Andhra Prabha

Free Telugu truetype font APNews (or: Andhra Prabha News) at the Andhra Prabha Daily. Alternate URL. [Google] [More]  ⦿

Anupam

Free truetype fonts (ISFOG family) for Hindi, Marathi, Nepali, Gujarati, Tamil, Punjabi, Bengali, Assamese, Telugu, Malayalam, Kannada, Oriya. [Google] [More]  ⦿

Appaji Ambarisha Darbha
[Silicon Andhra]

[More]  ⦿

Ascender Corporation

Elk Grove Village, IL-based company established in 2004, which specializes in font development, licensing and IP protection. It rose from the ashes of a major fire at Agfa/Monotype at the end of 2003. Its founders are Steve Matteson (type designer, formerly with Agfa/Monotype), Thomas Rickner (of Microsoft fame, where he hinted many Microsoft families), Ira Mirochnick (founder and President of Monotype Typography Inc in 1989 (where he was until 2000) and a Senior Vice President and director of Agfa Monotype Corporation (2000-2003), a self-proclaimed expert in font licensing issues and IP protection), and Bill Davis (most recently the Vice President of Marketing for Agfa Monotype). Also included in this group are Josh Hadley, Brian Kraimer, Jim Ford (since 2005), and Jeff Finger (as Chief Research Scientist, since 2006). On December 8, 2010, Ascender was acquired by Monotype for 10.2 million dollars.

Their typefaces include Endurance (2004, Steve Matteson, an "industrial strength" Grotesk designed to compete with Helvetica and Arial; it supports Greek, Cyrillic and East European languages).

In April 2005, Ascender announced that it would start selling the Microsoft font collection, which is possibly their most popular collection to date. They also started selling and licensing IBM's Heisei family of Japanese fonts in April 2005: Heisei Kaku Gothic, Heisei Maru Gothic and Heisei Mincho. Ascender's version of the CJK font Heiti is called ASC Heiti. Also in 2005, they started distributing Y&Y's Lucida family.

In October 2005, Ascender announced the development of Convection, a font used for Xbox 360 video games. Their South Asian fonts cover Bengali, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Tamil and Telugu, and include Ascender Uni, Ascender UniDuo and Arial Unicode for general use across all Indic languages, and, in particular, the Microsoft fonts Vrinda (Bengali), Mangal (Devanagari), Shruti (Gujarati), Raavi (Gurmukhi), Tunga (Kannada), Kartika (Malayalam), Latha (Tamil) and Gautami (Telugu). Khmer SBBIC (2011) is a Khmer font at Open Font Library.

It does more type trading and licensing than type creation, although Steve Matteson has contributed fairly well to their new typefaces. Their brand value took a hit when they started selling scrapbook, handwriting and wedding fonts under the name FontMarketplace.com.

Recent contributions: Crestwood (2006, a house face, possibly by Steve Matteson) is an updated version of an elegant semi-formal script typeface originally released by the Ludlow Type Foundry in 1937.

In 2009, they started a subpage called GoudyFonts.Com to sell their Goudy revivals.

In 2010, they announced a new collection of OpenType fonts created specifically for use in Microsoft Office 2010: Comic Sans 2010 (including new italic and bold italic fonts), Trebuchet 2010 (including new black&black italic fonts), Impact 2010, Pokerface 2010, Rebekah 2010 and Rebus Script 2010. Ligatures in Comic Sans?

New releases.

View Ascender's typefaces. [Google] [MyFonts] [More]  ⦿

AY Kumar's Telugu songs

Abtelugu TrueType font. [Google] [More]  ⦿

Baloo
[Girish Dalvi]

Baloo is a free display font available in nine Indian scripts along with Latin. Included are Baloo-Devanagari, BalooBhai-Gujarati, BalooTammudu-Telugu, BalooBhaina-Odia (Oriya), BalooChettan-Malayalam, BalooDa-Bangla, BalooPaaji-Gurmukhi, BalooTamma-Kannada, and BalooThambi-Tamil. The project's leader is Girish Dalvi, and the project is in the hands of Ek Type. Type design help came from Ek Type, and in particular from Ek Type's Sarang Kulkarni (for Devanagari) and Noopur Datye (for Baloo Da-Bangla). Maithili Singre helped with Malayalam. Baloo Bhai was designed by Supriya Tembe and Noopur Datye. Baloo Thambi is designed by Aadarsh Rajan. Google Fonts link.

Baloo 2 (2021) consists of ten font families with unique local names for each of the nine Indic scripts plus Arabic (Baloo Bhaijaan 2, by Sanskriti Dholi and Noopur Datye). Each family supports one Indic/Arabic script plus Latin, Latin Extended, and Vietnamese. The Gurmukhi is designed by Shuchita Grover; Bangla by Noopur Datye and Sulekha Rajkumar; Odia by Yesha Goshar, Manish Minz, and Shuchita Grover; Gujarati by Noopur Datye and Supriya Tembe; Kannada by Divya Kowshik and Shuchita Grover; Telugu by Maithili Shingre and Omkar Shende; Malayalam by Maithili Shingre and Unnati Kotecha; and Tamil by Aadarsh Rajan. Baloo Devanagari and Latin are collaboratively designed by Ek Type. Font engineering and type design assistance by Girish Dalvi. [Google] [More]  ⦿

Blancoletters
[Juan Luis Blanco]

Juan Luis Blanco is a graphic designer, type designer and calligrapher based in Zumaia in the heart of the Basque country. Since 1993, he works as a freelancer graphic designer. In 2013, he obtained an MA in Typeface Design from the University of Reading. Currently he combines calligraphy classes and graphic design with typographic projects that focus on Basque lettering as well as multi script typefaces involving the Latin, Arabic and Tifinagh alphabets.

For his graduation work in the Masters of Type Design program of the University of Reading, Juan Luis Blanco (Spain) created the Latin, Greek, Cyrillic, Tifinagh, Arabic typeface family Amaikha (2014). Amaikha is characterized by Latin warmth and roundness.

A list of his typefaces:

• Akaya Telivigala/Kanadaka. Blanco writes: Akaya is a single weight experimental display typeface in Kannada, Telugu and Latin scripts designed in collaboration with Vaishnavi Murthy (Bangalore, India). Akaya Telivigala and Akaya Kanadaka are made as two separate font files which share a common Latin. Github link. i Google Fonts link for Kanadaka. Google fonts link for Telivigala.
• Amaikha (2014). His graduation typeface from the University of Reading.
• Harri (2016, Type-o-Tones). A display font based on the peculiar letter forms used in signs and fascias all over the Basque Country. The letterforms can be traced back to romanesque inscriptions. Harri (stone, in Basque) is an all-caps typeface, and must be ranked as one of the greatest digital typefaces that capture the Basque soul. In 2020, it was republished at Blancoletters. Later in 2020, Harri Text was added. See also Harri text at Type Network.
• Ingeo (2021). A 9-style geometric sans that oozes confidence and style, and has a senate seat thanks to its pharaonic lower case g.
• Karela (2017). A humanist slab serif.
• Qandus (2017), a multiscript typeface co-designed with Kristyan Sarkis and Laura Meseguer. It won a TDC Certificate of Typographic Excellence in 2017. Qandus covers Arabic, Latin and Tifinagh.
• Tuqbal Pro (2015-2019, by Andreu Balius and Juan Luis Blanco). Tubqal Pro is a tri-script type family based on its previous Tubqal typeface commissioned by the Khatt Foundation as part of the Typographic Matchmaking in the Maghrib 3.0, the 3rd edition of the multi-script typographic research project of the Khatt Foundation. It includes Latin, Arabic (+Farsi) and Tifinagh (for the Tifinagh based languages: Tamazight (Central Atlas), Kabyle, Tamazight (Standard Moroccan), Tachawit, Tachelhit, Tagdal, Tamahaq, Tahaggart, Tamasheq, Tarifit, Tamajaq, Tawallammat, Tamajeq, Tayart, Tumzabt, Zenaga).

Speaker at ATypI 2016 in Warsaw on A Typographic Maghribi Trialogue. In this talk, he explains, together with Laura Meseguer and Krystian Sarkis, the Typographic Matchmaking in the Maghrib project of the Khatt Foundation, which tries to facilitate a cultural trialogue as well as shed a typographic spotlight on the largely ignored region of the Maghreb in terms of writing and design traditions. The specific goal of the collaboration is the research and development of tri-script font families (for Latin, Arabic and Tifinagh) that can communicate harmoniously. [Google] [MyFonts] [More]  ⦿

Brahmasutra

Site with fonts representing all Indic scripts (all made by C-DAC, Pune): AS-TTDurga-Normal, BN-TTDurga-Normal, DV1-TTYogesh-Normal, DV-TTYogesh-Normal, GJ-TTAvantika-Normal, KN-TTUma-Normal, ML-TTKarthika-Normal, OR-TTSarala-Normal, PN-TTAmar-Normal, TL-TTHemalatha-Normal, TM-TTValluvar-Normal. [Google] [More]  ⦿

CDAC

CDAC is Pune's Center for Development of Advanced Computing. They sell typefaces for all Indic languages. They introduced the Indian Script FOnt Code (ISFOC) standards to enable composing Indian language text. Scripts covered include Devnagari (Hindi, Marathi), Gujarati, Punjabi, Kannada, Bengali, Assamese, Tamil, Telugu, Malayalam, Oriya, Sanskrit, Diacritic Roman, Sinhalese, Bhutanese, Nepali, Tibetan. Useful type catalogs in PDF for Devnagari (Hindi, Marathi), Gujarati, Punjabi, Kannada, Bengali, Assamese, Tamil, Telugu, Malayalam, Oriya, Sanskrit, Diacritic Roman, Sinhalese, Bhutanese, Nepali, Tibetan, PersoArabic (Urdu Open Type, Kashmiri Open Type, Sindhi Open Type, Nashir True Type fonts). Type subpages with catalogs. The Indian Script FOnt Code (ISFOC) standards were invented by CDAC for their software products, Most of their fonts follow this standard. Scans from 1996: Swastik, Zodiac signs, National heroes, Dashavtar. [Google] [More]  ⦿

C-DAC, GIST PUNE: Telugu

Free Telugu fonts made in 2005: GIST-TLOTAmruta-Bold, GIST-TLOTAmruta-BoldItalic, GIST-TLOTChandana-Bold, GIST-TLOTChandana-BoldItalic, GIST-TLOTDeva-Italic, GIST-TLOTDeva-Normal, GIST-TLOTDraupadi-Italic, GIST-TLOTDraupadi-Normal, GIST-TLOTPriya-Bold, GIST-TLOTPriya-BoldItalic, GIST-TLOTRajan-Bold, GIST-TLOTRajan-BoldItalic, GIST-TLOTSanjana-Bold, GIST-TLOTSanjana-BoldItalic, GIST-TLOTSwami-Bold, GIST-TLOTSwami-BoldItalic, GISTTLOTAmmaBold, GISTTLOTAmmaBoldItalic, GISTTLOTAmmaItalic, GISTTLOTAmmaNormal, GISTTLOTAtreyaBold, GISTTLOTAtreyaBoldItalic, GISTTLOTAtreyaItalic, GISTTLOTAtreyaNormal, GISTTLOTDraupadiBold, GISTTLOTDraupadiBoldItalic, GISTTLOTGolkondaBold, GISTTLOTGolkondaBoldItalic, GISTTLOTKrishnaBold, GISTTLOTKrishnaBoldItalic, GISTTLOTKrishnaItalic, GISTTLOTKrishnaNormal, GISTTLOTManuBold, GISTTLOTManuBoldItalic, GISTTLOTManuItalic, GISTTLOTManuNormal, GISTTLOTMenakaBold, GISTTLOTMenakaBoldItalic, GISTTLOTMenakaItalic, GISTTLOTMenakaNormal, GISTTLOTPavaniBold, GISTTLOTPavaniBoldItalic, GISTTLOTRajaniBold, GISTTLOTRajaniBoldItalic, GISTTLOTSitaraBold, GISTTLOTSitaraBoldItalic, GISTTLOTVennelaBold, GISTTLOTVennelaBoldItalic, GISTTLOTVennelaItalic, GISTTLOTVennelaNormal. In addition, these fonts can also be found here: AkrutiTlgBalajiBold, AkrutiTlgBalajiNormal, AkrutiTlgGodavariBold, AkrutiTlgGodavariNormal, AkrutiTlgRaginiBold, AkrutiTlgRaginiNormal, AkrutiTlgSaralaBold, AkrutiTlgSaralaNormal, AkrutiTlgVishwasNormal, Pothana2000, Pothana2000, GIST-TLOTDeva-Normal. [Google] [More]  ⦿

cica (ftp)

