TYPE DESIGN INFORMATION PAGE last updated on Thu Mar 4 16:06:20 EST 2021
FONT RECOGNITION VIA FONT MOOSE
FontStructor (perhaps Dana Ramond Kaikane Stoneman of Hockey Shark Productions) who made these fonts in 2011: Burlesque (Art deco), Tebacabi (squarish), Stretched Out, Winter Wind, Theory (texture face), Theory Improved, Elite (gridded), Continuum, Quilted Silk (squarish textured face), What (texture pixel face), Freaky (tall condensed square face), Jordan, Slob, Ertite (pixelish), Dictator (pixel face), Duh Pixels (pixel face), Ribbon, Twee, Best Love Song, Bolderic, Sliders, Slapshot, Sloppy Sketcher, Serifereal Vision, Pieramids. [Google] [More] ⦿
AArrgghh! Typefaces used to offer shareware fonts by Jonathan Smith (Cleveland, OH) of Rhode Island Soft Systems: New Land Contour, All-Hearts, Bunny-Lips, Confetti, El-RioLobo (1993, Mexican simulation face), Elbjorg-Script, Essential-Times, Firey, Glifik, Gyptienne (hieroglyphics), Hero-Outline, Hirosh (oriental simulation face; an exact copy of Sukiyaki, made in 1968 by Gene Eidy for Lettergraphics International), Ice-CreamSandwich, Ice-Snow, Made-InTheUSA, New-LandContour, New-LandInline, New-LandOutline, New-LandSport, Ol'54, Planetz, Porter-Lil'Kaps (gorgeous late night show display font), Religious, RockArt, Spider-WebBlock, The-Score, Wet-Paint.
Hieroglyphic fonts made before 2004 include RK-Meroitic-(Demotic), Nahkt, RK-Sanskrit, Cartouche, Deities, Archaeological-Demo, Egypt0, LMSEgyptianBookends, Lotusflower, RK-Meroitic-(Hieroglyphics), RK-Meroitic-Transscript, Papyrus, ScarabBorder, Scarab, and TempusSansITC. Ramses EF (2001, Veronika Elsner and Günther Flake) is a hieroglyph simulation font.
A more recent listing of commercial hieroglyphic typefaces: P22 Hieroglyphic (P22), GM Hieroglyphic Kerned (MunchFonts), Witchfinder (Die Typonauten), Ornata F (Wiescher Design), Intellecta Pointers And Hands (Intellecta Design), Vintage Hands (Intellecta Design), H-AND-S (AND), Kasuga (insigne), Kasuga Brush (insigne), Nefertiti (JAB), Troyer AR (ARTypes), Linotype Hieroglyphes (Linotype), Gorod.Khabarovsk (FontCity), Coo Coo (chicken), Skeleton Slab (Studio K), Ornata D (Wiescher Design), Ornata C (Wiescher Design), Ornata E (Wiescher Design), Egyptian Hieroglyphics - The Egyptologist (Deniart Systems), Hieroglyph Informal (Grummedia), EF Ramses (Elsner+Flake), Egyptian Hieroglyphics Basic (Deniart Systems), Border Glyphs (Deniart Systems), Lady Cleo (Solotype), Egyptian Hieroglyphics Deities (Deniart Systems), Fengo (Mostardesign), Han Zi (ParaType), YWFT Illuminati (YouWorkForThem), Thebes (Simeon out West), Egyptian Hieroglyphics – Dendera (Deniart Systems), Alexandria (Simeon out West). [Google] [More] ⦿
Antonio Hernández Marín
The was a commercial site located in West Clinton, Utah, that was run by Scott T. Smith from Clinton, Utah. It had Mayan, hieroglyphs, cuneiform, Syriac, Etruscan, old Greek, old Hebrew and archeological fonts as well as Native American dingbats. [Google] [More] ⦿
Peter R. Wilson's metafont code (2000-2005) for many archaic languages: Proto-Semitic (16bc), Phoenician (10bc), Greek (6bc), Greek (4bc), Etruscan (8bc), Futharc (Anglo-Saxon, 6ad), Hieroglyphics (30bc: the hieroglf provides a Metafont version of about 80 Egyptian hieroglyphs from Serge Rosmorduc's comprehensive hieroglyph package, see here for a type 1 version called Archaic-Poor-Mans-Hieroglyphs (2005)), Cypriot (9bc). Peter also developed metafont fonts for bookhands. The Archaic ollection contains fonts to represent Aramaic, Cypriot, Etruscan, Greek of the 6th and 4th centuries BCE, Egyptian hieroglyphics, Linear A, Linear B, Nabatean old Persian, the Phaistos disc, Phoenician, proto-Semitic, runic, South Arabian Ugaritic and Viking scripts. The bundle also includes a small font for use in phonetic transcription of the archaic writings. The bundle's own directory includes a font installation map file for the whole collection. The authors are Peter R. Wilson, Uwe Zimmermann and Apostolos Syropoulos. See here for the type 1 fonts Archaic-OandS (2005) and Archaic-OandS-Italic (2005). Here we find type 1 versions called Square-Capitals (2005) and Square-Capitals-Bold (2005). He also made the type 1 typefaces Archaic-Etruscan (2005), Archaic-Runic (2005) and Archaic-ProtoSemitic (2005). Further packages of type 1 and metafont fonts: Archaic-Aramaic (2005), South Arabian (2005, for the South Arabian script, in use for about 1000 years from roughly 600 BC; based on a metafont by Alan Stanier), Archaic-Linear-B (2005: a syllabary used in the Bronze Age (15bc) for writing Mycenaean Greek), Archaic-Nabatean (2005: the Nabatean script used in the Middle East between the fourth centuries BC and AD), Archaic-Old-Persian (2005: the Old Persian Cuneiform script in use between about 500 to 350 BC.), Archaic-Ugaritic-Cuneiform (2005: the Ugaritic Cuniform script in use about 1300 BC), Archaic-Cypriot (1999-2005). [Google] [More] ⦿
Barmee.com (was: Czcionki.com, or: Barme Fonts)
Original fonts by Polishman Bartek Nowak (aka Barme, b. 1973) made in 2000-2001: BukwaNormal (Cyrillic), Nokian (pixel font), Passja, Xar, BarmeReczny, Elementarz (orthographic writing for kids) [see also here], Gotyk-Poszarpany (Fraktur, revamped in 2014 as Gotyk Nr 7), Afarat Ibn Blady (Arabic simulation face), Hieroglify, Kobajashi, Kwadryga, Magda (Basque), Maszyna (old typewriter), MaszynaAEG, Nerwus (scribbly, sketchy), Pascal, SecesjaPL (curly font: a revival of Herman Ihlenburg's ultra-Victorian typeface Nymphic, 1889), Zakret, RecycleIt, Sandwich, Keiser Sousa, Manifest.
Font list (with repetitions): 4Mini, BarmeReczny, Elementarz, Fiesta, GotykPoszarpany, GrubaBerta, Hieroglify, KeiserSousa, Kobajashi, Kwadryga, Magda, Manifest-Niski, Manifest, MaszynaAEG, MiniMasa, MiniSet, MiniSter, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki, Pascal, Passja, Premiership, RecycleIt, Sandwich, SecesjaPL, Szablon, Wabene, Xar, Zakret, MiniForma, MiniStrzalki, Miniline, Minitot, Ulisson, Astalamet (2002), Gosford (2002), Volan (2002), Establo, QuatronFat, Infantyl (2002), Quatron (2002), YnduFat (2002), YnduOut (2002).
