TYPE DESIGN INFORMATION PAGE last updated on Tue Jan 25 11:01:59 EST 2022






Venezuelan type design

[Venezuela RR (2000, Paul Hickson, Red Rooster) is based on a 1926 typeface called Vesta by Albert Auspurg]


Abaham Martinez

Graphic designer in Maracaibo, Venezuela, who created an unnamed graffiti typeface in 2013. [Google] [More]  ⦿

Abraham Gonzalez

Caracas, Venezuela-based designer of the display typeface Orchestra (2015) and the Saul Bass-inspired typeface Angular (2015). [Google] [More]  ⦿

Alejandra Rodriguez

Valencia, Venezuela-based designer of Gego (2018). [Google] [More]  ⦿

Alejandro Bastardo

Anaco, Venezuela-based designer of the Halloween font Longly Ghost (2021; or Lonely Ghost) and the octagonal typeface Quadrilateral (2021). [Google] [More]  ⦿

Alejandro Cordero

Graphic designer in Caracas, Venezuela, who designed the wood-inspired display typeface Marea in 2017. [Google] [More]  ⦿

Alejandro Freitez

Originally from Maracay, Venezuela, Alejandro Freitez is now based in Buenos Aires, Argentina, where he releases his fonts mostly through Sudtipos. His typefaces:

  • The squarish inline typeface Rectil (2013).
  • The free text font Calicanto (2015), which was published by Sudtipos in 2019.
  • The multistyle wood type look / Western / Victorian / reverse stress / hyper-decorative Presley Slab (2019). By Alejandro Freitez and Claire Menager, under the art directoship of Alejandro Paul.
  • Ansage (2020, at Sudtipos). Ansage is a 61-style sans family (and a variable font with weight, width and italic axes) that revisits the early sans types from the 19th century, rough, raw and unsophisticated.
[Google] [MyFonts] [More]  ⦿

Alejandro Noya

Graphic designer in Caracas, Venezuela, who created an octagonal typeface called Reina Papia Grid (2015). [Google] [More]  ⦿

Alejandro O'Connor

Caracas, Venezuela-based designer of the free graffiti font Caracas (2016). Dafont link. [Google] [More]  ⦿

Alejandro Valero

Merida, Venezuela-based designer of the display typeface Vientana (2017). [Google] [More]  ⦿

Alessandra Perretti

Caracas, Venezuela-based designer of the geometric solid typeface Geo Bold (2017). [Google] [More]  ⦿

Alex Camargo

Type designer at the Colombian foundry Andinistas. [Google] [More]  ⦿

Alex Montilla

During his studies in Maracaibo, Venezuela, Alex Montilla designed the display typeface Bubble Type (2013).

Behance link. [Google] [More]  ⦿

Alexander Morey

San Felipe, Venezuela-based illustrator. Designer of the pearly typeface Iddar (2014), the connect-the-dots typeface Estacion (2014), and the display typeface Biombo (2014). His illustrations are surrealistic, poignant and amusing. [Google] [More]  ⦿

Alexander Wright

Alexander Wright (Modo Visual, Caracas, Venezuela) created the hip alchemic display typeface Alicia (2012, HypeForType). It won an award at Tipos Latinos 2012.

In 2014, he published the prismatic typeface Maquinista, which can be bought at Hype For Type. It won an award at Tipos Latinos 2014.

Winner at Tipos Latinos 2018 of a type design award for Isografia.

In 2015, together with Michelle Benaim Steiner, he co-founded In-House International Design in Austin, TX.

In 2020, he released Troptical (a 48-style prismatic or op-art typeface), and he co-designed Ragtag (a ragtag of capitals) with Rodrigo Fuenzalida for In-House International.

In 2020, Rodrigo Fuenzalida, Alexander Wright and Michelle Benaim Steiner co-designed the exaggerated reverse stress (or: Italian) typeface Pata Slab at In-House International. All uppercase characters were built to fit precisely inside a square, so they are all the same width and height.

HypeForType link. [Google] [MyFonts] [More]  ⦿

Alexandra Larrad

Caracas, Venezuela-based designer of the sharp-edged handcrafted typeface Street (2017). [Google] [More]  ⦿


Venezuelan designer, b. 1997, of Kid Font (2016). [Google] [More]  ⦿

Alvaro Caceres

Caracas-based graphic and web designer who created the rounded titling sans typeface Fonty (2013). [Google] [More]  ⦿

Ana Luisa Rumbos Guerra

Ana Luisa Rumbos Guerra is from Caracas, Venezuela. During her architecture studies at SCAD in Savannah, GA (class of 2018), she created the vernacular typeface Parsons13 (2013). Behance link. [Google] [More]  ⦿

Ana Victoria Morales Hernandez

During her studies in Luxembourg, Ana Victoria Morales Hernandez (b. Caracas) created the connect-the-dots constellation typeface Ursa (2015). She is presenty based in Brussels. Behance link. [Google] [More]  ⦿

Anderson Delgado

During his studies in San Cristobal, Venezuela, Anderson Delgado designed 3D Sal (2012). [Google] [More]  ⦿

[Carlos Fabián Camargo Guerrero]

Bogotá-based Colombian graphic design studio and type foundry Andinistas was founded in 1998 by Carlos Fabián Camargo Guerrero, Lennyn Salinas, Mariangeles Valero, Juan Carlos Valero, Jorge Alexander Camargo Guerrero, Rafael Rincón, and Jordi Teres. It was first located in Caracas, Venezuela, but moved in 2003 to Bogotá, Colombia. New names in its organization include Alexander Moreno. Many of its designers are Venezuelan.

Among their typefaces: Nikona, Magola (2008, puffy script), Angelita, Pepelepu, Zerotipo, Skuke, Retro, Radio Bemba, Pumarosa, Pr1, Oficia, Nativa, Mongol (free), Lirrot, Leroy (1999-2008, computer screen stripes), Leroy Dingbats (1998-2008), Hiroformica, Hibrida, Guerilla, Guerilla Outline, Gruada, Gancho Petare, Escuedra, Esbelta, DSNett, dia-D, Download, Denego, Cristal, Codiga, Codiga Icon, Codiga Destroy, Codiga Codec, Chacao Petare, Cazon Gothic, Boa, Biol, Ave-cedario, Anaira.

Cazon (2007, Camargo Guerrero) is a family of calligraphic origin consisting of 7 styles: Gris, Negra, Uno, Dos, Tres, Dingbats A and B and is based on the paintbrush letters found in the popular markets of La Guaira, Caracas. This family won an award in the experimental typeface category at Tipos Latinos 2008. Lirrot (2007) is a 6-style grunge handwriting typeface bordering on the psychotic, and comes with Lirrot Dingbats. It too won an award at Tipos Latinos 2008.

PP Lepu (1998-2008) is pixel grunge. Josefina (+Dingbats1) is a curly script also made in 2008. Navaja (2008) and Diad are collections of grunge fonts with grungy dingbats. Lucrecia 1 through 3 (2008) is a fat connected script family ranging from clean to splattered.

Telesforo (2008) radiates anger from its brushy grungy limbs. Telesforo Black won an award at Tiupos Latinos 2012. Ninja 1 and Ninja 2 (2008) are script fonts, and are accompanied by Ninja Dingbats (2008). Dsnet (2008) is a 6-style bare-bones rounded squarish family. Flaminia and Flaminia Dingbats (2008) are useful for food-related signage. Modelia (2008) is thick, informal, and looks like it was brushdrawn. Modelia won an award at Tipos Latinos 2010. Filomena (2008) is a brush family with a goth theme and an accompanying goth dingbats. Obdulia (2008) and Floro (2008) are extreme mural grunge fonts. Marimonda (2009) is grunge calligraphy.

Typefaces from 2012: Demetria (a hellish script), Ciclope (army stencil), Meteora (a sturdy weathered family), Kamuy (a grunge typeface, with dingbats, that links to Asian comic style lettering, and Japan in the Pacific War), Naturalia (an informal sans family).

In 2013, he made Gluten (a poster typeface family), Bengala Script (a distant relative of Mistral), Chef Script (a large signage script influenced by Ross F. George's Speedball lettering manual (1957)), Chef Script Dingbats (hilarious restaurant dings and fists), Sumergible Script.

Typefaces from 2014: Citronela (cartoon or Caribbean hotel signage font family), Bemol (a set of script fonts in craftsman style), Nemocon (creamy script), Acustica (a calligraphic Acustica Script, with didone Acustica Caps, and a decorative Acustica Dingbats), Cereal (+ Script (a vampire script), Skin and Dingbats).

Typefaces from 2015: Draw (which includes a gorgeous calligraphic Draw Script), Coffee Break (signage script family, +dingbats), Solar (a set of seven handcrafted styles).

Typefaces from 2016: Enjoy (Script, Caps).

