Walter Tracy
Born in the UK (1914-1995). He was a type designer at Barnard Press from 1935-1938, did freelance design in 1947, and worked for Linotype England as head of the type department from 1948-1978. He continued after 1978 designing Arabic typefaces for Linotype. Tracy was a typographic advisor to The Times. He is perhaps most famous for his bestselling book Letters of Credit, a View of Type Design (London, 1986). This was republished in 2003 by David R. Dine in Boston. He also published "The Typographic Scene" (London, 1988). For lo-fi printing types, a recommended reading is Tracy's Telephone Directories (in issue #15 of the old series of Typographica (1958), pp 4-15). His typefaces: - Adsans (1959). A typeface with short descenders to jam as much text as possible in newspaper ads and telephone directories. Digital revivals include Bitstream's Humanist 970 and Ian Lynam's Adora (2011).
- Doric (1973).
- Jubilee (1953-1954, Linotype). A roman with moderate stress.
- Kufics (1980, Arabic font at Linotype).
- Malik (1988, Arabic font at Linotype).
- Maximus (1967).
- Medina (1989, Arabic font at Linotype).
- Oasis (1985).
- Pilgrim (Linotype) is attributed to Walter Tracy. It is based on Eric Gill's Pilgrim (1934) originally designed by Gill for a book published by the Limited Edition Club of New York. It has an incised quality that one also finds in other typefaces by Gill such as Joanna and Perpetua.
- Qadi (1979, Arabic font at Linotype).
- Sharif (1989, Arabic font at Linotype).
- Telegraph Modern (1969). For "The Daily Telegraph" newspaper.
- Telegraph Newface Bold (with Shelley Winter, 1979).
- Times Europa (1972). For The Times of London, as a replacement of Times New Roman which was made in 1931.
Linotype link. FontShop link. Klingspor link. View Walter Tracy's typefaces.
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Walter Tracy
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Type designers ⦿
Type designers ⦿
Typefaces and type design for Arabic ⦿
Type design in the United Kingdom ⦿
Telephone directory typefaces ⦿
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Eric Gill and his typefaces ⦿
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