URL not accessible to my browser (Mac+Firefox).
This site carried these fonts in May 2008: 4Mini, Afarat-ibn-Blady, Astalamet, AstalametPure, BarmeReczny, Cyree, DorBlue, ElementarzDwa, Erton, Establo, EstabloFat, Fiesta, Gosford, GotykPoszarpany, GrubaBerta, Hieroglify, HongKong (oriental simulation), Infantyl, InfantylFat, InfantylItalic, InfantylOut, Jiczyn, KeiserSousa, Kobajashi, Komix, Kwadryga, Lola, Magda, Manifest-Niski, Manifest, MaszynaAEG, MaszynaRoyalDark, MaszynaRoyalLight, MiniBet, MiniForma2, MiniJasc, MiniKongo, MiniLine2, MiniMasa, MiniQuan, MiniQuanMniejszy, MiniSet2, MiniSter, MiniStrzalki, MiniTot, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki-Metro, Opeln2001Szeroki, Pascal, Paskowy, Passja, Quatron, QuatronFat, RecycleIt, Sandwich, SecesjaPL, Sloneczko, Szablon, Tabun, TechnicznaPomoc-Italic, TechnicznaPomoc, TechnicznaPomocRound, Ulisson, Vaderiii, Volan, Wabene, Xar.
In 2011, he established the commercial foundry GRIN3.
Swedish designer born in 1924 in Stockholm. He says of himself: Compositor, Linotype operator, teacher of typography. Type designer in a small matrix factory 1950-51. Calligrapher, book designer, author, lecturer and trade mark specialist. Now retired, but does type design as a hobby and to special orders for museums, ad agencies, companies and even to private persons. His typefaces:
Pelle Anderson interviews Bo Berndal. Bitstream write-up. Agfa/Monotype write-up. Author of Typiskt typografiskt (Fisher and co, 1990). MyFonts page. Linotype page. MyFonts interview. FontShop link. Klingspor link. View Bo Berndal's typefaces. [Google] [MyFonts] [More] ⦿
Kevin Pease runs Cerulean Stimuli in Collingswood, NJ. He created the typefaces Cerulean (2003) and Cerulean Black (2005). Check also his pixel family Fourmat (2004) and the very original card game-inspired Pokeresque (2006).
In 2016, he designed the unicase display typeface family Cerulea for Latin, Greek and Cyrillic. In 2017, he published Walklike, its name referring to the song Walk Like an Egyptian and thus to hieroglyphic influences. He ends 2017 with the balloon font family Glazed. [Google] [MyFonts] [More] ⦿
A shady outfit that published hundreds of fonts in 1994 and 1995 merely by renaming fonts from the major foundries and the shareware circuit. They forgot to change the PostScript names in the truetype fonts, and so we find that Bandy is really BroadbandICGRegular, Digital Display is DigitalICG, Upbeat is JazzPosterICG, Longwood is WainwrightICG, Father is Zirkle, Bitmap is NewGenevaNine, Phantasy Dingbats is Davys Regular, and so forth. You can still buy their CD here (100 truetype fonts for 6USD). To help with this mess, I made a table of equivalences, as culled from the information in the fonts themselves!
Free fonts at Dafont include Bandy, Ghostly and Pharaoh Glyph (hieroglyphic face).
African writing systems. Charts with hand-drawn glyphs. Covers Amharic (Ethiopia), Ethiopic writing system, Mende (Sierra Leone), Meroitic (hieroglyphic-style writing, Meroe people of Sudan), Egyptian writing system, Nsibidi (Ejagham people of Nigeria), Oromo, Vai (West Africa). [Google] [More] ⦿
Dan M. Zadorozny
Designer of wonderful teasing fonts: Alpha Silouettes (three versions), Cherished Teddies. And now, the most exquisite of all erotic fonts, VintageErotique (by Darrian and Itieu), LilGent, DelightfulLilDragons, DarriansSexySilouettes, SexySilouetteStencils, Butterflies by Darrian (dingbat), Hearts by Darrian (dingbat), Equestrian by Darrian (dingbat), EasterGirl, Butterfly Letters, Catstuff (by Glenda Moore and Darrian), Critters by Darrian (dingbat), Lots of Frames (dingbat), DarriansFrames, Buds and Blossoms (dingbat), Dollybat (adult), ElvgrenPin-ups (adult), FloralGarnish, SnowflakeLetters, BatmanandCompany, BeautiesbyBillWard, ButterfliesbyDarrian, ComixCuties, CrittersbyDarrian, CutiesbyCarlos, DarriansFramesTwo, DarriansSexySilhouettes (4 files), Egyptian, FloralGarnish, LatticeLetter, Portrait, Smurf. Since May 2003, the new erotic dingbat fonts (such as Femlin) are no longer free.
During his studies, Logroño, Spain-based David Perez Olarte designed Egyptian (2017, in Colored, Outlined and Background styles) as a modification of Rockwell. Its texture is based on hieroglyphs. [Google] [More] ⦿
Known as James Dene or James Partington. Malaga, Spain-based designer of the hand-crafted typefaces Rune (2018), Calx (2018), Calligraphy Rough (2018), Back to School (2018). In 2019, he published Barleycorn, Atomic, Lost in Space, Centuria (a clean modern sans), Nadir, Geneva, Control, Cosmic, Myrkheim (a Norse or hipster font), Perehilion (a paperclip font), Aphilion (stencil), Equinox (a connect-the-dots typeface), Revolve (hipster style), Ascension, Orion (circle-based), Nova (sci-fi), Voyager (stencil), Black Velvet, Quamir (a hipster sans), Norse Elder Futhark, Interlace (a multiline typeface), Exoplanet, Orson (a serif typeface), Dr Jekyll & Mr Hyde, Sterling, Queen, Horace, Amos (a fashion mag sans), Allegra (serif), Archibald (slab serif), Cuneiform, the medieval typeface Reznor, the blackletter typefaces Griffin, Edgar and Deimos, Matrix, Egyptian Hieroglyph, Elder Futhark and Detective (a fingerprint texture font).
Typefaces from 2020: Horizon, Barleycorn, Ancient Language Package, Perihelion (a paperclip typeface), Maze, Lost in Space, Quick, Assassin, Constantine, Drastica, Grace, Orson, Alistair, Antoinette, Bernard, Edgar, Lila, Anastasia, Angelica, Annabelle, Black Velvet, Centuria, Jinx (hand-crafted). [Google] [MyFonts] [More] ⦿
Great fonts for astrology, hieroglyphics, alchemy and the occult, by Toronto's Jan and Denise Koehler, mostly designed between 1993 and 1995. They moved to Litomerice and then Teplice, the Czech Republic, recently. MyFonts sells the fantastic Meso Americano dingbats, Hypnotica, AlchemySymbols (two fonts), BlackMagick, Border Twins (2010), CastlesShields, Curly Jane (2010), Cubista Geometrica (2010: op art), DaggersAlphabet, Dendera (ancient Egyptian Zodiac symbols), Dragons, Eggnog (2010), Fontazia Floradot (2012), Fontazia Papilio (2009), Fontazia Pop62 (2011, dingbats of flowers), Fontazia AquaFlorium (2010, fishtank dingbats), Fontazia Mazzo (2010, vases), Fontazia Stiletto (2011), Fontazia Y3K (2009, aliens), the Hieroglyph family (dingbats, really), Jolly Jester (2010, curly hand), MagiWriting, Meandros (2010, a paperclip design inspired by the Greek Key, or Fret, motif), Phaistos, Pocket Wrench (2010, octagonal), Polka Dot Wrench (2010), PowersofMarduk, Praha Deco (2010, inspired by the Prague art deco movement), the RongoRongo family (Easter Island script), SkeletonAlphabet, Sublimina, Superchunk, WhiteMagick, Yenda (2010, bold and angular).