Typefaces from 2017: Warhol (irregular scripts), Makeup (a crayon font by Carlos Guerrero and Carolina Suarez).

Typefaces from 2018: Bechamel (a delicious curly brush script), Bechamel Roman (based on the unicase letterings of the movie Willy Wonka and the chocolate factory), Stevia (script).

Typefaces from 2019: Bleak (an experimental layerable font inspired by wood type, Piet Zwart, Lissitzky and van Doesburg), Nutcake CatchWords.

Sonora won an award at Tipos Latinos 2014. Combine Script and Combine Caps (layerable colorable fonts), and Nemocon, won awards at Tipos Latinos 2016. Winner at Tipos Latinos 2018 for Clothing, a titling typeface published at Andinistas by Camilo Zamora and Carlos Fabian Camargo.

Typefaces from 2020: Cherrypie (a food packaging script), Rapsodia (a decorative all-caps family with curl, spurs, Victorian details, and decadent frills).

Typefaces from 2021: Visible (an inky script family), Caribe (Script, Caps, Shields).

View the typefaces designed by Andinistas.

Klingspor link. Dafont link. Behance link. [Google] [MyFonts] [More]  ⦿

Andre Maiuri

[More]  ⦿


Caracas-based digital artist (b. 1985) of drearetro (2007), a nice grungy sans. [Google] [More]  ⦿

Andrea Cardone

Andrea Cardone (Caracas, Venezuela) designed Fresh Font, a script face, in 2013. [Google] [More]  ⦿

Andrea De Oliveira
[Latin Vibes]

[More]  ⦿

Andrea Rojas

Illustrator in Merida, Venezuela, who designed the display or logo type Ovo (2014). [Google] [More]  ⦿

Andrea Romeli Castillo

Caracas-based designer of the geometric typeface Piñata (2013): this vector format font is based on origami.

Behance link. Hellofont link. Another Hellofont link. [Google] [More]  ⦿

Andres Acosta Blaschitz

Caracas, Venezuela-based designer of the connect-the-dots font Inklusiv (2018). [Google] [More]  ⦿

Andres Fermin

Caracas, Venezuela-based designer of the hexagonal typeface Exagon (2013). [Google] [More]  ⦿

Andres Jesus Ramirez Escalante

Caracas, Venezuela-based designer of the stencil typeface Closure (2014) and the display sans typeface Softmod (2014). [Google] [More]  ⦿

Andres Mariño Mazzara

Graphic designer in Lara, Venezuela, who was influenced by Brazilian pixacao in the design of the Pixacao typeface in 2013. [Google] [More]  ⦿

Angel Carvallo
[Avenged Creations]

[MyFonts] [More]  ⦿

Angelica Teran

Maracaibo, Venezuela-based designer of the decorative prismatic all caps typeface Elephant (2015). Elephant was a school project. [Google] [More]  ⦿

Anonime Poet

Valencia, Venezuela-based creator of the calligraphic script typeface Le Couper (2013). [Google] [More]  ⦿

Anthony Aponte

Vargas, Venezuela-based designer of Rupees (2013), which is based on the lettering used in the Legend of Zelda game. [Google] [More]  ⦿

Arekusanda Diaz

Guarenas, Venezuela-based designer of the modular typeface Arekusanda (2018). [Google] [More]  ⦿

Argenis Dinael Urdaneta Oropeza
[Dinael Design]

[More]  ⦿

Argenis Mejías

Venezuelan type designer who won an award at Tipos Latinos 2012 for Diablos de Yare. [Google] [More]  ⦿

Ariel Di Lisio

[MyFonts] [More]  ⦿

Arturo Rangel

Caracas, Venezuela-based designer of the circuit font Circuit (2016). [Google] [More]  ⦿

Aura Niño

Porlamar, Venezuela-based creator of some typefaces in 2014. [Google] [More]  ⦿

Avenged Creations
[Angel Carvallo]

Venezuelan designer of Avenged Ink (2020: a weathered blackletter). [Google] [MyFonts] [More]  ⦿

Axel Power

Professional animator and graphic designer in Venezuela. He created the paper fold typeface Papelito (2011) and the arc-and-circle-based typeface Chompiras (2011). [Google] [More]  ⦿

Beatriz Pereira

Caracas, Venezuela-based designer of the techno typeface Fusion (2017). [Google] [More]  ⦿

Bio Logic

Caracas, Venezuela-based graphic designer who created some experimental typefaces. [Google] [More]  ⦿

Brooks Design

Maracaibo, Venezuela-based designer of the blackboard bold typeface family Candy Shop Type (2017). [Google] [More]  ⦿

Bryan Olivera

Caracas, Venezuela-based designer of the curvaceous display typeface Koi (2015). [Google] [More]  ⦿

Bungalow Agency

Studio in Caracas, Venezuela. Creators of an ornamental caps typeface called Lo Importante (2013). Behance link. [Google] [More]  ⦿

Carlo Cadenas

Venezuelan art director and copywriter currently living in Buenos Aires, Argentina. In 2014, he created an experimental ornamental caps typeface called Geometrile. [Google] [More]  ⦿

Carlos Dordelly

Caracas-based designer of Klak (2013), a typeface that was designed on a grid with compass and ruler.

Behance link. Vimeo link. [Google] [More]  ⦿

Carlos Elías Cabrices Herrera

Born in Caracas, carlos now lives in Bogota. He created these typefaces in 2012: Piscis (pixel face), Sprockets (a grunge face). [Google] [More]  ⦿

Carlos Fabián Camargo Guerrero

[MyFonts] [More]  ⦿

Carlos Fabián Camargo Guerrero

Venezuelan graphic and type designer (b. San Cristóbal, Estado Táchira, Venezuela, 1977). He studied Graphic Design between 1995 and 1998 in the Instituto Universitario de Tecnología Antonio José de Sucre (IUTAJS) Extensión Mérida, Venezuela. He runs the design studio Andinistas in Bogotá, Colombia, which he set up in 1998 with a few others. Creator of the beautiful typeface Cazon (1999-2007, a grunge script in 7 styles that includes Gris, Negra, Uno, Dos, Tres, Dingbats A and B) and of Escuadra (2003), Biologia (2003), Denedo (2003; the discussion by typophiles centers around how interesting this 3d font is experimentally---a bit like the type version of M.C. Escher's drawings, full of impossibilities), Modelia (2006), Nikona and Nikona Dual (2006, octagonal, with Rafael Rincón), Avecedario, Btamax (1999-2008, comic book style and grunge), Día D, Nativa, Codiga Icons (dingbats), Codiga (1999-2007, an 8-style octagonal family including Codiga Stencil and Codiga Dingbats), Codiga Pura (octagonal face), Pepelepu, Gancho petare, Guerrilla, and Hirofórmica (grunge). His calligraphic script family Panamericana (2007) comes in many grungy and experimental flavors: Blanca, Gris, Negra, Uno, Dos, Tres, Cuatro, Cinco, Seis and Dingbats. With María Angélica Estrada Cano, he designed the hand-drawn font families Makika (2007) and Lita (2007; in five styles---Gris, Negra, Humo, Molis, and Dingbats). His blog. In the area of combat-ready explosion-inspired letters and dingbats, check his eight-weight family Hiroformica (2007, Andinistas; for a free version, see DaFont). In 2007, he created the calligraphic grunge family Rosadelia, and the grunge lettering and crow dingbats family Gancho Petare. In 2008, he published Heleodora (beautiful scratchy hand), Magola (Negra, Supra Negra and Stencil), Navaja 1 through 4 (a collection of grunge fonts with grungy dingbats), Lucrecia 1 through 3 (a fat connected script family ranging from clean to splattered), Pomarosa (irregular hand) and Pomarosa Dingbats, Bochalema (+Dingbats, a comic book family), and Alcira 1 through 3 (nice scribbly grunge scripts).

In 2020, he designed Man Ray (a wild and weathered calligraphic font, and a pirate era weathered caps typeface). [Google] [MyFonts] [More]  ⦿

Carlos Primo

Carlos Primo, a graphic designer from Madrid, created the super-techno typeface Sector 85 (2011), and the subdued blackletter family Der Neue Gutenberg (2012). Carlos was educated in Venezuela.

In 2014, he designed Archetype and Eye Candy (a bubblegum typeface based on Helvetica Neue 95). [Google] [More]  ⦿

Carlos Vieira

Caracas, Venezuela-based designer (b. 1992) of the decorative caps typeface The Simpsons (2016). [Google] [More]  ⦿

Carlos Villalobos

During his studies, Carlos Villalobos (Maracaibo, Venezuela) designed the thin techno typeface Knife (2014). Free downloads here and here. [Google] [More]  ⦿

Cesar Doreste

Caracas-based designer of the tilted techno typeface Aditus (2011) and the experimental typeface Aquatica (2011).

