TYPE DESIGN INFORMATION PAGE last updated on Wed Jan 29 16:49:15 EST 2025

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LUC DEVROYE

ABOUT

RMU (Ralph Michael Unger Typedesign) [Ralph Michael Unger]

Ralph M. Unger (b. 1953, Thuringia, East Germany) says this about himself at MyFonts: Typesetter from the composing stick via Linotype setting machines to the Mac. Jobs in various Thuringian printeries. Barred further education by Communist authorities due to political reasons. Imprisoned in East Germany. Since 1988 in the state of Baden-Wuerttemberg, former West Germany. Jobs in several newspaper printing houses as advertisement compositor. Own office since 1995, in Aalen, Baden-Wuerttemberg. He lives in Schwaebisch Gmuend, and was a freelance type designer for Profonts and URW++, where he contributed frequently to their libraries between 2002 and 2009. In 2009, he founded RMU. MyFonts link. I split his contributions into two groups, the URW / Profonts group, and the RMU group. The prefix FontForum refers to a subseries of URW++ fonts. Unless specifically mentioned, all the following fonts are at URW++ and/or Profonts:

• FontForum Admiral Script (2005): revival of Middleton's Admiral script from 1953.
• Amitié (2009): a garalde family.
• Arabella Pro (2006): after the script by Arnold Drescher from 1936, published at Joh. Wagner.
• Fontforum Atrament (2006): architectural lettering. Do not confuse with a Suitcase Type Foundry font from 2003 by the same name.
• Atze (2010): a comic book family.
• Behrensschrift D (2007): after the jugendstil typeface Behrens Schrift, 1902, by Peter Behrens.
• FontForum Bernhard Script (2005): after Bernhard Script from the 1920s.
• Bradley (2005): blackletter, after the original by William H. Bradley.
• Breite Kanzlei (2007).
• Breitkopf Fraktur (2003): after the original by Johann Gottlob Immanuel Breitkopf, done in 1793.
• Brocken (2011) is a signage typeface inspired by a design of Volker Küster (1960s).
• Profonts Bureau (2010, Profonts): a minimalist rounded sans family.
• FontForum Calypso (2005): a revival of Roger Excoffon's Calypso (1958).
• Card Pro (2006): a decorative display based on Ella Cursief (1916, Sjoerd Hendrik de Roos, Lettergieterij Amsterdam).
• Chaweng (2006, Profonts): an oriental all caps simulation face.
• Civilite URW (2005).
• Compliment (2004, casual script). Based on a 1965 script by Helmu Matheis for Ludwig & Mayer.
• Cranach (2007): a blackletter typeface modeled after Kuenstler Gotisch from the Krebs Foundry.
• Dominante (2007): a serif family based on Johannes Schweitzer's font by that name, 1959.
• Dominique (2010, profonts): an informal typeface.
• FontForum URW Ecsetiras (2005): revival of Ecsetirás (Zoltan Nagy, 1967, a brush face).
• Edda Pro (2008). An art nouveau typeface that revives a Heinrich Heinz Keune typeface from 1900.
• Energia Pro (2008, Profonts): connected monowidth script, based on Arno Drescher's Energos from 1932.
• Estro (2003, Western lettering). Seems close to Nebiolo's Estro from the 60s.
• Eurobrush Pro (2007, Profonts): handwriting.
• EuroSans (2008).
• Euroscript Pro (2006, Profonts): school script typeface based on his own handwriting.
• Flashes (2007): a revival of Crous-Vidal's Flash, 1953.
• Fox (2007): a brush script based on W. Rebhuhn's original from the 1950s.
• Gamundia (2010): a calligraphic copperplate script inspired by Excoffon's Diane.
• Ganz Grobe Gotisch (2006): a fat blackletter modeled after the original by F.H.E. Schneidler.
• Gmuender Elan Pro (2011) is a 1950s style script face.
• Gradl Nr 1 (2008): based on hand-drawn art nouveau upper case characters by M. J. Gradl, ca. 1900.
• Graphique Pro (2008): shaded caps face, based on Graphique, which was originally created by Swiss designer Hermann Eidenbenz in 1945, and issued as hot metal font by Haas'sche Schriftgießerei. See also New Graphique Pro (2011).
• Handel Slab (2009): a 6-style extension of Trogram's 1980 typeface Handel Gothic.
