TYPE DESIGN INFORMATION PAGE last updated on Mon Apr 15 04:29:19 EDT 2024
FONT RECOGNITION VIA FONT MOOSE
|
|
|
|
|
Type design in Malaysia | ||
|
|
|
|
SWITCH TO INDEX FILE
Multimedia designer Aaron Yun (Kuala Lumpur, Malaysia) created the circle-based display typeface KEY in 2013. Behance link. [Google] [More] ⦿ | |
Shah Alam, Malaysia-based designer of the decorative caps typeface Modreek (2018). [Google] [More] ⦿ | |
Adult Human Male
|
The commercial Alex created the grunge stencil typeface Butterworth (2011), the hand-drawn Teksi (2011), the monoline squarish family Ebdus (2011), Valis (2011, futuristic), and the thin avant garde monoline typeface New Slang (2011). Gordito (2011) is a graffiti style bubble font that says Smurf. In 2012, Alex published the poster caps typeface Areaman, Stink Lines (multilined typeface) and Penang (art deco signage typeface seen on Penang by the creator). Straights Light is a beautiful pair of bilined all caps typefaces. Dale Kids is a children's book typeface. Hokkien (2012) is an art deco typeface with Chinese influences. Mister Mustard is a chubby rounded art deco typeface. Barkley (2012) is a textured caps typeface with a chalk board feel. Liner Notes (2012) is a bilined hand-drawn typeface. Bartleby (2012) is a hand-drawn all caps display font. The free font foundry Squack has the hand-printed typefaces Barker Allcaps (2012), Scrapist (2012, sketched), Billy Boy (2011, 3d), Quito Chicken (2011, 3d), Fred Wild West (2011, a grungy western face), Coolock Black (2011), Zapftig (2011), Ringworm (2011), Suicide Draft (2011), National Granite (2011, a 3d stone chisel face), Whiskey Fingers (2010), Wank Hands (2010) and Middle Man (2010), and the irregular typefaces Zapftig (2011), Shock Corridor, Pollo Asado, Middle Woman, Ghost Words, Late Puberty, Parrannoyed (2010, ransom note face), the hairline typeface Rexic (2011), Black Grapes (2012), Chump (2012, hand-printed capitals), Areman OT (2012), and the grungy Skidmarks (2012). Typefaces from 2013: Salas (a chunky cartoon face), Rabid (a crayon font), Strokin (a great brush face---part charcoal part paint strokes), Bevel Hands, Bunk (a layered beveled type system absed on a monoline fat rounded sans, Bunk Base 2), Spengler (inline face), Vastra (Bauhaus style, organic), Swingers (curly and cartoonish), Chump Change, Treves Sans (crayon face), Quincey (2017). We read that the fonts are designed by EircomTest. Aka Squack, MiddleMan and Alex H. Dafont link. Creative Market link. Twitter link. Behance link. [Google] [MyFonts] [More] ⦿ |
Multimedia designer in Malaysia. Creator of Waver (2019), a typeface inspired by sound waves. [Google] [More] ⦿ | |
Ahmad Priabudiman is an Indonesian graphic artist based in Kuala Lumpur, Malaysia. Designer of the free hand-printed typeface Abandonation (2014). Dafont link. Behance link. [Google] [More] ⦿ | |
Alex Hy
| |
Malaysian designer (b. 1981) of the free PARCH fonts (2003). [Google] [More] ⦿ | |
Dungun, Malaysia-based designer (b. 2000) of Handwrittening (2020). [Google] [More] ⦿ | |
Alp Bekisoglu
| |
Kuala Lumpur, Malaysia-based Alvin Lee (b. 1996, Pahang, Malaysia) graduated from Tunku Abdul Rahman University College. For a school assignment in 2015, he designed the alphading typeface Candle. [Google] [More] ⦿ | |
During his studies in Kuala Lumpur, Malaysia, Alwin Yeoh designed the techno typeface Carbon (2013). [Google] [More] ⦿ | |
Puyong, Malaysia-based designer of the messenger bike-inspired typeface Coury (2018). [Google] [More] ⦿ | |
Illustrator in Bangsar, Kuala Lumpur, who designed the bamboo and Kufic-inspired display typeface Boofic in 2015. [Google] [More] ⦿ | |
Amir Rahimi Ferdosinezhad (Klang, Malaysia) designed the display typeface Pirouz (2013). [Google] [More] ⦿ | |
Malaysian designer of the cat-themed display typeface Kuc Ink (2017). [Google] [More] ⦿ | |
Andrew Seah
| |
Malaysian designer of Angela's Handwriting (2019). Fontspace link. [Google] [More] ⦿ | |
Designer in Kuala Lumpur, Malaysia. Creator of an ornamental caps typeface called Steampunked (2012). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the geometric display typeface Geom (2016). [Google] [More] ⦿ | |
Graduate of UiTM who is based in Subang Jaya, Malaysia. She created the display typeface Feather Feet Font in 2014. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of Folding (2018). [Google] [More] ⦿ | |
During her studies at Universiti Malaysia Sarawak, Asfarina Ismaili designed the handcrafted typeface Knite (2014). [Google] [More] ⦿ | |
Kuala Lipis, Malaysia-based designer of Floret (2015), a school project modular typeface that was inspired by the bougainvillea flower. [Google] [More] ⦿ | |
Baqoos
| Nusajaya, Malaysia-based designer of the wide techno sans typeface Karvx (2022). [Google] [MyFonts] [More] ⦿ |
Kuala Lumpur, Malaysia-based designer of Borneo (2016), which was inspired by the geometric lines of the traditional patterns of the Kadazan people in Borneo's Sabah region. [Google] [More] ⦿ | |
Malaysian designer of the handcrafted typeface Exotica97 (2019). [Google] [More] ⦿ | |
Malaysian graphic artist, nicknamed Boom Yee. He created the experimental decorative typeface Reindeer (2008) while he was a student at Tunku Abdul Rahman College. No downloads. [Google] [More] ⦿ | |
