TYPE DESIGN INFORMATION PAGE last updated on Thu Aug 21 20:41:16 EDT 2014

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Type scene in Indiana



[A typeface called Studebaker, designed by Nick Curtis.

The main Studebaker factory was in South Bend, IN]

Luc Devroye
McGill University
Montreal, Canada
lucdevroye@gmail.com
http://luc.devroye.org
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Aaron Scamihorn

Aka Ron Lewhorn, a graphic designer, typographer and photographer in Indianapolis. Behance link. Creator of a piecewise linear octagonal counterless fat face, CockBlock (2009). [Google] [More]  ⦿

About fonts (Indiana U)

Intro to fonts for students. [Google] [More]  ⦿

American Applied Arts

Indianapolis-based group which made or owned the font BigEd-Sr (1994). [Google] [More]  ⦿

American Type Corporation

Small foundry in Greenfield, IN, operating in the mid 1990s. Production includes Hey Stupid (by Edwin Utermohlen), Cyberotica (1994, a liquid face by Barry Deck), and Hermes. Brian Horner made the grunge faces Treat Type, Mega, Mego, and Unicronica, the rounded face Bubba, and the monoline sans face Urchin, all in 1995 and 1996. [Google] [More]  ⦿

Andrew Markle
[Andrews&Halsted Typeworks (or: Halsted Typeworks)]

[More]  ⦿

Andrew Weber

Andrew Weber (Azzurro 360) is the designer of Andrew's Handwriting (2007, handwriting). Born in 1987, he lives in Indiana and Ohio. [Google] [More]  ⦿

Andrews&Halsted Typeworks (or: Halsted Typeworks)
[Andrew Markle]

Indianapolis, IN-based Andrew Markle (Andrews&Halsted Typeworks) designed the sans face A&H Hadley (2010). Other commercial faces include A&H Bern Sans CT (2010), A&H Hadley Inconsolata MT (2010), A&H Hadley ExtraBold (2010), A&H Hadley Bold (2010), A&H Stella (sans), A&H Kerrigan Light, and A&H Kerrigan Book.

Graphicriver link, where we learn that Halsted Typeworks is located in Evanston, IL. There we also find the 2011 typefaces Indianapolis Slab Serif, Madeleine, Payton, Addison, Gabriel Script, A&H Bjorn, A&H Teagan Script, A&H Taidghin Sans, A&H Alexander (+Sans, +Sans Light, +Serif, +SerifBold, +SerifLight), A&H Stella, AH Ansleigh, AH Greyson, A&H Parker (+Light), and &A&H Celeste. [Google] [More]  ⦿

Art and Fonts by Sean (aka The BlackBox)
[Sean Moldenhauer]

Free fonts by Sean Moldenhauer of Michigan City, Indiana, a graduate of the Art institute of Chicago who apprenticed with Donna Karen. Sean has beautiful Japanese calligraphic prints (shodo style) as well as fonts based on carefully researched historical typefaces. Examples: JapaneseZenSampler1 (2001), TheTombwinterandspring1 (1997, "heavily inspired by the incised letters from the tomb of Henry III, Westminster Abbey, about 1272"), Thorns (1997), VampyresGarden (1997, initial caps inspired by a copy of the Romant de la Rose from the beginning of the 16th century), HoursintheRain (1997), SevenWavessighsSalome (1997, caps). Very nice gothic and medieval style creations. He showcases great Arab, Japanese and Chinese calligraphy. [Google] [More]  ⦿

Bassa font

Free font Bassa by the Bassa Vah Association, 1998, at Varnie Karmo's home page. Bassa is used in Liberia. [Google] [More]  ⦿

Bihidryed -- BT's font design page
[Brandon Thomas]

Bihidryed is a small truetype (mainly grunge) font archive. It also carries Brandon Thomas's own grunge (freeware/shareware) creations such as Malcontent, Speartooth, BongBlastedAliens and BongBlastedAliensDay7. Brandon lives in Indianapolis. [Google] [More]  ⦿

Bob Ostrander
[Fonts Ink]

[More]  ⦿

Brandon Thomas
[Bihidryed -- BT's font design page]

[More]  ⦿

Brian Horner

Indianapolis-based graphic designer. Creator of the grunge faces Mego (1996), Unicronica (1996), Personnage (1996), Treat Type (1995), and Mega (1995) at American Type Corp. Home page. Other faces include Bubba (1995, rounded comic book style), Holocausthaton (grunge), Orphan (grunge), Urchin (1996, monoline geometric sans), Message Board, Soy (grunge) and Thrift. Maboroshi (2010) is a hand-drawn typeface. Jumble Jumble was done in 2009. Pictorial catalog. [Google] [More]  ⦿

Bruce Rogers

Albert Bruce Rogers was a celebrated American type and book designer (b. 1870, Linnwood, IN, d. 1957, New Fairfield, CT). A graduate from Purdue in 1890, he worked in book design. It was not until 1901 that he cut his first typeface, Montaigne, a Venetian style face named for the first book it appeared in, a 1903 limited edition of The Essays of Montaigne. In 1912, Rogers moved to New York City where he worked both as an independent designer and as house designer for the Metropolitan Museum of Art. It was for the Museum's 1915 limited edition of Maurice de Guérin's The Centaur that he designed his most famous type-face, Centaur (1914). Like Montaigne, it was based on the Venetian faces of Nicolas Jenson. Wikipedia: Rogers considered this face to be a substantial improvement on his early Montaigne, both because his design had matured and because, on the advice of Frederic Goudy, he had employed Robert Wiebking as the punch-cutter, and Rogers used Centaur extensively for the rest of his career. The Centaur was produced by Rogers in Dyke Mill at Carl Rollins' Montague Press and is now one of the most collectible books ever printed.

In subsequent years, he designed books for Mount Vernon Press, and Harvard University Press, and served as typographic advisor at Lanston Monotype. To produce the Oxford Lectern Bible for Oxford University Press, an italic complement to Centaur was needed. Wikipedia: As he did not feel capable of designing the sort of chancery face that he thought appropriate, Rogers chose to pair Centaur with Frederic Warde's Arrighi, a pairing retained to this day.

Rogers died in New Fairfield, CT, and donated his books and papers to Purdue University, where they are in the Beinecke Rare Book and manuscript Library.

Biography by Nicholas Fabian. Linotype link. His typefaces, summed up:

  • Montaigne (1901, privately cast). punches cut by John Cumming.
  • Centaur (original) (1914). Development continued until 1931. Privately cast by Barnhart Brothers&Spindler. Matrices cut by Robert Wiebking of the Western Type Foundry. A modern version of Nicolas Jenson's Centaur, this lives on in digital form as Venetian 301 (Bitstream), Centurion, Centus (URW), Cambridge (SoftMaker) and Arrighi Italic .
  • Centaur (Monotype) (1929, Monotype Ltd. and Mackenzie&Harris). Matrices re-cut for machine composition by British Monotype. Further developments based on or related to this typeface: Metropolitan Oldstyle (Lanston; with Frederick Warde), Poster (1918-1919), Goudy Bible (1947, designed with the collaboration of Sol Hess for Lanston Monotype). Discussion of Centaur by Don Hosek. About Centaur Monotype (1929), and its digital version, Dean Allen writes: Like Bembo, released for the Monotype machine the same year, Centaur was an exceptionally beautiful and eminently readable revival of Renaissance type. Unfortunately, the producers of the digital version made a common mistake: the shapes are based on the most basic starting point of Bruce Rogers designs. These designs were intended for metal type that would press into paper, the ink spreading as it absorbed into the fibre. The resulting printed shapes had a good deal more visual force than the original designs. The process was total: design anticipating application. This version of Centaur suffers from the perfection of the process of digital design and offset printing: the original shape is printed coldly intact, and thus its very difficult to set a well-made page in Centaur. In 2014, Jerry Kelly and Misha Beletsky coauthored The Noblest Roman (RIT Cary Graphic Ars Press) on the history of Centaur types by Bruce Rogers. The blurb: The history of the Centaur type, likely the most important American typefeace ever designed, has been recounted untold times in very general terms, following the official version of events, purported by its designer in several publications. Yet, as the new research by Jerry Kelly and Misha Beletsky shows, there is a number of gray areas to the story. The new data, culled from archival documents, some unpublished, as well as from a variety of published sources presents this important design and its history in a new light.

