TYPE DESIGN INFORMATION PAGE last updated on Sat May 19 09:14:50 EDT 2012



Ogham fonts

Luc Devroye
McGill University
Montreal, Canada
lucdevroye@gmail.com
http://luc.devroye.org
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Alphabetum
[Juan-José Marcos García]

Juan-José Marcos García (b. Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain. He has developed one of the most complete Unicode fonts named ALPHABETUM Unicode for linguistics and classical languages (classical&medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian, Faliscan, Messapic, Picene, Iberic, Celtiberic, Gothic, Runic, Modern Greek, Cyrillic, Devanagari-based languages, Old&Middle English, Hebrew, Sanskrit, IPA, Ogham, Ugaritic, Old Persian, Old Church Slavonic, Brahmi, Glagolitic, Ogham, ancient Greek Avestan, Kharoshti, Old Norse, Old Icelandic, Old Danish and Old Nordic in general, Bengali, Hindi, Marathi, Phoenician, Cypriot, Linear B with plans for Glagolitic). This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, "Saxon" typeface for Old English, etcetera). A demo font can be downloaded [see also Lucius Hartmann's place]. His Greek font Grammata (2002) is now called Ellenike. He also created a package of fonts for Latin paleography (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Uncialis, Insularis Minuscula, Carolingia Minuscula, Gothica Textura Quadrata and Humanistica Antiqua. PDf entitled Fonts For Latin Palaeography (2008-2011), in which Marcos gives an enjoyable historic overview.

Alphabetum is not Marcos's only excursion into type design. In 2011, he created two simulation fonts called Sefarad and Al Andalus which imitate Hebrew and Arabic calligraphy, respectively. [Google] [More]  ⦿

bigted's world of celtic fonts

Dead link. A few free Celtic truetype fonts (FZ Basic family from Fantazia Concepts, a 1994 implementation of American uncial) and an archive of other free Celtic fonts could be found here, as well as many Celtic links. [Google] [More]  ⦿

Carolyn Horn

Carolyn Horn (aka Andy Schaeff) posted her own fonts on abf on November 4, 2002: a1_bln_ogham, a1koelbren, a1_runes, A&ModernCarolynian. [Google] [More]  ⦿

Curtis Clark
[Curtis Clark]

Curtis Clark of the Biological Sciences Department at California State Polytechnic University in Pomona, CA, designed these fonts between 1992 and 1998: Linear B, Piecharts, Female and Male Symbols (1996), Moon Phases, Celtic Ogham, Elder Futhark, Beth-Luis-Rearn, Beth-Luis-Nion and Woolbats (occult dings, astrological symbols). Free downloads. His site is also called Mockingbird Font Works. [Google] [More]  ⦿

EversonMono for MacOs

Free Mac fonts in the EversonMono series for CSX, Celtic, Croatian, Cyrillic, Esperanto, Gaelic, Georgian, Greek, Icelandic, Inuktitut, Ogham, Romanian, Sami, and Turkish. [Google] [More]  ⦿

Evertype (was: Everson Typography)
[Michael Everson]

Michael Everson's (b. Norristown, PA, 1963) brilliant pages on Celtic and other languages and on font standards, featuring the following sub-pages:

  • CeltScript describes Michael's contributions to unicode in general and to Celtic typography in particular. He created (commercial) Celtic fonts such as Gaillimh (1989, bitmap font), Ceanannas (1993), Doire (1993, a monowidth font based on the face used on the old Royal Gaelic manual typewriter. Doire Royal (1999) is a rough version of this font), Duibhlinn (1993, after Monotype Series 24), Everson Mono Gaelic (1995, hybrid sans), Acaill (1997, based on the Watts type, an early 19th century transitional angular form of Gaelic type; it was renamed and further developed into a unicode-compliant typeface called Dumha Goirt in 2011), Corcaigh (1997), Teamhair (1993, a monowidth font based on the face used on the old Sears Tower Gaelic manual typewriter; the rough version is Teamhair Tower, 1999), Darmhagh Underwood (1993, a "rough" monowidth font based on the face used on the old Underwood manual typewriter), and Loch Garman (1999, after Baoithin, Colm Ó Lochlainn). He is working on Cluain (Gaelic modern grotesque), Cois Life (his take on the hybrid Queen Elizabeth type), Darmhagh (Underwood), Doolish (Gaelic modern round, after Biggs), Lóbháin (after Louvain), Páras (after the Paris type).
  • Everson Mono is a huge free monospaced font family started in 1994, but still being adjusted in 2010. As Michael puts it, Everson Mono is a simple, elegant, monowidth font. I designed it primarily to make glyphs available in support of all the non-Han characters in the Basic Multilingual Plane of ISO/IEC 10646-1 (BMP = Unicode, if you prefer), though I hope that users may find it a pleasant alternative to Courier and Monaco for general purposes, e-mail, and so forth. I have found it quite legible at sizes as small as 4 points. It is lighter and a bit looser than Courier.
  • Ogham fonts created by Michael Everson (and free for download): Beith-Luis-Nion, Pollach, Maigh Nuad, Craobh Ruadh, Everson Mono Ogham, Cog, Crosta. Mac and PC. This page also has TITUS Ogham by Jost Gippert, and Ragnarok Ogham by David F. Nalle from Scriptorium.
  • Inuktitut fonts designed by Everson include Allatuq (1998, handprinted glyphs), Everson Mono Inuktitut, Jiniiva Maanaku, Naamajuttaaqqauq, Sikaagu.
  • The Sutton signwriting fingerspelling fonts created by Everson are free.
  • List of language lists.
  • Fonts for the Sami language of the Barents region.
  • Gaelic Typefaces: History and Classification.
  • Armenian encoding on the web.

Elsewhere, one can find rare Everson creations such as Musgrave (1994). MyFonts.com sells Corcaigh, Doire, Darmhagh and Loch Garman. About Loch Garman: Loch Garman is based on Baoithmn, designed by Viktor Hammer and Colm Ó Lochlainn; Baoithmn was based on Hammerschrift, which was related to Hammer's American Uncial -- though Loch Garman is more authentic Gaelic font than American Uncial. He continues: American Uncial sucks. It is inauthentic and it's not even attractive. It has a "dot" on the i (which it shouldn't) which makes it look like an í (which it doubly shouldn't). Hammer Uncial isn't much better. In my own view, the only one of Hammer's Uncials that I have seen that was any good was Pindar, and then only in its reworking as Baoithín (with Colm ÓÓ Lochlainn).

His bio, in his own words: Michael Everson, based in Westport, Co. Mayo, is an expert in the writing systems of the world. He is active in supporting minority-language communities, especially in the fields of character standardization and internationalization. He is one of the co-authors of the Unicode Standard, and is a Contributing Editor and Irish National Representative to ISO/IEC JTC1/SC2/WG2, the committee responsible for the development and maintenance of the Universal Character Set. He is a linguist, typesetter, and font designer who has contributed to the encoding in of many scripts and characters. In 2005 and 2006 his work to encode the Balinese and N'Ko scripts was supported by UNESCO's Initiative B@bel programme. Michael received the Unicode "Bulldog" Award in 2000 for his technical contributions to the development and promotion of the Unicode Standard. Active in the area of practical implementations, Michael has created locale and language information for many languages, from support for Irish and the other Celtic langauges to the minority languages of Finland. In 2003 he was commissioned by the United Nations Development Programme to prepare a report on the computer locale requirements for Afghanistan, which was endorsed by the Ministry of Communications of the Afghan Transitional Islamic Administration. He prepared a number of fonts and keyboard layouts for Mac OS X 10.3 (Panther). Michael moved to Tucson, Arizona at the age of 12. He studied German, Spanish, and French for his B.A. at the University of Arizona (1985), and the History of Religions and Indo-European Linguistics for his M.A. at the University of California, Los Angeles (1988). He moved to Ireland in 1989, and was a Fulbright Scholar in the Faculty of Celtic Studies, University College Dublin (1991). In 2010, he made Timenhor, a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Speaker at ATypI 2010 in Dublin. Speaker at ATypI 2011 in Reykjavik.

