TYPE DESIGN INFORMATION PAGE last updated on Tue May 22 04:33:31 EDT 2012



Thai fonts

[Artwork by Fiodor Sumkin]

Luc Devroye
McGill University
Montreal, Canada
lucdevroye@gmail.com
http://luc.devroye.org
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AD2055

Thai creator of the pixel face AD2055 (2010). [Google] [More]  ⦿

Ahoi

Paul Rädle's great jump page for foreign fonts and phonetic fonts. [Google] [More]  ⦿

Ahom Script

Ahom is an extinct Tai language spoken by the Ahom people who ruled the Brahmaputra valley in the Indian state of Assam between the 13th and the 18th centuries. Ahom was replaced with Assamese in the early 19th century. Efforts are currently being made to revive the language. [Google] [More]  ⦿

Alan Wood's Unicode Resources

Great Unicode jump page. Has a page showing all fonts that support the various Unicode ranges. Check, for example, his Shavian Unicode sub-page. Unicode font utilities. Some font downloads, including the Unicode font MPH Damase (2005, Mark Williamson). [Google] [More]  ⦿

Android Open Source Project

Free downnloads of Ahem, Clockopia, DroidSans-Bold, DroidSans, DroidSansFallback, DroidSansFallback, DroidSansHebrew, DroidSansJapanese, DroidSansMono, DroidSansThai, DroidSerif-Bold, DroidSerif-BoldItalic, DroidSerif-Italic, DroidSerif, MotoyaLCedar-W3-90ms-RKSJ-H, MotoyaLMaru-W3-90ms-RKSJ-H. Droid (2007) and Clockopia (2009) are by by Google (2007) and Motoya is by Motoya Corporation (2010). Ahem (2010, Todd Fahrner) is for the CSS Samurai's browser testing. Motoya was created for mobile machines. [Google] [More]  ⦿

Ang Thong Thai BT

Commercial Thai font developed in 2002 by Bitstream. The font includes Thai glyphs and Latin glyphs from Dutch 801. [Google] [More]  ⦿

Anoochit

Designer of the free Thai font families Angsima, Bromlila, Corada, Lomaputta and Taeyhom. [Google] [More]  ⦿

Arabia Ware Benelux

Vendor of Mac and PC fonts for several languages and from a variety of companies. Only commercial stuff for Japanese, Chinese, Russian, Arabic, Hebrew, Persian, Urdu, Tamazight, Turkish, Greek, Indic, Thai, Eastern European, and Korean. [Google] [More]  ⦿

Art of Life

Thai truetype fonts including KSCCordia. [Google] [More]  ⦿

Arundina
[Boonlert Wutikornkhanarak]

Free Thai Fontforge coded fonts called Arundina, and developed by by Boonlert Wutikornkhanarak. The web site and code is maintained by Theppitak Karoonboonyanan. [Google] [More]  ⦿

Austrian Asian Singha Club

Six Thai truetype fonts in this small archive: DBThaiText, DBThaiTextBold, DBXThaiText, DBXThaiTextBold, Surin, ThaiBangkokDJA. [Google] [More]  ⦿

baanthai

About 10 free Thai fonts are archived here, including Surin, Lotus Busakorn, NRB Phet Bourri, DB Thai Text and KK-Jaksu. Windows and Mac. [Google] [More]  ⦿

Behaviour (was: type behaviour)
[Anuthin Wongsunkakon]

Behaviour was founded in 1996 by Anuthin Wongsunkakon and Nirut Krusuansombat in Bangkok. They do graphic design, mainly. Type Behaviour is the font library of Behaviour. Anuthin teaches graphic design at School of Art and Design, Bangkok University and Chulalongkorn University.

Interview.

Fonts include OCRX, Aspirin, Interviewer, Songothic (1999), Behaviour, Keystonestate, Effectra, Hydrous, Ideologica, Waveeweekend, Matamorphosis, Berlidin. Commercial fonts available at T26 and PsyOps (where he did Hydrous). Also, many dingbats by Nirut Krusuansombat, again without downloads. Custom-made Thai fonts too.

[T-26] designer of Aspirin, Aspirin Advance, Aspirin Refill (hairline), Automate (2008), Behaviour, Berlidin, Carbon, Cellular One, Cellular Two, Cellular three, Coupe, Datum, Dotto, Dotto Deluxe, Effectra, Harbinger, Hydrous (2009, PsyOps and T-26), Ideologica, Interviewer, Keystone State, Labelo Ext, Labelo Rom, Labelo Uni, Metamorphosis, Myers Sans, OCRBe, OCRX, QR-Type, Son Gothic (+New Son Gothic), Wavee Weekend (upright script, Foto (2006, dingbats), Harbinger (2004, stencil), Myers Sans (2005), Aspirin, Carbon (2003, an octagonal font, which reappeared in 2006 as Carbon C6 and in 2008 at Cadson Demak as carbon Plus), Coupe (2006, 4-weight sans family), Labelo (2003, octagonal, +Varsity), Dotto, Dotto Deluxe (2002, dot matrix font), Behaviour, Berlidin (nice serifs), Ideologica (2000), Interviewer, KeystoneState, Metamorphosis, SonGothic, WaveeWeekend (2000), OCRX (2001, T-26), and Effectra (2001, T-26), Cellular-Complete (2002, T-26), POBox (2002, T-26, dingbats of postal imprints), Datum (2002, pixel font), Baked (2007, T-26), Board (2004, T-26), OCR-Be (2006).

Free font: Katan U Kata Way T (Thai font).

Dingbats: Arvaiyava, Bahnpaburut, I'm icons, Monsoon, Pixxo (pixel-based icons), Prajanbarn, SO-6.

MyFonts sells the athletic lettering fonts Labelo Ext (2007, T-26), Option Sans (2009, T-26), Labelo Varsity and Board Deluxe, Enzyme (2010, Cadson Demak), Amino (2010, Cadson Demak: an organic family).

Typefaces at Katatrad include Ra Bobb Thai (2012, octagonal).

FontShop link. Klingspor link.

View Anuthin Wongsunkakon's typefaces. [Google] [MyFonts] [More]  ⦿

BenChalit Sagiamsak

Bangkok-based designer of the modular triangular face Furtive (2011), the ornamental BCS BenWood (2011), the Ugaritic and native Indian cultures inspired CS Zero (2011), and the minimalist monoline face CS Cacher (2011). Fontspace link. YWFT link. [Google] [More]  ⦿

BITS MMXI

Type conference held in Bangkok from 28-29 October 2011. BITS stands for Bangkok International Typographic Symposium. Organized by Cadson Demak in association with ThaiGa, its speakers included Akiem Helmling, Akira Kobayashi, Tnop Wangsillapakun, Anisa Suthayalai, Keith Chi-hang Tam, Sébastien Morlighem, Smich Smanloh, and Jackkrit Anantakul. [Google] [More]  ⦿

Bitstream Cyberbit

From Bitstream's web page: "Bitstream Cyberbit is our award-winning international font. Based on one of our most popular and readable type designs (Dutch 801 BT [note: Bitstream's version of Times and Times New Roman]), it includes all the typographic characters for most of the world's major languages. Cyberbit is now available! The product release includes the roman weight of Dutch 801 BT, a "serif" font. (A serif font has small finishing strokes at the end of the main stems, arms, and tails of characters, while a sanserif font does not.) The font is in TrueType format for Windows 95 and Windows NT. Future releases will provide support for "sanserif" typefaces, other platforms, other font formats, and even more languages. Bitstream Cyberbit is a work in progress. Bitstream is now distributing the roman weight of Cyberbit, free of charge, over the Internet! Remember, this release is in TrueType format for Windows 95 and Windows NT". --- Well, Bitstream no longer offers the font. It is still out there however. Try here, here, here, or here. Has these unicode ranges: Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, Spacing Modifier Letters, Greek, Cyrillic, Hebrew Extended (A and B blocks combined), Thai, Latin Extended Additional, General Punctuation, Currency Symbols, Letterlike Symbols, Number Forms, Arrows, Mathematical Operators, Miscellaneous Technical, Box Drawing, Block Elements, Geometric Shapes, Miscellaneous Dingbats, Alphabetic Presentation Forms, Combining Diacritical Marks, Enclosed Alphanumerics, Arabic, Arabic Presentation Forms-A and -B, CJK (Chinese, Japanese, Korean) Symbols and Punctuation, Hiragana, Katakana, Bopomofo, Hangul Compatibility Jamo, Enclosed CJK Letters and Months, CJK Compatibility, Hangul, CJK Unified Ideographs, CJK Compatibility Ideographs, CJK Compatibility Forms, Small Form Variants, and Halfwidth and Fullwidth Forms. [Google] [More]  ⦿

Bon Chantawibul

Bon Chantawibul is a young graphic designer currently based in Bangkok, Thailand. Angelic (2011) is a hairline typeface inspired by the shapes of butterflies and angels. It was first created for Beauty Hall's 11th anniversary special magazine with Harper's Bazaar Thailand. [Google] [More]  ⦿

Bunker88

A rar file with 04b03b, 04b30, 6809chargen, Acidic, AfricanOrnamentsOne, Andover, BugBats, Connection-Regular, Cubicle, DecibelDingbats, Delusion, Dopil, Electrance, Electronics-Regular, EvilClown, Gizmo-Bold, Gizmo-Shade, Gizmo, HeartMatrixed, HuskyStash, InvisibleKiller, Ion, Kefka, KlingonBlade, Kovensky-Small, Lingonvecka, Matrix_vs_Miltown, Mephisto, Pixeldust-Bold, Pixeldust, PixeldustExpanded-Bold, PixeldustExpanded, Pogo, PolygonPower, Supernovafat, Superpointsquare, TouristTrapAOE, UltraworldBlack, Underground, Xcelsion, XcelsionItalic, Xenotron, Y2KBUG, ZX81, ZXSpectrum. [Google] [More]  ⦿

Cadson Demak

Thai foundry in Bangkok (ex Cadson Demak pi), est. 2002. It originally published picture fonts designed by several designers including Anuthin Wongsunkakon, Supisa Wattanasansanee, and Pitipa Silapipat.

These included Pok Pong (2008, crazy animals---a great typeface), Planto (2008, plants), PawPack (2007, animals), POBox (2002), Gun Smith (2007, guns), Sun Burst (2007, kaleidoscopic), Arronts (2008, arrows), Cake Walk (2008, food dings), PalPack (2008), RetroTraveler (2008), Speak-Up (2008, text ropes), Road Show (2007, road sign outlines).

Fonts sold through T26 and MyFonts. Home page.

In 2009, Latin fonts were added, such as Option Sans (Anuthin Wongsunkakon: a reworking of his Coupe), Carbon Plus (Anuthin Wongsunkakon: a reworking of his Carbon of 2003 at T26), and Bangkokean (Anuthin Wongsunkakon) and Knight Sans (by Ekaluck Peanpanawate). Cadson Demak himself designed Bangkokean (2009, serif family), Carbon Plus (2009, rounded octagonal), Gun Smith (gun dingbats), Symbloc (dingbats), and Sun Burst (caleidoscope style dingbats) at T-26. In 2008, he created Robo (T-26, robot dingbats). In 2009 he made Bolder (a shadow face).

Due (2011) is a clean humanistic sans family.

New Son Gothic No1 through No 7 (2012) is a widely spaced gothic sans family. [Google] [MyFonts] [More]  ⦿

Center for Research in Computational Linguistics

At the CRCL in Bangkok, Doug Cooper offers useful pages on South-East Asian languages, including fonts for many formats. Includes the Alice font family of John Durdin and Ngakham Southichack (Lao), and several Thai (such as Dear Book Thai) and Burmese fonts (such as KannakaLex, ICMyanmar and AvaLetterKka). In addition, we find these Sanskrit fonts: Courier_CSX+-Bold, Courier_CSX+-Bold, Courier_CSX+-BoldItalic, Courier_CSX+-BoldItalic, Courier_CSX+-Italic, Courier_CSX+-Italic, Courier_CSX+, Courier_CSX+, Helvetica_CSX+-Bold, Helvetica_CSX+-Bold, Helvetica_CSX+-BoldItalic, Helvetica_CSX+-BoldItalic, Helvetica_CSX+-Italic, Helvetica_CSX+-Italic, Helvetica_CSX+, Helvetica_CSX+, NCS_CSX+-Bold, NCS_CSX+-Bold, NCS_CSX+-BoldItalic, NCS_CSX+-BoldItalic, NCS_CSX+-Italic, NCS_CSX+-Italic, NCS_CSX+, NCS_CSX+, Palatino_CSX+-Bold, Palatino_CSX+-Bold, Palatino_CSX+-BoldItalic, Palatino_CSX+-BoldItalic, Palatino_CSX+-Italic, Palatino_CSX+-Italic, Palatino_CSX+, Palatino_CSX+, Times_CSX+-Bold, Times_CSX+-BoldItalic, Times_CSX+-Italic, Times_CSX+-Roman, Times_CSX+-Roman, URWPalladioCSX+-B, URWPalladioCSX+-BI, URWPalladioCSX+-I, URWPalladioCSX+. [Google] [More]  ⦿

Center for Southeast Asian Studies Northern Illinois University

The Center for Southeast Asian Studies, Northern Illinois University, carries Thai, Vietnames, Burmese and Khmer fonts. Fonts include DBThaiText, IPA_One, MyanTTF, ThaiEng2, ThaiTTF1, VNI-Times. The Khmer fonts are Khmer1 and Khmer2. [Google] [More]  ⦿

Chantra Ngamrahong

Thai type designer located in Pattaya. Creator of Modkanfire (2009, stylish display face), the 10-style techno family Dee (2008), and the 3-style Dee Serif (2008). [Google] [MyFonts] [More]  ⦿

Character codes and Input--Output method for the Thai language

Scanned paper by Dr. Thaweesak Koanantakool and Adshariya Agsorn-intara. [Google] [More]  ⦿

Chatchanin Chanyeam

Associated with Chandrakasem Rajabhat University in Thailand, Chatchanin Chanyeam designed the free pen-drawn face CRU-Chatchanin (2009). Home page. [Google] [More]  ⦿

Chayanon Ruamcharoen

Thai designer of Thai faces such as ZFAce001, ZFImRightSir?, ZFPixelus-Bold, ZFPixelus-BoldItalic, ZFPixelus-Italic, ZFPixelus, ZFTamponlinka, all made in 2005. They can be downloaded here. SM Pixxa (2005, pixel face) is here. [Google] [More]  ⦿

Chitchai Kuandachakupt

Ph D researcher at Kyoto Institute of Technology, Japan. At Typography Day 2012 he speaks on Ariyaka, the early typeface leads modern industrialization of letterpress printing in Thailand. [Google] [More]  ⦿

ClearlyU BDF font

Mark Leisher's creation: "ClearlyU is a set of BDF (bitmap) 12 point, 100 dpi fonts that provides glyphs that can be used for Unicode text. The font contains over 4000 glyphs, including numerous additional glyphs for alternate forms and ligatures. The ClearlyU typeface was originally inspired by Donald Knuth's Computer Modern typeface, but has been slowly evolving into something else." Supported are: Navajo, Armenian, Cyrillic, Georgian, Greek and Coptic, Hebrew, Lao, Thai. [Google] [More]  ⦿

Courier Thai

Courier Monothai, Courier Proportional Thai, and EBCDIC Monothai. All free. [Google] [More]  ⦿

d33

Thai font DsSupasawatt truetype font by Dusit Supasawat. [Google] [More]  ⦿

DB Font

Thai foundry which sells DB Erawan X, DB FontNam X, DB Narai X, DB PatPong X, DB Pradit X, DB Private X, DB Sathorn X, DB Surawong X, DB Template X, DB ThaiText X, DB Diet X, DB Jariyatham X, DB KaoSan X, DB Lim X, DB NamSmai X, DB SaiKrok X, DB Sharp X, DB Steel X, DB Stick X, DB ThongLor X, DB ToonHua X, DB Wittayu X, DB Adman X, DB Brandvoice X, DB ComYard X, DB GunEng X, DB HuadChai X, DB Matrix X, DB Panda X, DB Quanthong X, DB Ramintra X, DB YangDung X, DB Ettaro X, DB Green X, DB InWriting X, DB Object X, DB ObjectStroke X, DB Ozone X, DB Pomma X, DB PorPiang X, DB RajDumnern X, DB TaGua X, DB Urbanist X, DB Xtype X, and DB Soda. [Google] [More]  ⦿

DB Thai fonts

Another archive for the DB Thai fonts. [Google] [More]  ⦿

DB Thai Text

Free Thai TrueType font on Glenn Slayden's Thai Language Pages. An American jazz player, Thai traveler and IT consultant, Glenn Slayden had superb pages on anything related to Thai. The pages disappeared after Glenn pleaded guilty to owning and attempting to make an LSD lab in Seattle, WA. Our thoughts are with you, Glenn. For my part, I will keep fighting to legalize all drugs. [Google] [More]  ⦿

DCD (or: Dubai Civil Defence)

Medium-sized truetype font archive run by the Government of Dubai. It has Thai fonts by Unity Progress, Farsi fonts, fonts for Arabic, many Microsoft fonts, and a basic starter set of Monotype fonts. [Google] [More]  ⦿

deshzx

Designer who used FontStruct in 2008 to make Light Speed, Origamistic, and Th-Song Miti (Thai&Latin shadow pixel face). [Google] [More]  ⦿

Diabetes Australia Multilingual Fonts

Archive: -JS-Rapee (Thai), ER-Bukinist-1251 (Ukranian), Simsun (Chinese), NUTANU-Regular (Hindi), Times-New-Roman-Greek, VPS-Times (Vietnamese). [Google] [More]  ⦿

Diego Sanz Salas

Peruvian creator (b. 1984, Arequipa) at FontStruct in 2009 of Sencilla (+Cuadrada, +Morena), a family that covers Latin, Cyrillic, Extended Latin, Hebrew, Greek, Armenian, Coptic, Arabic, Thai, and Devanagari. At FontStruct in 2008, he made mercury and mercury_bold. At Cocijotype, he created the artsy Incan stone wall-inspired Quincha (2009), which according to this site is the first commercial font made in Peru. It won an award in the experimental category at Tipos Latinos 2010.

