TYPE DESIGN INFORMATION PAGE last updated on Mon Dec 10 07:27:36 EST 2018
FONT RECOGNITION VIA FONT MOOSE
Welsh type scene
Greek graphic and type designer, b. 1954. He studied typography at London College of Printing. Since 1997 he designs and publishes the magazine Akro. He was a professor at Graphic Design Department of University of Wales College Newport and Creative Director of Basis, an advertising company based in Thessaloniki. He collaborates with Cannibal since 1999, where he designed Darkroom CF (brush face) and Smooth CF Condensed. . Klingspor link. [Google] [More] ⦿
Cardiff, Wales-based web developer. Designer of Sooker (2004-2006, a clean sans face), Exuberance (2004, sans family), Exuberance Primary (2005, available, just as Exuberance, at T-26), Graham Sans, Linkage, Experience (with blackletter influences) and Nascence.
Annette O'Sullivan trained as a graphic designer and worked in design studios in New Zealand prior to further study in typography at the London College of Printing. She has an MA degree in typography and graphic design. While in Britain, she worked in publishing and museum design, notably for The Museum of the Royal Welch Fusiliers, Caenarfon Castle, North Wales, the Hong Kong Museum of Coastal Defence, Hong Kong and the Royal Armouries Artillery Hall, Fort Nelson. She currently lectures in typography at Massey University, Wellington, and continues to explore contemporary typographic application within a historic context. [Google] [More] ⦿
Welsh creator of the irregular chiseled typeface ITC Bolthole (2008. ITC>). He writes: My father brought me to a small graveyard in the Welsh hills to show me two headstones carved by the great Eric Gill. I instantly fell in love with the beauty of the carving and the perfection of the letterforms. I still go back to marvel at these works of art. Philpot studied graphic design and typography at the London School of Printing, and soon after graduation started work in a large advertising agency in London.
Brody Neuenschwander was born in Houston, Texas in 1958. He studied art history at Princeton University and the Courtauld Institute, London, receiving his PhD in 1986. He studied calligraphy at Roehampton Institute under Ann Camp and then became assistant to Donald Jackson. Since 1988 he has worked as a free-lance calligrapher, first in Wales and now in Bruges, Belgium. Clients have included the U.S., UK, and Belgian governments, the BBC, Time-Life Books, and the Royal Mail. He has worked with director Peter Greenaway on several films, including "Prospero's Books" and "The Pillow Book." Brody is currently working to install trilingual signage in the Coptic quarter of Cairo. Brody got the Belle Lettere Award in 1997. John Berry's report of a presentation. His presentation at Sonoma State University. [Google] [MyFonts] [More] ⦿
In 2012, he made the modular typeface Trap.
During her studies at the University of South Wales, Atrium, Cerys Wilcox designed the experimental typeface Space (2017), the hand-crafted Eilwen (2017) and the scary spiky The Freaks of Fairytales (2015). [Google] [More] ⦿
Claire Simpson (Esoterik Designs) from south Wales created the slightly scary gothic hand-printed typeface Neo Folk Gothic Modern (2010). Before that, she made Fairytale Scribbles (2010). [Google] [More] ⦿
Designer of the free Olwen family in 2003, about which he writes: Olwen is a family of free fonts based on the Bitstream Vera fonts. It aims to extend the coverage of the Vera fonts while remaining true to the original style. Olwen's additional glyphs have been merged into the DejaVu fonts, another extension of Vera. Olwen supports the Welsh language (accented w and y glyphs). [Google] [More] ⦿
David John Earls
Dominic Gerry has a degree In BA Graphic Communication, from the Cardiff Metropolitan University. Plymouth, UK-based creator of the hybrid typeface Ludo (2012), which is based on Aldo Semi Bold and Lucida Calligraphy Italic.
