TYPE DESIGN INFORMATION PAGE last updated on Sat Mar 28 22:19:16 EDT 2020
FONT RECOGNITION VIA FONT MOOSE
French designer (b. 1978) of the dingbat fonts Social Shapes (2015, social media icons), World CXup 2k14 (2014), Social Logos (2011), Clubz (2007, shields of European soccer teams), 2006 Team (2006, soccer team emblems), IT Logos (2005), OpenLogos (2007) and Illustrate IT (2005). Dafont link. Yet another URL. Old URL. [Google] [More] ⦿
In 2016, Tal Leming (TypeSupply) created 90 Minutes, a typeface that is exclusively licensed to the United States Soccer Federation in perpetuity. He writes: I wanted to introduce some more American typographic and lettering influences. We have a rich history from Morris Fuller Benton's iconic work to the impactful lettering on Works Progress Administration posters to the bluntness of wood type on letterpressed event posters. I wanted to subtly reference these to make the typeface as distinctively American as possible. The typeface has 37 unique styles partitioned over three families, 90 Minutes Display, 90 Minutes Kit (a set of styles developed exclusively for use on uniforms, taking into account FIFA regulations), and 90 Minutes Text (drawn specifically for use in small sizes, paragraphs and tables of statistics). [Google] [More] ⦿
Lebanese designer who created Beantown (2004, an athletic lettering font), Staubach (2004, an athletic lettering typeface based on the lettering of the Dallas Cowboys), Wagner Modern (2011), Kroftsmann (2004, on octagonal face), Kavelry (2004, based on the Kemper Insurance logo), 4th and inches (2008, rounded octagonal; based on the proprietary font used by Russell Athletic, makers of sports apparel as used by Georgia Tech BKB, Washington State, Alabama State, Tennessee State, Mississippi Valley State, and many others in college football), and PopWarner (2004, a Bank Gothic lookalike), Wagner Zip Change (grotesque), Richardson Fancy Block. Creator of some free soccer team lettering alphabets in 2010: Louisville, Puff Script, Red Raiders, Richardson Fancy Block, Wagner Zip-Change (based on grotesque signage letters), ACMilan2009, ASRoma, ChampionsLeague, England2007, MLSUniform, RealMadrid2009. About his GeauxXPDF typeface (2010), he writes: I had extracted a nearly complete set on this one a few years back, except for J and Z which I created on my own. As best I can tell, it only exists as an upper case font without most punctuation, so I created that too to make it more useable. I don't know how much LSU [Louisiana State University] paid for this design, but to me it always looked like something that Larabie or Iconian would have given away. He also extracted HDRadioAlphabet from a rounded Arial typeface he found on HD radio. His UScoreRGK (2012) is a blocky angular font used on-screen by Fox Sports. LCD Display (2012) is a 28-segment LED font. UA Terrafont (2012) was based upon the vector art in this PDF file.
Creator of a facsimile font called Real Madrid 1213 (2012), after the lettering Real Madrid is using in the 2012-2013 season. Download site. Check also the small improvement by Character. [Google] [More] ⦿
Graduate of Universidad Nacional de Rosario, and co-founder of Designals who is associated with the free font foundry Rostype, which is also located in Rosario. He is the cofounder of Rosario Design, an event aimed at students and design professionals whose objective is the exchange of experiences in order to promote academic ties with the professional field of design. He designed these typefaces:
Alexandre Saumier Demers
UK-based creator (b. 1967) at FontStruct in 2008 of Metal Vampire (athletic lettering meets vampire), Moonbase Tokyo (neat futuristic oriental simulation), Sir Robin's Minstrels (blackletter), Starscraper (techno), Moonmonkey (outline LED font), First.
In 2010, he added the non-FontStruct typefaces Chromium (a great special effect face), Clawripper, Dirty Play, HairyMonster, HairyMonsterSolid, Punched, and Slasha, mostly inspired by blood, guts, and murders. Static Buzz (2010) is a texture face. Newcastle (2010) is a castle-themed alphabet. Blinger (2010) is a star-studded outline face. New York Punk (2010) is grungy. Dinosaurs (2011) is a dingbat face. NUFC Shield (2011) is a shield face. Zombified (2011) and Sound Sample (2012) are grunge typefaces.
In 2013, Robinson published the textured athletic lettering font Robbie Rocketpants, Airlock, Cargo Bay (a great army stencil, with a negative letter option), Dogma (a grungy Lombardic face), and the grungy blackletter typeface Flesh Wound. MDMA (2013) is a halftone simulation texture face. Barbarian (2013) is an alphading typeface on the theme of swords. Camouflage (2013) is a textured typeface. Atheist (2013) is an outline typeface. Power (2013) is inspired by lettering on pwer buttons. Witching Hour (2013) is a halloween font. Dystopian Future (2013) is a grungy typeface. Olde Stencil (2013) is a stenciled blackletter typeface. Anonbats (2013) has scanbats and dingbats related to the famous hacker group Anonymous. Creature Feature (2013) is a slimy typeface. Ka Blamo (2013) is a comic book font. Beer Goggles (2013), Supercreep (2013), KaBoing (2013), Gloop (2013, an oil slick face), Voodoo Vampire (2013) and Ye Olde Oak (2013) are textured typefaces. Anti Everything (2013) is a blood drip typeface. PCB (2013) is a printed circuit board font. Dickensian Christmas (2013) is a decorative Christmas font.
Typefaces from 2014: Spondulix (hacker type), War Wound, Lasso of Truth, Counter Dial.
Typefaces from 2015: English Football Club Badges, Fuzzy Cops, Kick to the Face (oriental simulation).
Typefaces from 2016: Squeal Piggy.
Typefaces from 2019: Footy Scarf.
Architaraz Type (or: Kassymkulov Design)
Architaraz Type (Kassymkulov Design) is located in Shanghai, China, and Taraz, Kazakhstan. Its type designer, Zhalgas Kassymkulov, was born in 1986 in Kazakhstan. His initial type designs were all done with the help of FontStruct. In 2013, he went commercial as Architaraz Type.
He made a gridded modular typeface called Targeted (2011). Sliced (2011) is a counterless stencil face. Discostructed (sic) (2011) is a texture face. Mono Dot (2011) is a thin dot matrix face. Mono Hor (2011) is a horizontally striped version of it, Mono Ver (2011) a vertically striped version, and Mono Bold (2011) a bold version. Promo (2011) is purely geometric. Semiz (2011) and Semiz Light (experimental) are partly art deco. Audio (2011) is based on the logo of audiojelly. Arro (2011) has letters with arrowed terminals. Hexa (2011) is hexagonal. Happi (2011) is a fat finger face. Semiz Black (2011) is a free fat pixel face.
Creations from 2012: Pearls of Margar, Korgan, Phunni, Carbo, Carbo ii, Lenta, Phunni, Jambul, Extraterrestrial (sci-fi), Rap My Hip-Hop, Armada 1991 (monospaced), Venus (white on black), Garage Garbage (bold avant-garde design), WHAQ, Extra Fontestrial, Algae, A Tasbaqa, Salem (rounded bold typeface), Thaiana Jones, Salem (fat rounded face), Audio 2012, Balapan, Dalmat, Bonn (an art nouveau army stencil face), Mgla, Teris (white on black), Degoratix (curly), Barney Stencil (a fantastic brushy stencil), Lentalicious, Blackway Str, Schengbers (a great piano key stencil family), Tramcar Typo, Mgia, Brushure (a fat curvy display face), Extralien, Serrific Terif, Missinger, Tolkyn, Murt, Twisture, Soliture, Threedure, Antillic, Garage Garbage, Arro, Happi, Schengbergs Hi.
Typefaces from 2013: AT Dombra (psychedelic typeface after Motter Ombra), AT Hoppy (fat letters), AT Liniya (blackboard bold), AT Karagai, Hed Kandi (techno face), AT Traffa Stencil, AT Schema, Naation, AT Nayman, AT Roughin, AT Rooktura Stencil, AT Duba, AT Archistency, AT Liena, AT Bombarda (fat stencil face), AT Sulfur ii, AT Mad Pilot, AT Tasbaqa, Vaia Con Dios, Betaport, Mooltyashka, AT Stincel (a lively stencil font), Millio, Tamshy, Offelia, Jalgas (retro script: a winner in the FontStruct Connected Script Competition), Laffa (connected stencil script), Dlinalys, Diagona, Kitara (psychedelic), Archtitalic, Bonn (bony stencil), Teka 1, Teka 2, Unknownim, Khara (ultra-heavy slab face), Shlab (slab serif), Unknownim (slab serif), Archtalic, Argyn, Linea Runde, Mechatraps (+Plain), Eliksir, Drilliant, Katamaran (art deco), Lagman, Neurojet (experimental), Jazzure (bullet hole display face), Diagon, Aroth, Pharaoh's Delight (piano key / art deco typeface), Cocomi, AT Burshak, AT Sulfur, AT Taspa, AT Affina.
Typefaces from 2014: AT Sudoku (each letter is actually a sudoku puzzle!), AT Tactica (tic tac toe voard), AT Sudoku+, AT Pixtensans, AT Ayna, AT Kerey, AT Giveaway, AT Lagman, AT Asotika, AT Tugan, AT Yertegi, AT Nudgera, AT Diagona, AT Golovkin (stencil typeface named after middleweight boxer Gennady GGG Golovkin), AT Arachis (stencil), AT Tugan (fat rounded sans), AT Baktera, AT Jumpa Jumpa (stencil), AT Nudgera, AT Digitta, AT Archaus, AT Ladya (ball terminal stencil), AT Yin Yang, At Keste, AT Yazyk (rounded stencil), AT Sulfurian (techno stecil), AT Fasten Your Seatbelts (diagonally cut stencil), AT Buckle Up (like AT Fasten Your Seatbelts), AT Droppix, AT Knitka (knitting font), AT Sagat, AT Wild Archid (african theme font), AT Steglo.
Typefaces from 2015: ATAday, ATArchistruct, ATAttache, ATBogomol, ATCastleryRock, ATChaperon, ATKitay (oriental simulation), ATQuba, ATRaushan, ATRoyal, ATShlanga, ATSkos, ATTrassa, AT Giveaway 4, AT Sherit, AT Ribborn.
Typefaces from 2016: ATArchaus2, ATArchistructOutline, ATDornach, ATDrogo, ATEnschede, ATExtrema, ATGiveawayNo5, ATGiveawayNo6, ATHadamard, ATTwelve, Windows Icon Font.
Typefaces from 2017: ATBals, ATBevelour, ATEsrever, ATHitchook, ATImagiro, ATLauda, ATMigdalia, ATRozalla, ATUniversiade, ATYangster, ATZabor, ATThinnetry.
Typefaces from 2018: KD Eight, KD Tramcar, KD Algae Brush, Forza Juve (inspired by Juventus FC's logo), KD Hachure (a multiline typeface family), KD Half Arc, KD Space Band, KD Hachure (+Inline, +Outline), KDAnniversary, Armiya (army stencil), KD Baba Yaga (multiline).
Typefaces from 2019: KD Para, KD Pempo (a multiline art deco font).
Artill (or Artill Typs)
Artill is Lukas Bischoff's foundry in Aachen (and before that, Trier), Germany, est. 2009. Lukas is a stylist and designer based in Trier. He created Sketch Rockwell (2008), one of the nicest sketched style fonts anywhere.
Commercial typefaces include Luco Sans (2009), Sketch Block (2009) and the octagonal family Wombat (2009). Yaa (2010) is a hand-sketched headline font. Dock 11 (2011) is a (free) heavy art deco headline face. Sketch Gothic (2011) is a sketched Franklin Gothic.
In 2016, Sascha Timplan and Lukas Bischoff published the handsome sans typeface family Golden Sans. In 2016, Fargus Meiser and Lukas Bischoff co-designed Paul Grotesk and Paul Soft. In 2018, they added Paul Slab and Paul Slab Soft.