In 2016, based in Barcelona for his studies in the Masters program at EINA, he designed the free modern text family Avila, which borrows DNA from Linotype Gianotten, Utopia, Bulmer MT and Kepler, but has unique features of its own. [Google] [More]  ⦿

Cesar Salazar

Berlin, Germany-based designer (b. Venezuela) of the tall outlined poster typeface Giant (2020). [Google] [More]  ⦿

Cesar Torres

Typographer and graphic designer in Merid, Venezuela, who created a several sets of experimental numbers in 2015. [Google] [More]  ⦿

Chiara Zanotti

Venezuelan creator of a free Braille font in 2012. [Google] [More]  ⦿

Claudia Oropeza

Caracas, Venezuela-based designer of the steampunk typeface Steam Font (2014). [Google] [More]  ⦿

Cristianne Ly

Venezuelan designer of the scribbly handwriting typeface Sismov. Based in Caracas. [Google] [More]  ⦿

Cristobal Lemoine

Caracas, Venezuela-based designer of a pixel typeface in 2015. Behance link. [Google] [More]  ⦿

Daniel Bonive

Cabudare, Venezuela-based designer of the weathered stone script font Terra Fabula (2016). [Google] [More]  ⦿

Daniel Morlock

Caracas, Venezuela-based motion graphics artist and illustrator.

Dafont link. FontStructor of Space Game Icons (2011, pixelized game icons). Aka Peligro. [Google] [More]  ⦿

Daniela Alvarez

Valencia, Venezuela-based designer of the pixelish typefaces Rockon (2015) and Hiplight (2015). [Google] [More]  ⦿

Daniela Arrieta

Valencia, Venezuela-based designer of a codex style roman alphabet in 2019. [Google] [More]  ⦿

Daniela Infante

Graphic designer in Maracay, Venezuela, who created the poster typeface Atavica (2014). [Google] [More]  ⦿

Daniella Repetto

Caracas, Venezuela-based designer of the futuristic typeface Oblivion (2018). [Google] [More]  ⦿

David Acuña

Caracas, Venezuela-based designer of the thematic typeface Headphone (2017). [Google] [More]  ⦿

David Leon

David Leon (4to Studio, Barquisimeto, Venezuela) created the display typeface Eriz (2013).

Behance link. [Google] [More]  ⦿

David Pabon

Caracas, Venezuela-based designer of the striped all caps typeface Rupias (2017). [Google] [More]  ⦿

David Perez

Art director in Caracas, Venezuela. In 2013, he created the connect-the-dots or graph-theoretic typeface Node Typo. [Google] [More]  ⦿

Dayana Martinez

Caracas, Venezuela-based designer of a formal script italic with ornamental caps in 2012. I think that the typeface is called Arte Grafico. Aka Dayan Perez. [Google] [More]  ⦿

Deborah Mitchell

Born in Caracas, Deborah is currently studying fine arts at California State University. She made a great type poster that explains typographic terminology. [Google] [More]  ⦿

Deiyarandin Machado

Graphic designer in caracas, Venezuela. She created the fun display face Abcdario (2011). [Google] [More]  ⦿

Dennis Campos

Located both in Venezuela and in Barcelona, this web designer created the ultimate minimalist ultra fat boxy font Black Block Box in 2008. [Google] [More]  ⦿

[Luis Villarroel]

Graphic designer in Ciudad Guayana, Venezuela, b. 1987, whose typefaces are mostly influenced by religion or medieval times. In 2017, he created the decorative display typefaces Joan of Arc and Swan.

Typefaces from 2018: Indecisa (spurred), Mayapan, Antelami (a gothic cathedral font), Enigmus, Elegantys, Gothycal, Cathaline. [Google] [More]  ⦿

Diana White

Caracas, Venezuela-based designer of the decorative blackletter alphabets Goticas Blue (2018) and Romantic Gothic (2018). [Google] [More]  ⦿

Dileny Jimenez

Graphic designer in Caracas, Venezuela, who created the offbeat typeface Caribe Nuestro in 2013 for a dance event. [Google] [More]  ⦿

Dinael Design
[Argenis Dinael Urdaneta Oropeza]

Madrid-based graphic, web and type design studio. Creators of the free dot matrix typeface Game Power (2007). It is run by Argenis Dinael (b. 1978, Valencia, Edo. Carabobo. Venezuela).

Dafont link. Klingspor link. [Google] [More]  ⦿

Dionny Perez

Caracas, Venezuela-based designer of the curly typeface Drops Artmond (2018). [Google] [More]  ⦿

Dubraska Velasco

Graduate of the Institute of Design of Caracas, Venezuela, b. 1992. Caracas, Venezuel-based designer of the experimental geometric typeface Tres (2016). [Google] [More]  ⦿

Edison da Silva

Caracas, Venezuela-based designer of the techno typeface Fast Track (2015). [Google] [More]  ⦿

Eduardo Carrillo

Art director in Merida, Venezuela. Creator of 186 (2013), a font totally based on circles. [Google] [More]  ⦿

Eduardo Chumaceiro

Caracas, Venezuela-based designer of the striped colored alphabet Kinetic (2019). [Google] [More]  ⦿

Eduardo Molea

Buenos Aires-based Venezuelan designer of the free many-styles-in-one polygonal typeface Collisio (2019), which would be perfect for a Mad Max movie. [Google] [More]  ⦿

Eduardo Monteagudo

Venezuelan industrial designer since 2005, who worked at the Universidad de Los Andes from 2005-2016. Cofounder of Cacao C.A. in 2006, one of the first design studios in Merida, Venezuela. In 2016, he left for Spain where he obtained a Masters in Design and Illustration at UPV in Valencia.

Designer of the Light alphabet (2017) and Furniture Alphabet (2017). Behance link. [Google] [More]  ⦿

Eduin Gomez

Maracay, Venezuela-based student-designer of the hand-printed typeface Gomez Type (2015). [Google] [More]  ⦿

Erick Antonio Molina

Caracas, Venezuela-based designer of the 3d display typeface Hueca (2015). [Google] [More]  ⦿

Fabio Eduardo Godoy Angel
[Fabio Godoy]

[MyFonts] [More]  ⦿

Fabio Godoy
[Fabio Eduardo Godoy Angel]

Fabio Eduardo Godoy (Venezuela) created the rounded signage family Loncherita (2013) and the techno stencil typeface family Caballero (2013). Apparently, Fabio was born in Colombia.

In 2017, Fabio Godoy and Carlos Fabian Camargo Guerrero co-designed the handcrafted typeface Infusion at Andinistas. [Google] [MyFonts] [More]  ⦿

Fabio Korsos

Caracas, Venezuela-based designer of the sans typeface Monkey Bite (2014). [Google] [More]  ⦿

Fabiola Marquez

Venezuelan designer of the curly typeface Eye Script (2010). No downloads. [Google] [More]  ⦿

Fabiola Rivas Rivas

Graphic designer in Caracas, Venezuela, who created an experimental typeface called Futurista (2011). [Google] [More]  ⦿

Felix Andrea

Los Teques, Venezuela-based designer of the curly display typeface Alice Torn (2016). [Google] [More]  ⦿

[Rodrigo Fuenzalida]

Graphic and type designer from Caracas, Venezuela, b. 1981, who moved first to Buenos Aires and then to Santiago in Chile. While mainly a type designer, he also practices calligraphy. He was involved in and set up multiple type foundries, including Fragtype. Fuenzalida designed these typefaces:

  • The art deco faces Erre.
  • The experimental typefaces Tructura, Tangram, Sicodelica (multiline), SuperC (2009, tall condensed) and Pixid (2010, pixel face).
  • Concrete Stencil (2010). Stencil meets calligraphic script.
  • Fux (2010). A rounded monoline sans.
  • 7Tees.
  • Aushaus: letters like music notes. This is also called Aubhaus.
  • Gerd (2009). An artsy stylish piano key font that used to be free.
  • LINE_A and K5 (multiline).
  • Cubo (aka Khubo, 2009, Die Gestalten). This 3d geometric family was a grand prize winner in the experimental typeface category at Tipos Latinos 2010.
  • Factur (2011) is an angular typeface.
  • Isosibilia. A 3d face. This typeface won an award winner in the experimental typeface category at Tipos Latinos 2010.
  • The connected upright script face Nedo.
  • The grunge typeface Belt.
  • The stencil Bodoni typefaces Giambo Stencil (2009, Die Gestalten) and Giambattista.
  • Titan (2011). A fat rounded poster face, downloadable from Google Web Fonts.
  • Fux (2010). A basic monoline sans family.
  • Poetsen One (2012) is a rounded signage sans typeface co-designed with Pablo Impallari.
  • Racing Sans (2012). A techno typeface that conjures up speed. Codesigned with Pablo Impallari, it is free at Google Web Fonts.
  • With Nicola Massi, he created the textura typeface Pirata+One (2012, Google Web Fonts).
  • Hermeneus One (2013, with Pablo Impallari) is a slab serif.
  • Tweegi (2013) is an elegant super-condensed serif typeface family.
  • Kardia (2014) is a rounded slightly elliptical warm-hearted sans family.
  • Libre Baskerville (2012, Google Web Fonts, Open Font Library, Github, and CTAN) was developed together with Pablo Impallari. It is based on 1941 ATF specimens, but it has a taller x height, wider counters and minor contrast that allows it to work on small sizes in any screen.
  • Libre Caslon (2012-2014). A free typeface family co-designed with Pablo Impallari.
  • Raleway (2010-2013). This popular free sans typeface family was started by Matt McInerney in 2010 and completed by Pablo Impallari and Rodrigo Fuenzalida in 2013. In 2017, it was extended to Rawline.
  • Libre Bodoni (2014, Open Font Library) was developed by Pablo Impallari and Rodrigo Fuenzalida based on Morris Fuller Benton's Bodoni types---they optimized the glyphs for use on the web. Github link.
  • Latina (2015) is a humanist sans typeface family developed with the Latinotype team. It won an award at Tipos Latinos 2016. Its headline styles have exaggerated humanist features, while its text styles are more subdued.
  • In 2016, Latinotype published the 32-style Corporative Sans Round Condensed, which was developed by Elizabeth Hernandez and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernandez.
  • Libre Franklin (Pablo Impallari and Rodrigo Fuenzalida) is a revival of Morris Fuller Benton's 1912 classic, Franklin Gothic. Created in 2015, it was only published in 2016 at Google Fonts. Github link.
  • Taberna (2016). A vintage copperplate style family based on design trends in bar signage, liquor packaging and street wear. Codesigned by Jorge Cisterna at Latinotype.
  • Letteria Script (2017, Latinotype). A signage script family.
  • Winner at Tipos Latinos 2018 of a type design award for Mixta (Joya Type Foundry).
  • In 2018, Daniel Hernandez and Rodrigo Fuenzalida enlarged the fat all caps slab serif Latinotype typeface Rita that was originally started in 2010.
  • Market (2018, Latinotype) is inspired by hand-painted grocery store signs.
  • In 2019, Latinotype published the great super-slab typeface Breton which was designed by Daniel Hernandez and Rodrigo Fuenzalida.
  • In 2018, he published Multiple at Latinotype. Partly geometric and partly humanist, it has Sans and Slab subfamilies.

    In 2019, Alfonso Garcia and Rodrigo Fuenzalida released Utily Sans at Latinotype. Utily Sans is a slightly humanist take on Futura.

    In 2019, Fuenzalida released Atenas through Los Andes. It emerged as a mixture of science fiction and calligraphy, with notable influences of Eurostile and Microgramma. There is a fully stocked stencil subfamily, Atenas Stencil.

  • Mixta (2020, Latinotype). A total of 54 typefaces with these subfamilies: Mixta Sharp, Mixta Pro, Mixta Didone. Includes weights from Hair to Heavy.
  • Spock (2020). A 48-style demi-sans and demi-slab family by Luciano Vergara, Cesar Araya and Rodrigo Fuenzalida.
  • In 2020, he co-designed Ragtag (a ragtag of capitals) with Alexander Wright for In-House International.
  • Mixta Essential (or: Mixta Ess) (2020, Latino Type). A 12-style hybrid of a didone-inspired rectangle-shaped serif and a sharp wedge serif.
  • In 2020, Rodrigo Fuenzalida, Alexander Wright and Michelle Benaim Steiner co-designed the exaggerated reverse stress (or: Italian) typeface Pata Slab at In-House International. All uppercase characters were built to fit precisely inside a square, so they are all the same width and height.
  • Mumford (2021). An 18-style display sans.
  • Outfit (2021, Google Fonts). Github link. This geometric font family was originally designed for the brand company Outfitio and On Brand Investments Pty Ltd. It includes a variable font.

Klingspor link. Abstract Fonts link. Behance link. Kernest link. YWFT link. Creative Market link. MyFonts link. Dafont link. Another Behance link. Google Fonts link. [Google] [MyFonts] [More]  ⦿

Gabriel Timaure

Zulia, Venezuela-based designer, b. 1992, of Pixel Break (2014). [Google] [More]  ⦿

Gabriela Fontanillas Ferrer

Venezuelan graphic designer and member of ATypI. [Google] [More]  ⦿

Gabriely Lacruz

Guatire, Venezuela-based designer of the artsy Swag Sans typeface (2016) and Coquito (2017, teardrop-themed). [Google] [More]  ⦿

Gato Zerpa

During his studies in Caracas, Venezuela, Gato Zerpa created the monoline sans typeface Typo 23 (2014). [Google] [More]  ⦿

Gerd Leufert

Graphic and abstract artist, b. Memel, Germany, 1914, d. Caracas, Venezuela, 1998. His oeuvre includes one typeface, Clip (1970-1974), a paperclip type. [Google] [More]  ⦿

Giannabella Sacco

Italian-Venezuelan designer who grew up in both countries, graduated from The American School of Milan (ASM) in Milan (2009), and currently enrolled in the BFA program at Otis College of Art and Design.

With James Kenneally, she designed the free fun informal typeface Reacoo (2012). [Google] [More]  ⦿

Gustavo Arrieta

Graphic designer in Caracas, Venezuela, who designed the stylish neon stencil typeface Neon (2016). [Google] [More]  ⦿

Hector Castillo

Venezuelan creator of the hand-printed typeface Castillo (2012). [Google] [More]  ⦿


Venezuelan creator of the free curly typeface Zou 70s (2012) and the spiny typeface Espinas (2012). [Google] [More]  ⦿


Venezuelan creator of the free curly typeface Zou 70s (2012) and the lava lamp typeface Marina (2012). [Google] [More]  ⦿

Hibrain Rodriguez

Sucre and/or Carupano, Venezuela-based designer (b. 1998) of the free polygonal crumled paper typeface Crumpled (2018), and of the geometric experimental typefaces Squaround and Squaraound S (2018) and the modular typeface Huex (2018). [Google] [More]  ⦿

Humberto José Torres Peoli

Caracas, Venezuela-based designer (b. 1991) of Regothic (2010, fancy blackletter), and One Way (2011, paperclip face). He lives in Caracas. Home page. Behance link. [Google] [More]  ⦿

Ira Gonzalez

Chivacoa, Venezuela-based designer of the squarish typeface Beau (2014). [Google] [More]  ⦿

Isaac Marchan

Valencia, Venezuela-based designer of a great experimental grid-based typeface in 2015. [Google] [More]  ⦿

Isabel Mitri

Maracaibo, Venezuela-based designer of the high-contrast typeface Intransigencia (2017). [Google] [More]  ⦿

Isabel Urbina Peña

Isabel Urbina is a graphic design graduate from ProDiseño School of Design and Visual Communications in Caracas, Venezuela. She was born in New York City, grew up in Venezuela and is currently working as a freelancer in Brooklyn, NY, where she also attended Cooper Type. Her main interests include typography and book design. Letra Type is a type foundry started by Isabel in 2014 in Brooklyn, NY.

Isabel created the children's book font Quentos (2010) and an animal caps alphabet called Animaletters (2011).

While studying at Cooper Type, she designed the quaint serifed typeface Olivia (2012), the elegant old-fashioned serif family Galea (2012: featured in the book Playing with Type: 50 Experiments by Rockport Press, 2013), and the revival typeface Laureate (2012), which was based on a 1906 typeface from Keystone Type Foundry. Galea Display won an award at Tipos Latinos 2016.

Behance link. [Google] [MyFonts] [More]  ⦿

Israel Abraham

Venezuelan creator of the experimental / alchemic typeface Carnada (2011). [Google] [More]  ⦿

Javier Alvarado

Valencia, Venezuela-based designer of some squarish experimental school project typefaces in 2015. [Google] [More]  ⦿

Javier Fuentes

Boston-based designer who was born in Cuba and raised in Venezuela. Behance link. He created the geometric outline typeface Jeroglifico (2011), and the Bauhaus-inspired outline typeface Dessau (2012).

Behance link. Cave Graphic Design link. [Google] [More]  ⦿

Jeaneth Lacruz

During her studies at Universidad de los Andes, Jeaneth Lacruz (Merida, Venezuela) designed the fashion mag typeface Ricci (2015), which is named after Nina Ricci. [Google] [More]  ⦿

Jeanniffer Susana Leon T

San Felipe, Venezuela based designer of the hamd-crafted typeface Type Jenn (2015). [Google] [More]  ⦿

Jessica Aharonov

Caracas, Venezuela-based creator of Kahue (2013), Dot Typeface (2012), Mechanoid (2012), Folded Typeface (2012) and Cubika (2012, a 3d face).