List of font packages: Aglab, Alchemy Symbols, American Sign Alphabet, Ancient Writings Vol. 1, Ancient Writings Vol. 2, Angelica, The Astrologer Bundle, Astrologer, Aztec Day Signs, Black Magick, Braille Alphabet, Castles&Shields, Celestial Writing, Celtic Astrologer, Certar, Chinese Zodiac, Coptic Alphabet, Daggers Alphabet, Dendera, Dinosauria, Dragons, Egyptian Deities, Enochian Writing, Egypt. Hieroglyphics Vol 1, Egypt. Hieroglyphics Vol 2, Egypt. Hieroglyphics Vol 3, Egypt. Hieroglyphics Vol 4, Futhark, Greco, Hebrew Basic, Hypnotica, Magi Writing, Magick&Mystic, Malachim Writing, Masonic Writing, Maya Day Names, Maya Month Glyphs, Meso Americano, Meso Deko, Morse Code, Old Persian Cuneiform, Passing the River, Phaistos, Pike's Alphabets, Powers of Marduk, Sanskrit Writing, Semaphore Code, Signals&Signs, Skeleton Alphabet, Sublimina, Tengwanda Gothic, Tengwanda Namarie, Theban Alphabet, The Egyptologist, Tolkien Scripts, WhiteMagick, Skeleton Alphabet, Hebrew Basic, Sanskrit Writing. Note: I cannot find an entry for Jan Koehler at MyFonts, where all Deniart fonts are said to have been made by Denise Koehler. [Google] [MyFonts] [More] ⦿
Partner of Jan Koehler in Deniart Systems, which operated from 1993-2009 in Toronto, and then in Litomerice (Czech Republic). Her typefaces include: Skeleton Alphabet, Sanskrit Writing, White Magick Symbols, Theban Alphabet, Tolkien Tengwanda Namarie, Tolkien Tengwanda Gothic, Sublimina, Semaphore, RongoRongo (a system of glyphs discovered in the 19th century on Easter Island), Powers Of Marduk, Phaistos Disk Glyphs, Passing The River, Old Persian Cuneiform (1995), Morse Code, Meso Deko, Maya Month Glyphs, Maya Day Names, Masonic Writing, Malachim Writing, Magi Writing, Hypnotica, Egyptian Hieroglyphics Basic, Egyptian Hieroglyphics - The Egyptologist, Hebrew Basic, Greco (Greek face), Futhark, Enochian Writing, Egyptian Hieroglyphics - Deities, Medieval Dragons, Dinosauria, Egyptian Hieroglyphics - Dendera, Daggers Alphabet, Coptic Alphabet, Chinese Zodiac Symbols, Tolkien Certar, Celtic Astrologer Symbols, Celestial Writing, Castles&Shields, Braille Alpha, Black Magick, Aztec Day Signs, Astrologer Symbols, Angelica, American Sign Alphabet, Alchemy Symbols, Tolkien Aglab, Fontazia AquaFlorium (2010, fish tank dingbats), Snow Crystals (2010, followed by Snow Crystals 2 in 2012), Star Crystals (2010, more snow-like structures but having 8 instead of 6 axes of symmetry), Karika Swirls (2010), Karika Hearts (2010), Karika Encore (2011), Fontazia Chateaux (2011), Fontazia Chateaux Deux (2011), Fontazia Insomnia (2011), 21 Emmerson (2011), 4 Point Greek Fret (2011: labyrinthine), 4 Point Florals (2011), 4 Point Deco (2011), Mykonos (2011, labyrinthine), Harmonics (2011, a zig-zag face), Fontazia Motyl (2011, butterfly dings), Holiday Penguins NF (2011, Christmas dingbats), Fontazia Christmas Tree (2011), Eggs Galoe (2012, Easter egg font), Border Glyphs (2012, hieroglyphic), Fontazia Christmas Baubes (2012), Fontazia Christmas Tree 2 (2013), Karika Hypnotica (2014, hypnotic or kaleidoscopic glyphs), Symcaps Vario X1, Symcaps Vario X2, Symcaps Vario X3 (2016, op-art design). Klingspor link. [Google] [MyFonts] [More] ⦿
Dick Pape: Dover Pictorial Series
The extensive Dover series by Dick Pape contains about 150 typefaces. The typefaces are numbered and carry these names:
At Shirley J. Rollinson's site in Portales, New Mexico, an archive with Greek, Coptic, Hebrew and dingbat fonts. A sampling: AWI105 (Amien World International), Alex, Altrussisch, AltrussischBold, AltrussischBoldItalic, AltrussischItalic, American-PresidentsSAMPLE, AngloSaxonRunes, AngloSaxonRunes1, AngloSaxonRunes2, Animals, Animals2, AntoniousJJencom, AntoniousJJencomHollow, AntoniousJJencomThin, AntoniousJJencomWide, AntoniousNormal, AntoniousNormalHollow, AntoniousNormalThin, AntoniousNormalWide, AntoniousOLOverLine, AntoniousOLOverLineHollow, AntoniousOLOverLineThin, AntoniousOLOverLineWide, Athenian, Athletes, BSTGreek, BSTHebrew, Basics, CU_SYMBL, CarrAnimalDingbats, CarrArrowsfilled, CarrArrowsoutline, CarrDingbats2, CarrDings, CelticPatterns, ChayaBold, ChemCycles, ChristianCrosses, ClassifiedDingbats, CommonBulletsNormal, Coptic-Regular, Coptic-Regular, CopticNormal, Dastafarin-Regular, Dingbat-Cats2, DivChem, DwarfRunes, DwarfRunes1, DwarfRunes2, Eggs, FOOD, Fabeldyr-2, Flower-Show, FontForFree, Futura-Thin, Futura-ThinItalic, GermanicRunes, GermanicRunes1, GermanicRunes2, GideonMedium, Grammata, Greek-Regular, Greek-Regular, Greek, GreekOldFace, GreekOldFaceC, HWGreek, Hebpar, Hebrew-Italic, Hebrew-Regular, Inter, Ismini, KirillicaWincyr, Kitchentile, KoineMedium, Koptos-Regular, Korinthus-Italic, Korinthus, Kur2siv-Italic, Lashon-Tov, Lavra-Plain, Linear-B, LudlowDingbats, MENA-1, Martin-Vogel's-Symbols, Medicine, MendelSiddurBold, MendelSiddurMW-Bold, Milan-Greek, MonitorNormal, New-Dingcats, Noam-New-Hebrew, NovaNormal, Novgorod-Plain, Ornaments, Paleo-Hebrew-NormalA, PecanSoncHebrew, Pni2na, Pointers, QuiltersDelight, RK-Meroitic-(Demotic), RK-Meroitic-(Hieroglyphics), RK-Meroitic-Transscript, RK-Persian-Cuneiform, RK-Sanskrit, RK-Ugaritic-Transscript, RK-Ugaritic, Rashi, Roman-Catholic, RuthFancy, SILDoulosIPA, SILGalatia, SILGalatiaBold, SILGalatiaExtras, SILGalatiaExtrasBold, SILManuscriptIPA, SILSophiaIPA, SPAchmim, SPDamascus, SPDoric, SPEdessa, SPEzra, SPIonic, SPTiberian, Sgreek-Fixed, Sgreek-Medium, ShalomOldStyle, ShalomOldStyle, ShalomScript, ShalomStick, ShebrewMedium, States, Statuer, Symbol-Accentuated, SymbolMW-Bold, SymbolMW-BoldItalic, SymbolMW-Italic, SymbolMW-Normal, TLHelpCyrillic, TattooNo1, TattooNo2, TimesNewRomanNavajo, TimesNewRomanNavajoBold, TimesNewRomanNavajoBoldItalic, TimesNewRomanNavajoItalic, TorahSofer, TransliterationItalic, Tzipporah, Ugarit, VintageDingbats, WarnSymbols1, WarnSymbols2, WarnSymbols3, WarnSymbols4, WarnSymbols5, YourKeys, ZapfDingbats, button_by_fanta, fantas-second, hebrew, persische-Keilschrift. [Google] [More] ⦿
