TYPE DESIGN INFORMATION PAGE last updated on Sat Sep 18 10:11:09 EDT 2021
FONT RECOGNITION VIA FONT MOOSE
Graphic and sound designer in Skopje, Macedonia. In 2014, he created the free squarish typeface Desonanz for Latin, Greek, Coptic and Cyrillic. The orginal design of Desonanz dates back to 2010. [Google] [More] ⦿
Karlsruhe-based software developer. Creator of the large (and free) Unicode font Quivira (2005). It covers mathematics, chess, astrological symbols, arrows, fists, Latin, Greek, Cyrillic, Hebrew, Armenian, Georgian, Tifinagh, Coptic, emoticons, Vai, and Braille, to name just a few ranges. Alexander graduated in computer science at the Hochschule Mannheim University of Applied Sciences (degree: Diplom-Informatiker (UAS)). [Google] [More] ⦿
Juan-José Marcos García (b. Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain. He has developed one of the most complete Unicode fonts named ALPHABETUM Unicode for linguistics and classical languages (classical&medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian, Faliscan, Messapic, Picene, Iberic, Celtiberic, Gothic, Runic, Modern Greek, Cyrillic, Devanagari-based languages, Old&Middle English, Hebrew, Sanskrit, IPA, Ogham, Ugaritic, Old Persian, Old Church Slavonic, Brahmi, Glagolitic, Ogham, ancient Greek Avestan, Kharoshti, Old Norse, Old Icelandic, Old Danish and Old Nordic in general, Bengali, Hindi, Marathi, Phoenician, Cypriot, Linear B with plans for Glagolitic). This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, "Saxon" typeface for Old English, etcetera). A demo font can be downloaded [see also Lucius Hartmann's place]. His Greek font Grammata (2002) is now called Ellenike.
He also created a package of fonts for Latin paleography (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Capitalis Monumentalis, Antiqua Cursiva Romana, Nova Cursiva Romana (2014), Uncialis, Semiuncialis, Beneventana Minuscula, Visigothica Minuscula, Luxoviensis Minuscula, Insularis Minuscula, Insularis Majuscula, Carolingia Minuscula, Gothica Textura Quadrata, Gothica Textura Prescissa, Gothica Rotunda, Gothica Bastarda, Gothica Cursiva, Bastarda Anglicana (2014) and Humanistica Antiqua. PDF entitled Fonts For Latin Palaeography (2008-2014), in which Marcos gives an enjoyable historic overview.
Cyrillic OCS (2012) is a pair of Latin fonts that emulate Old Church Slavonic (old Cyrillic).
In 2013, he created Cuneus, a cuneiform simulation typeface.
Paleographic fonts for Greek (2014) has ten fonts designed by Marcos: Angular Uncial, Biblical Uncial, Coptic Uncial, Papyrus Uncial, Round Uncial, Slavonic Uncial, Sloping Uncial, Minuscule IX, Minuscule XI and Minuscule XV. These fonts are representative of the main styles of Greek handwriting used during the Classical World and Middle Ages on papyrus and parchments. There is also a short manual of Greek Paleography (71 pages) which explains the development of Greek handwriting from the fourth century B.C. to the invention of printing with movable type in the middle of the fifteenth A.D. He wrote a text book entitled History of Greek Typography: From the Invention of Printing to the Digital Age (in Spanish). See also here and here. [Google] [More] ⦿
American Philological Association
Association which published a free Greek Opentype font, KadmosU (2005). New Athena Unicode (2004-2010) is also free: New Athena Unicode is a freeware multilingual font distributed by the American Philological Association. It follows the latest version (5.1) of the Unicode standard and includes characters for English and Western European languages, polytonic Greek, Coptic, Old Italic, and Demotic Egyptian transliteration (and Arabic transliteration), as well as metrical symbols and other characters used by classical scholars. New Athena Unicode is a "smart font" that includes OpenType ligatures allowing the display of composed characters not recognized by Unicode but needed by scholars. I am not sure that I am right, but the Greekkeys pafge makes me believe that Donald Mastronarde (a Professor a UC Berkeley) of the American Philological Association is responsible for the creation and upkeep of New Athena Unicode. [Google] [More] ⦿
Creator of the free blackletter typeface Ye Olde Shire (2008, +Outline), Coptic Eyes Coptic (2009), and I Crashed Into Gothic (2009). Using FontStruct, she made the Amaya technical family in 2009. Fontsy link. [Google] [More] ⦿
For Unicode classical Greek in Word 97 and Word 2000, Antioch gives you Greek, Coptic and Hebrew with programmable keyboards. Win 95 or 98. 50 USD shareware. fee $50. Page by Ralph Hancock. Antioch package by Ralph Hancock and Denis Liegois. Ralph Hancock also designed the Courier-like font Angaros in 1997. The Antioch package contains the Greek unicode font Vusillus Old Face (2002), which was digitized by Ralph Hancock based on English typefaces from the 18th century. Hancock also designed Mediolanum, one of the first Greek typefaces, developed in Northern Italy at the end of the 15th century. [Google] [More] ⦿
Antonio Hernández Marín
William Ramey's pages on Akkadian, Aramaic, Assyrian, Coptic, Cuneiform, Cyrillic, Egyptian, Greek, Hebrew, Hieroglyphics, Latin, Meroitic, Nahkt, Phoenician, Sumerian, and Ugaritic. [Google] [More] ⦿
Adam Koster from Oak Knoll in Delaware describes three of Bodoni's publications:
Brett T. Johnson
Brody Neuenschwander was born in Houston, Texas in 1958. He studied art history at Princeton University and the Courtauld Institute, London, receiving his PhD in 1986. He studied calligraphy at Roehampton Institute under Ann Camp and then became assistant to Donald Jackson. Since 1988 he has worked as a free-lance calligrapher, first in Wales and now in Bruges, Belgium. Clients have included the U.S., UK, and Belgian governments, the BBC, Time-Life Books, and the Royal Mail. He has worked with director Peter Greenaway on several films, including "Prospero's Books" and "The Pillow Book." Brody is currently working to install trilingual signage in the Coptic quarter of Cairo. Brody got the Belle Lettere Award in 1997.
Codesigner with Maciej Polczynski of Ozzy (2019, Laic). Described as calligraphic funk, this typeface cannot be properly classified.
Designer of the free font "Greek Garamond". The page also archives some fonts by others, such as Academiury-ITV, CopticNormal, CopticNormal_II, Cyrillic-Regular, Greek-garamond-1.1, Greek-garamond, Greek, Linear-B, Masis, Ultima-Runes----ALL-CAPS, gothic-1. [Google] [More] ⦿
From 1997 until 1999, Turin-based Claudio Beccari created his cb fonts (metafont) for Greek by adapting Silvio Levy's Greek fonts. The cb-fonts are now the official fonts for the Greek option of the BABEL package. They are very complete and highly recommended. Type 1 versions here. In 2004, he added the CB Coptic family (metafont), which was based on files created in 1995 by Serge Rosmorduc. The type 1 fonts were made by using TeXtrace and pfaedit by Apostolos Syropoulos. The fonts: glic0700, glic0800, glic1000, glic1200, glic1382, glic1659, glic1991, glic2389, glic2866, glic3440, glic4128, glii0700, glii0800, glii1000, glii1200, glii1382, glii1659, glii1991, glii2389, glii2866, glii3440, glii4128, glin0700, glin0800, glin1000, glin1200, glin1382, glin1659, glin1991, glin2389, glin2866, glin3440, glin4128, glio0700, glio0800, glio1000, glio1200, glio1382, glio1659, glio1991, glio2389, glio2866, glio3440, glio4128, gliu0700, gliu0800, gliu1000, gliu1200, gliu1382, gliu1659, gliu1991, gliu2389, gliu2866, gliu3440, gliu4128, gljc0700, gljc0800, gljc1000, gljc1200, gljc1382, gljc1659, gljc1991, gljc2389, gljc2866, gljc3440, gljc4128, gljn0700, gljn0800, gljn1000, gljn1200, gljn1382, gljn1659, gljn1991, gljn2389, gljn2866, gljn3440, gljn4128, gljo0700, gljo0800, gljo1000, gljo1200, gljo1382, gljo1659, gljo1991, gljo2389, gljo2866, gljo3440, gljo4128, glmc0700, glmc0800, glmc1000, glmc1200, glmc1382, glmc1659, glmc1991, glmc2389, glmc2866, glmc3440, glmc4128, glmi0700, glmi0800, glmi1000, glmi1200, glmi1382, glmi1659, glmi1991, glmi2389, glmi2866, glmi3440, glmi4128, glmn0700, glmn0800, glmn1000, glmn1200, glmn1382, glmn1659, glmn1991, glmn2389, glmn2866, glmn3440, glmn4128, glmo0700, glmo0800, glmo1000, glmo1200, glmo1382, glmo1659, glmo1991, glmo2389, glmo2866, glmo3440, glmo4128, glmu0700, glmu0800, glmu1000, glmu1200, glmu1382, glmu1659, glmu1991, glmu2389, glmu2866, glmu3440, glmu4128, gltc0700, gltc0800, gltc1000, gltc1200, gltc1382, gltc1659, gltc1991, gltc2389, gltc2866, gltc3440, gltc4128, gltn0700, gltn0800, gltn1000, gltn1200, gltn1382, gltn1659, gltn1991, gltn2389, gltn2866, gltn3440, gltn4128, glto0700, glto0800, glto1000, glto1200, glto1382, glto1659, glto1991, glto2389, glto2866, glto3440, glto4128, glwc0700, glwc0800, glwc1000, glwc1200, glwc1382, glwc1659, glwc1991, glwc2389, glwc2866, glwc3440, glwc4128, glwi0700, glwi0800, glwi1000, glwi1200, glwi1382, glwi1659, glwi1991, glwi2389, glwi2866, glwi3440, glwi4128, glwn0700, glwn0800, glwn1000, glwn1200, glwn1382, glwn1659, glwn1991, glwn2389, glwn2866, glwn3440, glwn4128, glwo0700, glwo0800, glwo1000, glwo1200, glwo1382, glwo1659, glwo1991, glwo2389, glwo2866, glwo3440, glwo4128, glwu0700, glwu0800, glwu1000, glwu1200, glwu1382, glwu1659, glwu1991, glwu2389, glwu2866, glwu3440, glwu4128, glxc0700, glxc0800, glxc1000, glxc1200, glxc1382, glxc1659, glxc1991, glxc2389, glxc2866, glxc3440, glxc4128, glxi0700, glxi0800, glxi1000, glxi1200, glxi1382, glxi1659, glxi1991, glxi2389, glxi2866