TYPE DESIGN INFORMATION PAGE last updated on Wed Nov 20 11:25:52 EST 2024
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Barcode fonts for barcode schemes used by the Dutch PTT, and in the Australia Post Address barcode. For 99USD, bizfonts sells the RM4SCC fonts package. [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, who created the partitioned typeface Who Broke The Alphabet (2015). [Google] [More] ⦿ | |
A Friend of Mine
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A Thousand Shipwrecks
| Design collective in Melbourne which includes Sara Hayat. They created the art deco / Futura Black style typeface Nick Dale in 2009. They also created an ultra-fat psychedelic face in 2009. Posts stopped in 2009. [Google] [More] ⦿ |
Melbourne, Australia-based designer of the blocky geometric typeface Construire (2015), which was quickly renamed Confined. Behance link. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of a modern textured all caps sans typeface in 2017. [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the curvy painted display typeface family Bhava (2019). [Google] [More] ⦿ | |
Adam Celeban
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Designer from Melbourne. He created the rounded octagonal techno typeface Dream of Düsseldorf (2006). [Google] [More] ⦿ | |
Australian creator of the hand sign font AdmanGraphics Auslan (2008). He writes: This font was created for the hearing impaired using the AUSLAND Australian sign. It is free for personal use. [Google] [More] ⦿ | |
Adam Turnbull
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Graphic designer in Sydney who made the octagonal typeface Angkara (2011). [Google] [More] ⦿ | |
Australian creator of the fat finger typeface First Font (2012, iFontMaker). [Google] [More] ⦿ | |
Adrian Doidge (Brisbane, Australia) created the angular typeface Taeism (2012) and a custom jungle look typeface called ATP (2012). [Google] [More] ⦿ | |
Australian designer (b. 1998) of the Mexican party font Las Locuras del Emperador (2017). [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, who created the display typeface Mechanical Movement (2016). [Google] [More] ⦿ | |
Designer in Sydney, Australia, who created the grid-based typeface Kiku in 2017: Kiku means chrysanthemum in Japanese. The font is created using a grid, inspired by the Imperial Seal of Japan (also known as the Chrysanthemum seals). Behance link. [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, who created the hybrid all caps typeface Baskerone in 2015 as a mix of Baskerville and Didot. As a student, she created various display typefaces. [Google] [More] ⦿ | |
At Griffith University, Brisbane, Australia-based Alan Hossinger designed the constructivist typeface Cosmonaut (2018) and added an experimental decorative 3d typeface in 2019. [Google] [More] ⦿ | |
Born in Sydney, raised in New Zealand. Designer of GF Zucchini (1998) at Garagefonts. Also create HUD and Decoder, two techno typefaces. FontShop link. Klingspor link. [Google] [More] ⦿ | |
Alana Tomlin (Newcastle, Australia) designed the shadowde blackletter typeface Price in 2013. Behance link. [Google] [More] ⦿ | |
Perth, Australia-based designer of Tropical Party Icons (2018) and the grungy Halloween font Goosepimple (2018). [Google] [More] ⦿ | |
Sydney-based creator of the fat display typeface Yubari (2013). [Google] [More] ⦿ | |
Dafont link. Behance link. [Google] [More] ⦿ | |
Australian designer, aka Busalonium, of Thor's Thunderfont (2010, hand-printed), which was created for his web comic, Thor's Thundershack. [Google] [More] ⦿ | |
Brisbane, Australia-based designer (with Tyler Hood) of the display typeface Verge (2014). Behance link. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of Celsius Rounded (2017). Behance link. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the stencil typeface Elo (2016). Behance link. [Google] [More] ⦿ | |
Alexander Powell
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Sydney, Australia-based designer of Inconsistency Sans Serif (2013). [Google] [More] ⦿ | |
Australian designer of the shaky typeface Overcast (2017). [Google] [More] ⦿ | |
During her studies in Melbouyrne, Australia, Alexandra Cochran designed the decorative all caps typeface Hairy (2012). [Google] [More] ⦿ | |
Graphic designer in Brisbane, Australia, who created Esther Dean (2013), a chromatic layered typeface based on the Gothic Rounded wood type. Behance link. [Google] [More] ⦿ | |
Alice Deep is an illustrator and graphic designer who lives in South Sydney, Australia. In 2015, she created the hybrid display typeface Western Gumboots by combining Cooper Black and Futura. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the handcrafted Jam Hands (2018). [Google] [More] ⦿ | |
Sidney, Australia-based designer of the display typeface Mokito Cubana (2016). Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of an untitled display typeface in 2014, which was developed during her studies at COFA UNSW. Behance link. [Google] [More] ⦿ | |
Dafont link. [Google] [More] ⦿ | |
Australian designer who created the handwriting typeface Nifty (2007). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the rounded rhombic typeface Klono (2019). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the hipster typeface Machine Wash (2017). [Google] [More] ⦿ | |
Alli Paterson
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Australian designer who created the handwriting font Nifty (2007). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the informal brush typeface Vertical Salsa (2015). [Google] [More] ⦿ | |
During her studies at Queensland University of Technology in Brisbane, Australia, Alyssa Fahey designed the delicate handcrafted typeface Needle And Thread (2016, with Tiffany Hartwig). [Google] [More] ⦿ | |
Amanda Ariel
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Together with Renae Richani, Brisbane, Australia-based Amanda Kulakowski created the skull-and-bones font Mortem (2013). Dafont link. Aka Amanda Beata. [Google] [More] ⦿ | |
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Brisbane, Australia-based designer of the brushy typeface Sediment (2016). [Google] [More] ⦿ | |
Australian designer of the monoline geometric sans typeface Atlantic Neue (2017) and the large multilayered font family Oblivium (2018). Typefaces from 2019: Wassailing (script), Dragonfly Soup (script), Candy Pop (script), Apple Cart (script), Faraway (an errie font), Cinnamon Bun, Buttercream Dream, Lolly Gosh, Baby Pineapples, Macaron Moment, Zombie Dance, Blamo (a cartoon font), Cinnamon Sticks (script). Typefaces from 2020: Cheeky Bite Shine, Bake Sale, Mr. Biscuits, Saturday Morning Breakfast, Cuppy Cake, Freaky Tiki. [Google] [More] ⦿ | |
Australian, b. 1987, aka Ego Box. Creator in 2010 of four free handwritten fonts, Nibble Diary, Like Giselle, Scratch It, Sweetie Pie and Behind Lines. Behind Lines (2010) is a dotted font, while Fragile Decay (2010) is grungy. In 2008, she made Ammys Handwriting. Dafont link. [Google] [More] ⦿ | |
As a student at University of Technology, Sydney, Australia-based Ammy Luy designed Symphony Muse (2017). [Google] [More] ⦿ | |
Amos Creative
| Ballarat, Australia-based designer of the display typeface Australis (2018), about which he writes: Inspired by an example of early lead light signage on a pub in Adelaide. The usage examples are inspired by the story of Jack the rooster brought by 2nd Divisional Signals Company in Egypt in 1916. They found Jack to be a better guard than a dog, as he attacked any stranger who entered the unit lines. [Google] [More] ⦿ |
As a student at UNSW Art and Design in Sydney, Australia, Amy Ge designed the shadow typeface Love Me Not (2017). [Google] [More] ⦿ | |
During her studies at Queensland University of Technology, Brisbane, Australia-based Amy Hitchner co-designed the display typeface Deliciae (2019) with Michelle Killalea. [Google] [More] ⦿ | |
As a student in Brisbane, Australia, Amy Kirchner designed a wood block typeface (2016). [Google] [More] ⦿ | |
Perth, Australia-based designer, b. 1985, who created these free typefaces in 2012: Simply Chalky, Sunday Sunday, Pinwheel, Porcelain Paper Pie, Indifference, Geo, and Care To Dance. Her company is called Porcelain, Paper & Pie. Fontspace link. [Google] [More] ⦿ | |
Canberra, Australia-based designer of the hipster typeface Marbles (2013), which was created for the Canberra Centenary typeface competition in 2013. [Google] [More] ⦿ | |
Australian designer of Niemeyer (2019), a typeface inspired by Brazilian architect Oscar Niemeyer. [Google] [More] ⦿ | |
An exploration of the Latin Modern fonts
| Article in The PracTeX Journal, 2006, no. 1, by Will Robertson, a PhD student in Mechanical/Mechatronic Engineering in the University of Adelaide, South Australia. The Latin Modern family was originally designed by Jackowski and Nowacki to cover as many languages as possible: it has over 69,000 glyphs. [Google] [More] ⦿ |
Ascot, Australia-based designer of La Rambla (2019) and Little Sophia (2019). [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Melbourne-based graphic designer. Creator of Fat Face (2007), a fat serifed headline face. He also made AB Uncial (2007). Graduate with an MA in typeface design, University of Reading, 2008. His graduation project was a versatile serif typeface created for use in magazines and books, Hyde Serif. [Google] [More] ⦿ | |
Australian designer of the free fonts Vertigon (2012, poster face) and Wolfsburg (2012, techno). [Google] [More] ⦿ | |
Australian creator of ModeSeven (1998, pixel font based on the Teletext bitmap font) and the splendid Flicker family (2002), pixelized in the format of kitchen tiles. Bulhak runs the news blog Null Device, and is lecturer in Computer Science at Australia's RMIT University. Fontspace link. [Google] [More] ⦿ | |
Andrew Cunningham (Multilingual Technical Officer, Accessibility and Evaluation Unit, Vicnet, State Library of Victoria, Australia) is developing fonts for Dinka, a language of South Sudan. [Google] [More] ⦿ | |
Aussie designer who runs Creative Media Design and is involved in Ubuntu Artowk. Creator of the minimalist sans typeface Ubuntu Title Font (2005). Dafont link. [Google] [More] ⦿ | |
Andrew Gauld
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During his studies in Australia in the 1990s, Andrew Kesper created Caloundra, a 7pt bitmap font designed for use on web pages. [Google] [More] ⦿ | |
Born in 1984. Lives in Melbourne, Australia. Designer of the handwriting font Harrison (2004), which can be found here (2004). [Google] [More] ⦿ | |
Unclear whether Andrew Leto is Canadian or Australian. In any case, he designed the organic sans typeface Penguin Sans (2013). Dafont link. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of Tubula (2018). [Google] [More] ⦿ | |
London-based and Australia-born designer of Doodlebug (Letraset, a nice scratchy handwriting face), Jokerman (1995, Esselte), Retro Bold (1992, a slab serif done with Colin Brignall), Scratch (1995), Smudger (1994), Chiller (1995, Esselte), the frivolous curly font Laughin (FontHaus, since 2006 also at Group Type: sample, another sample, and another one), Doubler Script (FontHaus), Chipper (1995), and Faxsimile (at 2Rebels, 1998). Creator of Barbed Wire AS (1998). Goo Goo Gjoob (Letraset Fontek) was inspired by the hand-writing and drawings of John Lennon (see also John Lennon (2008, a free font by Analia Wainer). Potato Cut (Fontek) is a comic book face. Klingspor link. FontShop link. View Andrew P. Smith's typefaces. [Google] [MyFonts] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of Bodoni Java, City Central, City Estate, Code, Empyre, Interface, Krush, Nippon, Ruby, Special Deluxe, Speedster, Vertigo, Bats Noir, Beds, Bats&Tables, Numb Bats, Sports Bats. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Adeliade-based creator of a faux mag cover Arkitekt (2013) that balances photography and typography just right. [Google] [More] ⦿ | |
Aussie designer in 2001 of fonts for the Shavian alphabet: Europa and ShawScript. Downloads do not work. [Google] [More] ⦿ | |
Melbourne-based designer who created Widford (2005, sans). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the high-contrast display typeface Anchor Sans (2013). [Google] [More] ⦿ | |
Ang Cheffey
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Creator of the hand-printed NADC Heartbeat (2011). NADC stands for Nepean Arts&Design Centre (NADC) at Nepean College (Kingswood Campus) near Sydney, Australia. [Google] [More] ⦿ | |
Creator of the hand-printed You Know It (2011). Student at NADC TAFE (Australia). [Google] [More] ⦿ | |
Coolaman, NSW, Australia-based designer of Mascarpone (2011). [Google] [More] ⦿ | |
During her studies in Melbourne, Australia, Anina Grace created an native American-themed display typeface called Tipi (2013). [Google] [More] ⦿ | |
Anja Emzén grew up in the south of Sweden, and got a bachelor degree in graphic design from the renowned Graphic Arts Institute of Denmark. Starting in 2010, she is doing graphic design work in Sydney, Australia. Emzén (2010) was created while Anja was studying at The Graphic Arts Institute of Denmark. It is a soft-edged slab serif. [Google] [More] ⦿ | |
During her studies at RMIT in Melbourne, Australia, Ann Chen created the display typeface Twigs (2015). [Google] [More] ⦿ | |
For the identity of the Melbourne Theatre Company, Ann Forrest created a neon sign font called MTC (2012). [Google] [More] ⦿ | |
Designer from the Gold Coast in Australia, who created an ornamental octopus-themed ornamental alphabet called Tentacle (2013). Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the decorative alphabet Bones (2014). Behance link. [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Annabel Caley designed the triangulated typeface Pylons (2016). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the serif typeface Olearia (2017). Behance link. [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, whose studio is called Could Not Sleep. He created the experimental loopy typeface called Boundary (2010). Behance link. [Google] [More] ⦿ | |
Anthony Cahalan has broad-ranging national and international experience in graphic design, marketing, public relations and design education. He is currently Deputy Head of the School of Design and Architecture and Associate Professor of Graphic Design at the University of Canberra. He studied visual communication at Sydney College of the Arts, has a Master of Design from the University of Technology Sydney and completed his PhD in typography at Curtin University of Technology in Perth. Cahalan's doctoral thesis was entitled Type, trends and fashion: A study of the late 20th century proliferation of typefaces. It was published by Mark Batty in 2008. The book blurb: New York : Mark Batty Publisher, 2008, quarto, cloth in dust jacket. 348 pp. First Edition. Changes in technology and stylistic developments in the design, use and reproduction of typeface designs were exponential in the last two decades of the twentieth century. This was due in no small part to the availability of the desktop computer and associated software. Anthony Cahalan investigates this late twentieth century proliferation of Western typefaces by analyzing and interpreting the phenomenon from the perspective of those studied: graphic designers and similar experienced users of typefaces, rather than the general population of computer users. This book documents the way these design and typography professionals saw the type design industry from the inside to provide fascinating "snapshots in time" of typeface design during this exciting period.Speaker at ATypI 2010 in Dublin. [Google] [More] ⦿ | |
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Designers of the dotted font NADC Dalmatian (2011). NADC stands for Nepean Arts& Design Centre (NADC) at Nepean College (Kingswood Campus) near Sydney, Australia. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the display typeface Marvel Gate (2016). [Google] [More] ⦿ | |
Graphic designer in Adelaide, Australia, who created the Balloon Festival typeface (2014). [Google] [More] ⦿ | |
Archetype
| Australian designer of Tough Love (2018: octagonal), Gaffer Type (2018), Mango Chutney (2018), Instant Noodle (2018) and Dogfish (2018). [Google] [More] ⦿ |
Arkpandora
| The author of these free fonts, Gavin Graham, writes: Many people are still getting (by whatever means) the core MS fonts for their Linux Desktop. This project is meant to be as a replacement for some of these main fonts. They have been designed to match similarly with the fonts they replace. The fonts are derived from the Bitstream Vera fonts and are available under the same terms as Vera. With this set, you get Aerial instead of Arial, Tymes instead of Times New Roman and Veranda instead of Verdana. The actual list is: Aerial, AerialBd, AerialBdIt, AerialIt, AerialMono, AerialMonoBd, AerialMonoBdIt, AerialMonoIt, Tymes, TymesBd, Veranda, VerandaBd, VerandaBdIt, VerandaIt. [Google] [More] ⦿ |
Ascinct
| Grant Sparks (aka as Phesix or Ascinct, b. 1985) is the Perth-based designer of the experimental typeface Conscept (2005) and of Consphere (2004). Alternate URL. [Google] [More] ⦿ |
During her studies in Ballarat, Australia, in 2013, Ashlea Caygill designed a custom uppercase only sans typeface. [Google] [More] ⦿ | |
Ashlea Wheeler
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Graphic designer in Brisbane, Australia. Creator of a variable baseline blackboard bold typeface in 2013. [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the rounded informal sans typeface Perso Highway (2019). [Google] [More] ⦿ | |
Australian site with some Microsoft fonts (free), and some shareware font programs. [Google] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of Omit and GlamBats. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Designer in Sydney, Australia. Creator of the curvy experimental typeface Efflorescence (2002). It was made while creating an identity called Reva for Design Resource. Behance link. [Google] [More] ⦿ | |
Behance link. Dafont link. [Google] [More] ⦿ | |
Audun Stien
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Australian designer of the thin geometric avant-garde style monoline sans Cumulus (2010), which was part of her Masters project. Behance link. Home page. Augusta lives in Adelaide. [Google] [More] ⦿ | |
Auslan Fonts
| Susan Ashley (Australia) offers commercial fonts for sign language: Auslan Susana 1 and 2, Auslan Comic (using Mickey Mouse hands), and BSL and NZSL versions of these fonts as well. [Google] [More] ⦿ |
Many handwriting types used by schools around Australia; New South Wales 1&2, Queensland 1 and 2, South Australia 1&2, Tasmania 1&2, Northern territory, Western Australia and Victoria. Designed for writing skills in the 5-12 years age group. The fonts are made by "New Horizons". [Google] [More] ⦿ | |
Australian aboriginal art by Dick Pape
| Dick Pape created these Australian aboriginal art typefaces in 2009: Aboriginal Art (A, B, C). Download here. [Google] [More] ⦿ |
Australian Faces
| Robert Oster (b. Tanunda, Australia, 1959) is the founder of AustralianFaces (est. 1999 in Redfern, with a new headquarters in Melbourne, and now also in Strawberry Hills NSW), and his fonts are copyright "Oopie Family Trust". His commercial fonts include AFF Australian Sans (2000), Batmin, BlackJack, Broad, AFF Bumpy Ride, Copperplate, Outback, Grotesque 9, Evolution A, Evolution B, FAQ, Grace, Old Chicago, Mardigras, One Dollar Font (wow, a competitor for LettError's Federal font), Acid Caps, Jelf Script, Scrunch, Bluegum. He also does custom font work. MyFonts page. The typophiles object: Beauchamp looks surprisingly like the wonderful Mantinia from The Font Bureau, with a badly modified B and G. [...] Deftone is a Larabie font. UntitledAF is Solaris. Old Chicago is just the old Mac system font run through a filter. [Google] [MyFonts] [More] ⦿ |
Australia's last firm to make hand-set types. [Google] [More] ⦿ | |
Australian Type Foundry (ATF)
| The Australian Type Foundry was launched in January 2002 by Wayne Thompson (b. 1967), who is art director at an ad agency in Newcastle, NSW, and is located in Merewether. He holds a Masters of Type Design from the University of Reading, UK. Commercial fonts at this ex-signpainter's site include Arum Sans (2009, an elegant humanst sans family), Halvorsen (2006), Fuse Box (2005), Architect (handprinting, now at T-26), Axiom, ATF Bosin (2003, casual hand script; see also Bosin Nova, 2021), Barkpipe, ATF Iperion (2003), McNeilBlok (2003), Not Sassure, Spud (handprinting), Wobbly Boot (2007, boozy script), Zoobie (2007, handprinting), Virus, Otis and Otis Condensed (since 2007 at T-26), Ogre, Fresh, ATF Euron (2003). ITC fonts by Wayne Thompson: ITC Panic (grunge), ITC Dont Panic (2000, grunge font), ITC Django (handprinting). [T-26] fonts by him include many of the above, plus also DallasPlain (1998, handwriting). Free font page: pick up a free font (was Spud Italic, currently is the grunge font Virus). Another free font by them is Mallee Wooden (Western typeface). At Phat Phonts, Wayne Thompson created Jungle Bones (2005) and Ratbag (2005). Stuart Brown designed the Neutraliser family, a versatile collection of geometric-based fonts with 24 styles. Artist Paul McNeil has designed the McNeil family of blocky display typefaces. He has previously produced designs for Mambo and currently works in Sydney. Another designer working for them, out of Indonesia, is Mendiola B. Wiryawan. Custom typefaces by ATF include Django Modified, Honda Prototype (2012), OBrien Glass (2012), Travel Bats (for Sensis) and JWT Vodafone (grunge). The retail fonts at the start of 2012: ArumSans, Halvorsen Pro, ITC Django, Grimsby Hand, Bosin, Carbon Credit, Carbon Tax, Chowdahead, Decon, Demented Avenger, ITC Don't Panic, Equaliser, Equaliser Stencil, Euron, Fresh, Fuse Box, Guttersnipe, Iperion, Barkpipe, ITC Panic, Not Sassure, Ogre, Otis Condensed, Pontoon, Ratbag, Spud, Stakeout, Tully, Virus, Wobbly Boot, Zoobie. In 2013, Thompson created the custom sans typeface Tonsley and participated in the Canberra Centennial Typeface Competition. In 2014, he designed the brush script typeface Quencher, and the custom sans typeface O'Brien Glass. In 2015, ATF created Maccas (+Inline) for McDonalds Australia, via their agency DDB Sydney, by modifying, with permission, Cindy Kinash's True North typeface family. For a South East Asian nation's law enforcement agency, he custom-designed Personaliyty (2015). He designed ABC Sans (2016-2018) for Australia's media conglomerate. Typefaces from 2020: Deka (a logical rounded sans family). Typefaces from 2021: Lurline (a reverse stress display typeface), Mandy Hand. Behance link. I Love Typography link. MyFonts site. Linotype link. View Wayne Thompson's typefaces. View the typefaces made by the Australian Type Foundry. [Google] [MyFonts] [More] ⦿ |
Australian Typography 1995-2005
| Stephen Banham's article in Australian Creative about Australian type design. [Google] [More] ⦿ |
Brisbane, Australia-based designer (b. 1987) of the florally decorated typeface Carnivora Flora (2014). [Google] [More] ⦿ | |
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Graduate of UNSW Art & Design. Sydney, Australia-based designer of the paperclip-styled typeface Unfinished Business (2014). Behance link. [Google] [More] ⦿ | |
Creator in Sydney, Australia, of the free font Orator Reformed (2012). [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, who created Network Typeface (2014). This modular chromatic typeface lends itself easily to glyph compositions in Latin, Chines and devanagari, and is also usefl for creating icons. Behance link. [Google] [More] ⦿ | |
Barry Graham
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Australian type and graphic designer, b. 1983. He specializes in experimental typefaces (examples: Angel, Back, Blank, Block, Flip, Flow, Game, Intercom, Iris, Length, Maze, Missing, Found, Neutral, Newt, Origami, Quilt, Shift, Soviet, Spiral, Switch, Takara, Thai, Womb, Woven). Build is a kitchen tile/stencil face. [Google] [More] ⦿ | |
Bean & Morris
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Via MyFonts, where he is listed under Bean&Morris (a collaboration of two prolific personalities in Australian lettering, logo design and typography, Russell Bean and Keith Morris), one can buy his typefaces, such as Lilianesque (2012), Libran (2009), Rumo Script (2009), Empire Display (2010), Shire Script (2010) and Waratah Gothic (2010). Typefaces from 2012: Emporia Roman (a Trajan column typeface with a delicate roman). See also Emporia OT (2016), which includes an italic. Typefaces from 2016: Aysiano. View the typefaces of the Bean & Morris foundry. [Google] [MyFonts] [More] ⦿ |
For the rebrand of Diversion Dimensions, Beau Thein (Sydney, Australia) created a kitchen tile typeface (2017). Behance link. [Google] [More] ⦿ | |
Australian designer who created Becksfirstfont (2007, hand-printed). [Google] [More] ⦿ | |
Sydney-based designer of Snapback (2013), a poster typeface. [Google] [More] ⦿ | |
During her studies at Curtin University of Technology in Bentley, Western Australia, Belinda Bonomelli (Perth, Australia) created the handcrafted typeface Seaswirls (2014). [Google] [More] ⦿ | |
Joint designers of the hand-printed typeface Bows and Boots (2011). NADC stands for Nepean Arts&Design Centre (NADC) at Nepean College (Kingswood Campus) near Sydney, Australia. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the multiline prismatic and chromatic typeface Everest (2015). Behance link. [Google] [More] ⦿ | |
Australian designer who drew the glyphs for Su Lucas' Junari Claws runes font (2002). [Google] [More] ⦿ | |
Brisbane-based designer of the chromatic typeface Chav (2012). [Google] [More] ⦿ | |
Ben Coward
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Graphic designer in Melbourne, who created the display typeface Steampunk (2013). [Google] [More] ⦿ | |
Graphic designer and typographer in Sydney, Australia. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of Fog Font (2015). [Google] [More] ⦿ | |
Brisbane, Australia-based graphic design student who created Geared (2012, a free grungy typeface at Lost Type), Arvil Sans (2011, free at Lost Type). Home page. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the free geometric sans titling typeface Stereo (2016), which was inspired by the types seen on 1980s stereo equipment. Behance link. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the display typeface Steampunk (2016). [Google] [More] ⦿ | |
Benn Glazier
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Melbourne, Australia-based designer of multiline display typeface in 2018. [Google] [More] ⦿ | |
Australian designer of the ironwork typeface Ternate (2018). [Google] [More] ⦿ | |
Betty Zhang is based in Gold Coast, Australia. Designer of the free display typeface Stripes (2013). Dafont link. [Google] [More] ⦿ | |
Bigbloke (2012) is a PDF extract. Inside it states that it is an Outback restaurants Menu font. The designer is unknown. [Google] [More] ⦿ | |
During his studies in Perth, Australia, Bill Upchurch created the trompe-l'oeil typeface Carrot Sticks (2014). [Google] [More] ⦿ | |
B.J. Winzer
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Black Graphics
| New York City-based typographer and designer. She studied at the Queensland College of Art in Brisbane, Australia, and moved to Berlin in 1988, where she held the position of Art Director for the English-language magazine The Edge and later Art Director for The Berliner. In 1991 she relocated to San Francisco, where she started web design in 1996, doing a lot of branding for many years. In 2008, Karen relocated Black Graphics from San Francisco to New York. During her studies at Type@Cooper (2011-2012) she created the text typeface Reguat. [Google] [More] ⦿ |
Black Mantis Operations
| Jim Kalogiratos (Black Mantis Operations) is the Australian designer of the comic book fonts THWACK!!! and THWACK!!!2 in 1998. Download site. [Google] [More] ⦿ |
Blackboard Etiquette
| Australia's self-proclaimed number one chalkart studio, which offers free fonts designed by Peter Stanton, all done ca. 1998. Handwriting and display designs include the curly Bitchin, Bitch Cakes (handwriting), Marilyn Monroe Dingbats, Focaccia, Watertank, Cat Krap, Saphire, Chalkie, Rhiannon, Slobbo, Graveyard Shift (grunge), Caffe Latte (curly), Angelica (1998, curly), handwriting fonts such as Angelica, Hankee Pankee and Jungle Juice, and Reactivare, Maximillion, Knick O Teen and Mr Fixby. Dafont link. Fontspace link. [Google] [More] ⦿ |
BlackCloud Software (or: 10FOLD)
| Cooperative for software, located in Melbourne, Australia. One of the participants is Andrew Gauld (10FOLD). For a project called Sapphire, they created the poster typeface Sapphire Checklist (2014). Citrine (2014) and Emerald (2014) are fat poster typefaces. Behance link. 10FOLD link. Behance link for 10Fold. [Google] [More] ⦿ |
Blindfrog Industries
| Alexander Powell (Blindfrog Industries, Melbourne, Australia) is the based designer of the free sans headline typeface Practique (2010). Devian Tart link. [Google] [More] ⦿ |
Typefaces from 2016: Schoolyard (children's didactic hand-lettered fonts), Millstreet (based on a font found in a school book from 1886). Typefaces from 2017: Parapet (blackletter). [Google] [More] ⦿ | |
Blushbutter
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Their fonts include Blushbutter Fairy Floss (2007, curly caps), Blushbutter Whimsy (2007, more curly caps), and Blushbutter Fae (2007, pixie dingbats). Alternate URL. MyFonts site. Klingspor link. [Google] [MyFonts] [More] ⦿ |
Freelance photographer and designer in Brisbane, Australia, who created the arrowed display typeface Scout in 2013. Behance link. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
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Bodhi Burathoki (Melbourne, Australia) created the modular geometric typeface White Type in 2014. Behance link. [Google] [More] ⦿ | |
Bohloul Arabic Type Design
| Dundas Valley, Australia-based designer of Arabic typefaces. These include Shabaq (2022: a bold flashy typeface for Arabic and Farsi). [Google] [MyFonts] [More] ⦿ |
Sydney-based designer who graduated in 2011 from the College of Fine Arts with a Bachelor of Design. Bonnie created the beautiful prismatic art deco typeface Strukture (2012). [Google] [More] ⦿ | |
Boxmarks
| A truetype font by Barry Graham (1998) from Melbourne containing trills, mordants, glissandi, arpeggio marks, rehearsal marks for music. Dominique Portier (marsu) updated the font in 2000. See also here. [Google] [More] ⦿ |
During his studies in Newcastle, Australia, Brayden Duignan-Teys designed an organic circle-based sans typeface (2016). [Google] [More] ⦿ | |
Brent Airey
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Canberra, Australia-based designer of several sets of drop caps. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the witchcraft and Wiccan theology-inspired art nouveau typeface Coven (2015). [Google] [More] ⦿ | |
Bendigo, Australia-based designer of the display typefaces Polyfont (2014, hexagonal), Mother's Day (2014) and Cinderella (2014). [Google] [More] ⦿ | |
Born in Australia and raised in Indonesia, she is currently based in New York City to pursue a degree in Advertising and Graphic Design at the School of Visual Arts (class of 2017). In 2017, she designed a nice poster entitled Ella Fitzgerald. Behance link. [Google] [More] ⦿ | |
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Sydney, Australia-based designer of Charlie Bucket (2019), a font inspired by Quentin Blake's childlike, unrestrained illustrations. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the vintage typeface Jacques (2016). [Google] [More] ⦿ | |
During her studies in Brisbane, Australia, Brooke White created Cambria Revised (2014), a version of Cambria in which the glyphs are made thinner to save on ink. In 2015, she added Batari (a squarish typeface). Behance link. Graphicriver link. [Google] [More] ⦿ | |