Babelfont is a design studio located in Paris and Casablanca that was co-founded by Gia Tran and Brahim Boucheikha. They were later joined by Salaheddine Bellizi. Their typefaces, mostly bespoke, include:
Gia Tran is a self-taught calligrapher and type designer. He has worked for Dragon Rouge, 4uatre and A&Mcreative in Paris, as well as Saffron Brand Consultants in Madrid. Gia was the Type Director at the French foundry Fontyou. He also teaches calligraphy and type design at various graphic design and visual communication schools such as Strate College Designer, Intuitlab and ESAV Marrakech.
Brahim Boucheikha (b. Morocco) studied graphic design at the ECV in Paris and was an apprentice of Arabic calligraphy expert Abdallah Akar. He joined the branding agencies Landor (Dubai) and Dragon Rouge (Paris). He has worked at the ESAV (School of Visual Arts) in Marrakech since 2009 as head of the Arabic typography laboratory.
Salaheddine Bellizi is a typographer and 3D designer at Babelfont Studio. He studied at the ESAV (School of Visual Arts) in Marrakech, Morocco, and specializes in Arabic calligraphy and typography. He also works intermittently as an assistant at ESAV Marrakech. [Google] [More] ⦿
Designer of Dusha V5 (2014) for the FIFA World Cup in Russia in 2018. Free download. Dusha is discussed at Type Today, in light of an aggressive tweet by Christian Koeberlin who pointed out the similarities between the Russian World Cup designs and those of the previous World Cup in Brazil. Brandia had created a proposed design, and asked Dino dos Santos to make a typeface from their proposed drawings. Dino objected to many design details, but they were never implemented. [Google] [More] ⦿
Neville Brody (b. 1957, North London) is a famous graphic designer who has influenced the practice of design in the 1990s. He created record covers, did magazine design and was art director for projects for companies like Christian Dior, Nike, and the BBC. His company was first called Research Studios, and then morphed into Brody Associates. In 2018, Brody joined Type Network with a new foundry, Brody Fonts.
Largely focused on typography, Brody has been at the forefront of many developments in type culture, from his hand-drawn headlines for The Face magazine and experimental typographic platform FUSE to global fonts for Coca-Cola, Samsung, and Channel4. Iconic posters by him include the Tyson vs Tubs Tokyo poster from 1988. Check also Pat Tmhu's Brody-style Weather Forecast poster (2012). Other people working on Brody's original site include Mike Williams and Simon Staines.
His early type was experimental, and was collected under the name FUSE fonts. Direct access. He did the following FUSE fonts: in FUSE 1, he started with the experimental font State; in FUSE 5, he published Virtual; at FUSE 6, he published Code; at FUSE 7, he drew Crash (Regular and Cameo); in FUSE 8, he showed us Religion (Order, Obidience, Loss of Faith); at FUSE 9, he did F-AutoSuggestion (1994); in FUSE 11, he published Peep, a font only showing parts of letters; in FUSE 13, Ritual, in FUSE 14, CyberStatic, in FUSE 15, F-City Avenue (1997), in FUSE 16, GeneticsSecond Generation, in FUSE 17, Echo Downloaded, Page Three, in FUSE 18, Lies.
Born in 1957 in London, his fonts include FF Autotrace (1994, a sans family progressively distorted by Fontographer's autotrace feature), F Cyber Static (1997, letters based on layered sequences of halftone dots), Arcadia (1990), Industria (1990, readapted in 2012 by Yautja into the free font Instrumenta), Insignia (1990), Blur (1991; FF Blur is from 1992; see poster by Dario Dezfuli Rello), FF Pop (1991, a rectagular font originally made for a German music TV program), FF Dirty (1994), Gothic (1991), Harlem (1991).
In 1993, Neville Brody published the poster font family FF World (FontFont), which used his lettering from his Tyson versus Tubbs Tokyo match poster (1988). This became a free web font in 2010 over at FontFont under the name FF World Wide Web.
In 2006, Neville Brody published Times Modern, designed for The Times. The press release states: The new typeface, called "Times Modern", encapsulates the paper's heritage while adapting to the demands of the new compact format. Like The Times' previous typeface, Times Classic, Times Modern has been designed as a bespoke type family. The Times is the only newspaper to create and use bespoke fonts, all other UK newspapers purchase ready-to-use fonts. The project has been led by Ben Preston, Deputy Editor of The Times, in partnership with Neville Brody, formerly art director of The Face, and lead designer on Actuel, City Limits and Arena magazines. Brody also worked on the redesign of Times2 in 2005. Collaborating with Neville is lead designer Jon Hill supported by Research Studios' Luke Prowse. Jon has worked on many large editorial projects, including the design of supplements for The Guardian, the redesign of Swiss newspaper Le Temps and UK business-to-business magazine Media Week. Twenty-three year old Prowse has created the new Times Modern headline font for the newspaper. That press release has been blasted by the typophiles for being plainly wrong ("The Times is the only newspaper to create and use bespoke fonts, all other UK newspapers purchase ready-to-use fonts." What, and how about The Guardian, for example?) and disrespectful of its designers (you really have to dig through it to learn that Luke Prowse actually did the type work).
And controversy keeps following Neville Brody: in 2009, New Deal, a constructivist typeface, was made for the Micheal Mann film "Public Enemies", starring Johnny Depp and Christian Bale. The bloggers comment that the type is "rubbish" (sic), and that others such as Chank beat him to this type style.
For FIFA's World Cup in 2014, Neville Brody custom-designed Case Brody for England's Nike kit.
In 2015, Neville Brody designed Horseferry and Chadwick for the new visual identity for UK broadcaster Channel 4.
In 2018, Brody Associates announced their custom font, TCCC Unity, for Coca Cola. It was jointly designed by Neville Brody and Luke Prowse.
The first fonts at Brody Fonts in 2018 are BF Bonn (1989-2018) and BF Buffalo. Neville Brody originally designed the geometric sans BF Bonn for The Bundeskunsthalles signage and identity systems in 1989. BF Buffalo (2009-2018) is a soft octagonal punk-meets-sci-fi design debuted as an editorial type in 2009 in Arena Homme Plus. It later appeared as the signature face for London's Anti Design Festival. Brody significantly reworked Buffalo with the help of David Jonathan Ross.
Creator of the octagonal athletic lettering font Nike Motto (2011), which is patterned after the lettering used by Juventus and Werder Bremen. Other athletic lettering typefaces include Liverpool FC (2011), Atletico Madrid Varsity (2011), FC Barcelona 2011 (2011), and Digital Brazil (2011). Free downloads at abhostia. Aka Dekabreak. [Google] [More] ⦿
Prolific Woodland Hills, CA-based typophile and type designer (1937-2013) whose portfolio consisted largely of revivals and who used the alias Character for his typographic work. The Los Angeles Times posted this obituary: Herb passed away after a brief fight against esophageal cancer. He was a 42 year resident of Woodland Hills CA. Son of the late Jean and Mary Van Brink, he was born in Manhattan, graduated from Stuyvesant High School (1952) and Queens College (1956) and always considered himself a New Yorker. He had a long career in Information Technology and retired from Arco. He loved traveling, bowling, genealogy, and was a bridge Life Master among his many interests. He was a trickster and a perfectionist. He leaves his wife, Paula, his son, David Van Brink and DIL Deb Culmer of Santa Cruz CA, his daughter Qarin Van Brink and SIL James Ray of Burien WA, grandchildren Amelia and Wilhelmina Ray Van Brink, brother and sister-in-law Jeffrey and Louise Van Brink of E. Northport NY and nephews Matthew and Jordan Van Brink.
Colophon Foundry is a London and Los Angeles-based digital type foundry established in 2009. Its members comprise Benjamin Critton (US), Edd Harrington (UK), and Anthony Sheret (UK). The foundry's commissioned work in type design is complemented by independent and interdependent initiatives in editorial design, publishing, curation, and pedagogy. It grew out of the Brighton-based design studio, The Entente (Anthony Sheret&Edd Harrington) in April 2009. Benjamin Critton (Brooklyn, NY) joined them later. Fonts:
Coppers & Brasses
Quebec-based type type foundry Coppers & Brasses was set up in 2011 by Alexandre Saumier Demers and Étienne Aubert Bonn in the plateau area of Montreal. Both graduated from the graphic and type design program at UQAM in Montreal and went on do the Type and Media program at KABK in The Hague, The Netherlands.
Creators of these typefaces in 2012: Martha (monospaced slabby grotesque done by both founders), Sardine (fat signage typeface by Bonn), Freitt (blackletter typeface by Bonn). Nicole (2012) is an elegant basic sans typeface by Olivier Mercier-Chan Kane.
In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. In 2014, Alexandre in turn graduated from the Type & Media program at KABK. For his graduation, Alexandre developed the didone typeface family Lewis. He writes: Lewis is a typeface designed for mathematical typesetting, specifically for the TeX typesetting system. It consists of 3 text styles (Roman, Bold, Italic) and 3 math styles (Math Italic, Greek, Blackboard) for use as variables. The text Italic relates to the Roman while the Math Italic stand out with its cursive construction. Likewise, the Greek differentiate easily from Latin characters. The Blackboard inlines are adapted for text sizes with their wide and open cut. Lewis features many size variants and extending shapes, ideal in displayed equations.
The list of their retail and custom fonts:
Alexandre spends most of his time since 2016 working on variable font projects for The Type Network (ex-Font Font Bureau). Home page of Alexandre Saumier Demers. Behance link for Coppers and Brasses. [Google] [More] ⦿
Craig Ward is a British graphic designer and art director wjho moved to New York City in 2009, where he set up Words and Pictures in 2011. In 2015, he created the experimental typeface Fe203, and wrote: To form the glyphs, a tiny amount of ferrofluid was placed between two glass plates and subjected to a combination of spinning vertical and horizontal magnetic fields. The result is an array of complex hieroglyphics and shapes - each one as unrepeatable as a snowflake - that simultaneously call to mind ancient indigenous markings or symbols from science fiction.
Designer of nice typographic examples, such as his Hairy Futura (2008). He designed the fat didone display typeface Lovechild (2009) and the spurred typeface Killer (2013). Other typefaces: Go Vote (2012, a brush poster and modular typeface for the American elections), Dark White (didone), Epitaph (alchemic), NM Serif (2015, for the branding of Dior's new perfume, Sauvage), England World Cup Kit (2018).
Budapest-based designer of the piano key typeface family Tango (2012), the thin octagonal typeface Standard (2012), the piano key typeface Slink (2012), and the experimental typefaces Wang (2012), Galtor (2012, an inline font available from Ten Dollar Fonts) and Krix (2012).
Typefaces from 2013: Fatty, Borg (free), Neugol (a geometric sans with slanted cuts). He writes about Borg: Borg is a geometric typeface with a curved incision. My inspiration was Swedish furniture. The PAOK FC is a Greek football team and they used my font on their new jersey in 2015. In 2016 Levante UD, SSC Napoli and Paris Saint-Germain too used my font on their new jerseys.
Graphic and lettering designer in Istanbul, who created these typefaces:
Eduardo Escobar Beckwith
Emtype is the foundry in Barcelona that was founded in 1997 (in Buenos Aires) by Eduardo Manso. Eduardo was born in Buenos Aires in 1972 and studied graphic design at the Escuela de Artes Visuales Martín A. Malharro and at the Universidad Nacional de Mar del Plata, both in Mar del Plata. Art director of the Argentinian graphic design mag "el Huevo". He currently lives in Barcelona. His typefaces include the pixel font family Dixplay (2003, Emtype), the grunge font Eroxion (1997) and Rina Linea and Rina (2001), all at at Bitstream, the Scotch roman text family Bohemia (2004), Andromeda ([T-26]), Garadonis, Fluxus, Ovalus (2005, free dot matrix face), Relato (2005, advertised as a muscular serif family), Relato Sans (2005, which won an award at TDC2 2006), Merss (2000, ITC), Argot (2004, winner of an award at TDC2 2004), Flour, and Flour Inline.
