TYPE DESIGN INFORMATION PAGE last updated on Wed May 24 13:31:08 EDT 2017
FONT RECOGNITION VIA FONT MOOSE
Film noir typefaces
burodestruct (or: Typedifferent.com)
Lorenz Lopetz Gianfreda's foundry in Bern, Switzerland, est. 1994, called Burodestruct and Typedifferent.com.
Free fonts include(d) the gorgeous GalaQuadra (by Angela Pestalozzi, 1999), Eject Katakana (1998), Dippex (1995, grunge font), Ticket (1995), Rocket 70 (1996), Ratterbit (1995, pixel font), Plakatbau (1995), Lodel Fizler (1996), Flossy (1995), Faxer (1995), Console Remix (1998), Cravt (1998, by "Katrin"), Stereotype (1998, by M. Brunner), Brockelmann (1995, free), Kristallo (1997, very original display face) and Billiet (1996).
Other fonts: Acidboyz (1998), Alustar (1999), BD Asciimax (1999, ascii art font), BD Billding, Bdr_mono (1999), Brick (1996, like Kalendar), Cluster (1996), Console (1997), Doomed (1998), Eject (1998), Electrobazar (1995), Elside (1995), Globus (1996), Fazer (1996), Lofi (1997), Medled (1995), Paccer (1995), Solaris (1998), Spicyfruits_brush_rmx (1998, a nice high-contrast face), Spicyfruits_rmx, Wurst (free, by Heiwid, 2000), Relaunch (2000), Relaunch Katakana (2000, free), Rainbow (2000), DeLaFrance (2000, free, by Heiwid), Electronic Plastic (2000), Colonius (2001), Cash (2001), Cashbox (2001), Bilding (2001), Meter (2001), Mustang (2001), Bankwell (2001), BD Alm (2001), Balduin (2001), Tatami (2001, oriental look font), Hexades (2001, free), Nippori (2002, techno), Jura (2002), Bonbon (2002, free), Band (2002, free), Navyseals (2002, kitchen tile font), Ritmic (2002), BDR Mono (1999, OCR-like font), Mann (2003, ultra fat stencil), Aroma (2003), Zenith (2003), Nebraska (2003), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Wakarimasu (2004, free kana face), BD Bernebeats (2004, futuristic), BD Deckard (2004), BD Spinner (2004), BD Victoria (2004), BD Designer (2004), BD Kalinka (2005, a curly ultra-fat display face), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Varicolor (2005, stencil), BD Chantilly (2005), BD Memory (2005), BD Emerald (2005, beveled), BD Kalinka (2005, Cyrillic simulation), BD Extrwurst (2005), BD Aquatico (2005), BD Mandarin (2005), BD Polo (2005), BD Beans (2005), BD Tiny (2005, pixel face), BD Times New Digital (2006), BD Panzer (2006), BD Jupiter, BD Jupiter Stencil (2006), BD Pipe (2006), BDR Mono 2006 (2006), BD Fimo Outline (2007, free, by Nathalie Birkle), BD Bermuda (2007, experimental and geometric), BD Smoker (2007, psychedelic), BD Radiogram (2007), BD Mother (2007, exaggerated black Egyptian), BD Fimo Regular (2007, free), BD Demon (2007), BD Reithalle (2007, free), BD Halfpipe (2007, free), BD Broadband (2008, free; not to be confused with the much older fonts BroadbandICG or FLOP Design's Broadband), BD Viewmaster and BD Viewmaster Neon (2008), BD Electrobazaar (2008), BD Motra (2008, stencil), BD Virtual (2008), BD Spacy 125 (2008), BD AsciiMax, BD ElAutobus (2004), BD Equipment (2004), BD Ramen (2003), BD Retrocentric (2009), BDR A3MIK (2009, virile Latin and Cyrillic slab), BD HitBit (2009), BD Unicorse (2010, unicase and techno), BD Telegraph (2011), BD Schablone (2012, stencil face), BD Pankow (2013, stencil), BD Algebra (2014), BD Hiragana Kuro (2014), BD Qualle (2014, a fat poster typeface), BD Tribler (2015, a tribal font). <>Alphabetical listing of their pre-2015 free typefaces: Algebra, Alm, Apotheke, AsciiMax, Baldrian, Band, Bankwell, Bardust, Beans, Billding, Billiet, Bonbon, Brockelmann, Burner, Cash, Cashbox, Chantilly, Circo, Console, Console Remix, Cravt, Delafrance, Designer, Destination, Dippex, Eject Katakana, ElAutobus, Elmax, Elside, Equipment, Faxer, Fazer, Fimo, Flossy, Fluke, Galaquadra, Geminis, Halfpipe, Hexades, Hiragana Kuro, Jayn Fonta, Kristallo, Lodelfizler, Lofi, Medled, Meter, Mustang, Outline, Paccer, Pipe, Plakatbau, Plankton, Polo, Ragout, Ramen, Ratterbit, Reithalle, Relaunch, Relaunch Ktna, Rocket70, Sirca, Sirca Rmx, Solaris, Spacy125, Spicyfruits, Spinner, Stella, Stencler, Stereotype, Ticket, Times New Digital, TinyFont, Tribler, Unfold, Wakarimasu.