Hieroglyph font archive: Egypt0, GlyphBasic1, GlyphBasic2, GlyphBasic3, GlyphBasic4, Glyphics, Hieroglify, KingTut1, KingTut2, Meroitic---Hieroglyphics, Nahkt, Neferchichi, NEFERCHICHIDINGBATS, NEFERCHICHIGODS, NEFERCHICHIHIEROGLYPHS (the latter four fonts are by Kevin Fleury, 2001), Nahkt. [Google] [More] ⦿
El Circulo de Oro de Uresh-Nefer
Defunct hieroglyphics page by Antonio Hernández Marín. It had some downloadable fonts, including Trophos (Greek font by Carlos F. Gilardoni, 1994), Antonious (Greek, by Wisam Michael), Coptic, and TransliterationItalic (Egyptian transliteration font from Utrecht University). Old URL. [Google] [More] ⦿
Ferdinand Theinhardt Schriftgiesserei Berlin
Berlin-based foundry from the 19th century, whose typefaces included Aldeutsch (aka Psalterium, or as Mainzer Gotisch, 1851). Ferdinand Theinhardt (b. Halle, 1820, d. Berlin, 1909) ran it.
Around 1880, he published four weights of a Royal Grotesk (in 4 styles) for the Prussian Academy of Sciences in Berlin (Königlich-Preußischen Akademie der Wissenschaften zu Berlin; see, e.g., here or here; here is a sample of his 1895 Breite Grotesk). In 1885 he sold his own type foundry---Ferd. Theinhardt Schriftgiesserei Berlin---to Brothers Mosig and Oskar Mommen. In 1908, Berthold AG bought that foundry, and published the Royal fonts under the new name Akzidenz Grotesk. Theinhardt's Royal Grotesk became internationally known as Berthold's Akzidenz Grotesk, which some call the godmother of all modern grotesque typefaces. [Note: Akzidenz Grotesk is often given the 1898 date.]
Theinhardt was also known as a specialist in cutting hieroglyphs. Author with R. Lepsius of Liste de Hieroglyphischen Typen aus der Schriftgiesserei F. Theinhardt (1875, G. Vogt, Buchdrückerei der Königl. Akademie der Wissenschaften, Berlin). It lists hieroglyphic symbols available from Theinhardt's foundry.
Typedia link from which I quote: Akzidenz (sic) Grotesk was released by Berthold in Berlin in 1898, according to their own literature. It was obviously based on typefaces already offered by other foundries, some of which were later taken over by Berthold. One of the contemporaries of AG was Royal Grotesk from Theinhardt. In Berthold's specimen booklet no. 429, which was most likely released in 1954, Akzidenz Grotesk Mager (light) was still referred to as Royal Grotesk, in brackets. Berthold acquired a typeface in 1908, (when they bought Ferd.Theinhardt) which they released as Akzidenz Grotesk Halbfett (medium). They kept adding weights, some of them from other typefaces, acquired from other foundries. Every foundry had a version of that type of face, more often than not available in a few sizes only. The original series remained quite divers, individual weights showing not much resemblance but in name. It was mainly a marketing and naming success. That only changed when they cut Series 57, and then Series 58, named for the years of release. These had some sizes (but not all) recut under the direction of Günter Gerhard Lange, who was their (freelance) artistic director at the time. GG Lange always claimed that Berthold had taken some AG weights and sizes from Popplbaum in Vienna, and that is supposed to account for the release date of 1896 or 1898. Popplbaum was not bought by Berthold until 1926. Berthold did take different fonts from all the foundries they bought (and obviously also made deal without buying a foundry) and rename them until they got a family together which still showed the original influences, sometimes even from size to size. The deals between foundries (by 1924 Berthold had bought 17 foundries, in Prague, Riga, Stuttgart, Leipzig, Moscow and St. Petersburg) have never been fully researched, and neither has the complete history of Akzidenz Grotesk been written yet.
Michel Bujardet (a Frenchman living in West Hollywood, CA) runs Matchfonts, and started Fontmenu.com in August 2001. Commercial fonts, and free demos in all formats.
A partial list of fonts:
Dino Manzella's draft on a book entitled Forgotten Scripts: a Book of Runes. Fantastic pages in all respects! Many fonts can be downloaded. Includes Academiury-ITV (Georgian, by Alexander&Temuri Imnaishvili), Rashi, Alex and ChayaBold (by Aaron Schmiedel), Angelic and Enochian (by Digital Type Foundry), several rune fonts by Dan Smith, Beth-Luis-Fearn and Beth-Luis-Nion (by Curtis Clark), Cherokee (by Joseph LoCicero), Moonrune (Morton Bek, 1995), Eshmoon (by Salim G. Khalaf, Family Health International), Glagoljica UGL and Glagoljica OBL (old Croatian; by Zox), RK Meroitic, RK Sanskrit, RK Ugaritic, Mendel Siddur, Nug-Soth (by Daniel U. Thibault), Tzipporah and RuthFancy (by AFS Ltd), and RNIB Braille. [Google] [More] ⦿
German type designer Frank K. Lüdicke designed Ramses, letters in the shape of hieroglyphs. He studied with Karlgeorg Hoefer (who would write with anything) and with Kurt Wolff (in Düsseldorf), and later learned Japanese calligraphic art. Ramses is now available from Elsner&Flake. At URW++, he designed the commercial dingbat font FunnyNature (1999) and the handwriting fonts Yoriko (2019: oriental brush emulation), Liaison (2015), FontForum Katie (2008) and Lüdickital (2002).
Graham David Blakelock
Ilkley, UK-based foundry of Graham David Blakelock (b. 1947, York, England). MyFonts sells his fonts. These include typefaces used in role playing games, often with a medieval look, all published in 2005: Fifteen36 (Venetian with rough edges), Fourteen64 (Venetian with rough edges), High German (blackletter), ItalicHand (inspired by 11th or 12th century Carolingian hand-drawn cursive), Old Russian (fake Cyrillic), Ye-As-Ta (rotated brush style caps), Good Taste (2006), Hieroglyph Informal (2006), Kanjur (2006, Indic simulation face), Mayan (2006, dingbats and Mayan-looking letters), Pepper (2006), Salt (2006).
