TYPE DESIGN INFORMATION PAGE last updated on Sun Jul 3 13:07:19 EDT 2022
FONT RECOGNITION VIA FONT MOOSE
Expired site, run by Luistxo Fernandez&Marije Manterola. Quote from that site: "These pages are about the scripts and alphabets of the world's languages, special characters and diacritics, and transliteration schemes." [Google] [More] ⦿
The was a commercial site located in West Clinton, Utah, that was run by Scott T. Smith from Clinton, Utah. It had Mayan, hieroglyphs, cuneiform, Syriac, Etruscan, old Greek, old Hebrew and archeological fonts as well as Native American dingbats. [Google] [More] ⦿
From Bitstream's web page: "Bitstream Cyberbit is our award-winning international font. Based on one of our most popular and readable type designs (Dutch 801 BT [note: Bitstream's version of Times and Times New Roman]), it includes all the typographic characters for most of the world's major languages. Cyberbit is now available! The product release includes the roman weight of Dutch 801 BT, a "serif" font. (A serif font has small finishing strokes at the end of the main stems, arms, and tails of characters, while a sanserif font does not.) The font is in TrueType format for Windows 95 and Windows NT. Future releases will provide support for "sanserif" typefaces, other platforms, other font formats, and even more languages. Bitstream Cyberbit is a work in progress. Bitstream is now distributing the roman weight of Cyberbit, free of charge, over the Internet! Remember, this release is in TrueType format for Windows 95 and Windows NT". --- Well, Bitstream no longer offers the font. It is still out there however. Try here, here, here, or here. Has these unicode ranges: Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, Spacing Modifier Letters, Greek, Cyrillic, Hebrew Extended (A and B blocks combined), Thai, Latin Extended Additional, General Punctuation, Currency Symbols, Letterlike Symbols, Number Forms, Arrows, Mathematical Operators, Miscellaneous Technical, Box Drawing, Block Elements, Geometric Shapes, Miscellaneous Dingbats, Alphabetic Presentation Forms, Combining Diacritical Marks, Enclosed Alphanumerics, Arabic, Arabic Presentation Forms-A and -B, CJK (Chinese, Japanese, Korean) Symbols and Punctuation, Hiragana, Katakana, Bopomofo, Hangul Compatibility Jamo, Enclosed CJK Letters and Months, CJK Compatibility, Hangul, CJK Unified Ideographs, CJK Compatibility Ideographs, CJK Compatibility Forms, Small Form Variants, and Halfwidth and Fullwidth Forms. [Google] [More] ⦿
Started in 2008, this web place by Norwegian entrepreneur Roger S. Nelsson (based in Honningsvåg, Norway) sells fonts by Ray Larabie, Brian Kent, Nick Curtis, Derek Vogelpohl and Kevin King that were originally freeware fonts. Nelsson reworked them (more glyphs, more multilingual) and asks about 10 dollars per font now. He says his fonts now cover these Latin languages: Afrikaans, Albanian, Basque, Belarusian (Lacinka), Bosnian, Breton, Catalan, Chamorro, Chichewa, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino (Tagalog), Finnish, French, Frisian, Galican, German, Greenlandic, Guarani, Hungarian, Icelandic, Indonesian, Irish (Gaelic), Italian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Luxembourgian, Malagasy, Maltese, Maori, Northern Sotho, Norwegian, Occitan, Polish, Portuguese, Rhaeto-Romance, Romanian, Saami (Inari), Saami (Lule), Saami (North), Saami (South), Scots (Gaelic), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Spanish, Swedish, Tswana, Turkish, Turkmen, Ulithian, Walloon, Welsh, Yapese.
Designer at FontStruct in 2008 of cowboy_hippie and Syndrome X (DNA-look typeface inspired by Syndrome BRK by Brian Kent). Nelsson's fonts are Classic Trash BRK Pro, Dynamic BRK Pro, Galapogos BRK Pro, Genotype BRK Pro, King Cool KC Pro (kid's hand; done with Kimberly Geswein), Lamebrain BRK Pro, Matrise Pro and Matrise Text Pro (dot matrix), Phorfeit BRK Pro, Syndrome BRK Pro, Technique BRK Pro, Vigilance BRK Pro, Grapple BRK Pro. The "BRK" refers to Brian Kent, the original free font designer.
In 2009, he added a number of fonts that were done by Nick Curtis some years before that (hence the "NF"): Boogie Nights NF Pro (art deco face), Copasetic NF Pro, Coventry Garden NF Pro, Pro, Fontleroy NF Pro, Hamburger Heaven NF Pro, Monterey Popsicle NF Pro, and Wooden Nickel NF Pro. Trypewriter Pro (2009) is based on Kevin King's Trypewriter. Helldorado Pro (2009) is a Tuscan wood type style typeface based on a font by Levente Halmos.
