo Italico.
Typefaces from 2016: Adlery (a curly brush script), Kitten (Fat, Swash, Swash Monoline, Slant, Bold: signage script family), Adlibitum (a blackletter typeface by Cosimo Lorenzo Pancini and Francesco Canovaro), Morbodoni (a display didone by Cosimo Lorenzo Pancini and Francesco Canovaro).
In 2016, Cosimo Lorenzo Pancini, Andrea Tartarelli, Giulia Ursenna Dorati and Andrea Gaspari co-designed the 1940s vintage brush script typeface Banana Yeti, which is based on an example by Ross George shown in George's Speedball 1947 Textbook Manual. The Zetafonts team extended the original design to six styles and multilingual coverage. The ExtraBold is free. Still in 2016, Pancini designed Calligraphunk, an experimental typeface that mimicks polyrythmic calligraphy, by alternating two sets of lowercase letters to emulate handwriting.
In 2016, Cosimo Lorenzo Pancini, Matteo Chiti, Luca Chiti and Andrea Tartarelli co-designed the retro connected brush script font family Advertising Script, which is based on an example from Ross George's Speedball 1947 Textbook Manual.
Beatrix Antiqua (2016, by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli). This humanist sans-serif typeface is part of the Beatrix family (Beatrix Nova, etc.) that takes its inspiration from the classic Roman monumental capital model. Its capitals are directly derived from the stone carvings in Florence's Santa Croce Cathedral. Beatrix keeps a subtle lapidary swelling at the terminals suggesting a glyphic serif, similar to Hermann Zapf's treatment in Optima.
Amazing Grotesk (2016) is based on a logo designed by Francesco Canovaro.
Studio Gothic (2017, by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli) is an 8-style geometric sans family based on Alessandro Butti's geometric sans classic, Semplicita.
Pancini designed the 64-strong typeface family Body Grotesque and Body Text in 2017-2018, together with Andrea Tartarelli. It was conceived as a contemporary alternative to modernist super-families like Univers or Helvetica.
In 2017, Cosimo Lorenzo Pancini and Andrea Tartarelli co-designed the sans typeface family Kabrio, which gives users four different corner treatment options.
Anaphora (2018). Anaphora is a contemporary serif typeface designed by Francesco Canovaro (roman), Cosimo Lorenzo Pancini (italic) and Andrea Tartarelli. It features a wedge serif design with nine weights from thin to heavy. Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display size. Anaphora covers Latin, Greek and Cyrillic.
Canovaro's Arista served as a basis for the 29-style monolinear rounded sans typeface family Aristotelica (2018) by Cosimo Lorenzo Pancini and Andrea Tartarelli.
In 2018, he published Radcliffe, with Andrea Tartarelli, a Clarendon revival with Text and Casual subfamilies. Radcliffe (a Clarendon revival by Cosimo Lorenzo Pancini and Andrea Tartarelli), and added the layerable condensed Cocogoose Narrows to the Cocogoose family. Codec (2018) by Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli is a geometric sans typeface family in which all terminal cuts are horiontal or vertical.
His Double Bass (2018) is a jazzy 4-style typeface family that pays tribute to Saul Bass's iconic hand lettering for Otto Preminger's The Man with the Golden Arm film title sequence and other movies, Bass's vibrating, almost brutal cut-out aestethics, and the cartoonish lettering and jazzy graphics of the fifties.
In 2018, he published the sharp wedge serif typeface Blacker to pay homage to the 1970s. Still in 2018, he designed the swooping polyrhythmic calligraphic typeface Calligraphunk. [Google] [MyFonts] [More] ⦿
Italian designer in London who created the futuristic typeface Space, the modern geometric sans typeface King Lear, and the free Peignotian typeface family Audrey in 2016. In 2015, she made a free EPS format set of icons. Behance link. [Google] [More] ⦿
Daniel Dierksen, born and raised in Orlando, Florida is a graduate of Ringling College of Art and Design with a BFA in Graphic Design. Based in Sarasota, he created these typefaces: Basket Case (2013, a mix of Baskerville and Lucida Sans), Geo (2013, a mix of Bodoni and Futura) and Jaxel (2014, geometric and futuristic, first called Jaxe).
Designer in Sao Paulo, Brazil. During her studies at SENAC, she created the warm serif typeface Humbond Regular (2012) and the Victorian display typeface Deffugia (2012). In addition, she created Adventure Game Icons (2011) and Alien Pictogram Set (2011). [Google] [More] ⦿
Graphic designer who started in Los Angeles, where he ran Beautiful Bastards. Subsequently, he is associated with Questus Inc and Big Country Labs, and was located in Costa Mesa, CA and Tustin, CA. He currently works in Seattle, WA.
His early typefaces: Mushman (2012) is a techno-sans typeface inspired by the adventurous spirit of actor Steve McQueen, who raced motorcycles under the false name "Harvey Mushman."
His second typeface, Bronson (2012, free if you ask), is a display type inspired by Danny "Tunnel King" Lewinski, Charles Bronson's character in The Great Escape.
David Alexander Slaager
David is Creative (was: Fonts of Chaos)
Free and commercial font foundry by Zellik, Belgium-based David Alexander Slaager (or: David is Creative): 1654 Brown Street (2012, a rounded informal sans), Discorgasmique (2012, retro-futurism), Science Noire (2012, followed in 2014 by Science White, a connect-the-dots typeface), Bond Is Dead (2012), North 06 (2012, spurred), Ouija & Whiskey (2012, alchemic), The Giant Cowboy Army (2012, a skeletal bone font), Pink Cell (2012, a pixel type), Opium Roadie (2012), Grand Quatre (2011), Vampirr, Unik2, SayTwo, Alpha63, Trubik77, Genz Top&Bottom, Vhia (2011).
In 2012, he started Hand Drawn Font with cheap (ten dollar) quickie fonts. The initial offering in the Fall of 2012 includes Blackwood, Black 45, Royal Goblin, List of Faith, Gazoline, Natural Born Designer, Pulp Hill, Stylo Standard, Atlantic Avenue (a font made with paint brush on wood), Kancell (free) and Zombie Sunrise.
Typefaces from 2013: Supernational 261/262, Signs of Faith, Hollywood 99, Hollywood69, National, Enfant du Chaos (gothic, dark), Brutaal (+XX, +VV: one weight of this dquarish typeface is free), Bliss Yeah, Traum-A (a hand-drawn poster font), Enfant du Kult (alchemic), Daryl is Parano.
Typefaces from 2014: Koton, Supernational 264, Super Head Club (sketched typeface), Nina Ketchup (scratchy hand), Dead Meal, Opus Theorem (a condensed squarish typeface family), We Are Tom Jones (described as a disoriented typewriter font), Shay Man (an alchemic typeface), Hackney Night, Arizona Futur (pixel alphadings), Atuvuta (heavy metal band font).
Typefaces from 2015: Hello Bravo (squarish), King Kong Street Propaganda.
Typefaces from 2016: Cake Sans (octagonal), Jimgarr, Tokyo Sam (slabby poster typeface), Bambi Neue (brush font), Queens 68.
Studio Kmzero is an Italian design firm in Firenze consisting of three graphic designers, Francesco Canovaro, Debora Manetti, and Cosimo Lorenzo Pancini. Debora Manetti (Florence, Italy) designed Sala de Fiestas (2005-2006, free download at OFL), inspired by a handpainted sign for a ballroom on the island of Fuerteventura. Arsenale White and ArsenaleBlue (2009) are children's hands, done by Cosimo Lorenzo Pancini, Francesco Canovaro, Andrea Mi, Debora Manetti, Katiuscia Mari and Jonathan Calugi.
The rounded geometric sans family Cocomat (2015, Zetafonts, by Cosimo Lorenzo Pancini, Debora Manetti and Francesco Canovaro) was inspired by the style of the twenties and the visions of italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant'Elia. She also co-designed the successful Cocogoose and Coco Gothic typefaces in 2015. Designer of Jamscript (2015).
In 2018, Debora Manetti and Francesco Canovaro designed the brush handwriting font Freehand Brush.
Manchester, UK-based designer of the game or computer console emulation fonts Mainframe (2017), Multivac (2017), Antar (2012) and Gamma 1500 (2006), and the futuristic typefaces Blazium (2003, MICR style), Futurespore, Supercomputer, Transistyr, Unicephalon, Lazenby Computer, Cilica and Membra (2007, circuit font). Even though they are free, these are some of the best fonts around in this genre. Dafont link. [Google] [More] ⦿
Dhaka, Bangladesh-based outfit. Vendor of ripped-off typefaces (copied with a new name). The typefaces include Nayori (2018), Lemon Love (2018), Alita (2018), Adamant (2018), Ping Pong (2018, possibly a neon font), Scriptton (2018), Forest (2018), Latest Zig Zag (2018), Latest Shadow (2018), Latest Outline (2018), Latest Blur (2018), Latest Distort (2018), Latest Round (2018), Positive (2018), Victory (2018: script), Lider (2018: paperclip style), Victory (2017), Parachute (2017: monoline script), Glamour (2017: script), Simplesign (2017, brush script), Runway (2017, script), Skyline Script (2017), Legend (2017), Signtouch (2017, signature font), Dreamland Brush (2017), Signesign (2017), Crown (2017), Decor Brush Script (2017), Breeze (2017), Humorous Handwriting (2017), Divine Signature (2017), Captain Signature Brush (2017), Hunter (2017: gothic), Popular (2017), Amethyst (2017), Snow White (2017), Zaytun (2017), Blanket (2017), Piano (2017: a monoline script), Alpana (2017), Wizard (2017, script), Neptune (2016), Cloud Camp (2016), Benjamin (2016), Imagination (2016), Portfolio (2016), Miniver (2016: futuristic), Karikatur (2016), Gravity (2015), Revolution (2015), Arch (2015), California (2015, multi-lined; +AR, +AR Distressed), Sea Beach (2015), Neuron (2015: a sans and serif typeface family, +Outline), Butterfly (2015), Iron (2015), Dominion (2015), Dominion Style (2015), Electron (2015), Manama (2015), La Fontana (2015) and Valentine's Day Font (2015: an illegal copy of Calligri by Summit Type). Behance link. [Google] [More] ⦿
Dri Zy, orv Drizy, is Faqih Sandri, aka Faqih Fawaji. Bandung, Indonesia-based designer of the layered techno typeface Trixie (2016), the brush typefaces Syelma Script (2016) and Syemox (2016), the gothic typeface Dark Widow (2016), the vintage lettering typefaces Overjoyed (2016, Western style) and Beatrixe (2016), the paperclip typeface Kuxu (2016), Dark Widow (2016), Brain Melt (2016: the ultimate Halloween / horror font), Mama Lian (2016), Copper (2016), Dust (2016), the brush script fonts Aeros (2016) and Rostoh (2016, brushy), the children's script typeface Roast (2016), the hand-crafted Eastpine (2016), Nyam (2016, layered) and Monstahh (2016), the slimy Halloween typeface Brain Melt (2016), and the poster typeface family Ayuenda (2016).
Typefaces from 2017: Heimdal (futuristic), Alectro (sci-fi style, with elements of Sinaloa), Wakiki (layered typeface), Kauai, Maui Script, Mokoto (a layered TV glitch typeface), Anxiety (multiline font), Nemphis (neo deco), Andimia (a layered Victorian font family), Mr. Trumb (comic book style, what else?), Mr. Trumb Chalk.
Aka Travel Rabbit and Sunset Rabbit. Dumaguete, Philippines-based designer of the minimalist futuristic typeface Futare (2017), Chalkee (2017, a crayon font), and the hand-crafted typeface Blacked Doodle (2017). She also designed several sets of icons, including a collection of cacti, Pretty Prickly (2017). Home page. Behance link. Home page. [Google] [More] ⦿
In 2017, he designed the futuristic typeface Ykar and the bâtarde flamande typeface Figure.