, glxi3440, glxi4128, glxn0700, glxn0800, glxn1000, glxn1200, glxn1382, glxn1659, glxn1991, glxn2389, glxn2866, glxn3440, glxn4128, glxo0700, glxo0800, glxo1000, glxo1200, glxo1382, glxo1659, glxo1991, glxo2389, glxo2866, glxo3440, glxo4128, glxu0700, glxu0800, glxu1000, glxu1200, glxu1382, glxu1659, glxu1991, glxu2389, glxu2866, glxu3440, glxu4128, gmmn0500, gmmn0600, gmmn0700, gmmn0800, gmmn0900, gmmn1000, gmmn1095, gmmn1200, gmmn1440, gmmn1728, gmmn2074, gmmn2488, gmmn2986, gmmn3583, gmmo0500, gmmo0600, gmmo0700, gmmo0800, gmmo0900, gmmo1000, gmmo1095, gmmo1200, gmmo1440, gmmo1728, gmmo2074, gmmo2488, gmmo2986, gmmo3583, gmtr0500, gmtr0600, gmtr0700, gmtr0800, gmtr0900, gmtr1000, gmtr1095, gmtr1200, gmtr1440, gmtr1728, gmtr2074, gmtr2488, gmtr2986, gmtr3583, gmxn0500, gmxn0600, gmxn0700, gmxn0800, gmxn0900, gmxn1000, gmxn1095, gmxn1200, gmxn1440, gmxn1728, gmxn2074, gmxn2488, gmxn2986, gmxn3583, gmxo0500, gmxo0600, gmxo0700, gmxo0800, gmxo0900, gmxo1000, gmxo1095, gmxo1200, gmxo1440, gmxo1728, gmxo2074, gmxo2488, gmxo2986, gmxo3583, gomc0500, gomc0600, gomc0700, gomc0800, gomc0900, gomc1000, gomc1095, gomc1200, gomc1440, gomc1728, gomc2074, gomc2488, gomc2986, gomc3583, gomi0500, gomi0600, gomi0700, gomi0800, gomi0900, gomi1000, gomi1095, gomi1200, gomi1440, gomi1728, gomi2074, gomi2488, gomi2986, gomi3583, gomn0500, gomn0600, gomn0700, gomn0800, gomn0900, gomn1000, gomn1095, gomn1200, gomn1440, gomn1728, gomn2074, gomn2488, gomn2986, gomn3583, gomo0500, gomo0600, gomo0700, gomo0800, gomo0900, gomo1000, gomo1095, gomo1200, gomo1440, gomo1728, gomo2074, gomo2488, gomo2986, gomo3583, gomu0500, gomu0600, gomu0700, gomu0800, gomu0900, gomu1000, gomu1095, gomu1200, gomu1440, gomu1728, gomu2074, gomu2488, gomu2986, gomu3583, goxc0500, goxc0600, goxc0700, goxc0800, goxc0900, goxc1000, goxc1095, goxc1200, goxc1440, goxc1728, goxc2074, goxc2488, goxc2986, goxc3583, goxi0500, goxi0600, goxi0700, goxi0800, goxi0900, goxi1000, goxi1095, goxi1200, goxi1440, goxi1728, goxi2074, goxi2488, goxi2986, goxi3583, goxn0500, goxn0600, goxn0700, goxn0800, goxn0900, goxn1000, goxn1095, goxn1200, goxn1440, goxn1728, goxn2074, goxn2488, goxn2986, goxn3583, goxo0500, goxo0600, goxo0700, goxo0800, goxo0900, goxo1000, goxo1095, goxo1200, goxo1440, goxo1728, goxo2074, goxo2488, goxo2986, goxo3583, goxu0500, goxu0600, goxu0700, goxu0800, goxu0900, goxu1000, goxu1095, goxu1200, goxu1440, goxu1728, goxu2074, goxu2488, goxu2986, goxu3583, grbl0500, grbl0600, grbl0700, grbl0800, grbl0900, grbl1000, grbl1095, grbl1200, grbl1440, grbl1728, grbl2074, grbl2488, grbl2986, grbl3583, grmc0500, grmc0600, grmc0700, grmc0800, grmc0900, grmc1000, grmc1095, grmc1200, grmc1440, grmc1728, grmc2074, grmc2488, grmc2986, grmc3583, grmi0500, grmi0600, grmi0700, grmi0800, grmi0900, grmi1000, grmi1095, grmi1200, grmi1440, grmi1728, grmi2074, grmi2488, grmi2986, grmi3583, grml0500, grml0600, grml0700, grml0800, grml0900, grml1000, grml1095, grml1200, grml1440, grml1728, grml2074, grml2488, grml2986, grml3583, grmn0500, grmn0600, grmn0700, grmn0800, grmn0900, grmn1000, grmn1095, grmn1200, grmn1440, grmn1728, grmn2074, grmn2488, grmn2986, grmn3583, grmo0500, grmo0600, grmo0700, grmo0800, grmo0900, grmo1000, grmo1095, grmo1200, grmo1440, grmo1728, grmo2074, grmo2488, grmo2986, grmo3583, grmu0500, grmu0600, grmu0700, grmu0800, grmu0900, grmu1000, grmu1095, grmu1200, grmu1440, grmu1728, grmu2074, grmu2488, grmu2986, grmu3583, grxc0500, grxc0600, grxc0700, grxc0800, grxc0900, grxc1000, grxc1095, grxc1200, grxc1440, grxc1728, grxc2074, grxc2488, grxc2986, grxc3583, grxi0500, grxi0600, grxi0700, grxi0800, grxi0900, grxi1000, grxi1095, grxi1200, grxi1440, grxi1728, grxi2074, grxi2488, grxi2986, grxi3583, grxl0500, grxl0600, grxl0700, grxl0800, grxl0900, grxl1000, grxl1095, grxl1200, grxl1440, grxl1728, grxl2074, grxl2488, grxl2986, grxl3583, grxn0500, grxn0600, grxn0700, grxn0800, grxn0900, grxn1000, grxn1095, grxn1200, grxn1440, grxn1728, grxn2074, grxn2488, grxn2986, grxn3583, grxo0500, grxo0600, grxo0700, grxo0800, grxo0900, grxo1000, grxo1095, grxo1200, grxo1440, grxo1728, grxo2074, grxo2488, grxo2986, grxo3583, grxu0500, grxu0600, grxu0700, grxu0800, grxu0900, grxu1000, grxu1095, grxu1200, grxu1440, grxu1728, grxu2074, grxu2488, grxu2986, grxu3583, gsma0500, gsma0600, gsma0700, gsma0800, gsma0900, gsma1000, gsma1095, gsma1200, gsma1440, gsma1728, gsma2074, gsma2488, gsma2986, gsma3583, gsmc0500, gsmc0600, gsmc0700, gsmc0800, gsmc0900, gsmc1000, gsmc1095, gsmc1200, gsmc1440, gsmc1728, gsmc2074, gsmc2488, gsmc2986, gsmc3583, gsme0500, gsme0600, gsme0700, gsme0800, gsme0900, gsme1000, gsme1095, gsme1200, gsme1440, gsme1728, gsme2074, gsme2488, gsme2986, gsme3583, gsmi0500, gsmi0600, gsmi0700, gsmi0800, gsmi0900, gsmi1000, gsmi1095, gsmi1200, gsmi1440, gsmi1728, gsmi2074, gsmi2488, gsmi2986, gsmi3583, gsmn0500, gsmn0600, gsmn0700, gsmn0800, gsmn0900, gsmn1000, gsmn1095, gsmn1200, gsmn1440, gsmn1728, gsmn2074, gsmn2488, gsmn2986, gsmn3583, gsmo0500, gsmo0600, gsmo0700, gsmo0800, gsmo0900, gsmo1000, gsmo1095, gsmo1200, gsmo1440, gsmo1728, gsmo2074, gsmo2488, gsmo2986, gsmo3583, gsmu0500, gsmu0600, gsmu0700, gsmu0800, gsmu0900, gsmu1000, gsmu1095, gsmu1200, gsmu1440, gsmu1728, gsmu2074, gsmu2488, gsmu2986, gsmu3583, gsxa0500, gsxa0600, gsxa0700, gsxa0800, gsxa0900, gsxa1000, gsxa1095, gsxa1200, gsxa1440, gsxa1728, gsxa2074, gsxa2488, gsxa2986, gsxa3583, gsxc0500, gsxc0600, gsxc0700, gsxc0800, gsxc0900, gsxc1000, gsxc1095, gsxc1200, gsxc1440, gsxc1728, gsxc2074, gsxc2488, gsxc2986, gsxc3583, gsxe0500, gsxe0600, gsxe0700, gsxe0800, gsxe0900, gsxe1000, gsxe1095, gsxe1200, gsxe1440, gsxe1728, gsxe2074, gsxe2488, gsxe2986, gsxe3583, gsxi0500, gsxi0600, gsxi0700, gsxi0800, gsxi0900, gsxi1000, gsxi1095, gsxi1200, gsxi1440, gsxi1728, gsxi2074, gsxi2488, gsxi2986, gsxi3583, gsxn0500, gsxn0600, gsxn0700, gsxn0800, gsxn0900, gsxn1000, gsxn1095, gsxn1200, gsxn1440, gsxn1728, gsxn2074, gsxn2488, gsxn2986, gsxn3583, gsxo0500, gsxo0600, gsxo0700, gsxo0800, gsxo0900, gsxo1000, gsxo1095, gsxo1200, gsxo1440, gsxo1728, gsxo2074, gsxo2488, gsxo2986, gsxo3583, gsxu0500, gsxu0600, gsxu0700, gsxu0800, gsxu0900, gsxu1000, gsxu1095, gsxu1200, gsxu1440, gsxu1728, gsxu2074, gsxu2488, gsxu2986, gsxu3583, gttc0500, gttc0600, gttc0700, gttc0800, gttc0900, gttc1000, gttc1095, gttc1200, gttc1440, gttc1728, gttc2074, gttc2488, gttc2986, gttc3583, gtti0500, gtti0600, gtti0700, gtti0800, gtti0900, gtti1000, gtti1095, gtti1200, gtti1440, gtti1728, gtti2074, gtti2488, gtti2986, gtti3583, gttn0500, gttn0600, gttn0700, gttn0800, gttn0900, gttn1000, gttn1095, gttn1200, gttn1440, gttn1728, gttn2074, gttn2488, gttn2986, gttn3583, gtto0500, gtto0600, gtto0700, gtto0800, gtto0900, gtto1000, gtto1095, gtto1200, gtto1440, gtto1728, gtto2074, gtto2488, gtto2986, gtto3583, gttu0500, gttu0600, gttu0700, gttu0800, gttu0900, gttu1000, gttu1095, gttu1200, gttu1440, gttu1728, gttu2074, gttu2488, gttu2986, gttu3583. [Google] [More] ⦿
Mark Leisher's creation: "ClearlyU is a set of BDF (bitmap) 12 point, 100 dpi fonts that provides glyphs that can be used for Unicode text. The font contains over 4000 glyphs, including numerous additional glyphs for alternate forms and ligatures. The ClearlyU typeface was originally inspired by Donald Knuth's Computer Modern typeface, but has been slowly evolving into something else." Supported are: Navajo, Armenian, Cyrillic, Georgian, Greek and Coptic, Hebrew, Lao, Thai. [Google] [More] ⦿
Two Windows TrueType fonts, Umschrift-Times (changed version of TimesNewRomanPS-ItalicMT, by Professor Friedrich Junge, Göttingen, 1999) and Brutus (a font with lots of fractions and useful symbols, by Matthias Rochholz, Mainz, 1996). Plus Coptic (Dirk Van Damme, Gregor Wurst, 1994). Managed by Jürgen Kraus at the Seminar für Ägyptologie & Koptologie, Georg-August-Universität Göttingen. [Google] [More] ⦿
Free Greek fonts at Howard Berlin's site included Antonious by Michael Wasim, SPAchmim (by Scholars Press), MENA, CopticGregor (by Dirk Van Damme, Gregor Wurst, 1994), CopticNormal and the Wingreek fonts. [Google] [More] ⦿
Coptic fonts at the Coptic church site: CS Avva Shenouda, CS Copt, CS Coptic Manscript, CS Copto Manuscript, CS Koptos Manuscript, CS New Athanasius, CS Pishoi. Collectively, these are called the Coptic Standard Fonts. The page also has standards for Coptic fonts, under the guidance of Michael Sleman and Pisenti Sidhom. [Google] [More] ⦿
Located in New Jersey, and managed by Georges H. Guirguis. They made the following Coptic fonts, ca. 1999: AvvaBishoyNormal, AvvaKyrillosNormal, AvvaMarcosNormal, AvvaMarkosNormal, AvvaShenoudaNormal, SaintAbrahamNormal, SaintGeorgesNormal, SaintMarinaNormal. [Google] [More] ⦿
David J. Perry
The DejaVu fonts form an open source font family based on the Bitstream Vera Fonts. Free download. Its purpose is to provide a wider range of characters (see Current status page for more information) while maintaining the original look and feel through the process of collaborative development. Included are DejaVuSans-Bold, DejaVuSans-BoldOblique, DejaVuSans-Oblique, DejaVuSans, DejaVuSansCondensed-Bold, DejaVuSansCondensed-BoldOblique, DejaVuSansCondensed-Oblique, DejaVuSansCondensed, DejaVuSansMono-Bold, DejaVuSansMono-BoldOb, DejaVuSansMono-Oblique, DejaVuSansMono-Roman, DejaVuSerif-Bold, DejaVuSerif-BoldOblique, DejaVuSerif-Oblique, DejaVuSerif-Roman, DejaVuSerifCondensed-Bold, DejaVuSerifCondensed-BoldOblique, DejaVuSerifCondensed-Oblique, DejaVuSerifCondensed.
