TYPE DESIGN INFORMATION PAGE last updated on
Wed Apr 16 05:45:08 EDT 2014 TYPE DESIGN INFORMATION PAGE last updated on
Wed Apr 16 05:45:08 EDT 2014
|
|
|
||
|
Futurismo |
| ||
|
|
|
||
American designer of the very geometric face P22 Il Futurismo (1996), which was inspired by the graphic works of artists in the Italian Futurist movement (1908-1943), including Fortunato Depero, Fillippo T. Marinetti, Giacomo Balla, and C.V. Testi. [Google] [MyFonts] [More] ⦿ | |
| |
For a school project, Allie Welch (Lawrence, KS) created an octagonal futusistic typeface in 2013 called Spacegirl. [Google] [More] ⦿ | |
Designer and illustrator in Buenos Aires. Creator of the futuristic serifed caps typeface Futuroni Serif (2011). Behance link. [Google] [More] ⦿ | |
Ariel Di Lisio
| |
Futuristic fashion accessory and costume designer in Madrid. Behance link. Creator of Asho (2011). [Google] [More] ⦿ | |
Atelier Olschinsky
|
Behance link. [Google] [More] ⦿ |
Aviv Studio
|
|
Graphic designer and illustrator in Buenos Aires who created Astro Zombies (2013). Behance link. [Google] [More] ⦿ | |
| |
Designer in Sao Paulo, Brazil. During her studies at SENAC, she created the warm serif typeface Humbond Regular (2012) and the Victorian display face Deffugia (2012). in addition, she created Adventure Game Icons (2011) and Alien Pictogram Set (2011). [Google] [More] ⦿ | |
His early typefaces: Mushman (2012) is a techno-sans typeface inspired by the adventurous spirit of actor Steve McQueen, who raced motorcycles under the false name "Harvey Mushman." His second typeface, Bronson (2012, free if you ask), is a display type inspired by Danny "Tunnel King" Lewinski, Charles Bronson's character in The Great Escape. In 2013, he created the elegant (free) futuristic typeface Astroman. [Google] [More] ⦿ | |
David Alexander Slaager
| |
Eric R. Mortensen is a graphic designer who is currently an MFA candidate at Maryland Institute College of Art in Baltimore, and a design intern at NASA, Goddard Space Flight Center, in Greenbelt, MD. Saturn V (2011, Lost Type) is a lower-case, space-aged slab-serif typeface conceived during a workshop with Tal Lemming of TypeSupply.com. [Google] [More] ⦿ | |
Exebicha, or Alexander, is Russian. He made the futurismo font Futurism (2011, no downloads), and Calligraphy (2011). [Google] [More] ⦿ | |
Graphic designer in Caracas, Venezuela, who created an experimental face called Futurista (2011). [Google] [More] ⦿ | |
Face Type
|
Facetype's typeface library. See also here. View Marcus Sterz's typefaces. Klingspor link. Behance link. [Google] [MyFonts] [More] ⦿ |
Filippo Tommaso Marinetti
| |
Flat-It
|
MyFonts link. Fontsquirrel link for their free fonts such as Bebas (2005, industrial sans), Boycott, Gesso, and Pusab. YWFT link. Bagel & Co. link. Klingspor link. Dafont link. Dafont link. View Ryoichi Tsunekawa's typefaces. Kernest link. [Google] [MyFonts] [More] ⦿ |
Fonts of Chaos
|
In 2012, he started Hand Drawn Font with cheap (ten dollar) quickie fonts. The initial offering in the Fall of 2012 includes Blackwood, Black 45, Royal Goblin, List of Faith, Gazoline, Natural Born Designer, Pulp Hill, Stylo Standard, Atlantic Avenue (a font made with paint brush on wood), Kancell (free) and Zombie Sunrise. Typefaces from 2013: Supernational 261/262, Signs of Faith, Hollywood 99, Hollywood69, National, Enfant du Chaos (gothic, dark), Brutaal (+XX, +VV: one weight of this dquarish typeface is fre), Bliss Yeah, Traum-A (a hand-drawn poster font), Enfant du Kult (alchemic), Daryl is Parano. Typefaces from 2014: We Are Tom Jones, Hackney Night, Arizona Futur (pixel alphadings). Behance link. Klingspor link. Creative market link. [Google] [MyFonts] [More] ⦿ |