Amarilis (2011) is an ornamental caps face, which can be bought here.

Chicha (2012) is a bouncy curvy layered set of typefaces published by Cocijotype.

MyFonts link. Logo. Interview in March 2010. Behance link. Klingspor link. [Google] [MyFonts] [More]  ⦿

DSE AdiRek

The Thai font DSE AdiRek by Dusit Supasawat (1998). [Google] [More]  ⦿

DS-Font
[Dusit Supasawat]

DS-Font had original fonts by Dusit Supasawat from Bangkok: DS-Archeology (demo), DS-Metropolis, DS-Terminal, DS-Orange, DS-Point. Has a Thai page as well, where you can get DS-Digital, DS-Digital-Bold, DS-Digital-Italic, DS-Digital-BoldItalic, DS-Metropolis, DS-Orange, DS-Orange-Bold, DS-Orange-Italic, DS-Orange-BoldItalic, DS-Point, DS-Terminal (IBM logo font). [Google] [More]  ⦿

ect.go.th

Thai font archive with DB Patpongas and DB PatpongExtendedas (1993, Dear Book Co., Ltd., JS Technology Co., Ltd), EucrosiaDSE (2000, 3 weights, by Dusit Supasawat), and EucrosiaUPC (by Unity Progress). [Google] [More]  ⦿

Educational Technology Division, Kasetsart University
[Satit Phumiruk]

Creators in 1998 of these free Thai fonts: 00SOS, 01SOS, 02SOS, 03SOS, 04SOS, 05SOS, 06SOS, 07SOS, 08SOS, 09SOS, 10SOS, 11SOS, 12SOS, 13SOS, 14SOS, 15SOS, 16SOS, 17SOS, 18SOS, 19SOS, 20SOS. The designer is Satit Phumiruk. Download here. [Google] [More]  ⦿

Ekaluck Peanpanawate

Thai designer of the minimalist 8-style sans family Krart (2007, T-26) and the basic octagonal family Kridpages (2007, T-26). Knight Sans (2009, 3 styles) was done for Cadson Demak. Kondolar (2010, 4 styles) is a slab serif also published with Cadson Demak. In 2012, he added the Kurry family, still at Cadson Demak. [Google] [MyFonts] [More]  ⦿

Ekawit Lekviriyakul

Bangkok, Thailand-based creator (b. 1990) of the dingbat face Dingpartment Store (2011). [Google] [More]  ⦿

Eralp Gullep

Eralp Gullep designed PWThaiMonospacedEG. Windows TTF. Alternate URL. [Google] [More]  ⦿

Euamrittee Jeerawatthanakaset

Bangkok-based designer (b. 1987) of Musiker (2009, a music note-themed face), and Leicht (2009, a monoline sans family). [Google] [More]  ⦿

Every Witch Way
[D. Paul Alecsandri]

D. Paul Alecsandri designed the runic fonts Futharc (2001), NewSymbolFont (2000) and Samaritan (2001). We also find the rather complete Unicode truetype font Roman-Unicode (2001), which cover all European, Arabic, Hebrew, Greek, Cyrillic, Thai and Indic languages, and provide kana as well (but not kanji). All parts of unicode covered. See also here.

Samaritan (2001) deals with a pre-Samaritan or pre-Babylonian Hebrew.

Originally designed for linguistics, the free typeface Chrysanthi Unicode (2001) contains all Unicode Latin characters (including Basic Latin, Latin 1 Supplement, Latin Extended A&B, IPA, and Latin Extended Additional) as well as Greek, Cyrillic, Hebrew, and everal others.

Fontspace link. [Google] [More]  ⦿

Fancy Graphic
[Keita Soejima]

Keita Soejima's fonts are sold through Font Pavilion: Squash, SPORTS WEAR, Portable, Cheese, Mog (2000), Plamoframe, Scooter E, Scooter J, Sportswear Sweat E, Sportswear Sweat J. Many fonts have katakana and romaji versions. Home page. Newest additions: Cartridge E, Edit E, Sponge E, Basic E, Portable E, Squash E. Mac fonts by Keita Soejima and Yo-Yo: two free Roman fonts (French Curve, Marking Marker), one Thai font (Taikana) and an experimental hiragana font (Koike) at this site run by Keita Soejima. Page at DEX Image. [Google] [More]  ⦿

Fiona G.E. Ross

Dr Fiona Ross, is a typographic consultant, typeface designer, lecturer and author, specializing in non-Latin scripts. From 1978 to 1989, Fiona Ross worked for the British arm of Linotype, Linotype Limited, where she was responsible for the design of their non-Latin fonts and typesetting schemes, notably those using Arabic and Indic scripts such as Devanagari. Since 1989 she has worked as a consultant, author, lecturer, and type designer. In 2003 Fiona joined the Department of Typography and Graphic Communication at the University of Reading, England as a part-time sessional lecturer on non-Latin type. The Adobe Thai typefaces were commissioned to from Tiro Typeworks and collaboratively designed by Fiona Ross, John Hudson and Tim Holloway in 2004-2005 for use with Adobe Acrobat (production by Tiro Typeworks). Vodafone Hindi (2007, with Tim Holloway and John Hudson) won an award at TDC2 2008. Fiona holds a BA in German; a Postgraduate Diploma in Sanskrit and Pali; and a PhD in Indian Palaeography from SOAS (London University). Bio at ATypI. Her books and/or essays:

  • The printed Bengali character and its evolution (1999, Curzon Press, Richmond, UK), reviewed by John Hudson.
  • Fiona's essay on Non-Latin Type Design at Linotype (2002).
  • Coauthor with Robert Banham of Non-Latin Typefaces at St Bride Library, London and Department of Typography&Graphic Communication, University of Reading (2008, London: St Bride Library).
Speaker at ATypI 2010 in Dublin. Typographic picture by TDC. [Google] [MyFonts] [More]  ⦿

Fixedsys
[Darien Valentine]

Free truetype fonts: Tai Le Valentinum (for the Tai Le script used in China, Burma and Laos), Valentine Arabic, the faux pixel font Sounds of Apathy, and the unicode faux pixel font Fixedsys Excelsior 2.0 (2007). The latter covers Latin, Greek, Cyrillic, Hebrew, Armenian, Tamil, Hylian, N'Ko, Ethiopic, blackletter, Dehong Dai, Pahawh Hmong, Thaan, Arabic, Thai, Ogham, runic, and IPA. All fonts made by Darien Valentine in 2004. See also here. [Google] [More]  ⦿

Fontdotcom
[Puey Ounjai]

Major Thai font outfit and font download site. It carries many Thai fonts, such as TX Kikku (by Puey Ounjai, aka Toxin), Nook Freehand (2005, a Thai/Latin face by Nook Nattaya), and NP Naipol All In One (2005, by Pol Udomwittayanukul, aka Naipol). Ounjai also made TX Love (2005), a Valentine's Day font, TX Timesquare (2006, handwriting), TX Jello (2006). Dafont link. [Google] [More]  ⦿

FontPSL

Commercial Thai fonts: Advert, Asadong, ChalalaiClassic, Chamnarn, Display, Irene, Paksin, Pojamarn, Siara, Text, Thaicommon, Akkhanee, Bundit, EmpireExtra, Imperial, ImperialExtra, Isara, Jarin, Majestic, Panpilas, Prathom, Samson, SamsonOutline, SamsonStar, TextMono, ChalindaCondensed, Kittithada, Malinee, Methinee, Mittrapab, Narissara, Olarn, Omyim, Passanun, Pattriya, Pimruedee, Script, SriSiam, ThaiAntique, Yaowaraj, Ayyara, AyyaraExtra, BaanarakBook, Baannarak, Butterfly, ChalalaiNew, Doungkamol, Freestyle, Jinda, Kampanath, Kanda, KandaExtra, KandaModern, KandaModernExtra, Kiatniyom, Natrinthorn, NatrinthornExtra, Pukkie, SamsonExtra, SamsonUltra, Similanya, SimilanyaExtra, Sirintr, SirintrExtra, Tamnanthai, Teenage, TeenageBook, Typewriter, TypewriterCarbon, TypewriterMono, TypewriterMonoCarbon. [Google] [More]  ⦿

FREELANG Fuentes

Spanish language site for various non-Latin language fonts. A sampling: Afus Deg Wfus 2 (for Berber), AlKatib1 (2001, an Arabic face by Naseem Amjad), Albanian, Alice_0 (Lao face by by Ngakham Southichack), LAOMAY_5 CHAREUNSILP (Lao face by by Soupasith Bouahom), Arial AMU (1999, Armenian face by Ruben Tarumian), BaltFrutigerLight, BaltHelveticaMedium, BaltNewCenturySchoolbookMedium, BaltOptimaMedium, BaltTiffanyMedium, BaltUniversityMedium, CarloAtor (1997, Arabic family by Timm Erickson, Summer Institute of Linguistics), Caligraf-W, Ciula (1996, a Romanian face by Paul Hodor), Cursiv (Romanian), AnlongvillKhek, GabrialAtor (another Arab family by Timm Erickson), Gin, Greek (1993, by Peter J. Gentry&Andrew M. Fountain), HandSign (1993, Sam Wang), HFMassisShantNUnicode (1990-1994, an Armenian unicode face by BYTEC Computers and Massis Graphics), HONGKAD (1994, a family by Dr. Hongkad Souvannavong), IsmarBold, IsmarLight, Lakshmi, X000000A (1994, a lao face by Sith Bouahom), LAOMAY_2-CHAREUNSILP, Alice3Medium, Alice0Medium, Langagedessignes (1998, by Philippe and François Blondel), NorKirk (1997, a great Armenian face by Ruben Tarumian), NovaTempo (for Esperanto), Pazmaveb (for Armenian), ILPRumanianB100 (1996, by Charles J. Coker), Saysettha-Lao, Saysettha-LaoBold, SenzorgaAnhok, Timok, Tribuno, Turn-W, TimesUnicode, ArialAMU, PoliceTypeAPI (for Armenian), Cieszyn-Regular, PoojaNormal, Shibolet (1995, Hebrew), Shree-Ass-0552 (2000, by Modular InfoTech), Tudor-Semi-Lite, Webdunia, TimesNRCzech, TNRLiboriusVII (2001, a fully accented Times face by Libor Sztemon), GreatMoravia (2001 Libor Sztemon, Czechia), Johaansi-ye-Peyravi (2001, a full accent blackletter face by Libor Sztemon, Czechia), TimesNREuskaraEuransiEsperanto (2001, Libor Sztemon). [Google] [More]  ⦿

George Williams

George Williams's site (now defunct) site was a discovery! George Williams (b. 1959) wrote spline-generating code and then went on to produce several fonts with his software between 1987 and 1998:

  • Art nouveau style: Carmen, Ambrosia, Fantaisie Artistique, Baldur, Monopol, Parisian, Peignot, Bocklin, Edda.
  • Lombardic: Lombardic.
  • Victorian: Caprice, Ringlet.
  • Uncial: Uncial Animals, Roman Uncial Modern.
  • Ornamental caps: Versal, Decorative, Square Caps, Extravagant Capitals, Floral Caps, Morris, Andrade.
  • Display faces: Crystal, Flash, Cupola.
  • Blackletter: Rotunda (1998), Bastarda, Textura Modern, Fractur (a remake of Wittenbach).
  • Art deco: Piccadilly, Mirage (1999, prismatic).
  • Calligraphic: Humanistic.
  • Text: Caslon.
  • Slab: Monospace.
  • Sans: Caliban.
  • Bamboo Gothic (2007).
  • TIS620-2529 (a Thai font).

George Williams writes: I have been slowly working to provide free unicode postscript fonts for the three major groupings of styles used by european (latin, greek and cyrillic anyway) type designs: serif, sans-serif and typewriter (or times, helvetica and courier). Monospace is my approximation to courier. Close examination will reveal that it is a bad copy of courier. Caslon is a serif font (designed by William Caslon in 1734), it's not a bad copy of times, it's a bad copy of something else. Caliban is a bad copy of Helvetica. If Microsoft can call their version of Helvetica Arial, then Caliban seems appropriate for mine. Alternate URL. Yet another URL.