Eric R. Mortensen is a graphic designer who is currently an MFA candidate at Maryland Institute College of Art in Baltimore, and a design intern at NASA, Goddard Space Flight Center, in Greenbelt, MD. Saturn V (2011, Lost Type) is a lower-case, space-aged slab-serif typeface conceived during a workshop with Tal Lemming of TypeSupply.com. [Google] [More] ⦿
Ciamis, Indonesia-based designer, b. 1989, of the bold sans Boldé (2018), Black Freeday (2018), Thankies (2018: a cartoon font), the heavy cartoon typeface Meowza (2018), the techno typeface Raven MX (2018), the rough brush typeface Diavolo (2018), the futuristic font Xylene (2018), and the monoline sans typeface Gennaro (2018). Creative Fabrica link. [Google] [More] ⦿
Filippo Tommaso Marinetti
Japanese foundry in Nagoya that offers free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:
Fontsphere (or: Prestologo)
Typefaces from 2017: Cylinder (rounded, yet squarish), Sushi, Sushi Stroke.
Typefaces from 2018: Cufel (futuristic all caps).
Fortunato Depero (1892-1960) was an Italian futurist painter, writer, sculptor and graphic designer. Born in Fondo/Malosco, Depero grew up in Rovereto serving as an apprentice to a marble worker. On a 1913 trip to Florence that he discovered a copy of the paper Lacerba and an article by one of the founders of the futurism movement, Filippo Tommaso Marinetti. In 1914, Depero moved to Rome and met fellow futurist Giacomo Balla. In 1915, Depero and Balla coauthored the manifesto Ricostruzione futurista dell universo. In the same year he was designing stage sets and costumes for a ballet. In 1919 Depero founded the Casa d'Arte Futurista in Rovereto, which specialised in producing toys, tapestries and furniture in the futurist style. In 1925 he represented the futurists at the Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Modern Industrial and Decorative Arts).
In 1927, he published the monograph Depero Futurista, aka The Bolted Book, because it is famously bound together by two large industrial aluminum bolts. In 2016, a kickstarter movement was started to publish a new facsimile edition of this groundbreaking book.
In 1928, Depero moved to New York City, where [acccording to Wikipedia] he experienced a degree of success, doing costumes for stage productions and designing covers for magazines including MovieMaker, The New Yorker and Vogue, among others. He also dabbled in interior design during his stay, working on two restaurants which were later demolished to make way for the Rockefeller Center. He also did work for the New York Daily News and Macy's, and built a house on 23rd Street. In 1930 he returned to Italy.
In the 1930s and 40s Depero continued working, although due to futurism being linked with fascism, the movement started to wane. The artistic development of the movement in this period can mostly be attributed to him and Balla. One of the projects he was involved in during this time was Dinamo magazine, which he founded and directed. After the end of the Second World War, Depero had trouble with authorities in Europe and in 1947 decided to try New York again. This time he found the reception not quite as welcoming. In New York, he published So I Think, So I Paint, a translation of his autobiography initially released in 1940, Fortunato Depero nelle opere e nella vita. From the winter of 1947 to late October 1949 Depero lived in a cottage in New Milford, CT. His host was William Hillman, an associate of the then-President, Harry S. Truman. After New Milford, Depero returned to Rovereto. In August 1959 Galleria Museo Depero opened. Depero died in 1960 a bout of diabetes and spending the last two years unable to paint due to hemiparesis.
Francesco Mistico Canovaro
Designer at Nebiolo (b. 1908, Pavia, d. 1999, Milan). He was part of a team (with Giancarlo Illiprandi, Bruno Munari, Ilio Negri, Till Neuburg, Luigi Oriani and Pino Tovaglia) that designed the lineale family Forma from 1966-1970 under the direction of Aldo Novarese. Forma was revived by Tankboys as Forma Nova.
Sergio Polano writes: Alone master, the Italian visual designer, painter and photographer Franco Grignani, born in Pieve Porto Morone (Pavia) in 1908, trained as architect at the Polytechnic School of Turin (1929-1933); after being part as painter of the late, second futurism, his artistic research came across the European abstract avantgarde movements, and developed a strong interested in the perception psichology of form, that results from the Fifties in his dinamic kind of OpArt, years before it: the mastering of perception rules is expressed by his visual experiments on virtual movement, optical illusion, subperceptions, distortions, moirés, dilatations, flous and so on, applied, with no breaks, from painting to graphic design, through pictures, images, patterns, signs and words. From the Thirties he works in the field of graphic design, collaborating ia with Borletti, Breda Nardi, Cremona Nuova, Dompé, Domus, Mondadori, Montecatini, Spi, Triennale; his artistic direction for Alfieri&Lacroix printing firm is particularly interesting, as it shows an exceptional integration of words (wrtitten by himself) and images. Very well known, his trademark for Lambswool is a paradigmatic example of his approach to sign design. For 26 years he has been art director of Pubblicità in Italia, a magazine devoted to Italian advertising and visual design. He wrote many essays on design and arts, and lectured in Europe and USA. [Google] [More] ⦿
Futurismo (Futurism) is Italian art deco movement (1908-1943) launched by writer Filippo Tommaso Marinetti in his futurist manifesto. The most important artists were Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo. The wiki: Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. "We want no part of it, the past", he wrote, "we the young and strong Futurists!" The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, and they were passionate nationalists. They repudiated the cult of the past and all imitation, praised originality, "however daring, however violent", bore proudly "the smear of madness", dismissed art critics as useless, rebelled against harmony and good taste, swept away all the themes and subjects of all previous art, and gloried in science. Images from the Futurismo movement: Cyclist by Natalia Goncharova, Painting, Painting, Painting, Colin O Griffin (2008), Poster, Poster, Poster, Giovanni Coletta's bike, Marinetti's Danunzio poster. [Google] [More] ⦿
Glyphobet (was: mattt's fonts)
A type designer from Santa Cruz, CA (and now Oakland, CA), Matt Chisholm (Glyphobet; was: mattt's fonts) created mainly handwriting and display fonts. He obtained a BA in Mathematics from UC Santa Cruz. All his fonts were initially free---these included MRPHONE1, MRPHONE2, MRPHONE3, MRPHONE4, MRPHONEAlternates, CheckerHat, EverydayFont (Roland Berger, 1994), Flow (1994, with Roland Berger), JRandomC, KozmicJaggedHands, LEADvilleASTROnautInline, LEADvilleASTROnautSystem (retro futuristic), LettersLaughingDissectionandDestruction, LettersLaughingattheirExecution, LettersLaughingbyQuantizedandCalibrated, Matttschain, Matttsrope, Matttsstring, Matttsthread, Matttswire, OvialCaps (Rutherford Gong, 1996; scanned by Matt Chisholm), Ovial, Pixel, PsychoticElephantHeadline, PsychoticElephantText, RubbingFont (1995, with Susan Wilson, 1995), Shark (a powerful and original roman/blackletter hybrid revised in 2007), SirFigGothick, SwissCheesed, ToBeContinued (Alex Chisholm, 1996), Underlapped, DisorganizedCockroach, Ripple, SerpentKnotform.
In 2010, he set up shop at MyFonts as Glyphobet. His fonts there include the bewitched Zenith (2010), Ljubljana (2010), Haylurker (2010), and the experimental Breuckelen (2010). Anadolu (2010) was inspired by the distinct style of sign lettering in rural Turkey.
Greater Albion Typefounders (or: GATF)
Paul J. Lloyd's typefoundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.
Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette (2009, art nouveau), Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau).
Art deco typefaces: Oakland (2011, multiline typeface gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).
Other typefaces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2008, Tuscan) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat typefaces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display typeface based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).
Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).
Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved typefaces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter).
Production in 2012: Alfere Sans Stripes, Albion's Americana (Western stars and stripes face), Tudor Perpendicular (blackletter), Amici (rounded headline face), Amie (rounded sans), Wolverton Text (Edwardian family), Vinea (10-style display family), Par Avion (retro futuristic), AstroBats (retro sci-fi dingbats), Beeching (+Shadowed), Gondolieri (didone meets Tuscan), Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family).
Typefaces from 2013: Speedblur, Belhampton (Edwardian), Merry Baubles (Christmas tree dings), Merry Bauble Letters (Christmas alphadings), Wroxeter (blackletter), Thurbrooke (+Banner, +Initials, +Black, +Reverso, all based on 19th century banner headings and engraved lettering), Bourne (a rounded type system), Henrician (a set of eight Tudor style display typefaces), Belle Jardin (art deco marquee face), Lavery (Edwardian), Baldione (a stylized didone), Chequers (a vintage poster face), Turvy Topsy (fat finger face), Merrivaux (faux medieval), Blout (German expressionist typeface), Easter Egg Letters, Isometrica (a banner typeface family), Valentine's Letters, Imperial Granum (roman titling face), Brollo (chunky display face).
Typefaces from 2014: Albions Very Old Masthead, Albions Engraved Black, Albions Old Masthead, Albions Incised Masthead, Albions Black Holly, Zanderley (pure Victoriana, +Initials), Landsdowne Commercial, Friendly Shaded Sans, Trivette, Wellmere Sans, Uncia Black, Henry VII, Greene and Rollins (layered Victorian typeface), Barollo, Alfrine, Alfrere Banner (+Incised), Lugano, Lanvier (1930s-style caps typeface family), Bonlivet (a hyper-decorative capitals alphabet from the late Victoian or early art nouveau era), Ames Text (a didone family with rounded brackets), Ames Roman (related to didones but with wedge serifs), Ames Weathered, Ames Shadow, Ames Shaded, Amersham (vintage signage family, 2013-2014).
Typefaces from 2015: Netherland Perpendicular (Victorian blackletter), Ledbury (Victorian), Ambergate (Edwardian poster face), Empyrean (futuristic, yet curvy), Flinscher (1920s script), Signwriter Standard, Display Hatched, Albions Marker No.1 (a charming outlined marker pen typeface inspired by Bembo and Caslon), Joyvrie, Kinver (Victorian), Nationale (Victorian), Doges Banner, Doges Darker (Victorian), Doges Delight (Victorian), Doges Venezia (Victorian).
Typefaces from 2017: Shervington, Cantebriggia 1207 (a weathered blackletter), Algreve, Alambart, Duquesne Dark Woodcut, Courtold Shadow, Athabasca (Wild West Tuscan), Fargo Tuscan, Millerstown (Western), Millerstown Races, Old Millerstown, Sasparillo (Tuscan), Sasparillo Fizz, Wylgate, Herald Banner.
Talented visual designer in Bari, Italy. Creator of the hand-crafted poster typefaces Neretto Sans (2015, thick and black), Organic Tobacco (2015) and Sensi Bold (2015), and the elegant rubber stamp-inspired Marinaio (2015).
Typefaces from 2016: Pervinca (a sharp-edged tall-legged display typeface with wedge serifs that is influenced by didones), Chamfort (12-style sans), Carnot (a slightly rounded partially hipster grotesk titling typeface), Lorano (a typeface inspired by the rationalist and minimalist movements), Marinaio (a hand-crafted poster typeface family inspired by rubber stamps), Fibon Neue (a 32-style modern sans family with Low contrast), Cuciniere (a fun hand-crafted typeface with interlocking ligatures and food icons), Regime Grotesk (influenced by the fascist era in Italy), Scritto Sans, Monique (monospaced and monoline), Abside (a geometric sans), Esther (a hand-crafted antiqua), Fibon Sans and Zenzero Grotesk (tribal and unexpected).
Typefaces from 2017: Liber Text (a geometric sans with circular ink traps), Liber Grotesque (a futurismo sans influenced by Futura and Avenir).
Warrenton, VA and Washington, DC-based designer in 2015 of Bitcraft, Tokyo Typeface (inspired by inkan seals), Pixel Patterns, Flight (dot matrix typeface), Hand Drawn Arrows, Hype (techno), Galaxy (techno/futuristic), Fluffy, Detective (typewriter font), Funky (hand-drawn font), Hacker (a cyber typeface), Yeti (hand-crafted) and Game Over (video game font).
Ruben Prol is based in A Coruña, Spain. He used to run Ipanema Gráfica, a Brazilian photoblog site, where original fonts such as Rita (2010, slabby), Comic Arousa (2007), Nantronte (2005), Velvet Illusions (2005, retro futuristic), Vila Morena (2006), Johnyokonysm (2005), As pedras da Belle Otero (2006, an artsy pixel font), Milocha (2010, sans), Rita (2010, slab serif), and Marela (2005) may be found.
In 2016, he designed the soccer shirt lettering typeface Hibernia, and the multilined Starman. In 2014, he designed the custom soccer shirt typeface RCD Carme Condensed for the new (2014-2015) RC Deportivo kits.
Typefaces from 2017: Chuca Mono, Lordela (an angular German expressionist typeface), Abisinia (a unicase poster font).
