TYPE DESIGN INFORMATION PAGE last updated on Tue Jul 29 01:58:05 EDT 2014

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Type design in Pakistan



[Imperial Airways poster by Charles G. Dickson, 1924]

Luc Devroye
McGill University
Montreal, Canada
lucdevroye@gmail.com
http://luc.devroye.org
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20th Century Co

This small company created a Walt Disney font in 2014 called 20th Century Font. It can be bought at Creative Market. The company is based in Islamabad, Pakistan. Behance link. [Google] [More]  ⦿

Aamir Wali

Aamir Wali obtained his BS degree in Computer Sciences from National University of Computer and Emerging Sciences, Lahore, in 2002 and MS in Computer Science from the same university 2004. He is a lecturer and faculty member in Center for Research in Urdu Language Processing at National University of Computer and Emerging Sciences, Lahore, Pakistan. Since then he has been doing R&D in script processing of Urdu. His has incorporated OpenType GSUB Table 8 into Linux's rendering engine Pango and has worked on OpenType fonts for Urdu such as Nafees Nastaliq, Nafees Naskh and Nafees Pakistani Naskh. At Typotechnica 2005 he spoke on "Contextual Substitution in Nafees Nastaliq Script". [Google] [More]  ⦿

Adil Rehan
[jasarat.com]

[More]  ⦿

Ahmed Mirza Jamil

Pakistani calligrapher who developed the calligraphic Arabic script Noori Nastaliq for Monotype in the 1970s. He has been awarded with TAMGHA-I-IMTIAZ by government of Pakistan in 1982. Mirza Jamil is the owner of the Noori Nastaliq typeface. Agfa Monotype Corporation holds copyright to the Noori Nastaliq digital font data. Finally, Noori Nastaliq is a trademark of The Monotype Corporation. [Google] [More]  ⦿

Alvi Technologies
[Amjad Hussain Alvi]

Amjad Hussain Alvi (Alvi Technologies, Pakistan) makes available a free Urdu font, Alvi Nastaleeq (2008). [Google] [More]  ⦿

Amjad Hussain Alvi
[Alvi Technologies]

[More]  ⦿

Amna Saleem

Student in Pakistan, who created the geometric poster typeface Geometra (2012). [Google] [More]  ⦿

Arabic script

The Arabic script is used for the following languages: Arabic, Farsi (the official language of Iran), Jawi (the Arabic alphabet for Malay used until the 17th century), Kurdish, Pashto (the official language of Afghanistan), Sindhi (an Indo-Aryan language with about 9 million speakers in the south-eastern province of Sind in Pakistan and in India) and Urdu (the official language of Pakistan); it can also be used for Punjabi (which is spoken in Pakistan and the Indian state of Panjab, but only in Pakistan is it written using Arabic script). It is cursive, caseless, and written right-to-left. [Google] [More]  ⦿

Areeba

Pakistan-based creator of the primitive hand-drawn typefaces Bolden (2013), Thunderstorm (2013), Kachoo (2013), Boldilocks (2013), Slimmer (2013), Gloomy (2013), Typewriter (2013), Capitals (2013), Hearts (2013), Crazy Writing (2013) and A (2013). Her name is Anna. [Google] [More]  ⦿

Arslan Khaliq

Creator of the blood paint face Arslan's Blood (2009), the old typewriter face Typewriter From 286 (2009), and the grungy Grunge Zinda Bad (2009) and I Love Grunge (2009). Arslan is from Faisalabad, Pakistan and was born in 1988. [Google] [More]  ⦿

Ashfaq A. Niazi
[King Fahd Glorious Quran Printing Complex]

[More]  ⦿

Asiatype

Dari, Farsi, Pashto, Urdu fonts at Asiatype in Pakistan. Commercial. [Google] [More]  ⦿

Asym Aly

Karachi, Pakistan-based designer of an untitled display typeface in 2014. [Google] [More]  ⦿

Ata Syed

Ata Syed (Karachi, Pakistan) has a dual identity at FontStruct, where he is one of the most prolific contributors. He is known there as thalamic and as minimum. Behance link.