Fortunato Depero (1892-1960) was an Italian futurist painter, writer, sculptor and graphic designer. Born in Fondo/Malosco, Depero grew up in Rovereto serving as an apprentice to a marble worker. On a 1913 trip to Florence that he discovered a copy of the paper Lacerba and an article by one of the founders of the futurism movement, Filippo Tommaso Marinetti. In 1914, Depero moved to Rome and met fellow futurist Giacomo Balla. In 1915, Depero and Balla coauthored the manifesto Ricostruzione futurista dell universo. In the same year he was designing stage sets and costumes for a ballet. In 1919 Depero founded the Casa d'Arte Futurista in Rovereto, which specialised in producing toys, tapestries and furniture in the futurist style. In 1925 he represented the futurists at the Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Modern Industrial and Decorative Arts). In 1928, Depero moved to New York City, where [acccording to Wikipedia] he experienced a degree of success, doing costumes for stage productions and designing covers for magazines including MovieMaker, The New Yorker and Vogue, among others. He also dabbled in interior design during his stay, working on two restaurants which were later demolished to make way for the Rockefeller Center. He also did work for the New York Daily News and Macy's, and built a house on 23rd Street. In 1930 he returned to Italy. In the 1930s and 40s Depero continued working, although due to futurism being linked with fascism, the movement started to wane. The artistic development of the movement in this period can mostly be attributed to him and Balla. One of the projects he was involved in during this time was Dinamo magazine, which he founded and directed. After the end of the Second World War, Depero had trouble with authorities in Europe and in 1947 decided to try New York again. This time he found the reception not quite as welcoming. In New York, he published So I Think, So I Paint, a translation of his autobiography initially released in 1940, Fortunato Depero nelle opere e nella vita. From the winter of 1947 to late October 1949 Depero lived in a cottage in New Milford, CT. His host was William Hillman, an associate of the then-President, Harry S. Truman. After New Milford, Depero returned to Rovereto. In August 1959 Galleria Museo Depero opened. Depero died in 1960 a bout of diabetes and spending the last two years unable to paint due to hemiparesis. Alan Kegler at P22 created a typeface, P22 Futurismo (1996) and P22 Futurismo Extras, based on Depero's work. P22 link. A second digital typeface is based on his work, Emporium NF by Nick Curtis. It is based on this poster by Fortunato Depero (1927). [Google] [MyFonts] [More] ⦿ | |
Designer at Nebiolo (b. 1908, Pavia, d. 1999). He was part of a team (with Giancarlo Illiprandi, Bruno Munari, Ilio Negri, Till Neuburg, Luigi Oriani and Pino Tovaglia) that designed the lineale family Forma from 1966-1970 under the direction of Aldo Novarese. Sergio Polano writes: Alone master, the Italian visual designer, painter and photographer Franco Grignani, born in Pieve Porto Morone (Pavia) in 1908, trained as architect at the Polytechnic School of Turin (1929-1933); after being part as painter of the late, second futurism, his artistic research came across the European abstract avantgarde movements, and developed a strong interested in the perception psichology of form, that results from the Fifties in his dinamic kind of OpArt, years before it: the mastering of perception rules is expressed by his visual experiments on virtual movement, optical illusion, subperceptions, distortions, moirés, dilatations, flous and so on, applied, with no breaks, from painting to graphic design, through pictures, images, patterns, signs and words. From the Thirties he works in the field of graphic design, collaborating ia with Borletti, Breda Nardi, Cremona Nuova, Dompé, Domus, Mondadori, Montecatini, Spi, Triennale; his artistic direction for Alfieri&Lacroix printing firm is particularly interesting, as it shows an exceptional integration of words (wrtitten by himself) and images. Very well known, his trademark for Lambswool is a paradigmatic example of his approach to sign design. For 26 years he has been art director of Pubblicità in Italia, a magazine devoted to Italian advertising and visual design. He wrote many essays on design and arts, and lectured in Europe and USA. [Google] [More] ⦿ | |
