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127ml

Brazilian site located in Sao Paulo. Behance link. Creators of Ludo sans and Ludo serif (2011), both ink trap typefaces. [Google] [More]  ⦿

740kb

Brazilian creator (b. 1985) of az (2011, experimental). [Google] [More]  ⦿

a Falange Studio
[Elvis H. Martuchelli]

Sao Paulo, Brazil-based Elvis H. Martuchelli (b. 1978) designed the Ingrate condensed sans family in 2005. It can be downloaded here. [Google] [More]  ⦿

A. Karr

Tia Olga (2000) is a free handwriting font by A. Karr (Freemesmo) from Sao Paulo, Brasil. [Google] [More]  ⦿

ABC Design

Brazilian type blog. [Google] [More]  ⦿

Abdallah Seoud

During his design studies at PUC Rio, Abdallah Seoud (Rio de Janeiro) created the beautiful techno font Equalize (2013). [Google] [More]  ⦿

ABFonts Santos FC 2012 Numerals

ABFonts Santos FC 2012 Numerals (2012) is an orphaned athletic lettering font. We read at ABFonts (where the font can be downloaded): ABFonts Santos FC 2012 Numerals is based on the numbers used on the jersey of Brazilian football club, Santos FC, which is outfitted by Nike. The font was created on request and the image that was provided only showed the jersey numbers of Santos FC. Based on photographs, the player's name is not shown on the jersey explaining the absence of letters in the font. It appears that the source image was created by Cleiton Fabiano of www.futbr.com. [Google] [More]  ⦿

Acemir Sousa Mendes

Pelotas, Brazil-based designer of the wavy display typeface Jubarte (2015). This typeface is inspired by the shapes and curves of the humpback whale. [Google] [More]  ⦿

Adailton Piedade

Sao Paulo, Brazil-based designer of Elefont (2015). [Google] [More]  ⦿

Adhemas Batista

Brazilian art director, graphic designer and illustrator based in Los Angeles. Born in 1981 in Sao Paulo. Behance link. He designed various display typefaces for his projects: Mariana (2005) is an experimental typeface for the Havaianas web site. Cristiane (2005) is a Bank Gothic-inspired sans. Mathews (2005) and Ana Rayssa (2005, upright connected script) are experimental types. Antonio (2005) is a fat rounded sans. Josefa (2005) is a grunge typeface created for Brahma Bier. Adilson (2005) is a super-fat display face. Rose (2005) and Douglas (2005, also a super-fat display face) were created for Sensorama ID. Other typefaces include Mark, Mike and Cris. [Google] [More]  ⦿

Adilson Gonzales de Oliveira
[Agonz]

[More]  ⦿

Adler Aleko Reises

Sao Paulo, Brazil-based designer of a set of computer numerals in 2014. [Google] [More]  ⦿

Adreson Vilson Vita de Sá
[Estranho Tipo (was: Adreson 74)]

[MyFonts] [More]  ⦿

Adriana Oshiro

During her studies in 2015, Bauru, Brazil-based Adriana Oshiro created a squarish typeface. [Google] [More]  ⦿

Adriana Pommot

Sao Paulo, Brazil-based designer of the vernacular typeface Chorume (2015). Behance link. [Google] [More]  ⦿

Adriano Bellaver

Farroupilha, Brazil-based designer of the experimental typeface Planetarium (2015). [Google] [More]  ⦿

Adriano Iha

During his studies in Sao Paulo, Adriano Iha designed the sci-fi typeface Kyra (2013). [Google] [More]  ⦿

Adrienni Klering

During her studies at ESPM SUL in Porto Alegre, Brazil, Adrienni Klering created the hipster typeface Klering (2015). [Google] [More]  ⦿

AfroBreak
[Afronsu Afronsu]

Crazy Sao Paulo-based Brazilian designer (b. 1986) of the grunge typeface Antropofagia (2010). Born in 1986. He also made Afronsu (2011), Estaktu (2012, influenced by Sao Paulo's graffiti or pixacao), and Abstract Rua (2012). Aka afronsu Afronsu. [Google] [More]  ⦿

Afronsu Afronsu
[AfroBreak]

[More]  ⦿

Agonz
[Adilson Gonzales de Oliveira]

Adilson Gonzales de Oliveira Junior, or just Agonz, is a Brazilian designer who graduated from UNESP Design University in Sao Paulo. He is currently based in Bauru, Brazil. Inspired by aircraft models from the 1940s, Agonz created the free condensed sans typeface Ailerons (2015). Behance link. [Google] [More]  ⦿

Alan de Sousa

Sao Paulo-based designer of the tweetware circle-based typeface Gogoia (2015). [Google] [More]  ⦿

Alana Camboim

Based in Porto Alegre, Brazil, Alana Camboim designed Gold (2013), a geometric typeface that consists of circle arcs and straight line segments. [Google] [More]  ⦿

Albert Chaves

Fortaleza, Brazil-based designer of the dagger or stiletto style display typeface Albertch (2015). [Google] [More]  ⦿

Alessandra Duruy

During her studies at Universidade Federal do Rio de Janeiro, Alessandra Duruy created the comic book typeface Postypo (2015). Behance link. [Google] [More]  ⦿

Alessandro Dazzi

Graphic designer in Sao Paulo, Brazil, who created Vero Bold (2013). [Google] [More]  ⦿

Alessandro Valentim de Sousa

During his graphic design studies in Maranguape, Brazil, Alessandro Valentim created the dadaist typeface Luzitana (2014). [Google] [More]  ⦿

Alex Carvalho

Brazilian type designer who works at Tipos do aCaso. His fonts include Rec Block. [Google] [More]  ⦿

Alex Heilmair

Sao Paulo-based designer of the organic serif typeface Thereza (2006). [Google] [More]  ⦿

Alexander Antunes

During his studies in Curitiba, Brazil, Alexander Antunes designed the rounded sans typeface Auchme (2016). [Google] [More]  ⦿

Alexandra Karmirian

In 2011, Alexandra Karmirian (Rio de Janeiro, Brazil) created the art nouveau-inspired typeface Karmirian. [Google] [More]  ⦿

Alexandre Beltran

Typographer and designer at TV Globo, Brazil. He designed the squarish typefaces Retour (2012) and Sauer (2011).

Cargo collective link. [Google] [More]  ⦿

Alexandre Freitas

Graphic designer in Sao Paulo who designed a beautiful set of hand-lettered posters on the theme of Jimi Hendrix in 2013. [Google] [More]  ⦿

Alexandre Giesbrecht

Brazilian creator of the fat finger typeface Giesbrecht (2011, iFontMaker). [Google] [More]  ⦿

Alexandre Matias

Together, Filipe Motta, Denis Rizzoli and Alexandre Matias created the organic sans typeface Triade (2013) during their studies at Universidade Federal do Espirito Santo, under supervision of Ricardo Esteves. Alexandre Matias, who is based in Vitoria, designed Triade Text in 2016. [Google] [More]  ⦿

Alexandre Padin

Graphic designer in Sao Paulo, who created the display typeface Padinga (2013). [Google] [More]  ⦿

Alexandre Suannes

Brazilian graphic designer and type designer who works at OnMedia - ALMAP/BBDO, Brazil, a corporate branding and ad agency. [Google] [More]  ⦿

Alexandre Venancio
[Oporto Design]

[MyFonts] [More]  ⦿

Alexis Baldoma

Sao Paulo, Brazil-based designer of the display typeface Holograma (2014). [Google] [More]  ⦿

Alfonso Mendes

Brazilian designer of the squarish typeface Quadratta (2011, FontStruct). [Google] [More]  ⦿

Alice Maria Fares Ferreira

Typographer from Brazil who received an honorable mention at the Tipografia Brasilis in the dingbat category, 2001, for her font "Chop". [Google] [More]  ⦿

Alice Massih

Sao Paulo-based designer of the art deco typeface Garagem (2013). [Google] [More]  ⦿

Alice Rosa

Natal, Brazil-based designer of the connect-the-dots typeface Stargazer (2015), which was created during her studies at the Federal University of Rio Grande do Norte. Behance link. [Google] [More]  ⦿

Alice Vargas

Salvador-based Brazilian designer of the handwriting typeface Dez Real (2004). She runs a graphic design and corporate identity studio, Papaya Design. [Google] [More]  ⦿

Aline Cereja Ramos

During her studies at ESPM-Sul, this Porto Alegre, Brazil-based designer created the lava lamp typeface Subvision (2013). She also made Round It (2013), a Peignotian typeface created with compass and ruler. [Google] [More]  ⦿

Aline Delmonte

Aline is based in Sao Paulo. With Henrique erzinger, she created the squarish typeface TypeSquare One (2009, FontStruct). [Google] [More]  ⦿

Aline Hessel

Aline Hessel (Sao Paulo, Brazil) created the rounded monoline sans typeface Linech in 2014 during her studies at SENAC. [Google] [More]  ⦿

Aline Morais

Brazilian designer of the dot matrix typeface Fita (2011), which was designed at Universidade Federal de Pernambuco. [Google] [More]  ⦿

Aline Rizzo

Design student in Campinas, Brazil. Designer of Brotinho (2014, a display typeface). [Google] [More]  ⦿

Aline Sayuri

During her graphic design studies in Brazilia, Aline Sayuri created a beautifully lively text typeface in one weight called Viva Regular (2013). [Google] [More]  ⦿

Aline Turatti

At the School of Design in Ribeirao Preto, Brazil, Aline Turatti created Indian Type (2013), an outlined typeface inspired by Indian symbolism.

Behance link. [Google] [More]  ⦿

Alisson Junior

Graphic designer in Baixo Guandu, Brazil. Creator of the hand-drawn typeface Lucimar ASO (2014). [Google] [More]  ⦿

Alisson Laschuk

Type designer from Porto Alegre, Brazil, b. 1980. He is the creator of the futuristic typeface Aerodynamik (2011).

MyFonts foundry link. Behance link. Home page. Klingspor link. [Google] [MyFonts] [More]  ⦿

Alisson Ribeiro

Sao Paulo-based designer of the paperclip / neon typeface Caqui (2013), which is designed by ruler and compass. [Google] [More]  ⦿

Alisson Stasiak da Silva

Curitiba, Brazil-based designer of the display typeface Grampont (2013), which was a school project at UTFPR. [Google] [More]  ⦿

All Type

Brazilian type site. Links. Museum. [Google] [More]  ⦿

Allan Pedro

During his studies in Sao Paulo, Allan Pedro created the monoline compass-and-ruler sans typeface Diori Square (2014). [Google] [More]  ⦿

Alvaro Franca

Graphic designer from Rio de Janeiro who created Aladdin Sans (2011) when he was studying at ESDI in Rio. Now a graphic designer in Rio, he created the wedge serif text typeface Selsdon (2015) and the didone numerals typeface Baleia Heavy (2015), which was influenced by Herb Lubalin's style.

In 2016, he created the 9-width titling or poster typeface family Bonde and wrote: It is the result of a year long research project on the hand painted lettering used in Rio de Janeiro tramways between 1868 and 1966. The carioca engineers who lettered the original signs used compression and expansion of letters so that station names of all sizes would occupy the same horizontal space. Because they didn't have lettering training or a model to follow, they had to come up with their own unique solutions for the problem of width variation in letterforms. Bonde applies these quirky and ingenious designs to a multi width type family, but adapts letterforms for contemporary use in their original function: signage and wayfinding. Behance link. [Google] [More]  ⦿

Alvaro Thomáz Oliveira

Ipatinga, Minas Gerais-based (or Santa Barbara-based, or Belo Horizonte-based) designer of these typefaces in 2011: Gogating Book (a Helvetica-like face), Mytupi, Pirates Writers, Chapenettoer 8 Thin, a large x-height and large-bowl minimalist sans face. This was followed by the bold caps sans typeface Laranja Pro and Laranjha Pro Fraco, Aovel Cool (geometric monoline sans), Aovel Sans Rounded, Aovel Sans Light, Aovel Neo (based on Avant Garde), Yagora (humanist sans), Salika, Sheep Sans (2011), Mariana Family, Extrememame, Timo Roman, AvantFox (based on Avant Garde), Brasil (based on ITC Lubalin), Hasteristico (monoline geometric typeface based on Avant Garde), Amiju Book, DMF Arreia Black (fatted up Helvetica), DMF Cantell, DMF Handwriter, DMF Handatme, BDP Sergipe, BDP Fox, BDP Clien, BDP Up, and BDP Gelly.

Typefaces made in 2012: Flex Display (a free thin sans), Meva (geometric sans), Duase Light (a thin rounded avant-garde geometric sans), Tenue Sans (a distinguished sans---tuxedo required), Cridigo Sans, Cogga (a display sans face), Homizio (a free 6-style geometric sans family), Aliquam, Regencie, Blouding (from blood samples?), Quinfo (avant garde family), Frugal Sans, Agnele Modern (a didone titling face), Salutino, Bondoluo (geometric avant-garde sans, +Light, +Display), Duase (rounded monoline sans).

Typefaces from 2013: Panjo (humanist titling sans inspired by Eric Gill), Grieff (a DIN-like sans), Burne (a geometric all caps sans with elements of Futura and Avant Garde), Suicca (hairline sans), Datidi (custom slab face).

Typefaces from 2014: Homizio Nova (sans), Amper.

Typefaces from 2015: Savass Sans.

Typefaces from 2016: Cerko (a gemoetric circle-based futuristic typeface).

Home page. Fontspace link, where he is known as authimie. Another Fontspace link. About me page. Behance link. Another Behance link. About Me link. Dafont link. Aka Alvaro Ovelha. Creative Market link. Future URL. [Google] [MyFonts] [More]  ⦿

Amabile Vieira

Graphic designer in Marilia, Brazil, who created the ornamental typeface Maia Maori (2012). [Google] [More]  ⦿

Amanda Ardisson

Graphic designer in Vitoria, Brazil, who created the text typeface Prongs in 2016 with Jessica Serafim during her studies at UFES. [Google] [More]  ⦿

Amanda Bicalho

Belo Horizonte, Brazil-based designer of Patricinhas (2014, a school project typeface at Universidade Estadual de Minas Gerais). [Google] [More]  ⦿

Amanda Biondo

Flores da Cunha, Brazil-based student-designer of Tie Exclusive (2015). [Google] [More]  ⦿

Amanda Fiorio Smith

Sao Paulo, Brazil-based designer of the vernacular hand-crafted typeface Largo (2015). [Google] [More]  ⦿

Amanda Garcia

Graphic design student at Miami Ad School / ESPM, who is originally from Sao Paulo, Brazil.

In Luciano Cardinalli's class, she designed the wedge serif typeface Mandi (2012). [Google] [More]  ⦿

Amanda Hornos Felix

Sao Paulo-based designer of a bilined display typeface in 2007 at the Universidade Anhembi Morumbi. [Google] [More]  ⦿

Amanda Lacerda

Graphic designer in Brasilia, Brazil, who created a modular typeface in 2015. [Google] [More]  ⦿

Amanda Monteiro

During her studies in Curitiba, Brazil, Amanda Monteiro designed the bilined squarish typeface Beco (2013). [Google] [More]  ⦿

Amanda Nogueira

During her studies in Rio de Janeiro, Amanda Nogueira created the display typeface Olympus (2015). [Google] [More]  ⦿

Amanda Ribeiro

Graphic designer in Lins, Brazil. She created the curly typeface Delsarte (2012).

Behance link. [Google] [More]  ⦿

Amatraca Design Grafico
[Marcelo Sodre]

Amatraca Design Grafico (Marcelo Sodre) is located in Sao Paulo, Brazil.

Dafont link, where one can download these free typefaces: Ju Gulart (2012, thin curly face), Tia Marcia (2009, upright script; almost a ronde), FSM Sans (2005), Zoi Mao (2005, handwriting), Mix Serif Condense (2012, pixel font), Fonte Mundo (2014, upright connected script), Amatraca Grotesque (2014). [Google] [More]  ⦿

Amaury Fernandes

Taguatinga, Brazil-based designer of the circle-based typeface Baun Round (2014). Behance link. [Google] [More]  ⦿

Ana Bassanetto

Campinas, Brazil-based designer of the vernacular typeface Baiano (2013), which was a school project. [Google] [More]  ⦿

Ana Beatriz Cabus

Brasilia, Brazil-based designer of the pixelish FontStruct typefaces Almost Regular (2016) and Almost Rounded (2016). Behance link. [Google] [More]  ⦿

Ana Beatriz Guimaraes

During her studies in Rio de Janeiro, Ana Beatriz Guimaraes designed the fishing hook-inspired typeface wanhook (2015). [Google] [More]  ⦿

Ana Beatriz Leal

During her studies at UF Pelotas in Pelotas, Brazil, Ana Beatriz Leal created the tall hand-crafted display typeface Jardim (2015). [Google] [More]  ⦿

Ana Carolina Aguiar

During her design studies in Porto Alegre, Brazil, Ana Carolina Aguiar created the display typeface Schloss (2014). [Google] [More]  ⦿

Ana Carolina Aquino

During her studies at UFMA (Federal University of Maranhão, Brazil), Ana Carolina Aquino (Sao Luis, Brazil; b. 1994) developed the vernacular typeface Traco (2014, with Bianca Alcantara) based on lettering by Caio Oliveira found in one of the university's buildings. Behance link. [Google] [More]  ⦿

Ana Carolina Oliveira

Graphic designer in Belo Horizonte, Brazil. During her studies, she designed the Peignotian typeface Delinea (2014). [Google] [More]  ⦿

Ana Carolina Schneider

During her studies at UFSC in Florianopolis, Brazil, Ana Carolina Schneider created the connect-the dots typeface Minkar (2015) together with classmate Raissa Ishida Sanfelice. [Google] [More]  ⦿

Ana Carvalho

Born and raised in Governador Valadares, Brazil, Ana Carvalho designed the vernacular typeface Krenaque in 2012 during her graphic design studies at UNIVALE, Universidade Vale do Rio Doce.

In 2010, Ana Carvalho and Ricardo Lafuente codesigned PropCourier. [Google] [More]  ⦿

Ana Cláudia Calliari

Brazilian designer from Curitiba, b. 1988. Creator of the free upright script typeface Callani (2008). Dafont link. [Google] [More]  ⦿

Ana Clara Tito

During her studies at ESDI, this Rio de Janeiro-based designer created the expressive typeface Papagaio Semi Sans (2013). [Google] [More]  ⦿

Ana Claudia Alves Maia

During her graphic design studies, Francisco Morato, Brazil-based Ana Claudia Alves Maia created the sans typeface Belamy (2015, FontStruct). [Google] [More]  ⦿

Ana Cristina Chimabuco

As a student at Centro Universitario Belas Artes in Sao Paulo, Brazil, Ana Cristina Chimabuco created an open-eyed sans typeface (2015). [Google] [More]  ⦿

Ana De Paula

Graphic designer in Curitiba, Brazil, who created the squarish typeface Carmen Sandiego (2015). [Google] [More]  ⦿

Ana Elisa Ribeiro

Located in Recife, Brazil, Ana Elisa Ribeiro, a student at UFPE, created Brick (2012, FontStruct: a squarish face), Neon (2012, dot matrix face), Chippendale (2012, informal caps face), Continental (a spiked family based on the lettering for the aguardente by that name). [Google] [More]  ⦿

Ana Laydner

During her studies at UBA, in a type design course led by Ruben Fontana and Ana Sanfelippo, Ana Laydner (Porto Alegre, Brazil) and Jesica Bertisch codesigned the rounded display typeface Maricota (2014), which also holds up well as a text typeface. Ana designed the beautiful typeface Gigio in 2015. She works as a graphic designer in Porto Alegre, Brazil. Behance link. [Google] [More]  ⦿

Ana Leticia Amaral

Using iFontMaker, Ana Leticia Amaral created Leca (2011, fat finger face). At the Universidade Federal de Santa Maria in Santa Maria, Brazil, she created the wonderful warm text typeface Nicole (2014). [Google] [More]  ⦿

Ana Luisa Figueiredo

Rio de Janeiro-based designer of the kitchen tile typeface Clara (2013). [Google] [More]  ⦿

Ana Luiza Lopes Mizutani

Brazilian designer of the geometric monoline display typeface Mizu (2012). [Google] [More]  ⦿

Ana Maria Almeida

Sao Paulo-based designer of Tamir Sans (2012), a display typeface that was created during her graphic design studies. [Google] [More]  ⦿

Ana Milagres

During her studies in Belo Horizonte, Brazil, Ana Milagres created an untitled hexagonal typeface (2014). [Google] [More]  ⦿

Ana Monica Moura

Ana Monica Moura (b. Joao Pessoa, Brazil) created the squarish stencil typeface Flepa in 2014. [Google] [More]  ⦿

Ana Narciso

Graphic designer in Sao Paulo, Brazil, who created the hand-crafted poster typeface Tipoisso in 2015. [Google] [More]  ⦿

Ana Paula Caldas

Brazilian designer in Campos. Her work includes many nice typographic posters. Flickr stream. [Google] [More]  ⦿

Ana Paula de Bragança Megda

Argentinian (Brazilian?) editorial designer. In 2012, she made an exceptionally graceful free Google Web Font text typeface that should withstand small sizes. Called Lusitana, the two-weight family was inspired by the type found in the 1572 first edition of "The Lusiads", a Portuguese epic poem by Luís Vaz de Camões.

Award winner at Tipos Latinos 2010 for her text and IPA typeface Voces (done with Pablo Ugerman). The latter typeface appeared in 2012 at Google Web Fonts. [Google] [More]  ⦿

Ana Paula Filipi Putka

Brazilian designer (b. 1984) who created Vidas Secas (2008) and Vidas Secas Dingbats (2008), both desert or western style fonts. [Google] [More]  ⦿

Ana Paula Generali

Brazilian designer who created the hand-drawn typeface William Morris (2012). [Google] [More]  ⦿

Ana Polezel

During her studies in Curitiba, Brazil, Ana Polezel created the art nouveau typeface Pink La Vie (2015). [Google] [More]  ⦿

Ana Quinelato

During their studies at Rochester Institute of Technology /University of Espirito Santo, in Vitoria, Brazil, industrial design students Ana Quinelato, Brenno Mello, Cassio Ferreira, Filipe Motta and Myriam Fabris codeveloped UFES Sans (2014), a wayfinding sans typeface for the signage at their university, UFES. The team leader was Professor Ricardo Esteves Gomes.

In 2014, Ana created the pre-art nouveau typeface Vida Capixaba. [Google] [More]  ⦿

Ana Starhan

Brazilian graphic design graduate from IADE, Portugal (in 2011), who is now located in Glasgow. Creator of Pinho (2010), a modular typeface made from nuts. She also made Hardcopy (2012, for the Hardcopy magazine). As an example of her typography in branding and logos, check out the work she did for Galeria Barbara Longhi in Porto Alegre, Brazil.

Dafont link. [Google] [More]  ⦿

Andarilho Design
[Felipe Perazza]

Andarilho Design is Felipe Perazza (b. 1987) in Sao Paulo, Brazil. He created the free stencil typeface Andarilho (2010). [Google] [More]  ⦿

Anderson Acioli

Recife, Brazil-based designer of the display typeface Monsters (2014) and the pixel typeface Games (2014). [Google] [More]  ⦿

Anderson Façanha

Designer in Sao Paulo, Brazil. Behance link. Creator of the octagonal typeface KRD (2011). [Google] [More]  ⦿

Anderson Guedes

Brazilian designer of the experimental typeface Venom (2002) while he was a student in Sao Paulo at Senac de Comunicações e Artes. [Google] [More]  ⦿

Anderson Junqueira

During his studies at UFRJ in Rio de Janeiro, in a course taught by Nair de Paula Soares, Anderson Junqueira designed the display typeface Sumpt (2013). Sumpt stands for sumptuous. [Google] [More]  ⦿

Anderson Kleber

Brazilian codesigner with Fábio Henrique, Leonardo Rosa Borges and Carlos Santos of the calligraphic typeface Amor e Odio (2005, Tipos do aCASO). [Google] [More]  ⦿

Anderson Maschio

Batel, Curitiba, Brazil-based foundry of Anderson Maschio (b. 1980, Curitiba).

Creator of the ultra-fat decorative face Chumbitos (2007, a winner in the experimental type category at Tipos Latinos 2008), available from MyFonts (this was followed by Chumbit02). He also made the experimental type family consisting of Anark Diet Stencil, Anark Fat Stencil, and Anark Natural Stencil (2007). Creator of Magricela (2009, octagonal). He is working on Austera (2007, a basic sans) and Phyta (2007, an experimental typeface with stretched out connected letters).

In 2016, he made a custom font for Juliano Monteiro Studio.

Check also his gorgeous art work based on Chumbitos. Alternate URL. Link to Fictilia. [Google] [MyFonts] [More]  ⦿

Anderson Pereira

Santa Catarina, Brazil-based designer (b. 1981) of the black bowl font Biliz Blur (or Blitz) in 2007. Dafont link. [Google] [More]  ⦿

Andre Coutinho da Cunha

Graphic designer from Brasilia who is working on this sans (2006) and this serif typeface (2006). [Google] [More]  ⦿

Andrea Kulpas

Buenos Aires-based (but Brazilian?) codesigner, with Juliana Moore, of Muzza Sans (2014). His typeface Leluja (2015) won an award at Tipos Latinos 2016. Behance link. [Google] [More]  ⦿

Andrea Moreira

Graphic designer in Porto Alegre, Brazil, who created the leaf-themed typeface Folha (2012). [Google] [More]  ⦿

André de Castro

Reproducing his bio: I'm a graphic designer graduated from PUC-Rio and co-author of the illustration book "FUNK what beat is this," published in 2009 by Aeroplano. During 2010, I gave lectures on the development process of the book at PUC-Rio and ESDI. I have specialization in Printmaking at the Rhode Island School of Design and Business Management at IBMEC-Rio. I have worked at 19 design, O Globo Online and Yahoo! Brazil. I currently live in New York and attend the MFA in Communication Design at Pratt Institute. During the summer of 2012, I was part of the creative team of the Rio2016 Olympic and Paralympic games.

His typefaces include Ubique Infotype (2013, with Rob Gonzales). Ubique overlays several typefaces to create a special effect. [Google] [More]  ⦿

André Freitas

André Freitas (ampinas, Brazil) created ADE (2011), a blocky outline face. [Google] [More]  ⦿

André Gorayeb

Visual artist in Cuiaba, Brazil. Designer of the tribal font Protoglifo (2016). [Google] [More]  ⦿

André Harabara

Brazilian creator the rhythmic and flowing hand-printed HarabaraHand (2009), and of the organic techno sans typeface familiess Harabara and HarabaraNeo (2009) and Harabara Mais (2013) for Latin and Cyrillic. In 2015 he made AliciOne.

Dafont link. Klingspor link. Font Squirrel link. Carbonmade link. [Google] [More]  ⦿

André Keusseyan

During his studies in Sao Paulo, André Keusseyan created the Latin typeface Armenian (2015). [Google] [More]  ⦿

André Matiazzo

Campinas, Brazil-based creator of the grungy vernacular typeface Alcides (2014). [Google] [More]  ⦿

André Matiazzo

During his studies in Campinas, Brazil, André Matiazzo created the vernacular typeface Alcides (2013). [Google] [More]  ⦿

André Medrado

Graphic designer in Sao Paulo, Brazil, who created the simple organic monoline sans typeface Tesla (2012).