J. Randall Harris
Designer of the calligraphic script typefaces Sehia Script (2016), Shanhie Script (2016) and Wenny Script (2016), the signage typeface Brandon (2016), the vintage all caps typeface Greething (sic) Sans (2016). This 4-style family has two shadow versions. He also designed the futuristic typeface families Magneto (2016) and Electro Wave (2016).
Designer from Quezon City, The Philippines, b. 1993, who used FontStruct in 2009 to make Pointers and Pointersoft (pixel arrow fonts), Eleaves, AcidSpeed, Parallelofont (octagonal), Missing Block, Acid Square, The First Font, Danubee (organic), Thorns, ReilyBill Richkid, Tabloid, StillAliveForNow, StillAlive, and The Curve.
In 2009, he added Unbranded, Nokia 6000, Quickening, Bump it up, Corte (3d shadow face), Unbranded, Piloton (techno; +Piloton G, 2012), Tahoma (pixel family), Raft, Paper Company (octagonal), Afro Style, Arko, 7th Service (stencil), Thorns, and Afro Superstar.
In 2012, he created Afro Superstar, Malibata Neue, a modernized and simplified Baybayin/Alibata (ancient Filipino writing), Gumball. In 2014, he designed the free gravestone typeface Furgatorio and an ancient Filipino script font, Malibata (2014, FontStruct). In 2015, he added XOX, the futuristic Babayin typeface Maria Stellar, and the techno sans typefaces Dozer One and Dozer Two. In 2016, he designed the marker pen font Jeboy and the coffin font Furgatorio Sans.
Typefaces from 2017: Alta (a fashion design sans).
Typefaces from 2018: Matatas One (a free Baybayin typeface), Cubao (free; inspired by the signboards hanged on Jeepneys, SUVs, buses and other transport vehicles within and outside the Metro), Quiapo (hand-crafted all caps sans), Alta Kratos (alchemic; with Jean Pierre Cruz). He explains the genesis of Quiapo which is based on signs hanging in jeepneys: Quiapo Free is a brush typeface dedicated to the Filipino sign makers, Jeepney drivers, and the daily commuters in the streets of Metro Manila and anywhere in the Philippines. [Google] [More] ⦿
Josip Kelava (Jay Kreative, Australia and UK) is an art director and graphic designer. He has done typographic work for fashion mags and fashion-conscious ads such as for Mercedes (2011), Coco Vodka (2011, using an Escheresque typeface), and Click Magazine (2011, see the Olena Cherneyo illustration). Creator of the alchemic yet futuristic family Geomas (2011).
Jozef Peeters (b. Antwerp, Belgium, 1895, d. 1960) was a Belgian painter, engraver and modernist graphic artist. In 1918 he met Filippo Tommaso Marinetti, who convinced him to join the futurist movement. With Edmond Van Dooren and Jan Cockx, Jozef Peeters established the Modern Art group in September 1918. The group was able to establish international contacts with the "Der Sturm" Gallery in Germany. It also organized three art congresses with exhibitions. In 1920, Jozef Peeters presented his first abstract painting. With Karel Maes, he is considered one of the first Belgian abstract painters. In 1921, he published his first album with six linocuts. In April 1925, Jozef Peeters created "De Driehoek", a magazine that was into constructivist art.
Digital typefaces based on his work:
Juan Guillermo Navarro Barrios
Just My Type
Just My Type is a type foundry that was founded in 2012 by J. Randall (or Randy) Harris (b. 1947, Marion, IN) in Tucson, AZ. Harris is a graphic and type designer who has been making typefaces since 1997. He teaches at the Art Institute of Tucson. His typefaces from 2013: Megatropolis (a stackable deco font system), Historic Warehouse (Victorian).
Typefaces from 2012: Happenstance (a lovely retro-futuristic script), Illuminations Woodcut, Yule Love It (Christmas time dingbats), Gawain (based on the hand of Gawain Douglas), Oaxaca (a Mexican look face), Boxy Code, Channel B (a rounded monoline sans), Curves, Puzzle, Dempsey (based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey), Chilespice, Strata, Deco Donut, Jiminy (a comic book face), Invites (a roundish upright script that intends to recreate the 1920s spirit), Hunky Chunky (an obese poster face), the hand-printed typeface Carissa, Got Milk, Cutting Corners, Astro (retro-futurustic), Dix (2012: a slabby wood style typeface inspired by the poster for the 1929 film Redskin, and a desire to create a black Edwardian font with an offbeat serif), and the monoline rounded stripped-down sans typeface family Laszlo (2012: the name is an homage to Laszlo Moholy-Nagy of Bauhaus fame).
Kolega (2012) is a constructivist typeface family that consists of Kolega, Kolega Tall, and Kolega Podrobska (fake comrade).
Steampipe (2012) is an ironwork, Jules Verne, wrought iron and time machine font.
Los Muertos (2012) is a Halloween font.
Typefaces from 2013: Megatropolis (a stackable deco font system).
In 2014, he created the art deco typeface HG Welles, which was originally designed for a privately-published luxury edition of The Time Machine.
Art director in Singapore (b. 1982) who created the (free) bold condensed stencil typeface Kong (2014), the oriental ink art-inspired fashion mag titling typeface D'Lotus (2015), and the free futuristic display typeface Capsule (2015).
Croatian designer (b. 1988) of the geometric art deco typeface Retrocircular (2011), the techno typeface Carbon (2011), the script typeface Rosebud (2011), of Technostroked (2011), Oscilloscope (2011, texture face), Depleted Uranium (2011, a post=atomic-war grunge face), Hard Edge (2011), Space Cowboys (2011, futuristic), Broadway Lights (2012) and Odd Weight (2011).
Typefaces from 2015: Differentiator (free rounded hexagonal typeface).
Graphic designer in Brixham, UK, aka Laura Pakora Design. For a University of Plymouth project, she was asked to design letterforms based on Gino Severini's work. She looked into Futurism, Cubism and Pointillism, and created the experimental typeface Eclectic (2010) by cutting up Helvetica Bold into angular pieces. Petallic (2010) is an experimental typeface based on the architecture and design of the Guggenheim, Bilbao. [Google] [More] ⦿
Light Weight (or: Litewait)
Litewait is a UK based type design company. Its page requires shockwave, and will stop those without. Even with Shockwave installed, this site is a time-sink. Commercial typefaces: Adrenalin (Robert N. de Niet, 140 USD), and Alladin, Albert Speer, Astropogo, Beewing, Chemical Child, Concept Sans, Cool Iron, Cordial, Dedica, End of the Cat People, Flux, Generation, Harrass, Hyperion (1998), Issey, Light Bits, Lo-Fi, Lord Haw Haw, Must-Have-Her, Newq, Ovoid, Pan, People, Prince, Pyrex, Reform, Royalty, Rubber Nipple, Stitch Cross, Testface, Very. Robert de Niet is also the [T-26] designer of the futuristic fonts Lord Haw-Haw (1998), Hyperion (1998) and Adrenalin (1998). MyFonts spells his name de Neit. Other write de Niet. [Google] [MyFonts] [More] ⦿
Founded in 1989, Louise Fili Ltd is a graphic design studio specializing in brand development for food packaging and restaurants. Formerly senior designer for Herb Lubalin, Louise Fili was art director of Pantheon Books from 1978 to 1989, where she designed close to 2,000 book jackets. She has received Gold and Silver Medals from the Society of Illustrators and the New York Art Director's Club, the Premio Grafico from the Bologna Book Fair, and three James Beard award nominations. Fili has taught and lectured extensively, and her work is in the permanent collections of the Library of Congress, the Cooper Hewitt Museum, and the BibliothÃ¨que Nationale.
She is co-author, with Steven Heller, of Italian Art Deco, British Modern, Dutch Moderne, Streamline, French Modern, Deco Type, Deco España, German Modern, Design Connoisseur, "Typology Type Design from the Victorian Era to the Digital Age" (Chronicle Books, San Francisco, 1999), Typology, Stylepedia, Euro Deco, Scripts, Shadow Type, Belles Lettres, Cover Story, and Stencil Type. Fili has also written Elegantissima, Grafica della Strada, Graphique de la Rue, The Cognoscenti's Guide to Florence, and Italianissimo. A member of the Art Directors Hall of Fame, she has received the medal for Lifetime Achievement from the AIGA and the Type Directors Club.
Her book cover (done with Jessica Hische) won a design award at TDC 55.
In 2015, she made a futuristic counterless typeface, Mardell, which is named after retired Hamilton type cutter Mardell Doubek. It was published in 2016 as HWT Mardell in the HWT (Hamilton Wood Type) collection over at P22.
In 2017, Louise Fili, Nicholas Misani and Rachel Michaud co-designed the art nouveau typeface Montecatini, which is inspired by Italian travel posters from that era. Marseille (2017) is co-designed with Nicholas Masani. It is an art deco-inspired letterform that is based on Louise Fili's cover design for the Marguerite Duras novel The Lover.
Luis Miguel Torres
Maxim and Denis Schepin are the Krasnoyarsk, Russia-based designers of these fonts:
Italian artist, architect, industrial and graphic designer, 1887-1969. After graduating from the Accademia di Belle Arti of Parma in 1913, he worked as a draughtsman in Milan until World War I. The influence of futurism and Fortunato Depero influenced his later work. He was the chief designer for Olivetti for many years and was responsible for the Olivetti typewriter Lexicon 80 (1948) and the iconic Lettera 22 portable typewriter (1950). Nizzoli's style inspired Nizzoli (2017, Luciano Vergara for Los Andes), a modular, almost sci-fi, sans typeface family. [Google] [More] ⦿
Australian designer (b. 1984) who is based in Sydney. He created the graffiti typeface Jo's Styles (2012), and Thick Bitch (2012). He also made the futuristic typefaces Grand Lethals (2012, for an album cover of this group) and Aliens Can Suck It (2012). [Google] [More] ⦿
During his studies at Saint-Luc in Liège, Belgium, Max Brolet designed the experimental typefaces Futumaliste (2016), Blocs (2016), Alphabet Pour Les Sourds (2016), and Deep Chocolate (2015). Behance link. [Google] [More] ⦿
Mehmet Reha Tugcu (Tugcu Design Company, Istanbul, Turkey) designed these typefaces:
American creator of the futuristic typeface Airstream Futuropolis, the octagonal typeface Future Not Found (2014) and Android Insomnia (2015, a sci-fi sans).
He writes about the elegant ten-style sans typeface family MTT Milano (2013): MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance.
In 2016, MTT published MTT Roma, a humanist sans inspired by the Trajan capitals, as is apparent from the razor sharp terminals. It is designed to re-create the atmosphere of the city of Rome of the 21st century.
In the 1950s, the fashion was to draw the future in magazines and publications. Many of those illustrations and typefaces look slightly silly and naively charming today. The movement is called retro-futurism. [Google] [More] ⦿
Negro is a design site where some commercial fonts can be found, all designed by Ariel Di Lisio who lives in Buenos Aires. Marzo (2008) is a hairline vogue typeface commissioned by the Argentinian mag Atypica, and Donuts (2008) is a layer of round upon a layer of round. Paz Font is a stylish night club or fashion magazine family---stunning. Lynda (2008) is an octagonal/mechanical face. Lunes (2007), Day (2007), Friday (2007) and Nigga (2007) are an ultra-fat art deco typefaces with an experimental edge. Love (2007) is a mini-serifed geometric beauty. Santino (2008) tries to bring waves into a simple sans face. Normal (2008) is gorgeous, geometric and galant. Mate (2008) is a geometric all caps typeface for magazine headlines. Caracas (2008), Soko (2009), and Stola (2008) have more geometric fantasies. Pink (2008) is experimental. Cascabel (2009) is a kitchen tile typeface digitized by Alejandro Paul at Sudtipos. James Font (2009) is a bullet hole-themed face. Inlove (2009, Sudtipos) is a Lubalin-style poster face designed by Di Lisio and digitized by Alejandro Paul. Typefaces shown in 2010, mostly experimental / geometric / art deco: Destiny, Drimpy, Hongki, Mobile, Moonglow, Normal, Vincent.
Typefaces from 2012 include Uma (with Alejandro Paul at Sudtipos: a gorgeous two-weight monoline sans family).
In 2013, he created the stencil typeface Anima for a housing project in Punta Chica, San Fernando, Argentina.