Behance link. [Google] [More]  ⦿

Jesus Delgado

Barquisimeto, Venezuela-based designer of the titling typeface APN (2015). [Google] [More]  ⦿

Jesus Duran

Merida, Venezuela-based designer of the sharp-serifed display typeface Ramona (2015). [Google] [More]  ⦿

Jesus Garcia Lopez

Maturin, Venezuela-based designer of the display typeface Luxia (2019) and the neon script typeface Bayshore (2019). [Google] [More]  ⦿

Jesus Gavotti

Caracas, Venezuela-based designer of the paperclip font Circuit (2016). [Google] [More]  ⦿

Jesus Suarez

Graphic and type designer and illustrator from Valencia, Venezuela. Creator of Sepna (2008), a fat art deco face. [Google] [More]  ⦿

Jhozy Mendez

Caracas, Venezuela-based designer of the geometric figure typeface Focus (2019). [Google] [More]  ⦿

Jimweruska Centeno

Caracas, Venezuela-based designer of the origami typeface Square (2016). [Google] [More]  ⦿

Johan Montenegro

San Cristobal, Venezuela-based designer of a modular typeface simply called Monospace (2019). [Google] [More]  ⦿

Johana Ramirez Nieto

Art director in Caracas, Venezuela, who designed the decorative caps typeface Fishing Type in 2017. [Google] [More]  ⦿

Johana Rey

Illustrator and graphic designer in Caracas, Venezuela, who designed the decorative typeface Nova Espiral in 2016. [Google] [More]  ⦿

John Moore

Born in 1951, John Moore is a Venezuelan type designer. He studied graphic design in the Institute of graphic design Neumann from 1972 until 1976. In 1980 he took a workshop with Milton Glaser and since 1983 he has worked as an art director and creative director in many advertising agencies. He designs type since 1976.

His typefaces Gordis (a fattish comic book family) and Tepuy won awards at Tipos Latinos 2008 in the non-text and experimental typeface categories, respectively. At Tipos Latinos 2010, he won twice in the display category, for Victorina and Radio Time.

His typefaces: (New) Maracay (2013, a large layered Victorian signage family), Fine Art OT (2013, brushy typeface), Roadline Italic (2013, a retro script), JMTF Robin (2013, a layered post-modernist display family), Virgin Script (2013), Radio Time (2013, fat retro signage script), Radio Time Icons (2013), Palaima (2013, an aboriginal style face), Factor (2012, a layered geometric font), Onda (2012, a wavy psychedelic face), Blockee (2012), Aliykit Open (2012, a multiline typeface), VE Inconexa (2006, outline architectural face), VE Makiritare (2006, a double labyrinthine script that is based on symbolisms used by the Makiritare or Yecuana, river people who live in the village of Santa Maria de Erebato in the Venezuelan jungle on the border with Brazil), VE Moho (2006; or simply Moho in 2014), VE Palaima (2006, futuristic, Amazonian), Radio Time (fifties style script, with Alejandro Paul at Sudtipos), Fruta (stencil, influenced by Glaser?), Glaser Stencil Round, Gothike (sharp-edges), Aqua (ultra round), Club, Caracas (sans; +Caracas Pro, 2015; see also Caracas Stencil Pro, 2015), Factor (hookish), Space Lab (futuristic family), Robin (headline), Victorina (multiline Victorian poster typeface which won an award at Tipos Latinos 2010), Victorina Black Shadow (2011), Waterman (2010, a flowing undulating script family), Spacelab (2010, futuristic) and RobinBienalII (2005).

Sudtipos sells these fonts of his via MyFonts: Makiritare (bilined, based on woven baskets), Palaima (experimental, runic), Precolombino (petroglyphs), Tepuy (rounded version of Makiritare), Roadline (2009, fifties diner font), Sacred Geo (2011, a geometric dingbat font that won an award at Tipos Latinos 2012), DeCoro (2011, art deco family), Sacred Geo Tiling (2011), Primate (2012, an African look typeface family), Morenita (2012, a connected fifties or school script), Takox (2012), Petroglifos (2012), Xtencil (2012, a rounded stencil influenced by Milton Glaser; followed by Xtencil LC and UC in 2013 and Xtencil Pro in 2015).

Typefaces from 2014: Moho Sport Pro (layered athletic lettering typeface family), Scripta Pro and Gothic (40s-style lettering typeface inspired by the style of L.H. Copeland), InkArt Labels, Moho (named after Laszlo Moholy-Nagy), MohoBis Pro (a multilined version of Moho), Moho Condensed, Moho Script, Duvall (named after Edward J. Duvall, who published Modern Sign Painting in the late 1940s; Duvall won an award at Tipos Latinos 2014).

In 2015, the Moho series continued with Moho Style. He also made Arthaus (2015, a fantastic Bauhaus font family inspired by Herbert Bayer's universal alphabet), MyCard (a techno type), NeoScript Pro and Hierra (after a font by Dan Solo) in 2015.

In 2016, he designed Artime (a sci-fi font), Virtual.

Typefaces from 2017: FunFont (cartoon style).

Klingspor link. MyFonts link. Behance link. Poster.

View John Moore's typefaces. [Google] [MyFonts] [More]  ⦿

[Jose Luis Vivas]

Joluvian is Jose Luis Vivas (b. 1979, Venezuela), who studied graphic design in Merida, Venezuela before traveling to the USA, Mexico, Spain and Italy. In Caracas, he worked at an ad agency. He is currently based in Madrid, where he continues his work on illustrations, signage and lettering. His typefaces:

  • In 2013, he cooperated with Alejandro Paul (Sudtipos) on the brushy packaging script Zulia Pro. This typeface has only one weight, but in its genre, it comes close to perfection.
  • Salamat (2015, with Alejandro Paul) is a connected brush script with many opentype features.
  • In 2016, Joluvian and Alejandro Paul co-designed Wink (a connected script font) and Atocha, a packaging / signage script typeface with thick generous strokes.
  • In 2017, Joluvian and Alejandro Paul co-designed Tropical. This package contains a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look.

Behance link. Second MyFonts link. [Google] [MyFonts] [More]  ⦿

Jordi Teres

Type designer at the Colombian foundry Andinistas. [Google] [More]  ⦿

Jorge Algarin

Caracas, Venezuela-based designer of the techno typeface Caracas (2016). [Google] [More]  ⦿

Jorge Henriquez

During his studies in Caracas, Jorge Henriquez created the tall condensed typeface Kramer (2014). [Google] [More]  ⦿

Jorge Sarmiento

During his studies in Caracas, Venezuela, Jorge Sarmiento created a grid-based (ruler-and-coampass) pixaçao typeface family called Chebola (2014). [Google] [More]  ⦿

Jose D. Medina

Illustrator from Caracas, Venezuela who is attending SCAD in Savannah, GA in 2015. At SCAD, he drew the all caps Ancient Mythology Alphabet. [Google] [More]  ⦿

Jose Luis Vivas

[MyFonts] [More]  ⦿

José Galeano

Based in Los Teques, Venezuela, graphic design student José Galeano created a wood type emulation typeface called Barberia Alegre Sans (2012). [Google] [More]  ⦿

José José Villamizar
[Neo Type Foundry]

[MyFonts] [More]  ⦿

José Nicolás Silva Schwarzenberg

Nicolás Silva was born in Mérida, a city in the Andes Mountains of Venezuela, where he studied graphic design at the University of the Andes. After completing his studies, he moved to Caracas to work in an advertising agency (JWT) as an art director. He later moved to Buenos Aires, where he completed a post-graduate certificate in Typeface Design at the University of Buenos Aires. He has been working in that city since 2009, first in a graphic production studio (Pool cp) and then in an animation studio (Gizmo). He is currently working at the design studio Fontana Diseño. Behance link. His typefaces:

  • Poly (2011, Google Font Directory) is a medium contrast condensed serif font. He explains: Poly was my final project for the postgraduate certificate in typeface design (University of Buenos Aires). Poly was originally designed for aglutinative languages, (which is why it's wide) specifically a South American indigenous language (Wayuunaiki). I paid a lot of attention to the "diacritics zone" to harmonize and unclutter the upper zones of the lowercase letters. The Wayuu language or wayuunaiki is spoken by 305,000 indigenous Wayuu people in northeastern Colombia and nothwestern Venezuela on the Guajira Peninsula.
  • Creator with John Vargas of the free upright italic sans typeface Convergence (2011, Google Web Fonts).