Typefaces made in in 2008 as thalamic: Hello (connected upright script), Epilogie (blocks), WimSoft (+U/C), Chunk Chip, Konstruct (Russian constructivism face), Sensei Says, FS Tributary, Twotype Font, Urge (fat octagonal), Subliminal, FS United One, The Game of Type, Anaximander Zooom!, Corrupt and Corrupt Ed (piano key stencil fonts), Blueprint, Monomum, Synergy, Insert Coin Italic, Write I Careful, Write I Casual, Write I Dump, Loop UC, Loop LC, Emergic, Prick!, Insert Coins Pixels, Retro Electro, Bubble Lab IJ, Bubble Lab Bang, A Needle Pulling Thread, Send, Scan (IBM logo look), Intermittent and Intermittent Sans (stencil faces), Melt x DR and Melt x tDR (dot matrix), Oval x DR and Oval x tDR (original design by theDesignersRepublic for Issey Miyake), On Grid, Indigo (almost blackletter), orange_2 (dot matrix), Scan (horizontal stripes), Bass, Grape (simple pixel face), Nachahmung and Nachahmung Block (fat and extra condensed, Wim Crouwel simulation faces), Nachahmung Block Serif, Conjunction, Interjection, Is It, Sangular (nice experiment), Anonon (nails in square letters), Purple and Purple Very (slab serif headline faces, pixelized), Arc Echo (biline and strutted), The Question (a fantastic 3d paper fold imitation face), FS Minimal (a fantastic ultra fat decorative face), FS FontStructor, Vibrant (multiline labyrinthine or op-art face), Writ (upright pixel script), Castor, Ooki (octagonal), Industrial, The I Flat, The I, Indiscrete, Analog (connected script), Dent (mechanical), Digital (connected script), Hello Hello, and Sensei Says.

In 2009, he made Clone It, Entwined, C64, Helix, Fontsration, Bent, Stripe Zoo, Dull, Indent (stencil), Quartertined (kitchen tile), Firox, Orfix, A Priori, Ignore, Confused, S-Ookii, Ookii (octagonal), Very Becoming, Crisis Averted, Crisis (neat bold octagonal face), Penmanship, Up All Night, Sleep All Dayi, Chunk Chip, Grayletter (upright script), Soso, Mostly Harmless (textured face), Etched, La Cross, Twotype, Etched Bare, Aught (One, To, Three), as: Inflate (Pop, Pfft, Puff, Poof), Istic, Very Becoming, Ignore, Ought, Balance, Broken, Dry Flat (dot matrix), La Cross, Etched (+Bare), Fontsration (+Refined: multilined beauties), FS Institutional (fat multiline face), FS Industrial, FS Pixelayers.

Additions in 2010 as thalamic: fs Section, fs Reboot, fs Easy DNA Auto Stencil, fs Institutional (+Ho, +Elements), fs Quartertined, fs Stencil 2.0, fs Rivet, fs Intaglish, fs Dumb Italic, fs Loop Gap, fs GoTeam (stencil), fs ITilic, fs Kerplunk (Startrek face), fs Dumb Italic, fs Ribbon, fs Beringer, fs Ooki Woodcut, fs Croissant (stencil), fs 45 (octagonal stencil), fsXO, fs Pipe, fs Confused Less.

Fonts from 2011 as thalamic: fs Xenon (a paperclip face), fs Instant, fs Twist, fs WIP (blackletter), fs Sparc, fs Reboot (texture face), fs Pod, fs Flute Tune, fs Special, fs Watch Out (stencil), fs Etched Nyle (labyrinthine face), fs No Kerning Required (2011, connected upright script).

Creations in 2012 as thalamic: fs Flip, fs Mom, fs Noise, fs Noise II, fs Junk, fs You Are Here, fs Flash (outlined), FS Easy Too (paperclip face), FS Strict, FS Fix, fs in three (octagonal stencil face), fs Single, fs Wakarimasen, fs r-failed (white on black), fs Permutation X, fs Pan Am, fs Institutional, fs Institutional 2, fs Chunky (counterless), fs Grayletter (textured face), fsXply (op-art).

