TYPE DESIGN INFORMATION PAGE last updated on Thu Oct 17 15:29:56 EDT 2019
FONT RECOGNITION VIA FONT MOOSE
AK Desain (or: Bangun Studio)
Makassar, Indonesia-based designer of these typefaces in 2017: Gaja Hidoep, Crashand, Blank (sci-fi), Fontolo (poster sans), Teratur (trekkie font), Hallows (pointy Halloween typeface), The Future, Legend, Asman Script, Trying Brush.
Typefaces from 2018: The Shift (a modular monoline sans), Irisan, Boya (minimalist rounded sans), Lonjong, Akur, Tebal, Lhove, Bunga, Grand Pix (art deco), Balle (thin sans), Tulisan (signature font).
Andi Aw Masry
Andi Imam Rosady
Anthonie Van Hayu
Kabaro, Soppeng and/or Labokong, Indonesia-based designer of the squarish typefaces Kardust (2019) and Kardust TS Condensed (2019), the monoline geometric sans typeface Shadeerah (2019) and the cursive fonts Lambola (2019) and Syifa (2019). [Google] [MyFonts] [More] ⦿
Azetype (or: Azet Media Co.)
Typefaces from 2019: Sister Times (script), Novah (all caps sans), Right Times, Ghost Brush (dry brush), Jungle Bloods, Hype Quarter, Ever Looser (brush style; free), Sillli Willinn, Dolato de Stato (dry brush), Minnie Queen, Awkward Alone, Aligantis (a great rythmic script), South Celebes, Wedding Ampersand, Hai Angellica, Lucy Black (dry brush), Oops Kidos, Right Gilligant, Jetta Kloots, Rwanda Tyler, Get Lost, Lost Rock, Sterling Heights, Authentic Handwritten (a signature font), Stay Young, Fibonacci Journey. Aka Azetype 86. [Google] [MyFonts] [More] ⦿
Masry made the connected script typeface FmiringCampotypeOne (2008), the Lontara Bugis script typeface OgieCappo Campotype (2008) and the angry typefaces Rambat Campotype (2008) and Creator Campotype Smcp (2008).
In 2011, he went commercial at MyFonts. His first commercial font was the angular italic typeface Slantblaze Pro (2011). This was followed by the fat finger typeface Geegantic Black (2011) and the tattoo font Creator Campotype (2011).
Communication&Multimedia Design at the NHL University in Leeuwarden, The Netherlands. Indonesian creator of beautiful lettering in his Maluku poster (2011). Maluku is the local word for Moluccan, referring to the island group situated between Celebes, the Phillippines, New Guinea and Timor. It is part of Indonesia.
Dexsar Harry Anugrah
Erde Graphic Design (or: Erde Studio)
Watampone, South Sulawesi-based designer (b. 1995) of the script typefaces Billistone (2019), Zakiyah Script (2019), BeaQueen Script (2019: monoline), Athika (2019), Holmes Signature (2019) and Claudya (2019), the dry brush typeface Grotters (2019), the monoline script American Lemon (2019), the creamy display typeface Quacker (2019), the vintage typeface Brattlies (2019), and the modular monoline display sans typeface Holmes (2019). Creative Fabrica link. [Google] [MyFonts] [More] ⦿
Ezza Adhreza Brahma
Based in Bandung, Indonesia, Adhreza Brahma (b. 1987) is a typographer and illustrator. At Dafont, one can download Barbarossa (2013), Libre (2013, bilined typeface), Variol (2013), Attic (2009) and Vol (2009). The last two are (incomplete) techno fonts. Bite of Crab (2010) is a monoline octagonal shell. Angled (2013) is a futuristic typeface inspired by traditional letter from Makassar, Indonesia called Lontara. Bite of Crab (2013) is a modular octagonal typeface. Wallflower (2013, free) is a headline sans typeface. Nocte (2013) is a free gothic condensed sans typeface.
Typefaces from 2014: December, Kandel (a great layered typeface in Regular, Bevel and Inline versions), Jingga, Expatriate (a compass-and-ruler typeface), Father (vintage signage face, with 3D and Distort styles).
In 2015, he designed Puna (copperplate), Nawaitu (signage typeface), Tresno (a curly brush script), Mementomori (a modern blackletter), Gulana Slab Serif, the piano key typeface Zaun, and the 7-style vintage typeface family Sonten, which comes in 3D, Bevel, Contour, Deboss, Outline, and Shadow forms.
Typefaces from 2016: Hujan (a fun calligraphic printed typeface), Canda, Canda Script, Ririwa (evil ghost: a wonderful scary ink splatter font).
Typefaces from 2017: Oun (a vernacular blackletter typeface inspired by the Khmer alphabet).
