TYPE DESIGN INFORMATION PAGE last updated on Tue Sep 16 19:52:36 EDT 2014

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Type design in Argentina



[Headline set in Poem Script (2011-2012, Sudtipos) by Alejandro Paul]

Luc Devroye
McGill University
Montreal, Canada
lucdevroye@gmail.com
http://luc.devroye.org
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Adolfo Gregorio Acosta

Graduate from FADU, University of Buenos Aires, who created the typeface Xixo Xixo (2008). [Google] [More]  ⦿

Adrián Cattalini

Graduate from FADU, University of Buenos Aires, who created the typeface Tormes (2010), an upright connected script of fashion mag quality. [Google] [More]  ⦿

Adrián Flores

Rosario, Argentina-based designer (b. 1992) of the vertically striped techno font System (2009) and of Scratch Basic (2009), Smoothtasticness (2011, fat counterless), Acid cain (2011, grungy), and Crime Scene (2011, grunge suggesting blood splatter). [Google] [More]  ⦿

Adrian Cattarello

Graphic designer in Buenos Aires who created the script typeface Perro Boogie in 2013. [Google] [More]  ⦿

Aerosyn-Lex Mestrovic
[Nontype]

[More]  ⦿

Agostina Ahumada

Creator of the school project typefaces BOOoomer (2012, sci-fi style) and Swinger (2012, piano key style), which were created during her studies at the University of Buenos Aires, Argentina. [Google] [More]  ⦿

Agostina Amelotti

For a school project at FADU / UBA (Buenos Aires), Agostina Amelotti (Lujan, Argentina) mixed Kabel and Dorchester when she created the elegant curly hybrid typeface Lemon Champ (2014). Also worthwhile is her cocktail lounge series of sample applications. [Google] [More]  ⦿

Agus Tassano

Buenos Aires-based designer of the spiky heavy metal font Zaeth (2014), which appears to be a school project at UADE. [Google] [More]  ⦿

Agustín Lorré

Argentinian youngster, b. 1989, who made the handwriting font AguzBadHandwriting (2009). [Google] [More]  ⦿

Agustín Luis Bou
[Bou Fonts]

[More]  ⦿

Agustín Morano

Graduate from FADU, University of Buenos Aires, who created the tall condensed italic modern face Ceñida (2009). [Google] [More]  ⦿

Agustina Borsani

Graduate from FADU, University of Buenos Aires, who created the typeface Onirik (2010), a unicase face made on the basis of Dante MT. [Google] [More]  ⦿

Agustina Lonetti

Buenos Aires-based designer (b. 1984) of the outlined 3d lettering font Aguzlo (2006) and of the hand-printed Felixsalotto (2012).

Another Dafont link. [Google] [More]  ⦿

Agustina Re

Graduate from FADU, University of Buenos Aires, who created the flowing italic typeface Bakery (2009). [Google] [More]  ⦿

Agustina Ruiz

Buenos Aires-based creator of an elegant ornamental Arabic simulation typeface called Mehndi (2013). [Google] [More]  ⦿

Agustina Vazquez Durand

During her studies in Buenos Aires, Agustina Vazquez Durand designed an artistic poster display typeface called Berta (2013). [Google] [More]  ⦿

Aixa Aztarbe

Graduate from FADU, University of Buenos Aires, who created the condensed didone typeface Belta (2009). [Google] [More]  ⦿

Alberto Federico

Graduate from FADU, University of Buenos Aires, who created the typeface Drop Serif (2008). [Google] [More]  ⦿

Aldana Martinez

During her studies at FADU / UBA in Buenos Aires, Aldana Martinez designed a great techno display typeface (2014). [Google] [More]  ⦿

Aldo de Losa
[Tipitos Argentinos]

[More]  ⦿

Alejandra Carballal

Buenos Aires-based creator of an artistic semi-psychedelic typeface in 2011 as part of course work at FADU UBA. [Google] [More]  ⦿

Alejandra Carbone
[Carbone Tipografía]

[More]  ⦿

Alejandra Montalbetti

Graduate from FADU, University of Buenos Aires, who created the typeface Vesper (2010). [Google] [More]  ⦿

Alejandra Santos Villarroel

Designer in Caballito, Argentina, who created a condensed display typeface in 2013. [Google] [More]  ⦿

Alejandra V. Arregger

Graduate from FADU, University of Buenos Aires, who created the serif face Clonum (2008). [Google] [More]  ⦿

Alejandro

Palermo, Buenos Aires-based designer, b. 1983. Creator of the hand-printed font LiniersType v1.1 (2006). [Google] [More]  ⦿

Alejandro Casas

Graphic designer from Argentina, currently studying at Universidad de Buenos Aires (UBA - FADU). He created the counterless geometric typeface GeoTypo in 2012 while at UBA. [Google] [More]  ⦿

Alejandro G

Buenos Aires-based illustrator and designer. He created a nice sketchy poster called Hecho en Latino America (2011). [Google] [More]  ⦿

Alejandro Herrera

During Cosgaya's class at FADU / UBA (Buenos Aires), Alejandro Herrera created an experimental geometric typeface. [Google] [More]  ⦿

Alejandro Inler

Graphic designer who studied at FADU, University of Buenos Aires, from 1997 until 2005. Creator of these typefaces:

  • Elsie Swash Caps (2012, with Ana Sanfelippo). Free at Google Web Fonts. The this a fashion mag display didone with plenty of additional ball terminals: Elsie is inspired by feminine energy. This new typeface was created to celebrate the world of women, glamour and fashion. It combines the strength of Bodoni with the softness of italics. Sensitive, attractive, full of personality, innovative and subtle with both classic and new design features.
  • Elsie (2012, with Ana Sanfelippo). Free at Google Web Fonts. Elsie was Alejandro's graduation typeface at FADU-UBA.
  • Wendy One (2012). Free at Google Web Fonts, it is loosely based on the Stabilo logotype, and shows the quirkiness of retro futurism.

Behance link. [Google] [More]  ⦿

Alejandro Lazos

Buenos Aires-born designer who studied at the University of Buenos Aires and founded inTacto, a design studio.

Creator of the text face Prima Sans (2006; with Ariel Katena). This face was published at Tipo and/or Tipitos Argentinos. See also here.

Behance link. [Google] [More]  ⦿

Alejandro Lo Celso
[Pampa Type]

[MyFonts] [More]  ⦿

Alejandro M. Alarcón

Graduate from FADU, University of Buenos Aires, who created the ultra-condensed didone typeface Taipu (2010). [Google] [More]  ⦿

Alejandro Paul
[Sudtipos]

[MyFonts] [More]  ⦿

Alejandro Paul

Designer who lives in Buenos Aires and who teaches graphic design and typography at the Universidad de Buenos Aires. He has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone, and Movicom. He runs Estudio Paul. Professor at Facultad de Arquitectura, Universidad de Buenos Aires. Co-creator, with Apostrophe at Apostrophic Laboratory, of Usenet (2000), FontCop I through IV (2000) and the pixel font family Cayetano. Published the dot matrix font Stardust wth T-26 in 2000. Designed the gorgeous font Elektora in 2000. He developed with Michael Lynch a 17-font Tennis set of grid-based pixel fonts. At Typeworx, he published Reflex (2002), a commercial 6-style unicase font family. Another web site by Alejandro. Cofounder of DAS, a design studio in Buenos Aires.

Cofounder of Sudtipos (2003), where he does custom work and creates new typefaces.

His work there includes Tierra (a titling face), Latinaires (originally called Latina Sans), Reflex, Downtempo (2003), Stardust and Mosaico (1999, pixel face).

Still at Sudtipos, he digitized the beautiful handwriting/calligraphic faces by Angel Koziupa called Alma (2005), Murga, Habano and Tiza, which together with his script face Argenta (2004), Oxida (2005), the medieval script face Mama Script (2004, designed with Alfredo Graziani), Divina (2004, with Alfredo Graziani), and the sans family Kautiva (2004) can be bought via Umbrella Type at Veer.

For children's orthography, he developed Estrada Hand, on commission for Editorial Estrada. He was working on the serif family Libertina (2004).

Herencia (2004, a handwriting face done with Diego Giaccone), Grover (2004, slab serif), Milk Script (2004, with Alfredo Graziani), Mama Script (2004, with Alfredo Graziani), Politica (2004, a techno face with a very thin Thin weight) are at Sudtipos.

The Bluemlein Scripts (2004-2005, Umbrella and Veer) are based on the calligraphic renderings of Charles Bluemlein, shown in a 1943 ink catalog: Miss Le Gatees, Mr Rafkin, Mr Keningbeck, Mr Lackboughs, Lady Dawn, Mrs Von Eckley, Mr Sheppards, Mr Dafoe, Mr Canfields, Mr Stalwart, Mr Sandsfort, Mr Leopolde, Mr DeHaviland, Mr Blaketon, Miss Stanfort, Miss Packgope, Miss Fajardose, Mrs Saint-Delafield, Mrs Blackfort, Mr Sopkin, Mr Sheffield, Miss Lankfort, Herr Von Muellerhoff, Dr Sugiyama, Dr Carbfred. (Note: Soft Horizon's Lainie Day (1993) is an earlier free font in the style of Lady Dawn and Mr Lackboughs). In 2011, that series was made available at Google Web Fonts.

Sudestada (2005, Sudtipos) is a handwriting script developed with Diego Giaccone. Cuisine (2005, Umbrella Type) is an informal bold script. Mousse Script (2005, Sudtipos) is based on Glenmoy, a 1932 Stephenson Blake typeface. Suave Script (2005) is a 4am jazz bar script. Ministry (2005) is related in style but less funky, Chocolate (2005) is for sales ads, and Cenizas (2005, with Angel Koziupa) is straight from an old manuscript.

Whomp (2006, Umbrella) was based on a partial sign-painting font by Alf Becker (1930s), and so was Buffet Script (2006, Sudtipos). Affair (2006, Umbrella) is swashy and calligraphic, while Candy Script (2007) and its italic version Sugar Pie (2011) are based on Argentina's market lettering. Galgo Script (2007) is a brush calligraphic font based on a design of Angel Koziupa.

Burgues Script (2007) is an ornate calligraphic script based on the lettering of calligraphy teacher Louis Madarasz (1859-1910) (PDF; award at TDC2 2008). Burgues Script, Adios Script (2008: it won an award at TDC2 2009), Feel Script and Sugar Pie all won awards at Tipos Latinos 2008.

Sinfonieta (2006) and Buffet Script are fifties style connected scripts. Feel Script (2007) is based on lettering that calligrapher and logo designer Rand Holub created in 1950 and that was subsequently captured in Intertype's face Monterey (1958). Some letterforms were redrawn from vintage American magazine ads (some by Holub himself), Cuisine (2008, food advertising script), Pronto (2008, comic book style, by Alejandro Paul and Angel Koziupa), Grover (2004, rounded sans family), Grover Slab (2004). Burgues Script, Adios Script, Feel Script and Sugar Pie all won awards at Tipos Latinos 2008. Calgary Script (2008, Umbrella) is a pure signpainting job.

Accolades from all typophiles for his calligraphic wunderkind, Compendium (2008, see also the slide show).

The 2009 haul: Sugar Pie (signage font), Bravissima Script, Theorem (upright semi-script).

Speaker at ATypI 2009 in Mexico City.

The year 2010 starts off with a bang, five awards at Tipos Latinos 2010: a grand prize for Brownstone Sans, and four standard awards, for Semilla, Kewl Script (for food packaging and store windows), Calgary Script, and for Business Penmanship.

Typefaces from 2010 include the baseball lettering face Fan Script and the tattoo script face Piel Script (piel=skin), which was influenced by Burgues Script and more remotely by showcard lettering by B. Boley (1930s, Sign of the Times Magazine). Piel Script won an award at Tipos Latinos 2012.

In 2011, he and Koziupa made the fat signage face Aventura and Viento (a grunge version of their earlier 2004 face, Brisa).

He added one retro connected signage font to the Filmotype collection in 2012, called Filmotype Kitten (original from 1955). Filmotype Zephyr (2012) is an italic roman formal script. Filmotype Yukon (2012) is inspired by the classic Palmer style of penmanship.

Storefront (2012) is a swashy signage face based on an incompletete alphabet by Alf Becker.

His signage script typeface Hipster Script won an award in the TDC 2012 competition and at Tipos Latinos 2012.

Typefaces from 2013: Rolling Pen (a connected script that recalls the business penmanship genre), Bellissima Script (based on a copperplate calligraphic alphabet from Bellezas de la Caligrafía by Ramón Stirling, 1844).

In 2014, he helped Panco Sassano, a lettering artist and illustrator from Mar del Plata, who designed the wide connected semi-calligraphic handwriting typeface Horizontes Script. [Google] [MyFonts] [More]  ⦿

Alejandro San Pedro

Graduate from FADU, University of Buenos Aires, who created the curly typeface Filoseidología Ponzettiana (2008). [Google] [More]  ⦿

Alessandro Arrojo

Argentinian type designer based in Pilar. He created the rounded sans typeface family Uyuni (2012). [Google] [MyFonts] [More]  ⦿

Alex Dukal

Patagonian illustrator (mostly for children) and designer in Puerto Madryn, Argentina. Creator of the free cinematic font AD Nautilus (2013). On his web page, we find various poster lettering typefaces such as Pupitre Type (2013).

In 2014, he created the fantastic black brush poster font AD Bulky Note, the angular poster face AD Polaquita, Roberto Underground, Pasquin, and the fun (free) poster typeface AD Sura (a tribute to Czech graphic artist Jaroslav Sura).

Blogspot link. Dafont link. Behance link. [Google] [More]  ⦿

Alexander Mann

Graphic design student Alexander Mann (b. 1990, Argentina) offers free fonts at Dafont. He created the flared face Mischievous (2011). [Google] [More]  ⦿

Alfonso García
[Tipos del Oeste]

[More]  ⦿

Alfredo Graziani

Born in Buenos Aires, and a resident designer in Barcelona, Alfredo Graziani is the codesigner with Alejandro Paul at Umbrella Type of the medieval script Mama Script (2004). At Sudtipos, he created the script face Milk Script (2004, with Alejandro Paul: based on lettering seen in a 1923 Speedball manual), as well as Divina.

Typedia link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Alfredo Parada Larrosa

Designer (b. 1976, San Juan, Argentina) who created the text face Cheché Sans (2006). He studied at the universities of Buenos Aires and Belgrano, and works as an independent graphic designer. In 2005, he moved to the city of La Rioja where he runs a design studio. At Tipos Latinos 2008, he won twice, once for Yacurmana Regular and once for Cheché Serif, both in the text family category. The development of the warm and very appealing text face Yacurmana Serif is explained at Fábrica de tipos. [Google] [More]  ⦿

Ali Ogilvie

During her studies in Buenos Aires at FADU UBA, Ali Ogilvie made the gorgeous plump display face Die Puppe (2013). [Google] [More]  ⦿

Alicia Lee

Graduate from FADU, University of Buenos Aires, who created the squarish text typeface Gloomy (2008). At Behance, we learn that she is from Singapore (if it is the same Alicia Lee). There she published Shysosa (fat counterless face), Sensosa (gridded face) and Resosa (counterless display face) in 2011. [Google] [More]  ⦿

Alina Galak

Argentinian designer of the informal script face Dalie. [Google] [More]  ⦿

Alina Lacoste

During her studies at UBA in Buenos Aires, Alina Lacoste created an untitled experimental typeface (2014). [Google] [More]  ⦿

Alina Lavigne

Designer from General Roca, Río Negro, Argentina, b. 1985. She created the free fonts Rounded Future (2009) and Headsmall (2009, pixelish). All were made with FontStruct under the name Alina Durantex. [Google] [More]  ⦿

Aline de Carvalho

Aline de Carvalho, who lives in Sao Paulo, has studied in many cities, including at ESDI Escola Superior de Desenho Industrial (2006), ESAD École Supérieure D'arts Décoratifs de Strasbourg (2008) and FADU UBA (University of Buenos Aires, 2012). Her graduation work in 2012 at FADU-UBA consisted of the sans typeface Figo.

Behance link. [Google] [More]  ⦿

Alvaro Vaquero

Graduate from FADU, University of Buenos Aires, who created the typeface 72 Degrees (2009). [Google] [More]  ⦿

Ana

Panamanian designer who lives in Argentina, b. 1985. Creator of the artsy display face 4564 (2007). [Google] [More]  ⦿

Ana Cordani

Graduate from FADU, University of Buenos Aires, who created the typeface O Merinda (2008). [Google] [More]  ⦿

Ana Dorado
[Tipos en red]

[More]  ⦿

Ana Laura Vicenz

Buenos Aires-based designer of the school project display font Sleepy Hollow (2014). [Google] [More]  ⦿

Ana Laydner

During her studies at UBA, in a type design course led by Ruben Fontana and Ana Sanfelippo, Ana Laydner and Jesica Bertisch codesigned the rounded display typeface Maricota (2014), which also holds up well as a text typeface. Behance link. [Google] [More]  ⦿

Ana Paula de Bragança Megda

Argentinian (Brazilian?) editorial designer. In 2012, she made an exceptionally graceful free Google Web Font text typeface that should withstand small sizes. Called Lusitana, the two-weight family was inspired by the type found in the 1572 first edition of "The Lusiads", a Portuguese epic poem by Luís Vaz de Camões.

Award winner at Tipos Latinos 2010 for her text and IPA face Voces (done with Pablo Ugerman). The latter typeface appeared in 2012 at Google Web Fonts. [Google] [More]  ⦿

Ana Paula Santander

Graduate from FADU, University of Buenos Aires, who created the text face Iota (2008), with an x-height, and a p and a q that are in the stratosphere. More work needed. [Google] [More]  ⦿

Ana Robiola

Designer in Rosario, Argentina. Creator of the experimental typeface Cowo (2013). [Google] [More]  ⦿

Ana Sanfelippo

Argentinian designer of the part calligraphic part Lombardic text family Almendra (2011, free at Google Web Fonts). Almendra won an award at Tipos Latinos 2012 in the typeface family category. It was her graduation typeface at FADU-UBA. In 2012, Google Web Fonts published Almendra Display and Almendra Small Caps. Poster by Melisa Rivas.

Ruluko (2012, Google Web Fonts) is a free typeface created by Ana Sanfelippo, A. Díaz and M. Hernández. Google: Ruluko is a typeface designed to aid those learning to read. The shapes you see are related to the handwriting typically used at schools in Argentina. The concept is that those who have learned to read this handwriting style may recognise this type style more easily than other typefaces often used in this context. But as a warm and stylish sans serif text type, you may use Ruluko for any purpose. Ruluko won an award in the text category at Tipos Latinos 2012.

In 2012, Ana Sanfelippo and Alejandro Inler published the fashion mag didone typeface Elsie at Google Web Fonts. It was accompanied by Elsie Swash Caps.

Yoshimi Regular won an award at Tipos Latinos 2014.

Fontsquirrel link. [Google] [More]  ⦿

Ana Valeria Canelo

Graduate from FADU, University of Buenos Aires, who created the very fat oblique typeface Eightys's font (2010). [Google] [More]  ⦿

Ana Zimmermann

Graduate from FADU, University of Buenos Aires, who created the didone typeface Caspianfont (2008). [Google] [More]  ⦿

Anabela Willie

Graduate from FADU, University of Buenos Aires, who created the typeface Last NK. [Google] [More]  ⦿

Anabella Mazzuca

Graduate from FADU, University of Buenos Aires, who created the typeface Patova (2010), a fat headline face based on Caslon. [Google] [More]  ⦿

Anabella Ventrici

During her studies at FADU UBA (Buenos Aires), Anabella Ventrici created the fun plump poster typeface Heavy (2013). [Google] [More]  ⦿

Analia S. Wainer Criscuolo

Buenos Aires, Argentina-based creator (aka Anita Wainer) of the following free fonts, hosted at my site: Perfect Match (2009, glyphs made from matches), John Lennon (2006, John Lennon's handwriting and drawings), AHDN (2005, based on the album A Hard Day's Night), and JAMONdelMAR (2006, dingbats for fans of the Beatles). Typophile. Analia plays in the band Jamon del Mar. Alternate URL of Jamon del Mar. Dafont link. [Google] [More]  ⦿

Analía Aspauzo Baez

Graduate from FADU, University of Buenos Aires, who created the typeface Antigona (2010). [Google] [More]  ⦿

Andrea Broitman

Graduate from FADU, University of Buenos Aires, who created the typeface Brott (2008). [Google] [More]  ⦿

Andrea Delgado

Andrea Delgado (Buenos Aires, Argentina) was influenced by the San Basilio Cathedral in Moscow for the design of the Sache typeface in 2014. [Google] [More]  ⦿

Andrea Kulpas

Buenos Aires-based codesigner, with Juliana Moore, of Muzza Sans (2014). [Google] [More]  ⦿

Andrea Landoni

Graduate from FADU, University of Buenos Aires, who created the typeface Cupcake (2010), a fat poster face. [Google] [More]  ⦿

Andrea López

Graduate from FADU, University of Buenos Aires, who created the beautiful didone display headline typeface Marea (2009). [Google] [More]  ⦿

Andrés Apud

Graduate from FADU, University of Buenos Aires, who created the typeface Verjilius Augusteus (2008), a display face that is in search of an identity. [Google] [More]  ⦿

Andrés De Vit

Designer and illustrator in Buenos Aires. Creator of the futuristic serifed caps typeface Futuroni Serif (2011).

Behance link. [Google] [More]  ⦿

Andrés Kievsky
[Linux--UNIX console fonts for Windows]

[More]  ⦿

Andrés M. Briganti

Buenos Aires-based illustrator and designer, whose studio is called BAMB. HeHe created the hand-printed typeface Stella (2011). Decanata (2012) is a curlified gothic typeface family that comes in styles called Romana, Principia, Fines, Atramenta and Mitis.

Brodat (2013) is an 8-bit style blackletter typeface inspired by cross stitch patterns. Vera (2013) is an upright fat didone with extreme contrast.

Behance link. Cargocollective link. [Google] [More]  ⦿

Andrés Rosenberg

Graduate from FADU, University of Buenos Aires, who created the modern typeface Fiji (2008). [Google] [More]  ⦿

Andrés Torresi

Participant in the Argentinian type coop Huerta Tipográfica. With Carolina Giovagnoli, he developed Cambo (2011, Huerta Tipográfica), a family for Latin and Khmer [a free weight at Fontsquirrel].

Katachi Media collaborated with Andrés Torresi to create a typeface superfamily - targeted mainly for the iPad, but also for web and print. An intense project between Andrés in Argentina, and Katachi in Norway, took place over 14 months. The result so far is a serif and sans-serif, two of in total seven weights of the Katachi typeface. In the coming months we'll be adjusting these two, as well as add the last five weights.

In 2012, Andrés Torresi published Telex at Google Web Fonts: Telex is a humanist sans serif conceived to be a web font with nice legibility at normal text sizes.

Asap (2012) is a free rounded sans family designed by Pablo Cosgaya for Omnibus Type. Asap is based on Ancha (designed by Pablo Cosgaya and Hector Gatti), and has been developed with the collaboration of Andrés Torres. In 2014, Huerta Tipografica published the free text typeface family Caladea which was designed by Carolina Giovagnoli and Andrés Torresi. [Google] [More]  ⦿

Andres Delfino

Graphic designer in Buenos Aires, who created Cuadrangle (2012), a fat poster display face. [Google] [More]  ⦿

Andres Silva Bello

During his graphic design studies at FADU UBA in Buenos Aires, Andres Silva Bello created the art deco typeface Love Trucha (2013). [Google] [More]  ⦿

Andres Yeah

Argentinian designer and illustrator, who has made many logos, and created the organic sans face Misantropia (2008, free download). [Google] [More]  ⦿

Angel Koziupa

Argentinian lettering artist who worked for 35 years for McCann Erikson and has produced freelance works for other major agencies like Interbrand, Futurebrand, and others. Veer writes: The talented Angel Koziupa has been lettering, creating type and designing logos for the past 40 years. His handiwork is behind nearly every important packaging logotype in Argentina. He worked 35 years for McCann Erikson and has produced freelance works for other major agencies like Interbrand, Futurebrand, and others.

Koziupa designed a number of alphabets in cooperation with Alejandro Paul of Sudtipos, who created digital typefaces out of them.

His typefaces include Jugo Script (2014), Avellana Pro (2012), Bayoneta Pro (2012, an angular typeface), Machete Pro (2012, related to Bayoneta Pro), Aventura (2011), Coche (2011, a signage face), Aguafina Script (2009, free at Google Web Fonts and at OFL), Primavera (2008, a signage face), Angelus (2008), Felipe (2009), Amarinda (2004, Sudtipos), Argenta (2004), Biographer (2009, an upright almost connected script), Bravissima Script (2009), Bubblegum Sans Pro (2011), Cenizas (2008), Chocolate (2008, a market sign family in weights called Amargo, Caliente and Dulce), Condiment (free at Google Web Fonts), Cupcake (2010, a food signage face), Murga (2003), Tiza (2003), Galgo Script (2007, rough-edged calligraphic script), Kilo (2010, signage face), Koziupack (2008), Kozmetica Script (2011, a delicate wedding script or make-up brand script), HabanoST (2003), Argenta (2003), Malbeck (2003), Alma (2005), MobleySans (2003), Malambo, Oxida (2005), Inoxida (2009), Piedra (2010, grunge; free at Google Web Fonts), Pinguino (2005, condensed brush face), Platinus Script Pro (2012, a wedding font), Ricotta Script (2011, a true signage face), Romy (2007, graffiti script), Voyeur (2011), Almond Script (2007), Candombe (2007, a brushy script with an African theme---the Pro version is from 2013), Amorinda (2007), Cafelatte (2006, signage face), Matogrosso Script (2009), Uplink (2009, upright connected script), Aladin (2009, an art nouveau-meets-Arabic face; free at Google Web Fonts and at OFL), Delight Script (2011: a 1950s signage face, which won an award at Tipos Latinos 2012), Diplomatic (2009) and MobleySerif (2003) were created by Alejandro Paul based on his letters. They can be purchased as Umbrella Type at Veer. Also at Umbrella, Paul and Koziupa made the casual script face Brisa (2004; its grungified version is Viento, 2011), and the script faces Chocolate Caliente, Amargo and Dulce (2005), Felipe (2005), Cooked (2006, rough-edged), Chicle ST (2007, bubble gum wrapper type, free at Google Web Fonts), Lombriz (2005), Bakery Script (2006, for signs in stores), and the frizzy Cenizas (2005).

Bilined deco scripts such as Festival Script Pro (2013: a winner at Tipos Latinos 2014), Tanguera (2007), Aranjuez (2012), Bellas Artes (2007, doubly-lined script), Heraldica Script (2013), and Evergreen (2014, a leafy script).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Angel Pérez Gajardo

Spanish graphic designer who made Suipacha (2011), a gridded texture face modularly constructed from triangles. It comes with beautiful logotype work for the Suipacha Gallery in Buenos Aires. [Google] [More]  ⦿

Angela Machuca

Designer in Quilmes, Argentina, who crossed Gill Sans and Rockwell to create Roxy Hummer in 2012. [Google] [More]  ⦿

Angeles Gonzalez

Graduate from FADU, University of Buenos Aires, who created the typeface Mecánica (2010). [Google] [More]  ⦿

Angelina Sánchez

Argentinian designer of Ruda (2012, Google Web Fonts; done with Mariela Monsalve).

She won an award at Tipos Latinos 2012 for Mestiza (Regular and Itálica). Mestiza was her graduation typeface at FADU-UBA. [Google] [More]  ⦿

Angie Arscott

Argentinian graphic designer, b. 1984. Dafont link. She used Baskerville Bold to derive a condensed and ancient-looking face Sir William (2009). [Google] [More]  ⦿

Anke Schneider

Graphic designer in Darmstadt, Germany, who created the display typeface Kleiner Font (2014). [Google] [More]  ⦿

Anna Bella

Buenos Aires-based graphic designer, b. 1994. She created the pixel face Uhlala (2010). [Google] [More]  ⦿

antipirina

Argentinian creator of the free hand-printed typeface Antipirina Handscript (2014). [Google] [More]  ⦿

Antipixel
[Julia Martínez Diana]

Julia Martínez Diana (b. 1990) is based in Buenos Aires, Argentina, where she studies graphic design at UBA. In 2004, she set up the typefoundry Antipixel.

Julia created Circoex (2008) and the hand-printed Culia (2008).

Additions in 2011: Culita (hand-printed), Presa (techno, +UltraLight), the Savia family (hand-drawn faces, including a 3d Shadow style), PGY.

Creations from 2012: Aracne, Iso (hexagonal), Belta (hand-printed), Nue (monoline display sans).

Typefaces from 2013: Eneas Expanded (wide poster lettering), Aracne Condensed, Aracne Ultra Condensed (hand-printed caps face, +Light).

Typefaces from 2014: Enyo (hand-drawn poster font), Enyo Serif (2014), Italo (hand-drawn), Lamia (hand-printed, renamed Lamiar after a week).

Dafont link. Abstract Fonts link. Fontspace link. Fontspring link. Behance link. [Google] [MyFonts] [More]  ⦿

Antonela Pasquali

Graphic designer in Buenos Aires, who has produced some nice typpgraphic pieces, such as a beautiful poster series entitled Congreso de Psicoanalisis (2014). [Google] [More]  ⦿

Antonella Morelli

Sabrina Novaro (Buenos Aires) and Antonella Morelli (Buenos Aires) codesigned the hand-drawn poster typeface Lunga in 2014. [Google] [More]  ⦿

Antonella Rodriguez

During her studies at UADE, Buenos Aires-based Antonella Rodriguez created Milec (2011), a titling typeface that is a cross of American Typewriter and Baskerville. [Google] [More]  ⦿

Antonio Zimmerman

Argentinian compositor (b. 1971, Buenos Aires), who created a free music font called Woodwinds (for writing woodwind fingerings as in trills, multiphonics, bisbigliando, and so forth). [Google] [More]  ⦿

Ariana Seufer

Ariana Seufer (Buenos Aires) blended Berlin Sans FB and Elephant to get La Rechoncha (2013). [Google] [More]  ⦿

Ariel Di Lisio
[Negro]

[MyFonts] [More]  ⦿

Ariel Garófalo
[typ]

[More]  ⦿

Ariel Garófalo

Ariel Garófalo is an Argentinian designer who made a funky pair of sans serif fonts at the defunct Typeworx in Toronto: Domingo (2002), Domingo Alternates (2002). He offers these fonts now at Sudtipos. He is a graphic designer at the University of Buenos Aires and has been involved in the redesign of the newspapers Vanguardia de México and El Panamá América. He is the owner of the design studio typ in Buenos Aires. [Google] [More]  ⦿

Ariel Gonzalez

Designer in Cordoba, Argentina, b. 1984, who drew the free fonts Dropping Tears Sans (2012), Black Mary (2012) and Caligrafica Arito (2012).

Dafont link. [Google] [More]  ⦿

Ariel Katena

Designer of the text face Prima Sans (2006; with Alejandro Lazos). This face was published at Tipo. See also here. [Google] [More]  ⦿

Ariel Sopranzi

Designer in Buenos Aires who created a typeface in 2012 that was based on iron work seen on old portals. [Google] [More]  ⦿

Ash Garcia

During her studies in Buenos Aires, art director Ash Garcia created the thin display typeface Folk (2013). [Google] [More]  ⦿

Astrid Bauckhage

Graduate from FADU, University of Buenos Aires, who created the text face Jokimo (2008). [Google] [More]  ⦿

Augusto Costhanzo

Argentinian illustrator. Designer at Sinergia Lab of SLBorges (2003), a dingbat typeface available from Sudtipos. [Google] [More]  ⦿

Augusto Menestrina

Graduate from FADU, University of Buenos Aires, who created the modern cursive typeface Foster (2009). [Google] [More]  ⦿

Ayelén Starzak

Graduate from FADU, University of Buenos Aires, who created the fashion display typeface Column Roman (2009). In 2008, she created a pair of graffiti typefaces.