Creations in 2013 as thalamic: fs So Not Right, fs Grid Urdu (pixel face), fs Not So Right, fs Six Sticks, fs Half (octagonal family), fs Bored, fs Make it Happen, fs Salvage, fs To Be Discarded, fs Connect (stencil), fs Whomp, fs Praxis, fs Fez (3d face), fs Input, fsTramp, fs Five Alive, fs Hote-Zyd (labyrinthine), fs Patterns (Layers, Quarters), fs Five Alive (origami font), fs Go To Sleep (retro speed font), fs Vaerktoj (inspired by the brand identity of Hoejmark Cycles), fs Permutation B, fs Jester, fs Permutation XII (op-art), fs Insatiable, fs Electronic, fs Carbon (a nice chequered face), fs When We Were Young (multiline typeface), fs Shogun Tiny (a lined kitchen tile typeface), fs Optical, fs When We Were Young (multilined), fs Slate, fs Shogun (gridded), fs Iie (+Filled), fs Blocky (dot matrix), fs Thalamic.

Creations in 2014 as thalamic: fs Ah, fs Curly, fs So, fs Flint, fs ICK (blackboard bold style), fs Wiggle, fs Grid, fs Ah.

Creations as minimum: fs Oh (2014, piano key style), fs The Italic (2013), Gridlock (2009), Mingle Minx (2009), Mingle Co (2009), Mingle (2009, gridded letters), Bevel (2009, 3d beveled family), illiij (2009, multiline family), m.ove.r (2009, multiline family), Grayscale (2009, multiline family), fs Cubed (2010, 3d-face), Bas Relief (2009, 3d face), Silver (2009, 3d face), Tin (2009), Lead (2009), Bevel (2009), Bevel Just (2009), Bevel Just Shadowed (2009), Ceci n'est pas une vague (2009), A Fault in Reality (2009, optical effect font), Blit Slash (2009, experimental), Blit Hack (2009), Dot Dot Hex (2009), Super Black (2009), fs Overlap (2010), fs Fabric (2010, texture font), fs Original (2010), fs Ink Blot (2010), fs Dots and Dashes (2010), fs I Square (2010), fs Squared Up (2010), fs Super Black (2010), fs Unoriginal (2010), fs Minimum (2010, geometric stencil face), fs Pin and Thread (2010, stitching face), fs Shade (2012, 3d face).

FontStructions from 2011: fs Perpetual (dotted line face), fs Slither, fs No Escape, fs Prompt (a DNA-inspired biochemical lab face), fs Plus H (horizontally striped face), fs Arc Test 2:2 (a modular blackboard bold face), fs V Simple (2010, textured face), fs Instant, fs Permutation V, fs Rehash Monoic (labyrinthine), fs Meta (texture face), fs Scroll, fs Scroll Not (stencil).

FontStructions from 2012: fs Translucent (a texture face), fs Bank, fs Shade, fs Confined (white on black), fs Institutional (+Vo, +HeVe, +Ho, +He, +Ve: texture faces), fs Bang, fs Random (textured face), fs Random Pattern, fs Lead, fs Tungsten.

Klingspor link. Abstract Fonts link. Behance link. [Google] [More]  ⦿

CRULP: Center for Research in Urdu Language Processing
[Syed Jameel-ur-Rehman]

Free Arabic fonts available here:

  • Nafees Nastaleeq (2003).
  • Nafees Naskh (2003). They write: Open Type Font for writing Urdu in Naskh script with full aerab support based on Unicode standard. This font is developed according to calligraphic rules, following the Lahori style of Syed Nafees Al-Hussaini (Nafees Raqam) (http://www.geocities.com/sajjadkhalid/Profiles/Nafees.html), who is one of the finest calligraphers of Pakistan. Guidance and calligraphy of basic glyphs for the font has been provided by Syed Jameel-ur-Rehman. He is a pupil of Syed Nafees Shah and Hafiz Syed Anees-ul-Hassan. Nafees Naskh OTF contains approximately 500 glyphs, including less than 10 ligatures.
  • Nafees Pakistani Naskh (2003, for Urdu, Balochi, Pashto, Punjabi, Sindhi and Saraiki in Naskh script): an extension of Nafees Naskh.
  • Nafees Web Naskh (2004, 2005): Open Type Font for writing Urdu in Naskh script based on Unicode. Guidance and calligraphy of basic glyphs for the font has been provided by Syed Jameel-ur-Rehman. He is pupil of Syed Nafees Shah and Hafiz Syed Anees-ul-Hassan. Nafees Web Naskh OTF contains approximately 330 glyphs, including 5 ligatures.
  • Hussaini Nastaleeq (2013, Syed Jameel-ur-Rehman). Derived from Nafees Nastaliq, it covers Arabic and Farsi, and is named after Syed Nafees Al-Hussaini, whose calligraphy style is followed by Nafees Nastaleeq. Open Font Library download link. OFL download link for Nafees Nastaleeq.
[Google] [More]  ⦿