Cade
| Christopher Diehm (Cade) (b. 1985) is the Australian/Russian designer of the Latin handwriting font Arthritical (2003). Alternate URL. He lives in Northern Queensland. [Google] [More] ⦿ |
Australian designer, b. 1988, of Dagon Gothic (2016). [Google] [More] ⦿ | |
As a student in Canberra, Caitlin Edwards participated in the Canberra Centennial Typeface competition with a typeface called Playdough (2013). [Google] [More] ⦿ | |
Designer in The Gold Coast, who drew the sea anemone-inspired ornamental caps alphabet Emone (2012). She graduated in 2010 with a Bachelor of Design majoring in Visual Communication at Griffith University QCA in Southbank, Brisbane. Behance link. [Google] [More] ⦿ | |
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Callum Strachan Templeman is the Sydney, Australia-based designer of the outlined didone typeface Zetterberg (2016). This typeface was done during his studies at Billy Blue College of Design. [Google] [More] ⦿ | |
During his studies at University of Technology in Sydney, Australia, Calvin Thy designed the squarish typeface Mazzle (2016). [Google] [More] ⦿ | |
As a student in Adelaide, Australia, Cameron Gomersall created the dot matrix typeface TenThirtySix PM (2015) and the sketched typeface CjGomS (2015). In 2020, he added Geo Block. [Google] [More] ⦿ | |
Creator in Brisbane, Australia, of Chromatic Typeface (2012), Frances Brush (2020: an SVG font), Jupiter Brush (2020: an SVG font), Oakwood Press (2019), Anticial (2020: script), Workshop Brush (2020: an SVG font), Acid Wash (2021), and Lunar Palms (2021). [Google] [More] ⦿ | |
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Cameron Sweeney
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Sydney-based creator of Handmade (2011, a sketch font). An illustration featuring a butterfly (2011). [Google] [More] ⦿ | |
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The design brief: Create a versatile and usable new typeface, to be employed primarily in headlines and sub-heads that reflects the style, spirit, prestige and character of the city of Canberra. At the end of 2013, the winners were announced. Grand prize winner was James Raftopoulos for a thin slab serif. Second place went to Alex Kaczun for Directors Cut. The full list of winning entrants. [Google] [More] ⦿ | |
Melton, Australia-based designer of Data 2013 (2013). [Google] [More] ⦿ | |
Carly (b. 1982) lives in Sydney, Australia. At Devian Tart, she designed the handwriting fonts Forkrash (2002) and Esh (2001), as well as Scratchbase (2002). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the circle and grid-based typeface Noodle Shop (2014). Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based creator of the paperclip font Whitehall Gates (2012). [Google] [More] ⦿ | |
Adelaide-based creator of a floriated caps typeface in 2013 for the Adelaide Botanic Gardens. [Google] [More] ⦿ | |
Carolyn Ward
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Graphic designer in Sydney, Australia, who created the straight-edged Simple Typeface in 2014. [Google] [More] ⦿ | |
Carrot Rope (Sydney, Australia) designed Simple Typeface in 2013. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the modular typeface Empress (2016). Behance link. [Google] [More] ⦿ | |
As a student at Queensland University of Technology, Brisbane, Australia-based Cassandra Dimitroff designed the display typeface Flux (2016, with Amy Kim). Behance link. [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of Angled Hand (2019). [Google] [More] ⦿ | |
Australian designer (b. 1988) of InsertRandomness (2005). She also created the handwriting fonts i-hearts (2009, curly) and Yes Miss (2009), and the blackboard bold font Narnean (2009). [Google] [More] ⦿ | |
Self-proclaimed designer of the Melbourne nightclub maffia, she is the designer at the Australian foundry Prototype Font Design of the dingbat font The Great Batsby. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, who created Mosquito Typeface in 2015. [Google] [More] ⦿ | |
Graphic design student at Swinburne University, Melbourne, Australia. At Politecnico di Milano in 2011, she created a sci-fi font appropriately called Sciphabet. [Google] [More] ⦿ | |
Designer from Sydney, b. 1985. Creator of Cynny (2009, handwriting). [Google] [More] ⦿ | |
At University of Technology Sydney, Chan Woo Park designed Durnehviir (2017), a font inspired by, and named after a character from a famous video game, The Elder Scrolls V: Skyrim. Behance link. [Google] [More] ⦿ | |
Australian-born graphic design student at Manchester Metropolitan University. She created the experimental typeface Bang (2012). Behance link. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the custom typeface Wildeb (2016), which is based on the reverse stress typeface Caslon's Italian (1821). Behance link. [Google] [More] ⦿ | |
Australian creator (b. 1991) who lives in Melbourne and made the pixel font Child's Play (2008). [Google] [More] ⦿ | |
Australian who made two dingbat fonts, including Valentine Hearts. Downloads not functional. [Google] [More] ⦿ | |
Chay's Graphic Design Studio
| Aussie Alli Paterson at Chay's Graphic Design Studio made the dingbat fonts Apfancyframes, Apfancynavs, Aphearts, Apjusthearts, ChaysFrames. Another URL. Dafont link. [Google] [More] ⦿ |
During her studies at Griffith University, Gold Coast, Australia-based Chelsea McLachlan designed the native american pattern-inspired typeface Sedona (2018). [Google] [More] ⦿ | |
As a student at Federation University in Ballarat Central, Australia, Chenae Smith designed the display typeface Giro Giro (2015). While the glyphs appear like bike chains, the creator admits to being influenced by indigneous Australians cave paintings. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of a decorative layered or chromatic typeface in 2014. Cherie writes: Inspired by Palais du Louvre, Pierre Fontaine was known for Empire and Directoire style design and was responsible for restoring the Louvre-Tuileries complex under Charles X and Louis-Philippe until 1848. This work was done while Cherie was studying at Design College Australia. [Google] [More] ⦿ | |
Australian designer of some experimental typefaces in 2017. [Google] [More] ⦿ | |
Bachelor of Design in Visual Communication at University of Technology Sydney. She created a playful didone typeface called Adelia (2012). [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Chloe Gracie created the display typeface Lady Lazarus (2015). Behance link. [Google] [More] ⦿ | |
During her studies at University of South Australia in Adelaide, Chloe Katopodis designed the techno display typeface Sato (2016). Behance link. [Google] [More] ⦿ | |
During her studies at TAFE, Brisbane, Australia-based Chloe Youngman designed the display typeface Badass (2019). [Google] [More] ⦿ | |
Australian designer of the free outlined shadow typeface CAP Construct (1997). [Google] [More] ⦿ | |
Australian designer of Cap Constructed (2005). Dafont link. [Google] [More] ⦿ | |
Chris Brown
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Visual communication design student in Sydney. He created this sans face (2007). [Google] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of Bite, Kill, Orbit and Slick. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
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Australian creator of the basic hand-printed RIGG Font (2009). Another URL. Fontspace link. [Google] [More] ⦿ | |
Sydney-based designer of the custom typeface Euclid (2012), which is inspired by Oliver Byrne's The First Six Books of the Elements of Euclid. Aka Lumiko. Behance link. [Google] [More] ⦿ | |
Designer from Victoria (Australia) who made the interesting display font William 26. [Google] [More] ⦿ | |
Melbourbe, Australia-based designer of the circle-based sxns typeface Fruit Bowl (2014). Behance link. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the lachrymal liquid typeface Invisible Life (2016). [Google] [More] ⦿ | |
Christopher Diehm
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Christopher Harvey
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During his studies at Design College Australia, Christopher Kebblewhite created Neaves (2015), a custom serif font inspired by a masthead from an 1890's Ladies Home Journal. [Google] [More] ⦿ | |
Gold Coast, Australia-based graphic designer. With Aaron Patal, he designed the sans typeface Taslant in 2014. Taslant is based on Tahoma. Behance link. [Google] [More] ⦿ | |
Christopher Widdowson
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Christopher Young
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Sydney, Australia-based designer of Clara (2018: a school font) and the free architecturally-inspired typeface Articular (2018). [Google] [More] ⦿ | |
Enjoy the great use of the letter M for the branding of the city of Melbourne in 2009 by a team of designers at Landor: Jason Little, Ivana Martinovic, Jefton Sungkar, Malin Holmstrom, Sam Pemberton. [Google] [More] ⦿ | |
Brisbane-based designer of a gorgeous watercolor lower case a (2014). [Google] [More] ⦿ | |
Claire Hayes
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Based in Gold Coast, Australia, Clara Mendiola designed the music note-insppired vintage typeface Symphony (2016) while studying at Queensland University of Technology. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of a squarish typeface in 2019. [Google] [More] ⦿ | |
The hand-rendered letterforms of graphic artist Daniel Clowes led Cleo Papineau (from Sydney, Australia) to start working on a slab serif typeface called Clowes (2010). [Google] [More] ⦿ | |
Australian creator of Syncron (2011, a techno font) and Bauhaus (2011, geometric). [Google] [More] ⦿ | |
Sydney, Australia-based web designer, who created the ultra thin experimental typeface Machine Man (2004). [Google] [More] ⦿ | |
During his studies in Brisbane, Australia, Conor Graham designed the display typeface Nomadic (2016). He explains: Focusing on my heritage as an Aboriginal Australian from the Kombumerri Tribe I created this typeface through mapping out where I traveled to on a daily basis. [Google] [More] ⦿ | |
Designer and illustrator in Adelaide, Australia, who created the decorative capos typeface Adelaide (2014), which consists of ornaments related to her city. [Google] [More] ⦿ | |
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Australian designer of New Utopia (2017), a typeface that combines elements of Russian constructivism and the arts and crafts movement. [Google] [More] ⦿ | |
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Graphic designer in Brisbane, Australia. Creator of the modular sci-fi typeface Robotica (2011) and of the ornamental caps typeface Byron Daze (2014). Dafont link. [Google] [More] ⦿ | |
Gold Coast, Australia-based designer of the stencil typeface Construct (2018), which combines geometric elements and was inspired by the De Stijl movement. [Google] [More] ⦿ | |
Crack-A-Jack Studios
| Crack-A-Jack Studios is located in North Balwyn, Victoria, Australia, and run by David Jackson. Fonts subpage. Fonts came in packages such as the signage font pack Signer Can'O Fonts: Signer (Brush, Casual, Fancy, Latin, Italic, Sans, Serif, Script, Text, Title). He also has tattoo fonts such as Tattoo Black, Tattoo Regular, Tattoo Thin, Tattoo Gothic. The free Lemon Chicken font (2000) has some late art nouveau frivolity in it. Check also Yenotten. Fontsquirrel link. Klingspor link. Fontspace link. Another Fontspace link. [Google] [More] ⦿ |
Australian designer of the destructionist typefaces Dysfunction Comic (2005), Anarchy (2005) and Dysfunction (2005). [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia. In 2016, he designed the triangulated typeface Cockfosters, a monospaced typeface that extrapolates the illuminated signage font seen at the front of 1973 Piccadilly Line Underground trains. [Google] [More] ⦿ | |
Western Australian creator (b. 1989) of the grunge handwriting typeface Twisted (2006). He also made DysfunctionComic (2005) and Otherman (2006, ransom note face). [Google] [More] ⦿ | |
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Sydney-based creator of Weedface (2019), Sydney Mop Style (2019), Stylewriting (2019: a graffiti script), Skinny Style (2019), Sikz Tm Burner (2019: graffiti), 2Loco In Crime (2015, graffiti), Mr. Skae (2014), First Font Lower Fat (2014), Bling (2014), Shoelace (2014), Calli Chizel (2014), NY Fat (2014), Mare 007 (2013, graffiti font), Mop Top (2013, fat finger typeface), Keep Out (2013, a textured typeface), Gangland Style (2013, graffiti font), Skratchie (2013), Sydney Style (2013, graffiti face), Mista Big (2013), Spew (2013, outline font) and the fat finger typefaces Craze One (2013) and Calligrafiti (2013). Dafont link. [Google] [More] ⦿ | |
Creativeqube Design
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Typefaces from 2016: Boltis, Tantrums, Favoured (rough brush), Goatfish, Odd Socks, Passion Fruits, Boom&Farrow, Blissfully, Snowblown (a chunky marker font), Loganberry, Roll Off, Shakeoff (dry brush), Grainger, Irish Brogue, Saltie Sea, Gorgeously You, Yellow Gold, Seriously Rad (brush font), Sorrella Script, Woodend retro, Roamfest Brush Script, Doctors Scrawl script, Needle & Thread, Rabbit Fur (brush type), Moonlit harvest, Quickly Script, Multiculture, Lusciously, Listless, Lemony Zest, Liberty & Love, Lemonade Fizzo, Illabarook Script, Humongous, Hot Chips, Going Slow, Aberfoyle Park Script, Strike One, Lovers Avenue, Glen Thompson, Sing Aloud, Berry Shortcake, Yellow Taxi, Shopwreck (dry marker font), Faithful True, Flattering, Zombie Zone, Feathertop, Jellybeans, Show+Tell, Swizzlesticks, Label Marker, Hello Journal, School Blackboard, Life+Laughter, Holiday Chaos, Silverwaves, Bjorn Rider (marker font), Affectionate Brush (crayon font). Typefaces from 2017: Soundbound, Trescott, Tyndust Script, Wallower Script, Berry Merry, Beautiful Lights Script, Song of the River Script, Oh Mistletoe Script, Holiday Joy, Jingle Joy, Holiday Coffee Script, Cheerful Elf Script, Journey's Inn (brush), Ice Castle, Frosted Cupcake, Oh Surrender Script, Moonlight Sailing Script, Justify Brush Script (dry brush), Just Maria Script, Falling Pumpkins Script, Bright Soul Script, Blossomie Script, Joy Flight Script, Loving Saskia (watercolor brush), Blue Liquid, Lemons Soda Script, Southerner (dry brush script), Theodoria Script (tall swashy calligraphic typeface), Highline, Southfall Script (formal calligraphy), Serial Catch, Travelling Abroad, Warrenson Script, Saturday Rock, Indulgence Script, Cottage Gardens Script, Spoonfull Script, Pattersonville Script (signature font). Typefaces from 2019: Abiding Love, Lightheartedly (a signature script), Bright Glow Script, Bloom of Life, Enjoying Life, KindSoul SVG Script & Serif, Quest, Roverback, Route Nine Script, Cozi Glow, Consequat, Quick Scrawl Script, Abiding Love, Darling Rosie (font duo), Fernando Willow Heart, Gather Collector's Edition, Greater Things, Isle of Skye Script, Oakwood Beach Script, Ross Creek (a dry brush script), Santiago Vincent, South & North, Studio Baked, Surfers Paradise, Terminal Four Modern, Wonderful Time Script. Typefasces from 2020: Vintage Stylist. Typefaces from 2021: More Aloof (psychedelic), Bourdeilles France (script), Ello (+floral patterns), Emilia-Romagna Script, Olive Branch, Quanta La Oranj (an ink bleed display serif), Rainger Serif. [Google] [More] ⦿ |
Crystian Cruz
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Cuong Truong Van
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Sydney-based designer of Dandelion (2014). [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Cynthia Zheng designed an architecturally inspitred typeface (2018). [Google] [More] ⦿ | |
Melbourne, Australia-based creator of the school project font BFI Golden Years Of Hollywood (2013), art deco typeface). [Google] [More] ⦿ | |
Australian designer of the hand-printed typeface Daisies (2013). [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Dale Harris
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Aussie type designer who founded Utopiafonts and is now called Dale Harris. Check under Dale Harris and/or Utopiafonts for more details. [Google] [More] ⦿ | |
Dallas Gale was born in 1983 and lives in Melbourne, Australia. Behance link. She created the KIDS typeface in 2011. She studied graphic design at Swinburne Institute of Technology. [Google] [More] ⦿ | |
During his studies at Skolen at Design College Australia in Brisbane, Dalton Batt created the modular display typeface Dune (2016). [Google] [More] ⦿ | |
Designer of Komunique (1998), Terminus (1995) and Terminal (1995) at Type[A] Digital Foundry in Australia, all available at T-26. Linotype link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Perth, Australia-based scientist, b. 1985. He created Gou'ald Decorative (2009) which is a symbol font based on the Gou'ald hieroglyphics seen on Stargate. He also designed Extragalactic language cypher (2011). [Google] [More] ⦿ | |
Designer of Omnium (2005, a serif face). In 2009, he designed Tasman at KABK, a sturdy, rational, economical type family for news, designed to withstand difficult printing conditions. The typeface features hybrid old-style figures and compact capital letters that integrate well with the lowercase in fact-and-figure-heavy news content. It borrows its name from Abel Janszoon Tasman (1603-1659), a Dutch seafarer, explorer, and merchant who mapped parts of Australia in 1642, including Van Diemen's Land (now known as Tasmania). Tasman was published in 2019 by Retype, after a brief release by Ourtype. In association with Paul Barnes at Commercial Type, he designed Darby Sans (2014), Darby Sans Poster (2014), and Darby Serif (2019). [Google] [MyFonts] [More] ⦿ | |
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Dan Pike
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Australian / Canadian programmer who lives in Los Angeles. In 2021, he designed Flow, a typeface for wireframing, prototyping and experimenting, which just consists of horizontal strokes of varying lengths. Flow is free at Google Fonts. Github link. [Google] [More] ⦿ | |
Australian designer, b. Melbourne, 1976. Codesigner with Graham Meade of the 18-style sans family Nok (2006, Typotheticals). [Google] [MyFonts] [More] ⦿ | |
Brisbane-based designer of the minimalist monoline geomnetric sans typeface Loft Sans (2012). [Google] [More] ⦿ | |
Daniel created the extreme-contrast art deco / fashion mag typeface Casanova (2011), which features two choices of tilt---positive and negative. The way in which this typeface is used by Brokstad is sheer genius. In 2013, he designed the decorative caps typeface Medic Type. In 2019, he published Lucifer Sans. This mammoth 162-style typeface family is rooted in Scandinavian geometry and minimalism, mixed with a healthy dose of black metal and irreverent attitude. Harsh vertical cuts and angles throughout the font creates a very strict and hard look, that can either be amplified or loosened up through its stylistic sets. In 2020, he designed the 10-style rounded octagonal typeface Geometrisk. [Google] [MyFonts] [More] ⦿ | |
Melbourne, Australia-based designer of Material Wifi, a simple typeface with just four wifi icons. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of Planometric (2015), a perspective font influenced by Bauhaus. [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, who created the sans typeface Kerry in 2013 during his studies at Monash University. [Google] [More] ⦿ | |
Daniel Jackson (Newcastle, Australia) created a semi-blackletter typeface called Pest (2013), Pest Zombie Edition (2013), the anthroposophic typeface The Beast (2013), the sans display typeface Commander (2013), the graffiti font Grove St (2013), the techno sans Onesix (2013), the techno typeface Programer (sic) (2013), the folded paper typeface Papercut (2013) and the tattoo typeface Crowning Swarm (2013). His company is called Onesix Creative. [Google] [More] ⦿ | |
Daniel Keith Bale
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Daniel Midgley
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Daniel Ross
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Australian designer of the rounded heavy sans typeface Manomono (2019). [Google] [More] ⦿ | |
Visual Communication student at the University of Technology, Sydney. During his studies, he created a straight-edged modular typeface called Edge Case in 2012. Behance link. [Google] [More] ⦿ | |
Australian designer of the Kafkaesque typeface Danny Varefella (2008). [Google] [More] ⦿ | |
Illustrator in Brisbane, Australia, who created an angular typeface in 2015. [Google] [More] ⦿ | |
Commercial Dari, Pashto, Arabic and Urdu fonts. Company based in New Farm, Queensland, Australia. [Google] [More] ⦿ | |
Melbourne, Australia-based designer (b. 1994) of the free sans titling typeface Voodoo Eye Title (2016). Dafont link. [Google] [More] ⦿ | |
In 2017, he designed the spurred Trump Font: Inspired by The Greatest Donald of our time (with apologies to Sutherland & Duck). Trump Bold is designed in his image; Bold and Distinctive. Trump Bold works well alone and is kind of a big deal!! So choose Trump Bold for your next brand or advertising project and Make Typography Great Again!!! Other typefaces from 2017: Frate (stencil). [Google] [More] ⦿ | |
Dave worked as an animator, illustrator, multimedia developer, UX designer and exhibition designer for film festivals, NGOs, and one of the largest museums in Australia. Based in Melbourne, he founded the game studio Volnaikra. For the Spryke video game, he made the alien script Sprykski (2015). Dafont link. [Google] [More] ⦿ | |
At Type@Paris 2016, Dave Coleman designed the typeface family Wentworth in Caption, Text and Display styles. At Future Fonts, he published the spooky wavy typeface Danse Macabre (2018) and the psychedelic bell bottom typeface Funkford (2021). Future Fonts link. [Google] [More] ⦿ | |
During his studies at Billy Blue Design College in Sydney,Australia, Dave Kirk created the handcrafted decorative typeface Davinci (2015, with Vincent Leonaldo). [Google] [More] ⦿ | |
Dave Wells
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Australian (and American?) designer of The Naughties (1999), a grunge typeface published at Chank's foundry, and Cake Shop (2021), a typeface that emulates a primitive hand. He explains: Originally designed during the Eighties by Aussie artist David Art Wales, the font was inspired by the awkward but charming hand-lettered signs in a Maltese cake shop near his Sydney home. For a brief time during the early Nineties, MTV used Cake Shop for all their on-air interstitials. Since then, it's become a go-to font for everything from children's books to album covers and ice cream branding. In a recent update, Wales added airier spacing to more closely resemble the original signs the font was based on. [Google] [MyFonts] [More] ⦿ | |
Melbourne, Australia-based designer of the free font Standard Blackletter (2021). Github link. [Google] [More] ⦿ | |
During his studies at Design College Australia in Brisbane, David Harley created the layered font Chromatic No 503 (2013). It is a revival of the wood type No. 500 by William H. Page (1887). Behance link. [Google] [More] ⦿ | |
David Jackson
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David Kloeg
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David M. Foster
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Australian who made several typefaces between 2009 and 2012, some of which are freely downloadable in EPS format. He created the alchemic typeface Framework in 2012. Shortcut (2012) is a minimalist experimental typeface. [Google] [More] ⦿ | |
Born in 1984 and based either in Arequipa, Peru or Australia, David Panca designed the free curly typeface Elizabeth Ruelas (2016). Dafont link. [Google] [More] ⦿ | |
Graphic designer based in Melbourne, Australia, b. 1988 who obtained a Diploma of Graphic Arts in 2008. His Blocky (2009: Regular, Glossy) type family is free. Behance link. He operates under the name "Almost". [Google] [More] ⦿ | |
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Australian type designer. He co-designed Beanwood Script (1997) with Russell Bean at Type Associates, a calligraphic script. [Google] [MyFonts] [More] ⦿ | |
Dead Man Fonts
| Original designs by Australian Garth Donovan: (old typewriter font) FarAwaySoClose, MorningDog, GarthScrawl, InsomniaOutline, Fat Chunky Bastard, My Brother Jack, Rorsach Organic, Wham. Site disappeared and some fonts may now be found at Typeresource. [Google] [More] ⦿ |
Adelaide, Australia-based designer of the grunge font Happy To (2018). [Google] [More] ⦿ | |
Declaire It
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Graphic designer in Sydney, Australia, b. 1991. Creator of the free all caps squarish typeface Australia Title (2015), which was inspired by the arches of the Sydney Opera. Behance link. Dafont link. [Google] [More] ⦿ | |
d[esign] (Domenicos Design)
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Dafont link. Klingspor link. [Google] [MyFonts] [More] ⦿ |
During her studies in Brisbane Australia, Desiree Seeto designed the Africa-themed typeface Twiigle And Tak (2018). [Google] [More] ⦿ | |
Dianna Wells (b. 1961) studied at the Canberra School of Art and began her graphic design career by co-founding Another Planet Posters in Melbourne in the 1980s. ianna went on to work as a senior designer for the City of Melbourne in the early 1990s before founding Dianna Wells Design in 1994. Dianna has lectured in graphic design at Monash University and RMIT University and completed a Masters in Fine Art at Monash University in 2013. In 1983, she designed the round monolinear sans typeface Stepping Stones. [Google] [More] ⦿ | |
Dick Pape
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Kyneton, Australia-based designer of a vintage custom logotype for The Argus Dining Room in Hepburn Springs (2014). [Google] [More] ⦿ | |
DKB Fonts
| Located in Casino, NSW, Australia, DKB Fonts is Daniel Keith Bale's outfit. A graphic designer and illustrator, his first typeface is Aurélie (2005), a curly fashionable display face. [Google] [MyFonts] [More] ⦿ |
Domenico Mazza
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Australian designer (b. 1984) of Aussian Finger Spelling (2021). [Google] [More] ⦿ | |
Gold Coast, Australia-based designer of the decorative typeface Deco (2018). [Google] [More] ⦿ | |
Industrial designer in Sydney, Australia, who created a handcrafted Picasso-inspired typeface in 2016. Behance link. [Google] [More] ⦿ | |
Australian graduate of the MATD program at the University of Reading in 2012. Dot's graduation typeface is Nari (2012), which is a stylish serifed family for Latin and Gujarati. [Google] [More] ⦿ | |
Australian designer (b. 1992) of the free typeface Zombie Guts (2014). [Google] [More] ⦿ | |
Aussie designer (b. 1985) of Gibbofont (2005). [Google] [More] ⦿ | |
Duck Soup Design
| Australian designer of the display typeface Milkdrops (2019) and Nettle Sans (a sharp-serifed sans). [Google] [MyFonts] [More] ⦿ |
Melbourne, Australia-based designer of Slash (2015) and a few other custom display typefaces. Behance link. [Google] [More] ⦿ | |
Freelance art director and designer from Melbourne, Australia. Creator of Bongo (1998, rounded), Force (2000, mechanical/ocatgonal), Splice (1997, organic), Collins Street Symbols (1999). No downloads. [Google] [More] ⦿ | |
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Bankstown, Australia-based designer of the deco typeface Testpilot (2019). [Google] [More] ⦿ | |
Easy Tiger
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Melbourne, Australia-based designer of the high-contrast straight-edged typeface Blink (2018). [Google] [More] ⦿ | |
Wahroonga, NSW-based graphic designer who studies visual communication at the University of Technology in Sydney. He created the experimental typeface Tilda (2011). [Google] [More] ⦿ | |
Effek-Tive
| Effektive (Greig Anderson) practices graphic design and communication in the UK. Among its many creations are some experimental typefaces such as Circul8 (2009) and Pixel8 (2009). Behance link. Originally from Aberdeen, Scotland, Greig graduated with a BA (Hons) Graphic Design degree in 2004 and previously spent 4 years working withinn the Scottish/UK design industry at multi disciplinary agency Curious (Previously CuriousOranj) based in Glasgow. Greig spent the academic year 2008-2009 in Sydney. [Google] [More] ⦿ |
Melbourne, Australia-based designer of the trekkie typeface Hyperdrive (2016). [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, who created the bejeweled all caps typeface Poise (2014). [Google] [More] ⦿ | |
Graphic designer, photographer, film maker and illustrator in Ballarat, Australia. Creator of Weathered (2015). [Google] [More] ⦿ | |
West Wollongong, Australia-based designer of several display typefaces in 2014. [Google] [More] ⦿ | |
Daughter of Karin McCombes. Creator of the hand-printed typeface Fancy Letters (2012, iFontMaker). [Google] [More] ⦿ | |
Australian designer of the display typeface Sweetie (2019). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the hangul-inspired Hanglish (2016). [Google] [More] ⦿ | |
Sydney, Australia-bsed codesigner, with Joelan Wong, of Unity Sans (2017). [Google] [More] ⦿ | |
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Brisbane, Australia-based designer of the display typeface Festival (2018). [Google] [More] ⦿ | |
Illustrator in Brisbane, Australia. Creator of the grungy calligraphic typeface Anatomy (2012), which is a Queensland University of Technology Type Design Project. Behance link. Dafont link. [Google] [More] ⦿ | |
Australian designer of the handcrafted typeface Yearbook (2016). [Google] [More] ⦿ | |
For a school project at Griffith University, Ellen Ng (South Brisbane, Australia) designed Candy Clips (2017). [Google] [More] ⦿ | |
Graphic designer in Melbourne. Creator of the bespoke typefaces Quin (2012, didone) and Quinlyn (2012, rounded display face). [Google] [More] ⦿ | |
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Graphic design student at Swinburne University TAFE in Australia. Creator of the extremely contrasted didone display typeface Refined (2012). [Google] [More] ⦿ | |
Multidisciplinary designer, b. Melbourne, Australia, 1984. Currently working at R/GA, New York. Creator of the experimental dot-to-dot typeface Freckles (2012). Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Kripto (2015). Behance link. Behance link. [Google] [More] ⦿ | |
During her graphic design studies in Newcastle, Austrlia, Elly Gehrig designed the rhombic typeface Quilter (2012). [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Elyse Kerr designed the stylish display typeface Montmartre Baby (2015). [Google] [More] ⦿ | |
Graphic designer in Muncie, IN, who spent some time in Australia. Her typeface Kings Cross (2010) was based on the King's Cross neighborhood on Sydney, Australia. It reflects the train line, the odd shape of the streets, and the destinations of the area. Behance link. Home page. [Google] [More] ⦿ | |
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Emily Carke (Melbourne, Australia) designed these typefaces: Bosork (2013, is a trilined display typeface that was inspired by the New York and Boston subways), Melbourne (2016, a free hipster font published by Citype), Fraction (2015, experimental). Behance link. [Google] [More] ⦿ | |
Gold Coast, Australia-based student-designer of the experimental semi-octagonal typeface Heroic (2016). Dafont link. Behance link. [Google] [More] ⦿ | |
Graphic designer in Brisbane, Australia, who created the display typeface Unlucky Thirteen in 2016. [Google] [More] ⦿ | |
During her studies at Design College Australia, Emily Kay Penn (Brisbane, Australia) created an untitled letterpress emulation typeface (2014). Behance link. [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Emily Lowas designed the stick-themed typeface Onix (2017). [Google] [More] ⦿ | |