Fajry Al Fatih
During her studies in Jakarta, Indonesia, Gabriela E. Tanizaal created the curly typeface Lentiq (2014), which is inspired by a traditional ceremonial coat from Toraja, South Sulawesi, Indonesia. [Google] [More] ⦿
Jason Glavy, who lives in Yokohama, runs Glavy Fonts. He has created some free fonts: JG Lepcha (2001, a South asian language font), JG Chantabouli and JG Sasettha (cleaned up and extended unicode vesions of Sasettha and Chantabouli fonts created by John Durdin), JGAksaraBali, JGBasicLao, JGChamVer2, JGChamCambodia, JGChamVN, JGChantabouliLao, JGHurufJawaSanskrit, JGLaoOldArial, JGLaoOldface, JGLaoTimes, JGSoyombo (Tibetan), WL-LatinIPATimes. He used to have a bunch of Japanese fonts on his web site, including his Jindaimoji series. He also created three fonts for Makassarese/Buginese. At some point, he was associated with Saronix Japan. His Hmong page had JGCwjmemFinalVersion, JGCwjmemSecondVersion, JGCwjmemThirdVersion, JGNaadaasFinalVersion, JGNaadaasSecondVersion, JGNaadaasThirdVersion, JGPahawhFinalVersion, JGPahawhSecondVersion, JGPahawhSourceVersion, JGPahawhThirdVersion, JGPuajTxwm, all made in 2002: of these, the Pahawh series is original, while Cwjmem and Naadaas are improvements of other fonts. West African fonts designed by him: JGBassaVahHandwriting, JGBassaVahPrint, JGBete, JGKpelleA, JGKpelleB, JGNKo, JGVaiA, JGVaiB, JGVaiC. These fonts are well researched, and are based on drawings and findings by Dalby, Dr. Welmer, and Jensen. Some of Glavy's fonts for other languages: JGBasicLao, JGChamCambodia (1998), JGChamVN (1998), JGChantabouliLao, JGHurufJawaSanskrit (2001), JGLaoOldArial, JGLaoOldface, JGLaoTimes, JG Lepcha (2001), JGSoyomb (2001). See also SIL's Mingzat (2019) for the Lepcha language of South asia, wich is based on JG Lepcha. [Google] [More] ⦿
Located in Makassar, Indonesia, Hasrullah Design created the vintage (hipster) overlay typeface family Retro Pop and the retro signage typeface Scripter in 2014. These typefaces can be bought via Creative Market and Graphic River. [Google] [More] ⦿
Makassar, Indonesia-based designer (b. 1995) of Botdoh Script (2016), Hallelujah (2016, brush script), Zephan (2016, calligraphic font), Antebras (2016, a brush script with over 1000 glyphs and ligatures) and Fundamental Script (2016).
Typefaces from 2017: Kindentosca (handwriting), Welinedion (brush script), Bethadyn, Bawakaraeng, Bidaq, Bidaq Brush, BisQuid (signage script), Nestle (retro script), Quixo (a didone not to be confused with Griesshammer's 2010 typeface FF Quixo), Hallelujah, Demotia, Look.
Typefaces from 2019: Antebas (a sans for Latin, Greek and Cyriilic), Belista (font duo), Herbit (a hand-crafted sans family), Cabrion (a sans family), Malino (a low contrast humanist sans family with very open counters).
Omniglot's page on the Lontara and Makasar alphabets. I quote: The Lontara and Makasar scripts are descended from the Brahmi script of ancient India. The name lontara derives from the Malay word for the palmyra palm, lontar, the leaves of which are the traditional material for manuscripts in India, South East Asia and Indonesia. It is used to write Buginese, Makasar and Mandar, Austronesian languages spoken on the Indonesian island of Sulawesi. [Google] [More] ⦿
Creator of the free logo font Dipanegara (2012), DHF Broffont Script (2012), the hand-printed DHF Semangat 2012 (2012), and the pretty hand-printed typefaces DHF Quinta's Diary (2012) and DHF Happy Birthday Ryan (2012).
In 2013, he added DHF Story Brush, DHF Milestone Script (a tattoo script available from 123 Creative), DHF Dexgraffiti Return and DHF A Great Happiness (hand-printed), Roverd (signage script), Story Brush (brush face), Broffont Script (retro signage script).
Makassar, Indonesia-based designer (b. 1991) of these script and hand-crafted typefaces in 2019: Gellato Rush (a signature script), Sepagetty, Andi Signature, Attention Script, The Lullabies, Believa, Ambition, Lompo. [Google] [More] ⦿
Panritype Studio (or: Panrita Studio)
Known as Fajry Al Fatih and Khaidir Fajry. Bulukumba, South Sulawesi, Indonesia-based designer of the fat finger fonts Rayville (2019), Gietha Script (2019), Janille (2019), Gothenstone (2019), Sunshine Lollipop (2018) and Babyground (2018), the script typefaces Bengawan (2019) and Summer Skyline (2019), the monoline typeface Bill & Jack (2019), and the calligraphic typeface Qeysha Script (2019). Creative Fabrica link. [Google] [MyFonts] [More] ⦿
Wajo, Indonesia-based designer of the script typefaces Hello Sunday (2019), David+Sovhie (2019: calligraphic), Heydhar (2019: dry brush), Bellandha (2019), William (2018), Seventeen (2018), Amarilis Script (2018) and The Queenthine (2018). [Google] [More] ⦿
Makassar, Indonesia-based designer (b. 1984) of the futuristic typeface Umbrellast (2018), the signature script Nur Syafina (2018), and the brush script typefaces The Travelista (2018) and Artdraws (2018). Typefaces from 2019: La Aladdins, Always (hand-crafted). Behance link for Typemacz. [Google] [More] ⦿
Up Font Studio
Sungguminasa, Indonesia-based designer of the script typefaces Attasey (2019) and Khillua Zoldyck (2019), the straight-edged typeface Demiurge (2019), the rhombic typeface Shalltear (2019: inspired by the tradiational Bugis-Makassar script) and the the molecular typeface Megumin (2019). [Google] [More] ⦿
Creative director in Makassar, Indonesia. In 2017, he designed the marker pen script typeface Fontierra, and the Hindi simulation typeface Mawumeree. In 2018, he designed the great signage script typeface Alamark and Midellion. Graphicriver link. [Google] [More] ⦿