• Hanseat (2010): a grotesque family done at Profonts. It was heavily inspired by Germany's official DIN 1451 Engschrift.
• Iova Nova (2007): based on Jowa Script, designed by J. Wagner in 1967.
• Profonts>Impression (2008): art deco.
• Jessen Schrift (2004): after the Rudolf Koch blackletter typeface by that name.
• FontForum URW Konzept Pro (2005): revival of Konzept (1968, Martin Wilke's handprinting face).
• Legende (2002): a script typeface based on the original typeface of Friedrich Hermann Ernst Schneidler (1937).
• Leipziger Antiqua. The original Leipziger Antiqua by Alfred Kapr at Typoart dates from 1971 until 1973. The digital version of Leipziger Antiqua was developed by Ralph M. Unger in 2005.
• Manuskript Antiqua (2005): after Oldrich Meinhart's Manuskript Antiqua.
• The Maszynysta family of heavy industrial sans typefaces (2010) have a textured style (Struktura), a Shadow, and a plain Roman.
• Maxim (2003, Profonts): The heavy brush typeface Maxim was originally designed by Peter Schneidler in 1956 for the Bauer foundry.
• New Bayreuth (2008): after Friedrich Hermann Ernst Schneidler's Bayreuth from 1932.
• Old Borders and Lines (2010). A free font.
• Ornella (2008): Jugendstil.
• Peter Schlemihl (2008, Profonts): a revival of a blackletter by Walter Tiemann.
• Pedell (2009): a casual script.
• Polo (2002): a brush face modeled after Carl Rudolph Pohl's Polo (1960).
• In 2012, Ivana Koudelkova co-designed the grungy headline typeface Retroactive Pro with Ralph M. Unger at Profonts.
• Fontforum Rhapsody (2006): a revival of Ilse Schüle's rotunda face.
• Roberta (2003): art nouveau typeface after obert Trogman's typeface for FotoStar.
• FontForum Signs and Symbols (2006).
• Splendor (2009): a revival of a brush script typeface by Wilhelm Berg, Schriftguss, 1930. See also Splendor Pro (2014).
• Sportowy (2009): an outline face.
• Stanford (2011). A sports lettering face.
• Stiletto (2006): a medieval script.
• Fontforum Stripes (2007): a multistripe op art display typeface based on a Letraset font from 1973 by the same name.
• Fontforum Thalia (2006): retro font.
• Tintoretto (2006): shadow display face based on an origonal by Schelter & Giesecke.
• Tip Top Pro (2008): a Julius Klinkhardt art nouveau typeface revival.
• FontForum Unciala (2005): a revival of Oldrich Menhart's typeface Unciala (1953, Grafotechna).
• Unger Chancery (2005).
• Unger Script (2003): based on H. Matheis' Slogan typeface designed for Ludwig&Mayer in 1957.
• Veltro (2007): after a 1931 original by G. da Milano at Nebiolo.
• Profonts Woodpecker (2008).

• Affiche (2017). A revival of Helios Reklameschrift of the Klinkhardt foundry.
• Aldo Manuzio (2017). After a house typeface from 1897 by Schelter&Giesecke.
• Amati Pro (2010): after Georg Trump's condensed didone face, Amati, 1951.
• Antiqua Florenz (2021). A revival and extension of Paul Zimmermann's Antiqua Florenz (1960, Ludwig & Mayer), which is based on Venetian romans.
• Avus Pro (2012). A sans family that extends Gert Wunderlich's Maxima (1970).
• Baroque Pearl (2016). A pearly typeface that revives Peter A. Demeter's Fournier Geperlt (1922, Schriftguss).
• Behrens Kursiv (2013). After a 1906 original by Peter Behrens.
• RMU Belvedere (2020). A revival of Heinrich Wieynck's art nouveau / fin-de-siècle typeface Belvedere (1906, Bauer).
• RMU Bison (2020). A revival of Julius Kirn's brush script Bison (1935-1938, C.E. Weber).
• Bernhard Blackletter (2016). After Lucian Bernhard's extrafette Bernhard Fraktur (1921).
• Bernhard Cursive Extra Bold (2010).
• Borghese (2015). An art nouveau font after a Schelter & Giesecke original from 1904.
• Borgis Pro (2012). A Clarendon-style text family.