Fax-away Urdu website

Free Urdu TT font by Adil Rehan, Karachi, Pakistan. [Google] [More]  ⦿

Hira Fareed

During her studies in Karachi, Pakistan, Hira Fareed designed the very elegant art deco typeface Elevance (2014), and the experimental font Iris (2014), which is based on photographs of reading glasses. This was earlier called TypeMeetsVision (2013). [Google] [More]  ⦿

Ibrahim Jamali
[Jamali Foundry]

[MyFonts] [More]  ⦿

Jamali Foundry
[Ibrahim Jamali]

Ibrahim Jamali, an electronic techician from Pakistan, started his own typefoundry, Jamali Foundry, in Saudi Arabia in 2012. In 2012, he created the zany Latin display face Aliya. [Google] [MyFonts] [More]  ⦿

jasarat.com
[Adil Rehan]

Free Urdu.ttf, made by Adil Rehan, Karachi, Pakistan. [Google] [More]  ⦿

Kamal Mansour

Kamal Mansour, educated in Cairo, used to run Kappa Type in Palo Alto, CA. and was involved in software, fonts and keyboards for some languages. Thereafter, he joined Monotype in 1996 where he is now involved in OpenType implementations for various scripts including Latin, Arabic, and Hebrew. At Monotype, his responsibilities includes growing the library of non-Latin scripts, investigating potential products, in-house consulting, as well as assisting customers with font specifications.

He spoke at ATypI 2005 in Helsinki on Nastaliq style through open type, about which he writes: Designed by Pakistani calligrapher Mirza Jamil, Noori Nastaliq is a calligraphic Arabic-script typeface originally devised for use on a Monotype imagesetter in the 1970s. Once this proprietary equipment became obsolete, Noori Nastaliq could not be readily implemented for many years with the digital technology at the time. With the advent and maturation of OpenType technology, Noori Nastaliq is once again alive. In spite of the many graphic complexities of Nastaliq style such as its oblique alignment to the baseline and its cursive connections, OpenType proved sufficient for the task. Speaker at TypeCon 2012 in Milwaukee. [Google] [More]  ⦿

Kanwal Iftikhar

Graphic designer in Rawalpindi, Pakistan, who made a nice poster of a human face based on parts of a typeface (2011). [Google] [More]  ⦿

King Fahd Glorious Quran Printing Complex
[Ashfaq A. Niazi]

Ashfaq A. Niazi is a designer in Lahore, Pakistan, who graduated from Govt Islamia College in Lahore. Since 2008, he is associated with the King Fahd Glorious Quran Printing Complex in Saudi Arabia, which in 2009 released the free Arabic language font Uthman Taha's Naskh (2008, +Bold). Earlier fonts by King Fahd Complex include QCF P001 and QCF BSML, which are here. He also made the free symbols face KFGQPC Arabic Symbols 01 (2010). In 2008, Peter Bilak, Eike Dingler, Ondrej Jób, and Ashfaq Niazi created the 21-style family History at Typotheque: Based on a skeleton of Roman inscriptional capitals, History includes 21 layers inspired by the evolution of typography. These 21 independent typefaces share widths and other metric information so that they can be recombined. Thus History has the potential to generate thousands of different unique styles. History 1, e.g., is a hairline sans; History 2 is Peignotian; History 14 is a multiline face; History 15 is a stapler face, and so forth.

He writes: My objective is to work on Quranic Fonts, with Latest Digital Technology, and enhance them for the maximum visibility. My aim is to produce High Quality Mushaf & Naskh fonts, with the best possible placement of Tashkeel (Diacritics). I've developed, Indo-Pak Quranic Calligraphy System (QCS), Full Quran, having more than 15000 Ligatures, now used widely in Pakistan, for the printing of Quran. Now this complete package is free for everyone.