Futurism
|
|
| |
Giuseppe Salerno
| |
Glyphobet (was: mattt's fonts)
|
Check out his Alphabet Soup Project, which randomly mixes glyphs from several languages. Ljubljana in particular (2007), with its Greek, Cyrillic and Latin glyphs, is stunning. In 2010, he set up shop at MyFonts as Glyphobet. His fonts there include the bewitched Zenith (2010), Ljubljana (2010), Haylurker (2010), and the experimental Breuckelen (2010). Anadolu (2010) was inspired by the distinct style of sign lettering in rural Turkey. Home page. Alternate URL. Dafont link. Klingspor link. Abstract Fonts link. [Google] [MyFonts] [More] ⦿ |
Greater Albion Typefounders (or: GATF)
|
Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette, Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau). Art deco faces: Oakland (2011, multiline face gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences). Other faces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2009) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat faces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display face based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face). Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian). Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved faces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter). Production in 2012: Alfere Sans Stripes, Albion's Americana (Western stars and stripes face), Tudor Perpendicular (blackletter), Amici (rounded headline face), Amie (rounded sans), Wolverton Text (Edwardian family), Vinea (10-style display family), Par Avion (retro futuristic), AstroBats (retro sci-fi dingbats), Beeching (+Shadowed), Gondolieri (didone meets Tuscan), Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family). Typefaces from 2013: Speedblur, Belhampton (Edwardian), Merry Baubles (Christmas tree dings), Merry Bauble Letters (Christmas alphadings), Wroxeter (blackletter), Thurbrooke (+Banner, +Initials, +Black, +Reverso, all based on 19th century banner headings and engraved lettering), Bourne (a rounded type system), Henrician (a set of eight Tudor style display faces), Belle Jardin (art deco marquee face), Lavery (Edwardian), Baldione (a stylized didone), Chequers (a vintage poster face), Turvy Topsy (fat finger face), Merrivaux (faux medieval), Blout (German expressionist typeface), Easter Egg Letters, Isometrica (a banner typeface family), Valentine's Letters, Imperial Granum (roman titling face), Brollo (chunky display face). Typefaces from 2014: Lanvier (1930s-style caps typeface family), Bonlivet (a hyper-decorative capitals alphabet from the late Victoian or early art nouveau era), Ames Text (a didone family with rounded brackets), Ames Roman (related to didones but with wedge serifs), Ames Weathered, Ames Shadow, Ames Shaded, Amersham (vintage signage family, 2013-2014). Type announcements. Behance link. Klingspor link. Abstract Fonts link. Font Squirrel link. Kernest link. Abstract Fonts link. Hellofont link. View all typefaces by Paul Lloyd. Images of Paul Lloyd's best-selling typefaces. Greater Albion Typefounders: typeface collection./ [Google] [MyFonts] [More] ⦿ |
FontStructor who made the futuristic font Aergon (2011). Aka Night Leopard. [Google] [More] ⦿ | |
Ipanema Gráfica
|
