Aan Kurniawan
[AK Desain (or: Bangun Studio)]

[More]  ⦿

Aaron Chiffers
[Arctype]

[MyFonts] [More]  ⦿

Abto Creative
[Tommy Suhartomo]

Bandung, Indonesia-based designer of the glitchy futuristic typeface Hyperizo (2020) and the free connected outline typeface Fortrack (2015). [Google] [MyFonts] [More]  ⦿

A.D. Veras

During his studies at LPU Cavite, A.D. Veras (Naic, Philippines) designed the triangulated futuristic typeface Space Rover (2018). [Google] [More]  ⦿

Adorae Types
[Emilia Adorno]

Argentinian designer of Cookie Time (2021: script), Arkhania (2020: a vampire script for Halloween), Aeonian (2020: a 12-style retro futuristic sans), Nature Boy (2018, a display type that is almost art nouveau). [Google] [MyFonts] [More]  ⦿

Ahmad Syarif Afandi
[Peterdraw (or: Delapan Studio)]

[MyFonts] [More]  ⦿

Ahmad Zulfikar Ali
[Zet Design (or: Afredo.fk, or: Seventype)]

[MyFonts] [More]  ⦿

AK Desain (or: Bangun Studio)
[Aan Kurniawan]

Makassar, Indonesia-based designer of these typefaces in 2017: Gaja Hidoep, Crashand, Blank (sci-fi), Fontolo (poster sans), Teratur (trekkie font), Hallows (pointy Halloween typeface), The Future, Legend, Asman Script, Trying Brush.

Typefaces from 2018: The Shift (a modular monoline sans), Irisan, Boya (minimalist rounded sans), Lonjong, Akur, Tebal, Lhove, Bunga, Grand Pix (art deco), Balle (thin sans), Tulisan (signature font).

Typefaces from 2019: Be Signature, Rama dan Karim (an arabic emulation font). [Google] [More]  ⦿

Alan Kegler

American designer of the very geometric typeface P22 Il Futurismo (1996), which was inspired by the graphic works of artists in the Italian Futurist movement (1908-1943), including Fortunato Depero, Fillippo T. Marinetti, Giacomo Balla, and C.V. Testi. [Google] [MyFonts] [More]  ⦿

Albert Filatov
[Alfi Design]

[More]  ⦿

Alberto Villanueva

Alberto Villanueva (b. 1982) lives in L'Hospitalet de Llobregat near Barcelona. He designed the gothic display typefaces Cintia (2013) and Scythe (2013).

Typefaces from 2014: Brava, Otrebla, Naula, Aghila, Wex, Malk, Fulgura, Dawner, Hebe, Mulago, Wako, Senzi, Awelita, Serpi, Connexion (circuit typeface), Caramelo, Matcha, Pazuzu, Rustika (art nouveau).

Typefaces from 2015: Drabe, Respingo, Keyla, Greenstone, Linu (bilined).

Typefaces from 2016: Molona (brush script), Zem (a futuristic typeface), Uglygraphy, Glabori, Campana (vector font), Grobb, Xtravagant, Wouliane, Kuasar.

Aka Albertako. Dafont link. Creative Market link. [Google] [More]  ⦿

Alex Banks

Alex Banks (AB Design; b. 1983) is based in Warrington, UK. Creator of the free octagonal font Sliced AB (2006) and the chunky Chukny (2013). In 2015, he made the free rounded sans typeface Duster AB.

In 2016, he designed the squarish Flat Four typeface family.

In 2018, he published the speed-themed techno typeface Hachiroku86, the pixel / video game font Gridner AB, the industrial futuristic typeface Karbonis, and the modular monoline typeface Shampoo AB.

Typefaces from 2019: Spectrum (wavy, techno).

Typefaces from 2020: Initium (a glitch font family), Exolus (futuristic), Bear Hunt (a national park font), Undertow (squarish), Luna Parc (rounded, techno), Classic Retro.

Devian tart link. Behance link. Another Behance link. [Google] [More]  ⦿

Alex Rosario
[Alex Rosario Type]

[MyFonts] [More]  ⦿

Alex Rosario Type
[Alex Rosario]

Alex Rosario (b. New York City) revived Roc Mitchell's retro-futuristic phototype Corporate as Corporatus (2018).

As Neologix on FontStruct, he made these pixelish or modular typefaces: Harpoon Art (2016, loosely based on Dan X. Solo's Lampoon), Negesis (2014-2017, after the Sega Genesis logotype), New Era Software (2014-2017), Trigger (2011-2018: a pure pixel family). Alex explains: Descended from the classic Chicago font, Trigger Bold is a recreation of the original dialogue font from the award-winning game, Chrono Trigger.

Other typefaces include Ensconce Sans (2017; free demo): Taking inspiration from the Univers family of typefaces, Ensconce is a project undertaken to recreate in a digital format the work originally performed by Girvin Design for the English branding of the Super Nintendo Entertainment System. Taking great measures to retain the design choices of the original logotype, Ensconce has been successfully used to recreate the SNES logo currently in use on Wikipedia. [Google] [MyFonts] [More]  ⦿

Alex Traian Munteanu
[Zeppelin Graphics]

[More]  ⦿

Alexandre Pietra

Student-designer in Montreux, Switzerland, who created the free futuristic display typeface Lombok in 2014. [Google] [More]  ⦿

Alexe Popescu

Graduate of the Design Department of the National University of Art in Bucharest, Romania. He created these typefaces:

• Grog
• Link (2009)
• Vengo: an organic typeface
• Zeka: a space disco typeface based on semicircles

Alexey Kuzmenko

Zaporozhchyne, Ukraine-based designer of these custom (logo) typefaces in 2016: Sage (modular), Sport (techno), Space (futuristic)Shark (techno), Get Better, Juno (multiline headline face), Impossible (sans), Vintage, Faster Stronger (techno), Sheriff (Western), Airborn. [Google] [More]  ⦿

Alfi Design
[Albert Filatov]

In 2018, Albert Filatov (Saint Petersburg, Russia) published Citifont, a Latin / Cyrillic serif typeface with a robust outlook, that according to him was made for navigation in the city of Saint Petersburg, Russia.

In 2018, he designed the futuristic / sci-fi / LED font Space for Latin and Cyrillic, and the wide display sans typeface Muha. Port Anchor (2018) is a decorative typeface.

Typefaces from 2019: Raster (a free blocky constructivist font). [Google] [More]  ⦿

Alfiyan

Aka Logo Labs. Tangerang, Indonesia-based designer of the signage typeface Ready For Fashion (2016), the handwriting font Marseille (2018), Swag Marker (2017), and the futuristic / techno typeface Hermes (2017).

In 2018, he designed the free script typeface Billie Harley and the signature font family Sam & Sally.

Typefaces from 2020: Marmoreal (calligraphic), Herschel (font duo), Gorga, Diandra (a signature font), Fringland (calligraphic), Chasmophile (calligraphic), Behofeel (calligraphic), Candelion (calligraphic), Avital, Bandakala (script), Andamar (sans), Andamar Script (a signage script), Anaximander (a display serif), Almerian (a monoline script), Jansky (a signage script), Raya (vintage), Milestone (a signage script), Malbrouck (a penmanship script). [Google] [More]  ⦿

Alfredo Herraez

Madrid-based designer of the futuristic typeface Cyborg (2015). [Google] [More]  ⦿

Alissa Kastendick

Lawrence, KS-based designer of the dot matrix / pixel typeface family Pixillusion (2017). In 2015, she designed the retro futuristic typeface MidCentury. [Google] [More]  ⦿

Allie Welch

For a school project, Allie Welch (Lawrence, KS) created an octagonal futusistic typeface in 2013 called Spacegirl. [Google] [More]  ⦿

Andrea Pela

Torino, Italy-based designer of the retro futuristic typeface Future Banco (2018). [Google] [More]  ⦿

Andrés De Vit

Designer and illustrator in Buenos Aires. Creator of the futuristic serifed caps typeface Futuroni Serif (2011).

Behance link. [Google] [More]  ⦿

Andreas Krisanto

Photographer in Singapore who created the futuristic typeface Dystopia (2015). [Google] [More]  ⦿

Andrew & Emily Beauman
[Badspark]

[More]  ⦿

Andrew Young
[Disaster Fonts]

[More]  ⦿

Antitype
[Chris Corrado]

German designer of the retro futuristic typeface family Taranto (2020). [Google] [MyFonts] [More]  ⦿

Anton Hurski

Minsk, Belarus-based designer of the free hipster (vector format) typeface Cosmic (2017). He also designed three free gorgeous Latin calligraphic brush typefaces in 2017. Designer of the hand-crafted Handic (2017), the athletic lettering font Hardcore (2017), Stencil (2017, which, remarkably, is not a stencil font), the brushed Graffitist (2017), the display sans Interface (2017), the vintage typeface Old Time (2017), the brush script typeface Drive (2017) and the brushed calligraphic typefaces simply called 1, 2 and 3 (2017). Behance link. [Google] [More]  ⦿

Antonio Filigno

Graphic and brand designer in Turin, Italy. His typefaces include the black geometric sans typeface Filo Black (2021) and the free Futurismo-inspired Italian art deco typeface Italico (2021), a trend that flourished during the Ventennio, i.e., the twenty years of fascist rule in Italy (1922-1943). [Google] [More]  ⦿

Antonio Vignali
[RM WD]

[MyFonts] [More]  ⦿

Arctype
[Aaron Chiffers]

Falmouth, UK-based designer of Tetsuo AT (2019: a geometric, futuristic and monospaced typeface; +Stencil), High Tide AT (2019: inspired by the lettering of the fishermen of Cornwall), and the copperplate-inspired all caps typeface, Caeli AT (2019), for Latin, Greek and Cyrillic. [Google] [MyFonts] [More]  ⦿

Ardyan Permana
[Omaikraf Studio]

[MyFonts] [More]  ⦿

Ari Juanda
[Line Creative (or: Line Studio)]

[MyFonts] [More]  ⦿

Ari Sandi
[Tosca Digital]

[More]  ⦿

Ariel Di Lisio
[Negro]

[MyFonts] [More]  ⦿

Aring Typeface
[Måns Grebäck]

Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:

• Acryle Script (2014).
• Actonia (2016). A monoline script.
• Adielle (2018).
• Aerofoil (2017). A vintage bottom-heavy script.
• Airways (2016). A signage script.
• Akayla Script (2018). Calligraphic.
• Aliment (2018). A sharp geometric sans.
• Amertha (2020). a fat finger font.
• Amplify (2013). A signage script.
• Angars Runes (2019: medieval, with gothic cathedral curves).
• Angilla Tattoo (2013). A connected spurred tattoo typeface. Followed by Angilla Script (2020).
• Antlers (2012). A calligraphic script.
• Aquate Script (2019).
• Arachnids (2011, graffiti face)
• Artely Inks (2016).
• Artographie (2020). An all caps art deco typeface family.
• Atelas (2015). Signage type, baseball script.
• Atures (2018). Futuristic and monoline.
• Autograf (2015). A signature typeface.
• Ave (2016) in styles called Ave Utan, Ave Betwan and Ave Fedan. A family of baseball scripts.
• Avelana. A connected script.
• Backpack (2014). A thick signage script typeface.
• Backyard (2016). A blackletter typeface.
• Barkants (2011, elegantly hand-printed family).
• Barley Script (2017). A signage script.
• Beautiful Trouble (2012). A rabbit-eared upright connected script.
• Beaked Tyrant (2014). A copperplate calligraphic script.
• Beckasin (2011, signage face)
• Before The Rain (2011, calligraphic) Before The Rain Arabic (2016).
• Bellino (2018).
• Bezar (2020). A script.
• Billion Dreams (2020, by Mans Grebäck and Rangga Subekti). A heavy signage script.
• Billion Stars (2013). A tattoo script font.
• Bira (2012). A retro connected brush / signage script.
• Blaak (2019).
• Black Fox (2014). A sirupy brush face.
• Black Larch (2016) and Dark Larch (2016).
• Bloc Boy (2016). Like handwriting.
• Blockography (2011). A sketched typeface.)
• Block Talk (2011, with Zaydek Michels-Gualtieri)
• Blods (2011, a great blotty brush face)
• Blueberry Script (2017; with Noah Kinard).
• Botanink (2011)
• Brannboll (2011, baseball signage face), Brannboll NY (2013), Brannboll Connect (2020), Brannboll Stencil (a baseball script) (2020).
• Bready (2011). A retro signage script with art nouveau aroma.
• Brev Script (2014). A connected secretary hand from the 19th century.
• Bronze Script (2014).
• Brother Tattoo (2012).
• Bumblebees (2012). A plump curvy script.
• Bunya (2016). A geometric slightly deco sans typeface family.
• Calendary Hands (2012).
• Caligraf (2020).
• Canela Bark (2015, co-designed with Luis Miguel).
• Caneletter Sans and Script (2013). Upright unconnected and connected scripts.
• Cantona Script (2019).
• Capoon (2018). A ten-style sans family.
• Caprica Sans (2014) and Caprica Script. A plump script.
• Caravela (2020). A pirate map script.
• Casat Cap (2017). An all caps brush typeface family.
• Caster (2019). A heavy poster script.
• Castro Script (2012).
• Celebrater (sic) (2012). An oily font.
• Cellos Script (2013).
• Centeria Script (2012).
• Channel (2011, connected upright script)
• Chapel Script (216). For signage.
• Characteristic (2011).
• Chavenir (2011).
• Chinal (2018).
• Choko (2011, released in 2016). Chocolate and cream-themed decorative typeface.
• Christmas Miracle (2018), Christmas Reign (Tuscan, all caps) (2020), and Christmas Sparkle (2018).
• a href="https://www.myfonts.com/fonts/mawns/chrysante/">Chrysante (2020). A monoline flowing pen script.
• Clear Line (2012). A fat finger / signage typeface.
• Clipper Script (2011).
• Clothe (2017).
• Coneria Script (2012). A connected script.
• Conture Script (2018). Elegant, classical, and with exaggerated capitals.
• Crackin (2011).
• Crunchy (2016). An upright connected script.
• Cruz Quaste (2020). A hand-crafted blackletter typeface.
• CutScript (2011, connected script)
• Dark Crow (2020). a dry brush script.
• Ebbing (2018).
• Echinos Park Script (2012).
• Ederson (2018). A vintage signage script.
• Ekologie Hand (2012).
• Elaya Script (2019). A creamy signage script.
• Electronics (2017). A retro signage script.
• Elevate (2016).
• Emiral Script (2017). A baseball script.
• Encina Script (2016). A thin calligraphic typeface.
• Enlighten (2011)
• Delinquente (2012).
• Denigan (2011, hairline)
• Equal Sans (2012).
• Espesor Olas (2011, fine hand-printed calligraphic family)
• Esplanade Script (2015, by Mario Arturo).
• Ethernal (2017). A connected script.
• Europe Underground (2010, geometric sans with a hairline weight).
• Fabulous (2017) and Fabulous Gold (2017). Signage script.
• Falkin Sans (2016), Falkin Script (2016), Falkin Serif (2016).
• Faltura (2011, constructivist), Faltura Alien (grunge), Faltura Guerra (grunge)
• Faltura Animals (2011)
• Feathergraphy Decoration (2011, calligraphic).
• Dollie Script (2013).
• Duera (2016). A variable width sans typeface family.
• Fat Wandals (2018). A graffiti font.
• Feathergraphy Clean (2011).
• Fibography (2013). A caps typeface composed of fibers.
• Filbert Brush (2012), Filbert Color (2013, a soft brush font).
• Finition (2017). A connected brush script.
• Fireplace (2020). A connected script.
• Firstly (2020). A flowing calligraphic signature script.
• First Lyrics (2011).
• Flighter (2018). A retro airplane font.
• Fondy Script (2018).
• Frankentype (2013). An all-caps brush typeface for signage.
• From Skyler (2016).
• Funkygraphy (2011, fat and counterless).
• Gecko (2015, a fine creamy signage script).
• Geza Script (2017). A great angular almost Arabic-looking script.
• Ghang (2011, graffiti family).
• Gingo (2020). A script.
• Graced Script (2016). A wide calligraphic connected brush script.
• Grandi (2016). A ten-style display sans.
• Greback Grotesque (2012). The Thin is very very thin.
• Gretoon (2011, cartoon family)
• Griphite (2018). A rough brush typeface.
• Guld Script (2015).
• Habanero (2016). A fat signage typeface.
• Handtalk (2010, silhouettes)
• Harbell (2013).
• Hard Block (2011, Western slab face)
• Haydon Brush (2016).
• Hemicube (a wide squarish all caps sans) (2020).
• Hemmet (2013). A signage script.
• Hierograf (2016). A layered textured hand-crafted poster typeface family.
• Hitalica (2011).
• Honeymoon (2017). A connected script.
• Housegrind (2013, connected script).
• Hoyle (2020). A slab serif.
• Impregnable (2013). A connected script.
• Indiana Script (2017). A baseball script.
• Inked Bones (2019). a hand-painted blackletter font.
• Intrique Script (2013). A baseball script.
• Isle Body (2019), Isle Headline (2019).
• Jacked Eleven (2011), Jacked Eleven Highlight (2011), Jack Pirate (2020: a tattoo blackletter typeface), January Script (2013).
• Jaymont (2018). A sharp-edged wedge serif typeface family.
• Kandira (2018). A sleek sans family.
• Kanvas (2020). A script typeface.
• Kerater (2011, sans)
• Lace 2.0 (2012). A thin connected script co-designed with Matteo Milazzo.
• Lacosta (2020). A signage script.
• Kompar (2018).
• Krinkes (2015, baseball script). A connected swashy signage script.
• Kurri Island (2020).
• Lakesight (2014). A connected script.
• Larch (2016). A crisp script typeface.
• Las Enter (2013). A neon light script.
• Let Me Ride (2011)
• Levitee (2011, a lively connected script).
• Lighthouse (2013). A bold high-contrast script face.
• Lina Script (2012). A tattoo script done with Vicky Mardian.
• Lourino (2018).
• Low Casat (2017) and Low Casat Fat (2017).
• Lyrics Movement (2011, tall-ascendered hand).
• Lyster (2020).
• Mainland (2018). A sans family.
• Mainstream (2017). Graffiti style.
• Martyric (2014, brush script),
• Masteries (2013). A connected formal script.
• Mastoc (2014).
• Mean Casat (2018).
• Medish Script (2018). A great calligraphic handwriting typeface.
• Together with Noah Kinard, he designed the calligraphic typeface Melay Script (2016).
• Middle Ages (2019). A Lomardic blackletter in Regular and Deco styles.
• Milasian Circa (2015) and Milasian. A connected script.
• Merry Christmas (2015). A retro script in Flake and Star styles. Followed in 2017 by the color script font Merry Christmas Color.
• Milkyway Hotel (art deco sans).
• Mistuki (2015). An oriental brush simulation font.
• Mochary (2016). A signage or tattoo script.
• Molly Sans (2019). Caps only.
• Monsta Tag (2013): a graffiti font.
• Motion Picture (2013). A heavy connected retro script.
• Mount (2012).
• MAWNS Graffiti (2010) and MAWNS Serif (2010)
• MAWNS Handwriting (2010).
• Made With B (2011, sketched face).
• Mardian (2012). A calligraphic tattoo script done with Vicky Mardian.
• Markera (2011, marker pen family)
• Many Weatz (2011)
• Mawns Rock (2011)
• Monoment (2011). A fat upright connected script.
• Monosphere (2012-2016). A futuristic monospaced typeface.
• Nacinth (2020). A script.
• Nino Script (2018). A tattoo font.
• Normale (2014). A set of distressed typewriter fonts.
• Notera (2014). A connected handwriting font. Followed by Notera 2 in 2018.
• Odenburgh (2020). A medieval calligraphic typeface.
• Optien (2011, techno face)
• Ordinatum (2011, a severe sans)
• Ornamental Versals (2011, ornamental caps)
• Painter (2016). A sign painting script.
• Pennybridge 1563 (2010, blackletter)
• Pharmount (2014). A calligraphic connected script.
• Phraell (2013). A great italic formal calligraphic script with optional swashes.
• Pigeon (2016).
• Pineapple (2012).
• Plates Napery (2015).
• Plicata (2016).
• Pligo (2016). A balloon or cartoon font.
• Preside (2017).
• Prime Script (2012).
• Prognostic (2011)
• Qaskin (2015). A semi-formal connected script typeface with Black and White (outlined) styles.
• Qraxy (2016). Quache Variable (2020) and Quache (2020). A 28-style flexible sans family.
• Querino Sans (2019). A very bold sans. Followed by Querino Script (2019).
• Quickier Pro (2012). A swashy calligraphic script face.
• Quincho Script (2016).
• R-2014 (2011, LED face)
• Race Fever Pro (2015, in Brush and Pen versions) and Race Fever Brush (2015).
• Radio 187.5 (2010, techno family)
• Rakoon (2014). A creamy ultra-fat upright script. Followed by Rough Rakoon in 2016.
• Rangly (2017-2018). A paint roll font.
• Raspberry Script (2017).
• Recorda Script (2013). A formal calligraphic script.
• Reditum (2014). A decorative script.
• Reeler (2014, with Noah Kinard).
• Remachine Script (2013). Retro signage script. In 2020, Mans added Remachine Script Arabic.
• Respective (2011, calligraphic script, +Swashes)
• Rider (2011, a 30-style "versal" sans family)
• Ringer (circle and arc-based sans)
• Ristella (2017). A baseball script.
• Roona Sans (2018: modernist and organic curves).
• Ropest (2018). A rope font.
• Roskrift (2011, calligraphic; + Roskrift Clean).
• Roughen (2020).
• Rurable (2015).
• Ruthless Wreckin (graffiti typefaces), Ruthless Drippin' (dripping paint family)
• Safir Script (2016). A fat baseball script.
• Saker Sans (2017).
• Santa Claus (2019). A blackletter typeface, accompanied by Santa Claus Deco, a snow crystal font.
• Scantype (2016).
• Sculptor's Hand (2011, connected chancery hand)
• Second Lyrics (2011, Treefrog-style handwriting)
• Sequal (2020). Graffiti style.
• Sicret (2020) and Sicret Mono (2020). An all caps family.
• Servin' for Salute (2011)
• Goatskin Brush (2015). A great brush typeface.
• Shaded Larch (2016).
• Sharpe (2019). A sharp-edged high-contrast serif typeface family. See also Sharpe Variable (2020).
• Shenandoah (flowing signage script).
• Shimes (2015).
• Shipped Goods (2011). A copperplate calligraphic script.
• Shortbrush (2011)
• Signerica (2011, connected flowing hand)
• Sketchica (2011, sketchy face)
• Skyzhi (2016). An advertising headline typeface.
• Society Editor (2013, connected script).
• Snacker Comic (2013).
• Snowstreet (2013, an octagonal typeface) and Snowy (2013).
• Some Weatz (2011, calligraphic, copperplate; +Swashes)
• Sonika (2018).
• South African (2014). A movie poster brush typeface.
• Southern Aire (2013, connected script face).
• Specify (2016). A 40-style sans family.
• Spoken (2019). A graffiti font.
• Leaders (2020). A blackletter font.
• Square Worm (2011)
• Stackyard (2015). A script.
• Stainy (2013). A signage script.
• Starella Script (2019) and Starella Tattoo (2019).
• Starge (2019).
• Starkey (2020).
• Strawberry Script (2017).
• String Lines (2018).
• Stroke Dimension (2011, 3d face)
• Suecos Locos (2011---yummy!).
• Sultan Cafe (2014). An interlocking poster typeface.
• Sunny Sam (2020). A script typeface.
• Sverige Script (2012). Calligraphic wedding font.
• Tall Casat (2018).
• Tamoro Script (2014).
• Taylor Hand (2020). A signature script.
• Tevegraphy (2011, elliptical)
• The Hills (2017).
• The World is Yours (2011, quaint)
• Throwupz (2011)
• Toley Hand (2019).
• Tipbrush Script (2011).
• Tomino (2016).
• Top Comic (2013). A very fat cartoon bubble face.
• Treehouse (2011, upright connected script; +Snowhouse for a snow-covered version)
• Tusch Touch 1 (2011)
• Two and Three (2011: a tattoo parlor blackletter family)
• Typographic Onedalism (2011, graffiti simulation face).
• Undergone (2014). Decorative and calligraphic.
• Unthrift (2015). A pen script.
• Vacer Sans and Vacer Serif (2016). The latter is a slab serif.
• Validity Script (2020, with Misti Hammers).
• Ventography (2013). A bold signage script.
• Waiter (2017).
• Walk Da Walk One
• Wandals (2018). A graffiti font.
• Wankstaberg Battles (2010, a tall fat script)
• White Larch (2016). A connected script typeface.
• Wild Growth (2011).
• Winfield Script (2019).
• Xtreem (2012) and Xtreem2 (2014).
• Yanty, Yanty Big, Yanty Script, and Yanty Script Big (2012).
• Yaquote Script (2014).
• Yaty (2019).
• Yoghurt (2011).

View Mans Grebäck's typefaces.

Abstract Fonts link. Fontspace link. MyFonts link. Another URL. Dafont link. Klingspor link. Buy fonts directly from Måns Grebäck. Old URL. [Google] [MyFonts] [More]  ⦿

Assaad Georges Awad

Futuristic fashion accessory and costume designer in Madrid. Behance link. Creator of Asho (2011). [Google] [More]  ⦿

Astigmatic One Eye
[Brian J. Bonislawsky]

Astigmatic One Eye (AOE) has lots of nice original fonts by Brian J. Bonislawsky (b. 1973, Pittsburgh, PA). Many are free, others are not. AOE joined Font Brothers Inc in 2006. Brian Bonislawsky currently lives in Las Vegas, NV.

Fontsquirrel link. Dafont link. Fontspace link.

A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco typeface at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2011, free typewriter face), Aclonica (2011).

Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline; + grungy version), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (2004), Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003: papercut sans), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Mervale Script Pro (2012: a brushy script based on the 1940's Fawcett Publications Mary Marvel comic), Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE (described as a bacterial stencil typeface), PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie, BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth (an eerie brush script), Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper (Halloween font), Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier.