Behance link. [Google] [More]  ⦿

Ayelen Arpini

Ayelen (b. 1989) lives in Buenos Aires. She created Bauserif (2009), a serifed version of ITC Bauhaus Medium, Geometric 752. [Google] [More]  ⦿

Aylen Marzo

Graduate from FADU, University of Buenos Aires, who created the typeface May Gothic (2008). [Google] [More]  ⦿

Barbara de Maio

Argentinian designer (b. 1991) of the delectable horror movie script typeface X-entrica (2012). [Google] [More]  ⦿

Basta Juan

Graphic designer and illustrator in Buenos Aires who created Astro Zombies (2013). Behance link. [Google] [More]  ⦿

Bel Ardila

During her studies in Buenos Aires, Bel Ardila created the Western typeface Bullet Type (2013): At first the design was a reference to the Franco-Belgian comic Lucky Luke and then its own personality emerged. [Google] [More]  ⦿

Belén Toledo

Graduate from FADU, University of Buenos Aires, who created the condensed modern typeface Schynus Regular (2008). [Google] [More]  ⦿

Belen Altieri

Graphic designer in Pilar, Argentina, who created the quaint typeface Courbe in 2013. [Google] [More]  ⦿

Belen Cagnoni

Graphic design student at UBA who created a few typefaces such as the experimental typeface Frecasjon (2012) and who designed a few beautiful retro posters, also in 2012. [Google] [More]  ⦿

Belen Cierra

During her studies at FADU UBA (Buenos Aires), Belen Cierra created the swashy calligraphic typeface Amantina (2014). [Google] [More]  ⦿

Belen Ruibal

Belen Ruibal designed the display typeface Rosemary Gothic during her studies at FADU / UBA in 2012. [Google] [More]  ⦿

Belen Scoglio

Buenos Aires-based graphic designer who created the octagonal video game font Robotika (2012) while studying at FADU / UBA. [Google] [More]  ⦿

Beli Rojas

Buenos Aires-based graphic designer who created the squarish typeface Bock (2012). [Google] [More]  ⦿

Benjamin Casanova

Creator of a typeface that is meant to be read vertically, Cultura Antigua (2013). Benjamin is based in Santa Fe, Argentina. Behance link. [Google] [More]  ⦿

Bianca Trezza

Graduate from FADU, University of Buenos Aires, who created the didone typeface Mifont (2008). [Google] [More]  ⦿

Bigital.com

Type activity web pages in Buenos Aires, geared towards Spanish-speaking typographers and designers. Created in 1996 by Tomás García Ferrari and Carolina Short. There is also a mail group to which you can subscribe here. [Google] [More]  ⦿

Bigital.org

A type activity web site of all Spanish-speaking typographers. Not updated since 2001. Located in Buenos Aires. [Google] [More]  ⦿

Billy Petrone

Located in Cordoba, argentina, Billy Petrone created the rough hand-printed typeface Marques from 18th century documents found in Cordoba. [Google] [More]  ⦿

Bling Studio
[Florencia Alvarez]

Florencia Alvarez (Bling Studio, Buenos Aires, Argentina) is a graphic designer and illustrator. She created the powerful classical condensed didone-based headline typeface Fleurs du Mal in 2014. A free download is promised soon. [Google] [More]  ⦿

Blog de Tipografia, Catedra Longinotti

Argentinian type blog at UBA, the University of Buenos Aires. [Google] [More]  ⦿

Blue Vertigo

Font link jump site in Argentina. [Google] [More]  ⦿

Boleto tipo cartón

Report of a seminar by Patricio Larrambebere and Daniel Roldán on the typography on train tickets in Argentina. [Google] [More]  ⦿

Boris Vargas Vasquez

Graphic designer in Buenos Aires. In 2012, he made the experimental typeface Absurda, which in spirit, and to some extent in form, conjures up images of dadaism. [Google] [More]  ⦿

Bosque Studio

Design studio in Buenos Aires. Behance link. Their typefaces are mostly on commission for certain packaging or identity projects. These include Familia (2010, leaf and tree-themed all caps face), Goma (2010), Exagon (2010), some types for Atypica (2010) and Lucchetti (2010). Zero (2011) is a great striped logo face. [Google] [More]  ⦿

Bou Fonts
[Agustín Luis Bou]

Hailing from Rosario, Argentina, this designer (b. 1992) created the free athletic lettering faces Bou Collegiate (2008) and Bou College (2008), the hand-printed Bou Handwriting (2009) and Handform (2009), the dot matrix face Score Board (2009), Squarefont (2011), Movie Letters (2011), and BOU Western (2011). [Google] [More]  ⦿

Bratin Esteban

Graduate from FADU, University of Buenos Aires, who created the art deco typeface Balu (2009), which reminds me of Transito. [Google] [More]  ⦿

Brenda Diaz

Graduate from FADU, University of Buenos Aires, who created the swashy display typeface Humekoy (2008). [Google] [More]  ⦿

Brenda Opoka

During her graphic design studies in Buenos Aires, Brenda Opoka created the narrow display typeface Le (sic) Boutique (2014). [Google] [More]  ⦿

Brenda Taborda

Buenos Aires-based designer of the ornamental lettering for Comida Peruana (2012). [Google] [More]  ⦿

Brian Aldave

Graduate from FADU, University of Buenos Aires, who created the Fraktur face Irontail Gothic (2009). [Google] [More]  ⦿

Brian Ciccarelli

Buenos Aires, Argentina-based designer of the display typeface Animor (2014). [Google] [More]  ⦿

Brian QC

Argentinian creator of Social Icon (2013, free at Dafont). [Google] [More]  ⦿

Bruno Salvador Laurenzano

Argentinian designer, b. 1984, and graphic design student at FADU in Buenos Aires. Creator of the award-quality simulated runic face Vinland (2009). Dafont link. Over at devian tart, He calls himself Bruno DeLeo. [Google] [More]  ⦿

Buenos Aires de Diseño

Argentinian type news and blog site. Run by Irene Fernandez until it closed in January 2007. [Google] [More]  ⦿

C. Giuliana Gilio

During her type design class with Cosgaya (UBA, Buenos Aires), Giuliana Gilio created the pixel faces Vinyl and Crystal Castles (2013). [Google] [More]  ⦿

Camila Alfonso

During her graphic design studies, probably at FADU/ UBA in Buenos Aires, Camila Alfonso created a typeface, possibly called Uncomic (2013). I may be totally off, but that is all the information I have. [Google] [More]  ⦿

Camila Francisco Mera

During her studies at FADU / UBA in Buenos Aires, Camila Francisco Mera created the creamy script typeface Mackenzie (2014). [Google] [More]  ⦿

Camila Hirthe Memelsdorff

Graphic design student in Buenos Aires who created the condensed display typeface Capri in 2012 in Longinotti's class at FADU / UBA. [Google] [More]  ⦿

Camilo Alzate Duque

Camilo Alzate is from Medellin, Colombia. In 2012, he graduated from the type design program at FADU UBA (University of Buenos Aires), where his graduation work consisted of the informal typeface Sabrosa (2012).

In 2013, he created the warm text typeface Colemica.

Behance link. Another Behance link. [Google] [More]  ⦿

Camilo González Lowy

Graduate from FADU, University of Buenos Aires, who created the fat didone italic typeface Milk Shake (2009). [Google] [More]  ⦿

Candelaria Ochoa

Graduated of UBA. Buenos Aires-based designer of the swashy script typeface Svelta (2012) and the display typeface Hilda (2013). [Google] [More]  ⦿

Carbone Tipografía
[Alejandra Carbone]

Alejandra Carbone (Carbone Tipografía) is an Argentinian professor of typography. [Google] [More]  ⦿

Carine de Wandeleer

Carine de Wandeleer was born in Argentina to a French-Belgian immigrant family. She studied fine arts and graphic design at University of Buenos Aires, but lives and works in Spain.

Kycka (2011) is a hand-printed slab serif family designed for children's books. Karty (2011, Eurotypo) is a blackboard bold pair of faces inspired by Baskerville. Marilyn (2011, Eurotypo) is an informal bouncy heavy sans face. Natalie (2011) is a condensed slab serif face.

In 2012, she published the connected script family Gilda, the informal cursive typefaces Zanya, Miss Seshat (Eurotypo) and Belha, the script typeface Lirio (Eurotypo), the hand-printed Pimpin, and the fat finger family Souffle.

Typefaces from 2013: Aleka (a vampire script in the style of Bombshell Pro), Mots (a light feminine script), Vernaccia, Eydis (connected script), Bonna (a successful calligraphic family), Rocha (funky cartoon style), Mussa (a curly children's book font), Onna (multiline script), Blondy (curly signage script), Gemma (connected script), Gemmadonati (another connected script), Lavinia (signage script), Ameglia (seductive upright flourished vernacular script).

Typefaces from 2014: Tansy (a charming connected script), Flamenca (connected script), Mde Sade (flowing wedding script), Nubila, Gardeny (script), Eroli (connected calligraphic script), Andria (script), Kumma (script), Tout, Tout Web Icons, Tout Restaurant Icons.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Carla Gomez

During her studies at UADE in Buenos Aires, Carla Gomez designed Milk Shake (2013) by mixing Helvetica and Souvenir. [Google] [More]  ⦿

Carla Llinas

Graduate from FADU, University of Buenos Aires, who created the curlified Latinized serif face Serenity (2009), which features an Andean x-height. [Google] [More]  ⦿

Carla Porciuncula

Buenos Aires-based designer of an identity and an icon set for Republica de los Niños (2012).

In 2013, she started working on Kaiser Type.

Behance link. [Google] [More]  ⦿

Carla Santinelli

Designer in Buenos Aires, who created the script typeface family Pen's Dance (2014) during her studies at Universidad de Palermo. [Google] [More]  ⦿

Carla Soledad Bozzola

Graduate from FADU, University of Buenos Aires, who created the modern typeface Aliro (2008). [Google] [More]  ⦿

Carla Sturzenegger

Buenos Aires-based designer of the vampire script font Lejen (2014). [Google] [More]  ⦿

Carlos Araujo

Graphic design student from El Salvador currently living in Buenos Aires, Argentina. He created the children's book alphabet World of Goo (2011), which is based on goo, dirt, slimy monsters and worms. [Google] [More]  ⦿

Carlos Cadenas

Venezuelan art director and copywriter currently living in Buenos Aires, Argentina. In 2014, he created an experimental ornamental caps typeface called Geometrile. [Google] [More]  ⦿

Carlos Carpintero
[Pulpa Roja]

[More]  ⦿

Carlos Garcia

Located in Buenos Aires, Carlos Garcia created the über-curly typeface Swirly Nouveau in 2014. [Google] [More]  ⦿

Carlos Gustavo Sosa Quintana

Buenos Aires-based designer of some unnamed calligraphic alphabets in 2013.

Behance link. [Google] [More]  ⦿

Carlos Matteoli
[Q-BO]

[MyFonts] [More]  ⦿

Carlos Venancio
[Tipografía Venancio]

[More]  ⦿

Carlota Cano

Graphic designer in Buenos Aires who created a delightful unnamed grungy typeface in 2013. Still in 2013, she designed the display typeface Gede Tropic. [Google] [More]  ⦿

Caro Nicastro

Graphic designer in Argentina. Home page. He made a nice typographoc poster of the Olympics in 2010. [Google] [More]  ⦿

Carol Susana Pinto Zarate

Graduate from FADU, University of Buenos Aires, who created the angular almost-blackletter extra-condensed typeface Dergollum (2010). [Google] [More]  ⦿

Carolina Carballo

Graduate from FADU, University of Buenos Aires, who created the typeface Vicario (2008). [Google] [More]  ⦿

Carolina Giovagnoli

Born in Rosario, Argentina, in 1976, she studied type design at UBA in Buenos Aires from 2009 until 2010, and now belongs to the type coop Huerta Tipográfica.

Her typeface Andada was awarded at the Second Bienal Iberoamericana of Design (BID 10) and at Tipos Latinos 2012. Andada is a warm text face designed specially for Argentinian and Paraguayan (Guarani) text. Andada is free at the Google Font Directory. It was Carolina's graduation typeface at FADU-UBA.

With Andrés Torresi, she developed Cambo (2011, Huerta Tipográfica), a family for Latin and Khmer [a free weight at Fontsquirrel].

Robots ht, which uses layering to construct robots, won an award at Tipos Latinos 2014. There is a useful accompanying font called Robots HT Arrows.

In 2014, Huerta Tipografica published the free text typeface family Caladea which was designed by Carolina Giovagnoli and Andrés Torresi. [Google] [MyFonts] [More]  ⦿

Carolina Grosso

Graduate from FADU, University of Buenos Aires, who created the typeface Tangerine (2008). [Google] [More]  ⦿

Carolina Melul

Graduate from FADU, University of Buenos Aires, who created the blackletter face Schrag Pech (2009). [Google] [More]  ⦿

Carolina Monacci

Graduate from FADU, University of Buenos Aires, who created the typeface Carta (2010). [Google] [More]  ⦿

Carolina Norzagaray

Graduate from FADU, University of Buenos Aires, who created the typeface Kyss (2008). [Google] [More]  ⦿

Carolina Pernet

Graduate from FADU, University of Buenos Aires, who created the spindly Victorian typeface Furh Modern (2009). [Google] [More]  ⦿

Carolina Solari

During her studies at FADU / UBA, Buenos Aires-based Carolina Solari created Silverfont (2014). Behance link. [Google] [More]  ⦿

Carolina Wasiljew

Graduate from FADU, University of Buenos Aires, who created the large counter modern typeface Figaro (2009). [Google] [More]  ⦿

Carollina Totaro

Carollina Totaro (Buenos Aires) mixed Adorable and Offenbach Chancery (David Nalle) to create the hybreid typeface Flow (2013). [Google] [More]  ⦿

Catalina Juarros

During her studies at FADU / UBA (Buenos Aires), Catalina Juarros created the interlocking wide arts-and-crafts typeface Glasgow (2014). [Google] [More]  ⦿

Catalina Mana

Argentian graphic design student at the University of Buenos Aires (UBA). In 2008, during a course with Prof. Longinotti, she designed the display face Dipia Condensed. [Google] [More]  ⦿

Catalina Raitzin

Catalina Raitzin (Buenos Aires) designed a few unnamed display typefaces in 2012. [Google] [More]  ⦿

Catopodis
[Miguel Catopodis]

Miguel Catopodis (b. 1967, Buenos Aires, Argentina) is based in Buenos Aires, where he works as a graphic and type designer. He is art director at Accion Magazine and professor of Typography at UCES University and in the UBA Type Design postgraduate program. Creator of the humanistic sans family Centuria (2004-2008) which is a sans version of Morris Fuller Benton's Century.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Cecilia Álvaro

Graduate from FADU, University of Buenos Aires, who created the typeface Noville (2008), which beams gothic cathedrals and purple cardinals. [Google] [More]  ⦿

Cecilia Billoch

Graduate from FADU, University of Buenos Aires, who created the curly script face Filografía (2009), in the style of the Sudtipos scripts by Koziupa and Paul. [Google] [More]  ⦿

Cecilia Brarda

Designer in Santa Fe, Argentina, who created a modified version of Barcenova (2013), based on an original art deco typeface by Andreu Balius in 2008, also called Barcenova.

In 2011, Cecilia Brarda and Leticio Gallego codesigned the display typeface Lapidesca at the Facultad de Bellas Artes de la Universidad de Barcelona.

Behance link. [Google] [More]  ⦿

Cecilia Contuci

Graphic designer in Flores, Argentina, who designed the modular grid-based typeface Basement (2013). [Google] [More]  ⦿

Cecilia Eleno

In 2011, Cecilia Eleno (Buenos Aires, Argentina) created the triangularly cut typeface Tipografia Abstracta. [Google] [More]  ⦿

Cecilia Kimsa

Graduate from FADU, University of Buenos Aires, who created the didone typeface Sabayon (2008). [Google] [More]  ⦿

Cecilia Montaño

Graduate from FADU, University of Buenos Aires, who created the slab serif Blindado (2008). [Google] [More]  ⦿

Cecilia Rossi

Rosario, Argentina-based creator of a typeface for the El Informativo magazine, called Trebolense (2013). [Google] [More]  ⦿

Cecilia Vizan
[Pio Pio]

[MyFonts] [More]  ⦿

Celeste Peney

Graduate from FADU, University of Buenos Aires, who created the didone typeface Fegs (2008). [Google] [More]  ⦿

Celeste Pereira

In 2012, during her studies at FADU / UBA in Buenos Aires, Celeste Pereira created the high-contrast display typeface Anete. [Google] [More]  ⦿

Celeste Roldan

While studying at FADU / UBA in Buenos Aires, Celeste Roldan designed the artsy condensed typeface Klimt (2011). [Google] [More]  ⦿

Celina Oggero

Argentinian designer in Buenos Aires of an experimental poster typeface (2012). [Google] [More]  ⦿

Cesar Illuminati

Argentinian designer. He created a fun type match poster in 2012. [Google] [More]  ⦿

Chaman Estudio
[Leandro Fernandez]

Leandro Fernandez (Chaman Estudio, Buenos Aires) designed the modular monoline sans typeface Chaman (2013).

Behance link. Another Behance link. [Google] [More]  ⦿

Charlie Zinno

Argentinian graphic and type designer, b. 1984. Director of Name Agency. Award winner at Tipos Latinos 2010 and selected in 2010 to be part of the Premios de Diseño Joven del Centro Cultural de España for his text face Latinité Roman and The Dot (2009-2012, a fashion mag ornamental didone typeface).

Charlie writes: Latinité is a text typeface inspired by an French artistic movement called La Graphie Latine. The design of this typeface is based on the calligraphic gesture. The typeface proportions and low contrast make it suitable for small text sizes. The design was influenced by ITC Mendoza,, all of Crous-Vidal's work, and even Bram de Does's Lexicon.

For The Dot, inspiration came from the original fonts in Vogue and Harper's Bazaar, Herb Lubalin's take on contrasted typefaces, and François Boltana's Stilla. He writes: When I was in the final stages of the creative process I started to relate The Dot with the image of a soprano singer. Usually they are beautiful, neat and full bodied women. They have a sort of elegance which is transmitted by their voice and completed by their image, and I wanted something like that for The Dot. The Fat version was finished and it was impossible not to imagine how it might look if it become Extra Thin. So, if The Dot Fat was a Soprano The Dot Extra Light would be the Contralto. For the eight weights of The Dot, Ricardo Santos helped out. The Dot was part of an exhibition called Efervescente produced by CCEBA in Rosario, Argentina.

Personal web site. MyFonts link. Old URL to Estudiomínimo. [Google] [MyFonts] [More]  ⦿

Chris Bernay

Art director in Buenos Aires who created a curvy display typeface called Flock (2013). [Google] [More]  ⦿

Chris Chappelle

Chris Cappelle (Chesapeake, VA) designed Feeling Blocky (2012). [Google] [More]  ⦿

Christian De Luca

Graphic designer in Buenos Aires who heads the design department for fashion brand Martina di Trento.

In 2012, he created the Tuscan display ace Filete Porteño. [Google] [More]  ⦿

Christian Franchino

At FADU / UBA, Christian Franchino (Buenos Aires) created the typeface Evil Freedom, or Evil Fettdoni, in 2014. [Google] [More]  ⦿

Cinthia Alonso

Graduate from FADU, University of Buenos Aires, who created the Fraktur face Blackwidow (2009). [Google] [More]  ⦿

Clara Antolin

Design student in Buenos Aires, class of 2013. Designer of a geometric experimental typeface called Times (2013) and of the hybrid serif face Nivo (2013). [Google] [More]  ⦿

Clara Saubidet

Clara Saubidet (Buenos Aires, Argentina) mixed Futura Md BT and The King And Queen Font during her studies at FADU/UBA to create a hybrid script font in 2014. [Google] [More]  ⦿

Clara Severo

Graduate from FADU, University of Buenos Aires, who created the typeface Look Font (2010). [Google] [More]  ⦿

Clara Siffredi

Clara Siffredi (Buenos Aires) designed an unnamed flared typeface in 2012. [Google] [More]  ⦿

Claudio Brunetti

Argentinian designer of Petrologos. [Google] [More]  ⦿

Claudio Guzmán

Graduate from FADU, University of Buenos Aires, who created the typeface Queen (2010), a hairline fashion mag face. [Google] [More]  ⦿

Claudio Pousada
[SantoTipo]

[More]  ⦿

Claudio Rodil

Argentinian designer now living in Madrid, whose designs can apparently be bought at Nakedface (but none are shown there). At PsyOps, he published Franzen.

Klingspor link. FontShop link. [Google] [More]  ⦿

Codigo

Codigo is a design company in Junin, Argentina. One of its designers, Castro (b. 1982) created the free dingbat font Beluz in 2012.

Dafont link. [Google] [More]  ⦿

Coni Mariñas

Buenos Aires-based creator of an iron work typeface in 2014 as a school project at FADU / UBA. [Google] [More]  ⦿

Cora Castagna

Calligrapher and illustrator in Buenos Aires, who drew several calligraphic alphabets in 2012. [Google] [More]  ⦿

Cristina Alvarez

Graduate from FADU, University of Buenos Aires, who created the typeface Peperina (2008). [Google] [More]  ⦿

Cynthia Sanchez

Student in Buenos Aires who made the text face Libra Serif (2011) in Pablo Cosgaya's type design class. [Google] [More]  ⦿

Daiana

Young Argentinian, b. 1995, whose first font is the hand-printed "You're not a graphic designer" (2009). Creator of the children's handwriting face hiyou! (2010). [Google] [More]  ⦿

Daiana Chocrón

Student at FADU UBA in Argentina, where she created the multiline font Ribbons (2009). [Google] [More]  ⦿

Damián Bonomo

Argentinian designer of the experimental typeface Vertical Control (1999). [Google] [More]  ⦿

Daniel Basualdo

Argentian designer, b. 1986. Creato the experimental slab face Improvisation (2008). Alternate URL. [Google] [More]  ⦿

Daniel Fernandez

Graduate from FADU, University of Buenos Aires, who created the organic face Requiem (2008). [Google] [More]  ⦿

Daniela De Vita

During her studies at FADU / UBA in 2012, Buenos Aires-based Danila De Vita created an experimental typeface based on Futura. [Google] [More]  ⦿

Daniela Ferrán

Typographer in Buenos Aires. Flickr page. She created the deco display face Yimmy (2010). [Google] [More]  ⦿

Daniela Gianotti

Graphic designer in Buenos Aires, where she studies at FADU, UBA. In 2011, she created a lachrymal didone typeface. [Google] [More]  ⦿

Daniela Musse

Graphic design student in Buenos Aires, who created the swashy calligraphic Special Script in 2012. [Google] [More]  ⦿

Daniela Raskovsky

Buenos Aires-based designer of Headache Gothic (2011, piano key face). University link: she studied at FADU, University of Buenos Aires, where that typeface was first developed in 2010. Aka Daniela Rascovsky.

In 2013, Pablo Cosgaya and Dani Raskovsky codesigned a wood carving typeface called Bahiana---perfect for lettering on a Caribbean rum shack. Bahiana was published by Omnibus Type. Poster by Alex Dukal. Bahiana won an award at Tipos Latinos 2014. [Google] [More]  ⦿

Daniela Scarone

Graduate from FADU, University of Buenos Aires, who created the condensed italic typeface Melba (2008). [Google] [More]  ⦿

Daniela Shinzato

Graduate from FADU, University of Buenos Aires, who created the party-line didone typeface Pochoclo (2008). [Google] [More]  ⦿

Danila Gallardo

Graduate from FADU, University of Buenos Aires, who created the playful typeface Nemesya (2008).

Behance link. [Google] [More]  ⦿

Danilo Belardinelli

Argentinian designer (b. 1988) of Bleach Font (2005). Fontspace link. [Google] [More]  ⦿

Darío Manuel Muhafara
[Tipo]

[MyFonts] [More]  ⦿

Darío Manuel Muhafara

Born in Buenos Aires in 1973. He has studied design and typography in Ort, Argentina and at the Parsons School and School of Visual Arts in New York. In 1998 he began to actively take part in the field of typography while teaching of typography (as the Catédra Goldfarb) at the University of Buenos Aires (2002-2003).

Buenos Aires-based designer at T26 of Ultranova (1999) and Overlock (2006, liquid display face). Linotype designer of the simple-shaped Cineplex family (2002), and FontFont designer of FF Jackie (2003), a fifties-style connected script face (see also here) and Duet Sans (whose weights are called Liviana, Liviana cursiva, Redonda, Cursiva, Negrita, Negrita cursiva, Extra negra, Extra negra cursiva, Monocaja).

Creator of Balthazar (2011).

With Félix Lentino, he created the elegant text face Malena (2003). Malena, Overlock (2006, rounded sans) and Basile (2013, a chancery script) appeared at Tipo.

Creator at Google Web Fonts of Galdeano (2011, a flared sans face).

MyFonts link. MyFonts interview. Speaker at ATypI 2009 in Mexico City. [Google] [MyFonts] [More]  ⦿

DAS

Design studio in Buenos Aires. The team consists of teachers at the University of Buenos Aires. Alejandro Paul has been teaching there since 1996, and has been involved in type design and corporate branding. His faces have appeared at T26 and with Apostrophic Laboratories. The other principal is Sergio Langelotti. [Google] [More]  ⦿

Debora Palti

Graduate from FADU, University of Buenos Aires, who created the typeface Bendland (2010)---how far can one tilt an italic and still make it useful? [Google] [More]  ⦿

Deiverson Ribeiro

Brazilian graphic designer who studied type design in Buenos Aires. At Tipos Latinos 2012, Alfonso García and Deiverson Ribeiro won an award for their text face Bueh Medium, a large x-height typeface designed for newspaper web sites and long texts.

His graduation typeface in 2012 at FADU UBA (University of Buenos Aires) is the lively text face Bolsillo.

Deiverson lives in Sao Paulo. Before his degree at UBA in 2012, he studied at the Federal University of Pernambuco in 2007. He grew up in Recife.

Behance link. [Google] [More]  ⦿

Del Alma
[Susana Mabel Cecilia Maurette]

Del Alma is the foundry of designer Susana Maurette, est. 2010. Born near Buenos Aires in 1955, Susana is an engineer and mathematics professor in Buenos Aires. Her typefaces include Rosedal (2010), an ornamental border font. Susana Maurette and Lara Sofia made the animal dingbat font Fauna (2010).

Klingspor link. [Google] [MyFonts] [More]  ⦿

DeLaGranSiete

Web design company in Argentina. Designers of the comic book / scary typeface Zombified (2014). [Google] [More]  ⦿

Denise Furman

Graduate from FADU, University of Buenos Aires, who created the typeface Aracno (2010). [Google] [More]  ⦿

Denise Lerch

During her studies at FADU / UBA, Denise LKerch (Buenos Aires, Argentina) created a display typeface (2012). [Google] [More]  ⦿

DHNN

This Argentinian design studio has an impossible web page. It's easier to check them out at Behance. They made a counterless fat display sans in 2009. [Google] [More]  ⦿

Diana Mora

Graduate from FADU, University of Buenos Aires, who created the typeface Olivia (2010), an elegant thin condensed face. [Google] [More]  ⦿

Diana Sanchez

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Dighot (2010). [Google] [More]  ⦿

Diego Coccoz

Diego Coccoz (El Palomar, Argentina) created Quimia (2014) in 2014 by merging ITC Galliard and Clairvaux LT. [Google] [More]  ⦿

Diego Giaccone

Argentinian graphic designer and recent docent in graphic design at the University of Buenos Aires. He graduated in 1991 from the University of Buenos Aires with a degree in graphic design. He worked at Arcor, and after a brief sabbatical in London at Interbrand Newell and Sorrell during 1999, he returned to Argentina, where from 2000 on, he is the Director of Design at Interbrand Avalos&Bourse. His fonts:

[Google] [MyFonts] [More]  ⦿

Diego Martinez Bela

Graduate from FADU, University of Buenos Aires, who created the sturdy bold text typeface Benicius (2008). [Google] [More]  ⦿

Diego Noirat

Buenos Aires-based designer of the free font Porteno (1999), which unfortunately has no numerals. Home page. [Google] [More]  ⦿

Diego Vallejo

Buenos Aires-based designer (b. 1988) who made Magnificent (2009), a Roman face with exaggerated thin serifs plastered on.

Another URL. Another link. [Google] [More]  ⦿

Diego Zoffoli
[Krill Studio]

[More]  ⦿

Dolores Beliera

Designer in Buenos Aires who created the art nouveau typeface Cliché's (2013). [Google] [More]  ⦿

Dolores Oliver

Buenos Aires-based creator of the geometric monoline sans display face OMBU (2013).

Behance link. [Google] [More]  ⦿

Dominique Raed

Graphic designer and illustrator in Buenos Aires. Graduate from FADU, University of Buenos Aires. She created a forceful oblique face in 2011. Earlier, she created the angular cocaine face Robertha (2009). [Google] [More]  ⦿

Dominique Serfaty

Buenos Aires-based designer of the school project typeface Teclado (2009: art deco). [Google] [More]  ⦿

Dominique Zalewski

Graphic designer in Buenos Aires who created the art deco caps typeface Cover Type (2013), which is based on a typeface created by Eduardo Garcia Benito for Vogue, 1917-1920. [Google] [More]  ⦿

Edmi Montoya

Kansas City, MO-based creator of the sans typeface Mimo (2012), which was her graduating project at FADU / UBA in Buenos Aires. It was inspired by books for 8 to 13-year old children.

Behance link. [Google] [More]  ⦿

Eduardo Manso
[Emtype]

[MyFonts] [More]  ⦿

Eduardo Rodríguez Tunni

Buenos Aires-based graphic designer and prolific type designer who runs Graphic Design Firm. Since 2005, he has been teaching typography together with Marcela Romero and Pablo Cosgaya at the Centro Cultural Ricardo Rojas. Behance link. Klingspor link. Fontspace link. Google Plus link. Interview by MyFonts. His typefaces, haphazardly organized:

[Google] [MyFonts] [More]  ⦿

Edy Type
[Ricardo Victor Rousselot Schmitt]

Ricardo Victor Rousselot is a calligrapher and type designer born in Argentina in 1936. He was trained in the sixties in Chicago in the studio Ficho&Corley Inc., which was led by a disciple of Frederic Goudy and Oswald Cooper, Carl Corley. After that, he returned to Buenos Aires, and in 1975, he settled permanently in Barcelona, where he teaches at the University of Barcelona.

His typefaces include Carlomagno (1997-2000) and Uncial Romana (1996), released by Neufville.

He sells his fonts nowadays through his foundry, Edy Type. For example, in 2010, Edy Type launched the lively connected handwriting font Despeinada, which, Ricardo says, tries to find the middle between Mistral and Zapfino. Chevronne (2010, not my favorite) is based on mediaeval / gothic forms but tries to be contemporary. Drumbeat (2011) is a calligraphic script face, and Bambola (2011) is a curly signage script.

Klingspor link Behance link. MyFonts link. [Google] [MyFonts] [More]  ⦿

El Sebra

Designer at the Argentinian outfit SantoTipo of América and HebraCaps. [Google] [More]  ⦿

Eliana Becerra

Temperley, Argentina-based designer of the Halloween typeface Bewitching Style (2012). She studied at the University of Buenos Aires. [Google] [More]  ⦿

Elias Chafino

Argentinian designer of the liquid crystal face Unica (2008, done with FontStruct). Born in 1984, he lives in San Juan. Old homepage. [Google] [More]  ⦿

Elias Geraldo

During his studies at the University of Buenos Aires, Elias geraldo created a Futura Stencil-style typeface (2013). [Google] [More]  ⦿

Elisabet Correa

Graduate from FADU, University of Buenos Aires, who created the typeface Vittandaj (2008) and drew Argentine Icons (2013).

