Alan Kegler

American designer of the very geometric face P22 Il Futurismo (1996), which was inspired by the graphic works of artists in the Italian Futurist movement (1908-1943), including Fortunato Depero, Fillippo T. Marinetti, Giacomo Balla, and C.V. Testi. [Google] [MyFonts] [More]  ⦿

Assaad Georges Awad

Futuristic fashion accessory and costume designer in Madrid. Behance link. Creator of Asho (2011). [Google] [More]  ⦿

Aviv Studio
[Luis Miguel Torres]

Aviv Studio in Monterrey and Mexico City consists of Diego L. Rodriguez (from Madrid, Spain) and Luis Miguel Torres. Typefaces:

• The funky futuristic alchemic caps face Alquimia (2011). Its ornamental caps are based on mathematical objects. Joint work of Torres and Rodriguez.
• Jagger (2010-2011). A sans family created by Torres.
• The futuristic alchemic face Kinesis (2011).
• Qabalah (2012). A fashion mag face.

Calum Bennett

Graphic design student in the UK who made the futuristic face Apastron (2011). [Google] [More]  ⦿

Danielle Quast Tostes

Designer in Sao Paulo, Brazil. During her studies at SENAC, she created the warm serif typeface Humbond Regular (2012) and the Victorian display face Deffugia (2012). in addition, she created Adventure Game Icons (2011) and Alien Pictogram Set (2011). [Google] [More]  ⦿

Eric Mortensen

Eric R. Mortensen is a graphic designer who is currently an MFA candidate at Maryland Institute College of Art in Baltimore, and a design intern at NASA, Goddard Space Flight Center, in Greenbelt, MD. Saturn V (2011, Lost Type) is a lower-case, space-aged slab-serif typeface conceived during a workshop with Tal Lemming of TypeSupply.com. [Google] [More]  ⦿

Exebicha

Exebicha, or Alexander, is Russian. He made the futurismo font Futurism (2011, no downloads), and Calligraphy (2011). [Google] [More]  ⦿

Fabiola Rivas Rivas

Graphic designer in Caracas, Venezuela, who created an experimental face called Futurista (2011). [Google] [More]  ⦿

Face Type
[Marcus Sterz]

Austrian foundry located in Vienna, est. in 2008 by Marcus Sterz (b. 1971) and Andrej Waldegg. MyFonts link. Unless exlicitly mentioned, all typefaces are by Marcus Sterz. You Work For Them link.

• Aldrans (2009, minimal sans).
• Anymals (2008) is one of my favorites: it has dingbats of imaginary undersea monsters.
• Asimov (2009). What is this?
• Baustelle Thin (2009, hairline sans).
• Bikra (2010, Plain and Stencil).
• Blitzplakat (2009). A poster face, white on black.
• Darjeeling (2010) is a display family inspired by both Optima and Bodoni.
• Doll (2008), Dollbats (2008).
• Flint (2008). A hand-drawn squarish face.
• Gerber (2009, pixel face).
• Grafinc (2009). An ultra fat art deco. See also Grafinc Rounded.
• Hausbau (2009, experimental).
• Idrans Medium (2010). A poster face.
• With Georg Herold-Wildfellner, he created the Victorian family Ivory in 2009.
• Letterpress (2009) is an experimental grungy family in which he mixes glyphs of three classics, Jakob Erbar's Phosphor (Ludwig&Mayer Foundry, ca. 1923), Aurora (1912, Johannes Wagner Foundry) and Permanent Headline or simply Headline (Karlgeorg Hoefer).
• Lignette Script (2011) is an extensive loopy monoline script font.
• Loki (2009). A decorative pixel family.
• The Marlowe family (2010) is pure art deco elegance---a play on geometric forms and elegance. Subfamilies include Marlowe Cocktail and Marlowe Swirl.
• Moki (2011).
• Motto (2009). An art deco face in the style of the Italian Futurismo of the 1920s, designed for using with two colors.
• Mouse (2008-2009, pixel), Mousedings (2008).
• Notdef (2009). A strange experiment.
• The handwriting face Palma (2008).
• Pinback (2009, techno).
• Scrap Outline (2008).
• Slug (2009). A geometric face made for bicoloring.
• Status (2009, super fat art deco).
• Strangelove Next (2010). This beautiful typeface was inspired by Stanley Kubrick's movie Dr. Strangelove. The original titles where designed by Pablo Ferro, who is one of the most acclaimed film title designers, especially famous for his hand-drawn lettering. Dr. Strangelove is a hairline face.
• Wenzel (2009). Handprinted.