George Williams is best known as the inventor and creator of FontForge, the bigest and best free font editor today. It made him the darling of the Open Software community. Interview with OSP. [Google] [More]  ⦿

Gerber Fonts

Manchester, CT-based company that sells a font package, as well as a number of fonts for Arabic, Cyrillic, Greek, Hebrew and Thai. See also here. [Google] [More]  ⦿

GNU Freefont (or: Free UCS Outline Fonts)
[Steve White]

The GNU Freefont is continuously being updated to become a large useful Unicode monster. GNU FreeFont is a free family of scalable outline fonts, suitable for general use on computers and for desktop publishing. It is Unicode-encoded for compatability with all modern operating systems. There are serif, Sans and Mono subfamilies. Also called the "Free UCS Outline Fonts", this project is part of the larger Free Software Foundation. Scans: FreeMono, FreeMonoBold, FreeMonoBoldOblique, FreeMonoOblique, FreeSans, FreeSansBold, FreeSansBoldOblique, FreeSansOblique, FreeSerif, FreeSerifBold, FreeSerifBoldItalic, FreeSerifItalic. The original head honcho was Primoz Peterlin, the coordinator at the Institute of Biophysics of the University of Ljubljana, Slovenia. In 2008, Steve White took over. Participants and credits, as of the end of 2010, with Unicode range responsibilities:

  • URW++ Design&Development GmbH. URW++ donated a set of 35 core PostScript Type 1 fonts to the Ghostscript project.
    • Basic Latin (U+0041-U+007A)
    • Latin-1 Supplement (U+00C0-U+00FF)
    • Latin Extended-A (U+0100-U+017F)
    • Spacing Modifier Letters (U+02B0-U+02FF)
    • Mathematical Operators (U+2200-U+22FF)
    • Block Elements (U+2580-U+259F)
    • Dingbats (U+2700-U+27BF)
  • Yannis Haralambous and John Plaice. Yannis Haralambous and John Plaice are the authors of Omega typesetting system, which is an extension of TeX. Its first release, aims primarily at improving TeX's multilingual abilities. In Omega all characters and pointers into data-structures are 16-bit wide, instead of 8-bit, thereby eliminating many of the trivial limitations of TeX. Omega also allows multiple input and output character sets, and uses programmable filters to translate from one encoding to another, to perform contextual analysis, etc. Internally, Omega uses the universal 16-bit Unicode standard character set, based on ISO-10646. These improvements not only make it a lot easier for TeX users to cope with multiple or complex languages, like Arabic, Indic, Khmer, Chinese, Japanese or Korean, in one document, but will also form the basis for future developments in other areas, such as native color support and hypertext features. ... Fonts for UT1 (omlgc family) and UT2 (omah family) are under development: these fonts are in PostScript format and visually close to Times and Helvetica font families.
    • Latin Extended-B (U+0180-U+024F)
    • IPA Extensions (U+0250-U+02AF)
    • Greek (U+0370-U+03FF)
    • Armenian (U+0530-U+058F)
    • Hebrew (U+0590-U+05FF)
    • Arabic (U+0600-U+06FF)
    • Currency Symbols (U+20A0-U+20CF)
    • Arabic Presentation Forms-A (U+FB50-U+FDFF)
    • Arabic Presentation Forms-B (U+FE70-U+FEFF)
  • Yannis Haralambous and Wellcome Institute. In 1994, The Wellcome Library The Wellcome Institute for the History of Medicine 183 Euston Road, London NW1 2BE, England, commissioned Mr. Haralambous to produce a Sinhalese font for them. We have received 03/09 official notice from Robert Kiley, Head of e-Strategy for the Wellcome Library, that Yannis' font could be included in GNU FreeFont under its GNU license: Sinhala (U+0D80-U+0DFF).
  • Young U. Ryu at the University of Texas at Dallas is the author of Txfonts, a set of mathematical symbols designed to accompany text typeset in Times or its variants. In the documentation, Young adresses the design of mathematical symbols: "The Adobe Times fonts are thicker than the CM fonts. Designing math fonts for Times based on the rule thickness of Times =,, +, /, <, etc. would result in too thick math symbols, in my opinion. In the TX fonts, these glyphs are thinner than those of original Times fonts. That is, the rule thickness of these glyphs is around 85% of that of the Times fonts, but still thicker than that of the CM fonts." Ranges: Arrows (U+2190-U+21FF), Mathematical Symbols (U+2200-U+22FF).
  • Valek Filippov added Cyrillic glyphs and composite Latin Extended A to the whole set of the abovementioned URW set of 35 PostScript core fonts, Ranges: Latin Extended-A (U+0100-U+017F), Cyrillic (U+0400-U+04FF).
  • Wadalab Kanji Comittee. Between April 1990 and March 1992, Wadalab Kanji Comittee put together a series of scalable font files with Japanese scripts, in four forms: Sai Micho, Chu Mincho, Cho Kaku and Saimaru. The font files were written in custom file format, while tools for conversion into Metafont and PostScript Type 1 were also supplied. The Wadalab Kanji Comittee has later been dismissed, and the resulting files can be now found on the FTP server of the Depertment of Mathematical Engineering and Information Physics, Faculty of Engineering, University of Tokyo: Hiragana (U+3040-U+309F), Katakana (U+30A0-U+30FF). Note that some time around 2009, the hiragana and katakana ranges were deleted.
  • Angelo Haritsis has compiled a set of Greek type 1 fonts. The glyphs from this source has been used to compose Greek glyphs in FreeSans and FreeMono. Greek (U+0370-U+03FF).
  • Yannis Haralambous and Virach Sornlertlamvanich. In 1999, Yannis Haralambous and Virach Sornlertlamvanich made a set of glyphs covering the Thai national standard Nf3, in both upright and slanted shape. Range: Thai (U+0E00-U+0E7F).
  • Shaheed Haque has developed a basic set of basic Bengali glyphs (without ligatures), using ISO10646 encoding. Range: Bengali (U+0980-U+09FF).
  • Sam Stepanyan created a set of Armenian sans serif glyphs visually compatible with Helvetica or Arial. Range: Armenian (U+0530-U+058F).
  • Mohamed Ishan has started a Thaana Unicode Project. Range: Thaana (U+0780-U+07BF).
  • Sushant Kumar Dash has created a font in his mother tongue, Oriya: Oriya (U+0B00-U+0B7F). But Freefont has dropped Oriya because of the absence of font features neccessary for display of text in Oriya.
  • Harsh Kumar has started BharatBhasha for these ranges:
    • Devanagari (U+0900-U+097F)
    • Bengali (U+0980-U+09FF)
    • Gurmukhi (U+0A00-U+0A7F)
    • Gujarati (U+0A80-U+0AFF)
  • Prasad A. Chodavarapu created Tikkana, a Telugu font family: Telugu (U+0C00-U+0C7F). It was originally included in GNU Freefont, but supoort for Telugu was later dropped altogether from the GNU Freefont project.
  • Frans Velthuis and Anshuman Pandey. In 1991, Frans Velthuis from the Groningen University, The Netherlands, released a Devanagari font as Metafont source, available under the terms of GNU GPL. Later, Anshuman Pandey from Washington University in Seattle, took over the maintenance of font. Fonts can be found on CTAN. This font was converted the font to Type 1 format using Peter Szabo's TeXtrace and removed some redundant control points with PfaEdit. Range: Devanagari (U+0900-U+097F).
  • Hardip Singh Pannu. In 1991, Hardip Singh Pannu has created a free Gurmukhi TrueType font, available as regular, bold, oblique and bold oblique form. Range: Gurmukhi (U+0A00-U+0A7F).
  • Jeroen Hellingman (The Netherlands) created a set of Malayalam metafonts in 1994, and a set of Oriya metafonts in 1996. Malayalam fonts were created as uniform stroke only, while Oriya metafonts exist in both uniform and modulated stroke. From private communication: "It is my intention to release the fonts under GPL, but not all copies around have this notice on them." Metafonts can be found here and here. Ranges: Oriya (U+0B00-U+0B7F), Malayalam (U+0D00-U+0D7F). Oriya was subsequently dropped from the Freefont project.
  • Thomas Ridgeway, then at the Humanities And Arts Computing Center, Washington University, Seattle, USA, (now defunct), created a Tamil metafont in 1990. Anshuman Pandey from the same university took over the maintenance of font. Fonts can be found at CTAN and cover Tamil (U+0B80-U+0BFF).
  • Berhanu Beyene, Prof. Dr. Manfred Kudlek, Olaf Kummer, and Jochen Metzinger from the Theoretical Foundations of Computer Science, University of Hamburg, prepared a set of Ethiopic metafonts. They also maintain the home page on the Ethiopic font project. Someone converted the fonts to Type 1 format using TeXtrace, and removed some redundant control points with PfaEdit. Range: Ethiopic (U+1200-U+137F).
  • Maxim Iorsh. In 2002, Maxim Iorsh started the Culmus project, aiming at providing Hebrew-speaking Linux and Unix community with a basic collection of Hebrew fonts for X Windows. The fonts are visually compatible with URW++ Century Schoolbook L, URW++ Nimbus Sans L and URW++ Nimbus Mono L families, respectively. Range: Hebrew (U+0590-U+05FF).
  • Vyacheslav Dikonov made a Braille unicode font that could be merged with the UCS fonts to fill the 2800-28FF range completely (uniform scaling is possible to adapt it to any cell size). He also contributed a free Syriac font, whose glyphs (about half of them) are borrowed from the free Carlo Ator font. Vyacheslav also filled in a few missing spots in the U+2000-U+27FF area, e.g., the box drawing section, sets of subscript and superscript digits and capital Roman numbers. Ranges: Syriac (U+0700-U+074A), Box Drawing (U+2500-U+257F), Braille (U+2800-U+28FF).
  • Panayotis Katsaloulis helped fixing Greek accents in the Greek Extended area: (U+1F00-U+1FFF).
  • M.S. Sridhar. M/S Cyberscape Multimedia Limited, Mumbai, developers of Akruti Software for Indian Languages (http://www.akruti.com/), have released a set of TTF fonts for nine Indian scripts (Devanagari, Gujarati, Telugu, Tamil, Malayalam, Kannada, Bengali, Oriya, and Gurumukhi) under the GNU General Public License (GPL). You can download the fonts from the Free Software Foundation of India WWW site. Their original contributions to Freefont were
    • Devanagari (U+0900-U+097F)
    • Bengali (U+0980-U+09FF)
    • Gurmukhi (U+0A00-U+0A7F)
    • Gujarati (U+0A80-U+0AFF)
    • Oriya (U+0B00-U+0B7F)
    • Tamil (U+0B80-U+0BFF)
    • Telugu (U+0C00-U+0C7F)
    • Kannada (U+0C80-U+0CFF)
    • Malayalam (U+0D00-U+0D7F)
    Oriya, Kannada and Telugu were dropped from the GNU Freefont project.
  • DMS Electronics, The Sri Lanka Tipitaka Project, and Noah Levitt. Noah Levitt found out that the Sinhalese fonts available on the site metta.lk are released under GNU GPL. These glyphs were later replaced by those from the LKLUG font. Finally the range was completely replaced by glyphs from the sinh TeX font, with much help and advice from Harshula Jayasuriya. Range: Sinhala (U+0D80-U+0DFF).
  • Daniel Shurovich Chirkov. Dan Chirkov updated the FreeSerif font with the missing Cyrillic glyphs needed for conformance to Unicode 3.2. The effort is part of the Slavjanskij package for Mac OS X. range: Cyrillic (U+0400-U+04FF).
  • Abbas Izad. Responsible for Arabic (U+0600-U+06FF), Arabic Presentation Forms-A, (U+FB50-U+FDFF), Arabic Presentation Forms-B (U+FE70-U+FEFF).
  • Denis Jacquerye added new glyphs and corrected existing ones in the Latin Extended-B (U+0180-U+024F) and IPA Extensions (U+0250-U+02AF) ranges.
  • K.H. Hussain and R. Chitrajan. `Rachana' in Malayalam means `to write', `to create'. Rachana Akshara Vedi, a team of socially committed information technology professionals and philologists, has applied developments in computer technology and desktop publishing to resurrect the Malayalam language from the disorder, fragmentation and degeneration it had suffered since the attempt to adapt the Malayalam script for using with a regular mechanical typewriter, which took place in 1967-69. K.H. Hussein at the Kerala Forest Research Institute has released "Rachana Normal" fonts with approximately 900 glyphs required to typeset traditional Malayalam. R. Chitrajan apparently encoded the glyphs in the OpenType table. In 2008, the Malayalam ranges in FreeSerif were updated under the advise and supervision of Hiran Venugopalan of Swathanthra Malayalam Computing, to reflect the revised edition Rachana_04. Range: Malayalam (U+0D00-U+0D7F).
  • Solaiman Karim filled in Bengali (U+0980-U+09FF). Solaiman Karim has developed several OpenType Bangla fonts and released them under GNU GPL.
  • Sonali Sonania and Monika Shah covered Devanagari (U+0900-U+097F) and Gujarati (U+0A80-U+0AFF). Glyphs were drawn by Cyberscape Multimedia Ltd., #101, Mahalakshmi Mansion 21st Main 22nd "A" Cross Banashankari 2nd stage Banglore 560070, India. Converted to OTF by IndicTrans Team, Powai, Mumbai, lead by Prof. Jitendra Shah. Maintained by Monika Shah and Sonali Sonania of janabhaaratii Team, C-DAC, Mumbai. This font is released under GPL by Dr. Alka Irani and Prof Jitendra Shah, janabhaaratii Team, C-DAC, Mumabi. janabhaaratii is localisation project at C-DAC Mumbai (formerly National Centre for Software Technology); funded by TDIL, Govt. of India.
  • Pravin Satpute, Bageshri Salvi, Rahul Bhalerao and Sandeep Shedmake added these Indic language cranges:
    • Devanagari (U+0900-U+097F)
    • Gujarati (U+0A80-U+0AFF)
    • Oriya (U+0B00-U+0B7F)
    • Malayalam (U+0D00-U+0D7F)
    • Tamil (U+0B80-U+0BFF)
    In December 2005 the team at www.gnowledge.org released a set of two Unicode pan-Indic fonts: "Samyak" and "Samyak Sans". "Samyak" font belongs to serif style and is an original work of the team; "Samyak Sans" font belongs to sans serif style and is actually a compilation of already released Indic fonts (Gargi, Padma, Mukti, Utkal, Akruti and ThendralUni). Both fonts are based on Unicode standard. You can download the font files separately. Note that Oriya was dropped from the Freefont project.
  • Kulbir Singh Thind added Gurmukhi (U+0A00-U+0A7F). Dr. Kulbir Singh Thind designed a set of Gurmukhi Unicode fonts, AnmolUni and AnmolUni-Bold, which are available under the terms of GNU license from the Punjabu Computing Resource Center.
  • Gia Shervashidze added Georgian (U+10A0-U+10FF). Starting in mid-1990s, Gia Shervashidze designed many Unicode-compliant Georgian fonts: Times New Roman Georgian, Arial Georgian, Courier New Georgian.
  • Daniel Johnson. Created by hand a Cherokee range specially for FreeFont to be "in line with the classic Cherokee typefaces used in 19th century printing", but also to fit well with ranges previously in FreeFont. Then he made Unified Canadian Syllabics in Sans, and a Cherokee and Kayah Li in Mono! And never to be outdone by himself, then did UCAS Extended and Osmanya.... What next?
    • Armenian (serif) (U+0530-U+058F)
    • Cherokee (U+13A0-U+13FF)
    • Unified Canadian Aboriginal Syllabics (U+1400-U+167F)
    • UCAS Extended (U+18B0-U+18F5)
    • Kayah Li (U+A900-U+A92F)
    • Tifinagh (U+2D30-U+2D7F)
    • Vai (U+A500-U+A62B)
    • Latin Extended-D (Mayanist letters) (U+A720-U+A7FF)
    • Osmanya (U+10480-U+104a7)
  • George Douros, the creator of several fonts focusing on ancient scripts and symbols. Many of the glyphs are created by making outlines from scanned images of ancient sources.
    • Aegean: Phoenecian (U+10900-U+1091F).
    • Analecta: Gothic (U+10330-U+1034F)
    • Musical: Byzantine (U+1D000-U+1D0FF)&Western (U+1D100-U+1D1DF)
    • Unicode: many miscellaneous symbols, miscellaneous technical, supplemental symbols, and mathematical alphanumeric symbols (U+1D400-U+1D7FF), Mah Jong (U+1F000-U+1F02B), and the outline of the domino (U+1F030-U+1F093).
  • Steve White filled in a lot of missing characters, got some font features working, left fingerprints almost everywhere, and is responsible for these blocks: Glagolitic (U+2C00-U+2C5F), Coptic (U+2C80-U+2CFF).
  • Pavel Skrylev is responsible for Cyrillic Extended-A (U+2DEO-U+2DFF) as well as many of the additions to Cyrillic Extended-B (U+A640-U+A65F).
  • Mark Williamson made the MPH 2 Damase font, from which these ranges were taken:
    • Hanunóo (U+1720-U+173F)
    • Buginese (U+1A00-U+1A1F)
    • Tai Le (U+1950-U+197F)
    • Ugaritic (U+10380-U+1039F)
    • Old Persian (U+103A0-U+103DF)
  • Primoz Peterlin filled in missing glyphs here and there (e.g., Latin Extended-B and IPA Extensions ranges in the FreeMono family), and created the following UCS blocks:
    • Latin Extended-B (U+0180-U+024F)
    • IPA Extensions (U+0250-U+02AF)
    • Arrows (U+2190-U+21FF)
    • Box Drawing (U+2500-U+257F)
    • Block Elements (U+2580-U+259F)
    • Geometrical Shapes (U+25A0-U+25FF)
  • Jacob Poon submitted a very thorough survey of glyph problems and other suggestions.
  • Alexey Kryukov made the TemporaLCGUni fonts, based on the URW++ fonts, from which at one point FreeSerif Cyrillic, and some of the Greek, was drawn. He also provided valuable direction about Cyrillic and Greek typesetting.
  • The Sinhala font project has taken the glyphs from Yannis Haralambous' Sinhala font, to produce a Unicode TrueType font, LKLUG. These glyphs were for a while included in FreeFont: Sinhala (U+0D80-U+0DFF).