Typedia link. [Google] [More]  ⦿

LaserSindhi fonts from Linguist's Software

TrueType and Type 1 fonts for Macintosh computers. Four fonts, 100 USD. "Sindhi is spoken in Pakistan, where it is written in the Arabic script with the addition of several letters to accommodate special sounds. Sindhi is also one of the constitutional languages of India." [Google] [More]  ⦿

Lateef Sagar Shaikh

Naqsh is a free OpenType font by Lateef Sagar Shaikh with tons of diacritics for a handwritten Mistral-like character set, as well as a full Arabic character set with appropriate opentype tables for the Nastalique way of writing context-sensitive Arabic. The Latin part was designed by Umar Rashid. A nice effort. The font can in principle also be used for ordinary Western text. Total number of glyphs: 1815. Compliant with many Unicode tables. See also here and here. [Google] [More]  ⦿

Lateef Sagar Shaikh
[PakType - Pakistani Typography]

[More]  ⦿

Maha Hussain

Karachi, Pakistan-based designer of Bogeo (2014), a squarish typeface that combines Bodoni and geometric sans styles---hence the name. [Google] [More]  ⦿

Marrium Usman

Graphic designer and photographer in Karachi, Pakistan. She created the QAT Latin script typeface in 2011, which has several Arabic traits. She says: Qat is a display typeface that has been designed as my graphic design thesis. The purpose is to create awareness among Pakistani graphic designers to embrace their cultural identity by using typefaces that are more representative of us and our culture. This typeface encourages them to promote Pakistan's own typographic movement that is unique and one of a kind. It is available for sale at the Typerighter Foundry. [Google] [More]  ⦿

Mirjam Somers

Mirjam Somers was educated at St Joost Art Academy in Breda, The Netherlands, where her teachers included calligraphers Chris Brand and Jan van den Bouwhuysen. After two years she continued at the Gerrit Rietveld Academy in Amsterdam and graduated there in 1974 in Architectural Design. Having worked as a carpenter and free-lance typographer, she encountered Arabic script in 1982 when together with Thomas Milo she designed and produced the Arabic Letter Box, a wooden prototype of a computer program and an educational tool at once. With Tom she reduced the traditional Arabic Ruqah script to 70 penstrokes and defined a mechanism to generate all Arabic letter combinations by the smart font algorithm. The combination of the font-in-the-box and the out-of-the-box font inspired Peter Somers to write the smart font program code. Peter, Mirjam and Thomas incorporated Decotype [Designers of Computer-aided Typography] in 1985. Mirjam played a major role in designing the Naskh typeface (1993-2004), and created the Emiri (2004, a revival) and DecoType Nastaliq (2008-2010, an original analysis) typefaces. Her latest designs are a second Ruq`ah (2011) and an Eastern Nastaleeq (2012).

DecoType Nastaliq (2009) won an award in the non-Latin category at TDC2 2010. The award blurb reads: DecoType Nastaliq is the latest fruit of more than 25 years of analyzing Arabic scripts in their pure, pre-typographic form. Like its close relative ruq?ah, nastaliq retains the original two-dimensional aspect of Arabic script. To capture this for use in an essentially Latin-based technical environment is a great challenge. The final glyph set consists of a minimal set of functional shapes, with which for all Arabic-scripted languages all imaginable combinations with any diacritic attachment can be generated. This is possible solely with the use of ACE, the Arabic Calligraphic Engine, a radical departure from conventional thinking in Gutenberg-style movable type. ACE was developed by the DecoType team, Thomas Milo, Peter Somers and Mirjam Somers, initially for the ruqah script, later it was expanded for a very broad analysis of the naskh script. Today ACE drives any Arabic typeface and is the core engine of WinSoft's Tasmeem enhancement of Adobe InDesign Middle Eastern version. The seminal role of ACE for the development of smart font technology, including OpenType, was recently acknowledged with the Dr Peter Karow Award.

At ATypI 2011 in Reykjavik, she spoke on the slanted Arabic typefaces with cascading connections: It was exactly this challenge that brought DecoType into the typography scene in 1985 with the very first Ruqah computer typography. In 2011, a completely new Ruqah design takes its place. In addition to that, the award-winning DecoType Nastaliq typeface in Persian style is very well received as the top typeface in WinSoft Tasmeem. A second nastaliq, this time in Pakistani style is under construction. Speaker at ATypI 2013 in Amsterdam: Technology designed for Arabic.