Authors and contributors comprise Adrian Schroeter, Ben Laenen, Dafydd Harries, Danilo Segan (Cyrillic), David Jez, David Lawrence Ramsey, Denis Jacquerye, Dwayne Bailey, James Cloos, James Crippen, Keenan Pepper, Mashrab Kuvatov, Misu Moldovan (Romanian), Ognyan Kulev, Ondrej Koala Vacha, Peter Cernák, Sander Vesik, Stepán Roh (project manager; Polish), Tavmjong Bah, Valentin Stoykov, and Vasek Stodulka. The idea is to eventually cover most of unicode. Currently, this is covered: Latin (+supplement, extended A and part of extended B), IPA, Greek, Coptic, Cyrillic, Georgian, Armenian, Hebrew, N'ko, Tifinagh, Lao, Canadian aboriginal syllabics, Ogham, Arabic, math symbols, arrows, Braille, chess, and many dingbats.
Great fonts for astrology, hieroglyphics, alchemy and the occult, by Toronto's Jan and Denise Koehler, mostly designed between 1993 and 1995. They moved to Litomerice and then Teplice, the Czech Republic, recently. MyFonts sells the fantastic Meso Americano dingbats, Hypnotica, AlchemySymbols (two fonts), BlackMagick, Border Twins (2010), CastlesShields, Curly Jane (2010), Cubista Geometrica (2010: op art), DaggersAlphabet, Dendera (ancient Egyptian Zodiac symbols), Dragons, Eggnog (2010), Fontazia Floradot (2012), Fontazia Papilio (2009), Fontazia Pop62 (2011, dingbats of flowers), Fontazia AquaFlorium (2010, fishtank dingbats), Fontazia Mazzo (2010, vases), Fontazia Stiletto (2011), Fontazia Y3K (2009, aliens), the Hieroglyph family (dingbats, really), Jolly Jester (2010, curly hand), MagiWriting, Meandros (2010, a paperclip design inspired by the Greek Key, or Fret, motif), Phaistos, Pocket Wrench (2010, octagonal), Polka Dot Wrench (2010), PowersofMarduk, Praha Deco (2010, inspired by the Prague art deco movement), the RongoRongo family (Easter Island script), SkeletonAlphabet, Sublimina, Superchunk, WhiteMagick, Yenda (2010, bold and angular).
List of font packages: Aglab, Alchemy Symbols, American Sign Alphabet, Ancient Writings Vol. 1, Ancient Writings Vol. 2, Angelica, The Astrologer Bundle, Astrologer, Aztec Day Signs, Black Magick, Braille Alphabet, Castles&Shields, Celestial Writing, Celtic Astrologer, Certar, Chinese Zodiac, Coptic Alphabet, Daggers Alphabet, Dendera, Dinosauria, Dragons, Egyptian Deities, Enochian Writing, Egypt. Hieroglyphics Vol 1, Egypt. Hieroglyphics Vol 2, Egypt. Hieroglyphics Vol 3, Egypt. Hieroglyphics Vol 4, Futhark, Greco, Hebrew Basic, Hypnotica, Magi Writing, Magick&Mystic, Malachim Writing, Masonic Writing, Maya Day Names, Maya Month Glyphs, Meso Americano, Meso Deko, Morse Code, Old Persian Cuneiform, Passing the River, Phaistos, Pike's Alphabets, Powers of Marduk, Sanskrit Writing, Semaphore Code, Signals&Signs, Skeleton Alphabet, Sublimina, Tengwanda Gothic, Tengwanda Namarie, Theban Alphabet, The Egyptologist, Tolkien Scripts, WhiteMagick, Skeleton Alphabet, Hebrew Basic, Sanskrit Writing. Note: I cannot find an entry for Jan Koehler at MyFonts, where all Deniart fonts are said to have been made by Denise Koehler. [Google] [MyFonts] [More] ⦿
Partner of Jan Koehler in Deniart Systems, which operated from 1993-2009 in Toronto, and then in Litomerice (Czech Republic). Her typefaces include: Skeleton Alphabet, Sanskrit Writing, White Magick Symbols, Theban Alphabet, Tolkien Tengwanda Namarie, Tolkien Tengwanda Gothic, Sublimina, Semaphore, RongoRongo (a system of glyphs discovered in the 19th century on Easter Island), Powers Of Marduk, Phaistos Disk Glyphs, Passing The River, Old Persian Cuneiform (1995), Morse Code, Meso Deko, Maya Month Glyphs, Maya Day Names, Masonic Writing, Malachim Writing, Magi Writing, Hypnotica, Egyptian Hieroglyphics Basic, Egyptian Hieroglyphics - The Egyptologist, Hebrew Basic, Greco (Greek face), Futhark, Enochian Writing, Egyptian Hieroglyphics - Deities, Medieval Dragons, Dinosauria, Egyptian Hieroglyphics - Dendera, Daggers Alphabet, Coptic Alphabet, Chinese Zodiac Symbols, Tolkien Certar, Celtic Astrologer Symbols, Celestial Writing, Castles&Shields, Braille Alpha, Black Magick, Aztec Day Signs, Astrologer Symbols, Angelica, American Sign Alphabet, Alchemy Symbols, Tolkien Aglab, Fontazia AquaFlorium (2010, fish tank dingbats), Snow Crystals (2010, followed by Snow Crystals 2 in 2012), Star Crystals (2010, more snow-like structures but having 8 instead of 6 axes of symmetry), Karika Swirls (2010), Karika Hearts (2010), Karika Encore (2011), Fontazia Chateaux (2011), Fontazia Chateaux Deux (2011), Fontazia Insomnia (2011), 21 Emmerson (2011), 4 Point Greek Fret (2011: labyrinthine), 4 Point Florals (2011), 4 Point Deco (2011), Mykonos (2011, labyrinthine), Harmonics (2011, a zig-zag face), Fontazia Motyl (2011, butterfly dings), Holiday Penguins NF (2011, Christmas dingbats), Fontazia Christmas Tree (2011), Eggs Galoe (2012, Easter egg font), Border Glyphs (2012, hieroglyphic), Fontazia Christmas Baubes (2012), Fontazia Christmas Tree 2 (2013), Karika Hypnotica (2014, hypnotic or kaleidoscopic glyphs), Symcaps Vario X1, Symcaps Vario X2, Symcaps Vario X3 (2016, op-art design). Klingspor link. [Google] [MyFonts] [More] ⦿
Dick Pape: ornamental typefaces
Ornamental typefaces made in 2008-2010 by Dick Pape: 2 Cute 4 U (+Block), Abstract Alphabet (2009), Aged Ornaments (2009), Ancient Mortises (2008), Angel Alpha (2009), Angelica Alpha (2009), Ani-Red Jello Alpha (2009), Antique Alphabet (2009), Arabesque Design (2009), Art Deco Dingbat Images (2010), Art Deco Frames (2010), AlphabetArt, AndrewHolmesArtA, AndrewHolmesArtB, AndrewHolmesArtC, AndrewHolmesArtD, AndrewHolmesArtE, AndrewHolmesArtF, Angel Alpha, Angelica Alpha, Ani Red Jello Alpha (2009), AvonInitials, BritishAirwaysNumbers, CaFaitDur, CelticDesignDark, CelticDesigns-Light, Continnental, EckenFlowerBorders, GermanGothicManuscript, KafkaFlourishes, LaxtonCommonRevival, NiceOldAlphabet, Portent, RomanoAlphabet, Weissranken-Initialen, Babylon Initials (2009), Bird Drawings Alphabet (2008), Black Buttons (2010, +Bold), Bold Cameo (2009), Bubble Gum (2010, +Condensed, +Extended), Bultaco (2010, after the motorcycle brand), Cardio Black and White (2010, ECG-inspired), Charcoal family (2010, crayon typefaces), Checkerboard (2010), Chinese Flowers (2008), Chiswick Press (2007), Chocolate Type (2011), ChrisGreen (2010), Calligraphia Latina (2010), Dough (2011), Electronic Alphabet (2011), Elo (2010), EstupidoEspezial1, EstupidoEspezial2 (2010, based on the Hoefler Swash variant of OCR_A), TokoFont, Clip People (2010), Clothes Pin Font, Compass Rose (2008), Coptic Letters (2010), Cubes, Cups, Cute Lolo Animals, Dark Herald (2011, Celtic caps), Dave's Glyphs, Design Images, Digital Auto Sampler, Drinking Scenes, Drinking Utensils, DunHuang Art, Eating Signs, EcoLeaf, Eduardo Recife, Eggs And Milk, Eroding Alphabet Italic (2010), Extra Initials, Extra Ornaments, Fantasy Butterflies, Fantasy Dragon FX, Fantasy Monster Skulls, Far Away Places Images, Festival Books Borders, Festival Books Initials, Festival Books Ornaments, Fire Letters, Fire Letters Cameo, Fire Letters Monospaced, Fire Letters Monospaced, Floral Initials, Florentine Initials, Florentine Initials Reverse, Flower Panels, Flower Panels Outline, Flower Vines, Fresh Fish, Funky (2010), Funny Numbers, Furore Mexican (2011), Futorisugi Face, Garden Nouveau Initials, Gill Canterbury Capitals (2011), Give me a break, Gothic Metal Initials, Goudy Initials, Graph Glyphs (2010), Halbfette Egyptienne (2008), Hat Dance Alpha, Haunted Initials (2010), Hellenic Sketch (2010), Hollandisch-Gothic (2008), Holly Alpha, Hula Ribbon, Hula Ribbon 2, Hula Ribbon1, Humanistic Alphabet 106 Italic (2011), Humanistic Alphabet 108 (2011, uncial), India Designs, Irina Batkova HRG (2010, based on Giger's paintings), Japanese Design Parts, Japanese Design Templates A, Japanese Design Templates B, Jugendstil A, Jugendstil B, Kelt Ornaments 1, Kelt Ornaments 2, Kleft Bold (2011, dot