TYPE DESIGN INFORMATION PAGE last updated on
Wed Jun 19 01:56:47 EDT 2013
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Type design in Ukraine |
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2D Typo
| Lviv-based Ukrainian designer (b. 1979) of the octagonal stencil face Depot Trapharet (2006, brutalist), and of the free car rallye dingbat face Rallye Symbols (2008). Dafont link. In 2010, he went commercial as 2D Typo. The first typeface at 2D typo was the modular pixelish Pressure Drop 2D (2010). This was followed by Ornamental Deco 2D (2010, art deco ornaments), Rally Symbols 2D (2010), Mascaron2D (2010, by Iryna Korchuk), Depot Trapharet 2d (2010, a stencil based on the tram lettering in Lviv), Ascetic 2D (2005-2010), Hutsulyandiya (2010, extraordinary ornaments by Iryna Korchuk), Simeon (2010, calligraphic), Cranked Pipe 2D (2011), Tripyllia 2D (2011, ornaments of the neolithic Trypillya culture), and Ukrainian Barokko (2010, a calligraphic face by Genadij Zarechnjuk), Historism Border (2011, border ornaments), Moreske 2D (2012, ornaments), Geomanticus (2012, modular squarish sans). Typefaces from 2013: Modern Wave (ornaments based on Alphonse Mucha), Hopferian (Roman caps after engravings by Daniel Hopfer (1470-1536)---typeface completed with help of Mariya Sokil), Simple Ribbon (art nouveau dingbats). Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿ |
Vinnitsa, Ukraine-based group that designed the experimental techno face Lower Ladle (2011). [Google] [More] ⦿ | |
4th February
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Abstract Fonts link. Dafont link. Behance link. Hellofont link. |
His real name is Adolphe Jean-Marie Mouron, born in Charkow, Ukraine in 1901. He committed suicide in Paris in 1968, after the rejection of one of his innovative designs by a German publisher. After studies at the Ecoles des Beaux Arts in Paris, he adopted France as his country. He produced his first poster Au Bucheron at 22, and became a successful and influential poster artist best known for his epoch-defining travel posters and for his advertisements for products such as Dubonnet. The consummate art deco artist, he tried to create posters for people who did not try to see them. In 1936 he traveled to America to work on several projects. While there he designed several surrealistic covers for Alexey Brodovitch at Harper's Bazaar. In addition, he created for NW Ayers, the classic eye of the Ford billboard and several pieces for the Container Corporation of America. His career as a poster designer ended in 1939 when he changed disciplines and became a stage, set and theatrical designer. He created some typefaces: Bifur (1928-1929, see the digital form by Richard Kegler (P22, 2004)), Acier Noir (1930-1936), Peignot (1933-1937; see this poster by Matt Blaisdell and this poster by Guillaume Bret), Touraine (with Charles Peignot, based on a design of Guillermo Mendoza, 1947), Cassandre (1968, revived and finished by Thierry Puyfoulhoux in 2003), Graphica81 (1960), and the artsy Cassandre Initials (1927, made in digital form by Gerd Wiescher at Elsner&Flake). Most of his work was done at Fonderie Deberny&Peignot. The 1960s work was at Olivetti. His poster Nord Express (1927) (Acier Noir really) inspired Nick Curtis to draw Nord Express NF. Cassandre (1968) was largely unfinished, after having been turned down by Berthold and Olivetti (and was possibly the cause of his suicide). It was finished in a revival of sorts by Thierry Puyfoulhoux (2003). Books and references: A.M. Cassandre, "L'architecture, l'art que je préfère à tous les autres." (2008) is a small PDF file/essay by Estienne student Antoine Stevenot. In 1988, Letraset published Baseline 10 The Cassandre issue, a fifty-page magazine volume edited by Mike Daines and art directed by Newell and Sorrell. Klingspor link. FontShop link. Home page. [Google] [MyFonts] [More] ⦿ | |
Ukrainian designer of the OFL family OldSlavs (2011, Cyrillic). [Google] [More] ⦿ | |
Alexandra Malysheva
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Creator of the paperclip font Mothership Connection (2009). He is located in Odessa, Ukraine. [Google] [More] ⦿ | |
Andrey Yushchenko
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Born in 1987 in the Ukraine, Andrii Shevchyk published the free flowing brush script typeface Andriko (2013). [Google] [More] ⦿ | |
Andrij Shevchenko
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Andrij Shevchenko
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Andrij Type
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In 2012, he started Ukrainian Type.