Old FADU / UBA link. [Google] [More]  ⦿

Elle Gé

Graphic designer and illustrator in Santa Fe, Argentina, who created a poster alphabet in 2013 called Alfabeto. [Google] [More]  ⦿

Emanuel Gerber

Graduate from FADU, University of Buenos Aires, who created the typeface Frakfurt (2008), a serif face that has 19th century influences. [Google] [More]  ⦿

Emanuel Nicolas

Designer and digital artist in Buenos Aires, Argentina. His type designs include Lady Monster (2012: spiny, gothic), Parisien Hooker (2011, art nouveau face), and Schematic (2011, slab serif). [Google] [More]  ⦿

Emiliano Agnetti

Graduate from FADU, University of Buenos Aires, who created the typeface Read Praz Std (2010), a typeface that evolved from Adobe Caslon Pro. [Google] [More]  ⦿

Emiliano Suárez

Graduate from FADU, University of Buenos Aires, who created the logotype Bogus (2009). [Google] [More]  ⦿

Emtype
[Eduardo Manso]

Emtype is the foundry in Buenos Aires that was founded in 1997 by Eduardo Manso. Eduardo was born in Buenos Aires in 1972 and studied graphic design at the Escuela de Artes Visuales Martín A. Malharro and at the Universidad Nacional de Mar del Plata, both in Mar del Plata. Art director of the Argentinian graphic design mag "el Huevo". He currently lives in Barcelona. His typefaces include the pixel font family Dixplay (2003, Emtype), the grunge font Eroxion (1997) and Rina Linea and Rina (2001), all at at Bitstream, the Scotch roman text family Bohemia (2004), Andromeda ([T-26]), Garadonis, Fluxus, Ovalus (2005, free dot matrix face), Relato (2005, advertised as a muscular serif family), Relato Sans (2005, which won an award at TDC2 2006), Merss (2000, ITC), Argot (2004, winner of an award at TDC2 2004), Flour, and Flour Inline.

Argot was renamed Bohemia (published in 2004 with Linotype), and won an award at the Linotype International Type Design Contest 2003. EMT lorena won an award at TDC2 2007.

He custom designed Sunday Times Modern (2008) for the Sunday Times.

Still in 2008, he published Geogrotesque, a semimodular geometric display face in 7 styles. Geogrotesque won an award at Tipos Latinos 2010. This was followed in 2009 by Geogrotesque Stencil.

He created the custom face La Grilla.

Periodico (Text, Display) was originally commissioned by the Spanish daily newspaper 'ABC', and was published as a 30-font family with lots of old Spanish ingredients in 2011.

Ciutadella (2012) was originally commissioned by Mario Eskenazi's studio. It is a versatile geometric sans serif, a simple, clean and direct family.

Typefaces from 2014: Shentox. This squarish nearly monoline typeface family started out from British license plates.

Corporate typefaces: Sunday Times, Lorena Serif (newspaper type; certificate of excellence in TDC2 2007).

Interview in 2013.

Myfonts page. Linotype page. Behance link. FontShop link. Klingspor link.

Catalog of Eduardo Manso's typefaces.

View Eduardo Manso's typefaces.

View even more of Eduardo Manso's typefaces. [Google] [MyFonts] [More]  ⦿

Enrique Longinotti
[Hyperfuente]

[More]  ⦿

Enrique Mombello
[The Tengwar of Fëanor]

[More]  ⦿

Enrique Ollervides

Aka Quique Ollervides Uribe. After studying graphic design at the Universidad Intercontinental in Mexico City, Quique joined forces with Cha! and founded Hula+Hula, a design studio strongly influenced by uninhibited use of color, humor, odd typography and lots of hand-drawn elements. They have worked for MTV Latin America, Cartoon Network, KidRobot, Nike, Frito-Lay, L'Oreal, Televisa and various major record labels. His work has been shown and published in galleries and books from Mexico to Japan, and some of his fonts F76F73 are distributed by T26. In 2006 he co-founded KONG, Mexico's first low-brow art and design store and gallery. He taught typography at the Universidad Intercontinental during the years 1997-2006 and at CENTRO in 2006.

Designer at T-26 of Polvora (2007, T-26, a cross between old typewriter, Western, and Spanish inquisition), LED Gothic (2003, T-26) [see also here]. Designer at the Argentinian outfit SantoTipo of Los fierros and Luchita Payol (2000-2009; +LaRuda, + Tecnica). Picture. He runs the Hula Hula foundry, where he published Khaki (a clean sans face). He also made the fluid Fabio, Gú, the handwritten Ingenua, the hand dingbat face Mutis, Polilla, Suave, Tabique, Taka San, Urbe, the experimental face HH Pólvora (2006), the hookish Acerina and the blocky Bloke, shown at Tiypo.

Enrique spoke at ATypI 2009 in Mexico City.

T-26 link. MyFonts link. Dafont link. [Google] [MyFonts] [More]  ⦿

Ergo Hiki
[Ezequiel Ergo]

Buenos Aires-based designer of the free abstract display typefaces Lain (2014) and Ohmu (2014). He also made Magnesia (2014).

Behance link. [Google] [More]  ⦿

Espaciome -- Tipografía y caligrafía de Mendoza

Dead link. Type and calligraphy news site and blog located in Mendoza, Argentina. In Spanish. [Google] [More]  ⦿

Esteban

Argentinian designer of the billboard font Noria (2008). [Google] [More]  ⦿

Esteban Boccuzzi

Argentinian web designer who made the free bitmap font Kovensky. [Google] [More]  ⦿

Esteban Estomba

Graduate from FADU, University of Buenos Aires, who created the didone typeface Heavyink (2008). [Google] [More]  ⦿

Esteban Simone

Branding specialist in Buenos Aires who graduated from FADU. I think, but am not 100% certain, hat Esteban made the Escher-inspired typeface Imposible (sic) (2013). Creator of the typeface Sofia (2010).

Behance link. Fadu UBA link. [Google] [More]  ⦿

Estefania Alonso

Buenos Aires-based designer of some poster typefaces in 2013. [Google] [More]  ⦿

Estudio Ambos

Design studio in Banfield, Argentina.

Creators of the crayon typeface Mosca (2012). [Google] [More]  ⦿

Estudio Lambda
[Nicolas Muiño]

Nicolas Muiño (b. 1989) of Estudio Lambda in Buenos Aires, Argentina, designed the free angular condensed New Gothic Style typeface in 2008. Dafont link. [Google] [More]  ⦿

Eugenia Mello

Graduate from FADU, University of Buenos Aires, who created the typeface Dixie Light (2010). [Google] [More]  ⦿

Eugenia San Martin

During her studies at FADU / UBA in Buenos Aires, Eugenia San Martin designed the condensed display typeface Zizu (2012). [Google] [More]  ⦿

Eurotypo
[Olcar Alcaide]

Institute in Benalmadena, Spain (was: Santa Severa), where one can take 4-week courses at 1450 Euros a shot on the Etruscan alphabet, Trajan, Cuadrata and Rustic Roman Capital letters, and related subjects. They also organize lettering tours in Italy and guided tours in various musea. The teachers are Alberto Di Santo (Professor of the visual communication, Tor Vergata University, Rome; Professor of Graphic Design, Istituto Europeo di design, Rome; Professor of editorial design, La Sapienza University, Rome; Professor of Typography, C.F.P. Sinalunga, Siena) and Olcar Alcaide (b. 1952, Argentina, Professor of Graphic and Typography Design, University of Buenos Aires; Professor of Typography, University of Lanús, and Professor of Graphic Design, Marbella Design School, Spain). Type link jump page.

Eurotypo is also the foundry of Olcar Alcaide.

Catalog of Olcar Alcaide's typefaces.

In 2010, he published the text family Antium and the warm signage faces Mijas Ultra and Lila Pro Heavy.

Typefaces from 2011 include Lila pro, Atenea (a humanist sans family), Agerola Script (a fat flowing signage face), Teja (signage face), Zalea (yet another signage face), and Nabu Pro (a connected signage script). Equalis (2011M, with Juan Lavalle) is a monoline slab face with a huge x-height and wide open counters. It was followed by Equalis Stencil (2011). Ravel (2011) is a fat signage script face. Atenea Egyptian (2011) is a solid slab serif family. Berta (2011) is a signage brush face with connected and unconnected versions. Optic Art (2011) is an ornamental face with building blocks that can be used for overlays. Creator of Eurotypo Bodoni Bold (2011).

Typefaces from 2012: Cubus (dingbats), Saxo Deco (art deco), Moliere (2012, an elegant didone family with outspoken ball terminals), Melon Script (a fat curvy signage script family), Riky (comic book family), Chipa (a signage and package design script), Heket (an expressive curly script), Lenga (a slab serif typeface family), Mikal (brush script). Duktus is a 1940s style script in the style of Donatello (1935, Wagner & Schmidt), Troubadour (1927, Wagner & Schmidt), Liberty Script (1927, Willard T. Sniffin), Trafton Script (1933, Howard Allen Trafton), and Coronet (1937, R.H. Middleton).

Picture.

Typefaces from 2013: Dignus (influenced by Bank Gothic and Eurostile), Bague (old Dutch style with little contrast, in the style of Jan Van Krimpen), Lugo (a heavy signage or advertising script), Brittes (copperplate script), Talis (contrast-rich sans family), Fiesole (display family with an awkward back-curled lower case d), C Duflos (after a bâtarde coulée by Claude Duflos, a French engraver who was acitve around 1690).

Typefaces from 2014: Predy, Daevon (copperplate script), Beily (letterpress style), Ritts (a heavy script-like display family), Ritts Cursive (in the style of the brush signage scripts descending from Robert E. Smith's Brush Script for ATF in 1942).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Evelyn Von Eckenbrecher

Graduate from FADU, University of Buenos Aires, who created the transitional typeface Vade Retro (2008). [Google] [More]  ⦿

Ezequiel Ergo
[Ergo Hiki]

[More]  ⦿

F&aaucute;tima Susperregui

During her studies in Buenos Aires, F&aaucute;tima Susperregui created the display typeface Curved Diamond (2014). [Google] [More]  ⦿

Fabbro

Graduate from FADU, University of Buenos Aires, who created the typeface Recrearte Italic (2009) to help treat morphine addiction (2010). [Google] [More]  ⦿

Fabián Mariño

Graduate from FADU, University of Buenos Aires, who created the formal connected script face Jocelyn (2009). [Google] [More]  ⦿

Fabio Ares

Buenos Aires-based designer, b. 1971, Buenos Aires. Graduate of the Universidad Nacional de La Plata, class of 1993. Since 1993, he teaches at that same university. Author of Libro Expósitos. La tipografía en Buenos Aires 1780-1824. In 2013, he received the FADU Prize for his work Expósitos. Revalorización patrimonial tipográfica del Buenos Aires virreinal (1780-1810).

In 2013, Fabio Ares and Octavio Osores created the vernacular railroad signage typefaces FC Sud, FC Norte, and FC Monte Chingolo, which is based on iron signage found in train stations in Argentina. In 2010, he designed the colonial typeface family Expositos (in redondo, cursiva and vinñetas styles). There is also a book called Expositos La tipografia en Buenos Aires 1780-1824.

Further railroad typefaces include FC Nordeste (2013), FC Provincial (2013), FC Gambier (2013) and FC Quinquenal (2013).

In 2014, he designed Garrigos Ornamental (a set of ornaments based on the period between 1780 and 1824 in Buenos Aires). The Ferrocarril series continues with FC Nefa (+Stencil).

Behance link. Other link. [Google] [More]  ⦿

Fabricio Metallo
[FM Fonts]

[MyFonts] [More]  ⦿

Fabrizio Ballarini

Creator of the grunge font used by the rock band Los Piojos, called Los Piojos (2008). [Google] [More]  ⦿

Facundo Beccaglia

During his studies in Buenos Aires, Facundo Beccaglia created two typefaces---an unnamed experimental blackletter typeface (2013), and Filo 74, an uncial-style display typeface (2013). [Google] [More]  ⦿

Facundo Cabanne

Designer of CFR Sans (2012), which was created during Pablo Cosgaya's course at the University of Buenos Aires. Behance link. [Google] [More]  ⦿

Facundo Miranda

Buenos Aires-based designer of the geometrically tiled typeface Puntos Suspensivos (2013). [Google] [More]  ⦿

Facundo Nicolás Velilla

Argentinian illustrator from La Plata, Buenos Aires. Designer at Sinergia Lab of SLCortazar (2003), a dingbat typeface celebrating the life of writer Julio Cortázar (1914-1984) available from Sudtipos. [Google] [More]  ⦿

Facundo Quiroga

Graduate from FADU, University of Buenos Aires, who created the slab serif typeface Angélica (2009). [Google] [More]  ⦿

Facundo Rodríguez

Graduate from FADU, University of Buenos Aires, who created the spiky condensed typeface Marinera (2009). [Google] [More]  ⦿

Félix Lentino
[FX Type (or: Felix Lentino)]

[MyFonts] [More]  ⦿

Federico Abuyé

Argentinian designer in Buenos Aires of the pixel face Andina (2012). Home page [Google] [More]  ⦿

Federico Arguissein

Buenos Aires, Argentina-based designer of the display typeface Voyage (2013). [Google] [More]  ⦿

Federico Martin Morandi

Buenos Aires-based creator of Cutterfont (2011). [Google] [More]  ⦿

Federico Telleria

Castelar, Argentina-based graphic designer who created some pictograms and the experimental typeface Mai (2012). [Google] [More]  ⦿

Federico Zrycki

Graduate from FADU, University of Buenos Aires, who created the angular typeface Fractus (2010). [Google] [More]  ⦿

Felipe Gonzalez

During his studies in Buienos Aires, Felipe Gonzalez created the fun children's book typeface California Kids (2014). [Google] [More]  ⦿

Fernanda Cinzano

Graduate from FADU, University of Buenos Aires, who created the text typeface Lang Font (2009). [Google] [More]  ⦿

Fernanda Moench

Graduate from FADU, University of Buenos Aires, who created the connected script typeface Salmuera (2010). [Google] [More]  ⦿

Fernando Amengual

Argentinian artist / painter / illustrator, b. 1966. Creator of the experimental typefaces Borges (2005), Latita (2000, organic), Ñanduti (2000), Pacífica (2000, based on Arial, the typeface used for the Iraq war declaration), Huev (2004), and Misiones. In 1984, he become Profesor Nacional de Artes Plásticas in Buenos Aires. Currently, he is a professor of design at Universidad Católica de Asunción, Paraguay. [Google] [More]  ⦿

Fernando de Aróstegui

Argentinian designer of the nice blockish face Matryshka. [Google] [More]  ⦿

Fernando Escobares

Graduate from FADU, University of Buenos Aires, who created the typeface Mavera (2010). [Google] [More]  ⦿

Fernando García Laucona

Graduate from FADU, University of Buenos Aires, who created the typeface Donatello (2010). [Google] [More]  ⦿

Fernando Inoriza

Designer from Buenos Aires, who created the 3d face Hexagon (2010) using strict mathematical principles. [Google] [More]  ⦿

Flavia Maidana

Flavia Maidana (Buenos Aires, Argentina) designed Old Art Font (a Victorian display face) for Vino Galan Tango in 2013. [Google] [More]  ⦿

Flor Alapi

Buenos Aires-based creator of an untitled art deco typeface in 2012. [Google] [More]  ⦿

Flor Dacal

During her studies, Ramos Meji, Argentina-based Flor Dacal created a hybrid typeface with an art deco look, Ekeko (2013). It was created by blending Kabel and Industria. [Google] [More]  ⦿

Florencia Adobbato

Graphic designer in Buenos Aires who created the informal typeface Pinecone (2014). [Google] [More]  ⦿

Florencia Alvarez
[Bling Studio]

[More]  ⦿

Florencia Baldini

Graduate from FADU, University of Buenos Aires, who created the italic script face Saint Firulet (2009). [Google] [More]  ⦿

Florencia Basile

Graduate from FADU, University of Buenos Aires, who created the connected script face Zephora (2009). [Google] [More]  ⦿

Florencia Cambera

Graduate from FADU, University of Buenos Aires, who created the typeface Urbano (2008), a strong serifed ttling face. [Google] [More]  ⦿

Florencia D'Amico

During her studies at UADE in Buenos Aiores, Florencia D'Amico (Tigre, Argentina) created a 50s diner font, Retro Series (2014), by combining Vernon Adams's Francois One with Didot. [Google] [More]  ⦿

Florencia Diaz

Graduate from FADU, University of Buenos Aires, who created the high-ascendered script typeface Famkul Italic (2009). [Google] [More]  ⦿

Florencia Enomoto

Buenos Aires-based graphic designer who created Night Fury (2013). [Google] [More]  ⦿

Florencia Fochesatto

As a student in UADE, Buenos Aires, Florencia Fochesatto created the ball-heavy didone typeface Clarice (2013). [Google] [More]  ⦿

Florencia Gonzalez Dutra

Illustrator and graphic designer in Lanus, Argentina. She created the art deco typeface Gustavo (2012).

Behance link. [Google] [More]  ⦿

Florencia Iglesias

During her studies at UADE, Florencia Iglesias (Buenos Aires) created the angular display typeface English Breakfast (2014). [Google] [More]  ⦿

Florencia Marascio

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface SirFont (2009). [Google] [More]  ⦿

Florencia Maryis Iglesias

Graduate from FADU, University of Buenos Aires, who created the typeface Tomato Soup (2008), which, as the name indicates, should be a script reserved for cans of Campbell's. Behance link. [Google] [More]  ⦿

Florencia Mendez

Graduate from FADU, University of Buenos Aires, who created the typeface Guilvant Font (2009). [Google] [More]  ⦿

Florencia Motta

Buenos Aires-based designer of the ornamental initial caps typeface Hindue Blues (2014). Her graduation typeface at FADU / UBA in 2013 was the ultra-condensed typeface Piudel. [Google] [More]  ⦿

Florencia Nasi

During her studies at FADU UBA (Buenos Aires), Florencia Nasi created Superfont (2012). [Google] [More]  ⦿

Florencia Pereira Da Luz

Graduate from FADU, University of Buenos Aires, who created the typeface Babel (2010). [Google] [More]  ⦿

Florencia Tubio

Argentinian creator of the multiline art deco face Gofraxi (2012). [Google] [More]  ⦿

FM Fonts
[Fabricio Metallo]

FM Fonts is the Buenos Aires-based foundry of Fabricio Metallo. Metallo designed Music Warrior (2011, free font) and Hell's Letters (2012, tattoo font).

Home page. Fontspace link. Dafont link. [Google] [MyFonts] [More]  ⦿

Fontana Diseño
[Ruben Fontana]

Argentinian foundry heade by Ruben Fontana. Their typefaces include Fontana (2001, a multi-purpose sans family), Andralis (2004, Ruben Fontana), Chaco (2008, Ruben Fontana), and Palestina (2010, Ruben Fontana).

Klingspor link. [Google] [More]  ⦿

FontFuror
[Viviana Monsalve]

Viviana Monsalve (FontFuror) is a Colombian type designer located in Bogota. Award winner at Tipos Latinos 2010 for her text face Enriqueta Book (with Gustavo J. Ibarra: a serif typeface designed to meet the technical demands of silkscreen printing). At FADU-UBA, where she studied, her graduation typeface was called Magra, a sans serif typeface designed for contexts in which both spatial economy and multiple composition styles are required.

Some of her fonts appear as free Google Web fonts: Magra, Enriqueta.

Fontsquirrel link. [Google] [More]  ⦿

Francine De Tullio

Graduate from FADU, University of Buenos Aires, who created the display face Delhi (2009). [Google] [More]  ⦿

Francisca Arevalo

Argentinian graphic designer who made the connected advertising script font Dulcita (2006). [Google] [More]  ⦿

Francisca Garrido Ferrer

Francisca Garrido is from Santiago, Chile. She studied type design and typography at FADU UBA (University of Buenos Aires), where her graduation work consisted of the connected signage script typeface Victoria (2012). [Google] [More]  ⦿

Francisco Andriani

Buenos Aires-based graphic designer who has some interesting typographic examples while at FADU, UBA. [Google] [More]  ⦿

Francisco Capuzzi

Aka Coco. During his studies at FADU at the University of Buenos Aires, Francisco Capuzzi created the quanit draftsman face Ludllow (2012). [Google] [More]  ⦿

Francisco Castells

Rosario, Argentina-based creator of a grotesk caps typeface called Noize (2013).

Behance link. [Google] [More]  ⦿

Francisco Gigena

Buenos Aires-based graphic designer who dipped his toes in some modular experimental type projects in 2010. [Google] [More]  ⦿

Francisco Medina Walker

Graduate of the Universidad de Belgrano, Argentina. He combined design elements of Gill Sans and Didot when he created the headline / fashion mag typeface Bangguar (2012). [Google] [More]  ⦿

Francisco Rumi

Graphic designer in Buenos Aires, who created the octagonal typeface Angle 137 (2012). [Google] [More]  ⦿

Francisco Valdez

Graduate from FADU, University of Buenos Aires, who created the typeface Desencadenada (2008), characterized by large inviting counters. [Google] [More]  ⦿

Franco Fernández

This Argentinian cinephile is interested in movie posters. Known as FZ over at Fontspace, he offers these free "movie" fonts, all made in 2010: Alicia Wonderland, Rango Movie Font, TRON, Coraline AZ, HarryPotter7, Navidad, Lumos Latino (another Harry Potter font), TRON muestre Cine 1, TSalvacion (a Terminator font), HPPoster (Harry Potter titling font), Importante Cita, FrancoFont2.

In 2011, he made Horrible Jefe (based on the movie Quiero matar a mi jefe), Vampire and Hugo Cabret (after the movie Hugo in 3D).

In 2012, FrankenweenieMoviePoster was published.

Typefaces from 2014: Upon a Dream Maleficent, Godzilla Moviefont. [Google] [More]  ⦿

Franco Monti

Argentinian designer of the experimental typeface Quadra. [Google] [More]  ⦿

Franco Viglino

Franco Viglino (Buenos Aires) created the hand-printed poster font Funtasy Type in 2012. [Google] [More]  ⦿

Frank Bungle

Graphic designer in Buenos Aires who created the squarish typeface Cuadratica (2013). [Google] [More]  ⦿

Frederick Pousadela

Frederick Pousadela (Buenos Aires) designed the studded marquee font Thrajunt in 2013 based on Banco. [Google] [More]  ⦿

FX Type

Foundry located in Buenos Aires. [Google] [More]  ⦿

FX Type (or: Felix Lentino)
[Félix Lentino]

Felix Lentino (FX Type) is the Argentinian designer (b. Buenos Aires, 1958) of Alexandra (2002, the only font family at FX Type), Belen (T-26, 2001, after W.A. Dwiggins's Electra, 1935), Priscilla (2000, Tipo), and UnePipe (2006). He teaches type design at Universidad de Buenos Aires. With Darío Muhafara, he created the elegant text face Malena (2003, Tipo).

Catalog. Klingspor link. [Google] [MyFonts] [More]  ⦿

Gabriel Guevara

Graphic designer in Buenos Aires. The art of Fernando Llort inspired him to design the free ornamental poster typeface Llort Sans (2013). Behance link. [Google] [More]  ⦿

Gabriela Calvo

Graduate from FADU, University of Buenos Aires, who created the typeface Minoris (2010). [Google] [More]  ⦿

Gabriela Palmieri

Graduate from FADU, University of Buenos Aires, who created the ornamental typeface Oblong (2010). Behance link. [Google] [More]  ⦿

Gabriela Vaquero

During her studies at FADU / UBA in Buenos Aires, Gabriela Vaquero designed the Peignotian sans face Mundo Mercado (2013). [Google] [More]  ⦿

Gaston Yagmourian

Gaston Yagmourian (b. Argentina) is an independent design director as well as an MFA instructor at the Academy of Art University in San Francisco, CA. Wonderful artsy fonts designed by Yagmourian include Daliesque, KikinCaps, KikinLow, Notgarmon, Surreal, U27fog, U26fog, and Slantalic. Some used to be shareware, some payware. In any case, Gaston has withdrawn from the font business, and that's it. Sad for such a talented person! Ooops---he came back via Behance in 2011, and showed us the custom face San Diego Zoo (2011), which was done with Chiharu Tanaka. In 2012, he published Rantifusa Bold (wood type style).

Link to Etsy shop. [Google] [More]  ⦿

Georgina Di Francesco

Graduate from FADU, University of Buenos Aires, who created the ball terminal display typeface Homesick (2008). [Google] [More]  ⦿

Gerardo Sanchez

Graduate from FADU, University of Buenos Aires, who created the typeface Old Glyph (2008). [Google] [More]  ⦿

Germán Ventriglia

Argentinian graphic designer (b. 1982). He created Can Can de Bois (2005, wood type look) and Ayosmonika-Bold (2005).

Dafont link. Devian tart link. Ventriglia used to use the name Graveman Foundry. [Google] [More]  ⦿

Gioterdert

Graphic designer in Buenos Aires, who created several hand-drawn typefaces in 2013: Prim, ContPrim, Red, ContRed. Behance link. [Google] [More]  ⦿

Gisela Caruso

Argentinian designer, b. 1986, of Special type (2010). She lives in Buenos Aires. Home page. [Google] [More]  ⦿

Gisela Guastella

During her graphic design studies at UBA in Buenos Aires, Gisela Guastella created the modular rhombic typeface Romboid (2013). [Google] [More]  ⦿

Giuliana Grippo

Graduate from FADU, University of Buenos Aires, who created the typeface Goodfortune (2010). [Google] [More]  ⦿

Glenda Ross

Graduate of FADU, UBA (Buenos Aires), who created the hand-printed elliptical face Olam Hadash (2011), which could---I guess---be considered as a Hebrew simulation font. [Google] [More]  ⦿

Gonzalo Carretero

Argentinian designer of the squarish font Theo Van Doesburg V4.0, based on his lettering dating from 1917 (note: Van Doesburg founded De Stijl magazine, and thus started the De Stijl movement). For some reason, the web site also mentions the name Gonza Ramone, so I am not sure what the designer's real name is. See also here. [Google] [More]  ⦿

Graciela Barberi

Buenos Aires-based designer of the pearled display typeface Cuboline (2014). [Google] [More]  ⦿

Graviton
[Pablo Balcells]

Graviton is a small type foundry based in Buenos Aires, Argentina. It was founded by Argentinian type designer Pablo Balcells in 2013.

Balcells created these typefaces in 2012: Engranajes (bike gears), Eslava Inline, Eslava Double Line, Eslava Stencil, Eslava Solid, Eslava Outline, Solida (10-style sci-fi blocky sci-fi typeface), Pixelar, Armadura (a monoline octagonal typeface with a stencil style), Oboe (an ultra-fat blocky typeface), Cuantica (sci-fi) and Led.

In 2013, he published Gubia (a condensed elliptical techno sans), Mensura (a gaspipe sans), Mensura Slab, Mensura Titling (all caps titling typeface family that includes outlined and stencil styles), Mensura Slab Titling, Herradura (an 8-style wide wood type slab serif), and LED.

Typefaces from 2014: Aguda (modular geometric sans), Cintra (gaspipe sans, +Stencil, +Inline, +Outline), Cintra Slab, Tecnica, Tecnica Slab.

Fontspring link. Behance link. [Google] [MyFonts] [More]  ⦿

Gretel Jazmin Kaufmann

During her graphic design studies at the University of Buenos Aires, Gretel Jazmin Kaufmann created the display typeface Viga (2013). [Google] [More]  ⦿

Guadalupe Gonzalez

Argentinian designer of the experimental typeface Outset. [Google] [More]  ⦿

Guadalupe Tonti

Guadalupe Tonti (Buenos Aires) created the rounded squarish poster typeface Urbana during her studies in 2012. [Google] [More]  ⦿

Guido Garcia

Junin, Argentina-based creator of the fragile serif typeface Delica (2014). [Google] [More]  ⦿

Guillermina Astorga

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Templetype (2009). [Google] [More]  ⦿

Guillermo Bacigalupo

Designer in Buenos Aires who created the heavy rounded sans typeface Allonge (2012) for a school project at FADU / UBA. [Google] [More]  ⦿

Guillermo Galván Gómez

This Argentinian designer from Córdoba designed the experimental sans face Elva Sans (2003), as well as the pixel face Cosquin.web (2003-2004) and the techno face Chocolate Display (2005). [Google] [More]  ⦿

Guillermo Vizzari

Guille Vizzari is the Argentinian designer of the gorgeous experimental pixel-script face Beautiful Pixel (2006). He also created the equally gorgeous connected copperplate script face Ragazza Script (2012, Latinotype). His graduation work in 2012 at FADU-UBA (University of Buenos Aires) is the Trajan / roman caps typeface Esmeralda.

In 2013, he published the lapidary flared serif face Esmeralda Pro at Sudtipos. Esmeralda Pro won an award at Tipos Latinos 2014.

In 2014, Yani Arabena and Guille Vizzari published Abelina Pro at Sudtipos. It is based on Yanina's thesis project in 2011-2012 at FADU/UBA simply called Abelina, which was mentored by Ale Paul and Ana Sanfelippo.

Old URL. Facebook page. Behance link (joint page with Yani Arabena). Joint web page with Yani Arabena. [Google] [MyFonts] [More]  ⦿

Gus Daniele

Buenos Aires-based designer of the free EPS-format fat outline typeface Eternamatic (2006). [Google] [More]  ⦿

Gustavo Camporotondi

Art director and designer in Buenos Aires. He created the hand-drawn all caps face Weird Week (2010). [Google] [More]  ⦿

Gustavo Hildt

Argentinian creator of the scary font Bats and Dragons (2007), and the handwriting faces The Left-Handed Regular (2011), The Left-Handed Cursiva (2011) and Pappo's Blues Band (2008). [Google] [More]  ⦿

Gustavo J. Ibarra

Argentinian graphic designer in Buenos Aires. Award winner at Tipos Latinos 2010 for his text face Enriqueta Book (with Viviana Monsalve). At Tipos Latinos 2008, he won with PS La Morena. At Tipos Latinos 2012, Ibarra was awarded for hios text face Buenard Regular. [Google] [More]  ⦿

Gutierrez

Graduate from FADU, University of Buenos Aires, who created the typeface Boldalic (2010). [Google] [More]  ⦿

Héctor Gatti
[Omnibus Type]

[More]  ⦿

Hernán Fraga

Graduate from FADU, University of Buenos Aires, who created the typeface Unyque (2008).

Behance link. [Google] [More]  ⦿

Hernán Rodríguez

Graduate from FADU, University of Buenos Aires, who created the text typeface Bolticad (2008). [Google] [More]  ⦿

Hernán Silles Roth

Graduate from FADU, University of Buenos Aires, who created the typeface Denan (2010). [Google] [More]  ⦿

Hernan Lucio

Graphic and interface designer from Buenos Aires. His Caligrafia Experimental (2011) is an embryo of a great typeface. At FADU UBA, he designed the blackletter face Not Gothic (2011) and the fatted up didone display face Schön (2011).

Behance link.

Example of his information design. [Google] [More]  ⦿

Herrera Broner Lucila

Graduate from FADU, University of Buenos Aires, who created the high-contrast cursive typeface Wynox (2009). [Google] [More]  ⦿

Homenaje

An orphaned face that is free at Google Web Fonts since January 2012. Its designers are probably Argentinian, as they write: Homenaje is inspired by the bronze cemetery art found in the Recoleta and Chacaritas districts of Buenos Aires, Argentina. A grotesque and narrow type, it provides economy in text setting without losing its strong, straight and steady features. [Google] [More]  ⦿

Horacio Duek

Graphic designer who graduated from Universidad Champagnat. He founded Kaleida Digital Branding, and lives in Argentina. He designed Siglo X, a beautiful uncial typeface that was started in 2002. [Google] [More]  ⦿

Horacio Lorente

Graphic designer from Córdoba, Argentina. Currently working as a freelance designer, involved in print design and art direction. Designer of the trendy sans display face Aeropuerto (2009) and of the minimal thin-lined avant-garde Sur (2009). Behance link. MyFonts link. [Google] [More]  ⦿

Huerta Tipográfica
[Sol Matas]

Argentinian type foundry and coop that unites Juan Pablo Del Peral, Carolina Giovagnoli, Sol Matas and Andrés Torresi. They bring high quality text faces, both serif and sans, to the table. In 2011-2013, Sol Matas published the free slab serif family Bitter, which was optimized for reading on screens.