During her studies, Emily Ryan (Geelong, Australia) created the avant-garde typeface Wanderlust (2013). [Google] [More] ⦿ | |
Norwegian design student at JCU, Townsville, Australi. She created an experimental typeface in 2010. [Google] [More] ⦿ | |
During her visual communication studies at the University of Technology, Sydney, Emma Sprouster designed Hybrida (2012). [Google] [More] ⦿ | |
In 2017, during their studies at Queensland University of Technology in Brisbane, Australia, Jana Weyl and Emma Winch co-designed the stencil typeface Jemma. [Google] [More] ⦿ | |
Encodia
| From Noosa, Australia, Geoffrey Johnston's fonts, which include Araborical (an Arabic simulation typeface). FontSpace credits Ben tagain with the design of Araborical. [Google] [More] ⦿ |
During his studies in Melbourne, Australia, Eric Carlander-Munro created the 3d typeface Axel (2015). [Google] [More] ⦿ | |
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Brisbane, Australia-based designer, with co-student Nicole Cooper, of the beautiful ornamental typeface Papilio (2013). This typeface was a school project at the Queensland University of Technology. Behance link. [Google] [More] ⦿ | |
Erin Short
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Australian designer of these handcrafted typefaces: Boysenberry (2016), Poppet (2016), Quick Caps (2014), Sweet Hand (2014), Emily Jane (2013). Creative Market link. [Google] [More] ⦿ | |
Print designer and typographer in Melbourne, who created Pink Robot, a geometric display family (2011). [Google] [More] ⦿ | |
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Australian cartoonist (b. 1992). She created the kid's handwriting font FaceOff (2007). [Google] [More] ⦿ | |
eyecue design (was: Chris Brown's Visual Designs)
| From North Freemantle in Australia, Chris Brown's exquisite shareware fonts: Keyster, Mandalay, Badgery, Changstein (oriental simulation), Vertigirl, Buddy Jim, Monopolybats, Aboriginebats 1 and 2, Neolight, NorthPoint (organic), Splinky, Lite, ToyBox, Tyderium, Pot Roaster, South Point, West Point, Skippy Greeny, Skooz Now, Curved, Cloaked, Warp, SkoozMo, Sea Monkey, Etcetera, Pepto, Plumbob, Dabble, Hypernium, HooperDooper, Hoola Boola, PsyberCircus, Zebbadee, Inkling, Galaxative, RegalBox, SP-Rocket, Doggstar, CurvedAir, Mookie, Psyberdeli, Acidio (1999, grunge), Plastacine, DeVille, Royal Box, Basoda, Blaster, Monarchbats, Muggins, Radbats 1 through 6, Rudebats, Jeet, Jiggaboo, Joopiter, Seringetty, Snooapalooza, Soda Stream, Stickmanbats, Userbats 1 and 2, Webbats 1 and 2, Starbuck, Dynamo. About half the fonts are free. Download site. Acidio Amore. Several of his fonts would do fine in comic strips. You need to request fonts by email. Alternate URL for Radbats. Catalog: I, II, III. Dafont link. [Google] [More] ⦿ |
During his graphic design studies in Brisbane, Australia, Ezra La Vin created Highroller (2013, a rhombic all caps typeface). Behance link. [Google] [More] ⦿ | |
F6 Design
| New Zealand-based outfit involved in type. The typefaces are designed by Jonathan Nicol: Furby (2002), Kombat (2001), Metcard (2001, dot matrix font), X-Font (2001, pixel font), Architecture2 (2001, pixel font). Born in New Zealand, Nicol currently lives in Melbourne, Australia, where he works as a flash designer for an Australian radio and TV company. At Union Fonts, he designed Furby (2003). [Google] [More] ⦿ |
Australian creator of the scanned handwriting font fontez (2003). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the custom typeface Blacker (2015), which is inspired by a 1950s lacquer ad found in a homemaker woman's magazine. Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of an untitled octagonal typeface (2013). [Google] [More] ⦿ | |
Australian designer (b. 1993) of Kinine Alpha (2013, octagonal sci-fi typeface). Dafont link. Behance link. [Google] [More] ⦿ | |
Graphic designer in Annandale, Australia. In 2016, he created Beatrice, a typeface that is inspied by Friz Quadrata. [Google] [More] ⦿ | |
Melbourne-based designer of Psychobabble (2012), a heavy sans typeface with double strokes. [Google] [More] ⦿ | |
Folding Type
| Folding Type is Phil Richardson's brand design and typography studio, based in Melbourne, Australia. In 2020, Phil released the old science fiction film font Super Active Matrix. In 2021, he designed the speed font Bishops Stinger. [Google] [MyFonts] [More] ⦿ |
Font Castle (was: Dataibayt, Rizal Castle)
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Originally from Seulimum, Indonesia, Salak Tung (aka Abie Gaza and as Rizal Aiyubi) started out as an oil painter and now works as a type designer based in Melbourne, Australia. Typefaces from 2020: Backwash, Salfgats (script), Aquiline, Arrowm Jins, Chris Pine, Egypt Queen, Sequin Tsar (a signature font), Themoon, Fabric, Robinson, Bright, Buppin, Cylindrica, Madaram, Opulent Script (formal calligraphy), Pandawa, Shigutto Bofon (brush script), Visually, Glitter Script, Mortgage Script, Culture (a creamy italic typeface). Home page. Typefaces from 2021: Asoigeboy (a calligraphic script), Mousseline Pro, Bake Roll, Sunshine, Battalion, Glassy, Apple, Happiness, Hoogios (a signature script), Suins, Love Story. [Google]
[MyFonts]
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Australian font vendor located in Bilgola Plateau, NSW: Font Factory is a Hexon Company. We design 'Corporate Type' for major corporations and sell digital typefaces to Industry, Education, Publishing, Graphics and Pre-Press organisations throughout the world. Font Factory also publish and distribute type for Designers. Located in Sydney, Australia. We have been selling and supporting type since 1988. [Google] [MyFonts] [More] ⦿ | |
Font God
| Australian signature font service for 15USD, and handwriting font service for 40 to 50USD. One font made with this software is Grrlyfont (2002). Free fonts here include Jane Doe, John Doe and Scruffy. Other services include FontGrinder (14.95 USD font making service based on a template), and Bingdat (dingbat making service, also based on a template). [Google] [More] ⦿ |
Fontor (was: Daniel's Page of Fontery)
| Fonts by Daniel Midgley, a computational linguistics student at the University of Western Australia. Handwriting fonts such as Wolven Script, Soozle, Lobbo, Mastalock, Kiddna, Wolven Script, and Daniel. Plus Holly Sans, Du Bellay (old typewriter), Perspective Sans, Banksia, Yataghan, Petrol and Cueva. Planned fonts: Octane, ReverieTruetype for Mac and PC. Dafont link. [Google] [More] ⦿ |
For The Love Of Type
| Gemma O'Brien's type blog discusses many interesting typographic examples. O'Brien is an Australian artist specializing in lettering, illustration, and typography. Her calligraphy and designs can be seen in advertising campaigns, editorial publications, and large-scale murals around the world. She has collaborated with numerous global brands and publications including Apple, Adobe, and The New York Times. Several of her projects have received the Award of Typographic Excellence from the New York Type Directors Club. [Google] [More] ⦿ |
Forever Broke
| Melbourne, Australia-based designer of the free 19th century industrial sans typefaces Union Condensed (2017, free), Union (2017) and Union Rough (2017). Behance link. [Google] [More] ⦿ |
Formist Foundry
| Formist Foundry (Sydney, Australia) is part of Mark Gowing's Formist Group, which is a design studio, publisher and type foundry. The foundry specializes in experimental typefaces. In 2020, their catalog showed Boulder Mono (with the help of Ben Kiel), Black (a pixelish blocky font by Mark Gowing, Alexander Tanazefti, and Ben Kiel), Serous (emulating liquid letters; aided by Ben Kiel), Non Dit Dah, and One+Two (2018: nine bilined and stencil styles; by Elle Williams, Mark Gowing and Ben Kiel). In 2020, Mark Gowing and Kris Sowersby started the design of a typeface to typeset Kris Sowersby's planned book, The Art of Letters. [Google] [More] ⦿ |
Foster Type
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In 2012, he won two awards at the Moriswawa Type Design Competition for Blanco, the Gold Prize in the Latin category, and the Second Prize in the People's Choice category for Latin. Blanco also won at TDC 2013. In 2014, Dave Foster and Paul Barnes (Commercial Type) designed Marr Sans. They write: The influence of Scotland in typefounding belies the nation's small size. Marr Sans, a characterful grotesque design, was inspired by a typeface from the 1870s found in the work of James Marr & Co. in Edinburgh, successors to Alexander Wilson & Sons. From a few lines in three sizes, and only one weight, Paul Barnes and Dave Foster have expanded the family from Thin to Bold, plus an Ultra Black weight, a wider companion to the six lighter weights. While Graphik and Atlas represent the greater homogenity of twentieth century sans serifs, Marr, like Druk, revels in the individuality of the nineteenth century, and is like an eccentric British uncle to Morris Fuller Benton's Franklin and News Gothics. Domaine Sans (2014, with Kris Sowersby) won an award in the TDC 2015 Type Design competition. In 2015, Dave Foster developed a handcrafted typeface for National Australia Bank. Cooper Nouveau is Dave Foster's digitization at House Industries of Dave West's 1966 italic version of Cooper Black. Co-designer of Epicene Text & Display (2021, by Dave Foster and Noe Blanco). Award winner at 25 TDC in 2022. These are baroque typeface families inspired by the work of 18th century masters J-F. Rosart and J.M. Fleischmann. AIGA describes the result as a baroque typeface celebrating ornamental idiosyncracy. Co-designer of Manuka (2019-2021, by Dave Foster and Noe Blanco). Award winner at 25 TDC in 2022. Compressed typefaces for large sizes. Described by Klim Type: With deviant details pilfered from Teutonic timber type, Manuka grafts a contemporary antipodean aesthetic onto 19th century German root-stock. Tight spacing, closed apertures and sharp joins make a compelling texture, like sunlight sparkling through a forest canopy. Behance link. Old URL. Another Behance link. [Google] [More] ⦿ |
Foxy Fonts (or Foxy Font Factory)
| Foxyfonts does not seem to exist any longer. Its Foxjump type family designed by ozzie Phil Campbell, as well as Foxgrunge, Wildfox, Foxwild, and Ourier (sic). Alternate URL. With Harold Lohner, he designed the handwriting fonts Synch and Synchronous (2000), based on Syncopated Script, inspired by the work of the artist Stuart Davis. Recently, only demo versions can be downloaded for free. New fonts: Corina, Avocado. Dafont link. Fontspace link. Abstract Fonts link. [Google] [More] ⦿ |
During her studies at the University of Reading in 2015, Francesca Alice combined the didone and Celtic styles in her typeface Wink. [Google] [More] ⦿ | |
During his graphic design studies in Gold Coast, Australia, Frank swaby created the textured typeface Pointillism (2014). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the beveled typeface Halberdier (2015). [Google] [More] ⦿ | |
Graduate of Billy Blue College of Design in Sydney. Sydney-based designer of Figstura (2014), a minimalist typeface rooted in Futura. [Google] [More] ⦿ | |
Fred Fife
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In 2010 Freja Hedvall attended Berghs School of Communication in Stockholm, Sweden, with a Bachelors degree. From 201-2013, she studies Communication Design at Billy Blue College of Design in Sydney, Australia. In 2012, Freja created the counterless geometric typeface Rat Race. [Google] [More] ⦿ | |
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Australian designer of the free grunge typeface Bito (2014). Home page. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the display typefaces Chatham Place (2014) and Vernon Terrace (2014). [Google] [More] ⦿ | |
Australian designer of the modern acticvist's typeface Action Now (2019), which was created for a project at Griffith University. [Google] [More] ⦿ | |
Australian creator of the fat finger typeface Wonderful (2014). [Google] [More] ⦿ | |
Garth Donovan
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Young Australian designer (b. 1993) of the simple hand-printed font Locomotion (2009). [Google] [More] ⦿ | |
Illustrator and brander in Wollongong, Australia. He created the experimental modular blackletter typeface Roundtura (2010). [Google] [More] ⦿ | |
Gavin Graham
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In 2018, he designed the free all caps brush font Sumi. [Google] [More] ⦿ | |
GemFonts98
| Prolific Australian type designer who has made over 300 free fonts to date. Creations: Bonk Fatty, Worstveld Sling (2003), Quastic Kaps (2003), Quadlateral (2003), Junge Burnout (2003), Choktoff (2003), Hall Fetica (2002), Lady Ice Extra (2002), Gizmo (2002), Arggh@$*# (2002), Republika Ego (a huge family made in 2002, as an extension of the large family Republika by Apostrophe), Zillah Modern Offset Outline (2002), Feldicouth (2002, medieval lettering), GM Exp (2002), Pecot, Pecot #2 and Pecot #3 (2002), Wazoo (2002), JamesEightEleven (2002), AnalSatisfaction (2002), GenericFont (2002), PanAm (2002), Border Base Future (2002), Moondog (2001, with Apostrophe), Equine (2001), Street Corner (2001), Mister Belvedere (2001), Freebooter Script (2001), Street (2001, an 31 font sans and slab serif at the Lab), Choda (2001, with Apostrophe), Walkway (2001, see here), Castorgate (2001), Heidorn Hill (2001, a Fraktur font with Apostrophe), Labag (2001, with Apostrophe), 11S01 Black Tuesday (2001, for Life Saving Fonts), Endor (2001; a gothic font with Apostrophe), Dekon (2001), Asenine (2001), Eskargot (2001, with Apostrophe, a "tango" font), Brassier (2001, with Apostrophe), Kandide (2001, with Apostrophe), Labrit (2001, a Fraktur font done with Apostrophe), Control Freak, Gilgongo, Eskargot, LabtopGraphed, PhoenixArise, PrussianBrewSolid, YouthanasiaTexture, Dumbledor, Luciferius, Zebrra, Street, Kronika, PrimaryElector (all at Apostrophic Labs), Scaling the Dragon, Primary Elector, Blacksmith Delight, Birthday Dingbats, Halloween 2, Comicbook Smash, AcidDreamer, Arialic, AvQest, Battered Cooper, Beerglass, Berthside, Bloodgutter 99, Blown Away, Boneribbon, Boneribbon Tall, Bunny Rabbits, Callistroke, Carbonized Timber Chizzler, Deathhead KeltCaps Drummon, Family .., Effluence, Ericott, Erozion, Erthqake, Fanfold, Gemerald, GemFont One, Gorlock, Hungover, Impressed Metal, Inked Weird, Inningham, Isildur High, JaggaPoint, KeltCaps, Kharnorric, Kharnorric Royal, Knights Quest, Knights Quest Callig, Lane Humouresque (2000), Layaway, Linear Beam, Line Etch, Melted Moments, Metal Spagetti, NeoSpacial, Niew CroMagnon, Offset Plain, Old Copperfield, Old Oak, Old Virus, Ooky, Parkvane, Pee's Celtic, Pi in the SciFi, Quilted Indian, Ribbon, Ripplemere, Roughhewn, Rounheads, Rusty Sign, Rykindor, Satan Possessed, Seventy Flares, Simpleman, Skunkline, Slinked, Snail n Ink, SnottMM (multiple master), Solid Ooky, Squashed, Static Charge, StaidMM (multiple master), Steamroller, Stiltedman, Stretch, Tear, Tearoff, Textapoint, Thor version 1.5, Time Pundits (a CODEX-like face), Torcing Away, Trilayered, Ulse Freehand, Uncey, Untidy Skrawl, Vale Shadow, Waif Thin, Warpy Roundhead, Whoosit, Wonkers, Woodbrush, Wormfont, Woven Brick, Woven Outline, Yurine Overflow, Dingbats, Americanic, BirdArt, Cattart, Chyld, Culinary Art, Doggart, Doggon, Drinks - Various, EasterArt, Ein Schwein, Gembats 1, Gembats 2, Helloween, JFC, KidClipart 1, KidClipart 2, Komedy Kritters, Krazy Kritters, Luvya Babe, Moolah, Multicasion, Odds N Sods, Sportzs, Teddyber, Teddyber Too, Vehicular, Whethers, Xmas Clipart 1, Xmas Clipart 2, PenicMasturbata, Aliensatemymum, AustralianSunrise, AustralianSunset, Blockstepped, BoldlyGo, BarredOut, Blockstepped3D, BoldlyGoOut, Daemonesque, Efentine, FuzzyXmas, Gazzarelli, Jhunwest, JhunwestConcaveGM, LickcurlPetite, LupusBlight, MilleniGem, PhilteredPhont, SlicedIron, Stargit, StargitVer2, ZappedSticks, AlphaRomanieG98, BraveNewEraG98, BlobfontG98, BoxingBrophius, CacophonyLoud, ChainzG98, CulinaryArt, DarkBastion, FortuneCity, GorlockBold, HornsofDilemma, LlynfyrchFwyrrdynn, Maranallo, OptimisticPessimist, PositiveNhilism, UniversalShatter, Bonk, Bonk College, Bonk Fatty, Bonk Offset, Bonk Outercut, Bonk Undercut, ChefsSliceNovice, MeteorGM, TreasureMapDeadhand, TechnicallyInsane, Futurex (with Apostrophe), Street, Calan, Lady Copra, Thing, Dexetrine, ChizzMM (multiple master, with Apostrophe, 2001), Charrington (2001), Lady Copra (2001), Likkle (2007), Luteous (with Rich Parks, 2001), Thorazine and Thorazone (last eleven at Apostrophic Labs [dead link]). In March 2001, Graham's Charming Font (done with Andreas Höfeld) won the 2001 Friday Night Type Fights competition. Alternate URL. Fontfreak link. Other fonts: Choktoff (2003), Etched Fractals, Film Cryptic (2003), Future Sallow, Hardnsharp (2003), Jagged Dreams, Jungle Burnout, Kyiss M'ass (2003), Tall Films (2004), Meichic (2003), Nightmare Blend Revisited, ReducedEfficiency (2003), Wasted in this job, Western Taint (2003), Wytherness, Yuma Sunset (Western style font), and Zone Linear. |
Illustrator and designer in Bfrisbane, Australia, who created the great textured ornamental caps typeface Franky in 2015. Behance link. [Google] [More] ⦿ | |
Gemma O'Brien
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Ormeau, Australia-based designer of Point To Point (2016, a graffiti font) and Strike (2016, a calligraphic font). [Google] [More] ⦿ | |
Graphic designer and typographer in Sydney, Australia. Creator of these typefaces: 10 (circle-based), Alien Coins, Candy Bean, Earthquake (grunge), Floppy Disk, Fuel Condensed, LED, Mathvetica, Press, Spring, Stitch, Superlight (hairline sans), Thorn. Behance link. Old URL. [Google] [More] ⦿ | |
At the University of Queensland in Brisbane, Australia, Genevieve Worrell designed the sans typeface Hillside (2016). [Google] [More] ⦿ | |
Geoffrey Johnston
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Perth-based creator of a curvy 3d ribbon typeface that was inspired by music (2012). [Google] [More] ⦿ | |
George D. Secor
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Harrisville, Australia-based designer of the handcrafted typeface Tijuana (2016). [Google] [More] ⦿ | |
Gosford, Australia-based designer of an untitled display typeface in 2015. [Google] [More] ⦿ | |
Ghazanfar Hussain first worked in Lahore, Pakistan, before settling in Melbourne, Australia. He created a display typeface in 2015. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the curvy display typeface Dewi (2015). This free typeface is inspired by Balinese dances. In 2018, he designed the geometric solid typeface Geometric. [Google] [More] ⦿ | |
Sydney, Australia-based designer of a cutout typeface in 2017 for the Manchester International Festival. Behance link. [Google] [More] ⦿ | |
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Designer from Sydney. Creator of the angular magazine type Archi Sans (2011). [Google] [More] ⦿ | |
Glen and Jessa Bellman (Fabled Graphics, Geelong, Australia) designed Studio Hand and the handcrafted Spiderling and Happy Glen in 2016. Creative Market link. [Google] [More] ⦿ | |
Aussie font archive, with 25 dingbats and 150 other fonts. [Google] [More] ⦿ | |
Type designer at Uddi Uddi in Melbourne, Australia. Old URL. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of Medusae (2018) during her computer science studies at QUT. [Google] [More] ⦿ | |
Graham Jupp
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Graham Meade
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Graham Meade
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Graham Meade
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Graham Rendoth
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Grant Cook (Afrenasia, Melbourne, Australia) created a signage lettering typeface for a vinyl figurine project. He called it Afr Aspabozi (2013). Behance link. [Google] [More] ⦿ | |
Grant Sparks
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Australian designer of several series of handcrafted typefaces. Font sets include Letterbox Fonts (letters in boxes). [Google] [More] ⦿ | |
Greater Albion Typefounders (or: GATF)
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Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette (2009, art nouveau), Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau). Art deco typefaces: Oakland (2011, multiline typeface gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences). Other typefaces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2008, Tuscan) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat typefaces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display typeface based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face). Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian). Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved typefaces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter). Production in 2012: Alfere Sans Stripes, Albion's Americana (Western stars and stripes face), Tudor Perpendicular (blackletter), Amici (rounded headline face), Amie (rounded sans), Wolverton Text (Edwardian family), Vinea (10-style display family), Par Avion (retro futuristic), AstroBats (retro sci-fi dingbats), Beeching (+Shadowed), Gondolieri (didone meets Tuscan), Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family). Typefaces from 2013: Speedblur, Belhampton (Edwardian), Merry Baubles (Christmas tree dings), Merry Bauble Letters (Christmas alphadings), Wroxeter (blackletter), Thurbrooke (+Banner, +Initials, +Black, +Reverso, all based on 19th century banner headings and engraved lettering), Bourne (a rounded type system), Henrician (a set of eight Tudor style display typefaces), Belle Jardin (art deco marquee face), Lavery (Edwardian), Baldione (a stylized didone), Chequers (a vintage poster face), Turvy Topsy (fat finger face), Merrivaux (faux medieval), Blout (German expressionist typeface), Easter Egg Letters, Isometrica (a banner typeface family), Valentine's Letters, Imperial Granum (roman titling face), Brollo (chunky display face). Typefaces from 2014: Albions Very Old Masthead, Albions Engraved Black, Albions Old Masthead, Albions Incised Masthead, Albions Black Holly, Zanderley (pure Victoriana, +Initials), Landsdowne Commercial, Friendly Shaded Sans, Trivette, Wellmere Sans, Uncia Black, Henry VII, Greene and Rollins (layered Victorian typeface), Barollo, Alfrine, Alfrere Banner (+Incised), Lugano, Lanvier (1930s-style caps typeface family), Bonlivet (a hyper-decorative capitals alphabet from the late Victoian or early art nouveau era), Ames Text (a didone family with rounded brackets), Ames Roman (related to didones but with wedge serifs), Ames Weathered, Ames Shadow, Ames Shaded, Amersham (vintage signage family, 2013-2014). Typefaces from 2015: Netherland Perpendicular (Victorian blackletter), Ledbury (Victorian), Ambergate (Edwardian poster face), Empyrean (futuristic, yet curvy), Flinscher (1920s script), Signwriter Standard, Display Hatched, Albions Marker No.1 (a charming outlined marker pen typeface inspired by Bembo and Caslon), Joyvrie, Kinver (Victorian), Nationale (Victorian), Doges Banner, Doges Darker (Victorian), Doges Delight (Victorian), Doges Venezia (Victorian). Typefaces from 2016: Buntisland, Elmcourt, Allorette, Albion Sharp Italic, Deco Metro (art deco), SpeedSwash (blackletterish), Stridere (blackletterish), SpeedSketch. Typefaces from 2017: Shervington, Cantebriggia 1207 (a weathered blackletter), Algreve, Alambart, Duquesne Dark Woodcut, Courtold Shadow, Athabasca (Wild West Tuscan), Fargo Tuscan, Millerstown (Western), Millerstown Races, Old Millerstown, Sasparillo (Tuscan), Sasparillo Fizz, Wylgate, Herald Banner. Typefaces from 2018: Garstang Engraved, Halliwell Casual, Portculliard, Rotham Industria, Sombrieul (Edwardian), Shervington Engraved (a shaded typeface that appears hand-engraved on copper-plate). Typefaces from 2019: Dewhirst Display, Rakia (retro futuristic), Eurobia (art nouveau style). Typefaces from 2020: Draughtsman Engraved, Draughtsman Label Hand (Victorian), Civic Triline. Typefaces from 2021: Albion Seventies, Portculliard Engraved (an engraved ultra-decorative blackletter). Type announcements. Behance link. Klingspor link. Abstract Fonts link. Font Squirrel link. Kernest link. Abstract Fonts link. Hellofont link. View all typefaces by Paul Lloyd. Images of Paul Lloyd's best-selling typefaces. Greater Albion Typefounders: typeface collection. View Paul Lloyd's Victorian typefaces. [Google] [MyFonts] [More] ⦿ |
Australian graphic and type designer who is based in Melbourne. An artist interested in Australiana, he created Boomerang JY for Jack Yan and Associates. [Google] [MyFonts] [More] ⦿ | |
Sydney, Australia-based designer of the futuristic font Aergon (2011, FontStruct). He also modified some glyphs in Raph Levien's open source typeface Inconsolata LGC. [Google] [More] ⦿ | |
Greg Smith
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Greig Anderson
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gulp-fontgen
| Generator of browser fonts and css from ttf or otf files. By Karl Bowden (Sydney, Australia). See also Bowden's fontfacegen for free code with similar functionality. [Google] [More] ⦿ |
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Guy Newton (Sydney, Australia) created the geometric solid typeface Swagger (2013), and the geometric outline typeface Fatbeat (2013). Behance link. [Google] [More] ⦿ | |
Norwegian-born designer. During his studies at Griffith University, Queensland College of Art, Gold Coast, Australia, he created the display typeface Baltic (2015) starting from PT Serif. In 2015, he published the text typeface Kompani (2014). [Google] [More] ⦿ | |
Australian designer of the hairline sans typeface Clearcut (2017). [Google] [More] ⦿ | |
During her graphic design studies at the Gold Coast Institute of TAFE in Gold Coast, Australia, Hanae Ejiri created the typeface Dada (2014), named after the dada movement from 1916 until 1923. [Google] [More] ⦿ | |
Jacci Howard Bear discusses the various styles of cursive and manuscript fonts used to teach handwriting:
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Aussie creator of Steampunkfontbyhannarb (2009). [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Sydney-based creator of Media Typeface (2012). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of Saber (2014, a stencil typeface with maori symbolism) and of the alchemic Symbols Typeface (2014). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the stencil font Australian Space Typeface (2019). She writes that it was made for an Australian space station. Is there a secret Australian space program the world dioes not know about? [Google] [More] ⦿ | |
Gold Coast, Australia-based designer of the Morse-themed typeface Decoded (2017). Behance link. [Google] [More] ⦿ | |
Perth, Australia-based designer of the bullet hole typeface Nibbler (2014). [Google] [More] ⦿ | |
Shareware (30 Aussie $) and payware barcode fonts (code 128, code 39, codabar, EAN/UCC-8, EAN-13) by HardSoft Solutions of Toowoomba, Queensland. Check also this shareware EAN13 font. Contact: Stefan Ludvig (Austria). Old code 39 font (free). [Google] [More] ⦿ | |
Designer in Adelaide, Australia, who created the avant garde typeface Round Map in 2013. [Google] [More] ⦿ | |
Harry C. Pears
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Harvey Tonkin
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Harvey&Karen Tonkin
| Aussies Harvey&Karen Tonkin have created Victorian cursive fonts that might also be used for primary schools. Address: 31 Deschamp Road, Noranda, WA 6062. URL that mentions their work. Fonts by Harvey Tonkin: DottedVicModCursive (1998), VicModCurJoinedNormal (1998), VicModCursiveNormal (1993). [Google] [More] ⦿ |
At Griffith University in Gold Coast, Australia, Haley Byrne designed the monoline script typeface Hayley's Comet (2018). [Google] [More] ⦿ | |
Adelaide, Australia-based designer of the straigh-edged typeface Angular (2014). Behance link. [Google] [More] ⦿ | |
Graphic design studebnt in Australia in 2012. Creator of the display typeface Tipo Bonito (2012). [Google] [More] ⦿ | |
Canberra-based graphic designer. During a course at the European Institute of Design in Florence, Italy, Hayley Parsons created the connected script typeface Cavale (2013). In 2014, she is finishing her studies at the University of Canberra, Australia. Behance link. [Google] [More] ⦿ | |
As a student in Gold Coast, Australia, Hazel Yap Si Yi designed the turtle-inspired display typeface Don't Use (2018). [Google] [More] ⦿ | |
Head First Design
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Dafont link. Abstract Fonts link. [Google] [MyFonts] [More] ⦿ |
Heikki is a Sydney University Master of Multimedia (hons.) graduate and has also studied a Master of Arts degree in filmmaking at the University of Art and Design Helsinki, Finland. Currently, Heikki is employed at SeaLink Travel Group in Adelaide as Design Lead. He is the creator of the scratchy hand-printed typeface Else Type (2011, iFontMaker) and of the hand-printed typeface Hessutxt (2011, iFontMaker). [Google] [More] ⦿ | |
Based in Queensland, Australia (b. 1989), Helen designed ABC Chunky (2006, irregular handwriting). [Google] [More] ⦿ | |
Sydney-based graphic designer, b. 1986. In 2008, she created a haptic typeface based on a Swiss army knife. [Google] [More] ⦿ | |
Helen Scalia
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Helen World (was: House of Helen)
| Free fonts (soon!) made by Helen Scalia, a student of Graphic Design at the Queensland School of Printing and Graphic Arts, in Brisbane, Australia. Plus an archive. [Google] [More] ⦿ |
The free Hmong font Naadaa was developed here. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the Circle typeface (2014). [Google] [More] ⦿ | |
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Student in Brisbane, Australia. Creator of the chromatic typeface Tipi (2012). [Google] [More] ⦿ | |
Art director in Brisbane, Australia, who created the origami typeface Karnonkid (2013). Behance link. [Google] [More] ⦿ | |
Huebert World
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Hugh Adams
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Designer in Sydney, Australia, who sells these pixel fonts, all made between 2006 and 2008: Wade, Small Print, Rare, Monovale, Joey, Jee Five Condensed, Gin, Flake, Casey, Borle Sans Serif, Jee Five, Elate, Capital Tall, Capital Short, Bolo, Bok, Basement. [Google] [More] ⦿ | |
Hustle+Bustle Co
| Rachel Leahy (Hustle & Bustle Co, Melbourne, Australia) desifned the heavy brush script typeface Arabella in 2016. Creative Market link. [Google] [More] ⦿ |
HV Font (or High Visibility Font) sells truetype and FON-format fonts that simulate system fonts. Included are the HVTerm series, and the HV Edit series. These fonts are all monospaced. Other series: HVRaster, HVEdit, HVPrint. [Google] [More] ⦿ | |
HYPD--SYNRG
| Daniel Ross (HYPD/SYNRG) is the Australian art director and digital artist (b. 1990) of HYPD BD Bardust Remix (2008), a remix of BD Bardust (2003, Peter Korsman, BuroDestruct). In 2017, he designed the free wireframing typeface Flow. Devian tart link. Dafont link. Behance link. He was located on the Gold Coast but now lives in Canada. . [Google] [More] ⦿ |
During his studies at Design Collega Australia, Brisbane-based photographer Ian D. Leishman created the Janis Joplin era font Vibrato (2015). Behance link. [Google] [More] ⦿ | |
Vietnamese-born Australian creator of the multilined typeface Slanted (2013). [Google] [More] ⦿ | |
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In Your Typeface Productions (or: IYTP)
| Australian cofounder in 1997 of Atmos Software. In 2001, Stephen Chick created the typeface EV Nova. He also founded IYTP (In Your Typeface Productions) with his wife Kristy (also a graphic designer). His first published font is Spinosa BT (2006, spurred: Bitstream). [Google] [MyFonts] [More] ⦿ |
Brisbane, Australia-based student-designer (at Queensland College of Art) of the displasy typeface Blooming (2019). [Google] [More] ⦿ | |