Behance link. [Google] [More]  ⦿

André Mendes

Sao Paulo based designer of Eribalto (2012), a purely geometric typeface created during André's studies at Senac. [Google] [More]  ⦿

André Moraes

Brazilian designer from Recife who makes type at Tipos do aCaso. [Google] [More]  ⦿

André Rodrigues Pereira

Sao Paulo, Brazil-based designer of the angular typeface Rodrigues (2015). [Google] [More]  ⦿

André Stratmann

Curitiba, Brazil-based designer (b. 1989) of the octagonal typeface Chanfrada (2014). Dafont link. Home page. [Google] [More]  ⦿

André Tanaka

Sao Paulo, Brazil-based illustrator, b. 1987. Creator of the old map script typeface Separaçao Script (2010). Smelly Cat typographic poster (2009). Dafont link. [Google] [More]  ⦿

André Themoteo Alves Correa
[MMC Typodrome]

[MyFonts] [More]  ⦿

André Uenojo

Brazilian creator in Sao Paulo (b. 1989) of Neou (2012, h free airline sans caps face), Kubus (2012, cubist face), Oval Track (2011) and VIP Roman (2011).

He created the beautiful commercial font Contrasto in 2013.

Behance link. Dafont link. [Google] [More]  ⦿

Andrés Bertachini

Based in Sao Paulo, Andrés Bertachini Deranian created the art deco typeface Slayer (2013). Behance link. [Google] [More]  ⦿

Andreas Wastian
[Liber Type Foundry]

[MyFonts] [More]  ⦿

Andreia Bersot

Graphic designer based in Rio de Janeiro. Creator of the experimental typeface Bossa (2011). [Google] [More]  ⦿

Andressa Medeiros

During her studies in Sao Paulo, Andressa Medeiros created the graffiti typeface Sampa (2014). [Google] [More]  ⦿

Andrey Damo

Andrey Damo (DEZ Propaganda, Porto Alegre, Brazil) co-designed the kitchen tile typeface Black Saul with Juliano Weide in 2013 as a present for Saul Duque.

Behance link. [Google] [More]  ⦿

Andreza Bernardes

Together, Andreza Bernardes, Felipe Galante and Luan Bernardes of the Centro Universitário Belas Artes in Sao Paulo created a typeface-on-a-diet for a vegetarian restaurant in 2010. [Google] [More]  ⦿

Andrezza Libel

During his studies in Curitiba, Brazil, Andrezza Libel created Azul Colonial (2012), a typeface that was inspired by the Portuguese azulejos. [Google] [More]  ⦿

Angela Detanico
[Angela Detanico and Rafael Lain]

[More]  ⦿

Angela Detanico and Rafael Lain
[Angela Detanico]

Brazilian designers of an architectural dingbat font inspired by Oscar Niemeyer buildings, called Utopia (2006). [Google] [More]  ⦿

Angela Sucar

A graduate of the Parsons School of Design in New York, Angela works as a graphic designer in Sao Paulo. Her motto is borrowed from Massimo Vignelli: The life of a designer is a life of fight. Fight against the ugliness. Just like a doctor fights against a disease.

In 2012, she created the modular typeface Fire Sans. [Google] [More]  ⦿

Angelica Porto

Designer in Recife who made some typefaces in 2013, such as Tetris, Aguardente De Canna (copperplate) and Raspa Raspa. [Google] [More]  ⦿

Angelo Souza

As a graphic design student in Rio de Janeiro, Angelo Souza created a display typeface in 2015. [Google] [More]  ⦿

Anna Anita

Brazilian visual artist who did some beautiful lettering pieces in 2013.

Behance link. [Google] [More]  ⦿

Anna Kelmer

During her design studies in Campinas, Brazil, Anna Kelmer designed the vernacular typeface Duaz Irma (2013). [Google] [More]  ⦿

Anna Paula Silva Gouveia

Anna Paula Silva Gouveia is a researcher and professor at the State University of Campinas Art Institute (IA-UNICAMP). With Priscilla Farias, she spoke at ATypI 2010 in Dublin about replications of architectonic epigraphs. [Google] [More]  ⦿

António Carreira

Brazilian designer of OralSex, PaintBrush-Draws, Peace-Symbol, Psicadelic, Sex-Machine, Shaking-Bones, Scully, Sacha, Demon-Bones, Vaca, Virus, Eraser (2006). [Google] [More]  ⦿

Antônio Adriano Brito

Graphic designer in Sao Paulo, Brazil, who made the hand-printed Quixeramobim in 2009. Dafont link. [Google] [More]  ⦿

Anton Marcos Kammerer

Sao Paulo-based designer of the grungy poster typeface Sijunho (2014), It Began in Africa (2013), the titling typeface Planalto (2013), the rounded sans signage typeface Street Market (2013), the sans headline typeface Kuatia (2013), the paintbrush font Ink Revolution (2013), and the warm serif typeface Serifado (2013).

Behance link. [Google] [More]  ⦿

Anton Sovetov

Originally from St. Petersburg, Russia, Anton moved to The Netherlands to study graphic design at KABK (Royal Academy of Art) in Den Haag, where he will graduate in 2013. Creator of Coldline (2013), an angular typeface about which he writes: I designed this typeface under the influence of broad nib calligraphy and broken strokes of Gothic scripts. [Google] [More]  ⦿

Antonio

Brazilian student at UFPE who makes type at Tipos do aCaso. [Google] [More]  ⦿

Antonio Briano

Brazilian designer of the experimental typeface Perspective (2002) while he was a student in Sao Paulo at Senac de Comunicações e Artes. [Google] [More]  ⦿

Antonio Diego Moura

During his studies at Universidade Federal do Cear$aacute;, Maranguape, Brazil-based Antonio Diego Moura created the tweetware font HG Insular (2015). [Google] [More]  ⦿

Antonio Duarte

For a school project, Antonio Duarte (Rio de Janeiro, Brazil) created DSN Text (2015). [Google] [More]  ⦿

Antonio Rodrigues

Brazilian designer in London and Brasilia, who created the modular monoline display typeface Colibri (2012), the hairline sans typeface The Fake Blondes (2012), and the fashion mag typeface Models (2012). He created several other modular alphabets and typefaces in 2013, including Boogie (a fat disco typeface), Stay With Me (fashionable fat didone), Concrete Butterflies (2013, paper cutout theme), London (blackboard bold, derived from Bodoni MT Bold) and Cardboard. Berlin (2014) is a group of display typefaces. Subfaces include Berlin, Berlina, Slaberlin and Überlin. He also designed Havana and the free typeface Gili Meno in 2014.

Behance link. [Google] [More]  ⦿

Aparelho Studio

Rio de Janeiro-based creator of Eiffel Alphabet (2014), a typeface that simulates metal structures of the Eiffel tower. [Google] [More]  ⦿

Area Type (was: GType)
[Dhan Ghete]

Brazilian designer of the Victorian typefaces Broser (2015), Romant (2015) and Moyers (2014). In 2015, he made the connected script typefaces Madelina Script, Smoothline (watercolor brush), Adediala and Adamenya, the poster typeface Wolder, the connected brush script Sannie, and the hand-lettered typefaces Alastrina and Quintessa.

Typefaces from 2016: Sifrand Script (brush), Chamelia Script, Moodnight Script, Flowerroom Script (curly script), Ismelda Script (calligraphic script), Charissa Script (brush script), Shartica Script, Morenthya Script, Aintzane (connected script).

His foundry was first called GType but changed its name to Area Type. At that time, the Creative Market page started mentioning that the designer is from Indonesia and not Brazil. [Google] [More]  ⦿

Ariane Vieira

During her studies in Belo Horizonte, Brazil, in 2014, Ariane Vieira created two untitled typefaces. One is inspired by glasses, while the other is a creamy script. [Google] [More]  ⦿

Ariel Alvares

Designer in Goiania, Brazil, who created the free sans typeface family Polt (2014). Behance link. [Google] [More]  ⦿

Ariii Regina

Santa Catarina, Brazil-based student-designer of Tetris (2015). [Google] [More]  ⦿

Armasen
[Bruno Mello]

Armasen is a group of young students and type designers based in Sao Paulo, Brazil. Their fonts:

  • Caturrita (2011, Bruno Mello). A fluid informal serif family by Bruno Mello.
  • Candelivers (2012) is a rounded bubblegum typeface family.
  • Kelson (2012) is a techno sans.
  • Balto (2012) was designed during a study visit at Type @ Cooper.
  • Codesigner with Fabio Haag, Fernando Caro, Rafael Saraiva e Ron Carpenter of Soleto (2014, Dalton Maag), a sans typeface that won an award at Tipos Latinos 2014.

Behance link. [Google] [MyFonts] [More]  ⦿

Arthur Freire

Sao Jose dos Campos, Brazil-based designer of the squarish typeface Guarana (2016). [Google] [More]  ⦿

Arthur Reis

During his graphic design studies at Universidade Estadual de Minas Gerais in Belo Horizonte, Bazil, Arthur Reis created the fluid wavy modular typeface Chasing Mavericks (2013). [Google] [More]  ⦿

Arthur Sandrini Pinto

Marilia, Brazil-based designer. Together with Jonathan Amoroso, he created Aso (2010), a free font available from Dafont. [Google] [More]  ⦿

Arthur Tavares

During his graphic design studies at Fortaleza, Brazil, Arthur Tavares created a compass and pen logotype calle O Tipo da Fonte (2012). [Google] [More]  ⦿

Arthur William Presser

Graphic designer in Blumenau, Brazil, who created Bossa Nova Font (2012, art deco). [Google] [More]  ⦿

Ascle de Oliveira

Juiz de Fora, Brazil-based designer who created the free condensed display sans typeface Enila (2015), the free squarish typeface Elcsa, the free hand-crafted typeface Juiz de Fora, the free sans typeface Ardnas, and the free outlined typeface Tresdias in 2015. Dafont link. [Google] [More]  ⦿

Atila Milanio

Brazilian designer (b. 1983) of these free fonts in 2011: Xilosa (angular poster face). He lives in Itabara, Minas Gerais.

In 2012, Atila added the minimalist typeface Conhaq.

Cargo Collective link. [Google] [More]  ⦿

Atila Oliveira

At the Universidade Federal do Ceará in Fortaleza, Atila Oliveira, JP Martins, Paulo Filho and Ana Karolinne Frota codfesigned the vernacular indigenous typeface Unai (2014). Atila also made the free handwriting font Mister Accordion (2015).

Typefaces from 2016: Circuits (tweetware). Behance link. [Google] [More]  ⦿

ATypI 2015

ATypI 2015 was held in Sao Paulo, Brazil, from 14-17 October, at the wonderful FAAP in Higienopolis, which is both a school and a museum (housing, for example, the original cubist painting Negresses by Samson Flexor, 1947). The main organizer was Henrique Nardi, who was assisted by many others, including Claudio Rocha, Diego Maldonado, Marina Chaccur and Crystian Cruz. Twitter feed. Flickr group. Great photographs by Luke Garcia and André Hawk. Flickr page with 2000+ official photographs, also by Luke Garcia and André Hawk. [Google] [More]  ⦿

ATypI 2015: Letterpress Reloaded

ATypI 2015 was held in Sao Paulo, Brazil, from 14-17 October. As part of the conference, there was a very interesting exhibition of letterpress posters. The exhibition, Letterpress Reloaded, was curated by Paulo Moretto, an architect (1991) with a Masters (2004) in graphic design for which he researched Brazilian posters, studying more than 7,000 pieces made between 1950 and 2000s. Henrique Nardi and Claudio Rocha conceivved the idea, and Henrique helped with the execution and production. [Google] [More]  ⦿

Augusto Icaro
[Kikuto]

[More]  ⦿

Augusto Roglio

Caxias do Sul, Brazil-based creator of Alfabeto Caligarfico (2013), a blackletter caps alphabet. [Google] [More]  ⦿

Aurelio J. Foerster Filho
[Holitter Studios]

[More]  ⦿

Ayres Landal

Bazilian graphic designer who lives in Curitiba. Creator of the geometric sans typeface Gotah (2009). [Google] [More]  ⦿

Ayrton Mugnaini

Graphic design student in Sao Paulo. Creator of the oblique typeface 45 Degrees (2012). [Google] [More]  ⦿

Babuino

Based in Campinas, Brazil, Babuino created Gans Baai (2012), a modular squarish display typeface. Free download.

Behance link. [Google] [More]  ⦿

Bagoesh

Fontstructor who made the octagonal typeface Brazil Jersey 2011 B (2013). [Google] [More]  ⦿

Barbara Donhini

Graphic designers in Belo Horizonte, Brazil, who created Pixels Geek (2013) during her studies at UEMG. [Google] [More]  ⦿

Barbara Procopio

During her studies at the Federal University of Rio de Janeiro, Rio de Janeiro-based Barbara Procopio created the headline sans typeface Olivia Sans (2010). [Google] [More]  ⦿

Barbara Ribeiro

During her studies in Campinas, Brazil, Barbara Ribeiro created the modular typeface Parallel Pen (2013). [Google] [More]  ⦿

Barbara Scodelario

Student at the European Institute of Design in Sao Paulo. She created a modular geometric face, the round display typeface Fonte bem querer and an experimental typeface in 2010. [Google] [More]  ⦿

Barbara Tamilin

For a school project at Universidade Tecnologica Federal do Parana, Curitiba, Brazil-based Barbara Tamilin designed the vintage text typeface Roman Holiday (2016). [Google] [More]  ⦿

Barbara Toledo

Curitiba, Brazil-based designer of Warhol Type (2014), a typeface inspired by Andy Warhol's pop art. [Google] [More]  ⦿

Barbara Visserini

Barbara Visserini is based in Sao Paulo, Brazil. She created an unnamed typeface in 2013 that has the curviness of art nouveau. [Google] [More]  ⦿

Beatriz Accioly

Brazilian graphic design student. Creator of Lovato Serif (2012). [Google] [More]  ⦿

Beatriz Chimelli

Recife-based designer of the dot matrix typeface Bibik (2011). [Google] [More]  ⦿

Beatriz Furlanetto

During her studies in Sao Paulo, Beatriz Furlanetto (Sao Caetano do Sul, Brazil) codesigned William Sans (2016) with Gabriel Santos. Devian Tart link. [Google] [More]  ⦿

Beatriz Landa

During her studies, Sao Bernardo Do Campo, Brazil-based Beatriz Landa designed the octagonal grid-based typeface Ponto Cruz (2015). [Google] [More]  ⦿

Beatriz Pacini

During her graphic design studies in Sao Paulo in 2013, Beatriz Pacini created secveral pixel and modular typefaces. [Google] [More]  ⦿

Beatriz Ramos

Brazilian designer. During her studies at SENAC in 2010, she created the sans typeface Pepper. [Google] [More]  ⦿

Beatriz Saegesser

During her studies at UFPE, Recife, Brazil-based Beatriz Saegesser designed Extra (2016). [Google] [More]  ⦿

Bela Ouassé

Based in Rio de Janeiro, Bela Ouassé created a curly vampire script typeface in 2014. [Google] [More]  ⦿

Bernardo Faria

Bernardo Faria is a Brazilian designer specialized in logo and editorial designs. In 2014, he and Tony de Marco (Just in Type) created the masculine typeface family Terrorista, and wrote this blurb: Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, and thus is perfectly suited for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version. This is the font for the political propaganda machine. [Google] [MyFonts] [More]  ⦿

Bersa Mendes and Joao Angelim Design

Pernambuco-based company which created the dingbat typeface Lego System (2007). Alternate URL. [Google] [More]  ⦿

Beth Lula
[Rio 2016]

[More]  ⦿

Beto Loureiro

Graphic designer and visual artist in Rio. Creator of the monoline display typeface Jung Lu (2009). [Google] [More]  ⦿

Beto Shibata

Typographer and graphic designer in Sao Paulo, where he is art director at MTV. He made some typographic posters like Tipos Maleficos. [Google] [More]  ⦿

Bettina Muzzio

During her graphic design studies at ESPM in Rio de Janeiro, Bettina Muzzio created the typeface Kamy (2013, FontStruct). [Google] [More]  ⦿

Bia Menezes

During their studies in Goiania, Brazil, in 2015, Natasha Hoshino, Kaiky Fernandez and Bia Menezes codesigned Drame Sans. [Google] [More]  ⦿

Bia Pongelupe

Firenze, Italy-based designer of the modular typeface Lupe (2013). [Google] [More]  ⦿

Bianca Alcantara

During her studies in New York City, Bianca Alcantara designed the geometric solid caps style Box Alphabet (2015). Earlier, at UFMA (Federal University of Maranhao, Brazil), in 2014, she created the vernacular typeface Traço together with Ana Carolina Aquino. [Google] [More]  ⦿

Bianca Bastos

Salvador, Brazil-based designer of a hand-crafted typeface in 2016. [Google] [More]  ⦿

Bianca Brandao

Sao Paulo, Brazil-based designer of the display sans typeface Macchi (2016). [Google] [More]  ⦿

Bianca Mello

During her studies in Rio de Janeiro, Bianca Mello created the thin modular typeface Minu (2015). [Google] [More]  ⦿

Bibi Rocha

Brazilian creator (b. 1996) of Uper (2014) and Bibs First Handwrite (2014). [Google] [More]  ⦿

Billy Argel

Brazilian graphic designer and prolific creator of free typefaces, which often combine calligraphy and grunge.

Fonts from 2016: Moderata, Spring Time (calligraphic), Desert Queen, Marriage Moment (wedding script), Angel Tears Neue, Germanika (blackletter), Great Day, Sunday Morning, Texas Tango (weathered Western font), Stenciled, Casablanca Noir, Brasileirinha, Carioca, Asphaltic Grain, Asphaltic Scratch, Nova Stamp (grungy), Bananas (brush script), Enjoy, Reminiscent Drive, Bananas (signage script), Mandela Script, Altamonte (baseball script), Landscape, Landscape Land, Old Type, Sedex, Good News, IA Type, Satisfaction (heavy creamy signage script), Sebastiana (baseball script), Urgh Type (grunge), Texas Tango (spurred Western font), Factory (textured), Rio Glamour (sans), Like (Italian style Western font), Heaven Gate (connected script), Colt (Western font).

Fonts from 2014: BackStab (metal band blackletter font), Strongbox (concave Western font), Goiabada, Bonesoup, Blanc Chateau (tattoo script), Botas Sujas (grungy letterpress font), Bigbobs (cartoon face), Yukathin N Conte Smile, Sambahollyc, Cherry Jam, Cacha (grunge), Rubber Stamp, Yukafont (hand-printed), Cabriolet (brush script), Sweet Correction Roth (tattoo script).

Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (hand-printed 3d outline face), Nova Solid (Nova Regular and Bold are from 2014), Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, Ink In The Meat (tattoo font), NORMAL, POPCORN (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face).

Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined hand-printed beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT.

Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil).

Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, Black-Oak, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (hand-printed outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed,

Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont).

Klingspor link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Billy Bacon
[Nú-Dës]

[More]  ⦿

Billy Bacon
[Subvertaipe]

[More]  ⦿

Bittersweet

Bittersweet (Brazil) created the paper fold font Folds (2010). [Google] [More]  ⦿

Black Heart

Branding studio in Brasilia, Brazil. Creators of Old Navy Type (2014, a tattoo font) and Ritalina Type (2014). [Google] [More]  ⦿

Blackletra
[Daniel Sabino]

Brazilian type designer Daniel Sabino de Souza studied under Laura Meseguer at the Eina-Escuela Superior de Disseny in Barcelona. His foundry in Sao Paulo is called Blackletra (est. 2012). He has taught type design at IED/Sao Paulo.

He won an award at Tipos Latinos 2012 and at TDC 2013 for Karol. In 2012, he won the Silver Prize in the Latin category of the Morisawa Type Design Competition for Hashar, a beautiful angular connected script face.

In 2013, he published Karol at Type O Tones. Falado (2013) is a delicate display typeface commissioned by Estudio Mucho for the graphic identity of the Spanish orchestra La Filarmónica. It won a Gold Medal at Laus'13.

In 2014, he designed the superb angular script typeface Haltrix (Village). Karol Sans was published at Type-o-Tones in 2014. Haltrix, Gandur (which was inspired by other geometric texturas, specially Max Bittrof's Element (1933)) and Karol Sans all won awards at Tipos Latinos 2014. Expectedly, Haltrix won an award in the TDC 2015 Type Design competition. Gandur New (German expressionist) and Gandur Alte (closer to Textura) followed in the summer of 2014.

Gothiks (2015, Village) and Gothiks Condensed (2016), a family of condensed typefaces of varying widths and thicknesses that hearken back to the gothic wood types, and Latam Sans (2015, a custom typeface for Latam Airlines) won awards at Tipos Latinos 2016.

Village link (since 2014). Behance link. [Google] [MyFonts] [More]  ⦿

Blackletter: classification
[Thiago Scatolin Barbosa]

Porto Alegre, Brazil-based Thiago Scatolin Barbosa compares various blackletter styles. [Google] [More]  ⦿

Blackmagenta

Design studio in Sao Paulo. At Behance, one can see the geometric typeface Cirilo Avogados (2010), constructed with the ruler and compass methods of the Romain du roi. [Google] [More]  ⦿

Blind Fontes (Fé Cega)
[Marcelo Rosauro]

Blind Fontes is a Brazilian foundry located in Rio and run by Marcelo Rosauro. Bad URL. [Google] [More]  ⦿

blue eighty four (was Portfolio Virtual; or azul84)
[Jose Zeh Fernando (Rorshack)]

The Sao Paulo-based type designer Jose (Zeh) Fernando (Rorshack) (b. 1977, Sao Paulo) runs blue eighty four (was Portfolio Virtual; or azul84). Home page. His freeware fonts include the pixel typefaces Nokia Cellphone FC (2003), Perfect DOS VGA 437 (2002), NokiaCellphone-Small (2001), Pixelzim-3x5 (2000) and Pixelzim-3x5-Bold, as well as Hardmob (2001) and Gaming Channel F Standard. Fonts that were either projected but never finished or deleted include Waris, Lanner, Vicio, Babyscreamer, Catadings, Catalatas, Roundtable, neoTokyo, Hardedge, Ansi Art Elite Down, Ansi Art Elite Up, Skatter (1998, graffiti face), Sutaker. Direct downloads. Fontspace link. Dafont link. He wrote The death of the pixel font in 2004. [Google] [More]  ⦿

Bosco

Brazilian designer from Sao Paulo who created the typefaces Manguebat 3 and 4 (both with "Buggy") at Tipos do aCASO (2005). Educated at UFPE. [Google] [More]  ⦿

BR Type
[Gustavo Lassala]

Gustavo Lassala is a designer and professor in Sao Paulo, Brazil, who runs BR Type. He has a Master's in Education, Art and Culture History from Mackenzie University and a Bachelor's in Design from Sao Judas University.

He created Deriva (2012, based on the scibbles of a homeless person in Sao Paulo), Folha Seca (2012, images of dry leaves), Jalo (2011, hand-printed), Tremida (2010, a shaky handwriting set), Pimba (2010, a splashy face), Arbusto (2009, floral dings), Broxa (2009, a roman brush face), Montada (2008, grunge; followed in 2011 by Montada Clean), Borboleta (2008, butterfly dingbats), Boqueta (2006, a modular sans), Adrenalina SP (2004, based on graffiti tags in Sao Paulo, or pixacaos), Elegante (2006), Sampa (2008, Sao Paulo-themed dingbats) and Flozo (2007, flower dings).

Dafont link. He went commercial in 2007. Based on a concept by Danilo Siqueira and Fred Sekkel, the grungy Times To Go was designed in 2009 by Danilo Siqueira and Gustavo Lassala at BrType. Free download.

MyFonts link. Behance link.

View the typefaces made by BR Type. [Google] [MyFonts] [More]  ⦿

Brek Pavel

Vilnius, Lithuania-based designer of several typefaces in 2014. Behance link. [Google] [More]  ⦿

Brenda Maciel

Brazilian graphic designer based in San Bernardino, CA. She created the vernacular typeface Graninha Extra (2016) which is based on mural ads in Sao Luis, Maranhao, Brazil. [Google] [More]  ⦿

Breno Carvalho

Brazilian graphic designer. He created Sertoes, which can be bought at Crimes Tipograficos. [Google] [More]  ⦿

Bric Type
[Yomar Augusto]

Bric Type is a typography consultant company based in Brazil and The Netherlands, run by Yomar Augusto, who holds a BA in graphic design (University of Rio de Janeiro, 2000) and MA in type design (Type & Media at the Royal Academy of Art in The Hague, 2005). Personal URL. As a Brazilian graphic artist, he has been involved in two Rojo ArtStorm projects. Yomar lives in Rotterdam. At ATypI 2008 in St. Petersburg, he ran an experimental calligraphy workshop called Kalligraphos.

His typefaces include Den Dekker (2006), and the roundish liquid creations such as Virgem, Rejane, Liquida (2002) and Dizain. No downloads. More recent typefaces: Duin (2007, octagonal), REMF (2006, stencil), DC (2007, ultra-fat), Fake Human (2005, script), Jana (2006, unicase), War (2007, octagonal), Fuck Shit Up (2007, stencil), Charlie Dee (2002, hairline stencil), Marina Lima (2002), Lasagna (2008, Re-Type: a fat geometric poster family, produced with the help of Miguel Hernandez). In 2009-2010, he created the Adidas Unity typeface [images: i, ii, iii]. In 2011, he designed the multiline headline typeface Andoverpis. The Dog House Nike (2010) is a custom typeface for The Dog House Athlete center for runners in Amsterdam.

Klingspor link. [Google] [MyFonts] [More]  ⦿

British Standards for Type Classification

Typeface classification according to "British Standards 2961:1967" (or BS 2961), British Standards Institution, London, 1967.

  • Humanist: Centaur, Jenson, Verona, Kennerley.
  • Garalde: Stempel Garamond, Garamond, Caslon Old Face, Granjon, Sabon, Bembo.
  • Transitional: New Baskerville, Baskerville, Caslon, Fournier, Perpetua.
  • Didone: Bodoni, Bauer Bodoni, Torino, Walbaum.
  • Mechanistic: Clarendon, Memphis, Rockwell, Lubalin.
  • Lineal
    • Lineal Grotesque: Franklin Gothic Demi-Bold, Franklin Gothic, News Gothic, Alternate Gothic.
    • Lineal Neo-Grotesque: Helvetica Light, Akzidenz Grotesk, Folio, Helvetica, Univers.
    • Lineal Geometric: Avant Garde Medium, Avant Garde, Futura, Eurostile, Erbar.
    • Lineal Humanist: Gill Sans, Goudy Sans, Optima.
  • Incised: Albertus, Latin, Friz Quadrata.
  • Script: Brush Script, Mistral, Park Avenue, Zapf Chancery.
  • Manual: Neuland, Broadway, OCR-A, Pritchard.
  • Black Letter: Fette Fraktur, Old English, Goudy Text, Wilhelm Klingspor-Schrift.
  • Non-Latin.
[Google] [More]  ⦿

Brito78

Sao Paulo-based designer of Orin (2009). Studio. [Google] [More]  ⦿

Brock Marques
[Luiz Marques]

Born in 1987, Luiz Marques, who uses the pen name Brock Marques, studied at University Center North and settled in Manaus in the middle of the Amazon. He made the graffiti fonts Brock 165 (2012), Pixo Reto (2010) and Brock Vanadalo (2009).