Designer of Isbit Pro (2012, a magnificent melting ice cube-shaped superlliptical typeface family), Familiar Pro (2011, designed with the same metric as Helvetica but "better than Arial"), Bloco Pro (2010, fat counterless face), Trump Town Pro (2009, athletic lettering slab serif), Geometric Soft Pro (2009), Geometry Script Pro (2010, upright connected script), DIN Fun Pro (2011), Infantometric Pro (2012), Foobar Pro (2012) and Cheap Pro Fonts Serif (2009).
Typefaces from 2013: Adultometric Pro (narrow monoline sans).
Boudewijn Rempt's fonts for imaginary and not-so-imaginary languages: Afaka-Roman (from Suriname, with the help of Rob Nierse), Bugis-Makassar, DendenChancelleresca, Eqalar3 (for Pablo Flores' language Draseleq), goidel, gothic-1, Keiaans-(Kayenian), Mandeville-Hebreeuws, Meroitic-boldItalic, Mandeville-Chaldeeuws, Mandeville-Grieks, Mandeville-koptisch, Mandeville-Saracen, Nosjhe-standard (with Christophe Grandsire), hPhags-pa-(rotated), selang, selang-cursief, Ü-chan, ValdyaansKlerkenschrift, 2ValdyaansKlerkenschrift. He created Gothic after the alphabet devised by the Visigothic Bishop Wulfila (Lat. Ulfilas), 311-383 AD. [Google] [More] ⦿
David Myriad Rosenbaum
David Myriad's FontORama
David Myriad Rosenbaum (El Sobrante, CA) created high quality free fonts for Ugaritic (Ugaritic 3.1) and old Phoenician (Phoenician Moabite).
Ecritures du monde
Michel Bottin's pages (in French) on the world's writing systems. He spends some time on the major Unicode fonts, Bitstream Cyberbit (downloadable), Titus Unicode (by Jost Gippert), Code 2000 (by James Kass), and Ballymon RO (by M. Ronald Ogawa). There are also pages on Unicode and standardization. [Google] [More] ⦿
German type foundry in Hamburg established in 1986 by Veronika Elsner and Günther Flake. They offer original fonts as well as improved versions of classical fonts. There are many non-Latin fonts as well. In-house designers include Jessica Hoppe (Carpediem), Verena Gerlach (Aranea), Petra Beisse (Petras Script), Uwe Melichar, Manuela Frahm (Fritz Dittert), Ralf Borowiak, Lisa von Paczkowski, and Achaz Reuss.
Additions in 2005 include the dingbat typefaces Beautilities EF Alpha, Ornamental Rules EF, Diavolo Rules EF, Squares EF (Alpha, Beta and Gamma), Topographicals EF Alpha, Typoflorals EF Alpha, Typographicals EF Alpha, Typomix EF Alpha, Typosigns EF Alpha, Typospecs EF Alpha and Beta (which have several fists), Typostuff EF Alpha, Diavolo EF, Schablone EF, Gigant EF, Maloni EF, OCRA EF, EF Unovis (a 16-weight family inspired by Quadrat).
In the hand-printed category, let us mention Filzerhand.
Their blackletter collection includes some bastardas (Alte Schwabacher, Lucida Blackletter), some frakturs (Fraktur, Fette Fraktur EF, Justus Fraktur, NeueLutherscheFraktur, Walbaum-Fraktur), some rotundas (Weiss-Rundgotisch), and some texturas (Gotisch, Old English).
Commissioned fonts include Castrol Sans (2007).
Selected additional typefaces: Garamond Rough Pro (2018), Bluset Now Mono (2018), Newspoint (2017, based on Morris Fuller Benton's News Gothic), Meier Kapitalis (2013, a lapidary typeface based on a 1994 sketch by Hans Eduard Meier in his book Die Schriftentwicklung), Gillies Gothic EF (after William S. Gillies's 1935 original), EF Medieva, Bank Sans Caps EF, Metropolitain (1985) (after a 1905 art nouveau typeface by Fonderie Berthier).
Evertype (was: Everson Typography)
Elsewhere, one can find rare Everson creations such as Musgrave (1994).