matrix face), Lichte Jonisch, Madeleine Shaded (2010), Mayan Affixes A, Mayan Affixes B, Mayan Main Signs A, Mayan Main Signs B, Mayan Profiles, Mc Call's Magazine, Metal Branches (2010), Mimbres Pottery, Moderne-Zelda (2010, after a Dan X. Solo alphabet), Moderne-Zelda Black, More Drinkings Scenes, Mostly Fish, Moto Bykes, Mythological&Fantastic I, Mythological&Fantastic II, Mythological&Fantastic III, Mythological&Fantastic IV, Mythological&Fantastic V, Mythological&Fantastic VI, Mythological&Fantastic VII, Native Designs-Mexico&Peru 1, Native Designs-Mexico&Peru 2, Native Designs-Mexico&Peru 3, New Music, Objects of Nature, Old English Images, Ondawall Versal (2011, Celtic), Panels&Frames, Parapam (2010), Pinto Inline (2010, +Speckled), Random Doodles, RangeMurata, Rankin-Initialen, Really Black Alphabet (2010), Robu Bold (2010), Rons Old Patterns, Rons Old Patterns Bare, Rosart Initials, Rustic Alphabet, Sacon Inititals, Saks (2010, bilined), Schmale Jonisch, Sea Shells of Nature, Shuttershock Vector Demo, Simple Alphabet, Simple China Images, Simple Doodles, Snails&Slugs, Softsquare, Some Guitars, Soviet Founders, Soviet Life Posters I, Soviet Life Posters II, Soviet Life Posters III, Soviet Life Posters IV, Soviet Propaganda Posters, Splish-Splash (2009), Strange Black Blobs, Tauba Auerbach, The Goetia, Tribal Dividers, Tribal Flames, ViaFaceDon Black, ViaFaceDon Black Hats, ViaFaceDon Outline, ViaFaceDon Speckled, Victorine (2010, Tuscan typeface), Viking Design A, Viking Design B, White Buttons Bold (2010), Wood Type Cheltenham Bold (2010), ZEart Designs, Zelek, Zelek Black, Zelek Boldline, Zelek Shadline.
Peruvian creator (b. 1984, Arequipa) at FontStruct in 2009 of Sencilla (+Cuadrada, +Morena), a family that covers Latin, Cyrillic, Extended Latin, Hebrew, Greek, Armenian, Coptic, Arabic, Thai, and Devanagari. At FontStruct in 2008, he made mercury and mercury_bold. At Cocijotype, he created the artsy Incan stone wall-inspired Quincha (2009), which according to this site is the first commercial font made in Peru. It won an award in the experimental category at Tipos Latinos 2010.
Chicha (2012) is a bouncy curvy layered set of typefaces published by Cocijotype. It is based upon Peruvian market signs.
Typefaces from 2018: Papaia (plumpish and curvy, with many dingbats). Winner at Tipos Latinos 2018 of a type design award for Papaia.
Douglas Lyle McCue Jr
At Shirley J. Rollinson's site in Portales, New Mexico, an archive with Greek, Coptic, Hebrew and dingbat fonts. A sampling: AWI105 (Amien World International), Alex, Altrussisch, AltrussischBold, AltrussischBoldItalic, AltrussischItalic, American-PresidentsSAMPLE, AngloSaxonRunes, AngloSaxonRunes1, AngloSaxonRunes2, Animals, Animals2, AntoniousJJencom, AntoniousJJencomHollow, AntoniousJJencomThin, AntoniousJJencomWide, AntoniousNormal, AntoniousNormalHollow, AntoniousNormalThin, AntoniousNormalWide, AntoniousOLOverLine, AntoniousOLOverLineHollow, AntoniousOLOverLineThin, AntoniousOLOverLineWide, Athenian, Athletes, BSTGreek, BSTHebrew, Basics, CU_SYMBL, CarrAnimalDingbats, CarrArrowsfilled, CarrArrowsoutline, CarrDingbats2, CarrDings, CelticPatterns, ChayaBold, ChemCycles, ChristianCrosses, ClassifiedDingbats, CommonBulletsNormal, Coptic-Regular, Coptic-Regular, CopticNormal, Dastafarin-Regular, Dingbat-Cats2, DivChem, DwarfRunes, DwarfRunes1, DwarfRunes2, Eggs, FOOD, Fabeldyr-2, Flower-Show, FontForFree, Futura-Thin, Futura-ThinItalic, GermanicRunes, GermanicRunes1, GermanicRunes2, GideonMedium, Grammata, Greek-Regular, Greek-Regular, Greek, GreekOldFace, GreekOldFaceC, HWGreek, Hebpar, Hebrew-Italic, Hebrew-Regular, Inter, Ismini, KirillicaWincyr, Kitchentile, KoineMedium, Koptos-Regular, Korinthus-Italic, Korinthus, Kur2siv-Italic, Lashon-Tov, Lavra-Plain, Linear-B, LudlowDingbats, MENA-1, Martin-Vogel's-Symbols, Medicine, MendelSiddurBold, MendelSiddurMW-Bold, Milan-Greek, MonitorNormal, New-Dingcats, Noam-New-Hebrew, NovaNormal, Novgorod-Plain, Ornaments, Paleo-Hebrew-NormalA, PecanSoncHebrew, Pni2na, Pointers, QuiltersDelight, RK-Meroitic-(Demotic), RK-Meroitic-(Hieroglyphics), RK-Meroitic-Transscript, RK-Persian-Cuneiform, RK-Sanskrit, RK-Ugaritic-Transscript, RK-Ugaritic, Rashi, Roman-Catholic, RuthFancy, SILDoulosIPA, SILGalatia, SILGalatiaBold, SILGalatiaExtras, SILGalatiaExtrasBold, SILManuscriptIPA, SILSophiaIPA, SPAchmim, SPDamascus, SPDoric, SPEdessa, SPEzra, SPIonic, SPTiberian, Sgreek-Fixed, Sgreek-Medium, ShalomOldStyle, ShalomOldStyle, ShalomScript, ShalomStick, ShebrewMedium, States, Statuer, Symbol-Accentuated, SymbolMW-Bold, SymbolMW-BoldItalic, SymbolMW-Italic, SymbolMW-Normal, TLHelpCyrillic, TattooNo1, TattooNo2, TimesNewRomanNavajo, TimesNewRomanNavajoBold, TimesNewRomanNavajoBoldItalic, TimesNewRomanNavajoItalic, TorahSofer, TransliterationItalic, Tzipporah, Ugarit, VintageDingbats, WarnSymbols1, WarnSymbols2, WarnSymbols3, WarnSymbols4, WarnSymbols5, YourKeys, ZapfDingbats, button_by_fanta, fantas-second, hebrew, persische-Keilschrift. [Google] [More] ⦿
El Circulo de Oro de Uresh-Nefer
Defunct hieroglyphics page by Antonio Hernández Marín. It had some downloadable fonts, including Trophos (Greek font by Carlos F. Gilardoni, 1994), Antonious (Greek, by Wisam Michael), Coptic, and TransliterationItalic (Egyptian transliteration font from Utrecht University). Old URL. [Google] [More] ⦿
Evertype (was: Everson Typography)
Elsewhere, one can find rare Everson creations such as Musgrave (1994).
MyFonts sells these typefaces:
His bio, in his own words: Michael Everson, based in Westport, Co. Mayo, is an expert in the writing systems of the world. He is active in supporting minority-language communities, especially in the fields of character standardization and internationalization. He is one of the co-authors of the Unicode Standard, and is a Contributing Editor and Irish National Representative to ISO/IEC JTC1/SC2/WG2, the committee responsible for the development and maintenance of the Universal Character Set. He is a linguist, typesetter, and font designer who has contributed to the encoding in of many scripts and characters. In 2005 and 2006 his work to encode the Balinese and N'Ko scripts was supported by UNESCO's Initiative B@bel programme. Michael received the Unicode "Bulldog" Award in 2000 for his technical contributions to the development and promotion of the Unicode Standard. Active in the area of practical implementations, Michael has created locale and language information for many languages, from support for Irish and the other Celtic langauges to the minority languages of Finland. In 2003 he was commissioned by the United Nations Development Programme to prepare a report on the computer locale requirements for Afghanistan, which was endorsed by the Ministry of Communications of the Afghan Transitional Islamic Administration. He prepared a number of fonts and keyboard layouts for Mac OS X 10.3 (Panther). Michael moved to Tucson, Arizona at the age of 12. He studied German, Spanish, and French for his B.A. at the University of Arizona (1985), and the History of Religions and Indo-European Linguistics for his M.A. at the University of California, Los Angeles (1988). He moved to Ireland in 1989, and was a Fulbright Scholar in the Faculty of Celtic Studies, University College Dublin (1991). In 2010, he made Timenhor, a Latin-script font whose glyphs are based on the uncial letterforms of Coptic manuscripts. Speaker at ATypI 2010 in Dublin. Speaker at ATypI 2011 in Reykjavik.
Suffolk, UK-based creator of many free typefaces. Designer of the free sans typefaces Smiley (2013, a hairline circle-based sans), Larke Sans (2013), Statement (2013), Formation Sans (2013) and Creativ Zoo (2013, +Serif), and the free serif typefaces Formation Serif (2013) and Edmundsbury Serif (2013), and its sans companion Edmundsbury (2013). As Cute As (2013) is a hand-drawn typeface.