Blog. Flickr site. Behance link. [Google] [More]  ⦿

Bru Perini

Bru Perini (Porto Alegre, Brazil) did some exquisite lettering entitled Havana Libre (2012). [Google] [More]  ⦿

Bruna de Carvalho

Sao Paulo-based designer of the rounded modular monoline typeface Jewish Arc (2014). [Google] [More]  ⦿

Bruna Fonyat

Rio de Janeiro-based designer of the hairline sans typeface Fina (2015) and of the experimental modular typeface Fony Font (2015). [Google] [More]  ⦿

Bruna Garabito

Sao Paulo-based designer of the Clarendon-style typeface Guanabara (2013, Oficina Tipografica da FAU-USP) and the angular display typeface Garabito (2013). [Google] [More]  ⦿

Bruna Mix

Illustrator and art director in Recife, Brazil, who created a typeface out of moving light called Typo Photografic (2013), and an untitled mosaic font in 2013. [Google] [More]  ⦿

Bruna Pontual

Recife, Brazil-based graphic designer, who made the dot matrix typeface Bloom (2011). [Google] [More]  ⦿

Bruna Ricaldoni

Art director in Belo Horizonte, Brazil, who created the display typeface POerdita (2016). Behance link. [Google] [More]  ⦿

Bruna Rodrigues

During her graphic design studies, Goiania, Brazil-based Bruna Rodrigues created a great typographic poster entitled Black Swan (2015), after a movie starring Natalie Portman. This poster was codesigned by Nathali Fernandes. [Google] [More]  ⦿

Bruna Souza

Based in Rio de Janeiro, graphic designer Bruna Souza created the smooth typeface Curves (2011) in the course of Nair de Paula Soares, at UFRJ. [Google] [More]  ⦿

Bruna Tralci

Bruna Tralci is from Sao Paulo. She created Guillotine (2010). [Google] [More]  ⦿

Bruna Usmari

Digital artist in Sao Paulo, Brazil, who created the pixelish typeface Fawkes (2013). [Google] [More]  ⦿

Bruno Aedys Camargo

Brazilian designer of the Avant Garde-inspired Ultravioleta (2008). I am unsure if this Dafont designer of Huggies (2012, an uncial typeface made with FontStruct) is the same Bruno Camargo. [Google] [More]  ⦿

Bruno Andrade

During his studies in Curitiba, Brazil, Bruno Andrade designed the sci-fi stencil typeface Starkiller (2015) and the vernacular hand-crafted typeface Po de Guarana (2015). [Google] [More]  ⦿

Bruno Biolchini

During his studies in Rio de Janeiro in 2015, Bruno Biolchini created a condensed deco font. [Google] [More]  ⦿

Bruno Cavalcanti

Recife, Brazil-based designer of the school project font Modular (2014). [Google] [More]  ⦿

Bruno Christofoli

Bruno Christofoli (Porto Alegre, Brazil) designed the counterless typeface Blocks (2013). [Google] [More]  ⦿

Bruno de Almeida

Rio de Janeiro-based designer (b. 1993) of the modular techno typeface Krugovis (2013, free). This typeface was designed during his studies at Unicarioca. It can be downloaded for free at Fontspace and Dafont. [Google] [More]  ⦿

Bruno de Souza Leão

Born in 1973, Bruno lives in Pernambuco, Brazil. He created Intuitive (2011, hand-printed, OFL) and Peleja (2013, a poster typeface, OFL). Known at Flickr as Kyle Satori. Open Font Library link. [Google] [More]  ⦿

Bruno Facchini

Brazilian graphic designer in Sao Paulo. He created this amazing typographic poster of an eagle. [Google] [More]  ⦿

Bruno Freitas

Porto Alegre, Brazil-based designer of the free pixacao-inspired typeface Pixelute (2016). [Google] [More]  ⦿

Bruno Genovez

Graphic designer in Sao Paulo who created unnamed modular and serif typefaces in 2012, and is working on Malleable Sans. [Google] [More]  ⦿

Bruno Lhaes

During his studies in Barueri, Brazil, illustrator Bruno Lhaes designed the wonderful eerie Mugler typeface (2013). [Google] [More]  ⦿

Bruno Magalhães

Brazilian creator at Unique Types of the free connected dot typeface Connect (2011). [Google] [More]  ⦿

Bruno Marques Budni

Designer in Sao Paulo who made the squarish display typeface family Arcadia (2012). [Google] [More]  ⦿

Bruno Meira

During his studies in Santo Andre, Brazil, Bruno Meira created the sturdy strong-as-black-coffee wedge serif typeface Mocha Classic Serif (2013). [Google] [More]  ⦿

Bruno Mello
[Armasen]

[MyFonts] [More]  ⦿

Bruno Mello

Brazilian designer (b. 1987) who graduated from Universidade Federal de Santa Maria RS and lives in Sao Paulo where he works for Dalton Maag. His type family Caturrita (2010), which imports Latin warmth and calligraphic elements in a text face, won a student award at the II Bienal Ibero-Americana de Design in Madrid. Caturrita was published at Armasen in 2011, and the related families Caturrita Extra and Caturrita Display in 2012.

Tribuna (2012) is a newspaper headline and text family, short and stocky.

Suba (2012) is a big sans serif type family with several weights, with a male and a female version.

In 2015, Bruno Mello designed the spectacular geometric sans typeface family Objektiv at Dalton Maag. Its subfamilies, Mk1, Mk2 and Mk3 progressively zoom from macro into micro typography.

MyFonts link. Behance link. [Google] [MyFonts] [More]  ⦿

Bruno Moraes Erse

Designer in Sao Paulo, Brazil, who created Fat Angle Italic (2013). [Google] [More]  ⦿

Bruno Morais

Bruno Morais (Belo Horizonte, Brazil) created several modular typefaces in 2012.

Behance link. [Google] [More]  ⦿

Bruno Naoki

Brazilian art director who created a typographic poster of Charlie Chaplin in 2011. [Google] [More]  ⦿

Bruno Prado

Designer and illustrator in Sao Paulo, Brazil, who created the modular typeface Desgranhentos (2013).

Behance link. [Google] [More]  ⦿

Bruno Reis

Creator (b. 1984, Braganca Paulista, Sao Paulo, Brazil) of the free circle-based sans typeface Comunica Type (2013). This font was part of a project at ESAD.CR in Caldas da Reinha, Portugal. Behance link. [Google] [More]  ⦿

Bruno Soares dos Santos

Brazilian, b. 1987. He created the fat hand-printed typeface Muringa (2008). [Google] [More]  ⦿

Bruno Sollis

Presidente Prudente, Brazil-based designer of a futuristic typeface in 2016, during his studies at UNOESTE. [Google] [More]  ⦿

Bruno Tonelli

Designer in Sao Paulo who created the sportsy sans Vero Regular (2012) and the tall display typeface First Line (2012). [Google] [More]  ⦿

Bryan Augusto

Aka Gaia Runes, BryanGu and BryAlien. Brazilian creator (b. 1999) of Gate for Mars (2011), Neo Gate for Mars (2011), Neo-Sci-Fi (2011, FontStruct), Neo Sci-Fi v. 2 (2012) and of Gaia Runes (2011, white-on-black pixel face).

In 2012, he made Araknas (a pixel script face), Pluto, Pluto 0, Pluto Zero and Pluto Androids.

In 2013, he added Pluto Revolution. [Google] [More]  ⦿

bytenet.com

Brazilian archive of about 100 fonts. [Google] [More]  ⦿

Cássio Podgaietsky

Graphic designer from Rio do Sul, Brazil. In 2010, he created a geometric alphabet constructed on the basis of a grid, using a compass only. [Google] [More]  ⦿

Cadu Braga

During his studies at Escola De Design UEMG in Belo Horizonte, Brazil, Cadu Braga designed the architectural typeface Alla Fontana (2016), which was inspired by the architecture of the La Fontana neighborhood of Milan. [Google] [More]  ⦿

Café Cult (or: Fcraft)
[Fabricio Alves]

Fabricio Alves is Café Cult, but he also is Fcraft. In 2010, this Brazilian designer and culture hound created the free rounded typefaces Fcraft Borgo and Fcraft Borgo Dark, the latter being counterless. He also made Fcraft Smallpix (2009), Basica (2010, squarish) and Fcraft Sidarta (2010). Great web page, by the way.

Dafont link. [Google] [More]  ⦿

Caio de Marco

Sao Paulo-based Brazilian codesigner with Tony de Marco of Samba (2003, Linotype), which won an award at the Linotype International Type Design Contest 2003. It is based on the lettering art of J. Carlos, a Brazilian illustrator during the early 20th century. [Google] [MyFonts] [More]  ⦿

Caio Gomides

In 2015, at the Universidade do Estado de Minas Gerais, Caio Gomides (Belo Horizonte, Brazil) designed the curly typeface DElegance. Behance link. [Google] [More]  ⦿

Caio Grabalos Galvao

Graphic designer in Sao Paulo, Brazil. Creator of the ironwork typeface Sabrosa (2014). [Google] [More]  ⦿

Caio Henrique do Rosario Silva

During his studies in Bauru, Brazil, Caio Henrique designed Castamere Sans (2013, a humanist sans developed during his studies at UNSESP in Sao Paulo). This free font, which was inspired by the A Song of Ice and Fire books and TV Series, can be downloaded at Dafont. [Google] [More]  ⦿

Caio Kacaio

Brazilian designer of Setima Sans (2010). [Google] [More]  ⦿

Caio Kondo

During her studies in Goiana, Brazil, Caio Kondo designed the blackletter typeface York (2016). [Google] [More]  ⦿

Caio Kondo

Piracicaba, Brazil-based student-designer of the sans typeface Goiania (2014). [Google] [More]  ⦿

Caio Logato

During his graphic design studies at Savannah College of Art and Design, Rio de Janeiro-based Caio Logato designed the confident display typeface Cintura (2013). [Google] [More]  ⦿

Caio Luan

Caio Luan graduated from Universidade Anhembi Morumbi in 2014. Nopw a web designer in Sao Paulo, Caio created the typeface Decoratifs (2014). Behance link. [Google] [More]  ⦿

Caio Oliveira

During his studies in Curitiba, Brazil, Caio Oliveira created the rope font Navy (2014). [Google] [More]  ⦿

Caio Santana

Graphic designer from Sao Paulo. He created the didone typeface Cortigiana (2011) during his studies. [Google] [More]  ⦿

Caio Vita

Caio Vita created the art deco typeface Stripe (2013) while studying at UEMG in Belo Horizonte, Brazil. He also created an unnamed modular typeface in 2013 that was inspired by origami and oriental symbolism.

Behance link. [Google] [More]  ⦿

Caio Vital

During his design studies in Sao Paulo, Caio Vital created a paper-fold typeface (2013). [Google] [More]  ⦿

Caique Castro

During his studies, Sumare, Brazil-based Caique Castro designed the textured display typeface Ankor (2013). [Google] [More]  ⦿

Camila Brasi

Camila Brasi (Indaiatuba, Brazil) created the fat brush typeface Chave de Cadeia (2013). [Google] [More]  ⦿

Camila Cepeda Nader

Sao Paulo, Brazil-based designer of the multiline typeface Tridimensional (2015) and a few other display typefaces. [Google] [More]  ⦿

Camila Cossermelli

Graphic designer in Sao Paulo. Her typefaces include Trapobana (2013). This beautiful semi-serif is based on Camila's own handwriting. It has Latin charm and comes with a new symbol for expressing irony. [Google] [More]  ⦿

Camila dos Anjos

Olinda, Brazil-based designer of Umbrella type (2015), which was based on DJB Holly Berry Wonderland. Behance link. [Google] [More]  ⦿

Camila Hervé

With three of her classmates (Fabiano Coelho, Jessica Caires and Symony Monteiro), Camila Hervé (Sao Paulo, Brazil) designed the mini-slabbed typeface Ocelo (2012). [Google] [More]  ⦿

Camila Lazinho

During her studies at SENAC in Sao Paulo, Brazil, Camila Lazinho created the text typeface Aina Regular (2014). [Google] [More]  ⦿

Camila Leao

Artist in Sao Paulo, Brazil, who created the typefaces Talking Heads, camila (octagonal) and Faction Sans in 2014. Behance link. [Google] [More]  ⦿

Camila Lima

As a student at UNICSUL, Camila Lima (Sao Paulo, Brazil) designed the handwriting typeface Yolanda (2016). [Google] [More]  ⦿

Camila Lobo

Camila Lobo (Porto Alegre, Brazil) designed the informal typeface Sofia Sans (2013). [Google] [More]  ⦿

Camila Loricchio

Lorena, Brazil-based creator of Naipial (2011, a playful take on Arial). Behance link. [Google] [More]  ⦿

Camila Nagle

Campinas, Brazil-based designer of O Faroll (2015, a vernacular signage typeface) and Black Chalk (2015, a rounded sans typeface). [Google] [More]  ⦿

Camila Peres

Pelotas, Brazil-based designer of the free monoline squarish typeface Zigek (2014). Behance link. [Google] [More]  ⦿

Camila Santiago

Brazilian graphic designer and photographer. She drew the handrinted typeface Pincelanis (2010). [Google] [More]  ⦿

Camila Teruya

Sao Paulo, Brazil-based designer of a slab serif typeface in 2015. [Google] [More]  ⦿

Camilia Busarello

Graphic designer Camilia Busarello (Florianopolis, Brazil) was inspired by the mosaics of Rodrigo de Haro when she created the broken piece font Alexandria (2011). [Google] [More]  ⦿

Capo Luiz

Goiana, Brazil-based graphic designer. He used simple programming for the creation of the multiline prismatic typeface Font Code (2013).

Behance link. [Google] [More]  ⦿

Carambola Fontes
[Guilherme Capilé]

Carambola Fontes is a Brazilian foundry located in Rio and run by Angelo Bottino and Guilherme Capilé, who designed two freeware fonts, BrodyTitleA and X5foooont, both donated to Superfunk.com around 2000. [Google] [More]  ⦿

Carina Benitez

Sao Paulo-based designer of the 2-style organic sans typeface family Interessante (2014), which was created during her studies. [Google] [More]  ⦿

Carla Musa

During her studies, Novo Hamburgo, Brazil-based Carla Musa and Gabriel Ratzlaff codesigned the script typeface Juntos (2015). [Google] [More]  ⦿

Carlos Darthanhan

During his studies, Pacatuba, Brazil-based Carlos Darthanhan created the decorative octagonal caps typeface Capitulares (2015). [Google] [More]  ⦿

Carlos Golob

Niteroi, Brazil-based illustrator and graphic designer. Creator of the squarish typeface Tilt (2015). [Google] [More]  ⦿

Carlos Moreto

Brazilian designer in Sao Paulo of an unnamed origami typeface (2013). [Google] [More]  ⦿

Carlos Santos

Brazilian codesigner with Anderson Kleber, Fábio Henrique and Leonardo Rosa Borges of the calligraphic typeface Amor e Odio (2005, Tipos do aCASO). [Google] [More]  ⦿

Carlos Teles

Graphic design student in Sao Paulo. He created Little Charles Cubic Font (2012, octagonal). [Google] [More]  ⦿

Carol Goncalves

Brazilian designer of the hand-crafted typeface Goodnight (2016). Aka Caracol. [Google] [More]  ⦿

Carol Maciel

Recife, Brazil-based designer of the Victorian display typeface New York (2014), which was developed during her studies at UFPE. [Google] [More]  ⦿

Carol Ruffino

Bauru, Brazil-based designer of the hand-crafted vampire script typeface Surrada (2016). [Google] [More]  ⦿

Carolina Baronio

During her studies in Curitiba, Brazil, Carolina Baronio created the curly script typeface Bouclé (2014). [Google] [More]  ⦿

Carolina Fernandez

During her graphic design studies in Sao Paulo, Carolina Fernandez created Gothic Fernandez (2013, a hand-printed typeface). She also designed Shopping pictograms in 2013. [Google] [More]  ⦿

Carolina Ota

Sao Paulo, Brazil-based designer of the connected cursive Koi Fish Font (2016), which was developed during her studies. [Google] [More]  ⦿

Carolina Pimenta

Student at Universidade FUMEC, class of 2016. Graphic designer in Belo Horizonte, Brazil, who created a serifed typeface in 2015. [Google] [More]  ⦿

Carolina Sattie

Sao Luis, Brazil-based designer of an untitled vernacular typeface in 2012. She also made a very original card deck called Encantos Maranhenses (2014). Behance link. [Google] [More]  ⦿

Carolina Takara

During her studies in Sao Paulo, Carolina Takara created the initial caps alphabet Cat Nouveau (2014) and the decorative hand-crafted typeface Ganache (2014). [Google] [More]  ⦿

Caroline Monteiro

Rio de Janeiro, Brazil-based creator of Space Tracker (2012, sci-fi face). [Google] [More]  ⦿

Caroline Oliveira

During her studies, Fortaleza, Brazil-based Caroline Oliveira created the 3d typeface Geometric (2015). [Google] [More]  ⦿

Caroline Rosa

Graphic designer in Sao Paulo, Brazil, who created the curvy display typeface Vanilla Powder (2016). [Google] [More]  ⦿

Carolini Simionato

Carolini Simionato (Flores da Cunha, Brazil) designer 80s Type in 2013 during her graphic design studies. [Google] [More]  ⦿

Carollyna Ximenes

During her studies in Rio de Janeiro in 2013, Carollyna Ximenes (Niteroi, Brazil) created the modular typeface Urbano Modular. [Google] [More]  ⦿

Carpenter Type
[Paulo Roberto Purim]

A Brazilian foundry with an original web page. Run by Paulo Roberto Purim from Curitiba, Parana. His typefaces are Antarctica (1998), Minimum Wage (dingbats), Commedia, Hill House, Gaffe, Gaffe Bold, Gaffe Family, Gaffe Slender, Nostromo, SK Black (1998), SK Bold, SK Family, SK Regular, and Woodwinds. Short bio. Most fonts around 25 USD. Some demos available. Fonts available at Phil's Fonts. Blumenbach Beta, MinimumWageincomplete (1998).

Dafont link. [Google] [More]  ⦿

Cartazes e Letras

Cartazes e Latras is a Brazilian outfit that published these free fonts in 2012: Frango (by Gustavo Higashi), Supermarket Sans (by Guilherme Tavares), Dona Benta (by Felipe Sarmento), Bisucco (by Felipe Yatabe), Lariel (by Felipe da Costa), Maionese (by Isabella Pisaneski). [Google] [More]  ⦿

Cassiano Saldanha

Typographer from Sao Paulo who won second prize at the Tipografia Brasilis in display typography 2001 with his font Buril. Also second prize in the dingbat category with "Street". He also made Brutus, Typofiction and the shareware font Speedfreek (Fontalicious, 1999). Some of his fonts can be seen here (click on Typo). [Google] [More]  ⦿

Cassio Costa Sampaio Jr

Brazilian designer of Sampaio's Balloons. [Google] [More]  ⦿

Cassio Ferreira

During their studies at Rochester Institute of Technology /University of Espirito Santo, in Vitoria, Brazil, industrii design students Ana Quinelato, Brenno Mello, Cassio Ferreira, Filipe Motta and Myriam Fabris codeveloped UFES Sans (2014), a wayfinding sans typeface for the signage at their university, UFES. The team leader was Professor Ricardo Esteves Gomes.

During her graphic design studies at Ufes in Vitoria, Brazil, Lilian Albani (Vila Velha, Brazil) co-created the typewriter-style slab serif typeface Eureka Serif (2013) with Cassio Ferreira. [Google] [More]  ⦿

Caue Graco Avelar

Sao Paulo, Brazil-based designer of the modular typeface Wire (2015) and the circle-based avant-garde typeface OxType (2015). [Google] [More]  ⦿

Celina Lemos

During her studies at Universidade Federal de Pelotas in Pelotas, Brazil, Celina Lemos created the curly hand-drawn typeface Dolphin Type (2014). [Google] [More]  ⦿

Centro Universitário Senac

A Brazilian university with several campuses. One can get a baccalaureate degree in design and visual communication at the campus near Sao Paulo. There are some type design courses, taught by Priscila Farias and Nikolas Lorencini. [Google] [More]  ⦿

Charles Ribeiro

Designer from Salvador, Brazil. During his studies at Universidade Federal da Bahia, he created Rand Type (2012). Behance link. [Google] [More]  ⦿

Chiba Chiba
[Frederico Antunes]

Frederico Antunes (Chiba Chiba) is a designer From Porto Alegre, Brazil.

At T-26, he published the runic display face Pixo (2007). In 2009, he created the boxy rave and drugs-inspired Fiasco (YouWorkForThem) and the experimental Cabulosa (YouWorkForThem). Other fonts include VoidJam and Cachorra (based on urban Brazilian street calligraphy called pixacao).

MyFonts link. YouWorkForThem link. MyFonts foundry link. Personal home page. Klingspor link. [Google] [MyFonts] [More]  ⦿

Chico Baldini

Chico Baldini is a Brazilian designer. At ByType, a foundry in Sapiranga, Brazil, he published the Easter-themed dingbat typeface The World is a Bunny (2007). That font, codesigned with Fabio Luiz Haag, is also at T-26. [Google] [MyFonts] [More]  ⦿

Chico Neto

Chico Neto (Fortaleza, Brazil) created the vernacular typeface Toca in 2012. He writes: The Toca Font was born in the small village of Várzea Queimada, Piauí, during the project A Gente Transforma. Sans serif glyphs were printed and carved by craftsman tire rubber José Reis, exposing the typeface and soul of the community. Stamped, photographed and vectored, the font sprang to life in all project materials and SPFW's installations.

Behance link. [Google] [More]  ⦿

Chris Mise

Brazilian designer of the pixel typeface Dream It (2007). Blog.

Dafont link. [Google] [More]  ⦿

Christmas Fonts

Free Christmas font archive by Sandra Avoletta. [Google] [More]  ⦿

Christopher Hammerschmidt

Graphic designer in Curitiba, Brazil, who created the book type Capitolina in 2015 (under the guidance of Marconi Lima of the Typefolio foundry). He also did some noteworthy calligraphic work, including copperplate calligraphy.

Capitolina won an award at Tipos Latinos 2016. [Google] [More]  ⦿

Chyrllene Albuquerque

Aka Chyrllene K. Daughter of Iza W, who designed many typefaces at Intellecta Design starting in 2010. She studied applied mathematics and graphic design, and works as COO of Intellecta Design. In 2013, she wrote a thesis entitled Revival Tipografico at Faculdades Integradas Barros Melo, Brazil. Based in Recife, Brazil, she is credited with these typefaces:

  • Naive Ornaments (2012, with Iza W).
  • Calligraphic Birds (2012, with Iza W).
  • ABC Hand (2011). A sign language face.
  • Pencraft (2010): a penmanship typeface with uppercase based on Swagger Capitals (Carl Stephen Junge, at Barnhart Brothers&Spindler), and lowercase based on Sidney Gaunt's Pencraft Oldstyle series (1914), as displayed in the BBS catalog from 1922.
  • Eingraviert Dutch Capitals (2009). An engraved typeface.
  • Vintage Hands (2012). A set of fists and penman's hands.
  • Bonsai Paufo (2010): a dingbat face.
  • Floreart (2012). With Iza W.
  • Jugendstil Flowers (2011).
  • Libertee Ornaments (2011): an elegant art nouveau typeface done with Paulo W.
  • MesoAmerican (+Two) (2011): native Indian dingbat typefaces.
  • Tribalism (2011): three typefaces with ornaments and fleurons, done together with Iza W and Paulo W.
  • Cripto (2011). With Paulo W.
  • Soft Garden (2012). With Iza W.
  • Bruce 1065 Soft Serifs (2011). Very Victorian. With Iza W.
  • Victorian Advertizing (2011).
  • Gothic Revival Layered (2012). One of the first layered blackletter typefaces anywhere.
  • Forte (2013) is a fee brush font in the style of Forte MT (1962, Carl Reissberger).
  • Tribalism (2011). Three fonts with penmanship-style flourishes.
  • Enchiridion (2012).
  • Azalleia Ornaments (2012). With Iza W.

Behance link. [Google] [MyFonts] [More]  ⦿

Cid Léo

Designer in Belem, Brazil, who created a grungy typeface for a game called Semente (2013). [Google] [More]  ⦿

Cláudio Rocha
[NOW Type]

[MyFonts] [More]  ⦿

Clara Klein

During her studies at URJ, Clara Klein (Rio de Janeiro) created the Peignotian typeface Hairsville (2015). [Google] [More]  ⦿

Clara Simas

Brazilian graphic designer who seems to have made some typefaces. [Google] [More]  ⦿

Clarissa Tossin

Designer at Die Gestalten of Arvore (2003, experimental). A'Brasil link. [Google] [More]  ⦿

Claudia de Almeida

Claudia grew up in the south of Brazil and moved to the USA to attend college. She has BFA in Graphic Design from the School of Visual Arts in New York City where she has also taught. Claudia worked for nearly 10 years as a designer and Art Director in New York before moving to San Francisco in 2013 to serve as Design Director at WIRED. She has worked for The New York Times, T: The New York Times Style Magazine, Blender, More Magazine, New York Magazine, Domino Special Editions, Gourmet Special Editions and Men's Health. In 2012, Claudia redesigned Real Simple Magazine, marking the beginning of her design studio with WIRED pal Margaret Swart.

She created some remarkable ornamental caps, such as Dessert Rose, and a dollar sign. At Type Paris in 2015, she designed Iño, a humanist typeface influenced by Garamond. Type Paris link. [Google] [More]  ⦿

Claudia Rocha Franco
[Tupigrafia]

[More]  ⦿

Claudia Rodrigues

During her studies in Sao Jose do Rio Preto, Brazil, Claudia Rodrigues created an untitled display typeface (2014). [Google] [More]  ⦿

Claudiney Alison

Graphic designer in Natal, Brazil. Creator of the art deco typeface Chan Art DC (2013). [Google] [More]  ⦿

Claudio Reston
[Tipopotamo Fontes]

[More]  ⦿

Cleber Faria

Sao Paulo-based graphic designer, photographer and lettering artist. He created ABC Zoo (+English) (2010, Intellecta Design): animals made with letters. Klingspor link. [Google] [MyFonts] [More]  ⦿

Cleberson José Oliveira Silva

Sao Paulo, Brazil-based designer of the bilined typeface Creta (2016). [Google] [More]  ⦿

Cleiton Vieira

Brazilian graphic designer in Sao Paulo, who studies at Senac. He created the roman typeface Rafikit (2010). [Google] [More]  ⦿

Cleyton Nunes

Graphic designer in Campos, Brazil. In 2012, he created the geometric display typefaces Esquadros and Arco. [Google] [More]  ⦿

Corisco Design Grafico
[Fátima Finizola]

Brazilian design company located in Recife, which lists type and design events in Brazil. Fatima Finizola is the Recife-based Brazilian designer (b. 1975, Recife) of the dingbat typefaces Zabumba City and Zabumba Folk (2007, T-26, but created in 2006) at Corisco Design Grafico (Recife, Brazil), a company she codirects with Damiao Santana since she founded it in 2000. Zabumba was selected for Bienal Letras Latinas 2006) and was one of the winners of Tipografia Brasilis3.

She also made 1RialCT (2006, hand-printed), Pontes, Silicone, 1rial CT, Capoeira Light and Capoeira Black (by Damiao Santana), but I do not know how to download them.

The company is run by Damiao Santana (a photographer and visual artist) and Fátima Finizola. They make type as part of visual identity projects.

Free font downloads: Pontes, Capoeira (light and black), Silicone, 1rial.