Font archive at Swedish University Network SUNET, mirrored from cica. Has a Bengali font, a Telugu font, a Tamil font, a Tarot font, Sanskrit font and several Cyrillic fonts. [Google] [More]  ⦿

Cyberscape Multimedia Limited

Company in Mumbai (with offices in Bangalore) that made these Malayalam fonts: AkrutiMal1, AkrutiMal2 (2002). They also created the Kannada font LangscapeKndPadma. Here, you can download their Devanagari family Gargi, and their Gujarati font family Padmaa. They also made the well-known Akruti font family which can be downloaded here: AkrutiBng2Bold, AkrutiBng2Normal, AkrutiDev2Normal, AkrutiGuj1Normal, AkrutiGujL1Bold, AkrutiKnd1Bold, AkrutiKnd1Normal, AkrutiMal2Bold, AkrutiMal2Normal, AkrutiOri1Bold, AkrutiOri1Normal, AkrutiPnj2Bold, AkrutiPnj2Normal, AkrutiTlg2Bold, AkrutiTlg2Normal, AkrutiTml1Bold, AkrutiTml1Normal. These fonts cover Devanagari, Gujarati, Telugu, Tamil, Malayalam, Kannada, Bengali, Oriya, and Gurumukhi. [Google] [More]  ⦿

Debian Indic Fonts

Free Indic fonts that come with Debian:

• Bengali: Ani (2002, by Anirban Mitra), JamrulNormal (2004, by Deepayan Sarkar), LikhanNormal (2003, Deepayan Sarkar), Lohit-Bengali (2003, Automatic Control Equipments, Pune), Mitra (2002), muktinarrow (2003, Mukta Bangla Font Project), muktinarrowbold (2003, Mukta Bangla Font Project).
• Devanagari: Gargi_1.7 (2005, by Prof Jitendra Shah, IndicTrans Team; matching English glyphs by URW++, Cyrillic glyphs added by Valek Filippov in 2002), Lohit-Hindi (2003, Automatic Control Equipments, Pune).
• Gujarati: aakar-MagNet (2003, by MagNet Web Publishing in Mumbai), Lohit-Gujarati (2001, Automatic Control Equipments, Pune), padmaa-Bold (2003, Cyberscape Multimedia in Bangalaore), padmaa-Medium (2003, Cyberscape Multimedia in Bangalore), Rekha-medium (2003, by MagNet Web Publishing in Mumbai).
• Kannada: Sampige.
• Malayalam: malayalam, RachanaMedium (2004, by Hussain KH, and Chitrajan R (Rachana)).
• Oriya: utkal (2003, Andy White and Rajesh Pradhan).
• Punjabi: Lohit-Punjabi (2001, Automatic Control Equipments, Pune), Saab (2004, by Bhupinder Singh and Sukhjinder Sidhu). The Opentype version of Saab is here.
• Tamil: Lohit-Tamil (2001, Automatic Control Equipments, Pune).
• Telugu: Pothana2000 (2000-2005, by K. Desikachary), TAMu_Kadambri-Regular (1999, by Kamban Software), TAMu_Kalyani (1999, by Kamban Software), TAMu_Maduram (1999, by Kamban Software), TSCu_Comic (1999, by Tukalram Gopalrao), TSCu_Paranar-Bold (1999, by Tukalram Gopalrao), TSCu_Paranar-Italic (1999, by Tukalram Gopalrao), TSCu_Paranar (1999, by Tukalram Gopalrao), TSCu_Times (1999, by Tukalram Gopalrao), Vemana2000 (2005, by K. Desikachary).

Elmar Kniprath
[Indolipi]

[More]  ⦿

Elmar Kniprath
[Elmar's Indic]

[More]  ⦿

Elmar's Indic
[Elmar Kniprath]

A free package by Elmar Kniprath (2001) for writing Assamese, Bengali, Gujarati, Hindi, Kannada, Malayalam, Marathi, Nepali, Panjabi, Rajasthani, Sanskrit, Sinhalese, Tamil, Telugu and Latin transliteration. Fonts included are e-Asamiya, e-Bengali, e-Gujarati, e-IndicSerif-Bold, e-IndicSerif, e-Kannada, e-Latin, e-Malayalam, e-Nagari, e-Panjabi, e-Sinhala, e-Tamil, e-Telugu. Download page. [Google] [More]  ⦿

FSF India

The free software foundation of India, in conjunction with Cyberscape Multimedia Limited, Bangalore (developers of Akruti Software for Indian Languages) have released a set of TTF fonts for nine Indian scripts (Devanagari, Gujarati, Telugu, Tamil, Malayalam, Kannada, Bengali, Oriya, and Gurumukhi) under the GNU General Public License (GPL). Direct download page. Font names: AkrutiBng1Normal, AkrutiBng2Bold, AkrutiBng2Bold, AkrutiBng2Normal, AkrutiDev1Bold, AkrutiDev1Normal, AkrutiDev2Normal, AkrutiGuj1Bold, AkrutiGuj1Normal, AkrutiGuj2Bold, AkrutiGuj2Normal, AkrutiKnd1Bold, AkrutiKnd1Normal, AkrutiKnd2Bold, AkrutiKnd2Normal, AkrutiMal1Bold, AkrutiMal1Normal, AkrutiMal2Bold, AkrutiMal2Normal, AkrutiMal2Normal, AkrutiOri1Bold, AkrutiOri1Normal, AkrutiOri2Bold, AkrutiOri2Normal, AkrutiPnj1Bold, AkrutiPnj1Normal, AkrutiPnj2Bold, AkrutiPnj2Normal, AkrutiTlg1Bold, AkrutiTlg1Normal, AkrutiTlg2Bold, AkrutiTlg2Normal, AkrutiTml1Bold, AkrutiTml1Bold, AkrutiTml1Normal, AkrutiTml1Normal, AkrutiTml2Bold, AkrutiTml2Bold, AkrutiTml2Normal, AkrutiTml2Normal. [Google] [More]  ⦿

Gandhiji Font
[Payal Juthani]

Gandhi's spectacles provided inspiration to Mumbai-based Payal Juthani, who made Gandhiji Font (2010) for Devanagari, Latin, Gurmukhi, Tamil, Oriya, Kannada, Telugu, and Urdu. Nadine Pereira (Mumbai) showcases it on Behance. Klingspor link. [Google] [More]  ⦿

Gautami
[Omkar Shende]

Gautami is an OpenType font for Telugu. It is based on Unicode, contains TrueType outlines and has been designed for use as a UI font by Raghunath Joshi (type director) and Omkar Shende. It is in the Microsoft font collection since 2001. [Google] [More]  ⦿

Girish Dalvi
[Baloo]

[More]  ⦿

GIST Downloads

This was a sub-site of C-DAC, India's main commercial font and language software maker. It used to have free Tibetan and Gujarati fonts. For a while, it offered commercial products for all Indic languages, including Tibetan and Nepali. Then, finally, it went the way of all big companies--unreadable pages with hard-to-find stuff, often hidden in PDF files. For good old times' sake, here are the font names (published as a courtesy to them--wish they would do this themselves): AS-Abhijit, AS-Amrut, AS-Arbindo, AS-Bidisha, AS-Bipin, AS-Debashish, AS-Durga, AS-Kaali, AS-Kailash, AS-Maya, AS-Mrinal, AS-Parshuram, AS-SantoshItalic, AS-Satyajit, AS-Savita, AS-Shyamal, AS-Sushmita, AS-Tagore, BN-Abhijit, BN-Amrut, BN-Arbindo, BN-Bidisha (see also here), BN-Bipin, BN-Debashish, BN-Durga, BN-Kaali, BN-Kailash, BN-Maya, BN-Mrinal, BN-Parshuram, BN-Santosh, BN-Satyajit, BN-Savita, BN-Shyamal, BN-Sushmita, BN-Tagore, DR-Kunzang, DV-Aakash, DV-Aishwarya, DV-Ajay, DV-Akshar, DV-Alankar, DV-Amruta, DV-Aniket, DV-Anjali, DV-Basant, DV-Bhargav, DV-Bhima, DV-Brinda, DV-Chhaya, DV-Devendra, DV-Dhruv, DV-Diwakar, DV-Gandhar, DV-Ganesh, DV-Hemant, DV-Jamuna, DV-Jayesh, DV-Jivan, DV-Kartik, DV-Kishor, DV-Latika, DV-Madhu, DV-Makarand, DV-Manisha, DV-Manohar, DV-Mayur, DV-Megha, DV-Meghadoot) def, DV-Mohini, DV-Nandan, DV-Natraj, DV-Ninad, DV-Nisha, DV-Prakash, DV-Pramod, DV-Preetam, DV-Purva, DV-Radhika, DV-Raghav, DV-Rahul, DV-Rajashri, DV-Rakesh, DV-Raman, DV-Ranjita, DV-Rohini, DV-Sachin, DV-Sagar, DV-Sajan, DV-Samata, DV-Samir, DV-Sanket, DV-Shalaka, DV-Sharad, DV-Shefali, DV-Shishir, DV-Shital, DV-Shridhar, DV-Shrikant, DV-Subodh, DV-Sumeet, DV-Surekh, DV-Surkhiyan, DV-Sushil, DV-Swapnil, DV-Swaraj, DV-Vallabh, DV-Varun, DV-Vasuki, DV-Vasundhara, DV-Vijay, DV-Vimal, DV-Vinit, DV-Vishakha, DV-Yamini, DV-Yogesh, DV-Yogesh, GJ-Anamika, GJ-Anand, GJ-Avantika, GJ-Balram, GJ-Bela, GJ-Chitra, GJ-Damodar, GJ-Devaki, GJ-Dinakar, GJ-Dwarika, GJ-Dynamic, GJ-Gagan, GJ-Gopika, GJ-Kalpana, GJ-Kamini, GJ-Kanoj, GJ-Kapila, GJ-Kaumudi, GJ-Keshav, GJ-Kirit, GJ-Kishan, GJ-Krishna, GJ-Krishna, GJ-Kusum, GJ-Madan, GJ-Manasi, GJ-Mangal, GJ-Mira, GJ-Mohan, GJ-Mukul, GJ-Nayan, GJ-Nirmal, GJ-Piyush, GJ-Prabha, GJ-Pratik, GJ-Purnima, GJ-Radhey, GJ-Ritesh, GJ-Rohini, GJ-Rohit, GJ-Sabarmati, GJ-Sandeep, GJ-Shila, GJ-Shreedeep, GJ-Shrinath, GJ-Snigdha, GJ-Sucheta, GJ-Sujit, GJ-Swati, GJ-Taapi, GJ-Tara, GJ-Vidya, GJ-Yashoda, ISFOC-BR1, ISFOC-BR2, ISFOC-BR3, ISFOC-BR7, ISFOC-BR8, KN-Basava, KN-Bharat, KN-Brindavan, KN-Chinmaya, KN-Kamala, KN-Kamanna, KN-Kasturi, KN-Kaveri, KN-Nandi, KN-Padmini, KN-Pampa, KN-Pankaj, KN-Radhey, KN-Ragini, KN-Rajani, KN-Rajeshwari, KN-Ranna, KN-Seema, KN-Seema-Light, KN-Seema, KN-Seeta, KN-Shankar, KN-Shravan, KN-Smita, KN-Sumitra, KN-Uma, KN-Vatapi, ML-Aathira, ML-Ambili, ML-Anakha, ML-Anjali, ML-Aparna, ML-Ashtamudi, ML-Aswathi, ML-Atchu, ML-AyilyamBold, ML-BeckalBold, ML-Bhavana, ML-Chandrika, ML-Chithira, ML-Devika, ML-Gauri, ML-Geethika, ML-Gopika, ML-Guruvayur, ML-Indulekha, ML-Jaya, ML-Jyothy, ML-Jyotsna, ML-Kala, ML-Kamini, ML-Kanika, ML-Karthika, ML-Kaumudi, ML-Keerthi, ML-Leela, ML-Malavika, ML-Mammiyoor, ML-Mayoori, ML-Nalini, ML-Nandini, ML-Nanditha, ML-Nila, ML-Onam, ML-Periyar, ML-Pooram, ML-Poornima, ML-Ravivarma, ML-Revathi, ML-Rohini, ML-Sabari, ML-Sankara, ML-Sarada, ML-Sruthy, ML-Sugatha, ML-Suparna, ML-Surya, ML-SwathyBold, ML-Thakazhi, ML-Theyyam, ML-Thiruvathira, ML-Thunchan, ML-Vaisali, ML-Varsha, ML-Vinay, ML-Visakham, ML-Vishu, ML-Yashasri, PN-Amar, PN-Baisakhi, PN-Baljit, PN-Bishan, PN-Chandra, PN-Chetan, PN-Deeler, PN-Dipak, PN-Gurudev, PN-Hira, PN-Jasbir, PN-Jasjit, PN-Jaspal, PN-Jeevan, PN-Joginder, PN-Kanvaljit, PN-Kapil, PN-Karan, PN-Karishma, PN-Kavita, PN-Komal, PN-Manjit, PN-Nanak, PN-Nitu, PN-Pratap, PN-Randhir, PN-Satabir, PN-Sonam, PN-Sukhabir, PN-Sushil, SD-Natraj, SD-Surekh, SH-Harmony, SH-Namal, SY25-Election, SY30-Jain, SY31-Mudras, SY32-Music, TB-Youtso (for Tibetan), TB1-Youtso, TL-Amma, TL-Anuradha, TL-Atreya, TL-Charminar, TL-Godavari, TL-Gurazada-BoIdItalic, TL-Harshapriya, TL-Hemalatha, TL-Krishna, TL-Nannaya, TL-Pratima, TL-Rayancha, TL-Tanmayi, TL-Tikkana, TL-Vennela, TL-Vishaka, TM-Abhirami, TM-Amala, TM-Appar, TM-Archana, TM-Aruna, TM-Arunagiri, TM-Avvai, TM-Bharathi, TM-Chanakya, TM-Chandra, TM-Chetan, TM-Chitra, TM-Gopur, TM-Heena, TM-Hema, TM-Ilango, TM-Kalyani, TM-Kamal, TM-Kamban, TM-Kannadasan, TM-Kapilan, TM-Komala, TM-Krishna, TM-Lalitha, TM-Lathika, TM-Madhu, TM-Madhuram, TM-Nakkeran, TM-Nambi, TM-Neha, TM-Padma, TM-Pattinathar, TM-Poornima, TM-Poovai, TM-Radhika, TM-Rajarajan, TM-Rama, TM-Ramiya, TM-Ratna, TM-Ravindra, TM-Rekha, TM-Seema, TM-Shiva, TM-Sudhir, TM-Swetha, TM-Umesh, TM-Valluvar, TM-Vaman, TM-Venu, TM-Virendra, Tarpobane-Black. [Google] [More]  ⦿