Font Squirrel link. Behance link. Google Plus link. [Google] [More]  ⦿

Joselin Galarza

Designer in Caracas, Venezuela, who created the typeface Lucyani (2014). [Google] [More]  ⦿

Joshep Pereira

Caracas, Venezuela-based designer of Vidrio (2016). [Google] [More]  ⦿

Josmary Delfin

Josmary Delfin (Maracaibo, Venezuela) created the textured typeface Helvetica Grunge in 2014. [Google] [More]  ⦿

Juan Carlos Valero

Type designer at the Colombian foundry Andinistas. [Google] [More]  ⦿

Juan Garrido

Caracas, Venezuela-based graphic designer who created the display typeface Vorticism (2013). [Google] [More]  ⦿

Kenny Amaro

Caracas, Venezuela-based designer of Impossible Font (2015). [Google] [More]  ⦿

Latin Vibes
[Andrea De Oliveira]

During her studies at La Universidad del Zulia in 2017, Maracay, Venezuela-based Andrea De Oliveira designed these handcrafted or brushed typefaces: Spooky, Hahalloween, Hi Honey, Je t'aime (dry brush), Wanderlust (dry brush), Kata, Tropical Vibes, Venezuela (dry brush), Aura (dry brush), New York (marker font), Sketchy, Letras Feas, Esmeralda (watercolor brush).

In 2018, she designed The Succulent, Ethnic Love (patterned letters), Dark (a Halloween font), Sunrise Beauty, Me & You, and Lovely & Cute. [Google] [More]  ⦿

Lennyn Salinas

Merida-educated Venezuelan graphic designer at the Colombian foundry Andinistas. Now based in Caracas, Lennyn designed the futuristic dingbat typeface Skuke Dingbats (2012), which is based on the Kuikas culture.

Behance link. [Google] [More]  ⦿

Leonel Balza

Merida, Venezuela-based designer of Goldschmidt (2015). [Google] [More]  ⦿

Ligia Cristina Gonzalez

Merida, Venezuela-based designer of the wavy typeface Aquarelia (2017). [Google] [More]  ⦿

Lilibeth Acevedo

Merida, Venezuela-based designer of Joro Pop (2012). [Google] [More]  ⦿

Liz Alejos

Liz Alejos (La Fabrika Studio 33, and Liluz Art, Caracas, Venezuea) designed several typefaces in 2015, including Stillita. Behance link. [Google] [More]  ⦿

Lourdes Ramirez

Student in Caracas, Venezuela, who created an untitled display typeface in 2014. [Google] [More]  ⦿

Luis Aretuo

Montreal-based designer (b. Venezuela) of the octagonal typeface Collineo (2016), Behance link. [Google] [More]  ⦿

Luis Calzadilla

Barquisimeto, Venezuela-based designer of the free stencil typeface L7 Stencil (2016). [Google] [More]  ⦿

Luis Garcia

Luis Garcia (Caracas, Venezuela) designed the display typeface Halogeno (2012). [Google] [More]  ⦿

Luis Palencia

[More]  ⦿

Luis R. Angrisano

Venezuelan designer of the enigmatic typeface Saiyajin (2020). [Google] [More]  ⦿

Luis Villarroel

[More]  ⦿

Manuel Acosta

Guarenas, Venezuela-based designer of the multiline typeface Typossibilia (2014). [Google] [More]  ⦿

Marcelo Volpe

Caracas, Venezuela-based designer of Chavez Pro (2014), which is based on the handwriting of (ex)-President Hugo Chavez. As is appropriate for such an exercise, Chavez Pro is free. Behance link. [Google] [More]  ⦿

Marcos Hirschfeld

San Diego, CA-based Venezuela-born designer of a star-themed alphabet for a typography course at graduated the Art Institute of California San Diego in 2016. [Google] [More]  ⦿

Maria Andreina Nunes

Graphic designer in caracas, Venezuela, who created the bilined paperclip typeface Andre in 2014. [Google] [More]  ⦿

Maria Antonieta Jaramillo Graterol

Graphic designer in Maracaibo, Venezuela, who designed an untitled artistic all caps typeface in 2014. [Google] [More]  ⦿

Maria de Jesus Ramirez Ayaach

Caracas, Venezuela-based designer of the fashion mag typeface Estilizada (2016). [Google] [More]  ⦿

Maria Elisa Schiratti

Designer in Merida, Venezuela. She created the display caps typeface Calimetrica (2012). [Google] [More]  ⦿

Maria Gracia Vielma

Merida, Venezuela-based graphic designer who created the multilined logotype Marionnettes (2015). [Google] [More]  ⦿

Maria Martinez

Maria Martinez (b. Venezuela) lives in Buenos Aires, where she works and practices flamenco. In 2017, she designed experimental typefaces such as Ginger Man and Marti (a connect-the-dots font). [Google] [More]  ⦿

Maria Mora

Los Teques, Venezuela-based designer of the decorative caps typeface Frutal (2017). [Google] [More]  ⦿

Maria Varela

Caracas, Venezuela-based designer of a tree-themed typeface in 2016. [Google] [More]  ⦿

Maria Viloria

Maracaibo, Venezuela-based designer of the display typeface Aqua (2017). [Google] [More]  ⦿

Maria Virginia Rosales

Valencia, Venezuela-based designer of some nice brush-drawn alphabets (2014) during an experimental calligraphy workshop at Universidad Arturo Michelena. [Google] [More]  ⦿

Mariana Carbonell

Merida, Venezuela-based designer of the dadaist typeface Carbonella in 2015. [Google] [More]  ⦿

Mariana Pacheco

Caracas, Venezuela-based designer of the art deco typeface Retro Type (2016). [Google] [More]  ⦿

Marianela Vivas

Maracaibo, Venezuela-based designer of the sans typeface Jupiter (2017) ond the stylish all caps typeface Status Serif (2017). In 2018, she designed Methal. [Google] [More]  ⦿

Mariangeles Valero

Type designer at the Colombian foundry Andinistas. [Google] [More]  ⦿

Martin Sesto

Graphic designer from Venezuela who is based in Floresta, Argentina. He studied at UBA in Buenos Aires. Martin's typefaces include Pictogramas Deportes Acuaticos (2014), Whiscacho (display typeface) and Angus (2014, modular typeface). Winner at Tipos Latinos 2018 of a type design award for Anabella, a fine brush script typeface that grew out of his project at FADU UBA (for the Master's Degree in typography at the University of Buenos Aires). In 2020, he released Anabella at RNS Fonts. It was inspired by pizzeria posters in Naples, Italy, and first used by the pizza franchise Giuseppe in Buenos Aires.

In 2019, Yorlmar Campos and Martin Sesto released RNS Atlante at RNS Fonts. This text family in one weight is based on 16th and 17th century cartography.

In 2020, Yorlmar Campos and Martin Sesto co-designed the Swiss style neo-grotesk typeface family RNS Physis. [Google] [MyFonts] [More]  ⦿

Maryhathor Mora

Merida, Venezuela-based designer of the compass-and-ruler typeface Halobe (2016), the bilined typeface Mafehi (2017) and the rough brush typeface Cehosa (2017). [Google] [More]  ⦿

[Miguel Vásquez]

Masa is a graphic design bureau in Caracas, Venezuela, where you can download Revolucion icons (not a font), and CAIXA-Regular (2003, by Miguel Vásquez). They will soon have fonts at [T-26]. Warning: Their web page resets the size of your browser window. [Google] [More]  ⦿

[Andre Maiuri]

As a student at CDD in Caracas, Venezuela, Andre maiuri (Mayu) created the free squarish and pixelish blackboard bold typeface Fix (2016). His presentation of the typeface is simply stunning. [Google] [More]  ⦿

Melannie Manrique

Caracas, Venezuela-based designer of the multiline typeface Shine (2017) and a set of icons for wayfinding (2017). [Google] [More]  ⦿

Mercedes M.A. Gardner

Aka Mencho, Mercedes teaches the history and evolution of type. She created the dingbat typeface Tepu-mereme in 2009 which was inspired by the petroglyphs of Venezuela. Daumier Comique 1836 (2011) is a humorous alphabet designed by the French caricaturist and engraver Honoré Daumier in 1836, originally called "Alphabet Comique". [Google] [More]  ⦿

Michelle Benaim Steiner

Partner (with Alexander Wright), CEO and Chief Creative at In-House International Design (est. 2011) in Austin, TX. Michelle ("Michu") grew up in Caracas, Venezuela, and obtained an MBA from the University of Texas at Austin in 2014. She joined In-House International in 2015.