Fátima Finizola & Damiâo Santana won an award at Tipos Latinos 2014 for Dingbat Carroceria.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Cort9.com
[Jefferson Cortinove]

Jefferson Cortinove (Cort9.com) is the Marilia-based Brazilian designer of several free and commercial typefaces. The free typefaces include VSR (2009), Ness, New9, Xpto (2009, techno), Cort9Hand (hand-printed). Commercial typefaces: the scratchy font Ink9 (2009), Leftheria (2009, condensed), Prostimo Sans (2011), Lilith, Maresia (2010, monoline sans), Sailing (2011, a flowing type), Decliv9 (techno face). Behance link. [Google] [MyFonts] [More]  ⦿

Crimes Tipograficos

Established in 2000, this is a collaboration between Recife-based type designer Damião Santana and Fátima Finizola, who both graduated from the Universidade Federal de Pernambuco. They have both free and pay fonts. Handprinting and grunge dominate: 1Rial, Silocone, Olinda, Higienica, Sertoes. There are also dingbats: Zabumba City, Capoeira, Lego System, Zabumba Folk, Vincent (2001, ears!). [Google] [More]  ⦿

Cristian Bellei

Brazilian designer (b. 1988) of the geometric sans Crop Types (2008). Alternate URL. At FontStruct, he made Mary Jane (2008) and Utitled Yet (2009, dot matrix face). [Google] [More]  ⦿

Cristiane Fariah

Brazilian designer of the high-contrast Peignotian sans typeface Twenties Sans Serif (2013). She is also a talented illustrator. [Google] [More]  ⦿

Cristiane Vellosos Hamnes

Brazilian designer of Almost There (2014, a fat finger font). [Google] [More]  ⦿

Cristiane Viana

Graduate from Curitiba, Brazil. Now based in Sao Paulo where she works as Estudio Chaleira, she designed the school project font Fineza (2015). [Google] [More]  ⦿

Cristiane Vilela Azevedo

Passos, Brazil-based designer of the art deco typeface Majesty (2014). [Google] [More]  ⦿

Cristiano Gonçalo

Sao Paulo-based designer of a purely geometric typeface, Festa Junina (2012). [Google] [More]  ⦿

Cristiano Vinciprova

Codesigner with Alexandre Venancio and Felippe Duque of the hairline art deco typeface Capa (2009, Oporto Design). [Google] [MyFonts] [More]  ⦿

Crystian Cruz
[Promodesign]

[More]  ⦿

Cubo
[Florent Courtaigne]

Florent Courtaigne graduated in graphic design - ENSAD / Art Décoratifs de Paris. He founded created Cubo Fonts in 2008, and works as a graphic designer and drawing teacher in the LISAA Design School in Paris. Now a graphic designer, illustrator and art director based in Paris, Florent Courtaigne is the creator of the free circle arc and straight-line fonts Cyclo and Cyclo Bold (2006).

In 2008, Florent started selling fonts at Myfonts: Cyclo (which used to be free), Cortex (2010, monoline sans), Maline (2008, an upright script), Phylactere (2008, a technical, almost architectural, script), Mercurio, Delicate (2009, connected script typeface renamed Delikaat some time later).

In 2009, Florent added Chaman (Tibetan influences) and Pixo (named after the graffiti style in Sao Paulo, pixação). The 3d interlocking character font family Volume was designed in 2011.

In 2012, Florent Courtaigne and Grégoire Pierre codesigned the Leonardian typeface family. Courtaigne created Liliming (2012), a slab serif family that was orginally designed for Liliming, a famous Shanghainese feminine fashion brand.

Typefaces from 2013: Crealab (an organic techno font family originally designed for CREALAB, a company in Shanghai).

In 2014, Courtaigne made the circuit font poster Hack Yizu.

Klingspor link. Dafont link. Behance link. Old URL for Cubo.

View all typefaces by Cubo Type / Florent Courtaigne. [Google] [MyFonts] [More]  ⦿

Dado Queiroz
[Estudio Crop]

[MyFonts] [More]  ⦿

Dado Queiroz

Brazilian designer (b. 1980, Curitiba) of the gorgeous 19th century-style decorative caps typefaces Marisco (Deluxe and Filled) (2007, Estudio Crop). He also made Tritura (2009, EstudioCrop: a grunge textura face), and Riff (2009, estudioCrop), a slab serif face. Dado Queiroz graduated in Graphic Design in 2003. Behance link. [Google] [MyFonts] [More]  ⦿

Dai Coutinho

Nova Petropolis, Brazil-based designer of Molina (2015). [Google] [More]  ⦿

Daiele Rosa

During her studies at UFPel in Pelotas, Brazil, Daiele Rosa designed the triangulated space era typeface Estellar (2015). [Google] [More]  ⦿

Damiao Santana

Brazilian designer from Bahia who published Vincent (2001, ear dingbats), at Tipos do aCaso. He is the principal of Corisco Design in Recife. Fátima Finizola & Damiâo Santana won an award at Tipos Latinos 2014 for Dingbat Carroceria.

Home page. Another URL. [Google] [More]  ⦿

Damien Levaton

Graphic designer in Sao Paulo, Brazil who created the titling and video game pixel font family Happix in 2016. [Google] [More]  ⦿

Dandara Hahn

Sao Paulo-based designer of the display typeface Pytsbolin (2015). Behance link. [Google] [More]  ⦿

Dani Dalledone

Curitiba, Brazil-based designer, b. 1985. Alternate URL. Creator of Dalledone (2008, her own handwriting) and Gill Sonos (2008, a take on Gill Sans). [Google] [More]  ⦿

Daniel Batista de Oliveira

At the Universidade de Brasilia, Daniel Batista de Oliveira designed the video game typeface Blockade (2016). Behance link. [Google] [More]  ⦿

Daniel Brainer

Fortaleza, Brazil-based designer of Moscou (2014), a display typeface that is inspired by the city (and by snow flakes). [Google] [More]  ⦿

Daniel Ferreira

Brazilian designer of the bitmap typeface Kuadriculado (2007). Dafont link. [Google] [More]  ⦿

Daniel Fontenele Saracho

Foundry in Sao Paulo, Brazil. Daniel Fontenele Saracho studied at the School of Advertising and Design in Sao Paulo, Brazil. Creator of Sampa New Symphony (2011, letters based on music notes). [Google] [MyFonts] [More]  ⦿

Daniel Griza

Creator in Porto Alegre, Brazil, of Mostarda (2010), which consists of letters created with the help of a tube of mustard. [Google] [More]  ⦿

Daniel Junior

Sao Paulo, Brazil-based designer of the floriated ornamental caps typeface Baroque (2012). [Google] [More]  ⦿

Daniel Justi

Graphic designer in Sao Paulo, Brazil. Daniel Justi graduated in Graphic Design and specialized in Art Direction by Centro Universitário Belas Artes de São Paulo. He currently works as a book cover designer and graphic projects for books and magazines.

His typefaces: Geleia Text (2015, which won an award at Tipos Latinos 2016), Farloni (2013, monospaced, quirky, and inspired by typewriters), Darling (2013, an opentype-programmed informal decorative sans, perhaps for children's books), Arnica (2010, minimalist geometric), Silent Light (2009, monoline sans), Ataxia (2010, a text family that should hold up well in small sizes), Mood Type (a modular type experiment), Jsans (2009, an open sans family), and Jslab (2009, a slab counterpart).

Behance link. MyFonts link. Klingspor link. Cargo Collective link. [Google] [MyFonts] [More]  ⦿

Daniel Lopes

Brazilian codesigner with Maurício Nunes, Luciana Medeiros, Daniel Pinheiro, Nara Rocha and Virgulino Melo of the typeface Sodoma (2005, Tipos do aCASO). [Google] [More]  ⦿

Daniel Maciel Costa da\Silva

Daniel Maciel Costa da Silva is the Belo Horizonte, Brazil-based designer of Magrilinha (2009, hand-printed, all caps), Atomico (2009, bold hand-printed face) and of the hand-drawn 3d headline typeface Esquisito (2009). Fontsy link. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Daniel Morena
[Sela Preta]

[More]  ⦿

Daniel Noronha

Daniel Fagundes de Noronha (b. 1986) lives in Bauru, Brazil. He designed the Pixel Dart typeface in 2014. It was originally indended for a game called Aldart. Other fonts from 2014 include Poser (3d face), Nameator, Countdowner, Piano Fonte (a piano key face) and Turnineable. In 2016, he designed the pixel fonts Pix Tall, Pixideal and Pixway, and the shadow typeface Funtle Caps. [Google] [More]  ⦿

Daniel Pinheiro

Brazilian codesigner with Daniel Lopes, Maurício Nunes, Luciana Medeiros, Nara Rocha and Virgulino Melo of the typeface Sodoma (2005, Tipos do aCASO). [Google] [More]  ⦿

Daniel Poeira

Daniel Poeira was Daniel Leal Werneck. Researcher at midia@rte - Multimedia Lab at the School of Fine Arts / UFMG (Brazil). Visual artist who lives in Belo Horizonte, b. 1979. Designer of the handwriting typefaces Dwerneck (2005) and Alex Toth (2010), of Papercuts (2007), of Sonic Comics (2009, comic book face), of Monteiro Lobato (2007, grunge), of Metropolitan Regular (2010, grunge), of Glagolitsa (2008, runic), of Brecht (2008, squarish), and of Psicopatologia de la Vida Cotidiana (2005). Alternate URL. Alternate URL. Alternate URL. FADU-UBA link. [Google] [More]  ⦿

Daniel Rocha

During his studies in Rio de Janeiro, Daniel Rocha created the display typeface East Road (2014). This hybrid semi-serif titling typeface was designed for a newspaper in Cambridge as part of the Design Practice II module in the Cambridge School of Arts. Behance link. [Google] [More]  ⦿

Daniel Sabino
[Blackletra]

[MyFonts] [More]  ⦿

Daniel Schramm

During his design studies in Rio de Janeiro, Daniel Schramm created the circle and arc-based typeface Lapadax (2015). [Google] [More]  ⦿

Daniel Seidi Kano

Brazilian art director unrelated to the real DSK. Creator of the hand-drawn poster font Two Colorideas Sans (2011). [Google] [More]  ⦿

Daniela Gonçalves

Brazilian designer and freelancer, who also makes type at Tipos do aCaso. Educated at UFPE. [Google] [More]  ⦿

Daniela Kool

Based in Curitiba, Brazil, Daniela Kool designed Junk Of The Font (2013, hand-drawn) during an internship at Universidade Positivo, also in Curitiba. [Google] [More]  ⦿

Daniela Nobrega

Bauru, Brazil-based designer of the techno inline typeface Endless (2014), which was designed during her studies at Unesp. [Google] [More]  ⦿

Daniela Zatti
[Fantastic Frilly Bits Typography Inspiration]

[More]  ⦿

Daniele Coimbra

While studying in San Roque, Brazil, Daniele Coimbra designed the experimental geometric typeface La Luna (2013). [Google] [More]  ⦿

Danieli Matsumoto

For a project in Priscila Lena Farias's course at University of Sao Paulo's School of Architecture and Urbanism, Danieli Matsumoto, Aline Yoshimatsu, Fernanda Abe and Victoria Koki codesigned a modular typeface (2015). [Google] [More]  ⦿

Daniella Abdalla

Graduate of FAAP (Fundação Armando Alvares Penteado) in Brazil. Sao Paulo-based graphic designer who created the lava lamp typeface Damascus in 2015. [Google] [More]  ⦿

Danielle Adolfo

Recife, Brazil-based creator of the pixelish typeface Gordina (2015). [Google] [More]  ⦿

Danielle Quast Tostes

Designer in Sao Paulo, Brazil. During her studies at SENAC, she created the warm serif typeface Humbond Regular (2012) and the Victorian display typeface Deffugia (2012). In addition, she created Adventure Game Icons (2011) and Alien Pictogram Set (2011). [Google] [More]  ⦿

Danielle Santiago

During her studies at Universidade do Estado de Minas Gerais, Danielle Santiago (Belo Horizonte, Brazil) created the chromatic display typeface Bolinho (2015). [Google] [More]  ⦿

Danilo Alves

Designer in Sao Paulo. In 2011, Danilo created an unnamed avant-garde sans face. [Google] [More]  ⦿

Danilo Bretas

Santos, Brazil-based creator (b. 1985) of the free angular typefaces Angrydubs (2013) and Angrydubs 2 (2014), and the pixacao typefaces Tosca (2015), Pincel (2014), Fosca (2014), and Rolinho (2014). In 2016, he made the graffiti font Vida Loca.

Dafont link. Behance link. Creative Market link. [Google] [More]  ⦿

Danilo G. Casacurta

Campinas, Brazil-based designer of the hand-crafted typeface Ilhabela Wild (2015). [Google] [More]  ⦿

Danilo Gusmao Silveira

Art director in Sao Paulo, Brazil, who created the stunning deco display typeface Geom in 2015. Behance link. [Google] [More]  ⦿

Danilo Mandari

Brazilian brand designer, who lives in Miami, FL. Behance link. Creator of the rounded monoline custom typeface Plural (2012). [Google] [More]  ⦿

Danilo Miguel

Marilia, Brazil-based designer (b. 1985) of the music score emulation typeface Musicografi (2013), the script typefaces Cursiva (2015) and Bico de Pena (2015), the outlined typeface Tubolacao (2015), and the hand-crafted shaded typeface Riscada (2015, +Black).

Typefaces from 2016: Mikelis (connected upright script), Cartame (an urban vernacular signage brush typeface). Behance link. Dafont link. [Google] [More]  ⦿

Danilo Santili

Brazilian graphic designer. Behance link. Creator of Actiontypes (2011), an experimental metallic linkage face. [Google] [More]  ⦿

Danilo Siqueira

Brazilian designer. Based on a concept by Danilo Siqueira and Fred Sekkel, the grungy Times To Go was designed in 2009 by Danilo Siqueira and Gustavo Lassala at BrType. Free download at Unique Types. [Google] [More]  ⦿

Danrley Siqueira

Balneario Camboriu, Brazil-based designer of the octagonal typeface Frostbit (2015) and the pixel font Spacebit (2015). [Google] [More]  ⦿

Danuta Conrado

For a school project, Recife, Brazil-based Danuta Conrado designed the display typeface Sertao (2016). [Google] [More]  ⦿

Daria Fox

Creator of a couple of great Bodoni posters. I also like the geometric typography in the brand design of Karaoke Kafe. [Google] [More]  ⦿

Davi Anjos

Visual communication student at Universidade Federal do Rio de Janeiro (UFRJ). He designed the display typeface d.ball (2011). [Google] [More]  ⦿

Davi Calil

Brazilian illustrator who designed the fun typeface Alphonse (2002) while he was a student in Sao Paulo at Senac de Comunicações e Artes. [Google] [More]  ⦿

David Galasse

Sao Paulo-based Brazilian Portuguese creator from Portigal, of Dora (2012, calligraphic caps). He also made a series of unnamed display typefaces in paperfold, ocragonal and gridded styles.

In 2013, he made Joy, a bespok typeface for Brazilian furniture maker Artesian.

Behance link. [Google] [More]  ⦿

David Galasse

Portuguese-Brazilian multidisciplinary graphic designer in Santos / Sao Paulo, who created the expressionist typeface Dora (2015) and the sticky tape typeface Marker (2015). In 2016, he designed the pen emulation typeface Dora, the octagonal typeface tick tack, which was inspired by alarm clocks from the 1990s. It wa originally created for the visual identity of the video channel Tick Tack. Behance link. Link to Congaa. Behance link for Congaa. Newer Behance link. [Google] [More]  ⦿

Débora Mello

Design student at Universidade do Estado de Minas Gerais in Belo Horizonte, Brazil. She created an unnamed modular octagonal typeface in 2011, as well as a rounded scriptish typeface called Skeight (2011). [Google] [More]  ⦿

Death of the pixel font

Article explaining the demise of the pixel font in 2007 for Flash pages. [Google] [More]  ⦿

Debora Cabral

Illustrator and graphic designer in Recife, Brazil, who created an unnamed curly typeface in 2013. Behance link. [Google] [More]  ⦿

Deborah Grandinetti

Deborah Grandinetti (Belo Horizonte, Brazil) created the soft serif typeface Quasimodo (2010) while studying graphic design. [Google] [More]  ⦿

Deborah Piragibe

Graphic designer in Rio de Janeiro, who created the techno-lettered poster Werner Klatt 2013 (2013) with Bruno Barata. [Google] [More]  ⦿

Decio Guanabarino

Belo Horizonte, Brazil-based photographer, b. 1976, who graduated in graphic design from UEMG (Universidade do Estado de Minas Gerais). Creator of the free font family Litos Script (2011). Fontspace link. [Google] [More]  ⦿

Deiverson Ribeiro

Brazilian graphic designer who studied type design in Buenos Aires. At Tipos Latinos 2012, Alfonso García and Deiverson Ribeiro won an award for their text typeface Bueh Medium, a large x-height typeface designed for newspaper web sites and long texts.

His graduation typeface in 2012 at FADU UBA (University of Buenos Aires) is the lively text typeface Bolsillo.

Deiverson lives in Sao Paulo. Before his degree at UBA in 2012, he studied at the Federal University of Pernambuco in 2007. He grew up in Recife.

Behance link. [Google] [More]  ⦿

Deivith Oliveira

Or Deivith Silva, based in Fortaleza, Brazil. During his studies at Universidade Federal do Ceará, Eduardo Novais (project leader), Deivith Silva, Demetrius Abreu, Onofre Paiva, and Rodrigo Almeida codesigned the circuit-inspired blackletter typeface CiberGotica (2014). [Google] [More]  ⦿

Delfina Duarte

Delfina Duarte was Cristiane Delfinah. This Brazilian created the curly girlish script Delfinah (2009) and the LED typeface Radiare (2011). This is an OpenType font with several choices per glyph. Home page. [Google] [More]  ⦿

Delírios de um cinemaníaco
[Samuel Leal]

Delírios de um cinemaníaco is the title of a 1957 movie that tells the story of painter and cineast José de Oliveira from Sao Carlos, b. 1930. Samuel Leal (Arvore Amarela Design, Rio de Janeiro) digitized the font used in that film and called it Jose de Oliveira (2013).

Dafont link. [Google] [More]  ⦿

Demetrius Abreu

Fortaleza, Brazil-based creator of an electronic circuit-inspired blackletter typeface called Cyber Gothic or Cibergotica (2014). This typeface was developed during his studies at Universidade Federal do Ceará, together with Eduardo Novais (project leader), Deivith Silva, Onofre Paiva, and Rodrigo Almeida. [Google] [More]  ⦿

Denis Angheben

During his studies in UNISO, Sorocaba, Brazil, Denis Angheben designed an alchemic typeface (2013). [Google] [More]  ⦿

Denise Cardoso

During her studies at UFRJ, Rio de Janeiro-based Denise Cardoso designed the typeface family Lina (2015). [Google] [More]  ⦿

Denise Escudeiro

Denise Escudeiro (Recife, Brazil) created the modular typeface Estridente in 2014 for a school project. [Google] [More]  ⦿

Dennis Silva

Or Dennnis Rodolfo. Jaboatão dos Guararapes, Brazil-based designer of the hand-crafted school project typeface Aldaciosa (2015). It is based on vernacular type seen in the streets of Recife. [Google] [More]  ⦿

Design Creatipos
[Jonas Mello Kühner]

Jonas Mello Kühner (of Design Creatipos) is the Brazilian designer of free grunge-style fonts such as Arialda, Entulho, Epletica, Fatal, Grafiteurbana, MutantE, Nanka, Pegajosa, AgressivaMedium. [Google] [More]  ⦿

Dgo Juan

Sao Paulo, Brazil-based designer (b. 1994) of the hand-crafted typeface Degeneradamente Agressiva (2016). [Google] [More]  ⦿

Dhan Ghete
[Area Type (was: GType)]

[More]  ⦿

Di Marques

Brazilian multimedia and web designer in Sao Paulo who was born in 1984 in Recife, Brazil. Creator of a geometric display sans called Something (2009). Behance link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

DiaTipo Natal

Meeting on December 22, 2008, in Sao Paulo's Miami Ad School ESPM, organized by Henrique Nardi and Luciano Cardinali. Speakers: Gustavo Garcia, Fernando Mello, Gustavo Soares and Claudio Rocha. Picture report. [Google] [More]  ⦿

Dick Pape
[Dick Pape: Eduardo Recife's cartoons]

[More]  ⦿

Dick Pape: Eduardo Recife's cartoons
[Dick Pape]

In his scanbat typeface Eduardo Recife (2007), Dick Pape digitized many of Brazilian artist Eduardo Recife's cartoons. [Google] [More]  ⦿

Diego Alonso Soares

Brazilian multimedia artist who created the modular primitive typeface Alonsinógena (2011). [Google] [More]  ⦿

Diego Araujo

Creator at Unique Types of the free experimental typeface Pé da letra (2011) and of Diego (2011, FontStruct). [Google] [More]  ⦿

Diego Botaccini

Graphic designer in Campinas, Brazil. Creator of Inny Sans (2013).

Behance link. [Google] [More]  ⦿

Diego C. Credidio

Brazilian type designer who is studying at UFPE in Recife and who runs the foundry Tipos do aCASO. Fonts: Cabra-da-peste (Western dingbats), Wayana. [Google] [More]  ⦿

Diego Castelhero

Sao Paulo-based graphic designer. He used FontStruct in 2011 to create the pixelish typeface Drop. Home page. [Google] [More]  ⦿

Diego Consalter

Florianopolis, Brazil-based designer of the thin monoline avant garde typeface Aba (2014). [Google] [More]  ⦿

Diego de Oliveira

Designer in Valinhos, Brazil (b. 1987) of the free industrial-strength octagonal font Power Chord (2011). Behance link. [Google] [More]  ⦿

Diego Ferreira Santos

During his studies in Universidade Positivo, Curitiba, Brazil-based Diego Ferreira Santos designed the blackboard bold typeface Zelda Neue (2015) and the display typeface Merope (2016). [Google] [More]  ⦿

Diego Gonçalves

Graphic designer in Rio de Janeiro who graduated in 2011 from the College of Digital Design, Instituto Infnet. He created the intriguing square-shaped experimental font Cubica2 in 2014. [Google] [More]  ⦿

Diego Maldonado

A disciple of Tony de Marco, this Sao Paulo, Brazil-based designer has worked on digital magazines in Brazil such as Elle (fashion), Audi Magazine (lifestyle) and Trip (lifestyle). He set up Just in Type with Tony de Marco. His typefaces:

  • The rounded avant garde typeface Garoa (2011, Just in Type). Codesigned with Tony de Marco.
  • The free font Garoa Hacker Clube Bold was published at OFL in 2013. They write: Inspired by the 70s design, specially on Herb Lubalin's work, the typeface Garoa is a rounded mechanical display font without optical compensations, ideal for large bodies.
  • In 2013, he created the informal children's book typeface Sapeca, a script full of ligatures and alternates.
  • The connected spaghetti-inspired script typeface Pasta Script (2015, Just in Type).
  • Sorvettero (2015). Designed with Tony de Marco, Sorvettero is a sans, layered and unicase typeface inspired by some wood signs in Descansapolis, a neighborhood of Campos do Jordao. It won an award at Tipos Latinos 2016.
  • Befter Sans (2016). A humanist sans typeface family with flared strokes.

Behance link. Old URL. Creative Market link for Just in Type. [Google] [MyFonts] [More]  ⦿

Diego P

Brazilian designer in Sao Paulo of the octagonal typeface That's a Warp (sic) (2012). [Google] [More]  ⦿

Diego Tenorio

Recife, Brazil-based designer of Bloodyface (2013). Behance link. [Google] [More]  ⦿

Dimitre Lima
[HiType (was: DMTR.ORG)]

[MyFonts] [More]  ⦿

Dimitris Zoitas

Graphic designer in Athens, Greece. Creator of Legion Ornament (2011) and Legion (2011). [Google] [More]  ⦿

Dingbats Brasil

Dingbats Brasil is an exhibition that features the first decade (1996-2006) of Brazil's production of digital pictorial alphabets - the dingbats - through thirty-five projects by 22 prominent contemporary designers. Curated by Brazilian graphic designer Bruno Porto in 2006 while acting as Coordinator of Illustration Studies for the Visual Arts Institute of Rio de Janeiro's UniverCidade, the exhibition has traveled South American countries in universities and academic events. This blog is not only intended to record the exhibition but also to keep track of the upcoming Brazilian symbol fonts (in +dingbatsbrasil) and related matters (in the dingblog). [Google] [More]  ⦿

Diogo Arnosti

Rio Claro, Brazil-based designer of an untitled art deco typeface in 2014. [Google] [More]  ⦿

Diogo Bueno

During his studies in Rio de Janeiro, Diogo Bueno created the free Greek simulation font Deva (2013). [Google] [More]  ⦿

Diogo da Costa

Sorocaba, Brazil-based designer of the groovy display typeface Stab (2013), which is based on the Microsoft system font Vrinda. [Google] [More]  ⦿

Diogo Garmatter

Graphic designer in Curitiba, Brazil, who created a typographic wine bottle in 2013. [Google] [More]  ⦿

Diogo Granato

Rio de Janeiro-based designer of Mag Deco (2013). [Google] [More]  ⦿

Diogo Lima

Design student in Sao Paulo, who created Diamond Sans (2012) during his studies. [Google] [More]  ⦿

Diogo Mac

Pelotas, Brazil-based designer of the creamy curvy typeface Fiss (2014). [Google] [More]  ⦿

Diogo Santos

Florianopolis, Brazil-based student at UFSC in 2014. Designer of Tree Type (2014, with Marta Souza). [Google] [More]  ⦿

DNA Tipografico

Conference in Sao Paulo, held from 15-19 March 2005. Speakers include Claudio Rocha, Tony de Marco, Priscila Farias, Fabio Lopez, Rodolfo Capeto, Henrique Nardi, Claudio Ferlauto, Hugo Cristo, Marcos Mello, Vincenzo Scarpellini, Massimo Gentile, Chico Homem de Melo, Bruno Porto, Billy Bacon, Akira Kobayashi, Pancho Galvez, Luis Siquot, Bruno Steinert, GHabriel Martinez Meave, Baixo Ribeiro, Wagner, Jorge de Buen and Herbert Baglione. [Google] [More]  ⦿

Dominique Barbieri

During her studies in Firenze, Italy, Dominique Barbieri designed the vernacular typeface Rio de Janeiro (2013), which took inspiration from lettering found in Rio.

Behance link. [Google] [More]  ⦿

Donisete Lemos

During his studies at Universidade do Estado de Minas Gerais in 2014, Donisete Lemos created the surfboard-inspired Collona Surf typeface. [Google] [More]  ⦿

Doo Cavendish

Brazilian art director and graphic designer who has done some custom type design. [Google] [More]  ⦿

DooType
[Eduilson Wessler Coán]

Curitiba-based Brazilian digital type foundry, est. in 2008 by the successful and talented type designer Eduilson Wessler Coan (b. 1983, Curutiba). Myfonts link. Their fonts:

Klingspor link. Creative Market link. Behance link. MyFonts interview. [Google] [MyFonts] [More]  ⦿

Dora Suh

During her studies at Universidade Positivo in Curitiba, Brazil, Dora Suh created the display typeface Cold Sun (2015, with Gabriel Chang). [Google] [More]  ⦿

Doug Alves
[Nacionale]

[More]  ⦿

Douglas Antunes

Goiania, Brazil-based designer of the display typeface D Holic (2016). [Google] [More]  ⦿

Douglas Charles Cunha

Goiania, Brazil-based designer (b. 1970) of the free sans typefaces Rounded Elegance (2015) and Soft Elegance (2015). [Google] [More]  ⦿

Douglas Moura

Sao Paulo, Brazil-based designer of a copperplate typeface in 2016. [Google] [More]  ⦿

Douglas Vitkauskas

Brazilian resident who specializes in original grunge designs. His typefaces are mostly free. Some commercial typefaces are available via Creative Market.

Typefaces from 2016: VTKS Shine (brush script), VTKS Kacilds (children's script), VTKS Friaka, VTKS MockUp, VTKS Amarelli, VTKS Perereca, VTKS Raladeira, VTKS Rough Col, VTKS Integral, VTKS Voluntario (brush script), Vtks Burning (curly and bewitched), Vtks Simplex Beauty (ornamental caps), Vtks Raladeira, VTKS Black Hair (a fun irregular brush script), VTKS Felicidade (script).