There are many digital age descendants of Centaur. Bitstream got that ball rolling with Venetian 301 (Cyrillic version by Dmitry Kirsanov, Paratype, 2006), and SoftMaker has its Cambridge Serial (2010). Type families called Centaur exist at Adobe, Monotype and Linotype. Related faces, but without Centaur's flaring, include Phinney Jenson (Tom Wallace) and Nicolas Jenson SG (Spiece Graphics). [Google] [MyFonts] [More]  ⦿

Cassandra Marie Boler

Indianapolis-based designer of the avant-garde face Ooops (2011). [Google] [More]  ⦿

Christofer Goodwin

Indianapolis, IN-based freelance designer. In 2012, Christofer created the Favicon Font.

Behance link. [Google] [More]  ⦿

Claire Daisey

Claire Daisey (Muncie, IN) created the experimental typeface Sharp Edge (2013) that plays with negative spaces. [Google] [More]  ⦿

Conrad X. Shinn

Aka Cobb Shinn (b. 1887, Fillmore, IN, d. 1951). His story is told by Jeff Levine, who designed a series of cartoon character dingbat fonts inspired by Cobb shinn: Conrad X. "Cobb" Shinn (Sept. 4, 1887- Jan. 28, 1951) was a Fillmore, Indiana-born post card illustrator who sold a series of successful novelty postcard lines which included (among others) Charlie Chaplin, automobiles and the Dutch culture in the beginning years of the 20th Century. After serving in World War I, Shinn found the market for novelty postcards dwindling, and he also lent his artistic skills to cartoon features and illustrating many children's books [including his own, under the nickname Uncle Cobb] which taught easy step-by-step drawing methods. Some time in the 1920s, he eventually migrated into the field of supplying electrotypes and stereotypes of stock cuts of photos and line art to the printing trade. In the days of letterpress printing, this was the forerunner of paper clip art and its successor, electronic clip art. Purchasing many of his designs from journeyman artists of the time, the diversity of Cobb Shinn's stock cuts library grew with the passing years, reflecting changing times, styles and topics. Some of the illustrators whose signed works were presented in Shinn's CUTalogs [as he called his stock cuts catalogs] include Mary Clemmitt, Louis H. Hippe, E.C. Klinge, Nelson White, Harvey Fuller, Bess Livings, Lois Head, Harvey Peake and Van Tuyl. Upon his passing in 1951, it's not known how long the Indianapolis-based company existed before finally closing its doors. One of the more popular series of cartoons were the line illustrations of men and women affectionately called little big head guys by many modern fans of these cuts because the heads of the characters were drawn somewhat larger than the rest of their bodies. Levine's font that shows these charming charcaters is Shinn Kickers JNL (2014). [Google] [More]  ⦿

Dennis Y. Ichiyama

Professor Dennis Y. Ichiyama teaches in the School of Visual&Performing Arts at Purdue University in West Lafayette, Indiana. From 2000 until 2010, he researched wood type. His current research is on American wood type manufacturer Wm Page and Chromatic Wood Type. Speaker at ATypI 2010 in Dublin. He was involved in the making of the documentary about wood type simply called Typeface---for example, he designed a poster for it. [Google] [More]  ⦿

Devon Mikolajczak

Graphic designer currently working one her Bachelor's at the Art Institute of Indianapolis. Behance link. At school, she designed a thin smooth monoline face in 2011. [Google] [More]  ⦿

Elyse Van Fleet

Graphic designer in Muncie, IN, who spent some time in Australia. Her typeface Kings Cross (2010) was based on the King's Cross neighborhood on Sydney, Australia. It reflects the train line, the odd shape of the streets, and the destinations of the area. Behance link. Home page. [Google] [More]  ⦿

ENLIVEN design
[Todd Michael Bushman]

From Bloomington, IN, Todd Michael Bushman's shareware fonts: Misfit, Element, Cipher, Nigma, 20/20.

Dafont link. [Google] [More]  ⦿

Fonts Ink
[Bob Ostrander]

Free Madison Avenue font by Bob Ostrander of Fonts Ink (1992). Page by Cristina Kruse. Fonts Ink's fonts: FIBoxBB, FIKey1, FIKey2 (keyboard fonts, 1992), Madison-Avenue, US-Bats. Alternate site. Elite (1992-1993) is also due to Ostrander. [Google] [More]  ⦿

Gabriel Beatty
[Wolf's Rain]

[More]  ⦿

Gary McGraw
[Letter Spirit]

[More]  ⦿

Gatis Cirulis
[RAWTYPE]

[More]  ⦿

Gregorian Chant home page

Music Department at Princeton: instructions on where to get fonts for Gregorian chants. The Gregorian Chant Font (Mac, PC): StMeinrad and its auxiliary, StMeinradAux, contain the symbols necessary to reproduce Gregorian chant. About 40USD. All is run by St. Meinrad Archabbey, St. Meinrad, IN. [Google] [More]  ⦿

GreyWolf WebWorks (was DarkSide Productions)
[Rich Gast]

Now also known as GW3. Original TrueType fonts by Rich Gast from West Lafayette, IN: Abduction, AbductionCyr, AngieBareFoot, AngieGroovin, AngieImpressing, AngiePierced, AngieTanLines, BigTenMania, BlackWolf, BoilermakerSpecial (dingbats by email: 8 Purdue and Big Ten logos), BrocaineDecade (grunge), CannabisSativa (3 cannabis leaves), ChainLetter, DrawnandQuartered (stencil font), EchoDeco (vertically striped art deco face), ExpletiveDeleted, Frazzed, GravitySucks, GreyWolf, GroundZero, Hypmotizin, Kingbats43 (dingbat font with 6 Richard Petty related pics), KissTheSky, LeeBeeSchwarz (1998, Fraktur font), LoisAnn (elegant!), LongCoolGrandma, LongCoolMother, LongCoolWoman, LongCoolWoman8338, Makisupa, MystikOrbs, PepRally, PheanisWickey, PlatinumHubCaps (Western font), PlatinumHubCapsPolished, PlatinumHubCapsSolid, PlatinumHubCapsSpoked, PointedlyMad, PointedlyMadSmallCaps, ShadowTag, ShineOn, SpitShine, StixnStonz, SwedieCruel, Verticalization, WhiteWolf, XactoBlade (a futuristic stencil font), ZZZTop, ChristmasLightsIndoor, ChristmasLightsOutdoor, Demonized, Dusharnbi (Sinhala), FuturexVoyager, Primo, PrimoBright, SpitShine, Suncatcher, SuncatcherFill, TouristTrap, EagleGTII (1999), YouRookMarbelous, Molly Rose.

Dafont link. Fontspace link. [Google] [More]  ⦿

Harry Hagan
[St. Meinrad Fonts]

[More]  ⦿

Houkama Design
[Mark Carter]

Mark Carter (Houkama Design) (b. 1985) is the Indiana-based designer of the scratchy handwriting face HXC (2004). Alternate URL. [Google] [More]  ⦿

Ingrimayne Type (was: The Bovine Rebellion)
[Robert Schenk]

Ingrimayne Type was established in 1988 by Robert Schenk to sell his fonts via the web and via CDs such as the No-Hype Type CD (2500 typefaces in trueType and PostScript, with mostly original typefaces). Robert Schenk (b. 1946, Minnesota) lives in Rensselaer, IN. Before Ingrimayne, Schenk's type was distributed by Wayzata Technology. Free fonts at his site included Red Letter, Zirkle, Sallonext, Zarrow, Serpent.

Specimen book. Alternate URL.