Facetype's typeface library. [Google] [MyFonts] [More]  ⦿

Fortunato Depero

Italian designer of P22 Futurismo (1996). Or Fortunado de Pero? [Google] [MyFonts] [More]  ⦿

Franco Grignani

Designer at Nebiolo (b. 1908, Pavia, d. 1999). He was part of a team (with Giancarlo Illiprandi, Bruno Munari, Ilio Negri, Till Neuburg, Luigi Oriani and Pino Tovaglia) that designed the lineale family Forma from 1966-1970 under the direction of Aldo Novarese. Sergio Polano writes: "Alone master, the Italian visual designer, painter and photographer Franco Grignani, born in Pieve Porto Morone (Pavia) in 1908, trained as architect at the Polytechnic School of Turin (1929-1933); after being part as painter of the late, second futurism, his artistic research came across the European abstract avantgarde movements, and developed a strong interested in the perception psichology of form, that results from the Fifties in his dinamic kind of OpArt, years before it: the mastering of perception rules is expressed by his visual experiments on virtual movement, optical illusion, subperceptions, distortions, moirés, dilatations, flous and so on, applied, with no breaks, from painting to graphic design, through pictures, images, patterns, signs and words. From the Thirties he works in the field of graphic design, collaborating ia with Borletti, Breda Nardi, Cremona Nuova, Dompé, Domus, Mondadori, Montecatini, Spi, Triennale; his artistic direction for Alfieri&Lacroix printing firm is particularly interesting, as it shows an exceptional integration of words (wrtitten by himself) and images. Very well known, his trademark for Lambswool is a paradigmatic example of his approach to sign design. For 26 years he has been art director of Pubblicità in Italia, a magazine devoted to Italian advertising and visual design. He wrote many essays on design and arts, and lectured in Europe and Usa." [Google] [More]  ⦿

Futurism
[Filippo Tommaso Marinetti]

Futurismo (Futurism) is Italian art deco movement (1908-1943) launched by writer Filippo Tommaso Marinetti in his futurist manifesto. The most important artists were Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo. The wiki: Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. "We want no part of it, the past", he wrote, "we the young and strong Futurists!" The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, and they were passionate nationalists. They repudiated the cult of the past and all imitation, praised originality, "however daring, however violent", bore proudly "the smear of madness", dismissed art critics as useless, rebelled against harmony and good taste, swept away all the themes and subjects of all previous art, and gloried in science. Images from the Futurismo movement: Cyclist by Natalia Goncharova, Painting, Painting, Painting, Colin O Griffin (2008), Poster, Poster, Poster, Giovanni Coletta's bike, Marinetti's Danunzio poster. [Google] [More]  ⦿

Gabrielle Lindemann

German designer at URW++ of the wonderfully futuristic font Argonautica (2002), which she herself calls Die Hieroglyphen des Trillenniums. [Google] [MyFonts] [More]  ⦿

Greater Albion Typefounders (or: GATF)
[Paul James Lloyd]

Paul J. Lloyd's typefoundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.

Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister, Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette, Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s.

Art deco faces: Oakland (2011, multiline face gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).

Other faces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2009) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat faces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display face based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).

Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).

Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved faces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter).

Production in 2012: Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family).