Typefaces from 2015: VTKS Love U, VTKS Mockup, VTKS Academy, Family, Poster (grunge caps), Hunt, VTKS Articles (Treefrog-style script), VTKS Sonho (Treefrog), Lounge Set, Vacancy, Red Line, Old Mobile, Raining, Happiness Always, Good Day, Nicely, Desgaste (spurred), Basic Lines, Water Lily.

Typefaces from 2014: VTKS Painel (brush), VTKS Motor (hand-crafted), VTKS Super Funny, VTKS Tender Love (vampire script), Limpeza (signage script), Delicious, VTKS Hotel, Propolis (brushy script), VTKS Rash (irregular hand), Pedra Azul (vampire script), MRD 67 VTKS (grunge), VTKS Samanbaia (Treefrog-style script), VTKS Channels, VTKS Dreamer, VTKS Money, VTKS Belinha (inky script), VTKS University (striped typeface), VTKS Classicuda, VTKS Authentic, VTKS Burning, VTKS Modern Look, VTKS Beta, VTKS Bandoleones, VTKS Pedra Bruta (rough brush script), VTKS Recover MB 1, VTKS Simplex Beauty, VTKS Dirty Letters.

Typefaces made in 2013: VTKS Rust, VTKS Easy Work, VTKS New One, VTKS Old Tee, VTKS Free Soul (Victorian), VTKS Have A Nice Day (grunge), VTKS University, VTKS Piscina, VTKS Divertida, VTKS Modern, VTKS Lovely, VTKS Back To Basics, VTKS Sujinha, VTKS Inked, VTKS Grungy, VTKS Thanks You, VTKS Love Is Everything (curly font), VTKS Dura 3D (showboat Western), VTKS Youth Spirit, VTKS Lightness, VTKS Premium, VTKS Authentic (a calligraphic brush script), VTKS Rafia, VTKS Have A Nice Day, VTKS Classical Hit, VTKS Lumina, VTKS Dirty 2, VTKS Good Day (Treefrog-style hand), VTKS Boutique, VTKS Storm 2 (grunge).

Typefaces made in 2012: VTKS Street Vision (graffiti font), VTKS Show, VTKS Lounge Set, VTKS Total Flux Disturbed, VTKS Total Flex Clean, VTKS Love Love, VTKS Ballerina, VTKS Contrast, VTKS Friendly, VTKS Orbital, VTKS Exame (dirty stencil face), VTKS Future (stencil face), VTKS Fresh, VTKS Laundry, VTKS Curumin, VTKS Citrino (a spurred inline face), Vtks Squizita (grunge), Vtks Blank, VTKS Broadband, VTKS Logic (grungy texture typeface), VTKS Expert (grunge), VTKS Worker, VTKS Chalk 79 (chalk font), VTKS Vinte e Cinco, Good Vibration, VTKS Bagacao, VTKS Message, VTKS Keystorm (texture face), VTKS Scratch, VTKS Minus, VTKS Fail, VTKS Busseta (dymo label font), VTKS Assign, VTKS Carrier (grunge), VTKS Lovers Italic, VTKS Good Vibration 2, VTKS Encounter (grunge), VTKS Natural, VTKS Seven.

Typefaces made in 2011: VTKS Message (grunge), VTKS Lovers (frilly), VTKS Carrier (grunge), VTKS Contact (texture typewriter face).

Designs from 2010 include VTKSSIGNOFTIMES, VTKSSIGNOFTIMESbold, VTKS Unidade, VTKS Scream, VTKS Personal, VTKS Noise (texture face), VTKS Mint, VTKS Legal (Treefrog-style hand), VTKS Fresh Mint, VTKS Ink, VTKS Study (a sketch face), VTKS Morning Rain (+3D, +Bold), VTKSEMBROIDERY, VTKSLowRider, VTKSLowRiderBox, VTKSREVERSO, VTKSREVERSOOPTIONB, VTKSURBANTIME, VTKSURBANTIME3d, VTKSURBANTIMEbold, VtksBeautifulDreams, VtksVictory, vtksRudeMetalshadow, vtksarmy, vtksarmy3d, vtksshow, vtkssolution, vtkssolution3d, vtkssolutionbold, vtkssuper, vtkswhitepage3d, VTKSCOMIC, VTKSHIGHLIGHT (2010, a sketched face), VTKSHIGHLIGHT2, VTKSHIGHLIGHT3, VTKSXtra, vtkscrazytime, vtksmorningrain, vtksmorningrain3D, vtksmorningrainBOLD, VTKS Trunkset, VTKS Control, VTKSCURVE, VTKSDOWNTOWN (chalk or brush face), VTKSLOVEANDPEACE, VTKSSOLUOCRIATIVA, VTKSSOLUOCRIATIVADOIS.

In 2009 he designed vtks Water cristals, vtksControl, vtkskeystorm, vtkstrunkset, VTKS Distress (grunge), VTKS Deja Vu, VTKS Giz, VTKS Sunny Day, VTKS Mercearia, VTKSRASURADA (grunge), VTKSSABONETE (grunge), Vtksespinhuda (grungy), and vtkssbadodechuva (grungy).

In 2008, he created VTKSSKULLS, VTKS Focus (curly letters), vtksRascunhoErrado (hand-printed), vtksanimal2 (brush/paint), VTKSFLOWERSINOURSOUL, VtksRelaxingBlaze (double script), Quadrada e Gordinha, VTKS Velhos Tempos (great scratchy script face), Squizita, Mural, VTKS Revolt, VTKS General Use, VTKS Good Luck For You, VTKS-BEAUTY, VTKS-CHIP-SET, VTKS-CHOICE, VTKS-CORE, VTKS-No-Name, VTKS-SKULLZ-ME, VTKS-SummerLAnd, Vtks-Blank, Vtks-FININHA, Vtks-Hardness, Vtks-Noba, vtks-alcalina, vtks-caveirada, vtks-squares, vtks-syndicate, VtksCapsLoco (all caps), VtksEntulho (grunge), VtksSonho (elegant scratchy script), vtksalcalina, vtkscaveirada (grunge), vtkstrutagem (grunge), VTKS Encantar (grunge).

In 2007, he designed VtksDesgaste, VtksWineLabel, VtksWineLabelTwo, VTKSBlackLabelNormal, VTKSBlackLabelNormalFilete, VtksBlack, VtksBlackLabel, VTKS Untitled (grunge), VTKS-News-Label, VTKS-ROCK-GARAGE-BAND, VTKS-SCRUBBED, vtks-REPORT-erRoR, VTKS Clean, VTKS Easy Way (informal outline lettering), VTKS Hardness (grunge), VTKS Mural (scratchy script), VTKS Alpes, VTKS No Name (ornamental caps), VTKS Beauty (ornamental caps), VTKS Refused (grunge), VTKS Gore, VTKS Estilosa, VTKS Bandana, VITKS Furious, VITK Colagem, VTKS36, VTKSDearLove (curly lettering), vtks38 (double-lined hand), vtksLemonDrop (comic book face).

Fonts made in 2005 include D_OLD_MODERN, D_OLD_MODERN2, Scretch (scratchy face), Busseta, D Old Miner, Assign (handwriting), Fail (grunge) and Minus (scratchy face).

Pay fonts include Beautiful Dreams, Black, Black Label, Bronze Age, Desgaste, Design Pencil, Embroidery, Funny Lines, Good Vibrations, Keep Your Mind Clean, Low Rider, Mixed Job, Natural Style, Number Zero, power Age, Sexy Lines, Shadow, Urban art, Victory, VTKS V2, Warrior, Wine Label, Xtra.

FADU-UBA link. Fontspace link. Fontsy link. . Dafont link. Abstract Fonts link. Creative Market link. Old URL. [Google] [More]  ⦿

Drielly Azevedo

Campos dos Goitacazes, Brazil-based designer of the paper-fold typeface Tipos de Papel (2015). [Google] [More]  ⦿

Duda Bueno

Porto Alegre, Brazil-based designer of the free vector format graffiti typeface Bueno (2015). [Google] [More]  ⦿

Duda Max

Pelotas, Brazil-based designer of the angular angry loud metal band typeface Taranis Statik (2014). [Google] [More]  ⦿

Edileno Capistrano Filho

Brazilian student who graduated from Escola de Belas Artes at the University of Bahia (UFBA). His 2009 graduation project involved an experimental 4 to 6-person card game featuring 40 Brazilian typefaces. [Google] [More]  ⦿

Edna Lucia Cunha Lima

Edna Lucia Cunha Lima (b. Sao Paulo, Brazil) studied at PUC-Rio and has a Ph.D. from ECO-UFRJ in Rio de Janeiro. She practices as a graphic designer since 1970 and since 1998 she is a professor in the department of Arts & Design of PUC-Rio. She researches the history of type design in Brazil, and published the survey article Fundido tipos moveis no Rio de Janeiro, no seculo dezenove (Tupigrafia 11, 2015). [Google] [More]  ⦿

Ednei Sousa

Ednei Sousa based his Skells font (2013) on the Book of Kells. He is based in Rio de Janeiro. [Google] [More]  ⦿

Edpo Luis Francisco

During his studies, Edpo Luis Francisco (Sororoca, Brazil) created the dot matrix typeface Muse (2015). Behance link. [Google] [More]  ⦿

Edson Lima

Graphic designer and illustrator in Nossa Senhora de Docorro, Brazil. A graduate of Universidade Federal de Sergipe (UFS), he reated the comic book typeface Edson Boom in 2014. [Google] [More]  ⦿

Edson Mutran

Sao Paulo-based designer of the art deco typeface family Noir (2015, +Noir Blinds). [Google] [More]  ⦿

Edu Silva

Multimedia designer Edu Silva (Sao Paulo, Brazil) created Laloted (2010). [Google] [More]  ⦿

Eduarda Severo

Rio de Janeiro, Brazil-based designer of the text typeface Petit Cosette (2015). [Google] [More]  ⦿

Eduardo Bacigalupo

Uruguayan type designer (born in 1952 in Montevideo), one of the pioneers of Brazilian type, dabbling mainly in corporate type in Brazil, such as for Vasp (1985), Cia. Hering, Bardahl and Continental 2001. [Google] [More]  ⦿

Eduardo Barves

As a graphic design student in Rio de Janeiro, Eduardo Barves created the FontStruct font Insecta Sans (2016). [Google] [More]  ⦿

Eduardo Batiston

Brazilian creator at Unique Types of the free semi-stencil typeface Horizontes (2011, with Karen Sampaio). [Google] [More]  ⦿

Eduardo Beluco

Sao Paulo-based designer, b. 1985. Creator of the experimental typeface Jesus Chorou (2010), the alchemic typeface Shuv (2013), the art deco typeface Terecodeco (2012) and the poster face Grossa (2010).

In 2013, he designed Cities in Construction.

Home page. Dafont link. Behance link. Hellofont link (for buying his fonts). [Google] [More]  ⦿

Eduardo Berliner

Brazilian ex-student at the University of Reading who designed Pollen (2003). Pollen was published at TypeTogether in 2011. [Google] [More]  ⦿

Eduardo Braga

Brazilian type designer, who made fonts such as Nossa Senhora do Bom Sucesso. He studied at and is currently professor at the Universidade de Minas Gerais in the School of Graphic Design. Based in Sao Paulo. [Google] [More]  ⦿

Eduardo Calvetti

During his graphic design studies in 2015, Eduardo Calvetti (Curitiba, Brazil) designed Savage Universe (2015). [Google] [More]  ⦿

Eduardo Cavalcanti

Brazilian student at UFPE from Recife who created the typeface Tipofilme at Tipos do aCASO (2005). [Google] [More]  ⦿

Eduardo Gouveia

Designer in Recife, Brazil, who is studying at UFPE. His creations include the sturdy sans typeface Vinagre (2010) and the organic typeface Cardapio (2009). Behance link. [Google] [More]  ⦿

Eduardo Lima

Aka Eduardo "Duds" Lima. Uberlandia, Brazil-based designer of the typographic poster Essa Moca Ta Diferente (2015). [Google] [More]  ⦿

Eduardo Lourenco

Located in Criciuma, Brazil, Eduardo Lourenco created a multixcolored puzzle font called Tetris (2013). [Google] [More]  ⦿

Eduardo Manso Sayao

Brazilian designer of the hand-printed all caps typeface Ruchedo Basico (2007). [Google] [More]  ⦿

Eduardo Massa

Rio de Janeiro-based designer of the multiline deco typeface Nem Sempre Acondece (2014). [Google] [More]  ⦿

Eduardo Myr

Designer in Sorocaba, Brazil, who created the outline typeface Vertices (2011). [Google] [More]  ⦿

Eduardo Nobrega

Eduardo Nobrega (Recife, Brazil) created the Boomerang alphabet in 2012. He is a graduate of the Universidade Federal de Pernambuco (2010). [Google] [More]  ⦿

Eduardo Oliveira

Lincoln, UK-based designer, born in Brazil, of the free italic display typeface Amada (2015). Dafont link. [Google] [More]  ⦿

Eduardo Omine
[Omine Type]

[MyFonts] [More]  ⦿

Eduardo Poconeh

Aracaju, Sergipe, Brazil-based creator (b. 1982) of the angular school project font Poconeh (2014) which was developed at the Federal University of Sergipe, Brazil. [Google] [More]  ⦿

Eduardo Recife
[Misprinted Type]

[MyFonts] [More]  ⦿

Eduardo Renno

Rio de Janeiro-based designer of the blocky typeface Dureks (2015). Behance link. [Google] [More]  ⦿

Eduardo Souza

Brazilian graphic designer. Creator of Muerte (2011, FontStruct). Behance link. A vernacular bar sign inspired him to create the script typeface Barbosa (2011). An old poster for aguardente de cana gave enough material for a Tuscan typeface called Sao Paulo (2011). [Google] [More]  ⦿

Eduardo Tallia

Eduardo Tallia (Sao Paulo, Brazil) created the brush typeface Kando in 2013. [Google] [More]  ⦿

Eduardo Zemeczak

Sao Bernardo do Campo, Brazil-based designer of the display typeace family Crummers (2016). [Google] [More]  ⦿

Eduilson Wessler Coán
[DooType]

[MyFonts] [More]  ⦿

Elaine Cristina

Elaine Cristina (Elaine Fortes, Sao Paulo, Brazil) created the architectural elliptical typeface Indefinit in 2015 during her studies. [Google] [More]  ⦿

Elaine Cristine

During her studies at the Faculdade de Belas Artes of the Universidade do Porto in 2013, Elaine Cristine created several pixelized typefaces using FontStruct as a tool. In 2015, now based in Joinville, Brazil, she designed the decorative typeface Saudade, which is based on Portuguese azulejos. [Google] [More]  ⦿

Elder Marques

Belo Horizonte, Brazil-based designer of the free bilined all caps typeface Parallels (2016). [Google] [More]  ⦿

Eldes Oliveira

Brazilian illustrator in Sao Carlos, b. 1974.

Dafont link. Creator of the Kafkaesque wood cut style typeface Eldes Cordel 1 (2011). [Google] [More]  ⦿

Elementar

Elementar (2012) is a student project at the Escola de Belas Artes da Universidade Federal da Bahia, carried out by these students: Henrique Sales (Salvador), Howfens Cavalcante (Salvador), Marcelo Vanzillota, Roberto Souza (Salvador), Victor Fonseca. It is concerned with the compass and ruler design of a bauhaus style geometric sans typeface. [Google] [More]  ⦿

Elias Bitencourt

Designer, type designer and professor in Salvador, Brazil. He made Benedicta (2006), a blackletter-inspired sans. See also here. He also made the geometric blackletter typeface Tex (2006). [Google] [More]  ⦿

Eline Pimenta

During her graphic design studies in Belo Horizonte, Brazil, Eline Pimenta created the display typeface Shield (2014). [Google] [More]  ⦿

Elisa Branco

Graphic designer in Rio de Janeiro, Brazil. She created a neon light typeface called New Retro Font (2009). [Google] [More]  ⦿

Eliza Viana de Melo

During her graphic design studies at Universidade do Vale do Itajai, Tijucas, Brazil-based Eliza Viana de Melo created the artistic square-shaped typeface Conceitual (2015). [Google] [More]  ⦿

Elizabeth Aguiar

Recife, Brazil-based designer of the vintage script typeface Arcaico (2015). [Google] [More]  ⦿

Elvis H. Martuchelli
[a Falange Studio]

[More]  ⦿

Emerson Dias

Campinas, Brazil-based creator of the vernacular poster typeface Mundano (2013), which was a school project. [Google] [More]  ⦿

Emiliano Amadei

Ponta Grossa, Parana, Brasil-based inddustrial designer. Creator of the stencil typeface New Stencil (2006) and the graffiti typeface StreetBlok (2006). [Google] [More]  ⦿

Enedina Luna

Art director in Fortaleza, Brazil, who created the bubblegum typeface Colombia (2015). [Google] [More]  ⦿

Enoe Germano

Piracicaba, Brazil-based creator of the curly typeface Hepburn Type (2014), which was finished during her graphic design studies. [Google] [More]  ⦿

Enrique Cuevas

Born in Rancágua, Enrique Cuevas was raised in Vila Izabel, Brazil. During his studies at Universidade Tecnolúgica Federal do Paraná, Curitiba-based Cuevas created the custom connected script typeface Mosai (2014) for a surfboard company. Behance link. [Google] [More]  ⦿

Eric Delbosque

Eric Delbosque (Sao Paulo, Brazil) created Consline (2012, a serifed typeface) and Tipo Modular (2012). [Google] [More]  ⦿

Eric Fiori

Brazilian designer Eric Fiori created the sans typeface Quick Juno in 2011 under the guidance of type teacher Fernanda Henriques. Behance link. [Google] [More]  ⦿

Eric Fontoura

Eric Fontoura (Rio de Janeiro) created the geometric typeface Migli (2012).

Behance link. [Google] [More]  ⦿

Erica Jung

Brazilian printmaker, graphic artist and illustrator, b. 1975. Her fonts are created together with Ricardo Marcin at Pintassilgo Prints (est. 2009). Pintassilgo relocated to Florianopolis at some point. Her fonts at PintassilgoPrints include Unboring (2016), Sunbeat (beatnik style), Hand It (2016, a childish script), Botanique (2016, after Lucian Bernhard's Schmalfette Bernhard Antiqua, 1912), Somehand (2015), Gumdrop, Granz (2015: retro lettering based on a Porgy & Bess album cover by David Stone Martin), Stabile and Stabile Toys (2015, hand-crafted), Cluster (2015, a layered letterpress emulation typeface), Stick Around (2014), Marker Aid, Unpack, Felt Noisy (fat brush), Blueshift (2014), Daft Brush (2014, a vernacular brush), Tuesnight (2014, offbeat poster font), Periplus (2013), Marujo (2013: a decorative typeface inspired by paintings of Arthur Bispo do Rosário, a Brazilian artist who lived for 50 years in a psychiatric institution), Brush Up (2013: a rough brush script), Undersong (a stackable script system), Tremendous (2013: a retro poster typeface), Rockinstead (2013), Runcible (2013, +Cleft, its glaz krak version), Mamute (2013: a layered letterpress style type system), Sabotage (2013: squarish poster font inspired by the iconic Vertigo movie poster by Saul Bass), Sheldon (2013, based on posters by the Polish graphic artist Marian Stachurski; +Extras), Dranskof (2013, inspired by a page from a publication for children by Serbian writer, poet and journalist Dusko Radovic), Gentil (2012, an all caps poster font), Sundowners (retro poster face), Kokoschka (2012, based on the the lettering on the poster of an expressionist play by Austrian painter, printmaker and writer Oskar Kokoschka in 1909), Monstrinhos (2012, dingbats), YWFT Duncan (2012), Card-o-mat (2012, bird dingbats), Soundtrack (2012), Monstro (2012, fat poster face), Attic (2012).

Typefaces from 2011: Melkslijter (2011, a stylish art deco typeface based on a brochure by Dutch graphic artist Dirk Hart), Polyspring (2011, a Victorian typeface hand-drawn based on Italia Condensed, Keystone, 1906), Berimbau (2011), Populaire (2011, a hand-drawn poster caps typeface that was inspired by the electrifying posters from May 1968 by Atelier Populaire, and loaded with alternates to give a random effect), Manicuore (2011, a hand-drawn typeface inspired by Italian movie posters by the prolific movie poster artist Symeoni, aka Sandro Simeoni), Smashing (2011, a fat hand-printed poster face), Smashing (2011, a fat hand-printed poster face), Chancellor (2011), the eccentric poster face Polygraph (2011, based on lettering of the Polish poster artist Leszek Zebrowski. Images: i, ii, iii, iv, v, vi, vii, viii, ix, x), the vintage serif typeface Organically (2011), Transitore (2011: Transitore is a lively hand-drawn font with loads of alternates and ligatures which, managed by advanced OpenType features, help create a convincing handcrafted look), the poster display typeface Sforzando (2011; +Alto), the signage typeface Jongleur (2011).

Typefaces from 2010: the Cuban poster typeface Transmogrifier (2010, based on lettering by Cuban poster artist Eduardo Muñoz Bachs), the ultra-fat art deco typeface Loudine (), Crocante (2010, comic book face), Love Birds Pattern (2010), Swung Note (2010), Amarelinha (2010, hand-printed), Cuadrifonte (2010, a fat hand-printed family including styles called Pics, Sketch (regular), Fill and Line), Xylo Sans (2010, wooden texture face), Ritornelos (2010, a curly all caps hand-printed face), Roadway (2010, based on wood Clarendons), Bandoliers (2010, an informal hand-printed sketched face, with 3D versions such as Beefy, High and Rocky), Changing (2010), Vitrines (2010, hand-printed), Prokaryotic (2010, a "bacterial attack" face), Football World (2010, soccer silhouettes), Singela (2010), Butterfly Effect (2010), Tonal (2010, ultra-fat with mini-counters), Dynatomic (2010, inspired by the hand-drawn lettering of a 1964 polish movie poster designed by Andrzej Krajewski), Lovebirds (2010, bird silhouettes), Somewhat (2010, hand-drawn), Oyster (2010, hand-drawn dingbats), Grante (2009, a lively poster face), Mondiale (2009), Nanquim (2009, sketched letters), Merceria Antique (2009) and Arca (2009, + Dashed). All have an informal and attractive look, and were codesigned with Ricardo Marcin.

The prints of Horst Janssen had a characteristic uneven hand-printed lettering that led Erica Jung and Ricardo Marcin to design the multi-featured opentype typeface Horst (2010). Nova Horst followed in 2012.

Creative Market link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Erick Alexander Drefahl

Brazilian (b. 1987) based in Curitiba. Designer of Cash Font (2007). [Google] [More]  ⦿

Erick Lisboa

During his studies at Anhembi Morumbi University in Sao Paulo, Brazil, in 2016, Erick Lisboa designed P3 Poli (Sans and Serif). Behance link. [Google] [More]  ⦿

Erico Lebedenco

Brazilian graphic and type designer and illustrator from Rio de Janeiro, b. 1983. Formed in Graphic Design at SENAI/RJ Technical School and student of Industrial Design at UNESA College. He worked at Dinamo Design and is currently based in Sao Paulo.

His fonts include Philosopher (2008, an organic sans done with Jovanny Lemonad), Chantilly Lace (2011, a thin vertically striped beauty), Old-Gothic (2008, blackletter, done with FontStruct), The-Adrian-Frutiger-Experience (2008, FontStruct), Blow (2008, FontStruct), Todays Meal (2011, chalky face), Yellow Magician (2008, organic headline face, made with FontStruct) and Zillah (2008, using FontStruct). HandTest (2009) was made with Fontcapture.

In 2012, he published the hand-printed typeface Van B. Medusa (2014) is a dingbat font inspired by jellyfish.

Gaspar Italic (2014) is based on a Hungarian Holy Bible.

His graduation project at Senac Sao Paulo was the rounded octagonal typeface Makki (2014). In 2015, he designed Typejet for inkjet printing. Special attention is paid to ink traps and to strength under the color blending process.

Behance link. Dafont link. FontStruct link. [Google] [More]  ⦿

Ericson Straub

Type designer from Curitiba (Brazil) who won third prize at the Tipografia Brasilis in display typography 2001 with his calligraphic font Pero Vez. He runs Straub Design. In 2005, he co-custom-designed EstadoSerif with Eduilson Wessler Coan and Fabio Augusto for the Jornal O Estado do Paraná. [Google] [More]  ⦿

Erik Bruun

Erik Bruun (b. 1926, Viipuri) is a Finnish graphic designer. In 1953 he founded his own design studio, where he produced the most of his work. Bruun's work includes posters, postcards, stamps. He also designed the reverse sides of the last ever series of the Finnish Markka banknotes in 1986. [Google] [More]  ⦿

Erik Getzel

Brazilian designer, b. 1991. Home page. Creator of Unik Type (2010, FontStruct) and the rounded pixelish typeface Garland (2011). Klingspor link. [Google] [More]  ⦿

Erik Hahne

Sao Paulo, Brazil-based designer of Steel Pipe Font (2015). [Google] [More]  ⦿

Erika Amaral

Belem, Brazil-based Fontstructor who made Geom Type (2014). [Google] [More]  ⦿

Erika Lourenco

As a design student in Curitiba, Brazil, Erika Lourenco created the prismatic typeface David Bowie (2014). [Google] [More]  ⦿

Escaphandro
[Rafael Nascimento]

Rafael Nascimento (b. 1977) is a Sao Paulo, Brazil-based graphic designer. FontStructor who made these modular display typefaces in 2014: Wim Gestreept (an octagonal typeface inspired by Wim Crouwel's work), , Sao Paulo (pixacao emulation), Pixel Spaceships, Chippanze (+LoRes, +DotMatrix), Kamada, Illusion (op-art based on the work of visual artist Martijn Sandberg), De Lorean, Pulse (pixel face), De Stijl, Soundwave (experimental), Ninja Gaiden, Pony PX, Act1, Platypus, Geo Geo, Expressionista, Soundwave Round, Video, Geo Libre (a tangram font). [Google] [More]  ⦿

Estela Nascimento

Estela Nascimento's school project typeface in Rio de Janeiro was Morticia Adams (2013), a condensed modular typeface that was made with the help of FontStruct. [Google] [More]  ⦿

Esteriografica (was: Familia Design)
[Rafael Dietzsch]

Rafael Dietzsch ran Familia Design in Brazil, ca. 2007. Presently, he heads Estereografica in Brasilia, Brazil. Graduate of the University of Brasilia, and of the MATD program at the University of Reading in 2012. His graduation typeface is Brasilica (2012), which is a Latin / Greek typeface family with sufficient diacritical support of most Brazilian indigenous languages. It is a serifed typeface but has matching sans styles. My own first reaction to this typeface was sturdy. Brasilica won an award at Tipos Latinos 2014. His thesis in 2012 at Reading was entitled Typefaces for Brazilian indigenous languages. Brasilica was published by the Italian typefoundry CAST in 2015.

At ATypI 2013 in Amsterdam, he spoke about typefaces for Brazilian indigenous languages. [Google] [MyFonts] [More]  ⦿

Estevao Lucas

Brazilian designer. The cubist painting Les demoiselles d'Avignon by Pablo Picasso (1907) inspired Estevao Lucas to create an award-winning broken-up cubist alphabet in 2009. [Google] [More]  ⦿

Estranho Tipo (was: Adreson 74)
[Adreson Vilson Vita de Sá]

Adreson V.V. de Sa (b. Ilha Solteira, SP, Brazil, 1974, aka Adreson74, or: Capa da Cyberjapa) is a Brazilian designer who lives in Porto Alegre. Creator of the free experimental fonts Quadradinho (2004), Aline II (2007, sans), Garrancho (2001, handwriting), Juliana (2002), Julifesta (2002), Bebete (2007, old typewriter), Rita (2007, fuzzy dots; caps only), and Drek (2002).