Cheras, Malaysia-based designer of the techno typeface Angle Builder (2014). [Google] [More] ⦿ | |
Kuching, Malaysia-based designer of the free display typeface Twerk Stencil (2016) and Film Alphabet (2015). [Google] [More] ⦿ | |
Creator of these typefaces in 2012: Afro, Stitches (stitch font), Pop Jazz, Galah Panjang, Bunga Cengkih, Senandung Malam (Victorian all caps family), Kunang Kunang, Raja Drama (hairline avant garde sans), Piring Hitam (Peignotian sans), Dayang Senandung (hairline caps), Kaberet (a squarish outlined typeface), Kata Bidalan (hairline sans), Halusinasi (hallucination), Pak Pandir, Primadona, Mohsuri, Badang (a strong sans), Si LuNcai (monoline geometric sans), Kata Bidalon (a hairline avant garde sans), ContenG (grungy), Chempaka, Retak Seribu, Batik Indo (a textured typeface), Berus Rambut Kuda, Usang (sketched face), Songket (textured caps), Ugly Hand Writing, Dedaun (floriated), The Garden (ornamental caps), Seni Pop (a textured typeface), Modern Kerawang (ornamental caps), Cakar Ayam (scratchy hand), Sticky Notes, and Kerawang (ornamental caps). Typefaces from 2013: Selari (bilined), Haru Biru (bilined). Behance link. [Google] [More] ⦿ | |
During her studies, Setapak, Malaysia-based Chan HueySze designed the colorful decorative caps typeface The Hobbit (2019). [Google] [More] ⦿ | |
Art director in Kuala Lumpur, Malaysia, who designed the all caps rounded sans typeface Prototype (2017). Behance link. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based art director who made the music note-inspired typeface Musiqa (2013). [Google] [More] ⦿ | |
In 2011, she made some typefaces, including a paperclip face. In 2012, she added Disorder, Water (a wavy typeface), and New Typeface. In 2013, Chinthye designed the outline typeface Onyx and the hip display typeface City. In 2015, she designed a modular typeface and the circle-themed typeface Space. In 2019, she released the geometric solid typeface Cargo and the bubblegum typeface Home. [Google] [More] ⦿ | |
At New Era College, Cheras, Malaysia-based Choey Chan Jing Yee (b. 1995) designed the textured display typeface Diamond (2016). [Google] [More] ⦿ | |
Malaysian student-designer of a squarish all caps typeface (2017). [Google] [More] ⦿ | |
George Town, Malaysia-based designer of the display typefaces Madelene (2018) and Paradox (2018; influenced by Karl Lagerfeld). [Google] [More] ⦿ | |
During her studies in Kuala Lumpur, Clarissa Devina created the display typeface Eclise (2015). [Google] [More] ⦿ | |
CMONSTA (or: treasure-c-hest)
| Free techno fonts such as Atomic Regular and Photonica by Liew Kheng Huat from Selangor, Malaysia. Dafont link. [Google] [More] ⦿ |
Petaling Jaya, Malaysia-based designer of the free cyberpunk display typeface Phazed (2021), which was created during his studies at IACT College. [Google] [More] ⦿ | |
Miri, Malaysia-based designer of the script typeface Shadow Scribe (2008). [Google] [More] ⦿ | |
Cynhia Niam (Kuala Lumpur, Malaysia) created the decorative caps typeface DJC in 2014. [Google] [More] ⦿ | |
During his studies at Inti International College Subang (IICS), Petaling Jaya, Malaysia-based Danial Zarif designed the experimental circle-themed typeface The Trinity (2017). [Google] [More] ⦿ | |
Subang Jaya, Malaysia-based designer of Pasaraya (2018), a sharp high contrast display typeface inspired by Malaysian hypermarket marker lettering. Pasaraya was his graduation project. [Google] [More] ⦿ | |
Malaysian designer (b. 1997) of the free industrial display typeface Broken Machine (2017). [Google] [More] ⦿ | |
English-born Malaysian designer of the hand-printed typefaces ZX Script (2014) and Delancy (2014). [Google] [More] ⦿ | |
During his studies in Kuching, Malaysia, Derrick Pui created an unnamed decorative alphabet (2013). [Google] [More] ⦿ | |
Malaysian designer of the textured typeface Ketupace (2019), which was inspired by the Malay dish Ketupat. [Google] [More] ⦿ | |
Dhiya Roslan
| |
During her studies in Kuala Lumpur, Diyana Amir designed Bunga (2013), an ornamental caps typeface based on Kebaya Nyonya embroidery designs in Melaka Malaysia. [Google] [More] ⦿ | |
Doli Harahap
| |
Johor Bahru, Malaysia-based designer of a wavy display typeface in 2019. [Google] [More] ⦿ | |
Malaysian-born graphic designer (b. 1983), who works out of Shanghai. Behance link. In 2009, he created the experimental grungy typeface Between Skin for issue No.6 of Territory magazine, in collaboration with Chris Wong. [Google] [More] ⦿ | |
Malaysian designer of the oriental simulation typeface shown here (2004, no name yet). It is based on the Chinese Sung-Ti typeface. [Google] [More] ⦿ | |
Graduate of University Science Malaysia. Penang, Malaysia-based designer of an anmial-themed display typeface in 2017. [Google] [More] ⦿ | |
Kuantan, Malaysia-based designer of the hair-themed typeface Twisto (2017). [Google] [More] ⦿ | |
During her studies in Kuala Lumpur, Malaysia, Elaine Chua Yih Leng created the hybrid display typeface Inaurix (2015). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of Clipper (2014). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of a steampunk alphabet in 2020. [Google] [More] ⦿ | |
Ipoh, Malaysia-based designer of the mecano typeface Skullder (2015). [Google] [More] ⦿ | |