Type announcements. Behance link. Klingspor link. Abstract Fonts link. Font Squirrel link. Kernest link. Abstract Fonts link.

View all typefaces by Paul Lloyd.

Images of Paul Lloyd's best-selling typefaces. [Google] [MyFonts] [More]  ⦿

Greg Omelaenko

FontStructor who made the futuristic font Aergon (2011). Aka Night Leopard. [Google] [More]  ⦿

Ipanema Gráfica
[Rubén Prol]

Brazilian photoblog site, where original fonts such as Rita (2010, slabby), Comic Arousa (2007), Nantronte (2005), Velvet Illusions (2005, retro futuristic), Vila Morena (2006), Johnyokonysm (2005), As pedras da Belle Otero (2006, an artsy pixel font), Milocha (2010, sans), Rita (2010, slab serif), and Marela (2005) may be found.

Rubén Prol (Compostela and A Coruna, Spain) created the sans face Carme (2011), which is free at Google Font Directory. Ancient Galician stone inscriptions led Prol to design Uralita (2012).

Dafont link. Behance link. Old URL. [Google] [More]  ⦿

Josip Kelava

Josip Kelava (Jay Kreative, Australia) is an art director and graphic designer. He has done typographic work for fashion mags and fashion-conscious ads such as for Mercedes (2011), Coco Vodka (2011, using an Escheresque typeface), and Click Magazine (2011, see the Olena Cherneyo illustration). Creator of the alchemic yet futuristic family Geomas (2011).

Typefaces made in 2012: Metropolis (a superb bilined retro type family, ideal for posters---free download).

Behance link. [Google] [More]  ⦿

Just My Type
[J. Randall Harris]

Type foundry, est. 2012, by J. Randall (or Randy) Harris (b. 1947, Marion, IN) in Tucson, AZ. Harris is a graphic and type designer. He created the handprinted typeface Carissa (2012), Got Milk (2012), Cutting Corners (2012), Astro (2012, retro-futurustic), Dix (2012: a slabby wood style face inspired by the poster for the 1929 film Redskin, and a desire to create a black Edwardian font with an offbeat serif), and the monoline rounded stripped-down sans typeface family Laszlo (2012: the name is an homage to Laszlo Moholy-Nagy of Bauhaus fame). [Google] [MyFonts] [More]  ⦿

Krunoslav Sokic

Croatian designer (b. 1988) of the geometric art deco face Retrocircular (2011), the techno face Carbon (2011), the script face Rosebud (2011), of Technostroked (2011), Oscilloscope (2011, texture face), Depleted Uranium (2011, a post=atomic-war grunge face), Hard Edge (2011), Space Cowboys (2011, futuristic), Broadway Lights (2012) and Odd Weight (2011).

Typefaces created in 2012: Wrong Ink (ink run face).

Devian tart link. Klingspor link. [Google] [More]  ⦿

Laura Eydmann

Graphic designer in Brixham, UK, aka Laura Pakora Design. For a University of Plymouth project, she was asked to design letterforms based on Gino Severini's work. She looked into Futurism, Cubism and Pointillism, and created the experimental face Eclectic (2010) by cutting up Helvetica Bold into angular pieces. Petallic (2010) is an experimental face based on the architecture and design of the Guggenheim, Bilbao. [Google] [More]  ⦿

Maria Magdalena Rybak

Prismatique (2011) is a noncommercial font inspired by the art deco vase Nanking from 1925---a bit in the Futurismo style. Home page at Verine Design in Lodz, Poland. [Google] [More]  ⦿

Mat Planet

Creative Alliance designer of Planet Informal, Planet Sans and Planet Serif in 1998. Alternate URL. See also here. Planet is a futuristic Greek simulation face. [Google] [MyFonts] [More]  ⦿

MyFonts: Futurismo

MyFonts selection for the keyword Futurismo. [Google] [More]  ⦿

MyFonts: Futuristic fonts

Top futuristic fonts at MyFonts. [Google] [More]  ⦿

Negro
[Ariel Di Lisio]