Showcase of Andrij Shevchenko's typefaces at MyFonts. [Google] [MyFonts] [More] ⦿ |
Andriy Konstantynov
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Kharkiv, Ukraine-based graphic designer and illustrator. She made the art deco ransom note font Broom (2009). [Google] [More] ⦿ | |
Ukrainian illustrator in Kiev. He created a paper cut numerical alphabet in 2009, called Figtype, and a free experimental face called Color Lines in 2010. Behance link. Home page. [Google] [More] ⦿ | |
Ukrainian graphic designer and illustrator, who made some experimental typefaces. [Google] [More] ⦿ | |
ASCON
| Russian outfit, credited with the Latin/Cyrillic sans serif faces GOST-2.304-81typeA and GOST-2.304-81typeB (1996 and 2000). Check also here for GOST 26.00885 and Symbol 26.00885, also semi-technical drawing faces, possibly derived from CAD applications. Designer: Sergey Komarov (Ukraine). This site has GOST-forDrawing, GOST-2.304-81typeA, GOST-typeA, GOST-2.304-81typeB, GOST_type_B. See also here. [Google] [More] ⦿ |
Bazhen Yurchenko is the Kharkov, Ukraine-based designer of BenCat, Grunge, Flowerchild, BenHardLife, BenKrush and BenPioneer (1997). His fonts are here. Encient German Gothic is a blackletter font to which he added a Cyrillic in 1995-1999. Here, you will find the free Cyrillic truetype fonts Ben-Cat-Bold, Ben-Hard-Life-Bold, Ben-Krush, Ben-Pioneer-Bold. See also here. [Google] [More] ⦿ | |
Cherkassy, Ukraine-based digital artist. Home page. Creator of the funny alphading Fear Type (2009). [Google] [More] ⦿ | |
In 2012, he published the wonderful (!!!) free informal typeface Kotyhoroshko (Latin and Cyrillic). Behance link. [Google] [More] ⦿ | |
Links on Ukrainian fonts for UNIX (BDF format), Windows and Mac. Alternate URL. [Google] [More] ⦿ | |
American designer of a few typefaces in 2012 such as Faunce. [Google] [More] ⦿ | |
Graphic designer in Lemberg, Ukraine. As a student, she made a nice art deco poster called Vita Brevis Ars Longa (2009). [Google] [More] ⦿ | |
Annual typography and calligraphy festival, which took place from 24-25 May 2008 in Kharkiv (Ukraine). This year it included type seminars, a presentation by Vitalij Mitchenko, type games and exhibition of typefaces and calligraphy from Ukraine, Russia, Belarus and Bulgaria. Photo reports: 1, 2, 3, 4. Report in the Ukrainian newspaper Novynar. [Google] [More] ⦿ | |
Designer from Ekaterinoslav, Ukraine. Creator of Paper Ribbon Font (2010). [Google] [More] ⦿ | |
Type designer born in Lviv, Ukraine, in 1978. With Lukyan Turetskyy, he made Ascetic 2D (2D Typo), a decorative font is based on Cyrillic Vyaz of the 15th and 16th centuries. [Google] [MyFonts] [More] ⦿ | |
Kiev-based illuistrator. Designer of a fun naked fat people alphabet in 2012. [Google] [More] ⦿ | |
Behance link. [Google] [More] ⦿ | |
Archive: -JS-Rapee (Thai), ER-Bukinist-1251 (Ukranian), Simsun (Chinese), NUTANU-Regular (Hindi), Times-New-Roman-Greek, VPS-Times (Vietnamese). [Google] [More] ⦿ | |
Digital Photo
| Digital Photo is a Ukrainian outfit (based in Kiev) where two fonts were made by Konstantin Sirotkin, KSScript (handwriting) and Digital (a pixel font). See also here. [Google] [More] ⦿ |
Dima Tkach
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He received a TypeArt 05 award for the display family DR Galushki (and DR Galushki Hole, 2011), which was designed for children's books. Other creations: Dekapot (grunge), DR Agu (comic book face), DR Agu Sans (2013), DR Trafaret (army stencil face), DR Vixi, DR UkrGotika Sans, DR UkrGotika Serif. His funny DR Krokodila won an award at Paratype K2009. Behance link. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Ukrainian type designer, b. 1907, Kharkov. [Google] [More] ⦿ | |
Eugene Rudyy
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Ukrainian designer of the dot matrix font (Latin/Cyrillic) Matricha (1999). [Google] [More] ⦿ | |
Aka Drosselmayer. Evgeniy Litvin is the Ukrainian designer (b. 1990) of the free (Latin) sharp-serifed caps typeface Capitel Gothick (2012). Dafont link. [Google] [More] ⦿ | |
Type designer from the Ukraine, b. 1978, Kirovohrad. He created the Latin/Cyrillic face Aztek 2D (2011, 2D Typo). [Google] [More] ⦿ | |
Fonts.org.ua
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In 2010, he created the art deco face New Hotinok 2D (2D Typo), together with Viktor Kharyk, as well as the nice calligraphic face Ukrainian Barokko 2D. Khomenkivska (done with Viktor Kharyk) is based on a 1965 design by Basil Khomenko (1912-1984). Baumans (2011, Google Web Fonts) is a geometric typeface for headlines. Its letterforms are inspired by Bauhaus typefaces and preconstructivist forms. MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿ |
Free font link collection pointing to Latin and Cyrillic fonts. [Google] [More] ⦿ | |
Gavin Helf