In 2007, he went commercial and started Estranho Tipo (also at MyFonts). His first type family there was the condensed tall sans family Aline II (2007). This was followed by Bebete (2007, old typewriter face). Future MyFonts font: Possessa (2008-?).

Alternate URL. Dafont link. Blog. Alternate URL. Blog (in Portuguese). Behance link. [Google] [MyFonts] [More]  ⦿

Estudio Cao
[Lucaz Mathias]

Lucaz Mathias (Estudio Cao, Jacarei, Brazil) designed the blackboard bold art deco typeface family Bink (2012), the experimental typeface Tupiaria (2015), and the gorgeous colorful ornamental caps typeface Latinidad (2015).

Behance link. Home Page. Behance link. [Google] [More]  ⦿

Estudio Crop
[Dado Queiroz]

Brazilian graphic design studio which recently branched out into type design. Located in Batel, Curitiba, it is founded and run by Anderson Maschio (b. 1980, Curitiba). Maschio designed Anark Stencil (2007). MyFonts link. Fonts at MyFonts, all by Dado Queiroz: Tritura (2009, grunge textura typeface by Dado Queiroz), Marisco (2007), Riff (2009, slab serif). [Google] [MyFonts] [More]  ⦿

Estudio Pindo

Sao Paulo, Brazil-based studio of the outlined headline typeface Vitra (2016). [Google] [More]  ⦿

Estudio Pum

Graphic design studio in Sao Paulo, Brazil. Creators of the tweetware display typeface Neuza (2014). Behance link. [Google] [More]  ⦿

estudioCrop design

Brazilian graphic design studio located in Curitiba. MyFonts sells its typefaces. These include Postuma (2005, a calligraphic typeface by Beto Janz), Marisco (2007, Dado Queiroz) and Tritura (2009, a textura typeface by Dado Queiroz). [Google] [MyFonts] [More]  ⦿

Evelyn Duerre

During her studies, Evelyn Duerre (Sao Luis, Brazil) created the piano key typeface Major Mission (2015) and the hexagonal typeface Odessa (2015). [Google] [More]  ⦿

Everton de Souza

While studying graphic design in Salvador, Brazil, Everton de Souza designed the modular typeface Modele Pro (2013) and the sans typeface Lothus (2013). LDC Pro Type (2013) is hand-printed. [Google] [More]  ⦿

Exposiçao CONE Design - Sao Paulo

Archive of a type exhibition in Sao Paulo, held in June 2002, showcasing the work of the students at Senac de Comunicações e Artes in Sao Paulo. [Google] [More]  ⦿

Fábio Augusto

Brazilian graphic designer from Sao Paulo. He made the 9x6 pixel fonts Pico Sans and Pico Serif (2003). In 2005, he co-custom-designed EstadoSerif with Eduilson Wessler Coan and Ericson Straub for the Jornal O Estado do Paraná. Other typefaces: Titane (2006, a surgically clean sans family), Temp (2005, a semi-organic display face), Favela (2005, an angry street signage type). Pixel typefaces by him include Ampla Screen (2005), Chemo Screen (2006), Dinheiro Screen (2006), Extended Screen (2006), Matrize Screen (2006), Nikola Screen (2006, Soviet look), Station Screen (2006), Xquadra Screen (2006), Xquadra Tiny Screen (2006).

Old URL. Behance link. Klingspor link. [Google] [More]  ⦿

Fábio Fafers

Brazilian designer (b. 1977) of the hand-printed font Fafers (2002), of Fafers Ireegular Serif (2010), and of the architectural typeface Fafers Technical (2010). Dafont link. [Google] [More]  ⦿

Fábio Henrique

Brazilian codesigner with Anderson Kleber, Leonardo Rosa Borges and Carlos Santos of the calligraphic typeface Amor e Odio (2005, Tipos do aCASO). [Google] [More]  ⦿

Fátima Finizola
[Corisco Design Grafico]

[MyFonts] [More]  ⦿

Fabiane Lima

Brazilian designer of the comic book typefaces Comiquita Sans (2008), Three Hours (2008), and of the pixelish typefaces Yapix (2010) and Bugged Bit (2008). She also made the TV dingbat typeface Bonohadavision (2008), Magnus Jockey (2011, display serif), the thin sans Rara Dolor (2011), and the dingbat typeface The Beetles (2009). She runs Megalopolis, a Portuguese language blog. At her other blog, she showed Hard Kiss (2010, FontStruct) Suicida Sans (2010, organic), Reticula (2010, dot matrix face), Blockhead (2010, pixel typeface done at FontStruct), and Hello Joana (2010).

FontStruct link. Klingspor link. Dafont link. [Google] [MyFonts] [More]  ⦿

Fabiano Procopio

Piracicaba and/or Sao Paulo, Brazil-based graphic designer who created the free decorative high-contrast didone typeface Coltrane in 2014 and the free Coltrane Display v2 in 2016. Behance link. Another Behance link. Cargo Collective link. [Google] [More]  ⦿

Fabio Castro

Sao Paulo, Brazil-based creator of the geometric sans pair Big John (2015) and Slim Joe (2015). Behance link. [Google] [More]  ⦿

Fabio Franco

Fabio Franco (aka Nagash) is the Sao Paul-based Brazilian designer (b. 1982) of Gametaz (2009, experimental, with glyphs looking like connected graphs). Behance link. Devian Tart link. [Google] [More]  ⦿

Fabio Lopez

Rio de Janeiro-based designer of the text typeface Colonia (1999-2004), and of the experimental typeface Ryad. Graphic designer. Co-founder of the group Fontes Carambola. In 2016, his typeface Mini Rio won an award at Tipos Latinos 2016. [Google] [More]  ⦿

Fabio Luiz Haag
[Foco Design (or: ByType)]

[MyFonts] [More]  ⦿

Fabio Martins

During his studies in Bauru, Brazil, Fabio Martins created the free Victorian typeface family Hogshead (2014). Behance link. [Google] [More]  ⦿

Fabio Ribeiro

Sao Paulo-based creator of an unnamed paper fold typeface in 2013.

Behance link. [Google] [More]  ⦿

Fabio Santana

Fabio Santana (San Luis, Brazil) created the pixelish typeface family Maximize in 2012 for a branding job. [Google] [More]  ⦿

Fabio Yllen Blanes Araujo

Designer in Sao Paulo, Brazil. His typefaces from 2012: Artmarker, Belezera, Putana, Putana Negrita, Banga. [Google] [More]  ⦿

Fabricia Maciel

Fortaleza, Brazil-based codesigner, with Aristeu Severino, of the creamy vernacular typeface Diluvio (2015). [Google] [More]  ⦿

Fabricio Alves
[Café Cult (or: Fcraft)]

[More]  ⦿

Fabrika de typos
[Marcio Hirosse]

Fabrika de typos is a Brazilian fondry run by Marcio Hirosse (b. 1969) in Sao Paulo. He made Destroyer (2007, splatter grunge), Helena (2007), Boogaloo (2006), Casual (2006), Expedito (2006), Impresso (2006), Club (2006), Qualque Coisa (2006), Pig (2006), Boogaloo, Casual, Error (2006), Sherley XXX (2006), Thailandesa (2006, Thai simulation face), Expedito, Impresso, Club (2006, stencil), Ferrugem (2006, grunge), Qualque Coisa (2006), Saco de Pao (2006, grunge), Clean (2006, experimental), Poesie Noire (2006, a great multiline calligraphic face), Fuck You Las Vegas (2005), Serial Killer (2004, bloodied Arial), Tragedia (2004), Font Macabra (2004), Font Abuso (grunge), Font Cartaz (2004, stencil face), and Font Mexicana. He created Ballom (psychedelic), Anarchy, Macabra, Cartaz, Crash, Tragedia, Abuso, Estragou de novo (1999), Sucata Special, Brother Bear, Floppy Disk, Punk Dingbats (2004-2005, destructionist typefaces), Swiss AntiNormal (2005), Jooy (2007, grunge), Deusdeti (2007, double script), Deux ex Machina (2007, blackletter-inspired), Comunista (2007, constructivist), BONDAGE-DEMO-VERSION (2007), CASULO-DEMO (2007), D-E-S-T-R-O-Y-E-R-D-E-M-O-V-E-R-S-I-O-N (2007), GARTEN-VON-DORNEN-BLACK---DEMO-VERSION (2007), GARTEN-VON-DORNEN-DEMO-VERSION (2007), Load (2007, grunge), LYSSA-DEMO-VERSION (2007), MUMIA-DEMO-VERSION (2007), OFF-SET---DEMO-VERSION (2007, grunge), Pig (2006, rough stencil typeface), PLEASURES-DEMO-VERSION (2007), Querencia-Army-DEMO-VERSION (2007), TETARIA (2007), FDT Sodomy (2008, blackletter), FDT Carreto (2008), all freely downloadable.

Commercial typefaces: Circus de Terror, Rapariga (curly), Indiana, Hard Core, Iemanjai, Disorder, Joy, Deusdeti, Deux ex Machina, Comunista, Destroyer, Off Set, Pleasures Poesie Noire, Helena, Base, Clean, Casulo, Serial killer.

Creations in 2012: Big Pig, Suicidal Tendencies.

In 2015, he made FDT Wonderland.

Dafont link. Yet another URL. [Google] [More]  ⦿

Fantastic Frilly Bits Typography Inspiration
[Daniela Zatti]

Examples of a 2006-2008 style of typography with frills and swashes, spearheaded by the designs of Si Scott. Others in this "movement" include Hydro74, Marian Bantjes, Ginger Monkey, SHCH, Lee25, Maria karkova, Doug Alves, Daniel Gordon, Craig Ward, Nick Keppol, ElBarbon, Joao Oliveira, Lily Piyathaisere, Dhanank Pambayun, 5ive, Bechira Sorin, Fabio Sasso. The list and the examples were compiled by Daniela Zatti, a graphic and product designer from Porto Alegre, Brazil. [Google] [More]  ⦿

Fata Comunicação

Design coop in Ribeirao Preto, Brazil. Creator of the free gridded typeface UPixel (2012, Unique Types).

Behance link. [Google] [More]  ⦿

fcraft

Designer at FontStruct in 2008 of fcraft_pixel. In 2010, they added minimal-pixel-pixel, and Basica (a pixel face). In 2011, Quadrata (a dark counterless face) followed. Home page. [Google] [More]  ⦿

Federico Birchal

Belo Horizonte, Brazil-based creator of Sans Wings (2013, a modular typeface) and Folding (2013, an origami font).

Behance link. [Google] [More]  ⦿

Felipe Barocco

Porto Alegre, Brazil-based designer. In 2013, Felipe created Neptune's Garden Typeface. [Google] [More]  ⦿

Felipe Bellintani

Brazilian creator at Unique Types of the free fat counterless octagonal typeface No Access (2011). [Google] [More]  ⦿

Felipe Caroé

Designer from Recife, Brazil, b. 1985. In 2009, he created the free fonts Negobom (2010, dingbats of girl typefaces), Parkour (exercise dingbats). He is part of Coletivo NEGOBOM. [Google] [More]  ⦿

Felipe Dário dos Santos

Graphic designer from Brazil, b. 1989. Designer of FDHelwoodica (2008), a grungified Helvetica (2008), and similarly grungy FD Stenciluxe (2008), FDBateek (2009), FD Stripped for BUP (2009, arched Times New Roman face), FD J Borges (2009, extremely funny dingbats based on the work by Brazilian artist J. Borges), FDIlhoscript (2009, handwriting) and FD Carimboh (2009). Alternate URL. [Google] [More]  ⦿

Felipe Fabbri

Designer and student in Rio de Janeiro, who created the origami typefaces Origami and Tucura in 2014. [Google] [More]  ⦿

Felipe Feitosa

Designer in Sao Paulo. He created the bone-themed font DVCO for a skateboarding company in 2015. [Google] [More]  ⦿

Felipe Ferreira

Sertãozinho, Brazil-based designer of the condensed sans typeface Zicartola (2014), which was created to honor Angenor de Oliveira, aka Cartola. [Google] [More]  ⦿

Felipe Franco Rodrigues

Brazilian illustrator and designer, who graduated in Multimedia Design from the Panamericana School of Art and Design, and is currently studying graphic design with emphasis on typography at the University Anhembi Morumbi. Designer of Worm (2010, a hand-printed display face). Home page. [Google] [More]  ⦿

Felipe Genuino

During his studies in Florianopolis, Brazil, Felipe Genuino designed New Deco (2013). Behance link. [Google] [More]  ⦿

Felipe Giglio

Felipe Giglio "Feijao" (Sao Paulo, Brazil) created a few unnamed experimental typefaces in 2013. Cargo Collective link. [Google] [More]  ⦿

Felipe Hort

Brusque, Brazil-based art director and graphic designer. He created the octagonal typefaces Futura WEFT (2010) and Futura Weby (2014).

Behance link. [Google] [More]  ⦿

Felipe Kenzo Atatsuka

Graphic designer in Tatui, Brazil, who designed Satellis Type (2013), a hexagonal sci-fi typeface. [Google] [More]  ⦿

Felipe Lemos

During his graphic design studies at UFRJ in Rio de Janeiro, Felipe Lemos created the modular display typeface Monumental (2013). [Google] [More]  ⦿

Felipe Macedo

Graphic designer in Olinda, Brazil, who made an unnamed modular typeface in 2013. [Google] [More]  ⦿

Felipe Memória

With a Bachelor's degree in design from PUC in Rio, Felipe (Rio de Janeiro, b. 1977) is involved in brand design for various companies. His Archimedes Memória typeface (2002) was created for the DBA's brand identity design. It is on the popular Bank Gothic typeface. Designer of the ultra-geometric experimental typefaces Memoria (2000), done for Power Systems Research, and Archimedes (2002), done for DBA Engenharia de Sistemas. [Google] [More]  ⦿

Felipe Mendes

Curitiba, Brazil-based designer of the arc-based typeface Tunifork (2015). [Google] [More]  ⦿

Felipe Meneses

During his studies at ESPM in Rio de Janeiro, Felipe Meneses created Hallow Typo (2015). [Google] [More]  ⦿

Felipe Packer

Elias Fausto, Brazil-based designer of an alchemic typeface. Behance link. [Google] [More]  ⦿

Felipe Perazza
[Andarilho Design]

[More]  ⦿

Felipe Pires

Art director in Sao Paulo, who created the rounded blackletterish typeface Bowl Gothic (2013). [Google] [More]  ⦿

Felipe Ribeiro

Sao Paulo, Brazil-based designer of the signage typeface Mountain Dew Brazil (2015). Behance link. [Google] [More]  ⦿

Felipe Roque Dolce
[Ocio Criativo]

[More]  ⦿

Felipe Todesco

Brazilian designer from Sorocaba (b. 1987) who created the comic book typeface Imagine in 2006. No downloads though. Behance link. [Google] [More]  ⦿

Felipe Vidal

Brazilian creator at Unique Types of the free typeface I Help AACD (2011). [Google] [More]  ⦿

Felipe Zveibil Fisman

Sao Paulo, Brazil-based designer, b. 1988. Creator of the angular alomst architectural typeface Vazari Sans Serif (2006). Flickr page. Fontsy link. [Google] [More]  ⦿

Felippe Duque

Codesigner with Alexandre Venancio of the Thai simulation typeface Thaitype (2009, Oporto Design). With Alexandre Venancio and Cristiano Vinciprova, he made the hairline art deco typeface Capa (2009, Oporto Design). [Google] [MyFonts] [More]  ⦿

Ferdi Henrix

Or Ferdi Henriques. Graphic and type design professor at UNESP Baura, Brazil, who has a doctorate from Pontifícia Universidade Católica de São Paulo, Brazil. The work done by her students is nicely presented on her web site, and has quite a few interesting type designs. Here is a listing of the typefaces designed in 2011 in various courses:

[Google] [More]  ⦿

Fermello
[Fernando de Mello Vargas]

Graphic designer and illustrator Fernando de Mello Vargas (or: Fermello, or just, Fernando Mello) is located in Sao Paulo, Brazil. He is the designer (with Vicente Gil Filho) of the text typeface Mello Sans (2006). He graduated in 2007 from the University of Reading. His typeface at Reading is the joint Latin/Tamil family Frida. Frida Text won an award at Tipos Latinos 2008 for extensive text family. It also won an award at Tokyo TDC 2008. Fernando Mello joined Fontsmith in the summer of 2008: His background in multiple visual areas-namely architecture, typography, graphic design and illustration - influences his search for creating innovative and original, yet functional and well-constructed typefaces.

At Fontsmith, he and Jason Smith created FS Joey (an organic family) and FS Jack (a confident sans family that was awarded at Tipos Latinos 2010).

In 2011, he designed the FS Pimlico family there. FS Pimlico won an award at Tipos Latinos 2012.

In 2012, Jason Smith and Fernando Mello codesigned the sans typeface family FS Truman at Fontsmith. Still at Fontsmith, he published the 4-style text typeface FS Brabo in 2015---it is named after Brabo in Antwerp, where he was inspired by the Plantin Moretus museum and the garalde styles (Bembo, Garamond, Plantin). FS Brabo won an award at Tipos Latinos 2016.

Klingspor link. [Google] [More]  ⦿

Fernanda Campolina

Graphic designer in Belo Horizonte, Brazil. She created a psychedelic font tentatively called Hippie (2012). [Google] [More]  ⦿

Fernanda Esteves

During her studies at FMU, Sao Paulo-based Fernanda Esteves created the blackboard bold typeface Prisma (2014). [Google] [More]  ⦿

Fernanda Gomes Santos

Graphic design student in Campos dos Goitacazes, Brazil. Creator of the blackletter / tattoo font Fonte Santos (2012). [Google] [More]  ⦿

Fernanda Keller

During her design studies at ESPM Sul in Porto Alegre, Brazil, Fernanda Keller designed the serif typeface Mynt (2013). [Google] [More]  ⦿

Fernanda Marinho

Belo Horizonte, Brazil-based designer of the creamy signage typeface Marinho (2012). [Google] [More]  ⦿

Fernanda Martins

Brazilian type designer who studied at the Basel School of Design with Wolfgang Weingart and André Gürtler, and created the beautiful Bananas font (2001, letters shaped with bananas), Brasilia (1995, a sans face), the highwage signage typeface Graal (1998), Transbrasil (1999/2000) and Alphanumer (2000, some letters are replaced by mirrored or rotated numbers). She is working on the sans family FM Ruben (2001), which was started in the sixties by her father, Ruben Martins, who died in 1968. She does corporate type in general and is the CEO of Mapinguari Design in Belem, Brazil. Brief CV. [Google] [More]  ⦿

Fernanda Monteiro

During her studies at Universidade Federal do Rio de Janeiro, Brazil, Fernanda Monteiro designed the lava lamp typeface Narguileacute; (2015). [Google] [More]  ⦿

Fernanda Pompermayer

During her studies in Curitiba in 2012, Fernanda created a hand-printed typeface. [Google] [More]  ⦿

Fernanda Salmona

Brazilian designer with Paulo W of Kurrent Kupferstich (2006), a medieval handwriting revival. Alternate URL. [Google] [MyFonts] [More]  ⦿

Fernanda Sanovicz

Sao Paulo-based designer of Arabia (2014). [Google] [More]  ⦿

Fernanda Tenorio

Recife, Brazil-based designer of the organic sans typeface Lemonade Regular (2014) and the roundish Meu Consolo (2014). [Google] [More]  ⦿

Fernanda Vieira Prupest

Brazilian designer of the lettering typeface Xilotype (2002) while she was a student in Sao Paulo at Senac de Comunicações e Artes. See also here for a sample. [Google] [More]  ⦿

Fernando Affonso

During his studies in Pelotas, Brazil, Fernando affonso designed an unnamed curly typeface (2013). [Google] [More]  ⦿

Fernando Alexandre

Graphic designer in Natal, Brazil, who created the circle-based deco typeface Decode in 2016. [Google] [More]  ⦿

Fernando Berlanda

Art director in Florianopolis, Brazil, who created the deco Sleek Numbers in 2015. Behance link. [Google] [More]  ⦿

Fernando de Mello Vargas
[Fermello]

[More]  ⦿

Fernando de Moraes Caro

Brazilian type designer Fernando Caro won an award at Tipos Latinos 2010 for his typeface family Arauto and for his text typeface Petra.

In 2012, the Dalton Maag Brazil team designed the font for the Rio 2016 Olympic Games. Theis 5448-character connected script font Rio2016 was developed by Dalton Maag Brazil, and involved a team that includes Fabio Haag, Fernando Caro and Gustavo Soares. Beth Lula is the Branding Director of the Rio 2016 Olympic and Paralympic Games Organising Committee. Passages of the press release: Each letter expresses a characteristic of Rio 2016 Games, its people and city. The letters are written with a single continuous linework, with a fast and fluid movement, suggesting the movements of the athletes in action. The variety of curves in the letters has a unique informality, inspired by the joyfulness of the Brazilian people. Fabio Haag, Creative Director at Dalton Maag: As a Brazilian typophile, designing the Rio 2016 font was a dream job. This is a milestone for the design scene in Brazil---it's a great example of how type designers can collaborate with graphic designers, sharing their expertise to strengthen an identity.

Codesigner with Bruno Mello, Fabio Haag, Rafael Saraiva and Ron Carpenter of Soleto (2014, Dalton Maag), a sans typeface that won an award at Tipos Latinos 2014.

In 2014, Bruno Maag, Ron Carpenter, Fernando Caro and Rafael Saraiva codesigned the rounded organic sans typeface Oscine (Dalton Maag).

Another winner flowed from Fernando's desk in 2015---the coroporate sans typeface family Setimo (Dalton Maag). Setimo was co-designed by Fernando Caro, Ken Gitschier, Fabio Haag and Lukas Paltram, and won an award at Tipos Latinos 2016. [Google] [MyFonts] [More]  ⦿

Fernando Dgart

Art director in Natal, Brazil, who created the hipster typeface Adrinis (2015). [Google] [More]  ⦿

Fernando Gusmao

Brazilian designer at FontStruct in 2008 of asdasd. [Google] [More]  ⦿

Fernando Henrique de Sousa
[Insane Machina]

[More]  ⦿

Fernando Malta

Sao Paulo-based designer of Bitshadow (2011). [Google] [More]  ⦿

Fernando Merinho

Brazilian creator of the fat finger typeface Peitinho (2011) in which the letters are reversed. At Dafont, it is said that Paola Santana is the codesigner. [Google] [More]  ⦿

Fernando Paravela

Graphic designer in Sao Paulo. Creator of the fat didone Burlesque (2015), which is promised to be free. Behance link. [Google] [More]  ⦿

Fernando PJ

Professor at Universidade Salvador in Salvador, Brazil, b. 1981. Creator of the signage / comic book typeface Bonoco (2005) and the vernacular typeface Suburbana (2003, graffiti or market lettering). These fonts were inspired by street lettering in Salvador. Dafont link. [Google] [More]  ⦿

Fernando Rocha

Brazilian designer of the Plakat font Thereza Miranda (2005). Rocha is affiliated with the PUC in Rio. [Google] [More]  ⦿

Fernando Sampaio

Art director in Sao Paulo, Brazil. Creator of the free hand-printed typeface Being Jorge (2011). [Google] [More]  ⦿

Fernando Volken Togni

Talented Brazilian illustrator. Creator at Unique Types of the free experimental typeface Yezza (2011). [Google] [More]  ⦿

ferrr016

Brazilian designer (b. 1992) at FontStruct in 2009 of Its Gonna Be OK (2009, pixelish), Jumbo (2009), Nueva (2009, pixel script), Fotos (blocky tiled pixel face), ABC..pixel, DOÇRA, cannoa, Candy (pixel), rosa, Evolucion, Prettygirl, Bellafonte, and Circles. Alternate URL. [Google] [More]  ⦿

Filipe Aryel
[Lizard Sharkragon]

[More]  ⦿

Filipe Ferreira

During his design studies at FAAUSP in Sao Paulo, Brazil, Filipe Ferreira an untitled hexagonal gothic typeface in 2015, together with Thais Mendes. [Google] [More]  ⦿

Filipe Marcus

Natal, Brazil-based designer of the free typeface Tropichaos (2014). [Google] [More]  ⦿

Filipe Motta

Together, Filipe Motta, Denis Rizzoli and Alexandre Matias created the organic sans typeface Triade (2013) during their studies at Universidade Federal do Espirito Santo, under supervision of Ricardo Esteves. Filipe Motta is located in Vitoria, Brazil. [Google] [More]  ⦿

Fioravante Junior

Graphic designer in Campinas, Brazil, who created the playful alphabet Monster Font (2013). Behance link. [Google] [More]  ⦿

First Type Project

Free font academic project organized by Prodessor Chico Neto at the Federal University of Ceara, Brazil for his course Fundamentals of Visual Communication. Several display typefaces by students can be downloaded for free. The typefaces from 2014: 3D Font (Mateus Lotif), Ultra Pixcel (Leonardo Barbosa), A Casa (Jorge Vidal), Lady Letter (Laura Angeli), A culpa e das estrelas (Brenna de Alencar), Pin Up (Lucineide Fonseca), Classuda (Thalis Gonçalves), Squarcle (Diego Moura), Clock Carf (Carlos Almi da Rocha), AP McChild (Antonio Placido), Colegial (Jessyca Alcantara: hand-printed), Geo Modern (Mariana Marques), Grenade Rock Star (Fernando Santos), Comics Scaroman (Alan Castro), Jolie (Joana Pereira), Clown (Samara Rocha), Juno (Iury Sales), Cicledown (Pedro Lucas Bezerra: a bicycle font), Naive Wall (Smaley Cavalcante), Wall Bricks (Thais Evangelista, or Thais Franco), Skate off the streets (Bruno Nascimento), Allan o Santo (Rafaela Caminha), Starwave (Alynne Albuquerque), Rupestrus Peace (Rosana Batista), Zebra Print (Gabriel de Oliveira), Fake Impact (Ravi Yuji Couto). [Google] [More]  ⦿

Flamula Estudio

Dynamic and highly original design studio based in Belo Horizonte, Brazil. Their typefaces include Azulejo Portugues (2015) and Bjork Font (2015, hipsterish). [Google] [More]  ⦿

Flamula Estudio Criativo
[Frederico Mattos]

Flamula Estudio Criativo is Frederico Mattos's studio in Belo Horizonte, Brazil. Creator of an artistic all caps alphabet in 2015. [Google] [More]  ⦿

Flavia Amaral

Graphic design student at UEMG in Belo Horizonte, Brazil. During her studies in 2012, she designed the hairline typeface Skinny Heels. [Google] [More]  ⦿

Flavia Lozano

Flavia's school project in Campina, Brazil, involved the development of a vernacular typeface. Her Jabaquara typeface (2013) is based on a sign found on the Jabaquara beach, in Ilhabela-SP. [Google] [More]  ⦿

Flavio Guimaraes

Freelance designer in Olinda, Brazil, who designed the vernacular signage typeface Jobson Arts (2016) and the relief typeface Corta Corta (2016). [Google] [More]  ⦿

Flavio Morais

Brazilian illustrator who is based in Barcelona. Designer at type-o-tones (Barcelona) of Analfabeta Regular and Pics (1997, with Joan Barjau). The vernacular / comic book typeface Analfabeto (+Pics) was designed in 2007.