Dafont link. [Google] [MyFonts] [More]  ⦿

Fixedsys
[Darien Valentine]

Free truetype fonts: Tai Le Valentinum (for the Tai Le script used in China, Burma and Laos), Valentine Arabic, the faux pixel font Sounds of Apathy, and the unicode faux pixel font Fixedsys Excelsior 2.0 (2007). The latter covers Latin, Greek, Cyrillic, Hebrew, Armenian, Tamil, Hylian, N'Ko, Ethiopic, blackletter, Dehong Dai, Pahawh Hmong, Thaan, Arabic, Thai, Ogham, runic, and IPA. All fonts made by Darien Valentine in 2004. See also here. [Google] [More]  ⦿

Fonts in Cyberspace

List of useful links and free fonts for Ogham, Celtic, Cuneiforem, hieroglyphs, Cyrillic, and languages in general at SIL, the Summer Institute of Linguistics. [Google] [More]  ⦿

Laser Gaelic

Commercial fons for Gaelic: GaillimhLS, GaelicLS. At the same site of Linguist's Software, we also find the Ogham font BallymoteLS. [Google] [More]  ⦿

Ogham

Ogham is a 3rd to 6th century Irish script. Explanations and links by Lawrence Lo. [Google] [More]  ⦿

Ogham

Ogham was a script devised by a Celtic grammarian from southern Ireland. The Old Irish of his day had no phoneme /p/, a fact which helps date the invention of the script to ca. the 4th century A.D. It was divided into four aicmí 'groups' of five letters each: b, l, f, s, n; h, d, t, c, q; m, g, ng, z, r; and a, o, u, e, i. Later, when diphthongs had developed and borrowings had reintroduced the /p/ phoneme into the language, five more signs, called forfede, were added to write eo, oi, ui, io/p, and æ. Most of the Ogham inscriptions have been found in Ireland, though some bilingual inscriptions with Latin have been found in Wales; a few too are found in Cornwall and Scotland, and on the Isle of Man. The Picts, the non-Celtic indigenous inhabitants of Britain, took up the use of Ogham script as well; unfortunately we do not understand their language. Oghams were in use until the medieval period; the 14th century Book of Ballymote, for which this font has been named, gave the earliest transliteration key. [Google] [More]  ⦿

Ogham
[Alan M. Stanier]

From Essex University, Alan M. Stanier's metafont for Ogham, an alphabet found on a number of Irish and Pictish carvings dated from the 4th century AD. The characters touch or cross the edges of the stone. [Google] [More]  ⦿

The British Druid Order

The history of the Ogham alphabet. [Google] [More]  ⦿

TITUS Instrumenta

Free TrueType fonts of old Christian times, Greek, Cyrillic, Hebrew, Christian Oriental, East European, and ancient languages. The TITUS project is run by Jost Gippert in Frankfurt. They intend to develop a special unicode font. TITUS Ogham is an Ogham font. [Google] [More]  ⦿

twisty.com
[Tim Brayshaw]

Tim Brayshaw's creations (free): Block Titling (very original!), Bodoni Mutant, Candle (fresh and artsy outline font), Grunge, MixAndMatch, Ogimus (Ogham style--not finished), Staidier not Stadia. His LinkedScript is not at the site. Books about fonts. [Google] [More]  ⦿

VADA Software Talen I-L

Free fonts for Ibo, Inuit, Japanese, Kannada, Telugu, Malayalam, Kanuri, Khmer, Kikongo, Kikuyu, Kinya Rwardan, Hangul, Kpelle, Krio, Kru, Laotian, Latvian, Luba, Luo, Maltese, Oriya, Kannada, Malayalam, Sanskrit, Pali, Punjabi, Marathi, Telugu, Hindi, African languages such as Mandinka, Mende, More, Ngala. Plus Navajo, Oromo, Ogham, Phoenician. [Google] [More]  ⦿