In 2014, they published the free text typeface family Caladea which was designed by Carolina Giovagnoli and Andrés Torresi.

Fontsquirrel link. Fontspace link. [Google] [More]  ⦿

Hugo Perez
[Pixietype]

[MyFonts] [More]  ⦿

Hyperfuente
[Enrique Longinotti]

Argentinian site managed by Longinotti's group at FADU, University of Buenos Aires, est. 2009. This project is dedicated to extreme fonts---many creations are truly spectacular. It is thus a huge source of font ideas. The list below has the names and creators of the 208 fonts made by FADU-UBA graduates between 2008 and 2010, in three consecutive classes, with direct links to their university pages, where one can find images. Because of the overload, I will only comment on a few of the typefaces elsewhere on my Argentinian page. In alphabetical order of typeface name: ⦿ 1810 Golpista: by Lucas Morsellino ⦿ 72 Degrees: by Alvaro Vaquero ⦿ Alfonsina: by Rocio Cueto ⦿ Aliro: by Carla S. Bozzola ⦿ Anette's Font: by Paula Bustos ⦿ Angélica: by Facundo Quiroga ⦿ Antigona: by Analía Aspauzo Baez ⦿ Aracno: by Denise Furman ⦿ Arnol: by Verónica Bertazzo ⦿ Babel: by Florencia Pereira Da Luz ⦿ Backigham Palace: by Luciana Paiva ⦿ Bakery: by Agustina Re ⦿ Balawi: by Ma. José Galanda ⦿ Balu: by Bratin Esteban ⦿ Bariloche: by Yanina Walter ⦿ Bella Donna: by Ma. Laura Verazzi ⦿ Belta: by Aixa Aztarbe ⦿ Bemola: by Ma. Angeles Scarimbolo ⦿ Bendland: by Debora Palti ⦿ Benicius: by Diego Martinez Bela ⦿ Bernini Gian: by Martín Dalesandro ⦿ Bikini: by Marcela Casabona ⦿ Black Queen: by Matías J. Fernández G. ⦿ Blackheart Inertia: by Sebastián Barraud ⦿ Blackwidow: by Cinthia Alonso ⦿ Blindado: by Ma. Cecilia Montaño ⦿ Blue Velvet: by Jésica Sanson ⦿ Bogus: by Emiliano Suárez ⦿ Boldalic: by Gutierrez ⦿ Bolticad: by Hernán Rodríguez ⦿ Botero: by Sebastián Garbrecht ⦿ Brott: by Andrea Broitman ⦿ Buffóntica: by Lucía Ladreche ⦿ Calvina: by Laura Dattoli ⦿ Caroline Type: by Luciana Manazzoni ⦿ Carta: by Carolina Monacci ⦿ Caspianfont: by Ana Zimmermann ⦿ Celeni: by Lucía Ramallo Sarlo ⦿ Cenefa: by Natalia Vetta ⦿ Ceñida: by Agustín Morano ⦿ Clonum: by Alejandra Arregger ⦿ Cloverflieds: by Mariana Mac Loughlin ⦿ Colofón: by Maximiliano Sproviero ⦿ Column Roman: by Ayelén Starzak ⦿ Cupcake: by Andrea Landoni ⦿ Dam: by Luz Aicardi ⦿ Damajuana: by Rocio Ruiz ⦿ Dammar: by Yony Fernando Huaman ⦿ Decorte: by Juan Manuel Riva ⦿ Dei Verbum: by María Teresa Beccar ⦿ Delhi: by Francine De Tullio ⦿ Denan: by Hernán Silles Roth ⦿ Dergollum: by Carol Pinto ⦿ Desencadenada: by Francisco Valdez ⦿ DHNN Wilson: by Lucas Davison ⦿ Dighot: by Diana Sanchez ⦿ Dilatatie: by María Brex ⦿ Diplodocus: by Martiniano Garcia Cornejo ⦿ Dixie Light: by Eugenia Mello ⦿ Don Felix: by Natalie Galindo ⦿ Donatello: by Fernando García Laucona ⦿ Drop Seriff: by Alberto Federico ⦿ Efilona: by Leonardo Píccolo ⦿ Eightys's font: by Ana Valeria Canelo ⦿ Ema Zunz: by Lucía Szych ⦿ Epistemologia: by Jacques Franz Toriglia ⦿ Erahood: by Pamela Aurora ⦿ Etile: by Santiago Adur ⦿ Expressive: by Julieta Valiente ⦿ Faegon: by Pablo Menéndez ⦿ Famkul Italic: by Florencia Diaz ⦿ Fatty: by Justina Leston ⦿ FedDartype: by Sebastián Fucks ⦿ Fegs: by Celeste Peney ⦿ Figaro: by Carolina Wasiljew ⦿ Fiji: by Andrés Rosenberg ⦿ Filografía: by Cecilia Billoch ⦿ Filoseidología Ponzettiana: by Alejandro San Pedro ⦿ Finola: by Ivana Pazos Boullón ⦿ Fits Neo Gotik: by Ludmila Lara ⦿ Foster: by Augusto Menestrina ⦿ Fractus: by Federico Zrycki ⦿ Frakfurt: by Emanuel Gerber ⦿ Fran: by Iris Santana ⦿ Frappé: by Magdalena Sifredi ⦿ Furh Modern: by Carolina Pernet ⦿ Giambattista Illuminame: by Verónica Grandjean ⦿ Girak: by Sebastian Sanchez ⦿ Gloomy: by Alicia Lee ⦿ Gluttony: by Jimena Zazas ⦿ Good Folks: by Ruth Miller ⦿ Goodfortune: by Giuliana Grippo ⦿ Guilvant Font: by Florencia Mendez ⦿ Gurkaf: by Wozniak ⦿ Haarp: by Micaela Diaz ⦿ Headache Gothic: by Daniela Rascovsky ⦿ Heavyink: by Esteban Estomba ⦿ Holga: by Paola Mathieu ⦿ Homesick: by Georgina Di Francesco ⦿ Humekoy: by Brenda Diaz ⦿ Ignea: by Ma. Lucia Tissino ⦿ Incriptus: by Joaquín Lavori ⦿ Iota Font: by Ana Paula Santander ⦿ Irontail Gothic: by Brian Aldave ⦿ Isolda: by Stefania Orsini ⦿ Italgraph: by Johanna Sosa ⦿ Jocelyn: by Fabián Mariño ⦿ Jockimo: by Astrid Bauckhage ⦿ Joker: by Sofía Arhancet ⦿ Juana: by María Juana Sibolich ⦿ Junior: by Milagros Barros Tomé ⦿ Kilo: by Leandro Di Pascuale ⦿ Kilogramica: by Ma. Soledad Garcia Rodriguez ⦿ Kimborni: by Mauricio Dias ⦿ Kowgui: by Laura Di Candia ⦿ Kramer: by Mercedes Moltedo ⦿ Kraut: by Marcelo Granero ⦿ Kyss: by Carolina Norzagaray ⦿ Lady Elizabeth Grant: by Sabrina Lopez ⦿ Lang Font: by Fernanda Cinzano ⦿ Lashing Candy: by Sabrina De Mestre ⦿ Last Nk: by Anabela Willie ⦿ Latter Serif: by Marcia Garibaldi ⦿ Leguin: by Marcela Fernandez ⦿ Look Font: by Clara Severo ⦿ Lucha Unicase: by Lucia Guisado ⦿ Lucky Type: by Paula V. Hernandez ⦿ Madox: by Nadia De la Cruz ⦿ Manuale: by Juan Eduardo Nápoli ⦿ Marea: by Andrea López ⦿ Marinera: by Facundo Rodríguez ⦿ Marteaux: by Martín Canal ⦿ Mavera: by Fernando Escobares ⦿ May Gothic: by Aylen Marzo ⦿ Mecánica: by Ángeles Gonzalez ⦿ Melba: by Daniela Scarone ⦿ Mifont: by Bianca Trezza ⦿ Milk Shake: by Camilo González Lowy ⦿ Minoris: by Gabriela Calvo ⦿ Monia: by Lucas Di Prisco ⦿ Nai: by Ignacio Sottano ⦿ Nemesya: by Danila Gallardo ⦿ Neo Scriptum: by Renata Caballin ⦿ Newpress: by Julieta Pisani ⦿ Norton Gothic: by Juan Rodríguez Cuberes ⦿ Noville: by Cecilia Álvaro ⦿ Nü¼ Font: by Nadia Menotti ⦿ O Merinda: by Ana Cordani ⦿ Oblong: by Gabriela Palmieri ⦿ Odysea: by Lisandro Mansilla ⦿ Old Glyph: by Gerardo Sanchez ⦿ Old Magazine: by Ulises Faggiani ⦿ Olden Zebra: by Noelia Romero Mendoza ⦿ Olivia: by Diana Mora ⦿ Onirik: by Agustina Borsani ⦿ Oriental Condensed: by Leonardo Barilari ⦿ Orondas: by María Carolina Espinosa ⦿ Patova: by Anabella Mazzuca ⦿ Peperina: by Cristina Alvarez ⦿ Picolina: by Lucia López ⦿ Pochoclo: by Daniela Shinzato ⦿ Poster Bondi: by Juan LLorens ⦿ Qhanqa: by Juan Martinez ⦿ Queen: by Claudio Guzmán ⦿ Read Praz Std: by Emiliano Agnetti ⦿ Recrearte Italic: by Fabbro ⦿ Requiem: by Daniel Fernandez ⦿ Robertha: by Dominique Raed ⦿ Rypher: by Flavio Martínez ⦿ Sabayon: by Cecilia Kimsa ⦿ Saint Firulet: by Florencia Baldini ⦿ Salmuera: by Fernanda Moench ⦿ Schrag Pech: by Carolina Melul ⦿ Schynus Regular: by Ma. Belén Toledo ⦿ Serenity: by Carla Llinas ⦿ Sergo: by Ma. Florencia Garcia ⦿ Siesta: by Luciana Sanchez Guerrero ⦿ SirFont: by Florencia Marascio ⦿ Sixfingers: by Matias Seisdedos ⦿ Sleepy: by Marcelo Di Carlo ⦿ Slender: by Silvana Lopéz Devito ⦿ Sofia: by Esteban Simone ⦿ Staralfur: by Natalia Lee ⦿ Tagua: by Lucía Estévez ⦿ Taipu: by Alejandro Alarcón ⦿ Tangerine: by Carolina Grosso ⦿ Techi: by Ricardo Kim ⦿ Templetype: by Guillermina Astorga ⦿ Tomato Soup: by Ma. Florencia Iglesias ⦿ Tomp Regular: by Tomas Rafael Palazzo ⦿ Tormes: by Adrián Cattalini ⦿ Trovattore: by Paula Do Souto ⦿ Unique: by Hernán Fraga ⦿ Urbano: by Florencia Cambera ⦿ Vade Retro: by Evelyn Von Eckenbrecher ⦿ Vennezia: by Karina Haasz ⦿ Verjilius Augusteus: by Andrés Apud ⦿ Vesper: by Alejandra Montalbetti ⦿ Vicario: by Carolina Carballo ⦿ Vikinga: by Martín Kazaniets ⦿ Vittandaj: by Elizabet Correa ⦿ Wayne Bruce: by Juan Francisco Adriani ⦿ Wedding: by Marisol Lucero ⦿ Wide Drops: by Laura Espeso ⦿ Wynox: by Herrera Broner Lucila ⦿ Xixo Xixo: by Adolfo Gregorio Acosta ⦿ Zephora: by Florencia Basile ⦿ Zerdai: by Rodrigo Oturakdjian. [Google] [More]  ⦿

Ignacio Diaz

Designer in Buenos Aires of the graffiti font Freak (2013). [Google] [More]  ⦿

Ignacio Fretes

Ignacio Fretes is a graphic designer based in Buenos Aires, who worked in different studios and agencies specializing in digital design, advertising design, branding and motion graphics. He graduated from Graphic Design career at the University of Buenos Aires. Creator of the thin display face Piazzolla (2012). Behance link. [Google] [More]  ⦿

Ignacio Sottano

Graduate from FADU, University of Buenos Aires, who created the typeface Nai (2010). [Google] [More]  ⦿

Ileana Lapaz

Graphic designer in Buenos Aires. I am not sure if the painted script Handy (2010) is actually a font, as claimed at Behance. [Google] [More]  ⦿

Ili Keitall

Ili Keitall (Buchardo, Argentina) created the techno font Technozis Script (2013), the sans display typefaces Grappact (2013), and Condens Hard (2013). [Google] [More]  ⦿

Ines Garcia Santos

Buenos Aires-based creator of the glitzy art deco typeface Ritz (2013). [Google] [More]  ⦿

Ines Granja

Buenos Aires-based creator of Carnaval (2013), a decorative festive hand-printed typeface. [Google] [More]  ⦿

Ines Navarlatz

Graphic designer in Buenos Aires who created a fun typegraphic poster called El Arenque Ahumado (2012).

Behance link. [Google] [More]  ⦿

Ines Reynolds

Graphic designer and photographer in Buenos Aires who designed the modular squarish monoline typeface family Lungo in 2013 as a school project. [Google] [More]  ⦿

Inkspot Studios
[Olszevicki Pan]

Dead link. Olszevicki Pan is the Argentinian designer of the gothic font Raghiopf (2004). No downloads. Alternate URL. [Google] [More]  ⦿

Iris Santana

Graduate from FADU, University of Buenos Aires, who created the typeface tall text face Fran (2008). [Google] [More]  ⦿

Isabella Guareschi

For her typography class in Buenos Aires, Isabella Guareschi designed Bellair (2013). [Google] [More]  ⦿

IT-FADU

Data base of Latin American designers and their fonts, maintained by people at FADU at the University of Buenos Airies (UBA). [Google] [More]  ⦿

Iván Iraola

Creator of Mandioca (2012), a signage script, submitted at FADU UBA (University of Buenos Aires) for his graduation work. Iván Iraola is originally from Cutral-có in Western Argentina. [Google] [More]  ⦿

Ivan Olszevicki

Argentinian designer of the gothic face Gottik (2004). No downloads. [Google] [More]  ⦿

Ivan Pawluk

Rosario, Argentina-based designer of Arenatox (2012, texture face), Pawluk Zibra (2012, striped) and Coral Oxid (2012, grunge).

Fontspace link. Dafont link. Home page. Behance link. Devian tart link. [Google] [More]  ⦿

Ivana Pazos Boullon

Graphic designer and illustrator in Buenos Aires, who made the hairline blackletter typeface Finola Gothic Extra Light (2012). [Google] [More]  ⦿

Ivana Pazos Boullón

Graduate from FADU, University of Buenos Aires, who created the hairline Bastarda face Finola (2009). [Google] [More]  ⦿

Jacques Franz Toriglia

Graduate from FADU, University of Buenos Aires, who created the typeface Epistemologia (2008), an organic serif with some ball terminals [Google] [More]  ⦿

Javier

Designer from Bell Ville, Argentina, b. 1974. He created the ultra-fat and darkened slab serif face Improlija (2009). [Google] [More]  ⦿

Javier Alcaraz

Argentinian graphic designer, aka El Cerezo. In 2004, he moved to Mexico, where he is a member of Circulo de Tipógrafos and participates in Fontstage. He created Vulgata (2013), an angular text face influenced by Dwiggins and Menhart. [Google] [More]  ⦿

Javier Gimenez

Buenos Aires-based designer of a nice typographic poster entitled Naranja (2012). [Google] [More]  ⦿

Javier Gomez

Belgrano, Argentina-based creator of the great hairline display typeface Jafego (2014). Issuu link. [Google] [More]  ⦿

Javier I. Espana

Argentinian graphic designer (b. 1982) who resides in Rosario. He created Elvish JIE (2005, nice script) and Fastbreak JIE (2005, sans). No downloads. [Google] [More]  ⦿

Javier Quargnolo

Argentinian designer of the free Halloween font Spider (2013). [Google] [More]  ⦿

Javier Vidal

In Longinotti's course at FADU UBA, Javier Vidal designed the Tuscan typeface Caminito (2011). [Google] [More]  ⦿

Jazmin Alejandra

Born in 1992 in Argentina, Jazmin Alejandra created the free hand-printed typeface Jale (2013). [Google] [More]  ⦿

Jésica Sanson

Graduate from FADU, University of Buenos Aires, who created the fashionably slender typeface Blue Velvet (2008). [Google] [More]  ⦿

Jean Catalano

Born in Argentina in 1991, Jean Catalano designed Kakawate (2011) and the slightly flared (but imperfect) sans face Aquarion (2011). Dafont says that Jean Catalano is in fact María Agustina García Nouzeret. [Google] [More]  ⦿

Jeremias Toschi

Buenos Aires-based designer of the sans typeface Fhusen (2013). [Google] [More]  ⦿

Jessica Erizalde Gómez

Buenos aires-based designer of the squarish slab serif typeface Estructura (2012). [Google] [More]  ⦿

Jessica Rabotnicoff

During her studies at UBA in Buenos Aires, Jessica Rabotnicoff designed the squarish piano key typeface Grill One (2013). [Google] [More]  ⦿

Jimena Friadenrich

Ha, an upbeat designer from Buenos Aires who made a flowing display face, FofoFrich (2010). This face was made in Longinotti's course at the Facultad de Arquitectura, Diseño y Urbanismo of the Universidad de Buenos Aires, better known as FADU UBA. [Google] [More]  ⦿

Jimena San Pedro

Designer in Buenos Aires who created a geometric hairline sans typeface called Oceanica (2012).

Behance link. [Google] [More]  ⦿

Jimena Vidal

Buenos Aires-based graphic designer who created the Tuscan typeface Caminitos Adios in 2011 whilestudying at FADU UBA. [Google] [More]  ⦿

Jimena Zazas

Graduate from FADU, University of Buenos Aires, who created the scriptish typeface Gluttony (2010), which was derived from Adobe Caslon. [Google] [More]  ⦿

Jimena Zeitune

Graphic designer in Buenos Aires who graduated from UBA. Bob Dylan and Bodoni inspired her to create the curiously-serifed face Dylan (2010). Behance link. [Google] [More]  ⦿

Jit Martinez

Buenos Aires-based designer (b. 1988) of the wavy typeface JIT (2013). [Google] [More]  ⦿

Joaquín Lavori

Graduate from FADU, University of Buenos Aires, who created the ornamental Fraktur typeface Incriptus (2009).

Hyperfuente link. Behance link. [Google] [More]  ⦿

Joe Ventura

Art director in Buenos Aires who made the thin slanted Ciro Font (2011). [Google] [More]  ⦿

Johanna Pirrello

Buenos Aires-based designer of a great hand-drawn typographic poster series in 2014, called Fama y Eucalipte. [Google] [More]  ⦿

Johanna Sosa

Graduate from FADU, University of Buenos Aires, who created the italic typeface Italgraph (2009). [Google] [More]  ⦿

John Vargas Beltrán

Colombian type and graphic designer (b. 1974), who graduated from Universidad Nacional de Colombia (1997). Co-founder of ADG Colombia (Colombian Association of Graphic Designers). He was studying for a Postgraduate degree in Type Design at UBA (Universidad de Buenos Aries) in Argentina. He currently lives in Argentina.

Designer of the minimalist rounded display face Conectiva (1998), the informal signage script Salsa (2011, inspired by the old LP album covers from the 1970s), the retro comic book face Boogaloo (2010, free at Google Web Fonts), and the early 20th century-look face Cambalache (2008-2011). Creator with Nicolás Silva Schwarzenberg of the free upright italic sans typeface Convergence (2011, Google Web Fonts).

In 2012, Macondo---which was started in 1997---was published at Google Web Fonts, together with Macondo Swash Caps. John writes about this art nouveau pair: The forms are inspired by some illustrations created for a tarot card game, itself inspired by the work of Colombian literature Nobel prize winning author, Gabriel García Márquez, Cien Años de Soledad. Macondo won an award in the display type category at Tipos Latinos 2012.

Still in 2012, he published Germania One at Google Web Fonts---an angular face that is a hybrid between blackletter and sans serif, and looks like the signage on many German pubs. Cygnus (2012) is a futuristic typeface. Dulcinea Serif (2012) is an uncial typeface. Cabriolet (2012) is the standard Detroit car emblem type used on cars in the 1950s and 1960s.

In 2013, John Vargas Beltran created the fifties automobile or diner script Cabriolet V8.

In 2014, he returned to African themes, perhaps jarred by the death of Nelson Mandela. His first face of the year is Kalimba (named after an African percussion instrument), which comes in several textured styles called Masai, Kingombo and Nenyanga. Guadalupana (2014) is based on bronze ecclesiastical letters found in the the Virgin Guadalupe basilica in Mexico, designed in 1976 by Pedro Ramirez Vazquez. Tequendama is a squarish inline typeface that is rooted in pre-Columbian pre-hispanic Muisca tribal art.

MyFonts link. MyFonts foundry link. Behance link. Klingspor link. Google Plus link. [Google] [MyFonts] [More]  ⦿

Jonathan Reich

Graphic designer in Buenos Aires. During his studies at FADU / UBA, he created the didone face Goliath (2011). [Google] [More]  ⦿

Jorge Alderete

B-Movie is a great dingbat font of creatures, created in 2002 for T26 by Jorge Alderete.

CV. Jorge is an illustrator, who was born in Argentina in 1971. He studied at the National University at La Plata, Buenos Aires majoring in graphic design and visual communication. He now lives in Mexico City and works as an illustrator for numerous Mexican and Spanish magazines. Home page.

At Union Fonts, he published Rubias Morenas Pelirojas (a dingbat font) and Unplugged in 2003 and Saratoga (a fifties face; see also at T-26) in 2004.

At SinergiaLab in Argentina, he created the dingbat face SLChe, which was subsequently published at Sudtipos.

At Tiypo, we find Che (a guerilla dingbat face), Platillo (condensed squarish), RMP (dings of female heads), Saratoga and Unplugged. [Google] [MyFonts] [More]  ⦿

Jorge Sanchez

Graphic designer in Buenos Aires who created Preterita (2013).

Behance link. [Google] [More]  ⦿

Jose Delaney

Josefina Delaney created the mechanical typeface family Nut during her studies in Buenos Aires in 2014. [Google] [More]  ⦿

Jose Ostachi

Mar del Plata, Argentina-based designer of Life Guard Font (2014). Behance link. [Google] [More]  ⦿

José Galanda

Graduate from FADU, University of Buenos Aires, who created the typeface Balawi (2010). [Google] [More]  ⦿

José Nicolás Silva Schwarzenberg

Nicolás Silva was born in Mérida, a city in the Andes Mountains of Venezuela, where he studied graphic design at the University of the Andes. After completing his studies, he moved to Caracas to work in an advertising agency (JWT) as an art director. He later moved to Buenos Aires, where he completed a post-graduate certificate in Typeface Design at the University of Buenos Aires. He has been working in that city since 2009, first in a graphic production studio (Pool cp) and then in an animation studio (Gizmo). He is currently working at the design studio Fontana Diseño. Behance link. His typefaces:

  • Poly (2011, Google Font Directory) is a medium contrast condensed serif font. He explains: Poly was my final project for the postgraduate certificate in typeface design (University of Buenos Aires). Poly was originally designed for aglutinative languages, (which is why it's wide) specifically a South American indigenous language (Wayuunaiki). I paid a lot of attention to the "diacritics zone" to harmonize and unclutter the upper zones of the lowercase letters. The Wayuu language or wayuunaiki is spoken by 305,000 indigenous Wayuu people in northeastern Colombia and nothwestern Venezuela on the Guajira Peninsula.
  • Creator with John Vargas of the free upright italic sans typeface Convergence (2011, Google Web Fonts).

Font Squirrel link. Behance link. Google Plus link. [Google] [More]  ⦿

José Scaglione

José Scaglione (b. Rosario, Argentina, 1974) is a graduate of the MA program of the University of Reading, 2005. He was co-founder and art director of Vision Media Design Studio in Argentina and Multiplicity Advertising in USA; and he was a part-time lecturer for four years at the Visual Comunications Institute of Rosario, teaching design for the internet. He lectured on typography at post-graduate level at the National University of Rosario and presently teaches at the at the University of Buenos Aires. He runs his own design studio, specializing in editorial design and branding. In 2006, he started Type Together with Veronika Burian. In 2013, he became President of ATypI.

His books include Cómo crear tipografías. Del boceto a la pantalla, and Introducción al estudio de la tipografía (in collaboration with Jorge de Buen Unna). His fonts:

  • Abril (2010) is a didone font family engineered mainly for newspapers and magazines that features friendly and elegant styles for headlines and robust and economic styles for text. It won an award at Tipos Latinos 2012. Abril Fatface is free at Google Font Directory. Abril Titling was published in 2013.
  • Fabula (2005), about which he writes: Based on a series of drawings by Sue Walker and originally digitized by Vinnie Connaire, Fabula is the new display typeface for the cover of Collins Children Dictionaries. Its basic monolinear structure and stroke economy are the foundation for this typeface.
  • OUP Math&Pi: This Math and Pi font was designed to match the typefaces used by Paul Luna and Nadja Guggi in the new design of the Oxford University Press Dictionaries: Argo and Swift, designed by Gerard Unger.
  • With Veronika Burian, he designed the text face TT Carmina (2006). This morphed into Karmina Serif (2007), a complete text family, and later Karmina Sans (released in 2009, 12 styles). Karmina was selected in the text typography category at the Letras Latinas exhibition 2006 and won a merit in the European-wide ED-Awards competition 2007. Images: Karmina (Veronika Burian / José Scaglione, a text typeface for newspapers, winner of the ED Awards) and Karmina Sans (12 styles). Award winner at Tipos Latinos 2010. Karmina, Bree and Ronnia were selected as part of the travelling exhibition Tipos Latinos 2008.
  • Athelas (2006), an outgrowth of his studies at Reading. It now ships with Apple's Mavericks OS.
  • Ronnia (2007), designed with Veronika Burian at Type Together: a humanist sans family.
  • Bree (2008, with Veronika Burian): a 5-style display sans with a cursive a and e.
  • Adelle (2009, with Veronika Burian): a 12-style slab serif engineered for intensive editorial use.
  • The Google web font Jockey One (2011, with Veronika Burian).
  • Tablet Gothic (2012). A joint design of Veronika Burian and José Scaglione, it is a grotesque meant for titling.

Karmina, Bree and Ronnia, all codesigned with Veronika Burian, won awards for extensive text families at Tipos Latinos 2008. Karmina won an ED Award in 2007 and Athelas won a first prize in the Gransham competition 2008. Bree won a bronze award in the 2009 edition of the ED Awards competition. Bree Serif (2009) won an award at Tipos Latinos 2014. Abril wan gold at the ED Awards.

Speaker at ATypi 2006 in Lisbon, the Third International Conference on Typography and Graphic Communication in Thessaloniki 2007, 3CIT in Valencia, and ATypI 2008 in St. Petersburg, where his talk was entitled From laser printer to offset press. Speaker at ATypI 2009 in Mexico City, where his talk (with Andreu Balius) is entitled A sign to convey sound.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Josefina Campos

Buenos Aires-based designer of Mondtype (2014), an experimental typeface named after abstract artist Piet Mondrian. [Google] [More]  ⦿

Josefina Sironi

Graphic designer in Buenos Aires. Her school project at FADU UBA in 2013 consisted of the development of Nueva Futura (2013), a hybrid of Futura Light and Futura Heavy. [Google] [More]  ⦿

Jotto Totto

Argentinian designer in 2007 of the comic book / cartoon typefaces Pokemon Solid and Pokemon Hollow. [Google] [More]  ⦿

Juan A. Lavalle

Juan Antonio Lavalle (b. 1959, Buenos Aires) studied Architecture at the University of Buenos Aires. Later, he moved to Madrid were he worked on large design projects. He resides in Madrid, Spain and offers his fonts through the Eurotypo foundry. Ethnicity (2011) is inspired and based on many indigenous South American geometric shapes such as Mapuche and Diaguitas. Equalis (2011, with Olcar Alcaide) is a monoline slab face with a huge x-height and wide open counters. Quadratique (2011) and Trigonus (2011) are typefaces for making patterns.

In 2012, he made the Skinwall and Centers dingbats faces, and the art deco typeface Saxo.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Juan Cieri

Juan Cieri (Buenos Aires, Argentina) created the curly typeface Acrotauro (2012).