Petaling Jaya, Malaysia-based designer of the floral caps typeface Hoppity (2017). [Google] [More] ⦿ | |
Kajang, Malaysia-based graphic designer. She created a bubblegum caps typeface in 2015. [Google] [More] ⦿ | |
Johor, Malaysia-based designer of the semi-calligraphic Latin typeface De Thorn (2014), which was designed during his graphic design studies. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based creator of the circuit board font ElectroKufi (2013). [Google] [More] ⦿ | |
| |
Graphic designer in Selangor, Malaysia. He created a music-themed display typeface, Beat (2013). [Google] [More] ⦿ | |
Firdaus Moses Studio
| Kuala Lumpur, Malaysia-based designer of the calligraphic script typeface Sterling (2019) and the font duo Cramella (2019). [Google] [More] ⦿ |
Firdaus Musa
| |
At Subang Inti College in Ipoh, Malaysia, Fygo Wong published a colorful techno alphabet in 2017. [Google] [More] ⦿ | |
Malaysian designer of GG SignDings (2007), a set of traffic signals. [Google] [More] ⦿ | |
Creator of the shrimp-themed decorative typeface Udang (2014). Udang was finished during his art studies in Tanah Merah, Malaysia. [Google] [More] ⦿ | |
In 2015, he made the experimental Prime Font and the paleolithic writing style font Paleo (2015). Behance link. [Google] [More] ⦿ | |
GrayLab (or: Gray Ng)
| GrayLab is Ng Wee Chean's design studio in Kuala Lumpur, Malaysia. In 2021, he released the op-art font Amaze (started in 2014). Earlier typefaces include Aelegnt (2014), Stripe (2014: an early version of Amaze), Roundty Condensed (2012). [Google] [MyFonts] [More] ⦿ |
Aka SLUT. Illustrator in Kuala Lumpur who created an ornamental caps typeface entitled I Lose My Face (2012). [Google] [More] ⦿ | |
Gulya Yeap
| |
Kuala Lumpur, Malaysia-based designer of the deco typeface Eternal (2015). [Google] [More] ⦿ | |
Selangor, Malaysia-based cartoonist (b. 1997). Designer of Sushibrush (2021). [Google] [More] ⦿ | |
Malaysian or Indonesian designer, b. 1996, of the tall condensed all-caps typeface Sans Francisco (sic) (2019), Unicorn Pop (2020), Thankies (2019), KidsZone (2019), Funkie Bunny (2029), Camellia (2019: a curly script), and Deliciously (2019: a font duo). [Google] [More] ⦿ | |
Subang Jaya, Malaysia-based designer of the blocky typeface Chubbo (2021) during her studies at Taylor's University and University of the West of England (UWE Bristol). [Google] [More] ⦿ | |
Kuala Lumpur-based designer (b. 1985) of the typographic poster Smoking Typography (2008). [Google] [More] ⦿ | |
| |
Malaysian designer of a glaz krak typeface in 2016. [Google] [More] ⦿ | |
During her studies, Huimin Ler (Muar, Malaysia) created a stick typeface (2015). [Google] [More] ⦿ | |
At Limkokwing University, Cyberjaya, Malaysia-based Ingga Alifa designed the circular arc typeface Arc of Istanbul (2019). [Google] [More] ⦿ | |
Kuching, Malaysia-based designer of Him & Her Font (2014), a typeface that extrapolates the arrowed sybols for male and female. [Google] [More] ⦿ | |
Jack Gan was born and rised in Malaysia, graduated with an advanced diploma in Visual Communication from Raffles International College in Kuala Lumpur, and currently studies graphic design at Kingston University London. His Gridiron typeface (2012) was inspired by the geometry of a tennis court. [Google] [More] ⦿ | |
| |
Bandar Sungai Long, Malaysia-based designer of the children's animal-themed all caps font Zoofari (2019). [Google] [More] ⦿ | |
As a student in a type design class in Kuala Lumpur, Malaysia, Jawagar Samidurai created Vox (2014), a hybrid typeface based on Steiner ad Times Roman. [Google] [More] ⦿ | |
Jayhan
| An archive with 36 display style katakana fonts. Main page with more blogging on Latin and other typography. It is run by Sim Jun Han ("Jayhan") who graduated in graphic design from KBU International College, and now works in a games production company called John Galt Games Malaysia, located in Kuala Lumpur. [Google] [More] ⦿ |
Kuala Lumpur-based creator of the ornamental caps typeface Jenny's Doodles (2012). [Google] [More] ⦿ | |
During his studies, Jeremy King (Kuala Lumpur, Malaysia) created Silhouette (2013), a techno sans typeface. [Google] [More] ⦿ | |
Penang, Malaysia-based designer of the textured typeface Dractor (2012). [Google] [More] ⦿ | |
Malaysian design student in Melbourne, who created Street Team (2012), a monoline sans all caps typeface. [Google] [More] ⦿ | |
A graduate of the State University of New York in 2009, graphic designer Jessica Campione created Betsy (2012, a 19th century typeface), [Google] [More] ⦿ | |
Subang Jaya, Malaysia-based designer of Gartannic (2017). [Google] [More] ⦿ | |
JET is a designer in Petaling Jaya, Malaysia. He created the experimental Weird Font and the 3d typeface Typo 01 in 2013. Behance link. [Google] [More] ⦿ | |
Malaysian woman who lives in the UK and who has made the pixelish typeface Puzzle (2010). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the music notation-inspired typeface Liam in 2017. [Google] [More] ⦿ | |
Malaysian designer of the slimy all caps typeface Sloth (2018). [Google] [More] ⦿ | |
Penang, Malaysia-based creator of Flip Card Font (2013). The letter design is based on poker cards. [Google] [More] ⦿ | |