Indigo Type Foundry
| Indigo Type Foundry is located in Dunlop, ACT, Australia. One of its fonts, Keefbat2 (2003) is a funny dingbat font designed by Keith Philip (b. Sydney, 1962). Earlier, Keith Philip designed ITC Keefbats (2002), a dingbat font with animals and insects, which earned him an award in the TDC2 2003 competition. [Google] [MyFonts] [More] ⦿ |
Melbourne, Australia-based designer of the squarish typeface Rectangle Hard (2016). [Google] [More] ⦿ | |
During his studies at Griffith University, Gold Coast, Australia-based Isaac Hough designed the squarish typeface Quake (2018). [Google] [More] ⦿ | |
Sydney, Australia-based designer of a painted font in 2020. [Google] [More] ⦿ | |
Isabelle Trolio
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Australian designer of Isini Script (2015). [Google] [More] ⦿ | |
Isis Fonts (or: Shrine of Isis)
| Egyptian hieroglyphics and related fonts, all original designs by Australian John Cosgriff: Adelita, Alcoholica, Biabia Layout, Brunnhilde One, Creature, Crusades, Dekald, Magician, LuciferPensionRoman, BlazingItalic, Bones2, CreationItalic, Darkenstone, Deities, Eyesis, Garfield, IsisDings, Jetson, KingdomCome, LostWorld, Raven, Spaceracer, Stargate, Tecnojap, TokyoSoft, Wizardry, ZetaGrey. The original fonts Tokyo Soft and TecnoJap simulate Japanese. Fontspace link. Font Squirrel link. Dafont link. [Google] [More] ⦿ |
Aka I Love Your Handshake and as French Giggle Fonts. Australian creator of the primitive hand-printed typefaces IYS Vintage Dresses (2013), IYS Just The Other day, IYS Joke We Made, IYS Vintage Dresses, MQS Sketchy (2013, brushy font), RQS Thinny and Thicky (2013), MQS Magic (2013), IYS Joke We Made (2013), IYS Dead End Street (2013), and IYS Nobodys Perfect (2013). | |
iTypeface (or: Exfont)
| Or Binh Ngo Thi, b. 1987. Hanoi, Vietnam, and now Canberra, Australia-based designer. I am not sure if she made all the fonts on her multiple web sites, so take the list below with a grain of salt. Thus, creator (?) of the free connected script font Beacon (2015). In 2016, she created Pateglamt Script (calligraphic), Aring (a gorgeous Treefrog style calligraphic brush script), Akita (avant garde), Akita Air (art deco style), Amery Brush, Dakota, Easy Brush, Purdue Script, Beach Brush Font, and Beautiful (thick brush script). Typefaces from 2017: Traveling, Rebli, Asmae, Cinderella Script, Merthy Script, Bodega Script, Gorgeous Script (watercolor brush), Le Beaune (roman capitals; a free font with a reference to a 2010 typeface by Damien Gautier), Restaurants Script, IT Encore Sans, Brook, Theage (script). In 2021, she released the scripot typeface Overwatch. Dafont link. Behance link. Creative Market link. Dafont link. Another Creative Market link. Newest Behance link. Gumroad link. Defonts link for Exfont. [Google] [More] ⦿ |
IYBI
| Radi Safi (If You Build It) is the Sydney, Australia-based designer of the geometric solid typeface Happy (2015), the sans typeface Swish (2014) and the display typefaces Panthony (2015), Salvesen (2014, designed for the cover of a CD by Sydney artist Atlas B Salvesen) and Smoke Signals (2014). Dafont link. Behance link. [Google] [More] ⦿ |
Australian designer who created the rounded linear segment-based typeface Broke (2012). [Google] [More] ⦿ | |
Melbourne-based graphic designer. In 2009, he made Home Baked Type, an octagonal constructivist face, inspired by old Russian propaganda posters. Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the flared typeface Baltimore (2014, with Paris Fogarty). This was a school project at Billy Blue College of Design. [Google] [More] ⦿ | |
Jack Yan
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Jack Yan and Associates (or: JY&A Fonts)
| Jack Yan (b. 1972, Hong-Kong) now lives in Wellington, New Zealand, where he founded Jack Yan and Associates (JY&A) in 1987, the first kiwi digital type foundry. He designed over 100 typefaces, which mostly share calligraphic roots---his lower case f is like a signature Yan glyph. In 2013, he turned to politics and is running to become mayor of wellington. He designed the extensive family Aetna, digitized based upon 16th century work by Francesco Griffo and Giovanni Antonio Tagliente. It is Yan's version of Bembo. His other font families include Decennie Express Pro (2011, a sans companion for JY Décennie), Decennie JY Titling, Integrity JY (2002), Pinnacle JY (1995-1996, +Bold), Ray JY, Rebeca JY (1993), Tranquility (1994-1995), Artemis JY, and Yan Series 333 (1987-1993). JY Koliba (by Jure Stojan, 2001) is a sans serif typeface family based on Slovenian architects' lettering of the 1940s. Other typefaces include Circles JY, Dandy JY (2012: Originally created for a theatre project at Massey University, Dandy is reminiscent of Pablo Ferro's hand-lettering; created by Danielle Smith), Comic Pro JY (1999, by Antonio Gonzalez de Santiago for Jack Yan), Novalis JY (2008, an anthroposophic family), Boomerang JY (by Greg Bastin), Boum-Boum (2002) and Alia JY (2008-2009, an aldine serif family). JY Pressly (2012, a serif family) was originally designed for Lucire, and destined for web and print use. Arts and Crafts alphabet by JY&A. Personal and political web site. Interview. Klingspor link. [Google] [MyFonts] [More] ⦿ |
As a student at Griffith University in Gold Coast, Australia, Jacki Thearle designed the free graffiti font Inktag (2018). [Google] [More] ⦿ | |
Australian designer of the curly mosaic art typeface Gaudia (2018), which is inspired by Gaudi's work. [Google] [More] ⦿ | |
Gold Coast, Australia-based designer of the prismatic typeface Stripy Hype (2016). [Google] [More] ⦿ | |
Graduate of Central Institute of Technology in Perth. Perth, Australia-based designer of the free handcrafted typeface Pretty Neat (2015). Behance link. [Google] [More] ⦿ | |
Australian designer (b. 1997) of the handcrafted typeface Doodle Head (2017). [Google] [More] ⦿ | |
Melbourne-born designer at the Australian foundry Prototype Font Design of the scratchy handwriting fonts Monster and Zuni. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
For a university project, Jade Hon-Mong (Sydney, Australia) created the computer / LED emulation font Digitus (2015) and the multiline typeface Wired (2017). [Google] [More] ⦿ | |
Graphic designer based in Gold Coast, Australia. In 2018, she created the rounded sans typeface Mochi. [Google] [More] ⦿ | |
Graphic designer in Brisbane, Australia. Behance link. She made the geometric counterless typeface Empire (2011). [Google] [More] ⦿ | |
Jake Keijzers
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Melbourne, Australia-based designer of Terang (2015), a scratchy grungy typeface family ideal for that down-in-the-gutter mood. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the brush fonts Sundaze (2017) and Open Road (2017). Creative Market link. [Google] [More] ⦿ | |
Sydney-based designer of the all caps titling grotesk typeface Charles (2018). [Google] [More] ⦿ | |
Graphic designer and typographer from Melbourne, Australia. Behance link. Creator of the geometric sans typeface Positano (2011). Corporate work includes the art deco typeface Butcher Florist done for Melbourne band Butcher Florist. Deer Sue is an experimental typeface with a prehistoric man theme. [Google] [More] ⦿ | |
James Matthew "Matty" Farrow
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Brisbane-based creator of the quaint typeface Pinocchio (2012). [Google] [More] ⦿ | |
Australian creator of the alchemic alphabet typeface Deer Sue (2011). [Google] [More] ⦿ | |
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During his studies, James Walmsley (Albany, Australia) designed the sans typeface noblefront (2017). [Google] [More] ⦿ | |
Jamie Clarke
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Jamie Clarke Type
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His commissioned led him to the Kelmscott Bakehouse K (2016), a decorative letter commissioned by Kelmscott Bakehouse and based based on William Morris's ats and crafts style. Typefaces from 2017: Rig Shaded (a large 3d shaded typeface family---the best such collection available to date). Typefaces from 2018: Shovel Knight Drop Caps (partial woodblock print alphabet), Rig Solid (a superb family of layered 3d fonts). Typefaces from 2020: Span (a 3-style a modern glyphic type family that flaunts its engraved heritage with sweeping serifs and sculptural forms). Typefaces from 2021: Rig Sans (a 16-style geometric sans). Author of the very informative article The Evolution of Chromatic Type (2017). Creative Market link. Behance link. [Google] [MyFonts] [More] ⦿ |
In 2012, he designed the free brush stencil typeface Bombora (which was digitized by Brian Kent). Bombora is based upon designs for surfing. See also Bombora Pro (2012, Cheap Pro Fonts). [Google] [MyFonts] [More] ⦿ | |
Jan Schmoeger
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In 2017, during their studies at Queensland University of Technology in Brisbane, Australia, Jana Weyl and Emma Winch co-designed the stencil typeface Jemma. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of typefaces such as Dania (2009) and Sergio (2009). Dania was a graduation project in which she wanted the capture the identity of Denmark, if such a beast really exists. Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the connect-the-dots font Nodaic (2017). [Google] [More] ⦿ | |
Upstart Australian typographer. Her first attempt is the quirky Underthebed (2002). Her second font is "If I was your girl" (2003), an exceedingly elegant and tall-legged handwriting font. [Google] [More] ⦿ | |
Janiel Prado is from Melbourne, Australia. He designed the piano key typeface Rekwesse (2010). [Google] [More] ⦿ | |
At UNSW, Janine Andaya designer the tall informal typeface Graffe (2019). [Google] [More] ⦿ | |
Jardin Anderson (Museum of Old and New Art (MONA), Melbourne, Australia) designed the free typeface Sans Sixteen Sans (2017). This typeface contains only 84% of the ink of a standard sans, to point out that the wage gap between men and women in Australia is sixteen percent. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Kings Typeface (2012). [Google] [More] ⦿ | |
Modern day illustrator in Sydney, Australia, who uses psychedelic lettering in her posters, ca. 2013. Behance link. [Google] [More] ⦿ | |
Adelaide, Australia-based designer of the inky hand-printed typeface Inky (2014). [Google] [More] ⦿ | |
During her studies, Brisbane, Australia-based Jasmine Owen designed the strong typeface Satchmo in 2016. It was inspired by the album cover of Louis Armstrong's Hello Dolly. [Google] [More] ⦿ | |
Barwon Heads, Victoria (Australia)-based designer of a bubblicious font called Hail Bubble (2006). It was pointed out that Gusto (Device Type) is an alternative typeface in this style. He also made Hail Grotesque (2006). [Google] [More] ⦿ | |
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Australian designer of Future Palms (2018). [Google] [More] ⦿ | |
As a student at Design College Australia in Brisbane, Jay Glen created the techno typeface Orbita (2015). Behance link. [Google] [More] ⦿ | |
Jay Schmitzer (Shellharbour, Australia) designed Thumb Print Type in 2013. [Google] [More] ⦿ | |
During his studies in Melbourne, Australia, Jayden Collins created an untitled hipster typeface (2014). [Google] [More] ⦿ | |
Sydney, Australia-based designer of Hanok (2015). In 2013, she started her studies at University of Technology, Sydney. [Google] [More] ⦿ | |
Aussie designer of the outline sans font Umbro (2006). [Google] [More] ⦿ | |
Jeff Marshall
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Jelly (b. 1984) lives in New South Wales, Australia. At Devian Tart, he designed the toon font Rough House (2001). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the free Halloween font Viper Town (2016). [Google] [More] ⦿ | |
Jen and Stef, students at NADC TAFE (Australia), created the button-hemed typeface Betty Homemaker (2011). [Google] [More] ⦿ | |
Melbourne-based designer of the inline typeface Stroked (2013). Behance link. [Google] [More] ⦿ | |
Australian designer of Lazy Hand (2017). Creative Market link. [Google] [More] ⦿ | |
As a student, Jennifer Lee (Sydney, Australia) designed the display typeface Linked (2017). [Google] [More] ⦿ | |
During her studies in Melbourne, Australia, Jennifer mai created the modular geometric typeface Sabre (2015). [Google] [More] ⦿ | |
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Australian designer of the molecular typeface Media (2017). [Google] [More] ⦿ | |
During his studies towards a Bachelor of Interior Spatial Design at UTS in Wollongong, Australia, Jerah Fox designed the needle nd thread typeface You And I (2012). [Google] [More] ⦿ | |
Jeremy English
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Designer in Sydney, Australia, who dabbled in a few experimental typefaces, such as Ears (2012) and Coathanger (2012). Behance link. [Google] [More] ⦿ | |
Malaysian design student in Melbourne, who created Street Team (2012), a monoline sans all caps typeface. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Black Drop (2017). Behance link. [Google] [More] ⦿ | |
Nature photographer from Townsville, Australia. Creator of the hand-printed Dots by J (2010). [Google] [More] ⦿ | |
Aussie designer (b. Melbourne) of the weird typeface Extreme Leet (2007). Why? He also made Scratchnessism (2007), Sound Board (2008), Lions Den and Starring (2008, kid's hands), Casual Script (2008, another child's handwriting font), and Guava Juice (2008). Alternate URL. In 2008, he went commercial and started selling his types at MyFonts. See also here. The typefaces there include the African theme/chiseled look font Rockband (2008), the 3d hand-printed typeface Tusk (2008), the 3-d outline family Alabaster (2009), the fat counterless typeface Overdrive (2010), the pixel typeface Milko (2011), and the hand-printed outline typeface Blubber (2008). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Student from Sydney, Australia, who made Jesse's Font (2006, grunge) and Hyreforgling> (2006, ransom note). [Google] [More] ⦿ | |
Australian designer of the thin monoline sans typeface Off Moon (2018). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the origami typeface Folded (2015). [Google] [More] ⦿ | |
As a student at University of Technology Sydney, Jessica Faccin designed the blackletter typeface Grafted Gothic (2016). [Google] [More] ⦿ | |
Designer in Sydney who made the fun display typeface Kandinsky (2010). [Google] [More] ⦿ | |
Australian designer of Neodeco (2012, an art deco typeface). [Google] [More] ⦿ | |
During her graphic design studies at the University of Ballarat, Australia, Jessica Nuzum (Nuzum Design, Horsham, Australia) created the bilined typeface Duplex in 2013. | |
Graduate of Design College Australia. Brisbane, Australia-based designer of Astley Neue (2014). [Google] [More] ⦿ | |
Graphic designer and art director in Australia. Creator of the fat counterless typeface Blokk Funk (2009). [Google] [More] ⦿ | |
Melbourne, Australia-bazsed designer of Pipa (2015). [Google] [More] ⦿ | |
During her studies in Gold Coast, Australia, Jessie Kemp designed the handcrafted typeface Slinky (2018). [Google] [More] ⦿ | |
Graphic designer, illustrator and photographer in Sydney, Australia. He made the neon script typeface Phophos (2009). Behance link. He writes: I was born in Suva, Fiji in 1988. I am however, an Australian. My mum is an artist, so I guess I just caught onto the creative bug from an early age. I started out with photography and eventually introduced it into more graphic illustration based design. I studied Fine Art as an A level subject at St Georges School in Switzerland, dealing with the "misplacement of general concepts" which links to surrealism. NEWS!!! I have been accepted into UTS in Sydney Australia studying in Visual Communications, my dream course. [Google] [More] ⦿ | |
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Australian researcher and Japanese typography expert. Maintains an on-line Japanese dictionary, and offers many useful links on Japanese. Jim Breen is/was at the Department of Digital Systems, Monash University, Clayton, Victoria, Australia. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the rounded all caps sans typeface Taho (2020). [Google] [More] ⦿ | |
Jim Kalogiratos
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Australian graphic design student who is working on the futuristic display typeface Sytak03 (2004). [Google] [More] ⦿ | |
Brisbane-based graphic designer. He created the experimental typeface Stool Dude (2009). [Google] [More] ⦿ | |
Melbourne-based student who drew an intricate illustrative number 2 in 2012. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of Paperclip (2019). [Google] [More] ⦿ | |
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Graham Meade and Joanne Quinn designed Curlmudgeon, CurlmudgeonHollow, CurlmudgeonHollowItalic, CurlmudgeonItalic, CurlmudgeonWideside. Abstract Fonts link. [Google] [More] ⦿ | |
Senior designer at Interbrand Sydney who was born in Brazil. For Melbourne Theatre Company (MTC) he created MTC Neon (2013, with Chris Maclean). Behance link. [Google] [More] ⦿ | |
Gold Coast, Australia-based designer of Arvor (2016), and outlined font based on Anton Koovit's Arvo. Arvor was a school project at Griffith University. [Google] [More] ⦿ | |
Joe Bland
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Designer and illustrator in Sydney, who created a typographic poster called Chicago Typography Skyline (2012). Behance link. [Google] [More] ⦿ | |
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Joe Scerri
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Joe Scerri Design
| Joe A. Scerri is a British born Maltese-Australian graphic designer based in Zürich Switzerland. Since graduating with a diploma from Central Metrolpolitan College of Visual Art in Perth Western Australia in 1990, he has worked in publishing, multimedia, advertising and design, both in Sydney and in Basel. For the Spanish magazine Neo2, Joe Scerri created the free experimental dotted line typeface Kassette (2006). In 2005, he made the experimental typeface Faena (no download). [Google] [More] ⦿ |
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Australian animator. Designer of Poo (2005, ugly handwriting). [Google] [More] ⦿ | |
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John is a graphic designer from Adelaide whose first font is displayed here. [Google] [More] ⦿ | |
John Annear is a Perth, Australia-based digital designer. Creator (b. 1995) of the pixel typefaces White On Box (2010, FontStruct), Sloth (2009, FontStruct), Lont (2012) and Sloth Rounded (2012). Dafont link. Devian Tart link. Aka Qwert-Acme. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Hand Script (2014). [Google] [More] ⦿ | |
John Cosgriff
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Australian type designer who set up John Doorley & Associates Pty. Ltd. Via MyFonts, Doorley markets his fonts. These include Doorley Hand (2012, a hand-printed typeface). [Google] [MyFonts] [More] ⦿ | |
John Greatorex
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John Magnik
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John Rade
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John Rade Fonts
| In 2009, John Rade Fonts was established as an independent foundry by John Rade from Melbourne. John had 15 years experience in advertising and branding. His first font was Paperocked (2009). This was followed by Jazzbang Inca (2009). [Google] [MyFonts] [More] ⦿ |
John Rigby
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Brisbane, Australia-based student-designer of an untitled display typeface in 2015. [Google] [More] ⦿ | |
Perth-based graphic designer. Creator of the stressed out typeface Ex Kaf (2012): A customized typeface inspired by the aftermath of caffeinated all nighters. Behance link. [Google] [More] ⦿ | |
Jonathan Nicol
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Jonathan Schneider (csido) is the Brisbane, Australia-based designer of the fifties car lettering font big automobile*7 (2003). [Google] [More] ⦿ | |
Jonathan Waterworth
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Melbourne-based web/multimedia developer + desktop publisher who made the futuristic typeface Big Automobile (2006). [Google] [More] ⦿ | |
Illustrator from the Gold Coast of Australia. He created the painted look typeface Artillery (2010). [Google] [More] ⦿ | |
Illustrator in Adelaide, Australia, who created a floriated caps alphabet in 2014. Behance link. [Google] [More] ⦿ | |
Jos is an architect and designer based in Melbourne, Australia. He created the pixel typeface 6px (2008). Dafont link. [Google] [More] ⦿ | |
Brand designer in Fremantle and/or Perth, Australia, whose typefaces can be bought from Type Department. In 2016, he designed The Skulls (a commissioned stencil font). For Pride Sports Festival 2018, he designed the organic sans typeface PSF Bounce. In 2020, he released the display typefaces Villanelle, Stoker (a blackletterish typeface for the West Australian Ballet) and Westralia (a free all caps typeface with varying widths). Type Department link. [Google] [More] ⦿ | |
During his studies in Melbourne, Australia, Josh Aucutt created Dimensional Typeface (2014) and Perspectives (2014). [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the display sans typeface Stillocs (2016). [Google] [More] ⦿ | |
Graduate of RMIT University. During his studies in Melbourne, Australia, Joshua Hick created the free rounded sans typeface Bumblebee (2015) and the handcrafted poster typeface Wildlife Victoria (2015). Behance link. [Google] [More] ⦿ | |
Designer of the HPGCalc (or: HP Graphing Calculator Display) font in all formats, based on the original design of Hewlett-Packard as used in their graphing calculators HP38G, HP39G and HP40G. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the modular typeface Stillocs (2017). [Google] [More] ⦿ | |
Typefaces made in 2012: Metropolis (a superb bilined retro type family, ideal for posters---free download). Behance link. Hellofont link. [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia. He created the inline headline typeface Neonic (2012) and the beautiful art deco bold sans typeface Zed (2012). [Google] [More] ⦿ | |
Born in 1975 in Lima, Peru, and based in Austrlia, Juan Carlos Aguirre Pinedo designed the fat finger font Libre, and the old typewriter font Old Type in 2016. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Sariyah (2013), a display typeface influenced by Tim Burton's films. [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, b. China. In 2017, she designed Ffeyffolken, a display typeface that is rooted in Norse mythology. [Google] [More] ⦿ | |
Australian designer of the textured colored all capsBeatles Alphabet (2017). [Google] [More] ⦿ | |
During her graphic design studies in Sydney, Australia, Julia van Vuuren created the textured caps typeface Explore (2014). [Google] [More] ⦿ | |
This young graphic designer from Brisbane created a useful informal sans typeface called Brackley (2010). [Google] [More] ⦿ | |
During his studies in Melbourne, Australia, Julian Wilkins designed the triangulated typeface Serrate (2015). [Google] [More] ⦿ | |
Gold Coast, Australia-based designer of the headline typeface Exia (2016). [Google] [More] ⦿ | |
Kaboom Creative
| Amanda Ariel (Kaboom Kreaticve) is the Australian creator of the hand-printed typeface Peak (2012) and the comic book typeface Quickstyle (2012). [Google] [More] ⦿ |
Brisbane, Australia-based student-designer (at Griffith University) of Wanderer (2019). [Google] [More] ⦿ | |
Kaitlyn Hebden (Wells, ME) first studied at the University of Redlands in Redlands, CA, and then at the University of New South Wales in Sudnay, Australia. She designed the multicolored all caps typeface Liquid Bass during her studies in Sydney in 2015. [Google] [More] ⦿ | |
Gold Coast, Australia-based designer, as a student at Griffith University Australia, of the weathered typeface Marble (2017). [Google] [More] ⦿ | |
Freelance designer in Sydney, Australia. During her studies at the University of Technology Sydney, she created the frilly typeface Green Fairy (2014). Behance link. [Google] [More] ⦿ | |
Kamban Software in Blacktown, NSW, Australia, offers free Tamil fonts: TAMKadambri (1999), TAMKalyani (1999), TAMLKamban (1999), TAMMaduram (1999), MaduramTSC (1998), and TABMaduram (1999). MaduramTSC is made (by Vasu Devan). They also published a free Unicode font for many South Asian languages, Akshar unicode. [Google] [More] ⦿ | |
New York City-based illustrator and digital artist, who created the typefaces Pivot Regular and Pivot Deco in 2013. Karan is of Indian and Australian origins. Behance link. [Google] [More] ⦿ | |
Karel van der Waarde studied graphic design in the Netherlands and the UK. In 1995, he started a design research consultancy in Belgium specializing in the testing of pharmaceutical information design. This company develops patient information leaflets, instructions, forms, protocols, and the information architecture for websites. Karel van der Waarde publishes and lectures about visual information. At that time, he was based in Elewijt, Belgium, and edited Information Design Journal. Old URL. Currently, he teaches (part time) at the Basel School of Design (FHNW, Switzerland). Since 2017 he is professor Visual Communication at Swinburne University, Melbourne, Australia. [Google] [More] ⦿ | |
Karen Parry
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Aussie creator in 2012 of the hand-printed typefaces Saying Goodbye (iFontMaker), Vincent Street (iFontMaker), Lewis Blues (iFontMaker), Completely Scripted, Saying Hello (2012, iFontMaker), Type Me, and Type Me Two (iFontMaker). Aka Kazadoodle. Home page. [Google] [More] ⦿ | |
Karl Bowden
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Australian creator of the hand-printed typeface KarmaK2. [Google] [More] ⦿ | |
During his studies in Melbourne, Australia, Kason Cheung designed the outlined typeface Dream (2018). [Google] [More] ⦿ | |
Australian designer, b. 1987, of Cross Stitched (2019). [Google] [More] ⦿ | |
Perth, Australia-based designer of the hand-drawn student project typeface Acoustic Vibes (2014). [Google] [More] ⦿ | |
Australian designer of the free comic book style handcrafted typeface Claphappy (2015), Claphapy Light (2015), Fudgie (2015) and Postage (2015). Dafont link. [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, who created the Scandinavian furniture-inspired typeface Nordic Blend (2017). Behance link. [Google] [More] ⦿ | |
Brisbane, Australia-based graphic designer. Creator of Muelysies (2013), a ball terminal typeface. Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the paperclip typeface Konaclique (2016). [Google] [More] ⦿ | |
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Katika Designs
| Australian designer of the heavy rounded children's book font family Bubblee Kids (2020). [Google] [More] ⦿ |
Katika Hovorka
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Kazer Studio
| Or Jay Kazer, b. The Netherlands. Sydney, Australia-based designer of the free squarish techno typeface Metrik Sans (2018) and the sans titling typefaces Monaco Classic (2018) and Le Mans Classic (2017), which was inspired by vintage motorsport racing. In 2019, he published the wide sans typeface Fluro. In 2020, he released Hologram. Type Department link. [Google] [MyFonts] [More] ⦿ |
Sydney, Australia-based designer of the sahdow typeface Hole In The War (2016). [Google] [More] ⦿ | |
Using iFontMaker, Keith Jeffers (Fauxtographics, Australia) created the fat finger typeface Kprint (2011). [Google] [More] ⦿ | |
Keith Morris
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Keith Philip
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Graphic designer in Brisbane, Australia, who created the display typeface Deforestation in 2016. [Google] [More] ⦿ | |
Brisbane-based designer of the multiline art deco masthead typefacee Fibre (2012), which was created during Kelly's studies at Shillington College. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the shadow typeface Perspace (2016), which is an exercise in perspective drawing. [Google] [More] ⦿ | |
Melbourne-based designer of the solid geometric figure typeface Azpac (2013) and of the kitchen tile typeface Geometric (2013). Behance link. [Google] [More] ⦿ | |
Graphic designer in Brisbane, Australia, who was born and raised in Singapore. In 2012, he created the decorative typeface Bunny Ears. [Google] [More] ⦿ | |
Kenny Williams
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Sydney, Australia-based designer of the stencil typeface Ardent (2018). [Google] [More] ⦿ | |
During her studies at the Queensland College of Art in Brisbane, Australia, Kenya Carroll created the thin display sans typeface Asana (2013). Behance link. [Google] [More] ⦿ | |
During her studies at the Queensland College of Art in Brisbane, Australia, Kenya Carroll created an unnamed architectural lettering font (2013). Behance link. [Google] [More] ⦿ | |
Kerstin Loop (Newcastle, Australia) created the triangle-serifed typeface Checkmate (2014). Behance link. [Google] [More] ⦿ | |
Adelaide, Australia-based designer of the experimental typeface Topsy Sans (2016). [Google] [More] ⦿ | |
During his studies at Billy Blue College of Design in Sydney, Australia, Kevin Teh designed the transitional typeface Hanglo (2016), which was inspired by Baskerville and Century Schoolbook. [Google] [More] ⦿ | |
In 2012, he published Mr and Mrs Peter, Garamono (a pattern font). Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
During his studies in Sydney, Kieran Mistry designed Datura (2015). [Google] [More] ⦿ | |
Designer in Perth, Australia, b. 1983. Creator the primitive handwriting typeface The World's Worst Font (2010). [Google] [More] ⦿ | |
As a student at Billy Blue College of Design in Sydney, Australia, Kim Nelson designed the slab serif typeface Mint (2017). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of Penman Vintage Victorian Styles for Illustrator (2017). [Google] [More] ⦿ | |
Sydney, Australia-based creator of the scanfont A Type of Mistaken Identity (2012). I applaud what she writes about herself: Determined. Motivated. Persistent. Honest. Hard Working. Versatile. Creative. Humble. [Google] [More] ⦿ | |
Australian designer of the geometric typeface King Koala (2011). [Google] [More] ⦿ | |
Australian designer of the gothic font Kirkita (2005), coauthored with Daniel Voshart. Alternate URL. See also here. [Google] [More] ⦿ | |
Illustrator and graphic designer in Sydney. She created Go Robotique (2012, and LED style typeface). [Google] [More] ⦿ | |
Freelance designer in Brisbane, Australia. In 2016, she created the art deco typeface Gatsby for a project at Shillington College. Behance link. [Google] [More] ⦿ | |
Kloeg Architecture
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In 2016, he designed the minimalist sans typeface family Essence, followed in 2018 by Essence Round, which includes 150 free icons. [Google] [MyFonts] [More] ⦿ |
During her studies, Gold Coast, Australia-based Kristie Lund designed the brush-lettered typeface Salty (2015). Behance link. [Google] [More] ⦿ | |
Designer of Virtual-Normal (1996) at GarageFonts. Kristin is from Victoria, Australia. FontShop link. Klingspor link. [Google] [More] ⦿ | |
Kristy Hatswell
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Aussie essay about typography. "Kurt Brereton teaches at the University of Technology Sydney, and writes on type and design. " [Google] [More] ⦿ | |
Sydney, Australia-based designer of the oriental display typeface Sydney Chinatown market (2014). Behance link. [Google] [More] ⦿ | |
Australian company based in Melbourne. It designed a strong slab serif typeface called Lab for its logo and internal use in 2012. Behance link. [Google] [More] ⦿ | |
Lacanian Matheme Fonts