Fontspace link. Download link. [Google] [More]  ⦿

gnu.org

Chinese truetype fonts. And 20 MB worth of international bitmap fonts. The fonts at the latter link contain PCF and BDF sources, and some truetype and type 1 fonts. Among the bitmap (BDF) fonts: ISO8859 series 1 through 9 (Latin, Greek, Cyrillic), KOI8 (Cyrillic), Indic, Lao, Tibetan, Thai, Vietnamese, Chinese, Japanese, Korean, Ethiopic, Arabic, IPA, Hebrew. Truetype: Latin-X fonts, Vietnamese (VISCII roman). Type 1: Latin-X fonts, Vietnamese (VISCII roman), Thai (TIS620), Thai National Font. The readme goes: "We greatly appreciate the contribution of Yannis Haralambous and Tereza Tranaka. They made free TrueType and Type1 fonts for Latin-X series, Thai, and Vietnamese. They will eventually make fonts for more character sets." The fonts are called OmegaSerif, and were made in 1999. Also included is the Thai National font Nf3, made by Yannis Haralambous and Virach Sornlertlamvanich in 1999. [Google] [More]  ⦿

H2D2
[Markus Remscheid]

Graphic and web design company in Frankfurt. Fonts to their credit: LT Mhai Thaipe (1997, Thai simulation script by Markus Remscheid, Linotype), LT Russisch Brot (1997, Linotype, a grunge face by Helmut Ness and Markus Remscheid), H2D2 Flame (OCR-A face, commercial), H2D2 Pochi (commercial headline face), H2D2 Lefthand (2006, children's handwriting, free). Special designs include a stencil font based on the license plates in Tobago, Alevita (based on Helvetica), H2D2TEXT-8PT (pixel face), Bizz Screen 10pt (pixel face), Audioplast (for a music label by that name), Norma (a futuristic face for V2). Offices in Frankfurt and San Francisco. I suspect that the type designer is Markus Remscheid. Dafont link. [Google] [MyFonts] [More]  ⦿

Henry

BugisA by Andi Mallarangeng and Jim Henry, Angsana by Unity Progress 1992, and ThaiNew3 (type 1 version). [Google] [More]  ⦿

iannnnn.com

Thai designer of Thai faces such as 2005_iannnnnAMD, 2005_iannnnnBMX, 2005_iannnnnCPU, 2005_iannnnnDVD, 2005_iannnnnGMO, 2005_iannnnnHBO, 2005_iannnnnITV, 2005_iannnnnJPG, 2005_iannnnnSME, 2005_iannnnnTKO, 2005_iannnnnUBC. Some faces are also here. [Google] [More]  ⦿

Ice Juice

Archive of the Thai fonts DSEArKorn and DSESukSaWat, both made in 1998 by Dusit Supasawat. [Google] [More]  ⦿

J. Victor Gaultney

Type designer (b. Minneapolis, MN, 1962) at SIL International, UK since 1991, and an ex-M.A. student in type design at the University of Reading. He has worked on non-Latin faces, as well as his own extended Latin design, Gentium (2002). [Download from places such as OFL and FreeBSD].

Papers by him include "Multitudinous Alphabets: The design of extended Latin typefaces" (2001), "The influence of pen-based letterforms on Devanagari typefaces" (2001), Balancing Typeface Legibility and Economy, Gentium---A Typeface for The Nations, Problems of Diacritic Design, and "Problems of diacritic design for Latin script text faces" (2002). The last one is a must-read.

Projects in which he is the main or only designer include SIL Dai Banna Fonts, SIL Tai Dam Fonts, SIL Greek Font System, SIL IPA Fonts, and SIL Encore Fonts. At ATypI 2004 in Prague, he spoke about the technical problems with East European type. In 2008, he published Gentium Basic and Gentium Book Basic, each in four weights, but essentially limited to Latin, and added them to the Google Font Directory link.

At ATypI 2010 in Dublin, he spoke about sculptural letterer Arnold Flaten (1900-1976). Speaker at ATypI 2011 in Reykjavik.

Kernest link. Klingspor link. [Google] [More]  ⦿

Jackkrit Anantakul

Bangkok-based graphic designer (b. 1979) who founded Design Reform Council in 2005, and is senior designer at YWFT. He made Fetti (2009), a type experiment in 3d based on polyhedra. Spikes (2009) is a modern, wild and abstract handset. Buffer (2010) is a highly contrasted slab display face. Soaka (2010) is more grungy, but remains slabby. YWFT Gavin (2010) began as a hand-drawn exploration of George Bruce's Seven-Line Pica. YWFT Wonderland (2011) is a smorgasbord of various hand-drawn styles. Pello (2011) is an arts and crafts face with Mexican influences.

Home page. You Work For Them link. Behance link. [Google] [More]  ⦿

Janonkas

Associated with Chandrakasem Rajabhat University in Thailand, Janon designed the free pen-drawn faces CRU-Janonkas (2009) and CRU-Janon (2009). Fontspace link. [Google] [More]  ⦿

Java archive

Archive at a mysterious site: CourierThai, CourierThai-Bold, CourierThai-Bold-Italic, CourierThai-Italic, Lucida-Bright-Demibold, Lucida-Bright-Demibold-Italic, Lucida-Bright-Italic, Lucida-Bright-Regular, Lucida-Sans-Demibold, Lucida-Sans-Demibold-Oblique, Lucida-Sans-Oblique, Lucida-Sans-Typewriter-Regular, Lucida-Sans-Typewriter-Bold, Lucida-Sans-Typewriter-Bold-Oblique, Lucida-Sans-Typewriter-Oblique, Lucida-Sans-Regular, Monotype-Sans-Duospace-WT-J, Thonburi, Thonburi-Bold, Thonburi-Bold-Italic, Thonburi-Italic, Times-New-Roman-WT-J. These are mostly for Thai, but the Monotype-Sans and Times-Roman fonts are substantial 30-megabyte monsters that cover most of the world's scripts. [Google] [More]  ⦿

Jirayu L

Jirayu L (Bangkok) designed the round Bakery Typeface (2010). [Google] [More]  ⦿

Jj Moy

John Moy Jr, or Jj, is a graphic and industrial designer based in San Francisco. Behance link. Creator of La, a monospace sans serif typeface for Latin and Thai. Winner of TFACE: Thai Typeface Competition 2011. [Google] [More]  ⦿

JS Technology
[Panutat Tejasen]

Thai foundry which made XDB-Surawong and JS-Rapee (1993). The latter font can be found here. Other fonts, made ca. 2002: JS75Pumpuang, JSAmphan-Italic, JSAngsumalin, JSArisa-Italic, JSArisa, JSBoaboon, JSChaimongkol, JSChalit, JSChanok-Normal, JSCharnchai-Normal, JSChawlewhieng, JSChodok-Bold, JSChulee, JSChusri-Normal, JSDuangta, JSGiat-Bold, JSHariphan, JSJetarin-Italic, JSJindara-Bold, JSJindara-BoldItalic, JSJindara-Italic, JSJindara-Normal, JSJukaphan-Italic, JSJukaphan, JSJunkaew-Italic, JSJunkaew, JSKarabow, JSKoboriAllcaps-Bold, JSKorakhot-Normal, JSL-Ancient, JSL-AncientItalic, JSL-Blackletter, JSL-TenctonRound, JSLBlackletterAntique, JSLaongdao-Bold, JSLikhit-Normal, JSMacha-Normal, JSMookravee-Normal, JSNeeno-Normal, JSNinjaAllcaps-Bold, JSNoklae-Normal, JSObsaward-Italic, JSObsaward-Normal, JSOobboon-Normal, JSPadachamai-Normal, JSPisit-Italic, JSPisit-Normal, JSPitsamai-Italic, JSPitsanu, JSPrajuk-Italic, JSPranee-Italic, JSPrapakorn-Italic, JSPrapakorn-Normal, JSPrasoplarp-Italic, JSPuchong-Normal, JSPudgrong-Normal, JSPumpuang-Normal, JSPuriphop-Normal, JSRapee-Bold, JSRapee-BoldItalic, JSRapee-Italic, JSRapee-Normal, JSSadayu-Bold, JSSadayu-BoldItalic, JSSadayuAllcaps, JSSaksit-Bold, JSSaksit-BoldItalic, JSSaksit-Italic, JSSaksit-Normal, JSSamurai-Normal, JSSangravee-Normal, JSSaowapark-Italic, JSSaowapark-Normal, JSSarunya-Normal, JSSetha-Normal, JSSunsanee-Italic, JSSunsanee-Normal, JSSynjai-Italic, JSSynjai-Normal, JSThanaporn-Normal, JSTina-Normal, JSToomtam-Normal, JSWanida-Italic, JSWannaree-Italic, JSWannareeas-2, JSWannareeasItalic, JSWansika-Italic, JSYodthida-Italic, JSYodthida. All fonts are copyright of Panutat Tejasen, Seveng Tantiraphan and Pongsathorn Sraouthai and are free under the GNU Public License. [Google] [More]  ⦿

Jules Hénaffe

In 1675, Colbert invites the Acadé'mie des Sciences to make a grand study of all machines used in the arts. In 1696, l'abbé Jaugeon obliges with a study entitled "Etude des Arts de construire les caractères, de graver les poinçons de lettres, d'imprimer les lettres". From 1692 on, Jaugeon created a mathematical/geometric theory of letters, all inscribed in a 48 by 48 grid (for upper case) or a 16 by 48 grid (lower case). This gridding was to lead to the type style associated with Louis XIV, the Grandjean. Fast forward 200 years to Arthur Christian, director of the Imprimerie Nationale from 1895-1906, who wanted to prove that Jaugeon's ideas were also esthetically justified by asking Hénaffe (official punchcutter of the Imprimerie, b. Paris 1857, d. Paris 1921) to precisely reproduce Jaugeon's designs (which he did in 1904). The resulting face is called Jaugeon or Hénaffe. This page describes more of his work for the Imprimerie Nationale, such as a Telugu set of punches (1901), a Coptic set (called "memphitique"), a Palmyrian set (1899), a Thai set (1903), and a "gothique Christian" type (1902). [Google] [More]  ⦿

JUSTORANGE

Creator of Funky Chunky (2009). We read: This font used : NP NaipolTemplate : Version 3.000 Special Thanks : B513DS!GN : Ekaluck Peanpanawate Staff : Chayanon Ruamcharoen Jesadavut Saengsawang Pol Udomwittayanukul Prachya Singhto Sampan Sittiwantana And All members at www.f0nt.com. [Google] [More]  ⦿

Kantima Angkasing

Associated with Chandrakasem Rajabhat University in Thailand, Kantima designed the free pen-drawn faces CRU-Kantima (2009). [Google] [More]  ⦿

Katatrad (was: Behaviour)
[Stawix Ruecha]

The idea of Katatrad originally comes from the vision and support of Cadson Demak design team. Started out by a type design exhibition project and transformed itself to a boutique font collection. Katatrad, which is located in Bangkok, offers fonts from new and up coming designers from Thailand. The collection is also available in standard Latin set and Latin&Thai version of the same font. Stawix Ruecho (Katatrad) designed the super-contrasted didone family Xree (2011) and the rounded octagonal family Nubb (2012). They covers Thai and Latin. Katatrad was previously known as Behaviour, est. 1996. In 2006, Katatrad published Fiber Eno, a cross between OCRA and OCRB. In 2005, they did OCR-Be. In fact, many of their typefaces have octagonal roots. Katatrad published Beauty in 2011. Pharmasee (2011) has medical dingbats.

In 2012, Stawix was established in Bangkok. At Stawix, Ruecha published Seravee (2012, a didone family), and Letra Pro Headline (2012, a manicured and permed didone).

Images of their best-selling typefaces. [Google] [MyFonts] [More]  ⦿

Khosana Fonts Page

Thai, Lao, Khmer, Karen, Burmese and Cambodian fonts. Mac and Windows. [Google] [More]  ⦿

Kwanchai Akkaratammagul

Designer who published the Latin / Thai slab serif face Midnight (2011) and the web icon face Web Pi (2012) at the Thai foundry Katatrad. [Google] [MyFonts] [More]  ⦿

Lanna Cultural Forum

Lanna is a former kingdom, now located in northern Thailand. They have their own script. Fonts in this script were made in 1999 by Charintr Jamjitt: Cr-Big, CR-Doitong, New_1A, CR-Insom, Cr-khern, CR-Maekok, CR-MkornA, Cr-Paitoon, CR-Wiangkaen. [Google] [More]  ⦿

Latus Rectum

Pathumthani, Thailand-based creator (b. 1992) of the handwriting face LATUSZATE W2R :D (2009) and the pixel face LATUSXELA2FEEL (2009). [Google] [More]  ⦿

Latuszate De L'Fuchsia

Thai creator (b. 1993) of LATUSZATE W2R :D (2009, handprinted) and LATUSXELA2FEEL (2010, pixel face). [Google] [More]  ⦿

Lee Suetorsak

Graphic designer based in Bangkok, Thailand. Creator of the handprinted font Annike (2010). [Google] [More]  ⦿

Linux Thai Net

Several subpages here have free Thai fonts. Geared towards UNIX/Linux operating systems. [Google] [More]  ⦿

Lollipopz

Thai creator of the pixel font 333001LOLLIP0PZ (2009). [Google] [More]  ⦿

LotusSattabun

Two Thai truetype fonts of the LotusSattabun family, copyright ThaiSoft. [Google] [More]  ⦿

Maniackers Design (or: MKS)
[Masayuki Sato]

About 150 free original fonts by Masayuki Sato (from Futaba, Japan), over half of them pixel fonts. For most fonts, he has a Latin alphabet (denoted by AL) and a katakana alphabet (denoted by KT). Some also have a hiragana version (denoted by HR). All fonts were made between 1998 and 2009.