At Bitstream in 2001, AOE published Cavalero, Stingwire and Tannarin. And in 2002, he published the comic book font Big Limbo, Euro Machina BT and Islander there. Bio at Bitstream.

In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm.

In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum.

From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong.

In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif typeface Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012).

In 2011, several other typefaces followed there, like Ultra (fat didone), Maiden Orange, Special Elite, Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display typeface at Google Web Fonts).

Contributions in 2012: Marcellus (2012, Trajan, flared roman, at Google Fonts and CTAN), Eagle Lake (a free calligraphic font at Google Web Fonts), Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation typeface inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts), Romanesco (Google Web Fonts: a narrow calligraphic style), Galindo (Google Web Fonts), Oregano (Google Web Fonts: based on cartoon style lettering of calligrapher and logo designer Rand Holub. This style of hand lettering adorned many retro brochures and advertisements of the late 40's through the 1960's), Peralta (Google Web Fonts: an Egyptian comic book face), Eagle Lake (Google Web Fonts: calligraphic), McLaren (Google Web Fonts: comic book style alphabet), Freckle Face, Hanalei Fill, Hanalei [Polynesian bamboo or tiki lettering], Purple Purse, Margarine, Risque, Clicker Script [image], Stalemate [a gracious script, by Jim Lyles for AOE], Mouse Memoirs, Quintessential [Google Web Fonts: chancery hand], Bigelow Rules, Englebert [Google Web Fonts: from the title screen of the 1930's film titled Der blue Engel, starring Marlene Dietrich], Sacramento [Google Web Fonts: connected script].

Typefaces from 2013: Freckle Face (grunge), Grand Hotel, Purple Purse (Purple Purse draws its inspiration from a vintage Ivory Soap ad from the 1950's. Somewhat of a cross between Bodoni and Pixie, this font finds that it never truly takes itself seriously).

Stiggy & Sands is the American type foundry of Brian Bonislawsky and Jim Lyles, est. 2013. Their first commercial typefaces, all jointly designed, are Luckiest Guy Pro (a fat comic book font based on vintage 1950s ads) and Marcellus Pro (a flared roman inscriptional typeface with both upper and lower case, originally published in 2012 by Astigmatic).

Typefaces from 2014: Franken Jr AOE Pro (inspired by the title screen from the 1966 Hanna Barbera cartoon Frankenstein Jr), Good Eatin Pro AOE (inspired by the title screen from the 1942 Warner Bros. cartoon Dog Tired), Ghostkid AOE Pro (comic letter style).

Typefaces from 2015: Shanks Antique 5 AOE (after the newspaper typeface Memorial (1865, Stevens, Shanks & Sons)), Reliquaire AOE (a somber blackletter typeface inspired by Memorial (1881, Boston Type Foundry)).

Typefaces from 2016: Mailuna Pro AOE (a gothic sans), Kentish AOE Pro (art deco). Reardon AOE (a digitization of a film typeface called Joyce Black by LetterGraphics), Berkmire AOE (1970s style robot-inspired techno font), Blackheath Pro AOE (this typeface started as a digitization of a film typeface called Roberts Square by LetterGraphics), Delaware Pro AOE (art deco), Rutland AOE (a futuristic font that is a digitization of a film typeface called Maccaro by LetterGraphics). In 2016, Brian J. Bonislawasky and Jim Lyles published the rugged octagonal mega typeface family Tradesman at Grype. In 2017, they added the art deco typeface Cowling Sans AOE (which is based on alphabet from "Lettering for Commercial Purposes" by Wm. Hugh Gordon). In 2018, they published the letterpress emulation typeface Prison Pro, Pink Sangria (50s style movie font), Manic Tambourine, Motenacity (a Martian cartoon font), the old typewriter font Office Memorandum Pro, and the Flintstone font Strongman.

View Astigmatic's typeface library. View the typefaces made by Brian Bonislawsky.

Fontsquirrel link. Dafont link. Fontspace link. Creative Market link. [Google] [MyFonts] [More]  ⦿

Aswin Menon

While at the National Institute of Fashion Technology, Bangalore-based graphic designer Aswin Menon created the free ball terminal-laden Latin display typeface Mysore (2015). In 2018, he published the Latin / Sanskrit fusion font Yuga, and the squarish futuristic and dystopian cyberpunk typeface Neototem. [Google] [More]  ⦿

Asyan Design
[Ismail Abdurrasyid]

Bantul, Indonesia-based designer of several icon sets (Ecommerce, Football, Bathroom, Moslem Worship), and hand-crafted typefaces sucxh as Kinley (2019: monoline script), Layla Script (2019), Star Medina (2019: an Arabic simulation typeface), Zamalek (2019: a script typeface), Seggo Jagung (2019: a minimalist monoline sans), Jaguar (2019: squarish), Sinau (2019: a script typeface) and Modaz (2019: an all caps brush typeface for horror applications).

Typefaces from 2020: Sharifa (script), Emyrla (2020: a minimalist futuristic sans), Samosan (2020: titling sans), and Marrowish (titling serif). Creative Fabrica link. [Google] [More]  ⦿

Atelier Olschinsky
[Peter Olschinsky]

Vienna, Austria-based design studio, est. 2002 by Peter Olschinsky and Verena Weiss. They published the type family Ato (2012), which has Sans, Slab and Display (art deco) subfamilies. Outer Space (2012), Sato (2012, a bilined display typeface), Neopolis (2012, futurismo), Deconstruct (2012), Chaos (2012) and Construct (2012) are experimental. Bato (2012) is an alchemic type family. And Vato (2012) is a wonderful brushy poster headline face.

In 2017, he published the bespoke typeface BirdYard, the free AO Grotesk (with poygonal outlines), free display sans typeface family Matol, the free geometric solid typeface AOX, which comes in Stencil and Regular styles, the free polygonal typeface family AO Mono, and the free monospaced Minimal Mono.

Typefaces from 2020: Kaomo (monlinear, monospaced), AO Mono (polygonal).

Behance link. [Google] [More]  ⦿

ATK Studio
[Radinal Riki]

Indonesian designer of these techno display typefaces:

• Aux Mono (2020). Inspired by airline tickets, airport signs and electronic displays.
• Cosmo (2019) and Cosmo Display (2020).
• Cygnito Mono (2019). Inspired by modernism and industrial graphic design.
• Ligano (2020). A reverse contrast display typeface.
• Moldiv (2020). Octagonal and futuristic.
• Monoska (2019). Monospaced and pixelish.
• Sillium (2019). A techno blackletter.

Atsushi Asakura

Japanese designer of the futuristic (Latin) typeface Utopia (2019). [Google] [More]  ⦿

Austin Perri

Philadelphia, PA-based designer of the modular futuristic typeface Beams (2016). Behance link. Dafont link. [Google] [More]  ⦿

Aviv Studio
[Luis Miguel Torres]

Aviv Studio in Monterrey and Mexico City consists of Diego L. Rodriguez (from Madrid, Spain) and Luis Miguel Torres. Typefaces:

• The funky futuristic alchemic caps face Alquimia (2011). Its ornamental caps are based on mathematical objects. Joint work of Torres and Rodriguez.
• Destroy (2013). A sharp-edged techno face.
• Jagger (2010-2011). A sans family created by Torres.
• The futuristic alchemic typeface Kinesis (2011).
• Qabalah (2012). A fashion mag face.

Ayca Atalay

Istanbul, Turkey-based type designer. She releassed her first typeface, Newcraft Serif in 2016, and published Benedicte Script and Rawbrush later that year.

Typefaces from 2017: The hand-crafted typefaces Aardwork, Jackrabbit, Goodwill Script, and the supermarket signage typeface Signface.

Typefaces from 2018: Toote Sweet, Paperboy (a playful hand-drawn serif), Madfish.

Typefaces from 2019: Message in a Bottle, Destined (a brushed font and a signature script), Diamonds & Pearls (a signature script), Cake & Cutie, Think Cosmic (script), Polytones, Qliché (a thick monoline script), Modern Society (a monolinear rounded display sans), Bisquit, Ever After, Bellissimi (script).

Typefaces from 2020: Metaphysica (a futuristic typeface with purposeful glitches), Coquillette, Radian (an information design sans), Ink Tonic (an SVG brush font), Easy Notes (a fat finger font), The Twenties, Wildcard. [Google] [MyFonts] [More]  ⦿

Badspark
[Andrew & Emily Beauman]

Kalamazoo and/or East Lansing, MI-based designers of the tattoo typeface Mancer (2016), the space age / futuristic typeface Wilhelm (2017), and the 1980s-inspired sans headline typeface Barkleigh (2017). Creative Market link. [Google] [More]  ⦿

Baralon Thibault

Graduate of ECAL, class of 2015. Originally from Lyon, France, he presebtly is a designer in Evian Les Bains, France. Creator of the spectacular display typeface Bosozoku (2015), which is inspired by Japanese culture and NHRA in the USA. This work was declared Exhibition winner at Pangrame International Student Typeface Design, with a special Coup de coeur of Gerard Unger.

In 2016, he created the squarish futuristic Renegade. In 2017, he designed New Bosozoku and Tropic. Behance link. [Google] [More]  ⦿

Bartosz Panek
[Fontsphere (or: Prestologo)]

[MyFonts] [More]  ⦿

Basta Juan

Graphic designer and illustrator in Buenos Aires who created Astro Zombies (2013). Behance link. [Google] [More]  ⦿

Benjamin Hubert

Reims, France-based creator of Weilai (2017), a futuristic typeface that emulates Japanese. Behance link. [Google] [More]  ⦿

Bethany Nash

During her studies, Gloucester, UK-based Bethany Nash designed the futuristic typeface The Future Is (2017) and the experimental teardrop stencil typeface Personality (2017). [Google] [More]  ⦿

Bob Hemphill
[Bobarama]

[MyFonts] [More]  ⦿

Bobarama
[Bob Hemphill]

Spring Hill, TN-based designer of Atomic DooDads RJH (2017), a set of space age dingbats in retro futuristic style. Creative Market link. [Google] [MyFonts] [More]  ⦿

Brada
[Manuel Fernandez del Campo Garcia]

Branding design studio in Queretaro, Mexico, and also co-located in Canada. His typefaces include De Valencia (2018), Fabat (2018), Xochi (2018: a pixel typeface) and Riviera (2018). Typefaces from 2019 include the futuristic Silba. [Google] [More]  ⦿

Brian Hermelijn
[Epoknot Design]

[More]  ⦿

Brian J. Bonislawsky
[Astigmatic One Eye]

[MyFonts] [More]  ⦿

Bruno Simão

Graphic designer and illustrator in Lisbon. In 2014, Bruno Simão created Next Century, a futuristic techno take on New Century Schoolbook. [Google] [More]  ⦿

Bruno Sollis

Presidente Prudente, Brazil-based designer of a futuristic typeface in 2016, during his studies at UNOESTE. [Google] [More]  ⦿

Calum Bennett

Graphic design student at the University of Salford, Manchester, UK who made the futuristic typeface Apastron (2011).

Salford Type Foundry link. [Google] [More]  ⦿

Care Shop

Designers of the futuristic typeface Novatny (2015) and of Trendy Bicycle (2015, signage script), Adorable Casual (2015, script), and Designer Font (2015). [Google] [More]  ⦿

Cerys Wilcox

During her studies at the University of South Wales, Atrium, Cerys Wilcox (Cardiff) designed the experimental typeface Space (2017), the hand-crafted Eilwen (2017) and the scary spiky The Freaks of Fairytales (2015). [Google] [More]  ⦿

Chris Corrado
[Antitype]

[MyFonts] [More]  ⦿

Chris Langford

Buffalo, NY-based designer of the futuristic typeface Futur (2016). Behance link. [Google] [More]  ⦿

Christan Deroche

Art director in Lyon, France, who designed the textured futuristic Moon Font in 2017. [Google] [More]  ⦿

Coert De Decker
[Kustomtype]

[MyFonts] [More]  ⦿

Collectif MBC (was: MBC Graph)

Graphic design collective in Orchamps near Besançon, France, est. 2012, consisting of graduates in the Masters program of the École des Beaux-Arts de Besançon, i.e., Clément Moussard, Antonin Buchwalter, and Simon-Pierre Chapuis. Their typeface creations:

• From 2013: Juliano (2013, rounded sans for the restaurant Gusti del Gusto).
• From 2014: Plumber (rounded slab serif), Esposito (rounded sans), Polaris (rounded sans), Juliano (2013, rounded sans for the restaurant Gusti del Gusto), Sept Nains (a seven style type system based on Fonderie Olive's Simplex Gras, 1937), Raymond (slab serif), Monolab (monospaced), Aftur (a sans caps typeface that is partly art deco and partly futuristic; influenced by Cassandre's Bifur), Antique Calque (a layered typeface system), Lazy Super (a pixel face) and the variable width and variable height experiment called Expendable.
• Typefaces from 2015: Gnome (a sans done for the Centre Régional du Livre Franche-Comté), Monocle (a sans typeface for Cyclop Jazz Action), Laborio, Ploum (an art nouveau stencil), MFB (an art deco poster typeface family named after Morris Fuller Benton).
• Typefaces from 2016: Saljan, Buck01.

Tumblr link. Behance link. Old URL. Typeface catalog [PDF]. [Google] [More]  ⦿

Cosimo Lorenzo Pancini

Born in Firenze in 1969. Cofounder with Francesco Canovaro and Debora Manetti of the Italian design firm in Firenze called Studio Kmzero. He co-designed some typefaces there such as Arsenale White (2009). Targa Monospace (2002) is a sans inspired by Italian vehicle registration plates. It has an handmade version (Targa Hand) that can be used for comic book lettering.

The handwriting of Lord Byron led Pancini to develop the brush script typeface Byron (2013, Zetafonts).

MyFonts credits him with the rounded avant garde sans family Antipasto (2007), but elswhere we read that this typeface is made by Matteo di Iorio, so there is some confusion. It was extended in 2017 by Pancini as Antipasto Pro.

In 2014, Cosimo Lorenzo Pancini and Francesco Canovaro co-designed Amazing Grotesk (+Ultra). He also designed the calm bold geometric rounded sans typeface Cocogoose (2014; replaced by Cocogoose Pro in 2017) and the stylish deco font Offensive Behaviour. Cocogoose Letterpress is free. Cocogoose is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named after fashion icon Coco Chanel. Cocogoose is Coco Gothic for the 1940s.

In 2015, Pancini published the grand family Coco Gothic. This Latin / Greek / Cyrillic typeface family features a small x-height and sligghtly rounded corners to make the avant garde and geometric sans typefaces in vogue in the 1970s come alive again, ready for 21st century fashion magazines. It comes with substyles that recreate many moods, including art nouveau and arts and crafts (Cocotte), Italian propaganda style and Italian deco (Cocosignum), hipster style (CocoBikeR), or Bauhaus (Cocomat). Coco Gothic was initially developed as a corporate font for Lucca Comics & Games Festival 2013. The rounded geometric sans family Cocomat (by Cosimo Lorenzo Pancini, Deborah Manetti and Francesco Canovaro) was inspired by the style of the twenties and the visions of Italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant'Elia. Updated in 2019 as Cocomat Pro.

Still in 2015, Cosimo and Zetafonts published the connected creamy baseball script Bulletto, the grungy handvetica Neue, and the calligraphic wedding typeface Hello Script. In 2015, at Zetafonts, Cosimo Lorenzo Pancini designed CocoBikeR (2015) to celebrate the hipster and bike cultures. CocoBikeR (for Latin, Greek and Cyrillic) is part of the successful Coco Gothic typeface family. In 2017, Pancini designed the 1930s Italian art deco typeface families Cocosignum Maiuscoletto and Cocosignum Corsivo Italico.

Typefaces from 2016: Adlery (a curly brush script), Kitten (Fat, Swash, Swash Monoline, Slant, Bold: signage script family), Adlibitum (a blackletter typeface by Cosimo Lorenzo Pancini and Francesco Canovaro), Morbodoni (a display didone by Cosimo Lorenzo Pancini and Francesco Canovaro).

In 2016, Cosimo Lorenzo Pancini, Andrea Tartarelli, Giulia Ursenna Dorati and Andrea Gaspari co-designed the 1940s vintage brush script typeface Banana Yeti, which is based on an example by Ross George shown in George's Speedball 1947 Textbook Manual. The Zetafonts team extended the original design to six styles and multilingual coverage. The ExtraBold is free. Still in 2016, Pancini designed Calligraphunk, an experimental typeface that mimicks polyrythmic calligraphy, by alternating two sets of lowercase letters to emulate handwriting.

In 2016, Cosimo Lorenzo Pancini, Matteo Chiti, Luca Chiti and Andrea Tartarelli co-designed the retro connected brush script font family Advertising Script, which is based on an example from Ross George's Speedball 1947 Textbook Manual.

Beatrix Antiqua (2016, by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli). This humanist sans-serif typeface is part of the Beatrix family (Beatrix Nova, etc.) that takes its inspiration from the classic Roman monumental capital model. Its capitals are directly derived from the stone carvings in Florence's Santa Croce Cathedral. Beatrix keeps a subtle lapidary swelling at the terminals suggesting a glyphic serif, similar to Hermann Zapf's treatment in Optima.

Amazing Grotesk (2016) is based on a logo designed by Francesco Canovaro.

Studio Gothic (2017, by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli) is an 8-style geometric sans family based on Alessandro Butti's geometric sans classic, Semplicita.

Hello Script and Hello Sans can be used for layering and coloring. The Christmas-themed version is Hello Christmas.

Pancini designed the 64-strong typeface family Body Grotesque and Body Text in 2017-2018, together with Andrea Tartarelli. It was conceived as a contemporary alternative to modernist super-families like Univers or Helvetica.

In 2017, Cosimo Lorenzo Pancini and Andrea Tartarelli co-designed the sans typeface family Kabrio, which gives users four different corner treatment options.

Anaphora (2018). Anaphora is a contemporary serif typeface designed by Francesco Canovaro (roman), Cosimo Lorenzo Pancini (italic) and Andrea Tartarelli. It features a wedge serif design with nine weights from thin to heavy. Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display size. Anaphora covers Latin, Greek and Cyrillic.

Canovaro's Arista served as a basis for the 29-style monolinear rounded sans typeface family Aristotelica (2018) by Cosimo Lorenzo Pancini and Andrea Tartarelli. See also Aristotelica Pro (2020).

In 2018, he published Radcliffe, with Andrea Tartarelli, a Clarendon revival with Text and Casual subfamilies. Radcliffe (a Clarendon revival by Cosimo Lorenzo Pancini and Andrea Tartarelli), and added the layerable condensed Cocogoose Narrows to the Cocogoose family. Codec (2018) by Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli is a geometric sans typeface family in which all terminal cuts are horiontal or vertical. See also Codec Pro (2019).

His Double Bass (2018) is a jazzy 4-style typeface family that pays tribute to Saul Bass's iconic hand lettering for Otto Preminger's The Man with the Golden Arm film title sequence and other movies, Bass's vibrating, almost brutal cut-out aestethics, and the cartoonish lettering and jazzy graphics of the fifties.

In 2018, he published the sharp wedge serif typeface Blacker to pay homage to the 1970s. In 2019, that was followed by Blacker Pro (Cosimo Lorenzo Pancini and Andrea Tartarelli, who write: Blacker Pro is the revised and extended version of the original wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli in 2017. Blacker was developed as a take on the style that Jeremiah Shoaf has defined as the "evil serif" genre: typefaces with high contrast, oldstyle or modern serif proportions and sharp, blade-like triangular serifs). Still in 2018, he designed the swooping polyrhythmic calligraphic typeface Calligraphunk.

In 2018, Cosimo Lorenzo Pancini and Andrea Tartarelli designed Holden, a very Latin cursive sans typeface with pointed brush aesthetics and fluid rhythmic lines.

In 2019, Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli published the monolinear geometric rounded corner amputated "e" sans typeface family Cocogoose Classic, the sans family Aquawax Pro, and the condensed rounded monoline techno sans typeface family Iconic.

In 2019, Cosimo Lorenzo Pancini, Andrea Tartarelli and Maria Chiara Fantini at Zetafonts published a slightly calligraphic Elzevir typeface, Lovelace.

In 2019, the lapidary typeface family Beatrix Antiqua (Francesco Canovaro) was reworked by Cosimo Lorenzo Pancini together with Andrea Tartarelli and Maria Chiara Fantini into a 50-style type system called Monterchi that includes Text, Serif and Sans subfamilies. Monterchi is a custom font for an identity project for a famous fresco in Monterchi, developed under the art directorship of Riccardo Falcinelli.

Tarif (2019) is a typeface family inspired by the multicultural utopia of convivencia---the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, together with Muslim culture and aesthetics. It is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing Latin zest, calligraphic details, extreme inktraps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic version of Tarif, where the humanist shapes and inverted contrast of the Latin letters find a natural connection with modern arabic letterforms.

Late in 2019, Cosimo Lorenzo Pancini released the fun typeface family Hagrid at Zetafonts, which writes: Crypto-typography---the passion for unknown, weird and unusual character shapes---is a disease commonly affecting type designers. Cosimo Lorenzo Pancini has celebrated it in this typeface family, aptly named Hagrid after the half-blood giant with a passion for cryptozoology described by R. K. Rowling in her Harry Potter books. Extreme optical corrections, calligraphic counter-spaces, inverted contrast, over-the-top overshoots: all the inventions that abound in vernacular and experimental typography have been lovingly collected in this mongrel sans serif family, carefully balancing quirky solutions and solid grotesque design.

In 2020, Pancini released Stinger (2020, a 42-style reverse contrast family by Francesco Canovaro, Cosimo Pancini, Andrea Tartarelli and Maria Chiara Fantini) and Boring Sans (a typeface family designed along two variable axis: weight and weirdness). As part of the free font set Quarantype (2020), Cosimo Lorenzo Pancini designed Quarantype Embrace, Quarantype Hangout, Quarantype Hopscotch, Quarantype Joyride, Quarantype Sackrace, and Quarantype Uplift (with Maria Chiara Fantini).

In 2020, Cosimo Lorenzo Pancini and Mario De Libero revived Nebiolo's Carioli (1928) as Cairoli Classic and Cairoli Now at Italian Type / Zetafonts. They extended the original weight and width range and developing both a faithful Classic version and a Now variant. The Cairoli Classic family keeps the original low x-height range, very display-oriented, and normalizes the design while emphasizing the original peculiarities like the hook cuts in curved letters, the high-waisted uppercase R and the squared ovals of the letterforms. Cairoli Now is developed with an higher x-height, more suited for text and digital use, and adds to the original design deeper inktraps and round punctuation, while slightly correcting the curves for a more contemporary look. Cairoli Variable has a weight and width axis.

In 2020, Cosimo Lorenzo Pancini and Mariachiara Fantini---with the help of Solenn Bordeau---released Erotique at Zetafonts. Erotique evolved from Lovelace, an earlier Zetafonts typeface. Zetafonts describe this evil serif as follows: it challenges its romantic curves with the glitchy and fluid aestethic of transmodern neo-brutalist typography. Late in 2020, they added Erotique Sans, the sans version of Erotique, also designed by Cosimo Pancini and Maria Chiara Fantini.

Late in 2020, he co-designed the 46-style font family Eastman Grotesque together with Francesco Canovaro and Andrea Tartarelli. This monolinear sans with a tall x-height comprises an interesting Eastman Grotesque Alternate subfamily with daring and in-your-face glyphs. The typeface evolved from Zetafonts' earlier Bauhaus-inspired typeface Eastman (2020). Later fonts in this family include Eastman Condensed (2021, by Francesco Canovaro, Cosimo Pancini and Andrea Tartarelli).

In 2020, Cosimo Pancini, Andrea Tartarelli and Mario De Libero drew the 60-style Cocogoose Pro Narrows family, which features many compressed typefaces as well as grungy letterpress versions.

Sunshine Pro (2020, Zetafonts) was designed by Cosimo Lorenzo Pancini and Solenn Bordeau expanding the original Sunshine design by Francesco Canovaro, part of the Quarantype collection (2020), which in turn was designed as a typeface for good vibes against Covid-19. Sunshine Pro is an experimental Clarendon-style font with variable contrast along the weight axis---contrast is reversed in light weight, minimized in the regular weight and peaks in the bold and heavy weights. [Google] [MyFonts] [More]  ⦿

Cozy Fonts Foundry
[Tom Nikosey]

Type designer (b. 1951, New York) in New York City, who studied at Pratt. His type foundry, Cozy Fonts, is located in Bell Canyon, CA.

Creator of the Arabic simulation typeface Aladdin (2012), Skratchbook (2012), Toms Finger (2013, hand-printed cartoon typeface, +Toms Pinky, +Toms Thumb), Noodlerz (2013), Posterface (2014, +Sans; modular poster font family), Speener (hand-printed), Victory Script (2015), Archiva (2016: a useful rounded yet squarish condensed typeface family, +Stencil, +Dropline), Slenderz (2016: a hand-crafted sans family), and Ds Hand (2016, based on the hand of Danielle Nikosey).

Typefaces from 2017: Civic Sans (a 13-style sans family for billboards).

Typefaces from 2018: Irongate.

Typefaces from 2019: Flintlock.

Typefaces from 2020: Planetype (futuristic, modular), Slatz (an ultra-condensed sans and serif family). [Google] [MyFonts] [More]  ⦿

Creative Corner
[Kurnia Harahap]

Designer in 2020 of the all caps display typefaces Mavis (futuristic), Royale, Noma (modular), Carla Sans and Classy Taylor, and the decorative serif typeface Vickey. [Google] [More]  ⦿

Cristina Pagnotta

Italian designer in London who created the futuristic typeface Space, the modern geometric sans typeface King Lear, and the free Peignotian typeface family Audrey in 2016. In 2015, she made a free EPS format set of icons. Behance link. [Google] [More]  ⦿

Daan de Krosse
[Element M]

[MyFonts] [More]  ⦿

Dadan Sukma Nurdiansyah
[Dasukreation]

[MyFonts] [More]  ⦿

Daniel Dierksen

Daniel Dierksen, born and raised in Orlando, Florida is a graduate of Ringling College of Art and Design with a BFA in Graphic Design. Based in Sarasota, he created these typefaces: Basket Case (2013, a mix of Baskerville and Lucida Sans), Geo (2013, a mix of Bodoni and Futura) and Jaxel (2014, geometric and futuristic, first called Jaxe).