Behance link. [Google] [More]  ⦿

Juan Eduardo Nápoli

Graduate from FADU, University of Buenos Aires, who created the typeface Manuale (2008). [Google] [More]  ⦿

Juan Falabella

Web designer in Rosario, Argentina. Creator of the technical vector-format headline typeface Tecnika (2012). [Google] [More]  ⦿

Juan Francisco Adriani

Graduate from FADU, University of Buenos Aires, who created the condensed blackletter face Wayne Bruce (2009). [Google] [More]  ⦿

Juan Ignacio Felice

Buenos Aires-based creator (b. 1989) of the monoline rounded sans face Chivilcoyana (2012). Home page. [Google] [More]  ⦿

Juan Ignacio Rios

During his graphic design studies, Juan Ignacio Rios (Rosario, Argentina) designed the sans typeface Basilea (2013) [not to be confused with Markus Low's famous phototype era typeface Basilea, 1965]. [Google] [More]  ⦿

Juan Ignacio Siwak

Buenos Aires-based designer of the great totalitarian face Imperio (2004). He runs the free on-line poetry mag El Tripulante. Via MyFonts, one can buy his squarish headline family Imperio (2009), which includes a piano key style (Imperio Giga Black) and a Western style (Imperio West). [Google] [More]  ⦿

Juan José Marnetti

Juan José Marnetti (Argentina) is a graphic design student at the National University of Cuyo. He created the purely geometric experimental typeface called La Redó (2011). Jai (2011) is a gridded face. [Google] [More]  ⦿

Juan LLorens

Graduate from FADU, University of Buenos Aires, who created the typeface Poster Bondi (2010), a fat poster type that evokes old wood type. [Google] [More]  ⦿

Juan Manuel Gallego

The marriage of Adobe Jenson and Westminster Gothic led Juan Manuel Gallego (Buenos Aires) to develop a spooky gothic angular typeface, Odin (2013). [Google] [More]  ⦿

Juan Manuel Riva

Graduate from FADU, University of Buenos Aires, who created the angular cursive typeface Decorte (2009). [Google] [More]  ⦿

Juan Martin Atallah

Graphic designer in Buenos Aires who made Cruda (2013), a very condensed tall typeface. [Google] [More]  ⦿

Juan Martinez

Graduate from FADU, University of Buenos Aires, who created the typeface Qhanqa (2010), a didone headline or poster face. [Google] [More]  ⦿

Juan Montoreano

Argentinian photographer, student of graphic design and teacher of Typography at Buenos Aires University. Designer of the text faces Botija Sans and Ema (2006). Botija was published in 2006 at Tipo. Active in Studio Remolacha. FADU-UBA link. Award winner at Tipos Latinos 2010 for his text face Kalu. [Google] [MyFonts] [More]  ⦿

Juan Pablo del Peral
[Kalidoscopio]

[MyFonts] [More]  ⦿

Juan Pablo Parisi

For his courses at FADU / UBA in Buenos Aires, Juan Pablo Parisi created an art deco typeface in 2013. [Google] [More]  ⦿

Juan Rodríguez Cuberes

Graduate from FADU, University of Buenos Aires, who created the Bastarda typeface Norton Gothic (2009). [Google] [More]  ⦿

Juan Romaris

Argentinian creator of the free ink splat font Agresive (sic) (2013). [Google] [More]  ⦿

Juan Romero

Buenos Aires-based designer of a curly typeface possibly called Jesus in 2013 while studying at FADU / UBA. [Google] [More]  ⦿

Juan S. Baraglia
[Monolito]

[More]  ⦿

Juan Sebastian Contarino

Buenos Aires-based designer of the display typeface Gothic Soul (2014). [Google] [More]  ⦿

Julia Borrelli

Designer of the school project font Epa sans at FADU / UBA (Buenos Aires) in 2013. [Google] [More]  ⦿

Julia Jara

During her design studies in Buenos Aires, Julia Jara designed an unnamed brush typeface (2013). [Google] [More]  ⦿

Julia Martínez Diana
[Antipixel]

[MyFonts] [More]  ⦿

Julian Rodriguez

Argentinain designer, b. 1984. He made the exquisite connected calligraphic script face Ibleum (2007). [Google] [More]  ⦿

Julian Tunni

Argentinian creator of the flared script facer Julee Regular (2011). Google Directory link for Julee. [Google] [More]  ⦿

Juliana Moore

During her type design studies at the Universidad de Buenos Aires, Juliana Moore created the sans typeface Muzza Sans (2014, with Andrea Kulpas). She also creates calligraphic pieces. Behance link. [Google] [More]  ⦿

Julieta Alvarez

Creator of the ornamental display face Moliere (2011) while she was studying at FADU UBA in Buenos Aires. [Google] [More]  ⦿

Julieta Casabuono

Buenos Aires-based designer of Render Font (2014, a 3d architectural typeface). [Google] [More]  ⦿

Julieta Enriquez

Buenos Aires-based designer of Garufa (2012), a wood style poster typeface. [Google] [More]  ⦿

Julieta Fama

During her graphic design studies in Buenos Aires, Julieta Fama created Bowling (2014). [Google] [More]  ⦿

Julieta Liberson

Senior designer in Buenos Aires, who created the display typeface Ashair (2014). [Google] [More]  ⦿

Julieta Pisani

Graduate from FADU, University of Buenos Aires, who created the condensed black didone face Newpress (2009). [Google] [More]  ⦿

Julieta Scordo

During her graphic design studies at the University of Buenos Aires, Julieta Scorda designed an experimental lachrymal typeface. [Google] [More]  ⦿

Julieta Tourne Turner

Graphic designer in Buenos Aires who created the typeface Austen (2012). [Google] [More]  ⦿

Julieta Ulanovsky

Designer of the free Google Web Font Montserrat (2011) about which she writes: The old posters and signs in the traditional neighborhood of Buenos Aires called Montserrat inspired me to design a typeface that rescues the beauty of urban typography from the first half of the twentieth century. Free at Google Web Fonts (2012) in Regular, Subrayada (underlined) and Alternates styles. Poster by Gavin Carter. Ulanovsky recommends Montserrat as a free alternative for the successful commercial package Proxima Nova by Mark Simonson. [Google] [More]  ⦿

Julieta Ulanovsky

Graduate of the type design program at UBA in Benos Aires. She created a retro display sans face called Montserrat. [Google] [More]  ⦿

Julieta Valiente

Graduate from FADU, University of Buenos Aires, who created the typeface Expressive (2010). [Google] [More]  ⦿

Julio Ferro

Argentinian designer of the typeface Lucila Informal (2002). Associated with Future Brand. [Google] [More]  ⦿

Justina Leston

Graduate from FADU, University of Buenos Aires, who created the rotunda (?) typeface Fatty (2009). [Google] [More]  ⦿

Kalidoscopio
[Juan Pablo del Peral]

Juan Pablo del Peral (b. 1984), aka Cocosaurio, is an Argentinian graphic designer who lives in Mendoza. He graduated from the Universidad Nacional de Cuyo, and from FADU-UBA (in 2009: the graduation typeface was Alegreya HT). He is also a member of Fontana Diseño.

Creator of the novel sans family Kalidoscopio (2006). Award winner at Tipos Latinos 2010 for Parque Chas (done with Sol Matas) and for Kalidoscopio. See also here and here.

He joined Huerta Tipográfica, where he published Kalidoscopio HT, Alegreya HT (serif family), and Parque Chas HT.

At Google Font Directory, he published the free fat finger face Gochi Hand (2011) and Alegreya Sans (2013) and Alegreya Sans SC (2013), both humanist sans versions of Alegreya.

At Tipos Latinos 2012, he won the grand prize for Alegreya ht Pro. Alegraya also won an award at Tipos Latinos 2014. Juan Pablo also won awards for the flared typeface Acme (display type category). Acme is free at OFL and Huerta Tipografica.

Further typefaces from 2014 include Rozel Cut Cut, a free OFL stencil version of Alegreya created by Johan Morgane, published by Huerta Tipografica.

Fontsquirrel link. [Google] [MyFonts] [More]  ⦿

Karina Haasz

Graduate from FADU, University of Buenos Aires, who created the Victorian typeface Vennezia (2008). [Google] [More]  ⦿

Kevin Alle

Argentinian designer of the hand-printed face Kevin (2009). [Google] [More]  ⦿

Kevin Arleo

During his multimedia design studies at UADE in Buenos Aires, Kevin Arleo created the sharp-edged typeface Ragmul (2014). [Google] [More]  ⦿

Kmylo Darkstar

Buenos Aires-based designer of some experimental typefaces in 2013.

Behance link. [Google] [More]  ⦿

Krill Studio
[Diego Zoffoli]

Design studio in Buenos Aires, Argentina, managed by Diego Zoffoli. In 2014, Diego created the oddly serifed free typeface Madariaga. Behance link. [Google] [More]  ⦿

Landra Fernandez

Leandra Fernandez (Rosario, Argentina) based her typeface Doctor Font (2013) on the handwriting of a medical doctor. [Google] [More]  ⦿

Lara Sofia

Lara Sofia and Susana Maurette made the animal dingbat font Fauna (2010, del Alma). [Google] [MyFonts] [More]  ⦿

Laura Agostino

During her studies at FAU / UBA, Laura Agostino created an untitled boudoir typeface (2013). [Google] [More]  ⦿

Laura Challiol

Laura Challiol (Cordoba, Argentina) designed the origami typeface Rebecca (2014). [Google] [More]  ⦿

Laura Dattoli

Graduate from FADU, University of Buenos Aires, who created the typeface Calvina (2010). [Google] [More]  ⦿

Laura Di Candia

Graduate from FADU, University of Buenos Aires, who created the upright connected script face Kowgui (2009). [Google] [More]  ⦿

Laura Gimena Espeso

Graduate from FADU, University of Buenos Aires, who created the typeface Wide Drops (2010), a gorgeous ornamental fat didone. [Google] [More]  ⦿

Laura Grognetti

Multimedia designer in Buenos Aires who created the typeface Lautrec (2014), which was designed as a blend of Peignot and Kabel. [Google] [More]  ⦿

Laura Keung

Laura Keung (b. 1989) is [in her own words] a half Bolivian-half Chinese hybrid, born in Buenos Aires, Argentina, raised in Santa Cruz, Bolivia and currently [2014] living in Toronto, attending OCAD (Ontario College of Art and Design). Creator of the closed counter geometric face Dark Deco (2009).

Alternate URL. Behance link. Older Behance link. [Google] [More]  ⦿

Laura Luppani

Freelance graphic designer in Buenos Aires who graduated from UADE (Universidad Argentina de la Empresa) with a degree in Graphic Design. In 2010, she created a Japanese-look and Japanese-feel typeface called Dekiru.

Dafont link. [Google] [More]  ⦿

Laura Panic

While studying at FADU/UBA in Buenos Aires in 2010, Laura Panic designed a hyper-condensed typeface. [Google] [More]  ⦿

Laura Varsky

Laura Varsky is a graphic designer and illustrator from Buenos Aires, Argentina. Her first forays into the design world came through her involvement with the local independent rock scene. She gradually asserted herself as a designer, specializing in the design of books and CD sleeves. In 2006 she received a Latin Grammy as Art Director for best record packaging. Four years after her graduation as a designer, she rediscovered the world of illustration working for editorial projects, several labels and artistic projects. She taught typography for ten years at the School of Design of the University of Buenos Aires. Her lettering and illustrations are well-known in Latin America.

In 2010 she and Alejandro Paul created the exquisite curly script face Lady René at Sudtipos.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Laura Verazzi

Graduate from FADU, University of Buenos Aires, who created the didone face Bella Donna (2008). [Google] [More]  ⦿

Lautaro Cabrera

Argentinian designer, b. 1991. Creator of the free faces Circlefont (2011, geometric) and Lauti (2009, hand-printed).

Dafont link. [Google] [More]  ⦿

Lean Araujo

Lean Araujo (Buens Aires, Argentina) created an untitled monoline typeface in 2013. [Google] [More]  ⦿

Leandro Boudouve

Leandro Boudouve (Buenos Aires) designed the art deco typeface Ego in 2014 during his studies at FADU / UBA. [Google] [More]  ⦿

Leandro Denotti

Buenos Aires, Argentina-based creator of the back-sloped squarish typeface Qubica (2014). [Google] [More]  ⦿

Leandro Di Pascuale

Graduate from FADU, University of Buenos Aires, who created the fat script face Kilo (2009). [Google] [More]  ⦿

Leandro Fernandez
[Chaman Estudio]

[More]  ⦿

Leandro Pardini

Leandro Pardini (Argentina) updated Darrell Johnson's Futurama family: Futurama-Bold-Font (1999, extended by Leandro Pardini, 2002), Futurama-Alien-Alphabet-One (1999, numbers by Leandro Pardini, 2002), Futurama-Alien-Alphabet-Two (Leandro Pardini, 2002), Futurama-Title-Font (1999, rebuilt by Leandro Pardini, 2002). Dafont link. The Dafont page says that Leandro Pardini is Ruby D from Perth, Australia, and that he is a she, and was born in 1997. Help! [Google] [More]  ⦿

Legibilidad y comprensión en la Web

Argentinian tutorial on cascading style sheets, web typography, the main families of web fonts (included in the main operating systems), and legibility. [Google] [More]  ⦿

Leila Gabard

Graphic designer and photographer in Buenos Aires, who created the avant garde typeface PeiPaKoa in 2014. [Google] [More]  ⦿

León Ferrari

Argentinian artist (b. 1920) who uses letters in very sexy ways such as on mannequins. [Google] [More]  ⦿

Leonardo Barilari

Graduate from FADU, University of Buenos Aires, who created the high-contrast typeface Oriental Condensed (2010). [Google] [More]  ⦿

Leonardo Falaschini
[Liondart]

[More]  ⦿

Leonardo Píccolo

Graduate from FADU, University of Buenos Aires, who created the thin display typeface Efilona (2009). [Google] [More]  ⦿

Letras Latinas

Defunct magnificent Argentinian type site under the direction of Rubén Fontana, Natalia Fernández and Pavlo Fontana that showcased most of the Latin type designers and their work. Fonts shown include Dalie, Downtempo, Jackie, Luchita Payol, Maest, Titulata, Lira Bitmap, Prompt, Baldosa, Khaki, LED Gothic, Outset, Quadra, and Tangomaniacs. The URL was hijacked by some Texan beauty salon. [Google] [More]  ⦿

Letter.2 Conference

The Letter.2 Conference was held on October 4, 2011 in Buenos Aires, in conjunction with the Letter.2 type competition. Speakers included Akira Kobayashi, Alejandro LoCelso, John Hudson, Diego Giaccone, Ernesto Rinaldi, Fiona Ross, Gerry Leonidas, Guilermo Altube, Lucie Lacava, Pablo Cosgaya, Peter Bilak, and Rubén Fontana. [Google] [More]  ⦿

Lián Types
[Maximiliano Sproviero]

Argentinian foundry located in Buenos Aires, est. in 2008 by Maximiliano Sproviero (b. 1987, Buenos Aires). MyFonts link. Behance link. It specializes mainly in gothic, uncial and handwriting. Sproviero graduated from FADU, University of Buenos Aires in 2008 with a script thesis typeface called Colofon.

His fonts from 2008 include Devil Kalligraphy, Pumba (great futuristic rounded look), Tobogan (retro), Kiwi Sans Serif, School Rainbow, Suave Calligraphy, Tonika (handwriting), Goddess (handwriting), Cursivessca (calligraphic; 4 styles), Friendship (6 styles), Chechelo Lawyer (modern italic condensed), Quijote Italic (calligraphic with tall ascenders and descenders), Miscelanea (arabesques), Lunga (a condensed hairline family consisting of real Ligada, exacta, Versalita and Extras), Mabela (a rounded fat display font), Red Wagon (ultra-condensed), Valeria Script (swashy), Kalligrand (2008, a tall calligraphic face), Intima Script One, Two and Three (described by him as a sensual calligraphic script family), and Paradise Script (96 styles, all calligraphic).

Creations from 2009: Kaligrafia, Galana, Mon Amour Script (hyper-calligraphic), Oh Lara (also hyper-calligraphic), and Quijot sauvage (a 7-style calligraphic feat).

In 2010 he made these faces: Parfait Script (a high-contrast calligraphic script), Kanikama, Breathe Pro (calligraphic with didone serifs), Boston Script.

Creations from 2011: Reina (a curvy didone family, +Engraved). Images of Reina: i, ii, iii, iv, v, vi, vii.

At Tipos Latinos 2012, Maximiliano Sproviero won awards in the display type category for Aire (2012, a thin curly didone family), Breathe Pro, and Reina. At TDC 2013, he won an award for the copperplate script Erotica. Erotica also won an award at Tipos Latinos 2014.

Typefaces from 2013: String (a hairline Spencerian script), Brand (a signage script family), Agile Pro (a hairline swashy calligraphic family), Bird Script (which an award at Tipos Latinos 2014), Live Pro.

Typefaces from 2014: Heroe (a script that takes Lubalin and Caslon to the extreme), Dream Script (a chancery script), Dream Caps (Trajan capitals), Beatle (a Spencerian script with psychedelic touches).

Klingspor link. Behance link. Interview by MyFonts in 2014. [Google] [MyFonts] [More]  ⦿

Linkodromo

Argentinian links place. [Google] [More]  ⦿

Linux--UNIX console fonts for Windows
[Andrés Kievsky]

A number of free FON fonts for screens, made by Andrés Kievsky. [Google] [More]  ⦿

Liondart
[Leonardo Falaschini]

Liondart is the Argentinian web site of illustrator Leonardo Falaschini (b. 1980), who lives in Buenos Aires. Together with his father Mario Falaschini, he made the display face Martina Primera (2011) and the bullet hole font Martina (2011).

Devian Tart link. Dafont link. Klingspor link. [Google] [More]  ⦿

Lisandro Mansilla

Graduate from FADU, University of Buenos Aires, who created the typeface Odysea (2008), an experiment with ball terminals. [Google] [More]  ⦿

Lluís Ráfols y Mongelechi Che

Argentinian illstrator and graphic designer.

Dafont link. Creator of the handwriting script Cuqueta (2010). [Google] [More]  ⦿

Loredana Tuissi

Buenos Aires-based designer of the serif face Etincelle (2013). [Google] [More]  ⦿

Lorena Ortiz

During her studies in Buenos Aires, Lorena Ortiz created the angular calligraphic script typeface Scaligraphy (2014). [Google] [More]  ⦿

Los Caballos
[Nicolas Di Filippo]

Los Caballos is a Design Studio based in Buenos Aires, founded in 2012 by Nicolas Di Filippo and Sebastian Fuks. They contributed the free font Buenos Aires in 2014 to Citype. Other typefaces by them include Baires (2014). Behance link. [Google] [More]  ⦿

Louis Blanc
[Luis Blanco Choncén]

Luis Blanco Choncén (b. 1987) is an art director in Buenos Aires. He graduated from the University of Buenos Aires. His type designs include the free art deco typeface L'Egoist Corbeau (2014). Behance link. [Google] [More]  ⦿

Lourdes Garcia Traverso

Graphic designer in Buenos Aires, who made a nice DIN poster (2010) and is working on a script face (2010). [Google] [More]  ⦿

Lu Rosales

Buenos Aires-based graphic designer. Creator of Oliveria Light Extended (2013), which was a school project at FADU UBA. [Google] [More]  ⦿

Lucas Belfiore

Buenos Aires-based creator of the graffiti-inspired typeface Maribel (2014). [Google] [More]  ⦿

Lucas Davison

Graduate from FADU, University of Buenos Aires, who created the typeface DHNN Wilson (2008). [Google] [More]  ⦿

Lucas Di Prisco

Graduate from FADU, University of Buenos Aires, who created the swashy serif typeface Monia (2008). [Google] [More]  ⦿

Lucas Iacono

Graphic designer in Rosario, Argentina, who made the experimental all-caps typeface The X-Ray Font (2012). [Google] [More]  ⦿

Lucas Joaquin Fernandez

Argentinian designer of the fifties diner script font Fretine (2006). [Google] [More]  ⦿

Lucas Morsellino

Graduate from FADU, University of Buenos Aires, who created the ultra-condensed typeface 1810 Golpista (2010). [Google] [More]  ⦿

Lucas Palavecino

Buenos Aires-based designer of the great mechanical futuristic face Stoner Beat (2011). [Google] [More]  ⦿

Lucas Rodriguez

Aka Lucas Rod. During his studies at FADU, University of Buenos Aires, Lucas Rodriguez designed the display typeface Stardust (2012). [Google] [More]  ⦿

Lucero Rodriguez

Graphic designer in Monterrey, Mexico, who designed Electrobot (2013) together with Sofia Salazar (Buenos Aires, Argentina) and Susana Irula (Tegucigalpa, Honduras). [Google] [More]  ⦿

Lucia Fuentes

Art director in Buenos Aires, Argentina. During her studies in Buenos Aires, Lucia Fuentes created the pure art deco typeface Hyperbola (2011). [Google] [More]  ⦿

Lucia Guisado

Graduate from FADU, University of Buenos Aires, who created the typeface Lucha Unicase (2010), a condensed headline face. [Google] [More]  ⦿

Lucia Izco

During her studies in Buenos Aires, Lucia Izco created the cursive typeface Verona Beach (2014). [Google] [More]  ⦿

Lucia López

Graduate from FADU, University of Buenos Aires, who created the typeface Picolina (2010). [Google] [More]  ⦿

Lucia Tissino

Graduate from FADU, University of Buenos Aires, who created the typeface Ignea (2010). [Google] [More]  ⦿

Lucía Estévez

Graduate from FADU, University of Buenos Aires, who created the strange didone typeface Tagua (2008), with its dog-eared g. [Google] [More]  ⦿

Lucía Ladreche

Graduate from FADU, University of Buenos Aires, who created the condensed and spiky Fraktur face Buffóntica (2009), named in honor of Berlusconi. [Google] [More]  ⦿

Lucía Ramallo Sarlo

Graduate from FADU, University of Buenos Aires, who created the blackletter face Celeni (2009). [Google] [More]  ⦿

Lucía Szych

Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Ema Zunz (2009). [Google] [More]  ⦿

Luciana Lang

Buenos Aires-based creator of the counterless black typeface Sistema Tipografico (2014). [Google] [More]  ⦿

Luciana Manazzoni

Graduate from FADU, University of Buenos Aires, who created the experimental old style face Caroline Type (2009). [Google] [More]  ⦿

Luciana Paiva

Graduate from FADU, University of Buenos Aires, who created the swashy penman's script face Backigham Palace (2009). [Google] [More]  ⦿

Luciana Sanchez Guerrero

Graduate from FADU, University of Buenos Aires, who created the typeface Siesta (2008), a condensed didone. [Google] [More]  ⦿

Luciana Sapuppo

During her studioes at FADU / UBA, Luciana Sapuppo (Buenos Aires) created the experimental typeface Shargo (2014). [Google] [More]  ⦿

Luciana Seljak

During her studies at FADU / UBA, Luciana Seljak created the excellent arts and crafts hairline typeface Etager (2013). [Google] [More]  ⦿

Luciano Carletti

Creator in Buenos Aires of No Future Font (2012, grungy and gloomy). [Google] [More]  ⦿

Luciano Fasan

Graphic designer in Resistencia, Argentina, who made the display typefaces Algebra (2013) and Gutierrez (2012). Wanka (2013) was designed during his studies at FADU UBA. [Google] [More]  ⦿

Ludmila Lara

Graduate from FADU, University of Buenos Aires, who created the blackletter face Fits Neo Gotik (2008). [Google] [More]  ⦿

Luis Blanco Choncén
[Louis Blanc]

[More]  ⦿

Luis Goldfarb

Argentinian professor of typography. [Google] [More]  ⦿

Luis María Guayán

Tucumán, Argentina-based creator of the following (free) barcode fonts: PF_CODE_128, PF_CODE_39, PF_EAN_P36, PF_EAN_P72, PF_I2OF5, PF_I2OF5_W. These are all part of the PortalFox software made in 2002. [Google] [More]  ⦿

Luis Rodriguez

Artist, graphic and web designer from Argentina (b. 1983) who lives in Rosario. Creator at Dafont of the outline titling font Cordon TV (2008), named after his own TV show, and of Lourod (2008). [Google] [More]  ⦿

Luis Siquot
[Pos2009Grados]

[More]  ⦿

Luis Siquot
[Siquot Design]

[MyFonts] [More]  ⦿

Luli Matheu

Buenos Aires-based creator of some unnamed hand-drawn typefaces in 2013. [Google] [More]  ⦿

Lulu Maranzana

During her graphic design studies in Buenos Aires, Lulu Maranzana created the über-fat Western typeface Butch (2014). [Google] [More]  ⦿

Luz Aicardi

Graduate from FADU, University of Buenos Aires, who created the typeface Dam (2010). [Google] [More]  ⦿

Luz Collioud
[Untitled Motion]

[MyFonts] [More]  ⦿

Luz Tapia

Luz Tapia's typeface We are all mad, her final school project at FADU UBA in Buenos Aires, was inspired by the game Alice Madness Returns. Behance link. [Google] [More]  ⦿

M. Valusso

Argentinian designer of the colonial lettering face Inca Guaman Poma (2004). [Google] [More]  ⦿

Máximo Sánchez Luna

Designer in Buenos Aires. He created the text family Rhodia Serif in 2009. Behance link. [Google] [More]  ⦿

Maca Lateülade

Freelance graphic designer in Buenos Aires, who mixed Didot and Metro in the sans face Blackbird (2012). [Google] [More]  ⦿

Macarena Perez

During her studies at UADE in Buenos Aires, Macarena Perez created the typeface Melange (2014) by blending Georgia and Garton. [Google] [More]  ⦿

Macarena Salgueiro

Graphic designer in Buenos Aires. During her studies at FADU / UBA in 2012, she designed the curly Victorian typeface Mushroom. [Google] [More]  ⦿

Macarroni

Argentinian designer of macarroni (2005, handwriting). [Google] [More]  ⦿

Madar Rahamut

Graphic designer and illustrator from Buenos Aires. Behance link. His typefaces include the exotic ball and chains font Mumbai (2009) inspired by the Palais de Glace in Buenos Aires. [Google] [More]  ⦿

Magdalena Sifredi

Graduate from FADU, University of Buenos Aires, who created the signage face Frappé (2009). [Google] [More]  ⦿

Mago Fonts
[Mariel Gornati]

Mariel Gornati (Mago Fonts, Bernal, Argentina) is the creator (b. 1988) of the connected script typeface Bacana (2013), the free ultra-condensed typefaces Ayres (2013) and Quinn (2012, hyper-condensed).

Dafont link. Behance link. Hellofont link. Wordpress link. [Google] [More]  ⦿

Maite Perez Crespo

Buenos Aires-based designer of Oblongo (2013). [Google] [More]  ⦿

Malena Castañon Gortari

Graphic designer in Buenos Aires, who created a thin high-contrast fashion typeface called Monte (2013). Behance link. [Google] [More]  ⦿

Marbet

During her studies in Buenos Aires, Marbet created the speed simulation typeface Motorama (2013). [Google] [More]  ⦿

Marcela Caruso

Aka El Grifo. Marcela's graduation work in 2012 at FADU UBA (University of Buenos Aires) is the flared mini-serifed text typeface Santelmo. [Google] [More]  ⦿

Marcela Casabona

Graduate from FADU, University of Buenos Aires, who created the serif typeface Bikini (2008). [Google] [More]  ⦿

Marcela Fernandez

Graduate from FADU, University of Buenos Aires, who created the Victorian typeface Leguin (2008). [Google] [More]  ⦿

Marcela Perrone

Buenos Aires-based designer who studied at FADU--UBA with Cosgaya, and made some experimental typefaces. [Google] [More]  ⦿

Marcela Romero

Since 1994, Marcela Romero is an Assistant Professor at Typography 1, Cosgaya Chair (Bachelor Degree, FADU/UBA). She is a Professor in the post-graduate program of Typeface Design, (Carrera de Diseño de Tipografía, CDT-UBA), acting as Faculty Coordinator.

She is a founder and partner of Estudio Cosgaya, a studio specialized in editorial design, corporate image and communication. In 2003, she designed CD Icons (published by Pixiefonts) with Pablo Cosgaya, with whom she cooperates on numerous projects. She plays an active role in the Latin American type design community. Editor of OERT (Open Educational resources for Typography). [Google] [More]  ⦿

Marcelo Di Carlo

Graduate from FADU, University of Buenos Aires, who created the italic didone typeface Sleepy (2009). [Google] [More]  ⦿

Marcelo Granero

Graduate from FADU, University of Buenos Aires, who created the Schwabacher (Bastarda) face unfortunately named Kraut (2009). [Google] [More]  ⦿

Marcia Garibaldi

Graduate from FADU, University of Buenos Aires, who created the typeface Latter Serif (2010). [Google] [More]  ⦿

Marco Antonio Martin

Graphic Design and Architecture student at the University of Buenos Aires, b. 1990. Designer of the grunge face Broken Press (2011). [Google] [More]  ⦿

Marcos Augusto Farhat

Buenos Aires-based mussic professor who offers free music fonts such as FarHat (2005, free). Dafont link. [Google] [More]  ⦿

Marcos Bialet

During his studies in Cordoba, Argentina, Marcos Bialet designed the display typeface Spiderblack (2014). [Google] [More]  ⦿

Marcos Montane

Art director in Buenos Aires. Behance link. Creator of the hairline minimalist face Minitipo Serif (2011). [Google] [More]  ⦿

Marcos Rodriguez Sierra

During his studies at UBA in Buenos Aires, Marcos designed the playful hand-printed typeface Tiki (2013). [Google] [More]  ⦿

Margarita Cubino

During her studies at FADU / UBA, Margarita Cubino (Buenos Aires, Argentina) created the beautiful fat display typeface Heavy (2012). [Google] [More]  ⦿

Maria Agustina Luquez Iturriaga

Buenos Aires-based illustrator who uses refreshing creative lettering in some of her work. [Google] [More]  ⦿

Maria Antonella Cavallaro

During her studies in Buenos Aires, Maria Antonella Cavallaro (b. 1991) created the thin slightly curly typeface Fatima (2014). Behance link. [Google] [More]  ⦿

Maria Balbarrey

During her studies at FADU / UBA, Maria Balbarrey created the display typeface Ramona (2014) and the teardrop typeface Fresh Ness (2014). [Google] [More]  ⦿

Maria Diaz Rosaenz

During her studies at FADU / UBA in Buenos Aires, Maria Diaz Rosaenz created a vintage poster typeface called Twinning (2012). [Google] [More]  ⦿

Maria Eugenia Gelemur

Buenos Aires-based designer of Aurora (2012), a school project in Longinotti's class at FADU / UBA. [Google] [More]  ⦿

Maria Eugenia Pettina

Graphic design student at the University of Buenos Aires (b. 1990), who created the grungy typeface Imperfetta (2012).

Dafont link. [Google] [More]  ⦿

Maria Florencia Garcia

Graduate from FADU, University of Buenos Aires, who created the elegant and fashionable condensed typeface Sergo (2010).

Behance link. [Google] [More]  ⦿

Maria Gabriela Garigliano

Buenos Aires-based graphic designer. In 2013, she drew an uncial and an italic alphabet, and showed a couple of hand-drawn typefaces. [Google] [More]  ⦿

Maria Laura Gallelli

Buenos Aires-based designer of the plumpish babyish typeface Infantil (2014). [Google] [More]  ⦿

Maria Luisa Collazo

Buenos Aires-based creator in 2010 of a nice neon light style poster announcing Roadshow MTV 2010 in Mexico City. She graduated from the University of Buenos Aires.