Rubén Prol (Compostela and A Coruna, Spain) created the sans face Carme (2011), which is free at Google Font Directory. Ancient Galician stone inscriptions led Prol to design Uralita (2012, +Bold, 2013), which is also free. Dafont link. Behance link. Old URL. Behance link for Ruben Prol. [Google] [More] ⦿ |
J. Randall Harris
| |
Jim Parkinson
| |
John Meister is based in Setubal, Portugal. He created Futur (2013), a futuristic typeface. The Closet (2013) is an organic monoline modular sans typeface. [Google] [More] ⦿ | |
Typefaces made in 2012: Metropolis (a superb bilined retro type family, ideal for posters---free download). Behance link. Hellofont link. [Google] [More] ⦿ | |
Just My Type
|
Typefaces from 2012: Happenstance (a lovely retro-futuristic script), Illuminations Woodcut, Yule Love It (Christmas time dingbats), Gawain (based on the hand of Gawain Douglas), Oaxaca (a Mexican look face), Boxy Code, Channel B (a rounded monoline sans), Curves, Puzzle, Dempsey (based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey), Chilespice, Strata, Deco Donut, Jiminy (a comic book face), Invites (a roundish upright script that intends to recreate the 1920s spirit), Hunky Chunky (an obese poster face), the hand-printed typeface Carissa, Got Milk, Cutting Corners, Astro (retro-futurustic), Dix (2012: a slabby wood style face inspired by the poster for the 1929 film Redskin, and a desire to create a black Edwardian font with an offbeat serif), and the monoline rounded stripped-down sans typeface family Laszlo (2012: the name is an homage to Laszlo Moholy-Nagy of Bauhaus fame). Kolega (2012) is a constructivist typeface family that consists of Kolega, Kolega Tall, and Kolega Podrobska (fake comrade). Steampipe (2012) is an ironwork, Jules Verne, wrought iron and time machine font. Los Muertos (2012) is a Halloween font. Typefaces from 2013: Megatropolis (a stackable deco font system). Behance link. J Randall Harris Design link. Home page. [Google] [MyFonts] [More] ⦿ |
Keith Tricker
| |
Typefaces created in 2012: Redcat, Wrong Ink (ink run face), Curlings (curly script). | |
Graphic designer in Brixham, UK, aka Laura Pakora Design. For a University of Plymouth project, she was asked to design letterforms based on Gino Severini's work. She looked into Futurism, Cubism and Pointillism, and created the experimental face Eclectic (2010) by cutting up Helvetica Bold into angular pieces. Petallic (2010) is an experimental face based on the architecture and design of the Guggenheim, Bilbao. [Google] [More] ⦿ | |
Luis Miguel Torres
| |
Marcus Sterz
| |
Prismatique (2011) is a noncommercial font inspired by the art deco vase Nanking from 1925---a bit in the Futurismo style. Home page at Verine Design in Lodz, Poland. [Google] [More] ⦿ | |
Australian designer (b. 1984) who is based in Sydney. He created the graffiti typeface Jo's Styles (2012), and Thick Bitch (2012). He also made the futuristic typefaces Grand Lethals (2012, for an album cover of this group) and Aliens Can Suck It (2012). [Google] [More] ⦿ | |
Creative Alliance designer of Planet Informal, Planet Sans and Planet Serif in 1998. Alternate URL. See also here. Planet is a futuristic Greek simulation face. [Google] [MyFonts] [More] ⦿ | |
Matt Chisholm
| |
Mattia Bonanomi
| |
| |
| |
MTT
|
He writes about the elegant ten-style sans typeface family MTT Milano (2013): MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance. [Google] [MyFonts] [More] ⦿ |
MyFonts selection for the keyword Futurismo. [Google] [More] ⦿ | |
In the 1950s, the fashion was to draw the future in magazines and publications. Many of those illustrations and typefaces look slightly silly and naively charming today. The movement is called retro-futurism. [Google] [More] ⦿ | |
Negro
|