Behance link. [Google] [More]  ⦿

Daniel Figueiredo

At KABK, supervised by Just van Rossum, Daniel Figueiredo (Sao Luis, Brazil) designed Modular Typeface (2016). [Google] [More]  ⦿

Daniele Franchi

Art director in Dublin, Ireland (was: Milan, Italy). In 2020, he designed the free futuristic rounded sans typeface Mango, the thin experimental font Joky, the high contrast experimental typeface Nera and the organic sans Elegantly. [Google] [More]  ⦿

Daniella Repetto

Caracas, Venezuela-based designer of the futuristic typeface Oblivion (2018). [Google] [More]  ⦿

Danielle Quast Tostes

Designer in Sao Paulo, Brazil. During her studies at SENAC, she created the warm serif typeface Humbond Regular (2012) and the Victorian display typeface Deffugia (2012). In addition, she created Adventure Game Icons (2011) and Alien Pictogram Set (2011). [Google] [More]  ⦿

Danny Englander
[Pacific Modern Art]

[More]  ⦿

Darren McArdel

Graphic designer who started in Los Angeles, where he ran Beautiful Bastards. Subsequently, he is associated with Questus Inc and Big Country Labs, and was located in Costa Mesa, CA and Tustin, CA. He currently works in Seattle, WA.

His early typefaces: Mushman (2012) is a techno-sans typeface inspired by the adventurous spirit of actor Steve McQueen, who raced motorcycles under the false name "Harvey Mushman."

His second typeface, Bronson (2012, free if you ask), is a display type inspired by Danny "Tunnel King" Lewinski, Charles Bronson's character in The Great Escape.

In 2013, he created the elegant (free) futuristic typeface Astroman.

In 2014, Darren designed the free hipster typeface Skandi, which was inspired by Nordic runes. Behance link. [Google] [More]  ⦿

Dasukreation
[Dadan Sukma Nurdiansyah]

Indonesian logo designer, b. 1994. Creator of these sci-fi typefaces in 2020: Nevan (an all caps logo font), Steronite, Dirga, Gorva. He also designed the script typeface Myrtale (2020). [Google] [MyFonts] [More]  ⦿

Dave Rowland
[Schizotype]

[MyFonts] [More]  ⦿

David Alexander Slaager
[David is Creative (was: Fonts of Chaos)]

[MyFonts] [More]  ⦿

David is Creative (was: Fonts of Chaos)
[David Alexander Slaager]

Free and commercial font foundry by Zellik, Belgium-based David Alexander Slaager (or: David is Creative): 1654 Brown Street (2012, a rounded informal sans), Discorgasmique (2012, retro-futurism), Science Noire (2012, followed in 2014 by Science White, a connect-the-dots typeface), Bond Is Dead (2012), North 06 (2012, spurred), Ouija & Whiskey (2012, alchemic), The Giant Cowboy Army (2012, a skeletal bone font), Pink Cell (2012, a pixel type), Opium Roadie (2012), Grand Quatre (2011), Vampirr, Unik2, SayTwo, Alpha63, Trubik77, Genz Top&Bottom, Vhia (2011).

In 2012, he started Hand Drawn Font with cheap (ten dollar) quickie fonts. The initial offering in the Fall of 2012 includes Blackwood, Black 45, Royal Goblin, List of Faith, Gazoline, Natural Born Designer, Pulp Hill, Stylo Standard, Atlantic Avenue (a font made with paint brush on wood), Kancell (free) and Zombie Sunrise.

Typefaces from 2013: Supernational 261/262, Signs of Faith, Hollywood 99, Hollywood69, National, Enfant du Chaos (gothic, dark), Brutaal (+XX, +VV: one weight of this dquarish typeface is free), Bliss Yeah, Traum-A (a hand-drawn poster font), Enfant du Kult (alchemic), Daryl is Parano.

Typefaces from 2014: Koton, Supernational 264, Super Head Club (sketched typeface), Nina Ketchup (scratchy hand), Dead Meal, Opus Theorem (a condensed squarish typeface family), We Are Tom Jones (described as a disoriented typewriter font), Shay Man (an alchemic typeface), Hackney Night, Arizona Futur (pixel alphadings), Atuvuta (heavy metal band font).

Typefaces from 2015: Hello Bravo (squarish), King Kong Street Propaganda.

Typefaces from 2016: Cake Sans (octagonal), Jimgarr, Tokyo Sam (slabby poster typeface), Bambi Neue (brush font), Queens 68.

Typefaces from 2019: Hello Walter. [Google] [MyFonts] [More]  ⦿

David Reza

American designer of the great school project typeface Electic (2019), which evokes computers, geometry and futurism. [Google] [More]  ⦿

Davide Piscitelli

Based in Milan, Italy, Davide Piscitelli created the futuristic compass-and-ruler typeface Trnk in 2016. Behance link. [Google] [More]  ⦿

Dawn Studio (was: Frachmadi)
[Fajar Rachmadi]

Aka Dawn Creative, and Fajar Rachmadi Priyambada. Sidoarjo, Indonesia-based designer (b. 1992). Creator in 2018 of the display typefaces Glenmore and Gores Sans, and the script typefaces Chrystalic, Chrisyard Script and The Ninth Valley.

Typefaces from 2019: Rara Sekar (an upright script), Brownies (script), Gayatri Script, Psychopath, Creepy Forest, Sigarette (a signature font), Rote, Black Castle, Berthalia, South Bali, Melyana, Sweet Letter, Kayana (an attractive script), Vasgas, Nex Time (futuristic), Valyrianth (script), Das Pattern (brush font), Digitizer (a pixel font), Bravani (script), dXplosive (octagonal).

Typefaces from 2020: Deeney (a fat finger font), Vasgas (sans), Valyrianth (a signature script), Sigarette, Heywa (a curly typeface). [Google] [MyFonts] [More]  ⦿

Debora Manetti

Studio Kmzero is an Italian design firm in Firenze consisting of three graphic designers, Francesco Canovaro, Debora Manetti, and Cosimo Lorenzo Pancini. Debora Manetti (Florence, Italy) designed Sala de Fiestas (2005-2006, free download at OFL), inspired by a handpainted sign for a ballroom on the island of Fuerteventura. Arsenale White and ArsenaleBlue (2009) are children's hands, done by Cosimo Lorenzo Pancini, Francesco Canovaro, Andrea Mi, Debora Manetti, Katiuscia Mari and Jonathan Calugi.

At Kmzero and Zetafonts, she designed the hand-printed Panforte family in 2011. Panforte Serif is free at Dafont.

The rounded geometric sans family Cocomat (2015, Zetafonts, by Cosimo Lorenzo Pancini, Debora Manetti and Francesco Canovaro) was inspired by the style of the twenties and the visions of Italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant'Elia. Updated in 2019 as Cocomat Pro.

She also co-designed the successful Cocogoose and Coco Gothic typefaces in 2015. Designer of Jamscript (2015).

In 2018, Debora Manetti and Francesco Canovaro designed the brush handwriting font Freehand Brush.

Behance link. Studio Kmzero link. Dafont link for downloading some of her fonts. [Google] [More]  ⦿

Dene Studios
[James Partington]

Known as James Dene or James Partington. Malaga, Spain-based designer of the hand-crafted typefaces Rune (2018), Calx (2018), Calligraphy Rough (2018), Back to School (2018). In 2019, he published Barleycorn, Atomic, Lost in Space, Centuria (a clean modern sans), Nadir, Geneva, Control, Cosmic, Myrkheim (a Norse or hipster font), Perehilion (a paperclip font), Aphilion (stencil), Equinox (a connect-the-dots typeface), Revolve (hipster style), Ascension, Orion (circle-based), Nova (sci-fi), Voyager (stencil), Black Velvet, Quamir (a hipster sans), Norse Elder Futhark, Interlace (a multiline typeface), Exoplanet, Orson (a serif typeface), Dr Jekyll & Mr Hyde, Sterling, Queen, Horace, Amos (a fashion mag sans), Allegra (serif), Archibald (slab serif), Cuneiform, the medieval typeface Reznor, the blackletter typefaces Griffin, Edgar and Deimos, Matrix, Egyptian Hieroglyph, Elder Futhark and Detective (a fingerprint texture font).

Typefaces from 2020: Horizon, Barleycorn, Ancient Language Package, Perihelion (a paperclip typeface), Maze, Lost in Space, Quick, Assassin, Constantine, Drastica, Grace, Orson, Alistair, Antoinette, Bernard, Edgar, Lila, Anastasia, Angelica, Annabelle, Black Velvet, Centuria, Jinx (hand-crafted). [Google] [MyFonts] [More]  ⦿

Dila Cilez

Istanbul, Turkey-based designer of the futuristic typeface family The Jetsons (2018). [Google] [More]  ⦿

Din Studio (or: Doni, Ditatype)
[Donis Miftahudin]

Yogyakarta, Indonesia-based designer (b. 1990) of these script typefaces in 2018: Radicalis (script), Blacktail (layered, spurred, Western), Aniyah (formal calligraphic script), Angelina Script, White Star, Better Saturday, Volaroid, Gravity Handwritten, Wellington (Sans), Mister Froggie, Amadora (upright script), Brilliant, Portland, Adora Queen, Fox Tail, Deliciously (+Sans), Breaking Down (brush-lettered), Welcome Home.

Typefaces from 2019: Smooth Fantasy, Le Jour (font duo), Kafina, The Stranger (dry brush), Rolling Back, Marline, Blue Rose, Better Summer, Lemonday, Rottely (a decorative serif) (by Muhammad Romzul Khoir?), Monday Vacation (a dry brush or chalk font; +Sans), Brilliant Soulmate (a signature font), Perfect Redemption (dry brush), Redemption (dry brush), Andasia,, Saturday Lovers, Pondspell (a free dry brush font), Sailing Heart (dry brush script), Calling Loves Script, Just Calling, Zingakon (a brush font), Anastik, Miracle Script, Camellia, Blueberry, Lovely, Gulali (a heavy monoline script), Boga Bogi, Bigtime (script).

Typefaces from 2020: Bright Angels, Blaster Timers, Hawken (a sharp-edged display typeface), Lemonlove (squarish and interlocking), Darknight (a dystopian typeface), Kickout (a sports font), Vintage Melody (a vintage signage script), Anyva (a formal calligraphic script), White Pigeon (a heavy retro signage script), Ayalena, Gamerock (squarish, dystopian),, Marrline (an upright monoline script), Black Bones, Westlake (a bold display serif), Anzilam (a regular script with a beheaded lower case f), Among (a condensed monolinear sans), Black Indie, Blue Rose, Kanetin (a sans), Menthol Signature, The Fox Tail (a lava lamp script), Willson (all caps, slightly flared), Kasdio, Lovely, Miftah, Shall Blossom (a dry brush script), Striker (squarish, modular and characterized by square counters), Waranty (a display serif), Aiytha (formal calligraphic), Blastine (a fine inky script), Sporten (squarish; a sports font), Vantely (a one-style monolinear sans), Atteron (a refined decorative all caps typeface), Carade (a decorative serif), Esporte (constructivist), Kafina (a decorative serif), Netraly (a condensed bold organic sans), Regular Brush (a dry brush script), Jafrine, Watterline, Redkits (a dry brush script), Feel Better (a dry brush font), Maraton (a blackboard bold font), Hellomind (a monoline script), Rodwick (a sports font), Norwill (a sports font), Kaithryn (an inky script), Ventralie (blackletter), Kingroad (a blackletter or tattoo font), Hunterlife (a blackletter font), Lovera (a display serif with tall x-height), Rankfine (a formal script), Slashmine (a calligraphic blackletter font), Blackside (a blackletter or tattoo font), Fiosthic (an inky script), Calvera (squarish), Revillia (a decorative serif), Aniyah (formal calligraphy), Better Saturday, Gacor (sans), Bright Rainbow, Dellons Signature, Le Jour, Mister Jacky (brush script), Panama (brush script), Roaster Brush (a dry brush script), Speedline, Sawah (a wide techno logo font), Finest Butter, Garetha (a decorative serif), Rithem (a dry brush script), Vintage Rotter (a monoline script), Amelliyo (a dry brush script), Okinawa (a dry brush script), Rostave (futuristic), Voyntea (calligraphic), Montheylin (a formal calligraphic script), Soage (all caps, mini-serifed), Avalors (a sci-fi font), Mister Sally, Razor Bland (all caps, a heavy razor-sharp sans), Request, Halvert (layered, all caps, vintage), Jasson Gillen (script), Mertalion (a vintage all caps mini-wedge serif), Black Bones (a dry brush script), Halleyo (a dry brush script), Pitchey Bloom, Rocklay (a smooth brush script), Black Arcade (Tuscan), Blaster Timers, Batteny, Bettermind Signature, Castrade (a thin architectural sans), Brown Sunflower, Slash Signature, Chyali, Rockel (squarish, techno, cybernetic), Best Quotes (a brush script), Sweet Fig, Remind (a heavy decorative serif), Stradas (spurred, Victorian), Neon Planet (a neon or paperclip font), Neon Planet Script, Malion (a display serif), Akserant, Akserant Display, Moderrat (a 7-style wide tuxedoed sans family), Pretty Queen, Cybero (a techno / cyberpunk typeface), Sisterhood (a dry brush script), Qeskile Voyage, Breathing (a dry brush script), Fogie (a ten-style display serif), Feeling Passionate, Bella Vista (a thin monoline script), Spring Sunday, Bogota (a display serif), Marcelo (an all caps train font), Montaseli (Sans, Script), March (a display mini-serif font family), Crowded (a vintage font), Grown, Gellatio (a dry brush font), The Poisoned Heart (an art nouveau style script), Costa Rica (script), Brightwall (a dry brush script).

Typefaces from 2021: Portaly (a rounded monolinear sans), Spaceline (a sci-fi font). [Google] [MyFonts] [More]  ⦿

Disaster Fonts
[Andrew Young]

Manchester, UK-based designer of the game or computer console emulation fonts Mainframe (2017), Multivac (2017), Antar (2012) and Gamma 1500 (2006), and the futuristic typefaces Blazium (2003, MICR style), Futurespore, Supercomputer, Transistyr, Unicephalon, Lazenby Computer, Cilica and Membra (2007, circuit font). Even though they are free, these are some of the best fonts around in this genre. Dafont link. [Google] [More]  ⦿

DM Founts
[Drew Maughan]

DM Founts is Drew Maughan (b. London, 1982), an artist and web developer. He created the fat counterless modular mechanical typeface STKR (2009) and the squarish typeface DM Unarmed (2010). The pixelish Project D (2013) is a font inspired by the infamous graffiti atop the Heygate Estate in South London.

In 2018, he designed MyCRFT as a custom headline typeface for his IhNohMinecraft project.

Typefaces from 2019: DM PopCap (rounded, futuristic).

Typefaces from 2020: Wisdom Teeth (a modern and personal take on the original Baby Teeth font by Milton Glaser, made in response to the large number of hideously bad clones of Baby Teeth). [Google] [MyFonts] [More]  ⦿

Dmitri Kainov

Russian graphic designer who created the futuristic Cyrillic typeface Gorod in 2019. [Google] [More]  ⦿

Donis Miftahudin
[Din Studio (or: Doni, Ditatype)]

[MyFonts] [More]  ⦿

Dreamy Design

Dhaka, Bangladesh-based outfit. Vendor of ripped-off typefaces (copied with a new name). The typefaces include Legacy (2018: a sans), Nayori (2018), Lemon Love (2018), Alita (2018), Adamant (2018), Ping Pong (2018, possibly a neon font), Scriptton (2018), Forest (2018), Latest Zig Zag (2018), Latest Shadow (2018), Latest Outline (2018), Latest Blur (2018), Latest Distort (2018), Latest Round (2018), Positive (2018), Victory (2018: script), Lider (2018: paperclip style), Victory (2017), Parachute (2017: monoline script), Glamour (2017: script), Simplesign (2017, brush script), Runway (2017, script), Skyline Script (2017), Legend (2017), Signtouch (2017, signature font), Dreamland Brush (2017), Signesign (2017), Crown (2017), Decor Brush Script (2017), Breeze (2017), Humorous Handwriting (2017), Divine Signature (2017), Captain Signature Brush (2017), Hunter (2017: gothic), Popular (2017), Amethyst (2017), Snow White (2017), Zaytun (2017), Blanket (2017), Piano (2017: a monoline script), Alpana (2017), Wizard (2017, script), Neptune (2016), Cloud Camp (2016), Benjamin (2016), Imagination (2016), Portfolio (2016), Miniver (2016: futuristic), Karikatur (2016), Gravity (2015), Revolution (2015), Arch (2015), California (2015, multi-lined; +AR, +AR Distressed), Sea Beach (2015), Neuron (2015: a sans and serif typeface family, +Outline), Butterfly (2015), Iron (2015), Dominion (2015), Dominion Style (2015), Electron (2015), Manama (2015), La Fontana (2015) and Valentine's Day Font (2015: an illegal copy of Calligri by Summit Type). Behance link. [Google] [More]  ⦿

Drew Maughan
[DM Founts]

[MyFonts] [More]  ⦿

Eight Template Studio

Malinau, East Kalimantan, Indonesia-based designer (b. 1996) of the modular futuristic typeface Breaked (2020) and Basteru (2020). [Google] [More]  ⦿

Element M
[Daan de Krosse]

Dutch designer of the modular futuristic typeface Element M One (2020). [Google] [MyFonts] [More]  ⦿

Eleonora Petrova
[Rabbit and Pencil]

[More]  ⦿

Emilia Adorno
[Adorae Types]

[MyFonts] [More]  ⦿

Emmeran Richard

Graphic designer in Toulouse, France, who created the free hipster typeface Blanka (2014, see also here). In 2016, he designed the free futuristic typeface Anurati and the molecular typeface Kodein.

In 2017, he designed the futuristic typeface Ykar and the bâtarde flamande typeface Figure.

In 2018, he improved Anurati to Anurati Pro. [Google] [More]  ⦿

Emre Yagiz

Ankara, Turkey-based designer of the sci-fi typeface Futuristic Side (2015). [Google] [More]  ⦿

Epoknot Design
[Brian Hermelijn]

Willemstad, Curacao-based designer of the free thin techno typeface Futrista (2014) and its free companion Futrista Two (2015). In 2018, he published the free futuristic display typeface Mordak. [Google] [More]  ⦿

Eric Mortensen

Eric R. Mortensen is a graphic designer who is currently an MFA candidate at Maryland Institute College of Art in Baltimore, and a design intern at NASA, Goddard Space Flight Center, in Greenbelt, MD. Saturn V (2011, Lost Type) is a lower-case, space-aged slab-serif typeface conceived during a workshop with Tal Lemming of TypeSupply.com. [Google] [More]  ⦿

Erica Lewis

During her studies at Flagler College in Saint Augustine, FL, Erica Faith Lewis created the futuristic typeface Automaton (2015). [Google] [More]  ⦿

Eugene Bunin

Graphic designer based in Kyrgyzstan. In 2020, Eugene Bunin and Christine Beginskaya released the futuristic partly stencil typeface family Gluon.

In 2020, Eugene released Kellion (a cyberpunk typeface), Hellebore (inspired by the logo and the game Mortal Shel), the dystopian typeface Dredger, the futuristic typeface Akrux, the retro-modern all caps sans typeface Inlow and Esm (a 6-style low contrast Swiss sans for Latin, Greek and Cyrillic).

Typefaces from 2021: Transmetropolitan (a piano key typeface), Aurelac (a sharp-edged display font). [Google] [MyFonts] [More]  ⦿

Exebicha

Exebicha, or Alexander, is Russian. He made the futurismo font Futurism (2011, no downloads), and Calligraphy (2011). [Google] [More]  ⦿

Fabiola Rivas Rivas

Graphic designer in Caracas, Venezuela, who created an experimental typeface called Futurista (2011). [Google] [More]  ⦿

Face Type
[Marcus Sterz]

Austrian foundry located in Vienna, est. in 2008 by Marcus Sterz (b. 1971) and Andrej Waldegg. MyFonts link. Unless exlicitly mentioned, all typefaces are by Marcus Sterz. You Work For Them link.

• Adria Grotesk (2013). This was followed by Adria Slab (2014).
• Aldrans (2009, minimal sans).
• Anymals (2008) is one of my favorites: it has dingbats of imaginary undersea monsters.
• Asimov (2009). What is this?
• Baustelle Thin (2009, hairline sans).
• Bikra (2010, Plain and Stencil).
• Blitzplakat (2009). A poster face, white on black.
• Darjeeling (2010) is a display family inspired by both Optima and Bodoni.
• Doll (2008), Dollbats (2008).
• Flint (2008). A hand-drawn squarish face.
• Gerber (2009, pixel face).
• Grafinc (2009). An ultra fat art deco. See also Grafinc Rounded.
• Hausbau (2009, experimental).
• Idrans Medium (2010). A poster face.
• With Georg Herold-Wildfellner, he created the Victorian family Ivory in 2009.
• Letterpress (2009) is an experimental grungy family in which he mixes glyphs of three classics, Jakob Erbar's Phosphor (Ludwig&Mayer Foundry, ca. 1923), Aurora (1912, Johannes Wagner Foundry) and Permanent Headline or simply Headline (Karlgeorg Hoefer).
• Lignette Script (2011) is an extensive loopy monoline script font.
• Loki (2009). A decorative pixel family.
• The Marlowe family (2010) is pure art deco elegance---a play on geometric forms and elegance. Subfamilies include Marlowe Cocktail and Marlowe Swirl.
• Moki (2011).
• Mono Lisa (2020) by Marcus Sterz, in collaboration with programming experts Andrey Okonetchnikov and Juho Vepsäläinen. A commercial programming font to compete with Fira Code, Source Code, and Jetbrains Mono.
• Motto (2009). An art deco typeface in the style of the Italian Futurismo of the 1920s, designed for using with two colors.
• Mouse (2008-2009, pixel), Mousedings (2008).
• Newcastle (2014).
• Notdef (2009). A strange experiment.
• The handwriting typeface Palma (2008).
• Pinback (2009, techno).
• Plaquette (2018). A collection of retro typefaces ranging from Victorian to Bauhaus to the sixties.
• Publica Sans (2016). A clean geometric sans typeface family. Publica Play (2016) is a playful, and even more organic, sans that exploits many OpenType features. Publica Slab (2017) completes the collection.
• Scrap Outline (2008).
• Slug (2009). A geometric typeface made for bicoloring.
• Status (2009, super fat art deco).
• Strangelove Next and Strangelove Next Slab (2010). This beautiful typeface was inspired by Stanley Kubrick's movie Dr. Strangelove. The original titles were designed by Pablo Ferro, who is one of the most acclaimed film title designers, especially famous for his hand-drawn lettering. Dr. Strangelove is a hairline face.
• Substance (2013). A sans family.
• Wenzel (2009). Handprinted.

Facetype's typeface library. See also here. View Marcus Sterz's typefaces.

Klingspor link. Behance link. Fontspring link. [Google] [MyFonts] [More]  ⦿

Fajar Rachmadi
[Dawn Studio (was: Frachmadi)]

[MyFonts] [More]  ⦿

Faqih Sandri
[Typollery (was: Dri Zy)]

[More]  ⦿

Fauzul Azmi
[Pojol Type]

[MyFonts] [More]  ⦿

Figuree Studio
[Icep Anwar Fadhil]

Ciamis, Indonesia-based designer, b. 1989, of The Refano (2018), the bold sans Boldé (2018), Bolde Rough (2018), Aesthetic (2018), Hello Mozza (2018), Black Freeday (2018), Thankies (2018: a free cartoon font), the heavy cartoon typeface Meowza (2018), the techno typeface Raven MX (2018), the rough brush typeface Diavolo (2018), the futuristic font Xylene (2018), and the monoline sans typeface Gennaro (2018).

Typefaces from 2019: Play Kidz, The Barethos (signage script), Monstorm (a vampire font), Mister Pumpkins Aged, Bratsy Script (a great fat signage script), Azkanio Script (calligraphic), Baby Boo, Ruckshack, Augustha, Nightfall Script, Rushing Nightshade (signage script), Rockidz, Unicorn Pop (a fat market signage font), The Gunslinger Waterdrop (a dripping paint font), Hello Spring, Rabbito (beatnik), Fontastique, Fontastique Carved, Kids Zone (cartoon font), John Austiney (a compact script), Viktoria Serif, Funkie Bunny, Alifia (monoline script), Forever Together (Script, Sans), Under The Snow (a monoline marker pen font).

Typefaces from 2020: Moonliona, Morning Sunshine, Black Magnet (hairy), Robo Briant (octagonal), Pluton (sci-fi), Summer Sunshine, Komix Eighties, Midnight Workers, Cocobels (curly), High Beasty, Metro Beardy, Magic Dreams, The Rughton Script, Khaleiyfa, Kiddie Land, Perfect Love Carved, Ignazio (a bold all caps sans), Anarchy Brothers, Qubiko (squarish, yet playful), Gabrietha, Death Markers (a dripping blood font), Glitter Lovers, Headlight, Brotherside Signature.