• Boulette (2015, a fat creamy script).
• RMU Bowery (2019) A revival of Old Bowery (1933, ATF)).
• Bravura Pro (2013). After G.G. Lange's Publica.
• Bricklayers (2012). An original fat slab display face.
• Brillant (2009): art nouveau and ultra heavy.
• Butti (2011). A script family paterned after Fluidum (1951, Alessandro Butti, Nebiolo).
• Cable Condensed (2014). Based on Koch's Kabel.
• Caesar Pro (2011). A flared sans typeface after Caesar Schrift (1913, Georg Schiller, C.F. Rühl).
• Capitol Pro (2012). An art deco typeface based on Capitol (Karl Hermann Schaefer for Schriftguss, 1931).
• Carina Pro (2017). A calligraphic script typeface based on Rautendelein (1929, Schriftguss).
• Carla Pro (2013). A broad-nibbed script modeled after Ballantines Script (Elsner & Flake, 1974; see also Ballantines Serial by SoftMaker).
• Carlsbad (2018). A couple of art nouveau typefaces based on originals from 1895 by H. Berhold called Regina Cursiv and Hansa Cursiv.
• Caslon Gotisch (2009): after the original by William Caslon from 1763.
• Celebration (2009): blackletter.
• Circensis (2016). A Western circus font based on a concept of Fritz Richter.
• Claudius (2010): after a 1937 blackletter font at Klingspor.
• Constanze Pro (2012). A light cursive typeface based on Constanze (1954, Joachim Romann, Klingspor).
• Contact Pro (2010): after Contact, a 1963 font by Helmut Matheis.
• Dante Alighieri (2018). Based on a Schelter & Giesecke original.
• Daphnis (2016). A revival of Daphnis (1929, Walter Tiemann).
• Deutschmeister (2017). A textura blackletter typeface after Deutschmeister by Berthold Wolpe for Ludwig Wagner in 1934. (Some dispute that Wolpe made this font.)
• Diamant Pro (2012). A transitional serif face.
• Emilia (2016). Based on Weiss Antiqua (1928) by Emil Rudolf Weiss.
• Neue Echo (2016). Based on Echo for Schriftguss.
• Elbflorenz (2020). A revival of Albert Auspurg's display typeface Miami (1934, Schriftguss).
• Emilia Gotisch (2016). After Weiss Gotisch (1936) by Emil Rudolf Weiss.
• Emilia Fraktur (2021). A revival of Emil Rudolf Weiss's Weiss Fraktur (1913).
• Erler Titling (2015). After Erler Versalien (1953, Herbert Thannhaeuser for Typoart).
• Eurotech Pro (2011): a slabby techno family.
• Faulkner Pro (2011): a connected heavy signage script based on Alan Meeks's Kestrel.
• Fette Kanzlei (2019).
• Fette Unger Fraktur (2010).
• Fichte Fraktur (2020). After Walter Tiemann's Fichte Fraktur (1934).
• Fontanesi RMU. An ornamental caps typeface that revives Aldo Novarese's Fontanesi (2018).
• Forelle Pro (2010): after the original Forelle script typeface by Erich Mollowitz, 1936.
• Frankenberg Pro (2012). An antique script face.
• Gabor Pro (2014). A connected copperplate script.
• Gaby Pro (2017). A revival of Hans Möhring's script typeface Gabriele (1938 or 1947, C.E. Weber).
• Garamond Antiqua Pro (2015).
• RMU Gilgengart (2020). A revival of Hermann Zapf's Fraktur font Gilgengart (1938).
• Gillray Pro (2015). A copperplate script after Hogarth Script (by Harald Bröder for Typoart).
• RMU Gloria (2019). After Gloria (1898, Emil Gursch).
• RMU Gong (2020). Based on Arno Drescher's Super Grotesk Schmalfett first released in 1933 at Schriftguss.
• Gmuender Gravur (2011). A 3d shadow face. Gmuender Antiqua Pro (2015) is influenced by the metal font Imprimatur (1952-1955, Konrad F. Bauer and Walter Baum). Gmuender Kanzlei (2018) is a blackletter typeface.
• Goethe Fraktur (2022). A revival of a blackletter typeface by Wilhelm Woellmer (1905).
• Gravira (2021). A revival of Herbert Thannhaeuser's Gravira, released by Schelter & Giesecke in 1935 .