In 2011, Ariel published the futurismo face Saturna at Sudtipos [and I do not understand HypeForType's claim that it is an exclusve HypeForType font]. Their offices are in Buenos Aires and Caracas. Typefaces from 2012 include Uma (with Alejandro Paul at Sudtipos: a gorgeous two-weight monoline sans family). In 2013, he created the stencil typeface Anima for a housing project in Punta Chica, San Fernando, Argentina. Behance link. [Google] [MyFonts] [More] ⦿ |
Australian creators of a great set of futuristic caps called Future (2011). Organ Studio is based in Perth. [Google] [More] ⦿ | |
P22 Type Foundry
|
The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (2003, free), Acropolis Now (1995, a Greek simulation face done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio, Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, P22 Monet Impressionist (1999), Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), FLLWExhibition, FLLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), P22 Woodcut (1996, Richard Kegler: based on the lettering carved out in wood by German expressionists such as Heckel and Kirchner), , Garamouche (2004, +P22 Garamouche Ornaments; all codesigned with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Koch Nueland (2000), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by him as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), Preissig, Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; face by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a free typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre). In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire). In-house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé. P22 Declaration (Script, Signatures, Blackletter, 2009) is based on the lettering used in the 1776 Declaration of Independence. At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he showed Making Faces. Typefaces from 2014: LTC Archive Ornaments (Richard Kegler and Miranda Roth). View Richard Kegler's typefaces. View the IHOF / P22 typeface library. [Google] [MyFonts] [More] ⦿ |
Parkinson Type Design
|
MyFonts interview. FontShop link. More FontShop material on him. Klingspor link. |
Paul James Lloyd
| |
Peter Olschinsky
| |
Graphic designer in Newcastle, UK. Creator of a futuristic all caps typeface. Behance link. [Google] [More] ⦿ | |
FontStructor who made Hearth Perspect (2012, futuristic), Metald (2011), Metald Lite (2011), Marmor (2011, texture face), Grey State U (2010, athletic lettering), Nuts and Bolts and Wrenches (2010), SwordStruct (2010), Angulan (2010), LostMyGlasses (2009), WindStruct (2009), PixShadow (2009), Keychain (2009), and AlmostBold Tiny (2009). [Google] [More] ⦿ | |
| |
Resistenza
|
In 2010, he made the circular multiline face Afrobeat (+Light), the fat counterless face Vito Sans (2010), Wonderwall (2010, like a skeletal construction), the high-contrast art deco face Zaza (2010), and the pure Italian vintage art deco face Luxx (futurism). Other work: an art deco poster. Direct links to his fonts: Zaza, Afrobeat, Vito Sans, Luxx, Wonder Wall, Afrobeat Light. Creations from 2011: Ratatan, Bodoni At Home (a handpainted Bodoni), Arcanotype (2011, delicate caps, individually drawn using Chinese ink on Japanese calligraphy paper), Babushka (2011), Dolce Caffe (2011, handprinted), Adelaida (handprinted poster face), Monella (octagonal). Production in 2012: Ampersanders (a font with many ampersands), BLAQ (an ornamental blackletter caps face inspired by Henry W. Troy), The Bay (handprinted all caps poster face), Bratislove (an artsy hand-drawn typeface), Modernissimo, Clementina (hand-printed caps), Afrobeat Gothic (angular multiline face). Typefaces from 2013: Glob (bubblegum face), Archivio (slab serif family with very open counters), Mina (connected script), Monster Hand (brush script), Berliner Fraktur (a flat brush fraktur