Typefaces from 2021: The Brother Hoops (a dry brush script), Run Child (a fat finger font). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Filippo Tommaso Marinetti
[Futurism]

[More]  ⦿

Flat-It
[Ryoichi Tsunekawa]

Japanese foundry in Nagoya that offers free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:

• 2019: Mid Century Sans, Tamba Sans, Rama Gothic Rounded, Bio Sans Soft.
• 2018: Fairweather (clean sans), Kaneda Gothic (a basic severe condensed gothic), Vincente (a tall condensed display didone family).
• 2017: Calling Code (monospaced programming font), Commuters Sans (elegant wide sans), Mighty Slab, Rigid Square (octagonal), Taro.
• 2016: Bio Sans, Gomme Sans, Quiet Sans, Siro (sans).
• 2014: Pero (condensed rounded organic sans), Kiro (minimalist organic sans), Graphie (modern geometric sans), Compasse (semi-condensed sans), Como (rounded sans).
• 2013: Spoon (organic, rounded, monoline sans family), Antoinette Monogrammes (based on early 1900s embroideries by Janon Co; with frames), Clonoid (a sci-fi family that pays tribute to arcade game logos in 80s and 90s), All Round Gothic Demi (a sans based on perfect circles), Griffon (copperplate titling face), Antique Spenserian (based on Spencerian Script by Mackellar, Smiths and Jordan).
• 2012: Geom Graphic (a retro sci-fi family that can be considered as a squarish version of Eurostile), Sheepman (modular), House of Cards, Space Colony (a lovely monoline futuristic techno family), Rama Slab (an antiqued wood-style slab serif), Rama Gothic. An antiqued sans serif family that recalls the wood type era), Diamond Ring (an art deco typeface inspired by Japanese cosmetics-packaging designs and posters from the late 19th and early 20th centuries), Controller (techno meets organic in this rounded squaris sans family), Revolution Gothic (an extended version of PAG Revolucion), 2008, which was inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s; Revolution Gothic P followed in 2014), Diamond Ring (art deco).
• 2011: Yummo (monoline organic sans), Sheepman (based on the wood type No. 506 of William Page), Onick (2011, an art deco neojaponist fat display face done for Wordshape), Shiva (2011, hairline sans), Mocha Mattari (2011, grunge), Dharma Slab (2011, inspired by 1800s-style wood type), Dharma Gothic (2011, +P), Rama Gothic (2011, also inspired by 1800s-style wood type), Dimensions (2011, squarish), Design System (2011, a large family based on 70s style techno typefaces), Speedometer (2011, condensed piano key face).
• 2010: Stereo Gothic (2010: an extended all caps slightly techno sans family), Behrensmeyer Vigesimals (2010, a pixel format connected script), Civilite Vigesimals (2010, pixelized Civilite), Flat10 Arts and Crafts (2010), Flat20 Hippies, Flat10 Segments (2010), Flat10 Antique (2010), Flat20 Gothic (2010), Flat20 Streamer (2009, pixelized ribbon font), Flat10 Fraktur, Flat10 holy, Flat10 Holly, Flat10 Stencil, Flat20 Headline, Flat10 Artdeco, Word From Radio (2008-2010). Cigarette (2007, Bauhaus/Peignot-style).
• 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligraphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009).
• 2007-2008: Bistro Mono (2007, an awkward monoline face), Thousands (2007), Balaghat (2008), Garash Script (2008, a Halloween face), Woodstamp (2008), Banana (2008, brush script), Rebel Train Goes (2007, a piano key font), Rouge (2007, an elegant lipstick-on-the-bathroom-mirror pair of typefaces), Yasashii (2007, a great geometric art deco Broadway-style family, famous for being used in Damien Chazelle's La La Land, the 2017 blockbuster movie), Lily Wang (2006, calligraphic script), Nothing (2007), Garash (2007, Arabic simulation), Moon Star Soul (2007, Western saloon font), Grandes Vacances (+ Une, Deux) (2007), Pansy Bo (2006, calligraphic), Dremie (2007, an art deco headline typeface with Open and Fill weights), Grandes Vacances (2007, based on 19th century billboard letters), Xesy (2007, a fantastic "ronde" high-contrast upright connected script), Deluta Black (2007, a soft blackletter), Cotoris (2007, a 4-style family that takes inspiration from Koch Antiqua and the art nouveau movement).
• 2006: Daisy Lau (2006, calligraphic), Agedage Luxeuil (2006, based on a monasteric script from the 8th century), Agedage Cancellaresca, Agedage Beneventan, Agedage Simple Versal (2006, Lombardic caps simplified), Amsterdam Modern (2006, art nouveau influences), Flat10 [Holly, Holy, Stencil, Fraktur] (2006, a set of pixel typefaces), Machiarge (2006, a heavy connected brushed signage script), Chic Hand (2006, connected script), Double Dagger (2006, geometric stencil family), Fault (2006, an art deco striped lettering face), Killernuts (2006, headline serif typeface with brush stroke endings), Underconstructionism! (2006, a rectangular look family with associated dingbats), Machia (2006, decorative script), Kiwi (geometric hairline), Bagel (roundish comic book face), Jaguarundi (2006, distressed), Boycott (2006, distressed), Tokyotrail (2006, futuristic techno family), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), El Piedra (2006, letterpress emulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Bebas Kai (2014: free!), Bebas Neue (2010: free!), Bebas Neue Bold, Berlin89, Blackout (redesigned in 2011 as the ulta-narrow Dimensions), Boycott (grunge), Built-1970, Bunyan, Busted, Camera (2007), Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb, Junkmix, Kanatypo, KemikalHi, Machia (2006, a calligraphic family), Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso (grunge), Pusab (2006, ultra round; one free weight), Sushitaro, Typewrong, Celtics Modern (2006, a Celtic family of fonts). At T-26, he published CRZ (2006), Guppy, Ohana (2006, octagonal), Picnica (2006), and Wearetrippin.

MyFonts link. Fontsquirrel link for their free fonts such as Bebas (2005, industrial sans), Boycott, Gesso, and Pusab.

YWFT link. Bagel & Co. link. Klingspor link. Dafont link. Dafont link.

Interview.

View Ryoichi Tsunekawa's typefaces. Kernest link. [Google] [MyFonts] [More]  ⦿

Flora Michalon

During her studies at HETIC, Paris-based Flora Michalon designed the futurist typeface Embas in 2017. [Google] [More]  ⦿

Fontsphere (or: Prestologo)
[Bartosz Panek]

Zimna Wodka / Lublin, Poland-based designer of the free circle-based typefaces Invectors (2015) and Invectors Band (2015). In 2016, he made the squarish pixelish typeface Bajt, which was followed in 2019 by BAJT Rounded.

Typefaces from 2017: Cylinder (rounded, yet squarish), Sushi, Sushi Stroke.

Typefaces from 2018: Film Poster, Cufel (futuristic all caps).

Typefaces from 2019: LOGX-30, LOGX-20 (a squarish typeface), Streeters (brush-drawn), LOGX-10 (a squarish all caps typeface).

Typefaces from 2020: Pixeloza 01, Film P2 (a tall film credit font), Prosty (squarish), Juby (a squarish techno font), Juby Rounded.

Home page. Old link. [Google] [MyFonts] [More]  ⦿

Fortunato Depero

Fortunato Depero (1892-1960) was an Italian futurist painter, writer, sculptor and graphic designer. Born in Fondo/Malosco, Depero grew up in Rovereto serving as an apprentice to a marble worker. On a 1913 trip to Florence that he discovered a copy of the paper Lacerba and an article by one of the founders of the futurism movement, Filippo Tommaso Marinetti. In 1914, Depero moved to Rome and met fellow futurist Giacomo Balla. In 1915, Depero and Balla coauthored the manifesto Ricostruzione futurista dell universo. In the same year he was designing stage sets and costumes for a ballet. In 1919 Depero founded the Casa d'Arte Futurista in Rovereto, which specialised in producing toys, tapestries and furniture in the futurist style. In 1925 he represented the futurists at the Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Modern Industrial and Decorative Arts).

In 1927, he published the monograph Depero Futurista, aka The Bolted Book, because it is famously bound together by two large industrial aluminum bolts. In 2016, a kickstarter movement was started to publish a new facsimile edition of this groundbreaking book.

In 1928, Depero moved to New York City, where [acccording to Wikipedia] he experienced a degree of success, doing costumes for stage productions and designing covers for magazines including MovieMaker, The New Yorker and Vogue, among others. He also dabbled in interior design during his stay, working on two restaurants which were later demolished to make way for the Rockefeller Center. He also did work for the New York Daily News and Macy's, and built a house on 23rd Street. In 1930 he returned to Italy.

In the 1930s and 40s Depero continued working, although due to futurism being linked with fascism, the movement started to wane. The artistic development of the movement in this period can mostly be attributed to him and Balla. One of the projects he was involved in during this time was Dinamo magazine, which he founded and directed. After the end of the Second World War, Depero had trouble with authorities in Europe and in 1947 decided to try New York again. This time he found the reception not quite as welcoming. In New York, he published So I Think, So I Paint, a translation of his autobiography initially released in 1940, Fortunato Depero nelle opere e nella vita. From the winter of 1947 to late October 1949 Depero lived in a cottage in New Milford, CT. His host was William Hillman, an associate of the then-President, Harry S. Truman. After New Milford, Depero returned to Rovereto. In August 1959 Galleria Museo Depero opened. Depero died in 1960 a bout of diabetes and spending the last two years unable to paint due to hemiparesis.

Alan Kegler at P22 created a typeface, P22 Futurismo (1996) and P22 Futurismo Extras, based on Depero's work. P22 link.

A second digital typeface is based on his work, Emporium NF by Nick Curtis. It is based on this poster by Fortunato Depero (1927). [Google] [MyFonts] [More]  ⦿

Francesco Mistico Canovaro
[Zetafonts (or: Studio Kmzero, or: ZeroFont)]

[MyFonts] [More]  ⦿

Francisco Arellano
[Ixipcalli]

[MyFonts] [More]  ⦿

Franco Grignani

Designer at Nebiolo (b. 1908, Pavia, d. 1999, Milan). He was part of a team (with Giancarlo Illiprandi, Bruno Munari, Ilio Negri, Till Neuburg, Luigi Oriani and Pino Tovaglia) that designed the lineale family Forma from 1966-1970 under the direction of Aldo Novarese. Forma was revived by Tankboys as Forma Nova.

Sergio Polano writes: Alone master, the Italian visual designer, painter and photographer Franco Grignani, born in Pieve Porto Morone (Pavia) in 1908, trained as architect at the Polytechnic School of Turin (1929-1933); after being part as painter of the late, second futurism, his artistic research came across the European abstract avantgarde movements, and developed a strong interested in the perception psichology of form, that results from the Fifties in his dinamic kind of OpArt, years before it: the mastering of perception rules is expressed by his visual experiments on virtual movement, optical illusion, subperceptions, distortions, moirés, dilatations, flous and so on, applied, with no breaks, from painting to graphic design, through pictures, images, patterns, signs and words. From the Thirties he works in the field of graphic design, collaborating a with Borletti, Breda Nardi, Cremona Nuova, Dompé, Domus, Mondadori, Montecatini, Spi, Triennale; his artistic direction for Alfieri&Lacroix printing firm is particularly interesting, as it shows an exceptional integration of words (wrtitten by himself) and images. Very well known, his trademark for Lambswool is a paradigmatic example of his approach to sign design. For 26 years he has been art director of Pubblicità in Italia, a magazine devoted to Italian advertising and visual design. He wrote many essays on design and arts, and lectured in Europe and USA. [Google] [More]  ⦿

Futurism
[Filippo Tommaso Marinetti]

Futurismo (Futurism) is Italian art deco movement (1908-1943) launched by writer Filippo Tommaso Marinetti in his futurist manifesto. The most important artists were Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo. The wiki: Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. "We want no part of it, the past", he wrote, "we the young and strong Futurists!" The Futurists admired speed, technology, youth and violence, the car, the airplane and the industrial city, all that represented the technological triumph of humanity over nature, and they were passionate nationalists. They repudiated the cult of the past and all imitation, praised originality, "however daring, however violent", bore proudly "the smear of madness", dismissed art critics as useless, rebelled against harmony and good taste, swept away all the themes and subjects of all previous art, and gloried in science. Images from the Futurismo movement: Cyclist by Natalia Goncharova, Painting, Painting, Painting, Colin O Griffin (2008), Poster, Poster, Poster, Giovanni Coletta's bike, Marinetti's Danunzio poster. [Google] [More]  ⦿

Gabriele Lindemann

German designer at URW++ of the wonderfully futuristic font Argonautica (2002), which she herself calls Die Hieroglyphen des Trillenniums. [Google] [MyFonts] [More]  ⦿

Gabrielle de Castro

Fortaleza, Brazil-based designer of the futuristic Cybertype (2017). [Google] [More]  ⦿

Genevieve Pizzale

As a student in Toronto, Genevieve Pizzale designed the typeface Dots (2016), which combines elements of Bauhaus, modernism and futurism. [Google] [More]  ⦿

Genilson Lima Santos

Genilson Lima Santos is the Salvador, Brazil-based designer (b. 1985, Bahia) of Stilu (2015, sans), Jenelson (2006), the stroked font Styllo (2007), the brushy Carybe (2011), the all caps sans typeface Linna (2016), the display typeface Victorine (2016), the rounded sans family Baldini (2016), the high-contrast all caps Cellophane (2016), the text typeface Petralina (2016), the rounded Bauhaus-inspired sans typeface family Rosa Maria (2016), the multicolor layerable rounded poster typeface Buba (2016), the free wide unicase sans typeface family Urucungo (2016), and the semi-didone display typeface Salinas (2016).

Typefaces from 2017: Hibiscus, Blackye (a delicious black rounded sans for Latin, Greek and Cyrillic), Somma (geometric sans), Tryal (formal calligraphic), Love Moon, Urbanpolis (sans).

Typefaces from 2019: Dynamo (a retro-futuristic typeface), Hellen (a revival of the flared classic Koch Antiqua from 1922).

Typefaces from 2020: Giovanna and Giovanna Sans (a luxurious roman caps typeface). [Google] [More]  ⦿

Giuseppe Salerno
[Resistenza]

[MyFonts] [More]  ⦿

Glifo Art Fonts

Designers of the futuristic typeface Perseus Arm (2014). [Google] [More]  ⦿

Glyphobet (was: mattt's fonts)
[Matt Chisholm]

A type designer from Santa Cruz, CA (and now Oakland, CA), Matt Chisholm (Glyphobet; was: mattt's fonts) created mainly handwriting and display fonts. He obtained a BA in Mathematics from UC Santa Cruz. All his fonts were initially free---these included MRPHONE1, MRPHONE2, MRPHONE3, MRPHONE4, MRPHONEAlternates, CheckerHat, EverydayFont (Roland Berger, 1994), Flow (1994, with Roland Berger), JRandomC, KozmicJaggedHands, LEADvilleASTROnautInline, LEADvilleASTROnautSystem (retro futuristic), LettersLaughingDissectionandDestruction, LettersLaughingattheirExecution, LettersLaughingbyQuantizedandCalibrated, Matttschain, Matttsrope, Matttsstring, Matttsthread, Matttswire, OvialCaps (Rutherford Gong, 1996; scanned by Matt Chisholm), Ovial, Pixel, PsychoticElephantHeadline, PsychoticElephantText, RubbingFont (1995, with Susan Wilson, 1995), Shark (a powerful and original roman/blackletter hybrid revised in 2007), SirFigGothick, SwissCheesed, ToBeContinued (Alex Chisholm, 1996), Underlapped, DisorganizedCockroach, Ripple, SerpentKnotform.

Check out his Alphabet Soup Project, which randomly mixes glyphs from several languages. Ljubljana in particular (2007), with its Greek, Cyrillic and Latin glyphs, is stunning.

In 2010, he set up shop at MyFonts as Glyphobet. His fonts there include the bewitched Zenith (2010), Ljubljana (2010), Haylurker (2010), and the experimental Breuckelen (2010). Anadolu (2010) was inspired by the distinct style of sign lettering in rural Turkey.

Home page. Alternate URL. Dafont link. Klingspor link. Abstract Fonts link. [Google] [MyFonts] [More]  ⦿

Greater Albion Typefounders (or: GATF)
[Paul James Lloyd]

Paul J. Lloyd's type foundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.

Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette (2009, art nouveau), Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau).

Art deco typefaces: Oakland (2011, multiline typeface gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).

Other typefaces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2008, Tuscan) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat typefaces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display typeface based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).

Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).

Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved typefaces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter).

Production in 2012: Alfere Sans Stripes, Albion's Americana (Western stars and stripes face), Tudor Perpendicular (blackletter), Amici (rounded headline face), Amie (rounded sans), Wolverton Text (Edwardian family), Vinea (10-style display family), Par Avion (retro futuristic), AstroBats (retro sci-fi dingbats), Beeching (+Shadowed), Gondolieri (didone meets Tuscan), Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family).

Typefaces from 2013: Speedblur, Belhampton (Edwardian), Merry Baubles (Christmas tree dings), Merry Bauble Letters (Christmas alphadings), Wroxeter (blackletter), Thurbrooke (+Banner, +Initials, +Black, +Reverso, all based on 19th century banner headings and engraved lettering), Bourne (a rounded type system), Henrician (a set of eight Tudor style display typefaces), Belle Jardin (art deco marquee face), Lavery (Edwardian), Baldione (a stylized didone), Chequers (a vintage poster face), Turvy Topsy (fat finger face), Merrivaux (faux medieval), Blout (German expressionist typeface), Easter Egg Letters, Isometrica (a banner typeface family), Valentine's Letters, Imperial Granum (roman titling face), Brollo (chunky display face).

Typefaces from 2014: Albions Very Old Masthead, Albions Engraved Black, Albions Old Masthead, Albions Incised Masthead, Albions Black Holly, Zanderley (pure Victoriana, +Initials), Landsdowne Commercial, Friendly Shaded Sans, Trivette, Wellmere Sans, Uncia Black, Henry VII, Greene and Rollins (layered Victorian typeface), Barollo, Alfrine, Alfrere Banner (+Incised), Lugano, Lanvier (1930s-style caps typeface family), Bonlivet (a hyper-decorative capitals alphabet from the late Victoian or early art nouveau era), Ames Text (a didone family with rounded brackets), Ames Roman (related to didones but with wedge serifs), Ames Weathered, Ames Shadow, Ames Shaded, Amersham (vintage signage family, 2013-2014).

Typefaces from 2015: Netherland Perpendicular (Victorian blackletter), Ledbury (Victorian), Ambergate (Edwardian poster face), Empyrean (futuristic, yet curvy), Flinscher (1920s script), Signwriter Standard, Display Hatched, Albions Marker No.1 (a charming outlined marker pen typeface inspired by Bembo and Caslon), Joyvrie, Kinver (Victorian), Nationale (Victorian), Doges Banner, Doges Darker (Victorian), Doges Delight (Victorian), Doges Venezia (Victorian).

Typefaces from 2016: Buntisland, Elmcourt, Allorette, Albion Sharp Italic, Deco Metro (art deco), SpeedSwash (blackletterish), Stridere (blackletterish), SpeedSketch.

Typefaces from 2017: Shervington, Cantebriggia 1207 (a weathered blackletter), Algreve, Alambart, Duquesne Dark Woodcut, Courtold Shadow, Athabasca (Wild West Tuscan), Fargo Tuscan, Millerstown (Western), Millerstown Races, Old Millerstown, Sasparillo (Tuscan), Sasparillo Fizz, Wylgate, Herald Banner.

Typefaces from 2018: Garstang Engraved, Halliwell Casual, Portculliard, Rotham Industria, Sombrieul (Edwardian), Shervington Engraved (a shaded typeface that appears hand-engraved on copper-plate).

Typefaces from 2019: Dewhirst Display, Rakia (retro futuristic), Eurobia (art nouveau style).

Typefaces from 2020: Draughtsman Engraved, Draughtsman Label Hand (Victorian), Civic Triline.

Type announcements. Behance link. Klingspor link. Abstract Fonts link. Font Squirrel link. Kernest link. Abstract Fonts link. Hellofont link.

View all typefaces by Paul Lloyd. Images of Paul Lloyd's best-selling typefaces. Greater Albion Typefounders: typeface collection. View Paul Lloyd's Victorian typefaces. [Google] [MyFonts] [More]  ⦿

Greg Omelaenko

Sydney, Australia-based designer of the futuristic font Aergon (2011, FontStruct). He also modified some glyphs in Raph Levien's open source typeface Inconsolata LGC. [Google] [More]  ⦿

Greg "Seso" Ortiz

New York City-based designer (b. 1996) of the free futuristic stencil typeface Quantum (2018). [Google] [More]  ⦿

Hartadi Design

Yogyakarta, Indonesia-based designer (b. 1996) of these typefaces in 2020: Blueflare (hand-printed), Betelguesse (a monoline rounded futuristic display sans), Wonderland (a monolinear script), High Summit (a signature font), Shift Pro (techno), Qasshim (script), Rossellia (a monolinear script), Vestype (script), Southampton (a signature script). [Google] [More]  ⦿

Hederae Creative (or: Hederae Type Foundry)
[Valerio Dell'Edera]

Talented visual designer in Bari, Italy. Creator of the hand-crafted poster typefaces Neretto Sans (2015, thick and black), Organic Tobacco (2015) and Sensi Bold (2015), and the elegant rubber stamp-inspired Marinaio (2015).

Typefaces from 2016: Pervinca (a sharp-edged tall-legged display typeface with wedge serifs that is influenced by didones), Chamfort (12-style sans), Carnot (a slightly rounded partially hipster grotesk titling typeface), Lorano (a typeface inspired by the rationalist and minimalist movements), Marinaio (a hand-crafted poster typeface family inspired by rubber stamps), Fibon Neue (a 32-style modern sans family with Low contrast), Cuciniere (a fun hand-crafted typeface with interlocking ligatures and food icons), Regime Grotesk (influenced by the fascist era in Italy), Scritto Sans, Monique (monospaced and monoline), Abside (a geometric sans), Esther (a hand-crafted antiqua), Fibon Sans and Zenzero Grotesk (tribal and unexpected).

Typefaces from 2017: Liber Text (a geometric sans with circular ink traps), Liber Grotesque (a futurismo sans influenced by Futura and Avenir).

Typefaces from 2018: Montagna LTD (inspired by early twentieth century Italian Arte Nuova and Stile Liberty). [Google] [MyFonts] [More]  ⦿

Heloisa Pedroso

Blumenau, Brazil-based designer of the wide monospaced titing typeface Katherine (2016), which was inspired by the shape of a futuristic car. [Google] [More]  ⦿

Heypen Type
[Rofiki Anas Maruf]

Indonesian designer aka sixdegrees, b. 1986, East Java. He is based in Batu / Surabaya. Anas created Hansplatz Grotesk (9 styles in the Akzidenz Grotesk genre), Halfroy (2020), Hostilica (2020: a slightly flared display serif), the children's book font Hagen Kids (2020), Horush (2020: a typeface inspired by aerodynamics and speed), Hazelle (2019), the squarish typeface Helios (2011) and the futuristic / sci-fi / industrial stencil typeface AV Cosmos (2019).

Home page. [Google] [MyFonts] [More]  ⦿

HTL Ryan
[Zenmurai]

[MyFonts] [More]  ⦿

Hugo Jourdan

As part of Typelab in France, Hugo Jourdan designed the futuristic typeface Ornamentum (2020). [Google] [More]  ⦿

Hugues Bareteau

London-based designer of some futuristic typefaces in 2014. [Google] [More]  ⦿

Iara Grinspun

During her studies at FADU / UBA in Buenos Aires, Iara Grinspun designed the futuristic typeface Astro (2015). [Google] [More]  ⦿

Icep Anwar Fadhil
[Figuree Studio]

[MyFonts] [More]  ⦿

Igor Ovsyannykov
[Inspiration Feed]

[More]  ⦿

Ilya Naumoff

Also Ilya Naumov, b. Russia. Paris-based graphic and type designer, whose typefaces are fabulous. His typefaces:

• During a summer course called Type@Paris (2015), Ilya Naumov designed a contemporary redesign of Caslon called Belka (+Stencil,+Italic).
• Kawai is a modern serif typeface started by Ilya at the University of Reading in 2014 under the supervision of Gerry Leonidas and Gerard Unger.
• Vesterbro (Jeremie Hornus, Alisa Nowak, Ilya Naumoff, Black Foundry, 2017) is a high-contrast Latin / Cyrillic typeface with a Viking feel that won an award at Granshan 2017.
• Troy (2017), Troy Sans (2017). A pair of inscriptional all caps roman typefaces published in 2019 by Indian Type Foundry.
• Clother (Jeremie Hornus, Julie Soudanne, Ilya Naumoff, 2017, at Black Foundry). This geometric sans workhorse covers also Cyrillic, Hebrew and Arabic.
• Ekster (2018). A geometric sans typeface family.
• Ulm Grotesk (2018, Indian Type Foundry). A simplified almost futuristic geometric sans typeface family. Ilya explains the name Ulm: In the 1950s and 1960s, The Ulm School of Design was hailed as a successor to the Bauhaus, and it set important impulses for international graphic and product design. These Ulm aftershocks were felt for the next several decades.
• In 2019, Ilya Naumoff and Benjamin Blaess co-designed the variable font Grtsk at Black Foundry. Its three axes, weight, width and slant, combine for 126 styles, that are all captured in one variable font. Mini-site.
• Screen Sans (2020). A 14-style sans by Jérémie Hornus and Ilya Naumoff published by Indian Type Foundry.
• Stravinsky (2020). This is an experiment in fashionable contrast. Ilya writes: The typeface fuses the 18th century Didot vertical contrast and squarish counters with the contemporary sans-serif Grotesk form.
• Factor A (2020). A variable geometric sans typeface at Type Tomorrow.

Type Tomorrow link. [Google] [MyFonts] [More]  ⦿

Immanuel Smith

Designer of the monolinear semi-futuristic sans typeface family Moongloss (2020). [Google] [More]  ⦿

Infinitgraphic

Barcelona-based designer of the free modular futurustic typefaces Sideral (2015) and Sideral Contrast (2015). [Google] [More]  ⦿

Inspiration Feed
[Igor Ovsyannykov]

Warrenton, VA and Washington, DC-based designer in 2015 of Bitcraft, Tokyo Typeface (inspired by inkan seals), Pixel Patterns, Flight (dot matrix typeface), Hand Drawn Arrows, Hype (techno), Galaxy (techno/futuristic), Fluffy, Detective (typewriter font), Funky (hand-drawn font), Hacker (a cyber typeface), Yeti (hand-crafted) and Game Over (video game font).

In 2016, he designed Architect. Creative Market link. Behance link. [Google] [More]  ⦿

Ipanema Gráfica
[Rubén Prol]

Ruben Prol is based in A Coruña, Spain. He used to run Ipanema Gráfica, a Brazilian photoblog site, where original fonts such as Rita (2010, slabby), Comic Arousa (2007), Nantronte (2005), Velvet Illusions (2005, retro futuristic), Vila Morena (2006), Johnyokonysm (2005), As pedras da Belle Otero (2006, an artsy pixel font), Milocha (2010, sans), Rita (2010, slab serif), and Marela (2005) may be found.