| Ecrits Symbol Font is a public domain font for mathematical symbols (truetype, type 1), created by Jeremy English (Australia) in 1997 as part of the The Lacanian Matheme Fonts. Free, Mac and PC. Jeremy English writes: These scalable fonts contain most of the symbols used in Jacques Lacan's algebra, the standard letters of the alphabet, the numbers from 0 to 9, some standard set and algebraic notation, French diacritics and some Greek letters. Download. [Google] [More] ⦿ |
Lachlan Philp
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Lady Rose
| Indonesian designer in Camperdown, Australia, who designed these handcrafted or script typefaces in 2021: Palestine Script, Sidenty (script), Girl Lock (tall, handcrafted), Dellisa, Modeling, Nigh Tingale. [Google] [MyFonts] [More] ⦿ |
Orange Roughy (2012) is an italic typeface without curves. Codesigner with Wendy Ellerton of the connected script typeface Terital (2011, Letterbox; +Terital Incoming, Terital Outgoing and Terital Linking, dated 2009). MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Land Line
| Adam Turnbull is an artist and graphic designer from Sydney, Australia, who is based in Brooklyn, NY. In 2016, he created the outlined and solid 3d typeface Luddite (2016). Behance link. [Google] [More] ⦿ |
Language Geek
| Chris Harvey's site started out by provding keyboards and fonts for the native languages of North America. Located in Ontario, Canada, Chris Harvey's original collection included several free Unicode-compliant creations (Aboriginal Sans Unicode, Aboriginal Serif Unicode). The following were covered: Dakelh, Cherokee, Cree syllabics, Ojibway (Ojibwe, Ojibwa) syllabics, Naskapi syllabics, Dene or Athabaskan/Athapaskan (Chipewyan, Slavey) syllabics, Blackfoot syllabics, and roman orthographies of Canadian (and some US) native languages. As of 2019, he covers more than 100 Indigenous languages, including all of the ones in northern Canada, as well as languages in Australia, New Zealand and the U.S. Of particular interest are his pages on syllabics. I quote some passages: "Syllabics became very popular first among the Cree people, then spread to other Algonquian languages such as Ojibway, Naskapi, and Blackfoot. Heading north and east, Syllabics were adopted by some of the Dene languages, and Inuktitut. The writing system was transferred from parent to child despite the attempts of the Canadian residential school system to obliterate Native languages. The system was so popular, that it has been reported that the Cree once had a near 100% literacy rate. [...] These days, Inuktitut, Cree, Naskapi, Oji-Cree, are the languages most often written in Syllabics (although Roman orthographies for these languages are also available). The others have generally switched to Roman writing systems, however some dialects, communities, or individual speakers still prefer syllabics." The list:
Interview on CBC. [Google] [More] ⦿ |
Larzy Russell (Ballarat, Australia) created the hexagonal typeface Arisen (2013). Behance link. [Google] [More] ⦿ | |
Laura Eddy
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Graphic Designer from Brisbane, Australia. Designer of Honeybear (2010). [Google] [More] ⦿ | |
Newcastle, Australia-based student-designer of an old typewriter typeface in 2014. [Google] [More] ⦿ | |
Australian designer of the handcrafted typeface Caps Lock (2019). [Google] [More] ⦿ | |
Lauren McKinnon (Melbourne, Australia) created the modular typeface Archway (2015), which was inspired the 1970s. [Google] [More] ⦿ | |
Lauren Trio (Sydney, Australia) created the spurred display typeface Hourglass (2011). [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Lauren Vingilis designed the 3d outlined typeface Turbatio (2013). [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, who created the experimentl geometric typeface Lorimier (2014). [Google] [More] ⦿ | |
LB Digital is an Australian based digital design and development studio. Via Graphic River, they sell a collection of pixel typefaces that were made between 2006 and 2008. These include Wade, Small Print, Rare, Monovale, Joey, JeeFive Condensed, Flake, BorleSansSerif, Jee Five, Elate, Capital Tall, Capital Short, Bolo, Bok, and Basement. [Google] [More] ⦿ | |
Leah Armstrong (Ballarat, Australia) designed the hand-lettered display typeface Happy Ending (2013). [Google] [More] ⦿ | |
During her studies at Federation University in Ballarat North, Australia, Leah Cushion designed the hand-drawn typeface Revolt (2014), which is based on protest signs seen in demonstrations around the world. Behance link. [Google] [More] ⦿ | |
Lee Mounsey
| Lee Mounsey is a Brisbane, Australia-based designer, animator and typographer. Creator of the cyberpunk or futuristic typeface Dismedia (2020). [Google] [MyFonts] [More] ⦿ |
Lee Mounsey-Smith
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Melbourne, Australia-based designer of the condensed squarish typeface Celebrate 88 (2014). Behance link. [Google] [More] ⦿ | |
Aussie designer of Gimp Scribble (2010). Dafont link. [Google] [More] ⦿ | |
Melbourne-based designer who has been working on Inter Latin (2004). [Google] [More] ⦿ | |
Designer in Melbourne, Australia, who created display or logo fonts such as a Latin alphabet Short Film Festival (2016) and a Cyrillic font called Constructivism (2016). [Google] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of the handwriting font Amish. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of a Cyrillic constructivist alphabet in 2018, as well as a custom typeface for the festival of short cuts (also in 2018). [Google] [More] ⦿ | |
Letitia Thirapathi Appadu (Townsville, Australia) created Futura Floral (2011) by filling the glyphs of Futura with art nouveau style flower ornaments. Behance link. [Google] [More] ⦿ | |
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Lewis Tsalis
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Aussie designer of BreakfastCereal (2001, handwriting) and AfterRain (eroded font, 2002). [Google] [More] ⦿ | |
Adelaide, Australia-based designer of the decorative caps typeface Adelaide (2014) that celebrates the city. Behance link. [Google] [More] ⦿ | |
Australian designer of the pixel typeface Alfie Ferdinand (2013, FontStruct). [Google] [More] ⦿ | |
Tasmanian designer of the free hand-drawn draftsman typefaces ArchiStud (2013) and Dribble Guts (2013), and of Libby's Hand (2013). [Google] [More] ⦿ | |
During her studies in Newcastle, Australia, Lillian Cassidy created the sans typeface Elle (2015). [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Lily Hodgson created the display typeface Wassily (2015). Behance link. [Google] [More] ⦿ | |
Photographer in Brisbane, Australia, who created Amayeta (2013, a font vectorized from a watercolor painting) and Scribble Type (2013, a watercolor caps font). [Google] [More] ⦿ | |
Lindon Parker
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Brisbane (Australia)-based freelance graphic designer. Creator of Couther Sans (2005, sans serif). [Google] [More] ⦿ | |
Lisa Bradbury (Adelaide, Australia) created the hand-printed typeface Slipghtly Loopy in 2014. [Google] [More] ⦿ | |
During her studies in Gold Coast, Australia, Lisa Hu designed Midnight Nouveau (2018). [Google] [More] ⦿ | |
She writes: Process and final design for a revamped cover of Jeffrey Eugenides' latest novel, The Marriage Plot. The typeface was created based on the hand-made typography used in the original posters for Fellini's Amarcord. [Google] [More] ⦿ | |
From Melbourne, Australia, David Aylott's macro for MS Word that produces a sorted list of your fonts with multiple fonts to a page. PFONT, another program by him, does not require MS Word. Finally, for compact printing, there is FONTFILE. David runs Aylott Computing Pty Ltd. [Google] [More] ⦿ | |
Australian designer of the oriental simulation font Tibetan CXZ (2018). [Google] [More] ⦿ | |
Graduate of Norges Kreative Fagskole (NKF) in Trondheim, Norway, class of 2014. During her studies at Griffith University, Gold Coast, Australia, she created the elegant Tuscan-inspired display typeface Water Lily (2015). [Google] [More] ⦿ | |
During his studies at RMIT, Victoria, Australia-based Long Lam designed Cubic Origami (2016). [Google] [More] ⦿ | |
Australian designer of some handcrafted typefaces. Typefaces from 2021: Milk&Clay, Vanilla Slice, Tall Friends, Flower Party, Sunset Avenue. [Google] [More] ⦿ | |
Freelance graphic designer and illustrator in Adelaide, Australia. Creator of Mosaic (2014). [Google] [More] ⦿ | |
Devonport, Tasmania, Australia-based designer of the elegant script typeface Fallow (2018). [Google] [More] ⦿ | |
During her design studies in Sydney, Australia, Louise Vieusseux created the display typeface Blunderbuss (2013). Facets (2013) is an alphabet that was inspired by the architecture of Shepherds Bush Westfield. [Google] [More] ⦿ | |
"Lout is a document formatting system designed and implemented by Jeffrey Kingston at the Basser Department of Computer Science, University of Sydney, Australia. The system reads a high-level description of a document similar in style to LaTeX and produces a PostScript file". Primary download site. [Google] [More] ⦿ | |
"Lout is a document formatting system designed and implemented by Jeffrey Kingston at the Basser Department of Computer Science, University of Sydney, Australia. The system reads a high-level description of a document similar in style to LaTeX and produces a PostScript file which can be printed on most laser printers and graphic display devices. Plain text and PDF (starting from version 3.12) output are also available. " Free source code under GNU license. [Google] [More] ⦿ | |
Geelong, Australia-based designer of the deco display sans typeface Adell (2014). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the handcrafted typeface Everbody (2019) that plays on the fashionable wide-versus-narrow theme. [Google] [More] ⦿ | |
Lucy Chugg
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As a student at Griffith University in Gold Coast, Australia, Lucy Fergusson designed the scratchy handcrafted typeface family Fergs (2018). [Google] [More] ⦿ | |
At University of Technology Sydney, Lucy Lee designed the display typeface Moonwalk Air in 2016 and writes: Moonwalk Air is an original, predominately hand-generated font inspired by the work and practice of French/American cellist Yo-Yo Ma. [Google] [More] ⦿ | |
Graduate of Fakultät Gestaltung Würzburg, Germany. Brisbane, Australia-based designer of the display typeface Arkit (2017). [Google] [More] ⦿ | |
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Sydney, Australia-based designer of the Western typeface Cheyenne Valley (2015). [Google] [More] ⦿ | |
Home page. HypeForType link (where one can buy his typefaces). Klingspor link. Behance link. [Google] [More] ⦿ | |
Graphic and web designer in Melbourne, Australia, who created the sans typeface Escarpment in 2016. [Google] [More] ⦿ | |
As a student in Gold Coast, Australia, Luke Rowbotham designed the curly Victorian typeface Parthenon (2018). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the all caps didone typeface Marcella (2019). [Google] [More] ⦿ | |
Australian web designer who created a free vector format art deco typeface called Wonderful World Retro Font (2011), which is in the same style as RightBank FLF and almost identical to the free font Gaslight Regular (1993). Aka Think Luke. [Google] [More] ⦿ | |
During her design studies in Sidney, Australia, Luschia Porter created a delicate hairline geometric display face (2013). [Google] [More] ⦿ | |
Machine Cult
| Brisbane, Australia-based designer of the futuristic 90s-retro militaristic typeface Tailgunnar (2018). Designer of the 10-style pure cyberpunk typeface family MuX1ne (2021). [Google] [MyFonts] [More] ⦿ |
Brisbane, Australia-based designer of the teardrop-themed typeface quiddity (2017). [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the modular typeface Stumpy (2015. [Google] [More] ⦿ | |
Sydney, Australia-based icon designer who made tens of sets of icons, each containing 100 icons. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the cursive typeface Rosie (2016). [Google] [More] ⦿ | |
During his studies in Melbourne, Manohar Mathiyalagan designed the pixel typeface Missing Pixel (2012). He used FontStruct to make the labyrinthine typeface Labrynth (2013). FontStruct link. [Google] [More] ⦿ | |
Manuela Nassr (Sydney, Australia) designed the Arabic simulation typeface Aladdin's Flamingo in 2014 for a university project. [Google] [More] ⦿ | |
Melbourne-based type and graphic designer who made these (free) typefaces: Powdah (sans), Schwish, Bison, Pseudolux (2000, psychedelic), Polydiscous (2001), Minidib, Bloodwax (2001), Depictor (2000), Bored (2001, dot matrix). Justin Bauer made Pro Bulbous (2001), a pixel font. His site used to be called Pseudoroom. Alternate URL. Dafont link [no longer valid]. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the bike parts font Cyclography (2014). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the modular all caps typeface Architext (2018). [Google] [More] ⦿ | |
John Marco Müller (Hamburg, Germany) Chas studied and/or is studying at RMIT in Melbourne, Australia. He created the organic sans family Melbourne (2009, 26plus-zeichen). [Google] [MyFonts] [More] ⦿ | |
Marcus Byrne (Melbourne, Australia, b. 1979) experiments with type design. He used light painting in the development of a 3d multiline font in 2013. AFL Finals 2013 is an athletic lettering typeface that was developed in both 2d and 3d. Phone Streak (2013) is a free brush typeface. Mob Design. Dafont link. [Google] [More] ⦿ | |
Calligrapher who lives in Australia. Designer from 2002-2004 of the Celtic look family Lindisfarne Nova (with Harry Pears) at Bitstream. FontShop link. MyFonts link. [Google] [MyFonts] [More] ⦿ | |
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Her great angular semi-calligraphic typeface March Twenty Two (Sans, Serif) was created during the Summer Condensed Program at Cooper Union in NYC in 2012. In 2016, she designed the fine ornamental caps typeface Green Fairy. [Google] [MyFonts] [More] ⦿ | |
Brisbane, Australia-based designer of the decorative typeface Twirled (2018). [Google] [More] ⦿ | |
Aka Morninglight. Melbourne, Australia-based designer of Made With Love (2-17) and Brushnote (2017). Creative Market link. [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, who created a prismatic poster typeface in 2013 called Santos. Behance link. [Google] [More] ⦿ | |
At the University of New South Wales, Mariana Vargas (Porto Alegre, Brazil) created the thin display typeface Fat Type (2016). [Google] [More] ⦿ | |
Marianna Orsho
| Marianna Orsho (or Marijana Orsolic) is an Australian / Serbian graphic and type designer, b. 1987. Classically trained as a graphic artist, she completed her Masters Degree in Type Design and 2D Animation at the University of Arts in Belgrade in 2011. She settled in London where she specializes in typography, branding, and illustration. She has created work for clients like the Spice Girls, Disneyland Paris, MTV, Indeed, and The Ghost Bus Tours. During TypeClinic 5 in 2012 in Trenta, Slovenia, she created the multiple master humanist sans typeface family Nioki and Nioki Italic, both for Latin and Cyrillic. Free download. Other typefaces by her include Albi (2010) and Eta (2011). While temporarily located in Sydney, Australia, she created Kamilitza (2014, a layered, condensed, all-caps cross stitch display typeface) and Globster (2014, a Treefrog-style typeface for Latin and Cyrillic). In 2019, she collaborated with Studio Moross to design the new Spice Girls typeface as part of the branding for the UK and Ireland Spice World tour. The font was used in the animated show visuals, on the Spice Girls merchandise and is still in use for promotional and marketing material across all social media channels. In 2020, she released the 30-style layered, condensed, all-caps cross stitch display type family Litza as an extension of her 2014 family, Kamiltza. Tipometar link. Behance link. [Google] [MyFonts] [More] ⦿ |
Marijana Orsolic
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Mark Burrough
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Australian type designer, b. 1974, UK. He lives in Sidney. Behance link. Creator of Claire Hand (2011). Home page. [Google] [MyFonts] [More] ⦿ | |
Mark Gowing
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Blacktown, Australia-based designer (b. 1990) of Boner (2011, glyphs based on bones; done with Tye Mortimer). [Google] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of Wax Hard, Wax Soft. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Zillmere (Brisbane), Queensland, Australia-based designer of the hand-drawn typefaces Evergreen (2016, free), Wolfpack (2015), Bellfield (2014), Westlake (2014, a grungy brushy typeface) and Phalanx (2014, free). In 2016, he designed the hand-styled poster typefaces Cobblestone Road, Mahalo, Strux, Intrepid and Regress, and the dry brush font Bradi. Typefaces from 2017: Badge Crafter, Chaos (wavy), Shapeshifter. Behance link. Creative Market link. [Google] [More] ⦿ | |
Born in Prague, Marketa Kontova is now in Southport, Australia. She created the curly script typeface Dignity (2013). [Google] [More] ⦿ | |
At Federation University, Ballarat, Australia-based Marnie Hines designed the display sans typeface Bloody Big One (2017). Behance link. [Google] [More] ⦿ | |
Photographer in Melbourne, who created the strong horizontally-striped octagonal typeface Digital Bounce (2011). [Google] [More] ⦿ | |
Art director in Adelaide, Australia. In 2009, he created a custom alphabet for the Adelaide Botanical Gardens. Called Botanica, it has roman letterforms but the texture is inspired by the gardens. [Google] [More] ⦿ | |
Marshall Artz
| Born and bred in New Zealand, Jeff entered into the sign craft in 1985 at the age of 16. He moved to Gold Coast, Australia, where he set up Marshall Artz ca. 1990, a creative company active in the sign industry, specializing in commercial and custom signage, logo design, gold leaf work, hand painting, type design and the instruction of traditional signwriting. Jeff Marshall's Jeff Marshall Script and Kiwi Casual were released in 2016 and Dixon Script in 2017 at Letterhead Fonts. In 2022, he started marketing his fonts under his own brand. His fonts include LHF Jeff Marshall Script (2016), Dixon Script (2017; named after Jeff's mentor, Howard Dixon), Aplin Script (2021; named after Jeff's other mentor, Ron Aplin), Jeffs Word Pack (2020), Flick Casual (2021) and LHF Kiwi Casual (2016: a cartoon font). [Google] [MyFonts] [More] ⦿ |
Graphic designer in Brisbane who created the purely geometric typeface Tritalics and the free dot matrix typeface Circursive in 2012. Born in Tanzania, Martin has lived in Laos, is half Dutch and has an Irish passport. Behance link. [Google] [More] ⦿ | |
Graphic design student from Sydney, Australia. His typeface Formula (2012) is based on slot cars and inspired by F1 racing. Behance link. [Google] [More] ⦿ | |
Australian designer (b. 1984) who is based in Sydney. He created the graffiti typeface Jo's Styles (2012), and Thick Bitch (2012). He also made the futuristic typefaces Grand Lethals (2012, for an album cover of this group) and Aliens Can Suck It (2012). [Google] [More] ⦿ | |
Web and graphic designer in Canberra, Australia. Creator of the iFontMaker font Squat (2010, squarish hand-printed face). [Google] [More] ⦿ | |
Matt Brown
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Matt Hindson
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Matt Hindson's music fonts
| Free music fonts by composer Matt Hindson, dated 1997-2006: Harp Pedals, Recorder Fingering, Saxophone Fingering, TimesMusical, Accidentals, Clefs, FiguredBassMH, FiguredBassMH, GuitarStrings, Rhythms, StaffClefPitchesEasy, TempoIndicationsLite, TempoIndicationsLiteTrebuchet, TupletNumbersPetrucci, TupletNumbersSonata, WoodwindTablatureRec11, WoodwindTablatureSaxEuro, WoodwindTablatureSaxEuro, WoodwindTablatureSaxGraphic, WoodwindTablatureSaxGraphic, WoodwindTablatureSaxUS, WoodwindTablatureSaxUS. [Google] [More] ⦿ |
Matt McKey
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Brisbane, Australia-based student-designer (at Griffith University) of the spurred Victorian typeface Lambeth Iron (2019). [Google] [More] ⦿ | |
In 2013, he designed the free stub-serifed 380-glyph 80-language typeface Knubi. In 2016, he designed the rounded slab serif typeface Dissimo, which has one free weight if you register. Behance link. [Google] [More] ⦿ | |
Matter of Sorts
| Melbourne, Australia-based Vincent Chan trained as a graphic designer at Monash University in Melbourne and worked as a type designer at Commercial Type in New York between 2012-2014. He is currently a PhD candidate and teaching associate at Monash University. Speaker at ATypI 2018 in Antwerp. At Commercial Type, he helped with the designs of Giorgio Sans, Kommissar, Sanomat Sans, and Guardian Sans. Other typefaces by him include Recollection (2016), Quadrant Slab (2020), Quadrant Text (2020), and Mongrel Grotesque. He writes about Recollection: Recollection Text and Display were drawn in close collaboration with Dominic Hofstede: designer, teacher and adjunct senior research fellow at Monash University. They was designed specfically for the launch of the third iteration of the Re:collection archive in October 2016. The Recollection typefaces attempt to capture the spirit of Australian graphic design between 1960 and 1990. It refers to this rich period by looking inward, through the well-established intentions and aesthetic tropes of the time, to arrive at a familiar typographic form. [Google] [More] ⦿ |
Typographer in Melbourne, Australia, who created the black counterless typeface BLK.OPS (2011). [Google] [More] ⦿ | |
Sydney, Australia-based graduate of the University of Technology Sydney. In 2017, he designed a modular 3d typeface. Behance link. [Google] [More] ⦿ | |
Typefaces from 2019: Bael (a sans, with Petros Afshar), Berman Bold (a blackletter font by Petros Afshar and Matthew James), Trindle (bilined). [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia. Behance link. In 2010, he created the display typeface Mister Piko (which I believe is a font, but I am not certain). [Google] [More] ⦿ | |
Matthew Walker (b. 2001, Mandurah, Australia) created the typefaces Quentrell (2013, hand-printed) and Perdido (2013). [Google] [More] ⦿ | |
Matty's calligraphy
| James Matthew "Matty" Farrow (Australia) wrote in 1999: I am interested in calligraphy, palaeography, and (digital) typography, and am currently writing an outline font editor for Adobe Type 1 fonts called spif. [Google] [More] ⦿ |
Creator of the organic typeface Gillo (2010). Behance link. She is a graphic designer in Melbourne. [Google] [More] ⦿ | |
Maurice wrote this: I designed Fino as well as Cut-In (Medium and Bold) in the '70s which won a competition arranged by Letraset International London. These two fonts have been plagiarized subsequently. I was the first Australian designer to win the competition for new typefaces and be accepted in the Letraset range. I was getting paid for it until they stopped selling Letraset who had the copyrights and were in Letraset Catalogue. I am about to start drawing up and will be marketing Fino as well as Cut-In family range plus other ranges of fonts. In 1994 I won a Monotype N.Y. typeface competition with Cadenza. And there was another competition I won as well from a New York typehouse which I called Concept and they never gave me the prize in moneys and I forgot about chasing them therefore I cant remember the foundrys name or phototypehouses name. Note: Fino was shamelessly copied as Feena by ZETAFonts (South Africa) and Cut-In was modified/copied/mutilated by Fontalicious as Alba. [Google] [More] ⦿ | |
During her studies in Brisbane, Australia, Meaghan Strong designed the tattoo typeface Inked (2016). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of Houses of Stone (2019). [Google] [More] ⦿ | |
During her studies in Brisbane, Australia, Megan Shen designed the mystical typeface Moon Writing (2017). [Google] [More] ⦿ | |
Designer of Fifth Ave Font (2016) during his studies in Brisbane, Australia. This sans typeface was intended for use on street signs. Behance link. [Google] [More] ⦿ | |
Melanie J. Cook
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Melany is a graphic and motion designer. During her studies at the University of Technology, Sydney, she created the experimental typeface Darjeeling to Budapest (2018), influenced by the movie art of Wes Anderson. [Google] [More] ⦿ | |
Has a nice glossary of typography and printing. [Google] [More] ⦿ | |
Australian designer of Dragon Style (2010). Born in 1990, Melinda is a cartoonist. [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the migraine-inspired and migraine-inducing typeface Aura (2019). [Google] [More] ⦿ | |
Aussie graphic designer from Melbourne who made the experimental fonts Tetris Quadrate (2007), Organic Space (2007) and 90 Flinders Street (2007). In 2008, she created the hand-printed type family Free Will and the futuristic techno family Road Trip. Also in 2008, her condensed poster family New Moon and the Railway Point family saw the light. She also does custom type. MyFonts link. She has a Bachelors in visual communication from Monash (2000) and a diploma of arts from RMIT (1997). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Graphic designer in Brisbane, Australia, who created the Joan Miro-styled typeface Patens (2010) that was inspired by bacteria. Cargo Collective link. Behance link. [Google] [More] ⦿ | |
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Melissa ten Bohmer (Melt Designs, Perth, Australia) created the bilined typeface All Lined Up in 2013. [Google] [More] ⦿ | |
Based in Indonesia (b. 1978), this graphic designer, type designer and illustrator owns and operates his own company, Mendiola Design & Associates. Mendiola is a lecturer in design at Bina Nusantara University in Jakarta and is a founding member of the Indonesian Graphic Design Forum (FDGI). He is affiliated as a type designer with The Australian Type Foundry. [Google] [More] ⦿ | |
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Metis Digital Type Foundry (or: Studio Io, or: Metis Foundry; was: Volume2a)
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In 2012, he created the geometric sans typeface Acumen, and the sans family Silence. He is working on Fragile, Terminal, Link, Recurrence (very experimental), Autonomy, Motor, Velcro, and Elevator. In 2013, he designed the sans typeface Figure. In 2016, he published the ultra-condensed blackletter typeface Optimum Compress in Textura style. In 2018, he published the great condensed brutalist octagonal typeface Texel, the experimental geometric typeface Pyxis (published by The Designers Foundry), and the geometric solid typeface Geometer. In 2019, he added the ultra-fat Dot19, the monoline experiment LXII, the modular Alexandro, the geometric sans typefaces Software and Gertrudes, and the sans font Mizzen. Typefaces from 2020: Geometer. Typefaces from 2021: LXII Display (a prismatic typeface). [Google] [More] ⦿ |
Graphic designer in Brisbane, Australia, who created the ornamental caps typeface Metamorphosis in 2014. [Google] [More] ⦿ | |
Australian digital media student at Griffith University. Creator of the (free) Victorian over-ornamented typeface Wonderland (2012). Dafont link. [Google] [MyFonts] [More] ⦿ | |
Freelance graphic designer in Berlin and Melbourne. On Behance, he showed a pixel typeface called Nils Puzzelt Gerne Fonts (2009), and a leaf-based experimental face, called Leaf Font (2009). [Google] [More] ⦿ | |
Born in Brisbane, Australia 1965, Michael Brosnan studied Modern Asian Studies at Griffith University, specialized in Japanese, and graduated 1992. he studied graphic design from 2006 until 2009 at Central Saint Martins, under the guidance of Catherine Dixon and Alan Baines. He lives in London, UK. His typefaces include Anastas (2016), Launch and Architecture (a 3d font). [Google] [MyFonts] [More] ⦿ | |
Melbourne, Australia-based designer of an experimental modular typeface in 2016. [Google] [More] ⦿ | |
Designer of Apple2Forever (2001), a typeface that simulates the screen font on old Apple II computers. Free download. Michael is located in Sydney, NSW. [Google] [More] ⦿ | |
Michael K. Fischer
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During his motion graphics studies in Perth, Australia, Michael may designed Galvin (2013), a display typeface patterned after bent zinc wires. [Google] [More] ⦿ | |
Australian creator of the mdular monoline sans typeface Quarter Sans (2012). Dafont link. [Google] [More] ⦿ | |
Michael McMaster graduated from RMIT in 2017 and promptly started a PhD at RMIT University to study the emergence of videogames within art and design museums. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the modular bipolar typeface Incandenza (20125), named after Hal Incandenza. [Google] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of WalBats. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer of Space Bubble (2019). [Google] [More] ⦿ | |
During her studies at Queensland University of Technology, Brisbane, Australia-based Amy Hitchner co-designed the display typeface Deliciae (2019) with Amy Hitchener. [Google] [More] ⦿ | |
During her graphic design studies in Melbourne, Michelle Kneipp designed the Round Coin typeface (2013). [Google] [More] ⦿ | |
Graphic designer in Melbourne who created CounterPoint Type (2012). [Google] [More] ⦿ | |
During his studies in Sydney, Australia, Miguel Paolo Ronquillo designed Frames (2017). [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
During his studies in Melbourne, Australia, Mike Mra Tha designed Mra Stencil (2014). Behance link. [Google] [More] ⦿ | |
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During his graphic design studies at RMIT, Miles Salé (South Melbourne, Australia) created the decorative multiline typeface Dogleg 67 (2015). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the decorative caps typeface Geomatric (sic) Garden (2016). [Google] [More] ⦿ | |
Minh Bui (Sydney, Australia) created Miami Deco (2011). I believe that the font is also called Rockafella Reck. Behance link. [Google] [More] ⦿ | |
Melbourne, Australia-based graphic designer. Creator of the Armenian typeface Mirella Marie (2013). Behance link. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the didone display typeface Faline Bold (2012). Other typefaces by Mish include 2B Slab (2012) and Configurate (2012). All his typefaces are free at Flux Collective, but one really needs to work hard to find all. [Google] [More] ⦿ | |
Australian designer who created Bored (2005, own handwriting). Alternate URL. [Google] [More] ⦿ | |
For a project at the University of Tecnology, Sydney, Mitchell Hockey designed Professor Whiskers (2013), a spurred all caps typeface that is modeled after vintage American wood types. [Google] [More] ⦿ | |
Creator (b. 1991) of the free font Dystopia (2012) described as a mix of grunge and art deco. It was developed for an assgnment at TAFE. [Google] [More] ⦿ | |
Australia-based designer of the thin straight-edged typeface Muqarna (2018). [Google] [More] ⦿ | |
Australian designer of Flux (1996), now a T-26 font. He ran Monib Design, and now has Mahdavi Design. Voca (a slightly grotesk sans) was made in 2004. He was born into a Baha'i family in Shiraz, Iran, in 1975 and migrated to Australia with his family prior to the Iranian revolution in 1979. [Google] [MyFonts] [More] ⦿ | |
During her studies in Sydney, Australia, Monica Li designed the floral decorative caps typeface Flora (2015) and the hairline sci-fi typeface Grandioso (2015). [Google] [More] ⦿ | |
At RMIT University, Monique Morrison (Melbourne, Australia) created the modular typeface Tangrams (2015), which was inspired by the 1970s. [Google] [More] ⦿ | |
Monospace fonts: Christopher Widdowson
| Christopher Widdowson (Quiji, Australia) listed, showed, and compared these monospaced fonts for showing computer code, but that page disappeared. Here is that list.