Haridasa

Free Kannada, Telugu, Tamil and Sanskrit truetype fonts by C-CAD (Pune): KN-TTUma-Normal, SD-TTSurekh-Normal, TL-TTHemalatha-Normal, TM-TTValluvar-Normal. [Google] [More]  ⦿

Hindi Rinny

Lively South Asian type blog covering Bengali, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Oriya, Perso-Arabic, Sinhala, Tamil, Telugu, Tibetan. [Google] [More]  ⦿

Hitesh "Rocky" Malaviya

Designer of these typefaces:

• The roundish display typeface family Laila (2014, Indian Type Foundry) for Latin and Devanagari. Free at Google Web Fonts.
• Codesigner with Satya Rajpurohit (who did the Latin) of the Latin / Devanagari typeface Halant (2014, Indian Type Foundry). Halant too is free at Google Web Fonts.
• Quantum Latin (2015, Indian Type Foundry). A great Latin typeface family in the style of Latin Wide. Followed in 2016 by Quantum Latin Rounded.
• In 2015, Hitesh designed the Gujarati / Latin typeface family Hind Vadodara for ITF. Free Google Font download.
• KunKun (2015, Indian Type Foundry). A handwritten (Latin) sans, perhaps with applications in cartoons and comics.
• Hind Guntur (2015) is a free Google Font designed by Manushi Parikh and Hitesh Malaviya at Indian Type Foundry for use in Telugu. Github link.
• Kihim (2019). Kihim is Malaviya's interpretations of the late artist Nasreen Mohamedi's abstract rhythmic drawings and photographs. Free version at Fontshare.
• Panchang (2015-2021, Barbara Bigosinska, Hitesh Malaviya): a free typeface at Fontshare.

indianlanguages.com

Jump page for most Indian languages: Telugu, Bengali, Gurmukhi, Oriya, Malayalam, Gujurati, Tamil, Kannada, Sanskrit, Marathi and Hindi. [Google] [More]  ⦿

Indic OpenType fonts

Free Indic OpenType fonts have been released under the GNU General Public License:

• Gargi-1.3-r3 (2003) by Cyberscape Multimedia ltd (Bangalore).
• Lohit Gujarati, Lohit Punjabi and Lohit Hindi (2001, Automatic Control Equipments, Pune). Lohit Hindi, Lohit Tamil and Lohit Bengali can be downloaded from Google Web Fonts.
• Pothana2000 (2000, a Telugu font by K. Desikachary).
• Rekha-medium (2003, MagNet Web Publishing Pvt. Ltd, Mumbai).
• Saab (2004, a Gurmukhi font by Bhupinder Singh and Sukhjinder Sidhu).
• aakar-MagNet (2003, MagNet Web Publishing Pvt. Ltd, Mumbai): based on the glyphs of Padma, which in turn is based on Akruti.
• Padmaa Medium and Bold (2003, Cyberscape Multimedia Ltd, Bangalore). The OT font was created by Prof. Jitendra Shah.
• utkal medium (2003, an Oriya font by Andy White).

Indica (or: Summit India)

Indian language software for Mac and PC by Summit india. Contains fonts (not free) for Hindi, Gurumukhi, Gujarati, Bengali/Assamese, Malayalam, Tamil, Telugu, Punjabi, Kannada and Oriya. PDF file with a catalogue of their fonts. [Google] [More]  ⦿

IndicType1
[Karel Piska]

All the fonts below were converted from Metafont into type 1 by Karel Piska in 2005-2006 using his own tools, METAPOST, FontForge and t1utils. Karel Piska is with the Institute of Physics, Academy of Sciences, Prague.

• Tibetan: Corff-ctib (originally by Sam Sirlin (1996) and Oliver Corff et al (1999-2002)).
• Sinhala: Haralambous-sinbxa10, Haralambous-sinbxb10, Haralambous-sinbxc10, Haralambous-sinha10, Haralambous-sinhb10, Haralambous-sinhc10, all originally by Yannis Haralambous (1994) for The Wellcome Trust, London.
• Malayalam: Hellingman-mm10, Hellingman-mm12, Hellingman-mm17, Hellingman-mm6, Hellingman-mm8, Hellingman-mmb10, Hellingman-mmb12, Hellingman-mmb17, Hellingman-mmc10, Hellingman-mmc12, Hellingman-mmc17, Hellingman-mmcb10, Hellingman-mmcb12, Hellingman-mmcb17, Hellingman-mmcsl10, Hellingman-mmcsl12, Hellingman-mmsl10, Hellingman-mmsl12, all originally by Jeroen Hellingman (1993-1998).
• Kannada: Kannada-kan10, Kannada-kan10b, Kannada-kan10s, Kannada-kan11, Kannada-kan11b, Kannada-kan11s, Kannada-kan12, Kannada-kan12b, Kannada-kan12s, all by G.S. Jagadeesh & Venkatesh Gopinath (1991-1998).
• Bengali: PalashPal-bang10, PalashPal-bangsl10, PalashPal-bangwd10, all by Palash Baran Pal (2001-2002).
• Punjabi/Gurmukhi: Punjabi-pun10, by Hardip Singh Pannu (1991). Also Singh-grmk10, Singh-grmk12, Singh-grmk8, Singh-grmk9 by Amarjit Singh (1995).
• Tamil: Ridgeway-wntml10 by Hal Schiffman, Vasu Renganathan and Thomas Ridgeway (1988-1991).
• Telugu: Telugu-tel10, Telugu-tel100, Telugu-tel10b, Telugu-tel10s, Telugu-tel11, Telugu-tel11b, Telugu-tel11s, Telugu-tel12, Telugu-tel12b, Telugu-tel12s, Telugu-tel18 by Lakshmankumar Mukkavilli (1991-1997).
• Hindi (Devanagari): Velthuis-dvng10, Velthuis-dvng8, Velthuis-dvng9, Velthuis-dvngb10, Velthuis-dvngb8, Velthuis-dvngb9, Velthuis-dvngbi10, Velthuis-dvngbi8, Velthuis-dvngbi9, Velthuis-dvngi10, Velthuis-dvngi8, Velthuis-dvngi9, Velthuis-dvpn10, Velthuis-dvpn8, Velthuis-dvpn9, VelthuisBombay-dvnb10, VelthuisBombay-dvnb8, VelthuisBombay-dvnb9, VelthuisBombay-dvnbb10, VelthuisBombay-dvnbb8, VelthuisBombay-dvnbb9, VelthuisBombay-dvnbbi10, VelthuisBombay-dvnbbi8, VelthuisBombay-dvnbbi9, VelthuisBombay-dvnbi10, VelthuisBombay-dvnbi8, VelthuisBombay-dvnbi9, VelthuisBombay-dvpb10, VelthuisBombay-dvpb8, VelthuisBombay-dvpb9, VelthuisCalcutta-dvnc10, VelthuisCalcutta-dvnc8, VelthuisCalcutta-dvnc9, VelthuisCalcutta-dvncb10, VelthuisCalcutta-dvncb8, VelthuisCalcutta-dvncb9, VelthuisCalcutta-dvncbi10, VelthuisCalcutta-dvncbi8, VelthuisCalcutta-dvncbi9, VelthuisCalcutta-dvnci10, VelthuisCalcutta-dvnci8, VelthuisCalcutta-dvnci9, VelthuisCalcutta-dvpc10, VelthuisCalcutta-dvpc8, VelthuisCalcutta-dvpc9, VelthuisNepali-dvnn10, VelthuisNepali-dvnn8, VelthuisNepali-dvnn9, VelthuisNepali-dvnnb10, VelthuisNepali-dvnnb8, VelthuisNepali-dvnnb9, VelthuisNepali-dvnnbi10, VelthuisNepali-dvnnbi8, VelthuisNepali-dvnnbi9, VelthuisNepali-dvnni10, VelthuisNepali-dvnni8, VelthuisNepali-dvnni9, VelthuisNepali-dvpnn10, VelthuisNepali-dvpnn8, VelthuisNepali-dvpnn9, all by Frans J. Velthuis et al (1991-2005) from the University of Groningen.
• Sanskrit: Wikner-skt10, Wikner-skt8, Wikner-skt9, Wikner-sktb10, Wikner-sktbs10, Wikner-sktf10, Wikner-sktfs10, Wikner-skts10, all by Charles Wikner (1996-2002).