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Genadij Zarechnjuk
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Tbilisi, Georgia-based Germán León's first typeface is the quaint Latin slab serif Miraflores (2012). At MyFonts, we read that the foundry is located in Ukraine. He explains: He was born in Madrid, but crisis and love brought him to Tbilisi, Georgia, from where he is currently designing. In 2013, he published GL Benicassim (a sans for Latin and Cyrillic). [Google] [MyFonts] [More] ⦿ | |
650+ Russian TrueType archive. Fonts by ParaGraph International, A.Kustov (for Type Market), Nikita Vsesvetskii (for SoftUnion), TeamAXis Corp, Yuri A.Lyamin, Dmitry Komissarov (for ParaGraph), AzBuki press, Atech Software, Adobe, VNLabs, S. Agronsky (for Graphic Bureau Az-Zet), SMENA-SPSL Corp, Andrejs Grinbergs (for AG Fonts Collection), and !22! Soft. [Google] [More] ⦿ | |
Graphic designer in Kiev, Ukraine, who created some nice illustrations and a few typographic posters in 2013. [Google] [More] ⦿ | |
Hello Keepa
| Eugene Rudyy (Hello Keepa, Lviv, Ukraine) designed the caps face Keeparty (2010). Free download at Font Soup. [Google] [More] ⦿ |
A Russian architect and artist, Iakov Chernikhov was born in 1889 in Pavlograd, Yekaterinenskav Gubernia, Ukraine (now Dnepropetrovskay Oblast). He died in 1951 in Moscow. He studied at the Odessa Art School, a branch of the St. Petersburg Academy of Arts. In 1914, having graduated from the Art School, he moved to St. Petersburg and entered the Academy of Arts. In 1916 Chernikhov transferred from the painting faculty to the architecture department and graduated in 1925. He became a successful architect, and taught at the Leningrad Institute of Transportation Engineers (after 1933 LIIZhT) in the school of architecture (1928-45), at the Industrial Academy (NKTP) in the course for factory and plant construction (1930-32), at the Stalin Transportation Academy (NKPC) (1930-32), and at the Institute of Engineers of Water Transportation (1929-31). He published Fundamentals of Modern Architecture (1929-1930), Construction of Architectural and Machine Forms (1931), and Architectural Fantasies. 101 Compositions (1933). These classics are all about architectural fantasies. The last work of Iakov Chernikhov, which remained uncompleted, was the book An Analysis of the Construction of Classical Typeface (written in 1945-1951). It was published in 1958, seven years after his death. Iakov Chernikhov used for construction of the types some principles taken from the theory of architectural forms having much in common with the type forms that obey the same regularities. Some of his work looks like the early attempts at regularization by Duerer and Tory, or as found in the Romain du Roi. Wiki page. Scans: I, II, III, IV. Image of his Cyrillic Trajan (1945-1951). [Google] [More] ⦿ | |
Talented painter and illustrator in Kiev. Behance link. She created a fantasmagoric illustrated caps face in 2011. [Google] [More] ⦿ | |
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Ivan Akinin (Kiev, Ukraine) designed the monoline titling caps face Profihouse (2011). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Creator of Egypt 22 (2011, a free heavy slab serif, which includes smilies), Lloyd Serif (2010), a refined piano key typeface. It covers Latin, Ukrainian and Russian, and was inspired by Bill Loyd and by the Ogaki typeface. In 2010, he set up his own foundry. At it, he published the soft monoline sans face Soft2911 (2011). In 2012, he created a geometric sans based on Futura for Chun+Ivan Design, called Anchor2. Pontus is a free geometric sans face avaialble from Practice Foundry. Chun+Ivan Design is located in Toronto and is run by Chun Hu, Ivan Kostynyk and Philip Wu. Klingspor link. Another Behance link. [Google] [MyFonts] [More] ⦿ | |
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Kiev-based graphic designer who made the ornamental alphabet King Kong (2012), the 3d typeface Module (2012), and the Cyrillic paper-fold alphabet Macalatura (2012). [Google] [More] ⦿ | |
Kiev-based illustrator who created Smoking Alphabet (202). [Google] [More] ⦿ | |
A pioneer of geometric abstract art and the originator of the avant-garde suprematist movement, Kazimir Severinovich Malevich was born in 1879 in Kiev, and died in 1935 in Leningrad. In 1915, Malevich laid down the foundations of Suprematism when he published his manifesto From Cubism to Suprematism. After the October Revolution (1917), Malevich became a member of the Collegium on the Arts of Narkompros, the Commission for the Protection of Monuments and the Museums Commission (from 1918-1919). He taught at the Vitebsk Practical Art School in Belarus (1919-1922), the Leningrad Academy of Arts (1922-1927), the Kiev State Art Institute (1927-1929), and the House of the Arts in Leningrad (1930). He wrote The World as Non-Objectivity, which was published in Munich in 1926 and translated into English in 1959. In it he outlines his Suprematist theories. Typefaces based on his work include:
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Also Cyrill Tkachev and Cyrylo Tkachov, depending upon the source. Illustrator and calligrapher. A Ukrainian, Cyrill Tkachev graduated from the Lugansk Taras Shevchenko National University in 2005. He works at the Design Department at Luhansk Taras Shevchenko National Pedagogical University since 2005. He made the decorative face 9months (2010) and the pixel script face Liony (2010). Tkachevica (2011) is a modular and pixel family. Legionary (2011) is an organic sans family in six styles. Bazilic is an informal decorative typeface. Murray Slab (2012) is a 4-style slabby techno family. In 2013, he published Kolyada, a roomy scriptish serif. Klingspor link. [Google] [MyFonts] [More] ⦿ | |
Stanislav is a Unkrainian from Odessa, b. 1988. He created A_Klifordinator_font_AA (2008), a circle-themed round geometric sans. [Google] [More] ⦿ | |
Konstantin Sirotkin
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Ukrainian designer who made some experimental fonts in 2011, such as a bra font and a pipe font. [Google] [More] ⦿ | |
Lemkos
| Font page for people from the Carpathian mountains created by Walter Maksimovich. Several Ukrainian Cyrillic TrueType fonts (ER Kurier, ER Univers, ER Bukinist, ER Architect Proportional) designed by Gavin Helf. Also a Polish New Times font (free). Gavin Helf's ERUniversIF2 and ERUniversIV2 (1994; modified by Curt Ford for "Digital Russian" project, 1998; subsequently remodified for Internet use by Ken Petersen, 1998) are also here. [Google] [More] ⦿ |
Graphic designer from Saint Petersburg, Russia, who graduated from National Academy of Arts and Architecture of Ukraine, faculty of graphic design and fine arts. She created a few experimental Cyrillic typefaces. [Google] [More] ⦿ | |
Kiev-based designer of various splendid eye-catching geometric experimental typefaces in 2009. She also created Oksana (2009, a flowery face). [Google] [More] ⦿ | |
Studio in Kiev, Ukraine. Creator of a hairline sans face simply called Font (2012: Latin and Cyrillic). Behance link. [Google] [More] ⦿ | |
Lukyan Turetskyy
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11MB font file with about 300 Bitstream fonts (truetype) and a whole collection from Digital Typeface Corporation dating from 1991. Also has Old Slav fonts. [Google] [More] ⦿ | |
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Type designer from the Ukraine. In 2013, together with Lukyan Turetskyy at 2D Typo, she created the roman caps typeface Hopferian, which is based on engravings by German artist Daniel Hopfer (1470-1536). [Google] [MyFonts] [More] ⦿ | |
Match Fonts
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Interesting typefaces: Boulon (letters with bolts), Bujardet Freres (French restaurant type), Calebasse (1997, semi-psychedelic), Chinoiseries (Chinese look-alike), Cristolikid (LCD), Diodes Light, Grecques, Halloween, Malabars, Metroplitain (art nouveau), Monogram, Octogone, Osselets (bones), Parador, Ruban Dis-Moi, SilBooettes, TSF et Compagnie, Venitienne, Yiddilatin, Zebrues, and the dingbats Dinosotype, Alphabetzier, Nahkt Hieroglyphics, Norman Prince (children's handwriting), Angelots, Sceaux, Seraphiques, Talismans, La Main Guided, La Main Solid (both children's tracing fonts), Bordini, Bordofixed, BoumBoum, ChapClerk, Dactylographe (nice!), Halotique (sans serif), Tortillon (2001, art deco), Normographe (great too!), Normafixed, Oloron, Parlante (serif family), Presse (typewriter), Technicien. Plus handwriting fonts Skrypta, Skryptaag (upright and connected), Willegha. a Morse Code font. The Halloween pack includes Coulures, Halloween, Osselets and SilBooettes. Fixed width fonts include Dactylographe, Oloron, Bordo, Norma. Direct access. Interview and photo. Alternate URL (in French), with many more fonts, such as the handwritten Pierre, Mariette. MICR E13 B font. Fontspace link. [Google] [MyFonts] [More] ⦿ |
Digital artist in Odessa, Ukraine, who made some experimental pixel fonts from 2009-2011. Isometric (Cyrillic) was published in 2013. Flickr page. [Google] [More] ⦿ | |
MF Studio
| Designers of Ukrainian Museum (2005, Cyrillic lettering). The fonts are made by Alexandra Malysheva. [Google] [More] ⦿ |
Michel Bujardet
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Mint Type (was: PDesign 6.0)