Behance link. [Google] [More]  ⦿

Maria Mercedes Roccatagliata

During her graphic design studies in Buenos Aires, Maria Mercedes Roccatagliata created the curvy text face Cromnia (2012). [Google] [More]  ⦿

María Brex

Graduate from FADU, University of Buenos Aires, who created the wide typeface Dilatatie (2008). [Google] [More]  ⦿

María Carolina Espinosa

Graduate from FADU, University of Buenos Aires, who created the fat modern poster face Orondas (2009). [Google] [More]  ⦿

María Juana Sibolich

Graduate from FADU, University of Buenos Aires, who created the condensed blackletter typeface Juana (2009). [Google] [More]  ⦿

María Mercedes Bianco

Graphic designer in Buenos Aires, who created a playful display face in 2011. She is a student at FADU UBA. [Google] [More]  ⦿

María Natalia Meira

Graphic designer in Buenos Aires who created the bilined typeface Walking on Grays (2014). [Google] [More]  ⦿

María Santini

Buenos Aires-based designer of the gorgeous experimental typeface Minotax. [Google] [More]  ⦿

María Teresa Beccar

Graduate from FADU, University of Buenos Aires, who created the curvaceous Fraktur face Dei Verbum (2009). [Google] [More]  ⦿

Mariana Alen

Buenos Aires-based designer of the didone display typeface Goût (2014) and the warm wood type-inspired Dobro (2014), which was finished during her studies at FADU / UBA. She calls Dobro a bluegrass typeface. It was designed, according to her web site, for a special edition of Rolling Stone magazine. [Google] [More]  ⦿

Mariana Domingues

Designer in Porto Alegre, Brazil, who created a display sans typeface in 2012. [Google] [More]  ⦿

Mariana Mac Loughlin

Graduate from FADU, University of Buenos Aires, who created the black didone typeface Cloverflieds (2008). [Google] [More]  ⦿

Mariana Pariani

Argentinian type designer in Buenos Aires. Her major interest are typography, identity programs and book design. Award winner at Tipos Latinos 2010 for her avant garde face Club Universo (2008, done with Eduardo Tunni, originally for the identity of a club). Behance link. Dondo (2011) is a flared typeface that won an award in the display type category at Tipos Latinos 2012. [Google] [More]  ⦿

Marianela Grande
[Marion]

[More]  ⦿

Marianella Avetta

Creator of Santo (2012), a sans typeface that was submitted at FADU UBA (University of Buenos Aires) for her graduation work. [Google] [More]  ⦿

Marianetta

Argentinian designer of Faustina (2012, a thin poster face), Little Principessa (2012, hand-printed condensed poster typeface), Wrong Perspective (2012, 3d), Just For Today (2012, an angular typeface) and Friday (2012, hand-printed). [Google] [More]  ⦿

Mariangeles Scarimbolo

Graduate from FADU, University of Buenos Aires, who created the italic typeface Bemola (2008). Behance link. [Google] [More]  ⦿

Mariano Javier Martínez Vila

Argentinian designer of Mariana Slabserif (2009, a free Open Font Library font based on Egyptian 505 BT). [Google] [More]  ⦿

Mariel Borra Martin

Buenos Aires-based designer of Milfa (2014). [Google] [More]  ⦿

Mariel Gornati
[Mago Fonts]

[More]  ⦿

Mariela Monsalve
[Soytutype]

[More]  ⦿

Mariglen Lopez

Buenos Aires-based designer of an organic sans typeface in 2013. [Google] [More]  ⦿

Marina Carminal
[PIBA]

[More]  ⦿

Marina Garone Gravier

Graphic designer, type researcher and typographer (b. 1971, Argentina), who teaches at different Mexican universities. She majored in Graphic Communication Design at Universidad Autónoma Metropolitana, campus Xochimilco, at Mexico City (1991-1994). She followed the Master Degree Program in Industrial Design at Univerisdad Nacional Autónoma de México (1996-1998), specializing in design history and theory. She studied type design at Schule für Gestaltung, Basel, Switzerland (2000). She published articles about design criticism, history of typography and gender at Dediseño, DX, Hoja por Hoja and Libros de México in Mexico, Tipográfica (Argentina), and Design Issues. She is partner of Editorial Designio, a Mexican press, and associated editor of Tiypo, the first Mexican magazine of typography. Currently, she works on a history of Mexican Graphic Design and researches type design for indigenous Latin-American languages. She spoke at and helped organize ATypI 2009 in Mexico City. At ATypI 2009 in Mexico City, she spoke on Colonial Typography for Native Languages of Latin America (XVI-XIX Century). [Google] [More]  ⦿

Marina Gonzalez Meyer

During her graphic design studies, Buenos Aires-based Marina Gonzalez Meyer created the didone typeface Baran (2014) and the hand-drawn typeface Beirut (2012, inspired by Alex Trochut's and Luke Lucas's work). [Google] [More]  ⦿

Marion
[Marianela Grande]

Marianela Grande (aka Marion) is a graphic designer in Rosario, Argentina, and Valencia, Spain. She created the frail display typeface Farewell (2013) and the hipster typeface Neuronas (2014) and Aqua (2014). She also published Flamingo (2014, tweetware). Her fonts can be bought at Creative Market. [Google] [More]  ⦿

Marisol Lucero

Graduate from FADU, University of Buenos Aires, who created the connected formal script face Wedding (2008). [Google] [More]  ⦿

Marisol Rekofsky

During her studies in Buenos Aires, Marisol Rekofsky created a surrealistic set of caricature dingbats called Calder (2014), inspired by and named after Alexander Calder. [Google] [More]  ⦿

Martín Canal

Graduate from FADU, University of Buenos Aires, who created the Fraktur face Marteaux (2009). [Google] [More]  ⦿

Martín Dalesandro

Graduate from FADU, University of Buenos Aires, who created the ball terminal face Bernini Gian (2008). [Google] [More]  ⦿

Martín Kazaniets

Graduate from FADU, University of Buenos Aires, who created the typeface Vikinga (2008), a lank Swedish guy who likes to wear Victorian dresses. [Google] [More]  ⦿

Martin Argüello

Graphic design student in Cordoba, Argentina. Creator of the free paperclip typeface Clip (2012). Dafont link. [Google] [More]  ⦿

Martin Escobar

Buenos Aires-based designer of the techno display typeface Candela (2014) during his strudies at FADU/UBA. [Google] [More]  ⦿

Martin Garchtrom

During his graphic design studies in Buenos Aires, Martin Garchtrom designed an unnamed display typeface (2013). [Google] [More]  ⦿

Martin Jacoby-Boy

Born in Berlin in 1883, died in Buenos Aires in 1963. He was a painter, commercial artist, advertising artist, writer and costume designer. After training to become a skilled woodworker, Jacoby-Boy studied at the Académie des Beaux-Arts in Paris. From 1912 to 1926, he designed Bravour (1912, D. Stempel AG), Verzierte Bravour (1913, D. Stempel AG) and Jacobea (1928, Berthold). Beginning in 1919, he spent a decade working as a Production Designer for several German film companies, including May Films and Fritz Lang's UfA. In 1933, he emigrated to the Netherlands and then to the USA, and finally to Argentina, where he died in 1963. In 2009, Nick Curtis designed Bravado NF based on Bravour. [Google] [MyFonts] [More]  ⦿

Martin Liveratore

Graphic and interactive designer in Argentina. Behance link. Creator of the sans face Croix (2011). [Google] [More]  ⦿

Martin Mugnolo

Martin Mugnolo (b. 1973) is a general artist and photographer who lives in Cordoba, Argentina. He created a refreshing mechanical titling face called Tincho Mugnolo. Dafont link. [Google] [More]  ⦿

Martin Pazos

During his studies in Buenos Aires, Martin Pazos created the modular typeface Slightly (2012). [Google] [More]  ⦿

Martin Pignataro

During his studies at FADU / UBA, Martin Pignataro (Buenos Aires, Argentina) created an experimental typeface. [Google] [More]  ⦿

Martina Flor

Independent Argentinian designer (b. 1982) who was an assistant in the graphic design program at the University of Buenos Aires from 2003 until 2009. Graduate of the Masters program in type design at KABK, 2010. Martina set up her own Martina Flor Type Foundry in 2014. She presently lives in Berlin and teaches type design at Dessau where she initiated and manages Kurz Project in Type Design.

At KABK, she created the script family Supernova (2010) for packaging and signage. Supernova can be bought at Typotheque. Read about it here.

Her other lettering work is special too---I particularly appreciate her wedding cards for Mariana and Nacho. She did a revival of Berthold's Augustea in 2009, while still at KABK.

At her own foundry, in 2014, she published the connected handwriting font family Wonderhand (2014)---it has three axes of parameters, thickness, width and slope (0, 20 or 40 degrees).

Typecache link. Behance link. Home page. Speaker at ATypI 2014 in Barcelona. [Google] [MyFonts] [More]  ⦿

Martina Freyer

Buenos Aires-based designer who created a display typeface during her studies at UBA in 2012. [Google] [More]  ⦿

Martiniano Garcia Cornejo

Graduate from FADU, University of Buenos Aires, who created the high-contrast italic headline typeface Diplodocus (2009). Behance link. [Google] [More]  ⦿

Maru Martel

Buenos Aires-based creator of the fascinating pulsating multiline typeface Neon Deco (2014), which was developed in Longinotti's class at FADU / UBA.. [Google] [More]  ⦿

Matías J. Fernández G.

Graduate from FADU, University of Buenos Aires, who created the fashion typeface Black Queen (2008). [Google] [More]  ⦿

Matias Chilo

Graphic designer in Buenos Aires, who created the bilined typeface Noop (2013). [Google] [More]  ⦿

Matias Curti

In Longinotti's course at Universidad de Buenos Aires, Matias Curti created the squarish condensed typeface Typorama (2014). [Google] [More]  ⦿

Matias D'Alessandro
[Tipograficos]

[More]  ⦿

Matias Paul

Son of Alejandro Paul of Sudtipos fame, b. 1996. He drew the characters of Mati (2007), which his proud father made into a real life font. [Google] [MyFonts] [More]  ⦿

Matias Scappatccio

During his studies at FADU / UBA (Buenos Aires), Matias Scappatccio designed the condensed display typeface Ninpo (2103). [Google] [More]  ⦿

Matias Seisdedos

Graduate from FADU, University of Buenos Aires, who created the display typeface Sixfingers (2008). [Some kerning problems need to be ironed out...] [Google] [More]  ⦿

Matrero G

Lanus, Argentina-based designer of Gayacos Primaria Bastarda (2002), Tapi (2006, monoline octagonal), Negada (2006, handwriting), Cementeria (2006), Chingolo Pro (2006), Letrograda (2006, bad typewriter), Bloqueada (2006), Alsina (2006), Reienhardt (2006, scratchy handwriting), Cholo Sperry Rand R20 (2006, old typewriter), Daft (2006, handwriting), Kill All Fonts (2006, experimental stencil), Venerada (2002, shadow face), Thapkie MG (2002, pixel face). [Google] [More]  ⦿

Mauricio Dias

Graduate from FADU, University of Buenos Aires, who created the typeface Kimborni (2008), which is an experiment with crippled serifs. [Google] [More]  ⦿

Mauro Grossi

Argentinian creator of the handprnted face Mauro Grossi (2011). [Google] [More]  ⦿

Mauro Mesler

Argentinian designer (b. 1984) of Butteler (2007, 19h-century look). Alternate URL. [Google] [More]  ⦿

Mauro Oliver

Argentinian typographer (b. 1978) who co-founded Santotipo in Buenos Aires. He has left Santotipo. [Google] [More]  ⦿

Mauro Salerno

During his studies at FADU / UBA (Buenos Aires), Mauro salerno created the ultra-condensed display typeface Che (2012). [Google] [More]  ⦿

Mavi Barbeito

Buenos Aires-based creator of Archdeco (2012, art deco typeface). [Google] [More]  ⦿

Maxi Vargas

As a student in Buenos Aires, Argentina, Maxi Vargas designed the art deco headline typeface Frikam (2014). [Google] [More]  ⦿

Maximilano Grosso

Graphic designer in Buenos Aires (b. 1987) who studied at the University of Buenos Aires. He created the high-contrast fashion mag typeface Zephyro (2012). In 2013, he created the simple monoline sans typeface Good Deeds and the mini-slabbed typeface Nouvella.

Behance link. Cargo Collective link. [Google] [More]  ⦿

Maximiliano Giungi

Graphic and type designer, b. 1972, Bahia Blanca. He graduated with a certificate of illustration and graphic design from Escuela Superior de Arts Visuales Martin A. Malharro, in Mar del Plata, where he resides and works today. Designer of the sans family AntagometricaBT (2006). [Google] [MyFonts] [More]  ⦿

Maximiliano Sproviero
[Lián Types]

[MyFonts] [More]  ⦿

Mel Sgobba

Buenos Aires-based designer of Fearfully (2014), a script typeface. [Google] [More]  ⦿

Melania Lozano

During her studies at FADU / UBA (Buenos Aires), Melania Lozano created a multilined typeface (2014). [Google] [More]  ⦿

Melanie Seranusoglu

During her studies at UADE in Buenos Aires, Melanie Seranusoglu created Young Deco (2014). [Google] [More]  ⦿

Melina Olguin

During her studies in Buenos Aires, Melina Olguin created Sistema (2013). [Google] [More]  ⦿

Melon Ianotti

During her studies in Buenos Aires, Melon Ianotti created the spurred typeface Primer Alfabeto (2014). [Google] [More]  ⦿

Mercedes Dellepiane

Graphic designer in Buenos Aires who created the free constructivist typeface Vodka in 2014. Issuu link.

Dafont link. [Google] [More]  ⦿

Mercedes di Paola

Graphic design student in Buenos Aires who made the blended experimental typeface Cadaver Exquisito (2012) and the piano key font Tipo Ironman (2012). [Google] [More]  ⦿

Mercedes Jáuregui

Mercedes Jáuregui's graduation typeface in 2012 at FADU UBA (University of Buenos Aires) is the angular and steady-as-a-rock Albura. Mercedes has been teaching at the University of Buenos Aires since 2003. [Google] [More]  ⦿

Mercedes Moltedo

Graduate from FADU, University of Buenos Aires, who created the mollified fat didone cursive typeface Kramer (2009).

Behance link. [Google] [More]  ⦿

Mica Karaman

Buenos Aires-based graphic designer. Creator of the free display typeface Nee (2013), which is based on Guarani culture and symbology. Dafont link. [Google] [More]  ⦿

Micaela Belen Cacciatore

Grpahic designer in Buenos Aires who created Organicfont (2013, a script face). [Google] [More]  ⦿

Micaela Castellaro

During her graphic design studies at FADU / UBA, Buenos Aires-based Micaela Castellaro created the retro typeface Mods (2014). [Google] [More]  ⦿

Micaela Diaz

Graduate from FADU, University of Buenos Aires, who created the spiky angular cloak-and-dagger typeface Haarp (2009). [Google] [More]  ⦿

Micaela Podrzaj

Buenos Aires-based designer of the titling poster face Brida (2013). [Google] [More]  ⦿

Mido Ramirez

Freelance graphic and fashion designer in Buenos Aires, who made the circuit board font Archetype in 2002.

Behance link. [Google] [More]  ⦿

Mielconejina

Argentinian designer. She created Pashiz's Font (2010, handwriting; Fontcapture). [Google] [More]  ⦿

Miguel Ángel Lozano Bonora

Argentinian/Spanish type designer who lives in Zaragoza. [Google] [More]  ⦿

Miguel Brei

Buenos Aires-based creator of the inline blackboard bold face Dotwins (2011). [Google] [More]  ⦿

Miguel Catopodis
[Catopodis]

[MyFonts] [More]  ⦿

Miguel Nieva

Based in Buenos Aires, Argentina, Miguel Nieva designed Fadher Sans (2004). [Google] [More]  ⦿

Milagros Barros Tomé

Graduate from FADU, University of Buenos Aires, who created the typeface Junior (2010). [Google] [More]  ⦿

Milagros Brignardello

Graduate of FADU UBA in Buenos Aires. He created a typographic posrer called Cubismo (2012). [Google] [More]  ⦿

Milagros M. Rodriguez Saa

Buenos Aires, Argentina-based designer of the hand-drawn inline typeface Circus Font (2014). [Google] [More]  ⦿

Mirror Types

Mirror Types is an Argentinian foundry. Creator of BlackStripe (2011, a typeface inspired by bricks) and Rephran (2011, ornamental caps, lower case and numerals).

Alice (2011) is an upright almost formal script.

Funtasy (2012) is an informal font family for children's books or fairytales. [Google] [MyFonts] [More]  ⦿

Monolito
[Juan S. Baraglia]

Monolito (Juan S. Baraglia) is a mobile design studio from Buenos Aires, Argentina. They created the logotype face Holanda (2012).

Behance link. [Google] [More]  ⦿

MP&A

Type foundry in Mendoza, Argentina, est. 2011. It published the black elliptical poster face Poster (2011) and the brushy Sheep Script (2012) with accompanying dingbats Sheep Pics (2012). [Google] [MyFonts] [More]  ⦿

MyFonts: Sudtipos

MyFonts lists the top selling fonts of the Sudtipos type foundry run by Alejnadro Paul. [Google] [More]  ⦿

MyFonts: Type Together

MyFonts lists the top selling fonts of the Type Together foundry run by José Scaglione and Vik Burian. [Google] [More]  ⦿

Nacho Frigeni

Creator in Buenos Aires of the warm italic typeface Berna (2012). [Google] [More]  ⦿

Nadia De la Cruz

Graduate from FADU, University of Buenos Aires, who created the typeface Madox (2010), a 21st century hybrid version of blackletter. [Google] [More]  ⦿

Nadia Menotti

Graduate from FADU, University of Buenos Aires, who created the condensed face Nü Font (2009). [Google] [More]  ⦿

Nai Ibarrola

Cordoba, Argentina-based designer of the monoline organic sans typeface Boo (2013). [Google] [More]  ⦿

Natalia Espanol

Argentinian designer at Sinergia Lab of SLGardel (2003), a tango-themed dingbat typeface available from Sudtipos. [Google] [More]  ⦿

Natalia Esparis

Buenos Aires-based designer of the display typeface Dommo (2013). [Google] [More]  ⦿

Natalia Fernández

Designer of the custom typeface La Seño (1998-2001) for an editorial company. This face extends Memima and can be used to teach connected handwriting to school children. Typography professor since 1996 at the University of Buenos Aires. [Google] [More]  ⦿

Natalia Lee

Graduate from FADU, University of Buenos Aires, who created the calligraphic script face Staralfur Italic (2009). [Google] [More]  ⦿

Natalia Mercol

Buenos Aires-based Natalia Mercol is a talented illustrator and print designer who is into colors. In 2010, she created a hairline face that was derived from Bauer Bodoni, called King Serif. [Google] [More]  ⦿

Natalia Pano

Natalia is a graphic designer in Buenos Aires. She graduated from the School of Architecture, Design and Urban Planning (FADU), University of Buenos Aires (UBA). Since 1998, she has been a teacher at FADU / UBA. Presently, she is Assistant Professor in Typography 2, Cosgaya Chair (Bachelor Degree, FADU/UBA) and is in charge of the project Design for non-profit at FADU/UBA. She founded Ezena / Argumentos Visuales, a studio specialized in editorial design and web development. She is an coeditor of OERT (Open Educational resources for Typography). [Google] [More]  ⦿

Natalia Saavedra

During her studies in Buenos Aires, Natalia saavedra created the modular typeface Sharps (2014). Behance link. [Google] [More]  ⦿

Natalia Sosa

Designer in Buenos Aires. Creator of the commissioned ornamental caps face Espacio Vergel (2012). [Google] [More]  ⦿

Natalia Vetta

Graduate from FADU, University of Buenos Aires, who created the modern typeface Cenefa (2008). [Google] [More]  ⦿

Natalie Galindo

Graduate from FADU, University of Buenos Aires, who created the modern face Don Felix (2008). Behance link, where we learn that she has turned up in Bogota, Colombia. [Google] [More]  ⦿

Néstor Alejandro Ferranti

Argentinian designer (b. 1985) of the elegant and slightly spooky experimental face Dilana Experimentype (2008). Fontsy link. [Google] [More]  ⦿

Negro
[Ariel Di Lisio]

Negro is a design site where some commercial fonts can be found, all designed by Ariel Di Lisio who lives in Buenos Aires. Marzo (2008) is a hairline vogue face commissioned by the Argentinian mag Atypica, and Donuts (2008) is a layer of round upon a layer of round. Paz Font is a stylish night club or fashion magazine family---stunning. Lynda (2008) is an octagonal/mechanical face. Lunes (2007), Day (2007), Friday (2007) and Nigga (2007) are an ultra-fat art deco faces with an experimental edge. Love (2007) is a mini-serifed geometric beauty. Santino (2008) tries to bring waves into a simple sans face. Normal (2008) is gorgeous, geometric and galant. Mate (2008) is a geometric all caps face for magazine headlines. Caracas (2008), Soko (2009), and Stola (2008) have more geometric fantasies. Pink (2008) is experimental. Cascabel (2009) is a kitchen tile face digitized by Alejandro Paul at Sudtipos. James Font (2009) is a bullet hole-themed face. Inlove (2009, Sudtipos) is a Lubalin-style poster face designed by Di Lisio and digitized by Alejandro Paul. Typefaces shown in 2010, mostly experimental / geometric / art deco: Destiny, Drimpy, Hongki, Mobile, Moonglow, Normal, Vincent.

In 2011, Ariel published the futurismo face Saturna at Sudtipos [and I do not understand HypeForType's claim that it is an exclusve HypeForType font]. Their offices are in Buenos Aires and Caracas.

Typefaces from 2012 include Uma (with Alejandro Paul at Sudtipos: a gorgeous two-weight monoline sans family).

In 2013, he created the stencil typeface Anima for a housing project in Punta Chica, San Fernando, Argentina.

Behance link. [Google] [MyFonts] [More]  ⦿

Nico Garassino

Rosario, Argentian-based designer (with Omnibus Type) of the 4-style typeface family SC Sans (2013) that is used for the new visual identity of the University of San Cristobal, Argentina. SC Sans was designed within the Omnibus Type Foundry. He is art director at Borgonovo Publicidad. [Google] [More]  ⦿

Nico Köckritz

Nico Köckritz (Buenos Aires) created the informal sans typeface Ventilator in 2012. [Google] [More]  ⦿

Nicolás Pisano

Argentinian designer of the text face Romance (2006). Juliet won an award at Tipos Latinos 2008. [Google] [More]  ⦿

Nicolas Condori

During his studies at FADU UBA (Buenos Aires), Nicolas Conduri created the typeface Simple Sans (2014). [Google] [More]  ⦿

Nicolas Di Filippo
[Los Caballos]

[More]  ⦿

Nicolas Korenchuk

Argentinian designer Nicolas Korenchuk created Origami (2010). [Google] [More]  ⦿

Nicolas Massi

Graphic designer in Buenos Aires. His typefaces, dated 2009, include Tesca (a condensed-modern grotesque typeface. Three styles: Flaca, Normal&Gorda), and Arco (a fat face with some geometrical tweaks grabbing fresh and ideal for fashion editorial headlines). With Rodrigo Fuenzalida, he created the textura typeface Pirata+One (2012, Google Web Fonts).

He is working on Tesca Specimen.

MyFonts link. Behance link. Typedia link. [Google] [MyFonts] [More]  ⦿

Nicolas Muiño
[Estudio Lambda]

[More]  ⦿

Nicolas Nores

Argentinian digital artist who made AfterLife (2012), a slightly modified Baskerville, for a project. [Google] [More]  ⦿

Nicolas Rebaudino

Graphic designer in Santa Fe, Argentina, who created the hand-printed typeface Reba (2014). [Google] [More]  ⦿

Nicolas Zubia

Buenos Aires-based creator of a display poster typeface in 2013. [Google] [More]  ⦿

Noctambulum

Argentinian creator of Bairestijl (2011, a De Stijl stencil face) and Opus Pix (2011, an artsy pixel face). [Google] [More]  ⦿

Noelia Romero Mendoza

Graduate from FADU, University of Buenos Aires, who created the Bastarda typeface Olden Zebra (2009). [Google] [More]  ⦿

Nontype
[Aerosyn-Lex Mestrovic]

Extraordinary (defunct) cutting edge graphic design company. Their type work, such as the conic Equipoise, is outstanding. Aerosyn-Lex Mestrovic, the designer, is part-time typographer with work experience in his native Buenos Aires and in New York and Tokyo. He is the creative director of both The KDU and The Royal Magazine. [Google] [More]  ⦿

Norberto Baruch
[VisualMente]

[More]  ⦿

Nowi Plus

Buenos aires-based designer of the alchemic typeface Don't Bite (2012). [Google] [More]  ⦿

OERT (Open Educational resources for Typography)

Open Educational Resources for Typography (OERT) is an open educational project available to everyone who wishes to broaden their knowledge of typography, including students, teachers, and individuals interested in the subject. The project is built upon the course material prepared by Pablo Cosgaya (FADU / UBA, Buenos Aires), a set of booklets that was initiated in 1994 and which is currently organized into three sections: theoretical, historical, and practical. The project aims at expanding, updating, and editing the current material in Spanish, to translate it into English, and to publish it online under a Creative Commons Attribution Share Alike license.

The editorial team consists of Pablo Cosgaya, David Crossland, Natalia Pano and Marcela Romero.

The OERT Team consists of FADU / UBA professors Pablo Cosgaya, Magdalena Fumagalli, Verónica García, Alvaro Ghisolfo, Malena Menéndez, Natalia Pano, Inés Pupareli, Marcela Romero and Julián Villagra. [Google] [More]  ⦿

Olcar Alcaide
[Eurotypo]

[MyFonts] [More]  ⦿

Olszevicki Pan
[Inkspot Studios]

[More]  ⦿

Omnibus Type
[Héctor Gatti]

Hector Gatti, aka Pocho Gatt, is an Argentinian who runs Gatti Studio and Omnibus Type, and who codesigned the sans face Patagonia (1994) with Pablo Cosgaya. Omnibus (est. 2011) is a coop that focuses on web typography and high quality web fonts. All typefaces can be found at the Google Font Directory. All designers are from Argentina and Mexico. Their typeface library:

  • Rosario (2011, Hector Gatti). Gatti says that he fused Berthold Garamond and Trade Gothic to make the sans family Rosario in 2000. The typeface is free since 2011 at Google Font Directory. The typeface is now part of the type collection at Tipo.
  • Unna (2011, Jorge de Buen).
  • Chivo (2011, Hector Gatti: Google Font Directory and Omnibus Type). A free neogrotesk face.
  • Archivo Black (2012, Google Web Fonts). A heavy grotesque face. Archivo Narrow.
  • Asap (2012). This is a rounded sans family by Pablo Cosgaya. Asap is based on Ancha (designed by Pablo Cosgaya and Hector Gatti), and has been developed with the collaboration of Andrés Torres.
  • Sansita One (2011, Pablo Cosgaya).

    In 2013, Pablo Cosgaya and Dani Raskovsky codesigned a wood carving typeface called Bahiana---perfect for lettering on a Caribbean rum shack. Bahiana was published by Omnibus Type.

  • Saira won an award at Tipos Latinos 2014.

Another URL. Google Plus link. Fontspace link. Fontsquirrel link. Behance link. Klingspor link.

Catalog of typefaces. [Google] [More]  ⦿

Ornella Pagliaruolo

Designer in Buenos Aires, Argentina. Creator of the experimental geometric typeface Kokoro (2012) and some hand-drawn alphabets (2011). [Google] [More]  ⦿

Oscar Borrego

Óscar Borrego is the Mexican designer of the high contrast sans face Almatica (2004). Designer at the Argentinian outfit SantoTipo of Tequila Heights Sobria&Borracha (2001). At Tiypo, we find Frankenhauss and the futuristic Freon 22. [Google] [More]  ⦿

Oscar Guerrero Cañizares
[Sumotype Foundry]

[More]  ⦿

Oscar Reyes

Designer at the Argentinian outfit SantoTipo of Zamora Exquisita. [Google] [More]  ⦿

Pablo Alaejos Perez

Pablo Alaejos's graduation typeface in 2012 at FADU UBA (University of Buenos Aires) is the angular and sturdy Landa. Pablo was born in 1982. [Google] [More]  ⦿

Pablo Alfieri

Buenos Aires-based graphic designer and typographer, aka Alfieri. Flickr link. Behance link. He designed Playful (2010), a geometric font that was inspired by 3d toys for children. Odyssea 652 (2010) and Odyssea 632 (2011-2012, Thinkdust) are also geometric in nature. This poster showcases his lettering. With Mariano Farias, he formed Plenty. At HypeForType, Plenty published the arts and crafts face Odyssea (2011).

Klingspor link. [Google] [More]  ⦿

Pablo Balcells
[Graviton]

[MyFonts] [More]  ⦿

Pablo Cosgaya

Professor of Typography at FADU, the University of Buenos Aires, from 1994 onwards. Founder of Cosgaya Diseño (Rosario, 1991), which he runs with Marcela Romero. He is designer of Proceso Sans (1996, published by García Fonts), Patagonia (1994, a sans face done with Héctor Gatti), CDIcons (2003, with Marcela Romero, published by Pixiefonts) and Loreto (2004, with Eduardo Rodriguez Tunni), an award-winning typeface published by Tipo. Loreto got its inspiration from the typography of the Manuale ad Usum (1721), printed by Jesuit missionaries who worked at the beginning of the XVIII century with communities of "Guaraná" natives from the Northeast region of Argentina. He created the signage and slogan face Sansita (2011, Google Font Directory and Omnibus Type: sansita won an award at Tipos Latinos 2014). Asap (2012, Google Web Fonts) is based on Ancha (designed by Pablo Cosgaya and Hector Gatti), and has been developed with the collaboration of Andrés Torresi: it is a contemporary sans with rounded corners.

In 2013, Pablo Cosgaya and Dani Raskovsky codesigned a wood carving typeface called Bahiana---perfect for lettering on a Caribbean rum shack. Bahiana was published by Omnibus Type. Bahiana won an award at Tipos Latinos 2014. Together with Sergio Jimenez in 2013, Pablo designed the vernacular poster typeface Barrio.

Speaker at ATypI 2009 in Mexico City. Brief CV.

MyFonts link. Pic. Klingspor link. [Google] [MyFonts] [More]  ⦿

Pablo Fernando Perez

Argentinian designer of the blocky black Kawell Blog Font (2009). [Google] [More]  ⦿

Pablo Gomez

Student at FADU UBA (Buenos Aires). For Cosgaya's course, he designed a nice poster on Bell Gothic (2010). He also made a gothic look face called Revenge (2010). [Google] [More]  ⦿

Pablo Impallari

Argentinian designer (b. 1976) located in Rosario. In 2010, he embarked upon an open source font project about a connected retro / signage script Lobster, which features carefully crafted opentype ligatures. In 2011, he added the upright script family Lobster Two. Alexei Vanyashin and Gayaneh Bagdasaryan added support for Russian, Ukrainian, Belarusian, Macedonian, Moldovan, and Serbian languages. Blog. Home page.

At the end of 2010, together with Edgar Tolentino (Mexico), he started a commercial font project about Terminal Dosis Light, a monoline basic and simple sans, now available at Google Web Fonts. Cabin (2010) is a free humanistic sans face in the style of Gill. It was followed by Cabin Sketch (+Bold) in 2011.

Dancing Script (2011) is an informal script in the spirit of Murray Hill or Mistral.

Quattrocento (2011) is a classic roman titling face. Quattrocento Sans (2011) is a monoline sans.

Miltonian and Miltonian Tattoo (2011) are fun hand-printed faces.

Creations from 2012: Poetsen One (signage face), Domine (Google Web Fonts; he says that It's is friendly in appearance because it combines the classic elements of familiar typefaces that have been in use from more than 100 years like Clarendon, Century, Cheltenham and Clearface), New Rocker (Google Web Fonts: blackletter tattoo font), Monda (Google Web Fonts and GitHub, a free sans family), Milonga (Google Web Fonts: a Victorian font inspired by the art of the tangueros), Ranchers (retro poster typeface at Google Web Fonts), Petit Formal Script (Google Web Fonts), Cantora (Google Web Fonts: a friendly semi formal, semi condensed, semi sans serif), Kaushan Script (a readable brush script that is free at Google Web Fonts), Racing Sans (a techno face that conjures up speed; free at Google Web Fonts), Life Savers (Google Web Fonts).

Libre Baskerville (2012, Google Web Fonts and CTAN) was developed together with Rodrigo Fenzalida. It is based on 1941 ATF specimens, but it has a taller x height, wider counters and minor contrast that allow it to work on small sizes in any screen.

Impallari extended McInerney's Raleway. Download here.

Libre Caslon (2012) in four styles. See also the TeX support files for this free typeface.

Typefaces from 2013: Clement Numbers (a commercial didone set of numbers from a 1838 specimen book by Fonderie Clément).

Typefaces from 2014: The 45-font typeface family Encode Sans, its 5x9 matrix ranging from Compressed to Wide, and Thin to Black.

Dafont link. Fontspace link. Google font directory link. Klingspor link. Abstract Fonts link. Fontsquirrel link. Google Plus link. On Snot and Fonts link. Another Google Plus link. Creative Market link [Google] [More]  ⦿

Pablo Lizardo

3d Artist, b. 1983, Rio Grande, Argentina. Pablo Lizardo Lives in Buenos Aires and works on animated films and other commercial projects.

Kirifont (2013) by Pablo Lizardo is a typeface designed for the brand and design elements of the Kiribati Movie. This all caps cartoon typeface was created with Inkscape and Font Forge, it was released by OFL in 2013. [Google] [More]  ⦿

Pablo Menéndez

Graduate from FADU, University of Buenos Aires, who created the typeface Faegon (2010, a fat didone display face).

FADU UBA link. [Google] [More]  ⦿

Pablo Monachese

Buenos Aires-based designer of the blackletter typeface Imperathor (2013). [Google] [More]  ⦿

Pablo Moreno

Designer and type designer in Cordoba, Argentina. His typefaces include Need (2011), Salt (2010, condensed octagonal face), Gotan (2010), Playfont (2010, art deco / geometric stencil face), Seaside (2010, hairline sans), Noche (2010, monoline gemetric sans), Noche Bold, Izquierda (2010), Good (2010, a high-contrast face) and Narrow (2010).

Behance link. Devian tart link. [Google] [More]  ⦿

Pablo Rugiero

Typographer and graphic designer in Buenos Aires. [Google] [More]  ⦿

Pablo Salatin

Cordoba, Argentina-based creator of a geometric art deco typographic logo for the band The Ovnis in 2013. [Google] [More]  ⦿

Pablo Schiavo

Graphic designer in Buenos Aires, who created Architect Font in 2012. [Google] [More]  ⦿

Pablo Ugerman

Argentinian type designer. Award winner at Tipos Latinos 2010 for his text and IPA face Voces (done with Ana Paula de Bragança Megda). The latter typeface appeared in 2012 at Google Web Fonts.