He custom designed Sunday Times Modern (2008) for the Sunday Times.
Still in 2008, he published Geogrotesque, a semimodular geometric display typeface in 7 styles. Geogrotesque won an award at Tipos Latinos 2010. This was followed in 2009 by Geogrotesque Stencil and in 2015 by Geogrotesque Stencil Italic, Geogrotesque Compressed, Geogrotesque Condensed, and Geogrotesque Extra Compressed. In 2016, he added Geogrotesque Slab, in 2018 Geogrotesque Cyrillic, and in 2019 Geogrotesque Expanded.
He created the custom typeface La Grilla.
In 2012 the London agency GBH commissioned Emtype to develop a custom typeface for the Puma football teams for use in the Brazil World Cup 2014 as well as in the national competitions.
Ciutadella (2012) was originally commissioned by Mario Eskenazi's studio. It is a versatile geometric sans serif, a simple, clean and direct family. In 2015, Emtype published Ciutadella Rounded and in 2016 Ciutadella Slab and Ciutadella Display.
Typefaces from 2014: Shentox. This squarish nearly monoline typeface family started out from British license plates.
Camber (2015) is a workhorse sans typeface, slightly squarish and on a geometric base.
Eduardo's keen eye strikes again in the variable width grotesque typeface family Akkordeon (2017), whose black weight will give Impact serious competition. Akkordeon Slab< (2017) is equally impressive.
Other typefaces from 2017: Isotonic (a rounded almost monoline sans typeface based on Ciutadella).
Corporate typefaces: Sunday Times, Lorena Serif (newspaper type; certificate of excellence in TDC2 2007).
Typefaces from 2019: Approach (in the style of the earliest grotesques, with slightly angled terminals and plenty of elbow pipes, and a characteristic snub nose "1").
Typefaces from 2020: Majorant (a stocky monoline avant-garde geometric sans).
Brazilian printmaker, graphic artist and illustrator, b. 1975. Her fonts are created together with Ricardo Marcin at Pintassilgo Prints (est. 2009). Pintassilgo relocated to Florianopolis at some point. Her fonts at PintassilgoPrints include Altogether (2020: a doodling beauty with eight choices for each glyph), Ars Nova (2019: art nouveau), Pind-O-Rama (2019), Pieches (2019: a linocut font inspired by the powerful political and social posters by Paul Peter Piech), Soundstar (2019), Clafoutis (2019), Pedrita (2018), Transmogrified (2018), Melodia (2018), Minute (2018), Mindset (2018), Salted (2018), Plunct Plact (2017: a children's script), Manihot, Brushtones (2017), Strange Times (2017), Mudstone (2017), Plumcake (2017), Cordelia (2017), Dunkelbunt (2016, inspired by the eccentric artist, architect and designer Friedensreich Hundertwasser), Chronic (2016, influenced by the work of HAP Grieshaber and Willem Sandberg; expanded in 2020 to Anachronic), Unboring (2016), Sunbeat (beatnik style), Hand It (2016, a childish script), Botanique (2016, after Lucian Bernhard's Schmalfette Bernhard Antiqua, 1912), Somehand (2015), Gumdrop, Granz (2015: retro lettering based on a Porgy & Bess album cover by David Stone Martin), Stabile and Stabile Toys (2015, hand-crafted), Cluster (2015, a layered letterpress emulation typeface), Stick Around (2014), Marker Aid, Unpack, Felt Noisy (fat brush), Blueshift (2014), Daft Brush (2014, a vernacular brush), Tuesnight (2014, offbeat poster font), Periplus (2013), Marujo (2013: a decorative typeface inspired by paintings of Arthur Bispo do Rosário, a Brazilian artist who lived for 50 years in a psychiatric institution), Brush Up (2013: a rough brush script), Undersong (a stackable script system), Tremendous (2013: a retro poster typeface), Rockinstead (2013), Runcible (2013, +Cleft, its glaz krak version), Mamute (2013: a layered letterpress style type system), Sabotage (2013: squarish poster font inspired by the iconic Vertigo movie poster by Saul Bass), Sheldon (2013, based on posters by the Polish graphic artist Marian Stachurski; +Extras), Dranskof (2013, inspired by a page from a publication for children by Serbian writer, poet and journalist Dusko Radovic), Gentil (2012, an all caps poster font), Sundowners (retro poster face), Kokoschka (2012, based on the the lettering on the poster of an expressionist play by Austrian painter, printmaker and writer Oskar Kokoschka in 1909), Monstrinhos (2012, dingbats), YWFT Duncan (2012), Card-o-mat (2012, bird dingbats), Soundtrack (2012), Monstro (2012, fat poster face), Attic (2012).
Typefaces from 2011: Melkslijter (2011, a stylish art deco typeface based on a brochure by Dutch graphic artist Dirk Hart), Polyspring (2011, a Victorian typeface hand-drawn based on Italia Condensed, Keystone, 1906), Berimbau (2011), Populaire (2011, a hand-drawn poster caps typeface that was inspired by the electrifying posters from May 1968 by Atelier Populaire, and loaded with alternates to give a random effect), Manicuore (2011, a hand-drawn typeface inspired by Italian movie posters by the prolific movie poster artist Symeoni, aka Sandro Simeoni), Smashing (2011, a fat hand-printed poster face), Smashing (2011, a fat hand-printed poster face), Chancellor (2011), the eccentric poster face Polygraph (2011, based on lettering of the Polish poster artist Leszek Zebrowski. Images: i, ii, iii, iv, v, vi, vii, viii, ix, x), the vintage serif typeface Organically (2011), Transitore (2011: Transitore is a lively hand-drawn font with loads of alternates and ligatures which, managed by advanced OpenType features, help create a convincing handcrafted look), the poster display typeface Sforzando (2011; +Alto), the signage typeface Jongleur (2011).
Typefaces from 2010: the Cuban poster typeface Transmogrifier (2010, based on lettering by Cuban poster artist Eduardo Muñoz Bachs), the ultra-fat art deco typeface Loudine (), Crocante (2010, comic book face), Love Birds Pattern (2010), Swung Note (2010), Amarelinha (2010, hand-printed), Cuadrifonte (2010, a fat hand-printed family including styles called Pics, Sketch (regular), Fill and Line), Xylo Sans (2010, wooden texture face), Ritornelos (2010, a curly all caps hand-printed face), Roadway (2010, based on wood Clarendons), Bandoliers (2010, an informal hand-printed sketched face, with 3D versions such as Beefy, High and Rocky), Changing (2010), Vitrines (2010, hand-printed), Prokaryotic (2010, a "bacterial attack" face), Football World (2010, soccer silhouettes), Singela (2010), Butterfly Effect (2010), Tonal (2010, ultra-fat with mini-counters), Dynatomic (2010, inspired by the hand-drawn lettering of a 1964 polish movie poster designed by Andrzej Krajewski), Lovebirds (2010, bird silhouettes), Somewhat (2010, hand-drawn), Oyster (2010, hand-drawn dingbats), Grante (2009, a lively poster face), Mondiale (2009), Nanquim (2009, sketched letters), Merceria Antique (2009) and Arca (2009, + Dashed). All have an informal and attractive look, and were co-designed with Ricardo Marcin.
The prints of Horst Janssen had a characteristic uneven hand-printed lettering that led Erica Jung and Ricardo Marcin to design the multi-featured opentype typeface Horst (2010). Nova Horst followed in 2012.
Creator of OM12 (2012), a free font available from abfonts. This font is based on the organic lettering used on the jerseys of Olympique Marseille soccer team during the 2011-2012 season. [Google] [More] ⦿
Mexican foundry of Eduardo Escobar, which sells its fonts through MyFonts. Creations include the wrestling dingbats typeface YaVez (2006), the great wrestling mask typeface DosDeTres (2005), the soccer dingbat typeface Futboles (2006, by Guillermo Serrano), and the grunge typefaces LepperGothic (2006) and Monaca (2006), both by Guillermo Serrano.
Étienne is a graduate of the graphic and type design program at UQAM in Montreal. Cofounder in 2011 of Coppers & Brasses in Montreal, together with Alexandre Saumier Demers. He studied at Type@Cooper in New York and at KABK in Den Haag, The Netherlands (class of 2013). He also teaches type design at UQAM in Montreal.
In 2012, he designed the signage typeface Sardine and the blackletter typeface Freitt. Together with Alexandre, he created Martha (a monospaced slabby grotesque), still in 2012. At The Cooper Union, he created Barapa (2012). His fonts at Coppers Brasses:
Fabio Haag Type (was: ByType, and: Foco Design)
ByType is the type subdivision of Foco Design, the Brazilian design company of graphic and type designer Fabio Luiz Haag (b. 1981, Taquara, Rio Grande do Sul), located in Sapiranga, Rio Grande do Sul. Fabio Haag designed FH After (2006, futuristic display typeface to which After Text and After Headline were added in 2007), FH Foco (2003) (a large x-height sans), this futuristic typeface (2003), and Minas Headline, a custom family made for the government of Minas Gerais. He was working on this display font (2005).
Designer (with Jonas Schudel) of a grotesque sans at Dalton Maag, 2007-2009, called Effra, which was inspired by a 1816 design from the Caslon font foundry. Discussion at Typophile. Followed in 2013 by Effra Corp (Dalton Maag) which also supports Greek and Cyrillic.
In 2007, he created the organic sans typeface IronThree.
Cordale (2008) is a workhorse serif typeface jointly done with Lukas Paltram at Dalton Maag. Cordale Corp, the corporate edition, includes Latin Extended A, Greek and Cyrillic characters sets. Cordale Arabic was published in 2013.
In 2009, Foco Italics was published.
At ATypI 2009 in Mexico City, he spoke about Dalton Maag and about the elements necessary to make it in the type business today.
In 2012, the Dalton Maag Brazil team designed the font for the Rio 2016 Olympic Games The 5448-character connected script font Rio2016 was developed by Dalton Maag Brazil, and involved a team that includes Fabio Haag, Fernando Caro and Gustavo Soares. Beth Lula is the Branding Director of the Rio 2016 Olympic and Paralympic Games Organising Committee. Passages of the press release: Each letter expresses a characteristic of Rio 2016 Games, its people and city. The letters are written with a single continuous linework, with a fast and fluid movement, suggesting the movements of the athletes in action. The variety of curves in the letters has a unique informality, inspired by the joyfulness of the Brazilian people. Fabio Haag: As a Brazilian typophile, designing the Rio 2016 font was a dream job. This is a milestone for the design scene in Brazil---it's a great example of how type designers can collaborate with graphic designers, sharing their expertise to strengthen an identity.
In 2013, Fabio designed Almaq, a pair of sans display typefaces in cuts called Refined and Rough.
Codesigner with Bruno Mello, Fernando Caro, Rafael Saraiva and Ron Carpenter of Soleto (2014, Dalton Maag), a sans typeface that won an award at Tipos Latinos 2014.
In 2016, Fabio Haag published Lembra at his new type foundry, Fabio Haag Type, set up after he left Dalton Maag after eight years. Lembra is a sans that was created specifically for branding. It is characterized by tapered terminals. In 2019, a variable font option was added.
In 2017, he designed the 28-unit legible humanist sans variable font family Margem (Fabio Haag Type), which includes a yummy Rounded subfamily. Still in 2017, he developed the sans typeface Sua, which as a variable option.
In 2018, he published pictograms for SporTV, a forceful constructivist font for the World Cup 2018 also for SporTV and Furacão (for Atletico Paranaense).
Typefaces from 2019: Suzano Sans (a commissioned rounded branding typeface done for Suzano).