Negro is a design site where some commercial fonts can be found, all designed by Ariel Di Lisio who lives in Buenos Aires. Marzo (2008) is a hairline vogue face commissioned by the Argentinian mag Atypica, and Donuts (2008) is a layer of round upon a layer of round. Paz Font is a stylish night club or fashion magazine family---stunning. Lynda (2008) is an octagonal/mechanical face. Lunes (2007), Day (2007), Friday (2007) and Nigga (2007) are an ultra-fat art deco faces with an experimental edge. Love (2007) is a mini-serifed geometric beauty. Santino (2008) tries to bring waves into a simple sans face. Normal (2008) is gorgeous, geometric and galant. Mate (2008) is a geometric all caps face for magazine headlines. Caracas (2008), Soko (2009), and Stola (2008) have more geometric fantasies. Pink (2008) is experimental. Cascabel (2009) is a kitchen tile face digitized by Alejandro Paul at Sudtipos. James Font (2009) is a bullet hole-themed face. Inlove (2009, Sudtipos) is a Lubalin-style poster face designed by Di Lisio and digitized by Alejandro Paul. Typefaces shown in 2010, mostly experimental / geometric / art deco: Destiny, Drimpy, Hongki, Mobile, Moonglow, Normal, Vincent.

In 2011, Ariel published the futurismo face Saturna at Sudtipos [and I do not understand HypeForType's claim that it is an exclusve HypeForType font]. Their offices are in Buenos Aires and Caracas.

Typefaces from 2012 include Uma (with Alejandro Paul at Sudtipos: a gorgeous two-weight monoline sans family).

Behance link. [Google] [MyFonts] [More]  ⦿

Organ Studio

Australian creators of a great set of futuristic caps called Future (2011). Organ Studio is based in Perth. [Google] [More]  ⦿

P22 Type Foundry
[Richard Kegler]

Richard Kegler's fun Buffalo-based foundry, which he founded in 1995 together with his wife, Carima El-Behairy. Currently, on staff, we find type designers James Grieshaber and Christina Torre. In 2004, it acquired Lanston Type. P22 has some great unusual, often artsy, fonts. The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (2003, free), Acropolis Now (1995, a Greek simulation face done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio, Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), FLLWExhibition, FLLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), Woodcut, Garamouche (2004, +P22 Garamouche Ornaments; all codesigned with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by him as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), Preissig, Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; face by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a free typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre). In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire), Bio and photo. In house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé. P22 Declaration (Script, Signatures, Blackletter, 2009) is based on the lettering used in the 1776 Declaration of Independence. At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he will show Making Faces. [Google] [MyFonts] [More]  ⦿

raiu

FontStructor who made Hearth Perspect (2012, futuristic), Metald (2011), Metald Lite (2011), Marmor (2011, texture face), Grey State U (2010, athletic lettering), Nuts and Bolts and Wrenches (2010), SwordStruct (2010), Angulan (2010), LostMyGlasses (2009), WindStruct (2009), PixShadow (2009), Keychain (2009), and AlmostBold Tiny (2009). [Google] [More]  ⦿

Resistenza
[Giuseppe Salerno]

Giuseppe Salerno (aka Resistenza.es) is an Italian graphic designer, specializing in web design. He currently lives and works in Valencia, Spain.

In 2010, he made the circular multiline face Afrobeat (+Light), the fat counterless face Vito Sans (2010), Wonderwall (2010, like a skeletal construction), the high-contrast art deco face Zaza (2010), and the pure Italian vintage art deco face Luxx (futurism).

His type blog is called It's Not My Type. Behance link. Klingspor link. Creattica link.

Other work: an art deco poster.

Direct links to his fonts: Zaza, Afrobeat, Vito Sans, Luxx, Wonder Wall, Afrobeat Light.