IndiX

Free software. The IndiX library contains the IndiX shaping engine that converts Indic text in Unicode to Glyphs from OpenType fonts. It does conversions (UTF-8 to UCS-2), tagging of the text with script and syllable, reordering of logical syllables to visual syllables, and conversion of the visual syllable of characters to a renderable syllable of glyphs. IndiX supports nine Indic scripts and comes with the required Saral series of OpenType fonts. Vedic Sanskrit is added. The IndiX library is used in enabling X11 for Indic text and in the IndiX applications, oprint, netprint. 'oprint' is a tool which converts Indic text to PostScript using OpenType font. When you download the package, you can find these free truetype fonts by R.K. Joshi and his team at the Centre for Development of Advanced Computing, Mumbai, all dated 2005:

• SaralBengaliSans (with Vinay Saynekar)
• SaralGujaratiSans (with Vinay Saynekar)
• SaralGurumukhiSans (with Omkar Shende)
• SaralHindi.ttf
• SaralHindiSans
• SaralKannadaSans
• SaralMalayalamSans (with Rajith Kumar K.M.)
• SaralOriyaSans (with Rajith Kumar K.M.)
• SaralTamil.ttf
• SaralTamilRoman (with Rajith Kumar K.M.
• assisted by Ms. Jui Mhatre and Ms. Supriya Kharkar)
• SaralTeluguSans (with Omkar Shende)
• VS190205 (also called VedicSanskrit).

Indolipi
[Elmar Kniprath]

Indolipi is a multipurpose tool box for indologists and linguists that contains Open Type fonts for most Indian scripts, a Latin font for "instant" transliteration of Indic scripts, and a Unicode based Latin font for writing of scientific texts in a western language containing all transliteration signs used by indologists as well as all presently valid IPA signs. All fonts were made from 2004 until 2006 by Elmar Kniprath (Asien-Afrika institut, University of Hamburg, Germany): e-Bengali OT (for Assamese and Bengali), e-Grantamil (for Grantha Sanskrit, Tamil and Manipravala), e-Grantha OT (for Sanskrit), e-Gujarati OT, e-Kannada OT, e-Malayalam OT (for modern Malayalam), e-Malayalam OTC (for Malayalam with classical orthography), e-Nagari OT (for Sanskrit and Nepali), e-Nagari OTH (for Hindi), e-Nagari OTM (for Marathi), e-Nagari OTR (for Rajasthani), e-Panjabi OT (for Gurmukhi script), e-Sinhala OT, e-Tamil OT (for modern Tamil), e-Tamil OTC (for Tamil with classical orthography), e-Telugu OT, e-Latin Indic (for "instant" Latin transliteration of Indic Unicode texts), e-PhonTranslit UNI (for writing indological texts in a language based on Latin script, also containig all valid IPA signs and a lot of arrows, mathematical and logical signs). Download page. [Google] [More]  ⦿

InProS (Intellectual Property Solutions)
[Sunny Kallara]

Indian language fonts for PC and Mac. There used to be a commercial web page based in Houston, TX, where one could purchase fonts for Hindi [ex: SheelRekha, RoopLekha, Kamal], Gujarati [ex: Shefali, Nita, Anarkali, Agni], Punjabi [ex: Pushpa, Suman, Badal, Arup], Bengali [Jayanti, BornaMala], Tamil, Telugu, Kannada, Sanskrit [ex: Sansipro], Malayalam and Assamese. Fonts for transliteration include Diplomat and MonoPali. HTML editors for these languages as well. Free Om_SuniKanth font. Run by Sunny Kallara. [Google] [More]  ⦿

Institute of Indology and Tamil Studies

As part of the University of Cologne (Germany), the IITS (Institute of Indology and Tamil Studies) published its own truetype font, IITS, which is used for the transliteration of Sanskrit, Pali, Prakrit, Hindi, Marathi, Bengali, Urdu and Dravidian Languages. Other Indian and Tamil fonts can be downloaded too. These include Adhawin-Tamil (K. Srinivasan, 1995), BengaliAssamese Vijay (Vijay K. Patel, 1995), Gayathri (Ethno Multimedia, 1993), Gujarati (Vijay K. Patel, 1996), Janaranjani (EthnoMultimedia, 1993), Kannada Vijay (Vijay K. Patel, 1995), Mantra (Shrikrishna Patil, 1994), Malyalam Vijay (Vijay K. Patel, 1995), Nepali Vijay (Vijay K. Patel, 1994), Progoty (Chetona Software Cafe, 1997), Palladam (T. Govindaraj, 1989-1990), PunjabiSans (Atech, 1991), RK Sanskrit, Tamil Vijay (Vijay K. Patel, 1995), Telugu Vijay (beware: need to type 5 to 7 keys to get one character). [Google] [More]  ⦿

Janmeja Singh Johl

Famous Sikh photographer. Designer of the font BJanmeja5A. Free Punjabi font (Janmeja2920a (2002)). Ads for Elfring and Linotype. Other free fonts at the site: JanmejaGujratiNormal JanmejaKanadaNormal JanmejaMalyalamNormal JanmejaOriyaNormal JanmejaSinhalaNormal JanmejahindiThin JanmejaTeluguNormal, all made by him in 1997. [Google] [More]  ⦿

Juan Luis Blanco
[Blancoletters]

[MyFonts] [More]  ⦿

Jules Hénaffe

In 1675, Colbert invites the Acadé'mie des Sciences to make a grand study of all machines used in the arts. In 1696, l'abbé Jaugeon obliges with a study entitled "Etude des Arts de construire les caractères, de graver les poinçons de lettres, d'imprimer les lettres". From 1692 on, Jaugeon created a mathematical/geometric theory of letters, all inscribed in a 48 by 48 grid (for upper case) or a 16 by 48 grid (lower case). This gridding was to lead to the type style associated with Louis XIV, the Grandjean. Fast forward 200 years to Arthur Christian, director of the Imprimerie Nationale from 1895 until 1906, who wanted to prove that Jaugeon's ideas were also esthetically justified by asking Hénaffe (official punchcutter of the Imprimerie, b. Paris 1857, d. Paris 1921) to precisely reproduce Jaugeon's designs (which he did in 1904). The resulting typeface is called Jaugeon or Hénaffe. This page describes more of his work for the Imprimerie Nationale, such as a Telugu set of punches (1901), a Coptic set (called "memphitique"), a Palmyrian set (1899), a Thai set (1903), and a "gothique Christian" type (1902). [Google] [More]  ⦿

Karambir Singh Rohilla

Graduate of Rajasthan University. Indian type designer in New Delhi whose creations cover Devanagari, Gurumukhi, Gujarati, Bengali / Assamese, Malayalam, Tamil, Telugu, Kannada, Oriya. I could not locate the fonts on the web site. Futuristic Hindi face (2011).

In 2013, he designed a Bengali typeface for small portable devices, called AR Hebe Sans. He also did an unnamed Oriya typeface in that year.

In 2015, Rohilla created the phonetic typeface Unspell and the experimental Ink Save Font.

Alternate site. Behance link. [Google] [More]  ⦿

Karel Piska
[IndicType1]

[More]  ⦿

Krishna Desikachary
[Pothana Telugu Script Font]

[More]  ⦿

Lakshmankumar Mukkavilli
[TeluguTEX]

[More]  ⦿

Lastech

Free Tamil, Devanagari, Telugu and Malayalam fonts. "Lastech is a Madras-based software company specializing in the areas of Desk-top publishing, Presentation graphics&Imageprocessing." [Google] [More]  ⦿

Laval Chabon

Québec City-based creator (b. 1952) of the octagonal font Vegesignes (2009-2017, FontStruct). This font also appeared in 2010 at Open Font Library. It consists of almost 7,615 glyphs. Designed for: Afrikaans, Aghem, Akan, Albanian, German, Amharic, English, Western Apache, Arabic, Armenian, Asou, Assamese, Asturian, Azerbaijani, Bashkir, Bafia, Bambara, Low German, Lower Sorbian, Basque, Bassa, bemba, bena, Bengali, Belarusian, Burmese, Bodo, Bosnian, Breton, Bulgarian, Cape Verdean, Catalan, Cebuano, Chambala, Checha, Chicacha, Choctaw, Cisena, Cornish, Corsican, Mauritian Creole, Croatian, Danish, Diola-Fogny, Dogri, Douala, Dzongkha, Embou, Erzya, Spanish, Esperanto, Estonian, Ewe, Ewondo, Faroese, Filipino, Finnish, French, Friulian, West Frisian, Ga, Scottish Gaelic, Galician, Welsh, Ganda, Greek, Guarani, Gujarati, Gusii, Hausa, Upper Sorbian, Hawaiian, Hebrew, Hindi, Hungarian, Yakut, Ido, Igbo, Indonesian, Interlingua, Inuktitut, Irish, Icelandic, Italian, Javanese, jju, kabyle, kako, kalaallisut, kalendjin, kamba, kannada, kazakh, khmer, kiga, kikuyu, kinyarwanda, kyrgyz, kölsch, konkani, koyra chiini, koyraboro senni, kpellé, kurd, kurd sorani, kwasio, lakota, langi, Lao, Latvian, Lingala, Lithuanian, Lojban, Luba-katanga, Luo, Luxembourgish, Luyia, Maasai, Macedonian, Maïthili, makhuwa-meetto, makonde, malay, maldivian, malagasy, maltese, manipuri, manx, maori, mapuche, marathe, matchamé, mazanderani, meru, meta', mohawk, mongol, moundang, n'ko, nama, navajo, northern ndebele, Southern Ndebele, Dutch, Nepalese, Ngiemboon, Ngomba, Nkole, Norwegian Bokmål, Norwegian Nynorsk, Nuer, Occitan, Odia, Oromo, Ossetian, Uighur, Urdu, Uzbek, Pashto, Punjabi, Persian, Fulani, Nigerian Pidgin, Polish, Portuguese, Quechua, Romansh, Rombo, Romanian, Roundi, Russian, Rwa, Samburu, Northern Sami, Inari Sami, Samoan, Sango, Sangu, Sanskrit, Sardinian, Serbian, Shona, Sicilian, Sindhi, Slovak, Slovenian, Soga, Somali, Northern Sotho, Southern Sotho, Sundanese, Soureth, Swedish, Swiss German, Swahili, Swati, Tajik, Taita, Tamazight, Tamil, Taroko, Tasawaq, Tatar, Czech, Chechen, Chuvash, Telugu, Teso, Thai, Tibetan, Tigrigna, Tongan, Tsonga, Tswana, Turkish, Turkmen, Tyap, Ukrainian, Venda, Vietnamese, Vunjo, Walloon, Walser, Wolof, Xhosa, Yangben, Yiddish, Yoruba, Zarma, Zulu, Scripts: Arabic, Armenian, Bengali, Burmese, Korean, Cyrillic, Devanagari, Unknown script, Ethiopic, Gurmukhi, Greek, Gujarati, Hebrew, Japanese, Kannada, Khmer, Lao, Latin, N'ko, Nastaliq, Odia, Canadian Aboriginal syllabary unified, syriac, tamil, telugu, thai, thana, tibetan.

