TYPE DESIGN INFORMATION PAGE last updated on Fri Dec 13 00:53:58 EST 2024
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Stanley Morison
Stanley Arthur Morison was an influential British designer and type designer (b. 1889, Wanstead, d. 1967, London), who spent most of his creative energy at Monotype between 1920 and 1950. Designer with Victor Lardent of Times New Roman (1932) while consultant for the London Times. He designed Blado MT at Monotype (1923) (a revival of characters drawn by Ludovico degli Arrighi). He is also credited with revivals of Baskerville, Bell, Garamond (1922) and Bembo (1929). Mac McGrew writes: Bembo was cut in 1929 by the English Monotype corporation under the direction of Stanley Morison, and shortly thereafter by Lanston Monotype in America. It derives from the first roman type used by Aldus Manutius in the dialogue De Aetna, by Pietro Bembo, printed in Venice in 1495. Punches were cut by Francesco Griffo of Bologna, the designer responsible four years later for the first italic types. This typeface is probably the most popular and successful of the numerous typefaces revived by Morison as typographic adviser to the English company. Morison attributed its success to the fact that "it was inspired not by writing but by engraving; not script but sculpture." The italic is adapted from a 1524 typeface of Giovanni Taglienti, and has a natural grace of its own. English Monotype also made Bembo Bold and Bembo Bold Italic. Bio at Britannica. Biography by Nicholas Fabian. He wrote Four Centuries of Fine Printing (1924, New York: Farrar, Strauss and Company), Type Designs of the Past and Present (1926, The Fleuron Limited, London: a highly recommended 70-page treatise on the history of type), and First Principles of Typography (1936; reprinted in 1955). A Tally of Types was published by Cambridge University Press in 1973. His Letter Forms (2nd edition) was published by Hartleys & Marks in 1996. A quote from First Principles of Typography: Type design moves at the pace of the most conservative reader. The good type-designer therefore realizes that, for a new fount to be successful, it has to be so good that only very few recognize its novelty. |
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file name: Bembo
file name: Bembo
file name: Bembo M T Metal
file name: Stanley Morison Times New Roman 1932 Poster by Alex Edwards 2016
file name: Stanley Morison Victor Lardent Times New Roman 1932 poster by Thanut Rujiwanakul 2019
file name: Stanley Morison Times New Roman 1931 Poster by Sebastian Miekus 2017
file name: Stanley Morison Times New Roman 1932 Poster by Alex Edwards 2016b
file name: Stanley Morison Times New Roman 1932 Poster by Alex Edwards 2016c
file name: Stanley Morison Times New Roman 1931 Poster by Daniel Henning 2016
file name: Stanley Morison Victor Lardent Times New Roman
file name: Stanley Morison Times New Roman 1932 Poster by Dominika Grudysz 2019
file name: Stanley Morrison Times New Roman 1931 Poster by Abdelrahman Saeed 2018
file name: Stanley Morison Victor Lardent Times New Roman 1935
file name: Stanley Morison Victor Lardent Times New Roman P S Bold 2001
file name: Stanley Morrison Times New Roman 1931 Poster by Tevfik Bozbay 2016
file name: Stanley Morison Times New Roman 1931 Poster by Sebastian Felipe Diaz 2014
file name: Monotype Times New Roman World Bold
file name: Monotype Times New Roman World Regular
file name: Stanley Morison Times New Roman 1932 Poster by Alex Delgado
file name: Stanley Morison Times New Roman 1932 Poster by Alex Delgado
file name: Stanley Morison First Principles Of Typography 1936
file name: Stanley Morison Portrait U L C 1988
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Luc Devroye ⦿ School of Computer Science ⦿ McGill University Montreal, Canada H3A 2K6 ⦿ lucdevroye@gmail.com ⦿ https://luc.devroye.org ⦿ https://luc.devroye.org/fonts.html |