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His typefaces generally cover Latin and Cyrillic: Tecco (techno), Radix, Aera Sans, Aera Serif, Careless Hand Script (2005), Radix (2004), Cyntho Pro (2012, a geometric sans), Cyntho Slab Pro (2013), Cytia Pro (2012, a geometric sans with built-in contrast), Cytia Slab Pro (2013), Lytiga Pro (2012, a 48-font techy sans family, starting with hairline weights), Espuma Pro (2013, a soft humanist sans family with lots of curviness), Guarda Sans (2012), Vitra Sans (2005), Terra Sans (2005), Terra Semi Slab (2005), Terra Slab (2005). View Mint Type's typefaces. Behance link. Old URL. [Google] [MyFonts] [More] ⦿ |
Born in Kiev in 1985, this Ukrainian graphic designer made the baseball-themed Brooklyn Zoo font in 2008. Alternate URL. [Google] [More] ⦿ | |
In 2012, Strelchenko made Jackson Pollock Type. [Google] [More] ⦿ | |
Designer from Lvyv, Ukraine, who created the circular / geometric Cyrillic font Hobby (2011). [Google] [More] ⦿ | |
Illustrator and designer in Kiev, who made Razrabotka (2012, a thin sans Cyrillic typeface). [Google] [More] ⦿ | |
Ukrainian graphic designer who created the square pattern font Mondrian Piet (2011), the experimental typeface Module (2013) and the mysterious Glyphs (2013). Pic. [Google] [More] ⦿ | |
Sevastopol, Ukraine-based creator (b. 1989) of the sci-fi typefaces Queen of Melbourne (2013, octagonal, mechanical FontStruct font), and HTML5 Shield (2012, FontStruct). [Google] [More] ⦿ | |
Klingspor link. [Google] [MyFonts] [More] ⦿ | |
With V. Fatalchuk, O. Yunak created a Trajan caps face for Ukrainian Cyrillic in 1970. [Google] [More] ⦿ | |
Ukrainian designer and illustrator who drew a Russian alphabet in 2011 out of tree leaves. [Google] [More] ⦿ | |
Zaporizhzhya, Ukraine-based graphic designer. Behance link. Creator of the pixelish typeface Intelligent Font (2012). [Google] [More] ⦿ | |
Ukrainian type designer (b. Vinnitsa, Ukraine, 1954) and graphic designer. Graduate of the Moscow Higher School of Design in 1980. Since 1993, affiliated with Paratype. Designer at Paratype of Dublon, Dublon Light (1994; or: Dublon Brus), Gvardia (2001), PT Orden (2001), PT Stroganov (2002), Ariergard (2001, a Cyrillic sans), Bublik (Bublik2004, poster font, which won an award at the TDC2 2005 type competition), Irakly BT (2004, Bitstream) [see also here], Stroganov (2002), Rossika (2004, Paratype), Chervonec Uzkj (2003, Bitstream). MyFonts sells Ariergard, Ariergard Rondo (2005, more circular shapes of this sans), Bublik, Chervonec Uzkj BT, Dublon, Gvardia, Irakly BT, Orden, Plastilin (2005), Quartal (2010), Rossika, Kartell (2006, 6 styles: simulates religious orthodox writing), Mellnik (2006, a humanist sans in 14 styles), Lunokhod (2006, think an organic version of Bank Gothic, 4 styles), Yess (2007, Paratype; used in advertising posters for the Soviet state foreign trade company Soyuzchimexort in the early 1980s) and Stroganov. In 2009, he added a Latin alphabet to Svetlana Yermolaeva's Izhitsa (1988). In 2011, he cyrillicized Freehand 471 BT. In 2011, Oleg published Titla Brus Condensed at Paratype. This is a flared slab family that extends Titla Condensed (2009). FontShop link. ParaType link. Klingspor link. Showcase of Oleg Karpinsky's typefaces at MyFonts. [Google] [MyFonts] [More] ⦿ | |
This Kiev-based graphic designer created a colorful Cyrillic poster alphabet called Kineteatra Bommer (2013). Behance link. [Google] [More] ⦿ | |
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Oleksandr Parkhomovskyy
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Ukrainian desifgner of the scanbat typeface Break Dance (2012). She also made the 3d experimental Cyrillic typeface Cube (2012). [Google] [More] ⦿ | |
Kiev-based creator of Industrial Font (2011), in which each glyph is created with the help of industrial machinery. [Google] [More] ⦿ | |
Kiev-based creator of the chair-inspired display typeface Stool Cyrillic (2013). [Google] [More] ⦿ | |
Graphic and web designer in Kiev. Creator of the beauiful ornamental Latin and Cyrillic caps face Oposhnya (2009). [Google] [More] ⦿ | |
Ukrainian graphic designer (b. 1970, Donezk) who won an award at Bukvaraz 2001 for Tanya, a caps face made out of human figures. Tanya was based on a course project supervised by Vladimir Lesnyak at the Kharkiv Academy of Arts and Design, from which Olga graduated in 1998. [Google] [More] ⦿ | |
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Cyrillic archive with sans fonts: Euro Ukrainian (KoleSoft Co, 1993), Europe (A. Kustov, Type Market, 1993), Everest-Ultra (A. Kustov, Type Market, 1993). Plus some Latin sans faces such as Swiss911 by Bitstream. [Google] [More] ⦿ | |
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Odessa, Ukraine-based designer of a horizontally-striped techno font called Dash (2013). [Google] [More] ⦿ | |
Rekord
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Prestiggio (2011) is a sublime vogue fashion mag face, with its perky ball terminal ear on the g, and the high-contrast feel of a decent Peignot. Mingray Mono is a stylish monospaced family in three weights. Behance link. MyFonts link. [Google] [MyFonts] [More] ⦿ |