In 2015, he designed the cold sans typeface family Stockholm Type, and the display typeface Roska.
Nick Curtis: retro futuristic and techno typefaces
Retro futurism and purely futuristic or techno typefaces by Nick Curtis include Aerovias Brasil NF (2011, based on a 1948 timetable by the airline), BulwarkNF (2003, free), CircuitBoredNF (based on this lettering by Rick Griffin), Drive-ThruNF (based on Leslie Cabarga's drive-in sign for "Betty Boop's Drive-In"), DriveThruCapital, Oo Boodlio Doo NF (2011, after Freeman Craw's 1961 face, Ad Lib), SpaceCadetNF, SpacePatrol ("a little bit of Jetsons"), and SpondulixNF (2003, based on this poster for an Erte exhibition---it is a 3d shadow face). [Google] [MyFonts] [More] ⦿
Nick Curtis: Typefaces from 2015
Graphic designer in Monterrey, Mexico, b. 1990, whose company is called Handcrafted Types.
Creator of the free thin chisel font New Theory (2012), of the stick font SixSixSix (2013), and of the hand-drawn Dollar Lemonade (2013, yours for two dollars), Anke Sans (2014: a free geometric sans), Beeeer (2014, tweetware poster font), Giant (2014), California (2014), My Hand (2014), Raw Font (2014), and Composition (2014).
In 2015, he made the watercolor brush script typefaces Arrows, Hawaii, Cafune Script, Karla Script, Michelle (free), Love Letter, Matilda, Natalie, Palapa, Heather and Wendy. Other typefaces from 2015 include Beeeer (poster type), Compass, Rustic (consisting of Things, Paper, Margot, Monsters, and Welcome Home), Akuma (heavy brush), Composition (hand-printed), Saints (a stick, or rune emulation font), Lorem Serif, Helena (brush script), Dakota (script), Convoy (hand-crafted), Tomahawk (hand-drawn), Holga Script, and Emily (hand-drawn).
Typefaces from 2016: Rapture (rough brush), Mono (futuristic), Big Sur (thin sans), Piedra & Stone, Tigers, Tiburon, Colorado, Super Normal, Brown Fox Script, Reading This, Frank, Nudos (script), Penny Handmade, Lula (brush style), Jamaica Script (brush font).
Typefaces from 2017: Wild (dadaist), OK Regular, Ugo.
Typefaces from 2018: Weekend, Destroyer (brush), Helena (watercolor brush).
P22 Type Foundry
Richard Kegler's fun Buffalo-based foundry, which he founded in 1995 together with his wife, Carima El-Behairy. Currently, on staff, we find type designers James Grieshaber and Christina Torre. In 2004, it acquired Lanston Type. P22 has some great unusual, often artsy, fonts.
The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (2003, free), Acropolis Now (1995, a Greek simulation typeface done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio, Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, P22 Brass Script Pro (2009, Richard Kegler; based on an incomplete script fond in a booklet from Dornemann&Co. of Magdeburg Germany, ca. 1910 entitled Messingschriften für Handvergoldung; for years, P22 and MyFonts claimed that Michael Clark co-designed this, but Michael does not want any credit, as he did only about 20 letters), Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, P22 Monet Impressionist (1999), Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), P22 FLW Exhibition, P22 FLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), P22 Woodcut (1996, Richard Kegler: based on the lettering carved out in wood by German expressionists such as Heckel and Kirchner), Garamouche (2004, +P22 Garamouche Ornaments; all co-designed with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Koch Nueland (2000), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by him as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), Preissig, Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; typeface by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a distressed typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre).
In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire).
In-house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé.
At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he showed Making Faces.
Typefaces from 2014: LTC Archive Ornaments (Richard Kegler and Miranda Roth).
Parkinson Type Design
Jim Parkinson's Parkinson Type Design is based in Oakland, CA. This prolific type designer was born in 1941 in Richmond, CA, and lives in Oakland, CA. Originally, a letterer, he went digital in 1990. His Keester and Azuza typefaces won awards at the TDC2 Type Directors Club's Type Design Competition 2002. MyFonts on Jim Parkinson and on his Parkinson Foundry. His impressive output:
Paul James Lloyd
Pedro González Jorquera
Type designer graphic designer, calligrapher and illustrator from Chile, who graduated in graphic design in 2005 from the Universidad del Bío-Bío., b. 1977, Santiago de Chile. Aka PeGGO, a foundry established in 2002. MyFonts link. PeGGO designed some commercial fonts, such as:
The Great Dane from Copenhagen, the king of grunge, Jakob Fischer, is a kindergarten teacher who designed over 500 fonts. Mini-catalog, part I, part II. Aka PizzaDude, he started out making free fonts, but switched to commercial fonts later. His typefaces:
Graduate of the University of Tennessee at Knoxville. He began his career as a designer with Thirst in 1994, and helped to build Thirstype until 1999. All of Patric's typefaces moved with Thirstype to Village in 2001, then on to XO, Pretty in Chicago in 2005 (which he founded together with his husband Su and Milan Zrnic (fashion photographer in Los Angeles). Thirstype disappeared.
Graphic designer in Newcastle, UK. Creator of a futuristic all caps typeface.
FontStructor who made Hearth Perspect (2012, futuristic), Metald (2011), Metald Lite (2011), Marmor (2011, texture face), Grey State U (2010, athletic lettering), Nuts and Bolts and Wrenches (2010), SwordStruct (2010), Angulan (2010), LostMyGlasses (2009), WindStruct (2009), PixShadow (2009), Keychain (2009), and AlmostBold Tiny (2009). [Google] [More] ⦿
Natal, Brazil-based designer of the experimental futuristic decorative typeface Lygia Clark (2013). This typeface is based on the architectural and modular art of Lygia Clark (b. 1920, Belo Horizonte, d. 1988, Rio de Janeiro), who was one of the founders of the Frente movement in 1954. Graduate of UFRN. [Google] [More] ⦿
Art director in Cachoeiro de Itapemirim and Vila Velha and Sao Paulo, Brazil. He designed the techno typefaces Kropp (2011) and Vosky (2011), and the weathered typeface Wrot (2011). In 2014, he designed the vernacular hand-drawn typeface Sabrazila and the curly typeface Vila. In 2015, he created the blocky futuristic typeface Apolo. In 2016, he designed the cursive typeface Married, and the teardrop-themed Amadeus.
Giuseppe Salerno (aka Resistenza.es) is an Italian graphic designer, specializing in web design. He lived in Torino, Amsterdam, Madrid, and Valencia, and currently works in Berlin and Turin. Studio Resistenza was cofounded by Giuseppe Salerno and Paco Gonzales.
In 2010, he made the circular multiline face Afrobeat (+Light), the fat counterless typeface Vito Sans (2010), Wonderwall (2010, like a skeletal construction), the high-contrast art deco typeface Zaza (2010), and the pure Italian vintage art deco face Luxx (futurism).
Creations from 2011: Ratatan, Bodoni At Home (a handpainted Bodoni), Arcanotype (2011, delicate caps, individually drawn using Chinese ink on Japanese calligraphy paper), Babushka (2011), Dolce Caffe (2011, hand-printed), Adelaida (hand-printed poster face), Monella (octagonal).
Production in 2012: Ampersanders (a font with many ampersands), BLAQ (an ornamental blackletter caps typeface inspired by Henry W. Troy), The Bay (hand-printed all caps poster face), Bratislove (an artsy hand-drawn typeface), Modernissimo, Clementina (hand-printed caps), Afrobeat Gothic (angular multiline face).
Typefaces from 2013: Glob (bubblegum face), Archivio (slab serif family with very open counters), Mina (connected script), Monster Hand (brush script), Berliner Fraktur (a flat brush fraktur inspired by Rudolf Koch), The Luxx (a redesign of the 2010 art deco sans typeface Luxx---a comparable typeface is Mostra Nuova by Mark Simonson), Starburst (calligraphic gestural light script), Caramello Script, Copperlove (copperplate script), Yma Italic (retro script), Sonica Brush.
Typefaces from 2014: Stencil Creek, Elastica (hand-crafted typeface family), Elastica (hand-drawn poster family), Nautica (copperplate script, extended in 2018 to Nautica Sottile and the monoline version Nautica Line), Ingles (copperplate script), Peperoncino Sans (a decorative sans serif font system designed with a marker), Attica RSZ (inspired by Caslon Italian and Novarese's Estro), Montana (poster family, +Icona), Superb (a yummy creamy script, co-designed with Paco Gonzalez), Dolce Caffe 3D, Coming Home (a hairline curly script based on a childish handwriting), Rachele (a monoline connected script with a large x-height), The Crashed Fonts (a glaz krak family), Newland (inspired by Rudolf Koch's Neuland), Two Fingers (a funky hand-drawn family that includes, e.g., Two Fingers Bodoni, Two Fingers Courier, Two Fingers Poster [blackboard bold] and Two Fingers Script).
Typefaces from 2015: Modern Love (brush script), Mela (a gorgeous pointed brush / walnut ink typeface), Turquoise (a calligraphic serif type influenced by capitalis romana; not to be confused with Ahmet Altun's Turquoise typeface from 2011), Mina Chic (a wide connected calligraphic fashion mag script), Natura (connected fountain pen script, with accompanying Notebook, Icons and Stamps (initial caps) styles), Stencil Creek (inspired by Akzidenz Grotesk and influenced by street signs of the North West Pacific), Quaderno (monoline upright signage script).
Typefaces from 2016: Xmas Wishes, Gianduja (2016, a chocolate box script typeface family co-designed with Andrea Tardivo and Paco Gonzalez). Apero (a hand-crafted emulation of sans and slab styles; the sans serif was inspired by vintage local liquor labels), Respect (a brush script sign painting typeface), Mentha (a calligraphic connected script typeface).
Typefaces from 2017: Peperoncino Vintage, Shabby Chic (wide signature script), Merendina (rounded sans family), Adore You (dry brush script), Quaderno Slanted (monolinear connected script), Love Wins (a collection of signage type phrases), Beach Please (watercolor brush), Timberline (dry brush script), Orbita (stencil shadow), Modern Love Slanted (brush style), Gessetto (a chalk lettering family).
Typefaces from 2018: Instamood (a casual script), Auster (a unconventional flared and reverse contrast sans), Smoothy (brush script), Voguing (a multiline typeface inspired by the movement and glamour of the 80¿s and New York ballrooms scene), Beach Please Vintage, La Bodeguita (calligraphic), Contigo (with Paco Gonzalez; see also Contigo Vintage ), Story Tales (folklore style, with many choices of textures and possibility of layering), DreamTeam (multilined).
Robert N. de Niet
Dallas-based foundry with commercial font families by Roc Mitchell such as Avian, Boreas, Caribbee, Dimeter, LogoText, Poetry, Psalmist, Svenska and Revelry. From 1970 until 1974, Roc Mitchell designed typefaces for Phil Martin's Alphabet Innovations. These include Arthur, Borealis, Celebration, Corporate (retro futuristic), Corporate Image, Dimensia Light, Dimensia, King Arthur Light w/Guinevere Alternates, King Arthur w/Guinevere Alternates, King Arthur Outline w/Guinevere Alternates, and Stanza.
Alex Rosario situates his revival Corporatus (2018) as follows: Descended from Microgramma and originally designed to be the American competition to distant cousin Eurostile, Corporate is best known for being the typeface used by video game developer and publisher Nintendo for many NES-related media in the West, including its controllers, and by Colecovision for its logo. [Google] [MyFonts] [More] ⦿
Pekanbaru, Indonesia-based designer of Mafieso (2018: a brushy sushi shop font), Nathanos (2018: a headline serif typeface), One Piece (2018: brush script), Indesign Signature (2018: a signature font), Jacklyen (2018: brush font), Lovestrong (2018: calligraphic script), Grizzly Attack (2018: brush), Keishue (2018: script), Hegorustow (2018), Frappe Latte (2018), Donkey (2018), Bajhera (2018), Alestraza (2018: script), Casiopeia (2018: futuristic), Pink Blue (2018: rough brush), Stranglethorn (2018) and Exodar (2018), an outline font. Creative Fabrica link. [Google] [More] ⦿
Type designer who published at Photo-Lettering Inc. His creations include Boldsign, Germanic, Hallmark (connected script), Independent, Palette (a painter's font), and Studio Poptype (retro-futuristic). [Google] [More] ⦿
[T-26] designer of the headline slightly blackletterish crusader typeface Archangel and the accompanying heraldic dingbat font Archangel Icon (1998), as well as the retro futuristic typeface ITC Astro (2004).