Rubén Prol created the sans face Carme (2011), which is free at Google Font Directory. Ancient Galician stone inscriptions led Prol to design Uralita (2012, +Bold, 2013), which is also free.

In 2016, he designed the soccer shirt lettering typeface Hibernia, and the multilined Starman. In 2014, he designed the custom soccer shirt typeface RCD Carme Condensed for the new (2014-2015) RC Deportivo kits.

Typefaces from 2017: Chuca Mono, Lordela (an angular German expressionist typeface), Abisinia (a unicase poster font).

Dafont link. Behance link. Old URL. Behance link for Ruben Prol. [Google] [MyFonts] [More]  ⦿

Ismail Abdurrasyid
[Asyan Design]

[More]  ⦿

Ixipcalli
[Francisco Arellano]

Foundry in Ixipcalli, Mexico, run by Mexico City-based Francisco Arellano (b. 1981). Creator of the free monoline sans typefaces Coamei (2011) and Copilme (2011), the informal monoline typeface InColhua (2011), and Huelic (2011).

In 2012, they published the commercial typefaces Bolta (monoline organic sans), Caronta (a monoline humanist sans with a large x-height), Tecpana, Naolica (a monoline, elliptical sans family), Auloe (a rounded contrast-laden sans family), Olpan (monoline sans family), Kaodai (monoline sans), Ocelca (a tribal organic type family), Qatana (a Peignotian sans family), Metrica (an organic elliptical sans family in 12 styles), Minimalista (monoline sans family with a hairline weight), and the elegant wide sans family Ekon.

Typefaces from 2013: Ancora (high-contrast fashionable titling face), Binaria.

Typefaces from 2014: Ipnea (a logotype sans), Gillca.

Typefaces made in 2015: Minum Sans.

Typefaces from 2020: Cairus (a futurist circle-themed font).

Dafont link. Aka Jef Triforce. Fontspring link. FontVila link. [Google] [MyFonts] [More]  ⦿

J. Randall Harris
[Just My Type]

[MyFonts] [More]  ⦿

JAF34

JAF34 is an independent graphic designer in Prague. Creator of the thin experimental typeface Work 30 (2013) and the hipster typefaces Universum (2014) and Dupliciter (2014).

In 2015, he created the sans typeface FOTR, the wide display typeface Fat Pleasure, and the urban art stick font Primitive.

Typefaces from 2017: Circularis (organic sans based on the geometry of the circle), Circularis Alt.

In 2019, with Koi and Ahmed Eraqi, he co-designed Hurringtown Script.

Typefaces from 2020: Yeezus (conjuring up rave, rap, acid and futurism). [Google] [MyFonts] [More]  ⦿

Jakob Fischer
[PizzaDude]

[MyFonts] [More]  ⦿

Jamalodin
[Jamaluddin Jamaluddin]

Known as Jamaluddin Jamaluddin and Jamal Odin. Banda Aceh, Indonesia-based designer of the calligraphic script typefaces Sehia Script (2016), Shanhie Script (2016) and Wenny Script (2016), the signage typeface Brandon (2016), the vintage all caps typeface Greething (sic) Sans (2016). This 4-style family has two shadow versions. He also designed the futuristic typeface families Magneto (2016) and Electro Wave (2016).

Typefaces from 2017: Melanie Script, Margetta Script, Shailena Script, Heartbeat Script, Maheisa Script (calligraphic).

Typefaces from 2018 include the calligraphic fonts Boutinela Script, Amira Madison Script, Cathiy Betiey, Southernbelle Script, and Miracle Script.

Typefaces from 2019: Brendisa (a calligraphic script), Dearly Rose, Gloretha, Datting Rose, Karliyna Script.

Typefaces from 2021: Merylanie Script (a tilted script). [Google] [MyFonts] [More]  ⦿

Jamaluddin Jamaluddin
[Jamalodin]

[MyFonts] [More]  ⦿

James Partington
[Dene Studios]

[MyFonts] [More]  ⦿

Jerome Yap

Singapore-based designer of the futuristic or hipstaer typeface Guardian (2017). Behance link. [Google] [More]  ⦿

Jeruel Aaron Amar

Designer from Quezon City, The Philippines, b. 1993, who used FontStruct in 2009 to make Pointers and Pointersoft (pixel arrow fonts), Eleaves, AcidSpeed, Parallelofont (octagonal), Missing Block, Acid Square, The First Font, Danubee (organic), Thorns, ReilyBill Richkid, Tabloid, StillAliveForNow, StillAlive, and The Curve.

In 2009, he added Unbranded, Nokia 6000, Quickening, Bump it up, Corte (3d shadow face), Unbranded, Piloton (techno; +Piloton G, 2012), Tahoma (pixel family), Raft, Paper Company (octagonal), Afro Style, Arko, 7th Service (stencil), Thorns, and Afro Superstar.

In 2012, he created Afro Superstar, Malibata Neue, a modernized and simplified Baybayin/Alibata (ancient Filipino writing), Gumball. In 2014, he designed the free gravestone typeface Furgatorio and an ancient Filipino script font, Malibata (2014, FontStruct). In 2015, he added XOX, the futuristic Babayin typeface Maria Stellar, and the techno sans typefaces Dozer One and Dozer Two. In 2016, he designed the marker pen font Jeboy and the coffin font Furgatorio Sans.

Typefaces from 2017: Alta (a fashion design sans).

Typefaces from 2018: Matatas One (a free Baybayin typeface), Cubao (free; inspired by the signboards hanged on Jeepneys, SUVs, buses and other transport vehicles within and outside the Metro), Quiapo (hand-crafted all caps sans), Alta Kratos (alchemic; with Jean Pierre Cruz). He explains the genesis of Quiapo which is based on signs hanging in jeepneys: Quiapo Free is a brush typeface dedicated to the Filipino sign makers, Jeepney drivers, and the daily commuters in the streets of Metro Manila and anywhere in the Philippines.

Typefaces from 2019: Maria Stellar X (a futuristic font for Latin and Baybayin).

Typefaces from 2020: Hayskul, Kawit (a brushed lava lamp font), Dangwa (brush script), HPB (a stylish all caps sans created for the Christian Fellowship Church founded in Plaridel, Bulacan, Philippines), and the Baybayin fonts Malibata Redux (prismatic), Titulo Tagalog, MKBYN Clara (cursive, pixelized), malamaya.

Typefaces from 2021: Copula (a retro inline typeface). [Google] [More]  ⦿

Jetsmax Studio

Designer of the stretchable futuristic typeface Stretch Pro (2020). [Google] [More]  ⦿

Jim Parkinson
[Parkinson Type Design]

[MyFonts] [More]  ⦿

Joao Henrique Lopes

Ananindeua, Brazil-based creator (b. 1986, Brazil) of FontForum Giureska (2012), a blackletter / uncial family published by URW, and of Styla Pro (2013), a flared typeface also published by URW, and advertized as a romantic sans influened by Bodoni.

Lucca (2013) is a flared humanist sans typeface that was inspired by Italian Renaissance fonts like Poliphilus, Blado, Centaur and Arrighi.

Typefaces from 2015: Pleiad (seven interchangeable scripts published by URW++: Pleiad Alcyone, Pleiad Celeno, Pleiad Electra, Pleiad Maia, Pleiad Merope, Pleiad Sterope, Pleiad Taygete).

Typefaces from 2017 at URW++: Meyling (emulating painted letters, or perhaps an oriental brush).

Typefaces from 2020: Slazer (futuristic, sci-fi).

Author of Elements of Manga Style. [Google] [MyFonts] [More]  ⦿

John Meister

John Meister is based in Setubal, Portugal. He created Futur (2013), a futuristic typeface. The Closet (2013) is an organic monoline modular sans typeface. [Google] [More]  ⦿

John Roshell
[Swell Type]

[MyFonts] [More]  ⦿

Jordan Gonzalez

Graphic designer in Beaumont, TX, who created the futuristic typeface Astro (2014). Behance link. [Google] [More]  ⦿

Joris Chambat

French designer of the outlined 3d typeface The Future (2016). [Google] [More]  ⦿

Josip Kelava

Josip Kelava (Jay Kreative, Australia and UK) is an art director and graphic designer. He has done typographic work for fashion mags and fashion-conscious ads such as for Mercedes (2011), Coco Vodka (2011, using an Escheresque typeface), and Click Magazine (2011, see the Olena Cherneyo illustration). Creator of the alchemic yet futuristic family Geomas (2011).

Typefaces made in 2012: Metropolis (a superb bilined retro type family, ideal for posters---free download).

Behance link. Hellofont link. [Google] [More]  ⦿

Jozef Peeters

Jozef Peeters (b. Antwerp, Belgium, 1895, d. 1960) was a Belgian painter, engraver and modernist graphic artist. In 1918 he met Filippo Tommaso Marinetti, who convinced him to join the futurist movement. With Edmond Van Dooren and Jan Cockx, Jozef Peeters established the Modern Art group in September 1918. The group was able to establish international contacts with the "Der Sturm" Gallery in Germany. It also organized three art congresses with exhibitions. In 1920, Jozef Peeters presented his first abstract painting. With Karel Maes, he is considered one of the first Belgian abstract painters. In 1921, he published his first album with six linocuts. In April 1925, Jozef Peeters created "De Driehoek", a magazine that was into constructivist art.

Digital typefaces based on his work:

• A postcard handlettered by Peeters in 1923 led to the constructivist typeface Comrade (1998) by Jim Parkinson for Font Bureau.
• STF Portfolio Peeters (Ron Ruedisueli (Sed4 Type Foundry), 2018). Based on the folder art for his 1921 linocut portofolio.

Juan Guillermo Navarro Barrios
[Zilap (or: Mr. Zilap, or Zilap Estudio)]

[More]  ⦿

Just My Type
[J. Randall Harris]

Just My Type is a type foundry that was founded in 2012 by J. Randall (or Randy) Harris (b. 1947, Marion, IN) in Tucson, AZ. Harris is a graphic and type designer who has been making typefaces since 1997. He teaches at the Art Institute of Tucson. His typefaces from 2013: Megatropolis (a stackable deco font system), Historic Warehouse (Victorian).

Typefaces from 2012: Happenstance (a lovely retro-futuristic script), Illuminations Woodcut, Yule Love It (Christmas time dingbats), Gawain (based on the hand of Gawain Douglas), Oaxaca (a Mexican look face), Boxy Code, Channel B (a rounded monoline sans), Curves, Puzzle, Dempsey (based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey), Chilespice, Strata, Deco Donut, Jiminy (a comic book face), Invites (a roundish upright script that intends to recreate the 1920s spirit), Hunky Chunky (an obese poster face), the hand-printed typeface Carissa, Got Milk, Cutting Corners, Astro (retro-futurustic), Dix (2012: a slabby wood style typeface inspired by the poster for the 1929 film Redskin, and a desire to create a black Edwardian font with an offbeat serif), and the monoline rounded stripped-down sans typeface family Laszlo (2012: the name is an homage to Laszlo Moholy-Nagy of Bauhaus fame).

Kolega (2012) is a constructivist typeface family that consists of Kolega, Kolega Tall, and Kolega Podrobska (fake comrade).

Steampipe (2012) is an ironwork, Jules Verne, wrought iron and time machine font.

Los Muertos (2012) is a Halloween font.

Typefaces from 2013: Megatropolis (a stackable deco font system).

In 2014, he created the art deco typeface HG Welles, which was originally designed for a privately-published luxury edition of The Time Machine.

Behance link. J Randall Harris Design link. Home page. [Google] [MyFonts] [More]  ⦿

Kacey Visser

Ilion, NY-based designer of the futuristic typeface Galactix (2017). [Google] [More]  ⦿

Keith Tricker
[Studio K]

[MyFonts] [More]  ⦿

Kevin He

Art director in Singapore (b. 1982) who created the (free) bold condensed stencil typeface Kong (2014), the oriental ink art-inspired fashion mag titling typeface D'Lotus (2015), and the free futuristic display typeface Capsule (2015).

Dafont link. Behance link. J&K Viscom link. [Google] [More]  ⦿

Kirill Yudin

Novosibirsk, Russia-based designer of the free futuristic missing-stroke-segment font Solarian (2018). [Google] [More]  ⦿

Koray Öztürk

Turkish designer of the free futuristic typeface Dredd (2020). [Google] [More]  ⦿

Krunoslav Sokic

Croatian designer (b. 1988) of the geometric art deco typeface Retrocircular (2011), the techno typeface Carbon (2011), the script typeface Rosebud (2011), of Technostroked (2011), Oscilloscope (2011, texture face), Depleted Uranium (2011, a post=atomic-war grunge face), Hard Edge (2011), Space Cowboys (2011, futuristic), Broadway Lights (2012) and Odd Weight (2011).

Typefaces created in 2012: Redcat, Wrong Ink (ink run face), Curlings (curly script).

Typefaces from 2015: Differentiator (free rounded hexagonal typeface).

Devian tart link. Klingspor link. Home page. [Google] [More]  ⦿

Kurnia Harahap
[Creative Corner]

[More]  ⦿

Kustomtype
[Coert De Decker]

Kustomtype is Coert De Decker's type foundry in Otegem, Belgium. Coert (b. 1966) created KTF Roadbrush (2014) and KTF Roadstar (2012, a retro connected script).

Coert started his career as an assistant type cutter and stone carver in 1983, and founded the Kustomtype foundry in 2011.

In 2013, he published the frame family Label Pro XL, the stencil typeface family Bomber TV and the stencil typeface Crate Pro. The Far West poster style and circus font styles are recalled in the 19th century wood type revivals Wood Factory, Buffalo Western and Buffalo Circus.

Typefaces from 2014: Atlantic Cruise (avant garde), Copperhead (a titling all-caps typeface influenced by Goudy's Copperplate), Biscuit Pro (monoline sans), Medoc (a didone titling face).

Typefaces from 2015: Starbounder (stencil), Integra Chic, Chic Chalk, Romantico, Annexxus, Beatboy.

Typefaces from 2018: Fontwax (inspired by 1960s sign painting), Luckystrikes (a heavy comic book style typeface that was inspired by 1950-style advertising of these well-known American cigarettes), America Line (based on posters from the 1930s for the Holland-America Line made by Dutch graphic designer Wim ten Broe), New York Line (based on the Holland America Line inscription at Hotel New York in Rotterdam), Comicblast (based on the style of several Belgian comic book artists), Steampunk (a slab serif inspired on sixties hand-lettered French movie poster of Charles Bronson).

Typefaces from 2019: Newbeats (based on a poster of the film A Hard Day's Night starring the Beatles), Burlesk (Regular and Inline; based on the paper cutout letters in a 1950s Bollywood movie poster), Soundboy (a beatnik typeface that pays homage to Elvis Presley: it was drawn by hand from a number of images from Elvis's Blue Hawaii film), Poppin (a beatnik family), Sunbeam (a branding sans), Stonetype (an all caps for stonemasons, by an ex-stonemason), Initials BB (a hand-printed typefaces; BB stands for Brigitte Bardot).

Typefaces from 2020: Doggybag, Strak (a squarish typeface family that celebrates the tight, precise lines in the work of Belgian comic strip artist Eddy Vermeulen), Deaffont (an experimental font specially designed for a music video and album concept by the metal band Deafcon), Mars Model (futuristic, sci-fi). [Google] [MyFonts] [More]  ⦿

Laura Eydmann

Graphic designer in Brixham, UK, aka Laura Pakora Design. For a University of Plymouth project, she was asked to design letterforms based on Gino Severini's work. She looked into Futurism, Cubism and Pointillism, and created the experimental typeface Eclectic (2010) by cutting up Helvetica Bold into angular pieces. Petallic (2010) is an experimental typeface based on the architecture and design of the Guggenheim, Bilbao. [Google] [More]  ⦿

Léon Hulst
[TypeFaith Fonts]

[MyFonts] [More]  ⦿

Lee Mounsey
[Lee Mounsey-Smith]

Lee Mounsey is a Brisbane, Australia-based designer, animator and typographer. Creator of the cyberpunk or futuristic typeface Dismedia (2020). [Google] [MyFonts] [More]  ⦿

Lee Mounsey-Smith
[Lee Mounsey]

[MyFonts] [More]  ⦿

Lewis Latham

Lincoln, UK-based designer of the free multiline futuristic typeface Paralines (2015). [Google] [More]  ⦿

Light Weight (or: Litewait)
[Robert N. de Niet]

Litewait is a UK based type design company. Its page requires shockwave, and will stop those without. Even with Shockwave installed, this site is a time-sink. Commercial typefaces: Adrenalin (Robert N. de Niet, 140 USD), and Alladin, Albert Speer, Astropogo, Beewing, Chemical Child, Concept Sans, Cool Iron, Cordial, Dedica, End of the Cat People, Flux, Generation, Harrass, Hyperion (1998), Issey, Light Bits, Lo-Fi, Lord Haw Haw, Must-Have-Her, Newq, Ovoid, Pan, People, Prince, Pyrex, Reform, Royalty, Rubber Nipple, Stitch Cross, Testface, Very. Robert de Niet is also the [T-26] designer of the futuristic fonts Lord Haw-Haw (1998), Hyperion (1998) and Adrenalin (1998). MyFonts spells his name de Neit. Other write de Niet. [Google] [MyFonts] [More]  ⦿

Line Creative (or: Line Studio)
[Ari Juanda]

Banda Aceh, Indonesia-based designer, b. 1987, of display typefaces. In 2019, Line Creative released Netron (a futuristic typeface), Gello (a condensed all caps sans for movie credits), Bornco, Chokie, Exon (a minimalist all caps sans), Queen and Laser (a sci-fi typeface).

Typefaces from 2020: Shibe (a display font inspired by graffiti), Bogen (a techno or sports font), Igoe (squarish and monospaced), Masked Hero (a speed or techno logo font), Black Bison (squarish), Thuner (a chamfered chunky bold typeface), Kumachi (tall and hand-lettered), Silver Crown (an interlocking letter font), Bord (a thorny all caps futuristic display sans), Klone (an all caps vintage industrial slab serif), Kane (a slab serif), Amoba (a sledge hammer slab serif), Boysand, Agron (a decorative sans).

Typefaces from 2021: Qore (a sci-fi typeface). [Google] [MyFonts] [More]  ⦿

Linefab

Designer of mostly display or techno or futuristic sans typefaces for Latin and Cyrillic. The list:

• 2019: Stoptic (a full rounded sans), Adelina, Medium, Childling, Kerberos, Academy, Barbara, Doodler, Cave Age, Pixellance (pixelish), Ivanka, Dottle (dot matrix), Adriana, SpaceAge, Javier, Thumper, Bionic, Martian Luxury.
• 2018: Sweet Monkey , HelloDolly!, StoneAge, Spectre, StoryBook, Drenareon Display (octagonal), Colette, Jacqueline, Roller, SuperDario Pixel, Punto (dot matrix), Gennaro, Cosette, Ninova, Budapest Regular + Italic, Quad Display, Verona Display, Juvenile.

Louise Fili

Founded in 1989, Louise Fili Ltd is a graphic design studio specializing in brand development for food packaging and restaurants. Formerly senior designer for Herb Lubalin, Louise Fili was art director of Pantheon Books from 1978 to 1989, where she designed close to 2,000 book jackets. She has received Gold and Silver Medals from the Society of Illustrators and the New York Art Director's Club, the Premio Grafico from the Bologna Book Fair, and three James Beard award nominations. Fili has taught and lectured extensively, and her work is in the permanent collections of the Library of Congress, the Cooper Hewitt Museum, and the Bibliothèque Nationale.

She is co-author, with Steven Heller, of Italian Art Deco, British Modern, Dutch Moderne, Streamline, French Modern, Deco Type, Deco España, German Modern, Design Connoisseur, "Typology Type Design from the Victorian Era to the Digital Age" (Chronicle Books, San Francisco, 1999), Typology, Stylepedia, Euro Deco, Scripts, Shadow Type, Belles Lettres, Cover Story, and Stencil Type. Fili has also written Elegantissima, Grafica della Strada, Graphique de la Rue, The Cognoscenti's Guide to Florence, and Italianissimo. A member of the Art Directors Hall of Fame, she has received the medal for Lifetime Achievement from the AIGA and the Type Directors Club.

Her book cover (done with Jessica Hische) won a design award at TDC 55. Fili was also honored with the 2018 SOTA Typography Award.

In 2015, she made a futuristic counterless typeface, Mardell, which is named after retired Hamilton type cutter Mardell Doubek. It was published in 2016 as HWT Mardell in the HWT (Hamilton Wood Type) collection over at P22.

In 2017, Louise Fili, Nicholas Misani and Rachel Michaud co-designed the art nouveau typeface Montecatini, which is inspired by Italian travel posters from that era. In 2019, Louise Fili, Nicholas Misani and Andy Anzollitto expanded this typeface to the 24-style Montecatini Pro.

Marseille (2017) is co-designed with Nicholas Masani and Andy Anzollitto. It is an art deco-inspired letterform that is based on Louise Fili's cover design for the Marguerite Duras novel The Lover.

Keynote speaker at TypeCon 2018 in Portland, OR. [Google] [MyFonts] [More]  ⦿

Lucas Vega

During his studies at FADU, University of Buenos Aires, Lucas Vega designed the futuristic typeface Ginger (2020). [Google] [More]  ⦿

Luis Lebre

Coimbra, Portugal-based designer of the straight-edged futuristic display typeface Wize & Ope (2015). [Google] [More]  ⦿

Luis Miguel Torres
[Aviv Studio]

[More]  ⦿

Luis Moran

Student-designer in San Salvador (El Salvador) of the molecular typeface Bambooryc (2015) and of the futuristic typeface Alliance 2030 (2015). [Google] [More]  ⦿

Luiza Manzano

Caxias do Sul, Brazil-based designer of the futuristic typeface Space (2016). [Google] [More]  ⦿

Lukas Krakora
[Typewriterfonts.net]

[More]  ⦿

Made Type
[Maxim Schepin]

Maxim and Denis Schepin are the Krasnoyarsk, Russia-based designers of these fonts:

• The free Latin / Cyrillic typeface Barista (2017).
• Made Winter (2017).
• Good Time Grotesk (2017), Good Time Script (2017).
• Made The Artist (2017), The Artist Script (2017), The Artist Sans (2017). Free download.
• The free Made Waffle Slab (2017) and Made Waffle Soft (2017).
• The free pair Made Likes Script (2017) and Made Likes Slab (2017).
• Evolve Sans (Latin and Cyrillic), 2018. A free ten-style futuristic typeface family.
• Made Bruno (2018). A yummy fashionable fat decorative didone.
• Made Cannes (2018). A free all caps Peignotian typeface family.
• Made Canvas (2018). A great fashion mag typeface with lots of elegent contrast.
• Made Future X and Made Future X Header (2018). Free for personal use.
• Made Soulmaze (2019).
• Kenfolg (2019). A wedge serif titling typeface.
• Made Coachella (2019). A didone without ball terminals.
• Made Saonara (2019). A fashion mag all caps didone. Free trial.
• Made Florence Sans and Script (2019).
• Made Sunflower (2019).
• Made Dillan (2019). A free warm yummy-yet-sturdy rounded typeface.
• Made Mirage (2020). A fashionable typeface family. Free demo.
• Made Outer Sans (2019).
• Made Bon Voyage (2020).
• Made Tommy and Made Tommy Soft (2020).
• Made Gentle (2020). A plump poster typeface inspired by Cooper Black.

Malhar Vaidya

Pune, India-based designer who studied at Abhinav kala Mahavidyalaya. In 2017, he created the futuristic typeface Astra. Behance link. [Google] [More]  ⦿

Manuel Fernandez del Campo Garcia
[Brada]

[More]  ⦿

Marc Lohner

Köln, Germany-based creator of these typefaces:

• The free counterless typeface Hard Rock Kids (2013).
• Quenda (2015). A great 6-style rounded sans family.
• Pan Pizza (2015). A signage brush script.
• The fun beatnik typeface MonsterPie (2016).
• Arlon (2018). A futuristic rounded sans design.
• Govia Sans. Cartoonish.
• Vendura (2020). A 16-style sharp-edged and thorny-serifed text typeface family.