Fabio Luiz Haag
FC Barcelona (2009), Premier League (2007), and Real Madrid 2009 (2009) are athletic lettering typefaces made by a designer who wishes to remain anonymous. Even though I know the designer, I am classifying these typefaces now as orphaned. [Google] [More] ⦿
Brazilian graphic and type designer, who co-founded Naipe Foundry with Alvaro Franca in Rio de Janeiro. A graduate of ESDI Cartapaccio, Felipe has interned at Coppers & Brasses in Montreal. He is also associated with Rodrigo Saiani's type foundry Plau. In 2020, Naipe released Pacaembu, a seven-style sans serif typeface by Alvaro Franca and Felipe Casaprima that finds its roots in Brazilian soccer. In particular, it took inspiration from the stone lettering found in the 1940 art deco style Sao Paulo Municipal Stadium, also known as Estadio Pacaembu.
British studio located in Brighton. Creators of the oily display typeface Filthy Black Italic (2011). Filthymedia is mainly into identity and corporate type. They created the sturdy typeface Filthy Seagull Display for the Premier League Football Club Brighton in 2018, and the multiline Filthy Threeway Display for Adidas, also in 2018. In 2019, they designed Filthy Altitude Display for The North Face. Other typefaces include Filthy Blacksmith Display (for Patagonia), Filthy Daylight Display (for Kodak), Filthy Duke Display (a stencil font for Ben Sherman), and the grungy Filthy Desert Display. Hype For Type link. [Google] [More] ⦿
Font Football and Design
Commercial outfit in Bandung, Indonesia, specializing in soccer fonts, sold at 7 dollars a shot. Their typefaces cover most big teams in the world. A sampling as of 2016: 1816-BayernMunich-2014-2015, ACMilan-2007-2008, ACMilan-2008-2009, ACMilan-2009-2010, ACMilan-2010-2011, ACMilan-2011-2012, ACMilan-2012-2014, ACMilan-2014-2016, ASRoma-1996-1997, ASRoma-1997-1998, ASRoma-1998-1999, ASRoma-2000-2002, ASRoma-2003-2005, ASRoma-2013-2014, ASSaintEtienne-2014-2015, Ajax-1997-1998, Ajax-2013-2014, Ajax-2015-2016, Arsenal-1994-1997, Arsenal-2005-2006, Arsenal-2007-2008, Arsenal-2012-2013, Arsenal-2013-2014UEFA, Arsenal-2014-2015UEFA, Arsenal-2015-2016UCL, AtleticoBilbao-2016-2017, AtleticoMadrid2013-2014, AtleticoMadrid2015-2016, Atleticomadrid-2014-2015, Barcelona-2006-2008, Barcelona-2010-2011, Barcelona-2011-2012, Barcelona-20122013, Barcelona-2013-2014, Barcelona-20142015, Barcelona-20152016, BayernMunich-2007-2009, BayernMunich1970,80,90, BorussiaDortmund-2012-2014, BorussiaDortmund-2015-2016, Chelsea-2004-2006, Chelsea-2006-2008, Fenerbahce-2012-2013, Fiorentina-2015-2016, InterMilan-1997-1998, InterMilan-2014-2015, InterMilan-2015-2016. Behance link. [Google] [More] ⦿
Miguel Reyes (b. 1984) is a graphic and type designer from Puebla, Mexico, who studied at Benemérita Universidad Autónoma de Puebla. He obtained a Masters in Type Design from Centro de Estudios Gestalt Veracruz. Since 2010, he cooperates with Typerepublic in Barcelona. Founder of Fontaste. Graduate of the TypeMedia program at KABK Den Haag in 2012.
He joined Commercial Type in New York City in 2013. Miguel's grandest achievement to date is Duplicate (2013, Commercial Type: with Christian Schwartz), a typeface family that comes in three substyles, Slab, Sans and Ionic. Commercial Type writes: Christian Schwartz wanted to see what the result would be if he tried to draw Antique Olive from memory. He was curious whether this could be a route to something that felt contemporary and original, or if the result would be a pale imitation of the original. Most of all, he wanted to see what he would remember correctly and what he would get wrong, and what relationship this would create between the inspiration and the result. Though it shares some structural similarities with Antique Olive and a handful of details, like the shape of the lowercase a, Duplicate Sans is not a revival, but rather a thoroughly contemporary homage to Excoffon. Duplicate Sans was finally finished at the request of Florian Bachleda for his 2011 redesign of Fast Company. Bachleda wanted a slab companion for the sans, so Schwartz decided to take the most direct route: he simply added slabs to the sans in a straightforward manner, doing as little as he could to alter the proportions, contrast, and stylistic details in the process. The bracketed serifs and ball terminals that define the Clarendon genre (also known as Ionic) first emerged in Britain in the middle of the 19th century. While combining these structures with a contemporary interpretation of a mid-20th century French sans serif seems counterintutive, the final result feels suprisingly natural. The romans are a collaboration between Christian Schwartz and Miguel Reyes, but the italic is fully Reyes's creation, departing from the sloped romans seen in Duplicate Sans and Slab with a true cursive. Mark Porter and Simon Esterson were the first to use the family, in their 2013 redesign of the Neue Züricher Zeitung am Sonntag. Because the Ionic genre has long been a common choice for text in newspapers, Duplicate Ionic is a natural choice for long texts. Duplicate Ionic won an award at TDC 2014.
Early in 2014, Christian Schwartz, Paul Barnes and Miguel Reyes joined forces to create the manly didone typeface family Caponi, which is based on the early work of Bodoni, who was at that time greatly influenced by the roccoco style of Pierre Simon Fournier. It is named after Amid Capeci, who commissioned it in 2010 for his twentieth anniversary revamp of Entertainment Weekly. Caponi comes in Display, Slab and Text subfamilies.
Gabriello (2015) is a soccer shirt font designed by Paul Barnes and Miguel Reyes: Inspired by brush lettering, Gabriello was commissioned by Puma. First used by their sponsored teams at the 2010 Africa Cup of Nations, it was later used at that year's World Cup, held in South Africa. It was used on the kits worn by Algeria, Cameroon, Cote d'Ivoire, and Ghana.
Marian Text (2014-2016) is a grand collection of ultra thin typefaces designed at Commercial Type by Miguel Reyes, Sandra Carrera, and Paul Barnes. Marian Text 1554 depicts the old style of Garamond & Granjon; John Baskerville's transitional form becomes Marian Text 1757; the modern of Bodoni, with swash capitals and all, becomes Marian Text 1800, and the early Moderns of the Scottish foundries of Alexander Wilson & Son of Glasgow, and William Miller of Edinburgh, become Marian Text 1812. And like the original, a black letter: Marian Text Black, referencing the forms of Hendrik van den Keere.
Ayer is an elegant condensed display typeface designed by Miguel Reyes between 2016 and 2019 for the fashion magazine W. Ayer (Commercial Type) was designed to be malleable and to assert a strong personality at a variety of scales. Commercial Type writes: Ayer Poster has the extremely high contrast that is typical of a fashion typeface and features four different italic styles: the workmanlike italic featured in all optical sizes, a chaotically beautiful Cursive with a full complement of swash capitals, a sharply stylish Angular, and Miguel's decidedly non-traditional interpretation of the staid Blackletter genre. In comparison, Ayer also has high contrast, though less so than the Poster. Finally, Ayer Deck is a low-contrast sans serif with gentle flaring.
Co-designer in 2019 with Paul Barnes of the fat face Isambard: The boldest moderns were given the name fat face and they pushed the serif letterform to its extremes. With exaggerated features of high contrast and inflated ball terminals, the fat face was the most radical example of putting as much ink on a page to make the greatest impact at the time. These over-the-top forms make the style not only emphatic, but also joyful with bulbous swash capitals and a wonderfully characterful italic. [Google] [More] ⦿
Italian designer of the (imaginary) AS Velasca soccer font (2016). He writes that it has been designed for the most artistic football club in the world, the A.S. Velasca. The typeface respects the proportions, the curves and the morphology of the Velasca Tower in Milan. The structuralistic appearance is studied not to bother the clarity of the letters both form closed and far reading. [Google] [More] ⦿
Nicaraguan designer of these typefaces:
Based in Miami, FL, German Blanco created the fun figurines typeface Soccer Player Font (2012).
In 2015, he designed the condensed piano key typeface Clexidra 8. In 2016, he designed the data typeface No Fly Zone, and the airport signage typeface Terminale.
Mexican designer at the Mexican foundry of Eduardo Escobar, called Escobas. He created the soccer dingbat typeface Futboles (2006) and the grunge typefaces LepperGothic (2006) and Monaca (2006). [Google] [More] ⦿
Herbanu Tri Sasongko
Herbert F. Van Brink
Illustration Ink (was: Lettering Delights)
Lettering Delights (later renamed Illustration Ink) is a company founded by Doug Larson in 1994, and located in Pleasant Grove, UT. Before that, Doug was at WordPerfect Corporation. Lettering Delights specializes in scrapbook, handwriting, doodle and alphading fonts. MyFonts link. MyFonts sells the following fonts, made in 2007-2008: LD Chaver (faux Hebrew), LD Cottage (blackletter), LD Daffy, LD Castle (Lombardic), LD Christmas Ale (uncial), LD Appliquée, LD Count Fontula (a grungy blackletter), LD Absurd, LD Bohemian Filigree, and many more. The "LDJ" series is made by Jillustration. A more complete list, as of March 2009: DB Dainty Swirl, LD Bohemian Filigree, LD Honeydukes, LDJ Christmas Troll, DB Trees, DB Floridity, DB Frilly Frames, DB Animal Occasion, DB Roman Philosophy, LD Garbo, DB Flornaments, DB Post Master, LD Daffy, LDJ Flirt, DB Flower Power, LD Absurd, DB Fancy Flourishes, LDJ Exhibit, LDJ Crafty (2007), LD Lamestain, DB Borders Birthday, DB Journal Doodles, LD Dirty Drusillus, LD Unconventional, DB Circles-Frilly, DB Foliage, LD Kung Pow, LDJ Jill Bird, DB Spring Fling, LD Goober, DB Artsy, DB Girly Flowers, DB Girly Girl, DB Journaling Boxes, DB Falalalala Doodle, LD Rock Hero, LDJ Yuletide, LD Count Fontula, LD Hang Ten, LD Horror Movie, DB Bridal Doodles, DB Floragraphy, LDJ Silly Sister, LDJ Jillk And Cookies, DB Birthday Cheer, LDI Fancy Folk, LD Imagine That, TXT Bethlehem, LD Distorted Drusillus, LD Romeo, LD Ugly Duckling, DB Beach Doodles, DB Easter Bunny, DB Smartypants, LD Christmas Ale, LD Shmutz, LDJ Eccentric, LD Cottage, LD Roman Sketch, LD Flutter, LD Generation X, LDJ Whimsey, LDJ Bash, LDJ Hen Hand, LD Roman Engraving, LDJ Scribble Scriptish, DB Fleuries, DB Pit Stop, DB Post Stamp, LDJ Distressed Yuletide, LDJ Jillegible, LDJ Cool Play, LD Demure, LDJ Caper, LD Poco, LD Softy, LD This Way, DB Easter Fun Doodles, DB Family Tree, DB Fright Night, DB Frilly Paisley, DB Just For U, DB Wedding Book, LD Scary, LD Appliqué, LDJ Forever Friends, LD Castle, LDJ Jill Scratch, LD Puck, LD Chaver, DB Bugs, DB Doodledeedoo, DB Frilly Words, DB Girly Soccer, DB Once Upon A Time, DB Spooky Doodles, DB Vintage Halloween, DB 'Tis The Season Modern, DB 'Tis The Season Words, DB Buggy Christmas, DB Christmas Doodles, DB Christmas Fun Doodles, DB Circles -, DB Circles - Christmas, DB Snowflakes, LD Hoot. Additions in 2009: TXT Fat Hatch, TXT Santa Font, LD Deck The Halls, LD Heather, LD Astoria, LDJ Doodaddles, TXT Brush Script, LD Elementary, LDJ Jingleberry, LDJ Knick Knack, LDJ Sneezes, LDJ Snow Doodles, TXT Annesia, TXT Groovy Smooth, TXT Hoopla, LD Let It Snow, LDJ Ho Ho Snow, TXT Altius, TXT HunkaSpunk, TXT Jubulation, TXT Monkeyshine, TXT Long Hand, LD Painters Hand, TXT Soda Shoppe, TXT Stonewashed, TXT Antique Italic, LD Wait, LD Soccer Mom, LDJ Sweet Potatoes, Scrap Caps, TXT Romanesque, Scrap casual, TXT Scribbletti, TXT Sloppy Script, LDJ Billy Bob, LDJ Cool Cat, LD Wedding, TXT Menu Item, LD Red Hatters Hand, Scrap Twiggy, LD Lanky, TXT Modern Mom, TXT Nuptials, TXT Delicate Script, LDJ Fadoodle, LD Kiss The Cook, LD Kooky, LD Old Country, LD Remington Portable, LD Underwood 5 (old typewriter), TXT Personality, TXT Jersey, LD Wanted (Far West), LDJ Dear Santa, TXT Monique, TXT Old English (blackletter), LD Christmas Carol (blackletter), LDJ Cooligraphy, LDJ Elf writing, LDJ Friend Font, LD Harry, Scrap Brother, LDJ Squirrel Tracks, TXT Tough Love, TXT Small World, TXT Stitched, LDJ Elf Note, LD Engraved, Scrap Sloppy, LD Sidewalk Chalk, LDJ Story Stamp, LDJ Tickled Tourist, LD Little Buggy (2008), LD Platform Soul (2011), PN Finnegan Fine (2017), LD Laundry Night (2018).