Dafont link. Fontspace link. Vegesignes download. Home page. Aka Leaurend-Lavie-Hyppere (Laval) Chabon and as Joseph Rosaire Laval Frandey Leaurend Lavie Hyper Chabom. [Google] [More]  ⦿

Lekha Home Page

Ramana R. Juvvadi made a Telugu X-font called vEngi. Free. [Google] [More]  ⦿

Linguist Software

Hindi, Telugu and Sanskrit fonts (commercial). [Google] [More]  ⦿

Manushi Parikh

Indian type designer associated with the Indian Type Foundry. Manushi's typefaces:

• Torrent (2015). An angular wedge serif text typeface with large x-height.
• Director (2015). A modular Latin techno typeface family.
• Begum (2015; a text typeface related to Caslon, Fleischmann or Times). It supports Latin, Devanagari and Tamil. In 2020, he added Begum Sans, a tapered lapidary high-contrast sans inspired by Florentine inscriptional lettering during the Renaissance; developed together with Heidi Rand Sørensen.
• Teko (2014: Google Fonts). Teko is an Open Source typeface that currently supports the Devanagari and Latin scripts. This font family has been created for use in headlines and other display-sized text on screen. Five font styles make up the initial release. Codesigned with Jonny Pinhorn.
• Hind (2014: Google Fonts). Hind is an Open Source typeface supporting the Devanagari and Latin scripts. Developed explicitly for use in User Interface design, the Hind font family includes five humanist sans styles. Each font in the Hind family has 1146 glyphs, which include hundreds of unique Devanagari conjuncts. These ensure full support for the major languages written with the Devanagari script. Codesigned with Satya Rajpurohit.
• Sarpanch (2014, Indian Type Foundry is an Open Source squarish typeface supporting the Devanagari and Latin scripts. The Medium to Black weights of the Sarpanch family were design by Manushi Parikh at ITF in 2014. Jyotish Sonowal designed the Regular weight. Download at Google Web Fonts.
• Mute (2015, Indian Type Foundry). A humanist sans family in the spirit of Jim Lyles's Prima Sans.
• Hind Guntur (2015) is a free Google Font designed by Manushi Parikh and Hitesh Malaviya at Indian Type Foundry for use in Telugu. Github link.
• At Type@Paris 2016, Manushi Parikh designed the contemporary slab serif typeface Format.
• Manushi Parikh and Barbara Bigosinska released the octagonal athletics font Fielder at Indian Type Foundry in 2019. Somehow this octagonal typeface seems to have been evolved into the 5-style free typeface Nippo at Fontshare.
• Chillax (2019-2021) is a free 6-style monolinear minimalist geometric Bauhaus sans family that comes with a variable font on the side.
• Diodrum Rounded (2020, by Manushi Parikh, Jérémie Hornus, Clara Jullien and Alisa Nowak). A spurless organic sans family.
• Syphon (2020: a neo-grotesk).
• Pencerio (2021). A hairline monolinear Spencerian script.

Maruti Computers Ltd

Commercial Indian font maker covering Tamil, Malayalam, Hindi, and soon also Telugu and Kannada. The font names start with MCL. [Google] [More]  ⦿

Microsoft: New Fonts in Windows 7

The list of new fonts in Windows 7 in 2009:

• Aparajita, Aparajita Bold, Aparajita Bold Italic, Aparajita Italic: Devanagari family originally designed in 2001 by Modular Infotech, Pune, India.
• Ebrima, Ebrima Bold: Microsoft fonts from 2008 with many symbols and special characters.
• Gabriola: Script typeface by John Hudson (2008).
• IskoolaPota Bold.
• Khmer UI, Khmer UI Bold: By Microsoft (2008).
• Kokila, Kokila Bold, Kokila Bold Italic, Kokila Italic: Devanagari family originally designed in 2001 by Modular Infotech, Pune, India.
• Meiryo UI, Meiryo UI Bold, Meiryo UI Bold Italic, Meiryo UI Italic. Meiryo is a modern sans serif Japanese typeface developed by Microsoft to offer an optimal on screen reading experience and exceptional quality in print. The Japanese letterforms are generously open and well-proportioned; legible and clear at smaller sizes, and dynamic at larger display sizes. The beauty of Meiryo is that it sets text lines in Japanese with Roman seamlessly and harmoniously. Meiryo was designed by a team including C&G Inc., Eiichi Kono, Matthew Carter and Thomas Rickner. It won a 2007 type design prize from the Tokyo Type Directors.
• Microsoft New Tai Lue, Microsoft New Tai Lue Bold: A 2008 family by Microsoft, DynaComware and Ascender.
• Microsoft PhagsPa, Microsoft PhagsPa Bold: A 2008 family for Mongolian by Microsoft, DynaComware and Ascender.
• Microsoft Tai Le, Microsoft Tai Le Bold: A 2008 family by Microsoft, DynaComware and Ascender.
• Raavi Bold: Gurmukhi typeface by Raghunath Joshi (Type Director) and Apurva Joshi (2008).
• Sakkal Majalla, Sakkal Majalla Bold: Arabic family by Mamoun Sakkal (2008).
• Segoe UI Light, Segoe UI Semibold, Segoe UI Symbol: Controversial family by Microsoft (2008), said to be corporate theft on the part of Microsoft, with as victim Frutiger---Segoe is basically identical to the typeface Frutiger.
• Shonar Bangla, Shonar Bangla Bold: Bengali typeface by Microsoft (2008).
• Shruti Bold: Gujarati typeface by Raghunath Joshi (Type Director) and Vinay Saynekar (2008).
• Tunga Bold: Kannada typeface by Raghunath Joshi (Type Director) and Vinay Saynekar (2008).
• Utsaah, Utsaah Bold, Utsaah Bold Italic, Utsaah Italic: Devanagari family originally designed in 2001 by Modular Infotech, Pune, India.
• Vani, Vani Bold: Telugu family by Muthu Nedumaran (2008).
• Vijaya, Vijaya Bold: Tamil family originally designed in 2001 by Modular Infotech, Pune, India.
• Vrinda Bold: Bengali typeface by Raghunath Joshi (Type Director) and Vinay Saynekar (2008).

Modular Infotech Pvt. Ltd.

Company in Pune, which made these freely available Tamil Opentype fonts in 2003: SUNDARAM_0806, SHREE_TAM_OTF_0807, SUNDARAM_0808, SUNDARAM_0810, SUNDARAM_0812, SUNDARAM_0819, SUNDARAM_0820, SUNDARAM_0821, SUNDARAM_0823, SUNDARAM_0824, SUNDARAM_0827, SUNDARAM_0830, SUNDARAM_0831, SUNDARAM_1341, SUNDARAM_1342, SUNDARAM_1351, SUNDARAM_1352, SUNDARAM_2852, SUNDARAM_2865, SUNDARAM_3811. Type catalog with over 2,700 fonts for Devanagari, Gujarati, Punjabi, Bengali, Assamese, Oriya, Tamil, Kannada, Telugu and Malayalam.

Modular Infotech specializes in Indian language fonts since 1982. [Google] [More]  ⦿

Modular Systems

Modular Systems from Pune, India, offers about 20 free truetype fonts for most Indic languages. The fonts are all called Shree something and appear incomplete. Covered are Assamese, Bengali, Hindi (Devanagri), Gujarati, Kannada, Malayalam, Oriya, Punjabi, Tamil and Telugu. In 1992, they made the Malayalam fonts Shree-Mal-0501W, Shree-Mal-0502. [Google] [More]  ⦿

Monotype: All languages

Monotype sells fonts for the following languages: Amharic, Aksara Kaganga, Arabic, Armenian, Balinese, Burmese, Cambodian, Chinese, Coptic, Devanagari (Hindi/Marathi/Nepali), Farsi, Georgian, Glagolitic, Gujerathi, Gurmukhi (Punjabi), Hebrew, Japanese, Javanese, Jawi, Kannada, Korean, Laotian, Lontarak, Malayalam, Old Bulgarian, Oriya, Pushto, Sindhi, Sinhalese, Surat Pustaha, Syriac, Tamil, Telugu, Thai, Urdu, Vietnamese. [Google] [More]  ⦿

Monotype: Telugu

Telugu fonts at Agfa Monotype: ITR Andhra, ITR Ladian, ITR Prabha, Monotype Telugu, ITR Tirupati, ITR Usha Telugu, ITR Venkateshwara. [Google] [More]  ⦿

Murasu
[Muthu Nedumaran]

Murasu is a Tamil Software company based in Kuala Lumpur, Malaysia run by Muthu Nedumaran, a graduate of the TDi program at the University of Reading, UK, 2017. Neduraman is based in Selangor, Malaysia and in Singapore. He designed the Telugu font family Vani in 2008 for Microsoft Windows. He also made the free Tamil fonts here as part of the Murasu Anjal software pack. InaimathiTSC (proportional) and ArulmathiTSC (fixed width) were developed by Muthu Nedumaran and come with the integrated tool Murasu Anjal 2.0, which also contains an integrated editor, keyboard drivers and conversion tools. For TSCu_InaiKathir, see here. [Google] [More]  ⦿

Muthu Nedumaran
[Murasu]

[More]  ⦿

Nicholas Shanks

Computer scientist Nicholas Shanks (UK) is working on a free Unicode-compatible Kannada font, Kedage (2006), which was originally designed by the Indian Institute of Science in Bangalore. He is also working on a free Unicode-compatible Telugu font, Pothana (2006), which was originally designed by Dr Krishna Desikachary of Winnipeg, Canada. [Google] [MyFonts] [More]  ⦿

Noto

A large free font family released under the Apache license at Google Web Fonts, and developed by Monotype's Steve Matteson and a team of type designers. Designed between 2012 and 2016, this typeface covers over 800 languages and 100 writing scripts. URL with details. Noto stands for no tofu, i.e., no white boxes that represent unknown characters. The fonts are property of Monotype, with the exception of Noto Khmer and Noto Lao, which belong to Danh Hong.

Noto Sans and Noto Serif cover Afar, Abkhazian, Afrikaans, Asturian, Avaric, Aymara, Azerbaijani-AZERBAIJAN, Bashkir, Bambara, Belarusian, Bulgarian, Bislama, Bini, Breton, Bosnian, Buriat, Catalan, Chechen, Chamorro, Mari (Russia), Corsican, Czech, Church Slavic, Chuvash, Welsh, Danish, German, Modern Greek (1453-), English, Esperanto, Spanish, Estonian, Basque, Finnish, Fijian, Faroese, French, Fulah, Friulian, Western Frisian, Irish, Scottish Gaelic, Galician, Guarani, Manx, Hausa, Hawaiian, Hiri Motu, Croatian, Hungarian, Interlingua (International Auxiliary Language Association), Igbo, Indonesian, Interlingue, Inupiaq, Ido, Icelandic, Italian, Kara-Kalpak, Kikuyu, Kazakh, Kalaallisut, Kurdish-ARMENIA, Kumyk, Komi, Cornish, Kirghiz, Latin, Luxembourgish, Lezghian, Lingala, Lithuanian, Latvian, Malagasy, Marshallese, Maori, Macedonian, mo, Maltese, Norwegian Bokmål, Low German, Dutch, Norwegian Nynorsk, Norwegian, South Ndebele, Pedi, Nyanja, Occitan (post 1500), Oromo, Ossetian, Polish, Portuguese, Romansh, Romanian, Russian, Yakut, Scots, Northern Sami, Selkup, sh, Shuswap, Slovak, Slovenian, Samoan, Southern Sami, Lule Sami, Inari Sami, Skolt Sami, Somali, Albanian, Serbian, Swati, Southern Sotho, Swedish, Swahili (macrolanguage), Tajik, Turkmen, Tagalog, Tswana, Tonga (Tonga Islands), Turkish, Tsonga, Tatar, Twi, Tuvinian, Ukrainian, Uzbek, Venda, Vietnamese, Volapük, Votic, Walloon, wen, Wolof, Xhosa, Yapese, Yoruba, Zulu, Akan, Aragonese, ber-dz, Crimean Tatar, Kashubian, Ewe, Fanti, Filipino, Upper Sorbian, Haitian, Herero, Javanese, Kabyle, Kuanyama, Kanuri, Kurdish-TURKEY, Kwambi, Ganda, Limburgan, Mongolian-MONGOLIA, Malay (macrolanguage), Nauru, Ndonga, Navajo, pap-an, Papiamento-ARUBA, Quechua, Rundi, Kinyarwanda, Sardinian, Sango, Shona, Sundanese, Tahitian, Zhuang.