During his studies in Kuala Lumpur, Malaysia, J.J. Wong created Bone Typeface (2014). [Google] [More] ⦿ | |
Joanne Chew is a visual storyteller, graphic artist, creative director and aspiring writer. Born and raised in Kuala Lumpur, Malaysia, she graduated from Parsons the New School for Design in New York and worked in several boutique design firms in New York and Singapore. Joanne now runs Fictionist Studio, a multi-disciplinary design studio. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based creator of the spurred vintage typeface Emeraude (2015). Behance link. [Google] [More] ⦿ | |
Kah Khiong Design
| Kah Khiong Design was founded by Lee Kah Khiong, an illustrator and graphic designer based in Sarawak, Borneo (part of Malaysia). Creator of Paku (a curly Victorian typeface that was inspired by fiddleheads and the Fibonacci spiral). [Google] [MyFonts] [More] ⦿ |
Kuala Lumpur, Malaysia-based designer of Annulus (2016), a bike-themed typeface. This experimental typeface was done for a school project. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the display typeface Animal Zone in 2016. [Google] [More] ⦿ | |
During his studies in Klang, Malaysia, Kamal Firdaus created the typeface Spider (2014). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designber of the decorative caps typeface Kenyalang (2019). [Google] [More] ⦿ | |
| |
Johor Bahru, Malaysia-based designer of the foliate typeface Nastaleaf (2015). [Google] [More] ⦿ | |
Johor Baharu, Malaysia-based designer of Nastaleaf (2013), a leaf-inspired typeface that created during his studies at UiTM. [Google] [More] ⦿ | |
During his studies in Kuala Lumpur, Khor Zheng Hong created the decorative caps typeface Hyakki (2014). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the multicolor display typeface Divergence (2014), which was her graduation project at IACT College. [Google] [More] ⦿ | |
As a student at Tunku Abdul Rahman University College, Ampang, Malaysia-based Krystal Ng designed the octagonal typeface Casual Geometry (2016). [Google] [More] ⦿ | |
Lady Mona Lisa
| Siti Nur Aleena Che (Lady Mona Lisa) is the Malaysian creator of the interesting fly-in-letter font Fly Away (2002) [no downloads]. [Google] [More] ⦿ |
LayarBahtera
| Foundry in Johor Bahru, Malaysia, run by Mohd Razali Mohamad Raub (b. Johor, 1975, aka Morabira). In 2010, he designed Morabira Doomsday, Merge Doomsday (2010), Layar Bahtera Kiamat (2010, an ink trap / packaging family with a left tilt, now free), Kiamat Doomsday (2011), Fire Doomsday (2012, techno font), Wind Doomsday (2012, a signage family), Earth Doomsday (2012, techno), Water Doomsday (2012) and Ark Doomsday. In 2013, we find the geometric sans typeface Universal Doomsday, which has some semi-rounded corners and an amputated lower case g. Another MyFonts link. [Google] [MyFonts] [More] ⦿ |
Lee Kah Khiong
| |
Malaysian student at UWE in Bristol, UK. FontStructor known as Skipper Lee, who made Control Points 001 (2011). [Google] [More] ⦿ | |
Lee Yung Tyng
| |
Malaysian artist who specializes in stick figure icon alphabets, ca. 2017. His output, estimated at about 300 to 500 sets of icons, is phenomenal. [Google] [More] ⦿ | |
Letterhythm Studio
| Malaysian type foundry, est. 2020. In 2020, Roslan released the urban street blacletter font Letterhythm. [Google] [MyFonts] [More] ⦿ |
During her studies at Raffles College of Higher Education in Kuala Lumpur, Malaysia, Liana Ahmad created the textured caps typeface Zentangle (2015). [Google] [More] ⦿ | |
Kuala Selangor, Malaysia-based designer of the multiline typeface Percelain (2017). [Google] [More] ⦿ | |
During his studies, Puchong, Malaysia-based Lim Zee Chee created Decorative QR Code (2014). [Google] [More] ⦿ | |
Puchong, Malaysia-based designer of the curly typeface Floristry (2016). [Google] [More] ⦿ | |
During her studies, Lorna Lo Shu Jiun (Kuching, Malaysia) created the textured painted typeface Blazed Fingerprints (2015). [Google] [More] ⦿ | |
Student in Kangar, Malaysia, who created an ornamental caps typeface in 2012 that is based on folded jeans. [Google] [More] ⦿ | |
Kuala Terengganu, Malaysia-based graphic designer. Creator of an inky hand-drawn typeface in 2014. [Google] [More] ⦿ | |
Creator of the white-on-black pixel typeface Luqman (2011). Luqman (b. 1998) is from Kedah, Malaysia. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of Istana Display (2015)., a sans typeface based on the architecture of the Istana Budaya located in Kuala Lumpur. [Google] [More] ⦿ | |
During her studies, Mangai Padmanathan (Sungai Bulch, Malaysia) designed a calligraphic alphabet in 2016, and a floriated typeface in 2017. [Google] [More] ⦿ | |
Designer in Kajang, Malaysia. Creator of the outlined vernacular typeface Istana (2014). The glyphs were inspired by The Istana Budaya (Palace of Culture) in Malaysia. [Google] [More] ⦿ | |
Subang Jaya, Malaysia-based designer of the decorative typeface Ghazal (2017). [Google] [More] ⦿ | |
Jerantut Pahang, Malaysia-based designer of the outlined typefaces Hahahaha (2016) and Jerantet 1977 (2016), and the wooden plank typeface Sri Papan (2016). In 2017, he made the handcrafted typeface Conteng Marker and Buloh Inn II (a rope font). [Google] [More] ⦿ | |
Creator of the Miro painting emulation typeface in 2017, during her studies in Kuala Lumpur, Malaysia. [Google] [More] ⦿ | |