Marc-Alain Grenon

During his studies in Montreal, Marc-Alain Grenon designed the free futuristic typeface Evaa (2018) and the free experimental tilted typeface Meredith (2018). [Google] [More]  ⦿

Marcello Nizzoli

Italian artist, architect, industrial and graphic designer, 1887-1969. After graduating from the Accademia di Belle Arti of Parma in 1913, he worked as a draughtsman in Milan until World War I. The influence of futurism and Fortunato Depero influenced his later work. He was the chief designer for Olivetti for many years and was responsible for the Olivetti typewriter Lexicon 80 (1948) and the iconic Lettera 22 portable typewriter (1950). Nizzoli's style inspired Nizzoli (2017, Luciano Vergara for Los Andes), a modular, almost sci-fi, sans typeface family. [Google] [More]  ⦿

Marcus Sterz
[Face Type]

[MyFonts] [More]  ⦿

Maria Lazarevic

Leskovac, Serbia-based designer of the futuristic typeface Orbits (2018) on the same day that Elon Musk launched his Heavy Falcon rocket into outer space. [Google] [More]  ⦿

Maria Magdalena Rybak

Prismatique (2011) is a noncommercial font inspired by the art deco vase Nanking from 1925---a bit in the Futurismo style. Home page at Verine Design in Lodz, Poland. [Google] [More]  ⦿

Måns Grebäck
[Aring Typeface]

[MyFonts] [More]  ⦿

Mark Farris
[Studio One Four]

[More]  ⦿

Marty Bampton

Australian designer (b. 1984) who is based in Sydney. He created the graffiti typeface Jo's Styles (2012), and Thick Bitch (2012). He also made the futuristic typefaces Grand Lethals (2012, for an album cover of this group) and Aliens Can Suck It (2012). [Google] [More]  ⦿

Mat Planet

Creative Alliance designer of Planet Informal, Planet Sans and Planet Serif in 1998. Alternate URL. See also here. Planet is a futuristic Greek simulation face. [Google] [MyFonts] [More]  ⦿

Matt Chisholm
[Glyphobet (was: mattt's fonts)]

[MyFonts] [More]  ⦿

Mattia Bonanomi
[MTT]

[MyFonts] [More]  ⦿

Max Brolet

During his studies at Saint-Luc in Liège, Belgium, Max Brolet designed the experimental typefaces Futumaliste (2016), Blocs (2016), Alphabet Pour Les Sourds (2016), and Deep Chocolate (2015). Behance link. [Google] [More]  ⦿

Max Infeld
[Xerographer Fonts]

[More]  ⦿

Maxim Schepin
[Made Type]

[More]  ⦿

Mehmet Abaci
[Studio Typo]

[More]  ⦿

Mehmet Reha Tugcu

Mehmet Reha Tugcu (Tugcu Design Company, Istanbul, Turkey) designed these typefaces:

• In 2020: Calamity (squarish), Blight (a spurred typeface), Kasumi (a rounded all caps sans), Nezuko (a Saul Bass style poster font), Avalon (a glitch font), Anima (a horror font), Belmont (medieval), Starforge (sci-fi).
• In 2019: Bios (octagonal), Magnate (a trilined art deco typeface), Megaton (a great stencil typeface), Polaris (cyber typeface), Quartz (art deco), Visage (an all caps titling sans), Solaire, Cinderheart (a cutout typeface), Osiris (a sci-fi typeface), Pandemic (dry brush), Loki (a comic book font), Coven, Valencia (an art deco font).
• In 2018: Mistlock, Wraith (a super wide sci-fi typeface), Sojourn, Gore (blocky), Grind (grunge), Junkdog, Wisteria (foliated caps), Brigmore, Lash (a free weathered font), Halcyon, Kusanagi (futuristic), Periwinkle, Minerva (art deco).
• In 2017: Vera (a vintage all caps typeface), Odachi (a free rough brush font), Quas, Stargaze (retro-futuristic), Derelict (a macho octagonal typeface), Noatun (hispter sans), Nigma (dry brush), Wisp, Honeysuckle (watercolor brush), Kohm (vintage), Nectar (sans), Emporia (art deco), Drip, Ghoul, Voyager (trekkie font), Heatwave, Njord (a hipster sans), Robinson (a free poster typeface family with various texture styles), Grimtotem (hand-crafted).
• In 2016: Ico (multilined, labyrinthine), Nikopol (comic book style), Aoki (rounded sans), Jotunheim (rune emulation typeface), Hikou (sans), Quas, Brigmore (art deco sans), Sumac (hand-painted), Okami (rough brush font), Björn (a sharp-edged Scandinavian sans), Grind (eroded style), Equinox (sans), Bonfire, Covenant (brush font), Cormier (art deco).
• In 2015, he created Beast (brush font), Glaive (inspired by metal rock), Prospekt (a squarish headline typeface family), Primal (a squarish futuristic typeface), Muertos (a cartoon font named after Day of the Dead), Brigand (spurred Western font), Fairwind (rounded all caps sans), Portico (layered multi-style all caps headline sans typeface), Ironclad (art deco), Cred, Muertos, Beast (brush face), Mecha 08 (a free futuristic typeface), Robinson (vintage newspaper titling typeface with many styles such as Regular, Shadow, Press, Rough, Oblique, Distorted, Urban, Corroded, Diagonal, Inline, Outline), Bronco (+Inline), Centauri (futuristic), Omicron (circle-based sans), Hyperion (futuristic), Atone (a brush font), Venge (a fashionable sans), Thiket (an interlocking poster typeface), Phage (a free squarish font), Fenrir, the Soviet propaganda typeface Sputnik, the brush typeface Veritus, the retro-futuristic Dagon, the stencil typeface Ember, the tall condensed typeface Ogre (+Inline), the art deco / avant garde typeface Metropolis, the free display typeface family Geist, the hipster typeface Pandora, the hand-crafted typeface Saryn, the techno sans typeface Helios, the stylish art deco typeface Fontaine (+Rough, +3D), free inline typeface Timber, the great inline slab serif typeface Decurion, and the commercial typefaces Solaris (fururistic), Sledge (grungy black sans), Behemoth, Zephyr (sans), and Manticore (brush).

Behance link. Creative Market link. [Google] [More]  ⦿

Mevstory Studio (or: Mandeh Studio, or: Eleanor Studio, or: Mevricks Studio, or: Lettercorner Studio)
[Muhammad Afif Ersya]

Padang, Indonesia-based studio and designer that changes its name almost monthly: Mevstory Studio, Mandeh Studio, Eleanor Studio, Mevricks Studio, Lettercorner Studio, Mhdafifersya, take your pick. Designer of these typefaces:

• Signage script: Stanok Valley (2020: a retro signage script), Sunnylise (2020), Cansast (2020), The Bellerin Script (2020), Bealiva Vintage (2020), Retropus (2019), The Dreamstars (2019), Codename (2018).
• Script: Adelynn Display (2020), Babyla (2020), La Rosaleda (2020: a creamy rhythmic script with some personality, accompanied by La Rosaleda Serif), Sunnylise (2019), Toulouse (2019) Kick Slide (2019), Speakup Script (2019), Hendys Playfull (2019), Pandal Sikek (2019), North Landon (2019), Natash Sena (2019).
• Brush style: Litch in Holland (2020), Bryana (2020), Little Linka (2020: kawaii style), Tormanted (2019), Future Enforcer (2019), Jorge (2019), Kafka (2019), Kick Slipe (2019), Royal Dutch (2019).
• Monoline script: Mocha Frappuccino (2020), Breachery (2019).
• Signature script: Danisya (2019).
• Eerie fonts: The Tormanted (2019).
• Vintage: Akira Jimbo (2020: spurred), Revicil (2019: spurred), Tropper (2019: spurred).
• Stencil: The Time Machine (2020), Cosmos (2020: futuristic).
• Squarish, techno: Time Machine (2020), Astroman (2019), Droping Sans (2019).
• Decorative serif: Devitos (2020: free)), Pulchella (2020), Vikendi (2020: a free chubby serif), Cholens (2020), Kiano (2020).
• Font duo: Lachi (2020), Futusicia (2019).
• Arabic emulation: Al Risalah (2019).
• Sans: Nomz (2020), Molina (2020), Gelael (a 16-style artistic sans loosely related to Peignot) (2020), Bechtlers (2020), Garuda Kencana (2020). Giagonic Regular (2019), Muvcix (2019), Fourty (2019), Hello World (2018: a display sans).
• Western: Stinky Pete (2020).
• Alphadings: Christmasland (2020).

Micaela Stefano

Illustrator and graphic designer in Buenos Aires. Designer of a straight-edged futuristic typeface (2016). [Google] [More]  ⦿

Michael W. Moss

American creator of the futuristic typeface Airstream Futuropolis, the octagonal typeface Future Not Found (2014) and Android Insomnia (2015, a sci-fi sans).

Typefaces from 2018: Jabba The Font, Neck Romancer, Section 9 (squarish).

Typefaces from 2019: Screaming Neon, Rachel's Requiem.

Typefaces from 2020: The Devils Poetry (blackletter / tattoo font). Devian Tart link. [Google] [MyFonts] [More]  ⦿

Mikalai Manyshau
[Red Monkey]

[More]  ⦿

Morgane Bhm

Parisian designer of fantastic futuristic lettering pieces, including one for Sophie Taeuber (2014) and one for an exhibition called Retrospective Albert Hollenstein (2014). [Google] [More]  ⦿

MTT
[Mattia Bonanomi]

MTT is the commercial type foundry of Mattia Bonanomi (b. 1985, Brescia) in Milan, Italy, est. 2013. In 2010, Mattia graduated from Central Saint Martins College in London.

He writes about the elegant ten-style sans typeface family MTT Milano (2013): MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance.

In 2016, MTT published MTT Roma, a humanist sans inspired by the Trajan capitals, as is apparent from the razor sharp terminals. It is designed to re-create the atmosphere of the city of Rome of the 21st century.

In 2014, he set up Type Firm in Milan, and republished his successful MTT Milano and MTT Roma there in 2016. [Google] [MyFonts] [More]  ⦿

Muhammad Afif Ersya
[Mevstory Studio (or: Mandeh Studio, or: Eleanor Studio, or: Mevricks Studio, or: Lettercorner Studio)]

[MyFonts] [More]  ⦿

Murathan Biliktu

Toronto-based designer of these typefaces in 2020: Seoul Rave (Korean techno), Erkin (futuristic), Costes (futuristic) [Google] [More]  ⦿

MyFonts: Futurismo

MyFonts selection for the keyword Futurismo. [Google] [More]  ⦿

MyFonts: Futuristic fonts

Top futuristic fonts at MyFonts. [Google] [More]  ⦿

MyFonts: Retro futuristic typefaces

In the 1950s, the fashion was to draw the future in magazines and publications. Many of those illustrations and typefaces look slightly silly and naively charming today. The movement is called retro-futurism. [Google] [More]  ⦿

Natasha Anisimova
[Pixelwerk (was: Sobaka Pavlova)]

[More]  ⦿

Negro
[Ariel Di Lisio]

Negro is a design site where some commercial fonts can be found, all designed by Ariel Di Lisio, a native of Buenos Aires. He studied graphic design at the University of Buenos Aires. From 1993 to 1997 he worked in the design department at Puma. Since 2015, he is a professor at FADU / UBA in Buenos Aires. Still in 2015, he set up Nodo Type Foundry in Buenos Aires together with Mexican designer Aldo Arillo.

His typefaces from before 2010: Marzo (2008: a hairline vogue typeface commissioned by the Argentinian mag Atypica), Donuts (2008: a layer of round upon a layer of round), Paz (2008: a stylish night club or fashion magazine family---stunning), Lynda (2008: an octagonal/mechanical face), Lunes (2007: art deco), Day (2007: art deco), Friday (2007: art deco), Nigga (2007: an ultra-fat art deco typeface with an experimental edge), Love (2007: a mini-serifed geometric beauty), Santino (2008: trying to bring waves into a simple sans face), Normal (2008: gorgeous, geometric and galant), Mate (2008: a geometric all caps typeface for magazine headlines), Caracas (2008), Soko (2009), Stola (2008), Pink (2008: experimental), Cascabel (2009: a kitchen tile typeface digitized by Alejandro Paul at Sudtipos), James (2009: a bullet hole-themed face), Inlove (2009, Sudtipos: a Lubalin-style poster face designed by Di Lisio and digitized by Alejandro Paul).

Typefaces shown in 2010, mostly experimental / geometric / art deco: Destiny, Drimpy, Hongki, Mobile, Moonglow, Normal, Vincent.

In 2011, Ariel published the futurismo face Saturna at Sudtipos [and I do not understand HypeForType's claim that it is an exclusve HypeForType font]. Their offices are in Buenos Aires and Caracas.

Typefaces from 2012 include Uma (with Alejandro Paul at Sudtipos: a gorgeous two-weight monoline sans family).

In 2013, he created the stencil typeface Anima for a housing project in Punta Chica, San Fernando, Argentina.

In 2015, he designed the cold sans typeface family Stockholm Type, and the display typeface Roska. In 2015, he set up Nodo Type Foundry in Buenos Aires together with Mexican designer Aldo Arillo.

Negro Nouveau link. [Google] [MyFonts] [More]  ⦿

Nelson Borhek Press
[Steve Lenius]

Nelson Borhek Press is located in Minneapolis, Minnesota. Its type designer, Steve Lenius, created these typefaces: Jetworld (2020: a retro-futuristic typeface). [Google] [MyFonts] [More]  ⦿

Nick Curtis
[Nick Curtis: retro futuristic and techno typefaces]

[MyFonts] [More]  ⦿

Nick Curtis
[Nick Curtis: Typefaces from 2015]

[MyFonts] [More]  ⦿

Nick Curtis: retro futuristic and techno typefaces
[Nick Curtis]

Retro futurism and purely futuristic or techno typefaces by Nick Curtis include Aerovias Brasil NF (2011, based on a 1948 timetable by the airline), BulwarkNF (2003, free), CircuitBoredNF (based on this lettering by Rick Griffin), Drive-ThruNF (based on Leslie Cabarga's drive-in sign for "Betty Boop's Drive-In"), DriveThruCapital, Oo Boodlio Doo NF (2011, after Freeman Craw's 1961 face, Ad Lib), SpaceCadetNF, SpacePatrol ("a little bit of Jetsons"), and SpondulixNF (2003, based on this poster for an Erte exhibition---it is a 3d shadow face). [Google] [MyFonts] [More]  ⦿

Nick Curtis: Typefaces from 2015
[Nick Curtis]

Typefaces made by Nick Curtis in 2015:

• Bothas Ruhm NF. After Blockschrift (1897, Genzsch and Heyse).
• Chiselle NF. A revival of Rustikalis, a typeface designed for the VGC Phototypositor in the 1960s. See Rustikalis DT (1=2007, Malcolm Wooden) for the revival of the bolder version.
• Coins Coupes NF. Modeled after Chamfer, a 19th-century octagonal typeface by Barnhart Bros & Spindler.
• Doright Black NF. Based on Dudley Upright (Dan X. Solo, 1960s).
• Feedbag NF. Based on Horse Tank (Fotostar).
• Inland Edwards NF. Based on Nicholas J. Werner's Edwards (1895, Inland Type Foundry).
• Millrich Grange NF. A revival of the 19th century font Grange by Miller & Richards.
• Mitchell NF. A digital revival of the grotesque all-caps typeface Mitchell (1906, Inland Type Foundry), the bold version of Blair (1900, Inland Type Foundry).
• Newfangle NF. A Victorian typeface based on Newfangle (1892, Hermann Ihlenburg).
• Page Five Fifteen NF. After William H. Page.
• Retrorocket NF. An art deco typeface after D. Duvillé, 1934.
• Rockwall NF. After Aldine by William H. Page.
• Telecomm NF.
• Versacrum NF. A psychedelic / art deco typeface inspired by the lettering of Alfred Roller for the Ver Sacrum magazine in 1903.
• Old Number Ten NF. A revival of a typeface Gothic Number Ten by the Cincinnati Type Foundry.
• Terranova NF. A prismatic typeface based on Earth (Dan X. Solo).

Nico Syjuco Siy

As a student at Parsons School of Design, New York, Nico Syjuco Siy (Richmond, BC) designed the futuristic typeface Interstellar (2016). [Google] [More]  ⦿

Nishanth Valluri

Pune, India-based designer of the futuristic Momentum Type (2017) and the display typeface Kulture (2017). [Google] [More]  ⦿

Noe Araujo

Graphic designer in Monterrey, Mexico, b. 1990, whose company is called Handcrafted Types.

Creator of the free thin chisel font New Theory (2012), of the stick font SixSixSix (2013), and of the hand-drawn Dollar Lemonade (2013, yours for two dollars), Anke Sans (2014: a free geometric sans), Beeeer (2014, tweetware poster font), Giant (2014), California (2014), My Hand (2014), Raw Font (2014), and Composition (2014).

In 2015, he made the watercolor brush script typefaces Arrows, Hawaii, Cafune Script, Karla Script, Michelle (free), Love Letter, Matilda, Natalie, Palapa, Heather and Wendy. Other typefaces from 2015 include Beeeer (poster type), Compass, Rustic (consisting of Things, Paper, Margot, Monsters, and Welcome Home), Akuma (heavy brush), Composition (hand-printed), Saints (a stick, or rune emulation font), Lorem Serif, Helena (watercolor brush script), Dakota (script), Convoy (hand-crafted), Tomahawk (hand-drawn), Holga Script, and Emily (hand-drawn).

Typefaces from 2016: Rapture (rough brush), Mono (futuristic), Big Sur (thin sans), Piedra & Stone, Tigers, Tiburon, Colorado, Super Normal, Brown Fox Script, Reading This, Frank, Nudos (script), Penny Handmade, Lula (brush style), Jamaica Script (brush font).

Typefaces from 2017: Wild (dadaist), OK Regular, Ugo.

Typefaces from 2018: Weekend, Destroyer (brush).

Creative Market link. Behance link. Dafont link. Open Font Library link. [Google] [More]  ⦿

Odin Lowsley

Gold Coast, Australia-based designer of the free modular retro-futuristic typeface Space (2018). [Google] [More]  ⦿

Oksana Shatilo

Minsk, Belarus-based designer of the futuristic Cyrillic typeface Android (2015). [Google] [More]  ⦿

Omaikraf Studio
[Ardyan Permana]

Omaikraf was founded in 2013 by Denpasar, Bali-based designer Ardyan Permana (b. 1980). Creator of these typefaces in 2020: Adelaide Sky (a hand-crafted display typeface), Merkurius (a retro diner or speed font), Chahna (hand-crafted), Kaliquas (hand-crafted), Tegal (all caps, bold sans), Phalang (futuristic), and Agni (a medieval font). [Google] [MyFonts] [More]  ⦿

Organ Studio

Australian creators of a great set of futuristic caps called Future (2011). Organ Studio is based in Perth. [Google] [More]  ⦿

Ouji Oto

Tokyo, Japan-based designer of the sci-fi and futuristic typefaces Yojo (2019), Praxo IO (2019), Cejo (2019) and Gorx Sans (2019). [Google] [More]  ⦿

P22 Type Foundry
[Richard Kegler]

Richard Kegler's fun Buffalo-based foundry, which he founded in 1995 together with his wife, Carima El-Behairy. Currently, on staff, we find type designers James Grieshaber and Christina Torre. In 2004, it acquired Lanston Type. P22 has some great unusual, often artsy, fonts.

The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (free in 2003 and P22 Snowflakes (retail) in 2020, finishedd by Richard Kegler and Terry Wüdenbachs), Acropolis Now (1995, a Greek simulation typeface done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio, P22 Basel Roman (2020, Richard Kegler: an update of a 2015 typeface, P22 Basel, based on a garalde font used by Johannes Herbst (aka Ioannes Oporinus) in 1543 to publish Andreas Vesalius' On the Fabric of the Human Body (De humani corporis fabrica) in Basel), Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, P22 Brass Script Pro (2009, Richard Kegler; based on an incomplete script fond in a booklet from Dornemann&Co. of Magdeburg Germany, ca. 1910 entitled Messingschriften für Handvergoldung; for years, P22 and MyFonts claimed that Michael Clark co-designed this, but Michael does not want any credit, as he did only about 20 letters), Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, P22 Monet Impressionist (1999), Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), P22 FLW Exhibition, P22 FLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), P22 Woodcut (1996, Richard Kegler: based on the lettering carved out in wood by German expressionists such as Heckel and Kirchner), Garamouche (2004, +P22 Garamouche Ornaments; all co-designed with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Koch Nueland (2000), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by Paul D. Hunt as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), P22 Preissig (and P22 Preissig Calligraphic, 2019), Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; typeface by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a distressed typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre).

In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire).

Bio and photo.

In-house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé.

P22 Declaration (Script, Signatures, Blackletter, 2009) is based on the lettering used in the 1776 Declaration of Independence.

At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he showed Making Faces.

Typefaces from 2014: LTC Archive Ornaments (Richard Kegler and Miranda Roth).

Typefaces from 2020: Showcard Script (by Terry Wüdenbachs, based on an original of Beaufont at the Hamilton Wood Type Museum, custom designed by the Morgan Sign Machine Company of Chicago).

MyFonts interview.

View Richard Kegler's typefaces. View the IHOF / P22 typeface library. [Google] [MyFonts] [More]  ⦿

Pacific Modern Art
[Danny Englander]

Designer of the retro ornaments typeface Mid Century Modern Ornaments (or MCM Ornaments) (2018). [Google] [More]  ⦿

Parkinson Type Design
[Jim Parkinson]

Jim Parkinson's Parkinson Type Design is based in Oakland, CA. This prolific type designer was born in 1941 in Richmond, CA, and lives in Oakland, CA. Originally, a letterer, he went digital in 1990. His Keester and Azuza typefaces won awards at the TDC2 Type Directors Club's Type Design Competition 2002. MyFonts on Jim Parkinson and on his Parkinson Foundry. His impressive output:

• Typefaces at the Parkinson Foundry: Fresno (2001, inline gothic), Hotel (2001, inline caps), Azuza (2001, a Latin serif family designed for newsprint; some italics were based on Dwiggins' Electra), Amboy (2001, inline like for signpainting), Chuck (2004, a display titling face), Richmond (2003, a geometric sans family in the spirit of Dwiggins' Metro, Erbar by Jakob Erbar and the Underground type of Edward Johnston), Modesto (2001, strikingly similar to John Downer's Panatela, even though both admit that this an unbelievable coincidence; Parkinson's copperplate gothic evolved from Parkinson's lettering on the famous Ringling Bros. and Barnum&Bailey Circus logo), Balboa (2001, a 19th century style condensed sans; extended to a wonderful chromatic layering typeface family in 2015 as Balboa Plus), Sutro (2003, a 19-style slab serif family), Wigwag (2003, a display family inspired by the mid-twentieth century Speedball lettering of Ross George and the work of Samuel Welo and Cecil Wade), Amador (2004, blackletter), Cabazon (2005, blackletter), Avebury (2005, blackletter based on types from the Caslon Foundry), and the lovely Benicia (2003, influenced by GoldenType). He writes about Azuza: In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins's Electra and incorporated many features of the Linotype Legibility Series: More compact, with a taller lowercase X-height, etc. That type was called Electric and it was the Chronicle's text face for nearly a decade, surviving several redesigns. From that, I made Azuza, a more detailed and sensitive style.
• At ITC (now Linotype), he designed ITC Bodoni, ITC Bodoni Twelve, ITC Bodoni Seventy Two, ITC Roswell Two, ITC Roswell Four (1998) and ITC Roswell Three (1998).
• His typefaces at Font Bureau include Antique Condensed Two, Buster, Comrade (1998, nice poster font, after the constructivist lettering by Belgian artist Jozef Peeters), El Grande (1991, fat display face), Parkinson (1994), Poster Black (1993), Showcard Gothic (1997), Showcard Moderne.
• At the Agfa Creative Alliance, he published Showcard Moderne, Antique Condensed Two, Bonita, Commerce Gothic (1998), Diablo (1996), Dreamland (1999, retro-futuristic), Fancy Stuff (1999), Generica Condensed (1994, grotesk), Industrial Gothic (1997), Mojo (psychedelic), Pueblo (1998).
• At Adobe, one can find Montara, his striking and psychedelic Mojo, and the gorgeous Jimbo.
• At FontFont, we have the FF Moderne Gothics series [FF Motel Gothic (1996), FF Matinee Gothic (1996), FF Goldengate Gothic (1996)] and FF Catch Words (1996).
• At Chank, he created Keester (2001).
• He designed the 4-weight family Electric for the San Francisco Chronicle (it was close to Dwiggins' Electra), but the Chronicle is no longer using it.
• Parkinson Electra (also based on Dwiggins's type) was published by Linotype in 2010.
• Typefaces from 2012: Meatball (fat lettering-style typeface), Hoosier Daddy (Western font).
• The list of newspapers and magazines using his fonts: Activa, Atlanta Journal, Birkenstock, Boston, Brownsville Herald, The Daily Cardinal, Charlotte Observer, Charleston Post&Courier, Chicago Tribune, The Citizen, Journal of Comm, Cromos, Daily Californian, Dallas Morning News, Rochester D&C, Financial Morgen, Design Magazine, Detroit Free Press, Editor&Publisher, El Graphico, National Enquirer, Entrepreneur, Esquire, SF Examiner, The New Examiner, Fast Company, New Fast Company, Montreal Gazette, Hamilton Spectator, Herman Miller, Ilta=Sanomat, InStyle, Kathemerini, Las Vegas Life, Newsweek.
• Typefaces from 2014: Sutro Deluxe (a layered chromatic wood type emulation font family that extends his 2003 font, Sutro).
• Typefaces from 2017: Sutro Initials (a chromatic layered pair of fonts), Aluminia (a revival of Dwiggins's Electra) designed exclusively for use in Bruce Kennett's book on W.A. Dwiggins.

MyFonts interview. FontShop link. More FontShop material on him. Klingspor link.

View Jim Parkinson's typefaces. [Google] [MyFonts] [More]  ⦿

Pasternak
[Taras Pasternak]

Taras Pasternak is a Ukrainian logo designer. In 2021, he released the futuristic typeface Fauna. [Google] [MyFonts] [More]  ⦿

Patria Ari (was: Patria Std)
[Patria Ari Wijonarko]

Temanggung, Indonesia-based designer who graduated from Yogyakarta State University in 2015. Creator of the display typefaces Meizda (2020), Round Page, Zebudabi (2020), Ballsquash (a plumpish script) (2020), Bundhers (an informal brush font) (2020), Sabinka (a monolinear condensed children's book font) (2020), Plutonian (an aerospace font) (2020), Playcute (inline) (2020), Raccosetta (a modulated fashion mag sans) (2020), Rhiccus (a chunky display sans in nine styles) (2020), Slenco (a ten-style headline sans), Zaptron (2020: futuristic), Solander (2020), Rolhausen (2020: an automotive industry sans), Willynta (2020), Strandall (2020), Boldatin (2020: stylish, all caps), Bulluck (2020), Morington (2020) and Jalompo (2020), Malegroth (2020: blackletter), the monolinear playful children's book sans typeface Sundylle (2020), the signage script typeface Blankeny (2020), and the cursive typeface Chunky Wally (2020).

Typefaces from 2021: Calinastiya (an upright rabbit ear script), Chunky Wally (a heavy cursive font), Wavy Lines, Shearlight, Chantego, Ringtrack, Chillgangs (a fat finger font), Jelantik (an upright script), Noyram (a fat dry brush script). [Google] [MyFonts] [More]  ⦿

Patria Ari Wijonarko
[Patria Ari (was: Patria Std)]

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Patric King
[Pretty]

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Paul James Lloyd
[Greater Albion Typefounders (or: GATF)]

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Pedro Canario

Communication designer and musician from Portugal, who has I a BA in Communication Design from the School of Fine Arts of Porto. Together, Pedro Canario (Porto, Portugal) and Nuno Queiros (Porto, Portugal) designed the free modular typeface Retiro in 2014, during their studies at Oporto's School of Fine Arts. Not to be confused with the earlier Retiro typeface by Porchez and Levy. In 2014, he designed the hipster / futuristic typeface Cassiopeia. In 2015, he created the free vector format logotype Creatrio.