Dingbat fonts: XPhyngern (1990, pointing fingers), XPointedDesert and XSimpleHands (1994, more fists), Schneeflaken (two snow fonts, now available as XSchneeFlaken), ComputerBugz (nice butterflies, now available as XCompuTerBuggz), Galaxies (around the theme of the sun and stars), GlitzyFlash (1990), Grandecort (1994), LeakOrLeach (1995), Baumfuss (1990), LeafMeAlone (leaves), StarsAndStripes, StarPieces, Fingers, SimpleHands, PointedDesert, IngyDing (1996, 3 dingbat fonts in the style of Zapf Dingbats; in 2010 overhauled into one 1400-ornament monster face, Ingy Ding MCD, containing smilies, arrows, Zapfian ornaments, dice, chess pieces, fists, weather dingbats, and so forth), IngyDingLeftovers.

A list of fonts:

  • A: Aabced-Bold-Italic, Aabced-Bold, Aabced-Italic, Aabced-Regular, Aabced, AabcedBold, AabcedBoldItalic, AabcedExtraBold, AabcedItalic, AabcedRoman, AabcedXBold-Bold, AabcedXBold, Abagail-Regular, AbagailJackson, AccruedInterest, AcornSwash-Regular, AcornSwash, AcornSwashAltern-Regular, AcornSwashAltern, AcornSwashRoman, Accrued Interest, Albert Betenbuch (blackletter), AlbertBetenbuchExtrude, AllSmiles, AmericanMorseCodeIT, AnarckWarp, Anarckhie, AnarckhieBold, AnarckhieBoldItalic, AnarckhieDecayed, AnarckhieItalic, AnarckhieJiggled, AnarckhieRagged, AnarckhieShadow, AndrewAndreasBold, AndrewAndreasPlain, AndrewAndreasXBold, Andrew Andy College (athletic lettering), AndrewAndyKactus, AndrewAndyStencil, AndrewAndyStencilBold, AndyEight, AntsyPantsy, ArgentBobSquish, Argenta, ArgentaBobbWig, ArgentaBobbed, ArgentaBold, ArgentabObbed, Asterx-Regular, Asterx, Auldroon-Regular, Auldroon (blackletter), AndrewAndyKactus, AntsyPantsy.
  • B: Baker Half (2004, an experimental hexagonally designed family), Balboat-Regular, BalboatBold, BalboatPlain, Barefoot, BaumSquiggle, Baumfuss-Regular, Baumfuss, BaumfussTwo-Regular, BaumfussTwo, BearButteTBold, BearButteTBoldItalic, BearButteTItalic, BearButteTPlain, BearButteTSpecial, BeastlyFont, Bene, BeneCryptExtrude, BeneCryptine-Regular, BeneCryptine (blackletter), BeneCryptineDistorted, BeneScriptine-Regular, BeneScriptine (blackletter), BetterEuroika, BetterEuroikaBold, BetterEuroikaBoldItalic, BetterEuroikaHybrid, BetterEuroikaHybridBold, BetterEuroikaItalic, BetterIngriana, BetterIngrianaBold, BetterIngrianaBoldItalic, BetterIngrianaHybrid, BetterIngrianaHybridBold, BetterIngrianaItalic, BetterKamp, BetterKampBold, BetterKampBoldItalic, BetterKampItalic, BetterTypeRightBold, BetterTypeRightBoldItalic, BetterTypeRightItalic, BetterTypeRightMedium, BetterTypeRightPlain, BetterTypeRightThin, BetterTypeRightThinItalic, BetterTypeRiteSpec, BetterTypeRiteSpecBold, Big-Regular, BigBottom, Bigtop-Regular, Bigtop, Bilevel, BiteOfApple, Bizaro, BizaroRES, Blockboys, Bluster Left, BobsExtraPictures, BobsStandardChess, Bouncer, Bowling, BringInTheFrowns, Brrrrr-Regular, Brrrrr, BuggyFont, BumberShoot.
  • C: Cennerik-Bold, Cennerik-Regular, Cennerik, CennerikBold, CennerikEBold, CennerikExtraBold, CennerikPlain, CennerikSpiked, CennerikXBold-Bold, ChainLetterOne, ChainLetterTwo, CheckMateRES, ChessNut, ChessNutTwo, Chessterton, ChesstertonTwo, Circlet, CoffeeMug, CompassOne, CompuTerBuggz, ConcavWarp, ConcavexCaps, ConcavexCapsWave, ConcavexStepper, CoughingNails, Court-Regular, CourtGesture, CourtJesterFrizzy, CrippledFont, CuthbMangle, CuthbeNick, Cuthbert.
  • D: DavidBurry, DavidFarewell, DavidFarewellBold, David Farewell Stencil, Dear John, Demotte-Bold, Demotte-Regular, Demotte, DemotteBold, DemotteWarp, Dinner-Regular, Dinner, Dottie, DrivEddie, Dschoyphul.
  • E: EdsDream, EdwardEdwinBold, EdwardEdwinPlain (1994, copperplate script), Eldroon, Erkball, ErkballBold, Euroika-Bold-Italic, Euroika-Bold, Euroika-Italic, Euroika-Regular, EuroikaBold, EuroikaBoldItalic, EuroikaItalic, EuroikaKamp, EuroikaKampBold, EuroikaKampBoldItalic, EuroikaKampItalic, EuroikaRoman, Euroika, Eyebel, EyebelBold, EyebelRuff.
  • F: FansiPensle (1990, connected signage script), FansiPensleBold, FansiPenslePlain, FansiPensleTwo, FansiPensleTwoBold (1990), FansiPensleTwoPlain, Febdrei, FebdreiBold, Federhozen-Bold-Italic, Federhozen-Italic, Federhozen-Regular, Federhozen, FederhozenBold, FederhozenBoldItalic, FederhozenItalic, FederhozenPlain, FeggoliteDancing, FeggoliteDancingItalic, FeggoliteHatched, FeggoliteKeyed, FeggoliteMonoBold, FeggoliteMonoPlain, FeggoliteRuffled, Fezdaz, Fishhook, FiveOhOne, FiveOhTwo, FlagDayFour, FlagDayOne, FlagDayThree, FlagDayTwo, Fly High, FlyHighBold, FlyHighBoldItalic, FlyHighItalic, ForTheBirds, FourJuly, FourJulyG, FourJulyH, Framo-Regular.
  • G: GLitzy, GLitzyBarbed, GLitzyPlain-Regular, GLitzyStripe, GLitzyVStriped, Galexica-Bold-Italic, Galexica-Bold, Galexica-Italic, Galexica-Regular, Galexica, GalexicaBold, GalexicaBoldItalic, GalexicaExtraBold, GalexicaItalic, GalexicaMono-Bold, GalexicaMono-Regular, GalexicaMono, GalexicaMonoBold, GalexicaMonoPlain, GalexicaPlain, GalexicaXBold-Bold, GlitzyCurl-Regular, GlitzyCurl, GlitzyFlash-Regular, GlitzyFlash, GlitzyJewel-Regular, GlitzyJewel, Gothamburg (blackletter), GothamburgBold, GothamburgShadowed, GothicHorror, GothicRock, GranCanaries, GrancMitSripes, GrandecortBold, GrandecortHoly, GrandecortMedium, GrandecortShadow, GretchenHelloBold, GretchenHelloPlain, Grundee.
  • H: Hammered, HandanaBold, HandanaPlain, HandmadeFont, HeartMatrixed, Hermainita, HermainitaBold, HermainitaPlain, HeyPumkin, HippityDippityBold, HippityDippityInline, HippityDippityPlain.
  • I: IanSegoe, IggoliteMono, IngBurried, IngDingLeftover, Ingone, IngoneSaw, IngoneShadow, IngrianEuroikHybrid, IngrianEuroikHybridBold, IngrianEuroikaH, IngrianEuroikaHBold, IngrianEuroikaHBoldItalic, IngrianEuroikaHItalic, Ingriana, IngrianaBold, IngrianaBoldItalic, IngrianaCasual, IngrianaCasualBold, IngrianaCasualBoldItalic, IngrianaCasualItalic, IngrianaCasualPlain, IngrianaExtraBold, IngrianaItalic, IngrianaPlain, IngyArrows, IngyArrowsTwo, IngyDingThree, IngyDings, InsideLetters, InternationalMorseCodeIT, IrritationOne, IrritationTwo.
  • J: JabcedHy, JabcedHyBold, JabcedHyBoldItalic, JabcedHyItalic, JasperSqueeze, JasperSqueezeBold, JasperSqueezeBoldItalic, JasperSqueezeEB, JasperSqueezeEBItalic, JasperSqueezeItalic, JenneriCurved, Jennerik, JennerikBold, JennerikExtraBold, JennerikInfml-Bold, JennerikInfml, JennerikInfmlBold, JennerikInfmlExtraBold, JennerikInfmlPlain, JennerikInfmlXBold, JennerikRoman, Jester, JesterRES (Tuscan), JesterTwo (Tuscan), Jestres, JetJanBoldItalicGray, JetJaneButton, JetJaneMonoBold, JetJaneMonoBoldItalic, JetJaneMonoCapsBold, JetJaneMonoCapsPlain, JetJaneMonoCapsThin, JetJaneMonoItalic, JetJaneMonoPlain, JetJaneMonoThinBook, JetJaneMonoThinItalic.
  • K: KampFriendshipBold, KampFriendshipBoldItalic, KampFriendshipItalic, KampFriendshipPlain, KampIngrianaH, KampIngrianaHBold, KampIngrianaHBoldItalic, KampIngrianaHItalic, KampIngrianaHybrid, KampIngrianaHybridBold, KampRipple, Karlisbad, KiddyChessFont, KlipJoint, Knaudens-Regular, Knaudens, Kneebls, KneeblsBold, KneeblsExtruded, KneeblsPlain, KneeblsRuffled, KneeblsThin, KnewFont, KnewFontBold, KnewFontJagged, KnewFontPlain, KnewFontWaisted, KnewFontWaistedBold, KnightMares, KolSpotted, KolStriped, KolkFizzy, Kolkman-Bold, KolkmanDimly, KolkmanGray, KolkmanShatter, KolkmanStriped, Kwersity, KwersityBold, KwersityWider, KwersityWiderBold, Kwodsity, KyhotaBarbed, KyhotaOne, KyhotaTwo.