Typefaces from 2014: Larke Neue (sans family), Explogos (a free organic sans typeface, and a 778-glyph commercial extension that covers, e.g., Greek and Cyrillic besides all Latin-based European languages), Squarea (squarish), Cirqua (circle-based sans), Chapaza (transitional text typeface, +Italic), Plateia (a sans typeface for Latin, Greek and Cyrillic), Coughy Machine, Kalypsa (free sans with 2300 glyphs and coverage of Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, IPA Extensions, Spacing Modifying Letters, Combining Diacritical Marks, Greek & Coptic, Cyrillic, Cyrillic Supplement, Latin Extended Additional, Greek Extended, General Punctuation, Superscripts & Subscripts, Currency Symbols, Letterlike Symbols, Number Forms, Mathematical Operators, Coptic), As Cute as Comic, UFont Sans Medium, Bedric's Worth, Pragma Sans, Bold As Cute As, As Cute As Comic.
Typefaces from 2015: Tretton, Baqacents (sic), Reformation Sans.
Typefaces from 2016: Tretton Serif, Qaranta Bold.
Typefaces from 2018: Calamity Wayne (a reverse-contrast slab serif for Latin, Greek and Cyrillic, inspired by the wild west French Clarendons and Italians of the late-1800s)
Fonts for Scholars
Cardo is a Unicode font under development by David J. Perry from Rye, New York. Covering European languages, as well as Hebrew, Greek/Coptic and Greek Extended, it is free for non-commercial use. He writes: "This font is my version of a typeface cut for the Renaissance printer Aldus Manutius and first used to print Pietro Bembo's book De Aetna. This font has been revived in modern times under several names (Bembo, Aetna, Aldine 401). I chose it mainly because it is a classic book face, suitable for scholarship, and also because it is easier to get various diacritics sized and positioned for legibility with this design than with some others. I added a set of Greek characters designed to harmonize well on the page with the Roman letters as well as many other characters useful to classicists and medievalists."
Four centuries of printing in the Irish character
Dead link. Brendan Leen (St Patrick's College, Drumcondra) writes about the early Irish alphabets. The preface goes as follows: Although the existing roman letter was officially sanctioned as the standard medium for the printing of Irish language documents in the early 1960s, the four preceding centuries had witnessed a rich tradition of printing in the Irish character. The origins of Irish character typography regress to the high standard of calligraphy achieved by the monastic scribes of the fifth century, and to the two discrete styles __ the half-uncial and the minuscule__ that emerged from the scriptorium to subsequently exert a defining influence on the design of Irish printing types. The full, rotund form of the half-uncial was typically used in the transcription of Latin tracts _____ notably, in the earliest known Irish manuscript, the Cathach, and, magisterially, in the Book of Kells. The Irish minuscule, a more angular form with a pronounced vertical emphasis, was often resorted to in manuscripts where vellum, and as a consequence space, would have been premium, and normally for the transcription of Irish as opposed to Latin texts. Although mostly in Latin, early texts in which the Irish minuscule hand appears include the Book of Armagh and the Book of Leinster. [Google] [More] ⦿
A list of free Coptic fonts made in 2001: Athanasius-Plain, CopticGregor (by Dirk Van Damme and Gregor Wurst, 1994), AvvaShenoudaNormal (owned by Coptic Orthodox Church in New Jersey), Koptos-Regular (or WinGreek Coptic by Peter J. Gentry, 1992), AvvaMarcosNormal (owned by Coptic Orthodox Church in New Jersey), MENA-1, SPAchmim (Scholars Press), Nopher (Michael Wisam), Pishoi (Michael Wisam). [Google] [More] ⦿
Gary S. Dykes made 21 free public domain truetype fonts for Roman, Greek, Hebrew, Syriac (2002), Coptic, Ugaritic, Sabaean, Aramaic, including a beautiful Greek Minuscule font: Aram44, BLDGrk.ttf (2000), Coptic44 (2000, for all Sahidic and Bohairic typography), DISP_44 (2002), G100XTRA (2002), Greek44 (1997-2002), GARYS (2002, a blackletter font), GoudyHundred (2001, based on Stephen Moye's version of Goudy's Bertham), Goudy_B (2002), Goudy_IT_BD (2002), Goudy_It (2000), Greek44s (2002, has some Byzantine glyphs), HEB44a (2003), HEB44b, HEB44c, HEB44d, MINU44a (2003), MINU44b (2003), My_XTRA (2002), SABAEN44 (2002), Syriac44 (2001, for Estrangelo), Ugar_44 (2001). Some of the fonts are under the label "Fraktur Fonts". [Google] [More] ⦿
GNU Freefont (or: Free UCS Outline Fonts)
The GNU Freefont is continuously being updated to become a large useful Unicode monster. GNU FreeFont is a free family of scalable outline fonts, suitable for general use on computers and for desktop publishing. It is Unicode-encoded for compatability with all modern operating systems. There are serif, Sans and Mono subfamilies. Also called the "Free UCS Outline Fonts", this project is part of the larger Free Software Foundation. The original head honcho was Primoz Peterlin, the coordinator at the Institute of Biophysics of the University of Ljubljana, Slovenia. In 2008, Steve White (aka Stevan White) took over.
From the University of the Aegean, Diomidis Spinellis's Greek/Coptic site with his free tool Grconv: "Grconv converts between a large number of character sets, transcription, and transliteration methods that are used to represent Greek text. In addition, it supports a number of encodings used to represent those character sets in different environments. Grconv reads the file(s) specified in its command line printing the converted results on its standard output, or runs as a filter, reading text from its standard input printing the converted result on its standard output; the redirection operator can be used to write to files." [Google] [More] ⦿
Hans van den Berg
New Jersey native who lives in San Francisco. He states: "Over the years I've had the good fortune to be very involved with photolettering and type design. In the 1980's I set headlines, letter by letter by letter, on a VGC Typositor at Phil's Photolettering in Washington DC. The desktop computer quickly destroyed that entire industry, and that is how I became involved with computer graphics. In the early 1990s, I designed type for FontBank, and consulted for several other type companies, including Microsoft and Galoob Toys. It's nearly impossible to make a living in type design these days, as the industry was basically done in by a combination of legal precedents and rampant piracy. Having worked on "conventional" / Wester / Roman fonts for so long, I've acquired a preference for unusual or obscure fonts or alphabets. I am always available for type design work or consulting." His designs (not downloadable) include Coptic Chelt, Fruthrak Sans, Ojibway Futurae, Cyrillic-Helv-Flash-8pt, KTR-katakana10, Celestia, Daggers, Enochian Times and Nugsoth. [Google] [More] ⦿
This site was active from ca. 1990-2010. It said: The Centre for Computer-aided Egyptological Research (CCER) at Utrecht University in The Netherlands specializes in matters related to the application of computers in Egyptology. At CCER, find the 200 USD Extended Library, a hieroglyphic computer font of more than 4700 signs for use with both hieroglyphic text processing programmes Glyph for Windows and MacScribe. Type 1 (PC, Mac) or TrueType (PC). The book Hieroglyphica covers ober 6900 glyphs, all shown on the web page.
In 2012, CCER closed. Professor Dirk van den Plas writes: Dear colleagues and friends of the CCER. The team of the Centre of Computer-aided Egyptological Research (CCER, Utrecht University) has developed pioneering and useful computing tools and international projects for Egyptological research since 1990 (among other things Manual de Codage, Multilingual Egyptological Thesaurus, Glyph for Windows & Extended Library, Coffin Texts Word Index, Egyptian Treasures in Europe, Global Egyptian Museum). The CCER was the driving force of the group Informatique & Egyptologie and the Horssen Meetings. CCER inspired Egyptological scholars, students and institutions to make use of these upcoming new ICT tools and helped them to implement them. Now 20 years after the founding of CCER it is time to accept that CCER has become part of history and that the well-known CCER site must switch to another life and a new concept. Some years ago it appeared that there was no future for CCER in the Netherlands. Besides its director retired. Therefore I have decided to stop finally also the shop of the site www.ccer.nl by the end of 2010. I'll transmit by then the site and all rights to my former assistant Hans van den Berg. He was my gifted and much appreciated during many years. He would like to use this site to record the history of Computing & Egyptology. He will continue and maintain some useful tools for Egyptology on this site as well. I would like to thank all colleagues, assistants and friends for the collaboration and confidence during those pioneering years, Dirk van der Plas
Russian company which sells CDs with ornaments (not in font format though) designed by Dubina Nikolay. There is also a free font archive. All fonts designed or co-designed by Dubina Nikolay, and most are Cyrillizations of well-known Latin fonts. A partial list: AirportCyr, Anarchy-Normal, BMspiralCapCyr, BMstampCyr-Normal, CranberryCyr, DPix_8pt, DS-Diploma-Bold, DS-Diploma, DSArabic, DSArmyCyr, DSAyaks-Normal, DSBroadBrush, DSBrushes-Normal, DSCenturyCapitals, DSComedyCyrBold, DSCoptic, DSCrystal, DSCyrillic, DSDiploma-Bold-Outline-DBL, DSDiplomaArt-Bold, DSDots-Medium, DSDownCyr, DSEraser2, DSEraserCyr, DSFlashSerif, DSGoose, DSGreece, DSHiline, DSIzmir-Normal, DSJapanCyr--Normal, DSJugendSCDemo, DSKolovrat, DSKork, DSMechanicalBold, DSMoster, DSMotionDemo-Italic, DSMotterStyle, DSNarrow-Extra-condensedMedium, DSNote, DSNova-Black, DSOlymPix, DSPoddCyrLight, DSPoster, DSPosterPen, DSProgress-SemiBold, DSQuadro-Black, DSRabbit-Medium, DSRada, DSRada_Double, DSReckoningCyr, DSRussiaDemo, DSSharper, DSSholom-Medium, DSShowBill, DSSofachrome-Italic, DSSonOf-Black, DSStain, DSStampCyr, DSStamper, DSStandartCyr, DSSupervixenCyr, DSThompson, DSUncialFunnyHand-Medium, DSUstavHand, DSVTCoronaCyr, DSVanish-Medium, DSYermak_D, DSZombieCyr, DS_Cosmo-Semi-expandedSemiBold, DefWriter|BASECyr, DisneyPark, Eh_cyr, Etude, Frant-Bold, InavelTetkaCyr, Matrix_vs_Miltown, MicroTech, MisirlouCyr, Nadejda-Bold, NewDeli, PixelCyr-Normal, QuakeCyr, Runic, RunicAlt, RunicAltNo, Scrawl, SeedsCyr-Medium, StillTimeCyr, Stylo-Bold, ZrnicCyr-Normal, hooge05_55Cyr2, supercarcyr. [Google] [More] ⦿
Jack's Scribal and Epigraphic Fonts
Houston's Jack Kilmon designed many archaic and epigraphic TrueType fonts. Free for academics. His site also has an archive of some fonts by Reinhold Kainhofer (RK Ancient Fonts), and some Coptic, Hebrew, Hieroglyphic and Greek fonts. A list of his creations: Early Phoenician (8th century BC), Moabite/Mesha Stele Epigraphic, Lachish Ostraca Cursive Palaeohebrew, Elephantine Papyrus Cursive, Jack's Early Aramaic (10th c. BCE), Nabataean Aramaic, Jack's Samaritan, Jack's Siloam Inscription, Jack's Dead Sea Scroll Scribal (or DSS Scribal) (based on Great Isaiah Scroll), Jack's Habakkuk Scribal (based on Pesher Habakkuk), Jack's Meissner Papyrus Cursive, Dead Sea Scroll Scribal, Latin Epigraphic, Roman Rustica (Capitalis Rustica), Latin bookhand from 1st to 6th century, C. Sinaiticus Uncial Greek, Early Greek Epigraphic, Greek Minuscule with Ligatures, Carolingian Minuscule, Insular Minuscule, early Gothic, Gothic Textura Quadrata, C. Sinaiticus Uncial Greek, Early Greek Epigraphic, Greek Minuscule with Ligatures, Jack's Etruscan. Essay on the history of writing. And an archive of Greek, Coptic, Hebrew and hieroglyphic fonts.