Type foundry in Sheffield, UK. Its designer, Dave Rowland (b. 1982, Chesterfield) grew up in Sheffield, UK, but was based in Japan, the Philippines, Liverpool, Surat Thani, Thailand, and Koh Samui, Thailand [where he presently lives]. MyFonts Interview.
He created these fonts in 2009: Quesadilla (signage type, Mexican simulation face), Quesadilla Shadow, Schizotype Scrolls, Quiff, Toothpaste, Astroboy (connected script), Decolletage (art deco), Kazumi Sans, Acid Haus, Dr. Black, Dr. Eric, Soyo Gogo, BMX radical (brush), Team, Miami Hopper, and Tubularis (multiline face), Sickle, Klique (futuristic display face), Uncle Eric (a cartoon face), Praline Smooth (connected script in the style of Mistral), Kwaktur, (blackletter typeface based on the logo of Belgium's Kwak beer), Blackball (another blackletter) and Modulogue (a modular display family).
Additions in 2010: Christmas Tuscan (a modular Tuscan), Masonic Lodge, Mook (a retro, unicase, bubble font), Toothpaste 2, Gaden Sans (organic monoline typeface that includes a hairline weight), Sizemore (all caps slab headline face), Quickscript (signage face), New Wave.
Fonts designed in 2011: Brag Pro (like Brag, a Cooper Black alternative), Brag Stencil Pro, Chestnut (curly, hand-printed), Brag (a fat round face in Cooper Black style), Gelato Script (a connected signage face), Brag Stencil (2011), Streetscript (2011, brushy signage face).
In 2011, he created a quaint text family, Vulpa, with quirky foxtail terminals.
Typefaces from 2012: Margot (a rounded slab serif described as a lovechild of American Typewriter and Cooper Black), Range Serif (an angular typeface), Pastiche Brush (a brushy connected script inspired by the titles of the 1959 movie Imitation of Life (Wayne Fitzgerald)), Quayside (a bulbous baseball or signage script).
Typefaces from 2013: Alight Slab (hairline slab), Anultra Slab (a heavy bold slab serif), Ollie (a connected baseball or signage script), Urge Text (an extensive modern text family with ample language support and plenty of mathematical symbols, and large ball terminals).
Typefaces from 2014: Range Sans (a grotesque sans family with the quirky angular cutouts inherited from Range Serif), Samui Script (upright connected script), Streetscript Redux (signage script), Price Didone (created for setting elegant price tags).
Typefaces from 2015: Oldskool Script (a connected signage script; one of many quite different commercial fonts with the same name), Hazel Script (a great flowing calligraphic script designed around the time of the birth of his first child, Hazel; the name may create confusion as there is a famous BB&S metal font with the same name), Mastadoni (a fat didone for headlines and fashion mags), Kake (a great creamy sign-painting font), Bali Script (creamy signage script), Flat Sans.
Typefaces from 2016: Cinema Script (retro movie script), Chill Script (a retro non-brush signage script), Blanket (a soft cursive font, ideal for children's books), Schizotype Grotesk (a very original angry geometric grotesk, with bucketloads of pizzazz), Astrid Grotesk, Asterisk Sans Pro (a versatile humanist sans family for Latin, Greek, and Cyrillic), Strelka Ultra (a retro space age typeface), Revla Serif (beatnik style, emulating randomly positioned handlettering).
Typefaces from 2017: Duckie (a bubblegum or creamy signage script), Tusque (a layered decorative Tuscan typeface), Ekamai (a tight non-connected creamy signage script), Quinella (seventies script), Delfino Script (retro signage script), Tchig Mono (a special, almost hipster monospace typeface family), Revla Sans (beatnik style), Revla Sans Text, Eroika Slab (a robust wedge serif family).
Typefaces from 2018: Aziga (descrived by Dave as a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone), Revla Slab (bouncy, beatnik), Galix (subdue futuristic sans family), Gelato Luxe (an update of his earlier Gelato Script), Engria (an angular brush-inspired text typeface).
Peterborough, UK-based web and graphic designer, b. 1970. Creator of Hand of Sean (2008), Hand of Sean Pro (2013), Sean's Other Hand (2010), and Tidy Hand. His commercial typefaces include the futuristic hipster font Digital Therapy (2014).
Belize City, Belize and now New York City-based designer who specializes in high tech and futuristic type designs. He created the techno / paperclip font family Mazeline (2018), the signage script Lettercraft (2017), the robot and drone-inspired Robodron (2017), Gempire (2017), the rounded organic typeface Airy (2017), Radon (2017), the outline typeface Ply (2017), the paperclip typeface Garde (2017), the blackboard bold typeface Aberration (2016), the striped typeface Karma (2016), the logotype font Advio (2016), the ribbon or monogram font RibOne (2016), the tech font Line Tech (2016), the curly Wonderscript (2016), the prismatic typeface Lineat (2016, +Lineat III), the plump logotype Airy (2016), the bi-lined typeface Freeline (2016), the robot-inspired Stingo (2016), the display typeface Food Craft (2016), the bilined logo and monogram font Sentaline (2016), the script typefaces Curline (2016) and Article (2016), the children's font Happy Kids (2016), the futuristic font Digitalium (2016, +Condensed), the multiline titling typeface Sentagram (2015), Forest Line (2015, thin squarish headline sans), Sweet Ink (2015), and the ribbon typeface Sentaband (2015). Creative Market link. Behance link. Another Behance link. Graphicriver link. [Google] [More] ⦿
Sloth Astronaut (or: Cosmic Store)
Tanya Butskaya (Sloth Astronaut, Almaty, Kazakhstan) designed the Latin / Cyrillic wood print emulation typeface Wood Burn (2016), the poster typeface Snow On The Roof (2016), the grungy Disappear (2016), Waterfall (2016), and the hand-crafted Ugly Alligator (2016).
Typefaces from 2017: Love at First Bite (Latin and Cyrillic poster typeface).
His foundry is Studio K: The foundry specialises in display fonts designed primarily for advertising, publishing, product packaging and signage.
In 2012, he published Hollywood Hills, Pier Arcade, Graffix, Skeleton Slab, the art deco typeface Tea Dance, the art nouveau typeface Paris Metro, Oscar Bravo (a heavy octagonal typeface), Café de Paris (a stylish retro--futuristic fifties style typeface), Barrowboy, and the stylish Contessa family.
Typefaces from 2013: Communiqué (rugged stencil face), Regency (influenced by Americana and Optima, it is a flared very humanist sans), Alma Mater (athletic lettering), Showbiz (inline typeface), Dynatron (retro sci-fi font), Mechanoid (elliptical techno sans), Canterbury (inspired by the shapes of the cathedral), Export Drive (a bold condensed cargo stencil), Soft Rock (bold condensed sans), Red Top, Colossus (an elliptical typeface that is a bit squarer than Microgramma), 4Square (elliptical), Aspidistra (art nouveau), Home Grown.
Typefaces from 2015: Chenko (2015, a constructivist / brutalist typeface named after Rodchenko), Marazion (a rounded display sans), Castaway, Variety (ransom note font), Nightlife (an amoebic rounded stencil typeface that conjures up neon signs, DNA molecules and jelly beans), Rough Stuff (textured faded stencil typeface), Signpost (a drop shadow version of Red Top).
Typefaces from 2016: Cambourne (a luxury goods font advertized as cutting edge retro), Capstan (slab serif), Alonquin (art deco: a typographical tribute to Dorothy Parker and the New Yorker crowd who haunted the Alonquin hotel in its 1920s heyday), Cadenza, Exotica (described by Keith as Old World elegance meets Levantine luxury), Oxbridge (vintage compact titling typeface).
Dhaka, Bangladesh-based designer, who created the cursive script typeface Autograph (2013), the organic display typeface Radius (2013), Cartoon (2013, a comic book family in Solid, Bevel, Border and Shadow styles), Script (2013), Quarto (2013, a thin organic sans), Blackbelt (2013, futuristic), and Story (2013, hand-printed). Other typefaces from 2013 include Acute, Paradox (bilined), Summer, Kinetic (bilined), Romantica, Ranger, Erode, Bermuda, Turning, Techno, Floral, Century (futuristic), Master.
In 2014, Sunny published the scratchy typeface Bristle, the multilined typefaces Echo and Have A Nice Day, Denim, Broken (glaz krak), Creator, Euclidean, Medieval, Revelation, Supreme, Bravado, Origami, Grand Hand, Typeart, Redled, Techfont, Metallic, Because, Elegantia, Author, Rejoice, Mazematics, Serenity, Fruity, Inspired, Inbox, Stonehenge, Intense, the sharp-edged sans typeface Pleasant, the graceful script typeface Sprinter and the flowing script typeface Charcoal.
Typefaces from 2015: Brave (futuristic), Increment, New Direction, Devils Hand, Oxygen, Cozy Sans, January, Ascent, Geometric, Fontana.
Typefaces from 2016: Regards (connected handwriting font).
Typefaces from 2017: Black Road, Select, Concept (connected retro diner script), Dependable (a great hand-printed script), Ready (signature font), Fresh Air, Mark (brush font), Gray River.
Typefaces from 2018: Mustang (signature font), Horizontal (a signature or architectural lettering font), Keep On Shining.
Leon Hulst (TypeFaith) was born in 1966. Typographer at WAT Ontwerpers in Utrecht, The Netherlands, and affiliated with Linotype.
Free fonts at TypeFaith, his place on the web, all made ca. 2008: AlbaJulia-ExpandedBold (techno), AlbaJulia-ExpandedBoldItalic, AlbaJulia-ExpandedRegular, AlbaJulia-ExpandedRegularItalic, Dilys-Bold (organic), Dilys-BoldItalic, Edding-Italic, Edding (brush), FixFlat-Italic, FixFlat, Flowmotion-Heavy (2010), LowFile-Bold (grunge), LowFile-BoldItalic, LowFile-WidthOblique, Mellow-Italic, Mellow (comic book family), PaloAlto-Italic, PaloAlto (sans), Per4m (dot matrix face), StitchCross.
Typefaces from 2013: Lev Serif, Lev Black Distressed (2015, free).
Typefaces from 2015: Jason Capitals (a revival of a woodblack capitals alphabet), Bakersville (Full, Line: hand-drawn, sketched), Lev Serif Grunge, Blackflower (brush face), Inkredible, Goldpicker (a layered Western typeface), Goldpicker Line (bilined).
Typefaces from 2016: Amilly Script (a heavy nibbed pen script), Rozy Cursive (based on Ella Cursief/Handels-Cursief by Sjoerd de Roos for Lettergieterij Amsterdam in 1915), Jason Distressed, Toxa Ink, Donker Caps (wood type emulation).
Typefaces from 2017: Organa (a futuristic typeface family).
Makassar, Indonesia-based designer (b. 1984) of the futuristic typeface Umbrellast (2018), the signature script Nur Syafina (2018), and the brush script typefaces the Travelista (2018) and Artdraws (2018). Behance link for Typemacz. [Google] [More] ⦿
Czech designer of the grunge monospace font Urania Czech (2006) and of the didone numbers-only font Stöhr Numbers (2006). In 2009, he made the old typewriter typeface Bohemian Typewriter (based on the Czech Remagg typewriter). In 2010, that was followed by another typewriter font, USIS 1949, which was based on United States Information Service reports from 1949.
In 2012, he made the old typewriter typeface Albertsthal Typewriter.
In 2014, he made Hermes 1943 (old typewriter font), Susanne Nouveau, Modern Typewriter and Elegant Typewriter.
Typefaces from 2017: Earth 2073 (rounded retro-futuristic), Dearborn Type, Oceanside Typewriter, Dresden Elektronik, 1938 Stempel, 1952 Rheinmetall (another old typewriter font).
Typefaces from 2018: Prager Headlines.
Max Infeld (b. 1981, aka Xerographer Fonts) from Chico, CA, makes free fonts and offers a free font-making service. He surged onto the font scene in 2012, and is currently located in Ojai, CA.