Non-Latin scrips include Noto Armenian, Noto Georgian, Noto Carian, Noto Greek, Noto Devanagari, Noto Ethiopic, Noto Glagolitic, Noto Hebrew, Noto Sans Imperial Aramaic, Noto Sans Lisu, Noto Sans Lycian, Noto Sans Lydian, Noto Sans Old South Arabian, Noto Sans Osmanya, Noto Sans Phoenician, Noto Sans Shavian, Noto Sans Tamil, Noto Sans Thai, Noto Serif Thai, Noto Sans Kannada, Noto Sana Telugu, Noto Sans Malayalam, Noto Sans Cherokee, Noto Sans Orya (for Odia), Noto Sans Bengali.

Other typefaces in the package include Arima, , and Tinos.

At CTAN, one can find Noto with full TeX support.

At Open Font Library, one can download Noto Nastaliq Urdu (2014), which covers Arabic, Farsi, Pashto and Urdu.

The fonts, as of October 2016: Noto Sans, Noto Serif, Noto Color Emoji, Noto Emoji, Noto Kufi Arabic, Noto Mono, Noto Naskh Arabic, Noto Nastaliq Urdu, Noto Sans Armenian, Noto Sans Avestan, Noto Sans Balinese, Noto Sans Bamum, Noto Sans Batak, Noto Sans Bengali, Noto Sans Brahmi, Noto Sans Buginese, Noto Sans Buhid, Noto Sans CJK JP, Noto Sans CJK KR, Noto Sans CJK SC, Noto Sans CJK TC, Noto Sans Canadian Aboriginal, Noto Sans Carian, Noto Sans Cham, Noto Sans Cherokee, Noto Sans Coptic, Noto Sans Cuneiform, Noto Sans Cypriot, Noto Sans Deseret, Noto Sans Devanagari, Noto Sans Egyptian Hieroglyphs, Noto Sans Ethiopic, Noto Sans Georgian, Noto Sans Glagolitic, Noto Sans Gothic, Noto Sans Gujarati, Noto Sans Gurmukhi, Noto Sans Hanunoo, Noto Sans Hebrew, Noto Sans HK, Noto Sans Imperial Aramaic, Noto Sans Inscriptional Pahlavi, Noto Sans Inscriptional Parthian, Noto Sans Javanese, Noto Sans Kaithi, Noto Sans Kannada, Noto Sans Kayah Li, Noto Sans Kharoshthi, Noto Sans Khmer, Noto Sans Lao, Noto Sans Lepcha, Noto Sans Limbu, Noto Sans Linear B, Noto Sans Lisu, Noto Sans Lycian, Noto Sans Lydian, Noto Sans Malayalam, Noto Sans Mandaic, Noto Sans Meetei Mayek, Noto Sans Mongolian, Noto Sans Myanmar, Noto Sans NKo, Noto Sans New Tai Lue, Noto Sans Ogham, Noto Sans Ol Chiki, Noto Sans Old Italic, Noto Sans Old Persian, Noto Sans Old South Arabian, Noto Sans Old Turkic, Noto Sans Oriya, Noto Sans Osmanya, Noto Sans Phags Pa, Noto Sans Phoenician, Noto Sans Rejang, Noto Sans Runic, Noto Sans Samaritan, Noto Sans Saurashtra, Noto Sans Shavian, Noto Sans Sinhala, Noto Sans Sundanese, Noto Sans Syloti Nagri, Noto Sans Symbols, Noto Sans Syriac Eastern, Noto Sans Syriac Estrangela, Noto Sans Syriac Western, Noto Sans Tagalog, Noto Sans Tagbanwa, Noto Sans Tai Le, Noto Sans Tai Tham, Noto Sans Tai Viet, Noto Sans Tamil, Noto Sans Telugu, Noto Sans Thaana, Noto Sans Thai, Noto Sans Tibetan, Noto Sans Tifinagh, Noto Sans Ugaritic, Noto Sans Vai, Noto Sans Yi, Noto Serif Armenian, Noto Serif Bengali, Noto Serif Devanagari, Noto Serif Georgian, Noto Serif Gujarati, Noto Serif Kannada, Noto Serif Khmer, Noto Serif Lao, Noto Serif Malayalam, Noto Serif Tamil, Noto Serif Telugu, Noto Serif Thai. Late additions include Noto Sans and Serif for Chinese, Japanese and Korean, developed at Adobe.

In 2015, Adam Twardoch placed the Noto fonts on Github under the name Toto Fonts. A question of licenses. Toto Han fonts, 123MB worth of them. P>In 2018, Monotype published a fork of Noto Sans Display, called Avrile Sans (free at Open Font Library). See also Avrile Sans Condensed (2015) and Avrile Serif (2018).

Github repositories. Open Font Library link. CTAN link. [Google] [More]  ⦿

Omkar Bhoir

Designer of Anek Telugu as part of Ek Type's award-winning family Anek (2022). [Google] [More]  ⦿

Omkar Shende
[Gautami]

[More]  ⦿

Omniglot

Telugu alphabet and jump page. Telugu developed from the early Brahmi alphabet and is closely related to Kannada. This syllabic alphabet is spoken by about 45 million people in the southern Indian state of Andhra Pradesh. [Google] [More]  ⦿

Origins of Telugu Script

This page contains a nice historical tree explaining how most Indic languages came from from the brahmee script. [Google] [More]  ⦿

Payal Juthani
[Gandhiji Font]

[More]  ⦿

Pogakuvedika

A Telugu and a Kannada font, ItcKan, ItcTel (2001), both by I3L. [Google] [More]  ⦿

Pothana Telugu Script Font
[Krishna Desikachary]

Free Pothana Telugu font by Dr. Krishna Desikachary of Winnipeg. Full font for a small fee. His Pothana2000 (2000) is free under a GNU public license. His Vemana2000 is here. [Google] [More]  ⦿

Prasad A. Chodavarapu
[Rangavalli-1.2 and MeghaSandesam 1.1]

[More]  ⦿

Prasad A. Chodavarapu

Prasad A. Chodavarapu created Tikkana, a Telugu font family, and contributed it to the GNU Freefont project (range Telugu (U+0C00-U+0C7F)). The Tikkana fonts were based on an earlier design by T. Desikachary. GNU Freefont recently dropped Telugu from its program. [Google] [More]  ⦿

Pria Adireddi
[Pria Ravichandran]

[MyFonts] [More]  ⦿

Pria Ravichandran
[Pria Adireddi]

Pria Ravichandran (formerly Pria Adireddi, b. 1984, India) studied type design at the University of Reading, class of 2011, and is now pursuing a PhD at the University of Reading focussing on the developemnt of typographic forms for the Kannada and Telugu scripts. She intends to relocate to Hamburg, Germany on completion of her Ph.D. and dedicate her time wholly to URW++.

Her MA graduation typeface at reading was Tranquebar, which covers Latin and Tamil. In some places, this typeface is called The Herald. Pria also designed the free monolinear Latin / Devanagari typefaces Palanquin Dark and Palanquin in 2014 at Google Web Fonts that also covers Tamil, Bengali, Kannada, Telugu, Malayalam, Burmese, Khmer, Gujarati, Gurumukhi, Sinhalese & Oriya. In addition, she designed an 11-script Indic companion in four weights for URW++'s Nimbus Sans (and thus Helvetica), that includes the following scripts: Tamil, Bengali, Kannada, Telugu, Malayalam, Myanmar, Devanagari, Gujarati, Gurumukhi, Sinhala & Oriya.

Catamaran (2015) is a contemporay sans typeface family for Latin and Tamil. Github link for Catamaran.

Neue Frutiger Tamil (2018) was created by Pria Ravichandran and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi.

In 2019, at URW, she published the humanist sans typeface family Olivine.

In 2021, Kostas Bartsokas, Mohamad Dakak and Pria Ravichandran set up Foundry 5 Limited where they released Peridot Latin (2022: a 121-strong sans superfamily by Kostas Bartsokas and Pria Ravichandran) and Peridot PE (2022: a 121-style sans superfamily by Kostas Bartsokas and Pria Ravichandran designed for branding, display, corporate use, editorial and advertising; it covers Latin, Greek and Cyrillic).

Github link for Palanquin. In 2020, Eben Sorkin, Pria Ravichandran, Inga Ploennigs and Dan Reynolds co-designed the sans family Karow at URW. [Google] [MyFonts] [More]  ⦿

Purushoth Kumar Guttula

Indian designer of these free Google web font typefaces:

• NTR (2014): NTR is a Telugu handwriting font inspired by the artist Bapu who is famous among Telugu people. Many artists followed him and created their own style and this font shows that influence. NTR is suitable for headings, posters, invitations and anywhere you want to use a handwriting font. NTR is named after Nandamuri Taraka Rama Rao, who worked tirelessly for the self-respect and well being of Telugu people around the world. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The NTR project is led by Ambarisha Darbha, a type designer based in Hyderabad, India. To contribute, see here.
• Gidugu (2014): Gidugu is a Telugu font suitable for headlines, invitations and posters and is best used at large sizes. Gidugu is named after Gidugu Venkata Ramamurthy, who championed using Telugu as a language for everyone, not only a scholastic language. The Telugu is designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha. The Latin is designed by Eduardo Tunni, a type designer in Buenos Aires, Argentina. The Gidugu project is led by Ambarisha Darbha, a type designer based in Hyderabad, India. To contribute, see here.
• Ramabhadra (2014): Ramabhadra is a Telugu font developed for use in headlines, posters and at large sizes. The letterforms are very round and have a uniform thickness, and the terminals have a small temple shape that appear like a sans-serif design. This font includes unique Telugu conjunct letters. Ramabhadra is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The Ramabhadra project is led by Ambarisha Darbha, a type designer based in Hyderabad, India. The Latin is designed by Steve Matteson at Monotype, and initially published as Arimo. To contribute, see here. TeX support and further downloads on CTAN.
• Mallanna (2014): Mallanna is a Telugu font with round letterforms and a uniform thickness that reminds us of the round pearls Hyderabad is famous for. It looks very crisp even at small point sizes, which helps publishers make beautiful designs, and includes complex Telugu conjunct letters. Mallanna is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The Mallanna project is led by Ambarisha Darbha, a type designer based in Hyderabad, India. The Latin is designed by Vernon Adams and originally published as Nunito. To contribute, see here.
• Mandali (2014): Mandali is a Telugu font developed for use in news publications and has many unique Telugu conjunct letters. It is named after Mandali Venkata Krishna Rao, who successfully organised the first World Telugu Conference in 1975. He and his family have worked for the well being of Telugu people. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The Latin is designed by Vernon Adams and originally published as Nunito. To contribute, see here.
• Dhurjati (2014): Dhurjati is a Telugu font with a square design and round corners. It has ornamental vowel marks that evoke a traditional Indian feeling and is suitable for headlines, invitations, posters and other uses at large sizes. Dhurjati is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The Dhurjati project is led by Ambarisha Darbha, a type designer based in Hyderabad, India. To contribute, see here.
• Suravaram (2013): a brush script font, suitable for headings, posters, invitations and anywhere you want to use a handwriting style. It is named after Suravaram Gurajada, whose literature and poetry enriched the Telugu people. The Telugu is designed and developed by Purushoth Kumar Guttula. The Latin is designed by Vernon Adams and originally published as Tienne. The Suravaram project is led by Appaji Ambarisha Darbha. Github link.
• Suranna (2013): for use in news publications. Suranna is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. The Telugu is designed and developed by Purushoth Kumar Guttula. The Latin is designed by Dereal and originally published as Prata. The Suranna project is led by Appaji Ambarisha Darbha. Github link.
• Sree Krushnadevaraya (2013): for headlines, invitations and posters. It is named after the king who encouraged Telugu literature and poetry through his court, Bhuavana-Vijayam. The Telugu is designed and developed by Purushoth Kumar Guttula. The Latin is designed by Joana Correia da Silva for Sorkin Type Co, a type foundry in Boston and originally published as Cantata One. The Sree Krushnadevaraya project is led by Appaji Ambarisha Darbha. Github link.
• Gurajada (2013): for headlines, invitations and posters. The Telugu is designed and developed by Purushoth Kumar Guttula. The Latin is designed by Juan Pablo del Peral at Huerta Tipografia, a type foundry in Argentina, and originally published as Alegreya Sans. The Gujarada project is led by Appaji Ambarisha Darbha. Github link.