inspired by Rudolf Koch), The Luxx (a redesign of the 2010 art deco sans face Luxx---a comparable face is Mostra Nuova by Mark Simonson), Starburst (calligraphic gestural light script), Caramello Script, Copperlove (copperplate script), Yma Italic (retro script), Sonica Brush. Typefaces from 2014: Dolce Caffe 3D, Coming Home (a hairline curly script based on a childish handwriting), The Crashed Fonts (a glaz krak family), Newland (inspired by Rudolf Koch's Neuland), Two Fingers (a funky hand-drawn family that includes, e.g., Two Fingers Bodoni, Two Fingers Courier, Two Fingers Poster [blackboard bold] and Two Fingers Script). His type blog is called It's Not My Type. Behance link. Klingspor link. Creattica link. [Google] [MyFonts] [More] ⦿ |
Richard Kegler
| |
Robert de Neit
| Litewait is a UK based type design company. Its page requires shockwave, and will stop those without. Even with Shockwave installed, this site is a time-sink. Commercial faces: Adrenalin (Robert N. de Niet, 140 USD), and Alladin, Albert Speer, Astropogo, Beewing, Chemical Child, Concept Sans, Cool Iron, Cordial, Dedica, End of the Cat People, Flux, Generation, Harrass, Hyperion (1998), Issey, Light Bits, Lo-Fi, Lord Haw Haw, Must-Have-Her, Newq, Ovoid, Pan, People, Prince, Pyrex, Reform, Royalty, Rubber Nipple, Stitch Cross, Testface, Very. Robert de Niet is also the [T-26] designer of the futuristic fonts Lord Haw-Haw (1998), Hyperion (1998) and Adrenalin (1998). MyFonts spells his name de Neit. Other write de Niet. [Google] [MyFonts] [More] ⦿ |
Robert N. de Niet
| |
Graphic designer in Mumbai who designed Contrast (2013), a retro-futuristic poster typeface. [Google] [More] ⦿ | |
Rubén Prol
| |
Ryoichi Tsunekawa
| |
Type designer who published at Photo-Lettering Inc. His creations include Boldsign, Germanic, Hallmark (connected script), Independent, Palette (a painter's font), and Studio Poptype (retro-futuristic). [Google] [More] ⦿ | |
Farnham, UK-based designer of the triangular modular face Nineninenine (2010). [Google] [More] ⦿ | |
[T-26] designer of the headline slightly blackletterish crusader typeface Archangel and the accompanying heraldic dingbat font Archangel Icon (1998), as well as the retro futuristic typeface ITC Astro (2004). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Student at UWE in Bristol, UK. Creator of Jank and Jank Reverse (2011, FontStruct), a pair of futurismo faces. [Google] [More] ⦿ | |
Studio K
| Keith Tricker (b. 1949) is the Creative Director of a UK advertising agency, and during his career has worked as both a copywriter and art director. MyFonts lists him as Keith Gordon. Klingspor link. His foundry is Studio K: The foundry specialises in display fonts designed primarily for advertising, publishing, product packaging and signage. He created the wavy face Calypso (2011), the techno face Charta (2011), the sturdy black face Anvil (2011), Jazz Age (2011, art deco), and the brush face Pagoda (2011). In 2012, he published Hollywood Hills, Pier Arcade, Graffix, Skeleton Slab, the art deco typeface Tea Dance, the art nouveau typeface Paris Metro, Oscar Bravo (a heavy octagonal typeface), Café de Paris (a stylish retro--futuristic fifties style typeface), Barrowboy, and the stylish Contessa family. Typefaces from 2013: Communiqué (rugged stencil face), Regency (influenced by Americana and Optima, it is a flared very humanist sans), Alma Mater (athletic lettering), Showbiz (inline typeface), Dynatron (retro sci-fi font), Mechanoid (elliptical techno sans), Canterbury (inspired by the shapes of the cathedral), Export Drive (a bold condensed cargo stencil), Soft Rock (bold condensed sans), Red Top, Colossus (an elliptical face that is a bit squarer than Microgramma), 4Square (elliptical), Aspidistra (art nouveau), Home Grown. Typefaces from 2014: Gravitas (a Bauhaus / futurismo typeface), Rock Face (sticky tape typeface). [Google] [MyFonts] [More] ⦿ |