Born in the Ukraine in 1982, Ros Knopov is creative director and type designer, and runs Anti/Anti, a NYC design studio. Ros has lived in New York for 20 years and studied graphic design at the School of Visual Arts, before working for various NYC creative agencies and founding Anti/Anti in the summer of 2007. His first typeface is Opera (2005), a sans done with rick Granados at Stereo Type Haus---it is a lively sans with creative counter spaces. [Google] [MyFonts] [More] ⦿ | |
Kiev-based Ukrainian graphic and web designer. He made the experimental halfline arrangement font Rusley (2009). [Google] [More] ⦿ | |
Samokat
| Dmitry Tkach is the Odessa, Ukraine-based graphic designer who made the Bank Gothic style face Zoria (2010). He runs the Samokat Type Foundry. [Google] [MyFonts] [More] ⦿ |
Art director at Leo Burnett Kiev in Kiev, Ukraine. Creator of the hairline upright connected script typeface Lena (2013). Behance link. [Google] [More] ⦿ | |
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Designer in Denmark of a free OpenType font with partial Unicode support: Summersby (2003). Current language support: Danish, English, French, German, Italian, Norwegian, Russian, Swedish, Ukrainian, plus a few others. Alternate URL. He is working on a serif face called Random (2004). [Google] [More] ⦿ | |
Sergey Komarov
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Kiev-based designer of Fract (2012), an experimental typeface. [Google] [More] ⦿ | |
Graphic designer in Odessa, Ukraine, who made the hand-printed Latin / Cyrillic typeface Strel (2012, with Jovanny Lemonad), and the free handdrawn polygonal Latin/Cyrillic typeface Underdog (2012, free at Google Web Fonts). Behance link. [Google] [More] ⦿ | |
Sergiy Tkachenko
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Sergiy Tkachenko
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SHCH Graphics Group
| Graphic design, illustration and art direction group located in Kiev, Ukraine, and headed by Andrey Yushchenko. Alternate URL. They offer some beautiful decorative capital letters: 1, 2, 3, 4, 5, 6, 7, 8, 9. Additional URL. [Google] [More] ⦿ |
Designer of Gimbutas (1999), a font for Vinca symbols (Mac, PC), found on many of the artefacts excavated from sites in south-east Europe, in particular from Vinca near Belgrade, but also in Greece, Bulgaria, Romania, Eastern Hungary, Moldova, Southern Ukraine and the former Yugoslavia. The artefacts date from between the 7th and 4th millennia BC and those decorated with these symbols are between 8,000 and 6,500 years old. Sorin works at the Department of Slavic Languages and Literature at the University of Bucharest, Romania. The drawings of the Gimbutas font were by Doina Mihaila. See also here. [Google] [More] ⦿ | |
Sport Betting Spot
| Sports Betting Spot is an unlikely organization to get involved in fontmaking, but miracles do occur. At Fontsquirrel, we find the free athletic lettering typeface Sports World (2012). The web site conveniently forgot to mention that its designer is the talented Ukrainian type designer Sergiy Tkachenko. The font covers both Latin and Cyrillic. Behance link. [Google] [More] ⦿ |
The font Old Ukrainian (truetype, 1994) was made by Hrycak Graphics. [Google] [More] ⦿ | |
Ukrainian type meeting held from 24-25 March 2007 in Kharkov. [Google] [More] ⦿ | |
British font service house: can sell you most of the commercial fonts. Sells also fonts for Albanian, Arabic, Bengali, Bulgarian, Croatian, Czech, Estonian, Farsi, Greek, Gujurati, Hindi, Hungarian, Japanese (Katakana, Hiragana, Kanji), Latvian, Lithuanian, Polish, Punjabi, Russian, Serbian, Slovak, Slovene, Thai, Turkish, Ukrainian, Vietnamese, Welsh. Has barcode fonts, and is a special distributor of the Royal Mail Barcode font. [Google] [More] ⦿ | |
Thomas T. Pedersen
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Ukrainian type blog. People involved include Victor Kharyk, Andrey Shevchenko, Andrey Konstantinov, Gennady Zarechnjuk and Dmitri Rastvortshev. [Google] [More] ⦿ | |
Transliteration of Non-Roman Alphabets
| From Copenhagen and Estonia, Thomas T. Pedersen's page on non-Roman alphabets. He specializes in all kinds of Cyrillic alphabets, such as Abaza, Abkhaz, Adyghe, Altay, Arabic, Armenian, Avar, Azerbaijani, Bashkir, Belarusian (Belorussian), Bulgarian, Buryat, Chechen, Chukchi, Chuvash, Crimean Tatar, Dargwa (Dargin), Dungan, Erzya Mordvin (Mordva), Eskimo - Yupik, Even, Evenki, Gagauz, Georgian, Greek, Hindi, Marathi, Nepali, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Khakass, Khanty, Kirghiz, Komi (Komi Zyryan), Komi-Permyak, Koryak, Kumyk, Lakh, Lezgian (Lezgin), Macedonian, Mansi, Mari: Hill Mari, Meadow Mari, Moksha Mordvin (Mordva), Moldovan (Moldavian), Nanai, Nenets, Nivkh, Nogay (Noghay), Ossetian (Ossetic), Ottoman Turkish, Russian, Rusyn (Lemko&Vojvodinian), Selkup, Serbian, Tabasaran, Tajik, Talysh, Tatar, Turkmen, Tuvinian, Udmurt, Ukrainian, Uzbek, Yakut, Yiddish. [Google] [More] ⦿ |