MyFonts sells these typefaces:
His bio, in his own words: Michael Everson, based in Westport, Co. Mayo, is an expert in the writing systems of the world. He is active in supporting minority-language communities, especially in the fields of character standardization and internationalization. He is one of the co-authors of the Unicode Standard, and is a Contributing Editor and Irish National Representative to ISO/IEC JTC1/SC2/WG2, the committee responsible for the development and maintenance of the Universal Character Set. He is a linguist, typesetter, and font designer who has contributed to the encoding in of many scripts and characters. In 2005 and 2006 his work to encode the Balinese and N'Ko scripts was supported by UNESCO's Initiative B@bel programme. Michael received the Unicode "Bulldog" Award in 2000 for his technical contributions to the development and promotion of the Unicode Standard. Active in the area of practical implementations, Michael has created locale and language information for many languages, from support for Irish and the other Celtic langauges to the minority languages of Finland. In 2003 he was commissioned by the United Nations Development Programme to prepare a report on the computer locale requirements for Afghanistan, which was endorsed by the Ministry of Communications of the Afghan Transitional Islamic Administration. He prepared a number of fonts and keyboard layouts for Mac OS X 10.3 (Panther). Michael moved to Tucson, Arizona at the age of 12. He studied German, Spanish, and French for his B.A. at the University of Arizona (1985), and the History of Religions and Indo-European Linguistics for his M.A. at the University of California, Los Angeles (1988). He moved to Ireland in 1989, and was a Fulbright Scholar in the Faculty of Celtic Studies, University College Dublin (1991). In 2010, he made Timenhor, a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Speaker at ATypI 2010 in Dublin. Speaker at ATypI 2011 in Reykjavik.
DEAD LINK. This was Zapo (Mohammed Zafir) and Lili's 4000-font archive of themed and foreign language fonts. Of course, you can always play back to see what the site looked like when it was last alive, in August 2001. [Google] [More] ⦿
Spanish language site for various non-Latin language fonts. A sampling: Afus Deg Wfus 2 (for Berber), AlKatib1 (2001, an Arabic typeface by Naseem Amjad), Albanian, Alice_0 (Lao typeface by by Ngakham Southichack), LAOMAY_5 CHAREUNSILP (Lao typeface by by Soupasith Bouahom), Arial AMU (1999, Armenian typeface by Ruben Tarumian), BaltFrutigerLight, BaltHelveticaMedium, BaltNewCenturySchoolbookMedium, BaltOptimaMedium, BaltTiffanyMedium, BaltUniversityMedium, CarloAtor (1997, Arabic family by Timm Erickson, Summer Institute of Linguistics), Caligraf-W, Ciula (1996, a Romanian typeface by Paul Hodor), Cursiv (Romanian), AnlongvillKhek, GabrialAtor (another Arab family by Timm Erickson), Gin, Greek (1993, by Peter J. Gentry&Andrew M. Fountain), HandSign (1993, Sam Wang), HFMassisShantNUnicode (1990-1994, an Armenian unicode typeface by BYTEC Computers and Massis Graphics), HONGKAD (1994, a family by Dr. Hongkad Souvannavong), IsmarBold, IsmarLight, Lakshmi, X000000A (1994, a lao typeface by Sith Bouahom), LAOMAY_2-CHAREUNSILP, Alice3Medium, Alice0Medium, Langagedessignes (1998, by Philippe and François Blondel), NorKirk (1997, a great Armenian typeface by Ruben Tarumian), NovaTempo (for Esperanto), Pazmaveb (for Armenian), ILPRumanianB100 (1996, by Charles J. Coker), Saysettha-Lao, Saysettha-LaoBold, SenzorgaAnhok, Timok, Tribuno, Turn-W, TimesUnicode, ArialAMU, PoliceTypeAPI (for Armenian), Cieszyn-Regular, PoojaNormal, Shibolet (1995, Hebrew), Shree-Ass-0552 (2000, by Modular InfoTech), Tudor-Semi-Lite, Webdunia, TimesNRCzech, TNRLiboriusVII (2001, a fully accented Times typeface by Libor Sztemon), GreatMoravia (2001 Libor Sztemon, Czechia), Johaansi-ye-Peyravi (2001, a full accent blackletter typeface by Libor Sztemon, Czechia), TimesNREuskaraEuransiEsperanto (2001, Libor Sztemon). [Google] [More] ⦿
Outfit in San Diego, CA, which used to sell international commercial fonts in the 1990s, including Cyrillic fonts mostly from Paragraph. WL PashtoNaskh (1995) is one of their Arabic fonts. Other fonts include WLGreekTimesAncient-Regular for Greek and WL-ArabicNaskh for Arabic. [Google] [More] ⦿
Simon Ager invented this curly script in 1998 as an alternative way to write Mandarin Chinese. Since then it has gone through many revisions and refinements. The sound system is based on bopomofo (the Chinese Phonetic Alphabet) with some modifications. The shapes of the letters were inspired partly by bopomofo and partly by such alphabets as Thai and Burmese. The numerals are based, very loosely, on Burmese numerals. [Google] [More] ⦿
GNU Freefont (or: Free UCS Outline Fonts)
The GNU Freefont is continuously being updated to become a large useful Unicode monster. GNU FreeFont is a free family of scalable outline fonts, suitable for general use on computers and for desktop publishing. It is Unicode-encoded for compatability with all modern operating systems. There are serif, Sans and Mono subfamilies. Also called the "Free UCS Outline Fonts", this project is part of the larger Free Software Foundation. The original head honcho was Primoz Peterlin, the coordinator at the Institute of Biophysics of the University of Ljubljana, Slovenia. In 2008, Steve White (aka Stevan White) took over.