Purchase his fonts at Graphic River. [Google] [More] ⦿ | |
Van Saarland
| |
Yautja
|
Typefaces from 2011: Teotihuacan (inspired by a Mexican poster), Micra (a monospaced OCR-A font), Fast Driving, Rendez-Vous (a condensed serif font inspired by the cover of "The Essential Jean Michel Jarre"), Carat Condensed, Carat, Wolfen (a copperplate style condensed face), Futuroid (sci-fi), Instrumenta (after Neville Brody's Industria), Modern Vision (based on the opening credits from The Terminator and The Running Man), Future Earth (futuristic: based on a typeface used in The Terminator logo which is also the base for the font "Earth"), Phatprogy (+Extra Phat). Typefaces from 2012: Modus Operandi, Ikonomi (squarish sans), Genera, Hexathrone, Liquid Crystal Serif, Wulthraesk (constructivist), Electionale, Major (a high contrast didone), Commandant (2012, like Futura Stencil), Comfutur (a beautiful stencil face with a bit of Futura Black), Qode (a retro-futuristic LED style typeface), Graphyto (a heavy slab face), Heavy Royale, Thiage (Thai simuation face), Bravis, Cirquetry, Solidis, Velocifero (bilined), Heavy Royale, Jet Set Groove, Reactor A1 (futuristic stencil), Polymoda (an abstract font), Lino II, Sequencer (+Condensed), Hertzace (square retro-futurist), Cifira (art deco), Saturation (monoline sans), Katana (+Bold, +Condensed), Countura (abstract and minimalist), Stripelane (horizontally striped), Vortexa (in the style of Data 70), In Nomine Matrix, Afterburner, Afterburner Phase II, High Rise (Western typeface), Sulaco, Polaroid, Tech Noir (a dot matrix typeface based on the nightclub sign from The Terminator), Slabbers II, Windician (art deco), Cryptocube, DMC 12, Ken Jp (oriental simulation typeface), PxlSQ, Scorpione, Monotronic, Advancer (dot matrix face), Avico, Discolyde, Film Sequence, Modern Vision (based on an unknown typeface which was used in the opening credits of The Terminator, The Running Man, Class of 1999, and also used on Robert A. Heinlein's book covers (there's a font called Heinlein which is similar)), Cromagnon, Gace, Midora Sans, Squarium (constructivist), Cheque Matte (octagonal), Plusminus, Advancer Lite, Magnetofunk (retro-futuristic), Integrafia (piano key stencil face), Network9, Cechida, Rendez-Vous (condensed square slab face), Rendez-Vous II, Equantum, Karelian Stencil, Cryptocube, Neolexia, Ambiente, Stencilae (stencil), Linearis (horizontally striped), Contrafacia A and B (horizontally striped faces), Stereovision, Hypetron (based on the TRON logo), Degré (hexagonal), Typorabilis, Wunderkind (kitchen tile face), Kiova Captura, Biomehanika. Typefaces from 2013: Starast Maxi, Starast Next, Lugar, Siquid (dot matrix face), Devico (constructivist), Meco (based on Meco's logo), Confiant A, Confiant B, Zerusta, Carat, Combonaut, Jet Set Groove, Cifira, Gace, Condensbit, Synditon, Abciria, Vulthraesk, Rendez-Vous (+II), Instrumenta (based on Neville Brody's Industria), Saturation, RndEX, Rewinder, Power Electronics (an octagonal typeface based on the Captain Power logo), Obsidian Deco (a gorgeous fat piano key typeface), Electrone, Plusminus, Connector Module, Scorpione, Perficio, XOX Design, Da Capo (bold slab serif), Gradiator, Phatprogy, Genexus, Finica Sharp Script, Power Electronics (based on the Captain power logo), Aftertouch (a wide sans), Telecharger, Vicenti, Modicea, Submachine (based on Stanley Davis's Amelia), Genera Deux (a computer font), Genexe, Network 9 (connect-the-dots), Square Earth, Future Earth (trekkie font), Cechida, Supernature, Siberiada (a great Russian simulation face with a medieval touch), Defigma (bilined), Carat, Back to the future (based on the movie logo; called Rewinder on FontStruct), Vibrion (techno face), Connector Module, Wunderkind (a tiled typeface), Yaguar, Pacific Serif (slab serif), Aerogenes (wide techno font), Windician, Commandant (a wide art deco stencil face). Typefaces from 2014: Techsyna (sci-fi), Rezonans (piano key style), Modern Vision, Trideko Display (multilined typeface), Xeometro (octagonal), Verbica, Megalith (a great black slab), Calibro. Abstract Fonts link. [Google] [More] ⦿ |