Aka F.M. O'Carroll Aberystwyth. Creator of the Gael AX and Gael BX fonts. The original version by F. M. O'Carroll (1997) consists of eight Gaelic fonts. These original fonts, packaged with some TrueType font development tools, are freely downloadable from the Celtic Department of University College Cork, Ireland. The Gael fonts come in two slightly-different minuscule styles. The fonts have acute accents on the vowels instead of grave. In 2003 (with an update in 2008), Korvellou An Drouizig made Unicode-compliant versions, Gael AX Unicode, Gael AX Unicode Bold, Gael BX Unicode and Gael BX Unicode Bold, available here and here. [Google] [More] ⦿
During her studies at the Atrium, Cardiff campus of the University of Glamorgan, Cardiff, Wales-based designer Gabrielle Harris created the splendid ornamental caps typeface Neptunes Garden (2013). [Google] [More] ⦿
London-based larger than life Welsh bon vivant, and author of Encyclopaedia of Fonts (December 2005, Cassell Illustrated, London), a book that can be considered as a digital successor of Jaspert, Berry & Johnson. The coverage is up to the present. The fonts are classified in one of about 40 styles, and are shown in chronological order within each style. Gwyn has worked on it for four years. [Google] [More] ⦿
During her graphic design studies at Atrium University in Cardiff, Wales, Hollie Edwards designed the ornamental caps typeface The Captain Is A Storyteller (2012). She also created an unnamed experimental typeface in 2012. Her company is called Hollie Amelia Design. [Google] [More] ⦿
House of Burvo
House of Burvo is the UK-based foundry of Matthew Burvill (b. 1984, Kent, UK) located in Colwyn Bay, Wales. His typefaces:
Graduate of ithe University of Wales in Newport (BA, class of 2012), Cardiff University (Master of Design, 2013) and the TDi program at the University of Reading, UK, 2017. Whilst studying for his Masters of Design at Cardiff Metropolitan, he developed a dyslexia friendly concept typeface supported by research and rigorous testing. He currently is the Lead Graphic & Presentation Designer at Jaguar Land Rover. [Google] [More] ⦿
James L. Lewis
Cardiff, Wales-based designer of the free western style slab serif typeface Barn (2014), the hand-crafted Quaint (2015, with Jorgen Grotdal, Ligature Collective), the blackletter typeface Tyre Black (2016), and the free wavy experimental typeface Hadron Sans (2016). Behance link. [Google] [More] ⦿
During his graphic design studies at the University of South Wales, Jonathan Ring (Portsmouth, UK) designed Parisian Love (2013), Thin Paris (2014) and Rough Handwritten (2014). Behance link. [Google] [More] ⦿
As a student in Cardiff, Wales, Justine Thorner designed the stunning teardrop-laden swashy calligraphic typeface Voracious Vanity (2013), which evokes the style of modern fashion magazines. [Google] [More] ⦿
As a graphic design student at the University of South Wales, Cardiff, Wales-based Katie McClymont created the display typeface The Freaks of Fairytales (2015) and an art deco typeface (2015). [Google] [More] ⦿
During her studies, Lauren Goodland (Newport, Wales) created the brushed Ink Typeface (2015) and of the charming quaint multilined spurred typeface Old Town Dock (2014). Behance link. [Google] [More] ⦿
Cardiff-based designer of the very experimental typeface Subvert (2013). He works for the Royal Mint.
Lisa Holland (Lisa Holland Design, UK) is a graphic design graduate from the University of Wales Newport. Behance link.
Europe's largest independent foreign language font developer for the Macintosh, which is directed by Sebastian Kempgen from Germany. Fonts include: Western Languages (CoreFont series), Eastern Europe (CE-Font series), Cyrillic (Professional series: RomanCyrillic Pro, Ladoga Pro etc. (text fonts); DEsign fonts: Faktor, Inessa Cyr etc. (headline, handwriting); Olliffe Fonts: Batumi, Schechtel, Russian Open (display type; example: Mashinka); Scientific Cyrillic (includes old orthography, accents, old characters); Old Church Slavonic (Cyrillic and Glagolitic, Square and Round); Non-Slavic Cyrillic: Roman CyrTurk, Ladoga CyrTurk), Greek (Modern Greek and Classical Greek (Agora and Parmenides)), Icelandic&Faeroese (PolarFont series), Irish&Welsh (Gaelic, Celtic in the CeltoFont series), Romanian (DacoFont series), Turkish (TurkoFont series), BalkanFont series (Hungarian, Romanian, Turkish, Azerbaijani, Maltese), Basque (BaskoFont series), Saami (SamoFont series), Georgian, Armenian, Coptic (such as the Pachomius font), Cuneiform, Sabean, SinoFont series for Vietnamese plus more or Chinese (Pinyin) transliteration, phonetic Fonts (Trubetzkoy&Phonetica), Transliteration Fonts. Some of its fonts (like Campus Ten/Twelve and Magister Book) are now sold through Agfa/Monotype.