R. Neelameggham

Free truetype fonts by R. Neelameggham of South Jordan, Utah: Asanskrit, Abtelgu (Telugu), Abkanada (Kanada), Abengali (Bengali), Aatmzl (Tamil). Old UR. [Google] [More]  ⦿

Raghunath K. Joshi

Typography professor R.K. Joshi's pages. He was born in 1936 in Kolhapur, Maharashtra, India, and died in San Francisco in 2008. He was a poet, calligrapher, designer, researcher, teacher and type specialist. Above all, he was respected and influential. From 1952 until 1956, he studied at the Sir J.J. Institute of Applied Art in Mumbai. From 1956 until 1960, he was an artist at D.J. Keymer, and from 1961-1983 he was art director at Ulka Advertising in Mumbai. But his best years were still to come. From 1983 until 1996, he was Professor of visual communications at the Industrial Design Center of IIT, Mumbai, and he was with CDAC, Mumbai, formerly NCST, from 1997 until his death. Radio interview. Obituary at TDC. Pages by Design India on him.

His contributions to the type world:

• At Microsoft, he published these typefaces in 2001: Gautami, Raavi, Shruti, Tunga. Later, he added Kartika (2002) and Vrinda (2004). In 2009, he developed Latha and Mangal.
• Quoting CDAC, he made pioneering efforts to establish aesthetics of Indian letterforms through workshops, seminars, international conferences, exhibitions and demonstrations. He revived academic, professional and research interest in Indian calligraphy, typography and computer-aided type design.
• He created Vinyas, a digital type font design environment providing a comprehensive set of interactive tools for the generation of calligraphic fonts (callifonts) using a skeletal approach.
• Typecaces: Vishakha (Devanagari), Vibhusha (Bengali), Vidhan (Oriya), and Viloma (Tamil).
• His students at the Industrial Design Centre included Deborani Dattagupta (Bengali calligraphic typefaces), P.M. Hashim (headline type for a Malayalam daily), Anand Bhandarkar (drop caps), Rajeev Prakash (text face), G.V. Sreekumar (text typeface for Malayalam), and Apurva Joshi (titling typefaces).
• He experimented with random fonts. Check this example of a random font, based his Vinyas software (1991).
• He won an award at Bukvaraz 2001 for Raghu (or Raghindi, which can be downloaded here and here. It was developed with with the help of Vinay Saynekar. With Amresh Mondkar, Jui Mhatre and Supriya Kharkar, Joshi and Saynekar developed RaghuBengaliSans (2005). With Riddhi Joshi, Jui Mhatre and Supriya Kharkar, he created RaghuGujaratiSans (2005). R.K. Joshi, assisted by Jui Mhatre, Supriya Kharkar and Kruti Dalvi, created RaghuHindiSans (2005). R.K.Joshi and Omkar Shende, assisted by Seema Mangaonkar, Jui Mhatre and Supriya Kharkar made RaghuKannadaSans (2005). R.K.Joshi and Rajith Kumar K.M., assisted by Nirmal Biswas, Jui Mhatre and Supriya Kharkar developed RaghuMalayalamSans (2005) and RaghuOriyaSans (2005). R.K. Joshi and Omkar Shende, assisted by Supriya Kharkar and Jui Mhatre, made RaghuPunjabiSans (2005) and RaghuTeluguSans (2005). RaghuTamilRoman (2005) was done by R.K. Joshi and Rajith Kumar K.M., assisted by Jui Mhatre and Supriya Kharkar.
• Joshi made the first OpenType font for Hindi (Mangal) and Tamil (Latha, with Vikram Gaikwad). Mangal became a Microsoft face, but some designers such as Mohd Asif Ali Rizvan think that it is an eyesore.
• Speaker at ATypI 2006 in Lisbon and at ATypI 2002 in Rome. His presentation in Rome was memorable and thrilled all participants.
• Developer of Deshanagari, a common script for all Indian Languages.
• Joshi was involved in the standardization of codes for Marathi and has worked exhaustively to implement Vedic Sanskrit codes for Unicode.

Ramakrishna Saiteja

Ramakrishna Saiteja (Bangalore, India) studied Graphic Design at DJ Academy of Design in Coimbatore, India. He did his final project with Indian Type Foundry (ITF). While at ITF, Ramakrishna designed a few Indic scripts, including Coorg Kannada, Coorg Kannada Sans, and a Latin type design. In collaboration with ITF colleagues Jonny Pinhorn and Nikhil Ranganathan, he worked on the Telugu and Kannada extensions for the ITF typeface Akhand.

Presently, Ramakrishna is working independently on another Classic Kannada type design and plans to pursue an MA in Visual Arts (Graphic Design and Visual Communication) at Academy of Arts, Architecture & Design in Prague. During his studies in Bangalore City, India, Ramakrishna Saiteja (b. 1994) created the monoline techno sans typeface Nova Gothic (2013). In 2015, he published Deccan at Indian Type Foundry. Deccan is loosely based on didones.

In 2016, Ramakrishna Saiteja and Shiva Nallaperumal published the free Kannada / Latin typeface family Kolar. Each font's character set includes 925 glyphs. This massive range supports hundreds of unique Kannada-script conjuncts. Kolar's Latin script characters are all modified from Pablo Impallari's Libre Baskerville series.

His Coorg Kannada typeface (2017) is designed for newsprint.

Winner of the SOTA Catalyst award in 2017. Indian Type Foundry link. [Google] [MyFonts] [More]  ⦿

Rangavalli-1.2 and MeghaSandesam 1.1
[Prasad A. Chodavarapu]

Telugu language software developed by Prasad Chodavarapu. Software includes TeluguLipi Fonts of Sri Srinivas Sirigina, type 1 Potana fonts of Winnipeg-based Sri T. Desikachary and Tikkana Fonts (rehashed Potana fonts) by Sri Juvvadi Ramana. Dead link. [Google] [More]  ⦿

Santhosh Thottingal

Palakkad, Kerala-based computer scientist. He is responsible for Autonym Font (2013). He explains: A font that can render all language autonyms. If we want to show a large number of languages written in their own scripts (autonyms), we cannot apply the usual webfonts to it. This is because when each script requires a webfont, we will end up using a large number of webfonts. This can cause large bandwidth usage. An example of this use case is a language selector on a website. Autonym font tries to solve this. The font contains glyphs and opentype rules for rendering the language autonyms. And it contains only those glyphs for a language. The glyphs for the font are taken from a large number of free licensed fonts.

The sources for the glyphs, by language, are:

• Main: FreeSans.
• Arabic: Droid Arabic Naskh
• Tibetan: Jomolhari
• Bengali: Lohit Bengali
• Telugu: Lohit Telugu
• Tamil: Meera Tamil
• Odia: Lohit Odia
• Malayalam: Meera
• Kannada: Lohit Kannada
• Gujarati: Lohit Gujarati
• Devangari: Lohit Devangari
• Khmer: Hanuman
• Thai: Droid Sans Thai
• Chinese: WenQuanYiMicroHei
• Lao: Phetsarath
• Divehi: FreeFontThaana
• Javanese: TuladhaJejeg
• Myanmar: TharLon

Open Font Library link. [Google] [More]  ⦿

SDL, IIT Madras

Free fonts from SDL, IIT Madras covering most Indic scripts: iitmoriya, iitmbeng, iitmguj, iitmhind, iitmipa, iitmkann, iitmmal, iitmpunj, iitmsans, iitmtam, iitmtel, iitmuni. [Google] [More]  ⦿

Sify Telugu

A free Telugu truetype font: TL-TTHarshapriya-Normal. [Google] [More]  ⦿

Silicon Andhra
[Appaji Ambarisha Darbha]

Silicon Andhra is an Indian type foundry for Telugu. Its types are mainly designed by Appaji Ambarisha Darbha, a type designer from Hyderabad, India. Designer of these free Google web font typefaces:

• Ramaraja (2013) for Telugu and Latin. To contribute, see here.
• Peddana (2013) for Telugu and Latin. The Latin is based on Charis by SIL International. To contribute, see here. Charis SIL download.
• Tenali Ramakrishna (2013) for Telugu and Latin. The Latin is based on Classica by Wojciech Kalinowski. To contribute, see here.
• Timmana (2013) for Telugu. To contribute, see here.
• Lakki Reddy (2013), a funky retro font for Telugu and Latin. The Latin is based on Irish Grover by Font Diner. To contribute, see here.
• Ravi Prakash (2013), a funky poster font for Telugu and Latin. The Latin is based on Joti One by Eduardo Tunni. To contribute, see here.

Codesigner of these free Google web font typefaces:

• NTR (2014): NTR is a Telugu handwriting font inspired by the artist Bapu who is famous among Telugu people. Many artists followed him and created their own style and this font shows that influence. NTR is suitable for headings, posters, invitations and anywhere you want to use a handwriting font. NTR is named after Nandamuri Taraka Rama Rao, who worked tirelessly for the self-respect and well being of Telugu people around the world. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The NTR project is led by Ambarisha Darbha. To contribute, see here.
• Gidugu (2014): Gidugu is a Telugu font suitable for headlines, invitations and posters and is best used at large sizes. Gidugu is named after Gidugu Venkata Ramamurthy, who championed using Telugu as a language for everyone, not only a scholastic language. The Telugu is designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha. The Latin is designed by Eduardo Tunni, a type designer in Buenos Aires, Argentina. The Gidugu project is led by Ambarisha Darbha. To contribute, see here.
• Ramabhadra (2014): Ramabhadra is a Telugu font developed for use in headlines, posters and at large sizes. The letterforms are very round and have a uniform thickness, and the terminals have a small temple shape that appear like a sans-serif design. This font includes unique Telugu conjunct letters. Ramabhadra is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The Ramabhadra project is led by Ambarisha Darbha. The Latin is designed by Steve Matteson at Monotype, an international type foundry, and initially published as Arimo. To contribute, see here. TeX support and further downloads on CTAN.
• Mallanna (2014): Mallanna is a Telugu font with round letterforms and a uniform thickness that reminds us of the round pearls Hyderabad is famous for. It looks very crisp even at small point sizes, which helps publishers make beautiful designs, and includes complex Telugu conjunct letters. Mallanna is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The Mallanna project is led by Ambarisha Darbha. The Latin is designed by Vernon Adams and originally published as Nunito. To contribute, see here.
• Mandali (2014): Mandali is a Telugu font developed for use in news publications and has many unique Telugu conjunct letters. It is named after Mandali Venkata Krishna Rao, who successfully organised the first World Telugu Conference in 1975. He and his family have worked for the well being of Telugu people. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The Mandali project is led by Ambarisha Darbha. The Latin is designed by Vernon Adams and originally published as Nunito. To contribute, see here.
• Dhurjati (2014): Dhurjati is a Telugu font with a square design and round corners. It has ornamental vowel marks that evoke a traditional Indian feeling and is suitable for headlines, invitations, posters and other uses at large sizes. Dhurjati is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. Designed by Purushoth Kumar Guttula and developed by Ambarisha Darbha in 2013. The Dhurjati project is led by Ambarisha Darbha. To contribute, see here.
• Suravaram (2013): a brush script font, suitable for headings, posters, invitations and anywhere you want to use a handwriting style. It is named after Suravaram Gurajada, whose literature and poetry enriched the Telugu people. The Telugu is designed and developed by Purushoth Kumar Guttula. The Latin is designed by Vernon Adams and originally published as Tienne. The Suravaram project is led by Appaji Ambarisha Darbha. Github link.
• Suranna (2013): for use in news publications. Suranna is named after the Telugu poet from the court of the king Krishnadevaraya, and was one of the Astadiggajalu (literally eight legends) there. The Telugu is designed and developed by Purushoth Kumar Guttula. The Latin is designed by Dereal and originally published as Prata. The Suranna project is led by Appaji Ambarisha Darbha. Github link.
• Sree Krushnadevaraya (2013): for headlines, invitations and posters. It is named after the king who encouraged Telugu literature and poetry through his court, Bhuavana-Vijayam. The Telugu is designed and developed by Purushoth Kumar Guttula. The Latin is designed by Joana Correia da Silva for Sorkin Type Co, a type foundry in Boston and originally published as Cantata One. The Sree Krushnadevaraya project is led by Appaji Ambarisha Darbha. Github link.
• Gurajada (2013): for headlines, invitations and posters. The Telugu is designed and developed by Purushoth Kumar Guttula. The Latin is designed by Juan Pablo del Peral at Huerta Tipografia, a type foundry in Argentina, and originally published as Alegreya Sans. The Gujarada project is led by Appaji Ambarisha Darbha. Github link.
• Chathura (2015). Chathura was developed initially as an ASCII font in 2009 in the Ezi Fonts collection. In 2015 Chathura was developed into a Unicode font family with support for Telugu and Latin. The Telugu component was designed by Appaji Ambarisha Darbha. The Latin component was added from Rajdhani, a Latin and Devanagari font family developed by Shiva Nalleperumal at Indian Type Foundry. Google Fonts link.