The list of typefaces at Creative Fabrica at the end of 2018: Abomination, Americana Preserves, Aphrodisiac, Apple Crisp, Arachno Horror, Bane Existence, Batabulous, Beddie Bye, Belly Laughs, Bigshot Jitter, Blackbird Pie, Bomb Diggity, Boogieman, Bough Breaks, Bounce Print, Brainpop, Bread and Sugar, Build Me Up, Bunny Hop, Buttermilk, Canoodling, Carbohydrate, Catawampus, Chocolate Candies, Cilantro Leaf, Clacker Jax, Cookie King, Cranky, Cupcake Face, Destination Wedding, Deutschland, Doohickey, Dream Catcher, Earthlings Obey, Eat Your Vegetables, Enthusiasm Serif, Evil Olivia, Farmhouse, Fidgety, Finnegan, Finnegan Fine, Firefly, Frankenfont, Frapple, Gelato, Ghostwriter, Gingerbread Cake, Gladstick Thick, Gooey Gumdrops, Gooey Gumdrops Gorey, Gooey Gumdrops Script, Goose Pimples, Graham Cracking, Grumble, Half Baked, Halloween Bean, Halloween Elegance, Happy Haunted Holidays, Hatch It Inline, Hatch-it-all, Housewife, Hummingbird, Hustle Time, Imaginary Cherry Juice, Incandescent Bulb, Invitation Only, Jack Sprat, Jelly Doughnut, Just Hatched, Kick the Can Serif, Kicks and Giggles, LD Lost and Found, Ladyfinger, Laundry Night, Long Island, Long Island Independence, Lucky Star, Mabel Rose, Macaroni Salad, Magenta, Magnolia, Maunaloa, Megabite, Megajoule, Migelson, Millionaire Bachelor, Millionaire Bleeds, Mingle, Monkey Potluck, Moshing, Mother May I, Mousetrap, Mr. Brown Goes To Town, Necrophobia, Nether Lights, Newfangled, Night Fox, Nightliter, Oh My Gourd, Oogety Hand, PN Alphabet Soup, PN Banana Split, PN Banana Split Script, PN Breakfast Burrito, PN Juneberry, PN Neighborhood, PN Octopus Socks, PN Phat Script Sheen Duo, PN Shenanigan, PN Ski-Doozy and Ski-Dazy Font Duo, PN South Carolina, PN Epoisses de Bourgogne, Peach Mango, Peach Preserves, Peanut Butter and Honey, Peppermint, Playmate, Popsicle Dream, Positively, Pumpkin Patch, Pumpkin Pie, Radioactive, Radioactive Decay, Ragamuffin, Razzle Berry, Rejuvenation, Saddlesore, Said No One, Sand and Sea Drool, Saturday Duo, Say What, Scamper, Seagully, Sharky Pants, Sharkypants Pow, Shoofly, Shugarpie Honeybunch, Singleton, Smarty Pants, Spicy Margarita, Spiegel, Spine Chilling, Spooksville, Spotlight, Stars & Swirls Monogram Banner, Stinkbug, Storybrooke, Storybrooke Script, Sugar Britches, Sugar Cookie, Sugar Rush, Sugarcane, Sundance, Supercilious, Superlunacy, Sweater Weather Serif, Sweeter Dreams, Sweetie Face, The Dead Walk, Threadcount, Thurday's Child, Toastie, Tomatoes, Tombstone, Triassic Dinosaurs, Type Right, Unfortunate News Ooze, Unicorn Script Jitter, Whisk It, Yahoolagism, Yoga Master, ZP Beastly Gorgioso, ZP Bookaholic, ZP Frozen Lemonade, ZP Glue Stick, ZP Jack and Diane, ZP Jack and the Beanstalk, ZP Prehistoric Age, ZP Raisin Cookie, ZP Schnugguns, ZP Seaside, Zucchini Bread, Zweetie Curliecue.
Typefaces from 2019: DB Lucky Sunshine.
Typefaces from 2020: PN Sharkypants.
Ruben Prol is based in A Coruña, Spain. He used to run Ipanema Gráfica, a Brazilian photoblog site, where original fonts such as Rita (2010, slabby), Comic Arousa (2007), Nantronte (2005), Velvet Illusions (2005, retro futuristic), Vila Morena (2006), Johnyokonysm (2005), As pedras da Belle Otero (2006, an artsy pixel font), Milocha (2010, sans), Rita (2010, slab serif), and Marela (2005) may be found.
In 2016, he designed the soccer shirt lettering typeface Hibernia, and the multilined Starman. In 2014, he designed the custom soccer shirt typeface RCD Carme Condensed for the new (2014-2015) RC Deportivo kits.
Typefaces from 2017: Chuca Mono, Lordela (an angular German expressionist typeface), Abisinia (a unicase poster font).
Jens Kutilek studied Communication Design in Braunschweig. After graduating he founded the web design agency Netzallee. He works at the font technology department at the Berlin office of FSI (FontShop International) since 2007. Jens Kutilek had a small typology page proving that Arial is not Helvetica, Courier is not Courier New, and Times-Roman is not Times-New Roman. That page disappeared. His typefaces:
In 2017, during his studies at Staffordshire University, Joe Hall (Stoke-on-Trent, UK) designed the soccer shirt font Conquer, taking inspiration from the domed London Stadium. Behance link. [Google] [More] ⦿
Swiss-born MATD University of Reading graduate, class of 2013, who lives in St. Gallen, Switzerland. He describes his graduation typeface Caligula as follows: The roman emperor Gaius Julius Caesar, also known as Caligula is described as a noble and moderate ruler during the first six months of his rule. After an illness, the sources focus upon his cruelty, extravagance, and sexual perversity, presenting him as an insane tyrant and maniac with a split personality. Caligula is a typeface family originally intended for both magazines in print as well as on screen. Styles for highly legible bodytext are accompanied by various and distinctive display styles for expressive headlines. The Latin has an angular character which makes it readable. It is harmonized with an Armenian style.
Graduate of Centro Universitario Tiradentes (UNIT) in Sao Paulo, Brazil. During his studies at Miami Ad School in Sao Paulo, he designed the copperplate font Pepper (2017) and the soccer shirt typeface family Canarinho (2018). [Google] [More] ⦿
Between 2015 and 2018, Suonmay Sophanith designed these free typefaces and dingbat fonts for Latin and Khmer: 2022-unoifficial (for the Qatar FIFA World Cup in 2022), FIFA-18-ART, Jun Ho, KH-NITH-MUFAN, KonKhmer_S-Phanith1, KonKhmer_S-Phanith10, KonKhmer_S-Phanith11, KonKhmer_S-Phanith12, KonKhmer_S-Phanith13, KonKhmer_S-Phanith14, KonKhmer_S-Phanith2, KonKhmer_S-Phanith3, KonKhmer_S-Phanith4, KonKhmer_S-Phanith5, KonKhmer_S-Phanith6, KonKhmer_S-Phanith7, KonKhmer_S-Phanith8, KonKhmer_S-Phanith9, PHANITH-FONTER, Phanith-FONTER-aZ, Phanith-Fonter-THAT, Phanith-THAT, S-PHANITH-FONTER-ROCK, S-PHANITH-FONTER-SAM, S-PHANITH-FONTER-TOUCH, S-PHANITH-FONTER-WW, S-PHANITH-FONTER-ZOUL, S-PHANITH-FONTER-ZZ, S-PHANITH-FONTER, S-PHANITH_FPefect, S-PHANITH_FTHIN, S-PHANITH_THINKE, S-Phanith-FONTER-DRAQ, S-Phanith-FONTER-GONE, S-Phanith-FONTER-PC-TOOL, S-Phanith-FONTER-THIN, S-Phanith-FONTER-WEEN, S-Phanith-Fonter-LAM, S-Phanith14-GREAT-1, S-Phanith14-GREAT-2, S-Phanith14-KH-PENCIL, S-Phanith_2019, S-Phanith_miss-you. [Google] [More] ⦿
Johannes Lang (Langustefonts) is a graduate of the KABK in Den Haag in 2008. Originally from Vienna, he created the transitional text family Dendra as a student at KABK. Other fonts made by him at his Langustefonts: Alefbet, A Maze Thing, Audiotypi (filled in art deco letters), Baguette (smudged), Canard (octagonal), Canontire, Crossword, Doggy, Donotiron (glyphs like clothes), Elfenfreund (2006-2012, handwriting), Ella (connected upright script), Fontball Field, Fontballet (soccer dingbats), Hellvetica, Kapitalschaden (grunge), Klatschmohn, Lamb, Lichtenberg, LF Pixel, Noncept, Overdressed, Schnoerkel2512, Setzkasten, Somehand, Tak (child's hand), Unisize, Vin rouge (handwriting with scratchy hairy endings). He also made the Armenian text typeface Foltyn (2011).
In 2013, Johannes Lang and Stefan Ellmer co-designed the free display typeface Brevier Viennese. It is based on a Victorian typeface called Viennese by the Fann Street Foundry from 1874.
In 2014, Stefan Ellmer and Johannes Lang cofounded Ellmer Stefan & Johannes Lang.
Free demos of the Amazing Webdings dingbat series: Babies n Teens, Lifestyle, Leisure, Cool Tools (four fonts for now). Full versions cost $$. They also sell display fonts. Now also butterfly dingbats in the BombyxConnection font. And religious dingbats: New Age-Channeling (1 through 5), Jesus' Life (1 through 3), and Holy Art (1 through 3). Plus Pict'Animos, Toys'4U, Baby's World, Soccer Dance, Schooldays, Lifestyle Delight, Feast Day, P'tit-Dij, SmaragDings, Flower Show, Music for a while, Paradise's Fruits, Pharaoh, Summer Time, Little Gardener, Lovely Kitchen, Measure Tools, Pretty Pottery, Workshop Dings, Merry Christmas, My World, Chinese Cocktail, Happy Eggs, Paris Perfume, Potato'n Tomato, Bombyx Connection, Alpages, Hot Hat, Light Office. [Google] [More] ⦿
A discussion on the typography of numbers on shirts, by Dutchman Sander Neijnens, a Tilburg-based Dutch graphic designer (b. Valkenswaard, 1957) who drew a character in the September 11 charity font done for FontAid II. Specializing in numbers on athletic shirts, and displeased with the sameness of the letters in classical typefaces like ITC Machine or Superstars, he proposes serifed numbers, which were used by the soccer team Willem II from Tilburg in 2002-2003. A new athletic number design, King III, is in the works. He created Hia (a stencil typeface for use on doors and fences), Streep (horizontally striped letters for fences), and Klinker (based on street tile patterns).