Typefaces from 2016 include the sans typeface Andromeda (designed for his Masters Thesis at the School of Fine Arts of Porto).

Behance link. Creatrio site run jointly with Tiago Fernandes. [Google] [More]  ⦿

Pedro González Jorquera
[PeGGO]

[MyFonts] [More]  ⦿

PeGGO
[Pedro González Jorquera]

Type designer graphic designer, calligrapher and illustrator from Chile, who graduated in graphic design in 2005 from the Universidad del Bío-Bío., b. 1977, Santiago de Chile. Aka PeGGO, a foundry established in 2002. MyFonts link. PeGGO designed some commercial fonts, such as:

• Farola (2008, a curly Victorian face; +Farola Simple, without curls).
• PAI Fashion Font (2011).
• Legan (2008, a mini-serifed Trajan face).
• Thörtl (an angular display face).
• Gothric (gothic).
• Claramaria (sans).
• Claramaria Mega Black, Claramaria Extra Light (hairline version).
• Fonton (a fat elliptical face; images i, ii, iii, iv, v, vi, vii, viii, ix, x). I can't understand why Fonton has not won any major awards. Even in this popular genre, it stands on a pedestal all by itself.
• Cuadrada (2010, angular).
• Lighton Extra Light (2011). An elliptical hairline sans.
• Trianglery (2010, calligraphic).
• Politic (+ExtraLight, +ExtraBlack: a slabbed family).
• Bolta.
• Minesmall (hand-printed).
• SP-Font (squarish).
• Halcön (2008, blackletter).
• Krämfark (2008, blackletter).
• Milica (2013). A squarish severe poster typeface family.
• Hexaround (2013) is a dotted hexagonal matrix font.
• Latinisiert Hebraica Schrift (2014). A Hebrew simulation typeface.
• Double Trase Latinsiert Fraktur Schrift (2014) is a calligraphic blackletter alphabet.
• Limonada (2015). An organic semi-serif typeface.
• Ironbrick (2015). Pure techno futurism.
• Sharka (2015). A mechanical high impact display typeface family ranging from Normal to Compressed widths.
• Globa (2016). Globa is a low contrast round sans typeface family.
• Niva (2016). A 60-style display sans typeface family advertized for use in scientific documents.
• Primaria (2018). A great school script and print typeface family.
• The commissioned decorative typeface family Roijer (2016), and Roijer Ornaments, Roijer Dingbats, and Roijer II (2017). This absolutely stunning display typeface family evolved from a branding exercise in which each letter was developed as typographic jewelry, a bond between classical and creative freedom concepts with Lombardic and art nouveau touches, Röijer puts a dual capital model in your hands---a classic Roman and a contemporary alternative.
• LeBrush (2016). A contemporary humanist serif Roman typeface based on real brush lettering, in ten styles ranging from Thin to Extra Dark, inspired by the classical Roman proportions of the Capitalis Monumentalis of the Trajan Column. It comes with several dingbat fonts and a set of ornaments. The family could be appropriate for movie titling.
• Animals LeBrush Extras (2016): a set of hand drawings of wild mountain and sea animals done for book covers, magazines and posters.
• Geometrica (2017, Latinotype). Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet it remains modern and minimalist. Geometrica has ten weights.
• Caprina (2017). A geometric sans family with the flat squarish tops that characterize the original Futura and the work of Max Bill.
• In 2018, Pedro Gonzalez and Marcela Aguilera co-designed Orqquidea and Orqquidea Garden (dingbats).
• Rationell (2020). Classifying it as neo-grotesk, Pedro writes: Rationell is a functional multipurpose corporate typeface, based on classic 1950's Swiss rationalism, subtly tuned on a XIX century didonesque modernist structure, a contemporary interpretation with the eyes of the Latin idiosyncrasy. Rationell's great weight range stretches from hairline to extra black, with rounding in the heavier weights.
• Geometrica (2019). A low contrast geometric sans family.
• PGF Now (2020). A 22-style Latin American humanist sans family.

Calligraphic works include L'Ecole d'Fine Arts (2009), Latinisiert Fraktur Neue (2014), Paradise Duck, Eclesiastes (based on "La Rueda" of Sheila Waters, 1981).

Creative Market link. Behance link. MyFonts foundry link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Peter Olschinsky
[Atelier Olschinsky]

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Peterdraw (or: Delapan Studio)
[Ahmad Syarif Afandi]

Indonesian designer who started ot as Peterdraw and in 2019 joined Delapan Studio, where his fonts are marketed.

Creator of the display typefaces Pistachio (2019), and Brewok (2019: a sans with hairy outlines), Glippy (2019: a glitch font), and Neon Desmon (2019), the fat finger fonts Granada (2019) and Macadamia (2019), the rounded hand-crafted sans typefaces Maven (2019) and Dear Audrey (2019), and the script typefaces Attaya (2019), Sabrina (2019), La Petite (2019), Molita (2019), Geulis Stylish (2019), Gladyss (2019), Nina Ninut (2019), Lulla (2019), Dear Audrey Script (2019) and Camellia (2019).

Typefaces from 2020: Sparkle (a connected script), Mischella (a signature script), Chia Seeds, Summer Pisces, Jerome (a condensed slab serif in three weights), Marylinda (script), New Interspeaker, Revnosa (a dry brush typeface), Chasy (script), Sherletta, Candela (a monoline script), Danyla, Grand Duke (a display serif), Sintya (a stylish script), Hey Monday, Chapillada, Butterfly, Good Vibes, Techno Space (futuristic), Oregano, Sabrina, Femme, Bilderberg (a display serif), Sagara (a vintage text typeface co-designed by Ahmad Syarif Afandi and Tri Kuncoro). Home page. [Google] [MyFonts] [More]  ⦿

Pixelwerk (was: Sobaka Pavlova)
[Natasha Anisimova]

Sochi and/or Moscow, Russia-based designer of Stuva (2018: futuristic), Geometric Pattern (2016), the fine poster typeface Tall Stripes (2016, for Latin) and the colored EPS format deco typeface Five Decor (2016). [Google] [More]  ⦿

PizzaDude
[Jakob Fischer]

The Great Dane from Copenhagen, Jakob Fischer, is a kindergarten teacher who designed over 600 typefaces. Mini-catalog, part I, part II. Aka PizzaDude, he started out making free fonts, but switched to commercial fonts later. His typefaces:

• Typefaces from 2021: Funny Note, Planetary Steam (hand-drawn, squarish).
• Typefaces from 2020: Friday Jeans (a cartoon font), Mango Flavor, Party Trick, Cheap Skit, Kids Yock (a kids book or cartoon font), Soft Time (a cartoon font), Orange Energy, Blastered (hand-printed and interlocking), Imaginary Cash, Friendly Yellow (a sketched font family), Pumpkin Boy, Salacious, Soapy Feelings,, Eventyr, Soundlunch, Sleepy Head, Notebug, Dynamic Outfit, Krydderi, Dog Friendly, Allergic to Waffles, Risky Biscuit, Greenalyzed, Guideline, Elevator Music, Calorie Suit (a cartoon font), Happy Laundry (a fat finger font), Satin Blues, Thick Fun, Grape Feud, Chilling Atmosphere, Squeam, SlowFoot, Sunshine Formula, Spoiler, Spatchers, Scratchers, Busy Scratch, Handy Snack, Another Fool, Bottle Fork (a stamped, carved letter font), Lazy Dance, Basic Choice (sketched), Solo Print, Soft Lime, Spicy Hour, Eksperiment, Simple Mints, Minimum Waste, Barking Frenzy, Blank Lemon, Head Strung, Bike Jam, Bedtime Jewel, Happy Fingers (a fun decorative textured alphabet), Peanut Jam, Mystery Shot, Tasty Joke, Obnoxious Tie, Cowboy Funk, Tacky Shoes, Killer Garbage, Lucky Days, Pass This On (white on black letters), Bike Power, Public Beat, Beat Fool, Beach Fool, Unlikely, Peanut Square Layer, Pixel Pants, Bonus Jerk, Primitivus, Paper Sting Stencil, Pepperminta, Peanut Slap, Veggie Spray, Drum Shake, Muggy Feet.
• Typefaces from 2019: Mental Duck, Holiday Dish, Positive Feature, Gutter Pigeon, Zero Output, Square Bite (five fonts with goofy square box drawings), Sunday Fish, Heavy Pitch, Things, Thirsty Spine, Onion Mill, Rocket Please, Cookie Powered, Sugar Free, Dynamique (squarish, techno), Sugar Joint, Killing Time (interlocking letters), Lemon Flush, Indbydelse, Overbeat, Boys on mopeds, Plastic Waist, Disposable, Bloody Charm, Monster Scheme, Festabe, Quick Fix (a sketched hand-crafted typeface), Disco Jaw, Random Thoughts, Flapstick, Chip Dip, Play It Cool, Cirkus Fantastiko (a hand lettered layered circus font family), Limited Budget, Tasty Chat, Stupid War (stencil), Futureboy, Videomax, Dash Wisher, Pillow Fight, Flamingo Plush, Mugpie, Smart Cookie, One of the guys, Overloaded (eroded type), Beat Boy, Jolly Beat, Lucky Lunch, Lucky Lips (lipstick crayon script), Digitalika, Just in case, Stranger Blue, Dancing Fool, Cherry Cake, Vegetable Shampoo, I Dream Of Cake, Staring Contest, Just Add Water (a sketch font), Honey Muffin, Super Toast, Silly Notes, Butterzone, Kids Rock (comic book style), Party Crush, Silent Treatment.
• Typefaces from 2018: Vokalia, Regular Fashion, Muskelbundt (a layerable family with an inline version), Party Jam, Friendly Reminder, Mineralius, Friendly Advice, Friendly Terms, Desperate Joke, Superkraut, Chargeback (a condensed headline font family), Maskina (retro futuristic), Vandmelon, Spitzenklasse (a squarish sans), Stankelben, Sugarbell, Universitet, Omtanke, Slughals, Skrivemaskine (hand-crafted typewriter emulation typeface), Vigtigper, Romantisk, Charly, Straffespark, Madpakke, Sukkerfri, Volumen, Lakrids, Bangebuks (multilined), Mundlam, Grineflip, Solopgang (sans), Genbrug (children's book lettering), Strooilicht, Empty Streets, Lichtspel, Sovetryne, Foulmouth, Natteravn, Gevinst, Knofedt.
• Typefaces from 2017: Petuino, Fersken (dry brush), Klementin, Bottomline, Nonchalant, Indikation, Abrikos, Deliberately, Cut It Out, Grateful, Underdoug, Spiced Cheese, Dirty Jab, Straphang, Foolish People, Frokost, Observant, Reaktion (hand-drawn art deco style), Flottenheimer (dry pen font), Katastrofe (a grungy stencil protest font against Trump), Fortunate, Dingeling, Deliver, Response, Bottle Party, Tradizional (3d, sketched), Biscuit Chicken, Spektakel (scratchy script), Troublemarker (scratchy script), Pompelmus.
• Typefaces from 2016: Organique (sketched), Barking Cat, Bouledoug, Cowboy Junk, Bacon Buffet, Daddy In Space, Personality, Houseplant, Charlatan, Sugarpunch, Ansichtkaart, Hogfish, Provokateur, Garlic Embrace, Pigment (crayon font), Breakfast, Repetition, Ordinary Guy, Generous, Flicker, Reliable, Pigeon Wing, Dizzy Edge, Disposition (dry brush style), Honeyvoid, Porceleina, Houseplant, Murky Buzz, Junkyard Plush, Nickname, Glueboy, Moonfish, Jellygurp, Snack Patrol, Square Aware, Heart Strung, Petangue, Sillyheads, Jealous Mint, Burgerfrog (3d and shadow typeface family), Sillyheart (a hypercurly typeface), Kropicania, Rugsnatcher, Heatwerk (renamed Heatwert?), Murderous Desire (grunge), Strawberry Gossip, Cheesegum, Monkey Hat (a great beatnik style typeface), Imagine This, Surfing Ashtray (inspired by surfing movie poster from the 1960s), Rub Gum (a cartoon font), Calaboose (Wild West font), Karamelia (grungy brush).
• Typefaces from 2015: Make Fun Of Me (3d, hand-crafted), Stay With Me (shadow font), Cherily Blussom, Anchovy Road, Gumblery (poster typeface with many interlocking lettes), Only Kidding, Kaleidoxope.
• Typefaces from 2014: Mummbler, Respexable, Nothing So Childish, Tied To A Stick, Reminders (an interlocking retro futuristic font), Like A Cat (sketched 3d poster typeface), Today We Escape, Quiet Night (brush face), Love From Me, Love From You, Love From Us, Burph, HundredYears (comic book style font), Shake Hands (sketched font), Laughing at you, Unseen Shores (tattoo font).
• In 2013, he published these commercial fonts: Coin Slot (grainy poster font), Swallow Money, Instant Soup, Inked Lights, Kiss Me Dead (grungy serif face), Show No Shame (comic book font), Imperious, Find A Way, City by the Lake, Breathtaking Beauty, Almost Lovely, Maybe I Was Joking, You Could Be Right, Keep Writing Letters, Words You Lost, Urgency Of Now, Believe In Me, Talk To Me, Summer Fades Away, Piece Of Youth, Not A Chance, Never Fade.
• In 2012: Mixed Up.
• In 2011: Bumbastika (poster face), Blowout (rounded signage face), Hangout (grunge), Regreat (comic book typeface with square counters).
• In 2010: Shuffle Steps (a sketched face), Shakeout (comic book face), Atrofobia, Splurx, Klumpft (grunge), No Consequence, Poilet Paper, Universal Fruitcake, Vitamin, Year Supply of Fairy Cakes, Yesterdays Meal (brush face), Undercover (bilined), Streetwise, Jilly Bean (art deco, hand-printed), Zanoix, Amfost (comic book face), Funky Mother (a curly face), Chicken Salad (comic book face), Retroxoid, Quirky, Mono Exolia, Mono Neox, Mono Litrox, Mono Hexular, Mono Orxith, Mono Iltra, Mono Chix, Gumbutcha (cartoon face), Ghenilo, Firewerk, Family Bird, Bodywerk (a grungy constructivist face), Wagerton (grunge), Strawn (signage face), Drunken Tower (ransom note face; + Drunken Shower), Elogy, Olazy, Hoakey, Nipey, Laxory, Iquory, Chorxy.
• In 2009: Funkboy, Nusqie, Junkwerk, Geekabeat, Flicka (a bouncy comic book face), Sir Render, Imperial Quortex, Jourba, Kurph (round children's script), Ginky, Stereoxoid, Earthwerk, Gibarish, Insiano, Unsprit, Whacker, Natuxal, Battlexoid, Change, Chusp, Aspektogram, Axteroid, Floink.
• In 2008: Everything (comic book), Superxoid (white on black grunge), Eyeful (comic book style), Punctured Bicycle (grunge), Spleach, Sir Spicious, Mirla, Skramp, Jilkyway, Fristy, Sqweash, Aprilfuel, Intense Eve, Drunken Shower, Dandygal, Alien Segment, Endorfinia, Runaway, Scentogram, Typewrither, Ultraxoid (grunge), Legoix (a nice scrapbook pencil font), Heruina (connected hand).
• In 2007: Indoxine (an informal horizontally-striped outline font, one of his best creations), Infilto (sketchbook face), Murbia (printed hand), Orange Gush, Epsiolet (blackboard script), Grut Stuph (comic book), Orange Gush (curly hand), Drunken Hour (ransom note face), Flixuble, Butterfool, Whexjable (paper bag cutouts), Flabioga (grunge), Flambster, Axionhero, Skratzy, Ulsteros, Craptoy, Megaxoid, Nine Thousand, Retrozoid.
• In 2006: Ultinoid, Sabtine (nice curly hand), Sadnez, Happyjamas, Fudshake, Diskojuice, Damaged Guts, Zugarbody, Popfork, Hyperspit, Junktoy, Melonheads, Mister Dorky.
• In 2005: Party Noid, Doktor Terror, Fligerish (romantic retro lettering face), Tomoli2, Teaster (Easter egg dings), Ankertill Brewer, Omibez, Tomoli, Family Dog (comic book face), Vegacute (curly retro lettering).
• In 2004: Jerky Tash, Hopeless Heart, Sure Shot, Chawsy, Hefty Galloon, Phatburner, Imazeng (Asian imitation), Zir Gera, Glammer Girl (T-26), Japperneese (oriental imitation font), Marmelade Guys, Tagboy, Malonia Voigo, Raskal, Kickshaw.
• In 2003: Abdominal Krunch, Mucho Macho, Just A Dream, Tagboyhardcore (graffiti font), Omegalomania, Cheeky Git, Chenilo (a grunge poster face), Bigbrain, Pizzabot, Schoolbully, Rapjack, Slammertag, Hlytus, Hold Your Breath, Bigmouth, Stumbeleina, Slowmotion Girl, Omegalomania, Bigbrain, Zitkid, Mr Fahrenheit Go, Atomic Clock Radio (dot matrix font), Kitchen Police, Arcade Classic, Digital Dream, Arsenique, Lie Detector, Spamsucker, Ghostboy, Funkheads, Slime Tag, TagStar Hardcore, Diet Riot, Elevator Boy (Chank), Flim (22-style family), Lemon Lies.
• In 2002: Fearless, Good Foot, Idolwild, Ruinik, AngerIsAGift, Insane Hours, MuchTooLoud, Abduction2002, You are what you eat, Yggdrasil, Easily Amused, Toxic Waist, Words of Love, Yesterdays Meal, Dope Jam, Famous Fromage, Geek A Byte, Vinyl Repair Kit, Bring Tha Noize 2, Fancy Footwork 2, Fandango (a comic book font), Quit Smoking, Japan Knees (2002, an oriental LED simulation font at Chank's), Secret Handshake, Eternal Life, Insektogram, Krooked Teeth, Super Glue, Love Bug (a Valentine's font).
• Other earlier or undated fonts: Grand Stylus, jiggery pokery, Monafont (a font with hearts), Fancy Footwork, Grouser, Not Just A Toy, Orangutan, VeryBadPosture, Treasure, Tantrum Tongue, HangTheDJ, MonsterFreak, MouthfulOfBeer, WarmMilk, WideAwake (techno), Wisecrack, DT104, Quickometer, Cirkledingz, HarshLanguage, Vanish, GluttonMan, Radiohead, Radioland (LED face), Eat Your Heart Out (kitchen tile font), Exit Font, In The Arms Of Sleep, Popcorn Not Included, Flashboy, Kill Your Darlings, Nonfiction, Gringo Nights (eroded Western font; almost Mexican), Push, Grunt Reaper, Ultrasonik, As Seen On TV, More Than Human, Raveheart, 10Minutes, 20000dollarbail, 4mylover (Valentine's day lettering font), Abduction, Acquaintance, AgentOrange, Anodetonoone, Anticlimax, Arcade, ArcadeClassic, Autobahn, Backto1982, Ballsontherampage, Bedbug, BeyondControl, BeyondControlvolume2, BionicKidSimple, BionicKidSimpleSlanted, BionicKidSlanted3d, Biteme, Blackboysonmopeds, Blaster, Blatant, BlindMelon, Blindfold, Blobs, Bluelines, BrokenToys, Brushed, Brutality, BrutalityExtra, BubbleBath, Bubbleboy, Bubblegums, Bumbastika, Burlesque, Chinese Takeaway (oriental simulation), ComputerAmok, Creamandsugar, Crosspatchersdelight, Crosspatchersdelightnormal, Curmudgeonly, Delirium, Desperation, Digitek, Diskoteque, Dreammachine, Dreamofme, Earthquake, Embroidery, Exoneration, Extravirgin, EyeOnlyHaveEyesForYou, Fadetogrey, FakePlastic, FatBoySmiles, Fazingsone, Firestarter, FlakJacket, Flaphead, Flashback, Flashbackversion3, Flashit, Foot Fight (2003), FreaksofNature, FunkyStoneage, Funnyfarmhard, Funnyfarmsoft, Futurism, Guineapigs, Gasoline, Ghostwriter, Glamour Girl, Greaseballs, GreatVengeance, Greenhousegas, Guineapigs, Hangover, Highspeed, Holiday, Homeboysarebackintown, Humanoid, Humanoidstraight, Innocentbystander, Imperfectfont, InnerSanctum, InternationalPlayboy, Invasion2000, IronMan, JointbyPizzaDude, JamesBond, JellyBelly, JointbyPizzaDude, JoyCards, JuneBug (fat comic book face), JustAnotherFont, Kometenmelodie2, Kitchenpolice (techno/futuristic), Klytus, Kleptomaniac, Knucklesandwich, KometenMelodie1, Kookaburra, Lazerbeamsurprise, Liquidism (dripping blood), Liquidismpart2, Logiclodger, LotsOfDotz, LoveLetters, MassiveHeadache, MunsterBash, Mutant, Mute Fruit (stencil font), Madscientist, Madscientist, Malapropism, MammaGamma, MassiveHeadache3, MassiveHeadacheII, MaximumSecurity (horizontally striped), Miserable, Mixedup, MotorcycleEmptiness, MunsterBash, Naghead (2004), NeverSayDie, Nonstop, Nonstopitalic, Nugacity, Nyctalopia, Nyctalopiatilt, Obliviousfont, Onceinawhile, Operatinginstructions (glyphs with writing direction arrows), Opium, Oxygene1, PartyBalloons, Piracy, PizzaDudeFatOutline, PizzaDudesHandwriting, PlanetDust, Plastique, PrivateInvestigations, Protection, Pusher, Questionoftime, Questionoftimesimple, Quicksilver, QuotedPositivity, RepeatUntilFalse, Retaliator, Radioaktivitet, RainyDays, RepeatUntilFalse, Retaliator, Robotica, RoboticaAllCaps, Rocketman, Rubberneck, Sk8ordye, Slammertag (2003), Scratchmyback, Shakethatbooty, Shopliftersunite, SkaterDudes, SoftSugarfade, SoftSugarplain, SomewhereInSpace, Spaceboy, SpeedCrazy, SqueezeMeBaby, StickAroundForJoy, StrangePhenomenaNormal, StrangePhenomenaOutlined, Sweetascandy, SyntheticSyncronism, TagsXtreme, TagsXtreme2, TastelessCandy, Teenageangst, Timebomb, Toforgive, Transistor215, Typewriterfromhell, Ultimatum, Underattack, Underattackskew, Undercover, UnfinishedSympathy, UnfinishedSympathy2, Us, Venusflytrapthebug, VeryChristmess (2003), Videophreak, Vitamin, Vitaminoutlined, VulgarDisplayOfPower, WakingtheWitch, WishfulWaves, Wreckage, Xtraordinary, Youngatheart, Youthquake, Zitcream, Zenith2000, ElectricBoots, Jealousy, Noodlesoup, PizzaDudePointers, PizzaDudeStars, Waybeyondblue, XrayTed, XrayTedskew, ZingDing, DigitalDream (2003, LED simulation), PizzaDuide Bullets, Bubbleboy 2, Endeavour Forever, Konspiracy Theory, Krazy Nights (hand-printed).

View Jakob Fischer's typefaces. View Pizzadude's typefaces. [Google] [MyFonts] [More]  ⦿

Plamen Petrov

Bulgarian designer of the tall slab serif Carnival VP (with Vladimir Fedotov) and the ligature font Slang (2019, at Vladimir Fedotov's VP Creative Shop).

Typefaces from 2020: Black Gold VP (a high contrast display font; with Vladimir Fedotov), Kompot (a condensed all caps decorative serif; co-designed with Vladimir Fedotov), Chalga VP (a decorative serif co-designed with Vladimir Fedotov), Ablation (a 6-style all caps geometric sans jointly done by Vladimir Fedotov and Plamen Petrov), Midnight Tales (vintage decorative caps jointly done by Vladimir Fedotov and Plamen Petrov), Akros (a fashion mag font by Vladimir Fedotov and Plamen Petrov), Daylight Dreams (a festive all caps typeface by Vladimir Fedotov and Plamen Petrov), Zink VP (a bold all caps sans by Vladimir Fedotov and Plamen Petrov), Billionaire Club (art deco caps; by Vladimir Fedotov and Plamen Petrov), Blackpaper (a negative space font by Vladimir Fedotov and Plamen Petrov), Metria Street (a monolinear condensed interlocking sans by Vladimir Fedotov and Plamen Petrov), Monday Boulevard (an all caps art deco typeface by Vladimir Fedotov and Plamen Petrov), Sombre (a negative space font by Vladimir Fedotov and Plamen Petrov), Bubbble Gum (a 9-style rounded monolinear sans by Vladimir Fedotov and Plamen Petrov), Equinox VP (a futuristic all caps font by Vladimir Fedotov and Plamen Petrov), Inertia (with Vladimir Fedotov), Inure (with Vladimir Fedotov), Papillon VP (with Vladimir Fedotov), Bungalow VP, Fika VP (a rounded and modular typeface by Vladimir Fedotov and Vladimir Fedotov), Kavo Serif (a 5-style all caps didone by Vladimir Fedotov and Plamen Petrov), Kavo Inline (with Vladimir Fedotov), Kavo Sans (with Vladimir Fedotov), Quilin (decorative and swashy; with Vladimir Fedotov), Silver Queen (a ball terminal typeface; with Vladimir Fedotov), and the weathered Greenth (2020; with Vladimir Fedotov).

Typefaces from 2021: Kuchek (a decorative serif, with Vladimir Fedotov). [Google] [MyFonts] [More]  ⦿

Pojol Type
[Fauzul Azmi]

Indonesia-born architect. Designer of Barranom (2020: rounded, octagonal), Cartoon Book (2020), Sketsa (2020: an architectural blueprint font), and the informal monolinear elliptical sans typeface Handhuel (2020).

Typefaces from 2021: Ceudah (futuristic, art deco). [Google] [MyFonts] [More]  ⦿

Pretty
[Patric King]

A graduate of the University of Tennessee at Knoxville, Patric King began his career as a designer with Thirst in 1994, and helped to build Thirstype until 1999. All of Patric's typefaces moved with Thirstype to Village in 2001, then on to XO, Pretty in Chicago in 2005 (which he founded together with his husband Su and Milan Zrnic (fashion photographer in Los Angeles). Thirstype disappeared.