Sirigina's Homepage

TeluguLipi fonts. [Google] [More]  ⦿

South Asia Language Resource Center (SALRC)

Based at the University of Chicago, links and suggestions for free fonts are given for these languages: Assamese, Baluchi, Bengali, Brahui, Dzongkha, Gujarati, Hindi, Kannada, Kashmiri, Kodagu, Lahnda, Malayalam, Marathi, Nepali, Oriya, Panjabi (Gurmukhi), Panjabi (Shahmukhi), Pashto, Sanskrit, Sindhi, Sinhala, Tamil, Telugu, Tibetan, Tulu, Urdu. [Google] [More]  ⦿

Sri T. Desikachary

Tikkana is a truetype font designed by Sri T. Desikachary, who is based in Winnipeg, Canada. Changes were made by Prasad Chodavarapu and Sri Ramana Juvvadi. See also here, here and here, where one can download the Tikkana fonts (truetype and type 1) for Telugu. These fonts are free under the GNU license. Prasad A. Chodavarapu also explains how to install the fonts for X-Windows/UNIX users. See also here. [Google] [More]  ⦿

Sridhar Murthy Srikantham

Sridhar Murthy Srikantham is a graphic and type designer, b. 1963, Andhra Pradesh, India. He has a BFA from JNTU, Hyderabad. He created Telugu fonts for the following newspapers: Eenadu (Linotron 202), Vartha Andhara Jyothi, Andhra Bhoomi Sakshi, and Andhra Prabha Prajashakti. He also made Telugu fonts for Microsoft through Modular Infotech, Pune. He designed a typeface for the Naga Tribes called New Script. Speaker at ATypI 2010 in Dublin. Speaker at ATypI 2011 in Reykjavik.

M/S Cyberscape Multimedia Limited, Mumbai, are the developers of Akruti Software for Indian Languages. They released a set of truetype fonts for nine Indian scripts (Devanagari, Gujarati, Telugu, Tamil, Malayalam, Kannada, Bengali, Oriya, and Gurumukhi) under the GNU General Public License (GPL). One can download the fonts from the Free Software Foundation of India WWW site. Contributions to the GNU Freefont project:

• Devanagari (U+0900-U+097F)
• Bengali (U+0980-U+09FF)
• Gurmukhi (U+0A00-U+0A7F)
• Gujarati (U+0A80-U+0AFF)
• Oriya (U+0B00-U+0B7F)
• Tamil (U+0B80-U+0BFF)
• Telugu (U+0C00-U+0C7F)
• Kannada (U+0C80-U+0CFF)
• Malayalam (U+0D00-U+0D7F)

Srinu&Anu's Home Page

Beautiful free Telugu fonts "TeluguLipi" by Srinivas Sirigina and Anuradha Koneru. [Google] [More]  ⦿

Sunny Kallara
[InProS (Intellectual Property Solutions)]

[More]  ⦿

TDIL: Technology Development for Indian Languages

Archive of Hindi fonts and Hindi font software. It has, among other things, the DV ME Shree family (1992) of fonts made by Modular Infotech, Pune, India. Telugu subpage. Malayalam fonts. [Google] [More]  ⦿

Telugu Diksuchi

Telugu truetype font archive. [Google] [More]  ⦿

Telugu fonts

Telugu font archive: TL-TTHemalatha-Normal, TL-TTHemalatha-BoldItalic, TL1-TTHemalatha-Bold, TL1-TTHemalatha-Italic, TL1-TTHemalatha-Normal, TL1-TTHemalatha-Bold-Italic, TL-TTHarshapriya-Bold, TL-TTHarshapriya-Italic, TL-TTHarshapriya-Normal, TL-TTHarshapriya-Bold-Italic, TL1-TTHarshapriya-Bold, TL1-TTHarshapriya-Normal, TL1-TTHarshapriya-Bold-Italic, TLB-TTHemalatha-Bold, TLB-TTHemalatha-Italic, TLB-TTHemalatha-Normal, TLB-TTHemalatha-BoldItalic, TLB-TTHarshapriya-Bold, TLB-TTHarshapriya-Italic, TLB-TTHarshapriya-Normal, TLB-Harshapriya-BoldItalic. All by CDAC-Pune. [Google] [More]  ⦿

Telugu One

Free Telugu truetype font TL-TTHemalathaWeb-Normal (C-DAC, Pune, 2000). [Google] [More]  ⦿

TeluguTEX
[Lakshmankumar Mukkavilli]

Lakshmankumar Mukkavilli and Lakshmi Mukkavilli present Telugu TeX, complete with a set of metafonts. [Google] [More]  ⦿

TLOT-Harshpriya

Free Telugu Unicode font made in 2007 by CDAC, GIST, Pune. It can be downloaded here. [Google] [More]  ⦿

Ubuntu: Indic fonts

Free Indic fonts:

• Bengali: JamrulNormal, LikhanNormal, muktinarrow, muktinarrowbold, Ani, Lohit-Bengali, Mitra.
• Hindi/Devanagari: Gargi_1.7, Chandas, Kalimati, Lohit-Hindi, Samanata.
• Gujarati: Rekha-medium, aakar-MagNet, Lohit-Gujarati, padmaa-Bold, padmaa-Medium.
• Kannada: KedageBold, KedageNormalItalic, KedageNormal, KedageBoldItalic, MalligeBold, MalligeNormalItalic, MalligeNormal, MalligeBoldItalic.
• Malayalam: racotf04, malayalam.
• Oriya: utkal.
• Punjabi: Saab, Lohit-Punjabi.
• Tamil: TAMu_Kadambri-Regular, TAMu_Kalyani, TAMu_Maduram, TSCu_Comic, TSCu_Paranar, TSCu_Times, TSCu_Paranar-Bold, TSCu_Paranar-Italic, Lohit-Tamil.
• Telugu: Pothana2000, Vemana2000.

Vaishnavi Murthy Yerkadithaya

Vaishnavi is a typeface designer specializing in Indic scripts. She works on the conservation and restoration of books, manuscripts, documents, and ephemera. Graduate of the Masters of Type Design program of the University of Reading, UK. Vaishnavi's graduation typeface was Yaska (2014, Latin, Cyrillic and Malayalam). The Latin consists of an 8-weight serif family and a connected italic.

Co-designer with Juan Luis Blanco of Akaya Telivigala/Kanadaka. Blanco writes: Akaya is a single weight experimental display typeface in Kannada, Telugu and Latin scripts designed in collaboration with Vaishnavi Murthy (Bangalore, India). Akaya Telivigala and Akaya Kanadaka are made as two separate font files which share a common Latin. Github link. Google Fonts link for Kanadaka. Google fonts link for Telivigala. Github link for Telivigala.

Designer of Anek Kannada as part of Ek Type's award-winning family Anek (2022). [Google] [More]  ⦿

Valentin Brustaux

Swiss graphic and type designer who studied first at Ecole des Arts Décoratifs de Genève (2000) and then at the University of Reading (Masters in type design, 2007). He lives and works in Geneva. He created Tiina (2007) at the University of Reading, a Latin/Cyrillic type family, which won an award at TDC2 2008. Tiina was completed with the help of Fred Smeijers in 2010, and was added to the OurType collection. He also did the identity design for the Kingdom of Bahrein Pavilion at the Venice Architecture Biennale 2010.

Valentin designed the Telugu part of Adobe Telugu (while Robert Slimbach did the Latin). Adobe Telugu won an award at the Type Directors Club's Type Design Competition 2019. [Google] [MyFonts] [More]  ⦿

Velugu

Free TrueType font Velugu at the first Telugu on-line newspaper. [Google] [More]  ⦿

Vijay Kumar Patel

Fort Worth, TX-based creator of a commercial font collection that covers most Indian languages: Gujarati Radhika, Gujarati Priti, Gujarati Palana, Hindi Vijay, Assamese Vijay, Bengali Vijay, Tamil Vijay, Telugu Vijay, Sanskrit Vijay, Punjabi Vijay, Malayalam Vijay, Malayalam Radhika, Kannada Vijay, Marathi Vijay, Nepali Vijay, Oriya Vijay, Indian Artwork-Vijay. [Google] [More]  ⦿

Vishvesha

Four free Indic truetype fonts: TM-TTValluvar (Tamil), TL-TTHemalatha (Telugu), SD-TTSurekh (Sanskrit), KN-TTUma (Kannada). [Google] [More]  ⦿

XenoType Technologies

Commercial outfit with language kits (including fonts) for these languages: Burmese, Cherokee, Inuktitut, Kannada, Lepcha, Limbu, Lontara, Malayalam, Sinhala, Telugu, Tibetan, Bassa, Cambodian, Ethiopic, Laotian, Saurashtra, Sylheti, Tai Le, Tamil, Assyrian (Syriac), Burmese, Georgian, Khmer. [Google] [More]  ⦿

Yvonne Schüttler

German type design student at Reading, UK, 2008, now based in Frankfurt. In 2007, she got a diploma from the Frankfurt Academy of Communication and Design. Her typeface designed for the MA in typeface design at Reading in 2008 is Mina, a contemporary sturdy newspaper face for Latin and Telugu.

At Google Font Directory, one can download Voltaire (2011), a low-contrast condensed semi-geometric style sans-serif, and Poller One (2011, a high-contrast black poster sans done for Sorkin Type).

In 2012, she published the heavy poster sans typeface Krona One at Google Web Fonts.

Calistoga (2011-2019). Calistoga is a cheerful, space saving display typeface. It was inspired by Oscar M. Bryn's lettering as seen on the posters made for the Western US based Santa Fe Railroad. Calistoga includes proportional, tabular, old style and lining figures. It also offers fractions, superiors, inferiors, a broad range of symbols, and it includes case sensitive forms. Calistoga is an original typeface designed by Yvonne Schuttler. Eben Sorkin expanded the language support and refined the design in 2018. Published by Sorkin Type and Google Fonts. Github link.

Tauri was published at Google Web Fonts in 2013.

Vinga (2007) is a sans typeface done at the FAKD, Frankfurter Akademie für Kommunikation und Design (now AVA), Frankfurt am Main.

Google profile link. Behance link. Old URL. Typecache link. Klingspor link. Fontsquirrel link. [Google] [More]  ⦿