FontShop link. Klingspor link. Type-o-tones link. [Google] [MyFonts] [More]  ⦿

Flavio Sales

During his studies in Recife, Brazil, Flavio Sales created the pixel typeface Logic Type (2014) and the roundish typeface Bloom (2014). [Google] [More]  ⦿

Florent Courtaigne
[Cubo]

[MyFonts] [More]  ⦿

flpr

Designer in Sao Paulo. Creator of the arts and crafts typeface I Want To Be A Ballerina for Capricho Magazine. [Google] [More]  ⦿

Foco Design (or: ByType)
[Fabio Luiz Haag]

ByType is the type subdivision of Foco Design, the Brazilian design company of graphic and type designer Fabio Luiz Haag (b. 1981, Taquara, Rio Grande do Sul), located in Sapiranga, Rio Grande do Sul. Fabio Haag designed FH After (2006, futuristic display typeface to which After Text and After Headline were added in 2007), FH Foco (2003) (a large x-height sans), this futuristic typeface (2003), and Minas Headline, a custom family made for the government of Minas Gerais. He was working on this display font (2005).

In 2006, Foco became a Dalton Maag Ltd font family, and Fabio Haag became the Brazilian wing of Dalton Maag in 2008, with Fabio Haag as its Creative Director. MyFonts sells Foco and Foco Corp (2007).

Designer (with Jonas Schudel) of a grotesque sans at Dalton Maag, 2007-2009, called Effra, which was inspired by a 1816 design from the Caslon font foundry. Discussion at Typophile. Followed in 2013 by Effra Corp (Dalton Maag) which also supports Greek and Cyrillic.

In 2007, he created the organic sans typeface IronThree.

Cordale (2008) is a workhorse serif typeface jointly done with Lukas Paltram at Dalton Maag. Cordale Corp, the corporate edition, includes Latin Extended A, Greek and Cyrillic characters sets. Cordale Arabic was published in 2013.

In 2009, Foco Italics was published.

At ATypI 2009 in Mexico City, he spoke about Dalton Maag and about the elements necessary to make it in the type business today.

In 2012, the Dalton Maag Brazil team designed the font for the Rio 2016 Olympic Games The 5448-character connected script font Rio2016 was developed by Dalton Maag Brazil, and involved a team that includes Fabio Haag, Fernando Caro and Gustavo Soares. Beth Lula is the Branding Director of the Rio 2016 Olympic and Paralympic Games Organising Committee. Passages of the press release: Each letter expresses a characteristic of Rio 2016 Games, its people and city. The letters are written with a single continuous linework, with a fast and fluid movement, suggesting the movements of the athletes in action. The variety of curves in the letters has a unique informality, inspired by the joyfulness of the Brazilian people. Fabio Haag: As a Brazilian typophile, designing the Rio 2016 font was a dream job. This is a milestone for the design scene in Brazil---it's a great example of how type designers can collaborate with graphic designers, sharing their expertise to strengthen an identity.

In 2013, Fabio designed Almaq, a pair of sans display typefaces in cuts called Refined and Rough.

Codesigner with Bruno Mello, Fernando Caro, Rafael Saraiva and Ron Carpenter of Soleto (2014, Dalton Maag), a sans typeface that won an award at Tipos Latinos 2014.

Setimo (2015) was co-designed by Fernando Caro, Ken Gitschier, Fabio Haag and Lukas Paltram at Dalton Maag, and won an award at Tipos Latinos 2016.

Klingspor link.

View Fabio Haag's typefaces. [Google] [MyFonts] [More]  ⦿

Fondue Fontes
[Juliano Augusto]

Marcelo Dante (b. 1965) and Juliano Augusto founded the 45Jujubas studio in Belo Horizonte, Brazil. They offer these free fonts: Abrusquita (2010, calligraphic), Joana (2010, a Clarendon; +JoanaO, an outline version), Oferta (2010, a signage face). On their home page, we find illustrations, custom fonts, font posters and general graphic design. [Google] [More]  ⦿

Font Design using Illustrator

The first step in font design can be Adobe Illustrator. One can take Illustrator's output to FontLab (video tutorial by GoMedia's Katie, basically saying that after "Pathfinder" in Illustrator, the character is copied (control-c) and then pasted into a position in FontLab (control-v)). Fabio Sasso (Porto Alegre, Brazil) gives another web and video tutorial. [Google] [More]  ⦿

FonteDeFontes

Big Brazilian font archive run by Marcelo de Castro. Warning: many pop-ups and cookies. [Google] [More]  ⦿

Fontes

Brazilian link site. [Google] [More]  ⦿

Fontes brasileiras

The Brazilian font scene explained in Portuguese. By graphic designer Paulo Moretto, and originally published in PROJETODESIGN vol. 244 in June 2000. A description of Tipografia Brasilis held in 2000. [Google] [More]  ⦿

Fonts by Brazilian designers

Sandra Avoletta's page highlighting Brazilian designers. Some downloadable fonts, such as MinimumWageincomplete (dingbats, 1998) and the absolutely wonderful running ink font Blumenbach by Paulo Roberto Purim (Carpenter Type) (beta version--capitals only), Mandin-Bold and the Mandinga family by Dui (of the "Burritos do Brasil" studio), Medalhao (by Sandra-Nat, 2000), and Marola (graphically deformed letters, avilable for free at Dafont) by the Subvertype Studio. [Google] [More]  ⦿

Forte Type
[Jarbas Gomes]

Foundry est. in 2007 in Vitória, ES, Brazil, by Jarbas Gomes (b. Vitória, 1981) from a work experience with Outras Fontes foundry, of Ricardo Esteves Gomes. A graphic designer, he graduated from Espérito Santo Federal University in 2005. In 2007, he designed the gorgeous ultra-contrasted black family Boldoni (T26). The monoline circular arc typeface Cirkel Pro was published in 2010. Boldoni Gray won an award at Tipos Latinos 2008.

MyFonts link. MyFonts personal link. Behance link. Klingspor link. [Google] [MyFonts] [More]  ⦿

François Chastanet

François Chastanet (b. 1975, Bordeaux) is an architect and a graphic designer in Toulouse, France. He specializes in signage systems for transportation networks. Graduate of the École d'Architecture et de Paysage de Bordeaux, he pursued research in 2001 at the Atelier National de Recherche Typographique in Nancy, and completed a DEA in architectural&urban history at the École d'Architecture de Paris-Belleville in 2002. He currently teaches graphic design and typography at the École Supérieure des Beaux-arts de Toulouse. At ATypI 2006 in Lisbon, he spoke on Pixaçao letterforms, the shantytown graffiti letterforms found in the 1990s in Sao Paulo. In 2009, he and Alejandro Lo Celso cooperated with two students, Laure Afchain and Géraud Soulhiol, on an identity type for the city of Toulouse called Garonne. At ATypI 2009 in Mexico City, he and Catherine Dixon spoke on Cholo writing: The term cholo derives from an Aztec word xolotl meaning dog that was later turned on its head and used as a symbol of pride by the Mexican-American community in the context of the ethnic power movements of the 1960s from wich emerged the idea of La Raza or Chicano nationalism. Cholo writing originally constitues the vernacular handstyle created by the Latino gangs in Los Angeles as far back as the 1940s: it is probably the oldest form of the graffiti of names in the 20th century, with its own aesthetic, evident long before the explosion in the early 1970s in New York. Cholo writing can be seen as a cousin of the baroque gothic calligraphies typical of Mexico, as a genuine expression of a border culture between Mexico and the United States. This survey explores the genesis of these specific letterforms that paradoxically gave a visual identity to the LA infinite suburbia. For the first time ever a historical series of photographs from the early 1970s in LA is presented together with a contemporary collection, which gives a unique insight in the history of Cholo writing from an aesthetic point of view. See Placas in Los Angeles, the first suburban blackletters?, Baseline, vol. 55, 2008. In 2003-2004, he created Pontam Black: Pontam Black is a typographic project based on some letterforms observed on sewer plates destined for wordwide sidewalks, from Paris to Los Angeles, produced in Pont-a-Mousson, France. This idea was copied by Jack Usine in 2007 in his Trottoir typeface. Interview by Le Typographe.

Author of Pixaçao: Sãp Paulo Signature (2007, XGPress), and Cholo Writing: Latino Gang Graffiti in Los Angeles (2009, Dokument Press). [Google] [More]  ⦿

Francielly Antunes

During her multimedia studies in Sao Paulo, Brazil, Francielly Antunes created an attractive squarish typeface (2015). [Google] [More]  ⦿

Francielly Pereira

During her studies in Porto Alegre, Brazil, Francielly Pereira created the architecture-inspired decorative caps typeface Arquitetando (2015). Behance link. [Google] [More]  ⦿

Francisco Duarte Martins

Brazilian designer (b. 1983) who lived in Belo Horizonte, after graduating in graphic design from Universidade FUMEC. He then moved to Sao Paulo. His typeface Nova Sans (2008: an ultra-geometric circular-themed family; free at Dafont) won an award at Tipos Latinos 2008 in the non-text typeface category. His contribution to the counterless fat craze is SuperBlack (2010, LoligoVulgaris).

Behance link. Dafont link. He sells his work via MyFonts. [Google] [MyFonts] [More]  ⦿

Francyne França

Rio de Janeiro-based designer who created a beautiful rounded organic sans typeface family called Lolla in 2014. [Google] [More]  ⦿

Fred Lobo

Brazilian creator of Peoplefreak (2009, dingbat font with typefaces) and Amareleta (2009, hand-printed). [Google] [More]  ⦿

Frederico Antunes
[Chiba Chiba]

[MyFonts] [More]  ⦿

Frederico Mattos
[Flamula Estudio Criativo]

[More]  ⦿

Free Goodies for Designers
[Marcelo Reis Melo]

The site Free goodies for designers offers a number of tweetware and free products including the hand-printed typefaces Gant (2015) and Skinny Bastard (2014, tweetware), the brush face Leon (2014, free) and the poster typeface Reis (2014, tweetware) by Marcelo Reis Melo.

In 2015, Marcelo made the tweetware fonts Parabola and Bellaboo, the clean sans typeface Bavro, and the tweetware font Melo.

In 2016, he made the tweetware multiline typeface Lines, the free Impact-style sans headline typeface Alberto, and the tweetware brush script typeface Tindra.

Marcelo was born in Sao Paulo, graduated from Belas Artes University there, and settled in Stockholm. Marcelo Reis Melo. Behance link. [Google] [More]  ⦿

Frente

Design consultancy in Lajeado, Rio do Sul, Brazil. In 2014, they published the free hand-drawn poster font Frente. Fontsquirrel link. [Google] [More]  ⦿

Friday Fresh Free Fonts (was: Abduzeedo)
[Paulo Canabarro]

Friday Fresh Free Fonts (Abduzeedo) is a Brazilian blog about design. Collection of some of the nicest free fonts found on Devian Tart. He also has Friday Fresh Free Fonts #23. The type pages are brought to you by Paulo Canabarro. Direct links: i, ii, iii, iv, v. [Google] [More]  ⦿

Friday fresh New Fonts #96

Small free font showcase by Provience, RI-based Brazilian-born Paulo Canabarro. [Google] [More]  ⦿

Funk The Hype
[Thiago Marques]

Funk The Hype is Thiago Marques in Campinas, Brazil. He created the hexagonal typeface Funk The Type (2012). [Google] [More]  ⦿

Funtimod

Funtimod (Fundição de Tipos Modernos, est. 1932) was the largest and first industrial scale type manufacturer in Brazil with national reach. Considered an important Brazilian type foundry, it used to import matrices from European countries, especially Germany, to fabricate the modern types. Examples of their typefaces include Memphis Meio Preto (1960s), which is similar to Rudolf Wolf's iconic slab serif typeface, Memphis. At ATypI 2015 in Sao Paulo, Isabella Ribeiro Aragao and Priscila Farias report on their research into Funtimod. [Google] [More]  ⦿

G. Rodrigues

Curitiba, Brazil-based designer of the techno sans typeface family Noah Nova (2014). [Google] [More]  ⦿

Gabriel Abreu Lugão

Brazilian designer of Kasper (2010, octagonal) and Lugon-Moulin (2010, a didone face). [Google] [More]  ⦿

Gabriel Arnold

Campo Bom, Brazil-based designer opf the pixacao typeface Pixo (2016). [Google] [More]  ⦿

Gabriel Cunha

Born in 2001 in Fortaleza, Brazil, Gabriel Cunha created the free typeface X-Prism in 2014 and X-Prisma in 2015. Home Page. [Google] [More]  ⦿

Gabriel de Souza
[LeType]

[MyFonts] [More]  ⦿

Gabriel FAM

Born in 1974, this Brazilian designer created GFAM Comic (2012) and ImeoKoOl (2012).

Dafont link. [Google] [More]  ⦿

Gabriel Ferreira

For a school project, Gabriel Ferreira designed Diario Serif (2016). [Google] [More]  ⦿

Gabriel Figueiredo
[Typeoca]

[MyFonts] [More]  ⦿

Gabriel Gotz

Sao Paulo-based designer of the vernacular brush typeface Marido de Alaguel (2016). [Google] [More]  ⦿

Gabriel Hartung Lovato

Graphic designer in Poreto Alegre, Brazil, who studied at the Universidade Federal de Santa Caterina. He is working on Quirky Sans (2005). [Google] [More]  ⦿

Gabriel Kazuo

As a graphic design student in Campinas, Brazil, Gabriel Kazuo created the Victorian era circus font Retro (2016). [Google] [More]  ⦿

Gabriel Lira Nascimento

During his design studies at UFRJ in Rio de Janeiro, Gabriel Lira Nascimento created the experimental monoline sans typeface Lira (2013). [Google] [More]  ⦿

Gabriel Melo

As a student at UFRJ in Rio de Janeiro, Gabriel Melo created the modular display typeface Colossi in 2015. [Google] [More]  ⦿

Gabriel Monteiro

During his studies at the University of Campinas, Brazil, Gabriel Monteiro created the vernacular / comic book typeface Jabuticaba (2014). [Google] [More]  ⦿

Gabriel Moraes Aquino

Graphic designer, illustrator, painter and photographer in Rio de Janeiro. During his studies, he created the text typeface Gladius (2014). Behance link. [Google] [More]  ⦿

Gabriel Muchon

Art director in Sao Paulo who made the modular logotype Kawa (2011). [Google] [More]  ⦿

Gabriel Pacifico

During his studies at Universidade Federal do Ceara, Fortaleza, Brazil-based Gabriel Pacifico designed the tall modern fashion mag typeface Esguia (2016). [Google] [More]  ⦿

Gabriel Ratzlaff

Art director in Sapiranga, Brazil. Together with Carla Musa, he designed the script typeface Juntos (2015). Behance link. [Google] [More]  ⦿

Gabriel S. Santos

During his studies in Sao Paulo, Gabriel S. Santos codesigned William Sans (2016) with Beatriz Furlanetto. [Google] [More]  ⦿

Gabriel Seabra Freitas

Brazilian designer (b. 1989) who lives in Sao Paulo. His first font is Bartolomeu Sans (2008). Behance link. [Google] [More]  ⦿

Gabriel Silva Roza

Rio de Janeiro-based creator of the calligraphic script typeface Scribae (2012).

Behance link. [Google] [More]  ⦿

Gabriela Araujo

Gabriela Araujo (Recife, Brazil) created Horror Type (2011, a pixel face). At FontStruct, she made Missing (2011, pixel face). [Google] [More]  ⦿

Gabriela Batarra

Web designer in Ribeirao Preto, Brazil, who created the poster typeface Che Guevara (2014). [Google] [More]  ⦿

Gabriela Bento de Paula

During her studies at Senac in Sao Paulo, Gabriela Bento de Paula designed a great typographic poster called Mulan (2016). [Google] [More]  ⦿

Gabriela Costa

Sao Paulo-based designer of an untitled typeface in 2014. [Google] [More]  ⦿

Gabriela Fantini

In 2015, Gabriela Fantini (Florianopolis, Brazil) and Andresa Brati codesigned the vernacular supermarket signage typeface Ofertão while studyig at Universidade Federal de Santa Catarina. [Google] [More]  ⦿

Gabriela Ferreira

At Faculdade UniRitter in Porto Alegre, Brazil, Gabriela Ferreira designed the genie lava lamp typeface Mrs Potts (2015). [Google] [More]  ⦿

Gabriela Machado

For a type design course at UFPE in Recife, Brazil, Gabriela Machado designed these typefaces: Armstrong (2016, pixelish), Scorpiton (2016, angular), 9x9 (dot matrix type), Andrade Modelada (2016, signage typeface) and Andrade Tentacao (2016, vernacular style). [Google] [More]  ⦿

Gabriela Namie

Graphic designer in Sao Paulo, who created the text typeface Kafka Serif (2013). This typeface looks very readable and is of medium weight. It has medium contrast, large x-height and soft but pronounced terminals. I assume that the name Kafka was chosen because of its dark overall look.

Behance link. [Google] [More]  ⦿

Gabriela Ribeiro

Graphic designer in Brasilia, Brazil, who created the modular typeface Conserf Light in 2016. [Google] [More]  ⦿

Gabriela Sanches

During her studies at ESAMC in Campinas, Brazil, Gabriela Sanches designed the creamy Chocolate Syrup font (2015). [Google] [More]  ⦿

Gabriela Todeschi

Belo Horizonte, Brazil-based designer of the architecturally inspired typeface Quintana (2016) for a project at UEMG. For another university project, she created the rounded circle-based sans typeface Circum (2016). [Google] [More]  ⦿

Gabrielle Ery Higa

Graphic designer in Sao Paulo, Brazil, who created Monomino (2013) and VAG 6 Roman (2013, an adaptation of VAG Rounded) during her design studies. [Google] [More]  ⦿

Gabrielle von Koss

Brazilian graphic designer in Sao Paulo. She created an experimental typeface in 2010. [Google] [More]  ⦿

Gaiatata

Brazilian designer in 2009 over at FontStruct of fonts such as Cube Style (kitchen tile face). [Google] [More]  ⦿

Galdino Otten

Cartoonist from Recife, Brazil, b. 1966, whose sense of humor and artsistic prowess shine in his dingbat fonts. Dafont link. Fontsy link.

Creator of the experimental Almost Sanskrit (2009), Zodiac Nice (2009, astrological symbols), Xilo in Zodiac (2009), Xilo-Cordel-Literature (2009, dingbats), Cordel Circo Mambembe (2010), Inside Issue (2009), Stretched Signature Flex (2009), Action of the time (2009, grunge), the dingbat typeface Ugly Cars (2010), the grunge typeface Capitão Galdino (2008), the grunge typeface Saltpeter-N-Fungus (2010), Texture Road (2010, more grunge), BSB DF 50 (2010, grunge), Fine Serif (2009), and the nice dingbat typeface Ochent Silibrina (2008).

Fonts made in 2010: Sport 4 Ever (dingbats for Olympic Games), 60sPop (multiline face), DotSpot (dot matrix), IRON H METAL (tattoo, gothic), IngaStoneSigns (stone age glyphs), Ode2PasteUp (hand-printed), WideSquare (pixelish), ActionoftheTimeNewUL, BSBDF50, Haus-Sweet-Haus, INSIGHT-ISSUE-NEW, Movie Filmstrip, SquareChalk, Action Of The Time New (grunge), CordelValentine (dingbats), IngaStoneSigns (petroglyphs), SustainableAmazon, VeryDamaged (grunge), ParkTechCG (letters as in wired circuits), kidSWritten, Iron H MetallLight, LaceNice (knitted look), Ode2PasteUp, TextureRoad (grunge).

Fonts from 2011: Booklet Cordel (sketched), Cordel Encarnado, Nuclear Accident (texture face), Noncircular (techno), Old Press (grunge), Old Typography (grunge).

Fonts made in 2012: New Press (condensed sans family, +Eroded), Sketch Wall, Comic Gibi, Own Written, Comica BD (comic book shadow font), Cartoon Relief (a 3d cartoon typeface), Riscada Doodle (scratchy hand), Sketch Nice, Needlework Good (a stitching font), Biscuit Made, Just Skinny, Crazy Style, After Cheret (hand-drawn 3d shadowed outline face), Spots in the mirror, TNT Xplosion, Escrita Toska (curly script), Cordel Movies (moviemaking dingbats), Fine N Tall, Cordel Groteska, From Street Art (free graffiti font), Sketch College (sketched athletic shirt font), Thin Press (grungy vernacular type), Sketch Serif, Relief BD, Maxxi Serif (very heavily slabbed serif face), Semi Cursive Gut, Sketch Coursive (sketch face), Salt Pet Non Eroded, Advanced Architecture, Very Fine Serif (a monoline Egyptian), Sketch Nothing, Freehand Nothing, Shark Attack (curly), Do Doodle, Maybe Pollock (dust texture face), Xilo Prosa (grunge), Thin Design, Amazon Palafita (hand-drawn 3d outline face), Snow Times, Snow Traces, USSR Army (rough army stencil with a Russian feel), Needlework US (stitch font), Old Scribe (Greek lapidary face), Nickel Bumpy, Soviet Style (stencil face), Top Modern (heavy slab serif), Lettering Set New, Carton East, Not Tuned TV (sketch font), Scar Bleed (scary font), Maxxi Dots (texture face, +Shadows), Dots Land Gotika (grungy blackletter), Stefanie Dots (textured letters), Karamuruh (textured caps), Broken Type (grunge: a glaz krak font), Touppeka (a Kafkaesque, tribal or painter's font), Old Dreams (grungy), Bad King (sketched typeface), False 3D (hand-printed 3d outline typeface), True2D, I Wrote All, Resistance Until The End.

Typefaces from 2013: Serifa Comica (comic book slab), Press Style Serif (letterpress style), Press Style Large, Triatlhon In (sic: a Greek simulation face), Go 2 Old Western (grungy wood type), Old Serif Gut, Press Style (letterpress style typeface), Dust Serif, Thing Press, Thin Grotesk Serif, Before Collapse (glaz krak face), Stencil Style New (a military stencil), Damaged Serif, Press Serif Cool, Press Feeling, Sketch Toska, Link Parties, Almost Cartoon, Cartoon Toy, Toy Toy Toon, Fine Style (didone caps), Fine Sans (Peignotian), Beyond Blackboard, Forgotten Junk (grunge).

Typefaces from 2014: Simply Rounded, Cartoon 2 Packages, Pain N Bleed, Yummy Lollipop, Hippie Movement, Rotunda Geo, Old Figaro Cursive, Cute Cartoon, Sketch Gothic School (sketched blackletter), Fine College (hatched athletic lettering face), Press Felling Eroded (letterpress emulation), School Book New (sketched), Stencil Cargo Army (military stencil), Fine Eroded, Grunge Poster, Education Is A Way, Cartoon Blocks, Cartoon Bones, Cursive Option, Odd Press (letterpress emulation), Cartoon Tunes, From Cartoon Blocks (3d), Hippie Movement, Yummy Lollipop, Needlework Perfect, Press Gutenberg (blackletter), Unic Calligraphy, Roundfed Eroded, Children's Book (outlined), Neon 2 News, Good Choice (shadowed letterpress emulation), Cartoon 2 Us, O 10 Type, Dust West (grungy Western style), Comic Balloon, Caligraf 1435 (pirate era script), No Name Sans, Top Secret Stamp (grungy stencil), Fine Blackboard (blackboard bold, inline), Press Style Extra L (letterpress), Sounds Good (geometric sans), Sounds Eroded (shadowed letterpress font), Cartoon Blocks Christmas, Street 2 Art (graffiti font).

Typefaces from 2015: Snaps Taste (a grocery store or comic book font), Snaps Taste Christmas, Calligraphy Hand Made, Silly Aliens (dingbats), Sketch Match (3d, sketched), Cartoon 4 Sports (dingbats), Kids Book, Almost Japanese (oriental simulation font, +Comic, +Cartoon), Inga Stone Redesigned, Money Money Plus (engraved money font emulation), Thin Cool, Old N New Media (dingbats), Thinkers World (scanbats of famous intellectuals), Magical Cord, Quick Writing, Eroded 2 Much, Stencil Army WW I (miltary stencil), Stencil WW II (military stencil), D-Day Stencil (military stencil), Western Bang Bang (weathered Western font), Modern Serif, Modern Serif Eroded, Money Money (hand-crafted engraved currency font), Almost Japanese Smooth (oriental simulation typeface), Write Righ, Ease Christmas (dingbats), Sketch Script Cool, Ficticcia College.

Typefaces from 2016: Coffee Written, Soft Marshmallow, Niagra Faults, Sketch Toronto, Sketch Fine Serif, Sketch Handwriting, Typewriter Press, Typewriter Style, Sketch 3D. [Google] [More]  ⦿

Gary McCarthey
[Spacedfonts]

[More]  ⦿

Genilson Lima

Genilson Lima Santos is the Salvador, Brazil-based designer (b. 1985, Bahia) of Stilu (2015, sans), Jenelson (2006), the stroked font Styllo (2007), the brushy Carybe (2011), the all caps sans typeface Linna (2016), the text typeface Petralina (2016), the multicolor layerable rounded poster typeface Buba (2016), and the semi-didone display typeface Salinas (2016).

Behance link. Creative Market link. [Google] [More]  ⦿

George Vinícios

Brazilian codesigner with José Fabio, Melissa Trigueiro, Ricardo and Paula Robalinha of the experimental typeface Geometrica (2005, Tipos do aCASO). [Google] [More]  ⦿

Geovani Pagotti

For a school project, Sao Paulo-based Geovani Pagotti designed Rippetica (2016), a ripped up version of Helvetica. [Google] [More]  ⦿

Gestu
[Thiago Bellotti]

Brazilian typefoundry, est. 2016 by Thiago Bellotti. The first typeface by Bellotti at Gestu is the calligraphic pointed brush script Acerola (2016). [Google] [MyFonts] [More]  ⦿

Giancarlo Meneghini

Brazilian creator at Unique Types of the free grunge typeface Difference (2011). [Google] [More]  ⦿

Gianfrancescio Santos

Gian Santos (Juiz de Fora, Brazil) created the blocky typeface Tetris in 2016. [Google] [More]  ⦿

Giangiorgio Fuga
[Giò Fuga Type]

[More]  ⦿

Gianlucca Segato

Porto Alegre, Brazil-based designer of the watercolor brush script typeface Dallegrave (2015). [Google] [More]  ⦿

Gil at McGill: Reconciling counter-culture with copyright

Gilberto Gil, Brazilian musician and minister of culture, spoke at McGill University in February 2008 on new models needed to deal with copyright. Citing from the article: Brazil has shown some of the boldest counter-cultural initiatives when it comes to copyright. A few years ago, the Brazilian government warned American pharmaceutical companies that if they refused to lower their prices on life-saving AIDS drugs for the country's poor, they would simply break the patents and offer their own generic versions. When Microsoft offered to install Windows computers in Brazil's public schools, the country declined in favour of cheap open-source alternatives. A government official then compared Microsoft to a "drug dealer" - the first hit is free, then you get hooked. [Google] [More]  ⦿

Gilberto Bressan

Brazilian designer of Savatage, an angry and angular typeface ceated for the music group by that name.

