TYPE DESIGN INFORMATION PAGE last updated on Thu Dec 12 01:43:16 EST 2024
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Alejandro Paul's Argentinian foundry is called Sudtipos. Veer writes about Paul: Alejandro Paul is one of the founders of the Sudtipos project, the first Argentinian type foundry collective. He taught graphic design and typography at the Universidad de Buenos Aires from 1996 until 2004 and has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone and Movicom. He has walked away with awards from several design competitions. In 2003, he began working with artist Angel Koziupa, designing fonts and lettering for several top packaging agencies. In 2006 he was a speaker at TMDG06, the largest Latin American graphic design event - more than 4,000 designers were in attendance. His work has been featured in publications around the globe, including Step and Creative Review. He has walked away with awards from numerous design competitions. He has received two Type Directors Club TDC2 awards, in 2008 for Burgues Script and in 2009 for Adios Script. He teaches a postgraduate typography program at the University of Buenos Aires, where he previously taught graphic design. Sudtipos has made a reputation as the place to go to for script and signage type. Faces include Brownstone Sans (2010), Brownstone Slab (2013), Politica (2008, an architectural lettering superfamily, used, e.g., by Discovery Channel), Domingo (by Ariel Garófalo), Plumero (connected handwriting font by Diego Giaccone, which is also in the Umbrella Type collection), Murga (display font by Alejandro Paul based on lettering of Angel Koziupa, 2003), and these typefaces by Alejandro Paul: Tierra, Latinaires (2003-2018), Reflex (unicase), Downtempo, and Stardust. Free fonts: Mosaico (2003, pixel typeface by Alejandro Paul), Mabella (2001, Ramiro Espinoza), Rolinga (Carlos Carpintero). Divina (2004) is a Latinized digitization of Kurrent (designed by Rudolph Koch in 1927 and cut in 1935). Myfonts link. Pictures of their fonts in use. YouWorkForThem link. Blog / Facebook group. Additions in 2010: Business Penmanship (which is based on models of American business education penmanship, ca. 1900). Poem Script is another Spencerian face---it won an award at TDC2 2011 and at Tipos Latinos 2012. Fonts from 2011: Calgary Script (brush signage face), Viento (a lively version of Brisa, 2004, another font done with Angel Koziupa), Semilla (2011, a retro script based on an alphabet drawn by Ernst Bentele in 1953). Fonts from 2012 include the angular pair Bayoneta Pro and Machete Pro, both co-designed by Alejandro Paul and Angel Koziupa. Platinus Script Pro (done with Angel Koziupa) is a wedding font. His Hipster Script won an award in the TDC 2012 competition and at Tipos Latinos 2012. In 2013, he created Seashore Script (described as a feminine script, it has horizontal stress and is backslanted; some may consider it an Arabic simulation typeface). At Tipos Latinos 2014, Alejandro Paul cleaned up, winning awards for Bellissima Script, Seashore Script, Auberge Script (a penmanship font in the style of the French bâtarde and coulée), and Bayoneta. Typefaces from 2014: Jugo Script (a supermarket script, done with Angel Koziupa), Courtesy Script (a connected Zanerian script based on a model from 1876). Typefaces from 2015: Blog Script (an informal handwriting font, with Carolina Marando), Auberge Script (which was started in 2014). Typefaces from 2016: Wink (a connected script font co-designed with Joluvian), Henderson Slab and Henderson Sans (a large slab serif family loosely based on an alphabet drawn in 1906 by Albert Du Bois for the Henderson Sign Painter Book), Prangs (a thinly connected italic didone named after Prussian-American printer and lithographer Louis Prang (1824-1909)). Typefaces from 2017: In 2017, Tropical (with Joluvian: this package contains a bold, wet-looking display script, an inky, textured brush script, and hand-penned capitals with a felt-tip look). Typefaces from 2018: Fixture (a 72-font grotesk family published by Sudtipos). Typefaces from 2019: Replete Sans (a seven-style mainly art deco typeface inspired by early 20th century lettering on metropolitan buildings all over the world), Tafel Sans (a contemporary take on early- to mid-century geometric fonts). Typefaces from 2020: Antica (a wedge serif based on Latin poster and billboard typefaces from the 19th century). Typefaces from 2021: Statement Sans (an 18-style neo-humanist sans with an exquisite Black weight, by the Sudtipos team; it includes a variable font). |
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Luc Devroye ⦿ School of Computer Science ⦿ McGill University Montreal, Canada H3A 2K6 ⦿ lucdevroye@gmail.com ⦿ https://luc.devroye.org ⦿ https://luc.devroye.org/fonts.html |