At Tipos Latinos 2012, he won awards for Sopi and Rosarivo (2011, Google Web Fonts: a typeface designed at FADU-UBA for use in letterpress printing). [Google] [More]  ⦿

Paco (Francisco) Aguayo
[Typoidea]

[More]  ⦿

Pamela Aurora

Graduate from FADU, University of Buenos Aires, who created the tall condensed typeface Erahood (2008). [Google] [More]  ⦿

Pamela Castro Baptista

During her studies at Universidad Argentina de la Empresa (UADE) in Buenos Aires, Argentina, Pamela Castro created the fashion mag typeface Vanity (2014). [Google] [More]  ⦿

Pampa Type
[Alejandro Lo Celso]

Alejandro Lo Celso, a graphic and type designer born in 1970 in Córdoba, Argentina, was art director at several publishing media in Buenos Aires. He has written several articles for typo magazines, and taught typography at the University of Buenos Aires. In 2000 he completed his MA in Typeface Design at the University of Reading (UK). In 2001, he obtained a post-diploma at the Atelier National de Recherche Typographique, Nancy (France). He teaches typography at the Universidad de las Americas in Puebla, Mexico, and at Centro Gestalt in Veracruz, and is Principal of Pampa Type in Mexico City. Typefaces:

  • Rayuela (2001). Rayuela comes in these weights: Rayuela-Italica, Rayuela, RayuelaChocolate, RayuelaLUZ, RayuelaLigera-Italica, RayuelaLigera, RayuelaLigeraVersalitas, RayuelaMiscelaneas, RayuelaVersalitas. Rayuela (hopscotch) was a winner at the Bukva:raz type design competition held by the ATypI, Moscow 2001. Rayuela Chocolate 2.0 (2005) won at TDC2 2006.
  • Quimera (2002, +Quimera Compacta). Quimera is a display family that contains an admirable heavy condensed sans, Quimera Compacta.
  • Lo Celso's typeface Borges won a Judge's award at the 2002 Morisawa Competition. An 11-style version of this text family is at T26 (2007). [Note: Ulay&Ulay have had a font called Borges since the 1990s, so I don't understand how this name can legally stand.]
  • Arlt (2005) won an award at the Creative Review Type Competition 2005. It comes in many styles such as Arlt Blanca, Gris, Negra, Super Negra, Titulo Blanca, Titulo Negra, Titulo Hueca, Deco 1, Deco 2, as well as a number of grunge styles called Arlt 7 Locos (T-26, 2008): Amor Brujo, Astrologo, Buscador de Oro, Erdosain, Jorobadito, Juquete Rabioso, Rufian Melancolico. Lo Celso writes: Arlt is a contemporary interpretation of the alphabet which finds inspiration in some classic sources. The italics are linked to the glamorous, mannerist typography of 17th century Baroque (Dutch designer Christoffel van Dijck, Hungarian printer Miklós Kis). While the romans are a new attempt at capturing the warmth and vehemence of Expressionism. This style may be traced back to the 18th century: the singular work of German punchcutter Christian Zinck, and later to some 20th century East European type designers such as Preissig, Dyrynk, Menhart, and Frantisek Storm, probably today's finest representative. Now available from MyFonts, Arlt is indeed a thing of beauty.
  • In 2008-2009, Lo Celso, François Chastanet, Géraud Souliol and Laure Afchain cooperated on the identity type for the city of Toulouse, called Garonne. Along the lines of Arlt, Garonne is an almost didone face in romain, italique, petite caps, titrage caps and titrage étroite.
  • Perec (+Perec Blanca, +Perec Negra). Winner at Tipos Latinos 2010. It is partitioned into the subfamilies Perec, Perec Ludique and Perec Lunatique.
  • Margarita. Winner at Tipos Latinos 2010, a great celebration of Bodoni's titling faces, named after his widow, Margherita; with an Open style called Luce.

Klingspor link. Behance link. Interview.

View Pampa Type's typefaces. [Google] [MyFonts] [More]  ⦿

Panco Sassano

Illustrator in Mar del Plata, Argentina, who created an Arabic simulation typeface in 2014. In 2014, under the supervision of Ale Paul at Sudtipos, he created the wide connected semi-calligraphic handwriting typeface Horizontes Script.

Behance link. [Google] [MyFonts] [More]  ⦿

Panda

Designer of Dom (2010) at Tipos del Oeste, a foundry in San Juan de la Frontera, Argentina, run by Alfonso Garcia. Dom has gothic cathedral themes and curves. [Google] [More]  ⦿

Paola Ciotti

Designer at the Argentinian outfit SantoTipo of Pollochorizo. [Google] [More]  ⦿

Paola Ferreyra

Buenos Aires-based designer of the serifed typeface Cantimplora (2013). [Google] [More]  ⦿

Paola Mathieu

Graduate from FADU, University of Buenos Aires, who created the neckless, extreme x-height, guillotined typeface Holga (2008). [Google] [More]  ⦿

Patricio Luna

Buenos Aires-based designer (b. 1983) of the happy market font Verduleira (2012). Aka Okeyduck.

Dafont link. [Google] [More]  ⦿

Patrimonio

Argentinian designer of a modular Supertipo Veloz style typeface in 2012. [Google] [More]  ⦿

Pau Wegman

During her studies at FADU / UBA, Pau Wegman created the art deco typeface Gorostiaga (2013). [Google] [More]  ⦿

Paula Bustos

Graduate from FADU, University of Buenos Aires, who created the didone display face Anette's Font (2009). [Google] [More]  ⦿

Paula Do Souto

Graduate from FADU, University of Buenos Aires, who created the light Venetian typeface Trovattore (2008). [Google] [More]  ⦿

Paula Fraysse

During her graphic design studies in Buenos Aires, Paula Fraysse created the high-contrast fashion mag typeface Living Thoughts (2014). [Google] [More]  ⦿

Paula Garcia

During her studies in Buenos Aires, Paula garcia created the display typeface Delilain (2014). [Google] [More]  ⦿

Paula Gutierrez

Buenos Aires-based designer. She created the Calendas typeface (slightly Zapfian / calligraphic) in 2012 at Atipo. [Google] [More]  ⦿

Paula Hansen

Buenos Aires-based designer. She created some beautiful typography-based posters such as one for Audi, and two for Nike (2012). [Google] [More]  ⦿

Paula V. Hernandez

Graduate from FADU, University of Buenos Aires, who created the square-serifed typeface Lucky Type (2008). [Google] [More]  ⦿

Pia Montes de Oca

During her graphic design studies at FADU / UBA in Buenos Aires, Pia Montes de Oca created the thin display face Pocafont (2013). [Google] [More]  ⦿

PIBA
[Marina Carminal]

Creative design studio in Buenos Aires founded in 2011 by Marina Carminal. Creators of the decorative caps typeface PIBA (2013). Behance link. [Google] [More]  ⦿

Pieruccioni
[Tipografías!Del.Valle]

[More]  ⦿

Pio Pio
[Cecilia Vizan]

Cecilia Vizan (Buenos Aires, Argentina) set up her own typefoundry, Pio Pio, in 2013. She created the curly script typeface family Carlino (2013, +Ornaments). It comes with blackboard bold caps called Carlino Capitals and can be used for layering. [Google] [MyFonts] [More]  ⦿

Piterosporum

Fontstructor in Argentina who made the hospital face Threelambda (2011). Home page. [Google] [More]  ⦿

Pixietype
[Hugo Perez]

Pixietype are pixel font makers. Their creations are both commercial (Bossa, Waterland, Cabernet, Diapos, Ellus, Factus, Forum, Forum Twist (dings), Lounge, Lucy, Masteri, Mathis, Neuquen, Trippy, Unicraze) and free (Birdy, Birdy no2, Quadrit). The fonts mentioned above were made in 2003 by Hugo Perez. Miguel Hernandez's views on Pixietype and the superpixel font methodology which originated with TiD (Truth in Design) and FFF (fontsforflash). Hugo is a graphic designer in Buenos Aires, who earlier created the great bitmap face Floripa (2003). In 2004, he joined Ultra Pixel Fonts where he published the great pixel faces Atlantis, Bellefield, Bossa, Ellus. Factus, Forum, Lucy, Neuquen small Caps, Unicraze. Myfonts page. Brian Taylor made Dodge and Dodge Text in 2003 at Pixietype. Klingspor link. [Google] [MyFonts] [More]  ⦿

Place (or: We Are Place)

Design studio in Buenos Aires. Their typefaces include the macho semi-stencil face Sudamérica (2011) and the contemporary Inca-inspired beauty called Aymara (2011). Behance link. [Google] [More]  ⦿

Pos2009Grados
[Luis Siquot]

Luis Siquot will teach digital font design in five lectures between 19 and 28 November 2009 at the Universidad Nacional del Litoral in Santa Fe, Argentina. [Google] [More]  ⦿

PPV

During his studies at FADU / UBA in Buenos Aires, PPV created the decorative typeface Balanta (2014). [Google] [More]  ⦿

Proyecto Demo

Proyecto Demo is a collaboration between type designers in Chile and Argentina. The first font released by the project is Clara (2011, Google Font Directory). Clara was designed by Alejandro Paul, Alejandro Lo Celso, Eduardo Manso, Eduardo Tunni, José Scaglione, Pablo Cosgaya, Francisco Galvez, Rodrigo Ramirez, Tono Rojas, Kote Soto, Luciano Vergara and Felipe Caceres, and was coordinated by Cristian Gonzalez Saiz, Daniel Berczeller and Andreu Balius. Clara is a vintage face that mixes a bit of script with a bit of signage. [Google] [More]  ⦿

Pulpa Roja
[Carlos Carpintero]

Carlos Carpintero (Pulpa Roja) is the Buenos Aires-based designer (b. Buenos Aires, 1974) who created Desprecio (2005, dingbats), Death in Bangalore (2003, a dingbat font to appear at Sudtipos), Rolinga Renner Extravaganza (2003, an octagonal display face, free at Sudtipos), Desprecio (2006), the ornmamental face AR Bangalore Vive (2006), El Aparecido (dingbat face at Union Fonts), and Welcome Home Caps (2003, free at Buenos Aires de Diseño). In Buenos Aires, he cooperates with Daniela Boquete Aguiar at RemaDG and teaches design and communication at the University of Buenos Aires. FADU-UBA link. [Google] [More]  ⦿

Q-BO
[Carlos Matteoli]

Q-BO is the foundry of Carlos Matteoli, a type designer, b. 1980, from Santiago del Estero, Argentina.

Old URL. Fontspace link. Dafont link. Home page. Behance link. Klingspor link. His typefaces, both free and commercial:

  • Complex (2012). A heavy slab serif.
  • Djs Symbols (2011). A scanbat font of famous disc jockeys.
  • Q-Bo (2011) is a fat face in which each glyph occupies a perfect square.
  • 2Lines (2011) is a squarish bilined caps face.
  • Equ (2011).
  • Ovnis (2011, a flying saucer dingbat face).
  • Voker (2011, +Rounded: a techno family) and Basica (2011; +Basica 2.0, 2012), Teio (2011), Sistema (2011), Ameba (2011) and Abix (2011) are techno faces.
  • Bim (2011) is an outlined techno face. It was followed in 2012 by Bim Eroded.
  • Hexa (2011) is an experimental hexagonal face.
  • Cable (2011) is an experimental face.
  • Crakos (2011) is slightly grungy.
  • Kram (2011, +Espaciada) is a rounded techno / sci-fi / stencil face.
  • Spac3 (2011, a sci-fi all caps face), Spac3 Halftone (2012), Spac3 Destroyed (2011), Spac3 Neon (2011), and Spac3 Tech (2011, a tech stencil face).
  • Digital (2011), Digital Cognitive (2011) and Digital Tech (2011): semi-pixelized.
  • Bim (2011).
  • Djs Symbols (2012). A scanbat of disc jockeys.
  • Plig (2012) and Plig Nova (2012). An avant garde family.
  • Capital (2012). A squarish all caps typeface.
  • Zuber (2012), Zuber Stone (2012, a heavy chiseled textured typeface), and Zuber Future (2012, a fat counterless octagonal typeface).
  • Orena (2012). A squarish caps-only typeface.
  • Complex (2012). A block-serifed all caps typeface.
  • Plig Nova (2012).
  • Amirox (2012). A fat counterless typeface.
  • Basica Industrial (2012). An industrial grunge face.
  • Zian (2012). A fat rounded sans.
  • Complex Bruja (2012).
  • Voker Baxer (2012).
  • Oxin (2012), Oxin Army (2013, stencil), Oxin War (2013), Oxin Brush (2013).
  • Moiser (2013), Moiser Techno (2013, counterless), and Heavy Moiser (2013). A purely geometric sans.
  • Argentina (2013). A copperplate style caps face, possibly created after a national soccer team lettering style.
  • Rixon (2013). A mechanical octagonal typeface.
  • Gtek (2013). A sci-fi face. Followed by Gtek Brokn (2014) and Gtek Minimal.
  • Xenik (2014).
  • Fiker (2014, squarish sci-fi face) and Fiker Futura (2014).
  • Oki (2014). A blocky outlined typeface.
[Google] [MyFonts] [More]  ⦿

Ramiro Espinoza
[Re-Type]

[MyFonts] [More]  ⦿

Ramiro Lozada

Designer in Villa Allende, Argentina. Creator of the 3d trompe-l'oeuil face Möbius (2010). Behance link. [Google] [More]  ⦿

Ramiro Ozer Ami

Designer at the Argentinian outfit SantoTipo of the hand-printed face Rogamos. [Google] [More]  ⦿

Raquel Willson

During her studies at FADU / UBA in Buenos Aires, Raquel Willson designed the delicate lachrymal high-contrast typeface Drop Script (2013). [Google] [More]  ⦿

Renata Caballin

Graduate from FADU, University of Buenos Aires, who created the Fraktur face Neo Scriptum (2009). [Google] [More]  ⦿

Re-Type
[Ramiro Espinoza]

Argentinian designer Ramiro Espinoza (b. Santa Fe, 1969) dabbled in fonts at his gorgeous (but now defunct) Jazz Futurezone site. His current company is Re-type, where he heads a group of designers including Yomar Augusto, Leo Beukeboom and Ricardo Rousselot. Ramiro graduated from Universidad del Litoral (Santa Fe), and from the Type and Media's KABK (Den Haag) in 2004. He taught typography at the Universidad Nacional del Litoral, Universidad de Buenos Aires and the Escola d'Art i Superior de Disseny in Valencia, Spain. At FontShop International, he was in a team that converted more than 50 font families to OpenType. He freelances occasionally for David Quay's studio. He is currently located in Amsterdam. His typefaces:

  • Mabella (2001), a free font dedicated to the Argentinian feminist activist Mabel Bellucci. It was for some time available at Sudtipos but discontinued there. It is still at Dafont.
  • Bellucci (2008), a commercial redesign of Mabella.
  • The display font Mariabrug (2002). This too is no longer available--it was redesigned and marketed as Kurversbrug, one of the ReType's fonts. Kurversbrug (2007) is a revival of the famous letters appearing on Amsterdam's bridges: the letters were probably designed by Anton Kurvers (b. Den Haag, 23 July 1889; d. Amsterdam, 29 January 1940).
  • At Union Fonts: Lula (2002-2003).
  • Maitena (2003), a free font based on the hand of an Argentinian comic artist, Maitena Burundarena.
  • Lavigne (2004-2010): Lavigne Display is the first release of a type-family aimed at publications such as interior design and women magazines-anywhere a touch of distinction is to be desired. Lavigne Display won an award at TDC2 2010. Lavigne Display and Lavigne Text (a modern serif family) were both winners at Tipos Latinos 2010.
  • Tomate (2008) is a brush lettering / signage script font influenced by Goudy Heavyface Italic. It won an award at Tipos Latinos 2010.
  • Barbieri (2009) is a signage face.
  • Work on Severino (2004) has been abandoned.
  • Smidswater Italics (2009): Smidswater is a Dutch graphic design studio with offices in The Hague and Breda. They had a corporate font (designed by Paulus Nabbe and Onno Bevoort) but wanted to expand the package adding italics and light weights. Ramiro Espinoza was commissioned for this and now Smidswater Font is a complete set extensively used in the studio's indentity.
  • Bath (2010-2011) is a Dutch typeface developed with David Quay for the signage and orientation in the city of Bath.
  • Winco (2012) is a glyphic (flared, incise) type family created from scratch. Espinoza mentions Arpke Antiqua and Globus Cursive as indirect influences on his new type family. It won an award at Tipos Latinos 2012.
  • Krul (2012) is an interpretation of the Amsterdamse Krulletter style of calligraphic signage. This was presented at ATypI 2013 in Amsterdam. A book entitled Amsterdamse Krulletter by Rob Becker and Ramiro Espinoza will be published by Lecturis.nl in 2014.
  • Dulcinea (2012), a chancery / penmanship typeface. He writes: Dulcinea looks at Spanish Baroque calligraphy's most extreme tendencies, and especially at some of those produced by the writing masters Pedro Diaz Morante and Juan Claudio Aznar de Polanco. These 17th and 18th century alphabets with their plentiful calligraphic flourishes represented a marked break with the harmonic and angular Renaissance Cancellaresca style. It was Morante who first introduced and popularized the use of the pointed quill in Spain, and although his famous text entitled Arte Nueva de escribir(first volume published in 1616) contains alphabets that have much in common with traditional broad nib Cancellaresca calligraphy, most of the examples therein are outgrowths of the new models put forward by the Italian master Gianfrancesco Cresci. The swashes are complex and intricate, but at the same time they feature a profusion of defects. Many of them sometimes come close to ugliness. However, these pages contain an artistic essence that bears a relationship to the ironic and sometimes somber character of Spanish Baroque.
  • Medusa (2013) is a delicate copperplate penmanship script based upon renowned master Ramón Stirling. Helped in the type production by Paula Mastrangelo, Ramiro looked very carefully at the original manner in which glyphs connected. This typeface will win awards. Well, I wrote the previous sentence on the day I first saw Medusa. In January 2014, I learned that it had won a TDC award. In March 2014, it won an award at Tipos Latinos 2014.
  • Laski Slab, codesigned with Paula Mastrangelo, won an award at Tipos Latinos 2014. It is based on Paula's thesis work in 2012.

MyFonts interview in 2012.

Klingspor link. Fontspace link. Dafont link. Behance link. [Google] [MyFonts] [More]  ⦿

Ricardo Caminos

Buenos Aires-based designer of an untitled ultra-condensed typeface in 2014. [Google] [More]  ⦿

Ricardo Crespo

Argentinian designer with Roberto Fernandez of Predec, Chill Out, Ano 84 (1993), Acustic Font (1995), Air Bag (1995), Baldosa, Bad Taste (1992), Casla Font (1995), Bitmapon Font (1994), Egolatra (1993), Gen Font (1994), Indy Car Font (1993), Galactic Groove Font (1995, for Startrek style work), Klee Font (1992), Metropolis (1996), Literal Font (1999), Overexpose Font (1994), People Font (1993), Pencil Font (1992), Raver (1998), Que Te Pasa (1993), and Tecno Funk Font (1993). [Google] [More]  ⦿

Ricardo Kim

Graduate from FADU, University of Buenos Aires, who created the typeface Techi (2010). Behance link. [Google] [More]  ⦿

Ricardo Victor Rousselot Schmitt
[Edy Type]

[MyFonts] [More]  ⦿

Rin Craig

Argentinian designer (b. 1994) of Churli Cute (2010). Devian Tart link. Dafont link. [Google] [More]  ⦿

Ringo Romei

Ringo Romei (Romei Seeber) is a Buenos Aires-based designer who graduated from UBA. Creator of the free wb font Petrona (2011, Google Font Directory).

At Tipos Latinos 2012, Petrona won an award in the text category. [Google] [More]  ⦿

Rob Annoni

Buenos Aires-based designer of Elclip (2013), a basic monoline sans family. [Google] [More]  ⦿

Roberto Fernandez

Argentinian designer with Ricardo Crespo of Predec, Chill Out, Air Bag (1995), Ano 84 (1993), Bad Taste (1992), Acustic Font (1995), Baldosa, Bitmapon Font (1994), Casla Font (1995), Egolatra (1993), Gen Font (1994), Galactic Groove Font (1995, for Startrek style work), Indy Car Font (1993), Klee Font (1992), Literal Font (1999), Metropolis (1996), Pencil Font (1992), Overexpose Font (1994), People Font (1993), Raver (1998), Que Te Pasa (1993), and Tecno Funk Font (1993). [Google] [More]  ⦿

Roberto Forte

Río Negro, Argentina-based designer of the sans serif titling face Sur. [Google] [More]  ⦿

Rocchy Benitez

Designer in Buenos Aires (b. 1997) of Rocchy's Handwriting. [Google] [More]  ⦿

Rochi Rukia Vignolles

Graphic designer in Buenos Aires who created the open face typeface Just Married (2014), which is based on Bodoni MT. [Google] [More]  ⦿

Rocio Amura

In Diego Pérez Lozano's class at the Universidad de Palermo in Buenos Aires, Rocio Amura designed the lively curly calligraphic script typeface Ruperta (2013). [Google] [More]  ⦿

Rocio Ayala

During her studies at the University of Buenos Aires, Rocio Ayala created the grungy typeface Broken Down (2014) and the learned logotype Breviario (2014). [Google] [More]  ⦿

Rocio Cueto

Graduate from FADU, University of Buenos Aires, who created the typeface Alfonsina (2010). [Google] [More]  ⦿

Rocio Ruiz

Graduate from FADU, University of Buenos Aires, who created the text typeface Damajuana (2008). [Google] [More]  ⦿

Rodier Kid

Argentinian graphic designer (b. 1985) who hails from Cordoba. He made the art deco family Urban Two (2006). Alternate URL. No downloads. [Google] [More]  ⦿

Rodrigo Fuenzalida

Graphic and type designer in Caracas, Venezuela, b. 1981, who moved to Buenos Aires. While mainly a type designer, he also practices calligraphy. He created these faces:

Klingspor link. Abstract Fonts link. Behance link. Kernest link. YWFT link. MyFonts link. Dafont link. [Google] [MyFonts] [More]  ⦿

Rodrigo Navarro

Buenos Aires-based designer of Wevo (an interpolation between Clarity Serif Heavy and VAG Rounded). [Google] [More]  ⦿

Rodrigo Ortiz

Buenos Aires-based designer of the trumpet-themed display typeface Trumpet Note (2013). [Google] [MyFonts] [More]  ⦿

Rodrigo Oturakdjian

Graduate from FADU, University of Buenos Aires, who created the pleasingly plump poster face Zerdai (2009). [Google] [More]  ⦿

Romina Chamorro

Argentinian graphic designer, b. 1981, located in Buenos Aires. Creator of the hand-printed typefaces Escuela (2008) and Capsies (2008). Dafont link. [Google] [More]  ⦿

Romina Ideses

Student at FADU UBA (Buenos Aires). She created a hyper-ornamented Western style caps typeface in 2012 called Abecedario or Kinsty. [Google] [More]  ⦿

Romina Ryan

Graphic designer in Buenos Aires who created the stylish typeface Abecedario (2014). Behance link. [Google] [More]  ⦿

Rosario Gonzalez

During her studies at Universidad Argentina de la Empresa (UADE), Rosario Gonzalez (Buenos Aires, Argentina) created Tron (2013), a techno typeface inspired by electronic music. [Google] [More]  ⦿

Rubén Fontana

Argentinian type designer (b. 1942, Buenos Aires) who introduced typography in the graphic design program at the University of Buenos Aires, where he taught until 1997. Editor of the magazine tipoGráfica, for which he designed the font FontanaND (1998-2002), which won an award at the TDC2 2003 competition. Creator of the serif text family Aura (2003). Designer of La Nación (2001) for the newspaper by that name. Creator of Andralis (2001-2004, Neufville).

He runs Fontana Diseño in Buenos Aires, and is the author of Pensamiento Tipográfico (2003). Biography.

In 2007, he published the organic sans family Chaco Señal, which won an award at Tipos Latinos 2008 in the extensive text family category.

In 2008, Chaco waspublished.

In 2010, he created the multi-style news headline family Palestina. Palestina was published by Tipo.

In 2012, Fontana created the humanist sans family Distefano Sans and the accompanying Distefano Slab. It was named after one of Argentina's most notable graphic designers. [Google] [More]  ⦿

Ruben Fontana
[Fontana Diseño]

[More]  ⦿

Ruth Miller

Graduate from FADU, University of Buenos Aires, who created the quaint condensed typeface Good Folks (2008). [Google] [More]  ⦿

Sabrina Bortoloso

Designer in Buenos Aires. In Pablo Cosgaya's course at UBA, she created the high-contrast dodone-inspired fashion mag typeface Viphnori (2012). [Google] [More]  ⦿

Sabrina De Mestre

Graduate from FADU, University of Buenos Aires, who created the semi-calligraphic typeface Lashing Candy (2009). [Google] [More]  ⦿

Sabrina Mariela Lopez
[Typesenses]

[MyFonts] [More]  ⦿

Sabrina Montaño

During her studies at FADU / UBA, Sabrina Montaño designed an all caps sans titling typeface (2013). [Google] [More]  ⦿

Sabrina Novaro

Sabrina Novaro (Buenos Aires) and Antonella morelli (Buenos Aires) codesigned the hand-drawn poster typeface Lunga in 2014. Behance link. [Google] [More]  ⦿

Sabrina Vono

During her studies in Buenos Aires, Sabrina Vono created the grungy typeface Fuck Logic (2012). [Google] [More]  ⦿

Sampa Diaz

Designer in Buenos Aires who created an unnamed hand-drawn typeface in 2013. [Google] [More]  ⦿

Santiago Adur

Graduate from FADU, University of Buenos Aires, who created the typeface Etile (2010). [Google] [More]  ⦿

Santiago Ariel Tondo

Buenos Aires-based graphic designer who created the octagonal typeface Kafie (2013). [Google] [More]  ⦿

Santiago Boixader

Buenos Aires-based designer of an untitled blackletter typeface in 2014. [Google] [More]  ⦿

Santiago Espino

Buenos Aires-based designer of an untitled counterless experimental typeface in 2014. [Google] [More]  ⦿

Santiago Fuentes Bo

Design student at the University of Buenos Aires, who created Magela (2003) and the sans font Grillo (2003). He also made the sans face Revista (2004). [Google] [More]  ⦿

Santiago Lucas

During his studies at Instituto Visión Tecnológica de Santa Rosa in La Pampa Argentina, Santiago Lucas created the triangle-based experimental typeface Trial (2013). Behance link. [Google] [More]  ⦿

Santiago Rimoldi

Santiago Rimoldi (Cordoba, Argentina) created the organic typeface Freppy in 2013 during his graphic design studies. [Google] [More]  ⦿

Santiago Roldan

Graphic design student at UBA in Buenos Aires in 2013. His typeface Blueprint (2013) has its roots in drafting and architectural design. [Google] [More]  ⦿

Santiago Romano

Santiago Romano (Buenos Aires) created a script typeface called Le Petit Prince in 2011. [Google] [More]  ⦿

SantoTipo
[Claudio Pousada]

Argentinian outfit originally headed by Claudio Pousada and Mauro Oliver [who has since left]. Fonts include Pollochorizo (Paola Ciotti), Los fierros (Quique Ollervides Uribe), Luchita Payol (Quique Ollervides Uribe), América (El Sebra), Sapucai Picada (Paco Aguayo), Zamora Exquisita (Oscar Reyes), Rogamos (Ramiro Ozer Ami), HebraCaps (El Sebra), Mofles (Paco Aguayo), Tequila Heights (Oscar Borrego). English version. Dafont link. SantoTipo's experiment is open to anyone and runs in two phases: the first one requires a surveyor/photographer who discovers a design; the second involves the creation of a typeface or typographic object from the discovery. If you want ideas for fonts, just look at these pictures! CV at Sudtipos, where he is one of about five designers. His first creations there include Titanes (comic book face) and the Icons-of-Icons dingbat series (SL Cortazar, SL Borges, SL Evita, SL Fangio, SL Gardel), which were done at SinergiaLab, which Claudio founded earlier (note that the artists seem to be different though, and he merely assumed, I think, the artistic direction). He has worked mainly in design for television, and was Director de Arte at "Multimedios América" in Buenos Aires for about ten years. [Google] [More]  ⦿

Sebastiá Motta

Sebastiá Motta's graduation typeface in 2012 at FADU UBA (University of Buenos Aires) is called Aula---a scriptish sans. [Google] [More]  ⦿

Sebastián Barraud

Graduate from FADU, University of Buenos Aires, who created the semi-blackletter typeface Blackheart Inertia (2009).

Dafont link. [Google] [More]  ⦿

Sebastián Fucks

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface FedDartype (2009). Yes, that is his real name. [Google] [More]  ⦿

Sebastián Gagin

Graphic designer and illustrator in Buenos Aires (b. 1985, Buenos Aires). In 2009, he experimented with mechanical letters in Mech Type.

In 2011, he made the nearly-blackletter face Güten Tag (which was started in 2006), and the rounded sans face Seattle.

At Tipos Latinos 2012, Sebastián Gagin won an award in the display type category for Kiwi Extendida, which was inspired by the blackboard signs found in grocery stores around Buenos Aires.

In 2012, he created the connected upright Lara Script, and the beautiful monoline rounded sans face Seattle (which was inspired by Bauhaus). He created a number of vernacular typefaces for the Masticar food fair in Buenos Aires in 2012.

Behance link. Another Behance link. [Google] [More]  ⦿

Sebastián Garbrecht

Graduate from FADU, University of Buenos Aires, who created the fat didone typeface Botero (2009). [Google] [More]  ⦿

Sebastián Regalado López

Designer of Mate Amargo (2010) at Tipos del Oeste, a foundry in San Juan de la Frontera, Argentina, run by Alfonso Garcia. [Google] [More]  ⦿

Sebastián Vivarelli

Web and graphic designer in Buenos Aires who created the experimental typeface Organica in 2014. [Google] [More]  ⦿

Sebastian Antonucci

Flores, Argentina-based designer of some untitled hand-drawn typefaces in 2014. [Google] [More]  ⦿

Sebastian Diana

Based in Buenos Aires, Sebastian Diana created the thin display typeface Blue Rider (2013) during his studies at FADU / UBA. [Google] [More]  ⦿

Sebastian Iratcabal

Designer in Buenos Aires who created Averinis (2013). [Google] [More]  ⦿

Sebastian Menendez

Argentinian designer of the urban graffiti typeface Sudaca. [Google] [More]  ⦿

Sebastian Perez

Designer in Buenos Aires. During his studies, he created Zirletter (2012), an ornamental Victorian typeface (2012). [Google] [More]  ⦿

Sebastian Popritkin

Buenos Aires-based designer of the art deco typeface Raquel Lea (2012), which was inspired by the art deco work of Francisco Salamone.

Behance link. [Google] [More]  ⦿

Sebastian Sanchez

Graduate from FADU, University of Buenos Aires, who created the typeface Girak (2010). Behance link. [Google] [More]  ⦿

Sebastian Scaglione

Graphic designer in Buenos Aires, who created an experimental geometric typeface in 2014. [Google] [More]  ⦿

Sebastian Seidler

Sebastian is the Argentinian designer of OpusPix (2007), letters with hairline swashes. Dafont link. He resides in Quilmes. Type blog. [Google] [More]  ⦿

Sebastian Vigil

Buenos Aires-based designer of the stylish curly headline typeface Modocha (2013).