Chinese truetype fonts. And 20 MB worth of international bitmap fonts. The fonts at the latter link contain PCF and BDF sources, and some truetype and type 1 fonts. Among the bitmap (BDF) fonts: ISO8859 series 1 through 9 (Latin, Greek, Cyrillic), KOI8 (Cyrillic), Indic, Lao, Tibetan, Thai, Vietnamese, Chinese, Japanese, Korean, Ethiopic, Arabic, IPA, Hebrew. Truetype: Latin-X fonts, Vietnamese (VISCII roman). Type 1: Latin-X fonts, Vietnamese (VISCII roman), Thai (TIS620), Thai National Font. The readme goes: "We greatly appreciate the contribution of Yannis Haralambous and Tereza Tranaka. They made free TrueType and Type1 fonts for Latin-X series, Thai, and Vietnamese. They will eventually make fonts for more character sets." The fonts are called OmegaSerif, and were made in 1999. Also included is the Thai National font Nf3, made by Yannis Haralambous and Virach Sornlertlamvanich in 1999. [Google] [More] ⦿
From the Summer Institute of Linguistics (SIL), an extensible rendering engine for complex writing systems. That is, an environment for portable smart font rendering, ideal for many non-roman writing systems. Free open source code. Graphite consists of a rule-based programming language--Graphite Description Language (GDL)--that can be used to describe the behavior of a writing system, a compiler for that language, and a rendering engine that can serve as the back end of a text processing application. Graphite renders TrueType fonts that have been extended by means of compiling a GDL program. Greg Lyons from SIL states "You might find the design to be an interesting alternative to OpenType/Uniscribe and AAT (TrueType GX)." Sourcefrge project. [Google] [More] ⦿
Type designer (b. Minneapolis, MN, 1962) at SIL International, UK since 1991, and an ex-M.A. student in type design at the University of Reading. He has worked on non-Latin typefaces, as well as his own extended Latin design, Gentium (2002). [Download from places such as OFL and FreeBSD]. Gentium Plus supports a wide range of Latin, Greek and Cyrillic characters. It was developed between 2003 and 2014 by J. Victor Gaultney (main designer), Annie Olsen, Iska Routamaa, an Becca Hirsbrunner.
Papers by him include Multitudinous Alphabets: The design of extended Latin typefaces (2001), The influence of pen-based letterforms on Devanagari typefaces (2001), Balancing Typeface Legibility and Economy, Gentium---A Typeface for The Nations, Problems of Diacritic Design, and "Problems of diacritic design for Latin script text typefaces" (2002). The last one is a must-read.
Projects in which he is the main or only designer include SIL Dai Banna Fonts, SIL Tai Dam Fonts, SIL Greek Font System, SIL IPA Fonts, and SIL Encore Fonts. At ATypI 2004 in Prague, he spoke about the technical problems with East European type. In 2008, he published Gentium Basic and Gentium Book Basic, each in four weights, but essentially limited to Latin, and added them to the Google Font Directory link.
At ATypI 2010 in Dublin, he spoke about sculptural letterer Arnold Flaten (1900-1976). Speaker at ATypI 2011 in Reykjavik. Speaker at ATypI 2013 in Amsterdam: Open and collaborative font design in a web fonts world. Speaker at ATypI 2017 Montreal.