During her digital arts studies in Kuala Lumpur, Melody Lee designed the fun Bunny Font (2012). [Google] [More] ⦿ | |
During her studies, Ipoh, Malaysia-based Michelle Chong created Be Natural Think Green (2015). [Google] [More] ⦿ | |
Michelle Ong
| |
Russia and Malaysia-based designer of the brush script typefaces Salty Hair (2017), Le Fontaine (2017), Mint Pistachio (2017) and Monday Love (2017), and Succu Spring (2017). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the thin script typeface Mont Kiara (2018) and the heavy brush script typeface Salty Hair (2018). Other script typefaces, made in 2019: Sarah avery, White Serenity, Harper Noa, La Fontaine, Mint Pistachio (brush), Lovely Monday, Love Stella. [Google] [More] ⦿ | |
Seremban, Malaysia-based designer of the glitch fonts Shape (2018) and Shap (2018). [Google] [More] ⦿ | |
Mohd Razali Mohamad Raub
| |
Tamil fonts at Agfa Monotype: Monotype Tamil (280 Light, 580, 708 Medium, 340 Bold), ITR Cheran, ITR Cholan, ITR Nedumaran, ITR Nellai, ITR Palm Leaf, ITR Pandyan, ITR Vijayan. [Google] [More] ⦿ | |
Cyberjaya, Malaysia-based designer of a decorative Javanese style Latin typeface in 2016. [Google] [More] ⦿ | |
Terengganu, Malaysia-based designer (b. 1995) of Syarpfiqr Sans (2017) and Gigigit (2017). [Google] [More] ⦿ | |
Muhd Arif (Selangor, Malaysia) created the decorative displa typeface Effrice in 2012. [Google] [More] ⦿ | |
Designer in Kuala Lumpur, who created the ribbon typeface Take Turn (2012). [Google] [More] ⦿ | |
Murasu
| Murasu is a Tamil Software company based in Kuala Lumpur, Malaysia run by Muthu Nedumaran, a graduate of the TDi program at the University of Reading, UK, 2017. Neduraman is based in Selangor, Malaysia and in Singapore. He designed the Telugu font family Vani in 2008 for Microsoft Windows. He also made the free Tamil fonts here as part of the Murasu Anjal software pack. InaimathiTSC (proportional) and ArulmathiTSC (fixed width) were developed by Muthu Nedumaran and come with the integrated tool Murasu Anjal 2.0, which also contains an integrated editor, keyboard drivers and conversion tools. For TSCu_InaiKathir, see here. [Google] [More] ⦿ |
Muthu Nedumaran
| |
Shah Alam, Malaysia-based designer of the experimental car taillights font Optilight (2018). [Google] [More] ⦿ | |
During her studies in Kota Bharu, Malaysia, Nadia Adnan created a display typeface (2014). [Google] [More] ⦿ | |
For a music streaming site, Nadzrin Hakim (Kuala Lumpur, Malaysia) created Notes Font (2014). [Google] [More] ⦿ | |
During her studies in Kuala Lumpur, Nafissa Mazlan created the decorative typeface Wau (2013). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the paper fold typeface Slash Crop (or Schro) (2013-2015). Behance link. [Google] [More] ⦿ | |
Designer at The One academy in Penang, Malaysia, of the 3d typeface Jakku (2017). [Google] [More] ⦿ | |
Malaysian designer of Nee (2012, hand-printed). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based creator of 3d Font (2015), a beveled typeface sold in Illustrator format. [Google] [More] ⦿ | |
Ng Wee Chean
| |
Rawang, Malaysia-based illustrator who designed the display typefaces Dragon (2015) and Snack (2015). [Google] [More] ⦿ | |
Kuching, Malaysia-based designer of the oriental simulation typeface Japanese Style (2014). [Google] [More] ⦿ | |
| |
Selangor, Malaysia-based creator of Proto Font (2014), a decorative typeface inspired by the Malaysian car Satria Neo. [Google] [More] ⦿ | |
Nur Iskandar Bin Zulqurnain (b. Shah Alam, Malaysia) designed the decorative typeface Hibiscus (2014) during his studies in Kuala Lumpur. [Google] [More] ⦿ | |
During his studies in Shah Alam, Malaysia, Nur Syadiyah Ishak created the display typeface Fontstria (2014). [Google] [More] ⦿ | |
Graphic design student in Kuala Lumpur, Malaysia, who created the Lucky Bamboo typeface (2012). [Google] [More] ⦿ | |
Nurul Ain, a freelance graphic designer in Selangor, Malaysia, created the paper fold typeface Zaroux in 2013. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the hipster typeface Diamond Cut (2015). Behance link. [Google] [More] ⦿ | |
Malayalam font link and jump page by Omniglot. Malayalam is a Dravidian language spoken by about 22 million people in the Indian state of Kerala, as well as in Singapore and Malaysia. This syllabic alphabet emerged around 1000AD and then gradually evolved from the Tamil-Grantha script over a period of 600 years. [Google] [More] ⦿ | |
Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Designer at The One Academy in Penang, Malaysia, of the sharp-edged poster typeface Rainbow (2017). [Google] [More] ⦿ | |
Johor Bahru, Malaysia-based designer of the curly typeface Ribbont (2013). [Google] [More] ⦿ | |
One free Tamil font, TneriTSC.ttf. By the Tamilneri Association in Malaysia. [Google] [More] ⦿ | |
Kuala Lumpur-based designer of the experimental typefaces MissKiss (2009) and Function (2009). Behance link. [Google] [More] ⦿ | |
Peach Creme
|