Alphabetical listing of their pre-2015 commercial typefaces: A3mik, Acidboyz, Alustar, Aquatico, Aroma, Balduin, BDR Mono 2006, Bermuda, Bernebeats, Breakbeat, Brick, Broadband, Calamares, Central, Cluster (Corporate), Colonius, Deckard, Demon, Discount, Doomed, Edding850, Eject, Electrobazar 2008, Electronicplastic, Elk, Emerald, Endless, Extrawurst, Fontabello, Globus, Good Wood, Hell, Hitbit, Jupiter, Jura, Kalinka, Kameron, Kinski, Las Palmas, Mandarin, Mann, Memory, Mother, Motra, Naranino, Navyseals, Nebraska, Nippori, Nokio, Orlando, Pankow, Panzer, Qualle, Radiogram, Rainbow, Retrocentric, Ritmic, Robotron, Schablone, Showlong, Smoker, St.Moritz, Stalker, Stonehenge, Sweethome, Tatami, Telegraph, Unexpected, Unicorse, Varicolor, Victoria, Viewmaster, Virtual, Wotka, Wurst, Wurst Directors Cut, Zenith.
In 2015, Gianfreda designed BD Barbeaux (a condensed typeface with the fashionable chic of the French art nouveau or film noir).
Typefaces from 2016: BD Kickrom Mono (LED emulation type).
Banda Aceh, Indonesia-based designers of the script typefaces Luxurious Line (2015), Ramsteinz (2015: calligraphic), Gracias (2015, thick brush), Hello Listie (2015), Glytten (2015), Adelle Script (2015) and Loft Yian (2015), the display typeface Vardy (2015, film noir style), and the wonderful rough brush font The Mistie (2015).
Typefaces from 2016: De Black, Fortescue, Heart Signal, Hey Dory, Toretto, Honey Land (brushed calligraphic font family), Ravenclaw (Halloween font), Jaguar (dry brush), Champagne (an inky brush typeface), Sharktooth, Lovely Kenzie, Labyrinth (bilined), Cashy Allen (brush script), Joker (hand-crafted), Coralie (curly script), La Viola (free thick brush typeface), Captain America (octagonal and interlocking), Brightscales (curly script), Chicksar, Typefloss (a nice dry brush font), Lovelight, Alexandria (Greek simulation font), Brushello, Cherry Blossom (a children's font), Woodpecker (wood plank typeface), Cataleya (free).
Sollentuna, Sweden-based creator (b. 1973) of Parsley Path (2016), Ignoreland A (eroded style), Ombudsman Stencil (2016), Chateau de Garage (2016, a heavy slab serif), King of Rome (2016, heavy wedge serif), Backboard Outline (2016, athletic lettering), Jollysight Sans (2016), Horseback Slab (2016), Playoff (2016), Bellet (2016, Peignotian, caps only), Strejka (2016, grungy and hand-crafted), Promenade de la Croisette (2016, a condensed all caps movie credit font), Fogle Hunter (2016, a tall-ascender antiqued treasure map typeface), Ground Control (2016, a techno typeface), Hello Euroboy (2016), I Am A Rock (2016), the condensed hand-crafted typeface Tamales (2015), Discoteca Rounded (2016), Entschuldigung (2016, squarish sans), Discoteca (2016, rounded sans), Mouthpiece (2016), Jumping The Couch (extremely condensed film noir font), the Peignotian typeface Nizza (2016), the athletic lettering font Be True To Your School, and the narrow hand-crafted Stem Panini (2016).