John M. Fiscella
John Bullitt's guide to Pali. Included are many links, book references, and a few fonts, such as K.R. Norman's "Norman", Alec McAllister's popular "LeedsBit PaliTranslit" font, and a discussion of Pierre Robillard's "DPalatino" and "DTimes" fonts. [Google] [More] ⦿
"Linguist's Software, the world's leading foreign language font foundry since 1984, produces TrueType and Type 1 fonts for over 630 languages for Windows and Macintosh computers. Our fonts may also be used, with some restrictions, in the NT, DOS, OS/2, NeXT, and UNIX operating systems. You may order directly from us. Doing so assures that you always get the latest version, automatic registration, free technical support, and upgrade notification." About 100 dollars per family. Custom fonts made at about 50 dollars per character. Run by Philip Barton Payne. Web contact: Gene Sorensen. The font licenses mention Linguist Software and Payne Loving Trust. Based in Edmonds, WA. [Google] [More] ⦿
Europe's largest independent foreign language font developer for the Macintosh, which is directed by Sebastian Kempgen from Germany. Fonts include: Western Languages (CoreFont series), Eastern Europe (CE-Font series), Cyrillic (Professional series: RomanCyrillic Pro, Ladoga Pro etc. (text fonts); DEsign fonts: Faktor, Inessa Cyr etc. (headline, handwriting); Olliffe Fonts: Batumi, Schechtel, Russian Open (display type; example: Mashinka); Scientific Cyrillic (includes old orthography, accents, old characters); Old Church Slavonic (Cyrillic and Glagolitic, Square and Round); Non-Slavic Cyrillic: Roman CyrTurk, Ladoga CyrTurk), Greek (Modern Greek and Classical Greek (Agora and Parmenides)), Icelandic&Faeroese (PolarFont series), Irish&Welsh (Gaelic, Celtic in the CeltoFont series), Romanian (DacoFont series), Turkish (TurkoFont series), BalkanFont series (Hungarian, Romanian, Turkish, Azerbaijani, Maltese), Basque (BaskoFont series), Saami (SamoFont series), Georgian, Armenian, Coptic (such as the Pachomius font), Cuneiform, Sabean, SinoFont series for Vietnamese plus more or Chinese (Pinyin) transliteration, phonetic Fonts (Trubetzkoy&Phonetica), Transliteration Fonts. Some of its fonts (like Campus Ten/Twelve and Magister Book) are now sold through Agfa/Monotype.
Names of some fonts: Breitkopf Fraktur, Campus Sans, CampusRoman Pro, CampusSans Block, Dareios, Faktor, Glagol Pro, Inessa, Konkret, Kronstadt, Marib, Method, Moskva Pro, Parmenides, Retrograd, Tafelkreide, Tatlin, Trubetzkoy. [Google] [More] ⦿
Match Fonts is the West Hollywood, CA-based foundry led by Michel Bujardet (b. Bordeaux, France, 1951), who is Mike Budge on alt.binaries.fonts. They make and sell interesting font paks. A particular favorite of mine is the Calligraphic Fonts Pack 2, which has the beautiful medieval-look typeface Rodolphe (2001), together with the Chancellerie family, the blackletter font SquareText, and a few Uncial fonts called Oncial. Free demos. Cursive Handwriting is a 6-font pak for teaching handwriting. Also offering a handwriting and signature font service. Among free offerings, check Le Blackmail (ransom font). Also, commercial fonts for these languages: Armenian, Bulgarian, Croatian, Czech, Estonian, Greek, Hawaian, International Phonetic (IPA), Hebrew, Hieroglyphs, Hungarian, Japanese, Latvian, Lithuanian, Macedonian, Marshallese, Polynesian, Polish, Romanian, Russian, Serbian, Slovak, Turkish, Ukrainian, Yiddish.
Interesting typefaces: Boulon (letters with bolts), Bujardet Freres (French restaurant type), Calebasse (1997, semi-psychedelic), Chinoiseries (Chinese look-alike), Cristolikid (LCD), Diodes Light, Grecques, Halloween, Malabars, Metroplitain (art nouveau), Monogram, Octogone, Osselets (bones), Parador, Ruban Dis-Moi, SilBooettes, TSF et Compagnie, Venitienne, Yiddilatin, Zebrues, and the dingbats Dinosotype, Alphabetzier, Nahkt Hieroglyphics, Norman Prince (children's handwriting), Angelots, Sceaux, Seraphiques, Talismans, La Main Guided, La Main Solid (both children's tracing fonts), Bordini, Bordofixed, BoumBoum, ChapClerk, Dactylographe (nice!), Halotique (sans serif), Tortillon (2001, art deco), Normographe (great too!), Normafixed, Oloron, Parlante (serif family), Presse (typewriter), Technicien. Plus handwriting fonts Skrypta, Skryptaag (upright and connected), Willegha. a Morse Code font. The Halloween pack includes Coulures, Halloween, Osselets and SilBooettes. Fixed width fonts include Dactylographe, Oloron, Bordo, Norma. Direct access. Interview and photo. Alternate URL (in French), with many more fonts, such as the handwritten Pierre, Mariette. MICR E13 B font.