In 2018, she designed Balzak, Faustine, Antoinetta (a wonderful wild calligraphic script), Breathe Poetry (boudoir calligraphy), Bonjour (a modern calligraphic typeface), Agonia Lyubvi (a calligraphic script for Latin and Cyrillic), Darling Modern, Floral Theory, Roseberry&Beatrice, Santorini (a luxury signature font), Blush Society, Sophia Ronald, Beloved Gray (a delicate swashy calligraphic script) and Floral Hearts. Typefaces from 2019: Modernista (script), Sugar Bade, Elegantessa, Haute Atelier, Hermitage (calligraphic script), Lolita (script), Blackstone (an inky script), Manuscript 1284 (fine art calligraphy), La Bohemia, Saint Gerald, Bellmont, Dostoevsky (calligraphy), Feminist, Bloom Pretty. Typefaces from 2020: Chic Societe, Abramo (Serif, Script), Houstonfield, Baltazak (an inky and wonderfully messy script typeface; this is just Balzak), Leyla Mark, Julie Edgar (a signature script), Printed Moments, Adorn Story (a delicate decorative serif and script pair). Typefaces from 2021: Palm Honey (an inky script), Romes (a stylish mini-wedge serif), Floristica (script), Chelsie Hilton (a signature script), Honey Vineyard (script), Chocolate Peaches (a scrapbook script), Luxe Atelier (a signature script), Printed Moments (script), Raks (a curvy display typeface), Petite Kisses (script), Palm&Honey (script), August Roma (a font duo). Typefaces from 2022: The Stylish Babes (a thin script), Autumn Melody (a wild script), Blackberry Macarons (a script family for Viennese coffee shops or quaint Cape Cod stores), Small Business Club (a fat finger script), Vintage Heirloom (a stylish wild penmanship script), Southern Margarita (a great wild calligraphic script), Maribon Script (a font dup consisting of a script and a fashionable all caps sans). [Google] [MyFonts] [More] ⦿ |
Kuala Lumpur, Malaysia-based designer of two decorative caps typefaces in 2016, one of which was inspired by Halloween. [Google] [More] ⦿ | |
Penny Liew (Kuala Lumpur) created an unnamed square-edged display typeface in 2013. [Google] [More] ⦿ | |
Kuching, Malaysia-based designer of Experimental Type (2013). [Google] [More] ⦿ | |
Kuala Lumpur-based designer of the skull-and-bones typeface Skeleton (2014). [Google] [More] ⦿ | |
Projectile
| Kuala Lumpur, Malaysia-based designer of the marker pen typeface Marko (2016) and the sans titling typeface Landor (2017). Creative Market lnk. [Google] [More] ⦿ |
Aka Jodan Pu. During his studies, Pu Shuan Chean (Gombak, Malaysia) designed the funny handcrafted children's book typeface Unknown (2015). [Google] [More] ⦿ | |
Muar, Malaysia-based designer of the decorative caps typeface Spiral Eyes (2018), which was developed during her studies Tunku Abdul Rahman University College, Kuala Lumpur. [Google] [More] ⦿ | |
During his studies in Kuala Lumpur, Raisal Islam designed a skull and bones typeface (2013), and another typeface that was built up from punctuation only (2013). [Google] [More] ⦿ | |
At the University of Adelaide, Australia, Rakkamon Sanguansri designed the blackletter typeface RKMS Gothic (2017). [Google] [More] ⦿ | |
| |
Illustrator and designer in Kuala Lumpur, Malaysia. He created an ornamental alphabet of digits in 2010. Devian Tart link. [Google] [More] ⦿ | |
Penang Island, Malaysia-based designer of the display typeface Javann (2019). [Google] [More] ⦿ | |
At Taylor's University Lakeside, Kuala Lumpur-based Raymond Chew designed the handcrafted typeface Idle (2014). [Google] [More] ⦿ | |
Razlan Hanafiah
| |
Ipoh, Malaysia-based designer of the floral caps typeface Pitcher Plant (2015). [Google] [More] ⦿ | |
During his studies in Kuala Lumpur, Malaysia, Romeo Soon designed the textured caps typeface Egypt Digital (2017). [Google] [More] ⦿ | |
Shah Alam, Malaysia-based designer of the architectural typeface Penang Bridge (2014). [Google] [More] ⦿ | |
Rotary International Logos Font
| Rotarian Alp Bekisoglu from Rotary Club of Damansara, Kuala Lumpur, Malaysia, created the RotaryInternational dingbat font (2000). [Google] [More] ⦿ |
Bork, Malaysia-based designer (b. 1981) of the shaky hand-crafted typeface Friendly Ghost (2021). [Google] [More] ⦿ | |
During her studies in Kuala Lumpur, Malaysia, Sam Kheikhei created the grungy typeface Sweating (2014). [Google] [More] ⦿ | |
During his studies in Selangor, Malaysia, Sam lai designed the pipe network-inspired typeface Consolidate (2013). [Google] [More] ⦿ | |
During her studies at Central Saint Martins in London, Malaysian-born Sara Naser created the display typeface Culture Swap (2014). [Google] [More] ⦿ | |
At The One Academy Penang, Sarah Tan (Kuala Lumpur, Malaysia) designed the arched typeface Kabytkowe (2018). [Google] [More] ⦿ | |
Sean Liew Kheng Huat
| |
Johor Bahru, Malaysia-based designer of the experimental typeface Horizon (2013). [Google] [More] ⦿ | |
Petaling Jaya, Malaysia-based designer of the display typeface Cabbage (2018). [Google] [More] ⦿ | |
Nusajaya, Johor, Malaysia-based designer (b. 1995) of the hairline hand-printed typeface Sweet Life (2013). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of a roman horse-themed alphading typeface in 2015. [Google] [More] ⦿ | |
Graphic designer in Petaling Jaya, Malaysia, who created a staircase-inspired decorative typeface in 2013. [Google] [More] ⦿ | |
Sim Jun Han
| |
Klang, Malaysia-based designer of the cute cat-themed typeface Kitty (2017). [Google] [More] ⦿ | |
Siti Nur Aleena Che
| |
During her studies in Malacca, Malaysia, Siti Nurhamizah created a display typeface for a children's book (2015). [Google] [More] ⦿ | |