Russian designer of the copperplate emulation typeface Highbridge (2017), the elegant caps only sans typeface Leaner (2017) and the art deco typeface Noirside (2017).
Jeff Levine: Alf R. Becker fonts
Jeff Levine created a number of typefaces that were based on alphabets created by the late Alf R. Becker for Signs of the Times Magazine during the period of the 1930s through the 1950s. These incude Film Noir JNL (2010, counterless geometric art deco style), Hexide JNL (2011, a fat hexagonal design), Kanona JNL (2010), Karaoke JNL (2010), Mocombo JNL (2010, African look), Nightspot JNL (2011, an art deco headline face), Patriotica JNL (2011, a stars and stripes face), Police JNL (2010, caps only 3d shadow typeface after a design by Alf R. Becker), Roadblock JNL (2011), Tradewinds JNL (2010, African look), Udsed Cars (2010, comic book style caps). [Google] [MyFonts] [More] ⦿
Jeff Levine: Art Deco Typefaces
Art director in New York City. Born in Britain, he is a typographer, illustrator, painter, branding specialist and graphic artist. His largely experimental type design work includes the retro techno typeface Magazine No. 33 (2013), Salt (2013), Echo 08 (2013, a multilined logotype family), Digit 002 (2013), Can Pull Regular (2013), Loser 003 (2013), Wurm Digitail (2013, pixelish), Cant Blok (2013), Fac 003 (2013), Fac (2013), Pramb (2013), 12 Blocks New York (2013), Intro (2013), and Fast Forward (2013).
Typefaces from 2014: Leonardo (grunge and geometry experiment).
In 2015, he made the squarish typeface Cronin, the circle-based Can Pull, Flic Flim, the counterless typeface Winston, and the film noir typeface Cinema.
Typefaces from 2016: Aeon (a custom pixel typeface family for Nike New York), Radford (a squarish modular typeface family), Pig, Loser (squarish).
Graphic designer in Danbury, CT. Creator of Sci Noir (2012): "Sci-Noir" is a genre of both film and literature that combines the dark and mysterious elements of Film Noir and classic Science Fiction.
Lorenz Lopetz Gianfreda
Mark Simonson Studio
Mark Simonson Studio is located in StPaul, MN. Mark founded Mark Simonson Studio around 2000, and describes himself as a freelance graphic designer and type designer. From his CV: Early in my career I worked mainly as an art director on a number of magazines and other publications including Metropolis (a Minneapolis weekly, 1977), TWA Ambassador (an inflight magazine, 1979-81), Machete (a Minneapolis broadsheet, 1978-80), Minnesota Monthly (Minnesota Public Radio's regional magazine, 1979-85), and the Utne Reader (1984-88). I was head designer and art director for Minnesota Public Radio (1981-85) and an art director for its sister company, Rivertown Trading Company (1992-2000). During that time, I designed over 200 audio packages, including most of Garrison Keillor's, along with several hundred products (t-shirts, mugs, rugs, watches, etc.) for the Wireless, Signals, and other mail order catalogs. I have frequently done lettering as part of design projects I'm working on. This has always been my favorite part, so in 2000 I opened my own shop specializing in lettering, typography and identity design. I've also been interested in type design since my college days. I started licensing fonts to FontHaus in 1992, and since starting my new business, stepped up my efforts in developing original typefaces. I now have more than 70 fonts on the market with many more to come. This is increasingly becoming the focus of my activities. His fonts:
Links to his typefaces, in decreasing order of popularity: Proxima Nova, Bookmania, Mostra Nuova, Proxima Nova Soft, Coquette, Refrigerator Deluxe, Felt Tip Roman, Grad, Changeling Neo, Goldenbook, Lakeside, Kinescope, Metallophile Sp8, Blakely, Felt Tip Woman, Snicker, Felt Tip Senior, Kandal, Sharktooth, Anonymous, Raster Bank, Raster Gothic.