"The Mesa Polyglot alphabet was invented by Juan Mesa (b. 1928), a Cuban-American living in Miami. It was designed as an easy-to-learn and simple-to-use alternative international alphabet." A Mesa font by Nicholas Fabian is included. See also here for MesaAnalogMedium (2001). [Google] [More] ⦿
Edited by Laurel Mittenthal at Harvard: "This page provides links to websites which make non-Roman fonts available for downloading, and to those with lists of links for non-Roman fonts on the web." [Google] [More] ⦿
Monotype sells fonts for the following languages: Amharic, Aksara Kaganga, Arabic, Armenian, Balinese, Burmese, Cambodian, Chinese, Coptic, Devanagari (Hindi/Marathi/Nepali), Farsi, Georgian, Glagolitic, Gujerathi, Gurmukhi (Punjabi), Hebrew, Japanese, Javanese, Jawi, Kannada, Korean, Laotian, Lontarak, Malayalam, Old Bulgarian, Oriya, Pushto, Sindhi, Sinhalese, Surat Pustaha, Syriac, Tamil, Telugu, Thai, Urdu, Vietnamese. [Google] [More] ⦿
Music of the Ancient Near East
Richard Dumbrill's page. Find a free font Akkadian-1, and a commercial family, RD-Akkadian (cuneiform signs). Plus RD-Times Scholar (commercial). Furthermore, custom font design for Syriac, Ugaritic, Hittite cuneiforms, South Arabian, Phoenician. [Google] [More] ⦿
Simon Ager's page on Naxi scripts, Dongba and Geba. "The Naxi language (a.k.a. Nakhi, Naqxi, Nasi or Moso) is a Sino-Tibetan language, though some linguists classify it as a Burmese-Lolo language. About 250,000 people speak Naxi in the Chinese province of Yunnan, particularly around the town of Lijiang. There are also Naxi people in Sichuan, Tibet and possibly in Burma/Myanmar." About Dongba, which has about 1400 beautiful glyphs, he writes: "The Naxi Dongba (a.k.a. Tomba or dto-mba) script was reputedly invented by King Moubao Azong in the 13th century. It is used exclusively by the Dongba (shamans/priests) as an aid to the recitation of ritual texts during religious ceremonies and shamanistic rituals. The Naxi language and script was discouraged after the Communist victory in 1949 and actively suppressed during the Cultural Revolution in the 60s when thousands of manuscripts were destroyed. Today only a handful of people can read and write the dongba script, and all of them are over 70, though efforts are being made to preserve the script and a number of students are learning it. A newspaper was published during the 1980s printed in the Dongba script and the Latin alphabet in an attempt to increase the level of literacy among the Naxi people in their own language. Over 30 books were also published. There efforts were successful at first - in 1982, 200 people could read Naxi in the Latin alphabet. By 1985, 1,700 could do so. Unfortunately the Chinese government phased out Naxi language teaching in the late 80s." [Google] [More] ⦿
Simon Ager's fantastic pages about all possible writing systems. Grouped in alphabetic writing systems, syllabic systems, logographic systems, and others such as the ones used for fictional (constructed) languages (Braille, Morse, Geyinzi, Shavian, Mesa). [Google] [More] ⦿
"The goal of the Pango project is to provide an open-source framework for the layout and rendering of internationalized text. Pango is an offshoot of the GTK+ and GNOME projects, and the initial focus is operation in those environments, however there is nothing fundamentally GTK+ or GNOME specific about Pango. Pango uses Unicode for all of its encoding, and will eventually support output in all the worlds major languages. " For X/UNIX. It uses freetype and will allow all font types when finished. Free open source software, of course. [Google] [More] ⦿
President of The Payne Loving Trust, which owns Linguist's Software (Edmonds, WA). A selection of the fonts of "Payne Loving Trust" that are floating around in cyberspace includes AradLevelVI, CityBlueprint, CountryBlueprint, EuroRoman, EuroRomanOblique, Graeca, PanRoman, Romantic, RomanticBold, RomanticItalic, SansSerif, SansSerifBold, SansSerifBoldOblique, SansSerifOblique, SuperFrench, Supergreek, TbilisiCaps, TbilisiText, TbilisiText13215, Technic, TechnicBold, TechnicLite. Apparently, Linguist's Software calls upon a battery of nameless typographers for font design. They also sell LaserIPA fonts (IPARoman, IPAKiel, IPAKielSeven and IPAExtras). [Google] [More] ⦿