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For a school project, Moon Taylor (Gold Coast, Australia) had to adapt Amble to make a tirling typeface, which she called Mon Mon 2 (2016). Behance link. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the psychedelic typeface Electric Kool (2017). [Google] [More] ⦿ | |
Morice Kastoun
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Morning Person
| Melbourne, Australia-based designer of Publisher Slab Serif (2017). Creative Market link. [Google] [More] ⦿ |
Motoki Higa
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Aussie site with a free copy of Fontmonger, and a couple of TrueType fonts. [Google] [More] ⦿ | |
Australian designer of the display typeface Spaghettica (2011). NADC stands for Nepean Arts&Design Centre (NADC) at Nepean College (Kingswood Campus) near Sydney, Australia. [Google] [More] ⦿ | |
During her Bachelor of Design in Visual Communication studies at the University of Technology in Sydney, Nadia Dubrovic created the display typeface Punkature Dame (2013). [Google] [More] ⦿ | |
During her studies at Design College Australia in Brisbane, Nadia Raineri created the layered ornamental wood typefaces Alvaro (2013) and Maria (2013) that are based on Aetna, a wood type from 1870 by William H. Page. [Google] [More] ⦿ | |
Graphic designer and illustrator in Brisbane, Australia. Naiomi Viegas's Skin Deep display typeface (2016) is based on a mash-up of "The Thing" from The Addams family and tattoos or the idea of individuality. [Google] [More] ⦿ | |
Fontspace link. Dafont link. Klingspor link. [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia. Creator of the avant-garde typeface Black Quartz (2011) and the stylish Masuyo (2011). [Google] [More] ⦿ | |
During her studies at the University of Technology, Sydney, Natalie Shue created the teardrop-laden display typeface Black Fox (2013). Behance link. [Google] [More] ⦿ | |
Australian designer (b. 1991) of the display typeface Sunshine (2011). Fontineed link. [Google] [More] ⦿ | |
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Graphic designer in Sydney, Australia, who created (I think...) the medieval map typeface Oceans Apart (2014). Behance link. [Google] [More] ⦿ | |
Binghamton, New York-based creator of the artsy typeface Jacoski Inverse (2015). [Google] [More] ⦿ | |
American designer of the stencil typeface Ascend (2019). [Google] [More] ⦿ | |
Nathan Jephcott (Gramaton Design, Melbourne, Australia) created the piano key typeface Vertalen (2011). Behance link. [Google] [More] ⦿ | |
Graphic designer in Buderim, Australia, who created a chromatic beveled typeface in 2013. Behance link. [Google] [More] ⦿ | |
During his studies at the University of Ballarat, Australia, Nawal Al-Adasani created the sharp-edged display typeface Aris (2013). Aris borrows ornamental details from Arabic. [Google] [More] ⦿ | |
As a student at Design College Australia in Brisbane, Neesh Bekker created the ball terminal laden typeface Elysees (2015). [Google] [More] ⦿ | |
A 1.1MB file with about 100 truetype fonts. Mostly shareware fonts from Larabie and others, but also some rarer stuff, like a Code39 barcode series by Hardsoft Solutions in Australia, and an OCR-B pixel font. [Google] [More] ⦿ | |
Agnieszka (NES Design, Perth, Australia) created the thin monoline geometric sans typeface Huggle (2010). [Google] [More] ⦿ | |
Gold Coast, Australia-based student-designer of the decorative handcrafted typeface Buddy System (2018). [Google] [More] ⦿ | |
New Tropical Design Studio
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Typefaces from 2019: Farmhouse, Sophillia (an elegant sharp-edged display typeface), Modernica Tropico (a fashion mag titling typeface), Grange (a fine high-contrast fashion font), Dahlia (a mini-serifed font), Sunflora (a fashion font with some linked letters), Rockwell (a wedge serif---it takes a loy of chutzpah to design a typeface called Rockwell that is not a slab serif...), Botanica (an all caps fashion font), Coast & Co, Hunter, Marigold, MariSans, Work & Wear, Avalanche (a warm vintage wedge serif), Kinfolk, Wrangler, Sundays. Typefaces from 2020: Salsico, Milkman, Evangelina (a hipsterish fashion mag font), Culture, Commune, Zephyr, Classico, Analogue, Gallery Modern (a sharp-edged display serif), Mattina Sera SVG (a dry brush typeface by Laura Bennett for New Tropical Design), Geomatik (a minimalist sans), Tangerine (a 1970s style display typeface), Sage (a high contrast decorative didone), Monte Carlo (a stylish all caps typeface). Typefaces from 2021: Ginger (a romantic and artsy display serif), Silvera (a display serif), Stoned Youth (a disturbing graphic sans), Sign Writer, South Pacific, Grange (an extreme contrast fashion mag typeface), Vineyard (an ornate serif), Raygun Grotesk, Evangelina (a hipster display serif), Cost del Sol, Angelica (a display serif), Seaker (a decorative serif), Palm Springs, Starlight (a decorative serif), Palm Tree Icons (in vector format), Yorker (a decorative serif), Future Classic Sans, Lost Lovers (a boutique font), Sunshower Dreams. Typefaces from 2022: Evangelina (a fashion mag typeface), Dark Paradise (serif). Type Department link. [Google] [More] ⦿ |
Ngaio is a designer, illustrator, arts writer and curator working in Brisbane, Australia, who graduated from Queensland University of Technology with a degree in Fine Arts and has worked for the Gallery of Modern Art and the Ipswich Art Gallery before taking on her current position at Milani Gallery. In addition, Ngaio is studying design at the Queensland College of Art. In 2012, Ngaio created a frilly hairline typeface. [Google] [More] ⦿ | |
Australian creator of the graffiti typeface Nice tag (2012), the rounded spurred typeface Anti Hero (2012), and the angry angular typeface Dortmund (2012). [Google] [More] ⦿ | |
Type foundry in Woolloongabba, Queensland, Australia. Creator of the graffiti typefaces Nice Tag Two (2012) and Nice Tag One (2012). [Google] [MyFonts] [More] ⦿ | |
Designer of fonts at Garagefonts, including the sans serif font families Newt and Newt Monospace (1999). Nicholas is from Sydney, Australia. FontShop link. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Melbourne, Australia-based designer of the mechanical techno typeface Supermax (2015). He calls it a maximum security typeface. Behance link. [Google] [More] ⦿ | |
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Author of Death of a Typographer (2019, Australian Scholarly Publishing), a crime story about a fictitious Dutch type genius, Pieter van Floogstraten, and a type sleuth called Martin Kern. [Google] [More] ⦿ | |
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Nick Nicholas (University of Melbourne) discusses script mixing. For example, the Wakhi from Central Asia use a mixed script of Latin, Cyrillic, and Greek letters. Among many examples, he points out that certain Greek dialects use a Latin letters to represent sounds not present in standard Greek. He also has a page on Greek Unicode issues. That page includes everything you want to know about Greek accents and Greek coding. [Google] [More] ⦿ | |
During his studies in Melbourne, Australia, Nick Thom created the display typeface Tryp (2015). [Google] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of the futuristic font FB-EK. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Nicola Ivec (Australia) created mainly children's handwriting fots. These include A Fat Child (2010), A little bit fanc-aaay (2010), Just That Neat (2010), Sticks and Stones (2010), You are just an idiot (2010), Hearts and Smarts (2010), Nicola (2010) and English Boredom (2010). Other typefaces from 2010: Schools and Rules, Capital Fun, Dotty Spotty, Slightly Covered Up, Stencil Pencil, Little Miss Script, Scri-Bubble, Fatso D, Bored in Science, Niki Chunkiee, Emily Smyth, Bayley Moroney, Back to School, Dunno tell me then, and Celine Ingram, Light it up like it's dynamite, Blocks, In The Stars, Just while he's speaking, Curly Twirly, To Love You, Holly Meier, Lego Blocks, Vous devez telecharger, I think your beautiful too. Creations in 2011: Goodbye 4 now, Goodbye 4 Good, I Like You Stay In My Life, Pokemon, J'aime le poisson, Cupid's gonna get ya, What the fudgesticks. Typefaces from 2013: Procrastinating. Another Fontspace link. And another one. Tumblr link. [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, who created the Slither typeface and Library Wayfinding Icons in 2014. [Google] [More] ⦿ | |
During her graphic design studies in Brisbane, Australia, Nicole Cooper cooperated with Erin Klapper in the creation of the beautiful ornamental typeface Papilio (2013). This typeface was a school project at the Queensland University of Technology. Behance link. [Google] [More] ⦿ | |
Nicole Denton (Melbourne, Australia) created two hand-drawn alphabets in 2012. [Google] [More] ⦿ | |
Designer in Melbourne. Creator of Belove (2012). Behance link. [Google] [More] ⦿ | |
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Sydney, Australia-based designer of the humanist sans serif typeface Squire (2014) for a school project at Billy Blue College of Design. [Google] [More] ⦿ | |
During her studies at Federation University Australia, Ballarat, Australia-based Nikki Luitjes designed the sketched typeface Aussie (2016), which is possibly also called Sunday Barbie Medium. [Google] [More] ⦿ | |
Niko Spelbrink
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North is an Australian design studio. At FontStruct, they created the octagonal modular typeface TYRO (2009). [Google] [More] ⦿ | |
Funny type-based animations by Lycette Bros (John and Mark Lycette) from Melbourne, Australia. [Google] [More] ⦿ | |
Graphic designer in Brisbane, Australia, who created the free stylish multiline typeface Dinimal (2016). Behance link. [Google] [More] ⦿ | |
Yolngu languages (Northwest Territories, Australia) are written using special characters. To view these characters with your computer you need YM fonts. This site explains that, and offers a free sans serif truetype font, A Yolngu NTU (2001). Pages by Michael Christie&Waymamba Gaykamangu. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the 3d typeface Cubic (2018). [Google] [More] ⦿ | |
Oakstone Creative
| Australian designer of the art deco typeface Overlander (2020), which is inspired by the Australian Overland train. [Google] [MyFonts] [More] ⦿ |
Gold Coast, Australia-based designer of the free modular retro-futuristic typeface Space (2018). [Google] [More] ⦿ | |
Ography
| Ography Design Consultancy is located in St. Kilda, Victoria, Australia. In 2005, Niko Spelbrink of Ography created a sans typeface that can be used in print and on screen, JanB. [Google] [More] ⦿ |
As a student at QUT in Brisbane, Australia, Okara Harvey designed the psychedelic typeface Hei Matatu (2017). [Google] [More] ⦿ | |
During her studies at RMIT University, Melbourne-based Olivia Kurniawan designed the decorative caps typeface Melbourne (2015). Behance link. [Google] [More] ⦿ | |
Omegaville
| Melbourne, Australia-based designer (b. 1977) of several pixel fonts, including revivals of old Commodore 64 fonts. His pixel fonts from 2018: Cursive, Tolman, Stadium, Skate Rock, Wizard, Gauntlet, Mutant Camels, Wobble Board, Falcon Patrol, Angle. [Google] [More] ⦿ |
Omni Creative
| Australian designer of All Day (2017, handcrafted), Spot Me (2017, handcrafted typeface) and Stalactites Script (2017). [Google] [More] ⦿ |
One Fonty Day
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Aka Tokobi. Behance link. Dafont link. Creative Market link. [Google] [MyFonts] [More] ⦿ |
Its designer is Wayne Thompson of Australian Type Foundry. Link with a video. [Google] [More] ⦿ | |
Oren Tyler is an Australian student, aka Ozza88. He made the hand-printed Oren Script (2010). [Google] [More] ⦿ | |
Australian creators of a great set of futuristic caps called Future (2011). Organ Studio is based in Perth. [Google] [More] ⦿ | |
Chilean-born designer at the Australian foundry Prototype Font Design of Destroy, CommBats, and "Plains, Trains and Autos". Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Adelaide, Australia-based designer of the blocky 3d outline typeface Pidgeon Squared (2018). [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia. She created the themed Ice Alphabet (2010). [Google] [More] ⦿ | |
Patrick Hansen is based in Brisbane, Australia. He designed a geometric solid typeface for a school project at Queensland University of Technology (QUT) in 2016. [Google] [More] ⦿ | |
During his studies in Brisbane, Australia, Paige Gannon created the alchemic typeface Wired (2013). Behance link. [Google] [More] ⦿ | |
For his graduation thesis, Panjapol Chiemsombat (Smoke Bacon Design, Melbourne, Australia) created the Thai / Latin typeface Inthanon (2015). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer of the art deco typeface Gum Tree (2019). [Google] [More] ⦿ | |
Paragraph
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Klingspor link. Dafont page (where three styles of Paperclip, Diagond, and the sans typeface Mentone are free). Home page. Pic. Showcase of Jan Schmoeger's typefaces at MyFonts. [Google] [MyFonts] [More] ⦿ |
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In 2018, Paul Hanslow, Ross Mills and John Hudson co-designed the free STIX Two family, which is based on Times Roman. After joining John Hudson's Tiro Typeworks, which is based in Vancouver, Paul Hanslow aided in the development of the text typeface Castoro (2020). Hudson writes: Castoro is a libre font family released under the SIL Open Font License. Castoro is a specific instance of an adaptive design developed for Tiro Typeworks' internal use as a base from which to generate tailored Latin companions for some of our non-European script types. The instance that has been expanded to create the Castoro fonts was initially made for the Indic fonts that we produced for Harvard University Press. In the Castoro version, we have retained the extensive diacritic set for transliteration of South Asian languages, and added additional characters for an increased number of European languages. The parent design here presented as the Castoro instance began as a synthesis of aspects of assorted Dutch types from the 16th through 18th Centuries. Castoro roman was designed by John Hudson, and the italic with his Tiro colleague Paul Hanslow, assisted by Kaja Slojewska. It is named Castoro after the busy beaver, a real workhorse in the Canadian forests. Google Fonts link. Skeena (2021) is a humanist sans typeface by John Hudson and Paul Hanslow that was developed for Microsoft for use as one of the default fonts in Office apps and Microsoft 365 products. In 2021, Ross Mills, Anna Giedrys and Paul Hanslow co-designed the 14-style sans family Laconia at Tiro Typeworks. Co-designer with John Hudson, Alice Savoie and Karsten Luecke of Brill (2011), Brill Greek (2021), Brill Cyrillic (2021) and Brill Latin (2021). This classic text typeface family was a winner at the TDC 2013 competition. Client: Koninklijke Brill NV, Leiden, The Netherlands. [Google] [More] ⦿ | |
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Paul James Lloyd
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Australia-based designer of the Cyrillic/Latin font Ticker Tape (2001). [Google] [More] ⦿ | |
In 2012, Paul McNeil and Hamish Muir co-designed FF Three Six (FontShop), a pixel-based stencil and regular typeface family. In 2014, four commercial modular and pixelish typeface families were published, Panopticon (a system of layered 3d geometric typefaces), Intersect, Nine (Metric, Mono) and Interact. In that series, the nine-weight geometric almost-typewriter typeface Nine Mono (monospaced and monoline) stands out. The pixelish typefaces Three Point, Four Point and Ten Point were also done in 2014. The superfamily of pixelish and dot matrix fonts Two followed in 2015. THD Sentient (2017) is an all-capitals monolinear rounded proportionally spaced all caps sans type family in four weights, designed by Tim Hutchinson in collaboration with MuirMcNeil. Designer in 2017 of the geometric stencil typefaces Stem and Rumori. Still in 2017, Paul McNeil and Hamish Muir co-designed the stencil family Five. In 2020, they released the Bauhaus typeface Two Bar Mono. Fontfont link. [Google] [MyFonts] [More] ⦿ | |
Letterer, designer and illustrator in Brisbane, Australia. Behance link. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the display sans typeface Transcend (2014), which was a school project at Monash University. Behance link. [Google] [More] ⦿ | |
Buderim, Australia-based designer of the experimental typeface Minimo (2016). [Google] [More] ⦿ | |
Sydney, Australia-based designer in 2014 of the free hand-drawn typefaces 3D,Bubble Writing, Cute, Cute Heart, and Cute Handwriting. [Google] [More] ⦿ | |
Brisbane, Austrlia-based designer of the Arabic simulation typeface Dune (2015). [Google] [More] ⦿ | |
Additional link, another URL. And another URL. Dafont link. Fontspace link. [Google] [More] ⦿ | |
Graphic designer in Brisbane. The Pitcher, created by her in 2011, is a display typeface influenced by mathematical and geometric equations. [Google] [More] ⦿ | |
Pete Joison
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In 2005, Peter Backes created a simple sans serif Metatype typeface called Oceania. In 1993, Phil Cordingly from ABC Network in Australia created some letters for the logo of the TV series Ocean Girl. Phil Watts (Jonathan M. Shiff Productions) then added some letters for Orca City and Ocean Odyssey. But the full font in Metatype was designed by Peter Backes in 2005, who made the source code freely available. [Google] [More] ⦿ | |
Aussie Peter Caffin made the free bitmap fonts Gaudy, Big, LED, LineSans, Standard. [Google] [More] ⦿ | |
Peter Costello
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Brisbane, Australia and Long Beacg, CA-based designer (b. 1990) who created the heavy techno typeface Geometric Black (2012) which was influenced by old Russian propaganda posters. Dafont link. Behance link. [Google] [More] ⦿ | |
Peter Stanton
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Phat Phonts
| Phat Phonts is an Aussie foundry run by Wayne Thompson. Their fonts:
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Phil Campbell
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Phil Richardson
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Designer from Australia who now works in Amsterdam, where she became known for her Pink Ribbon Magazine, for which she also did the lettering. Behance link. [Google] [More] ⦿ | |
During her studies at Design College Australia, Emily Kay Penn (Brisbane, Australia) created the Western layered / chromatic typeface Carousel (2014). [Google] [More] ⦿ | |
Phoenix Phonts
| Australian creator of Harry P (a free Harry Potter font). [Google] [More] ⦿ |
PIP Type
| Australian foundry of Ang Cheffey: PIP stands for Pretty in Pink. Creator of the curly typefaces SexyRexy (2007), SexyRexy-Smitten (2007, hearts and Valentine's Day dingbats) and MoxyRoxie_Beta (2007, curly hand). [Google] [More] ⦿ |
Australian designer of the monogram font Deadwood (2017) and Pixel Icons (2017: covering thess categories: Weather, Communication, Food, Social, Outdoors, Health, Shopping, Religion, Science, Transport, Ecommerce, Apparel, Clothes, Money, Finance, Nature, Medicine). Creative Market link. [Google] [More] ⦿ | |
Polkadot Designs
| Ashlea Wheeler (Polkadot Designs) is the Tasmanian photographer (b. 1987) who designed the fun display font Kingdom (2006), as well as Jenny Lied (2006). Home page. Creator of the futuristic sans headline typeface Techno Funk (2007). Klingspor link. [Google] [More] ⦿ |
Design studio in Melbourne, Australia. In 2018, they designed the branding typeface Monroe Cafe. [Google] [More] ⦿ | |
Design student in Sydney. Creator of Stencil (2012, an octagonal typeface), Almost There (2012, experimental, minimal, and circle-based) and Emotionfree (2012). [Google] [More] ⦿ | |
A small very selective but interesting archive. It has SPADORE by Sebastian Boschert (1998, a Novella lookalike), PS Bluegum Forest by Tris Nguyen for Postsadness, 1998: better than Burton's Nightmare, and very close to Solotype's Glorietta), Mayonaise by ¡eM pleH (1998), InfiniteDingbats by Shaun Kardinal (1998), SantasSleigh (a Novella lookalike), and Mayonaise (1998) and Mayo (1998) by ¡eM pleH (1998). Smashing Pumpkins fonts are archived here as well: pick up Graceful Swans by Shaun Kardinal, based on Constructivist from P22, Bank Gothic, BatmanForever, Intimacy, Graphis, LatinExtraCondensed, ElectraCondensed (a Font Bureau Romeo Medium Condensed lookalike also known as FZ Basic---of course, Electra itself is Winkow's original on which Romeo was based), Tonite (Cochin Italic lookalike), Infinit Dingbats (1998) and VI University. [Google] [More] ⦿ | |
Prikken over Stien
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Promodesign
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He obtained an MA in typeface design from The University of Reading (2009), based on his type family Quartzo, a typeface system for magazines. He lectured at IED Sao Paulo and is currently undertaking a PhD and teaching at the University of Newcastle, Australia. His fonts:
Behance link. Speaker at ATypI 2016 in Warsaw. [Google] [More] ⦿ |
Prototype Font Design
| Australian foundry started by Terence Bergagna in 1992, which came out of a larger commercial studio called CasaForte. It folded some time between 2001 and 2004. The fonts included many handwriting, grunge, futuristic and dingbat fonts. It had some very original dingbats such as Mugshots. [Google] [More] ⦿ |
Design director at Frost Design in Sydney and South Africa since 2007. Global Brand Design and Art Director for the London 2012 Olympic Games for Nike. Designer of quite a few (unnamed) typefaces in 2009-2012. These include several modular or experimental designs, a 3D typeface for Mr. Muz in Tasmania, an Escheresque typeface, a prismatic typeface, a didonbe typeface, and an op-art experimental typeface. [Google] [More] ⦿ | |
Aussie company which is into graphic design and branding. They created a number of typefaces such as NAB (for National Australia Bank), Neuglow (neon light face), titling typefaces for Artichoke Magazine, Noise (2005, a pixel typeface for the Noise festival), various typefaces for Riot Magazine (ca. 2006), MTV Tapedeck Bold (2008), MTV Fan vs Band (2009, counterless, techno), Streetmuse (2009), Neon (or Consort) (2009, octagonal, counterless techno), MADC Annual (2009, metal band face). [Google] [More] ⦿ | |
Brisbane-based creator of The Mouldy Lovers (2012, a geometric stencil font created from arcs and straight line segments). Behance link. [Google] [More] ⦿ | |
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Or Rachael Smith. Brisbane, Australia-based designer of the painted typeface Peita (2017) and Rough Road (2017). Creative Market link. [Google] [More] ⦿ | |
Rachel Allen
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During her studies in Sydney, Australia, Rachel drake designed Seastone (2016). [Google] [More] ⦿ | |
Rachel Leahy
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Student in Visual Communications at the University of Technology, Sydney, class of 2013. Spur of the Moment (2012) is a display font created by her: it is designed to reflect the traditions and symbols of American and Mexican cattle branding. Behance link. [Google] [More] ⦿ | |
Brisbane-based designer of Chase (2012), a techno typeface. [Google] [More] ⦿ | |
During her student days in Brisbane, Australia, Rachele Andrews designed the fashion mag typeface A La Paris (2018). [Google] [More] ⦿ | |
Melbourne, Australia-based designer of some experimental typefaces in 2014. Behance link. [Google] [More] ⦿ | |
Radi Safi
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Ramen Studio
| Sydney, Australia-based designer of the Italian signage font family Pina (2020), the retro car lettering or diner font Rumbler (2020) and the (all caps, vernacular) butcher shop signage font Sidestroke (2020). [Google] [MyFonts] [More] ⦿ |
Aussie creator of Charlotte (2006, handwriting). Alternate URL. [Google] [More] ⦿ | |
Melbourbne, Australia-based student-designer of a folding tape font in 2018. [Google] [More] ⦿ | |
Advertiser and illustrator in Sydney, Australia. In 2010, he created the paperclip typeface OIMN. [Google] [More] ⦿ | |
Cartoonist and illustrator in Melbourne, who drew The Kitty Alphabet in 2013. Behance link. [Google] [More] ⦿ | |
During her studies in Sydney, Australia, Rebecca Enya Lourey designed Sanskrit Spiderlegs (2013). [Google] [More] ⦿ | |
Pimpama, Australia-based designer of a cursive typeface at Griffith University in 2018. [Google] [More] ⦿ | |
During their industrial design studies at Queensland University of Technology, Brisbane-based Rebecca Wickham and Lily Kwoh-Gain created the retro futuristic typeface Basix (2019). [Google] [More] ⦿ | |
Australian designer (b. 1979). He created Regime Change (2006, an Arabic simulation face). Home page. [Google] [More] ⦿ | |
Brisbane, Australia-based Remy Chard explains her experimental typeface Shadow Line (2013): Shadow Line was inspired by the architecture of The Queensland Museum to reflect the structural and geometric nature of the building and its continuous evolution of shadowing. The shadows cast from the museum were deconstructed to create elements that would form the typeface. [Google] [More] ⦿ | |
During her studies in Melbourne, Australia, Renae Kleef designed the experimental typeface Geodance (2016). It was inspired by dance moves and geometry. Behance link. [Google] [More] ⦿ | |
Together with Amanda Kulakowski, Renae Richani created the skull-and-bones font Mortem (2013) during her studies at Queensland University of Technology in Brisbane, Australia. Dafont link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Austere (2016). [Google] [More] ⦿ | |
New South Wales, Australia-based designer of the handcrafted typefaces Fun Caps (2017) and Sweet Potatoes (2016). Creative Market link. [Google] [More] ⦿ | |
Reno Design
| Located in Sidney, Australia, Reno Design is Graham Rendoth's outfit. Its fonts will be released soon. [Google] [More] ⦿ |
Melbourne-based designer at the Australian foundry Prototype Font Design of the grungy fonts Nife Sharp, Nife BlFresno East, Fresno West, Grunge Bats. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
During her studies, Melbourne, Revati Tongaonkar designed the thin school script font Tara (2019) and the tribal typeface Warli Sans (2019). [Google] [More] ⦿ | |
Reza Bohloul
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Melbourne, Australia-based designer of these typefaces: Light Paint VR (2016), Memoire (2016, brush script), Balloon Type (2016), Yey Display (2015). Creative Market link. [Google] [More] ⦿ | |
During her graphic design studies in Gold Coast, Australia, in 2014, Rhiannon Pearson created a few typefaces such as Minimalism (art deco). [Google] [More] ⦿ | |
As a student in Brisbane, Australia, Rhys Hagedoorn designed the vieo game typeface Bitcript (2016). [Google] [More] ⦿ | |
For an architectural project at Queensland University of Technology, Rhys Phillips (Brisbane, Australia) designed Argyle (2015). [Google] [More] ⦿ | |
Richard Krt (Brisbane, Australia) created the this circle-themed sans typeface Circa (2013). [Google] [More] ⦿ | |
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Perth-based graphic designer. During his studies at Curtin University in Perth, he created the typeface Perception (2012). Behance link. [Google] [More] ⦿ | |
Ripe Type
| Australian outfit that offers some free fonts and some commercial fonts, all made by Cameron Sweeney (b. Hobart, Australia, 1983). After graduating in 2004, Cameron began his career working for a number of leading I.T. companies in Hobart and Melbourne as a senior graphic designer. In 2009, Cameron he decided to take the freelance plunge and founded Ripe Type. The font list:
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Robert Bell
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Robert G. Oster
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Linkedin link. [Google] [More] ⦿ | |
Australian designer of Granny's Notepad (2009, messy hand-printed font). [Google] [More] ⦿ | |
Using the alias Toadellin Danaan, Australian Roger Thomas designed a Norse rune simulation typeface called Toradellin Skogvokter (2013). [Google] [More] ⦿ | |
Melbourne, Australia-based designer of these typefaces in 2015: Tiramisu Decor, Radisson (brush style), Plumbago (sketched), Batavia, Radixen (techno), Raquest (techno typeface from 2014), Dilerium, Artezi, Lily Brush. Graphicriver link. [Google] [More] ⦿ | |
Rosa Linda
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Australian designer of the free pixel font Pixel Text (2016). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the compass-and-ruler sans typeface family Story Time (2019). [Google] [More] ⦿ | |
During a study semester at FH Mainz, Rosetta Lake Mills designed a futuristic Fraktur font called Fabrik (2012). The font is based on an octagonal grid. [Google] [More] ⦿ | |
Visual communicator and graphic designer based in Brisbane, Australia. She has a Bachelor's in Visual Communication Design, Queensland College of Art, Griffith University, 2012. Creator of a tall condensed typeface called Brasilia (2012). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the hand-drawn sans caps typeface Jelly (2013) and the hand-printed typeface Dinosaur (2013). In 2014, she designed Scuffle. Dafont link. [Google] [More] ⦿ | |
Ross Mitchell is with the CSIRO Division of Atmospheric Research in Australia. He codeveloped OpusTeX (music notation fonts and macros) with Andreas Egler and Daniel Taupin. [Google] [More] ⦿ | |
Australian creator of the quaint gothic typeface Rather Unfortunate (2012), which is based on the movie A Series of Unfortunate Events. Aka Roxanne Michael. [Google] [More] ⦿ | |
Royaltech Fonts
| Australian outfit in Hyde Park, SA, Australia. 11 original shareware truetype fonts made by Benn Glazier: antimony funk, catheter in use, gamma scale, gutter vomit (typewriter), I am, jetpak, m6 universelle, pale ale purveyor, pathfinder, phatboy, recon. Dafont link. [Google] [More] ⦿ |
Gold Coast, Australia-based graphic designer. For a school project, she revised Jelle Bosma's Cambria (2006) and called it Cambria Revised (2015). She also created the horizontally split typeface Portale (2015). Behance link. [Google] [More] ⦿ | |
Illustrator, typographer and graphic designer in Cape Town, South Africa. Rudi writes about himself: Hailing from Cape Town, South Africa, Rudi de Wet draws his inspiration from the region's hand-painted typographic signs, African fabrics and loves decoration. Presently, he works his magic as a freelance illustrator and graphic designer in Melbourne, Australia. He studied a BA in Fine Arts, with majors in Graphic Design and Illustration from the University of Stellenbosch, where, besides studying, he spent much of his time drinking the town's famous selection of rich, amazing wine. Rudi was one of the founding members of the Am I Collective, a now well-respected and highly sought-after design and illustration studio in Cape Town. He spent three years there, where an average day consisted primarily of hand typography jobs for the likes of Ogilvy&Mather, Saatchi&Saatchi, Network BBDO and Y&R Paris. His outlined 3d face Mzansi (2009) was custom-made for Lowe Bull Cape Town. He designed Unilever in 2010. In 2013, he drew a typographic poster for Husqvarna. Behance link. [Google] [More] ⦿ | |
Russell Bean
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Gold Coast, Australia-based designer of the marker pen typefaces Sunday Morning (2016) and Angeles (2015) and of the copperplate gothic typeface Copper Bowles (2016). Typefaces from 2017: Hell Or Highwater. Creative Market link. [Google] [More] ⦿ | |
Aussie designer in Brooklyn, NY. His beveled typeface Mosaic (2012) was inspired by the mosaic typefaces of the New York Subway. [Google] [More] ⦿ | |
Ryan Lovie graduated with a Bachelor of Design at Billy Blue College of Design in North Sydney, Australia. He created the Schlagzeug typeface in 2009. [Google] [More] ⦿ | |
Australian designer of the "pirate" font Rapscallion (2003), free at Chank's place. See also here. He also designed Amped for Evil (2003), inspired by the Australian band Dystempa. Finally, he made Tattoo Ink. Fontspace link. Font Squirrel link. Dafont link. [Google] [More] ⦿ | |
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Type foundry active ca. 1890 in Melbourne. A wood type by them was published as a Brandywine Keepsake in 1985. [Google] [More] ⦿ | |
Sagittal
| The Sagittal notation system is a comprehensive system for notating musical pitch in all possible scales and tunings. Sagittal was developed by George D. Secor and David C. Keenan, two Australians. The pages describe the notation, and include two free fonts: Sagittal72 and SagittalSAT. [Google] [More] ⦿ |
Melbourne, Australia-based designer of the hand-printed typefaces Zee Sans (2019), Cheddar Bold (2019), and Cheddar (2019). [Google] [More] ⦿ | |
Salak Tung
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Keira M (Salt & Pepper, Sydney, Australia) created the handcrafted typeface Prowling in 2015. Creative Market link. [Google] [More] ⦿ | |
Designer in Melbourne. A runic alphabet inspired him to create the futuristic high-contrast typeface Saxon (2010) and the runic Saxon Stone (2010). Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of New Iron Slab Serif (2016), which is inspired by the industrial revolution of the 19th century and the work of Victorian typefounder Vincent Figgins. [Google] [More] ⦿ | |
During his studies in Sydney, Australia, v crteated Universaal Typeface (2014, kitchen tile font). [Google] [More] ⦿ | |
During his studies at Billy Blue College of Design in Sydney, Australia, Sam O'Brien created the humanist sans typeface Saplin (2016). [Google] [More] ⦿ | |
Designer in Sydney, Australia, of Ornately Blockular (2013). Behance link. [Google] [More] ⦿ | |
Sam Vincent (TypeDeli, Perth, Australia) created the handcrafted typeface Moss (2012). Behance link. [Google] [More] ⦿ | |
Designer in Auckland, New Zealand. I was charmed by Sam's bio---in his own words: Born and raised in Australia, eventually fled. Now based in Auckland (greener pastures) and causing trouble by loitering on the back of a single coffee. Creator of Scorpio (2011), a modular display typeface extrapolated from a glyph found on the cover of a 1960s astrology rag. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the fat brush typeface Yello (2014). [Google] [More] ⦿ | |
Perth, Australia-based designer of Woodland (2012). Behance link. [Google] [More] ⦿ | |
Sammy Spets's 750-font archive. Direct access. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Awake at 2am (2012), an experimntal typeface created by using long exposure photographs. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the free display typeface Transfigure (2013). Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the compass-and-ruler typeface Novel (2019). [Google] [More] ⦿ | |