Dafont link. Marc Smith is not kind in his critique of Kilmon, who he calls an amateur (page 65). He deplores (page 69) that most letters, o, b, p and y included, have the same height in Kilmon's work. [Google] [More] ⦿
Scottish scholar (1573-1620) who in 1616 in Roma published The Virga Aurea---Seventy-two magical and other related alphabets. The Virga Aurea was published as a large engraving. The engraving consists of a listing in four columns of the 72 alphabets, which include various Latin and Greek alphabets, as well as Hebrew, Arabic, Etruscan, Assyrian, Armenian, Gothic, Scythian, Scottish, Hibernian, Coptic and Chaldaic. [Google] [More] ⦿
Alternate URL. Archive: Altrussisch, Altrussisch-Bold, Altrussisch-BoldItalic, Altrussisch-Italic, Web-Hebrew-AD, BSTGreek, BSTHebrew, Coptic-Normal, Web-Hebrew-Monospace, Cyrillic, Cyrillic-Bold-Italic, Cyrillic-Bold, Cyrillic-Normal-Italic, DSS-Scribal-Normal, Elephantine-Aramaic, Etruscan-Epigraphic-Normal, Netextmo, Netextpro, Greek, Hebrew, IluInternet, Koine-Medium, l562-Minuscule-Normal, Lachish-Bold, Latin-Uncial-Normal, Linear-B, Nippur-Sans-Regular, Macedonian-Ancient, Meroitic---Demotic, Meroitic---Hieroglyphics, Nabataean-Aramaic, Nahkt, Paleo-Hebrew-NormalA, Phoinike, Qumran, RD-Akkadian1, RK-Ugaritic-Transscript, Rashi, SPAchmim, SPAtlantis, SPDamascus, SPEdessa, SPEzra, SPIonic, SPTiberian, Schwaben-Alt-Bold, Sinaiticus-Greek-Uncial, Sorawin-Plain, Ugarit. [Google] [More] ⦿
Juan-José Marcos García
In 1675, Colbert invites the Acadé'mie des Sciences to make a grand study of all machines used in the arts. In 1696, l'abbé Jaugeon obliges with a study entitled "Etude des Arts de construire les caractères, de graver les poinçons de lettres, d'imprimer les lettres". From 1692 on, Jaugeon created a mathematical/geometric theory of letters, all inscribed in a 48 by 48 grid (for upper case) or a 16 by 48 grid (lower case). This gridding was to lead to the type style associated with Louis XIV, the Grandjean. Fast forward 200 years to Arthur Christian, director of the Imprimerie Nationale from 1895 until 1906, who wanted to prove that Jaugeon's ideas were also esthetically justified by asking Hénaffe (official punchcutter of the Imprimerie, b. Paris 1857, d. Paris 1921) to precisely reproduce Jaugeon's designs (which he did in 1904). The resulting typeface is called Jaugeon or Hénaffe. This page describes more of his work for the Imprimerie Nationale, such as a Telugu set of punches (1901), a Coptic set (called "memphitique"), a Palmyrian set (1899), a Thai set (1903), and a "gothique Christian" type (1902). [Google] [More] ⦿
Designer of the remarkable free display typeface Alanesiana (2017)C: Alanesiana is a font created in accordance with the idea to read the text in a slightly insecure form, and supports exactly 5650 characters. Each character has its own character, looks different from the rest, but all are made in a similar style and have a similar thickness, so the text still looks consistent, making it perfect for longer texts as opposed to many other decorative fonts that tire the reader. What is important Alanesiana supports not only Latin alphabet but also Cyrillic, Greek, Hebrew, Armenian, Georgian and phonetic and mathematical symbols as well as some emoticons and other symbols, alphabets such as Coptic. [Google] [More] ⦿
A resident of Aulnay-sous-Bois, he specializes in scientific typefaces. Laurent lives in Scherwiller, France. He is a freelance graphic and type designer who is working at Porchez's foundry in Sèvres. Graduate of Ecole Estienne in 2006, where his thesis was entitled Gothiques et XXe siècle. Création, propagande, détournement. In 2008, he cofounded Typographies.fr with Jonathan Perez in Paris. His typefaces:
FontStructor who made the squarish typeface Leafy (2011). With over 1600 glyphs, it covers Basic Latin, More Latin, Extended Latin B, Extended Latin A, Greek and Coptic, Cyrillic, Katakana, Hangul, Georgian, Bopomofo, Even More Latin. [Google] [More] ⦿
Europe's largest independent foreign language font developer for the Macintosh, which is directed by Sebastian Kempgen from Germany. Fonts include: Western Languages (CoreFont series), Eastern Europe (CE-Font series), Cyrillic (Professional series: RomanCyrillic Pro, Ladoga Pro etc. (text fonts); DEsign fonts: Faktor, Inessa Cyr etc. (headline, handwriting); Olliffe Fonts: Batumi, Schechtel, Russian Open (display type; example: Mashinka); Scientific Cyrillic (includes old orthography, accents, old characters); Old Church Slavonic (Cyrillic and Glagolitic, Square and Round); Non-Slavic Cyrillic: Roman CyrTurk, Ladoga CyrTurk), Greek (Modern Greek and Classical Greek (Agora and Parmenides)), Icelandic&Faeroese (PolarFont series), Irish&Welsh (Gaelic, Celtic in the CeltoFont series), Romanian (DacoFont series), Turkish (TurkoFont series), BalkanFont series (Hungarian, Romanian, Turkish, Azerbaijani, Maltese), Basque (BaskoFont series), Saami (SamoFont series), Georgian, Armenian, Coptic (such as the Pachomius font), Cuneiform, Sabean, SinoFont series for Vietnamese plus more or Chinese (Pinyin) transliteration, phonetic Fonts (Trubetzkoy&Phonetica), Transliteration Fonts. Some of its fonts (like Campus Ten/Twelve and Magister Book) are now sold through Agfa/Monotype.
Names of some fonts: Breitkopf Fraktur, Campus Sans, CampusRoman Pro, CampusSans Block, Dareios, Faktor, Glagol Pro, Inessa, Konkret, Kronstadt, Marib, Method, Moskva Pro, Parmenides, Retrograd, Tafelkreide, Tatlin, Trubetzkoy. [Google] [More] ⦿
Designer of a public domain Unicode font in 2005 called MPH 2B Damase. It can be found here. Created by Mark Williamson, it covers Armenian, Cherokee, Coptic (Bohairic subset), Cypriot Syllabary, Cyrillic (Russian and other Slavic languages), Deseret, Georgian (Asomtavruli and Nuskhuri but no Mkhedruli), Glagolitic, Gothic, Greek (including Coptic characters), Hebrew, Latin, Limbu, Linear B (partial coverage of ideograms and syllabary), Old Italic, Old Persian cuneiform, Osmanya, Phoenician, Shavian, Syloti Nagri (no conjuncts), Tai Le (no combining tone marks), Thaana, Tifinagh, Ugaritic, Vietnamese. See also here. The font is used by the popular Debian Linux software. Mark Williamson also designed a free fonts for Osmanya, Ugaritic and Shavian called Andagii (2003). His Penuturesu covers Linear B.
Mark contributed to the GNU Freefont project, which used these ranges:
American designer who created the pictograph font PROTObyte (2004), which contains dingbats from Linear B, Indus Valley Script, Snake River, Cretan, Elamite, Iberian and Coptic. He also made Glitch Millennium Serif (2004). [Google] [More] ⦿
Austrian designer of Palm fonts: for Greek: Helbetike, HelbetikeNarrow, Britannike and BritannikeBold. For Hebrew, his Palm fints include EnGedi and BeerSchebar. Finally, he created Makarios (Coptic), and Narrow (a slightly modified version of Narrowfont by Michael Nordström (firstname.lastname@example.org) and Robert O'Connor (email@example.com)). Home page. [Google] [More] ⦿
Moheb Mekhaiel reencoded various free Coptic fonts in 2009 to comply with a so-called Coptic standard. These are freely available from the Free Software Foundation (see also here: FreeSerifAthanasius, FreeSerifAvvaShenouda, FreeSerifCopt, FreeSerifCopticMS, FreeSerifCoptoMS, FreeSerifKoptosMS, FreeSerifPishoi, edrakon_-_FreeSerif. He also mentions other possible free Coptic Unicode fonts: GNU FreeSerif, TITUS Cyberbit, New Athena Unicode, MPH2B Damase, Arial Coptic, Quivira, Analecta. [Google] [More] ⦿
Monotype sells fonts for the following languages: Amharic, Aksara Kaganga, Arabic, Armenian, Balinese, Burmese, Cambodian, Chinese, Coptic, Devanagari (Hindi/Marathi/Nepali), Farsi, Georgian, Glagolitic, Gujerathi, Gurmukhi (Punjabi), Hebrew, Japanese, Javanese, Jawi, Kannada, Korean, Laotian, Lontarak, Malayalam, Old Bulgarian, Oriya, Pushto, Sindhi, Sinhalese, Surat Pustaha, Syriac, Tamil, Telugu, Thai, Urdu, Vietnamese. [Google] [More] ⦿
A zip file with these Coptic fonts: AntoniousJ-Jencom, AntoniousJ-Jencom-Hollow, AntoniousJ-Jencom-Thin, AntoniousJ-Jencom-Wide, Antonious-Normal, Antonious-Normal-Hollow, Antonious-Normal-Thin, Antonious-Normal-Wide, AntoniousOL-OverLine, AntoniousOL-OverLine-Hollow, AntoniousOL-OverLine-Thin, AntoniousOL-OverLine-Wide, Athanasius-Plain, Avva_Bishoy-Normal, Avva_Kyrillos-Normal, Avva_Marcos-Normal, AvvaMarkos-Normal, Avva_Shenouda-Normal, Avva_Shenouda-Normal, Bishop-Tadros-Coptic-Font, COPT, CS-Avva-Shenouda, CS-Copt, CS-Coptic-Manuscript-Normal, CS-Copto-Manuscript-Normal, CS-Koptos-Manuscript, CS-New-Athanasius, CS-Pishoi, Coptic1, Coptic-Regular, Coptic-Bold, Coptic-Normal, CopticII-Normal, Coptonew, Faith-Ornaments, Koptos-Regular, MENA-1, New-Athanasius-Plain, Nopher, Pishoi, Pope-Shenouda-III-Coptic-Font, SPAchmim, SaintAbraham-Normal, SaintGeorges-Normal, Saint_Marina-Normal. [Google] [More] ⦿
Creator of the classic Germanic blackletter hand simply called Blackletter Hand (2014). It has elements of Suetterlin.