At NC-based Salim George Khalaf's page on ancient Phoenicia, find free truetype fonts (Mac, PC): Nakht Hieroglyphics, Eshmoon (1996; Phoenician runes by Salim himself) and Ugaritic1 (by David Myriad Rosenbaum, El Sobrante, CA). Alternate URL. It has a great tree of language genealogies, placing Phoenician around 1600BC, with as child languages Proto-Arabic (1500BC), Old Hebrew (900BC), Archaic Greek (1000BC), Etruscan/Latin (900BC) and Aramaic (800BC). Alternate URL. [Google] [More] ⦿
Several years ago, the "DPalatino" and "DTimes" fonts for Pali (Mac only) were available as part of Robillard's "Tibetan on the Macintosh" font package, at a cost of about US$70 from Snow Lion Publications (PO Box 6483, Ithaca, NY 14851-6483; Tel: 800-950-0313 or 607-273-8519). No web page known. [Google] [More] ⦿
Production First Software
Production First Software offers edriginal, revival and historic designs and specializing in non-latin scripts including Armenian, Cyrillic, Greek, Hebrew, Thai, mathematical symbols and pi characters. It is run by John M. Fiscella in San Francisco since 1990, with most typefaces created immediately after that. John M. Fiscella designed the fonts for symbols and many of the alphabetic scripts for the unicode charts and all typefaces complky with unicode standards.
List of typefaces: BernalPF, Blck2LineGothicPF Logo, Blck3LineGothicPF Logo, Blck4LineGothicPF Logo, CourPF, CourPF Bold, CourPF BoldOblique, CourPF Oblique, EdwardianMansePFTitling, EriePF, EuroPF-Bold, EuroPF-BoldOblique, FiftiesPopPF, GrandVictorianPFTitling, HlvPF Bold, HlvPF BoldOblique, HlvPF Medium, HlvPF Oblique, ItalianatePF, ItalianateMulticolor1PF, ItalianateMulticolor2PF, ItalianateMulticolor3PF, ItalianateSansPF, LafayettePF, LosPFBold, MisionPFAntique, MisionPFBold, MisionPFBook, MisionPFBookMetal, MisionPFLight, MisionPFTitling, PalouPFTitling, PiazzaPFScript, RadioPF, RadioCityPF, SymbolPF Bold, SymbolPF BoldItalic, SymbolPF Italic, TexMexPF, TmsPF Bold, TmsPF BoldItalic, TmsPF Cursive, TmsPF Italic, TmsPF Rom +, TmsMathPF Cursive, TmsHebWidePF Rom, UnvPF Bold, UnvPF BoldOblique, UnvPF Oblique, UnvPF Medium, UviewPF Bold, UviewPF BoldOblique, UviewPF Oblique, UviewPF Medium, ZenonPFTitling. [Google] [MyFonts] [More] ⦿
Eric Wannin's French commercial foundry with PC and Mac fonts for all European languages, most Indic languages, Cyrillic, Vietnamese, Amharic, Inuit, Slavonic, Greek, Tibetan, Thai, Lao, Khmer, Burmese, Cri. Hieroglyphic fonts too. Free font family: EuroQuartet. These fonts have one glyph only, the Euro symbol. It has some bar code fonts too.
Richard J. Dumbrill
Roger S. Nelsson
Salim George Khalaf
Located in Dallas, TX, est. 1934. Founded over 70 years ago, SIL International is a faith-based organization that studies, documents, and assists in developing the world's lesser-known languages. SIL's staff shares a Christian commitment to service, academic excellence, and professional engagement through literacy, linguistics, translation, and other academic disciplines. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. Wikipedia writes: The organization's focus on language description, language development and Bible translation, and the missionary activities carried out by many of its field workers have been criticized by linguists and anthropologists who argue that SIL aims to change indigenous cultures, which exacerbates the problems that cause language endangerment and language death.
The SIL Yi Font is a single Unicode font for the standardized Yi script used by a large ethnic group in southwestern China. Designed by SIL International, 7500 West Camp Wisdom Rd., Dallas, Texas. Yi is spoken by the Yi people (also known as Lolo) in Southern China (in Sichuan, Guizhou, Yunnan and Guangxi). The script is a purely syllabic script which was developed on the basis of an older, ideographic system.