Type designer. The casual film noir Firefly (2010, Canada Type) was designed by Miranda Hopper for Patrick Griffin's type design class of 2010 at Humber College in Toronto. Klingspor link. [Google] [MyFonts] [More] ⦿
Nick Oeffling (b. Santa Monica, CA) designed the zebra-textured fingerprint-inspired typeface Touch in 2016 during his studies at Chapman University in Los Angeles. It was created to celebrate the fifteen year anniversary of the film noir thriller Memeno. [Google] [More] ⦿
Very talented Montreal-based illustrator and digital artist. Home page. He created several modular typefaces in 2011.
In 2012, he created Muse, Gotham Streets (a prismatic typeface), Slinky, Stencil, Tulipe (counterless), Bad Billy (multilined, art deco), The Great Carnival (beveled caps), Web Font (prismatic), Jump Jump Font (octagonal), Fashion (a horizontally striped typeface), OK (prismatic), The Aviator (horizontally striped poster face), La Bonne Aventure (prismatic and slightly art deco), the rope-themed typeface Noeud Marin, the shadowed boat name typeface Bleu Marine, the multiline caps typeface Origami, the moustache-inspired caps typeface Mous Type (ornamental moustache-shaped capitals), the multilined display typeface Empire, the hand-drawn Une Typo Faite A La Main, and the prismatic typeface Anabelypster. After a bout of salmonella, he created Intestino, still in 2012. In Motion (2012) is an awesome prismatic art deco typeface.
Creations in 2013: Shapes (geometric font), Gold Deco, Dentelle, Twist, Sleek (a thin slab serif), Say Say Say (multiline, prismatic, hypnotic), Metrick (a gridded typeface), Film Noir (an overlay type system), Tam Tam, Diner (a striped all caps typeface), Spot Light Font (prismatic), Flora, Bright Diamond, Incandescent, XVII (multilined display face), Konga (a multiline script), Shiny Diamond, Splash (paint font), Chicago (prismatic neon tube face), Taxi (a wonderful multiline typeface), Papale (religious symbology alphabet made to mock the papal system), Empreinte (pure op-art), Broken Arrow Font (multiline caps face), Liquid Paper Font, Sunset (prismatic), Boogie (Broadway-style art deco family), New Art Deco (prismatic art deco face), Poule de Luxe, Burnout (a prismatic typeface), Marble Maze Font, M Gagnon (ornamental caps influenced by the design work of Denis Gagnon).
Typefaces made in 2014: Moiré, Decora, Magnetic, Noise (TV noise emulation), Yes (multilined font), Broderie (braided letters), SAS (multilined), Full House, Heart Font (prismatic), 1976 (inspired by the 1976 Olympic Games in Montreal), Gold (prismatic art deco typeface), Lace, Bike.
Typefaces from 2015: Detour, Allie X, Grad Font, Duct Tape, Mint Julep (bilined art deco beauty), Hourglass, Stuntman (prismatic), La Dame de Coeur (playing card font), Fog.
Typefaces from 2016: Road Free (a free prismatic font), Solitaire (card font), Joliette, Denis (named after Montreal's mayor, Denis Coderre), Montreal (a prismatic typeface based on the logo of the city of Montreal), Cherry Cola Font, Bro & Co (multilined art deco beauty), Macramee (multilined).
Typefaces from 2017: Le Cabinet (multilined neo deco).
Typocalypse Types was founded in 2009 by two students of communication design from the University of Applied Science in Trier: Kai Merker and Stefan Huebsch (b. 1981, Saarbrucken; Stefan Huebsch lives in Heusweiler / Saarbrücken in Saarland, Germany). Sven Fuchs joined some time later.
In 2011, he created Lith, a hand-drawn headline typeface inspired by Alice In Wonderland and the Brothers Grimm fairy tales.
In 2014, he published a spectacular 11-style font family, Lichtspiele, that takes inspiration from early 20th century movies, and more specifically, the film noir genre. In this series, Lichtspiele Neon 3D is of particular interest. Lichtspielhaus (2014) is an ultra-condensed version. Lichtspielhaus Handmade (2014) is the handwritten version---it was influenced by the hand-painted signs on cinema facades of the early cinema days. In 2015, we were treated to Lichtspielhaus Slab (ultra-condensed), and in 2016 to Lichtspiele Reklame (the ultra-condensed version).