Hans van den Berg
From Encyclopaedia Britannica: Ancient Egyptian cursive writing, used from the 1st dynasty (c. 2925-c. 2775 BC) until about 200 BC. Derived from the earlier, pictorial hieroglyphic writing used in carved or painted inscriptions, hieratic script was generally written in ink with a reed pen on papyrus; its cursive form was more suited to such a medium than were the formal hieroglyphs. It was originally written vertically. [Google] [More] ⦿
This site was active from ca. 1990-2010. It said: The Centre for Computer-aided Egyptological Research (CCER) at Utrecht University in The Netherlands specializes in matters related to the application of computers in Egyptology. At CCER, find the 200 USD Extended Library, a hieroglyphic computer font of more than 4700 signs for use with both hieroglyphic text processing programmes Glyph for Windows and MacScribe. Type 1 (PC, Mac) or TrueType (PC). The book Hieroglyphica covers ober 6900 glyphs, all shown on the web page.
In 2012, CCER closed. Professor Dirk van den Plas writes: Dear colleagues and friends of the CCER. The team of the Centre of Computer-aided Egyptological Research (CCER, Utrecht University) has developed pioneering and useful computing tools and international projects for Egyptological research since 1990 (among other things Manual de Codage, Multilingual Egyptological Thesaurus, Glyph for Windows & Extended Library, Coffin Texts Word Index, Egyptian Treasures in Europe, Global Egyptian Museum). The CCER was the driving force of the group Informatique & Egyptologie and the Horssen Meetings. CCER inspired Egyptological scholars, students and institutions to make use of these upcoming new ICT tools and helped them to implement them. Now 20 years after the founding of CCER it is time to accept that CCER has become part of history and that the well-known CCER site must switch to another life and a new concept. Some years ago it appeared that there was no future for CCER in the Netherlands. Besides its director retired. Therefore I have decided to stop finally also the shop of the site www.ccer.nl by the end of 2010. I'll transmit by then the site and all rights to my former assistant Hans van den Berg. He was my gifted and much appreciated during many years. He would like to use this site to record the history of Computing & Egyptology. He will continue and maintain some useful tools for Egyptology on this site as well. I would like to thank all colleagues, assistants and friends for the collaboration and confidence during those pioneering years, Dirk van der Plas
House of Lime
Defunct type foundry that had free original dingbats, alphadings and fonts, mostly from scanned art by Merethe Liljedahl (House of Lime) in Landskrona, Sweden.
The font list: Abstract, Africa, African Design, African Eggs, AfricanPattern, AlphaRemember, AlphaSausage, AlphaThin, AmishQuilts, AngelsFairies, Angelsaroundtheworld, AngloText, Animal, AnimalDesign, AntiqueStuff, AntiqueStuffII, AroundSports, Aroundthehouse, ArtDecoMotif, ArtNouveauBild, ArtNouveauBlume, ArtNouveauFlowers, ArtNouveauFramesandBorders, ArtNouveauInitials (2001), ArtNouveauInitialsA, ArtNouveauInitialsB, ArtNouveauInitialsC, AsianArt, AsianArtII, BOO, BabyTime, BackToSchool (2000, pencil-themed face), Bagsandstuff, BagsandstuffII, Balloons, Baseball, Big Lou (2003, art deco), BirdStencilDesign, BirdStencilDesignII, Birdies, Bzzy (2004, alphadings), Books, Butterflies, Buttons (2006), Calender, CamelotCaps (2000), CarstensOwls, Cats, CelticElements, CelticElementsII, CelticMotif, Celtics, Cherub, CheshireInitials (2001), Chiseled (2006), ChristmasTime, ChristmasWreath, ChubbyDotty, ChubbyTrail, Cornerflair (2002), CrayolaKiddyFont, Curly Fleur Caps, DBLCeltic, DBLCorners, DBLFacesfromthepast, DBLFlowerDelight, DBLMedievalDesign, DancerInTheDark, DancerInTheDarkII, DancerInTheDarkIII, DecorativeOrnamental, Decorette, Decorina (2001), DesignMotif, DesignerCorners, DesignerCorners, DesignerDing, DesignerDividers, DesignerFrames, DesignerFramesTwo, DesignerMix, DesignerMixII, DesignerMixed, DesignerMotifs, DesignerMotifsThree, DesignerMotifsTwo, DesignerPlus, DesignerStuff, Dividers, DividersTwo, DoggyBag, DogsandCats, Dolphins, Dot Trail (2002), DoverChineseMotifDesign, DoverFloral, DoverFloralandDesignII, DoverJapaneseDesign, Dragons, Durbin Initials (2009), EasterBunny, EasterHoppy, EasterTime, EatingOut, Egypt, ElectionTime (2000), Elegance, EvelynsHeart, EvsDragons, ExtraOrnamentalNo2, FaceofaLady, Faces2Faces, FacesOfTheCentury, Faith, Fans, Fashion, FashionLadies, FleurCornerCaps (2000), FloralDesign, FloralStencilDesign, FloridVictorianOrnament, FlowerandFairyAlphabet, Folklore, FolkloreII, Fontanesi, Framed, Frames, FramesAndBorders, FramesAndBordersII, FramesAndBordersIII, FramesandBackgrounds, FramesandHeaders, Fromthegarden, Fruityandveggie, Furballs, GailsUnicorn, GardenTime, Geisha, Genzsch Initials, GermanCaps, GothicCornerCaps, GothicFlourish, GrafikText, GuinevereCaps, HalloweenKiddyFont, Hats, HatsII, HatsIII, HatsIV, HatsV, HeartsofLime, Heraldics, Horses, Houses, HousesII, Howling, Iconettes, Inmygarden, Inyourgarden, Itsserved, Jars, JustFrames, KarensKitties, KeyasTurtles, KiddyDing, KiddyFlakey (2002), KiddyFrames, KiddyHalloween, KiddyToys, KidsAlphabet, KittytheCat, Ladiesofthe20s, Leaves, LimeBlossomCaps (1999), LimeGloryCaps (2000), LisasDragons, LittleHeroes, LizsGibsonGirls, LovePoision, Maskes, MedievalAlphabet (2000), MedievalMotif, MedievalMotifTwo, MexicanMotif, MirrorImage, MosaicCaps (2000), Motif, Mousie (2000, alphadings), MoyrasParrots, Music For Your Ears (2006), MutansII, Mutants, Mythical, NavyBlues (2000, white on black buttons), OldFashionedIllus, OldFloralIllustration, OldFolksShuffle (2000), Onthefarm, OrientalDesign, OrientalIcons, OrientalIconsII, OrientalIconsIII, OrientalIconsIV, OrientalView, OrnamentalCorners, OrnamentalDecoration, OrnamentalDecorationII, OrnamentalElements, OrnamentalElementsII, OrnamentalFramesI, OrnamentalInitialsA, OrnamentalInitialsB, OrnamentalInitialsC, OrnamentalInitialsD, OrnamentalInitialsE, OrnamentalInitialsF, OrnamentalInitialsG, OrnamentalInitialsH, OrnamentalInitialsI, OrnamentalInitialsJ, OrnamentalInitialsK, OrnamentalInitialsL, OrnamentalInitialsM, OrnamentalInitialsN, OrnamentalInitialsO, OrnamentalInitialsP, OrnamentalInitialsQ, OrnamentalInitialsR, OrnamentalInitialsS, OrnamentalInitialsT, OrnamentalInitialsU, OrnamentalInitialsV, OrnamentalInitialsW, OrnamentalInitialsX, OrnamentalInitialsY, OrnamentalInitialsZ, OutOfAfrica (2000), Paisley, Paisley Caps, PaisleyII, Party (2004, Mexican simulation face), Pentagon (2003, Western face), PhilliBoo, PokemonKiddyDing, Retro Elite (2003, art deco), RibbonCaps, Rose, Rosegarden, Scary, Scary House, Scrapper's Arrows, ScrappersCorner, ScrappersElements, ScrappersElementsII, ScrappersElementsIII, ScrappersElementsIV, ScrappersElementsV, ScrappersKeys, ScrappersStencil, ScrappingDoodles, Scream, Sealife, September11, Shaking Salsa, Ships, SimplyFriends, Skeleton, Smelly, SomeoneSpecial, Spiders (2001), SplatterCaps, Spooky, Sporty (2004), Spring (2003, Victorian ornamental typeface), Square Frame (2006), Stamped Flowers, Starlite, Stars, Stencil, StripesCaps (2000), SugarFootStrut, Sun and Moon, Sunflowers, Sunny Days (2004), SunshineKiddyFont, Tattoo, TheGoddess, ThePerfectMan, ThemeCorners, TiffanyCorners, TiffanyCornersII, TiffanyCornersIII, Tiles, Tools, TraditionalFloralDesign, TraditionalFloralDesignII, TraditionalFloralDesignIII, Trapeze (2004), TreasuryofDesign, Treesandleaves, Tulips, TylersPokemon (2000), UncasWomen, Valentine, VictorianWindow, Wedding, Wildflower, WildflowerII, WildflowerIII, WildflowerIV, YesterdaysBeauty, YourSign, Yummi, Zodiac.