Type UA
| Ukrainian type news site associated with Andrij Type of Andrij Shevchenko. [Google] [More] ⦿ |
Ukrainian designer of the Cyrillic/Latin font PorschaC, based on an original by Iconian. [Google] [More] ⦿ | |
The Cyrillic 1251 fonts and Cyrillic KOI-8 fonts. [Google] [More] ⦿ | |
Ukrainian font archive, about 2000 fonts strong. [Google] [More] ⦿ | |
Ukrainian web site dedicated to a 2011 type competition. The ten finalists: Viktor Kharyk (Afont), Andrij Shevchenko (OK Office, Captain), Dmitri Rastvortsev (Open Storinka), Kiril Tkachov (Askold Sans, Askold Serif), Andrij Konstantinov (AK Font Arsenal), Dimitri Yarynych (Afont), Yaroslav Kutsch (Arsenal K), Markiya Yatsiv, Katerina Movchai (Arsenal), Yuliya Kuzmenko. Andrij Shevchenko eventually won the competition. His typeface is now called Arsenal and can be freely downloaded from the site. [Google] [More] ⦿ | |
About 30 Cyrillic truetype fonts. Page requires a password. The fonts: Boyko, Broshniv, Bura, Diana, Dnister, Hutsul, Ihor, Irka, Ivan, Katya, Kherson, Kobzar, Krym, Kyiv, Lemko, Lesya, Lviv, Maria, Murko, Mykhailo, Myron, Nestor, Odesa, Oleksa, Olena, Olha, Azov, Petro, Prypyat, Rozhnyativ, Sambir, Sonia, Soyuzhanka, Stefan, Strij, Strutyn, Taras, Vasyl, Volodymyr, Voyak, Zozulka. [Google] [More] ⦿ | |
Commercial Windows XP packages sold with foreign language fonts in TrueType and PostScript, called GlobalSuite, GlobalWriter and GlobalOffice. Includes most foreign languages. For example, in the Cyrillic sphere, they have Bulgarian, Byelorussian, Macedonian, Russian, Serbian, Ukrainian plus over 50 additional Cyrillic languages such as Azeri, Kazakh, Kirghiz, Moldavian, Mongolian, Tadzhik, Tatar, Turkmen and Uzbek. And for North Indian, they have Assamese, Bengali, Gujarati, Hindi, Marathi, Nepali, Punjabi, and Sanskrit. [Google] [More] ⦿ | |
With O. Yunak, Fatalchuk created a Trajan caps face for Ukrainian Cyrillic in 1970. [Google] [More] ⦿ | |
Khomenko's type was used in 2007 by the weekly newspaper Prosto. [Google] [More] ⦿ | |
Veddma's archive of fonts that have both Latin and Cyrillic letters: 1979, AbductionCyr, Arbat-Bold, Arbat, Ben-Cat-Normal-Normal, Ben-Hard-Life-Bold, Ben-Krush, Ben-Pioneer-Bold (the whole "Ben" series by Bazhen Yurchenko, Kharkov, Ukraine, 1997), BinnerDi (Diai JS, 1997), Blood-Cyrillic, Boyarsky-BoldItalic:00, BraesideLumberboyRussian, Breeze, BreezeBold, ClassicRussianBold, ClassicRussianBoldItalic, ClassicRussianItalic, ClassicRussianPlain, Collins, Corrida-Bold, CrackMan, Crystal, CyrillicGoth, CyrillicHover, CyrillicOld, CyrillicRevue, CyrillicRibbon, DOORJAM, Derby, Desdemona, Dyer, EarthNormal, ErasUltraNormal, ErikaBold, ErikaC, Flowerchild (Bazhen Yurchenko, Kharkov, Ukraine, 1997), Floydian, Freestyle, Granite, Grunge (Bazhen Yurchenko, Kharkov, Ukraine, 1997), Kashmir, KursivC--Bold, KursivC, LetteraTrentadue (Gianni Sinni, 1997, modified by Dark Pastor, 1999), LidiaMedium, Liquid-CrystalDisplay (Alexis V. Ryumin, 1997), OdessaScriptFWF, PaladinPCRusMedium (Yuri A.Lyamin, 1992), PaulBOXESCyrNormal (Paul Kuznetsoff, 1993), Peignot_cyr, PresentScript_cyr, Pump, SaffronColdWar, ScrawnCyrAOE, ScrawnKOI8AOE, Serpentine, SirClive, SkazkaForSergeMedium, Slavjanic, Slipstream, TaurusHeavy, TaurusLightNormal, Tiff-Heavy, TorhokItalic, UkrPlaytPSMT (KoleSoft Co, 1993, Kiev), UniversityC, VeraHumana95, VeraHumana95Bold, VeraHumana95BoldItalic, VeraHumana95Italic (BX Fonts, 1997), Verona_cyr-Bold, Verona_cyr, YellowSubmarineCyr, Zeppelin2, ZipperRus. [Google] [More] ⦿ | |
Ukrainian site offering software and SHX fonts for CAD applications. Includes SHX fonts for Latin and Cyrillic by Sergei Komarov, CompGraph LTD, Sanya Sazonov and Nikitchenko V. Has the Russian GOST truetype fonts by Egor Prohorov. [Google] [More] ⦿ | |
At TypeArt 01, he won first prize with Varbur Grotesque (1999-2001, with Natalia Makeyeva), third prize with Joker (1970-2000), and honorable mention with Abetka. At TypeArt 05, he received awards for UniOpt (2002, Kafkaeqsue Op Art display style) and Blooming Meadow (dingbats). In 2009, his 2006 digitization of Anatoly Shchukin's 1968 face Ladoga (+Text, +Display, +Ladoga Armenian) won an award at Paratype K2009. At ATypI 2005 in Helsinki he spoke about Ukrainian fonts. At ATypI 2007 in Brighton, his talk is entitled Old Slavic alphabets and new fonts. At ATypI 2009 in Mexico City, he spoke (well, was supposed to speak) on Old Roman Styles and Cyrillic. MyFonts page. Victor's friends: a Ukrainian/Russian news blog. FontShop link. Author of Non-Latin Fonts Cyrillic and Other (2004, Düsseldorf). Klingspor link. [Google] [MyFonts] [More] ⦿ | |