• Haenel Antiqua (2020, based on a 19th century antiqua by Eduard Haenel) and Haenel Fraktur (2011, after Haenel Fraktur, ca. 1840).
• Hanse Textura (2020). A revival of a textura by Hermann Zapf.
• RMU Helion (2020). A revival of the 3d titling typeface Helion (1935, Arno Drescher for Schriftguss Dresden).
• RMU Herkules (2019). After a late 19th century font by Bauer and Berthold called Reklameschrift Herkules.
• Hoelderlin (2018). After Eugen Weiss's Hoelderlin blackletter font (1937).
• Hoyer Script (2017). After Hanns Thaddeus Hoyer's Hoyer Schoenschrift (1939, Stempel).
• Hupp Fraktur (2016). After Otto Hupp, 1911.
• Impuls (2010): a brushy typeface based on Paul Zimmermann's Impuls (1945).
• Initials RMU One (2012) consists of revivals of Rudhardsche Initialen (Otto Eckmann, ca. 1900) and Walthari Initials (ca. 1900, Rudhardsche Giesserei). Initials RMU Two (2012) consists of revivals of Jubilaeumsinitialen (by Bauersche) and Augsburger Initialen (by Peter Schnorr, 1901).
• Jean Paul Fraktur (2021). A revival of Breitkopf's Fraktur font Jean-Paul-Schrift (1798).
• Jobs Gravure (2011). It had to happen---a few days after Steve Jobs' death, Unger released the beveled engraved typeface Jobs Gravure, which is an extension of Trump Gravur (1954, Weber).
• Jolly Polly (2012): a curly non-connected script face.
• Kis Antiqua Pro (2018). A revival of Hildegard Korger's Kis Antiqua at Typoart.
• Kleist Fraktur (2010): after Walter Tiemann's original.
• Kompress Pro (2013). Two compressed sans typefaces.
• RMU Kontrast (2021). An art deco typeface that revives Kontrast (1930, F.H.E. Schneidler at Weber).
• Koralle RMU (2018). A revival of Schelter and Giesecke's Koralle (1915).
• Korpus Pro (2014). A text typeface family. Followed later in 2014 by Korpus Sans Pro.
• Korpus Serif Pro (2021). A revival and extension of Timeless (Typoart) that covers Greek, Latin and Cyrillic.
• Leibniz Fraktur (2012) is modeled after the famous Genzsch & Heyse blackletter font.
• Lenbach (2021). Inspired by a German font from the Victorian era.
• Liliom Pro (2012). A beautiful fat didone typeface based on an original from the Fonderie Française.
• Lipsia Pro (2011). An angular serif family.
• Literatura Pro Book (2012).
• Litfass (2021). A revival of an art nouveau font by Flisch.
• Lutetia Nova (2014). A fresh two-style take on Jan van Krimpen's Lutetia (1924).
• RMU Luchs (2021). A redesign of Jakob Erbar's inline all caps art deco font Lux (Ludwig & Mayer, 1929).
• Luxor Pro (2010): a Victorian/Western display face.
• Lyrica (2014). A revival of the informal blackletter typeface Lyrisch (1907, Georg Schiller).
• RMU Magnet (2021). A redesign and revival of Magnet (1951, Arthur Murawski at Ludwig & Mayer).
• RMU Manolo (2019). Based on the art nouveau typeface Manolo (Ludwig & Mayer).
• Manutius Pro (2012).
• Meister Antiqua (2011, +Bold, +Book). A Typoart original from 1951 in the tall flared ascender serif genre, revived and extended.
• Mitropaschrift (2016). An octagonal original.
• Mobil Pro (2011). A semi-script typeface in the fifties style of Matheis.
• Monument (2010): a 3d shadow roman caps face created after Oldrich Menhart's Monument.
• Narziss (2018). A revival of Walter Tiemann's Narziss from 1921.
• RMU Neptun (2021). A revival and extension of the art nouveau typeface Neptun by Aktiengesellschaft fuer Schriftgiesserei und Maschinenbau, Offenbach.
• Neue Kurier (2011). Typoart's popular signage script font in a new, completely remastered version.
• Neue Muenchner Fraktur (2010).
• Neue Schwabacher (2021). After Albert Anklam's Neue Schwabacher (Genzsch & Heyse, 1876).