Born in Philadelphia and a resident of Texas, Dan Zadorozny's creations at Iconian. He is a prolific type designer who specializes in techno and sci-fi typefaces. Dafont link. Fontsy link. Abstract Fonts link. Font Squirrel link. His fonts in alphabetical order:
Intellecta Design (or: Monocracy Types)
Intellecta Design is a design company in Brazil run by Paulo W (b. 1970) from Recife. In 2020, he also set up Monocracy Types. Paulo W is a gaúcho (Brazilian southerner), with interests in multiple areas, including poetry (he has published the digital opus Magical Book), graphic design and, most recently, type design.
Dafont link. MyFonts. MyFonts link. Abstract Fonts link. YWFT link. Behance link. Blog. Home page. Fonthaus. Monotype. Eshops. Facebook. Flickr. Klingspor link. Wordpress. Devian tart. T26. Linkedin. Identifont. Linotype. ITC. Faces.co. His typefaces:
Isis Fonts (or: Shrine of Isis)
Egyptian hieroglyphics and related fonts, all original designs by Australian John Cosgriff: Adelita, Alcoholica, Biabia Layout, Brunnhilde One, Creature, Crusades, Dekald, Magician, LuciferPensionRoman, BlazingItalic, Bones2, CreationItalic, Darkenstone, Deities, Eyesis, Garfield, IsisDings, Jetson, KingdomCome, LostWorld, Raven, Spaceracer, Stargate, Tecnojap, TokyoSoft, Wizardry, ZetaGrey. The original fonts Tokyo Soft and TecnoJap simulate Japanese.
JAB Font Foundry
JAB is Joseph Anthony Bartolo's foundry, located in Tarxien, Malta. MyFonts sells the hieroglyph-inspired ransom note font Hieroglyphs Nefertiti Akhenaten (2006) as well as Hebrewish (2007), a faux Hebrew face. Megre (2010) is an exercise in unusual placements of serifs. [Google] [MyFonts] [More] ⦿
Jack's Scribal and Epigraphic Fonts
Houston's Jack Kilmon designed many archaic and epigraphic TrueType fonts. Free for academics. His site also has an archive of some fonts by Reinhold Kainhofer (RK Ancient Fonts), and some Coptic, Hebrew, Hieroglyphic and Greek fonts. A list of his creations: Early Phoenician (8th century BC), Moabite/Mesha Stele Epigraphic, Lachish Ostraca Cursive Palaeohebrew, Elephantine Papyrus Cursive, Jack's Early Aramaic (10th c. BCE), Nabataean Aramaic, Jack's Samaritan, Jack's Siloam Inscription, Jack's Dead Sea Scroll Scribal (or DSS Scribal) (based on Great Isaiah Scroll), Jack's Habakkuk Scribal (based on Pesher Habakkuk), Jack's Meissner Papyrus Cursive, Dead Sea Scroll Scribal, Latin Epigraphic, Roman Rustica (Capitalis Rustica), Latin bookhand from 1st to 6th century, C. Sinaiticus Uncial Greek, Early Greek Epigraphic, Greek Minuscule with Ligatures, Carolingian Minuscule, Insular Minuscule, early Gothic, Gothic Textura Quadrata, C. Sinaiticus Uncial Greek, Early Greek Epigraphic, Greek Minuscule with Ligatures, Jack's Etruscan. Essay on the history of writing. And an archive of Greek, Coptic, Hebrew and hieroglyphic fonts.
Dafont link. Marc Smith is not kind in his critique of Kilmon, who he calls an amateur (page 65). He deplores (page 69) that most letters, o, b, p and y included, have the same height in Kilmon's work. [Google] [More] ⦿
Jaduger Design Studio (and: Twodollarshop)
Mobaric Minhas is the Auckland, New Zealand-based designer of the old typewriter typeface families AMTW (2016), Typerighter (2016), Silk Remington Typewriter (2016), Silk Remington Pro (2020) and the vintage typeface Steadfast (2016). In 2016, he created the modular sans typeface Production, the display typefaces Whakatani and Whangarei, the techno sans typeface family Glorifie, the grungy letterpress font Handy, the grungy typeface Brushed, the high-contrast display typeface Manukao and the squarish typeface Manurewah.
Typefaces from 2017: Ashial Chalky, Mibrush (dry brush script), Malo Script, Egyp (hieroglyphs), Cycle Font (bike scanbats), Tamaki Pro (grungy letterpress emulation typeface), Stone Age, Kabadi (a geometric headline sans), King's Initials, Handwriter (grungy).
Free PC fonts made in 2002 and 2003 by American designer Todd Jordan "Greywolf" Peacock: GreywolfGlyphs (hieroglyph), GreywolfHeater, GreywolfNouveau (art nouveau), GreywolfPaperHeroes01, GreywolfPaperHeroes02, GreywolfPaperHeroes03, GreywolfPaperHeroes04, GreywolfQuirk (curly lettering), GreywolfStarshipFactory01, GreywolfTreasureItems01, IronclawPaperHeroes01, IronclawPaperHeroes02, IronclawPaperHeroes03, IronclawPaperHeroes04, IronclawPaperHeroes05, IronclawScenery1, IronclawStandUps1, IronclawStandUps2, IronclawStandUps3, IronclawStandUps4, IronclawStandUps5, IronclawSymbols, MagicIconsGW, SkavenIconsGW.