This outfit will make your handwriting into a font. There are commercial fonts from Cock-A-Doodle Design (2USD/font), Creating Keepsakes (names start with CK), Inspire Graphics, Karen Foster Design (names start with KF, as in KF Bonkers, KF Bugs, KF Carnival, KF Fun Font), LetteringDelights.com (names start with LD), PrintDog Design, PC Hugware. If you fill out a form, send email, become a member and spend ten minutes on their page, you'll get five free fonts. List of about 500 fonts as of April 2003. All fonts have an "Inspire Graphics" copyright notice. A partial list of the LD fonts: LDAgua, LDAmore, LDAntique, LDAntler, LDApple, LDArchitect, LDArtsy, LDBabyPin, LDBaby, LDBallet, LDBaseball, LDBasketball, LDBatBall, LDBeach, LDBeehive, LDBikini, LDBillboard, LDBooBoo, LDBoogie, LDBows, LDBubbles, LDBubbley, LDButterfly, LDButton, LDCake, LDCalligraphix, LDCamping, LDCandles, LDCarolers, LDCats, LDCeltic, LDChalk, LDCharming, LDChildish, LDChristmasBulbs, LDChristmasLights, LDChubby, LDCityScape, LDClover, LDConfetti, LDCool, LDCostumes, LDCritters, LDCrosstich, LDCupid, LDCuteCurls, LDDabble, LDDainty, LDDaisy, LDDelightful, LDDenim, LDDerby, LDDiary, LDDiver, LDDoodles, LDDotty, LDDoubleLine, LDEarMuffs, LDEasterBasket, LDEasterEggs, LDEasy, LDElementary, LDFallingLeaves, LDFierro, LDFigureSkating, LDFillIn, LDFinePrint1, LDFinePrint10, LDFinePrint11, LDFinePrint12, LDFinePrint13, LDFinePrint14, LDFinePrint15, LDFinePrint16, LDFinePrint17, LDFinePrint2, LDFinePrint3, LDFinePrint4, LDFinePrint5, LDFinePrint6, LDFinePrint7, LDFinePrint8, LDFinePrint9, LDFineScript1, LDFineScript2, LDFineScript3, LDFineScript4, LDFineScript5, LDFineScript6, LDFineScript7, LDFirecracker, LDFloaties, LDFlora, LDFlowers, LDFlurry, LDFlyfish, LDFootball, LDFrankenstein, LDFrosty, LDFunky, LDFunnySerif, LDGala, LDGhosts, LDGhouls, LDGift, LDGingerbread, LDGirlyCurls, LDGobble, LDGoingNuts, LDGolf, LDGreeting, LDGridiron, LDGrin, LDHand, LDHappyHats, LDHeartThrob, LDHeliumEars1, LDHolly, LDHuggyBear, LDHugs, LDIrish, LDItalic, LDJersey, LDJournaling, LDJoyful, LDJubilee, LDJumpy, LDLaundry, LDLeaves, LDLoneStar, LDLoveStruck, LDLuvnLace, LDMaple, LDMasquerade, LDMickE, LDMickE, LDMixed, LDMonster, LDMusic (2001), LDMusical, LDNativity, LDNativity, LDNeighborhood, LDNorthPole, LDNotePad, LDNotebook, LDOwie, LDPalmTrees, LDParade, LDPartyHats, LDPartyTime, LDPeekABoo, LDPenInk, LDPlank, LDPlumbing, LDPoof, LDPookie, LDPopCorn, LDPotoGold, LDPresents, LDPretty, LDPrint1, LDPrint10, LDPrint11, LDPrint12, LDPrint13, LDPrint14, LDPrint15, LDPrint16, LDPrint17, LDPrint18, LDPrint19, LDPrint2, LDPrint20, LDPrint21, LDPrint3, LDPrint4, LDPrint5, LDPrint6, LDPrint7, LDPrint8, LDPrint9, LDPuffy, LDPumpkin, LDQuickScript, LDQuilt, LDRV, LDRiverRun, LDRosebud, LDRoses, LDRounded, LDRoyal, LDSailing, LDSandCastle, LDScouter, LDScrapbooking, LDScratch, LDScratchyPen, LDScript1, LDScript2, LDScript3, LDScript4, LDScript5, LDScroll, LDSeashells, LDShadow, LDShamrock, LDShellyPrint, LDShellyScript, LDSign, LDSketch, LDSlanted, LDSlapHappy, LDSleek, LDSlender, LDSmiles, LDSmokey, LDSmooch, LDSnowman, LDSoccerBall, LDSoccer, LDSpecs, LDSpider, LDSplash, LDSpooks, LDSportDots, LDSports, LDSpringtime, LDSquiggle, LDStarSerif, LDStars, LDStencil, LDStringBean, LDStylin, LDSunflower, LDSunshine, LDSuper, LDTallPen, LDTallTale, LDTennis, LDTopHat, LDTuxedo, LDTwitterpated, LDUSA, LDVolleyball, LDWalt, LDWaterski, LDWeb, LDWildFlower, LDWitchy, LDWormy, LDWroughtIron, LDYoungster, LDZoo.
Typefaces from 2007: LD Unique.
Fonts from 2008: LD Platform Soul, LD Little Piggy, LD Little Buggy (scratchy face), LDJ Boxed Flirt, LD Santa Fe (grunge), LD Socialite, LD Teensel, LDJ Verdant Leaves.
Additions at the end of 2009: LD Adornment, LD Dear Miss Rose, LD Bostonian, LD Artist's Intent, LD Abe Lincoln, LD Baskin Sundae, LD Bold Blake, LD Edward, LD Bella, LD Bon Vivant.
LetterStuff Type foundry
Wonosari, Yogyakarta, Indonesia-based designer (b. 1991) of Primera (2018), Ballicons (2017) and Glyphicons (2017). In 2018, he added Larys Manice (a children's book font), Typis, Sweet Dessert, Rossela, Kiddos and the sci-fi typeface Space Surfer.
Mac Rhino Fonts (MRF)
Stefan Hattenbach (b. Stockholm, 1961) is an art director and graphic designer specializing in type and logo solutions. He lives in Stockholm, and has been creating typefaces since 1997. He describes himself as an espresso-fueled art director and graphic designer specializing in type and logo solutions. In 2003, he established Mac Rhino Fonts. His clients included Greenpeace, Amnesty International, Telia, and Hennes&Mauritz. Some of his early typefaces were at Nakedface (now extinct).
Custom typefaces: Absolut Headline and Script (2008; for Absolut Vodka), Cancerfonden (2018, with Söderhavet), DFDS (sans and serif), Djurgårdens IF (2017: DIF Display, by Kurppa Hosk and Stefan Hattenbach is an octagonal soccer shirt typeface), Dometic Icons (2016), Exotic Snacks (grunge face), Filmstaden (2015-2017, a sans done with Söderhavet), Halebop (2017: octagonal, +Arabic), H&M Script, Hästens (a delicate serif family), Jernhusen (2017, done with Söderhavet), Resurs Bank (2018, done with Söderhavet), SJ (2015), Skanska (2016, done with Söderhavet: Skanska Sans), Skrapan Sans (2006-2007), So-Type (2017-2018, done with Söderhavet: So Ray, So Sargo and So wrasse), Svenska Arkitekter (2016: the stencil typeface SA Display; done with Ramiro Oblitas), Svenska Dagbladet (2006, a cooperation of Macrhino described as follows: Svenska Dagbladet (SvD) needed a specific headline font for their business section, and ordered a custom typeface from Typecraft and Pangea design, which had both been involved in previous redesigns of the newspaper. The objective was to design something that had a distinctive and unique character, but that would also interact well with their existing grotesque typefaces. Mac Rhino Fonts was then commissioned by Pangea design to do the basic typeface design, and then developed the final design together with Orjan Nordling at Pangea. Mark Winelid at Typecraft then took the font through the final production stages by making detail adjustments as requested by SvD, technical optimization of outlines, kerning and OpenType formatting.), Swedbank (2016: Swedbank Headline), Sweden Sans (2013-2014, with Stockholm design agency Söderhavet:. this nationalistic typeface was commissioned by the Swedish government), Tallink (2017: Tallink Script), Thomas Cook (2013-2016: Thomas Headline and Thomas Script), TV4 (2016: Quattro Sans, developed together with Bold Scandinavia), Urban Escape (2017, UE Display was done for AMF Fastigheter), WAD (2018: Dwiggins Script, which was developed together with Glenn Sjökvist for Antikvariat Morris).
Free typefaces: Hattrick Smal Caps, Kerning Unicase, Montessori Script, Stylish Small Caps. Scheduled type: Beef, Fontanino, Hangover, Pomodoro, Republicana.
Soccer enthusiast and graphic designer in West Lancashire, UK, who created the display typeface MUFC in 2015. He writes: Typographical based project for Manchester United and Adidas to promote and market the new kit. [Google] [More] ⦿
Marco Moreira is Magel Studio in Sao Paulo. Creator of the leaf-shaped typeface Follaje (2012) and the squarish Soccer Type (2013). Na Type (2013), Rubber Type (2013) and Dog Type (2013) are experimental, while Hand Type (2013) is ornamental caps alphabet.
Mark White (Bournemouth, UK) designed the free playful soccer-inspired triptych Tiki Taka (2016, in Mediocentro, Trequartista and Ramdeuter styles), the free monoline sans typeface Inflecto and the free thin avant garde typeface Abyssopelagic in 2016. In 2017 he designed the free all caps sans typeface False Nine, the modular typeface Petrichor and the free neon typeface Klaxons. [Google] [More] ⦿
Born in 1977 in Karlsruhe, she graduated in 2007 from Hochschule Pforzheim. She lives and works in Köln. Designer in 2006 at Volcano Type of the soccer / World Cup-inspired free scanbat and logo fonts KickItKlinsi, KickItLiga, KickItTooor and the stitching fonts Stich Dings and Stich Me.
Soccer enthusiast in Verona, Italy. During his studies at Politecnico di Milano in 2014, he created font proposals for FC Inter and AS Roma. In 2015, he created NBA Basketball Font and a proposalfont for Chelsea FC. [Google] [More] ⦿
Modern Typography is a dot com web presence organized by the London-based type designer and graphic designer, Paul Barnes (b. 1970), typophile extraordinaire. It is promised to have plenty of material for the typophile. In the 1990s, Paul Barnes worked for Roger Black in New York where he was involved in redesigns of Newsweek, US and British Esquire and Foreign Affairs. During this time he art-directed Esquire Gentleman and U&lc. He later returned to America to be art director of the music magazine Spin. Since 1995 he has lived and worked in London. He has formed a long term collaboration with Peter Saville, which has resulted in such diverse work as identities for Givenchy and numerous music based projects, such as Gay Dad, New Order, Joy Division and Electronic. Barnes has also been an advisor and consultant on numerous publications, notably The Sunday Times Magazine, The Guardian and The Observer Newspapers, GQ, Wallpaper, Harper's Bazaar and Frieze. Following the redesign of The Guardian, as part of the team headed by Mark Porter, Barnes was awarded the Black Pencil from the D&AD. They were also nominated for the Design Museum Designer of the Year. In September 2006, with Schwartz he was named one of the 40 most influential designers under 40 in Wallpaper. He cofounded Commercial Type with Christian Schwartz. Author of Swiss Typography: The typography of Karl Gerstner and Rudolf Hostettler (Modern Typography, 2000).
The crew in 2012 includes Paul Barnes (Principal), Christian Schwartz (Principal), Vincent Chan (type designer), Berton Hasebe (type designer, who worked at Commercial type from 2008 until 2013) and Mark Record (font technician). Miguel Reyes joined in 2013. Hrvoje Zivcic helps with font production.