Nuosu SIL (2008) is a single Unicode font for the standardized Yi script. The script was standardized in the 1970s by the Chinese government. In the process of standardization, 820 symbols from the traditional scripts of the Liangshan region were chosen to form a syllabary. The syllable inventory of a speech variety from Xide County, Sichuan was used as the phonological basis for standardization. For the most part there is one symbol per phonologically-distinct syllable and vice-versa. [Google] [More] ⦿
Web page with plenty of unicode compatible truetype fonts, collected by Christoph Singer. Included are Andale Mono, Arial, Athena Roman, Bitstream Cyberbit, Book Antiqua, Bookman Old Style, Century Gothic, Code 2000, Comic SansMS, Courier New, Garamond, Georgia, Haettenschweiler, Impact, Lucida Sans Unicode, Metropol 95, Monotype Corsiva, Tahoma, Times New Roman, Vera Humana 95, Verdana, XSerif Unicode. [Google] [More] ⦿
In the late 1990s, SSi used to sell foreign fonts for Arabic, Urdu, Greek, Hebrew, Armenian, Baltic, Burmese, Cherokee, Cyrillic, Cree, Simplified Chinese, Ethiopian, Inuktitut, Gaelic, IPA, Japanese, Korean, Laotian, Mayan. Farsi, Punjabi, Sanskrit, Syriac, South Arabian, Tamil, Thai, Tibetan, Turkish, Ugaritic, and Vietnamese. Plus musical dingbats. Of course, they did not make a single of these fonts themselves. [Google] [More] ⦿
Sources of language fonts on the internet (about 400 font sources). Fantastic site with pointers to a vast pool of foreign language fonts and links. A must for non-roman language users. Some fonts are here. Examples:
British font service house: can sell you most of the commercial fonts. Sells also fonts for Albanian, Arabic, Bengali, Bulgarian, Croatian, Czech, Estonian, Farsi, Greek, Gujurati, Hindi, Hungarian, Japanese (Katakana, Hiragana, Kanji), Latvian, Lithuanian, Polish, Punjabi, Russian, Serbian, Slovak, Slovene, Thai, Turkish, Ukrainian, Vietnamese, Welsh. Has barcode fonts, and is a special distributor of the Royal Mail Barcode font. [Google] [More] ⦿
Edited by Tyler Chambers: "The Human-Languages Page is a comprehensive catalog of language-related Internet resources. The over 1900 links in the HLP database have been hand-reviewed to bring you the best language links the Web has to offer." [Google] [More] ⦿
Edited by James Yuells, this site offers links for foreign typography and phonetic fonts. Very helpful! They also have free phonetic fonts for the Mac, a Cree font (TTF for PC), and the SIL-IPA fonts. [Google] [More] ⦿
This web site presents one reference glyph and basic information for each of the world's writing systems. It is the first step of the Missing Scripts Project, a long-term initiative that aims to identify writing systems that are not yet encoded in the Unicode standard.
The Missing Scripts Project is a joint effort of Atelier National de Recherche Typographique (ANRT), Nancy, France, Institut Designlabor Gutenberg (IDG), Hochschule Mainz, Germany, and the Script Encoding Initiative (SEI), Department of Linguistics, UC Berkeley, USA. [Google] [More] ⦿
Commercial Windows XP packages sold with foreign language fonts in TrueType and PostScript, called GlobalSuite, GlobalWriter and GlobalOffice. Includes most foreign languages. For example, in the Cyrillic sphere, they have Bulgarian, Byelorussian, Macedonian, Russian, Serbian, Ukrainian plus over 50 additional Cyrillic languages such as Azeri, Kazakh, Kirghiz, Moldavian, Mongolian, Tadzhik, Tatar, Turkmen and Uzbek. And for North Indian, they have Assamese, Bengali, Gujarati, Hindi, Marathi, Nepali, Punjabi, and Sanskrit. [Google] [More] ⦿
University of Leeds
Alec McAllister's fonts in the "Leeds" family are free for non-commercial use. These include LeedsTranslit (for foreign languages), LeedsTime (Latin, Pinyin and Medieval). McAllister works at the University of Leeds Information Systems Services. Leeds Uni (2009) has 2975 characters from a large number of Unicode code charts, and was designed from scratch in the style of Times Roman. [Google] [More] ⦿
Archive of free foreign language fonts covering Arabic, Armenian, Bengali, Bulgarian, Burmese, Cambodian, Celtic, Chinese, Croatian, Czech, Estonian, Old English, Farsi, Georgian, German, Greek, Hawaiian, Hebrew, Hindi, Hmong, Hungarian, Icelandic, Japanese, Khmer, Korean, Latvian, Myanmar, Nepali, Persian, Polish, Punjabi, Romanian, Russian, Serbian, Slovenian, Tagalog, Tamil, Thai, Turkish, Ukranian, Urdu, Vietnamese and Welsh. [Google] [More] ⦿