Sans Forgetica
| Sans Forgetica is a free stencil font that is scientifically designed to help students remember their study notes. It was created by a multidisciplinary team of designers and behavioural scientists from RMIT University based on the principles of cognitive psychology. The design of Sans Forgetica was led by RMIT lecturer of typography Stephen Banham, who is based in Melbourne, Australia, under the scienti c guidance of Janneke Blijlevens and Jo Peryman from RMIT's Behavioural Business Lab.. [Google] [More] ⦿ |
Sansern Rianthong
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Sara Goldstein (Sydney, Australia) created a custom school font in 2012. [Google] [More] ⦿ | |
Sara Hayat
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During her studies in Sydney, Australia, sarah Baker created the cut up typeface Disassociate (2014). Behance link. [Google] [More] ⦿ | |
Inspired by Armenian letterforms, Sarah Hogan Melbourne) created the ultra-condenseed typeface Silentio in 2013. [Google] [More] ⦿ | |
Graduate of University of western Sydney, who works as a designer in Sidney, Australia. Creator of the thin art deco typeface Agnes. Linkedin link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of the hand-drawn sexual tension figurine caps font Skanky Doodle (2013). [Google] [More] ⦿ | |
During her studies at Billy Blue College of Design, Sydney, Australia-based Sarah Talpadi created the ball terminal typeface Olearia (2016). [Google] [More] ⦿ | |
Australian designer of the watercolor brush typeface Riverwood (2017) and the sans typeface Little Ninja (2017). Creative Market link. [Google] [More] ⦿ | |
Australian graphic designer. Creator of Jekil Hyde (2012, a spiky typeface with an oriental look). [Google] [More] ⦿ | |
Scarlett N
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School Fonts (was: Shepherdson Community Education Centre)
| Jean Greatorex is the Aussie designer (Casuarina, NT) of the freeware font YMVictorianDots (1995). Commercial font set (20 A$$) includes 3D Geometric Shapes, Australian coins, 2D geometric shapes, die typefaces, digital numerals, math symbols, fraction pies and tallies. His "Shepherdson Community Education Centre" is now called School Fonts. Among handwriting fonts for kids, he has NSW Foundation (7 weights), Qld Modern, Qld Beginners (7 weights), Tasmanian School Fonts (8 weights), SA Beginners (7 weights), Victorian, WA, NT and SA Linked Cursive. The math set includes Geometric Shapes, Any Fraction, Mathematical Symbols, and Time and Money. The handwriting sets come with seven fonts, Bold, Dots, Cursive, Outline, Regular, Numbered Dots and Numbered Outline. He also has New Zealand school handwriting fonts (7 styles), Stick&Ball (4 fonts), Letter Box (4 fonts) and Casual (2 fonts). [Google] [More] ⦿ |
Scott Carslake
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Designer at the Australian foundry Prototype Font Design of MugShots. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Australian designer of the free script font One Chance (2014). Dafont link. [Google] [More] ⦿ | |
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Behance link. [Google] [More] ⦿ | |
Kallangur, Australia-based designer of the display typeface Ineffable (2016) and the circle-based typeface Khanicus (2016). [Google] [More] ⦿ | |
Sydney, Australia-based designer of Kosimo Grotesque (2015). Behance link. [Google] [More] ⦿ | |
During her communication studies in Melbourne, Australia, Selina tassone created the lava lamp typeface Worm Type (2015). [Google] [More] ⦿ | |
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Swedish designer who studied in Sydney, Australia. At Behance, he made the experimental geometric face XYZ (2009), which must have been designed based on a mathematical program. He did the identity for an Uppsala-based group and designed the hip typeface Värmland's State of Mind (2010). [Google] [More] ⦿ | |
Brisbane, Australia-based creator of the fashion mag typeface Modello (2014). [Google] [More] ⦿ | |
Aka Patchharris. Aussie designer at iFontMaker of Patch's Hand (2011, hand-printed), PatchsFont (2014), and The Outline (2014). [Google] [More] ⦿ | |
Designer who runs Silent Partner in Brunswick West, Victoria, Australia. He created Newtown Grotesque (+Stencil) in 2012, a commissioned typeface. He writes: As part of Liquorice Studio's holistic branding for the Newtown Social Club, we developed a bespoke san-serif typeface. The typeface was developed in standard and stencil weights for different applications and its creation ensures unique and tailored communications for Newtown down to the finest detail. The font reflects the café owners love of industrial age technical manuals and is based on one of the first geometric san-serif typefaces, designed in 1922 by Jakob Erbar, Erbar Grotesque. Liquorice went through a process of rationalisation and testing, amending and tweaking letterforms and eventually rounding off features to create a friendly but legible modern typeface. [Google] [More] ⦿ | |
Australian designer of Flamingo (2016, a connected script), Driftwood (2016), Sea Rope (2016), the handcrafted typeface Splinter (2016) and the accompanying dingbat font, Splinter Ornamental (2016). | |
During his studies in Gold Coast, Australia, Shane Narara created the squarish all caps typeface Ika (2013). [Google] [More] ⦿ | |
During her studies at Griffith University Gold Coast (Australia), Shannah Maggs designed the fingerprint-based typeface Identity (2018). [Google] [More] ⦿ | |
Australian designer. Behance link. Creator of the experimental caps alphabet Wild Things (2010). [Google] [More] ⦿ | |
Australian woman (b. 1963) who designed Kismet (2011). [Google] [More] ⦿ | |
Graduate of RMIT in Melbourne, Australia. Designer of Transient (2017). [Google] [More] ⦿ | |
Graphic designer in Melbourne, Australia, who created the tweetware fat brush font Hot Mess and the curly sketched font Tribal Life in 2015. In 2017, she designed the tall monoline sans typeface Saignee. Typefaces from 2018: Hedron Sharp, Hedron Round. Typefaces from 2019: Shell's Hand, Etta Errol (bilined, art deco), Clandelia (an organic monoline sans). [Google] [More] ⦿ | |
Sydney, Australia-based designer (b. 1963) of the script fonts Alpha Kids (2019), Cavity (2019), Fast Monk (2019), Cold Ocean (2019), Happy Birthday (2019), Happy Day (2019), Sincerely Yours (2019), The Crown Is Mine (2019) and Picnic For Two (2019), and the hand-printed typefaces Sign Language (2019), Alphabet Houses (2019), Northern Stars, School Teacher, Cognac Rum, Beloved, All is well, Psyche Ward, Llama Zoo, Ships Cargo, The Crosses We Bear (2019), Southern Stars, Throne of Egypt (2019), Royal Flush (2019: playing cards) and School Education (2019). Typefaces from 2020: Friendship Bracelets (dingbats). [Google] [More] ⦿ | |
Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Sheree Dillon (Sheree Louise Designs, Brisbane, Australia) created the Japanese brush typeface Wabi Sabi in 2015. Creative Market link. [Google] [More] ⦿ | |
Campbelltown, Australia-based designer of a font in 2018 that was inspired by witchcraft. [Google] [More] ⦿ | |
Mumbai, India-based designer of a counterless Latin typeface in 2018. [Google] [More] ⦿ | |
A commercial piece of software by Andrew Gourvelos' company, A Signs, from Carlton, NSW, Australia. It works with CorelDraw, and has about 30 special effects, some of them on fonts (such as making outline fonts, making bold fonts, shading). [Google] [More] ⦿ | |
Andrew Gourvelos' company, A Signs, from Carlton, NSW, Australia, sells a CD with 23 original fonts manufactured by "SmartArtz", all designed for signs with a hand painted look. About 60USD. [Google] [More] ⦿ | |
Simon Bent
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Sydney, Australia-based designer of the hairline display typeface Gatwick (2015), which was developed during his studies at University of Technology Sydney. [Google] [More] ⦿ | |
During his studies at the University of Ballarat, Austyralia, Simon Dunbar created the experimental typeface Furrow (2013), which simulates piles of papers. [Google] [More] ⦿ | |
Designer from Canberra, Australia, but born in Mainz, Germany. Leader of Open Baskerville, an open source project for a digital revival of the famous Baskerville typefaces. Open Baskerville is based upon Fry's Baskerville, a Baskerville derivative from ca. 1768 created by Isaac Moore, a punchcutter who worked for John Baskerville. Besides Klein, contributors include James Puckett and Robin Mientjes. Typophile discussion. OFL link. They explain the project: In order to be historically correct and entertain typophiles, Open Baskerville is to be a revival of a Baskervillian ‘clone’ by Isaac Moore, a punchcutter who worked for the type foundry of Joseph Fry in Bristol and later in London. It is believed that he did so because Baskerville had little financial success, never selling his types which were at their making considered vulgar in their stark contrast of the lettershapes and ‘damaging to the eyes’. Further, no other printer had the technology to accurately print with the high-contrast, sharp hairline punches at the time anyway. Fry’s Baskerville was created as a derivative of Baskerville that could be used with the less expensive papers, presses, and the inks that were common. Moore created a huge series of fonts in this style, complete with ornaments, a (subjectively weak) italic, and old-style figures for the text weights. The typeface was cut around 1766 and the original matrices still exist. They were purchased from the Fry foundry by Stephenson, Blake & Co. in 1910 having already acquired the Fry foundry materials off the Sir Charles Reed foundry. The surviving punches and even original matrices are in the collection of the Type Museum, London and The Smithsonian National Museum of American History, though both inaccessible, the latter due to their location in a warehouse containing asbestos. Sadly only two complete original specimens exist, both in libraries that are currently inaccessible. The first, a broadside specimen printed in Bristol in 1766 is currently housed at the Providence library and the second specimen is in the Royal Library in Stockholm. A copy of the 1766 specimen was reprinted in Updike’s Printing Types, figure 276 though obtaining a high-quality scan is desireable. A contact attempt was made at the Providence with no luck whereas the cost of having a Stockholm copy digitized is presumed to be around the USD $100 mark — this is an option worth considering. There is a very large, multi-page specimen in the Library of Congress, but it only shows the ‘ Morris Fuller Benton revived the Moore design for ATF and it first appears in the 1923 ATF specimen (also note a 12pt scan from 1923), as well as later again in the 1934 ATF specimen and in the 1941 ATF specimen. Interestingly Benton did not choose to use Moore’s italic, instead opting for an italic which was in fact copied from the type of Richard Austin that English Monotype later made under the name of ‘Bell’ and also very similar to ‘Bulmer’. So also up for discussion is the selection of an italic; Moore’s italic has been received poorly and as just noted, even Benton choose to replace it. We may do the same, using or basing it off an existing italic or if we’re feeling particularly fruity, draw our own. Dunwich Type Founders [James Puckett] explains in an abrasive style Open Baskerville's origins, and destroys it as a possible web font: In 2007 I was working in-house at an organization that used ITC New Baskerville as the serif typeface of its identity. New Baskerville is a great design, but it lacks the high contrast needed for large sizes. This inspired me to start work on Large Fry's, a revival of Fry's Baskerville by Isaac Moore. Large Fry's had extreme contrast for big print use. I left that job in 2008 and never finished Large Fry's. Later a heated discussion about free/open-source/libre fonts occurred on a web forum. I ended up releasing my unfinished Large Fry's into the public domain in hopes that some of the libre fonts geeks could turn it into something worthwhile. That never happened; the project went off track when open-source zealots wanted to move the entire thing to Fontforge, which nobody with type design skills really wants to use to design type. So the files wasted away in online repositories, which is not really a loss to anyone. Then, in 2010, web fonts happened. And someone decided to make web fonts out of Open Baskerville. This was a horrible idea---Open Baskerville was not intended to be a general purpose print font. It needs to be used larger than 36 pixels just to be readable. [Google] [More] ⦿ | |
Adelaide, Australia-based designer of the blackletter typeface Sinner (2017). Behance link. [Google] [More] ⦿ | |
Sydney, Australia-based designer of some blackletter type stamps in 2014. [Google] [More] ⦿ | |
Digital and graphic designer in Australia who was commissioned to make the typeface Live Wire (2010). [Google] [More] ⦿ | |
S-INGS
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Typicons (2012-2015) are 336 carefully designed free web icons by Stephen Hutchings, available in both vector and truetype formats. Latex code for use in TeX was written by Arthur Vigil and Xavier Danaux. CTAN download site. Home page Github link. [Google] [More] ⦿ |
Australian designer of the frilly akll caps typeface Bliss (2018). [Google] [More] ⦿ | |
Australian designer of the simple hand-printed font SA Hand (2009). [Google] [More] ⦿ | |
Smart Artz Publications
| Smart Artz Publications is a NSW, Australia-based signmaking and type foundry selling fonts at 20USD a shot: PostaScript, Fippy Bold, Phippinline, Flicker Script, Scribe, Lemonade, ThinLizzie, Croak, Kola, Fries, Sprint Car (numerals), Cobb&Co, Goldrush, Rigby, Stockade, Ned Kelly, Prizmatize, Fatstuff, Sydney Jumbo, Dobend, Dobend Condensed, Big Brush, Big Brush Italic. The designers are Glenn Phipps and John Rigby. This company sells its fonts also through A Signs (or: Sign Type), which is located in Carlton, NSW. [Google] [More] ⦿ |
Australian digital painter. He made the grungy and slightly angry typeface VanderHuh Serif (2010). [Google] [More] ⦿ | |
Art director in Sydney, Australia, who designed the hipster typeface Buarcos in 2016. Behance link. [Google] [More] ⦿ | |
Solar Sister
| Isabelle Trolio from Mount Lawley, West Australia, made a ton of interesting fonts: Asha family (eroded Times-Roman), Box Top, Worm, Chunk Norris, HourlyDaily, Kriesler (nice!), Martini Olive, Chang and Eng (semi-Chinese), Ginko, Kirby, Soss and Wibble (Arial reworked), Solar Celtic, Lipstick Traces, Floozy, JuniorStar, Big Mister C (handwriting), Chubb, Curly Coryphaeus, HourlyDaily, Izza, Jump Start, Stinko, Curly's Curls, Stanky, Wira. Get her fonts also from Typearound. Fontspace link. [Google] [More] ⦿ |
Australian designer of the hand-printed typeface Light Font (2011). [Google] [More] ⦿ | |
During her studies in Melbourne, Australia, Sonja Petrovic designed the alchemic Penny Font (2012). [Google] [More] ⦿ | |
Australian student-designer of the organic typeface Pandanus (2019). [Google] [More] ⦿ | |
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In 2013, she created the layered typeface system Strato [substyles are called Cesello, Roman, Eclisse, Outline and Tonale]. This typeface can be bought at Ten Dollar Fonts. | |
Brisbane, Australia-based designer of the grunge typeface Butterfly Effect (2013). [Google] [More] ⦿ | |
Australian, b. 1992. He created the serif display typeface Torchwood (2009), which was based on the TV show Torchwood: Children of Earth. [Google] [More] ⦿ | |
Spif is intended to be an editor of outline fonts for Unix and X. At present it will load and display Adobe Type 1 font format (ascii) files. The outlines displayed may be edited but cannot be saved at present. By James Matthew Farrow at the CS Department of Basser University in Sydney, Australia. [Google] [More] ⦿ | |
Spray on dog
| Aussie designer of some hand-printed typefaces in 2011, freely downloadable via Fontspace, where she is known as Spray on dog. These include Creeping on a cornflake, Elephant Downtime, Inbetween, Olivia's Writing, Bubbly Aussie, Lucid, Knives and Pens, Discombobulated Sketchancholy, Fatty, Sticks, Les Fleurs, A Letter From a Friend, Funny Fellini, Leronah, Phat, Sarah Likes Curls, Re-Donk-U-Less, Fascination, Flying Colours Don't Run, Table in a bear suit, Invisible Horizons, Put it in the box, Chimpanzee Website Report. Dafont link. [Google] [More] ⦿ |
Sprint Software (Niall Ginsbourg, Australia) used to sell a rip-off CD under the name Super Oz Shareware Fonts from 1994-1996. It ceased to exist then, but Niall Ginsbourg continued with other companies and products. It had about 3000 truetype fonts, from Linotype, Agfa, Monotype, URW and so forth, often using original names, and it also contained many shareware fonts by artists such as David Rakowski. Ulrich Stiehl's font by font analysis. [Google] [More] ⦿ | |
Squiggy (or Kwanvero) is the Australian designer of the free hand-printed typeface Kriss (2011, for Latin and Thai). [Google] [More] ⦿ | |
Australian digital artist who made the free font Bauhaus 93 (2008), competing with URW's commercial font Bauhaus 93. [Google] [More] ⦿ | |
During his studies in Brisbane, Australia, Steele Evans designed a logotype based on wooden planks called Russian Circles (2013). [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, who created Shade (2013), a carefully crafted typeface that consists of nothing but shadows. [Google] [More] ⦿ | |
Australian designer of the hand-printed typeface Jocelyn (2011). [Google] [More] ⦿ | |
Graphic designer in Sydney, who designed the paperclip typeface Gheresque (2012). She writes: Gheresque is a modern, uppercase display font inspired by the magnificent work of Frank Gehry. The quirks and folds of the letterforms are designed to reflect the strengthening and structural properties of Gehry's cardboard furniture creations from the series 'Easy Edges' (1972). Cargo Collective link. [Google] [More] ⦿ | |
Stephen Banham
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Stephen Banham
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Stephen Banham
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Stephen Chick
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Stephen Hutchings
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Together with Tiffany Han, Matteo Toscano and Michael James O'Keefe, Stephen Kung (Sydney, Australia) designed the wayfinding typeface Segnaletica in 2016. Behance link. [Google] [More] ⦿ | |
Aka Steve Li Yoo Foo. Melbourne, Australia-based designer of Dilly (2017) and Mammoth (2017, a heavy sans titling typeface). Behance link. [Google] [More] ⦿ | |
In 2013, he created the prismatic typeface Pincer De. Behance link. Hellofont link. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the display typeface Console (2016), which is based on the art nouveau typeface Lining Grant (early 1900s). Behance link. [Google] [More] ⦿ | |
Designer of Roxane, a font designed with legibility in mind. Plus an essay on legibility. Stuart Gluth teaches graphic design, leads the Design Research Group at the University of South Australia, and has a master's degree from the ANCT in Paris. [Google] [More] ⦿ | |
Sydney, New South Wales-based designer of Madiux (2022: a retro/modern Paris-inspired display typeface). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the sans typeface Aotearoa (2015). Behance link. [Google] [More] ⦿ | |
Studio Magpie
| Erin Short (Studio Magpie, Australia) designed the handcrafted typefaces Lulu (2016), Romy (2016), Felix (2016), Hudson Headline (2016) and Arlo (2016). [Google] [More] ⦿ |
During her studies in Brisbane, Australia, Suchata Wangsomnuk designed the curly script typeface Leafling (2015). [Google] [More] ⦿ | |
Susan Ashley
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During her studies at Billy Blue College of Design, Susan Grzybowski (Sydney, Australia) designed the squarish typeface Continue (2019). [Google] [More] ⦿ | |
Suzy Tuxen
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Subaco, Australia-based designer in 2017 of the display typefaces Outpost (sans, titling) and Fascia. [Google] [More] ⦿ | |
At Griffith University in Gold Coast, Australia, Tahlia Homan designed a molecular and ecological typeface in 2018. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the 3d outline typeface Pandora (2013). [Google] [More] ⦿ | |
Australian designer of Comic 92 (2005, destructionist). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the deco typeface Hye Horizon (2015) that takes clues from Armenian. [Google] [More] ⦿ | |
Australian designer of the fat finger fonts FT Fat Skeleton (2018), Aision (2018) and Smile Libre (2018), the pixel font 8-bit Fortress (2018), the brushed typeface Loving Memories (2018), and the monoline sans typeface Modern Sans (2018). In 2020, he designed the squarish typeface Robot. [Google] [More] ⦿ | |
During her studies in Brisbane, Australia, Tayce Henderson designed the mosaic-styled typeface Macaroons (2012). [Google] [More] ⦿ | |
During her studies in Brisbane, Australia, Taylor Joppich designed the rounded display typeface Arrondi (2017), which shows some art nouveau influences. [Google] [More] ⦿ | |
Adelaide, Australia-based designer of Bacteria (2014). She finished this typeface during her studies. [Google] [More] ⦿ | |
During her design studies in Melbourne, Teags Humm designed the art nouveau rope font Madame Brussels (2013), which is based on Desdemona. [Google] [More] ⦿ | |
Team Scope
| Sydney-based design group that includes Mark Burrough. Behance link. Creators of the free font Claire Hand (2011). [Google] [More] ⦿ |
Telegraphics Type
| Telegraphics Type has handwriting fonts by Aussie Toby Thain. The Telegraph family has 11 subfamilies (Black, Cursive, Diary, Giornale, Lazy, Scratch, Sketch, Skinny, Slack, Thread, Tipsy). Two are free. Klingspor link. [Google] [More] ⦿ |
Designer at the Australian foundry Prototype Font Design (which he founded in 1992) of Academy, Baseline, Bodoni Anorexia, Bodoni Catwalk, Fat Neon Inline, Flanger, Funky Reverb, FuzzBox, Galley Family, Gimp, Gimp's Brother, Gimp's Sister, Hardwear Nth, Hardwear Sth, Mezzo Family, National Guard, Next century, Next Times, Pseudo Deco, Spy Force, Tank Gothic, Uni code, X-Kommunicate. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
Terence Bergagna
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Terence Lim (Perth, Australia) graduated in 2009 from Curtin with a graphic design degree. He made the custom caps typeface Erica (2011). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer (at Griffith University) of the all caps typeface Reverie (2019). [Google] [More] ⦿ | |
Brisbane, Australia-based designer of a 3d typeface in 2019. [Google] [More] ⦿ | |
Designer in Sydney, Australia. Creator of the layered grunge typeface XXXX Island (2013). [Google] [More] ⦿ | |
The Flying Banana
| Michael Fischer is an Australian Suzuki motorcycle fan who made a free font, Zook (2006), based on the S of the Suzuki logo. Dafont link. Abstract Fonts link. [Google] [More] ⦿ |
The Forge Type Co
| Sydney, Australia-based designer of Steindale (2019: a beer label font), Dirt & Vines (2019), Smoke Stack (2019) and Drifter (2018). In 2019, he released the free all caps sans typeface Lonely Peaks, and the display typefaces Upsurge and Crosscurrent in his Coastal Fever package. Typefaces from 2020: Kombi Spirit (psychedelic), Open Springs (a font trio, with dark Valley and Lonely Peaks the two other fonts), Steady Hands (a font duo). Typefaces from 2021: Broad Alley, Roadside Pines. [Google] [More] ⦿ |
Design and illustration studio in Melbourne. One of its illustrators is Paul Nolan who created some interesting type-based posters. [Google] [More] ⦿ | |
The Letter D (was: Entica Typograffiti)
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The Letterbox
| Australian foundry and design studio, est. 1991, located in Melbourne. Fonts by Stephen Banham, an Australian graphic designer and writer, who was born in Melbourne in 1968. Banham has written and produced fourteen publications on typography, notably the Qwerty series (1991-96), the Ampersand series, Fancy (2004), and the Oblique series (2008). Since 2005 he has run a very successful public forum series on graphic design and typography known as Character. Stephen teaches at RMIT in Melbourne. His typefaces: Bisque (2007, curly monoline connected script), Gingham (1996: a thin artsy sans), Kevlar (inspired by 60s style audiotape logotype), Terital (2003, monoline connected script), Berber (2002, Caps and Regular; Niels Oeltjen is associated with this typeface in 2007, perhaps in an update), Gaberdine (fat sans), Nylon (comic book style), Morice (2005, a collaboration between Morice Kastoun and Stephen Banham at Letterbox). E-store. Wiki. MyFonts link. [Google] [MyFonts] [More] ⦿ |
Australian designer (b. 1988) of the kitchen tile font Ogive Curvature (2007). [Google] [More] ⦿ | |
Australian creator (b. 1987) of the EPS-format fonts Regenerate (2009, techno) and Wonderful World Retro Font (2009, art deco). [Google] [More] ⦿ | |
Aussie designer of a handwriting style comic book font, Tom's Font (2009). [Google] [More] ⦿ | |
Thomas Gillett
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Brisbane, Australia-based student-designer (at Griffith University) of the blackletter typeface Black Metal (2019). [Google] [More] ⦿ | |
Tiarne Kent (Sydney, Australia) created Fig (2011, organic sans). [Google] [More] ⦿ | |
During her studies at SAE Institute in Sidney, Australia, Tiffany Ham created the glitch font Nitrogine (2021). [Google] [More] ⦿ | |
During her studies at Griffith University, Gold Coast, Australia-based Tiffany Kuiper designed the triangle-inspired typeface Triphabet (2018). [Google] [More] ⦿ | |
Sydney, Australia-based graphic designer. In 2017, she published the display typeface Parapluie. [Google] [More] ⦿ | |
Sydney, Australia-based designer of Domico (2012, art deco typeface). Behance link. [Google] [More] ⦿ | |
Australian designer from Hunter Valley, b. 1990. Facebook page. Creator of the old typewriter typeface Awesome (2009). [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia. Creator of a typeface in 2012. Behance link. [Google] [More] ⦿ | |
Australian stock photographer. Creator of Handwriting 6t4 (2008). [Google] [More] ⦿ | |
Creator of some signage lettering and hand-drawn alphabets. He writes: Timba Smits is an award winning Melbourne born / London based graphic designer, artist, illustrator, independent publisher, self confessed magazine addict and wannabe olympic ping-pong playa. [Google] [More] ⦿ | |
Co-designer with fabian Harb (Dinamo) of The Monthly (2017-2021), a sans family custom designed for Australia's socially critical periodical, The Monthly. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the techno typeface Tecnik (2012). Behance link. [Google] [More] ⦿ | |
Tasmanian designer of the pixel typeface Tall Trees Pixel Font (2011). In Singapore in 2013, he created a fun typographic poster titled He died with a felafel in his hand. Home page. Behance link. [Google] [More] ⦿ | |
Toby Thain
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Sydney-based graphic design company which first started in Rotterdam in 2001 but relocated to Australia in 2006. They have a "confused type project", an architectural typeface, and various experimental typefaces done for some specific projects. [Google] [More] ⦿ | |
Extraordinary use of typography in posters, by Toko in Sydney. [Google] [More] ⦿ | |
Australia-based Tom Chiu is working hard on Chinese and Korean truetype fonts. Some are almost finished, and all are free: check out Ming Li, Kai, Hei and FangSong. He designed FingerNumber (each digit from 0-8 is represented by fingers, Hong Kong Style), MimosaRat (rat-related characters) and TomScript (his handwriting). The Chinese fonts are temporarily unavailable. He also has software to view Chinese characters. [Google] [More] ⦿ | |
Tom Cunningham
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Chicago Overcoat (2013) is a bilined art deco caps typeface. Behance link. [Google] [More] ⦿ | |
Tom Miatke
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Sydney, Australia-based designer of the spooky typeface Horrorocalypse (2015). Behance link. [Google] [More] ⦿ | |
Australian designer of Princess (curly script), RV Park, Sunset (anthropomorphic face), all made in 2003-2004 at StockBucket, a company she founded in 2004 with David Phillips. [Google] [MyFonts] [More] ⦿ | |
Designer at the Australian foundry Prototype Font Design of Burnum, Goofy Foot, Lost City. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿ | |
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During his design studies in Sydney, Australia, Trinh Tuan Anh created an untitled 3d typeface in 2014. [Google] [More] ⦿ | |
Brisbane, Australia-based designer of the graffiti typeface Pssh (2018). [Google] [More] ⦿ | |
Australian designer (b. 1984, based in Newcastle) of Old Republic (2007, headline sans), 5x5 (2006, pixel), Blokhed (2006, a fat octagonal face), Runic Font (2004) and Charon Script (2004), used for an artificial language. Dafont link. [Google] [More] ⦿ | |
His graduation typeface at KABK was Brisbane (2013): Brisbane is a relaxed, self-assured sans serif designed specifically for pedestrian wayfinding in the city of Brisbane, Australia. The family has a range of three weights in five styles plus accompanying optical grades for inverted use. This makes Brisbane a solid candidate for orientation systems in the city or suburb.. This typeface has oomph and character, and should prove a sturdy and fun typeface for any city that uses it. For his revival project at KABK, he chose Nieuw Javaansch No.1 (2012). Nieuw Javaansch No.1 was the first text typeface designed by S.H. de Roos in 1909 while working at Lettergieterij Amsterdam (formerly known as N. Tetterode). It is a Javanese script. Behance link. [Google] [More] ⦿ | |
.ttf fonts
| About 30 original free truetype fonts by Fred Fife (Perth, Australia) were at this now defunct site (.ttf), which operated from about 1998 until about 2001. They include mostly grungy typefaces: Coketail, Sixty, BacktoBay6Regular, CityContrasts, Lead Coat, Grasping, Fast 99, Asman, City Contrast, Froufrou, Enervate, Morse 2050, Wash 99, Sewer Sys, Pixel Shift, FlushOut, Type-Simple (old typewriter), 80 Decibels, Diager, Colour Brush, Back To Bay Six, Broke, Molten (neat!), One Way, Outwrite, OldFax, Comicate, Horrendous (grunge font), Milit, MyPager (dot font), Stocky. Dafont link. [Google] [More] ⦿ |
Two Moon Media (or: Type-O-Space)
| Lindon Parker (TwoMoon Media, Australia) offers free original designs: Fanzine, Big Red Day, TM Pedestal (great display font with oriental undertones), TM DDC, TM Beguiled, TM FirstFleet (stringy flowy handwriting), TMParamount, TM Pedestal, TM Move Aside (nice display font!), TM SprintVeloche, TM Tramway, TM ThatWay, TM Tail Lights, Big Daddy (many weights). All in Windows TrueType. Great taste! Dead link. [Google] [More] ⦿ |
Type Associates
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In the early seventies, he designed a five-weight Avant-gardish family named Virginia (now also digitized). He then worked for the Los Angeles studio of Lettergraphics International in charge of lettering, logo design and converting type designs to film fonts. It was at this time (1973) that the Washington Family was completed. Upon his return to Australia that year, he teamed up with a long time colleague to form a design and art group in Sydney. Russell has been responsible for the creation of many Australian icons, including the Qantas logo. Russell Bean has served on the executive committees of The Australian Type Directors' Club and Australian Graphic Design Association. Typefaces available from MyFonts include Bougainville (1994-2005, a condensed sans family), Bougainville Neo (2021: 16 styles), Fremantle (1994), Beanwood Script (1997, a calligraphic script co-designed with David Wood), Craigie Halpen, Eumundi Sans [also available in the Agfa Creative Alliance], Eumundi Serif, Linear, Melissa, Rhodamine Blue, Sanguine (2004, handwriting), Semaphone (brush writing), Washington (1973, art deco family--really nice geometric letterforms with at least one hairline weight), and Xaltier. He designed ITC Christoph's Quill (2004), Billabong (2006, 1950s handlettering), Charleston Caps (2007, art deco) and the comic book lettering typeface Rhapsodie (2006). In 2007, he added the Threepoints East, North and West sans typefaces. About the Avant-Garde-style geometric sans family Virginia (2008), Bean writes: she was the most popular headline typeface around, at least in my home town in the year of her release circa 1970. That was the year my five-weight design won the inaugural (and only) Lettergraphics International Alphabet design competition and shut out 5000 competitors. Alas, Lettergraphics ceased to trade from its LA studios after the mid-80s and Virginia's two-inch film fonts were left to collect dust on the cutting room floor. The Koomerang family and Karmel (flare-legged retro display) were added in 2008. In 2009, Bean created Comp Sans 226, Argyle Rough, Empirical (12-style DIN-like sans family), Dotmap (pixel family) and Macquarie Heavy. In 2010, he made the poster signage typeface Hangtime. In 2013, he published the hand-printed typeface famiy Progeny. He is associated with Keith Morris in the type foundry Bean & Morris. In 2015, Russell created Macaroni Sans. In 2017, he added the calligraphic script typeface My Pimp. Typefaces from 2019: Aodaliya (an ultra-condensed typeface family). FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ |
Type Atelier
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Thomas Gillett (Ripe Designs, Brisbane, Australia) used antennas to inspire him to draw Antenna (2010). Andromeda (2010) is an 8-style futuristic/techno sans family. Antares (2010; not to be confused with about four other typefaces called Antares elsewhere) is also futuristic. Typefaces from 2012 include the clean sans fonts Kuiper (Ten Dollar Fonts) and Atacama, and the delicately serifed Venezian. In 2014, he published Rothenburg (The Designers Foundry) and Madras (Ten Dollar Fonts). Typefaces from 2016: Gordita (geometric sans, from Thin to Ultra). Typefaces from 2018: Keyboard (a workhorse sans). Typefaces from 2019: Megabyte (a ten-style workhorse sans). Home page. Behance link. Tumblr link. [Google] [MyFonts] [More] ⦿ |
Type[A] Digital Foundry
| Type[A] is an Australian foundry. Damien Mair designed Komunique, Terminus, and Terminal, all available at T-26. Lewis Tsalis made Buzzcog (1997, cog dingbats, T-26), Werkman (1996, T-26), Aleksei (1994), Tube, Union (1994, pixel font, T-26), Devit and Conques. [Google] [MyFonts] [More] ⦿ |
Typecaste Fontdesign