Creations in 2012: Perspect (3d face), Nuevo Stencil, Dingus, Dirty Serif, Skinny Serif, Batt Marber, Hollavetica (2012, grunge), Stick Tickle, Carve Your Table (2012), Stripe Fest (2012, 3d, hand-printed), Craycray For You, Feed The Bears, Yummy Nubs, Yum Nub Extended, Sleeping in Lecture (2012, informal 3d face), Zombie Checklist (2012, hand-printed), Lisas First Class (2012, hand-printed), Stick Four, Two Stick, Spacetime, Drunk Tattoo, Bantum Caps (2012, hand-printed stencil face), Funny Zebra, Sick Future (2012, grungy), Fuzzy Handcuffs, Black Spiral, Happy Caps, Come Party, Hellawood, Chronic Gothic, Ice Cream Party, Grassevent (2012, texture face), Electrical (2012, letters cracked by lightning), Rockster, Strungout, Bubbletea (2012, bubblegum font), Yumernub, Nighthour, Pointy, Simplehand, Linerstencil, Stickchop, Tapetype, Rolling Deep (2012, based on arcs of circles), Pony Rides, Bambu, Stolen Script, Secret Sauce, Eighties, Negative, Turds, Identify (2012, a fingerprint font), Another Party, Mighty Roping, Copy Stand, Cloudstorm, Teardrops, Friends Forever, Delicious Applepie (texture face), Crackvetica, Stormtime (grungified face), Therp (2012: 3d face), Spookies, Freeline (3d engraved face), Super Serious, Robot Shadow (2012: 3d face), Great Arrows, Great Shadow (2012: textured face), Alien Fur, Graffical, Bent Out, Splatish, Seamonster, Thirds Hand (2012: 3d outline face), Particle Physics, Poster Script (2012: rough script), Badazzle (2012, texture face), Serifvetica, Make Impact (2012, a 3d headline typeface), Stenciltration, Naughty Pipe, Qrurl, FunHaus, Flame Time, Steller Script, Summer Festival (2012, grungy caps), Major Earthquake (2012, grungy outline text face), Hot Sweat (2012, texture face), Metal Crime (2012, a cracked marble typeface), Summer Blacktop, Great Farmer, an angular typeface, Lucky Scratcher, Future Moon (textured face), Shatter Web (2012, a glaz krak face), Power Play (2012, another glaz krak face), Magic Crystal (2012, yet another glaz krak typeface), Rough Cut, Rock Harder (2012, texture face), Shred Hard, Clock Work, Major Veins, Paint Scratch, Break Away, Quick Comic, Summer Scriptastic, Absolute Money, Brush Sand, Playhouse, Pleasure Wash, Meat Market (dripping blood font), Paper Folder, Scratchingly, Fresh Sticks, FunTrucks, Quick Rodeo, Poster Bold, Open Bars (horizontal stripes), Outline Twelve, Spot Event (grungy outline face), Final Slash (textured typeface), Munchies, Meltasstic, Some Bubbles, French Sugar (very curly script), Cream Cone, Zap Deal, Crack Snacks, High Method, Crack Bars, Wall Fresh, Star Wonder, CurlyQue, Summer Script, Happy Lines, Just Marker, Solid Marker, Straight Hand, Wurm Fun, Rave Time (sketched face), Graff Caps, Erect Angle (outlined and hand-printed), Circle Caps, Story Time, Upper Side, Lower Side, Tech Haus (sketched), Boneyard, Status Update, Eigth Grade (sic), Table Shank, Serial Lover, Freaky Night (blood drip font), Future Girlfriend, Summer Scare, Faster Stronger, Smoking Cracks (texture face), After School, Cutting Edge, Animal Cracker, Sticky Mad, Comic Chub, Right Way, RockLess, CleanFade, Exploded Capital, Size Matters, EightBite, Extra Dimension, Cap Scratched, FanCom, Optic Nerd, Spooky Stencil, Five Dozen, Great Mix, LowCase, Swirl Insertion, Lube Splash, Organic Vines, Fall Greetings, Plant Type, Fast Brush, Hair Bows, Limo Caps, Bold Shake, Path Check, PopCap, Angle Stroke, Scratch Point, China Town (oriental simulation), Gunky Ick, Super Fade (textured), Practical Script, Delicious Outline, Fourth Dimension, College Scribble (sketch font), Dirty Western, Freeky Typewriter, Creature Builder, Bang Time (a rough brush), Fall Harvest (sketch face), EuroParty, Fire Proof, Eye Scare, Empire Caps, Pleasure Castle (a great barbed face), Scribble Time (sketched font), Star Rising (poster font), Dottline, Euro Horror, Metal Show (metal band font), Fantastic Sunset, Toxic Waste, Alien Waffle (textured face), Rewind Forward, Stitchy Times, Snug Bum, Star Fishy, Ghost Clouds, Epic Slash, Childs Persprective, Thin Fine, Metal Event (chiseled face), Tight Box, Saber Husk, Major Scare, Terminal Event, Pirates Bay, Wicked Cockney, Great Splunk, Diamond Cut, Treehause Horror, Indie hand, Sweet Revenge, Chronical Script, Peaceful Violence, Basic Header, Hand Work, Ninja Turtle, AquaColor, Furry Sack, Mad Style, Alien Dot, Dirty Feature, Wine Basement (connected script), Pen War (scratchy script), Angelina, Skate Around, Wide Thin (brush face), Frisky Vampire, SuperBling, Chronic Harvest, Fur Handcuffs, Darth Fader (textured face), House Rave, Snow Frosting, Post News, Straight Baller (white on black poster face), Heavy Weight, Angry Nerds (brush face), Future Style (hand-printed 3d face), Liner34, Tweak Diner, Frosty Holiday, Zap Control, Kids Outline, Shock Treatment, Flesh Digster, Shredding Harder (grungy scratchy typeface), Metal Chakra (barbed wire face), Childs Funtime, Super Cut, Holy Scriptacular, Tangent Print, Chung Flew, Lucky Money, Oven Bread, Soda crack, Quick Dirty, Victory Cut, College Dropout (athletic lettering), Comic Shadow, Mystery Forest (sketched), Code Danger, Slash King, Phat Rave (sketched), Tiger Tails, Major Rules, Cloud Home, Flower Header (floriated caps), Tiny Friends, Tasty Sundae, Leaking Type, Saturday Evening, Agenda Clash, Tripple Dots, Plain Handline, Cutefold, Gift Exchange, Reaganald Script, Broadway Event (marquee face), Gotfaded (textured face), Disco Rush, Some Lines, Inside Flower, Scratch This, Alien Sweater (stitch font), Fantom Bantum, Stripe Fun, Thrift Store, Legit Outline, Country Gold, Chrome Fancy, Barnyard Massacre (Treefrog style), Holiday Event, Art Times, Flesh Shop, Heart Baller, Free Kittenz, CreamPuff, Outline Around, Quivering Noodle, Rocking Lines, Tugboat, Comic Bubble, Hand Shadow, Sans College, Winter Ice, Cutout Poster, Woodblock Cutter, Handy Stencil, Dirty Cursive.
The following typefaces were designed by Matt Barber: Gateway Drug (2013), Crankdeal (2012, a hand-printed poster face), Mad Caps, Third Leg (multiline typeface), Late Nights, Sewn Tight (2012, stitch font), Black Widow (2012).
The following typefaces were co-designed with Dylan Tellesen in 2012: Dingleberry (+Solid), Threed, Brushingtons, Excellent Stencil, Handrelief, Partyline, Basic Chrome, Spot Lights, Big Spit, Code Bars, Color Blind, Skullvetica, Diamond Plate, Blambu, Hounds, Knity (texture face), Eightballer, Another Line (a basic straight-edged monoline sans), Rocking Poster, Robotic Revolution, Organic Nature, Underground Event, Surf Shack, Greater Shadow, Razor Slice, Big Print (textured face), Scripty Caps.
Typefaces made in 2013: Fresh Maker, Lucky Dogs, Quickly Write, Gourmet King (glaz krak font), Austin Lights, Pony Maker, Crystal House (grunge), Secret Event (textured face), Indian Tiger, Great Camp, Cowboy Would, Western Racing, Stripe Attack (textured font), Art Bang (grunge), Quick Scratch, Cold Brew, Fresh Twist, Nine Eight, Going Fast, Mega Riches, Taste Bomb (textured face), Brighten Days, Supergraf (a brushy graffiti face), Last Hand, Spring Ninja (brush face), Circuit City, Global Village, Yard Gnome, Lite Hand, Metal Block (Zero, Two, Three: scanbats), Indie Rock, Ancient Story, Super Drag, Slight Rocking, Over Scribble, Quickly Caps, Crack Deco, Victory Time (faded formal script), Futuristic Outline, Another Student, More Party, Brush Grunge, Zipper Fries, Diamond Lux, Splatter Funtime, Durh Shapes, Frosty Winter, Whole Space, BlockWood, Soda Water, Magic Scribble, Seaming Stitchy, Thrash Party, Line Fever, Great Bush, Right Price, Tight Carve, American Freedom, Jimbos Print, Quick Cut (faded face), Super Cracks (glaz krak face), More Party, Half Faded (textured face), Charcoal Script, Future Lines, Dot Outline, Half Tones, Shady Walk, Quick Slash, School Notes (sketched face), Block Party, Wonderful Party, Heart Stripe, Heart Beat, Heart Hole, Paint Balls, Golden Lights, Spring Party (texture face), Shockvetica (glaz krak face), Safe Paper, Sword Fighting, Camo Wear (textured face), Disco Night (art deco), Reverse Frick, Scratchy Fun (sketched), Fun Origami, Special Exit, Kid Print, an old typewriter collection (Dirty Olympia, Sterling Keys, SuperKeys, Quiet Type, Hermes Rocket, Double Studio, Light Fingers), Designer Pixels, Beauty Salon (Treefrog script), Headshot, Mega Bone, Fantastic Habits, Fridge Letters (textured), Kids Blocks (scanbats), Theater Event (grunge), Circle Pixels, Taste Bomb, Kite High, Run Away (3d) Dirty Coal (brushy), Dot Sticks, Twerk Fifty, Dance Lights (textured), Steam Rose (textured), Donkey Punch, Fold Line (origami), Tiger Nuts (textured), Fun Bear, Standard Header (letterpress, 3d), Marble Wasteland, Bender Lines, Magical Springtime, Open Hatch (hand-printed), Retro Tastic, Space Zombie (hand-printed), Mad Triangle (textured typeface), Sweaty Party (a fun sketched typeface), Freaky Manor (gothic typeface), Special Brand (texture face), Western Clown, Company Problem, Derp Icons, Pixel Hour (textured face), Basic Scratch, Indie Sellout, Next Level (textured face), Third Rail (grunge), Real Trap (athletic lettering), Bang Party, Title Solution (textured face), Special Third (textured face), Deal Maker (textured typeface), Liquor Bank (3d), Electrical Neue, Eighties Locker (grunge), Visual magnets (textured typeface), Final Relief (textured), Comic Tans, Bright Headline (hand-printed), Tiger Bawl, Cut Away (cutout letters), Kings Castle (textured face), Southern Riots (grunge), Slick Wave (textured face), Smash Break (texture face), Thin Simple, Super Rocket, Kids Game, Eighties Shades, Melt Factory, Pirate Zombie (grunge), Doktor Scratch, Mix Tape (textured face), City Tags, Gotcha (3d face), Wild Scratch (textured), Inter Fade (textured), Urban Labels (textured), Hot Tropics, Quantum Pixel (grungy), Minus Plus, Lower Scratch, Flying High, Broken Mustangs (script), Byte Shades (textured), Bolt Light (textured), Just Quick, Hotrocks, Total Event, Racing Flow, Energy Drink (textured), Inside Box (a wonderful metal-look textured typeface), Heat Wave (a wide poster face), Great Miami (arched typeface), Disco Midnight, Clean Scratch, Vegas Nights (textured and smudgy), Pirate Disco, Swift Chops, Zero Hype, Dot Tricks (grungy), Shaken (glaz krak font), Great Points (textured), High Level (textured), Break Time (textured), Circus Party, Crash Site (glaz krak face), Lower Resolution, Fifty Hours (script), For Sale (script), Broken Fixed (script), Hieroglyph Licks, Think Plan, Fancy Shadow, Forwards Backwards, High Sales, Slash Thirty (blood drip face), Universal Freaky, Event Shark, Bone King, Sharking, Magnetic, Paper Shreads, Summer Watermelon, Bubble Yums, Crazy Eyes, Danger Waffles (textured face), Early Scare, Farm Barns, Freckle Jackson, Greater Sales, Indian Summer, Mixed Thirty, Positive Warp, Reasonable Speculation, School Party, Scratching Matters, Lemonade Summer, High Style (textured face), Biology, Aweseome Style, Box Lines, Cloud Ahead, Going Around, Hot Flash, Major Stripe (sketched face), Pixel Draw, Summer Fire, SuperTack, Sure Real (Treefrog style), Totally Straight, Mega Gothic, Basic Hand, Chief Scare, Plain Slice, Sail Away, Gone Away, Chubby Muffin, Crack King, Dirty Jobs, Paris Label, Phone Home, Kids Party, Zombie Stitch, Moden Post, Rock Bait (Treefrog style script), Tent Sale (brush face), Event Maker, Quantum Ants, Cheap Horror, Extra String, Scratch Times, Snorkel Whisp, Dirty Looks, Bould, Window Crash (glaz krak face), California Harvest, Twerking Nasty, College Movie, Easy Horror, Brush Some, Autumn Two, Season Fourteen, Always Never, Fresh Bone, Scare Camp, Twinkle Fingers, Dirty Bandit, Metal Clash, Simple Folks, Sunrise Disco, Danger Zone, Swift Break, Dusty Salmon (textured face), Urban Poster, Tasty Drips (dripping paint font), HardLine (3d font), Technophilia, Zombie State, Come Inside, Popular Invite, Tough Horror, Wonderful Phonograph, Zombie Scratch, Thunder Crack, Fresh Riot, Metal Atlas, Grunge Shack, Gif Wrap, Punk Inside, Disco Break, Quantum Future, Major Black (textured), Stone Bird, Fantastic Party, Quick Money, Fast Time, Hecka Grunge, Electric Night, Tasty Swirl, Helping Stranger, Radical Llamas, Real Gold, Double Shadow, Space Cats, Space Fight, Furious Racing (textured typeface), Snow Flakes, Solid Event, First Place, Total Shock, Hairy Fun, Cats String, Dragons Breath, Stripe Disco, College Bytes, Late Club, Road Skin (textured), City Heights (textured), Easy Bricks, Insert Fun, Grunge Kids (textured), Solid Brand, Winter Decor (snow crystal font), Doctor Meow, Real Fast, Major Sketchy, Easy Romance, Globtastic, Noses, Strike King, Salty Would, First Contact, Extra Zero, Space Bang, First Avenue, Dirty Shocker, Delicious Candy, Drop Inside.