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Vladimir Levantovsky is a senior technology strategist at Monotype Imaging Inc. and currently serves as a chair of the W3C WebFonts Working Group and a chair of the ISO SC29/WG11 ad-hoc group on font format representation. Born in Ukraine, Vlad moved to the USA in 1995. He has been involved in the work of various industry consortiums and standards organizations since 2002, and is passionate about advancing typographic capabilities on CE and mobile devices and on the Web. He has been an active contributor to the development of various technology platforms, including hardware-accelerated vector graphics (OpenVG), Java ME profiles for mobile devices (JSR-271 and JSR-287), DVB Multimedia Home Platform, OMA Rich Media Environment and core font technology standardization at ISO/IEC. Speaker at ATypI 2012 in Hong Kong: Evaluating fonts legibility in automotive environment. Excerpts of the abstract: Can typeface design make a difference in minimizing glance times [in vehicles] while maximizing the time that drivers' eyes stay on the road? Monotype Imaging has partnered with the MIT AgeLab to study the impact of typeface design on driver demand. He goes on: Data from two separate experiments, each involving over 40 participants ranging from 36 to 74 years of age was collected in a real-time driving simulation in which participants were asked to respond to a series of address, restaurant identification and content search menus that were implemented using two different typeface designs. The results were collected and analyzed using eye tracking equipment and video recordings. Among participants, a Square Grotesque typeface resulted in a noticeable increase in visual demand as compared to the Humanist typeface. Total glance time and number of glances required to complete a response showed consistent results. [Google] [More] ⦿ | |
Vladimir Zholud
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Ukrainian designer. FontStructor who made Fraps (2010, white on black pixel face), Terminal (2010), Standond (2010, octagonal), and Karandilo (2010, handprinted). [Google] [More] ⦿ | |
Vladzh
| Vladimir Zholud (Vladzh, b. 1987, Kharkov) lives in Kharkov, Ukraine. In 2002 he began his studies at Kharkiv ART Lyceum (Ukraine), and then continued on at the Kharkiv State Academy of Design and Arts. His first font is Zholud's Modern Ghotic (2005, blackletter). [Google] [MyFonts] [More] ⦿ |
Ukrainian tyope design teacher at the Kharkov Academy of Designa and Arts. Author of Modernist and Postmodernist Types (2006), a 148-page book that illustrates the work of the students of the Kharkiv Academy of Design and Fine Arts. Author also of Display Type (20007, Kharkiv). [Google] [More] ⦿ | |
Graphic designer and journalist in Cherkasy, Ukraine. He created the thin typeface Megalomania Caps (2013). [Google] [More] ⦿ | |
Ukrainian designer of the pixel font CyrBit (2008). [Google] [More] ⦿ | |
Fontsquirrel link. Behance link. Blogspot link. Fontspace link. Creator of some interesting typefaces in 2008: Argon, Jackson (handprinted, inspired by Michael Jackson). In 2009, she made the Armata family of elliptical sans faces for Latin and Cyrillic. This face is free at Fontsquirrel, where it was published by Sorkin Type. She also uses the name Viktoriya Grabowska at Google Font Directory, where one can download her angular face Passero One (2011) and the sturdy yet balanced balanced text face Fjord One (2011). In 2012, she made the rounded sans family Capriola (Google Font Directory). Kavoon, a fat signage script, and Fruktur, an angular German expressionist typeface, can be found at Sorkin Type and Google Web Fonts. [Google] [More] ⦿ | |
Illustrator and designer in Kiev, Ukraine. She made the techno face Skoty (or Scoty) in 2011. [Google] [More] ⦿ | |
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Also written Yelena Liqutina. Ukrainian designer (b. Kharkiv, 1978) who won an award at Bukvaraz 2001 for Geisha, a delicate display font of utmost beauty, simplicity and purity. She graduated from Kharkiv State Academy of Arts and Design in 2000, where Geisha was developed under the supervision of Vladimir Lesnyak. [Google] [More] ⦿ | |
Graphic designer and illustrator in Kharkiv, Ukraine. He created the Ershter font in 2009. [Google] [More] ⦿ | |
Ukrainian designer who won an award at Bukvaraz 2001 for Zigzag. [Google] [More] ⦿ | |
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Illustrator and type designer, who created Marko One (2011, Google Web Fonts) especially for children's literature. It is a companion font of Marko Horobchik (Marko The Sparrow), a Ukrainian cartoon character. [Google] [More] ⦿ | |
Kiev-based designer of a beautiful curly logo for the coffee shop Cacaofée in Bonn (Germany) in 2012. Behance link. [Google] [More] ⦿ |
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