Creator of Cyanotype (2014) and EngineerHand (2014), both engineering or architect draftsman scripts.
In 2014, he created an irregular handwriting font, Saucy Jack, and wrote: A true Victorian handwriting font. Don't use the Jane Austen font to emulate Victorian or later handwriting; by the Victorian era, the pen had been invented and people no longer used quills like Miss Austen did. This was very obviously written with an actual pen rather than with a dipper, quill or biro; it comes from a letter purportedly written by the famous Englishman, Mr John D. Rypper. It is suited to any period ranging from the invention of the pen (1830) to the popularity of the biro (1965). Ron's Font (2014, in a style not unlike hat of Jack Kerouac or Hunter Thompson) and Nick's Font (2014) emulate irregular handwriting as well.
Station (2014) is an all-caps sans typeface based on the font used in Toronto's subway stations.
DN Titling (2014) is an ultra-compressed font based on the titling used in the pop-psychology textbook Dianetics: The Modern Science of Mental Health.
He designed the following Greek / Coptic fonts in 2014: Antonios-B, Antonios-D, Athanasius-B, Athanasius-D, Copt-A, Copt-B, Copt-D, Coptic-A, Coptic-B, Mina-A, Mina-B, Shenouda-A, Shenouda-D.
In 2015, he published Draughtsman, an internationally standardized typeface for Latin, Greek and Curillic for labelling architectural and engineering blueprints, as found in the GOST standard 2.304-81.
Great links page maintained by Reinhard G. Lehmann (Lecturer for Classical Hebrew and Old Aramaic, Johannes-Gutenberg Universitaet Mainz) with links related to Hebrew, old Aramaic, Greek, Coptic, old Syrian, Ugaritic and Phoenician. [Google] [More] ⦿
Russian type 1 archive: AgitProp-Medium, AirportCyr, CranberryCyr, DSCenturyCapitals, DSCoptic, DSCrystal, DSEraser2, DSGoose, DSGreece, DSKork, DSMechanicalBold, DSMoster, DSNarrow-Extra-condensedMedium, DSNote, DSPixelCyr, DSPoster, Galaxy, Macaroni, Prospect, hooge05_55Cyr. [Google] [More] ⦿
Paleofonts V. 2
Vasil Gligorov from Skopje, Macedonia, has a 16MB file with almost 300 truetype fonts that represent 30 ancient scripts: Luwian, Ugaritic, Aramaic, Runic, Syriac, Glagolitic, OCS Cyrillic, Persian Cuneiform, Egyptian Hieroglyphs, Demotic, Linear A (Complex signs), Linear B, Proto-Greek, Ancient and Medieval Greek, Ancient and Medieval Latin, Gothic, Etruscan, Oscan, Phoenician, Galilean, Celto-Iberian, Coptic, Meroitic, Cypriot, Vina, Ancient Hebrew, Samaritan, Sanskrit, Ugaritic, Manichean, Ogham, Umbrian, Asomtavruli Mrglovani, Siloam type-Inscription. Alternate URL. [Google] [More] ⦿
rzy-- SD Fonts
From Espoo, Finland, Ritzy Spacedweller's free fonts: Digeria-Normal, DJ-Gross, Donnie, Speedlearn-Normal, 02760, 3X3, 80's-Cyberpunk-Revival, AlSabro, Almanacques, Aranea, Bored-Schoolboy, Brainless-Thoughts, Clauderosa, Confusion, Coptica, Crying-Star, Daville, Dempsey-Modern-Uncial, Denial (this Exocet-related family from 2000 is also here), Empiric, End-of-Path, Fasttracker-II, Finnish-Rock-Paintings, Fire-Of-Ysgard, Ghis-Ghis, Glue-Klinging-Klan, Gothic-Bozo, Handshake, Helena-Script, Hic-Habitat-Minotaurus, Izolation, L'Elf Noir du Mal, Loving-Babes, Ludovicos, Metropoliz, Paganspace, Painfull-Misery, Paolo, Paternoster-AH, Professor-Mad, Progressiva, Reubalach, Rumble-Dumble, Sailor-'87, Scrawl, Scrypticali (2001), Seabreed, Silent-Hill-of-Cheryl, Slouch..., Swelled-Computer, Tagster, Times-UnXpected, Xenith, XenoArial, Dwarven-Stonecraft. Most fonts have only caps. Many have an "ancient" flavor.
The Scholars Press Fonts are public domain fonts that are designed to work on both Windows computers and Macs. Fonts for Hebrew, Greek, Syriac, Coptic, and Semitic-language transliteration. (Mac and Windows): SPEzra (fixed width Hebrew/Aramaic, 1998) and SPTiberian (Hebrew/Aramaic), SPIonic (Greek, see also here), SPEdessa (Syriac), SPDoric (1999, uncial Greek), SPAchmim (Coptic), SPDamascus (Hebrew, 1998), SPCaesarea (dingbats, 1998), and SPAtlantis (transliteration). All fonts by Jimmy Adair. He states: "Patrick Durusau, formerly my colleague in crime at Scholars Press and now with the Society of Biblical Literature, was instrumental in the design and disseminatation of the SP fonts." FTP access. Truetype archive. See also here. fontspace link. [Google] [More] ⦿
French creator of a hieroglyphic and a Coptic metafont. He also developed the free Open Source hieroglyphic editor JSesh. JSesh is a word processor for ancient Egyptian hieroglyphic texts. Designer of Egypto Serif, a rather complete font based on DejaVu. [Google] [More] ⦿
SIAS (or: Signographical Institute Andreas Stötzner)
Andreas Stötzner (b. 1965, Leipzig) is a type designer who lives in Pegau, Saxony. Graduate from the Hochschule für Grafik und Buchkunst Leipzig and the Royal College of Art in London (1994). Since then, free-lance. Started making typefaces in 1997. He edits the sign and symbol magazine Signa. He spoke at Typo Berlin 2004 and at ATypI 2005 in Helsinki where his talk was entitled On the edges of the alphabet. Coauthor with Tilo Richter of Signographie : Entwurf einer Lehre des graphischen Zeichens. He set up SIAS in 2006-2007 and started selling fonts through MyFonts.
He created Andron Scriptor (2004, free), with original ideas for Greek and Cyrillic alphabets. The Andron project intends to extend this Venetian text typeface in many directions: right now, it covers Latin, Greek, Coptic, Gothic, runes, Cyrillic, Etruscan and Irish scripts, musical symbols, astronomical and meteorological symbols, and many dingbats. The Andron MC Corpus series (2012) contains Uncial, Mediaeval and Capital styles. He also created Andron 1 Monetary (2014), Andron 1 Alchemical and Andron 2 ABC (2014, for children's literature).
On or before 2006, he created a few typefaces for Elsner & Flake. These include EF Beautilities, EF Ornamental Rules, EF Squares, EF Topographicals, EF Typoflorals, EF Typographicals, EF Typomix, EF Typosigns, EF Typospecs, EF Typostuff.
Fonts from 2007-2010: Gramma (2007, three dingbats with basic geometric forms), Andron Corpus Publix (2007, dingbats including one called Transport), SIAS Freefont (2007, more dingbats), SIAS Lineaturen (2007, geometric dingbats) SIAS Symbols (2009), Andron Freefont (2009, text font), Andron 1 Latin Corpus (2009), Andron 1 Greek Corpus (2009), Andron Kyrillisch (2009, consisting of Andron 1 CYR, Andron 2 CYR and Andron 2 SRB where SRB stands for Serbian), Andron 2 English Corpus (2010, blackletter-inspired alphabet), Andron 2 Deutsch Corpus (2010), Andron Ornamente (2012), Reinstaedt (2009, blackletter family), Crisis (2009, economic sans).
Lapidaria (2010) is an elegant art deco sans family that includes an uncial style and covers Greek. Hibernica (2010) is a Celtic variant of Lapidaria. Symbojet Bold (2010) is a combination of a Latin and Greek sans typeface with 400 pictograms.
Rosenbaum (2012) is a festive blackletter face, obtained by mixing in didone elements.
In 2013, he published Arthur Cabinet, a six-style inline art deco caps collection of typefaces, with accompanying Arthur Ornaments and Arthur Sans. Meanwhile, Andron Mega grew to 14,700 unicode glyphs in 2013.
Typefaces from 2014: Behrens Ornaments (art nouveau ornaments based on Behrens Schuck by Peter Behrens, 1914), Fehlian (an open capitals typeface family with Plain, Gravur and Precious styles), Happy Maggie (a hand-drawn script based on Maggie's sketches when she was 13 years old), Abendschroth (for lullabies, girl's literature, murder poems, short stories and Christmas gift books), Abendschroth Scriptive, Albyona English No. 1 (as Andreas writes, suitable for children's books, fantasy literature, crime novels, natural food packaging and poison labeling, for infancy memories, vanitas kitsch items, dungeon museum bar menu cards, introductions to herbalism and witchcraft manuals), Lindau (a Venetian Jensonian typeface with considerable flaring in the ascenders), Grund (based on the 1924 art deco signage in Leipzig's Untergrundmesshalle Markt whose architect was Otto Droge), Leipziger Ornamente (based on variopus buildings in Gohlis, Leipzig, dating from the 1920s-1950s), Kaukasia Albanisch (ancient writing system of the Caucasus region, allegedly created by Mesrop Mashtots who also invented the Armenian alphabet in 405).
Commissioned fonts include Runes (commission by Ludwig Maximilian University Munich), Lapidaria Menotec, Old Albanian, Dania (a special notation for Danish dialectology. Font extension of Latin Modern Italic (Open source), commissioned by the Arnamagnanean Institute, Copenhagen Universit).
Typefaces from 2016: Popelka (an uncial fairy tale font modeled after the opening sequence of the 1973 movie Drei Haselnüsse für Aschenbrödel).