Malaysian designer of a colourful jewelized all caps typeface in 2017. [Google] [More] ⦿ | |
Graphic designer based in Kuala Lumpur. Creator of a Bra font (2011-2013). Devian Tart link. [Google] [More] ⦿ | |
London, UK-based designer (b. Malaysia) of the free tribal typefaces Haida Basic (2015) and Haida Ornamental (2015). These typefaces were developed during Stephanie's studies at Middlesex University London. [Google] [More] ⦿ | |
Graphic designer in Selangor, Malaysia, who designed the typeface Geometric Numbers in 2013. [Google] [More] ⦿ | |
Graphic and type designer from Penang, Malaysia, who lived in The Netherlands and is now in Kuala Lumpur, where she founded Huruf, a malaysian type collective. Graduate of the Type and Media program at KABK, 2009. There, Tan tried a revival of Bembo (2008) and created Callie Text and Callie Display (2009), a text family, as the graduation project. In 2010, in collaboration with Martin Frostner, she created the custom octagonal / calligraphic typeface Biskops Arnö for Nordic Folk High School Biskops Arnö at Mälaren. Creator of Interieur (at Sara De Bondt Studio in London), Monster Type, and DrawbotScript. Klingspor link Typecache link. Behance link. [Google] [More] ⦿ | |
Johor Bahru, Malaysia-based student-designer of the ornamental caps typeface Jewel Type (2015). [Google] [More] ⦿ | |
Seremban, Malaysia-based designer of monoline sans typeface in 2017. [Google] [More] ⦿ | |
Freelance graphic designer in Selangor, Malaysia. During her studies at University Technology Mora, she created the handcrafted ornamental Latin typeface Rangoli Didot (2015) which is inspired by Peacock Kolam, an Indian folk art known as Rangoli. [Google] [More] ⦿ | |
Kuantan, Malaysia-based creator of Curly Hair Alphabet (2014). [Google] [More] ⦿ | |
During her studies at Limkokwing University in Kuala Lumpur, Malaysia, Syamsinar Kusumawardani created the chiseled typeface Nahuati (2014). [Google] [More] ⦿ | |
Kuala lumpur, Nalatysia-based designer of a Trajan typeface (2014). [Google] [More] ⦿ | |
Malaysian graphic designer who created a very pink typographic Valentine poster in 2012. [Google] [More] ⦿ | |
Free font TneriTSC in truetype format, developed by Mr. Arivan of Tamil Neri Kazhagam, Malaysia. [Google] [More] ⦿ | |
Graphic design student in Kuala Lumpur. She created Cracker (2011). [Google] [More] ⦿ | |
Selangor, Malaysia-based designer of the hand-printed school project typeface Cai Hand (2013). Aka Tank AhCai. [Google] [More] ⦿ | |
Malaysian designer of a bubbly typeface in 2016. [Google] [More] ⦿ | |
Graphic designer in Kuala Lumpur, Malaysia. In 2010, he created The Diskettes, a modular fat typeface inspired by he form of old PC diskettes. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the connect-the-dots typeface Stardust (2017). [Google] [More] ⦿ | |
Graffiti artist and graphic designer in Kuala Lumpur, Malaysia. Behance link. He created some graffiti fonts in 2010. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the decorative typeface Lamp Post (2016). [Google] [More] ⦿ | |
Thunaivan (MicroMart, 1998) is a free Tamil TrueType ont following the new TSCII 1.6 Tamil font standard. ThunaivanTSC, developed by Ravindran Paul, Malaysia is based on Thunaivan font typeface widely popular in Malaysia and Singapore. [Google] [More] ⦿ | |
Tigade Studio
| Petaling Jaya, Malaysia-based designer of the handcrafted typeface Miqeey The Moose (2019), the weathered brush typeface Dogfight (2019), the script typeface Jameela (2019), and Prestigious Olives (2019). Typefaces from 2020: Paper Plane (outlined, shadowed and 3d), Hello Love (script), Arizona (dry brush), Kisser (a dry brush script), Quincrown, Shaker Rocker (a rough brush font), Giraffella, Trouble Maker, Crafting Island, Thorsley (a modulated display sans), Horror Night, Baby Panda, The Hague (a monoline script), Spiky 016, Randomly Cute, Little Paws (a comic book font), Jom Melaya, Summerbee, Skull Attack (a horror font), Shadow Cat, Brokefold Sans, Crafting Island, Protonema (a race car font), Kasih Putih (script), Laillaland (a fat finger font), Brutal World, Samurai Warrior, Miqeey The Moose, Jeullyta (brush script), Rembow (a soft-edged script), Cinnamon Cookie. Typefaces from 2021: Brotherhood (a bold vernacular typeface), Little Paws (a children's book font), Athena Rustic (an all caps letterpress emulation font), Pirate Jack, Fried Churros, Handletter Signature (a monoline signature script), Alvardo (an upright retro signage script). Creative Fabrica link. Typefaces from 2022: The Sun And Flower (counterless), Thunderspeed (a speed font). [Google] [MyFonts] [More] ⦿ |
TOAP Multimedia Design is a multimedia design department of The One Academy from Penang dedicated to digital media design research & development. Occasionally, they produce typographic work and original typefaces. [Google] [More] ⦿ | |
Malaysian student-designer of the artsy geometric typeface Checker Stain (2016). [Google] [More] ⦿ | |
Tony Eky (b. 1998, Johor Bahru, Malaysia) created the grungy horizontally-striped typeface Call Me Maybe (2012). Dafont link. [Google] [More] ⦿ | |
The typophiles are listing traffic system typefaces used in various countries. Here is a partial list extracted from that thread. Images collected by Ralf Herrmann.