  • L: LaserTrain, LaserTrainBold, LastBigFling, LastBigFlingBold, LastMinuteChess, Laudens, LeakorLeach, LeakorLeachLeft, LeefMeAlone, LeefMeAloneHoles, LeekorLeech, Letrinth, LetterTrain-Regular, LetterTrain, LetterTrainBold, LetterTrainBoldItalic, LetterTrainItalic, LetterTrainPlain, Lettergical (1994, blackletter with Lombardic capitals), LettergicalWave, LetunicalBold, LetunicalInline, LetunicalNormal, LetunicalShadow, LetunicalWarp, Library-Italic, Library-Regular, Life After College (2008, athletic lettering family), LineDrive, LineDriveBold, LineDriveOutlined, LineDrivePlain, LineDriveShadow.
  • M: MITuscan, MMCheckered, MMDrawings, MMPattern, Mangaled, Masheen (1990, octagonal font), MasheenBold, MasheenConvicted, MasheenFlag, MasheenIIID, MasheenOutlined, MatthewTwo, MattsFastFont, MedicineShelf, MedievalGunslinger, MedievalGunslingerShadow, Minimalist-Regular, Minimalist, Minniesoda, MinniesodaBold, Modsten-Bold, Modsten-Regular, Modsten (stencil, 1990), ModstenBold, ModstenRoman, MoreTexture, MousyFont, MushmellowBold, MushmellowCactus, MushmellowOutline, MushmellowPlain, MuskitosCaps, MuskitosCapsShadDown, Myhota, MyhotaBarbed, MyhotaBold, MyhotaHatched, MyhotaHatchedBold, MyhotaPlain, MyhotaWithSpikes.
  • N: NailsNStaples, NairobiNormal, NeedALilly, NerdishHex, NerdishHexBold, Neu Altisch (blackletter), NeuAltischBold, NeuAltischGray, NeuAltischPlain, NeuAltischShadLeft, NeuAltischShadow, NeuAltischWormEaten, NeuropolMedium, NewLaudens, NewLibrary, NewLibraryItalic, NewNerdShadowed, NewNerdishBold, NewNerdishPlain, NewNerdishThin, NoPainRight, NoPainRightBold, NopainLeft, NopainLeftBold.
  • O: OakParkAve, OakParkAvePlain, OakParkBlvdPlain, OakParkExtruded, OakParkSpeckled, OakParkSquaRe, OakParkZiggy, OakParksTripped, Old Harold Ree (1992, a modification of PhederFract, which was a calligraphic fraktur face also by Schenk), OldHaroldReeBold, OldHaroldReePlain, Onyon (1997).
  • P: PastedWarp, PattyDay, PawnShop, Pedestrian, PencilFat, PencilIn, PencilOut, PensleCaligraf-Bold, PensleCaligraf-Regular, PensleCaligraf, PensleCaligrafBold, PensleCaligrafPlain, PeterPierreBold, PeterPierreCondensed, PeterPierrePlain, PeterPierreXBold, Pheder Frack (blackletter), PhederFrackBold, PhederFrackDtsh, PhederFrackDtshBold, PhederFrackDtshThin, PhederFrackPlain, PhederFrackShadowed, PhederFrackThin, PhrackCack, PhrackSle, PhrackSleBold, PhrackSlePlain, Phraxtured (blackletter), PhraxturedDeutsch, PhraxturedPlain, PhraxturedShadowed, Phyngern, Pigknot, PigknotBold, PlainPensle, PlainPensleBold, PlainPensleBoldItalic, PlainPensleItalic, PlainPenslePlain, PlainPensleXBold, PlainPensleXBoldItalic, Porker, PorkerGrey, PutMyFootDown, Pzytupid.
  • Q: Qualettee, QualetteeBold, QualetteeMedium, Quatsity, Quidic, QuidicHatched, QuidicHoley, QuidicItalic, QuidicRoman, QuidicShotUp, Quirtly, Qwatick (1992), QwatickBold, QwatickPlacard.
  • R: Ranger (1996, octagonal), RangerWider, Rankensteen, Rataczak-Regular, RataczakBold, RataczakBoldItalic, RataczakCandied, RataczakCondItalic, RataczakCondPlain, RataczakExtraBold, RataczakItalic, RataczakRoman, RataczakSwash, Rauchens, Razephu, Red-Regular, RedLetter, Renslaer, RoomingHouse, Rosary, RosaryBold, RoundUp, RoundUpBold, RoundUpShadow, RoundWhy, RoundWhyBold, RummageSaleOne, Rumpled, RundigPencilBold, RundigPencilMedium, RundigPencilNormal, Rundigsburg (1994), RundigsburgBold, RundigsburgMedium, RundigsburgPlain, RundigsburgShadowLeft, RundigsburgShadowRight.
  • S: SafetyPinned, Salloon, SalloonAStripe, SalloonCracked, SalloonHStripe, SalloonStripeBottom, SalloonStripeEnds, SalloonStripeMiddle, SalloonStriped, Saloon-Regular, SaloonExt, SaloonFrilled, Sansville, SansvilleBold, SarahfSlob, SarahfSlobItalic, SchneeFlaken, SchneeFlakenTwo, Screwged, Sdrawkcab-Regular, Sdrawkcab, Seasick, SeasickBold, SeasickMirror, SeasickMirrorBold, SeasonsGreetings, SeederChess, SeederChessSmall, Sergury, Serpent-Regular, ShadyCharacters, ShirlyUJest, SimpleChessFont, Sirpent, Skagwae, SkagwaeMono, Skigway, SkwareDots, SlimpiSquares, SmokeHausShadow, SmokeHaus (1998), SmokeHouseRough, SmokeHouseShatter, SmokeHouseWave, Spicandspan, SquiggleRES, SquiggleRESBold, Stamper, Substance, SusiScript, SusiScriptBold, SusiScriptPlain, Swanville-Regular, Swanville, Swirlity, SwirlityBold, SwirlityScript, SwirlityText.
  • T: Tescellations (2012), Tessie Dingies (2012), TOCinRings, TRGrunge, Tacky (2005), Talloween, TapedUp, Teapot (1999), Teethee, TexturesOne, TiedUp, Tieroh, TierohBold, TierohSans, TierohSansBold, Tinkerer, TiredOfCourier (1992, + Bold, +BoldItalic, +Italic, +Plain, +Thin, +ThinItalic), ToothBrush, TootsieBold, TuskcandyBold, TuskcandyInline, TuskcandyPlain, Twigglee-Regular, Twigglee (1990, inspired by the hand lettering on the plates in a 19th century book on ornaments by Owen Jones), TwiggleeBold, TwiggleePlain, TwiggleeWarped, TwoTonedStoned.
  • U: UUeirdieBold, UUeirdieRoman, UUeirdieWarp, Unikled, UnikledBold, UnikledPlain, UnikledSpotted, UnivoxAtomLight, UpsideDown, UrbanScrawl.
  • V: ValManGal, Valenteena, ValenteenaBroken, ValentinaContour, Valentine-Regular, Valgal, ValgalBold, Vglee, VunderScriptBold, VunderScriptPlain.
  • W: WalcomeOne, WalcomeOneBold, Watchmaker, WatchmakerBold, WaterCloset, WaterWorksCaps (1992), WaterWorksCaps-Bold, WaterWorksCaps-Regular, WaterWorksCapsBold, WaterWorksCapsPlain, WeirdChessFont, Wetetque (1991, an all caps multiline family), WetetqueBold, WetetquePlain (1991), Whichit, WhichitBold, WhichitTwo, WhichitTwoBold, WrenchedLetters, WurstCactus, WurstHassen, WurstchenDotted, WurstchenOutlined, WurstchenSplatted, WyomingMacroni, WyomingMacroniPegged, WyomingMacroniShadRight, WyomingMacroniShadowed, Wyoming Pastad (1994, Western slab face), WyomingPastadShadLeft, WyomingPastadShadowed, WyomingSpaghettiBold, WyomingSpaghettiPlain, Wyoming Strudel (Far West type).
  • X: XBobsExtraPictures, XBobsStandardChess, XChessNut, XChessNutTwo, XChesstertonTwo, XCompuTerBuggz, XGalaxies, XGalaxyOne, XIngDingLeftover, XIngyArrows, XIngyArrowsBetween, XIngyArrowsTwo, XIngyDingIII, XIngyDingTwo, XIngyDings, XInterntnlMorseCodeIT, XKiddyChessFont, XKnightMares, XLaserTrainBold, XLaserTrainPlain, XLastMinuteChess, XLeef Me Alone (leaf dingbats), XMMCheckered, XMMDrawings, XMMPattern, XMattsAnimalsOne, XMoreTexture, XPatColumRow, XPatCzeckerz, XPawnShop, XPhyngern (fists), XPointedDesert, XRoomingHouse, XSchneeFlaken (1995), XSchneeFlaken, XSchneeFlakenTwo, XSeederChess, XSeederChessSmall, XSimpleHands, XStarPieces, XStarsAndStripesOne, XStarsAndStripesTwo, XStellaStern, XStellaSternBright, XSternStellaNight, XTexturesOne, Xahosch, Xaltid, XaltidBold, XaltidPlain. The X fonts are predominantly dingbats.
  • Y: YahoschBold, YahoschMedium, YahoschPlain, YahoschWormy, YngreEBStripe, Yngreena, YngreenaBold, YngreenaBoldItalic, YngreenaExtraBold, YngreenaItalic, YngreenaPlain, Youbee, YoubeeBold, YoubeeBoldItalic, YoubeeItalic, YoubeeShadow.
  • Z: Zarrow-Regular, Zarrow, ZcriptBold, ZcriptPlain, Zebraw, ZebrawOS, ZimpleBlack, ZirkStressed, ZirkleOne-Bold, ZirkleOne-Regular, ZirkleOne, ZirkleOneBold, ZirkleOneRoman, ZumbelsburgBold, Zumbelsburg (blackletter, 1996).