In 2020, Rodrigo Fuenzalida, Alexander Wright and Michelle Benaim Steiner co-designed the exaggerated reverse stress (or: Italian) typeface Pata Slab at In-House International. All uppercase characters were built to fit precisely inside a square, so they are all the same width and height. [Google] [MyFonts] [More]  ⦿

Miguel Angel Gonzalez

Maracay, Venezuela-based designer of the creamy signage script font Gordita (2017). [Google] [More]  ⦿

Miguel Vásquez

[More]  ⦿

Mijael Fandiño

Venezuelan youngster (b. 1990) who lives in Colonia Tovar. He created the leafy caps font Ramada 1 (2006). Home page. Another URL. [Google] [More]  ⦿

Miranda Spinetti

San Antonio de los Altos, Venezuela-based designer of the display sans typeface Metamorphos (2017). [Google] [More]  ⦿

Moska Masamorra

Caracas-based graphic designer who created the ornamental caps typeface Ganesh (2013). For the Humboldt Planetarium, he designed a constellation typeface in 2013. [Google] [More]  ⦿

Nadiuska Ruiz

Nadiuska N. Ruiz G. designed a funny futuristic decorative caps alphabet in 2017. [Google] [More]  ⦿

Nas Art
[Nasser Araujo]

Santiago, Chile (was: Maracay, Venezuela)-based designer of the grungy slimy typeface Flavor (2017). In 2020, he released the free dry brush pen typeface Eighty Seven. [Google] [More]  ⦿

Nasser Araujo
[Nas Art]

[More]  ⦿

Natasha Ametrano

During her studies in Caracas, Venezuela, Natasha Ametrano created the free modular typeface Acantilada (2014). [Google] [More]  ⦿

Nedo Mion Ferrario

Designer and artist, b. Milan, 1926, d. Caracas, 2001. From MyFonts: Several Venezuelan generations had acquired very strong design, typographic and drawing knowledge due to the historical and artistic heritage left by Master Nedo Mion Ferrario. He spent big part of his life teaching and working on design. His passion for impossible figures and geometric optic illusions were the most valuable characteristics of his work. Most of his knowledge was obtained from his father, Emilio Mion Vianello, who dedicated his life to wood carve, a high profile job those day in Italy. Emilio studied in the Brera Academy in Milan and Nedo studied in the Commercial and Technical Institute of Milan between 1936 and 1940, and then in the Fine Arts Academy in the same city. At the end of the Second Word War, both of them decided to leave Italy due to the political situation in those days. Encouraged by the immigration Venezuelan politics they arrived in Caracas in 1950. Wiki.

His work inspired Carlos Camargo Guerrero to create the Escheresque font Denedo (2001-2007). According to Camargo, Denedo is a font based in one of the impossible alphabets created by the Italian graphic designer Nedo Mion Ferrario during the 60's and 70's in Caracas, Venezuela, South America. Michael Parson designed the prismatic typeface Nedo in 2013 based on Ferrario's work.

Klingspor link. [Google] [MyFonts] [More]  ⦿

[Ariel Di Lisio]

Negro is a design site where some commercial fonts can be found, all designed by Ariel Di Lisio, a native of Buenos Aires. He studied graphic design at the University of Buenos Aires. From 1993 to 1997 he worked in the design department at Puma. Since 2015, he is a professor at FADU / UBA in Buenos Aires. Still in 2015, he set up Nodo Type Foundry in Buenos Aires together with Mexican designer Aldo Arillo.

His typefaces from before 2010: Marzo (2008: a hairline vogue typeface commissioned by the Argentinian mag Atypica), Donuts (2008: a layer of round upon a layer of round), Paz (2008: a stylish night club or fashion magazine family---stunning), Lynda (2008: an octagonal/mechanical face), Lunes (2007: art deco), Day (2007: art deco), Friday (2007: art deco), Nigga (2007: an ultra-fat art deco typeface with an experimental edge), Love (2007: a mini-serifed geometric beauty), Santino (2008: trying to bring waves into a simple sans face), Normal (2008: gorgeous, geometric and galant), Mate (2008: a geometric all caps typeface for magazine headlines), Caracas (2008), Soko (2009), Stola (2008), Pink (2008: experimental), Cascabel (2009: a kitchen tile typeface digitized by Alejandro Paul at Sudtipos), James (2009: a bullet hole-themed face), Inlove (2009, Sudtipos: a Lubalin-style poster face designed by Di Lisio and digitized by Alejandro Paul).

Typefaces shown in 2010, mostly experimental / geometric / art deco: Destiny, Drimpy, Hongki, Mobile, Moonglow, Normal, Vincent.

In 2011, Ariel published the futurismo face Saturna at Sudtipos [and I do not understand HypeForType's claim that it is an exclusve HypeForType font]. Their offices are in Buenos Aires and Caracas.

Typefaces from 2012 include Uma (with Alejandro Paul at Sudtipos: a gorgeous two-weight monoline sans family).

In 2013, he created the stencil typeface Anima for a housing project in Punta Chica, San Fernando, Argentina.

In 2015, he designed the cold sans typeface family Stockholm Type, and the display typeface Roska. In 2015, he set up Nodo Type Foundry in Buenos Aires together with Mexican designer Aldo Arillo.

Negro Nouveau link. [Google] [MyFonts] [More]  ⦿

Neo Type Foundry
[José José Villamizar]

Neo Type Foundry is a commercial type foundry in Caracas, Venezuela, est. 2015 by José José Villamizar (b. 1977), who graduated from Universidad Jose Maria Vargas in 2008. In 2015, he designed Yekuana, a typeface whose design is based primarily on the study of certain geometric ethnic ancestral Venezuelan symbols.

Typefaces from 2016: Enza, Enza Expanded, Yekuana Pro. Behance link. Creative Market link. [Google] [MyFonts] [More]  ⦿

Nestor Paredes

Maracaibo, Venezuela-based designer of Rune Gothic Type (2013). [Google] [More]  ⦿


Or AndreinaOT. Venezuelan designer, b. 1991, of the grungy typeface Artmar (2014). [Google] [More]  ⦿

Nina Glaz

Merida, Venezuela-based designer of the display typeface Torii (2016). [Google] [More]  ⦿

Noesis Art

Venezuelan creator of Noesis (2012, a techno typeface).

Behance link. [Google] [More]  ⦿


Caracas, Venezuela-based creator of the graffiti font Caracas (2014). [Google] [More]  ⦿

Octavio Colina

Valencia, Venezuela-based designer of the striped speed typeface Velocidad (2017) and the bilined circle-themed and perhaps neon sign typeface Cartel (2017). [Google] [More]  ⦿

Oliver González

Designer in Caracas, b. 1981. He created the serif typeface Campanero (2009). [Google] [More]  ⦿

Oriana Flores

Caracas-based designer who made the ornamental caps typeface Dragonly Vitreaux SF (2010), as well as other experimental caps typefaces. [Google] [More]  ⦿

Pablo Caro

Graphic designer and illustrator, b. Buenos Aires, who lived in Venezuela and Panama, In 2015, he designed the Roots Radical typeface. [Google] [More]  ⦿

[Pedro Sanoja]

Pangramas is Pedro Sanoja in Barcelona and Buenos Aires. His typefaces include Hibrido (2008, a great sketch face), Kinetica (2009, experimental), and PobleNou (2009, based on things found in the Poble Nou area of Barcelona in which I lived for a few months in 1998 while visiting Pompeu Fabra University). Behance link. Before his Barcelona days, Pedro lived in Caracas, Venezuela, where he was a typographer and web designer. In fact, it was there that he first created Hibrido. He also made Vokodek Rmx 001 (2009). Behance link. [Google] [More]  ⦿

Paul Naveda

Freelance graphic designer and illustrator from Maracaibo, Venezuela. He created the elegant retro script typeface Bela Dina (2011). [Google] [More]  ⦿

Paula Mora

Graphic designer in Merida, Venezuela, who designed Doble Vision in 2017. [Google] [More]  ⦿

Pedro Cassany

Pedro Cassany (Barquisimeto, Venezuela) created the slab serif typeface Mecana (2013). [Google] [More]  ⦿

Pedro Miguel Gutierrez

[More]  ⦿

Pedro Piña

Maracaibo, Venezuela-based designer of the experimental typeface Bengala (2013) during his studies at Universidad Rafael Belloso Chacin (URBE). [Google] [More]  ⦿

Pedro Sanoja

[More]  ⦿

[Pedro Miguel Gutierrez]

Designer (b. 1985, Zulia, Venezuela) who is presently based in Buenos Aires, Argentina. Creator of Pedrosky (2012, a dark and theatening typeface). [Google] [More]  ⦿

Penelope Silva

Penelope has a Bachelor's degree in Arts with a Major in video art from Caracas, Venezuela. She currently works as a freelance graphic designer in San Antonio, TX. Creator of Orderup (2011, commissioned by the Orderup restaurant in san Antonio): This is a font I created for Orderup, by digitally tracing over the Sackers Gothic font they used for their logo to give the hand-drawn style they wanted for their new image. [Google] [More]  ⦿

Quenvy Malavé

Illustrator and graphic designer in Caracas, Venezuela, who created the free EPS format ball terminal display typeface Dama in 2016. [Google] [More]  ⦿