Behance link. [Google] [More]  ⦿

Sil Sgromo

Sil Sgromo (Quilmes, Argentina) created the wedge serif typeface Rufiana in 2011. [Google] [More]  ⦿

Silvana Lopéz Devito

Graduate from FADU, University of Buenos Aires, who created the typeface Slender (2010). [Google] [More]  ⦿

Silvia Cordero Vega

Extraordinarily talented Argentinian calligrapher, b. Buenos Aires. She graduated from the Facultad de Arquitectura, Diseño y Urbanismo de la Universidad de Buenos Aires in 1988. She teaches and gives talks about calligraphy. Her Flickr page. Behance link. She drew some wonderful calligraphic alphabets such as Polilla (2011), Estaciones (2011), Alfabeto (2007), Alfabeto Organico (2011), Calligraphic Alphabet (2008), Cola Pen (2011), and Letra de Mascar (2011). I also like the lettering in her Erotica project (2007), Gothic Tango Slang poster (2008), Papelera Palermo poster (2009) and Amigo poster (2008). [Google] [More]  ⦿

Silvia H. González

Argentinian professor of typography at Universidad de Buenos Aires (FADU/UBA) and at Universidad Nacional del Litoral (FADU/UNL). [Google] [More]  ⦿

Sinergia Lab

Foundry in Argentina created by Claudio Pousada, with resident font technician Clara Luzian. These designs are all available from Sudtipos: SL Titanes (2003, Claudio Pousada), SLBorges (2003, Augusto Costhanzo), SLChe (2003, Jorge Alderete), SLCortazar (2003, Facundo Nicolas Velilla), SLGardel (2003, Natalia Espanol). [Google] [More]  ⦿

SinergiaLab

SinergiaLab and Sudtipos in Argentina together published the connected script So Prolix (2006). [Google] [MyFonts] [More]  ⦿

Siquot Design
[Luis Siquot]

Luis Siquot (b. 1945) studied architecture and modern letters in Cordoba, Argentina, and graduated in 1975 from the Department of Visual Communication, Higher School of Arts, University of Hamburg. He currently specializes in typographic design, and lives and works in Córdoba, Argentina. Luis Siquot runs the graphic and logo design company "siquot'design" in Argentina. Talk at t-convoca. Interview in 2003 by Icograda. 2011 wishes. Klingspor link. FontShop link. His fonts:

  • ITC Cali (2002). A fantastic calligraphic script font.
  • ITC Arecibo (2002).
  • ITC Abaton (1997).
  • ITC Florinda (1997). Inspired by Rob Roy Kelly's American Wood Type: 1828-1900.
  • ITC Juanita Condensed (1996), ITC Juanita Deco (1996), the very very beautiful ITC Juanita (1996), ITC Juanita Lino (1996), ITC Juanita Xilo Condensed (1996), ITC Juanita Xilo (1996).
  • ITC Portago (1997). A great stencil font.
  • He is working on the extensive family called Arquetipo Sans and Arquetipo Serif.
  • Also in the works is a multiple master and OpenType font, Siquot Antigua.
  • His early work includes Doble (1972, a two-line font), Unilinea (1969-1970, a unicase monoline and monospace family), and Cuadrata (1967, all letters of the same square dimensions as for Japanese kanji).

View Luis Siquot's typefaces. [Google] [MyFonts] [More]  ⦿

Skater Punkd

San Andres de Giles (Buenos Aires)-based designer (b. 1988) of Avril Lavigne (2006), a grunge stencil face. [Google] [More]  ⦿

Sofia Drogoudi

Athens, Greece-based designer of the display typeface Solar System (2013) and the curly typeface Slide (2013). [Google] [More]  ⦿

Sofia Noceti

Graphic designer and illustrator in Buenos Aires. Creator of a decorative alphabet for Piba Co (2014). Behance link. [Google] [More]  ⦿

Sofia Stead

During her studies at FADU UBA in Buenos Aires, Sofia Stead created an unnamed multiline typeface (2013). [Google] [More]  ⦿

Sofía Arhancet

Graduate from FADU, University of Buenos Aires, who created the ultra-condensed didone typeface Joker (2010).

FADU UBA link. [Google] [More]  ⦿

Sohokid

Argentinian designer of Ginebra Bolds (2007), an exaggerated didone display face. [Google] [More]  ⦿

Sol Matas
[Huerta Tipográfica]

[More]  ⦿

Sol Matas

Argentinian type designer. Award winner at Tipos Latinos 2010 for her caps only text face Parque Chas (done with Juan Pablo del Peral), created for maps and information design.

At Huerta Tipográfica [an Argentinian type foundry and coop that unites Juan Pablo Del Peral, Carolina Giovagnoli, Sol Matas and Andrés Torresi], she published Bitter HT (2011, a contemporary slab serif) and Parque Chas HT. Bitter is free at Google Web Fonts. It won an award at Tipos Latinos 2012. Also, Bitter HT was Sol's graduation typeface at FADU-UBA.

Fontspace link. [Google] [More]  ⦿

Solana Nader

During her studoes at FADU / UBA in 2013, Solana Nader (Buenos Aires) designed the decorative ultra-fat piano key typeface Abd2. [Google] [More]  ⦿

Soledad Degl'Innocenti

Graphic designer in Buenos Aires who created the lovely Chambéry typeface in 2012. In 2013, she pubished the Latin / Greek / Cyrillic text typeface Archigram, which was designed for architecture manuals. [Google] [More]  ⦿

Soledad Garcia Rodriguez

Graduate from FADU, University of Buenos Aires, who created the typeface Kilogramica (2010), a fat didone display face. [Google] [More]  ⦿

Soytutype
[Mariela Monsalve]

Maria (or Mariela) Monsalve (Soytutype) is located in Argentina. Creator of the free Google Web Fonts font Oleo Script (2012), a flowing non-connected retro script typeface. It was followed in 2012 by Oleo Script Small Caps.

In 2013, Soytutype created Asul (2011: a flared sans) and Ruda (2012, Google Web Fonts; a sans face done with Angelina Sanchez).

Google Plus link. Fontspace link. Another Google Plus link. [Google] [More]  ⦿

Stefania Orsini

Fefa Orsini graduated from FADU, University of Buenos Aires. She created the typeface Isolda (2010). [Google] [More]  ⦿

Stefano Brizzio

Graphic designer / illustrator in Cordoba, Argentina, who created the wavy typeface Curve (2014) and the decorative circuit and circus-inspired caps typeface Circus (2014). [Google] [More]  ⦿

Stephanie Berduo

Buenos Aires-based designer of the experimental typeface Robber (2014), which interpolates between Bodoni and Futura. [Google] [More]  ⦿

Sudtipos
[Alejandro Paul]

Alejandro Paul's Argentinian foundry is called Sudtipos. Veer writes about Paul: Alejandro Paul is one of the founders of the Sudtipos project, the first Argentinian type foundry collective. He taught graphic design and typography at the Universidad de Buenos Aires from 1996 until 2004 and has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone and Movicom. He has walked away with awards from several design competitions. In 2003, he began working with artist Angel Koziupa, designing fonts and lettering for several top packaging agencies. In 2006 he was a speaker at TMDG06, the largest Latin American graphic design event - more than 4,000 designers were in attendance. His work has been featured in publications around the globe, including Step and Creative Review. He has walked away with awards from numerous design competitions. He has received two Type Directors Club TDC2 awards, in 2008 for Burgues Script and in 2009 for Adios Script. He teaches a postgraduate typography program at the University of Buenos Aires, where he previously taught graphic design.

Sudtipos has made a reputation as the place to go to for script and signage type.

Faces include Brownstone Sans (2010), Brownstone Slab (2013), Politica (2008, an architectural lettering superfamily), Domingo (by Ariel Garófalo), Plumero (connected handwriting font by Diego Giaccone, which is also in the Umbrella Type collection at Veer), Murga (display font by Alejandro Paul based on lettering of Angel Koziupa, 2003), and these faces by Alejandro Paul: Tierra, Latinaires, Reflex (unicase), Downtempo, and Stardust. Free fonts: Mosaico (2003, pixel face by Alejandro Paul), Mabella (2001, Ramiro Espinoza), Rolinga (Carlos Carpintero). Divina (2004) is a Latinized digitization of Kurrent (designed by Rudolph Koch in 1927 and cut in 1935). Myfonts link. Pictures of their fonts in use. YouWorkForThem link. Blog / Facebook group.

Additions in 2010: Business Penmanship (which is based on models of American business education penmanship, ca. 1900). Poem Script is another Spencerian face---it won an award at TDC2 2011 and at Tipos Latinos 2012.

Fonts from 2011: Calgary Script (brush signage face), Viento (a lively version of Brisa, 2004, another font done with Angel Koziupa), Semilla (2011, a retro script).

Fonts from 2012 include the angular pair Bayoneta Pro and Machete Pro, both codesigned by Alejandro Paul and Angel Koziupa. Platinus Script Pro (done with Angel Koziupa) is a wedding font.

His Hipster Script won an award in the TDC 2012 competition and at Tipos Latinos 2012.

In 2013, he created Seashore Script (described as a feminine script, it has horizontal stress and is backslanted; some may consider it an Arabic simulation typeface).

At Tipos Latinos 2014, Alejandro Paul cleaned, winning awards for Bellissima script, seashore Script, Auberge, and Bayoneta.

Typefaces from 2014: Jugo Script (a supermarket script, done with Angel Koziupa), Courtesy Script (a connected Zanerian script based on a model from 1876).

Klingspor link.

View Alejandro Paul's typefaces. [Google] [MyFonts] [More]  ⦿

Sumotype Foundry
[Oscar Guerrero Cañizares]

Born in 1981, Oscar Guerrero lives in Pasto, Narino, in the southwest of Colombia. His graduation work in 2012 at FADU UBA (University of Buenos Aires) is the Venetian text typeface Epica.

In 2014, he set up Sumotype Foundry in Bogota, Colombia. The Sumotype fonts include Proyecta (2014: a great wedge-serifed ultra-fat stencil typeface), Septima (2014, sans family for urban signage), Epica (2014 release: this typeface won an award at Tipos Latinos 2014), Farma (2014, a roundish headline sans), Republica del Diseño (2014, stencil), Moira (2014).

Behance link. [Google] [More]  ⦿

Susana Mabel Cecilia Maurette
[Del Alma]

[MyFonts] [More]  ⦿

Tamara Mosettig

Buenos Aires-based designer of the decorative didone typeface Juclis (2013), a school project at FADU / UBA. [Google] [More]  ⦿

Tania Chacana

Or Tania Maria, or Tania Bekke. Tania grew up in Santiago (Chile), and graduated in 2012 from the type design program at FADU UBA (University of Buenos Aires). Her graduation work in 2012 at FADU-UBA is the serifed text family Mila. [Google] [More]  ⦿

Tano Veron

Buenos Aires-based creator of the children's hand font Nicolina (2012) and of the techno face Hifix (2012).

Zephyr (2013) is a striped ornamental caps typeface. In the ornamental caps style, Tano also made Las Mejores Cosas De La Vida No Son Cosas (2013).

Boxing (2013) is a condensed sans headline face.

In 2014, he made the free multicolored vector format typeface mondrian, which is named after De Stijl artist Piet Mondrain.

Behance link. [Google] [More]  ⦿

Tatiana L

During her studies at FADU / UBA in Buenos Aires, Tatiana L designed a condensed didone display typeface called Montag (2013).

Behance link. [Google] [More]  ⦿

t-convoca

Active type group in Argentina. Type calendar. [Google] [More]  ⦿

The Tengwar of Fëanor
[Enrique Mombello]

Enrique Mombello is the Argentinian designer of the Tengwar Elfica fonts (2003). [Google] [More]  ⦿

Tina Brüel

Copenhagen, Denmark-based designer of a hairline avant garde typeface in 2014. [Google] [More]  ⦿

Tipitos Argentinos
[Aldo de Losa]

Tipitos Argentinos is Aldo de Losa's foundry in Argentina. He created Goudald Serif (1996-1999) based on Goudy's work. It was published in 2006 at Tipo. He also designed Matutina Serif (2005).

At Tipos Latinos 2012, Aldo de Losa won an award in the display type category for Papusa Ultra. Pituca Rounded won an award at Tipos Latinos 2014.

Aka Aldus de Losa. [Google] [More]  ⦿

Tipo
[Darío Manuel Muhafara]

Argentinian foundry, est. 2006 by Darío Manuel Muhafara and Eduardo Rodriguez Tunni, located in Buenos Aires. Muhafara gave two presentations at ATypI 2009 in Mexico City. Back in Buenos Aires, he runs two restaurants, and one wonders how he has the time for anything.

Klingspor link. Linotype link. FontShop link. MyFonts link. Behance link.

Text types: Botija (Juan Montoreano, 2006: a 7-style sans family), Goudald (Aldus de Losa, 2006), Lineare Serif (9 styles serif face by Eduardo Tunni, 2006), Malena (a slab serif family by Felix Lentino and Darío M. Muhafara, 2006), Prima Sans (a sans face by Ariel Katena and Alejandro Lazos, 2006), Priscilla (Felix Lentino, 2000: a serif family), Overlock (2008, a rounded sans by Muhafara), Rosario (2000: a clean sans family by Pocho Gatti), Loreto (2009, by Eduardo Tunni and Pablo Cosgaya).

Display/headline type: Overlock (Darío M. Muhafara, 2006, a sans family), Titulata (a fat face by Eduardo Tunni, 2006), Chaco (Ruben Fontana, 2008). Basile (a great chancery family, extended to a full OTF family with Swash and XSwash, and beginning and end glyphs in 2011), Average, Chaco and Think won awards at Tipos Latinos 2008. FF Jackie (2003-2009) is a connected upright signage script.

Lassi Display (done with Eduardo Tunni) won an award at Tipos Latinos 2010. Balthazar (2011, Google Web Fonts) is a contemporary Copperplate Gothic serif typeface inspired by the kind of typefaces used by many bistros and cafes in New York City and Paris.

Creations in 2012: Port Lligat Slab (2012, Google Web Fonts), Port Lligat Sans (2012, Google Web Fonts: a flared microserifed display sans).

In 2013, they designed a custom font for the Faena Art Center in Buenos Aires.

His typeface Argentina won an award at Tipos Latinos 2014.

View Dario Muhafara's typefaces. [Google] [MyFonts] [More]  ⦿

tipoGráfica

Argentinian magazine on type and graphic design edited by Rubén Fontana. [Google] [More]  ⦿

tipoGráfica buenosAires

Meeting in Buenos Aires in 2001 to celebrate the 15th anniversary of the magazine tipoGráfica. An extraordinary delegate report by Rubén Fontana was published at ATypI. I cite things I will be quoting for the rest of: In Latin America, we propose to socialise this vast, historic fund of knowledge, by means of an approach to variations of what we know and by learning through the discovery of that which we do not know. Like air, like water, the knowledge itself, like ideas, typography is a social asset that provides people with equal opportunities. A veritable universal heritage. [...] Seven hundred people attended the three-day sessions of tipoGráfica buenosAires, typography for real life. Many travelled from the interior of Argentina, while others arrived from Chile, Colombia, Cuba, Honduras, Mexico, Paraguay, Uruguay and other Latin American countries. [...] Typography must perforce be available to everyone since it is an ingredient inherent to communication. [Google] [More]  ⦿

Tipografía Venancio
[Carlos Venancio]

Carlos Venancio (Tipografía Venancio) is an Argentinian professor of the use of typography in design. [Google] [More]  ⦿

Tipografías!Del.Valle
[Pieruccioni]

Tipografías!Del.Valle are the designers of the interesting font Sans Piru 2000 (2000). The font creator is possibly Pieruccioni from Argentina. [Google] [More]  ⦿

Tipograficos
[Matias D'Alessandro]

Tipograficos is the Argentinian site of a group of friend that graduated from UNLP. One of the participants is Matias d'Alessandro, who designed the free handwriting font MT Matto Script (2005). [Google] [More]  ⦿

Tiponautas

Type design collective founded in 2011 by Luis Alonso (Barcelona), Ricardo Santos (Lisbon) and Charlie Zinno (Buenos Aires).

Ricardo Santos and Luis Alonso codesigned designed the techno sans families Lab Slab Pro (2011) and Lab Sans Pro (2011).

In 2012, Ricardo Santos published the great and large garalde family Tramuntana Pro (which has optical corrections), accompanied by Tramuntana Dingbats (a set of beautiful arrows).

Behance link. [Google] [MyFonts] [More]  ⦿

Tipos del Oeste
[Alfonso García]

Foundry in San Juan de la Frontera, Argentina, run by Alfonso García. Their fonts: Tectura (blackletter), Iris (a serif face), Fonzo Sans (2010), Arida (2004; image). Mate Amargo is by Sebastián Regalado López. Dom has gothic cathedral themes and curves, and was designed by "Panda".

At Tipos Latinos 2012, Alfonso García and Deiverson Ribeiro won an award for their text face Bueh Medium.

In 2013, he published his book face Faustino, which is based on his graduation project.

Behance link. Another Behance link. [Google] [More]  ⦿

Tipos en red
[Ana Dorado]

Catalan/Spanish typography and type design blog and information site. At Behance, Ana is listed under Buenos Aires, Argentina. The motor behind Tipos en Red is Ana Dorado, a talented letterer, calligrapher and typographer.

Behance link. [Google] [More]  ⦿

Tipos Latinos Argentina

Tipos Latinos Argentina, as of 2010: Carlos Carpintero, Miguel Catopodis, Pablo Cosgaya, Fernanda Cozzi, Sebastián Della Giustina, Lorena Ensinas, Natalia Fernández, Fernando Fraenza, Fortunato Galizzi, Héctor Gatti, Patricio Gatti, Horacio Gorodischer, Guillermo Hennekens, Regina Kuchen, Alejandro Lo Celso, Eduardo Manso, Romina Massari, Nicolás Massi, Eliana Mercuri, César Mordacci, Darío Muhafara, Betina Naab, Mariana Pariani, Alejandro Paul, Alejandra Perié, Virginia Pujol, María Eugenia Roballos, Sergio Rodríguez, Vanina Rodríguez, Marcela Romero, José Scaglione, Eduardo Tunni, Maximiliano Vittor. [Google] [More]  ⦿

Tomás García Ferrari
[Tomás García Ferrari's FUSELAB Font Dr.Mr.]

[More]  ⦿

Tomás García Ferrari's FUSELAB Font Dr.Mr.
[Tomás García Ferrari]

Experimental font (absolutely fantastic in my view) by Buenos Aires-based Ferrari. Made for FUSE95. Another great Broadway-style font is Gordita. In ExVetica, he played around with Helvetica-Bold and transformed it. He teaches type design at FADU, University of Buenos Aires (UBA). [Google] [More]  ⦿

Tomas Rafael Palazzo

Graduate from FADU, University of Buenos Aires, who created the typeface Tomp Regular (2010). [Google] [More]  ⦿

tpg | tipoGráfica

From November 14-16, 2001, in Buenos Aires, a type meeting featuring Erik Spiekermann, Rubén Fontana, André Gürtler, Diego Giacone, Alejandro Lo Celso, Matthew Carter, Guillermo Stein, Jorge Frascara, Luc(as) de Groot, Rosemary Sassoon, Ernesto Rinaldi, Mesa Redonda, Zalma Jalluf and Pablo Cosgaya. [Google] [More]  ⦿

typ
[Ariel Garófalo]

Ariel Garófalo's Buenos Aires-based type and graphic design studio. Garófalo created the commercial faces Domingo (2002), Domingo Alternates (2002). [Google] [More]  ⦿

Type Together
[Veronika Burian]

Foundry est. in 2005 by Veronika Burian (Czechia) and José Scaglione (Argentina). TypeTogether's library of retail fonts includes

  • Karmina (Veronika Burian / José Scaglione, a text typeface for newspapers, winner of the ED Awards) and Karmina Sans (12 styles). Award winner at Tipos Latinos 2010. Karmina, Bree and Ronnia were selected as part of the travelling exhibition Tipos Latinos 2008.
  • Athelas (José Scaglione / Veronika Burian, 2008, a calm and balanced 4-style book type family, winner of the first prize at the Granshan 2008 competetion).
  • Ronnia (Veronika Burian / José Scaglione, a flexible sans serif for editorial use with 28 styles).
  • Maiola (an award-winning calligraphic serif family by Burian).
  • Crete (Veronika Burian, 2007, inspired by lettering in a chapel in Crete, winner of the Gransham 2008 competition; ideal for posters). Followed by Crete Round (2011).
  • Bree (Veronika Burian / José Scaglione, 2008). A 10-style upright italic with a matchting oblique for display usage.
  • Adelle Sans. A 12-style slab serif family made in 2009. Award winner at Tipos Latinos 2010. Adelle Condensed followed in 2013.
  • Abril (2010) is a didone font family engineered mainly for newspapers and magazines that features friendly and elegant styles for headlines and robust and economic styles for text. It won an award at Tipos Latinos 2012. Abril Fatface is free at Google Font Directory. Abril Titling was published in 2013-2014.
  • Jockey One (2011) is a free sans face at Google Font Directory.
  • Birdy (2011). A free angular inline face by Veronika Burian.
  • Fonts by third party designers: Cora (by Bart Blubaugh), Alizé (2009, by Tom Grace) and Givry (by Tom Grace), Iskra (2012, by Tom Grace; not to be confused with Iskra by Edgar Reyes, 2009), Gitter (a modular type with letters built up of triangles).
  • Tablet Gothic (2012). A joint design of Veronika Burian and José Scaglione, it is a grotesque meant for titling. Tablet Gothic won an award at Tipos Latinos 2014.
  • Alverata (2013). A lapidary flared typeface with a huge x-height influenced by roman ("romaneque") lettering from the XIth and XIIth centuries. Alverata consists of three different fonts: Alverata, Alverata Irregular and Alverata Informal. For the development of the Greek letterforms, Unger collaborated with Gerry Leonidas (University of Reading) and Irene Vlachou (Athens), and with Tom Grace on the Cyrillic letterforms. It was published by Type Together in 2014. PDF file.

MyFonts link. Klingspor link.

MyFonts interview.

Catalog of the Type Together typeface library. [Google] [MyFonts] [More]  ⦿

Typesenses
[Sabrina Mariela Lopez]

Typesenses was founded in 2009 by Sabrina Lopez in Ramos Mejìa, near Buenos Aires. Today, it is listed as being located in Pembroke Pines, FL. Sabrina Lopez (b. 1987) graduated from FADU, University of Buenos Aires. Her typefaces include:

Klingspor link. Behance link. [Google] [MyFonts] [More]  ⦿

Typoidea
[Paco (Francisco) Aguayo]

Typoidea is an outfit in Guadalajara, Mexico, run by Paco Aguayo, the Jalisco-based designer at the Argentinian outfit SantoTipo of Sapucai Picada and Mofles. Aguayo also designed the bitmap font family SacrilegaPX (2001) and the pixel font family Escritura PX. At Tiypo, you can also find Artimania, Hija de Perra, and La Neta (simulating paint). [Google] [More]  ⦿

Uki Espona

Uki Espona (Buenos Aires) created the gothic-shaped Morta a Rapallo typeface in 2012. [Google] [More]  ⦿

Ulises Faggiani

Graduate from FADU, University of Buenos Aires, who created the typeface Old Magazine (2009). [Google] [More]  ⦿

Ultrasonicmen

Designer of the pin-up typeface Argentinas (2005). [Google] [More]  ⦿

Universidad de Buenos Aires, Fac. de Arq. Diseño y Urbanismo (or: FADU-UBA)

The main type design school in Argentina, and possibly in all of Latin America, is at the University of Buenos Aires. Also known as FADU-UBA, it has produced all major Argentinian type designers.

Classes are taught by a dream team that includes Carlos Carpintero, Miguel Catopodis, Pablo Cosgaya, Aldo de Losa, Ruben Fontana, Alejandro Lo Celso, Dario Muhafara, Alejandro paul, José Scaglione and Eduardo Tunni.

Facebook page. [Google] [More]  ⦿

University of Buenos Aires: FADU--UBA

Starting in 2009, one can study type design (CDT: Diseño de Tipografía) at the University of Buenos Aires. Limited places for this three-trimester program with 416 hours of courses. The staff comprises Carlos Carpintero, Migiel Catopodis, Pablo Cosgaya, Aldo De Losa, Griselda Flesler, Rubén Fontana, Víctor García, Tomás García Ferrari, Patricio Gatti, Darío Muhafara, Betina Naab, Alejandro Paul, Mariana Podetti, María Eugenia Roballos, Eduardo Rodríguez Tunni, Marcela Romero, and José Scaglione. [Google] [More]  ⦿

Untitled Motion
[Luz Collioud]

Luz Collioud set up Untitled Motion in Buenos Aires. Luz designed these typefaces in 2012: Untitled in Motion (wavy), Rochester Twee, Rochester Thee, Haelvsen, Dottie W. Mac Spotter, Dottie B. Mac Spotter (a Dalmatian face).

Free fonts include Made of Stars (2012), Puncher (2012).

Typefaces from 2013: Travine (liquid scary lettering).

Dafont link. [Google] [MyFonts] [More]  ⦿

Ursula Oshea

Buenos Aires-based creator of the Peignotian typeface family Flamenco (2013). [Google] [More]  ⦿

Víctor García

Argentinian graphic and type designer (b. 1948) based in Buenos Aires. He was creative director, art director and graphic designer at several advertising agencies in Buenos Aires, which led to various exhibits such as at the Biennale of Brno and the Japan Design Foundation in Osaka. His type presentation won an award at the XIV-th. International Computer Art competition. He is an occasional contributor to design publications and has been a correspondent of the Munich magazine novum since 2002. His works have been published in Argentina, Japan, Germany, Great Britain, Spain, and the United States. '

His type designs include:

  • MotionBats (2009).
  • GarciaToons (2008): GarciaToons Bunny, GarciaToons Cat, and GarciaToons Mouse are the styles. Garcia Toons won an award at Tipos Latinos 2010.
  • Ole Flamenco-Ole Torero (2004). Ole Flamenco-Ole Torero won the tpG Prize at Letras Latinas, 2nd Latin American Type Biennial (2006). The dingbat typefaces Ole Flamenco and Ole Torero were both published by Neufville Digital.
  • Bix Bats (2003). The styles are called Arrow, Funny, Shiny and Wired. The family was published as part of the Linotype Taketype 5 collection.
  • Tangomaniacs (2002). As part of Taketype 4 at Linotype, he made the extratangordinary superpassodoble dingbat fonts Linotype Tangomaniacs Day and Tangomaniacs Night (2002).
  • Bix Plain (2000, Linotype).
  • Zootype (1997-1999): 2nd Prize at the 2nd International Type Design Contest, Linotype Library (1997). In this ingenious font, animals appear out of nowhere in the characters. Stylish, classy, and above all, perfect. At Linotype, we can find Zootype Air, Land and Water (1999). Dedicated web page.

For other work, see a design done in 2001 for the Japan Design Foundation.

MyFonts link. FontShop link. Klingspor link. Behance link.

View Victor Garcia's typefaces. [Google] [MyFonts] [More]  ⦿

Valeria Duarte

Argentinian graphic design student at the Instituto Superior de Diseño Aguas de la Canada, in Córdoba, Argentina. Her first face is the flowing script Milonguita (2006, Sudtipos). She specializes in handwriting type, and studies the relationship between emotions and shape. [Google] [MyFonts] [More]  ⦿

Valeria García Yannoni

Argentinian designer of the experimental typeface Yannon (2000). [Google] [More]  ⦿

Valeria Pipet

Illustrator from Quilmes, Argentina. She made a typographic cover for a book on food design in 2011. [Google] [More]  ⦿

Verónica Bertazzo

Graduate from FADU, University of Buenos Aires, who created the Victorian era face Arnol (2009). [Google] [More]  ⦿

Verónica Grandjean

Graduate from FADU, University of Buenos Aires, who created the fat didone face Giambattista Illuminame (2009). Could she be related to the real Grandjean? [Google] [More]  ⦿

Veronika Burian
[Type Together]

[MyFonts] [More]  ⦿

Victor Hugo Astorga

Multimedia artist in in Buenos Aires, b. 1983. Designer of the hand-printed typefaces Vastorga Letter (2013) and Vastorga Bold Letter (2013). Dafont link. [Google] [More]  ⦿

Victor Mochkofsky

Graphic designer, regional manager for a digital marketing agency, illustrator, and founder of a not-for-profit clothing brand to help stray dogs in the city of Cordoba (Argentina). Creator of Geo (2012). [Google] [More]  ⦿

Victoria Guasch

During her studies at FADU UBA (Buenos Aires), Victoria Guasch created the display typeface ZH in 2013. [Google] [More]  ⦿

Victoria Pasin

Argentinian designer of the organic typeface Blue (2011).

Behance link. [Google] [More]  ⦿

VisualMente
[Norberto Baruch]

Type blog and information design blog run by Norberto Baruch, an Argentinian news designer and art director. In Spanish. [Google] [More]  ⦿

Viviana Monsalve
[FontFuror]

[More]  ⦿

Watafak

Argentinian design firm with nice typographical examples. [Google] [More]  ⦿

We Are Pasto

Argentinian studio located in Buenos Aires. Behance link.

One of their branding projects, called Craneo, led to a nice typographic development of an Italian logotype. [Google] [More]  ⦿

We make POGO

Pogo is a Buenos Aires-based design and art boutique established in 2008 by Ardi and Pampa. Creators of Know Type (2009, experimental), Zombienation (2009, graffiti), Primavera (2009, geometric experiment), Know Type (2010, geometric), Bufallo Type (2010), and Departure Type (2009, runic), Moonwalker (2010). Soko is an independent online magazine entirely designed and illustrated by POGO. Scumbag (2011) is a Victorian wedge serif face.

Typefaces from the latter part of 2011 and the first half of 2012: Unicenter, Sailor, Rudy, Powa, Mery (Trajan caps), Lotus Flower, Liberty, Aquarius Bold (Trajan caps). [Google] [More]  ⦿

Wili Peloche

Buenos Aires-based designer of GF Wet (1997-1998) at Garagefonts. [Google] [More]  ⦿

Wozniak

Graduate from FADU, University of Buenos Aires, who created the typeface Gurkaf (2010). [Google] [More]  ⦿

Yai Salinas

Graphic designer from Buenos Aires, Argentina, now located in Madrid, Spain, who made the free purely geometric face called Geometric Way in 2010. Craft (2014) is a free decorative caps typeface for craftsmen. In 2014, Yai made the Greek-inspired caps typeface Hera.

Flickr page, where she goes under the name Dopamina. Behance link. [Google] [More]  ⦿

Yanina Arabena

Yani Arabena (b. 1985, Buenos Aires) graduated from the University of Palermo in 2007 and then from FADU-UBA in Buenos Aires in 2012. Her graduation typeface in 2012 at FADU UBA (University of Buenos Aires) is the signage script face Abelina. Still with Guille Vizzari, she created Volar Script (2014, a signage script custom created for Aerolineas Argentinas) and Cafecito (2014), and was involved in several lettering and calligraphic projects.

In 2014, Yani Arabena and Guille Vizzari published Abelina Pro at Sudtipos. It is based on Yanina's thesis project in 2011-2012 at FADU/UBA simply called Abelina, which was mentored by Ale Paul and Ana Sanfelippo.

Behance link, jointly with Guille Vizzari. Another Behance link. Facebook link. Joint web page with Guillermo Vizzari. [Google] [MyFonts] [More]  ⦿

Yanina Walter

Graduate from FADU, University of Buenos Aires, who created the typeface Bariloche (2010), an ornamental fat didone face. [Google] [More]  ⦿

Yony Fernando

Illustrator in Buenos aires who created the skinny display typeface Dammar (2014), the modular display typeface Eva (2014), and the exaggerated curly fat face didone Dan (2014). Behance link. [Google] [More]  ⦿

Yony Fernando Huaman

Graduate from FADU, University of Buenos Aires, who created the typeface Dammar (2010), a condensed fashion mag cover page face. [Google] [More]  ⦿

Zalma Jalluf

Argentinian typography and graphic design professor who teaches at the University of Buenos Aires. Works at Fontanadiseno, and has participated in identity design for companies. [Google] [More]  ⦿

Zensato

Buenos Aires-based illustrator and graphic designer. He designed some remarkable logos in 2011. [Google] [More]  ⦿

Zurdo

Typographer and digital artist in San Juan, Argentina. Creator of the artistic geometric typeface Strange Type (2013). [Google] [More]  ⦿