| "Easy Tiger" (Typecaste Fontdesign) is located in Melbourne, Australia. He is working on Typecaste-ThemBonesSML (2005), a display type. [Google] [More] ⦿ |
Typeface Research Pty Ltd
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Harry is the owner of Typeface Research Pty. Ltd. of Lake Cathie, Australia. Author of Decorate with Type An encyclopedia of decorative and novelty fonts (2011), in which he proposes a new categorization of decorative types. MyFonts link. Bio at Bitstream. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿ |
Typefaces---a free tutorial
| Link gone. John Magnik's tutorial on typefaces and typographic terminology. Type classification. [Google] [More] ⦿ |
Web font server service based in Springwood, Australia. [Google] [More] ⦿ | |
Typeheist
| Designer from the Sunshine Coast in Australia. In 2021, she published Serial (advertized as a serial killer font) and the scrawly typeface Manic Erratic. Typefaces from 2022: Sad Poem (emulating a shaky childish script). [Google] [MyFonts] [More] ⦿ |
Typerbole
| Sculptor and graphic designer Robert Bell runs Typerbole, and is located in Wollongong, Australia. At Garagefonts, he designed Ecliptica Sans, Serif and Round (2002), which became Bitstream fonts in 2004, sold as Ecliptica BT. At T-26, he created the techno font Kono (2002), Trez (2004), the 4-weight flared lettering family Boler (2003), Boler Round (2004), Almonda Condensed (2004) and Almonda (2003). At Union Fonts, he designed Zeon (2004). Other typefaces include Chromage (2016), Architect's Blocks (a 3d typeface), Alluvia and Pagenta Surf Gothic. FontShop link. Klingspor link. Behance link. [Google] [MyFonts] [More] ⦿ |
Typotheticals (was: F.O.N.Type)
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For completeness, Graham Meade's fonts at MyFonts: Alum, Aunchanted Elite, Blound, Caluminy, Capitalus Diabolus (2014, a beveled neon-look typeface based on Lucifer No. 10), Carnova, Cordin, Cyne (2004), Czaristane, Dbased Material, Elspeth GM, Etched Fractals, Etho (2013, +Etho Wide), Eutheric, Flute, Frangle (2013, octagonal), Freekenfont, Frogster, FrownTown, Gurnee, Gyant, Houral Etched, Hulbert, Humper, (2005), Ilbit, Italican Oblique, Italican Script (2004), Jains, Jointed (2008), Koster, Kylemott, Laural Hardy (2011, piano key family), Marjoram (2008), Meichic, Modcon, Nacissism (sic) (2013), Neu Phollick Alpha, Nok (2006, with Daniel Athburton), Norlik, Phollick, Physe (an organic display sans in 16 styles) (2020), Quiffed, Quoral (2003), Ramadesh, Reluxed, Rhomus Omnilots (geometric dingbats), Simiate, Stripwriter, Sweetmix, Thyne (2020: a lachrymal serif in 14 styles), Typothetical 1, Tzaristane (2005), V-Hand (2005), Wastrel (2004), Whinter, Whyst (2020: squarish and monolinear in 28 styles---almost a gas pipe font), Wiki, Worstveld Hand, Worstveld Sling (2005, with ), Worstveld Sting. Klingspor link. Fontspace link. Dafont link. View Graham Meade's typefaces.) [Google]
[MyFonts]
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During his graphic design studies at the University of Canberra in Canberra, Australia, Tyrone Lymn created the display typeface Class Act (2013). [Google] [More] ⦿ | |
Adelaide, Australia-based designer (b. 1993) of the pixel typeface Simple Pixel (2018). [Google] [More] ⦿ | |
Uddi Uddi fonts
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Abstract Fonts link. Old URL. [Google] [More] ⦿ |
Uicons
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Creative Market link. [Google] [More] ⦿ |
Univers Graphic Design
| Univers Graphic Design (which was Interesting Productions) is a graphic design studio in Melbourne, Australia owned by Joe Bland. They design for identity, publication, screen and build environments with a very typographic approach. They are currently working on identity for various architects---here is an example for Neil Architecture. See also this logotype (2006). [Google] [More] ⦿ |
During her studies in Brisbane, Australia, Usha Audrinisa designed the pine needle-inspired typeface Forest (2016). [Google] [More] ⦿ | |
Utopiafonts
| Dale Harris (from Bendigo, Victoria, Australia; was: Dale Thorpe) created some fun typefaces at Utopiafonts. The list of his typefaces: 42 (1998), A Blick for All Seasons, A Font for Erin, Avatar, Avatar Drawn, Avatar Serif, Azrael, Babelfish (1998), Bazaronite (1998), Bearpaw (multilined hand-printed), BearpawBats, Beware (2000), Birdman (2002), Chubble (1999 at Chankstore), Crayon, Dael (semi-calligraphic), der Damonschriftkegel (scribbly), Distortia, Empyra (at Chankstore), Everyday Formula, Font in a Red Suit, Frazzle (sketched font), Fred, Freya Neu, Harper, I hate Comic Sans (like Comic Sans, a very funny typeface dingbat font), Instant Soup Mix, Irrep, Korunishi (2002, tech font), Leningrad Disco, Loki Cola (a coca-cola style font; Dale calls himself "loki"), Luxo (neat handwriting), Made in China (oriental simulation font), Mael (vampire font), Nerve Tonic, Netherworld, Ninja Penguin, Octavio, Phoenix Sans (2002), Pigae, Pixel, Plain-o-matic, Playdough, Samba is Dead, Seraphim, Supersoulfighter, The Beautiful People, The Cowboy Font, The Guru Font (scribbly), The Monkies Ate My Soul (sans serif display), The Blick Font, Tolo (outline), TurbulenceRIPIkarus (grunge), Valkyro, Water Torture, Wentelteefje, Whutevur (at T26). Alternate (older) URL. Link at 1001 Fonts. Link at Chankstore. Interview. Some files can be found here and here, but otherwise, Utopia is gone. Dafont link. Old URL. Studio Ink: Based in Bendigo, Victoria with a range of clients locally, nationally and internationally, Studio Ink is a small dedicated team, Directors Leah Hartley and Dale Harris strive to deliver a complete suite of creative, branding and graphic design services and expertise combined with attentive personal service. [Google] [MyFonts] [More] ⦿ |
During her studies in Brisbane, Australia, Uyen Vo designed the blackletter typeface Ventana (2018). [Google] [More] ⦿ | |
Australian creator of the custom inline typeface Old Neon (2011). [Google] [More] ⦿ | |
Vanessa Trendle
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Graphic design graduate from Shillington College, Sydney, Australia, who works in Prague. In 2012, she created Lububblin, which is connect-the-dots typeface based on Lubalin Graph. Home page. Behance link. [Google] [More] ⦿ | |
Australian designer of StudioMAC System Font (2004). [Google] [More] ⦿ | |
Vincent Chan
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Melbourne, Australia-based designer of the sketched typeface Scratch (2015) and the handcrafted typefaces Lithe (2015) and Lank (2015). Behance link. Creative Market link. [Google] [More] ⦿ | |
Type foundry set up in 2022 in Lucas, Victoria, Australia. Its typefaces:
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A website based in Thornbury, Australia (a suburb of Melbourne). Its operators are nostalgic about the 1990s, and seek to replicate the aesthetic of the era's computers. The founders, Caitlin and Paul (last names unknown), created bitmap fonts for use as web fonts, instead of the superior outline versions of the fonts, in order to replicate the output of ancient rendering engines. They use FontForge for most of their work. They write: we think horribly aliased fonts look great. [Google] [More] ⦿ | |
Visual Illusions
| Ben Coward (Visual Illusions) is the Australian designer of Scrawled Mess (2006). Home page. [Google] [More] ⦿ |
During his studies at Sao Paulo State University, bauru, Brazil-based Vitor Camilo designed the deco typeface Flamboyant (2017). [Google] [More] ⦿ | |
Melbourne, Australia-based creator of Convergence (2014), an experimental typeface inspired by the dynamic forms of Frank Gehry's Guggenheim Museum in Bilbao, Spain. Behance link. [Google] [More] ⦿ | |
Voice
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Wade Jeffree is a New York-based designer and art director from Melbourne, Australia. He currently works at Mother NYC. He created the display typeface Hardy (2014), which can be bought at The Designers Foundry. [Google] [More] ⦿ | |
Australian designer of the handcrafted all caps font Pink Lemonade (2020). [Google] [More] ⦿ | |
Wayne Thompson
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Wayne Thompson
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Web Dog
| Australian font site. Original free fonts by Greg Smith: Round Graph (great!), Wipeout, Handi, Scratchi, Fishbowl, Pencilled, Pussyfoot (1998, caps made up from cats), Spiderman (1998), Graffito, Anvil, Blotto, Curly, Fetch, Roughie (old typewriter), ThisWay, Graph, Zippy, Roughage, Roughie Light, Aussie Icons. The font site has closed down, but TypOasis offers some of the fonts now. Greg's Hand (2001) is available at Harold Lohner's site. Fontspace link. Dafont link. [Google] [More] ⦿ |
Webcodesigns
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Typefaces from 2019: KH Prickles. Creative Market link. Behance link. Dafont link. Another alias is Kristy Oborne. Creative Fabrica link. [Google] [More] ⦿ |
In 2018, Work Sans was forked into Elaine Sans. In 2020, it spawned the custom typeface Prodigy Sans done for Prodigy Education Inc. In 2021, Lucas Sharp and My-Lan Thuong, assisted by Wei Huang and Marc Rouault, designed Salter. Salter Roman is based on calligraphic book jackets by Georg(e) Salter from 1941, and Salter Italic is inspired by two of Oscar Ogg's book jacket alphabets from 1942. In 2021, Erin McLaughlin and Wei Huang developed the traditional workhorse sans serif typeface Tenorite for Microsoft for use as one of the default fonts in Office apps and Microsoft 365 products. Elements such as large dots, accents, and punctuation make Tenorite comfortable to read at small sizes on screen. [Google] [More] ⦿ | |
Wendy Ellerton graduated in 2002 with a Bachelor of Visual Communication (Honours) from Monash University Australia. Since graduating Wendy established The Public Foundry and has worked as a graphic designer on a freelance basis. Before beginning her TypeMedia studies she also worked as a sessional lecturer at Monash University. In 2004-2005, she was a grad student at the KABK in Den Haag. With Stephen Banham, she designed Terital, a monoline connected script typeface, in 2003 [which was redone by Lan Huang in 2011; both were published at Letterbox as Terital United]. This typeface was based on a 1960s Italian overcoat ad for Terital. Still in 2003, she created the large text family Ferrara. In 2005, she designed a sans family, Imogen, for setting long texts in sans. She also created the Kevlar family at Letterbox. FontShop link. [Google] [MyFonts] [More] ⦿ | |
Adelaide-based Australian designer (b. 1989) of Anomalous (2007, sci-fi), Legend (2006, in the style of TooLego), Twig (2006, artsy), Flash'd (2006, hand-printed face), Bizarre (2005, handwriting), Abiogenesis (2006, handwriting), III (2006) and Scribbular (2005, handwriting). [Google] [More] ⦿ | |
Whyrl Thorn
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Whyrl's fonts
| Whyrl Thorn's creations (free): the handwriting Whyrl Thorn, Nychus, Tyrants. Whyrl seems to be a student at the University of Queensland in Australia. [Google] [More] ⦿ |
Wiccked Stepmother Fonts
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Typefaces from 2013: WS Egg, WS Dora Smooth (sketched), WS Call Me (hand-printed), WS Open Ipad. Flickr page. Dafont link. [Google] [More] ⦿ |
Will Robertson
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Australian graphic design student. FontStructor who made Micro (pixel face), Ecce Dot and Ecce (biline squarish face) in 2010. [Google] [More] ⦿ | |
Wing Lau, a graphic designer in Sidney, created the extra-wide typeface Chamber Display in 2013. Behance link. [Google] [More] ⦿ | |
Australian design studio located in Melbourne. Designers of an unnamed inline typeface in 2013. Behance link. [Google] [More] ⦿ | |
Small Aussie archive of freeware/shareware fonts. [Google] [More] ⦿ | |
Sydney, Australia-based student-designer of the old Chinese emulation typeface Qinguo (2018). [Google] [More] ⦿ | |
Gold Coast, Australia-based student-designer of a semi-stencil typeface in 2018. [Google] [More] ⦿ | |
During her design studies at Billy Blue College of Design in Sydney, Australia, Yasmin Jones created the display typeface Holly (2014). [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the handcrafted typeface Marver (2016). Creative Market link. Taliana Design. Behance link. [Google] [More] ⦿ | |
Yes Creative
| Peter Costello (Yes Creative, Australia) designed the handcrafted wood emulation typeface Naive Gothic Condensed (2017) and Bleeding Sharpie (2017). Creative Market link. [Google] [More] ⦿ |
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Gold Coast, Australia-based student-designer of the thorny typeface Magician (2018). [Google] [More] ⦿ | |
Sydney, Australia-based designer of the decorative typeface Braced Links (2015). [Google] [More] ⦿ | |
Organization in Ballarat, Australia. Creators of the free biline typeface Yum (2010). Dafont link. [Google] [More] ⦿ | |
Graphic designer in Sydney, Australia, who created Hepta (2013, a heptagonal typeface), Morph (2013, geometric dingbats) and ARCD (2013, a paperclip typeface). [Google] [More] ⦿ | |
Perth, Australia-based designer of the wavy scribbly typeface Ignit (2017). [Google] [More] ⦿ | |
Zebra Factory
| Chris Young (Zebra Factory, est. 1999 in Perth, Australia) is the designer of the handwriting font Linotype Elisa (1999). He also made the free typefaces Dispose 101 (grungy hand) and Agata Regular (script). Klingspor link. 1001 Fonts link. [Google] [MyFonts] [More] ⦿ |
Born in 1991, Zhihua Duan graduated from Shanghai Institute of Visual Art, Fudan University, and is now located in Melbourne, Australia. He created the experimental Line Maze Type in 2015. [Google] [More] ⦿ | |
Melbourne, Australia-based designer of the painter's typeface Summer (2016). Behance link. [Google] [More] ⦿ | |
Adelaide, Australia-based designer of the handcrafted typefaces Piñati (2017) and Headstrong (2017), the counterless typeface Quandong St (2017), and the paper cut typeface Chunky Cut (2017). [Google] [More] ⦿ | |
Australian designer of the liquid ink typeface Arthur (2018). [Google] [More] ⦿ | |
Brisbane, Australia-based student-designer of the roman caps typeface Campania (2019). [Google] [More] ⦿ | |
Zood Dooz
| Sansern Rianthong (aka Zood Dooz) is the Nakhon Sawan, Thailand and Melbourne, Australia-based designer of the constructivist Latin/Thai typeface Zood Rangmah (2013), which was influenced by the Cyrillic typeface in Jean-Jacques Arnaud's movie The Enemy. He also made the Latin/Thai typeface Zood Putorn (2013). In 2016, he designed the pixelish video game typeface ZoodMoomChak for Latin and Thai. Typefaces from 2017: Zood Rangmah Mak (an octagonal typeface with a stencil companion). Typefaces from 2018: ZT Zood Siam (at Ziam Type). [Google] [More] ⦿ |
Creator of the squarish sans typeface PF Hall (2008). He lives in Melbourne, and was born in 1986. Fontsy link. [Google] [More] ⦿ |
Suzy Tuxen, who runs A friend of Mine in Melbourne, Australia, created the poster typeface Embla in 2016 for the identity of Christian McCabe's wine bar / restaurant in Melbourne's inner city. 
Perth, Australia-based designer of the low contrast sans typeface Enkei (2019). [
During his design studies in Sydney, Alex Dale (b. 1989) created the 
Based in Melbourne, Alicia Souza is an illustrator who drew and created the monster ding font Monsterocity (2009) as well as Smile Baby Smile (2010) and Alphabots (2009). 
Brisbane, Australia-based designer of the lively free brush script typeface Luna (2015). 
Hungarian graphic designer and photographer in Sydney, who created the stylish piano key bespoke typeface 
Anthony Gagliardi worked at the Australian Graphic Design Association as National Communications Officer and Designer from 2010 until 2013. Anthony Gagliardi Design is based in Adelaide, Australia. Anthony designed 
Hungarian designer (b. 1982) of the grungy typewriter typeface 
Textile and graphic designer in Sydney, Australia, who created the experimental gothic typeface 
Lettering artist 
North Coast, Australia-based creators of the display typefaces Samatta (2015, a Peignotian sans), Milk Barn (2015), Canyon (2015, handcrafted, with an outline typeface in the style of athletic lettering), Pocket Knife (2015, +3D), Otter Pop (2015), Meso (2015 a tribal font set with Inca themes), Fuego (2014) and Creamsicle (2014, signage type). 
Melbourne, Australia-based scrapbooking company of 
Melbourne-based illustrator and lettering artist, b. Indonesia. Work by him include a poster called 
Graphic designer and illustrator in Melbourne, Australia. In 2013, he created a set of ornamental numerals for promotional material of the AMP Bank. 
Great decision by Brisbane, Australia, to do its corporate branding based on free fonts---Alte Haas Grotesk (Regular and Bold) by Yann Le Coroller, and Boris Black Boxx by 
For a school project, Caleb de Gabriel (Melbourne, Australia) designed the crsive script typeface New Traditionals (2017), which took inspiration from Cursive Elegant, Gelato Script and Alpine Script. 
Graphic designer in Sydney, Australia. In 2015, he spruced up the old corporate typeface MC Saatchi. [
During her studies in Stavanger, Norway, Camilla Høgemark created the bilined typeface Futuristic Font (2014) and as a student in Brisbane, Australia, she created the trilined custom typeface Tres Kokks Sportifs (2016). 
To celebrate the 100th anniversary of Canberra, the city organized a typeface design competition with a 10000 Australian dollar first prize. The home of the competition is the University of Canberra. 
Creative Director for Interbrand Australia. For Melbourne Theatre Company (MTC) he created 
New York City-based designer who is originally from Perth, Australia. Designer of these typefaces: Vinum (2014: a gothic psychedelic typeface inspired by Electric Wizard's "Dopethrone" album), Inflated (2015, an oily bubblegum typeface), and 375 (2015: a striped experimental typeface in 3 weights, Window, Facade and Earthquake). 
During his studies at Martin College in Sydney, Australia, Corey Scope designed the outlined rounded display typeface Scope (or Poprey) (2016). 
Craig Rozynski (Australia and, since 2010, Japan) created the 
Hamilton, Victoria, Australia-based designer of Torquay Hotel (2015, a great dry brush typeface), Tropical Nights Script (2015), Blitzen (2015, a scribbly outlined typeface), White Snowfall Script (2015), Third Storey (2015, +Brush, +Regular, +Marker), Twisted Willow (2015, a connected exaggerated script), Saltywaters (2015, an attractive brush script), Operation 22 (2015), Sideline Bold (2015), Sideline Hollow (2015), Juicy Brush (2015), Blushingly (2015, a brushy wedding script font), Thystle Leaf (2015), La Bambiny (2015: painted Treefrog style script), Sweet Dreamer Script (2015, children's hand), the fat brush typeface Coalface (2015) and the curly fat brush scripts Wonderlicious (2015) and Rumpledrop (2015). 
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Graphic designer in Sydney who studied Visual Communication at University of Western Sydney. Creator of 
Dale Lacy (Melbourne, Australia) created the fat counterless type family 
Dan Milne is a type and graphic designer from Australia. He completed a Bachelor of Visual Communication at Monash University, followed by a 
Award-winning art director and typographer in Sydney, Australia. He created Leporello (2010), a font in which ball terminals wreak havoc, and 
Daniel Brokstad lived in Australia where he graduated from RMIT University in Bachelor of Design. He returned to Stavanger, Norway, in 2011, and later joined Sagmeister & Walsh in New York City. 
Oslo-based Norwegian designer of the octagonal monoline typeface 
Melbourne, Australia-based designer of the sturdy titling font Quinse (2016). He writes: Inspired by the style and character of French directional signage, Quinse is a confident and bold signature font for brandmark design, packaging design, headlines for publications, and print and digital campaigns. 
Dave Coleman is a type designer and lettering artist in Sydney, australia. He is involved in 
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Graphic designer in Melbourne, Australia. 
Claire Hayes (Declaire It, Australia) created the typeface family Esportica in 2015. 
Graphic designer in Melbourne, Australia, who designed a didone typeface in 2016. 
Located in Melbourne, Australia, d[esign] (Domenicos Design) was founded in 2007 and is headed by 
Sydney, Australia-based designer of 
Graphic designer and illustrator in Sydney. 
Australian designer (b. Perth) based in Chicago.She designed Akimbo, a text typeface with serifs, suitable for use in branding and design layouts. It is part of a self-directed project conceived whilst undertaking the Principles in Typeface design course at Cooper Union in June-July 2020. In 2021, she developed the creamy organic typeface 
Sydney, Australia-based graphic designer and illustrator who created a nice architectiral typographic iece called The Brief (2015). [
Graphic and footwear designer in Sydney, Australia, who created the art deco typeface 
Eve Kuo (
Australian graphic and type designer who lives in Sidney. Born in 1986, Dave graduated with a Bachelor in Visual Communication from Swinburne University, and went on to work for 6 years as graphic designer in Sydney before a government scholarship enabled him to attend the Type and Media Masters held at KABK in 2011-12. His early 
Designer in Sydney, Australia. Creator of the powerful straight-edged constructivist typeface Ecke (2016). 
Sydney, Australia-based designer (b. Chennai, India) of the 
Graphic designer, illustrator and occasional type designer from Melbourne, Australia. She created 
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Industrial designer in Brisbane, Australia. In 2015, during heir studies at Queensland University of Technology, Gus Bellekens and Sean Davidson co-designed the art deco typeface Wilhelm, which was inspired by Cabin In The Woods by Tommie Wilhelmsen. [
Graphic designer in Brisbane who was born in Norway. Creator of the roundish logo typeface 
Kastoun (b. 1977) lives in Melbourne and runs 
Sydney, Australia-based designer of the curvy smoky typeface Gyroscope (2017). [
Melbourne, Australia-based designer of the opentype SVG color font Newport Tracks (2019) and the rough brush script Yiayia (2017). [
Type designer based in Australia. Creator of the handcrafted typeface 
Winner of the 
[
Jamie Clarke (Bristol and London, UK, and at some point, Sydney, Australia) creates illustrative type and lettering. He ran his own digital agency for ten years, and retrained after that period by studying type design at the University of Reading and letterpress at the St. Bride Foundation in London. His commercial typefaces include 
Australian creator of the informal monoline sans family 
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Melbourne, Australia-based designer of the constructivist typefaces Rudiment001 and Rudiment002 (2018) and the display typeface Softly Ooming (2018). [
Brisbane, Australia-based student-designer (at Griffith University) of the fun (loud, reverse contrast) display typeface Bakko (2019), which comes in variable opentype format. In 2017, she published the 
Gold Coast, Australia-based student-designer of the striped typeface Cactus (2018). [
Melbourne, Australia-based graphic designer who created the artsy typeface Deco Dot in 2017. 
Australian designer of the Western font Six Chambers (2016). [
Graphic designer and illustrator in Surfers Paradise, Australia, who designed a few noteworthy typographic posters in 2014. [
Graphic designer in Melbourne. From 2003 until 2009, he worked on the stunning didone family 
Josip Kelava (Jay Kreative, Australia and UK) is an art director and graphic designer. He has done typographic work for fashion mags and fashion-conscious ads such as for 
During her studies in Maroochydore, Australia, Katie Wass created the display typeface 
Khaito Gengo (Des Moines, WA, and Seattle, WA) graduated from High School in Australia. From 2005 to 2008, he worked as a graphic designer at his father's interior design company, Gengo Space Design Institute, in Japan. After that, he graduated from Highline Community College, WA, and was mentored by Laura Worthington. 
David Kloeg is a designer and student of architecture. He has been working for several architecture offices since 2012. David graduated from the University of Technology in Delft, the Netherlands. His company, Kloeg Architecture (est. 2015, in Australia(?)), is involved in building and type and icon design. In 2016, David started a Masters degree in architecture at the University of Liechtenstein. He lives in Vaduz, Liechtenstein. 
Australian designer of the black sans typeface 
Sydney, Australia-based art director who created the 
Melbourne-based codesigner with Tony Ibbotson in 2008 of the dada typeface 
Australian graphic and type designer. Her creations include the hairline script typeface 
[
Luke Bennis is an Australian designer living in Newcastle, NSW. Currently working as a Graphic Designer in the Marketing department for McDonald Jones Homes&also working as a freelance designer. Designer of an 
Luke (b. 1987) is a graphic designer based in Sydney, who specializes in custom typography, brand identity and web design. 
Art director, illustrator, designer and typographer from Melbourne, Australia, but who is now located in Sydney. Creator of these typefaces for 
Marguerite Hancock, a graphic designer in Brisbane, Australia, created the display typeface 
Catalonian designer, illustrator and lettering artist. Graduate of Eina, Barcelona (1996) and Cooper Union New York (2012). Now based in Melbourne, Australia, Maria Montes created Milosz Italic at Eina, Barcelona, in 2011. She co-founded a textile and print design studio called MarchTwentyTwo in collaboration with fashion designer Laura Piera. The studio focuses on art prints, limited edition scarves, calligraphy workshops and other analogue crafts. 
Based in the Gold Coast of Australia, Matt Vergoties created beautiful geometric logotypes for the 
Matthew James (London, and also Perth, Australia) and Petros Afshar co-designed the Japanese emulation font Okami. With Petros Afshar and Kimmy Lee, he designed the hipster font Bastion (2018, at 
Based in Gold Coast, Australia, Melissa Mcarthur designed a great almost-art nouveau logotype in 2013 called 
Sydney, Australia-based designer of the octagonal typeface hadow (2015). [
Simon Bent from Melbourne (
Melbourne, Australia-based designer (b. 1989) of the 
Student at Queensland College of Art, 2011-2013. Brisbane-based designer of the striking avant-garde all-capitals typeface 
Mikeila Scheckenbach (Canberra, Australia) created the thin poster typeface 
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Aussie Nancy Lorenz (aka Lothlorien, and aka Queen of Spain Font Girl) created fonts in the theme of Lord of the Rings, all in a medieval handwriting or uncial style or Tolkien style: Party Business, Bilbo-hand-Bold-Bold (2002), Bilbo-hand-fine (2002), Bilbo-handRegular (2002), 
During her graphic design studies in Perth, Australia, Natasha Curran created the ultra-fat rounded shaded poster typeface Hugo (2014). [
Byron Bay, Australia-based designer of these fonts in 2018: Modernist Milk (stencil), Signwriter, Cloak (stencil), Stamp & Co, Merchant (vintage sans), Big Show (layerable), Sea Spray (experimental minimalist stencil). 
Melbourne, Australia-based designer of Logic (2018), a fun hip-hop typeface that is influenced by graffiti art, and gothic and blackletter types. [
During his design studies at QUT in Brisbane, Australia, Nick Hedges designed the triangle-themed Sonder Font (2017). [
Nicko Phillips (Melbourne, Australia) created the fun cartoon typeface 
Fontshop calls him Oeltjen, and MyFonts Oeltien. Whatever. Australian designer at the Letterbox of the curly monoline upright script typeface 
Noemie Le Coz is an Australian, independent designer, living and working in New York City. With Eli Block and Hana Tanimura, she co-designed the art deco typeface 
Motoki Higa (One Fonty Day) is the Sydney, Australia, and/or Saitama, Japan-based designer (b. Japan) of these commercial typefaces: 
A custom-made typeface for ABC (the government-funded Australian Broadcast Corporation). In 2016, the cost of 32,750 dollars caused an uproar in Australia when the extravagant amount was questioned by Liberal senator James Paterson to The Australian. It comes soon after the ABC executive behind the typeface resigned. Digital director Angela Clark has left the ABC for the commercial sector. 
Born in Prague in 1949, Jan Schmoeger emigrated to Australia in 1980/1981, and is a book designer in Mentone, Victoria. For most of his career here he worked as a graphic designer, mainly in book publishing. He was also a sessional lecturer at the School of Art and Design, Monash University, Caulfield, Melbourne (formerly Chisholm Institute of Technology) in 1986-1994 and 2004-2008. His typefaces: 
Editorial and graphic designer in Adelaide. He is 
Australian graduate of the type design program at the 
About 100 free TrueType fonts by University of Western Australia lecturer Paul Lloyd (b. UK), many of them elaborate caps fonts: Larkin Capitals (2004), QuaNauticale Initials (2004, with 
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Paul McNeil and Hamish Muir cofounded 
From Australia, Pearlygates' free creations made between 1990 and 1999: All-That-Jazz, Australia-Fair, Beautiful-Bullies, Bits-'n'-Pieces, Bunnywunny, BuzzBuzzBuzz, Dinosaur-Stomp, Dr-Seuss, Eency-Weency-Spider, Energize, Fairy-Sparkle, Fly-Eagle-Fly, Gift-Wrapped, Little-House, Midnight-Cat, Mr-Men (1999, dings of cartoon characters), Party-Hat, Party-Hats, Popping-Popcorn, Pussycat, Pyramid-Purr, 
Audun Stien, a graphic designer from Oslo, is based in Melbourne, Australia. He created the high-contrast fashion mag typeface 
Promodesign is a Brazilian graphic design company of 
Aussie media design company located at the Gold Coast. Designers of the caps-only typeface Tall Dark and Handsome (2005). 
Designer in Perth, Australia, who created the prismatic typeface Leading Lines (2014). 
Graduate of Monash University (Australia), class of 2016. Now based in Berlin, he is a type engineer at Dinamo. Type designer who created these typefaces: 
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Ryan Hellyer Williamson is an Australian type designer, born in Japan and now based in the UK. After a stint as a graffiti artist in Sydney, he received his BA (Hons) in design from the University of New South Wales, Sydney. Graduate of 
Scott de Jonge (Brisbane, Australia) designed Map Icons. 
Adelaide-based illustrator and graphic designer. Creator of 
Based in Sidney, Senovik Senovik created a great poster of a capital S, and called it 
During her studies at Griffith University, Queensland College of Art, Serena Son (Brisbane, Australia) designed the artsy typeface Cut in Half (2014). [
Graphic designer in Brisbane, Australia, who completed a Bachelor of Design with a major in Visual Communication Design at the Griffith University Queensland College of Art. She made the 
S-INGS is Stephen Hutchings' studio based in Sydney, Australia. In 2016, he designed Monad Sans and Svenska. 
During her studies in Gold Coast, Australia, Sophie Armstrong designed the all-but-imperfect handcrafted display typeface Imperfect (2018). [
Multimedia designer and radio producer in Newcastle, Australia. Creator of the typeface 
Designer in Sydney, Australia, who made the modular counterless display typeface 
Aussie design and type company, est. 2003 by Dan Pike from Brisbane (and now based in Melbourne). Their typefaces include Airport (2004, fantastic airport tile font), FourFive (2001, thin octagonal face), Block (2004), Pixel (2002), Route (2006), Slabamond (2002), Stencil (1999), Theo Fine (2005) and Theo (2000, inspired by the work of two great Bauhaus movers, Theo van Doesburg [1883-1938] and Theo Ballmer [1902-1965] both of whom created an alphabet based on a basic 5x5 grid system), Font 705 (2003, pixel face), Schwarz*Weiss (2003, swooshy face), Grave Archaize (2003, this is unbelievable--to be seen!), Flip&Rotate (2003), Valetta (2003). Most fonts are by Dan Pike. Some are by "Phil". Designer at 
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Tom Declat (Brisbane, Australia) created the monoline geometric typeface 
Sydney, Australia-based designer of the creamy signage script typeface Sydney Casual Script (2015, with Tim Alexander and Karen King). [
Australian illustrator. His typefaces as of 2021 included New Jack (a blackletter), Gragster (a retro display font inspired by old motor racing signage and numerals) and Right Price (a supermarket font family). [
Troy Leinster is a graphic designer from Brisbane, Australia, who is based in Amsterdam. Before studying 
Type Atelier (Brisbane, Australia) was set up by Thomas Gillett in 2018 together with Daniel Smith. 
Australian Harry Pears (b. The Quirindi, Australia) is a veteran of the type world. He started his career as a colour camera operator and then as a phototypesetter. He started marketing digital typefaces in Australia, and has designed a few fonts himself. Creator in 2001 of the Celtic look family 
Fonts made by the Uddi Uddi team in Melbourne---Gorden Clarke and Pete Joison---ca. 2000 include Dubbem, HastyPudding, Herbert, Larson, Pickabilly, Wiffles, Buttercrumb (a hacker font), 
Scott Carsdale (Voice Design) is the Australian designer of Letraset Globale (2001, a sans in six styles). In 2006, he made the gorgeous hand-printed typefaces 
Adelaide, South Australia-based designer of the brush typefaces Jolly Bobby (2017), Mistletoe Kisses (2017), Honey Jester (2017), Friday Feels (2017), Prince Rollick (2017), Delightful Dog (2017), Crafty Cat (2017), Buttersky (2017), Abigail&Dean (2017), Jacinta Brush (2017), Juanita Brush Script (2017) and Juanita Script (2017), Brooklyn (2017, sans), the monoline Blackline Script (2017), the Valentine's day script Love Alice (2017), Lemon Zest Script (2017, brush script), the high contrast titling typeface Benjamin (2017), Michael Marker (2017), the thin sans typeface Sansica (2017), the handcrafted Sweet Pavlova (2017), Luca Bell (2017), Mila Jane (2017), Karlie School (2017: school script, with lines), Be Kinder (2017), Blue Daisy (2017), and Jumping Jasper (2017), the ProFuturic typeface family (2017), the clean sans typefaces Albot (2017) and Ariona (2017), Scat Cat (2017), the Peignotian typeface Ravish (2017), the text typeface Alfred (2017), and Zuey Handwriting (2017). 
Australian type designer. Designer of the 
Melanie J. Cook (
Australian designer of the modular experimental typeface Heracles (2020). [
Yi Zhu (Yi Design Studio, Buderim, Australia) created the great poster stencil typeface Scrap (2014) and the paperclip typeface SZ (2015). I am not 100% certain that the Yi Zhu who made SZ and runs Sauries Studio in Shanghai, China, is the same Yi Zhu who made Scrap. 
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