Typefaces from 2014: Absolute Invite, Fancy Sauce (simulates an oriental typeface), Fair House, Gansta Walk (graffiti typeface), Spring Away (script), Heavy Load (fat brush), Amazing Sunshine, Club House, Magic Status, Big Party, Ocean Twelve, Lost Type, Spring Harder (textured), Escape Great, Fine Things, Cut Five, House Boat (textured), Splat Matrix, We Spring (gunge), Great Band (textured), Sky Limit, Four Six, Quick Sales (textured), Vegas Neon, Xero Typique, Ink Special, Bad Luck (glaz krak face), Handing Over, Megaphilia, Late Drank, Atlas Grunge, Right Track (textured), Square Deal, Great Party, Next Wave, Doges Walk, Dirty Locals, Boulder Scare, Clean Easy, Come Around, Fresh Holiday, Half Light (a condensed brush face), Light Curls, Lower Case, Magic Beauty, Much Funky, Plain Lines, Ten Fresh, Simply Fresh, Windy Metro, Play Along, East City (textured), Bernal Heights (grunge), Metalblock Delta (textured), French Disco (textured), City Magic (textured), Thunder Head, Lucky Diamonds, Great Storm, Neon Taste (textured), Night Hawk, Trap Music (a sketched typeface), Close Race, Major Label, Fresh Track (an all-caps brush typeface), Jack Trades, Cut Blox, Metal Block Theta (textured), Fired Bread, Angry Beavers (script face), Get Real, Lost Ray, Slot Machine, Animal Planet, Very Rich, Hawt Would, Above Ground, Grave Pain, Heaven Gate, Countrry Diamonds, Master Strike, Great Ending, Dreaming Pandas, Olden Times, String Tyme, Wrecking Ball, Great Nineties (sketch face), Lightning Blaze, Club Night, Certain Times, Clean Bubbles, Disco Party, Stoned Heights (glaz krak font), Can Opener, Metal Block Tango, Disco Fresca, Static Heights, Chronic Deal, Fire Block, Capital State, Burger Hut, Chicken Waffles, Bro Hugs, Indie Hype, Smoking Pistols, Mega Play, Light Break, Fadevetica, Metal Block Serif, Dream Stencil, String Piano (grunge), Binaty Waters (textured), Soth West, Magic Pens (fat finger font), Mega Bits (dot matrix), Zebra Disco, Luxury Import, Rapid Sloths (Treefrog-style handwriting), Spring Rage, Delicious Mocha (textured), Tropic Disco, Sprung Breakers, Urban Trails, Many Times (textured), Spring Headliner (textured), Party Lights (rounded stencil), Slick Ride (grungy), Burn Side (textured), City Stencil (grungy), Love Joy (textured), Neon Disco, Witches Brew (halftone texture), North Beach (textured), Metal Black Naked, Metal Block Ultra, Wet Razors, Cat Meow (sketchy face), Dance Away, Salty Beach (textured typeface), Great Horizons, American Western, Start Menu (halftone texture typeface), Zip Down, World Peace, Super Round, Spring Fruit, Open Lounge, Magic Kids, Fresh Candy, Four Stars, Gold Ring, Fun Time, Dark Box, Major Clue, Alert Notice, Love Riot, High Boat, Real Hard, Canada Mist (textured), Flavor Maker (textured), Spring Daisy, Great Springtime, Danish Crack (glaz krak), High Rating, Awesome Play, Flash Dance, Super Awesome, Paint Night, Pixel Drip, Ready Start, High Flight, House Music, Alternative Nineties, Technologic, Beaver Scratches, Spring Bump, Fancy Animal, Graph Master, Many Lines, Quality Control, Hot Discovery, Disco Trap, Ripe Dusk, Spring Dance, Electrical Storm, Electro House, North Cowboy, BiteTyme, BubLight, ChronicSales, ColdSpring, DeliciousFrosting, FloweringBuds, FrenchDance (white on black), Frequency, GetAround, GiftCards, LargeCrayon, MadSkilz, MetalShred, PeaceFight, ProximaFour, RightPlace, RockingTimes, ShwedyBawls, ThinkLight, WildThang, Make Out (crayon font), Clean Dirty (another crayon font), Digital River, Jaged Edge (sic), Loathing Fear (a great Treefrog style typeface), Metal Spectacular, Quit Work (crayon font), Special Delivery, Big Crump, High Fence (glaz krak face), Delicious would, Neon Tech, Right Brew, After Work, Pit Stop (textured), Strong Void, Love Scratch, Maiden Voyage, News Worthy, Mint Coin, Hipster Bike, Ready Made, Ten Dimensional, New Highs, Banlieue Disco (textured face), Punk Event, Soup Kitchen, Such Money, The Pulse, Thirdly (3d face), Train Station (a great ultra-fat rounded sans), Goldfinger (script), Neurotick, Hawt Comix, Talking Louder, Mind Storm, Astral Projections, AncientSprawl, BeautifulThangs, BoulderRough, ChronicMethodMB, CleanSimpleDT, DropKickMB, EasyDoughDT, FairBanks, FaultLineDT, FiftyShadowsDT, FrenchPirates, FuelControl, FunMeatsDT, GrandCircleDT, GreatFriendsDT, GreatSails, HawtFriend, JuicyCultureDT, JustWriteDT, LearningMachine, LearningMachineItalic, Marijuana, MegaLife, RedPanda, SecretTickleMB, SlickRoadsDT, SmokingParadise, StarDancing, StringTheory, StrongEventDT, ThinkingAcademicDT, ThugLoveDT, California Delights (connected script), Super Freak (textured), Extra Highs, Slime Bawls, Metal Witch, Grape Soda, Little Spooky, Such Frosting, Monster Slash, Burn Time (textured), Quick Fade (textured), Urban Animal, Prison Escape, Super Fear (dripping blood font), Final Days, Racing Numbers, Pirate Spider, Walking Dead, Hatch (textured), Strawberry Longcake (curly), Mad Zombies, More Dimension (3d), Popular Culture, Princess Cake, Wine Tasting (vampire script), Toxic Powers, Zombie Treats (rough brush), Total Eclipse (brush), Whisky Lickers, Brain Washers, CityVetica, Turn Up, Basic Sharpie, Electronic Voyage, Swingers, Heavy Loading, Solid Waste (textured typeface), Swingers, HighLines (sketched typeface), IceCold (textured), ManyGifts, OpenStore, PlaidEvent (textured), RustyNail, SickDream, WantedPirates, BreakingNews, FantasticSeasons, FantasyMachine, FluShots (rough brush), GreatWinter, HeavenlyWings (sketched), KentuckyBourbon, LoveBombs (rough brush), MicroBrew, Slashtacular, XmasLite, Golden Dabs (grunge), Urban Paints, Making Ideas, Just Brains.
Typefaces from 2015: DigitalStream, EightyOne (sketched), GrandStencil, GrandZeroes, LightFuze, LiquidMagic, MetalReason, MiamiShades (shadow font), TakenBlack, TakenBlackItalic, TeaParty, WinterCrops, WonderInk (tattoo font), YoungRanger (connected script), Late Noise, Dark Papers (textured), College Thrash (sic), CrispyBones, DrawingMachine, JusticeWanted, KrampsHandso, PolarBears, SolutionFive, Shock Colours, Washer (textured), Dynamatics (textured font), Flowery Death, Pushing Sticks (dry brush font), Righty Marks (marker pen font), Baked Trains (graffiti font), Chronic Delivery (signage script), Intaglio Plains, Modern Reality (dry brush script), Nuevo Trenta, Rastaerize, World Shocker, Grape Blaster, Slate, Stencil Disco, Technocracy, Yarden Tawns, Flaunts (textured), Ringlead (textured), Freshly Thinking (script font), Plutonium (textured), Space (textured), Boulevard, Nuevo Disco, Stamp Ink, Educated, Krusty Signs, Quagent, Dusty Hotels, Cracked (glaz krak face), Amplitudes (techno sans), Frozen Rita, Beast Mode Suite (an avant garde family; +Disco), Epicenter (athletic lettering), Kitchen Cowboy (modular and spurred), Forest Lakes, Northern Montgomery, Biometric (techno family), Modernism, Higher Pixels, Grandious Vengeance (scratchy script), Second Avenue, Just Perforate, Grave Danger, California Designs, Natural Products, Boxing Chocolates, Beyond Space (textured), Asterisk, Katchy Markers (rough dry brush), Black Ties (sketched), Twenty Singles, Great Shake, Monster Energy (textured), Precious Moments (vampire script), Nuevo York (a vampire script), Faux Antique (another vampire script), Zero College, Fun Sized (drop shadow face), Blueberry Waffle, Stale Marker, 12 ounces, Raw Diet, Megadeal, Blklite (textured), Prison Break, More Candy, Fuel Tanks, Hot Bone, Break Point, Fresh Waters, Lower Haight, Carnal Devices, Juicy Boxes (sketched font), Special Case, Urban Life (dingbats), World Beings (dingbats), Twenty Something (textured), Many Fun, Expensive Solutions (brush), Dopeframes, Fun Lines, This Way (hand-crafted arrows), Rinse Wash, Trap House (crayon font), Love Marks (dingbats), Viral Fun (scanbats), Grape Dragon (brush script), Juicy Rags, Pleasure Riot.
