Genzsch&Heyse
Hamburg-based foundry ifounded by Emil Julius Genzsch (1856-1906). It was taken over by Linotype in 1963. Their library included typefaces by these designers: - F. Bauer: Fortuna (1930), Genzsch Antiqua (1906), Genzsch Fraktur (1931), Heyse Antiqua (1921), Senats Fraktur (1907).
- K. Klauß: Arkona (1935), Horizontale (1942).
- Heinz Beck: Brahms Gotisch (1937).
- Carl Otto Czeschka: Czeschka Antiqua (1914), Olympia (1929).
- A. Auspurg: Hans Sachs Gotisch (1911), Domina (1929), Souverän (1913).
- O. Hupp: Heraldisch (1910), Neudeutsch (1900), Numismatisch (1900).
- J. Kirn: Oleander (1938).
- H. König: Suberpia (1913).
- Adolf Heimberg: Urdeutsch (1924).
- Helmut Matheis: Verona (1958).
- E. Mollowitz: Anemone (1955).
- E. Ege: Basalt (1926), Ege-Schrift (1921).
- W. Rebhuhn: Fox (1953), Hobby (1955).
- H. Schmidt: Gigant (1926), Monument.
- F. P. Glaß: Glaß Antiqua (1912).
- Eickhoff: Lithograph (1903).
- H. Möhring: Phalanx (1931).
- C. Adam: Rex (1924).
- H. Pauser: Semper Antiqua (1940).
- Eugène Grasset: Römisch Grasset (1913), Grasset Antiqua (1900).
- Albert Anklam: Mönchs-Gotisch (or: Mediaeval-Gotisch) in 1877 (Schnelle says 1881); Neue Schwabacher (normal and halbfett) in 1876.
- J. Göbler: Ballerina (1959, script face).
In addition we find house typefaces such as Adagio (1939, script face), Blockschrift (1897; revived by Nick Curtis in 2015 as Bothas Ruhm NF and by Moritz Zimmer in 2016 as Die Blockschrift), Leibniz-Fraktur (1912; digital versions exist by Klaus Burkhardt, Petra Heidorn (free), Softmaker (Leibniz Fraktur Pro, 2016), and Ralph M. Unger), Nero Kursiv (1913), Alster (1926), Elzevir-Antiqua and Kursiv and Elzevir-Versalien (1925), Rex Versalien (1925), Richard Wagner Fraktur (ca. 1920), Glass Antiqua (1912, Franz Paul Glass: remade in 2011 by Nick Curtis as Half Full NF), Halbfette Hansa Fraktur (1912), Hansa Fraktur (ca. 1915), Hansa Gotisch (digital version by Gerhard Helzel), Plantin Antiqua and Kursiv (1913), Ondosa Ornamente (1912), Preziosa Ornamente (1912), Psalterium (1907, blackletter), Serpentin Ornamente (1912), Hamburger Druckschrift (1909), Nordische Antiqua and Cursiv (1907), Renaissance Ornamente (1901), Römische Antiqua (1899), Sparta (1939), Hauptproben (1910), Negrita, Neugotisch, Neue Pittoresk, Ornamente, Pionier, Renaissance Initialen, Römische Initialen, Römische Kursiv, Venetianische Schreibschrift. Flickr page on Genzsch and Heyse. Proben von Schriften (1902). View the digital legacy of Genzch & Heyse.
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INTERNAL LINKS
Extinct 20th century foundries ⦿
Blackletter fonts ⦿
German type scene ⦿
Bastarda / Bâtarde / Schwabacher ⦿
Venetian or antiqua typefaces ⦿
Elzevir ⦿
Ornamental caps typefaces ⦿
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