|
|
|
|
Graduate of the Design Department of the National University of Art in Bucharest, Romania. He created these typefaces: 
[
Vienna, Austria-based design studio, est. 2002 by Peter Olschinsky and Verena Weiss. They published the type family Ato (2012), which has 
Aviv Studio in Monterrey and Mexico City consists of 
Graphic design student at the University of Salford, Manchester, UK who made the futuristic face 
Graphic designer in Los Angeles, where he ran/runs 
[
Austrian foundry located in Vienna, est. in 2008 by 
Japanese foundry in Nagoya that offers these free and commercial Latin fonts made by 
Free and commercial font foundry by Zellik, Belgium-based 
Futurismo (
German designer at URW++ of the wonderfully futuristic font 
[
A type designer from Santa Cruz, CA (and now Oakland, CA), Matt Chisholm (Glyphobet; was: mattt's fonts) created mainly handwriting and display fonts. He obtained a BA in Mathematics from UC Santa Cruz. All his fonts were initially free---these included MRPHONE1, MRPHONE2, MRPHONE3, MRPHONE4, MRPHONEAlternates, CheckerHat, EverydayFont (Roland Berger, 1994), 
Brazilian photoblog site, where original fonts such as Rita (2010, slabby), Comic Arousa (2007), Nantronte (2005), 
[
[
Josip Kelava (Jay Kreative, Australia and UK) is an art director and graphic designer. He has done typographic work for fashion mags and fashion-conscious ads such as for 
Just My Type is a type foundry that was founded in 2012 by J. Randall (or Randy) Harris (b. 1947, Marion, IN) in Tucson, AZ. Harris is a graphic and type designer who has been making typefaces since 1997. He teaches at the Art Institute of Tucson. His typefaces from 2013: 
Croatian designer (b. 1988) of the geometric art deco face 
[
[
Graphic design collective in Besançon, France, est. 2012, consisting of graduates in the Masters program of the École des Beaux-Arts de Besançon. Their typeface creations include Plumber (2014, rounded slab serif), Esposito (2014, rounded sans), Polaris (2014, rounded sans), Juliano (2013, rounded sans), Sept Nains (2014, a sans-slab serif-serif type system), Raymond (2014, slab serif), Monolab (2014), Aftur (2014, a sans caps typeface that is partly art deco and partly futuristic), Antique Calque (2014, a layered typeface system), Lazy Super (2014, a pixel face) and the variable width and variable height experiment called Expandable (2014). 
Parisian designer of fantastic futuristic lettering pieces, including one for Sophie Taeuber (2014) and one for an exhibition called Retrospective Albert Hollenstein (2014). [
MTT is the commercial typefoundry of Mattia Bonanomi (b. 1985, Brescia) in Milan, Italy, est. 2013. In 2010, Mattia graduated from Central Saint Martins College in London. 
Top futuristic fonts at MyFonts. [
Negro is a design site where some commercial fonts can be found, all designed by 
Jim Parkinson's Parkinson Type Design is based in Oakland, CA. This prolific type designer was born in 1941 in Richmond, CA, and lives in Oakland, CA. Originally, he was a letterer, but he went digital in 1990. His Keester and Azuza typefaces won awards at the 
[
[
Natal, Brazil-based designer of the experimental futuristic decorative typeface 
Giuseppe Salerno (aka 
[
[
Dhaka, Bangladesh-based designer, who created the cursive script typeface 
[
This is one of the most talented FontStructors. On 
, <a href=){kind=link}