  • By Masayuki Sato&Tsuyoshi Nagae: Merumo-AL, KT, PonyPony-AL, KT, HR, Topo-AL, TM Extended-AL / 2Type, MinnanoUta-AL, KT, HR, Seele-AL / 2Type, Robin-AL, Peco-AL, KT, Honey-AL, Blur-AL.
  • By Masayuki Sato&Eri Nagae: Stitch-AL.
  • By Masayuki Sato&T. Waka: Chihuahua-AL, KT, HR / 3Type.
  • By Masayuki Sato&Mami Kobayashi: Alphabet Man, Detroit Type City-AL, Foood-AL, KT, Pokupoku-AL, KT, HR, Ball2-AL, Box2-AL, Button2-AL, Xtal-AL, KT, HR, Ikaho-AL, KT, MD Radiogram-KT, HR, Nepon-AL.
  • By Mami Kobayashi: Ikaho-HR, TypeCantabile-KT, Kotodama-KT, Sandy-AL / 2Type, Yonimofushigina-AL, KT, Cloooud-AL, Yonimofushigina-HR, Timber-AL,KT, HR, Sunday-AL / 3Weight, Hyonnakotokara-AL, KT, HR.
  • By Eiji Sunaga: Tanrei 2.0-KT.
  • By Junya Yamada (Channel 67): Drip-KT, Bobo-AL.
  • By Masayuki Sato&Junya Yamada: Maniac 2-AL, KT.
  • By Atsushi Moda: Angle.
  • By Shinji Naka: Typobokan katakana (at least, the graphics of this comic book style font were by Shinji Naka).
  • By Masakazu Fukushima: Lucha-doll mask (a fantastic mask dingbat font).
  • By Atsuko Onozato: Pazool.
  • By Malte Haust of Bionic Systems: DorisOrange.
  • By André Nossek: Collage Rmx-AL, Hard Rmx-AL.
  • By Masayuki Sato&Hiroko Takiguchi: Holiday Bitmap14-AL, Holiday Ultra-AL, KT, HR, Holiday Bold-AL, KT, HR, Holiday-AL, KT, HR, Holiday-illust, Holiday Tategaki-KT, HR, Holiday-MDJP03 / 2Byte, Holiday-MDJP02, Ribbontic 2.0-AL.
  • By Masayuki Sato and Masashi Kato: Pico (2009, rounded comic book style).
  • By Masashi Kato&Mayucco: Yakitori-AL, KT, HR / 2Byte.
  • By Masayuki Sato&Ryo Asoda: Wallpainting-AL, Cosmic-AL, Bellows-AL, KT.
  • By Masayuki Sato&Kaori Inada: Sennin-AL.
  • By Masayuki Sato&Shizuka Yamazaki: SwingingBird-AL, KT, HR.
  • By Masayuki Sato&Junichi Omi: Omiyage-AL, KT, HR.
  • By Masayuki Sato&Rollingcradle: Poranger-AL, Lucha doll-mask.
  • By Masayuki Sato&Omnikono: Gt informat-AL, KT.
  • By Masayuki Sato: Donki-KT (2010), Cherry-Cherry KT (2010), 239 Schablone-AL (2010), RBIO-AL (2010), FSB08 Klang-AL (2010), 224 MKSD-AL (2010), 223 MKSD-AL (2010), 235MKSD (2009, thin octagonal), Nepon-KT, Nepon-HR, Monday-AL / 3Type, Childish-AL, KT, HR, Volt-AL, KT, HR, Gavadon Ultra-KT, Building 2-AL, KT, Gachapon 2-KT, CinemaMa-AL, KT, HR, Skinny-AL, Magatama-AL, Astro 3.0-AL, KT, 160MKSD-AL, KT, TypoBokan-KT (3DCG), Lunch-KT, HR, Partner-AL / 3Type, Pico Super Ultra Bold-AL, 096MKSD-Synapse-AL, Millennium 5lines-AL, Tekuteku Round-AL, Warp-AL, Cherry Cherry-KT, Donki-KT, 078MKSD Medium Con-AL, Poco-AL, Temporary Extra-AL, 071MKSD Medium-AL, KT, 071MKSD Bold-AL, KT, Paco-AL, Collage-AL, Zerozero Nine-AL, KT, HR, Finger Five-AL, Electronica Nine-AL, Drifter Five-AL, Ultra Seven-AL / 3Type, Thaitype Ten-Thai, AL, KT, Gogo Five 2.0-AL, System Seven-AL / 7Type, 201MKSD-AL / 4Type, Fluorescent-AL / 2Type, FSB07 Astra-AL, KT, HR / 4Type, Nihonbashi 2.0-AL, KT, 176MKSD-AL, Continue-AL, Spaghettini-AL / 3Type, Pinponpan2, 3, 4-HR / 3Type, Pico-AL / 2Type, Kokecco2-KT, Charakyoro-AL, Coppepan-AL, KT, HR, Sardinen-KT, HR, Hachipochi Eight-AL, KT, Janis Heavy-AL, Futaba-KT, April Fool-AL, KT, HR, Arawasu-KT, Airline-AL, KT, HR, Astro 2.0-KT, Snail-AL, KT, Akachan-AL, KT, HR (Flop Design), Dorisorange-AL, KT (T26), Parade20-AL, KT, UFOnt-51silhouette, Rabbit35-silhouette, Dog30-Silhouette, Coil-AL, KT / 3Type, Frankfurter Custum Black-AL, COLOR-AL, Fivemani-AL, KT, Astroro-AL, KT, Puco-AL, 184MKSD Omnibus-AL, Alfadental-AL, FSB08 Klang-AL, KT / 3Type, TDA140607-AL, Shotaro V3-AL, KT, Colopocle-AL, KT, Melt-AL / 3Type, Tekuteku-AL, Crayon-AL, Digits-AL, Performar-AL, Pinponpan-HR, Airplane 2.0-AL, KT, Button-AL, Ball-AL, Box-AL, OLD CUBE-AL, Elekitel-HR, Retroket-AL, MKS Dot-AL, RikuKaiKu-Illust, Angle-AL, FontRemix 02 (36-kanji dingbat font). Font Pavilion sells these fonts: Building, Gavadon (kata), Volt (romaji, kata), Colopocle (katakana, romaji), Shotaro (katakana, romaji). Typo Bokan, Sennin, Snail. At Digitalogue, he published the screen font series Zerozero in 2000.
Abstractfonts link. Fontspace link. Artistic rendering of a kanji character. [Google] [More]  ⦿

Manop Wongsaisuwan

Free Thai BDF fonts developed by Manop Wongsaisuwan. [Google] [More]  ⦿

Mark Williamson

Designer of a public domain Unicode font in 2005 called MPH 2B Damase. It can be found here. Created by Mark Williamson, it covers Armenian, Cherokee, Coptic (Bohairic subset), Cypriot Syllabary, Cyrillic (Russian and other Slavic languages), Deseret, Georgian (Asomtavruli and Nuskhuri but no Mkhedruli), Glagolitic, Gothic, Greek (including Coptic characters), Hebrew, Latin, Limbu, Linear B (partial coverage of ideograms and syllabary), Old Italic, Old Persian cuneiform, Osmanya, Phoenician, Shavian, Syloti Nagri (no conjuncts), Tai Le (no combining tone marks), Thaana, Tifinagh, Ugaritic, Vietnamese. See also here. The font is used by the popular Debian Linux software. Mark Williamson also designed a free fonts for Osmanya, Ugaritic and Shavian called Andagii (2003). His Penuturesu covers Linear B. Dafont link. See also here. Old URL. Fontsy link.

He contributed to the GNU Freefont project, which used these ranges:

  • Hanunó?o (U+1720-U+173F)
  • Buginese (U+1A00-U+1A1F)
  • Tai Le (U+1950-U+197F)
  • Ugaritic (U+10380-U+1039F)
  • Old Persian (U+103A0-U+103DF)
[Google] [More]  ⦿

Markus Remscheid

German type designer who took part in the Linotype International Type design Contest in 2000. He is associated with Xplicit and Moniteurs in Berlin. He designed the artsy font Kissen in 1997. He also made Linotype Russisch Brot (1997, wth Helmut Ness) and Linotype MhaiThaipe (1997), a Thai simulation font. Remscheid is involved in H2D2, a graphic and web design company in Frankfurt, where he created the grunge face H2D2-Alevita-Rough (1996).

Dafont link. FontShop link. [Google] [MyFonts] [More]  ⦿

Mary Louise Killen

Mary Louise earned a BFA in graphic design and painting from Louisiana State University. She also earned a MFA from the School of the Art Institute of Chicago in Visual Communications. Now based in Louisiana, she graduated from the type design program at the University of Reading in 2010. As a student, she designed the upbeat text face Acadie and the Thai face Yala. She explains: Acadie regular and italic are drawn with reference to the broad-edged pen. A model of inspiration was Christoph Noordzij's typeface, Collis. It maintains a good performance in long texts with subtle calligraphic fluidity. To enhance liveliness and avoid a static monolinear stroke, Acadie utilizes higher contrast with a tall x-height to show an energetic visual impression on a page. About Yala: Yala regular is also created with reference to the broad-edged pen. Precedents examined are Adobe Thai, Sukothai (Linotype) and other angular typefaces printed in 1930 letterpress editions. The design of Yala creates an even color suitable for long texts and even diacritical positioning. Resisting a monolinear stroke similar to Cordi New (Microsoft), a higher contrast design favorable to a handwritten form is developed. Additional scans of Acadie: i, ii, iii. In 2010, she drew Apartment Type, a set of objects. Behance link. [Google] [More]  ⦿

Michael Paul Young

Born and raised in Tennessee, Michael Paul Young currently calls Bangkok, Thailand home. He founded, managed and directs daily the online design shop YouWorkForThem, which is located in Baltimore, MD. Home page. Creator of "Apply", a free texture tool that allows you to customize any font you wish with an array of inky splatters and sprays. In 2000-2001, he made the pixelish YWFT DesignGraphik family. With Teerayut Puchpen, he designed the ultra-fat counterless face Pudge (2010). In 2011, he created Motown Expanded, which was based on YWFT Motown (2009, Travis Stearns). MyFonts link. [Google] [MyFonts] [More]  ⦿

Mingmae

Thai creator of several Latin handprinted faces at iFontmaker in 2011: Kaohommali6 (2011), Kaohommali5 (2011), Kaohommali3 (2011), Kaohommali2 (2011), Kaohommali (2011). [Google] [More]  ⦿

Modified Thai

Thai TrueType fonts Thai Mono, Thaiprop (both by Monotype), Mod SSS, and Mod SSS Mono. [Google] [More]  ⦿

Monotype

Thai fonts by Monotype: UPC Angsana, UPC Browallia, UPC Cordia, Arial Thai, Kumpha, Maysa, Meena, Mokkara, Mokkara Display. [Google] [More]  ⦿

Monotype

Monotype sells fonts for the following languages: Amharic, Aksara Kaganga, Arabic, Armenian, Balinese, Burmese, Cambodian, Chinese, Coptic, Devanagari (Hindi/Marathi/Nepali), Farsi, Georgian, Glagolitic, Gujerathi, Gurmukhi (Punjabi), Hebrew, Japanese, Javanese, Jawi, Kannada, Korean, Laotian, Lontarak, Malayalam, Old Bulgarian, Oriya, Pushto, Sindhi, Sinhalese, Surat Pustaha, Syriac, Tamil, Telugu, Thai, Urdu, Vietnamese. [Google] [More]  ⦿

Monthop Thai page

Eight Thai TrueType fonts (free downloads), of the mixed Latin/Thai families DBThai, and PSL Text. [Google] [More]  ⦿

NACSIS

National Center for Science Information Systems in Tokyo. All about Thai fonts. Page by Vuthichai Ampornaramveth. [Google] [More]  ⦿

Naoki

Brazilian designer. His Tailandia family (2011) is a faux-oriental face that mimics Thai writing. [Google] [More]  ⦿

Narin Corporation

Free Thai truetype fonts:

  • Poonlap Veerathanabutr designed the free Thai monospace fonts TlwgMono-Bold, TlwgMono-BoldOblique, TlwgMono-Oblique, TlwgMono, TlwgTypewriter-Bold, TlwgTypewriter-BoldOblique, TlwgTypewriter-Oblique, TlwgTypewriter in 2005.
  • NECTEC put these faces in the public domain: Garuda-Bold, Garuda-BoldOblique, Garuda-Oblique, Garuda (2005), Loma-Bold, Loma-BoldOblique, Loma-Oblique, Loma (2003).
  • The National Font Project (Yannis Haralambous, Virach Sornlertlamvanich and Anutara Tantraporn) created these faces from 1999-2005: Norasi-Bold, Norasi-BoldItalic, Norasi-BoldOblique, Norasi-Italic, Norasi-Oblique, Norasi.
  • Poonlap Veerathanabutr added the Thai handwriting outline font Purisa (2003-2004).
[Google] [More]  ⦿

Natapon Chantabut

Thai designer of Thaitillium Improved (2010), a Latin / Thai face that was developed from Titillium. [Google] [More]  ⦿

Nathan Matteson

Designer of Ardbeg (2003, award winner at the TDC2 2004 competition), a Thai bitmap font, Gaijaaethao (2004, a grayscale Thai font), and of Hamfist (2003, a serif font). In 2004, he joined Ultra Pixel Fonts, where he made the pixel face Daasaang (Thai). He works at the International Academy of Design and Technology in Chicago, and will soon start Eightyproofpress Inc. His web page opens new windows and makes my browser crash. [Google] [More]  ⦿

Nattapol Rojjanarattanangkool

Thai type designer who published Pharmasee (2011, Katatrad, which is a medical dingbat font. [Google] [MyFonts] [More]  ⦿

NECTEC

Thai fonts at NECTEC: DB Thai Text, DB Narai. All platforms and formats. Free. [Google] [More]  ⦿

Nopanon Itthiakarapong

Thai designer of the free octagonal sharp-edged typeface Kayasul (2012). Aka Nuengstno. [Google] [More]  ⦿

Norrasak Ramasute

Graphic designer in Bangkok, and junior designer at YWFT. Behance link. He made Fang (2010), a set of fonts (alphabets?) for Latin and Thai that mix letterforms as in ransom notes. He also made the texture face Montha (2010). Creations in 2011: YWFT Dekko (YWFT Dekko is an icon, symbol and pattern style dingbat font created with the ability to execute multiple design ideas), YWFT S3 (advertised as a folktronic, arts-and-circuits, crocheted robotic masterpiece of the first order). [Google] [More]  ⦿

Numchoke Sinmongkolraksa

Designer of Thai fonts such as Layiji Kutlaimuu (2005-2006). [Google] [More]  ⦿

orchids

Thai site with a few TrueType fonts that are extensions of Latin fonts with Thai letters added: DsSupasawatt (by Dusit Supasawat), XJS_Chaimongkol, XJS_Tina, XJS_Toomtam (all by JS Technology, 1993). [Google] [More]  ⦿

Pablo Saratxaga

Pablo Saratxaga's archive with about 20 display fonts, and fonts for Vietnamese, Armenian, Georgian, Thai, Indic and dingbats. Just the Armenian subarchive has these fonts, mostly by Ruben Tarumian, dated 1994: ArTarumianAfrickian, ArTarumianAnpuit, ArTarumianBakhum, ArTarumianBarak-Bold, ArTarumianBarak, ArTarumianErevan, ArTarumianGovazd-Italic, ArTarumianGrig, ArTarumianGrqiNor-Bold-Italik, ArTarumianGrqiNor-Bold, ArTarumianGrqiNor-Italic, ArTarumianGrqiNor, ArTarumianHamagumar, ArTarumianHandes, ArTarumianHeghnar, ArTarumianIshxan, ArTarumianKamar, ArTarumianMHarvats, ArTarumianMatenagir-Bold-Italic, ArTarumianMatenagir-Bold, ArTarumianMatenagir-Italic, ArTarumianMatenagir, ArTarumianNorMatenagir, ArTarumianPastar, ArmNet-Helvetica. [Google] [More]  ⦿

Peter Specht

Designer who created the pixel grid face z001-rom (2008), Katerina (2010, almost LED face), Kinryu (2010), Kinryu No. 14 (2009), z001-rom_v10.4, Normal (2009, pixel face), Elektrogothic (2008, futuristic), Laurier Test (2009, serifed), Laurier No. 7 (2009, an extensive Unicode face that covers Latin, Greek, Cyrillic, most Indic languages, Thai, Hebrew, Lao, Tibetan, runic, Khmer, and mathematical, chess and other symbols), Kinryu No. 8 Regular (2009, an extension of Laurier towards Japanese), Clucky Duck (2008, rounded), and the double-scratch handwriting face Wild Freak (2008). [Google] [More]  ⦿

Phaisarn Techajaruwong

Free TrueType Latin / Thai fonts of the family "Phaisarn" created and contributed by Phaisarn Techajaruwong: Phaisarn, PhaisarnFixed, PhaisarnMono. All are fixed-width Latin/Thai typewriter fonts that were made in 1997-1998, at a time when Phaisarn was at the Tokyo Institute of Technology. Alternate site. Dafont link [now dead]. [Google] [More]  ⦿

Phanlop Thongsuk

Thai font designer whose typefaces made from 1995-2000 (for Latin and Thai) include PSL-Advert, PSL-AdvertSP, PSL-Akkhanee, PSL-AkkhaneeAD, PSL-AkkhaneeSP, PSL-Asadong, PSL-AsadongSP, PSL-Bundit, PSL-BunditSP, PSL-ChalalaiClassic, PSL-ChalalaiClassicSP, PSL-ChalindaCondensedSP, PSL-Chamnarn, PSL-ChamnarnSP, PSL-Display, PSL-DisplaySP, PSL-EmpireExtra, PSL-EmpireExtraAD, PSL-EmpireExtraSP, PSL-Imperial, PSL-ImperialExtra, PSL-ImperialExtraAD, PSL-ImperialExtraSP, PSL-ImperialSP, PSL-Irene, PSL-IreneSP, PSL-Isara, PSL-IsaraSP, PSL-Jarin, PSL-JarinSP, PSL-KittithadaSP, PSL-Majestic, PSL-MajesticSP, PSL-MalineeSP, PSL-MethineeSP, PSL-MittrapabSP, PSL-NarissaraSP, PSL-OlarnSP, PSL-OmyimSP, PSL-Paksin, PSL-PaksinSP, PSL-Panpilas, PSL-PanpilasSP, PSL-PassanunAD, PSL-PassanunSP, PSL-PattriyaSP, PSL-PimruedeeSP, PSL-Pojamarn, PSL-PojamarnAD, PSL-PojamarnSP, PSL-Prathom, PSL-PrathomAD, PSL-PrathomSP, PSL-Samson, PSL-SamsonOutline, PSL-SamsonOutlineAD, PSL-SamsonOutlineSP, PSL-SamsonSP, PSL-SamsonStar, PSL-SamsonStarAD, PSL-SamsonStarSP, PSL-ScriptAD, PSL-ScriptSP, PSL-Siara, PSL-SiaraAD, PSL-SiaraSP, PSL-SriSiamSP, PSL-Text, PSL-TextMono, PSL-TextMonoSP, PSL-TextSP, PSL-ThaiAntiqueSP, PSL-ThaiCommon, PSL-ThaiCommonSP, PSL-YaowarajSP, PSLAdvertas, PSLAkkhaneeas, PSLAsadongas, PSLAsadongas80353, PSLBundit, PSLChalalaiClassicas, PSLChamnarnas, PSLDisplayas, PSLEmpireExtraas, PSLImperialExtraas, PSLImperialas, PSLIreneas, PSLIsaraas, PSLJarinas, PSLMajesticas, PSLPaksinas, PSLPanpilasas, PSLPojamarnas, PSLPrathomas, PSLSamsonOutlineas, PSLSamsonStaras, PSLSamsonas, PSLTextas, PSLThaiCommonas. Alternate URL. [Google] [More]  ⦿