Klingspor link. Dafont link. Abstract Fonts link.

View Robert Schenk's typefaces. View Ingrimayne's typeface library. [Google] [MyFonts] [More]  ⦿

J. Randall Harris
[Just My Type]

[MyFonts] [More]  ⦿

Jennifer Helms

Noblesville, IN-based designer of Torn Type (2014), a typeface that is inspired by VHS tapes. [Google] [More]  ⦿

Jeremy Steiner

Graphic design student at The Art Institute of Indianapolis, 2011. Creator of the experimental face Rocco (2011)--think Rockwell marries Didot. He also made the tattoo / blackletter face Feral Wolf (2011). [Google] [More]  ⦿

Jessica Lakes

Muncie, IN-based creator of the music-inspired display typeface Fermata (2013). [Google] [More]  ⦿

Jessie Riley

Jessie Riley (Upland, IN) made the hand-printed face Parnassus in 2011. This typeface was inspired by the German expressionists.

Klingspor link. [Google] [More]  ⦿

JFS Fonts
[John Sherman]

Graphic designer who teaches at Notre Dame University in Indiana. His typeface Felicitas (2003, JFS Fonts) is based on the lapidary typeface Perpetua by Eric Gill.

Klingspor link. Monotype link. [Google] [More]  ⦿

Jim Lyles

Bitstream designer (b. 1955) who lives in Michigan City, IN. At Bitstream, he did in-house work, and had his signature on Candy Bits (1996, an M&M simulation font), Prima Sans (1998), Prima Serif (1998), Prima Sans Monospace (Bitstream, with Sue Zafarana, 1998) and Bitstream Vera (2003).

According to Lyles, Bitstream Vera is actually a detuned Bitstream Prima. Gnome asked that we modify some of the characters in the monospace, particularly for coding legibility. We added a center dot to the zero and modified the lcase l to distinquish it from the figure one. Although I designed Vera (Prima), it was actually Sue Zafarana who adapted it to a mono version, at times a very challenging task. The Vera fonts are also here.

Vera Sans is at the basis of Menlo (2009), a Snow Leopard system font, about which Apple writes: Apple's Menlo is based upon the Open Source font Bitstream Vera and the public domain font Deja Vu.

He revived some Filmotype fonts from the 1950s: Filmotype Jade (2012, based on an original connected script typeface from 1955), Filmotype Reef (2011), Filmotype MacBeth (2007), and Filmotype Austin (2009, brush face).

In 2012, he created a gracious upright script face, Stalemate, which can be downloaded from Google Web Fonts.

The upright connected script Grand Hotel (2012, Google Web Fonts, with Brian Bonislawsky for Astigmatic) finds its inspiration from the title screen of the 1937 film "Cafe Metropole" starring Tyrone Power. The free Rum Raisin was published at Astigmatic One Eye.

Stiggy & Sands is the American typefoundry of Brian Bonislawsky and Jim Lyles, est. 2013. Their first commercial typefaces, all jointly designed, are Luckiest Guy Pro (a fat comic book font based on vintage 1950s ads) and Marcellus Pro (a flared roman inscriptional typeface with both upper and lower case, originally published in 2012 by Astigmatic).

At Hamilton Wood Type, he designed HWT Roman Extended Fatface (2014), which is based on 19th century didone wood styles.

Another MyFonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Jim Pingle

Jim Pingle was born and raised in Fort Wayne, Indiana, then moved to Paoli, IN, and finally to Orleans, IN. Creator of Interdimensional, the Sliders font (of TV fame). The font is freely downloadable.