Ruq'ah (2011) won an award at TDC 2012. [Google] [More]  ⦿

Mohammed Saleem
[Pakistan Data Management Services]

[More]  ⦿

Mohsin Shafeeque Hijazee

Pak Nastaleeq is an OpenType Unicode Nastaleeq Font created and developed by Center of Excellence for Urdu Informatics by Mohsin Shafeeque Hijazee in 2005. Alternate URL. Hijazee is a team member in the Font Department of the Center of Excellence for Urdu Informatics, a project of the Government of Pakistan. He also made Indus Naskh (2007). [Google] [More]  ⦿

Moin

Pakistan-based designer (b. 1985) of M's Hand (2013). [Google] [More]  ⦿

Monotype

Gurmukhi fonts at Agfa Monotype: Monotype Gurmukhi, ITR Kabel, ITR Mahan, ITR Manohar, ITR Nilesh, ITR Ranjit, ITR Vijay, ITR Yogesh. [Google] [More]  ⦿

Muhammad Ali Effendy

Pakistani designer. Devian Tart link. He is working on the Latin face Effendy (2011). [Google] [More]  ⦿

Muhammad Zuhair Albazi

Lahore, Pakistan-based type designer who made a Naskh font, Musa Albazi Naskh (2009).

He also created Adobe Naskh.

His main Arabic typeface to date is Zuhair Albazi Naskh, an advanced OpenType Arabic typeface, which is based on the Ottoman manuscript. He writes: This unique typeface contains an unmatched range of features known from the Arabic script. It is not merely a font but an ultimate typesetting and design tool for the Arabic script in classic Naskh style, with letters variants and calligraphic styles, specifically developed to take advantage of the extensive functionality for Naskh Arabic typography. The typeface allowd many controls such as shape alternates, space adjustments, mark placements, and swashes. Two very special features: Calligraphic Naskh kashida (Tatweel) upto three levels of elongations, so the Kashida distribution and frequence can be precisely controlled to create Arabic calligraphic documents without a calligrapher; thousands of kerning pairs for the fine adjustment of letters specially after Raa, Zaa, Waw and before Kaaf. [Google] [More]  ⦿

Pakistan Data Management services

Creators of Arabic fonts such as PDMS_Saleem_QuranFont (2007). Download site. [Google] [More]  ⦿

Pakistan Data Management Services
[Mohammed Saleem]

Karachi-based company. In 2007, they published a beautiful font specially designed for the Quran. Their announcement: akistan Data Management Services is pleased to announce the release of an OpenType Font for writing Holy Quran text based on Unicode standard. The font features high quality glyphs and has support for all aeraabs/mark placements at proper places. All waqfs (special symbols) used for identifying different pauses in reading are also provided. PDMS Saleem Quran Font provides advanced Arabic typography - close to calligraphy while retaining the beauty and legibility of Quran Majeed Arabic text. This font is developed according to rules used in Quranic calligraphy in Pakistan, following the style of Yameen Dehlvi, who is one of the finest Quran calligraphers of Pakistan. Guidance and calligraphy of basic glyphs for the font has been provided by Mr. Mohammed Saleem. He is a student of Mohammed Iqbal Saeed (founder of Dar-ul-Tehreer Academy), Yameen Dehlvi and Shafiq-uz-Zaman. Mohammed Saleem is inspired by work of Shafiq-uz-Zaman (master calligrapher for Masjid Nabbawi) and frequently consults him for guidance. Another Arabic font family, PDMS Jauhar, is a 1700-ligature Nastalkiq script type family costing 250 dollars. [Google] [More]  ⦿

PakType - Pakistani Typography
[Lateef Sagar Shaikh]

Pakistani Typography or PakType is an open source project run by a group of volunteer designers and font developers for making Unicode based open source OpenType fonts supporting Arabic Script under the terms of the GNU GPL was published by the FSF. The project leader is Lateef Sagar. Free fonts include PakType Naqsh (2004: Glyphs designed by Umar Rashid and Lateef Sagar Shaikh. OTF made by Lateef Sagar Shaikh) and PakType Tehreer (2005: Glyphs designed by Mohammad Hanif. OTF made by Lateef Sagar Shaikh).