Moscow-based designer of Cute Halloween (2019), Happy Pumpkin (2019: a cartoon font), Adventure (2019: an informnal font, with camping dingbats as a bonus), Brush Font (2019), Summer (2019), School Icons (2019), Best Friends (2019: hand-crafted), Feel Time (2019: script), Memphis (2019: in the style of the Memphis Group), Happy Valentine's Day (2019: pixel font), Happy New Year (2018), Bridge (2018), Chalk (2018), the hand-crafted Kitty (2018), Fantasm 3D (2018: a vector font), the monoline sans Gravitation (2018), the LED font FIFA (2018) and the monoline sports font Jordan (2018). Her icon sets in 2017 include Space Icons and Ice Cream Icons. [Google] [More] ⦿
Naipe Foundry is the type design, lettering & font production company of Alvaro Franca and Felipe Casaprima (and before that, Leandro Assis as well). Alvaro Franca is a graphic designer from Rio de Janeiro who studied at ESDI in Rio and EINA in Barcelona. He created Aladdin Sans (2011) when he was studying at ESDI in Rio. Other early typefaces by him include the wedge serif text typeface Selsdon (2015) and the didone numerals typeface Baleia Heavy (2015), which was influenced by Herb Lubalin's style.
In 2016, he created the 9-width titling or poster typeface family Bonde and wrote: It is the result of a year long research project on the hand painted lettering used in Rio de Janeiro tramways between 1868 and 1966. The carioca engineers who lettered the original signs used compression and expansion of letters so that station names of all sizes would occupy the same horizontal space. Because they didn't have lettering training or a model to follow, they had to come up with their own unique solutions for the problem of width variation in letterforms. Bonde applies these quirky and ingenious designs to a multi width type family, but adapts letterforms for contemporary use in their original function: signage and wayfinding.
In 2016, he designed the informal typeface Noturna. In 2017-2018, he participated in the Type Expert program at the Plantin-Moretus Institute in Antwerp.
He won an award at Tipos Latinos 2018 for Discordia (Naipe Foundry and Future Fonts): Developed originally for use in magazines, the goal was to create a concise text family that blurred the lines of type classification, mixing things that normally don't go together but which could be persuaded to play nice this one time.
In 2020, Naipe released Pacaembu, a seven-style sans serif typeface by Alvaro Franca and Felipe Casaprima that finds its roots in Brazilian soccer. In particular, it took inspiration from the stone lettering found in the 1940 art deco style Sao Paulo Municipal Stadium, also known as Estadio Pacaembu.
London, UK, and Athens and Kifissia, Greece-based type foundry started in 2001 by Panos Vassiliou. It specializes in fine multilingual (usually Latin, Greek and Cyrillic) typeface families. Panos Vassiliou has conducted numerous seminars for Canadian companies such as Bank of Nova Scotia, Royal Bank and Sony Canada. He graduated from the University of Toronto/Canada, where he studied Applied Science and Engineering. He has been Creative Director for the Canadian design firm AdHaus, former Publisher of the monthly magazine DNA (Greece) and Secretary-General for the Hellenic Canadian Congress (Ontario, Canada). He has been designing typefaces since 1993, including commercial fonts as well as commissions from Vodafone, Nestlé, Ikea and National Geographic. He started Parachute in 2001 setting the base for a typeface library that reflected the works of some of the best contemporary Greek designers, as well as creatives around the world obsessed with type. Apart from its commercial line of typefaces, Parachute offers bespoke branding services for corporate typefaces and lettering. Customers include Bank of America, the European Commission, UEFA, Samsung, IKEA, Interbrand, National Geographic, Financial Times, National Bank of Greece, Alpha Bank and many others.
Other type designers at Parachute include Kanella Arapoglou, Alexandros Papalexis, Dimitris Foussekis, Aggeliki Skandalelli, Helen Gabara, Babis Touglis, Vangelis Karageorgos, George Toumbalis, Eva Karapidaki, Charis Tsevis, Pavlos Levendellis, Panos Vassiliou, and George Lygas.
At Granshan 2010, Vassiliou won Second Prize in the Greek text typeface category for PF Encore Sans POro, and First and Second Prizes in the display typeface category for PF Regal Pro and PF Champion Script Pro, respectively. Typefaces:
Their type blog is called Upscale typography.
Brazilian printmaker, graphic artist and illustrator in Vitoria, b. 1973, Rio de Janeiro. His fonts are created together with Erica Jung at PintassilgoPrints (est. 2009). Pintassilgo relocated to Florianopolis at some point. Their typefaces include Altogether (2020: a doodling beauty with eight choices for each glyph), Ars Nova (2019: art nouveau), Pind-O-Rama (2019), Pieches (2019: a linocut font inspired by the powerful political and social posters by Paul Peter Piech), Soundstar, Clafoutis (2019), Pedrita (2018), Transmogrified (2018), Melodia (2018), Minute (2018), Mindset (2018), Salted (2018), Plunct Plact (2017: a children's script), Manihot (2017), Brushtones (2017), Strange Times (2017), Mudstone (2017), Plumcake (2017), Cordelia (2017), Dunkelbunt (2016, inspired by the eccentric artist, architect and designer Friedensreich Hundertwasser), Chronic (2016, influenced by the work of HAP Grieshaber and Willem Sandberg; expanded in 2020 to Anachronic), Unboring (2016), Sunbeat (beatnik style), Hand It (2016, a childish script), Botanique (2016, after Lucian Bernhard's Schmalfette Bernhard Antiqua, 1912), Somehand (2015), Gumdrop, Granz (2015: retro lettering based on a Porgy & Bess album cover by David Stone Martin), Stabile and Stabile Toys (2015, hand-crafted), Cluster (2015, a layered letterpress emulation typeface), Stick Around (2014), Marker Aid, Unpack, Felt Noisy (fat brush), Blueshift (2014), Daft Brush (2014, a vernacular brush), Tuesnight (2014, offbeat poster font), Periplus (2013), Marujo (2013: a decorative typeface inspired by paintings of Arthur Bispo do Rosário, a Brazilian artist who lived for 50 years in a psychiatric institution), Brush Up (2013: a rough brush script), Undersong (a stackable script system), Tremendous (2013: a retro poster typeface), Rockinstead (2013), Runcible (2013, +Cleft, its glaz krak version), Mamute (2013: a layered letterpress style type system), Sabotage (2013: squarish poster font inspired by the iconic Vertigo movie poster by Saul Bass), Gentil (2012, an all caps poster font), Card-o-mat (2012, bird dingbats), Kokoschka (2012, based on the the lettering on the poster of an expressionist play by Austrian painter, printmaker and writer Oskar Kokoschka in 1909), Sundowners (2012), YWFT Duncan (2012), Rather Jazzy (2012), Rather Loud (2012), Soundtrack (2012), Monstrinhos (2012, dingbats), Monstro (2012, fat poster face), Attic (2012), Melkslijter (2011, a stylish art deco typeface based on a brochure by Dutch graphic artist Dirk Hart), Polyspring (2011, a Victorian typeface hand-drawn based on Italia Condensed, Keystone, 1906), Berimbau (2011), Populaire (2011, a hand-drawn poster caps typeface that was inspired by the electrifying posters from May 1968 by Atelier Populaire, and loaded with alternates to give a random effect), Manicuore (2011, a hand-drawn typeface inspired by Italian movie posters by the prolific movie poster artist Symeoni, aka Sandro Simeoni), Ziclets (2011, a bubblegum typeface), Smashing (2011, a fat hand-printed poster face), Chancellor (2011, a plakatstil style caps face), the eccentric poster face Polygraph (2011, based on lettering of the Polish poster artist Leszek Zebrowski. Images: i, ii, iii, iv, v, vi, vii, viii, ix, x.), the vintage serif typeface Organically (2011), Transitore (2011: Transitore is a lively hand-drawn font with loads of alternates and ligatures which, managed by advanced OpenType features, help create a convincing handcrafted look), the poster display typeface Sforzando (2011; +Alto), the signage typeface Jongleur (2011), the Cuban poster typeface Transmogrifier (2010, based on lettering by Cuban poster artist Eduardo Muñoz Bachs), the ultra-fat art deco typeface Loudine (), Crocante (2010, comic book face), Love Birds Pattern (2010), Swung Note (2010), Amarelinha (2010, hand-printed), Cuadrifonte (2010, a fat hand-printed family including styles called Pics, Sketch (regular), Fill and Line), Xylo Sans (2010, wooden texture face), Ritornelos (2010, a curly all caps hand-printed face), Roadway (2010, based on wood Clarendons), Changing (2010), Vitrines (2010, hand-printed), Prokaryotic (2010, a "bacterial attack" face), Football World (2010, soccer silhouettes), Singela (2010), Bandoliers (2010, an informal hand-printed sketched face, with 3D versions such as Beefy, High and Rocky), Butterfly Effect (2010), Tonal (2010, ultra-fat with mini-counters), Dynatomic (2010, inspired by the hand-drawn lettering of a 1964 polish movie poster designed by Andrzej Krajewski: caps only), Grante (2009, a lively poster face), Somewhat (2010, hand-drawn), Mondiale (2009), Merceria Antique (2009), Nanquim (2009, sketched letters), Lovebirds (2010, bird silhouettes), Oyster (2010, hand-drawn dingbats), and Arca (2009, +Dashed). All have an informal and attractive look, and were co-designed with Erica Jung. Dafont link. He created the grunge typeface Talvezassim (2009) and the fat geometric typefaces Parafuse Ultrablack (2009, +Outline, Shadow) and DeLarge (2009). Monster Boxes (2009) is a dingbat face. Oyster (2010) is hand-printed.
The prints of Horst Janssen had a characteristic uneven hand-printed lettering that led Erica Jung and Ricardo Marcin to design the multi-featured opentype typeface Horst (2010). Nova Horst was published in 2012.