• Neue Thannhaeuser (2011).
• Old Towne Pro (2010): a Western font.
• RMU Omega (2020). After Omega, an art deco typeface by Friedrich Kleukens at Stempel in 1926.
• Orbis Pro (2016). A revival of Walter Brudi's shadow typeface Orbis (1953, Stempel).
• Orplid Pro (2019). a layerable typeface that revives and extends Hans Bohn's all caps Bauhaus era typeface Orplid (1929).
• Parcival Antiqua (2016). A revival of Parcival Antiqua (1926, Herbert Thannhaeuser).
• Parfum (2013). A low x-height script that was inspired by Howard Allen Trafton's Quick (1933, bauer).
• Parler Fraktur (2018). A revival of Friedrich Poppl's Poppl Fraktur.
• Parler Gotisch (2011). A blackletter face.
• RMU Pittoreske (2019). A decorative Victorian typeface.
• Plastica Pro (2015, a chiseled typeface inspired by a J. Lehmann design).
• RMU Pergola (2021). A vintage shadow typeface inspired by a late-19th century font of Georg Giesecke.
• Post Fraktur (2014) and Postillon (2014). After Herbert Post, 1933-1937.
• Primana Pro (2012). A seductive geometric grotesk family.
• Prinzess Gravur (2010): a blackletter typeface modeled after Prinzeß Kupferstichschrift (1905, Berthold).
• Prisma Pro (2011). Revival and extension of Rudolf Koch's multiline typeface Prisma (1931).
• Reklame Fraktur (2016). After Reklame Fraktur by Albert Christoph Auspurg, 1914.
• Reflex Pro (2018). All caps, with an inline style.
• Reznicek Pro (2011) is a post-Victorian pre-art nouveau typeface named after Ferdinand von Reznicek (1868-1909), one of the leading artists and illustrators of those times.
• Rekord Antiqua (2020). A revival of the art nouveau era text typeface Rekord Antiqua (1911, Wagner & Schmidt).
• Rhythmus Pro (2016). After a Schriftguss AG and Schelter&Giesecke original grotesk, and extended to cover Cyrillic.
• Ridinger Std (2012). Based on Riedingerschrift (Franz Riedinger, 1906, for Benjamin Krebs Succ.).
• Ronde Pro (2011): roundhand script.
• Royal Grotesque (2021). A revival of Wotan by Wagner & Schmidt, 1914. Did this typeface become RMU Royal Sans (2022)?
• Salzmann Fraktur (2019). A revival of Max Salzmann's blackletter font released by Schelter & Giesecke in 1912.
• Saskia Pro (2016). Revival of Jan Tschichold's Saskia (1931, Schelter & Giesecke).
• Schmale Anzeigenfraktur (2009): based on Koch's Schmale Deutsche Anzeigenschrift, 1923, Klingspor.
• Schmale Mediaeval (2020). Based on Schelter & Giesecke's Schmale Mediäval (1840).
• Schmuckinitialen (2009): an ornamental caps typeface in the art nouveau style based on Walthari Initials [Walthari (1899, Heinz König for the Rudhard'sche Giesserei) in the upper case and Eckmann Initials (ca. 1900, by Otto Eckmann, Germany's chief art nouveau type designer) in the lower case].
• Schreibmeister (2021). Ralph's interpretation of Arno Drescher's formal cursive typeface for Ludwig Wagner (1958, Leipzig).
• Schwabacher Book (2013).
• Sebaldus (2019). A heavy blackletter typeface, after Sebaldus Gotisch (1926, H. Berthold).
• Senatsfraktur (2020). After Friedrich Bauer's Senats Fraktur done in 1907 for Genzsch & Heyse.
• Concordia (2020). A revival of Sensation Schmalfett (1914, Heinrich Hoffmeister).
• Siegfried Pro (2017). A revival of the art nouveau typeface Siegfried (1900, Wilhelm Woellmer).
• RMU Skizze (2021). This revives Walter Höhnisch's script typeface Skizze (1935, Ludwig&Mayer).
• Staxx Pro (2013). A prismatic typeface.
• Staufer Gotisch (2015). An engraved blackletter typeface modeled after Herbert Thannhaeuser's Hermann Gotisch (Schriftguss, 1934).
• Steinschrift Pro (2015). A single style condensed sans serif.