Rafael Rincón

Creative Director in Caracas, Venezuela where he works for a Trade Marketing company called Nexus. He was born in 1973 in Cúcuta, Norte de Santander, Colombia, and is a type designer at the Colombian foundry Andinistas. He co-designed the octagonal typefaces Nikona and Nikona Dual with Carlos Fabián Camargo in 2006: X1 (+Negra), X2 (+Gris), X3 (+Blanca), Stencil (+Dingbats). He writes: The leading thread that typifies this family is its mutant spirit, a result of my personal and typographic interpretation of the three robotic laws created by Asimov in 1940, and reflected many times in sci-fi movies, comics and Japanese anime. [Google] [MyFonts] [More]  ⦿

Rafael Rincon
[Rafael Rincon Letrografia]

[More]  ⦿

Rafael Rincon Letrografia
[Rafael Rincon]

Graphic designer and lettering artist in Caracas, Venezuela, who created the display vector font Organza in 2013. His lettering makes creative use of textures and patterns. Hellofont link for buying his work. [Google] [More]  ⦿

Raquel Ramirez

Barcelona, Venezuela-based designer of the serif typeface Born (2017). Behance link. [Google] [More]  ⦿

Rebeca Lucena

Venezuelan designer (b. 1985) of the script typeface Rlg (2020). [Google] [More]  ⦿

Renaud Futterer

Parisian graphic designer and motion type artist, currently based in London. o-founded the Motion Design Studio Panoply in 2015 where he worked for Nike, Louis Vuitton and others. Home page. Creator of the typefaces Trinity (2008, 3d experiment) and Golden Moods (2008, bi-line, serif).

In 2018, he published Varsity (a variable font), and the motor sports sans typeface Force, and the free sans typeface Reno Mono.

In 2019, he released the neon font Flow and the 3d alphabet Circle. [Google] [More]  ⦿

RNS Fonts (was: Impacto Laser, or: SuperFlexia)
[Yorlmar Campos]

RNS Fonts (and before that, Impacto Laser, and before that, SuperFlexia) is a type and design group in Caracas, Venezuela headed by J. Campos, Felix Molina and Yorlmar Campos (b. 1976). Yorlmar, who is an architect, designed RNS Underwood (2010, Western face), RNS Bobo Dylan (2007, art deco headline), RNS Baruta Black (2004, fat display typeface based on the Letraset Frankfurter font from 1974), RNS Round Stencil (2011), RNS Cochinilla (2011, avant garde), RNS Camelia (2008-2016: a demi-slab serif), RNS-TNT (2003, counterless and octagonal), and RNS Serial (2003, fat octagonal sports T-shirt font).

All early fonts are free. In 2014, Yorlmar went commercial and started marketing RNS Fonts on the MyFonts site. Commercial fonts include RNS Pictographica (dingbats), which includes RNS Pictographica Cocina.

In 2015, he made the geometric sans typeface RNS Miles (which won an award at Tipos Latinos 2016), the signage brush script RNS Susana, the poster font RNS Ahumada (+Ornaments), the great neurotic script typeface RNS Oladys, the gorgeous ultra fat font RNS Obesa Fat, and RNS Weather Icons (free).

Typefaces from 2016: Zangano (an angular typeface), RNS Sanz (a 14-style typeface family for wayfinding and information signage).

Winner at Tipos Latinos 2018 of a type design award for Mosonyi.

In 2019, Yorlmar Campos and Martin Sesto released RNS Atlante at RNS Fonts. This text family in one weight is based on 16th and 17th century cartography.

In 2020, Yorlmar Campos and Martin Sesto co-designed the Swiss style neo-grotesk typeface family RNS Physis.

Alternate URL. Another URL. Old URL called SuperFlexia. Home page. [Google] [MyFonts] [More]  ⦿

Robert Tirado

Talented illustrator in Madrid who drew some ornamental caps in 2011. Check also his Ladytron poster (2011) and his fashion illustrations. Robert was born in Caracas, Venezuela, in 1977. Home page. [Google] [More]  ⦿

Rodolfo Ramirez

Designer in Miranda, Venezuela, b. 1988. Creator of Djentfont (2012). [Google] [More]  ⦿

Rodrigo Fuenzalida

[MyFonts] [More]  ⦿

Roko Arraez

Acarigua, Venezuela-based designer of Bombigot (2012), a very heavy typeface midway between graffiti and bubblegum. [Google] [More]  ⦿

Samantha Montes de Oca

During her illustration studies in Caracas, Samantha Montes dfe Oca drew a decorative Caps alphabet called Beatles (2014), in which the glyphs represent different songs. [Google] [More]  ⦿

Samuel Emilio Ruiz Carpio

Caracas, Venezuela-based designer of Arpa (2015). [Google] [More]  ⦿

Sara Zabala

Caracas, Venezuela-based designer of Dali Font (2015). [Google] [More]  ⦿

Sebastian Fermin

Graphic designer and illustrator in Punto Fijo, Venezuela. In 2017, during his studies at Universidad Simon Bolivar, he created the free blackletter typeface Ozymandias, the free sans typeface Romero, and the sharp-edged sans display typeface Ohm. In 2018, he published the sharp-serifed Zuijin. [Google] [More]  ⦿

Selene Da Silva

During her design studies in Caracas, Venezuela, Selene da Silva created the geometric experimental typeface Ambigua (2014). Behance link. [Google] [More]  ⦿

Sergio Bustamante Diaz

Born in Valencia, Venezuela, 1996, and a graduate of Universidad Arturo Michelena in Venezuela. During his studies at Instituto Toulouse Lautrec, this Lima, Peru-based designer created the cursive typeface Taram Guaya (2020). [Google] [More]  ⦿

Sergio Moreno

Graphic designer from Caracas, who made Chubby (2010, fat and round), and Monamour (2010: tall, thin, and condensed). [Google] [More]  ⦿

Simon Da Silva

Caracas, Venezuela-based designer of the circle-based typeface Aurora (2017). [Google] [More]  ⦿

Simon Flores

Caracas, Venezuela-based designer of the Escher-style impossible typeface Adynata (2016). [Google] [More]  ⦿

S.J. Rivas

Graphic designer in Caracas, Venezuela, who created the Peignotian sans typeface Ese Sans in 2015. [Google] [More]  ⦿

Sophia Barboza

Caracas, Venezuela-based designer of the pixel font Lucirnaga (2015). [Google] [More]  ⦿

Stefany Puche

Graphic designer in Valencia, Venezuela, who created the dymo label font Cruela in 2016. [Google] [More]  ⦿

Stephani Nardulli

Orlando, FL-based designer (b. Venezuela) of the vernacular brush typeface Splatacular (2013). This typeface was created during her graphic and web design studies. [Google] [More]  ⦿

Termica Estudio Creativo

Studio in Caracas, Venezuela, that makes 2d and 3d digital graphics illustrations. These include the Misterios font (2013). Behance link. [Google] [More]  ⦿

Thonny Flores

Thonny Flores, a graphic designer in Caracas, Venezuela, designed Archetype (2013), a typeface inspired by the architecture of Woman's Bridge and by olitical upheaval in Venezuela. [Google] [More]  ⦿

[Luis Palencia]

Miami, FL-based designer, originally from Maracaibo, Venezuela, who created the multiline numbers font 0261 (2015) and the free all caps sans stencil typeface Scratch (2014). Creative Market link. Behance link. [Google] [More]  ⦿

Tipos Latinos Venezuela

Tipos Latinos Venezuela as of 2010: Juan Carlos Darias, Luis Giraldo, Ibrahim Nebreda, Domingo Villalba. [Google] [More]  ⦿

Titi Nosti

Caracas, Venezuela-based designer of the curvy Arabesque typeface (2015). [Google] [More]  ⦿

Ulises Chacon

Ulises Chacon (b. Merida, Venezuela) studied at the University of the Andes. Noww based in Ravenna, Italy, he designed the text typeface Garmendia (2018). [Google] [More]  ⦿

Vanessa Galue

Caracas, Venezuea-based designer of the bilined italic compass-and-ruler font Ecumenico (2016). [Google] [More]  ⦿

Victor Brooks

Maracaibo, Venezuela-based designer of the art deco typeface Rocco (2016) and the curly textured Candy Shop (2016). Behance link. [Google] [More]  ⦿

Victor Suarez

Victor Suarez (La Victoria, Venezuela) created the display typeface Drop Font (2013). [Google] [More]  ⦿


Venezuelan designer of these retail typefaces in 2014: Itzal, Itzal Simple (avant-garde sans family), Travel Icon Font, Silver, Gallium, Viruta, Auvin (art deco), Couloir. [Google] [More]  ⦿

Wander Parada

Turmero, Venezuela-based graphic designer who created the squarish typeface Bagu in 2017. [Google] [More]  ⦿

Yorlmar Campos
[RNS Fonts (was: Impacto Laser, or: SuperFlexia)]

[MyFonts] [More]  ⦿