Joseph Anthony Bartolo
German calligraphy jump site, maintained by Susanne Ulmke. There is also a great list of initial caps. We find 4 hieroglyphic fonts (GlyphBasic1 through 4) from the Centre for Computer-aided Egyptological Research, Utrecht University, The Netherlands, 1995. [Google] [More] ⦿
General links on typography and fonts, compiled by Denis Roegel (with earlier contributions by Karl Tombre who is no longer involved). Very, very useful. This page contains, among other things:
Danish designer (b. 1989) of the grunge ink spill typeface Arensdorff Ink (2011), of the experimental monoline typeface Elephont (2011), and of Egyptian Hieroglyphs Silhouette (2011) and Ancient Egyptian Hieroglyphs (2011).
In 2012, she created an unnamed black didone display typeface.
Linear A Texts
John Younger's page on phonetic transcriptions of Cretan hieroglyphs. There are some specialized fonts here (Mac only), all courtesy of Jean-Pierre Olivier: Phaistos, Mobile (Cretan hieroglyphic for clay texts), Malia-thick (Cretan hieroglyphic for sealstones), Knossos (Linear A), Mycenae (Linear B) and Linear B ideograms. For Windows, David Willem Borgdorff has designed a Linear A font: "LA.ttf.hqx". [Google] [More] ⦿
Eric Aubourg's commercial software to typeset egyptian hieroglyphic text with your Macintosh. Comes with an 800-sign type 1 font. A 6000-glyph font is extra. Site license: 2000 dollars. [Google] [More] ⦿
Manfred Klein: Egypt
Egyptian (not slab serif!) and hieroglyphic typefaces by Manfred include AncientBats, Egypt, EgyptAxt, EgyptChildren, EgyptHieros, EgyptMythOne, EgyptSilhous, EgyptianSilhouettes, EgyptianSilhouettes, EgyptianSilhouettes, Egypticons, EgypticonsToday, EuroGyptians, HelloCleoPetra, HelloMrPharao, HierobatsSketches, KL1-Pharaos, KL1-PharaosTwo, OldEgyptGlyphs, OldEgyptOne, OldEgyptTwo, PhaistosAlphabet, PhaistosFingers, PhaistosToday, VisitTheNil.
Manfred Klein's Fonteria
Frankfurt-based designer (b. 1932, d. 2018) whose creative output is so large that he deserves a separate web page. His URL at Moorstation from 2000-2007. New page on him by Florian Rochler. Font squirrel link. Dafont link. [Google] [MyFonts] [More] ⦿
Mark-Jan Nederhof has a Computer Science degree from the University of Nijmegen, The Netherlands, class of 1990. He obtained his PhD in 1994 from the same university. In 2006, he joined the faculty at the School of Computer Science of the University of St Andrews, Scotland.
In 2020, he designed the hieroglyphic font New Gardiner. This font contains the 1071 glyphs from 0x13000 to 0x1342E, forming the section from document WG2/N3349R that deals with Egyptian Hieroglyphs. [Google] [More] ⦿
Match Fonts is the West Hollywood, CA-based foundry led by Michel Bujardet (b. Bordeaux, France, 1951), who is Mike Budge on alt.binaries.fonts. They make and sell interesting font paks. A particular favorite of mine is the Calligraphic Fonts Pack 2, which has the beautiful medieval-look typeface Rodolphe (2001), together with the Chancellerie family, the blackletter font SquareText, and a few Uncial fonts called Oncial. Free demos. Cursive Handwriting is a 6-font pak for teaching handwriting. Also offering a handwriting and signature font service. Among free offerings, check Le Blackmail (ransom font). Also, commercial fonts for these languages: Armenian, Bulgarian, Croatian, Czech, Estonian, Greek, Hawaian, International Phonetic (IPA), Hebrew, Hieroglyphs, Hungarian, Japanese, Latvian, Lithuanian, Macedonian, Marshallese, Polynesian, Polish, Romanian, Russian, Serbian, Slovak, Turkish, Ukrainian, Yiddish.
Interesting typefaces: Boulon (letters with bolts), Bujardet Freres (French restaurant type), Calebasse (1997, semi-psychedelic), Chinoiseries (Chinese look-alike), Cristolikid (LCD), Diodes Light, Grecques, Halloween, Malabars, Metroplitain (art nouveau), Monogram, Octogone, Osselets (bones), Parador, Ruban Dis-Moi, SilBooettes, TSF et Compagnie, Venitienne, Yiddilatin, Zebrues, and the dingbats Dinosotype, Alphabetzier, Nahkt Hieroglyphics, Norman Prince (children's handwriting), Angelots, Sceaux, Seraphiques, Talismans, La Main Guided, La Main Solid (both children's tracing fonts), Bordini, Bordofixed, BoumBoum, ChapClerk, Dactylographe (nice!), Halotique (sans serif), Tortillon (2001, art deco), Normographe (great too!), Normafixed, Oloron, Parlante (serif family), Presse (typewriter), Technicien. Plus handwriting fonts Skrypta, Skryptaag (upright and connected), Willegha. a Morse Code font. The Halloween pack includes Coulures, Halloween, Osselets and SilBooettes. Fixed width fonts include Dactylographe, Oloron, Bordo, Norma. Direct access. Interview and photo. Alternate URL (in French), with many more fonts, such as the handwritten Pierre, Mariette. MICR E13 B font.
Neferchichi's Egyptian Graphics
P22 Type Foundry
Richard Kegler's fun Buffalo-based foundry, which he founded in 1995 together with his wife, Carima El-Behairy. Currently, on staff, we find type designers James Grieshaber and Christina Torre. In 2004, it acquired Lanston Type. P22 has some great unusual, often artsy, fonts.
The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (free in 2003 and P22 Snowflakes (retail) in 2020, finishedd by Richard Kegler and Terry Wüdenbachs), Acropolis Now (1995, a Greek simulation typeface done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio (Flat, 3D; in the style of Il Futurismo), P22 Basel Roman (2020, Richard Kegler: an update of a 2015 typeface, P22 Basel, based on a garalde font used by Johannes Herbst (aka Ioannes Oporinus) in 1543 to publish Andreas Vesalius' On the Fabric of the Human Body (De humani corporis fabrica) in Basel), Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, P22 Brass Script Pro (2009, Richard Kegler; based on an incomplete script fond in a booklet from Dornemann&Co. of Magdeburg Germany, ca. 1910 entitled Messingschriften für Handvergoldung; for years, P22 and MyFonts claimed that Michael Clark co-designed this, but Michael does not want any credit, as he did only about 20 letters), Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, P22 Monet Impressionist (1999), Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), P22 FLW Exhibition, P22 FLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), P22 Woodcut (1996, Richard Kegler: based on the lettering carved out in wood by German expressionists such as Heckel and Kirchner), Garamouche (2004, +P22 Garamouche Ornaments; all co-designed with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Koch Nueland (2000), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by Paul D. Hunt as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), P22 Preissig (and P22 Preissig Calligraphic, 2019), Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; typeface by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a distressed typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre).
In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire).
In-house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé.
At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he showed Making Faces.
Typefaces from 2014: LTC Archive Ornaments (Richard Kegler and Miranda Roth).