Photoshop fonts

Thai fonts: AngsanaUPCBold, AngsanaUPCBoldItalic, AngsanaUPCItalic, AngsanaUPC, BrowalliaUPCBold, BrowalliaUPCBoldItalic, BrowalliaUPCItalic, BrowalliaUPC, CordiaUPCBold, CordiaUPCBoldItalic, CordiaUPCItalic, CordiaUPC, DilleniaUPCBold, DilleniaUPCBoldItalic, DilleniaUPCItalic, DilleniaUPC, EucrosiaUPCBold, EucrosiaUPCBoldItalic, EucrosiaUPCItalic, EucrosiaUPC, FreesiaUPCBold, FreesiaUPCBoldItalic, FreesiaUPCItalic, FreesiaUPC, IrisUPCBold, IrisUPCBoldItalic, IrisUPCItalic, IrisUPC, JasmineUPCBold, JasmineUPCBoldItalic, JasmineUPCItalic, JasmineUPC, KodchiangUPCBold, KodchiangUPCBoldItalic, KodchiangUPCItalic, KodchiangUPC. "UPC" stands for Unity Progress. [Google] [More]  ⦿

Phuut Thai

Thai fonts: DBThaiText (Monotype family, 1992), KK-Jaksu (by Kittisak Kulvichit, 1995), LotusBusakorn (Thaisoft, 1994), Phan (by Hans Moeller), Surin, ThaiBangkokDJA (a modified font by Doug Anderson, 1998), ThaiPln (a modified font by Doug Anderson, 1998), NRBPhetBouri (NRB Systems). [Google] [More]  ⦿

Piyoros Chokudompaisal

Designer in Bangkok. Creator of Thai-Chinese (2011), an oriental simulation face for Latin and Thai. Behance link. [Google] [More]  ⦿

Pokpong Suwan

Designer who published the dingbat faces Beauty (2011), Office Pi (2012), and Supermarket Pi (2011) at the Thai foundry Katatrad. [Google] [MyFonts] [More]  ⦿

Pomme Chan

Bangkok-born creator of a number of striking type posters in 2008. Based in London, Pomme Chan runs Pomme Pomme Studio (illustration, design). [Google] [More]  ⦿

Pongsak Mormungkun

Bangkok-based designer (b. 1989) who made Layiji SaRangHeYo (201, informal). iGenBiz is his home page. [Google] [More]  ⦿

Poonlap Veerathanabutr

Thai designer of the Thai handwriting outline font Purisa (2003-2004) and the free Thai monospace fonts TlwgMono-Bold, TlwgMono-BoldOblique, TlwgMono-Oblique, TlwgMono, TlwgTypewriter-Bold, TlwgTypewriter-BoldOblique, TlwgTypewriter-Oblique, TlwgTypewriter (2005). The fonts can be downloaded here. [Google] [More]  ⦿

Prachid Tinnabutr

Art and design lecturer in Thailand. He created the type family called CRU (Chandrakasem Rajabhat University) in 2011 for Latin and Thai. Behance link. [Google] [More]  ⦿

Prachid Tinnabutr

Thai designer of the Latin handprinted face AAA-Prachid Hand Written (2011). Prachid is Assistant Professor, Fine and Applied Arts Division, Department of Humanities Sciences, Chandrakasem Rajabhat University, Bangkok. Home page. [Google] [More]  ⦿

Prinya R. Nont

Designer of the Thai script face DB SantiPap, which won an award at the TDC2 2005 type competition. This face was published by DB Designs Co., Bangkok. [Google] [More]  ⦿

Production First Software
[John M. Fiscella]

Production First Software offers original, revival and historic designs and specializing in non-latin scripts including Armenian, Cyrillic, Greek, Hebrew, Thai, mathematical symbols and pi characters. It is run by John M. Fiscella in San Francisco since 1990, with most typefaces created immediately after that. John M. Fiscella designed the fonts for symbols and many of the alphabetic scripts for the unicode charts and all typefaces complky with unicode standards. Type glossary. List of typefaces: BernalPF, Blck2LineGothicPF Logo, Blck3LineGothicPF Logo, Blck4LineGothicPF Logo, CourPF, CourPF Bold, CourPF BoldOblique, CourPF Oblique, EdwardianMansePFTitling, EriePF, EuroPF-Bold, EuroPF-BoldOblique, FiftiesPopPF, GrandVictorianPFTitling, HlvPF Bold, HlvPF BoldOblique, HlvPF Medium, HlvPF Oblique, ItalianatePF, ItalianateMulticolor1PF, ItalianateMulticolor2PF, ItalianateMulticolor3PF, ItalianateSansPF, LafayettePF, LosPFBold, MisionPFAntique, MisionPFBold, MisionPFBook, MisionPFBookMetal, MisionPFLight, MisionPFTitling, PalouPFTitling, PiazzaPFScript, RadioPF, RadioCityPF, SymbolPF Bold, SymbolPF BoldItalic, SymbolPF Italic, TexMexPF, TmsPF Bold, TmsPF BoldItalic, TmsPF Cursive, TmsPF Italic, TmsPF Rom +, TmsMathPF Cursive, TmsHebWidePF Rom, UnvPF Bold, UnvPF BoldOblique, UnvPF Oblique, UnvPF Medium, UviewPF Bold, UviewPF BoldOblique, UviewPF Oblique, UviewPF Medium, ZenonPFTitling. [Google] [MyFonts] [More]  ⦿

Rangsit University

Hundreds of free Thai truetype and screen (.FOT) fonts. [Google] [More]  ⦿

Salika

Commercial Khmer font producer. Salika Ltd is located in Tokyo. Their Khmer fonts are named Khm-1 through Khm-4. They also have fonts for Bengali, Burmese, Chinese, Latin, Hindi, Japanese, Korean, Mongolian, Nepali, Cyrillic, Tamil, Thai and Vietnamese. [Google] [More]  ⦿

Sathaporn U-sapanitch

Designer in Bangkok, who created the all-caps alphabet called Lady Gaga (2012). [Google] [More]  ⦿

SEALANG Font Directory

The SEALANG web site is managed by Doug Cooper / Southeast Asian Software Research Center. Documentation (PDF files) and some free fonts. Burmese, devanagari, Jawi, Lao Dhamma, Ramkhamhaeng, Tibetan, Vietnamese, Mudir Thai. [Google] [More]  ⦿

Seksan Neramitthanasombat

Designer (b. 1995, Damnoensaduak, Ratchaburi, Thailand) of the basic monoline sans face NTS Akkhara (2011). [Google] [More]  ⦿

Shan Fonts

Shanland is at the volatile border between Burma and noirthern Thailand. At the Shan Herald News Agency, one can find a number of free fonts for local scripts: AF1SIAM-MediumOblique, AF2SIAM-A, AF3SIAM, AF4SIAM, A_Laikhun, A_Leimork, A_ShanAA, Dai-Dehong (2003, by MengDai Font), A_ShanCC, B_ShanAA, B_ShanBB, Nongtung (1998, by Young King Crow), SaiLonA, Win-ShanNL, X1-SSLMA, X10-SSlm, X11-SSlm, X12-SSlm, X13-SSlm, X14-SSlm, X15-SSlm, X16-SSlm, X2-SSLMA, X3-SSlm, X4-SSLMAA, X5-SslmA, X6-SSlm, X7-SSlm, X8-SSLM, X9-SSlm, A_ShanBB. In this list, most fonts were made between 1997 and 2001. [Google] [More]  ⦿

Shioon

Chiangmai, Thailand-based graphic designer (b. 1991). Creator of Shioon (2009, handprinted). [Google] [More]  ⦿

SIAMweb

Settapol Linprachya's free Thai fonts, including the unicode-compliant Courier-Monothai, EBCDIC-FixedMonoThai and Courier-ProportionalThai. Alternate URL. [Google] [More]  ⦿

SIAMWeb: Thai Font Page

Page with explanations of Thai fonts, and useful links. Has one free Thai font. By Yujira Jirapinyo. [Google] [More]  ⦿

SIL Dai Banna Fonts

Developed at the Summer Institute of Linguistics, here is the blurb for this font free family (Mac and PC): "The SIL Dai Banna Fonts are a new rendering of the New Tai Lue (Xishuangbanna Dai) script. The New Tai Lue script is used by approximately 700,000 people who speak the Tai Lue language in Yunnan, China. It is a simplification of the original Lanna script as used for the Tai Lue language for hundreds of years." J. Victor Gaultney was one of the developers of this free font package. [Google] [More]  ⦿

SIL Tai Dam Fonts

"The SIL Tai Dam Fonts are regular and bold versions of the traditional Tai Dam script and are closely based on handwritten letters. [...] Over half a million Tai Dam people (also known as Black Tai or Tai Noir) live in northwestern Vietnam and northern Laos. Their language is a member of the Tai-Kadai language family and is closely related to Laotian and Standard Thai. [...] Special thanks are due to Mr. Faah Baccam, whose drawings have served as the basis for the development of these fonts." These fonts, developed by J. Victor Gaultney at the Summer Institute of Linguistics, are free. [Google] [More]  ⦿

SIPA: Department of Intellectual Property (DIP), Ministry of Commerce and Software Industry Promotion Agency
[Suppakit Chalermlarp]

Thai fonts produced by this public institution in Thailand in 2006: THBaijam-Bold, THBaijam-BoldItalic, THBaijam-Italic, THBaijam, THChakraPetch-Bold, THChakraPetch-BoldItalic, THChakraPetch-Italic, THChakraPetch, THFahkwang-Bold, THFahkwang-BoldItalic, THFahkwang-Italic, THFahkwang, THK2DJuly8-Bold, THK2DJuly8-BoldItalic, THK2DJuly8-Italic, THK2DJuly8, THKoHo-Bold, THKoHo-BoldItalic, THKoHo-Italic, THKoHo, THKodchasal-Bold, THKodchasal-BoldItalic, THKodchasal-Italic, THKodchasal, THKrub-Bold, THKrub-BoldItalic, THKrub-Italic, THKrub, THMaliGrade6-Bold, THMaliGrade6-BoldItalic, THMaliGrade6-Italic, THMaliGrade6, THNiramitAS-Bold, THNiramitAS-BoldItalic, THNiramitAS-Italic, THNiramitAS, THSarabunPSK-Bold, THSarabunPSK-BoldItalic, THSarabunPSK-Italic, THSarabunPSK. These fonts were created in 2006 by Suppakit Chalermlarp. [Google] [More]  ⦿

Sirichai Lerdvorawut

Thai designer of the free Thai outline fonts called Loma (2003). They can be found here. [Google] [More]  ⦿

Sittirong

Associated with Chandrakasem Rajabhat University in Thailand, Sittirong designed the free pen-drawn faces CRU-Sittirong (2009). Fontspace link. [Google] [More]  ⦿

Smich Smanloh

Designer who published the ultra-fat family Ton (2010) at the Thai foundry Katatrad. Ton covers Latin and Thai. [Google] [MyFonts] [More]  ⦿

Smich Smunloh

Thai type designer. He joined Cadson Demak's type workshop, where he designed Garavek. [Google] [More]  ⦿

Southern Software Inc. (SSi)

SSi sells foreign fonts for Arabic, Urdu, Greek, Hebrew, Armenian, Baltic, Burmese, Cherokee, Cyrillic, Cree, Simplified Chinese, Ethiopian, Inuktitut, Gaelic, IPA, Japanese, Korean, Laotian, Mayan. Farsi, Punjabi, Sanskrit, Syriac, South Arabian, Tamil, Thai, Tibetan, Turkish, Ugaritic, and Vietnamese. Plus musical dingbats. Of course, they did not make a single of these fonts themselves. [Google] [More]  ⦿

Squiggy

Squiggy (or Kwanvero) is the Australian designer of the free handprinted face Kriss (2011, for Latin and Thai). [Google] [More]  ⦿

Srisakdi Charmonman

Thai fonts produced by Prof. Dr. Srisakdi Charmonman in 2006: THCharmofAU, THCharmonman-Bold, THCharmonman, THSrisakdi-Bold, THSrisakdi. [Google] [More]  ⦿

Star Plus Multiply
[Kittiphat Sukamolson]

Thai designer (b. 1980) of the alien-look font We Are Alien (2006), the grunge face What The Hell (2005) and the multiline caps face Tali (2007). Dafont link. Aka Mr. Oak. He also made the handwriting faces Beamba (2004), kittyhandwrite01 (2004), Kob (2004), Numwaan (2004), TAZ (2007), Jabjai (2009, handprinted and 3d), and Voodoodoll (2004). His company is called Star Plus Multiply. All his designs are free and open source. [Google] [More]  ⦿

Stawix
[Stawix Ruecha]

In 2012, Stawix was established in Bangkok by Stawix Ruecha (b. 1986, Bangkok). At Stawix, Ruecha published Seravee (2012, a didone family), and Letra Pro Headline (2012, a manicured and permed didone).

Earlier, Stawix Ruecha created the gaspipe typeface Nubb (2012, Katatrad). [Google] [MyFonts] [More]  ⦿

suedostasien fonts

South East Asian TrueType font archive, with Thai, Burmese, Buginese, and Vietnamese fonts, for example. At the site of Dr. Vincent Houben, University of Passau in Germany. Can't locate the archive any more! [Google] [More]  ⦿

Suffix Works

Design bureau in Bangkok. It made the monoline monospaced face Suffix Mono (2011). Behance link. Free download. [Google] [More]  ⦿

Sun-Ext

Sun-ExtA and Sun-ExtB are two full free Unicode fonts, covering everything under the sun. [Google] [More]  ⦿

Supaksirin Wongsilp

Bangkok-based industrial designer, b. 1988. Behance link. Creator of the typographic poster Doodots (2009). [Google] [More]  ⦿

Surachai

About ten Thai fonts at this site at Vanderbilt University: the DBThaiText family from Monotype. [Google] [More]  ⦿

Surawong

Free Thai truetype font, XDB-Surawong, by Dear Book Co and JS Technology Co. [Google] [More]  ⦿

sut1.sut

Small Thai font archive: AngsanaNew, DBThaiText, DBThaiTextBold, DBThaiTextFixed, DBThaiTextFixedBold, KodchiangUPC. [Google] [More]  ⦿

Taechit Jiropaskosol

Bangkok-based graphic designer. He created the fat geometric faces Herzog (2008, with Travis Stearns) and Ally (2009) and the retro slab serif Lollop (2009). You Work For Them link. With Michael Cina and Michael Paul Young, he created YWFT Agostina Aleternate (2011). With Travis Stearns, he did the children's face Garnier (2011). [Google] [More]  ⦿

Tanawat Sakdawisarak

Graduate of the Faculty of Visual Communication Arts and Graphic Design at Assumption University in Bangkok. In 2009, Tanawat designed several Latin and Thai typefaces such as Bedhead Sweet (avant-garde face) and Bedhead Sway (paper-fold face).