Typefaces from 2016: Reinebow (a colr SVG font), DecoRated (art deco), Recreational (3d, outlined), Tiny Shack (3d, outlined), Sugar Cakes, Regime Change, Treasure Hunt, Taco Fiesta (Mexican simulation font), Crystal Breath, Purple Drank, Denominator, Perceptual (art deco), Realismo (futuristic), Banquetier (a monoline deco typeface), Continents, Asperian, Fonderian, DeadTasty, Distinguished, DraftHouse, FreakyTwenties (white on black poster typeface), LuckyTricks, (outlined) MajorChronic, (outlined) Moulden (outlined), OldeBarnsby, (outlined) Marquez (crayon script), Hand Typist, Fauquier, Blockchain (3d style), Zombie Story, Private Fort, Spiral, Spherism, Swaingarm Yori, Solarium (outlined techno typeface), Tracksion, Hail Stormz (grunge), Paper Scraps, BombingStencil (textured), ExtraSprinkles (textured), MagneticFriends, PerfectChisle, PrizedStudy (sketched), RealPrizesItalic (tattoo script), RealPrizesVeryItalic, SketchyBuilder, Tragic Prequel, Twisty Pixel, Movie Nite, Gaslighter, BeautyScript, BlackSmith, Education (grungy athletic lettering), Kickstop (white on black), LemonadeHustler, PrinceCharming, SurfPoint, Wickers, BigTangle (triangulated), FlavoredCrayons, FreshCandies, RedlightDistrict, SingleOrigin, SnakeBite, SpringRaces (children's script), Valencia (dry brush script), BoldDrink (textured), BrandStruck (sketched), CarteBlanche, DarkStars (sketched), FreightCarts, HipsterFactory (sketched), HugeCrunch (textured), LateVaping, Masquerade, Neturality (white on black), Playgrounds, Prescriptivism, RockSolid, SewModern, SimpleLucky, TotalFreak, Transylvania, WasteFactory, WickedSeventies, WindowMarkers, Boards (sketched), BigSmoke, BrightSigns, ClubSport, DatBox (3d, white-on-black), EasyPeople (signage script), GouldenTreatise, Invertage (white-on-black), SpaceTransit, Above Stars, Band Stand, Market Crash (glaz krak typeface), Opiated Values, Stamped Envelopes, Higher Bounties, Gothic Friends (blackletter tattoo font).
Typefaces from 2017: Abraxeous, Schwifty (outlined shadow font), Freaks (scary font), Musky Dawn, Tigerian (tiger-striped letters), Banqued (sketched), Basket of Candy, Bouquet (hand-crafted blackboard bold), Percolation, Scrapbuckets, Guangzhou (oriental simulation), Budtender (outlined), Cryptographic, Moleculan (connect-the-dots style), Robustly Brewing, Wonder Age, Graphemic, Simulacre (bilined), Squanch (squarish), Wysterium (a hatched display typeface), Value Stamp, Discover Earth, Dreaming Castle, Metal Shard, Warm Showers, Ripe Apricots, Plenty of Metal, Spackler (dry brush), Falconers, Ephemerian, Brackish Pond, Lemon Shower, Delinquence, Couper Blaque, Pelanquier, Karpow, Graphisme, Martienso, Bacon Request, Corpsey, Cloudier (cloud-themed font), Draft Quick (draftsman font), Forgivable Sin, Manufactured Consent, Comedy Show (shaded), AvailableReservation, CandyDelish, ForgeMelt (textured), FreshSteaks, FunSpace (textured), Gouldage, StuckBrayers, Substrate, SunsetBreak (textured).
Typefaces from 2018: Astonmica (hipster style), Bronium, Mastum, Brisquet (bilined), Mega Dose, Space Melons, Retaillistic (stencil), Algorithma (bilined), Basket Fries (crayon font), Elusive, Splasher, Midcentury, Miswak, Parabolic, Xelita.
In 2014, Yai made the free decorative caps typeface Craft (for craftsmen), the Greek-inspired caps typeface Hera and Destroy (2014: futuristic ornamental initials. Free download). In 2014, Tano Veron and Yai Salinas co-designed the free vector format colored display typeface Carioca.
Typefaces from 2016: The free experimental typeface Lieben, the free textured ink-saving Arial GTI and Times GTI, the high contrast didone-inspired free fashion mag typeface Ginebra, the free decorative blackletter typeface Ethelvina, and the free thin connect-the-dots typeface Fina (which was designed for Design Hooks).
Typefaces from 2017: Helena (a color all caps font), Gaia (floral caps), Aires (a free color font at Fontself), the free textured color typeface Electra, the free colorful all caps Ariel Black typeface.
Typefaces from 2018: Mercurio SVG (+color), Iris SVG, Russia 2018 (color fonts), Flux (a nicely textured all caps color slab serif), Agatha (a free tall condensed slab serif).
This is one of the most talented FontStructors, but also an active musician. On Behance, he/she is listed as Van Saarland from Hameenlinna, Finland, and on FontStruct since 2014 as V. Sarela, from Oulu, Finland.
Typefaces from 2011: Teotihuacan (inspired by a Mexican poster), Micra (a monospaced OCR-A font), Fast Driving, Rendez-Vous (a condensed serif font inspired by the cover of "The Essential Jean Michel Jarre"), Carat Condensed, Carat, Wolfen (a copperplate style condensed face), Futuroid (sci-fi), Instrumenta (after Neville Brody's Industria), Modern Vision (based on the opening credits from The Terminator and The Running Man), Future Earth (futuristic: based on a typeface used in The Terminator logo which is also the base for the font "Earth"), Phatprogy (+Extra Phat).
Typefaces from 2012: Modus Operandi, Ikonomi (squarish sans), Genera, Hexathrone, Liquid Crystal Serif, Wulthraesk (constructivist), Electionale, Major (a high contrast didone), Commandant (2012, like Futura Stencil), Comfutur (a beautiful stencil typeface with a bit of Futura Black), Qode (a retro-futuristic LED style typeface), Graphyto (a heavy slab face), Heavy Royale, Thiage (Thai simuation face), Bravis, Cirquetry, Solidis, Velocifero (bilined), Heavy Royale, Jet Set Groove, Reactor A1 (futuristic stencil), Polymoda (an abstract font), Lino II, Sequencer (+Condensed), Hertzace (square retro-futurist), Cifira (art deco), Saturation (monoline sans), Katana (+Bold, +Condensed), Countura (abstract and minimalist), Stripelane (horizontally striped), Vortexa (in the style of Data 70), In Nomine Matrix, Afterburner, Afterburner Phase II, High Rise (Western typeface), Sulaco, Polaroid, Tech Noir (a dot matrix typeface based on the nightclub sign from The Terminator), Slabbers II, Windician (art deco), Cryptocube, DMC 12, Ken Jp (oriental simulation typeface), PxlSQ, Scorpione, Monotronic, Advancer (dot matrix face), Avico, Discolyde, Film Sequence, Modern Vision (based on an unknown typeface which was used in the opening credits of The Terminator, The Running Man, Class of 1999, and also used on Robert A. Heinlein's book covers (there's a font called Heinlein which is similar)), Cromagnon, Gace, Midora Sans, Squarium (constructivist), Cheque Matte (octagonal; athletic lettering), Plusminus, Advancer Lite, Magnetofunk (retro-futuristic), Integrafia (piano key stencil face), Network9, Cechida, Rendez-Vous (condensed square slab face), Rendez-Vous II, Equantum, Karelian Stencil, Cryptocube, Neolexia, Ambiente, Stencilae (stencil), Linearis (horizontally striped), Contrafacia A and B (horizontally striped typefaces), Stereovision, Hypetron (based on the TRON logo), Degré (hexagonal), Typorabilis, Wunderkind (kitchen tile face), Kiova Captura, Biomehanika.
Typefaces from 2013: Starast Maxi, Starast Next, Lugar, Siquid (dot matrix face), Devico (constructivist), Meco (based on Meco's logo), Confiant A, Confiant B, Zerusta, Carat, Combonaut, Jet Set Groove, Cifira, Gace, Condensbit, Synditon, Abciria, Vulthraesk, Rendez-Vous (+II), Instrumenta (based on Neville Brody's Industria), Saturation, RndEX, Rewinder, Power Electronics (an octagonal typeface based on the Captain Power logo), Obsidian Deco (a gorgeous fat piano key typeface), Electrone, Plusminus, Connector Module, Scorpione, Perficio, XOX Design, Da Capo (bold slab serif), Gradiator, Phatprogy, Genexus, Finica Sharp Script, Power Electronics (based on the Captain power logo), Aftertouch (a wide sans), Telecharger, Vicenti, Modicea, Submachine (based on Stanley Davis's Amelia), Genera Deux (a computer font), Genexe, Network 9 (connect-the-dots), Square Earth, Future Earth (trekkie font based on an old Terminator logo), Cechida, Supernature, Siberiada (a great Russian simulation typeface with a medieval touch), Defigma (bilined), Carat, Back to the future (based on the movie logo; called Rewinder on FontStruct), Vibrion (techno face), Connector Module, Wunderkind (a tiled typeface), Yaguar, Pacific Serif (slab serif), Aerogenes (wide techno font), Windician, Commandant (a wide art deco stencil face).
Typefaces from 2014: Brigadier, Freelight (rounded stencil), Stencilae, Protocol Sans, Vicenti, Submachine, Dalecarian, Equantum, Twiphex, Waremann, Wolfen, Waltraud, Carat, Teotihuacan, Rendez-Vous (+II), Major (didone), Ambiente, Kiova Captura (based on the font used in Kiev camera manuals), Glissando, Vibrixean (sci-fi), Licoricette, Protagon (Greek simulation), Rewinder, Ardeus (futuristic, LED simulation), Techsyna (sci-fi), Rezonans (piano key style), Modern Vision, Trideko Display (multilined typeface), Xeometro (octagonal), Verbica, Megalith (a great black slab), Calibro.
Typefaces from 2015: Coffee,-Juice,-Food-2, Electric-Blue, Karakteristika (blackletter tattoo font), Memogo (horizontally-lined font), Proximitro, Stratus, Super-Eurobeat, Verdisquo, HI-NRG, Modern Vision (based on a font used in the opening credits of The Terminator, The Running Man, Class of 1999), Workflow (stencil), Blackwing.
Bucharest, Romania-based designer of these typefaces in 2018: Forests (a layered decorative all caps typeface), Habanos Retro, Quentin (serif), Hydra (futuristic), Lapland (a script and Christmas icons), Galla (font duo), Berthe Script, Bella Script (monoline), Storyland, Two Adventures, Andy One. [Google] [More] ⦿
Zetafonts (or: Studio Kmzero, or: ZeroFont)
Italian design firm in Firenze consisting of three graphic designers, Francesco Canovaro, Debora Manetti, and Cosimo Lorenzo Pancini. It has evolved into Italy's premier and most prolific typefoundry. Canovaro's Behance link. Also called ZeroFont and Zetafonts, this typefoundry exhales joy---in every design and presentation, the passion of the designers bubbles to the surface. Blending a delicious sense of humour and a great aesthetic taste, Zetafonts is a typographic delight. Their typefaces:
Corporate typefaces were designed for Lucca Comics and Games, Digitalic Magazine, Kair, Unicoop, and Istituto Europeo di Design.
Zilap (or: Mr. Zilap, or Zilap Estudio)
Juan Guillermo Navarro Barrios runs the design and illustration studio Zilap in Medellin, Colombia. In 2014, he created the hipster typeface Zilap Normal. In 2015, with the cooperation of LJ Design, he created the free futuristic typeface TRG Zilap and the alchemic occult typeface Zilap Geometrik. Zilap Tribu (2016) is an alchemic African tribal font, Zilap Oriental (2016) is an alchemic oriental simulation font, Zilap Corporative (2016) is designed for corporate indentities, Zilap Natural (2016) is a rounded sans typeface, Zilap Alien (2016) is an alien dingbat font, and Zilap Espacial (2016) is an alchemic space era font. Gabi Barnat designed the tribal font Zilap Barnat in 2016. Zilap Marine (2016) is a wavy display typeface. Zilap Urban (2016) is a funky hipster typeface.
Typefaces from 2017: Zilap Sound (hipster style), Zilap Precolombino, Zilap Mystery, Zilap Combat, Zilap Africa, Zilap Monograma, Zilap Black Storm, Zilap Nitro (a racetrack font), Zilap Evolution, Zilap Deep Sleep.
Typefaces from 2018: Zilap Sensitive, Zilap Russia (constructivist, Cyrillic simulation), Zilap Exclusive (pearled), Zilap Orion (futuristic).
It is unclear if Juan Navarro is the same as Luis Jaramillo, because his fonts are published under Luis Jaramillo's label, LJ Design. Fontspace link. Facebook link. Fontspace link. LJ Design Studios link. [Google] [More] ⦿