Names of some fonts: Breitkopf Fraktur, Campus Sans, CampusRoman Pro, CampusSans Block, Dareios, Faktor, Glagol Pro, Inessa, Konkret, Kronstadt, Marib, Method, Moskva Pro, Parmenides, Retrograd, Tafelkreide, Tatlin, Trubetzkoy. [Google] [More] ⦿
MDTA Design -- Green Dragon
MDTA Design, and in some cases MDTA together with Green Dragon, created these fonts, all related to British or Irish TV stations and their logos: BBCStripedChannelLogos, BBCTVChannelLogos, ITA-IBALogos, ITVNetworkChannels, Sky Television Logos, SKYfontbrands, SKYfontmovies, SKYfontnews, SKYfontone, SKYfontsport, SKYfonttravel, SKYfontThick, Sky1998ChannelLogos, SkyTVChannelLogos, UKDigitalTVChannelLogos, IrishRTVLogos, SkywardBold, SkywardRegular, Terrestrial Television Logos, UKtvFamilyLogos, UKTV Channel Logos, UK-&-Ireland-RTV-21, WelshTVLogos. The SKYfont family is originally by Martin Anderson. The web site states: "It all began in the year 2000 with the release of the original and ground-breaking TV Logos TrueType Font by its creator Andrew Wood. Ever since, it has become the inspiration for many other TrueType Font creators who have an abiding passion for television presentation, history and heritage to follow in their footsteps. The brainchild for the Green Dragon catalogue is Éamonn Hanratty. He has already compiled a comprehensive history of the television logos which have been used in the Republic of Ireland, from 1961 up until the present day. The title "Green Dragon" comes from the fact that Éamonn is the son of an Irishman and a Welsh mother. Born in 1963, he comes from Swansea, in Wales. As well as taking Andrew Wood for his inspiration, Éamonn also wishes to gratefully acknowledge the outstanding and progressive work in this field which Martin Anderson of England, Ray Larabie of the U.S.A., Rupert ten Hove of the Netherlands and so many others have been and are continuing so to do: that is, to present a growing range of non-commercial and freely available TrueType Fonts for private use." Apparently they also made Hylian Symbols, but I think that is a mistake by the people at DaFONT. Corporate text fonts: Sky Movie Sans, Sky Corporate Font, LIVINGtv Font, Telewest Voice, E4 Headline Font, uktv Home Font. [Google] [More] ⦿
During her graphic design studies at the University of South Wales (formerly University of Glamorgan), Cardiff, Wales-based designer Nicky McDermott-Roe created a decorative display typeface in 2013. Behance link. [Google] [More] ⦿
Prolific creator at FontStruct in 2009 of the 3d typefaces Alphabox, Alphabox Reverse, Alphabox Lite, Alphabox Lite Complete, Alphabox Shadow and Alphabox Basic. He also made RM Playtime (outlined 3d family), Art DECOrated, Single DECOr, Romantic (+Carved, +Carved Shadow), TripleDECOr, New Romantic, SOFA, Mondrianish, Eye Test, Meltdown (grunge), Ameslan (American Sign Language), DECO Noir, DECOction, DECOserif (+Bold), DECOoction (+Bold Open), DEChrome, DECOpix, DECOr (a pure art deco typeface like Levine's Art Lover JNL), DECOThin (+Medium), Scrapheap, Westward (Far West font), Cheese Fondue, Alphabox Reverse (shadow font), AlphaRune, Spaced, Gothicky, Grand Prix, Entrees (alphadings), Compround, Phatzzo (nice!), DECOr8, Gothicky, Gothicky Grey, RM Ginger, RM Albion (blackletter), and Opening (outline face). RM Squarial (2009) is a hairline sans. Its 3d version is RM Squarial 3D. RM Typewriter (2009, +Medium, +Bold, +Old) is an old typewriter face. RM Serifangle (outline art nouveau face, +3D, +Chrome, +3DChrome) and RM Corrugation (postage stamp, white on black style) are both interesting. RM DECO Serif (2009) is in the RM Typewriter style series. RM Bowie Basic is a futuristic typeface based on the typeface used on Mars in "The Waters of Mars" (2009). RM Playtime Stencil (2009) is a rounded stencil typeface based on RM Playtime Solid. There are more styles such as RM Playtime 3D.