In 2012, he and Praire Kongpairin codesigned the alchemic hieroglyph-inspired typeface Saita (available at Ten Dollar Fonts). Still in 2012, he created YWFT Roland (an EPS format ornamental caps face) in a related style. YWFT Dogma (2012) is an EPS caps face based on the same design principles. [Google] [More]  ⦿

Tarin Yuangtrakul

Designer in Bangkok, who runs Tabby Design. He made the experimental geometric face Invisible Color (2010), the sketchy face Self-Contradiction (2010), and the curvy high-contrast free face Hyperbola (2010). In 2011, he created the free geometric monoline architectural lettering face Infinity, as well as Golden Sans, an experimental and hairline sans that is based on the golden ratio. Behance link. [Google] [More]  ⦿

Teerayut Puchpen

Bangkok-based codesigner, with Michael Paul Young, of the ultra-fat counterless face Pudge (2010). [Google] [More]  ⦿

Tereza Tranaka

Yannis Haralambous and Tereza Tranaka created these truetype and type 1 fonts for the Omega Project in 1999: OmegaSerif8859-1-Bold, OmegaSerif8859-1-BoldItalic, OmegaSerif8859-1-Italic, OmegaSerif8859-1, OmegaSerif8859-2-Bold, OmegaSerif8859-2-BoldItalic, OmegaSerif8859-2-Italic, OmegaSerif8859-2, OmegaSerif8859-3-Bold, OmegaSerif8859-3-BoldItalic, OmegaSerif8859-3-Italic, OmegaSerif8859-3, OmegaSerif8859-4-Bold, OmegaSerif8859-4-BoldItalic, OmegaSerif8859-4-Italic, OmegaSerif8859-4, OmegaSerif8859-5-Bold, OmegaSerif8859-5-BoldItalic, OmegaSerif8859-5-Italic, OmegaSerif8859-5, OmegaSerifThaiIso, OmegaSerifVISCII. [Google] [More]  ⦿

Tereza Tranaka

Codesigner with Yannis Haralambous in 1999 of the free Omega Serif family for ISO8859 series 1 through 5 (Latin, European languages), OmegaSerifThaiIso, OmegaSerifVISCII (Vietnamese). [Google] [More]  ⦿

Thai email group

[More]  ⦿

Thai Fonts

Five free Thai truetype fonts. [Google] [More]  ⦿

Thai Fonts Page

Vuthichai Ampornaramveth's archive of shareware/freeware Thai fonts. [Google] [More]  ⦿

Thai Schriftarten

Thai font archive. [Google] [More]  ⦿

THAIFONT.521

Thai font archive, with 521 truetype fonts! [Google] [More]  ⦿

Thaifonts

Thai font archive: AngsanaNew-Bold, AngsanaNew-BoldItalic, AngsanaNew-Italic, AngsanaNew, AngsanaUPC-Bold, AngsanaUPC-BoldItalic, AngsanaUPC-Italic, AngsanaUPC, BrowalliaNew-Bold, BrowalliaNew-BoldItalic, BrowalliaNew-Italic, BrowalliaNew, BrowalliaUPC-Bold, BrowalliaUPC-BoldItalic, BrowalliaUPC-Italic, BrowalliaUPC, CordiaNew-Bold, CordiaNew-BoldItalic, CordiaNew-Italic, CordiaNew, CordiaUPC-Bold, CordiaUPC-BoldItalic, CordiaUPC-Italic, CordiaUPC, DBThaiText, DBThaiTextBold, DBThaiTextFixed, DBThaiTextFixedBold, DBXThaiText, DBXThaiTextBold, DilleniaUPC, DilleniaUPCBold, DilleniaUPCBoldItalic, DilleniaUPCItalic, EucrosiaUPC, EucrosiaUPCBold, EucrosiaUPCBoldItalic, EucrosiaUPCItalic, FixedDBThaiTextNew, FreesiaUPC, FreesiaUPCBold, FreesiaUPCBoldItalic, FreesiaUPCItalic, IrisUPC, IrisUPCBold, IrisUPCBoldItalic, IrisUPCItalic, JasmineUPC, JasmineUPCBold, JasmineUPCBoldItalic, JasmineUPCItalic, KodchiangUPC, KodchiangUPCBold, KodchiangUPCBoldItalic, KodchiangUPCItalic, LilyUPC, LilyUPCBold, LilyUPCBoldItalic, LilyUPCItalic, MicrosoftSansSerif, PSL-Display-Regular, PSL-Text-Regular, PSLTextMonoRegular, Tahoma-Bold, Tahoma. The fonts with UPC in the name are made by "Unity Progress". The PSL series is due to Phanlop Thongsuk (1995-1997). [Google] [More]  ⦿

Thaifonts DIP SIPA

Original authors of these free Thai fonts (with full Fontforge sources!):

  • SP Thotsakan: Ekaluck Peanpanawate.
  • SP Rama: Pairoj Peamprajakpong, Borwon Joradol. Aksaramatee Group
  • SP Sinsamut: Kansuda Peamprajakpong, Aksaramatee Group.
  • SP Laksaman: Chalermlarp, PSK. Design LTD.
  • SP Sida: Kant Rodsawat.
  • SP Sutsakhorn Sudarat Lertseethong.
  • SP Ramasun Theerawat Pojvibulsiri.
  • SP Laweng Rapee Suveeranont, Virot Chiraphadhanakul.
  • SP Aphaimanee: Kham Chaturongakul, Kanokwan Panthaisong.
  • SP Hanuman: Kitti Niwat.
Current Maintainer: Theppitak Karoonboonyanan. The fonts were part of a font competition project, and the original names (later changed) were: TH Krub, TH Krub Italic, TH Krub Bold, TH Krub Bold Italic, TH Niramit AS, TH Niramit AS Italic, TH Niramit AS Bold, TH Niramit AS Bold Italic, TH Kodchasal, TH Kodchasal Italic, TH Kodchasal Bold, TH Kodchasal Bold Italic, TH Sarabun PSK, TH Sarabun PSK Italic, TH Sarabun PSK Bold, TH Sarabun PSK Bold Italic, TH K2D July8, TH K2D July8 Italic, TH K2D July8 Bold, TH K2D July8 Bold Italic, TH Mali Grade 6, TH Mali Grade 6 Italic, TH Mali Grade 6 Bold, TH Mali Grade 6 Bold Italic, TH Chakra Petch, TH Chakra Petch Italic, TH Chakra Petch Bold, TH Chakra Petch Bold Italic, TH Baijam, TH Baijam Italic, TH Baijam Bold, TH Baijam Bold Italic, TH KoHo, TH KoHo Italic, TH KoHo Bold, TH KoHo Bold Italic, TH Fah Kwang, TH Fah Kwang Italic, TH Fah Kwang Bold, TH Fah Kwang Bold Italic. Download site. [Google] [More]  ⦿

Thaifonts Scalable

Free scalable Thai fonts with full Fontforge source code in SFD format. Original font creators:

  • Kinnari: Db Type Co.
  • Garuda: Unity Progress Co.
  • Norasi: Yannis Haralambous, Virach Sornlertlamvanich, Anuttara Tantraporn.
  • TlwgMono, PseudoMono, Purisa: Poonlap Veerathanabutr.
  • Loma: Sirichai Lerdvorawut.
  • Sawasdee: Pol Udomwittayanukul.
  • Waree, Umpush: Widhaya Trisarnwadhana.
Maintained by Theppitak Karoonboonyanan, Chanop Silpa-Anan, Poonlap Veerathanabutr, and Vee Satayamas. [Google] [More]  ⦿

Thaifonts Scalable

A collection of Thai scalable fonts available in free licenses, developed according to the highest standards using Fontforge. Renamed tlwg in 2012. Maintained by Theppitak Karoonboonyanan, Chanop Silpa-Anan, Poonlap Veerathanabutr and Vee Satayamas. The Thai Linux Working Group (TLWG) is behind the project. Fonts (in all desirable formats) include:

  • Poonlap Veerathanabutr designed the free Thai monospace fonts TlwgMono-Bold, TlwgMono-BoldOblique, TlwgMono-Oblique, TlwgMono, TlwgTypewriter-Bold, TlwgTypewriter-BoldOblique, TlwgTypewriter-Oblique, TlwgTypewriter in 2005. He added the Thai handwriting outline font Purisa (2003-2004), as well as PseudoMono.
  • NECTEC put these faces in the public domain: Garuda-Bold, Garuda-BoldOblique, Garuda-Oblique, Garuda (2005), Loma-Bold, Loma-BoldOblique, Loma-Oblique, Loma (2003). Garuda is copyright of the Unity Progress Co, and Loma is made by Sirichai Lerdvorawut.
  • The National Font Project (Yannis Haralambous, Virach Sornlertlamvanich and Anutara Tantraporn) created these faces from 1999-2005: Norasi-Bold, Norasi-BoldItalic, Norasi-BoldOblique, Norasi-Italic, Norasi-Oblique, Norasi.
  • DB Type Co created Kinnari.
  • Widhaya Trisarnwadhana made Waree and Umpush.
[Google] [More]  ⦿

thaikybd

Notes on how to work with Thai fonts in English software. Has a few free TrueType fonts for download, including Fixed DB Thaitext New. [Google] [More]  ⦿

Thaisoft

Archive with about ten Thai truetype fonts. [Google] [More]  ⦿

thaisys

Download Fixed DB Thaitext New, a TrueType font by Monotype, modified by Somnuk Limsiroratana, Psychiatric Department, Siriraj HOSPITAL, Bangkok Thailand. March 1996. [Google] [More]  ⦿

Thai-ttf

Free Thai truetype fonts by Unity Progress, Virach Sornlertlamvanich, Yannis Haralambous, and Anuttara Tantraporn. These include the Garuda family (1999, generatewd by NECTEC for public domain), the Norasi family (developed under the National Font Project at NECTEC as to be a free licensed font for Thai users and developers, 1999), and Monotype's DBThaiText (2003). The type 1 versions are here. [Google] [More]  ⦿

Thanarat Vachirukul

Designer who published the dingbat faces Bulleta One and Two (2011) at the Thai foundry Katatrad. This pair of faces is meant to provide bullets for lists and tables. [Google] [MyFonts] [More]  ⦿

thannews (Thailand)

AngsanaNew (Monotype) and DBTTF Thai fonts. [Google] [More]  ⦿

The National Font Project
[Anutara Tantraporn]

Norasi is a Thai font family developed in 1999 by Yannis Haralambous, Virach Sornlertlamvanich and Anutara Tantraporn. Norasi is a trademark of NECTEC. All fonts are free. See also here. [Google] [More]  ⦿

Thun Puchpen

Located in Bangkok, this illustrator and occasional type designer produces magnificent fashionable work. Fonts created by him include Woolly (2008) and Thaiglish (2008). [Google] [More]  ⦿

Titipun Tubthong

Titipun Tubthong is a designer in Bangkok. He created the experimental thai face Camera (2010). Behance link. [Google] [More]  ⦿

TNOP
[Tnop Wangsillapakun]

TNOP is Tnop Wangsillapakun's outfit, est. 2005. Tnop is the Bangkok-born Chicago-based [T-26] designer of Bpositive (screen font), OneAM (1999, dot matrix font), Fliptura, Dodo (fantastic experimental display font!!), Square 45 (with technical assistance of Carlos Segura, Ben Husmann and Ana Reinert), and ItsOverCaptain (2000, game playing font). CV.

Klingspor link.

Tnop has worked with a wide range of clients such as Corbis Images, Nike, Coca-Cola, IRENA (International Renewable Energy Agency), fashion designer Maria Pinto, Mitea (a small tea shop in Chicago), and Alongkorn (a high-level bespoke suit shop in Bangkok). He teaches design at Rangsit University in Pratumthani, Thailand. [Google] [MyFonts] [More]  ⦿

Unicode Thai

CourierThai (1999) in truetype unicode version. [Google] [More]  ⦿

Unity Progress (or: UPC)

[Dead page.] Unity Progress (UPC), which is located in Bangkok, made these Thai fonts: AngsanaUPCBold, AngsanaUPCBoldItalic, AngsanaUPCItalic, AngsanaUPC, BrowalliaUPCBold, BrowalliaUPCBoldItalic, BrowalliaUPCItalic, BrowalliaUPC, CordiaUPCBold, CordiaUPCBoldItalic, CordiaUPCItalic, CordiaUPC, DilleniaUPCBold, DilleniaUPCBoldItalic, DilleniaUPCItalic, DilleniaUPC, EucrosiaUPCBold, EucrosiaUPCBoldItalic, EucrosiaUPCItalic, EucrosiaUPC, FreesiaUPCBold, FreesiaUPCBoldItalic, FreesiaUPCItalic, FreesiaUPC, IrisUPCBold, IrisUPCBoldItalic, IrisUPCItalic, IrisUPC, JasmineUPCBold, JasmineUPCBoldItalic, JasmineUPCItalic, JasmineUPC, KodchiangUPCBold, KodchiangUPCBoldItalic, KodchiangUPCItalic, KodchiangUPC, LilyUPCBold, LilyUPCBoldItalic, LilyUPCItalic, LilyUPC. [Google] [More]  ⦿

Virach Sornlertlamvanich

In 1999, Yannis Haralambous and Virach Sornlertlamvanich made a set of glyphs covering the Thai national standard NF3, in both upright and slanted shape. The collection of glyphs have been made part of GNU intlfonts 1.2 package. The fonts are called Nf3 and Nf3-Italic. Free as part of the Omega Project. Their font was also used for the Thai range (U+0E00-U+0E7F) in the GNU Freefont project. The National Font Project (Yannis Haralambous, Virach Sornlertlamvanich and Anutara Tantraporn) created these faces from 1999-2005: Norasi-Bold, Norasi-BoldItalic, Norasi-BoldOblique, Norasi-Italic, Norasi-Oblique, Norasi. [Google] [More]  ⦿

Voradesh Yenbut

Free Thai BDF fonts developed by Voradesh Yenbut. [Google] [More]  ⦿

Webnaipol
[Pol Udomwittayanukul]

Thai designer, aka Naipol, of Thai and Latin faces such NP Naipol All In One (2005), NP Chinese new year (2005, oriental simulation face), NP Grand Opening F0NTDoTCoM (+Italic), Anubal, Naipol Musdical, Naipol Shadow, Naipol Baby 01 through 04, Naipol Thai-Lao), Woodenhead (2005). Some faces are also here. Dafont link. Yet another URL. SM Pixxa (2005, pixel face) is here. His 2005 creations NP-Chinese-new-year, NP-Lovely-Vol.1-Italic, NP-Lovely-Vol.1 are here. [Google] [More]  ⦿

Widhaya Trisarnwadhana

Designer of the Umpush family for Thai (2007-2008, NECTEC). [Google] [More]  ⦿

Will Software
[Rainer Will]

Rainer Will Softwareentwicklung (Schöffengrund, Germany) developed many school and cursive writing fonts, ca. 1996-2005. They sell their fonts in 10 to 30-font packages, such as handwriting, Altdeutsche schrift, Barcodes, Schulschriften (school fonts). There are also East-European, Cyrillic, Greek, Thai and IPA fonts. Here, we have demos for various programs, and if you download and unzip them, you will discover these alphading fonts: FT-BruchTon, FT-HochztsGlocken, KD-Kaesweich, HB-Kegel, HB-Kegelhardt, HB-Kegelweich, KD-Pilz, KD-Singvogel, and these dingbat fonts: NW-BioBlatt (leaves, 1998), Pikto5 (1997). The caps font IN-Barock is here. Will Software made hundreds of fonts, including the handwriting fonts HW Jeff and HW Stone (1998), KL-Antiqua2, Old-London, Fraktur. A fuller list, by type:

  • Alte Schriften (blackletter): Black-For, Chevalin, Civotype, Fleisman, Fraktur, German-Script, Germen-Type, Ghiollier, Goethe, Gotik, Gudenberg, Heinrich-Kanzlei, IN-Barock, IN-Barock2, IN-Barock3, IN-Florentine, IN-Fraktur2, IN-Fraktur3, IN-Geometric, IN-Gothic, IN-Gothic1880, IN-Innsbruck, IN-Jugendstil, IN-Jugendstil1920, IN-Jugendstil3, IN-LaRose, IN-OldGothic, IN-Schwabach, IN-Silhouette, IN-Uncial1475, IN-Walbot1, IN-Woodcut, IN-Woodcut2, KL-Antiqua1, KL-Antiqua2, KL-CapitalisQuadrata, KL-Fraktur1, KL-Gotic1, KL-Gotic2, KL-HKursive1, KL-HKursive2, KL-HKursive3, KL-Karolin1, KL-MKursive1, KL-MKursive2, KL-Rotunda1, KL-Rotunda2, KL-Unziale1, KL-Unziale2, Limpach, Luthan, MA-BastardAnglicana, MA-Bastarda1, MA-Bastarda3, MA-Current, MA-FereTextura, MA-GKursiv1, MA-GKursiv2, MA-Gotbuch, MA-Gotic, MA-InsularMinuscule, MA-Kurrent1814, MA-KurrentBarock, MA-Minuskel1, MA-Minuskel2, MA-Schreibschrift1900, MA-Schreibschrift1900Bold, MA-Urkunde, Meriage, Offenbacher, Old-Germen, Old-London, Petjes, Ried, Romand-Genealogie, Schlei, Schwaben, Suetterlin-2, Theudan, Verdn17, Verdn2, Walbot, Zentar-Bold, Zentar.
  • Alte Schriften 2 (more blackletter fonts): AD-AlbrechtDuerer, AD-AltSchwaben, AD-Ballo, AD-Barock1720, AD-Blackpool, AD-British, AD-Burgundy, AD-CalligraphicAntiqua, AD-CalligraphicFraktur, AD-CalligraphicTextura, AD-Celtic, AD-CelticCollege, AD-Coburg1, AD-Coburg2, AD-Diagoth, AD-Dublin900, AD-Fraktur2, AD-GothQuad, AD-Gothisch, AD-Gotisch2, AD-Gotisch3, AD-GottfriedLeibniz, AD-Handschrift1, AD-Handschrift2, AD-Handschrift3, AD-Handschrift4, AD-Handschrift5, AD-Handschrift6, AD-Hans, AD-Herefordshire, AD-Hohenstein, AD-Huddersfield, AD-Italia1650, AD-Kaiser, AD-Odin, AD-Offenbach, AD-OldEire, AD-Patron, AD-Ponti, AD-Renaissance, AD-Sachsen, AD-Stebark, AD-Thingvellir, AD-Toulouse, AD-Turin, AD-University, AD-Wallgau, AD-Zierfraktur, Col-Barock, Col-Barock3, Col-Celtic, Col-Florentine, Col-Fraktur3, Col-Geometric, Col-Gothic, Col-Gothic1880, Col-Jugendstil, Col-Jugendstil1920, Col-Jugendstil3, Col-LaRose, Col-OldGothic, Col-Uncial1475, Col-Woodcut, Col-Woodcut2, Suetterlin-2, Suetterlin-4, Suetterlin.
  • Familienschriften (fonts for kids, alphadings, dingbats): ArGlas3, ArSchatten7, Calos-Glas1, EffOutline, FT-Amor, FT-BruchGlas, FT-BruchTon, FT-GluecksKaefer, FT-GluecksKlee, FT-GluecksSchwein, FT-HerzanHerz, FT-Herzhardt, FT-Herzkranz, FT-Herzweich, FT-HochztsGlocken, FT-HochztsHerz, FT-Karneval, FT-Klecks, FT-Osterhase, FT-Sektknall, FT-Trommler, FT-WeihnachtsBaum, FT-WeihnachtsMann, Fingprnt-1, HB-Brfmarkclassic, HB-Brfmarkhardt, HB-Dart, HB-Fackel, HB-Fechten, HB-Filmklappe, HB-FrzBlattHardt, HB-Kegel, HB-Kegelhardt, HB-Lorbeerkranz, HB-Palette, JD-Halali, JD-Kerbe, JD-Pille, JD-Popblut, JD-Pseudokinese, JD-Pseudonippon, JD-Pseudoruski, JD-Schachhardt, JD-Timur, JD-Wurm, KD-Blumehardt, KD-Esel, KD-Franja, KD-Handschrift, KD-Kaeshardt, KD-Kaesmaus, KD-Katze, KD-LKW, KD-Lamm, KD-Nacht, KD-Obstigel, KD-Schneemann, KD-Zwerg, Revont-Kraeusel1, Teje.
  • Festtagsschriften (holiday-themed fonts): FT-Amor, FT-Babyputte, FT-Babystorch, FT-Bethand, FT-Betkind, FT-BruchGlas, FT-BruchTon, FT-Clownslachen, FT-Cupido, FT-Eihardt, FT-Eikranz, FT-Eiweich, FT-Familienbande, FT-Getreide, FT-GluecksKaefer, FT-GluecksKlee, FT-GluecksSchwein, FT-HerzanHerz, FT-Herzbruch, FT-Herzhardt, FT-Herzkranz, FT-Herzweich, FT-HochztsGlocken, FT-HochztsHardt, FT-HochztsHerz, FT-HochztsJubilaeum, FT-HochztsKranz, FT-HochztsPaar, FT-Hufeisen, FT-Kalenderblatt, FT-Kanzel, FT-Karneval, FT-Kerze, FT-Klecks, FT-Kreuzlamm, FT-Menora, FT-Osterhase, FT-Schule, FT-Sektknall, FT-Spiegelfrau, FT-Spiegelmann, FT-Spukhaus, FT-Torte, FT-Trauerzweig, FT-Trommler, FT-Trompeter, FT-WeihnachtsBaum, FT-WeihnachtsMann, FT-ZuckrtuetHardt, FT-ZuckrtuetWeich, FTH-Fische, FTH-Jungfrau, FTH-Krebs, FTH-Loewe, FTH-Schuetze, FTH-Skorpion, FTH-Steinbock, FTH-Stier, FTH-Waage, FTH-Wassermann, FTH-Widder, FTH-Zwillinge, HB-Fackel, HB-Lorbeerkranz, HW-Handpic, KD-Blumebundt, KD-Lamm, KD-Nacht, KD-Schneemann, SP-Blume, SP-DRHH2, SP-DRHH3, SP-Face, WinterNacht.
  • Geheimschriften (codes or secret fonts): SP-DRBYQuadrat, SP-DRHHQuadrat, SR-Abstrakt1, SR-Abstrakt2, SR-Abstrakt3, SR-Abstrakt4, SR-Abstrakt5, SR-Abstrakt6, SR-Astro, SR-Blatt, SR-Braille, SR-Chaos, SR-ChaosBold, SR-ChaosItalic, SR-Finger, SR-Geheim0, SR-Gesicht, SR-Labyrinth, SR-LabyrinthBold, SR-Marine, SR-Morse, SR-Puzzle, SR-Radierer, SR-Rune, SR-Schatten, SR-Schiffe, SR-Schloss, SR-Schmetterling, SR-Skyline, SR-Strichmann, SR-Tiere, SR-Wabe, SR-WabeBold, SR-Wappen.
  • Handschriften: A1, A2, A3, Agnieszka, F1, F10, F2, F3, F4, F5, F6, F7, F9, Ghiollier, Goethe, HW-Agilo, HW-Andrew, HW-Brouet, HW-Burg, HW-Clay, HW-Emmi, HW-Feliks, HW-Foster, HW-Guga, HW-Handpic, HW-Harico, HW-Hilly, HW-Jeff, HW-Jesco1, HW-Jesco3, HW-Jesco7, HW-Josh, HW-Marbo, HW-Pablo, HW-Phil, HW-PizPaz, HW-Renate, HW-Sarx, HW-Schneid, HW-Stone, HW-Tolomeo, HW-Tommi, HW-Turandot, HW-Veneto, HW-Vincent, HW-Vogel, HW-Volker, Handwrites-CTrac, KD-Handschrift, KG-Hand, Limpach, Offenbacher, Ried, Rw2, Schlei, Teje, Uggy, Verdn17, Verdn2.
  • Handschriften 2: HW-Alec, HW-Allan, HW-Armand, HW-Bjarne, HW-Brian, HW-Carlo, HW-Cathy, HW-Claude, HW-Danielle, HW-Dario, HW-Eleanor, HW-Enrico, HW-Estelle, HW-Fabio, HW-Federico, HW-Giorgio, HW-Giovanna, HW-Giuliano, HW-Hakon, HW-Harald, HW-Jacques, HW-Jaro, HW-Jelena, HW-Juri, HW-Justine, HW-Kuno, HW-Larissa, HW-Laslo, HW-Lennart, HW-Lizzy, HW-Luitpold, HW-Manolo, HW-Marcello, HW-Murielle, HW-Nadine, HW-Paolo, HW-Pascal, HW-Pietro, HW-Roxana, HW-Thery, HW-Valerian, HW-Vittorio, HW-Wally, HW-Wilma.
  • Schulschriften (lined fonts, didactic fonts): DR-HH, DR-HH1, DR-HH1Bold, DR-HH2, DR-HH2Bold, DR-HH3, DR-HH3Bold, DR-HH4, DR-HH4Bold, DR-HHBold, DR-HHEl, DR-HHEl1, DR-HHEl1Bold, DR-HHEl2, DR-HHEl2Bold, DR-HHEl2Italic, DR-HHEl3, DR-HHEl3Bold, DR-HHEl3Italic, DR-HHEl4, DR-HHEl4Bold, DR-HHEl4Italic, DR-HHElBold, DR-HHElItalic, DR-HHOL, LA-El, LA-El1, LA-El1Bold, LA-El2, LA-El2Bold, LA-El3, LA-El3Bold, LA-El4, LA-El4Bold, LA-ElBold, LA-ElOL, MA-Schreibschrift1900, Offenbacher, SAS-1, SAS-2, SAS-2Bold, SAS-3, SAS-3Bold, SAS-4, SAS-4Bold, SAS-Bold, SAS-OL, SAS, SP-AnlEssen, SP-AnlHaus, SP-AnlTiere, SP-Anlaut1, SP-Anlaut2, SP-Anlaut8, SP-Anlaut9, SP-Bear, SP-Blume, SP-DRHH1, SP-DRHH2, SP-DRHH3, SP-DRHHKubik, SP-DRHHQuadrat, SP-Dino, SP-Face, SP-VAKubik, SP-VAQuadrat, SPAnlMensch, Suetterlin-2, Suetterlin-4, Suetterlin, VA-Ansi, VA-Pe, VA-Pe1, VA-Pe1Bold, VA-Pe2, VA-Pe2Bold, VA-Pe3, VA-Pe3Bold, VA-Pe4, VA-Pe4Bold, VA-PeA, VA-PeABold, VA-PeBold, VA-PeOL.
[Google] [More]  ⦿

Women Family

Thai font archive: 00SOS, 01SOS, 02SOS, 03SOS, 04SOS, 04b03b, 04b09, 04b19, 04b20, 04b21, 04b30, 04b31, 05SOS, 06SOS, 07SOS, 08SOS, 09SOS, 10SOS, 11SOS, 12SOS, 13SOS, 14SOS, 15SOS, 15thAccident, 16SOS, 17SOS, 18SOS, 1979, 19SOS, 20SOS, DS-AdiRek, DS-Ampun, DS-AnoThai, DS-AnuRug, DS-Arkorn, DS-Arluk, DS-Erawan-Hollow, DS-Erawan, DS-Lily, DS-MatiChon, DS-Modern, DS-Montana, DS-NamKang, DS-PatPong, DS-PatiMoke, DS-SaThorn, DS-Silom-Bold, DS-Silom-Hollow, DS-Wisaka, DSAdiRekas, DSAmpunas, DSAnoThaias, DSAnuRugas, DSArkornas, DSArlukas, DSCologne-Condas, DSDeChoas, DSDusitas, DSErawan-Hollowas, DSErawanas, DSFreeHandas, DSFreeJackas, DSIsaraPhapas, DSJumParas, DSKaMonas, DSKrungKaSameas, DSLaiThaias, DSLilyas, DSMaiThaias, DSMatiChonas, DSModernas, DSMontanaas, DSNamKangas, DSOrchidas, DSPatPongas, DSPatiMoke-Condas, DSPatiMokeas, DSPisitas, DSPreeChaas, DSRatburanaas, DSRibbonas, DSSaThornas, DSSaiMaias, DSSiamSquareas, DSSilom-Hollowas, DSSilomas-Bold, DSSingleas, DSSuksaWatas, DSThaiRatas, DSU_MonTaNa, DSWattanaas-Italic, DSWisakaas, DSYaoWaRatas. The DS fonts are by Dusit Supasawat, DSoft. [Google] [More]  ⦿

Worawit Kontrakoon

Modified Thai fonts being developed by Worawit Kontrakoon. [Google] [More]  ⦿

Yannis Haralambous

Metafont/TEX font and font software developer, specializing in non-Latin fonts and their integration in TEX. Ran Atelier Fluxus Virus in Lille, France. Codeveloper of the Omega typesetting system which includes the Omega Font Family (type 1). Since 2001, professor of Computer Science at the École Nationale Supérieure des Telecommunications de Bretagne in Brest. He is the author of the 1000+-page text Fontes et codages (O'Reilly, 2004), which was translated by P. Scott Horne with the English title Fonts and Encodings (O'Reilly). See also here. Also author of Keeping Greek Typography Alive, an article presented at the 1st International Conference on Typography and Visual Communication held in Thessaloniki in June 2002.

Yannis Haralambous and John Plaice are the authors of Omega typesetting system, which is an extension of TeX. Its first release, aims primarily at improving TeX's multilingual abilities. In Omega all characters and pointers into data-structures are 16-bit wide, instead of 8-bit, thereby eliminating many of the trivial limitations of TeX. Omega also allows multiple input and output character sets, and uses programmable filters to translate from one encoding to another, to perform contextual analysis, etc. Internally, Omega uses the universal 16-bit Unicode standard character set, based on ISO-10646. These improvements not only make it a lot easier for TeX users to cope with multiple or complex languages, like Arabic, Indic, Khmer, Chinese, Japanese or Korean, in one document, but will also form the basis for future developments in other areas, such as native color support and hypertext features. ... Fonts for UT1 (omlgc family) and UT2 (omah family) are under development: these fonts are in PostScript format and visually close to Times and Helvetica font families.

Active participant in the GNU Freefont project. With John Plaice, he contributed to these Unicode ranges:

  • Latin Extended-B (U+0180-U+024F)
  • IPA Extensions (U+0250-U+02AF)
  • Greek (U+0370-U+03FF)
  • Armenian (U+0530-U+058F)
  • Hebrew (U+0590-U+05FF)
  • Arabic (U+0600-U+06FF)
  • Currency Symbols (U+20A0-U+20CF)
  • Arabic Presentation Forms-A (U+FB50-U+FDFF)
  • Arabic Presentation Forms-B (U+FE70-U+FEFF)
He also added glyphs for Sinhala (U+0D80-U+0DFF). In 1999, Yannis Haralambous and Virach Sornlertlamvanich made a set of glyphs covering the Thai national standard Nf3, in both upright and slanted shape. Range: Thai (U+0E00-U+0E7F). These too are in the GNU Freefont family. [Google] [More]  ⦿

Yoba Yabo
[Voranit Konglikhit]

Voranit Konglikhit (Yoba Yabo) is a Thai graphic designer in Bangkok. Design student at Rangsit University. Behance link. Creator of Origami (2011). [Google] [More]  ⦿

Zawgyi.net&Alpha Mandalay

Makers of Zawgyi One (2005), a modification of Tahoma to cover Burmese / Latin / Greek / Cyrillic / Vietnamese / Thai. [Google] [More]  ⦿

Zpyth

Young Thai designer 1994. She created the children's handwriting face chalingD (2009). Home page. [Google] [More]  ⦿

Zpyth

Thai designer. She made these pixel fonts in 2008: pixynel, spepixy, sspepixy. [Google] [More]  ⦿

ZzzThai

Thai font archive. Has CourierMonoThai, CourierProportionalThai, DBThaiText, DBThaiTextBold, DBThaiTextExtra, DBXThaiText, DBXThaiTextBold, EBCDICMonoThai, FixedDBThaiText, FixedDBThaiTextNew, ModSSS, ModSSSMono, PWThaiMonospacedEG, Phaisarn (by Phaisarn Techajaruwong), Phaisarn97, Phaisarn98, PhaisarnFixed, PhaisarnMono, Thaimono, Thaiprop, TATM001, TATM002. [Google] [More]  ⦿

ZZZThai

Great Thai font archive. All formats, all platforms. [Google] [More]  ⦿