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ABOUT

Thomas Maitland Cleland

New York-born book designer, painter, type designer and illustrator, b, Brooklyn, NY, 1880, d. Danbury, CT, 1964. He was mainly involved with ATF. Fonts:

• Della Robbia (1902-1903, Lanston Monotype). Mac McGrew: Della Robbia was designed by Thomas M. Cleland from his rubbings of a few stonecut caps, made during a visit to Rome. It was cut by ATF and first shown about 1902. The capitals have a good inscriptional quality, with almost no variation in thickness of line. The lowercase, with long ascenders and short descenders, has slight thick-and-thin contrast. The series is named for Luca Della Robbia, fifteenth-century Italian sculptor. The Monotype copy, issued in 1917, is virtually exact in display sizes and not seriously modified in composition sizes, but lacks the alternate characters of the foundry version, which also includes a long-tailed Q in QU and Qu combinations, a tied ct, and a distinctive paragraph mark. Della Robbia Light was designed by Morris Benton and cast by ATF about 1913---some sources say 1918. Damon&Peat's Armstrong is equivalent. Della Robbia Initials, which have no apparent relationship to the family except in name, were issued by Intertype. Similar designs to Della Robbia are M.F. Benton's Della Robbia Light (1913) and Monotype's Canterbury (1915). Bitstream made a digital typeface family. A free digital version is Della Respira (Nathan Willis, 2012, Google Web Fonts). Castcraft made OPTI Della Robbia. Other digital fonts like it include Cantoria; Canterbury, Dahila, Firenze, and Westminster Old Style.
• Caslon Swash.
• Westminster Oldstyle (1902, almost chiselled, ATF).
• Amsterdam Garamont (or Amsterdamer Garamont; with Morris Fuller Benton, 1917, Berthold). This Garamond was first released in roman and italic styles around 1918, drawn by Morris Fuller Benton. In 1922, Thomas M. Cleland designed a set of companion swash italics and ornaments. Bold and bold italic variants were released in 1920 and 1923, respectively. For digital versions, check ATF Garamond (2015, Mark van Bronkhorst, Igino Marini, & Ben Kiel at American Type Founders Collection: an 18-style family). Garamont Amsterdam was also implemented by URW, Softmaker, Scangraphic and Elsner&Flake. Garamond No. 3 is the Linotype version of Garamond from 1936, which in turn is based on the American Type Founders design by Morris Fuller Benton and Thomas Maitland Cleland, who based their work, in turn, on seventeenth-century copies of Claude Garamond's types by Jean Jannon.

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INTERNAL LINKS
Type designers ⦿ Type designers ⦿ Type scene in Connecticut ⦿ Type scene in New York ⦿ Garalde or Garamond typefaces ⦿ Caslon ⦿ Morris Fuller Benton ⦿ Chiseled fonts ⦿