Typefaces from 2020: Showcard Script (by Terry Wüdenbachs, based on an original of Beaufont at the Hamilton Wood Type Museum, custom designed by the Morgan Sign Machine Company of Chicago).
Typefaces from 2021: P22 Glaser Babyteeth. Kegler writes: In 2019, P22 Type Foundry met with Milton Glaser (1929-2020) to initiate the official digital series of typefaces designed by Glaser in the 1960s and 70s. P22 Glaser Babyteeth is the first family released in the series. Milton Glaser's inspiration for his Babyteeth typeface came from a hand painted advertisement for a tailor he saw in Mexico City. He was inspired by that E drawn as only someone unfimilar with the alphabet could have concieved. So he set about inventing a completelly ledgible alphabet consistant with this model. P22 Glaser Babyteeth was based on original drawings and phototype proofs from the Milton Glaser Studios archives. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official Babyteeth fonts approved by Milton Glaser Studio and the Estate of Milton Glaser. The solid and open versions are designed to overlap for two-color font effects and can even be mixed and matched for multi layer chromatic treatments. In 2021, he published the 3d art deco shadow font P22 Glaser Kitchen which is based on Big Kitchen (1976).
Paleofonts V. 2
Vasil Gligorov from Skopje, Macedonia, has a 16MB file with almost 300 truetype fonts that represent 30 ancient scripts: Luwian, Ugaritic, Aramaic, Runic, Syriac, Glagolitic, OCS Cyrillic, Persian Cuneiform, Egyptian Hieroglyphs, Demotic, Linear A (Complex signs), Linear B, Proto-Greek, Ancient and Medieval Greek, Ancient and Medieval Latin, Gothic, Etruscan, Oscan, Phoenician, Galilean, Celto-Iberian, Coptic, Meroitic, Cypriot, Vina, Ancient Hebrew, Samaritan, Sanskrit, Ugaritic, Manichean, Ogham, Umbrian, Asomtavruli Mrglovani, Siloam type-Inscription. Alternate URL. [Google] [More] ⦿
From Australia, Pearlygates' free creations made between 1990 and 1999: All-That-Jazz, Australia-Fair, Beautiful-Bullies, Bits-'n'-Pieces, Bunnywunny, BuzzBuzzBuzz, Dinosaur-Stomp, Dr-Seuss, Eency-Weency-Spider, Energize, Fairy-Sparkle, Fly-Eagle-Fly, Gift-Wrapped, Little-House, Midnight-Cat, Mr-Men (1999, dings of cartoon characters), Party-Hat, Party-Hats, Popping-Popcorn, Pussycat, Pyramid-Purr, Razzle-Dazzle (1999), Rosebud (1999), Simple-Melody, Sprinkles (1999), Symphony-in-ABC (1999), Thespian, Typewriter-Letter, Waltzing-Matilda, What-a-Hoot!, Whirly-Gig, pearlygates, Millenium-Bug, Millenium-Star, First-Contact, Pyramid-Purr, Send-in-the-Clowns (based on drawings by Ilona Melis), Technobabble, That-Darn-Cat, Writer's-Block, Xavier, Zephyr, Zirconia, Liberace, Amber's-Family, Bottoms-Up! (alphadings), Cartouche (1999, a hieroglyphic simulation face), Christos, Dry-Martini, Escargots, Helenium, I'm-Every-Woman, Irish-Blessing, Jolly-Good-Fellow, Kick-Off, Ladybird, Liza-with-a-Z, Lolly, Nine-Lives, Old-Rugged-Cross, Porkchop, Queen-of-Hearts (2000), Quesadilla, Radiant-Southern-Cross, Tooth-Fairy, Umberette (outline hand-printed caps face, 2000), VanGogh, Yippee, Dinosaur Stomp, Fairy Sparkle, I'm Every Woman, Liberace, and Lolly.
Peter R. Wilson
At NC-based Salim George Khalaf's page on ancient Phoenicia, find free truetype fonts (Mac, PC): Nakht Hieroglyphics, Eshmoon (1996; Phoenician runes by Salim himself) and Ugaritic1 (by David Myriad Rosenbaum, El Sobrante, CA). Alternate URL. It has a great tree of language genealogies, placing Phoenician around 1600BC, with as child languages Proto-Arabic (1500BC), Old Hebrew (900BC), Archaic Greek (1000BC), Etruscan/Latin (900BC) and Aramaic (800BC). Alternate URL. [Google] [More] ⦿
Eric Wannin's French commercial foundry with PC and Mac fonts for all European languages, most Indic languages, Cyrillic, Vietnamese, Amharic, Inuit, Slavonic, Greek, Tibetan, Thai, Lao, Khmer, Burmese, Cri. Hieroglyphic fonts too. Free font family: EuroQuartet. These fonts have one glyph only, the Euro symbol. It has some bar code fonts too.
RK Ancient Fonts
Free fonts for Sanskrit, Old Greek, Ugaritic, Meroitic, Oldpersian Cuneiform by Reinhold Kainhofer: RK-Meroitic-(Demotic), RK-Meroitic-(Hieroglyphics), RK-Meroitic-Transscript, RK-Persian-Cuneiform, RK-Sanskrit, RK-Ugaritic-Transscript, RK-Ugaritic. Kainhofer is based at Karl Franz University in Graz, Austria. Direct download.
Salim George Khalaf
French creator of a hieroglyphic and a Coptic metafont. He also developed the free Open Source hieroglyphic editor JSesh. JSesh is a word processor for ancient Egyptian hieroglyphic texts. Designer of Egypto Serif, a rather complete font based on DejaVu. [Google] [More] ⦿
Foundry in Vienna that makes gorgeous commercial fonts for African languages. These pictograms are so nice that I will list each of them. The complete font set retails for about 1000 USD.
Todd Jordan Greywolf Peacock
French foundry, est. 2008, by Jonathan Perez and Laurent Bourcellier. Graduates from the Ecole Estienne in Paris, they have made the following fonts:
Unicode Fonts for Ancient Scripts
This is a fantastic source of free high-quality fonts for scripts of the greater Aegean vicinity, Egyptian Hieroglyphs, Meroitic, Sumero-Akkadian Cuneiform, Musical Symbols and all Symbol Blocks in the Unicode Standard. George Douros is their Greek font designer. His free fonts come with this exemplary footnote: In lieu of a licence: Fonts in this site are offered free for any use; they may be opened, edited, modified, regenerated, posted, packaged and redistributed. Many of his fonts contributed to important section in the GNU Freefont project. Here is the list:
Designers of the 4 USD typeface Neutral Glyphs (2003), which has 65 arcane symbols. They also made Halfling Hero (2003) for game-playing purposes. Other fonts: Law Glyphs&Runes, Chaos Runes&Glyphs, Draconic, Deep Dwarven, Wizard Kanji, Dark Urth Heiroglyphic. [Google] [More] ⦿
Programmer and gamer based in Aiken, SC. Designer of the commercial font package Arcane Alphabets and the free font Instahex. These typefaces go back to ca. 1997, but updates have been made until 2019. . Purchase fonts here:
German creator of Ballpoint Scratch (2014), Hollywood Hills (2013, octagonal typeface), Fake Hieroglyphs (2010) and Conducting Paths (2011, electrical circuit face, or a connect-the-dots font). [Google] [More] ⦿