His typefaces:

• Citrine (2018). Based on word processing typefaces from the 1980s.
• Rocinante Titling (2018).
• Havelock (2017). A set of four interchangeable all-caps typefaces for layering, based on the original sketches of Gia (2000). Includes Havelock Stencil. Followed by Havelock Titling (2017). See also Havelock Complete (2017).
• Royal Street (2013). An organic grotesque. He used an early sketch of this for the Lifehacker logotype while at Gawker Media.
• Automaton (2009). Techno. The early internal name was Blechstreet. Patric writes: I originally designed the face for the Backstreet Boys' Millennium tour in 1999. The agency was not at all into the typeface (I think they wanted something more organic), so it was never used. I eventually completed it and re-used it for Fleshbot and Fleshbot Films while designing all the identity systems for Gawker Media.
• Nineteen Eighty Four (2005). A construcivist typeface also related to the German New Wave.
• Commodity (2003). Ten geometric styles at the defunct Thirstype.
• Gia (2000). Five original styles based on the NASA logo font and named after the first woman to die of AIDS, Gia Carangi. Extended to 7 weights in 2016. For a short time, Gia was called Atari Baby, but the name was changed to Gia for trademark reasons.
• Fast Girls (1995). No longer available.
• 1985, 1997, Phoebe, Apocalipstick, Smile. Old Thirstype typefaces that are no longer available.
• Revenant (1995). A redesign of the defunct typeface Bad Excuse (1995).
• Food. A bespoke logo font for Chicago laundromat chain Bubbleland.
• Undergraduate work in 1993: Flex, DAT, Flourish, and Scribner.
• The free Google fonts Big Shoulders Display (2019) and Big Shoulders Text (2019). He writes: Big Shoulders is a family of condensed American Gothic typefaces, created for the City of Chicago's Brand Standards. The family's tall, sans-serif forms are based in Chicago's multiple histories in railway transport, journalism, advertising, and public political action. Github link. In 2020, still at Google Fonts, he added Big Shoulders Inline Display, Big Shoulders Inline Text, and Big Shoulders Stencil Text.

Pretty's catalog. View Patric King's typefaces. Klingspor link. Behance link. Creative Market link. Fontsquirrel link. [Google] [MyFonts] [More]  ⦿

Putra Cetol Studio
[Putra Novembria Candra Kusuma]

Karanganyar, Indonesia-based designer, b. 1989, of these typefaces in 2018:

• The spurred typeface Darkrise.
• The circus font The Circus Show.
• The futuristic typeface Digitechno.
• The curly script typeface Valentijn.
• The monoline poster typeface Revalate.
• The monoline cursive script typefaces Simplyline, Cinta Cantik, Antiqueline, The Beautyline, Aiushtya, Skywave, Simbok Pudjie and Yesie.
• The vintage typeface Nuri.
• The retro signage script typeface Vintage Party.
• The tall octagonal typeface Armor.
• The display typefaces Ratigk, Deco Tech, Horstail and Murai.
• Playlines.
• The tiki font Tikiland.
• The script typefaces Jofi, Beauty Love, Bigfun, and Rhonde (a free swashy calligraphic typeface).
• The upright scripts Shathika, Sweetyhearts and Shaquilla.
• The brush typefacesAuthorfun and Pax Suyud.
• The weathered condensed Therlalu.
• The color fonts Garis Lengkung and Circuitra.
• The textured typeface Quiltrix.
• The poster typeface Audrey.

Typefaces from 2019, mainly calligraphic except if specified otherwise: Attaira (art deco and script), Arshaka (a great vampire blackletter font), Honey Berry, Vanetta, Safiar (font duo), Havina, Eurolite (a modular sans), Florita (font duo), Silky Candy, Ultimate Slayer (brush), Zahiya (a ronde), Networld (a mesh font), Stranger Creature, Amella, Grimscy, Visaka (a tall spurred wedge serif), Micayla, Rougher (brush), Slatter, Rygid (a straightened script), Mixy Missy (an oily script), Qunky (a formal script), Marceila (upright script), Glamoury (calligraphic), Thicxer, Madhen (script), Secret Darling, Keshia, Mahaputra (a spurred swashy Victorian typeface), Busther (brush style), Sherley, Shanela, Rotters (script), Sweety Lovers (script), Aliyah, Laureta, Tashia, Smash Wall (a glaz krak typeface), Delacruz (techno), Elvino (techno), Crava (a vintage display typeface), Bornena (curly script), Vintage Queens (for vintage signage), Kanaya, Yuanita, Daysha, Thickline, Maze Line (labyrinthine), The Doctor (a signature font), West Kingdom (fat signage script), Pixel Bit, Barstrip, Arjunka, Waffle Latte (monoline and connected), Strip Deco (Broadway style), Corlita Script, Fathur (signature script), Royal King (inline, vintage), Boldest (an oily fat font), High Mount (titling sans), Stasya, Ultimate Class (a thin monline script), Hai Eisya (geometric sans), Dirty Rock (grunge), Hello Eisya, Boldline, Dvorak (dry brush), Ayana, Bigdot, Ghaya, Scary Night, Keytip (Victorian), Melodious Script, Lusya, Nachelle.

Typefaces from 2020: Techno Board (a circuit font), Happy Christmas Party, Roadstone (a signage script), Cavilay Script (wild calligraphy), Urban Sketart (a fine mural art font), Shecarea, Rose Thorns, Retroparty (a bold script), Lovely Couple, Macrosty (a bold script), Amarithe, The Bold Street (a fat graffiti font), Rahaely (script), Nightcrow (a fiery font), Vintage King (a grungy vintage signage script), Vintage Party (a signage script), Gayesha, Water Splash, Clarinta (a wide hairline calligraphic script), Kinghawk, Audrena (a monoline script), Royal Queen, Headbrush, Coldcoast (script), Mahacara, Goldenlife (an upright signage script), Lyodra (a monoline script), Mayla (wild inky calligraphy), Faylake (a fat finger font), Grandmora (monoline script), Qonitya, Clowney (an inky script), Shafiqa (a rabbit ear script), Spirly (curly, Victorian), Quentara, Roxer, The Excited (signature script), Street Road (modular), Rasputia (a calligraphic script), Retroking.

Typefaces from 2021: Blossom Heart (script), Happy New Year Party. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Putra Novembria Candra Kusuma
[Putra Cetol Studio]

[MyFonts] [More]  ⦿

Rabbit and Pencil
[Eleonora Petrova]

Aka Ely Petrova, Travel Rabbit and Sunset Rabbit. Dumaguete, Philippines-based designer of the minimalist futuristic typeface Futare (2017), Chalkee (2017, a crayon font), the vector format Rope Alphabet (2017), and the hand-crafted typeface Blacked Doodle (2017). She also designed several sets of icons, including a collection of cacti, Pretty Prickly (2017).

In 2018, she released the brush typeface The Real Islander.

In 2020, she designed Papercut (SVG format), the woolly hand-crafted typeface Pinkment (for Latin and Cyrillic). Home page. Behance link. Home page. [Google] [More]  ⦿

Rachel Gardener

Graphic designer in Newcastle, UK. Creator of a futuristic all caps typeface.

Behance link. [Google] [More]  ⦿

Radinal Riki
[ATK Studio]

[MyFonts] [More]  ⦿

raiu

FontStructor who made Hearth Perspect (2012, futuristic), Metald (2011), Metald Lite (2011), Marmor (2011, texture face), Grey State U (2010, athletic lettering), Nuts and Bolts and Wrenches (2010), SwordStruct (2010), Angulan (2010), LostMyGlasses (2009), WindStruct (2009), PixShadow (2009), Keychain (2009), and AlmostBold Tiny (2009). [Google] [More]  ⦿

Rebecca Griffith

Canadian designer of the modular semi-stencil futuristic typeface Aura (2018). [Google] [More]  ⦿

Rebecca Wickham

During their industrial design studies at Queensland University of Technology, Brisbane-based Rebecca Wickham and Lily Kwoh-Gain created the retro futuristic typeface Basix (2019). [Google] [More]  ⦿

Red Monkey
[Mikalai Manyshau]

Mikalai Manyshau (Red Monkey, Belarus) created the EPS-format 80s style metal rock band font Old School (2015). [Google] [More]  ⦿

Renan Carlos Medeiros

Natal, Brazil-based designer of the experimental futuristic decorative typeface Lygia Clark (2013). This typeface is based on the architectural and modular art of Lygia Clark (b. 1920, Belo Horizonte, d. 1988, Rio de Janeiro), who was one of the founders of the Frente movement in 1954. Graduate of UFRN. [Google] [More]  ⦿

Renan Valadares

Art director in Cachoeiro de Itapemirim and Vila Velha and Sao Paulo, Brazil. He designed the techno typefaces Kropp (2011) and Vosky (2011), and the weathered typeface Wrot (2011). In 2014, he designed the vernacular hand-drawn typeface Sabrazila and the curly typeface Vila. In 2015, he created the blocky futuristic typeface Apolo. In 2016, he designed the cursive typeface Married, and the teardrop-themed Amadeus.

Behance link. Cargo Collective link. [Google] [More]  ⦿

Resistenza
[Giuseppe Salerno]

Giuseppe Salerno (aka Resistenza.es) is an Italian graphic designer, specializing in web design. He lived in Torino, Amsterdam, Madrid, and Valencia, and currently works in Berlin and Turin. Studio Resistenza was cofounded by Giuseppe Salerno and Paco Gonzales.

In 2010, he made the circular multiline face Afrobeat (+Light), the fat counterless typeface Vito Sans (2010), Wonderwall (2010, like a skeletal construction), the high-contrast art deco typeface Zaza (2010), and the pure Italian vintage art deco face Luxx (futurism).

Other work: an art deco poster.

Direct links to his fonts: Zaza, Afrobeat, Vito Sans, Luxx, Wonder Wall, Afrobeat Light.

Creations from 2011: Ratatan, Bodoni At Home (a handpainted Bodoni), Arcanotype (2011, delicate caps, individually drawn using Chinese ink on Japanese calligraphy paper), Babushka (2011), Dolce Caffe (2011), Adelaida (hand-printed poster face), Monella (octagonal).

Production in 2012: Ampersanders (a font with many ampersands), BLAQ (an ornamental blackletter caps typeface inspired by Henry W. Troy), The Bay (hand-printed all caps poster face), Bratislove (an artsy hand-drawn typeface), Modernissimo (decorative modern art-inspired caps), Clementina (hand-printed caps), Afrobeat Gothic (angular multiline face).

Typefaces from 2013: Glob (bubblegum face), Archivio (slab serif family with very open counters), Mina (connected script), Monster Hand (brush script), Berliner Fraktur (a flat brush fraktur inspired by Rudolf Koch), The Luxx (a redesign of the 2010 art deco sans typeface Luxx---a comparable typeface is Mostra Nuova by Mark Simonson), Starburst (calligraphic gestural light script), Caramello Script, Copperlove (copperplate script), Yma Italic (retro script), Sonica Brush.

Typefaces from 2014: Stencil Creek, Elastica (hand-crafted typeface family), Elastica (hand-drawn poster family), Nautica (copperplate script, extended in 2018 to Nautica Sottile and the monoline version Nautica Line), Ingles (copperplate script), Peperoncino Sans (a decorative sans serif font system designed with a marker), Attica RSZ (inspired by Caslon Italian and Novarese's Estro), Montana (poster family, +Icona), Superb (a yummy creamy script, co-designed with Paco Gonzalez), Dolce Caffe 3D, Coming Home (a hairline curly script based on a childish handwriting), Rachele (a monoline connected script with a large x-height), The Crashed Fonts (a glaz krak family), Newland (inspired by Rudolf Koch's Neuland), Two Fingers (a funky hand-drawn family that includes, e.g., Two Fingers Bodoni, Two Fingers Courier, Two Fingers Poster [blackboard bold] and Two Fingers Script).

Typefaces from 2015: Modern Love (brush script), Mela (a gorgeous pointed brush / walnut ink typeface), Turquoise (a calligraphic serif type influenced by capitalis romana; not to be confused with Ahmet Altun's Turquoise typeface from 2011; co-designed with Paco Gonzalez, it was extended in 2019 in Turquoise Inline), Mina Chic (a wide connected calligraphic fashion mag script), Natura (connected fountain pen script, with accompanying Notebook, Icons and Stamps (initial caps) styles), Stencil Creek (inspired by Akzidenz Grotesk and influenced by street signs of the North West Pacific), Quaderno (monoline upright signage script).

Typefaces from 2016: Xmas Wishes, Gianduja (2016, a chocolate box script typeface family co-designed with Andrea Tardivo and Paco Gonzalez). Apero (a hand-crafted emulation of sans and slab styles; the sans serif was inspired by vintage local liquor labels), Respect (a brush script sign painting typeface), Mentha (a calligraphic connected script typeface).

Typefaces from 2017: Peperoncino Vintage, Shabby Chic (wide signature script), Merendina (rounded sans family), Adore You (dry brush script), Quaderno Slanted (monolinear connected script), Love Wins (a collection of signage type phrases), Beach Please (watercolor brush), Timberline (dry brush script), Orbita (stencil shadow), Modern Love Slanted (brush style), Gessetto (a chalk lettering family).

Typefaces from 2018: Pesto Fresco (a wonderful 28-font layerable font family for use in hand-lettered posters), Instamood (a casual script), Auster (an unconventional flared and reverse contrast sans; followed in 2019 by Auster Rounded by Paco Gonzalez and Giuseppe Salerno, and in 2020 by Auster Variable), Smoothy (brush script), Voguing (a multiline typeface inspired by the movement and glamour of the 80¿s and New York ballrooms scene), Beach Please Vintage, La Bodeguita (calligraphic), Contigo (with Paco Gonzalez; see also Contigo Vintage ), Story Tales (folklore style, with many choices of textures and possibility of layering), DreamTeam (multilined).

Typefaces from 2019 co-designed by Paco Gonzalez and Giuseppe Salerno: the brush typefaces Pando Script and Parkour, the Tuscan family Royale, the chalk font Dolce Caffe Chalk, the brush script Batticuore, the bry brush script typeface Blue Jeans, the layered hand-crafted sans typeface Dolcissimo, and the font duo Sunday Morning.

Typefaces from 2019 by Giuseppe Salerno: SmoothyPro (with Paco Gonzalez), Auster Slab (a reverse stress slab).

Typefaces from 2020: Vermouth (a layerable font based on Italian signs from the 1960s), Big Mamma (a hand-printed slab serif by Giuseppe Salerno and Paco Gonzalez), Suerte (a reverse contrast display type, inspired by Aldo Novarese's Estro; with Paco Gonzalez), Norman (a fashion mag typeface by Paco Gonzlaez and Giuseppe Salerno), Royale Italic (Tuscan; with Paco Gonzalez), Groupie (a psychedelic delight), Hello Fresh (with Paco Gonzalez), Nostalgia and Nostalgia Flowers (with Paco Gonzalez), Tresor (a romantic flared sans; with Paco Gonzalez), Pesto Fresco Italic (with Paco Gonzalez).

His type blog is called It's Not My Type. Behance link. Creative Market link. Klingspor link. Creattica link. [Google] [MyFonts] [More]  ⦿

Reza Rasenda
[Zealab Fonts Division (or: Zea Fonts, or: Zea Lab, or: Zeaspace)]

[MyFonts] [More]  ⦿

Richard Kegler
[P22 Type Foundry]

[MyFonts] [More]  ⦿

RM WD
[Antonio Vignali]

Graphic designer designer, b. 1959, Parma, Italy. He studied at the Art Institute in Parma. After graduation in 1983 from the Urbino ISIA Academy, Antonio spent 20 years working as Senior Art Director and Creative Director for various international advertizing agencies in Milan (Pirella Lowe, Armando Testa, Young & Rubicam).

In 2016, he designed the calligraphic typeface Gerolinda. This OpenType-feature-laden typeface family, at 1900 glyphs per weight for six weights, leaves all other calligraphic typefaces from the past decade in the dust. It is as if the Italian penmen from the renaissance period are being reborn through Antonio's hand. In fact, he intended something very specific---the recreation of an Italian gentlewoman's hand (his own words).

In 2018, he designed Italiano Doc (which was inspired by the Italian Futurismo artists in the early 1900s), Ziletti Pop (a layerable pre-psychedelic font influenced by Girolamo Ziletti (1552-1583) in Venice) and Eletric Lady (a light copperplate calliraphic script).

In 2020, he published Parmesan Revolution (a didone with mirrored letters, perhaps in the hope of emulating Cyrillic), Venice Revolution, Jannson Map (a wonderful 18th century map font about which Antonio writes: This font is inspired by Johannes Janssonius, well known as Jan Janszoon or Jan Janssonius (b. Arnhem, 1588, d. Amsterdam, 1664), a Dutch cartographer, publisher and engraver who was married to Hondius's daughter. He authored many masterpieces of cartography just like Willem Blaeu and Hondius). [Google] [MyFonts] [More]  ⦿

Robert N. de Niet
[Light Weight (or: Litewait)]

[MyFonts] [More]  ⦿

Roc Mitchell

Dallas-based foundry with commercial font families by Roc Mitchell such as Avian, Boreas, Caribbee, Dimeter, LogoText, Poetry, Psalmist, Svenska and Revelry. From 1970 until 1974, Roc Mitchell designed typefaces for Phil Martin's Alphabet Innovations. These include Arthur, Borealis, Celebration, Corporate (retro futuristic), Corporate Image, Dimensia Light, Dimensia, King Arthur Light w/Guinevere Alternates, King Arthur w/Guinevere Alternates, King Arthur Outline w/Guinevere Alternates, and Stanza.

Alex Rosario situates his revival Corporatus (2018) as follows: Descended from Microgramma and originally designed to be the American competition to distant cousin Eurostile, Corporate is best known for being the typeface used by video game developer and publisher Nintendo for many NES-related media in the West, including its controllers, and by Colecovision for its logo. [Google] [MyFonts] [More]  ⦿

Rofiki Anas Maruf
[Heypen Type]

[MyFonts] [More]  ⦿

Rohan Lele

Graphic designer in Mumbai who designed Contrast (2013), a retro-futuristic poster typeface. [Google] [More]  ⦿

Rometheme
[Yahdi Kumala]

Known as Yahdi Kumala and Yahdi Romelo. Pekanbaru, Indonesia-based designer of Mafieso (2018: a brushy sushi shop font), Nathanos (2018: a headline serif typeface), One Piece (2018: brush script), Indesign Signature (2018: a signature font), Jacklyen (2018: brush font), Lovestrong (2018: calligraphic script), Grizzly Attack (2018: brush), Keishue (2018: script), Hegorustow (2018), Frappe Latte (2018), Donkey (2018), Bajhera (2018), Alestraza (2018: script), Casiopeia (2018: futuristic), Pink Blue (2018: rough brush), Stranglethorn (2018) and Exodar (2018), a futuristic outline font.

Typefaces from 2019: Robeck, Almahira, Cardust (a cartoon font), Chendolle (children's hand), Velguife Script, Brotherhood (brush). Creative Fabrica link.

Typefaces from 2020: Halloweins, Monsterious, Craiyound (a crayon font), Diland, Veronica, Prizertiez, Darkspear (a brush font), Ghostbumps, Kinders (monolinear, circular arc-based, Wood Craft (a playful cartoon font), Zone Brown (a cartoon font massage with a bit of Saul Bass's oil), Andreash (condensed, all caps), Axeon (sci-fi), Brotherhod (an all caps brush font), Lovestrong (a calligraphic script), Night Forest (a vintage typeface), Thequilla (a monoline script), Roley Poley (a cartoon font), Big Dreams (a wild script), Dungeons (a grungy upright connected monolinear typeface), Brendria Signature, Danielle Signature, Blackpine (a dry brush script), Caendr (a dry brush font), Bhamious (a monoline script), Creslina (a dry brush script), Caress (a bold rounded monolinear sans for cartoons and children's books), Violet Watson (a fine wild script), Heart Quarter. [Google] [MyFonts] [More]  ⦿

Rowey Ching

Designer and illustrator in Toronto, who created the super-plump semi-futuristic typeface Martian (2016). [Google] [More]  ⦿

Rubén Prol
[Ipanema Gráfica]

[MyFonts] [More]  ⦿

Ryoichi Tsunekawa
[Flat-It]

[MyFonts] [More]  ⦿

Sadie Weisberg

American designer of the modular futuristic typeface Above Earth (2017). [Google] [More]  ⦿

Salahattin Kanidinc

Type designer who published at Photo-Lettering Inc. His creations include Boldsign, Germanic, Hallmark (connected script), Independent, Palette (a painter's font), and Studio Poptype (retro-futuristic). [Google] [More]  ⦿

Samsun Lawson

Farnham, UK-based designer of the triangular modular typeface Nineninenine (2010). [Google] [More]  ⦿

Sasa Petricic

[T-26] designer of the headline slightly blackletterish crusader typeface Archangel and the accompanying heraldic dingbat font Archangel Icon (1998), as well as the retro futuristic typeface ITC Astro (2004).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Schizotype
[Dave Rowland]

Type foundry in Sheffield, UK. Its designer, Dave Rowland (b. 1982, Chesterfield) grew up in Sheffield, UK, but was based in Japan, the Philippines, Liverpool, Surat Thani, Thailand, and Koh Samui, Thailand [where he presently lives]. MyFonts Interview.

He created these fonts in 2009: Quesadilla (signage type, Mexican simulation face), Quesadilla Shadow, Schizotype Scrolls, Quiff, Toothpaste, Astroboy (connected script), Decolletage (art deco), Kazumi Sans, Acid Haus, Dr. Black, Dr. Eric, Soyo Gogo, BMX radical (brush), Team, Miami Hopper, and Tubularis (multiline face), Sickle, Klique (futuristic display face), Uncle Eric (a cartoon face), Praline Smooth (connected script in the style of Mistral), Kwaktur, (blackletter typeface based on the logo of Belgium's Kwak beer), Blackball (another blackletter) and Modulogue (a modular display family).

Additions in 2010: Christmas Tuscan (a modular Tuscan), Masonic Lodge, Mook (a retro, unicase, bubble font), Toothpaste 2, Gaden Sans (organic monoline typeface that includes a hairline weight), Sizemore (all caps slab headline face), Quickscript (signage face), New Wave.

Fonts designed in 2011: Brag Pro (like Brag, a Cooper Black alternative), Brag Stencil Pro, Chestnut (curly, hand-printed), Brag (a fat round face in Cooper Black style), Gelato Script (a connected signage face), Brag Stencil (2011), Streetscript (2011, brushy signage face).

In 2011, he created a quaint text family, Vulpa, with quirky foxtail terminals.

Typefaces from 2012: Margot (a rounded slab serif described as a lovechild of American Typewriter and Cooper Black), Range Serif (an angular typeface), Pastiche Brush (a brushy connected script inspired by the titles of the 1959 movie Imitation of Life (Wayne Fitzgerald)), Quayside (a bulbous baseball or signage script).

Typefaces from 2013: Alight Slab (hairline slab), Anultra Slab (a heavy bold slab serif), Ollie (a connected baseball or signage script), Urge Text (an extensive modern text family with ample language support and plenty of mathematical symbols, and large ball terminals).

Typefaces from 2014: Range Sans (a grotesque sans family with the quirky angular cutouts inherited from Range Serif), Samui Script (upright connected script), Streetscript Redux (signage script), Price Didone (created for setting elegant price tags).

Typefaces from 2015: Oldskool Script (a connected signage script; one of many quite different commercial fonts with the same name), Hazel Script (a great flowing calligraphic script designed around the time of the birth of his first child, Hazel; the name may create confusion as there is a famous BB&S metal font with the same name), Mastadoni (a fat didone for headlines and fashion mags), Kake (a great creamy sign-painting font), Bali Script (creamy signage script), Flat Sans.

Typefaces from 2016: Cinema Script (retro movie script), Chill Script (a retro non-brush signage script), Blanket (a soft cursive font, ideal for children's books), Schizotype Grotesk (a very original angry geometric grotesk, with bucketloads of pizzazz), Astrid Grotesk, Asterisk Sans Pro (a versatile humanist sans family for Latin, Greek, and Cyrillic), Strelka Ultra (a retro space age typeface), Revla Serif (beatnik style, emulating randomly positioned handlettering).

Typefaces from 2017: Duckie (a bubblegum or creamy signage script), Tusque (a layered decorative Tuscan typeface), Ekamai (a tight non-connected creamy signage script), Quinella (seventies script), Delfino Script (retro signage script), Tchig Mono (a special, almost hipster monospace typeface family), Revla Sans (beatnik style), Revla Sans Text, Eroika Slab (a robust wedge serif family).

Typefaces from 2018: Aziga (descrived by Dave as a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone), Revla Slab (bouncy, beatnik), Galix (subdue futuristic sans family), Gelato Luxe (an update of his earlier Gelato Script), Engria (an angular brush-inspired text typeface).

Typefaces from 2019: Gelato Fresco (a warm flowing script), Amica Pro (a stocky part humanist part geometric workhorse sans), Galix Mono, Backstroke, Gigantic (an exercise in ultra-fatness).

Typefaces from 2020: Gelica (a 14-style retro soft serif family influenced by Cooper Black, Goudy Heavyface and Ludlow Black), Capsule (a reverse-stress high-contrast rounded sans-serif), Sausage (a friendly fat rounded typeface that is is unapologetically bold and bulbous. Influenced by magnetic fridge letters, hot dogs and 70s phototype fonts, it is retro, but not cloyingly so).

Klingspor link. Behance link.

Showcase of Schizotype's typefaces at MyFonts. Fontspring link. MyFonts interview. [Google] [MyFonts] [More]  ⦿

Sean Johnson

Peterborough, UK-based web and graphic designer, b. 1970. Creator of Hand of Sean (2008), Hand of Sean Pro (2013), Seans Other Hand (a fat finger font) (2010), and Tidy Hand. His commercial typefaces include the futuristic hipster font Digital Therapy (2014).

Typefaces from 2020: Poacher. [Google] [MyFonts] [More]  ⦿

Selective Trill