MJ Talat anD MTR Talat can be downloaded from Open Font Library. [Google] [More]  ⦿

photofreak19

Pakistani designer of Pacman font (2012). [Google] [More]  ⦿

Rameez Zahid

Karachi, Pakistan-based graphic design student who combined elements of Futura Std and Century Gothic in the design of the Latin typeface Frucen (2014). [Google] [More]  ⦿

Rashid Hadis

Born in 1986, and based in Lahore, Pakistan, Rashid Hadis created the ornamental caps typeface Bhangra (2013). [Google] [More]  ⦿

Romaisa Fawad

Lahore, pakistan-based creator of the ornamental Latin alphabet Fruitalistic (2013). [Google] [More]  ⦿

Rozina Maki

Gilgit, Pakistan-based creator of a Burushaski language font (2014) in a thesis project. [Google] [More]  ⦿

Salamah Bin Akwa

Pakistan-based designer of the computer/futuristic face Tameeraati (2005). [Google] [More]  ⦿

Salman Muavia

Salman Muavia (Lahore. Pakistan) created the compass-and-ruler Latin typeface Zellige in 2013 at Multan College of Arts. [Google] [More]  ⦿

Saria Iqbal Qureshi

During her graphic design studies in Karachi, Pakistan, Saria Iqbal Qureshi created a geometric Urdu typeface called Khatt (2013). [Google] [More]  ⦿

Sarmad Hashmi

Sarmad Hashmi (Karachi, Pakistan) used the Inception movie title to create a prismatic alphabet in 2012. [Google] [More]  ⦿

Shahmir Khan

Karachi, Pakistan-based designer of the Lubalin Graph-style typeface GEB (2014). [Google] [More]  ⦿

Shehzad Ali
[Urdu Nastaliq Unicode]

[More]  ⦿

SilverSoft International

Karachi-based group which is working on the very scripty Urdu font Rana. [Google] [More]  ⦿

Syed Hyder

Syed Hyder was one of the founders of the School of Computer Science at McGill University. At McGill, Syed, together with Olivier Maquelin and Amar Goudjil developed high-quality nonlinear context-sensitive Arabic fonts. One of the greatest hackers anywhere, Olivier wrote an in-house TrueType to PostScript converter in C in two afternoons. Paola Maleh and Laleh Tajrobekhar helped out with the programming for context-sensitive Arabic glyph placement. Laleh's brother in Iran, one of the leading calligraphers there, provided the team with wonderful Nastalique glyphs.

A few years before his death, Syed tried to convince Microsoft to use his solution for automated Arabic glyph placement in their software, but no deal was struck. The project was then abandoned. Syed Hyder died in Pakistan on Easter Sunday, 2006. [Google] [More]  ⦿

Syed Jameel-ur-Rehman
[CRULP: Center for Research in Urdu Language Processing]

[More]  ⦿

Taha Ahmad Makhdoomi

Lahore, Pakistan-based creator (b. 1989) of Gutsy (2012, a four-style techno typeface family).

Dafont link. Behance link. [Google] [More]  ⦿

Tuaha Badar

Graphic designer in Karachi, Pakistan, who created Solid (2012), a heavy mechanical face with a 3d version. [Google] [More]  ⦿

Umar Rashid

Designer of the glyphs of the free Urdu unicode font PakType Naqsh (2004, with Lateef Sagar Shaikh), which can be found at the PakType project. [Google] [More]  ⦿

Urdu Nastaliq Unicode
[Shehzad Ali]

Urdu Nastaliq Unicode is a Windows True-Type Urdu font which uses Unicode Arabic coding. It was developed by Shehzad Ali and unicoded by Tabish Qureshi (Department of Physics, Jamia Millia Islamia, New Delhi). Here we find more Urdu fonts: AlKatib1 (1998, Naseem Amjad Ali Khan), Umair I (1997, Umair Khan, Urdu Web, based on Neda Reyanah's Persian Font), Urdu Khat-e-Naqsh (1998, AHS), Urdu (1995, Tooraj Enayati and 1997, Adil Rehan, Karachi), Urdu Khat-e-Naqsh (Nastalique) (1999, Shehzad Ashiq Ali). [Google] [More]  ⦿

Urdu Page by Shehzad

Urdu word processing site by Shehzad Ashiq Ali of Ashiq Enterprises in Lahore, Pakistan. Has the fonts UrduNaqsh (truetype, Nastalique and ordinary version, made in 1999). PC, Mac and UNIX versions of these fonts, all created by Shehzad himself. [Google] [More]  ⦿

Urdu.ttf

Free Urdu truetype font by Adil Rehan, Karachi, Pakistan. [Google] [More]  ⦿

Warsha Jamnadas

Karachi, Pakistan-based designer of the deco typeface Cubies (2014). [Google] [More]  ⦿