Alternate site. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Jim Spiece
[Spiece Graphics]

[MyFonts] [More]  ⦿

Joey Stephen Maul

Born in Bedford, IN, in 1959, Joey runs Joey Maul in Paoli, IN. Creator of the ultra-fat Duro (2008), Finelight (2009), Smitty (2009), Quatrus (2009, pixel), Rainsong (2010, a display font inspired by the art and symbols of the Native Americans), Bunkhouse (2009, mechanical/octagonal), Tranzit (2009, rounded architectural drawing face), Ampmosphere (2010, music instruments), Spring #7 (2011), Applbitz (2011, a pixel family), and the techno face Crubster (2009).

Klingspor link. [Google] [MyFonts] [More]  ⦿

John McClure

Brownsburg, IN-based designer of Oliver (2011), for which a grid and circles formed the basis. [Google] [More]  ⦿

John Sherman
[JFS Fonts]

[More]  ⦿

Jon Morrison

Indianapolis-based designer of the sturdy display face IG Motor Gothic Bold (2012) and the paper fold typeface Metal Fab (2013).

Behance link. [Google] [More]  ⦿

Joseph Spicer

Owensville and/or Vincennes, IN-based art student (b. 1985) and designer of the Courier-like Shavian font Shaw Mono (2004), ChordBoxes (2010, to create chord diagrams), Bee Skep (2004, for Deseret), Box Puzzle Font (2010), Litterae Ignotae (2010: A Lingua Ignota (Latin for unknown language) was described by the 12th century abbess of Rupertsberg, Hildegard of Bingen, who apparently used it for mystical purposes. To write it, she used an alphabet of 23 letters, the litterae ignotae), Seftos Nandor (2004, for an artificial language called Lower Geldorian), Sëftos Parathenia (2005, also in the Seftos script), this decorative serif (2006, experimental), Alberne Handlung (2007, a narrow all-caps Latin and Cyrillic face), Swartsbok (2007, a nice gothic font), Lumaro (2007, in the style of Times-Roman), Duck Hunt (2004, fat display face, based on the lettering of the title of the game), Anquietas (2004, "the Ancient alphabet from Stargate"), Gothic Book (2005), and Dadh Ath (2004, containing the Ath characters used to write Baronh created by Morioka Hiroyuki and used in Sekai no Monshou). Spicer now lives in Terre Haute, IN. Another web page. [Google] [More]  ⦿

Just My Type
[J. Randall Harris]

Just My Type is a type foundry that was founded in 2012 by J. Randall (or Randy) Harris (b. 1947, Marion, IN) in Tucson, AZ. Harris is a graphic and type designer who has been making typefaces since 1997. He teaches at the Art Institute of Tucson. His typefaces from 2013: Megatropolis (a stackable deco font system), Historic Warehouse (Victorian).

Typefaces from 2012: Happenstance (a lovely retro-futuristic script), Illuminations Woodcut, Yule Love It (Christmas time dingbats), Gawain (based on the hand of Gawain Douglas), Oaxaca (a Mexican look face), Boxy Code, Channel B (a rounded monoline sans), Curves, Puzzle, Dempsey (based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey), Chilespice, Strata, Deco Donut, Jiminy (a comic book face), Invites (a roundish upright script that intends to recreate the 1920s spirit), Hunky Chunky (an obese poster face), the hand-printed typeface Carissa, Got Milk, Cutting Corners, Astro (retro-futurustic), Dix (2012: a slabby wood style face inspired by the poster for the 1929 film Redskin, and a desire to create a black Edwardian font with an offbeat serif), and the monoline rounded stripped-down sans typeface family Laszlo (2012: the name is an homage to Laszlo Moholy-Nagy of Bauhaus fame).

Kolega (2012) is a constructivist typeface family that consists of Kolega, Kolega Tall, and Kolega Podrobska (fake comrade).

Steampipe (2012) is an ironwork, Jules Verne, wrought iron and time machine font.

Los Muertos (2012) is a Halloween font.

Typefaces from 2013: Megatropolis (a stackable deco font system).

Behance link. J Randall Harris Design link. Home page. [Google] [MyFonts] [More]  ⦿

Karen Ackoff

Designer of the delicate font Russell at Alphabets Inc., and of Russell Oblique (1994, Adobe). Karen Ackoff has a BFA in Illustration from the Philadelphia College of Art and an MFA in Medical Illustration from the Rochester Institute of Technology. She has worked as Scientific Illustrator at the National Museum of Natural History, Smithsonian Institution in Washington, DC. She presently teaches and coordinates the Graphic Design program at Indiana University South Bend. She is available for freelance commercial artwork and fine arts commissions.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Kelly Turner

Kelly graduated in 2011 from Ball State University, and lives in Greenfield, IN. Her first typeface is Lollipop (2011). [Google] [More]  ⦿

Kenny Redman

Designer from Indiana. He created the grunge typefaces 321 Perfect (2013) and 321 Impact (2007).

Dafont link. Fontsy link. Fontspace link. [Google] [More]  ⦿

Kimberly Gerhart

Muncie, IN-based designer of the techno typeface Baby Alien (2014). [Google] [More]  ⦿

Kurt Vonnegut

American author, b. Indianapolis, 1922, d. New York City, 2007. Ardent supporter of the American Civil Liberties Union and a critical pacifist intellectual. He once wrote Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

The Vonnegut Font (Paulo W, 2013) is a left-leaning script that may be based on Vonnegut's handwriting. [Google] [More]  ⦿

Letter Spirit
[Gary McGraw]

A project in cognitive sciences at the University of Indiana, headed by Gary McGraw, John Rehling and Douglas Hofstadter, and active from about 1992 until 1994. A lot of it is captured in McGraw's PhD thesis.

They state: "The specific focus of Letter Spirit is the creative act of artistic letter-design. The aim is to model how the 26 lowercase letters of the roman alphabet can be rendered in many different but internally coherent styles. The program addresses two important aspects of letterforms: the categorical sameness possessed by letters belonging to a given category ( e.g., `a') and the stylistic sameness possessed by letters belonging to a given style ( e.g., Helvetica). Starting with one or more seed letters representing the beginnings of a style, the program will attempt to create the rest of the alphabet in such a way that all 26 letters share that same style, or spirit." Fonts created in this manner include Standard square, Double Backslash, Hint Four, Zigzag, Snout, Bowtie, Weird Arrow, Sabretooth, Sluice and Flournoy Ranch. [Google] [More]  ⦿

Lindsay Yoder

During her studies, Lindsay Yoder (Muncie, IN) designed the pixel face Rigid Script (2014). [Google] [More]  ⦿

Mark Carter
[Houkama Design]

[More]  ⦿

Matt Fisher

Matt Fisher studies at the University of Saint Francis, and lives in Fort Wayne, IN. His first font is called Fisher Price (2010). Is his name Matt Thomas? [Google] [More]  ⦿

Michael Manning

Michael Manning, a graphic designer in New Albany, IN, has a BA degree from Indiana University. He created the sketched typeface Stitch and the plump sans face Coastal in 2013. [Google] [More]  ⦿

Mike Stowe

Mike Stowe is a graphic/sign artist&owner of Signs Unlimited in Granger, Indiana. At Letterhead Fonts, he designed Old Blackletter (25 USD) and Argentine. [Google] [More]  ⦿

Monkey Business

Indianapolis, IN-based creator of NFL (2009), a headline sans patterned after the letters used by the NFL. [Google] [More]  ⦿

Nib-Type
[Onur Fatih Yazicigil]

Onur Yazicigil was born and raised in Konya, Turkey, and currently lives in Istanbul. He received his BFA in Graphic Design from Bilkent University in Ankara, Turkey and MFA in Visual Communication Design from Purdue University, Indiana, USA. Currently he teaches Graphic Design and Information Design classes at Sabanci University in Istanbul. Onur's design and research interests include book and poster design, information design, type design and history, and calligraphy and lettering.