Simeon out West Foundry
Brett T. Johnson (b. Loveland, CO, 1972) runs Simeon out West Foundry in Englewood, CO. He sells fonts based on ideas from Byzantine, Ge'ez and old slavonic scripts, and Eastern Orthodox manuscripts. Brett Johnson was born in Loveland, CO, in 1972. The creations: Typewriter Olympia SM8 (2016, based on old Olympia SM and SF typewriters fromthe 50s and 60s), Radonezh (2016, old Slavonic simulation font family), Simeon's Handwritten Blackletter (2008), Pseudo-Hellenic (2008, a Greek and Latin didone pair), Tiblisi (2008, a Georgian simulation face), Pentopolis (2008, based on an ancient Coptic script), Svati Sava (2008, a Serb-look font), Muscovite Manuscript (2005), Pravoslavnie (2005), Alexandria (2005), Alaskaya (2006), Svati Nikolai (2005), Thebes (2005), Suzdal (2005), Kniga Molitva (2005), Vladimir (2005), Scetis (2005), Adis Ababa (2008). Colonial Press (+Italic) (2008) is based on work by William Caslon I (1692-1766). Klingspor link. [Google] [MyFonts] [More] ⦿
Download some fonts and font utilities. Includes akFontViewer 3.0 (Windows font viewer), amviewer (Arjan Mels' Font Viewer), Crossfont 1.4, Font Namer v2.3, Win32 Font Lister, Fontab 1.8 (font viewer), FontC, FontChart 2.1, FontCP 1.0 (sorts truetype fonts by kind), FontFinder32 v5.30, Font Impressions 2.0 (font manager), Fontlook 3.5, Fontmagic 1.0 (previewing, installing), Fontpeeper 3.2, Fontrax 2000, Hellod (font decoration tool for web pages), JobSpecific32 v2.01 (Postscript font assigner), MyFonts v3.5, ADing ParkFont v1.00 (font resources manager), Phontz (font viewer), Symsel2 (select symbols from truetype fonts), ttr_1000 (truetype font renamer), Visi Font Gold v1.1 (font viewer). Also has a Burnmese font, a Coptic font (Mena), and fifteen fonts from GraphxEdge. [Google] [More] ⦿
Dead link for Cyrillic and Old Slavonic font sources. Downloads included ALBXHRNormal (1994, I.M. Grhgorioy), Altrussisch, AltrussischBold, AltrussischBoldItalic, AltrussischItalic, Bukvica (1999, URW), Byzantine (2005), Constantin (1994, L. Jake Jacobson/Slavic/University of Pittsburgh), ConstantinBold, ConstantinItalic, DSCoptic (2000, Dubina Nikolay), DSCyrillic (1999, Dubina Nikolay), DSRussiaDemo (1999, Dubina Nikolay), DSUstavHand (1999, Dubina Nikolay), DSYermak_D (2000, Dubina Nikolay), Evangelje-Plain (1995), FaithOrnaments (1994, religious dingbats by Proclaim Communications, Inc), HellasSouv (1994, I.M. Grhgorioy), KALIGRAFIKA (1997, I.M. Grhgorioy), KirillicaWincyr, Knyazcyr, LCBagira, Lavra-Plain, Methodius (1994, L. Jake Jacobson), MtAthos, NB-Byzantine-NB (1999, Nikolaos), Neobyzantine, Nestor-Condensed, Nestor (1999, V. Romanov, Moscow), Novgorod-Plain, OldChurchSlavonicCyr, OldChurchSlavonicGla, OrnamentTM (1993, Type Market Ltd. Moscow), OrnamentTT (1994 by Dmitry Komissarov, ParaGraph), OrthodoxOrnament (1997-2000, Solovetsky Monastery), PigraphBTT (1994 by Dmitry Komissarov, ParaGraph), Prosphora (2005, religious dingbats by Nikita Simmons), Saltan (2005), TitusAsomtavruliMrglovani (2000, Jogi Weichware, Frankfurt), TitusAsomtavruliNuskhuri, TitusNuskhaKhutsuri, TitusOldGeorgian, Triod, UB-Byzantine-Italic (1996, Unibrain S.A.), UB-Byzantine, Ukrdings (2004, Ukrainian dingbats), VityazCyr (1999), WP-CyrillicA, WP-CyrillicB. [Google] [More] ⦿
The Greek New Testament Gateway: Fonts
After the Louvain type, the second true Irish type, cast in 1638 in Rome at the College of Saint Isidore. View a sample of its use in Lochrann na gCreidmheach by Fr. Francis O Molloy here. Brendan Leen writes about it: "Not dissimilar to the Louvain type, the Rome Irish type nonetheless represents a marked improvement on its predecessor. The letters have sloughed all of the vestiges of the ligature; now, they compose in a more vertical and distinct manner on the page. [...] On a "visit" to Italy in the early nineteenth century, Napoleon requisitioned the Rome Irish type for the National Print Museum of the Republic, the Imprimerie Nationale. The type was used by the Paris printer J.J. Marcel in the 1804 production of Alphabet Irlandais. [...] The Rome Irish type had been just one of an array of exotic punches pillaged in Italy and transported to the Imprimerie at the beginning of 1801; in an effort to obtain from the Propaganda samples of a range of foreign letters to complete the magnificent Paris collection, boxes of Arabic, Armenian, Brahmanic, Chaldaic, Coptic, Hebrew, Georgian, German Greek, Irish, Illyrian, Indian, Malabar, Persian, Ruthenian, Syriac and Tibetan had been unceremoniously looted and shipped northward. Ultimately, the original punches and matrices of the Rome Irish type were returned under threat of violence by the commissioners of the Tuscan Government." [Google] [More] ⦿
Aka Rursus, this Swedish viking calls himself a nerd and a cyber vagabond---exactly my kind of guy! Designer of the slab typewriter font for Latin and Cyrillic called Rursus Compact Mono (2007-2010), an Open Font Library font that covers everything under the sun: Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, IPA Extensions, Spacing Modifier Letters, Combining Diacritical Marks, Greek and Coptic, Cyrillic, Cyrillic Supplement, Armenian, Arabic, Runic, Phonetic Extensions, Phonetic Extensions Supplement, Latin Extended Additional, Greek Extended, General Punctuation, Superscripts and Subscripts, Currency Symbols, Number Forms, Arrows, Mathematical Operators, Miscellaneous Technical, Optical Character Recognition, Enclosed Alphanumerics, Geometric Shapes, Miscellaneous Symbols, Miscellaneous Mathematical Symbols-A, Latin Extended-C, Lycian, Carian, Old Italic, Gothic, Phoenician. [Google] [More] ⦿
Douglas Lyle McCue Jr (typO969) created some free and some commercial fonts: Coptic Sahidic, Douglas Hand, Engletan, Systema Encéphale, VAST Nude, Edgar A Poe Hand, Hebrish, James Douglas Morrison Hand (2004), Sterces, Wulfila S-type. Dafont link. [Google] [More] ⦿
French foundry, est. 2008, by Jonathan Perez and Laurent Bourcellier. Graduates from the Ecole Estienne in Paris, they have made the following fonts:
Tamagotchi, or Umbreon 126, made several fonts with the aid of FontStruct in 2012 and 2013. These include pixel typefaces (FS Rebellion, FS Rept, FS Comic Mono, FS Flower Shop, FS 126 Serif), but also truly large workhorse typefaces. For example, FS 126 Sans (a pixel sans face) has 4871 characters and covers Nko, Lisu, Armenian, Tai Le, Ogham, Thaana, Georgian, Coptic, Kayah Li, Tifinagh, Samaritan, and Lao. The 3114 glyph pixel typeface FS Semioriginal covers Hiragana, Katakana, Arabic, Armenian, Hebrew, Bopomofo, Georgian, Greek, and Cyrillic. The 2000+ glyph pixel typeface FS Unoriginal covers Hiragana, Katakana, Arabic, Armenian, Hebrew, Bopomofo and Tifinagh. Other typefaces include FS Fat Piano, FS Typ Stencil (piano key face), FS Frakletter (blackletter) and FS Stupid Me (white on black typeface). [Google] [More] ⦿
Unicode Fonts for Ancient Scripts
This is a fantastic source of free high-quality fonts for scripts of the greater Aegean vicinity, Egyptian Hieroglyphs, Meroitic, Sumero-Akkadian Cuneiform, Musical Symbols and all Symbol Blocks in the Unicode Standard. George Douros is their Greek font designer. His free fonts come with this exemplary footnote: In lieu of a licence: Fonts in this site are offered free for any use; they may be opened, edited, modified, regenerated, posted, packaged and redistributed. Many of his fonts contributed to important section in the GNU Freefont project. Here is the list:
Calligrapher and author (1879-1952), who designed (the metal face) Worrell Uncial. McGrew writes: It was cut by Linotype from designs originally made by Dr. W. H. Worrell, who had based them on the calligraphy of a fifth-century codex or manuscript book. The font was named in honor of Dr. Worrell and first used for Coptic Texts in the University of Michigan Collection, a volume which he edited. There are also Greek and Coptic versions of the face. The alphabet itself is interesting, but the Caslon No.3 (New Caslon) figures and punctuation marks Linotype has included with the font are incongruous. [Google] [More] ⦿
Wojciech Kalinowski was born in Wroclaw, Poland in 1969. Since 1990, he has designed and carved inscriptions and reliefs in stone, commemorative plaques, and gravestones. He also deals with computer graphics, digital typeface and logo design, and wallpapers. His typefaces are free and are available from the Open Font Library (or OFL).
He created New Shape (2012, organic sans), Medieval Sharp (2011, blackletter), which originated 15 years earlier from a stone inscription alphabet. Consola Mono (2011, OFL) is a monoline monospaced sans for Latin, Greek and Cyrillic. Classica (2011) is a classical roman family. SquareAntiqua (2011, OFL) is a wavy informal face. Cursive Sans and Cursive Serif (ca. 1997, OFL) and Modern Antiqua (1997, OFL) are also based on stone inscriptions. Klaudia and Berenika (2011) is a Celtic style family. Roundstyle (2011) is a sans display family. Modern Antiqua (2011) has a strange name for a font that is neither modern (i.e., didone) nor Antiqua---it is an organic, or liquid, typeface with the gothic flavor of Jonathan Barnbrook's types.
Kalinowski started the NovaCut typeface ca. 1986. Around that time, he developed Gothica, which served as a model for Nova Cut. Gothica was released in 2020.
The uncial typeface family Celtica was released in 2020 and can be downloaded at Open Font Library.
He created the free monospaced "programming" fonts NovaCut, NovaFlat, NovaOval, NovaRound, NovaSlim, NovaSquare, and NovaMono (2011, OFL): NovaMono is the monospace font especially created for programming, text editors and for terminal-use. NovaMono contains a large number of symbols, operators and other miscellaneous signs. NovaMono is a missing part of NovaFont Family. Nova Font is the family of six fonts. There are: NovaCut, NovaFlat, NovaOval, NovaRound, NovaSlim and NovaSquare. Now, the seventh part of the family - NovaMono. The following Unicode ranges are supported:
In 2020, he published Simply Sans.
WorldScript: language utilities for the Mac (free downloads). Includes Turkish, Cherokee, Uralic Cyrillic, Georgian, Icelandic, Maltese, Vietnamese, Celtic, Intuktitut, Greek and Coptic support. Page maintained by Michael Everson. [Google] [More] ⦿
PROTOByte (2003) is a free pictograph font by Xexoxial. It covers Linear B, Indus Valley Script, Snake River, Cretan, Elamite, Iberian and a bit of Coptic. In 2004, they made Glitch Millennium Serif. Typedia link. The designer seems to be Amendant Hardiker. [Google] [More] ⦿