TYPE DESIGN INFORMATION PAGE last updated on Sun Apr 30 02:50:15 EDT 2017

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Type design in Northern Ireland










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Adam Wilson

Graphic designer in Belfast, Northern Ireland. He created the grid-based typeface called Typo Belfast (2013) and the bilined display typeface 5ive Skincare (2013). [Google] [More]  ⦿

Bach
[Yo Tomita]

Music fonts by Dr. Yo Tomita from the School of Music, Queen's University of Belfast: Bach, Bach-stem-down, Bach-stem-down-2h, Bach-stem-down-2l, Bach-stem-down-3h, Bach-stem-down-3l, Bach-stem-up-2nd-higher, Bach-stem-up-2nd-lower, Bach-stem-up-3rd-higher, Bach-stem-up-3rd-lower. Alternate URL. [Google] [More]  ⦿

Belfast City Council

The typeface Moment was commissioned by the Belfast City Council for its brand. Unknown designer, but free download. [Google] [More]  ⦿

Clare Bell

Clare Bell received a BA degree from Central Saint Martins College of Art & Design in London in 1999 after working as a designer in Dublin for eight years. She also worked in the design department of the Guardian newspaper for five years before returning to Dublin where she is undertaking a PhD entitled Typography, Culture & Society: An analysis of the visual representation of the Irish language in Northern Ireland at the Dublin Institute of Design and Technology, where she is a typography tutor. At ATypI 2005 she spoke on Typographic tales from the edge of empire, and deals mainly with the story of uncial, from the Book of Kells to present day murals in West Belfast. She coorganized ATypI in Dublin in 2009. Currently, she is Associate Researcher at the Graduate School of Creative Arts and Media. [Google] [More]  ⦿

Craig Norwood

During his studies at University of Ulster Belfast---Belfast School of Art, Craig Norwood created Hex Type (2014). [Google] [More]  ⦿

C.S. Lewis

Clive Staples Lewis (1898-1963) was a novelist, poet, academic, medievalist, literary critic, essayist, lay theologian, and Christian apologist. Born in Belfast, Northern Ireland, he held academic positions at both Oxford University (1925-1954) and Cambridge University (1954-1963). He is best known both for his fictional work (The Screwtape Letters, The Chronicles of Narnia, and The Space Trilogy), and for his non-fiction Christian apologetics (Mere Christianity, Miracles, and The Problem of Pain).

His masterpiece, The Illustrated Screwtape Letters (Geoffrey Bles, 1942) has been republished many times. The recent Harper & Collins edition is illustrated by Papas and uses great ink spill lettering on its cover. As far as I know, no attempt has been made to digitize this handwriting. However, an alternate screenprint design has been created by Paul Flanders in 2014. [Google] [More]  ⦿

Dean Machala

Northern Irish designer of Carson (2017), Sam Display (2016), Marker (2016) and the rounded Machala Sans (2016). Dafont link. Creative Market link. [Google] [More]  ⦿

Elliot Lyness

Belfast, UK-based designer of the school project font Eris Regular (2014). Behance link. [Google] [More]  ⦿

Hamza Javaid

Graphic designer in Londonderry, Northern Ieland, who created the hacker font Contrablend in 2016. Behance link. [Google] [More]  ⦿

James S. Kelly
[SignArt]

[More]  ⦿

Jen Lea

Illustrator and art director in Belfast, Northern Ireland. Designer of the hairline avant-garde caps display typeface EO (2012-2013), which is inspired by and named after biologist E.O. Wilson.

Behance link. [Google] [More]  ⦿

John Vinycomb

Artist, b. Newcastle-upon-Tyne, 1833, d. 1928. John Ward, a printer in Belfast, employed John Vinycomb as the company's artistic director. Vinycomb organized drawing classes at the art studios of Marcus Ward&Sons after normal working hours. These classes were held under the company's auspices and were open to all for the price of a penny a session. Vinycomb was an internationally acknowledged expert in heraldry who was regularly consulted by the British and European royalty and aristocracy. Author of a number of art books such as Fictitious and symbolic creatures in art (Chapman and Hall, 1906) and Fictitious and Symbolic Creatures in Art (1909). He also drew a number of alphabets, such as Italian 14th Century Capitals, Modern Roman french Style, Modern Roman Italics OldStyle, and Modern Sans. The last alphabet was also called a "skeleton" at the time---all letters are of equal stroke width.

In 2012, Dick Pape created the digital typefaces LFD Thin French 208 and LFD 14th C Italian 75, based on Vinycomb's drawings shown in Alphabets Old And New For The Use Of Craftsmen (1910, Lewis Foreman Day).

Photo in 1910. [Google] [More]  ⦿

Lucia Cerda

Lucia Cerda (Belfast, Northern Ireland) designed Alphabet Erotique in 2015. [Google] [More]  ⦿

Matthew Lavery

During his studies in Belfast, Matthew Lavery created the modular typeface Segments (2014). [Google] [More]  ⦿

Philip Garnham

London-based Phil Garnham joined Fontsmith in June 2003 as designer to assist in the development and production of new alphabets for the Fontsmith font library. He is a 2002 graduate of Middlesex University. Most of his fonts are codesigned with Jason Smith. In 2004, he designed the slab serif FS Clerkenwell. Other fonts by him: FS Alvar (octagonal stencil), FS Kitty, FS Pele, FS Sinclair (2008, rounded octagonal), FS Conrad, FS Sally, FS Lola.

He made a custom face for the Northern Ireland Tourist Board in 2010.

FS Me (2009) is a sans family designed for readers with a learning disability. It was codesigned by Mitja Miklavcic, Jason Smith, Emanuela Conidi, Fernando Mello and Phil Garnham. FS Me was researched and developed in conjunction with---and endorsed by---Mencap, the UK's leading charity and voice for those with learning disability. Mencap receive a donation for each font licence purchased. FS Albert Pro and FS Albert Pro Narrow (2009) were done by Mitja Miklavcic, Jason Smith and Phil Garnham---it supports Greek, Cyrillic, and Latin, covering 60 languages.

Designer of FS Emeric (2013), a large humanist slightly angular sans family. Dedicated web site.

FS Sally Pro by Jason Smith and Phil Garnham won an award at Granshan 2016.

Klingspor link. FontShop link. [Google] [More]  ⦿

Rian Magee
[Twinbrush]

[More]  ⦿

Shannon Quinn

Belfast, UK-based designer of a triangle-themed typeface in 2015. [Google] [More]  ⦿

Sheila McCallan

During her studies at Ulster University Magee, Sheila Mccallan (Londonderry, Northern Ireland) created the Braille-inspired connect-the-dots typeface Visille (2015). [Google] [More]  ⦿

SignArt
[James S. Kelly]

James S. Kelly is the designer of the dingbat font Phones (1996) at SignArt in Kircubbin Co. Down, Northern Ireland. See also here.xi and here. [Google] [More]  ⦿

Steve Payne

Born in Belfast in 1970, Steve Payne is the designer of the free font Coma at Fountain. [Google] [More]  ⦿

Stuart Hanna

Belfast, UK_based designer of the experimental geometric typeface Circular Shift (2014). Behance link. [Google] [More]  ⦿

Tibo Tanguy

Designer of the kitchen tile typeface Belfast (2008). [Google] [More]  ⦿

Twinbrush
[Rian Magee]

Dungiven, Londonderry, Northern Ireland-based designer of these typefaces: Erin (2017: uncial Celtic style). Creative Market link. Behance link. [Google] [More]  ⦿

Yo Tomita
[Bach]

[More]  ⦿