He designed Lokum Sans, a humanistic sans typeface for display purposes, that is also legible in text sizes. At Google Web Fonts, one can download his Duru Sans (2011), which was used in the proceedings and other publications of the International Symposium on Electronic Arts.

His thesis was entitled Humanist San-serif versus Grotesque San-serif.

Typedia link. Google plus link.

In 2009, he set up Nib Type. Alternate URL. Speaker at ATypI 2011 in Reykjavik, where his talk is entitled The lack of Latin typographic heritage and type design in Turkey and at ATypI 2014 in Barcelona, where his talk is Setting up Latin typography in Turkey.

A conversation with Onur Yazicigil. [Google] [MyFonts] [More]  ⦿

Nick Rodriguez

Graduate of Indiana University Bloomington in 2012. FontStructor who made the engraved-look typeface Inny (2012).

FontStruct link. Aka nick64. [Google] [More]  ⦿

Onur Fatih Yazicigil
[Nib-Type]

[MyFonts] [More]  ⦿

Philip A. Johnson

Graphic designer and musician from Carmel, IN. He created the monoline condensed geometric face Dodo Sans (2011). [Google] [More]  ⦿

RAWTYPE
[Gatis Cirulis]

Gatis Cirulis (Rawtype, Latvia) is a graphic designer and illustrator who does projects for individuals and companies in Central Europe and the USA. He specializes in logos, identity, illustration, publication, drawing, painting, lettering, book arts web design. He was art director at McCann Latvia but is now located in Bloomington, IN, where he was Letterpress Type Shop Graduate Assistant at Indiana University Bloomington. He currently lives in Las Cruces, NM. His typefaces:

  • The BDSM-inspired all caps alphabet Bound (2009). Example glyphs: A, B, BDSM, C, C, PS. Poster.
  • Aker (2010). An erotic all caps alphabet.
  • Karo (2010). A free geometric font.
  • Frank (2010). A blackletter face.
  • Ray Five (2010). A font based on letters that were projected onto the walls of a dark room.
[Google] [More]  ⦿

Rich Gast
[GreyWolf WebWorks (was DarkSide Productions)]

[More]  ⦿

Robert Bringhurst

Author of The Elements of Typographic Style (1992), by many considered as the best book in typography ever written. Revisions were done in 1996, 2004, 2005 and 2008 [review, web, lecture]. Interview with Delve Withrington. He is also a prize-winning poet. Other books by him include A Short History of the Printed Word (1999, with Warren Chappell).

Biography, from which I quote: Robert Bringhurst was born in Los Angeles in October 16, 1946 and spent his years growing up in the border provinces and states between Western Canada and the United States. He acquired a BA from Indiana University in 1973 and an MFA from the creative writing program at UBC in 1975, where he later taught. Bringhurst collaborated with West Coast artist Bill Reid on a book of Raven Myths, and Bringhurst later wrote a book about Reid's sculpture. Bringhurst is known not only as a poet but also in the fields of typography, linguistics, art history and Native studies. He received the Macmillan Prize for Poetry in 1975 and currently resides in Vancouver. He has some memorable type quotes, such as this one: By all means break the rules, and break them beautifully, deliberately, and well. That is one of the ends for which they exist. He spoke at ATypI 2008 in St. Petersburg and at ATypI 2010 in Dublin. [Google] [MyFonts] [More]  ⦿

Robert M. Givens

President and CEO of Monotype Imaging in 2006. His CV says: In 1986, he co-founded the OEM type software business at Compugraphic Corp. In 1989, when Agfa-Gevaert Inc. merged with Compugraphic, Givens headed an expanded division of the OEM type group as vice president and general manager as part of the U.S. operation. Under his leadership, the OEM type business grew into a worldwide force in the design and development of fonts and font technologies for printer manufacturers, software developers and creative professionals. In 1998, Givens led the merger of Agfa Corp.s Typographic Systems Division and Monotype Typography, a company with a rich history of more than 100 years in font development. The combined organization became Agfa Monotype Corp. In 2004, Givens spearheaded the management-led initiative to separate from Agfa. In November, 2004, TA Associates, a leading private equity and buyout firm, became the majority share owner of the new company, Monotype Imaging Inc. Givens is on the board of directors of Monotype Imaging. He holds a bachelors degree from Millikin University in Decatur, Ill. and a masters degree in higher education from Indiana University. In 2006, Monotype Imaging absorbed Linotype and China Type. [Google] [More]  ⦿

Robert Schenk
[Ingrimayne Type (was: The Bovine Rebellion)]

[MyFonts] [More]  ⦿

Rolf F. Rehe

Typographer, designer and journalist educated at Indiana University, where he has been teaching typography since 1995. He has been graphic design consultant since 1981. Author of two books: Typography and Newspaper Design and Typography: How make it clear. His company Design Research International has offices in Vienna (Austria) and Florida (USA). At ATypI 2004 in Prague, he spoke about Newspaper type. [Google] [More]  ⦿

Ross Burwell

Fort Wayne, IN-based brand and graphic designer. Ross created some geometric typefaces, using mostly lines and pieces of circles: Karbon (2009), Aluum (2009), and Titan (2009). Other designs: Gluum (2010), Nove (2010), Orange (2010), This Is In (2010), Untitled (2010). Behance link. [Google] [More]  ⦿

Ross Frazier

Bloomington, IN-based designer of Deco Alphabet (2012).

Behance link.

He also found and letterpress-printed a Bodoni-style typeface found in the Hamilton Wood Type Museum. [Google] [More]  ⦿

Sarah Seitz

Located in Decatur, IN, Sarah Seitz designed a number of typographic posters in 2013 under the name Typographic Storybook. [Google] [More]  ⦿

Sarah Stroup

Web designer and developer in Terre Haute, IN. She created Default Icons in 2012, a font that has many useful arrows and other web symbols. [Google] [More]  ⦿

Scott Boehner

Designer (b. 1985) from South Bend, IN. Creator of Dot Curve (2009) and Space Odin (2009) at FontStruct. He also made the shadow font Spleen Machine (2010). Blog. [Google] [More]  ⦿

Sean Moldenhauer
[Art and Fonts by Sean (aka The BlackBox)]

[More]  ⦿

Spiece Graphics
[Jim Spiece]

Based in Fort Wayne, IN, Jim Spiece (b. 1946, Wabash, IN) likes to revive old type designs. FontShop link.

The typefaces made Jim Spiece:

  • Adonis Old Style SG: after a little stationery and greeting card typeface developed for American Type Founders in 1930 by Willard T. Sniffin.
  • Anthology SG (2005).
  • Arched Gothic Condensed: another Victorian type, developed around 1885 by the James Conners&Son Foundry (New York).
  • Ark Monogram SG: Ark is a combination monogram set based on the ATF Virkotype designi from the 1930s.
  • Asteroid Primo SG (2009).
  • Astoria Antique (2003): 19th century style ornamental face.
  • Aviator SG (1995), aka Ventura Slim, based on an old 1930s lettering style popularized by Carl Holmes in his book.
  • Bernhard Brushscript SG: based on an extremely heavy informal script was created in the early 1920s by Lucian Bernhard.
  • Bernhard Gothic SG
  • Beverly Shores Script SG (2004).
  • Birdlegs SG (1991).
  • Cactus Flower SG (2006): a Wild West family based on lettering by Ross F. George.
  • California Poster SG (1996).
  • Centric Geo SG (1996) and Centric Serif SG (1996). These are squarish slab faces.
  • Concerto Rounded SG: revival of some 1920s Lucian Bernhard lettering.
  • Edison Swirl: A frilly Victorian blackletter face based on a design by Hermann Ihlenburg from ca. 1900.
  • El Castillo SG (2008): an old style newsprint family.
  • Epicerie One&Two SG (2008): a signage family.
  • Eva SG. Eva Antiqua SG is an exquisite family based on the 1922 Klingspor model by German designer Rudolf Koch (known as Koch Antiqua or Locarno). It also includes Eva Paramount SG, which is a revival of a 1928 typeface, also flared, by Morris Fuller Benton called ATF Paramount. The Castcraft incarnation is called OPTI Eve.
  • Frisco Antique Display SG (2004): based on a woodtype display face from the 1880s by Bruce Type Foundry.
  • Gable Antique Condensed (2002): based on a Bauer Type Foundry art nouveau face.
  • Gambit Nouveau SG (2004): art nouveau.(2004): art nouveau.
  • Grand Slam SG (2002): based on an old cardwriting style known as Poster Gothic.
  • Headline Helpers One SG and Headline Helpers Two SG (2009).
  • Hollywood Deco SG (1994): based on a Willard T. Sniffin deco-inspired original from 1932.
  • ITC Blair (1997). Blair has its roots in the Inland Type Foundry, ca. 1900.
  • ITC Deli Deluxe and ITC Deli Supreme (1999)
  • ITC New Winchester
  • Ironman SG (2002): art deco poster font.
  • Kingsbury Condensed SG (1992): 1930s style art deco face.
  • Kolinsky Sable SG (2004): a brush display face due to Charles P. Bluemlein, 1944.
  • Little Brown Frog SG (2007).
  • Melrose Modern SG (2005): art deco family.
  • Memorandum SG (1992): a sans text family.
  • Metropolis SG: revival of a long-legged 1932 classic design by W. Schwerdtner for the Stempel Foundry.
  • Mingo Gothic SG (1991-1992).
  • Narcissus SG (Open and Solid): Narcissus Open is a heavy typeface designed by Walter Tiemann in 1921 for the Klingspor Foundry in Germany.
  • Newport Classic Basic SG and Newport Classic SG: based on an extra condensed art deco typeface designed by Willard T. Sniffin for American Type Founders in 1932.
  • Nicolas Jenson SG: a large text family about which Spiece writes: It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923. Similar in spirit to other early twentieth century revivals such as Centaur, Cloister Old Style, and Italian Old Style, Nicolas Jenson is distinguished by its pristine and delicate nature. A gifted young apprentice to Detterer, Robert Hunter Middleton, greatly expanded the family. And by 1929, bold, italic, and open were part of the Ludlow Foundry's beautiful Nicolas Jenson Series. It was reintroduced under a new name, Eusebius, in 1941.
  • Nova Script Recut One SG (2011): based on Nova Script (1937, George F. Trenholm).
  • Pacific Clipper SG (1991): a mix between Koch's kabel and ATF's Novel Gothic (1929, Morris Fuller Benton and Charles H. Becker).
  • Panorama SG (1995): art deco family, based on an old 1930s lettering style popularized by Carl Holmes is his wonderful book on the subject.
  • Quaint Gothic: Arts&Crafts face.
  • Samson Classic SG: a heavy display face based on a 1940 design by Robert Hunter Middleton for the Ludlow Foundry.
  • San Remo Casual SG: a fifties style connected script.
  • Sheridan Gothic SG: an art nouveayu face, ca. 1910, known as Grant Antique.
  • Speedway SG (1992-1993): connected upright 1950s diner script.
  • Stellar Classic SG (1997): Stellar was originally designed by by Robert Hunter Middleton in 1929 as a serifless roman well before Hermann Zapf's Optima, released in 1958.
  • Stratosphere SG (1993).
  • Telepod SG (2002): based on an old Speedball lettering style and has a very retro look.
  • Thumbnail Text SG (2005).
  • Travel Kit SG (2004): art deco.
  • Tribunus SG: roman Trajanus style family, originally designed in 1939 by Warren Chappell for Stempel.
  • Tweed SG (1992): handlettering.
  • Ultramodern Classic SG: a marquee lettering font family in the style of Broadway. Based on a 1928 design by Douglas C. McMurtrie, Aaron Borad, and Leslie Sprunger.
  • Valentina SG (1991-1992): a plump comic book style script.
  • Veranda Poster SG: derived from a European art supply manufacturer's logotype done in the Vienna (Wien) Austria style, which was used by artists such as Julius Klinger and Willy Willrab in the 1920s.
  • Wellsbrook Initials SG: based on the 1920s work at Bauer of the German graphic designer Emil Rudolf Weiss.
  • Zinc Italian (2002): 19th century style curly ornamental face, aka Zinco in the Victorian era.

MyFonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

St. Meinrad Fonts
[Harry Hagan]

Truetype fonts for Gregorian chants made and sold by Harry Hagan, OSB, Liturgical Music Office, Saint Meinrad Archabbey, St. Meinrad, IN 47577-1010. There is a free demo font. The full fonts are called MeinradA, B and C. For standard music notation, they offer "Melody" for sale. Alternate URL. [Google] [More]  ⦿

Stephen Rapp

American calligrapher, letterer, and type designer (b. 1953, Indianapolis, IN) located in Lakewood, OH, and/or Kent, OH. As a lettering artist for American Greetings since 2000, he has designed and developed numerous proprietary fonts. He specializes in beautiful script typefaces. Stephen's commercial fonts can be found in both Veer and P22/IHOF collections. Creator of these fonts:

  • Baghadeer (2013). A very tall ronde typeface.
  • Bramble (2005, P22): an organic hand-printed font family.
  • ChaiTea (2007, P22): a flowing script.
  • Chatter: hand lettering for a card design that was both humorous and trendy. Proprietary.
  • DeSoto (2009) is a family of 4 faces based on a few letters from a 1958 DeSoto magazine ad. Joe Newton at Veer created butterfly ornaments and swashes.
  • Hiatus (2010-2013): a connected chancery hand.
  • Hollie Hobbie: proprietary hand-printed face.
  • Memoir (2008): an elegant connected script.
  • Montague Script (2008): a connected calligraphic brush script that won a "Certificate of Excellence in Type Design" award in the 55th Annual Type Directors Club Exhibition and an award at TDC2 2009. In 2014, it was followed by Montague Script Bold.
  • New Cuisine (2012). Sure to be a winner, this upright signage script oozes warmth and charm.
  • Raniscript: 2009, upright connected script) from 2009.
  • Shoebop (2006, 2012): retro connected lettering / signage face.
  • Slapjack (2013). A broad-edged calligraphic script.
  • Tai Chi (2003, P22): a calligraphic oriental simulation font.
  • Custom fonts by Rapp were created for American Greetings, AGI and a few private clients. As of 2014, they include Longhand Plain&Swash, Chick Flick, Ciao Bella, AGI Typewriter, AGI Serif, AGI Hand, Chickadee, Madeline, Rough Draft Pro, Cafe Noire, Cantoni Pro, Milk and Honey, Line Dance and Vickery Script.

See also here. MyFonts link. Klingspor link. Behance link. Creative Market link. [Google] [MyFonts] [More]  ⦿

Steven L. Wood

MSDWT Manuscript is a slant print truetype children's handwriting font for both Macintosh and Windows. Shareware by Steven L. Wood at the Light of the World Ministries, Inc, Indianapolis. Comment: well, as Steven says, this font is far from finished. It has a Courier-Italic look, but needs major work still. See also here. Runs Math Dittos. Another URL. [Google] [More]  ⦿

Steven Williams

Based in Indianapolis, Steven Williams's first font is a very geometric modular experimental face called Willstack (2011). His second font is Cubi V (2011), which was inspired by sculptor David Smith. His third face is an unnamed round squarish font (2011). He teaches at the Art Institute of Indianapolis. [Google] [More]  ⦿

Todd Michael Bushman
[ENLIVEN design]

[More]  ⦿

Wolf's Rain
[Gabriel Beatty]

Indiana-based designer (b. 1987) of the font called Wolf's Rain (2005-2007).

Devian tart link. Dafont link. [Google] [More]  ⦿

Zac Neulieb

Student at Purdue University, West Lafayette, IN. Honey Badger (2011) is a slab serif, woodblock-inspired typeface. Metis (2011) is a high-contrast geometric face around the theme of semi-circles. [Google] [More]  ⦿