| |
Behance link. [Google] [More] ⦿ | |
Type Fairy
| Kuala Lumpur, Malaysia and/or London, UK-based designer of the free handcrafted curly script typeface Railey (2018). Other typefaces from 2018 include Mikaela Script, Gabrielo (a monoline children's book script), Bellaboo (monoline script), Hey Love and Maely. Later fonts include Moonlight (2020), Little Missy (2019: monoline), Bee Happy (2019) and Marykate (2019). Creative Fabrica link. [Google] [More] ⦿ |
Malaysian creator (b. 1989) of the experimental typefaces Reindeer (2011) and Ohm (2011). No downloads. [Google] [More] ⦿ | |
Graphic designer in Kuala Lumpur, Malaysia, who created Funky (2016), a circle-based deco typeface. [Google] [More] ⦿ | |
During his studies in Kuala lumpur, Malaysia, Vilson Fong designed the display typefaces ExLiver (2017) and BPP (2017, a stitching font?). [Google] [More] ⦿ | |
During his studies in Johor Bahru, Malaysia, Vincent Tan designed a deconstructed typeface (2018). [Google] [More] ⦿ | |
visualsanity
| Graphic Design student at IACT College, Malaysia, in 2011. He lives in Selangor. Devian tart link. Creator of the water droplet typeface Oasis (2011), which was based on images from the Gaia project. [Google] [More] ⦿ |
Vivi Cheah's graduation project in Basingstoke, UK, was Build (2013), a 3d typeface. She also designed the semi-stencil typeface family Chasm (2013). Vivi is based in Ipoh, Malaysia. [Google] [More] ⦿ | |
W, or WW91, is Calvin, based in Kuala Lumpur, Malaysia. Creator of the squarish typeface Ninja (2013). [Google] [More] ⦿ | |
Kuantan, Malaysia-based designer of the modular display typeface Wee's Font (2015). [Google] [More] ⦿ | |
During his graphic design studies in Kuala Lumpur, Malaysia, Wei Chun Koh created Magic Square (2013, a tangram typeface). Behance link. [Google] [More] ⦿ | |
During his studies at Universiti Tunku Abdul Rahman, William Hou (Selangor, Malaysia) created the display typeface Nakula (2013) which was inspired by shadow puppets (wayang kulit). [Google] [More] ⦿ | |
Borneo-born Willy Riftian created the thin sans typeface Typola (with Dewi Sata) in 2013 during his graphic design studies in Selangor, Malaysia. Typola is related to Avenir Next. [Google] [More] ⦿ | |
For a school project at Tunku Abdul Rahman University College in Kuala Lumpur, Malaysia, Woo Li Yang designed the display typeface Tadpole (2016). [Google] [More] ⦿ | |
During his studies, Wynne Pankusya (Subang Jaya, Malaysia) designed the glitch font Fuglitch (2019). [Google] [More] ⦿ | |
Kuala Lumpur-based designer of Moment (2012). [Google] [More] ⦿ | |
Multimedia design student in Penang, Malaysia. During her studies, she created the display typeface Piano (2012). Behance link. [Google] [More] ⦿ | |
Johor Bahru, Malaysia-based designer (b. 1996) of Kyodoja (2018). [Google] [More] ⦿ | |
During his multimedia design studies at TAR College in Kuala lumpur, Yeehow Lim designed the display typeface Doodle Snake (2012). [Google] [More] ⦿ | |
Setapak, Malaysia-based designer of a handcrafted typeface in 2017. [Google] [More] ⦿ | |
Kuching, Malaysia-based designer of a decorative circus alphabet in 2018. [Google] [More] ⦿ | |
| |
Alor Setar, Malaysia-based designer of the free dystopian / synth wave / cyberpunk font Cynax (2021). [Google] [More] ⦿ | |
| |
Baut Pahat and Johor, Malaysia-based designer of the display sans typeface Scoop (2013). Scoop was created during his graphic design studies. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of a triangulated typeface in 2015. [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of the music-themed typeface Harmoney in 2018. [Google] [More] ⦿ | |
Seri Kembangan, Malaysia-based designer of Jelly Glass Alphabet (2015). [Google] [More] ⦿ | |
Yuki Lim (Kuala Lumpur, Malaysia) created the alphading typeface Dragonfly (2014). [Google] [More] ⦿ | |
Sungai Buloh, Malaysia-based designer of Chandeliar (2019). [Google] [More] ⦿ | |
Kuala Lumpur, Malaysia-based designer of a cat-themed decorative caps typeface (2020). [Google] [More] ⦿ | |
During her art design studies in Kuala Lumpur, Malaysia, Zarynn Ahmad created the cat-themed caps typeface Cat (2015). [Google] [More] ⦿ | |
Student in Kulala Lumpur, Malaysia, who created the alchemic typeface Fusion (2013). [Google] [More] ⦿ | |
Malaysian designer of the stick font Let There Be Light (2011). Behance link. [Google] [More] ⦿ |
Adult Human Male is the type foundry of Malaysian designer Alex Hy, who is located in Berlin or Ireland. His Twitter account says that he is New York, Paris and Coolock. His Dafont account calls him Irish. Whatever. Alex has two aspects, a commercial one, expressed in his commercial foundry Adult Human Male, and a free one via his Squack site on Dafont. 
Malaysian designer (b. 1984) based in Petaling Jaya. 
Cyberjaya, Malaysia-based designer of a fun typographic poster entitled Despicable Me (2012). It is based on the French Script MT font. [
Kuala Lumpur, Malaysia-based creator of vector format fonts such as RoundCondensed (2014: piano key style), Hue Font (2014: op-art), Foury (2014: kitchen tile font), Trimental (2014: a 3d typeface), Playful Kid (2014), Maze Font (2014), Roundty Condensed (2012), Shape Guide (2014: a compass-and-ruler font), Veuz Italic (2014: poster font), Reel Love Joining Font (2014). 
[
Or Kak Alin. Kuala Lumpur, Malaysia-based designer of Anak Anak (2017), Kiddy (2017, a clean hand-printed typeface), Montel (2017, a soft plump typeface), Batik Alin (2017), Technolin (2017), Personality (2017: a scanbat typeface of famous people), Alin Speech Bubbles (2017), Mak Ngah Punya (2017), Senyum Sokmo Deh (2017, comic book font), Cute Animal (2017), Face Alin (2017, dingbats with smilies), Yop Pekabor (2017), Sayang MakAbah (2017), Sorry Sorry (2017), Sempoi (2017) and Alin Kid (2017). 
Johor Bahru, Malaysia-based designer of the fun decorative children's alphabet, Giraffe (2016). [
Kuala Lumpur-based animation designer. He created the experimental typeface 
Born in Kuala Lumpur, Malaysia, in 1987. Graphic designer in Brooklyn, NY, who created Kama (2015), an experimental typeface inspired by the work of Russian suprematist Kazemir Malevich. She also drew great cosmic typographic illustrations for Bullett Magazine in 2015. 
Born in Malaysia in 1955. His type designs include 
Gulya Ju or Gulya Yeap is a Kuala Lumpur, Malaysia-based designer who specializes in calligraphic, penmanship and wedding script typefaces. Her fonts in 2017: The Styled Edit, Maison de Fleur, Adora Boutron, Wild Moon, Oh Darling, Eternal Paris Script. 
Kuala Lumpur, Malaysia-based designer of the fun experimental display typeface Badoni (2018). [
T.W. Chang (aka Skinner and as Cheap & Juicy) has a BA in computer science and works as an illustrator and typographer in Kuala Lumpur, Malaysia. In 2013, he designed the spurred display typeface 
Kuala Lumpur, Malaysia-based designer of the art deco sans serif typeface Shortie (2015). [
During her graphic design studies in Kuala Lumpur, Malaysia, Yok Teng Lai created an ornamental caps typeface (2014). [
|
|
|
|