Additions in 2010: RM New Albion (blackletter), RM Lined, RM Serifancy (Western face), RM Almanack (+Old), RM Tubeway (+Chrome), RM Thinny, RN White Letter, RM Blacklet, RM Squarial (+Ribbon, +3d), RM Typewriter Old, RM 7even, RM SideSlip, RM Teeny, RM Teeny 1.5, RM Narrowboat (+3D) (athletic lettering).
His typefaces at MyFonts include RM Victoriana (2010, caps only Victorian face), RM Whiteletter (2010), RM Signwriter (athletic lettering), RM Deco (pure Broadway art deco), RM True to Type (typewriter face), RM Scrapheap, RM Elegance (condensed, with high ascenders), RM Playtime, Graphite
Creations in 2011: RM Celtic, RM Uncialic (+RMWL Uncialic: Carolingian), RM A Sign of the Times, RM Sans, RM Oliver (bold rounded sans), RM Soft Sans (wonderfully round sans), RM True To Old Type (old typewriter), RM True to Type (new typewriter), RM Middy, RM Phatso (textured), RM Phatso 2.0, RM Phatso 2.0 Solid (texture typefaces).
Creations in 2012: RM Luceat (a bullethole typeface), RM Jazz Age, RM Basic Serif (roman face), Alphabox (a 3d family: +Reverse, +Lite, +Reverse Stencil), RM Slab, RM Slabb, RM Tubes (3d typeface), RM Smoothsans (rounded sans), RM Romantic Carved (+Shadow: a beautiful set of beveled typefaces), RM Westward, RM Typerighter, RM Uncorrugated, RM Snowtime, RM Smooth Jazz, RM Smooth Age, RM Nova Albion (blackletter), RM Tubes Chrome, RM Squarial FS10, RM Basic Serif.
Typefaces from 2013: RM Bloc, RM Greek, RM Victoriana, All Bricks, RM Deco, RM Random Outline, RM Random 3D, RM Random (cartoon face), RM Celtic Condensed, RM Westus Condensed, RM Westus (Western, spurred), RM Hunky (chunky and modular), RM Thunk (piano key face, thick and chunky), Westward Ho (spurred Western face), RM Hangle (chuunky and elliptical).
Typefaces from 2014: RM Firmstone (+Outline, +Condensed, +Outline Condensed), RM Ebdon Outline, RM Imber Outline, RM Moss Outline, RM Imber, RM Art Decorated, RM Celtic Inline.
Typefaces from 2015: RM Deco, RM Stoney, RM Mondrianish, RM Stoney Shaded, RM Middy, All Bricks, RM Shepherds.
British printer and typefounder. British Letterpress writes: In 1878 Thomas Yendall took over a printing business started by John Taylor eight years earlier. The firm became a limited company in 1911. By 1925 type casting had started under the name Riscatype. Ten years later printing stopped and Yendall concentrated on the manufacture of type. In 1984 Yendall and Co. went into voluntary liquidation. The firm had cast type using Monotype machines, housed in a cramped green metal building in Risca, South Wales.
During his communication design studies at Cardiff Metropolitan University, Seb Summers (Truro, UK) created the experimental typeface Fragmenta (2014) and the hybrid typeface Giltoma (2015, a cross of Optima and Gill Sans). [Google] [More] ⦿
Studio James Lewis
MEU Cymru, located in Cardiff, Wales, sells four Welsh fonts with full sets of diacritics, in conformity with established ISO standards. Their standard "Ffontiau Cymraeg" pack contains the following fonts which substitute four commonly used standard fonts: Afallon (Avante Garde), Cwrwgl (Courier), Heledd (Helvetica/Ariel), Padarn (Palatino), and Teifryn (Times). [Google] [More] ⦿
Zeep Type Foundry
Zeep Type Foundry (or ZTF) was founded by David Earls (b. Swansea, 1974). It exists purely, he says, to create Bathgate. For now, he has created the Blitter bitmap font (free for Mac and PC). Truetype for PC here. He writes about himself: David Earls is a recovering graphic designer based in London. He sometimes designs typefaces for his own enjoyment, but considers himself to be very much an amateur who never wants to stop learning. David founded Typographer.org in 1999 in the hope it should provide fiercely independent voice on the web, with honesty, impartiality and independence of funding at its core. [Google] [MyFonts] [More] ⦿