Scrapbooking company related to the brand Creating Keepsakes (or: CK), which in turn is run by Tracy White. Creating Keepsakes made fonts which lead to the web site Scrap N Fonts. They are selling over 1,000 fonts whose names all start with CK or LDJ. They are of the playful kind. The older fonts: CKAnythingGoes, CKArrows, CKArtisan, CKAshleyAlpha, CKBabyBottle, CKBalloons, CKBamboo, CKBarbedWire, CKBeachcomber, CKBella, CKBlackTie, CKBlock, CKBlockRose, CKBouquet, CKBreeze, CKBroadPen, CKBubbles, CKButterfly, CKBuzz, CKCalligraphy, CKCalligraphy, CKCalligraphy, CKCamp, CKCandles, CKCandyCorn, CKCatsDogs, CKCelebration, CKChecks, CKChemistry, CKChick, CKChildsPlay, CKChoppyBlock, CKChristmasBerries, CKChristmasMemories, CKChunky, CKChunkyBlock, CKClassic, CKColumn, CKConcave, CKConstitution, CKContemporaryCapitals, CKContemporaryCapitals, CKCorners, CKCorral, CKCracked, CKCrayons, CKCrescent, CKCrookedClassic, CKCurly, CKCursive, CKCute, CKDaydream, CKDelight, CKDiva, CKDoodles, CKEasyGoin, CKEclectic, CKElegant, CKElusive, CKEvolution, CKExpedition, CKExtra, CKFairytale, CKFanClub, CKFantasy, CKFiesta, CKFillIn, CKFishBones, CKFishingPole, CKFlair, CKFlourish, CKFlowerGarden, CKFlowerPower, CKFootnote, CKFortune, CKFrankenstein, CKFraternity, CKFrayed, CKFreedom, CKFreestyle, CKFreezing, CKFresh, CKFriend, CKFrosting, CKFun, CKFunBoxes, CKFunkieFun, CKFunkyWave, CKGala, CKGameNight, CKGardenVariety, CKGeometric, CKGifts, CKGirl, CKGlyph, CKGrandstand, CKGrandstand, CKGrapevine, CKGroovy, CKGutenberg, CKHandprint, CKHandprint, CKHappyCamper, CKHappyKids, CKHarvest, CKHearts, CKHigginsHandprint, CKHollyBerries, CKHopscotch, CKHunting, CKHustle, CKIndigo, CKInky, CKItalic, CKJot, CKJournaling, CKJuneBugs, CKJustPlainWide, CKKeystroke, CKKiddo, CKKinder, CKKittyScratch, CKLala, CKLazyDays, CKLeafyCapitals, CKLeftyLisa, CKLetterHome, CKLogs, CKLongLanky, CKLoveLife, CKLumpy, CKMansPrint, CKMarker, CKMonogram, CKMuddy, CKMystery, CKNewsprint, CKNoah, CKNostalgia, CKOffRoad, CKOrnament, CKOuch, CKOverall, CKPaintbrush, CKPeekingPosies, CKPencils, CKPenman, CKPicketFence, CKPillow, CKPink, CKPlainJane, CKPlayBall, CKPopsicle, CKPorridge, CKPosies, CKPretty, CKPrimary, CKPrint, CKPumpkin, CKPumpkinPatch, CKQuake, CKQuick, CKQuickStitch, CKQuiltSquares, CKQuirky, CKRanch, CKRansom, CKRocketShips, CKRoses, CKRubberPencil, CKRugged, CKSassy, CKScript, CKScript, CKShadowedBlock, CKShearMadness, CKShiver, CKSignature, CKSimple, CKSimplicity, CKSimplicity, CKSingleSerif, CKSinkOrSwim, CKSketch, CKSkinnySerif, CKSlice, CKSlime, CKSloppy, CKSmokey, CKSmoothRock, CKSnow, CKSnowman, CKSouthwest, CKSpikyBlock, CKSpikyClassic, CKSpirit, CKSplitBox, CKSportsBalls, CKSportsBasketball, CKSportsBowling, CKSportsFootball, CKSportsGolf, CKSportsHockey, CKSportsPlain, CKSportsSoccer, CKSportsTennis, CKSportsVolleyball, CKSpringtime, CKSpringtime, CKSquiggle, CKStacks, CKStalk, CKStenography, CKStitches, CKStoneAge, CKStorybook, CKStrips, CKSugarCookie, CKSummerDays, CKSunshine, CKSweetBows, CKSweetDreams, CKSwirl, CKTags, CKTakeaHike, CKTallTrees1, CKTallType, CKTeachersPet, CKTemplate, CKTies, CKTimeless, CKTipsy, CKToDoList, CKToddler, CKToggle, CKTools, CKTrellis, CKTulips, CKTwiggy, CKTwigs, CKTwilight, CKTypeset, CKTypewriter, CKUrban, CKVogue, CKVoluptuous, CKVoluptuous, CKWanted, CKWavey, CKWedding, CKWeddingRose, CKWendy, CKWhereItsAt, CKWhirl, CKWildnCrazy, CKWildnCrazy, CKWindsong, CKWinter, CKWired, CKWrangler, CKWreaths, CKZigZag, CkBlockhead, CkCircleSerif, CkStars, CkStarsStripes, Frankieghost, LDSpecs, ck_jewels. Their designers: Ali Edwards, Allison Kimball, Andie Smith, Ashley Bennett, Becky Higgins, Beth Opel, Candice Stringer, Candice Stringham, Cherie Mask, Cindy Knowles, Deb Anderson, Deb Perry, Elizabeth Cass, Elsie Flannigan, Emily Magleby, Francesca Saccarola, Jennifer Antoini, Jillustratin, Jillustration, Kim Crothers, Kim Hughes, Kim Shields, Leora Sanford, Lettering Delights, Jillustration, Lisa Botte, Lori Buehrig, Maegan Jenn, Marna Hill, Monica Moss, Peay Carter, Rebecca Sjonger, Renee Senchenya, Sara Winnick, Shannon Zickel, Simple Scrapbooks, Stacy McFadden, Stephanie Ford, Susan Cyrus, Talia Audenart, Tammy Moore, TexType, Tiffany Tillman, Tracey Odachowski, TXT Type, TxType, Wendy Groff. [Google] [More] ⦿
Q-BO is the foundry of Carlos Daniel Matteoli, a type designer from Santiago del Estero, Argentina, b. 1980.
Old URL. His typefaces, both free and commercial, often have a sci-fi or industrial component:
In 2013, he published Pacaembu, an extraordinary multilined typeface family inspired by graphic patterns of Brazilian indians. Carona (2013) is a vernacular typeface based on wall writing. Lock Type (2013) is a heavy rounded techno sans typeface family.
In 2014, he published the dadaist paper-cut typeface Pulso, the octagonal typeface Louco, and the plump bubblegum typeface Burle Marx, which shares the roundness of the official Olympics 2016 typeface. The vernacular typeface Copa (2014) was designed to honor the world cup in 2014 in Brazil. It is based on street painting. This project was supported by illustrations made by Henrique Mamede.
Hincha (2015) is a paper tape font used for soccer posters. Block (2015) and United Squad (2015) are soccer lettering fonts.
New York City (and before that, Mumbai, India)-based designer of the partially free all caps art deco geometric sans typeface Adam (2014), which is based on Futura. It was renamed Adam CG Pro. He also made the free comic book typeface Raggedways (2014).
In 2015, he designed the free squarish spurred hipster typeface Quirko.
In 2016, during his studies at MICA (Maryland Institute College of Art) in Baltimore, he designed the free font Minaxi Hairline Text (monoline sans). Additionally, his collaborative typeface design project titled Bird Grotesk, created with Ninad Kale and Potch Auacherdkul, another MICA MFA Graphic Design student, has secured a Gold Award in the Typeface Design category of Graphis. Still at MICA, he designed the cricket shirt typeface family The Wall in 2016 under the supervision of Tal Leming.
In 2017, upon graduation from MICA, he published the free custom sans typeface family SG Alternative, which was designed to support his alternative rock band project Mountains and You. [Google] [More] ⦿
Japanese foundry. They published free fonts such as Honeydripper (2005, gothic), Someshin (futuristic), Bacon (2004, dripping blood letters), Soccer (2004, free soccer dingbats), Beeper (Western style), Ballet (2004, dingbats), Bunbury, Cecily, Fairfax, FairfaxSpottie, Gwendolen, JPhont, Locomo, MoncrieffShadow, Plant, Prism, Plymdale (2005, liquid), Cardew 3, 4 and 6 series (2005, horizontally striped typefaces). Alternate URL. [Google] [More] ⦿
German type foundry, est. 2016 by Christoph Koeberlin, whose passion for FC Kaiserslautern in the Bundesliga led to the creation of Sportsfonts. Koeberlin previously designed retail typefaces such as Fabrikat and FF Mark (the latter with Hannes von Döhren and the FontFont Type Department).
He created these typefaces:
Quezon City or Kyusi (Philippines)-based designer of revivals and opportunistic typefaces, who is quite active on newsgroups like alt.binaries.fonts. His production is impressive:
Tal Leming is a graphic designer, type designer and letterer who lived in Wilmington, DE, but moved his stakes to Baltimore, MD. He graduated from Louisiana State University in 1997. Python scripting guru working mainly with Letterror and House Industries on projects using FontLab and Robofab. An avid RoboFog scripter, he joined Erik van Blokland and Just van Rossum to initiate the RoboFab project in 2003. After graduation in 1997 from the Louisiana State University Graphic Design program, he worked as a designer at two agencies in south Louisiana. In September of 2001, Tal joined the House Industries staff as a designer in the Type Development, Product Promotions and Python Systems Implementation Department. He worked on the Ed Benguiat collection, for example.
In 2005, he left House and started his own company eventually called Type Supply. Type Supply designs typefaces for corporations and publications. Their typefaces:
At ATypI 2008 in St. Petersburg, his talk (shared with Ken Barber) was entitled Pac-Man fever, quantum mechanics and the design of digital type.
Los Angeles-based designer of these typefaces in 2019: Rex Modified (a multi-line modification of Fontfabric's Rex), Elftal (a soccer shirt font inspired by Wim Crouwel's grid method), Art Deceau (a soccer shirt font inspired by art deco). [Google] [More] ⦿
Belgrade, Serbia-based designer (b. 1981) of these typefaces:
Swiss type designer, b. 1933, Zug. He created Schmalfette Grotesk (1954). He is most famous for the black headline typeface Haettenschweiler (1954)---a renaming of schmalfette Grotesk by Photoscript in the photo font era---, which made it to the Microsoft library in 1995 as part of Microsoft Office. Haettenschweiler was used by Paris Match for headlines. The soccer team Nottingham Forest has a logo based on it as well.
Unpublished typefaces: Africaine, Breifette Etienne, Busride (1969), Coal (1975). Eleanora (1970), Haetti-Antiqua (1972), Haettenschweiler Face (1970), Halbstarke Pica, Oberoy (1971), Schmale Mediäval, Timeless (1971).
Further typefaces accredited to him: Breitfette Unziale, Roaring Twenties, Unziale, Happening, Chelsea Type, Flat Letter, Knock Out, Strada, Yardley, Sezession, Carnaby, Op-Letter, Allshadow, Subway, End, Wornout, The Ugly American, Expo, Ellington, Boris Vian, Blues, Ella for ever, Wir Wunderkinder, Calder, Tropic, Polyp, Maotse, Aleman con Adorno, Alphabet Art Nouveau, Alphabet Capitales de Fantasie, Alphabet Majeur d'Anglaise Rubannee, Alphabets Capiale&Romain Penches en...., Arnold Boecklin, Eckmann-Schrift, Edelgotisch-Initialen, Fantail, Favorit, Fraktur-Bastard, Jugendstil-Unziale, Kalligraphia, Lettres Ombrees, Lichte Italienne-Kursiv, schraffiert+abschattiert, Lima, Metropolitaines, Mira, Ornamentale Antiqua, Romantique, Siegfried, Smoke, Soutache, Thalia, Verzierte Unziale, Wotan, Walhalla, Teutonia, Lichte, Abschattierte, Umrandete, Schraffierte Etienne, Alphabet de L'Amour, Historismus, Plastische Verzierte Italienne Toscanienne, Audrey Hepburn, Cocteau, Leslie, Disney, Caron, Klee, Picasso, Mondrian, Bauhaus, Marino Marini, Congo, Schenk ein Buch, Beggarstaff, Black'n White, Broad, Für das Alter, Gaité, Girlish Face, Green Leaves, Halbstarke Pica, Lawless Type, Lettre coupée, Maidenform, New Fashion, Nouvelle Vague, Schmale Mediaeval, Sacral Letter, That bad Eartha, Vanishing Letter.
Revivals of his typefaces include Capital Ideas 2 NF (2012, Nick Curtis), which is based on Breitfette Unziale (1958). Schmalfette CP (Jason Walcott and Rob King) revives Walter Haettenschweiler's original titling sans from 1954.
Willem Hendrik Crouwel is a Dutch graphic designer who was born in Groningen in 1928, and died in Amsterdam in 2019. He studied at the Academy Minerva from 1947-1949. In 1952, he founded his design agency, and in 1963, he created the Total Design agency together with four others. In 1967, he created his New Alphabet for cathode ray tubes---it had only vertical and horizontal strokes. It was used in the Dutch pavillon at the World Exhibition in Osaka in 1970. Crouwel became professor of industrial graphic design in 1973 at the Technical University of Delft and was also professor of art at the Erasmus University in Rotterdam. From 1963 until 1984, Crouwel managed all posters and catalogs for Stedelijk Museum Amsterdam. In 1981, he became director of Museum Boijmans-Van Beuningen, and remained director until 1991.
His typeface Gridnik (1974), an octagonal typeface made for a typewriter, was never released as a font. Crouwel's love for grids had earned him the nickname Gridnik or Mr. Gridnik. This name is well-deserved: he once stated, I am a functionalist troubled by aesthetics.
Creator of Dutch postage stamps in 1976.
Many have continued along the path shown by Crouwel:
Cochin, India-based creator of the bullethole typeface Suarez (2014), named after the biting Uruguayan soccer player Suarez (for those who have followed the Brazilian World Cup in 2014). [Google] [More] ⦿