Creations from 2011: Ratatan, Bodoni At Home (a handpainted Bodoni), Arcanotype (2011, delicate caps, individually drawn using Chinese ink on Japanese calligraphy paper), Babushka (2011), Dolce Caffe (2011, handprinted), Adelaida (handprinted poster face), Monella (octagonal).

Production in 2012: BLAQ (an ornamental blackletter caps face inspired by Henry W. Troy), The Bay (handprinted all caps poster face), Bratislove (an artsy hand-drawn typeface), Modernissimo. [Google] [MyFonts] [More]  ⦿

Robert de Neit
[Robert N. de Niet]

Litewait is a UK based type design company. Its page requires shockwave, and will stop those without. Even with Shockwave installed, this site is a time-sink. Commercial faces: Adrenalin (Robert N. de Niet, 140 USD), and Alladin, Albert Speer, Astropogo, Beewing, Chemical Child, Concept Sans, Cool Iron, Cordial, Dedica, End of the Cat People, Flux, Generation, Harrass, Hyperion (1998), Issey, Light Bits, Lo-Fi, Lord Haw Haw, Must-Have-Her, Newq, Ovoid, Pan, People, Prince, Pyrex, Reform, Royalty, Rubber Nipple, Stitch Cross, Testface, Very. Robert de Niet is also the [T-26] designer of the futuristic fonts Lord Haw-Haw (1998), Hyperion (1998) and Adrenalin (1998). MyFonts spells his name de Neit. Other write de Niet. [Google] [MyFonts] [More]  ⦿

Samsun Lawson

Farnham, UK-based designer of the triangular modular face Nineninenine (2010). [Google] [More]  ⦿

Sasa Petricic

[T-26] designer of the headline face Archangel and the accompanying dingbat font Archangel Iconi (1998), as well as the futuristic ITC Astro. Klingspor link. [Google] [MyFonts] [More]  ⦿

Selective Trill

Student at UWE in Bristol, UK. Creator of Jank and Jank Reverse (2011, FontStruct), a pair of futurismo faces. [Google] [More]  ⦿

Stefano Mazzari

Italian designer of Futurism (2005). [Google] [More]  ⦿

Yautja

This is one of the most talented FontStructors. He/she made Teotihuacan (2011, inspired by a Mexican poster), Micra (2011, a monospaced OCR-A font), Fast Driving (2011), Rendez-Vous (2011, a condensed serif font inspired by the cover of "The Essential Jean Michel Jarre"), Carat Condensed (2011), Carat (2011), Wolfen (2011, a copperplate style condensed face), Futuroid (2011, sci-fi), Instrumenta (2011, after Neville Brody's Industria), Modern Vision (2011, based on the opening credits from The Terminator and The Running Man), Future Earth (2011, futuristic: based on a typeface used in The Terminator logo which is also the base for the font "Earth"), Phatprogy (+Extra Phat), Wulthraesk (2012, constructivist), Electionale (2012), Major (2012, a high contrast didone), Comfutur (a beautiful stencil face with a bit of Futura Black), Qode (2012, a retro-futuristic LED style typeface), Graphyto (2012, a heavy slab face), Heavy Royale (2012), Thiage (2012, Thai simuation face), Bravis (2012), Cirquetry (2012), Solidis (2012), Velocifero (2012, bilined), Bravis (2012), Heavy Royale (2012), Jet Set Groove (2012), Reactor A1 (2012, futuristic stencil), Polymoda (2012, an abstract font), Lino II, Sequencer (+Condensed), Hertzace (2012, square retro-futurist), Cifira (2012, art deco), Saturation (monoline sans), Katana (2012, +Bold, +Condensed), Countura (2012, abstract and minimalist), Stripelane (2012, horizontally striped), Vortexa (2012, in the style of Data 70), In Nomine Matrix, Afterburner (2012), Afterburner Phase II (2012), High Rise (Western typeface).

Abstract Fonts link. [Google] [More]  ⦿