• Sylphe Pro (2019). A vintage script font that revives Schelter & Giesecke's Isabel (not Sylphide, as claimed by him).
• Tablica (2017). After Karl-Heinz Lange's DDR telephone directory font Minima (1984).
• Thannhaeuser Fraktur (2013) is a redesign of Typoart's Thannhaeuser Fraktur.
• Thomasschrift (2014). A rustic typeface that revives and extends Thomas-Schrift by Friedel Thomas (1957-1958, Typoart).
• Titanschrift (2011). A yummy soft and fat display face.
• Tombola (2018). After an alphabet from the 1920s by Otto Heim.
• RMU Trianon, renamed RMU Trifels (2020). After Heinrich Wieynck's Trianon (1905, Bauersche Giesserei).
• Trocadero Pro (2010): an extension and revival of Trocadero Kursiv, 1927, Albert Auspurg, Trennert.
• Troubadour Pro (2010): In Medium and Engraved styles.
• Trump Deutsch (2011): a blackletter face, after the 1935 original by Georg Trump.
• Trybuna (2013). Based on Herbert Thannhaeuser's Liberta Antiqua (1958), but completely redrawn.
• Turnier (2019). A revival of G.G. Lange's derby (1952-1953).
• Tyton Pro (2013). A brush script after Heinz Schumann's famous 1964 Stentor.
• Typoskript Pro (2010): a revival of Hildegard Korger's Typoskript, first done at TypoArt in 1968.
• Unger Fraktur (2010): after a 1793 design by Johann Friedrich Unger; includes fett and mager.
• Walbaum Antiqua Pro (2013). A revival of Justs Erich Walbaum's didone classic.
• RMU Wallau (2019). After Rudolf Koch's rotunda typeface Wallau (1926-1934).
• Werbedeutsch (2021). A revival of the blackletter typeface Buchdeutsch (Ernst Schneidler, 1926).
• Wieynck Fraktur (2019). after Heinrich Wieynck's Wieynck Fraktur (1912).
• Wieynck Gotisch (2018). After Wieynck Gotisch (1926, Heinrich Wieynck).
• Zentenar Fraktur (2010): mager and halbfett; after the 1937 workhorse by Ernst Schneidler at Bauer.
• Zierfraktur (2010): after Deutsche Zierschrift, an engraved blackletter font that was cut by Rudolf Koch between 1919 and 1921 for Klingspor.

Ralph made some typefaces outside URW/Profonts and RMU, such as Stripes (2014, a prismatic typeface puvlished by Thinkdust).

Klingspor link.

View Ralph M. Unger's typefaces.

EXTERNAL LINKS
RMU (Ralph Michael Unger Typedesign)
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Klingspor Museum page
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INTERNAL LINKS
Blackletter fonts ⦿ Type designers ⦿ Type designers ⦿ Western fonts ⦿ Celtic/Gaelic fonts ⦿ Dingbats (original) ⦿ Oriental simulation fonts ⦿ Handwriting fonts ⦿ Wood Type ⦿ Brush script typefaces ⦿ Architectural lettering/typefaces ⦿ Art Nouveau typefaces ⦿ Art deco typefaces ⦿ German type scene ⦿ Ornamental caps typefaces ⦿ Comic/cartoon fonts ⦿ Commercial fonts (small outfits) ⦿ Victorian typefaces ⦿ Signage typefaces ⦿ Civilité ⦿ Athletic lettering faces ⦿ Modern style [Bodoni, Didot, Walbaum, Thorowgood, Computer Modern, etc.] ⦿ Chancery hand, cancellaresca ⦿ Copperplate ⦿ Uncial typefaces ⦿ Prismatic typefaces ⦿ Rotunda / Rundgotisch ⦿ Ronde (Rondo, Rundschrift): Upright scripts ⦿ Op-art Typefaces ⦿ Caslon ⦿ Clarendon ⦿ Garalde or Garamond typefaces ⦿ Octagonal typefaces ⦿ Fournier ⦿ Textura ⦿ Calligraphic typefaces ⦿ Curly typefaces ⦿ Circus fonts ⦿ Telephone directory typefaces ⦿ Bauhaus and type design ⦿ Typefaces based on Nicolas Kis's work ⦿ Chiseled fonts ⦿ Bastarda / Bâtarde / Schwabacher ⦿