Alternate URL. Dafont link. [Google] [More]  ⦿

Giò Fuga Type
[Giangiorgio Fuga]

An Italian type foundry by Milan-based type designer Giangiorgio Fuga, ATypI member, teacher of typography at the Istituto Europeo of Milan, Politecnico of Milan, Italy and Unisinos of Porto Alegre, Brasil. His great type blog page takes the pulse of Italian type design. Fuga designed gorgeous text fonts such as these:

At ATypI in Rome in 2002, he spoke about the corporate types and OpenType features. Type photos. Type blog. [Google] [More]  ⦿

Giovana Malka

During her studies at Pontifical Catholic University (PUC) in Rio de Janeiro, Giovana malka created the display typeface Traingl (2016). [Google] [More]  ⦿

Giovana Milanetto

Brazilian graphic designer who studied at UNESP Baura. She created the modular typeface Espoleta (2011). [Google] [More]  ⦿

Giovanna Souza

During her studies in Sao Paulo, Brazil, Giovanna Souza created the display typeface Zion (2014) and the squarish typefaces Squared (2015) and Squarecity (2015). [Google] [More]  ⦿

Giovanna Tavares

Londrina, Brazil-based designer of a colorful paper folding set of letters (2015). [Google] [More]  ⦿

Giovanni Giacomini

Designer and illustrator in Brazil. He created an experimental typeface in 2012. [Google] [More]  ⦿

Giovanni Mariani

Graphic design student in Brasilia in 2014. Creator of the experimental pixel typeface Giof (2014). Behance link. [Google] [More]  ⦿

Gisele Maiotte

During her graphic design studies in Sao Paulo, Gisele Maiotte created the decorative blackletter typefaces Celta (2014), Gotica (2014) and Gotica Rotunda (2014). [Google] [More]  ⦿

Giselle Faria

Curitiba, Brazil-based designer of the deco typeface Pick (2015). [Google] [More]  ⦿

Giulia Andreazza

During her studies at Universidade de Caxias do Sul (UCS), Brazil, Giulia Andreazza created the hand-drawn typeface Youngtype (2015). [Google] [More]  ⦿

Giulia Gallucci

Giulia Gallucci (Universidade Anhembi Morumbi, Sao Paulo) created an unnamed gridded school project font in 2013. [Google] [More]  ⦿

Giulia Lops

Art director and graphic designer from Sao Paulo, Brazil. She created this excellent type poster in 2009. [Google] [More]  ⦿

Giulia Zoia

Designer in Sao Paulo. Creator of the well-designed calligraphically inspired text font Zoia (2013) that should be very useful for smaller print. Behance link. [Google] [More]  ⦿

Giuliana Fantauzzi

During her graphic design studies in Rio de Janeiro, Giuliana Fantauzzi created the hexagonal typeface Hectone (2015). [Google] [More]  ⦿

Giuliana Menezes

Graphic design student in Sao Paulo, who created the curvy display typeface Sapomco (2014). [Google] [More]  ⦿

Gleisson Cipriano

Brazilian designer. During his studies in Savannah, GA, Gleisson Cipriano created Disguise sans (2014).

Behance link. Dafont link. [Google] [More]  ⦿

Gleydson Isecke

Anapolis, Brazil-based designer of the free squarish sans typeface Anapolino (2016, with Danilo Inacio, Joao Ricardo and Patrick Neves), which was inspired by lettering seen in the old train station of Anapolis. [Google] [More]  ⦿

Gomes Pertence

Brazilian illustrator and cartoonist in Belo Horizonte. With the help of Paulo W (Intellecta Design), his alphabets became funny digital cartoon-inspired and hand-printed digital fonts in 2007: GP I Am A Worm, GP Leonardo, GP Estanho (sketch font), GP Casual Script, GP Insinue, GP Recycling. Dysiu Boo (2007) is a cartoony dingbat font. [Google] [MyFonts] [More]  ⦿

Grande Circular

Design group in Brasilia, Brazil, who created Dingbats Brasilia in 2015. Behance link. [Google] [More]  ⦿

Grazieli Cunha

During her studies in Sao Paulo, Brazil, Grazieli Cunha created the typeface Vendome (2014). [Google] [More]  ⦿

Grégory Ferreira de Camargo

During his graphic design studies at Universidade Federal de Goias, Brazil, Gregory Camargo created Omni Sans (2015). [Google] [More]  ⦿

Gringo
[Henrique Lima]

Gringo is the personal foundry of illustrator / typographer Henrique Lima (b. 1984, Belo Horizonte), who lives in Sao Paulo. He created the hand-printed typefaces Betta (2010, free), Woolt (2010), Magrela (2011) and West of Here (2010).

Behance link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Guilherme Baracho

Curitiba, Brazil-based designer of the watercolor brush typeface Baracho (2016) during his studies at Universidade Positivo. [Google] [More]  ⦿

Guilherme Belligoli

Piracicaba, Brazil-based designer of these typefaces in 2014: Mermaid Hooker, Scheibe (Greek simulation font), Heavy Fancy. [Google] [More]  ⦿

Guilherme Capilé
[Carambola Fontes]

[More]  ⦿

Guilherme Carneiro

Guilherme Carneiro, a designer in Bauru, Brazil, created the disco style 1980s typeface Metronomy in 2013. [Google] [More]  ⦿

Guilherme Constant

Art director in Ribeirao Preto, Brazil, who designed the intergalactic typeface Stellar (2015) and the foliate typeface Leaf (2015). [Google] [More]  ⦿

Guilherme Cunha

Florianopolis, Brazil-based designer of the thin deco typeface Simple (2015). [Google] [More]  ⦿

Guilherme Faria

Brazilian graphic designer in Rio de Janeiro. Behance link. Creator of the geometrically constructed mini-serifed display typeface Feather (2010). [Google] [More]  ⦿

Guilherme Franca

At the Universidade Federal de Pernambuco, Guilherme Franca (Recife, Brazil) designed the free hand-crafted vernacular typeface Tapioca (2016). [Google] [More]  ⦿

Guilherme Haupenthal

Brazilian creator of this great Baroque typography poster. He lives in Porto Alegre. [Google] [More]  ⦿

Guilherme Lira

Graphic design student at Universidade Federal de Pernambuco, Brazil.He created the vernacular typeface Vitamina (2011). [Google] [More]  ⦿

Guilherme Luigi

Brazilian graphic designer in Recife who created Dingbat Cobogo (2013). The symbols were created based on pierced elements found in photographs by Josivan Rodrigues in his book Cobogó of Pernambuco. [Google] [More]  ⦿

Guilherme Marques

Designer in Belo Horizonte, Brazil, who created the informal sans typeface Kawaii Fruits (2013) for a school project at the Universidade do Estado de Minas Gerais. [Google] [More]  ⦿

Guilherme Moreira

Brazilian designer, b. 1961, who lives in Rio de Janeiro. He created the organic family Gaussian blur (2010), and the oblique techno typeface TEX-Work (2010). [Google] [More]  ⦿

Guilherme Pella

Industrial designer in Espirito Santo and/or Vitoria, Brazil. Designer of the outlined sci-fi typeface Spacelistic (2014). [Google] [More]  ⦿

Guilherme Pontes

Brazilian graphic designer who made the monoline sans typeface Rounder (2009) and the soft display sans typeface Arcade (2009). [Google] [More]  ⦿

Guilherme Rizzatti

Sao Paulo-based designer of Biteme (2011, with Makoto Saito and Alexandre Venancio). [Google] [MyFonts] [More]  ⦿

Guilherme Sander

During his studies at Universidade do Estado de Minas Gerais in 2014, Guilherme Sander (Belo Horizonte, Brazil) designed the oil spill typeface Smile At Me (2014). In 2016, he created the curvy typeface Crescent Moon (2016). [Google] [More]  ⦿

Guilherme Schneider Denzin

Talented Bauru, Brazil (and now, New York City)-based creator of the free font Kraftstoff (2013), which was inspired by an old gas pump meter.

In 2014, during his studies at Parsons in New York, he created the wedge serif typeface Eckford.

In 2015, he published the free font Marsh Stencil (a revival of a stencil typeface produced by the American company Marsh Stencil Machines during WWII).

Behance link. Graphic River link. Specimen of Kraftstoff. Another Behance link. [Google] [More]  ⦿

Guilherme Silva

Guilherme Silva (b. 1993) is based in Piracicaba, Brazil. He designed a geometric sans typeface for posters called GS Revolucion (2013). [Google] [More]  ⦿

Guilherme Souza

Designer in Marilia, Brazil. He created experimental typefaces such as a counterless ultra fat face and a geometric display face (2010). [Google] [More]  ⦿

Guilherme Vieira Araujo

Sao Paulo-based designer of the hand-printed typeface Desert Way (2013). [Google] [More]  ⦿

Guilhermus Ruivo

Graphic designer in Sao Paulo, Brazil, who created the serifed typeface Sequoia (2013). [Google] [More]  ⦿

Gustavo André

Designer in Londrina, Brazil. In 2016, Henrique Mantovani Petrus and Gustavo André codesigned the squarish all caps typeface Maquinada for a school project at Universidade Estadual de Londrina, Brazil. [Google] [More]  ⦿

Gustavo Cordeiro

Gustavo Cordeiro (b. 1987, Rio de Janeiro, Brazil) created the mini-stenciled typeface Maymay (2012). [Google] [More]  ⦿

Gustavo Costa

Rio de Janeiro-based designer of the connect-the-dots typeface Cassiopeia (2014), a typefaces designed in a course at EBA, UFRJ. [Google] [More]  ⦿

Gustavo Ferreira

Brazilian designer (b. 1977, Rio de Janeiro) who works in Amsterdam, The Netherlands. In 2009, he founded Hipertipo, a small design studio in Amsterdam. Gustavo Ferreira has a Bachelors degree in Graphic and Product Design from ESDI, in Brazil (2003), and a Masters degree in Ctype design from KABK Den Haag. His typefaces:

  • The grunge handwriting font Gentileza (2002), taken straight from Rio's streets.
  • The sans-serif typeface Eva (2002).
  • In 2004, he joined Ultra Pixel Fonts, where he made the pixel typefaces Elementar 09b, Elementar Basica 13.11, 13.21 and 13.31, which are all part of the pixel and dot matrix "system" Elementar [see also the Typotheque page]. He explains: Elementar is a parametric font system designed to bring more typographic flexibility to digital screens. Elementar embraces and explores the unique properties of digital media: the pixel, the coarse resolution grid, and the dimension of time. At ATypI 2005 in Helsinki, he spoke on Elementar.
  • At FontStruct, he made these typefaces in 2009-2010: Untitled Modern, ImperialSans, ImperialSerif, Untitled Roman, Modular Serif (Micro, Text, Large), Untitled Italic, Gothica (a geometric blackletter).
[Google] [More]  ⦿

Gustavo Garcia
[Papanapa]

[More]  ⦿

Gustavo Gusmao

Brazilian student at UFPE, b. 1984, who created the typeface Tipofilme at Tipos do aCASO (2005). With Buggy, he made the dingbat typefaces Manguebat 2 and 4 (2005) and Armoribat 1 (which won an award at Tipos Latinos 2008). [Google] [More]  ⦿

Gustavo Henrique

Based in Sao Paulo, Brazil, Gustavo Henrique designed a pixelish typeface in 2013 that was inspired by Tetris. [Google] [More]  ⦿

Gustavo Jardim

During his studies in Porto Alegre, Brazil, Gustavo Jardim created PLK Primitive Street (2012), a typeface that is modeled after pixacao graffiti. He also designed Le Gusta Deco (2013), an organic sans typeface. [Google] [More]  ⦿

Gustavo Kira

Gustavo Kira (Curitiba, Brazil) designed Bodoni Cubista (2012). [Google] [More]  ⦿

Gustavo Lassala
[BR Type]

[MyFonts] [More]  ⦿

Gustavo Machado

Brazilian graphic and web designer who now lives in Toronto. Before that, he was a professor of graphic design at the Catholic University of Campinas in Brazil.

In 2008, he created Greenland2008, Greenland2025, Greenland2050, Greenland2100, Greenland-2100-Extra-Light, fonts done in the context of his web site Type For Change. [Google] [More]  ⦿

Gustavo Morais

Graphic designer in Sao Paulo, who created Redoonda (2013, sans typeface). [Google] [More]  ⦿

Gustavo Pinheiro

During his studies at SENAC in Sao Paulo, Brazil, Gustavo Pinheiro created Square (2014). [Google] [More]  ⦿

Gustavo Piqueira

Brazilian graphic designer (b. 1972) who lives in Sao Paulo where he runs Rex Design with Marco Aurélio Kato and Valter Botoso. Gustavo also teaches typography at Faculdades Senac de Comunicaçao e Arts and is a member of the board of directors of ADG Brasil (Brazils Graphic Designers Association). In 1997, he founded the graphic and digital design company Rex Design with Aurélio Kato and Valter Botoso in Sao Paulo. Brief CV at Tipografia Brasilis. Klingspor link.

His fonts:

  • Autorama (1999, experimental).
  • At T-26: the futuristic family Motordrome (2006, rectangular look), Goog (2002, pixel face), Bizu (1999, grunge), Cabourg (2004) and the great experimental typeface Gilcimar.
  • Free fonts on Gustavo's web site (click on Culture, then on Fonts): Nimuendaju, Neufrank (dingbats), Zzz and Sid Family. To download these, you have to fill out a form for each one of them.
[Google] [MyFonts] [More]  ⦿

Gustavo Soares

Graduate of the KABK in Den Haag in 2008 (Masters in Type and Media), and from the University of Reading in 2007 (Masters in Information Design). Originally from Sao Paulo but now based in Rio de Janeiro, he created these typefaces:

  • The text family Pocket (2008). His graduation project at KABK.
  • In 2012, the Dalton Maag Brazil team designed the font for the Rio 2016 Olympic Games. The 5448-character connected script font Rio2016 was developed by Dalton Maag Brazil, and involved a team that includes Fabio Haag, Fernando Caro and Gustavo Soares. Beth Lula is the Branding Director of the Rio 2016 Olympic and Paralympic Games Organising Committee. Passages of the press release: Each letter expresses a characteristic of Rio 2016 Games, its people and city. The letters are written with a single continuous linework, with a fast and fluid movement, suggesting the movements of the athletes in action. The variety of curves in the letters has a unique informality, inspired by the joyfulness of the Brazilian people. Fabio Haag, Creative Director at Dalton Maag: As a Brazilian typophile, designing the Rio 2016 font was a dream job. This is a milestone for the design scene in Brazil---it's a great example of how type designers can collaborate with graphic designers, sharing their expertise to strengthen an identity.
  • Veja Serif (2013). This is the new typeface for Veja, Brazil's leading weekly news magazine. This project originated from a specific demand to improve the publication's reading experience on screen, while keeping the type visually close to Times Roman. The team consisted of Gustavo Soares (creative direction), Eduilson Coan (type design), Fernando Mello (consultant) and Paratype (hinting). Veja Serif replaces VJ Times.

Alternate URL. Behance link. Old URL. [Google] [More]  ⦿

Gustavo Terra

Art director in Sao Paulo, Brazil. Creator at Unique Types of the free typeface Ubiratan (2009, Gustavo Terra: bike dingbats). [Google] [More]  ⦿

Hallyson Soares

Cabo de Santo Agostinho, Brazil-based designer of E Dia de Feira (2015), a supermarket signage font created for a school project. In 2016, he designed the octagonal typeface Geometria. [Google] [More]  ⦿

Hamo Design
[Maikel Morais]

In 2016, Maikel Morais and Hamel Design (Curitiba, Brazil) created the visual identity typeface Sirene for the bar Sirène de Curitiba. Behance link. Home page foir Maikel Morais. [Google] [More]  ⦿

Handersson Mendes

During his studies, Handersson Mendes (Joao Pessoa, Brazil) created the organic sans typeface Moderno (2015). [Google] [More]  ⦿

Hannah Sa

Graduate of the Universidade Federal de Pernambuco, Brazil, class of 2013. As an exchange student at Universidad del Pais Vasco in Leiao, Bilbao, Spain-based Hannah Sa designed the pixel typeface Alma Terix Down (2016, FontStruct). She also made the striking display typeface Gandaya (2016). Behance link. [Google] [More]  ⦿

Hanry Abreu

During his graphic design studies in Rio de Janeiro, Hanry Abreu designed the ethnic typeface Guarany Serif (2014), and the informal custom typeface Lorenzo Sans (2014). [Google] [More]  ⦿

Harbor Type
[Henrique Beier]

Henrique Beier (Harbor Type, Porto Alegre, Brazil) is the designer of the excellent angular semi-calligraphic text typeface Garibaldi Regular, which won an award at Tipos Latinos 2014. In 2015 it was extended to a great 7-style typeface family. He writes: Garibaldi is a text typeface based on humanist calligraphy. It started with a desire to learn more about the origin of the strokes on humanist typefaces. It features a 20 degree axis, medium contrast based on translation and expansion, asymmetric serifs, and terminals related to the broad nib stroke.

In 2014, he created the free font Densia Sans, which is condensed and has a tall x-height and some contrast. Graviola (2014) is a soft sans family, with possible applications in information design and wayfinding. It won an award at Tipos Latinos 2016.

In 2016, he published Graviola Soft, an even softer version. He also published the fresh corporate sans typeface family Malva.

Behance link. [Google] [MyFonts] [More]  ⦿

Heitor Aversa

For a project at UNIMEP (Universidade Metodista de Piracicaba, Brazil), Heitor Aversa created the deco typeface Curab (2014). [Google] [More]  ⦿

Heitor Latosinski

During his studies in Porto Alegre, Brazil, Heitor Latosinski created Golden Sans (2013, squarish typeface) and Fail Font (2013, hand-printed typeface). [Google] [More]  ⦿

Heitor Saints

Santos, Brazil based designer of the free game font Gravity Rush (2016). Behance link. [Google] [More]  ⦿

Helder Diniz

Brazilian illustrator and type designer who works at Tipos do aCaso. His fonts include Grea, a children's printing face. [Google] [More]  ⦿

Helen Souza

Art director in Campinas, Brazil, who designed the italic techno typeface Pro Elite in 2015. [Google] [More]  ⦿

Helena Flor Cavalcanti

During her design studies at UFPel in Pelotas, Brazil, Helena Flor Cavalcanti created the ethnic symbol-inspired typeface Futetnica (2014). The name refers to the basic shapes of the font that were borrowed from Futura. [Google] [More]  ⦿

Heloisa Hadich

Sao Paulo-based designer of the tall mini-serifed typeface Manhattan (2015). [Google] [More]  ⦿

Heloisa Lima

Graphic design student in Fortaleza, Brazil, who created an octagonal paper-fold typeface called Lola Sans Serif (2012). [Google] [More]  ⦿

Helven

Sao Luis, Brazil-based designer of Boxxxy Free Type (2014, free). Behance link. [Google] [More]  ⦿

Henrique Beier
[Harbor Type]

[MyFonts] [More]  ⦿

Henrique Erzinger

Scientist in Sao Paulo, b. 1988. With Aline Delmonte, he created the squarish typeface TypeSquare One (2009, FontStruct). [Google] [More]  ⦿

Henrique Faioli

Graduate of UNI-BH in Belo Horizonte, Brazil. Behance link. He created the experimental symbolic SOE BOAT font (2011). [Google] [More]  ⦿

Henrique Faria

Brazilian designer (with Viváine Rebouças of Belo Horizonte) of Cafe e cha (2009, handwriting font). [Google] [More]  ⦿

Henrique Ferreira

Sao Paulo, Brazil-based designer of Coffee Bar Type (2015). Behance link. [Google] [More]  ⦿

Henrique Lima
[Gringo]

[MyFonts] [More]  ⦿

Henrique Mantovani Petrus

Designer and illustrator in Rolandia, Brazil. In 2016, Henrique Mantovani Petrus and Gustave André codesigned the squarish all caps typeface Maquinada for a school project at Universidade Estadual de Londrina, Brazil. Behance link. [Google] [More]  ⦿

Henrique Monich

During his graphic design studies in Curitiba, Brazil, Henrique Monich created the vernacular typeface Fusca (2013). [Google] [More]  ⦿

Henrique Nardi
[Tipocracia]

[More]  ⦿

Henrique Pivetta Viero

During his industrial design studies, Santa Maria, Brazil-based Henrique Pivetta Viero created the modular curvy typeface Vento Norte (2016). [Google] [More]  ⦿

Henry Silveira

During his studies, Porto Alegre, Brazil-based designer Henry Silveira created the free hairline display typeface Krasa Krasa (2014). [Google] [More]  ⦿

Higor Viana

Recife, Brazil-based designer of the hand-crafted poster typeface Gelata (2016). [Google] [More]  ⦿

Hindu Arabic Numeric Medieval Ideograms

From Sao Paulo, Roberto Lyra's explanation on the origins of Arabic numerals: "Each Arabic number we use today is itself an ideogram created by Abu Ja'far Muhammad ibn Musa al-Khwarizmi (c.778 - c.850). Al-Khwarizmi was born in central Asia in what is know as Uzbekistan, and moved to Baghdad were he worked as a mathematician during the first golden age of Islamic science, at the "House of Wisdom". Using the abacus notations he developed the manuscript decimal system. By the end of the 12th century (Middle Ages) the academic word was divided between the algorists, followers of al-Khwarizmi, and the abacists, who used the abacus as a means of dealing with the unwieldy Roman notation. The oldest dated European manuscript containing Arabic numbers is the Codex Vigilanus written in Spain in 976. In 1202 Leonardo of Pisa (also know as Leonard Fibonacci) published his Liber Abaci, a book of arithmetic and algebraic information. The earliest French manuscript using the new number system was written in 1275. During the 14th century Arabic numerals became widely used by merchants in Italy." [Google] [More]  ⦿

HiType (was: DMTR.ORG)
[Dimitre Lima]

Dimitre Lima is a Sao Paulo-based Brazilian designer (b. 1979) who created a few typefaces in his Fluid Typeface Project in 2005. In 2005, Dimitre Lima set up DMTR.ORG and started selling his fonts at MyFonts. These include O AFerrugem (unicase, techno), Opus (2005, a computer-look modular sans), Gatu (2005, futuristic semicircle face), Clave de Fá (2006, experimental), O Geena (2007, straight-lined outlines), Arame (2006, an octagonal family including a stencil version), Velocipede (2009) and O Decomputer (techno sans).

In 2010, he started HiType [initial catalog].

Typefaces from 2012 include Geena Mono (a techno or programming monospaced font).

In 2015, he created the metalband typeface Metal.

HypeForType link. Klingspor link.

View Dimitre Lima's typefaces. [Google] [MyFonts] [More]  ⦿

Holitter Studios
[Aurelio J. Foerster Filho]

Aurelio J. Foerster Filho, aka Biffe Holitter (Holitter Studios), is the Brazilian designer (b. 1983) of these free fonts at Open Font Library, all dated 2008-2009: Biffe's-Calligraphy, GDS_Infinity, Holitter-Block, Holitter-Forge, Holitter-Gothic, Holitter-Lines, Holitter-Spike, Holitter_Tittanium, Pointened, SoulCalibuR, Soul of Holitter (+Alternative). He also made Xenogears (2009, futuristic face), Cabal (2011), Dragon Force (2013, tattoo font), Holitter Halfimp (2013, art deco), Holitter Titan (2013).

Alternate URL. Another URL. Fontspace link. Dafont link. Abstract Fonts link. Possible second Dafont link. Home page. [Google] [More]  ⦿

Holofontes
[Hugo Cristo]

Holofontes is a Brazilian foundry, established in 2004 by Hugo Cristo from Jd da Penha, Vitoria. Typefaces: HF Bayer, HF Ceramic, HF Conillon Black, HF Contras, HF Daft, HF Design Az San, HF Dutra, HF Fastne, HF Health, HF Health Blac, HF Janaina Roman, HF Logic, HF Maxwell, HF Minotau, HF Neo Bodoni, HF Newslin, HF Painted, HF Phocus San, HF Quadredondo, HF Round Gothi, HF Slab, HF Tecnométric, HF Tim Maia, HF Visualice. Before Holofontes, Hugo Cristo ran Design AZ. He also makes custom type, such as this face specially designed for reading from TV screens. [Google] [More]  ⦿

Hudson Souza

During his studies in Campinas, Brazil, Hudson Souza created the vernacular hand-drawn typeface Kilimanjaro (2013). [Google] [More]  ⦿

Hugo Cristo
[Holofontes]

[More]  ⦿

Hugo Juca

Graphic designer in Rio de Janeiro. Creator of the squarish typeface Veautica (2013). [Google] [More]  ⦿

Hugo Ribeiro

Rio-based graphic designer in Brazil who made FirstRound (2010), a typeface entirely based on arcs of circles. [Google] [More]  ⦿

Hugo Werner

Brazilian type designer. [Google] [MyFonts] [More]  ⦿

Iago Costa

Sao Paulo-based designer of Bardi Sans (2015). [Google] [More]  ⦿

Iago Mars

Paraiba, Brazil-based designer of the squarish typeface Modern Hangeul Roman (2014). [Google] [More]  ⦿

Ian Cairo

During his studies in Rio de Janeiro, Ian Cairo created a Latin typeface called Hebraic (2014). [Google] [More]  ⦿

Ian Sampaio
[Soteropolitypes]

[More]  ⦿

Iara Adeodato

Brazilian designer who looks like Woody Allen. His typefaces include Chora na Rampa (2012, signage family), Fonte Gorda (2011, pixelish) and Fonte Galhos (2010, dot matrix face). [Google] [More]  ⦿

Iara Principe

Iara Principe (aka illustrissima) is a French-Brazilian-Italian freelance illustrator and graphic designer who resides in Paris. She drew a fat roundish face, ABC (2011). [Google] [More]  ⦿

Icaro Morse

Niteroi, Brazil-based designer of the gridded connect-the-dots typeface Unlock (2016). Behance link. [Google] [More]  ⦿

Idealizar Estudio Design

Studio in Campos dos Goitacazes, Brazil, who created Xilotipo (2013). The actual designers of this vernacular typeface are Cleyton Nunes and Bianca Honóri. Clayton created the triangular typeface Esquadros in 2013. [Google] [More]  ⦿

Idgie Pena

Belo Horizonte, Brazil-based creator of the thin fashion display font Sasha (2013), named after and inspired by porn actress Sasha Gray. Free with a tweet. [Google] [More]  ⦿

Ieda Yumi Assano

Sao Paulo-based designer of the dadaist vernacular typeface Mainha (2014), which emulates the technique of xilogravura. [Google] [More]  ⦿

Igor Berck Rodrigues

Brazilian designer, b. 1993, who lives in Sao Paulo. Creator of Lignum Melle (sans face, 2012).

Dafont link. [Google] [More]  ⦿

Igor C. Barros

Sao-Paulo-based illustrator (b. 1976) who designed Coverface SE (2014, a great rounded sans typeface family), Mauryssel (2013, a comic book face), Caravel (2012), (2012-2013, a comic book typeface family), Arigatou-Kamisama (2000), Mottley-HorneyHiragana (2000), Morte e Vida Severina (1997).

Fontspace link. Devian tart link. [Google] [More]  ⦿

Igor Fonseca

Brazilian FontStructor (b. 1980) whose fonts include Altus (2011, thin ultra-condensed pixel face), GNH Regular (2011, slab face) and Zil Demi Slab (2011).

He started selling his creations on Graphic River: Liz Sans (2013), New Order (2012, spurred and modular), Balbina (2011).

Dafont link. Logo. [Google] [More]  ⦿

Igor Freiberger

Type and graphic designer in Porto Alegre, Brazil. In his first big commercial typeface project, he published the multilingual text typeface Sapiens (2014), and writes: Contemporary serif typeface with support to Latin, Cyrillic, Greek and Phonetic scripts. Includes full sets of small caps and petite caps, combining diacritics, superiors, inferiors, superscript, subscript, arrows, bullets, Math operators, and a wide number of additional symbols. Punctuation and figures are variable accordingly to the set in use. The font brings several language alternate glyphs respecting cultural variations, as long as design alternates to let the user choose optimal typesetting.

Behance link. [Google] [More]  ⦿

Igor Ludwig

Branding and digital artist from Salvador, Brazil, who has produced a great type poster in 2009 entitled The Power of Typo. [Google] [More]  ⦿

Igor Nobre

In 2015, Igor Nobre and Andressa Sales (Fortaleza, Brazil) codesigned the deco typeface Igor e Andressa. [Google] [More]  ⦿

Igor Parazzi

At USP in Sao Paulo, Brazil, Igor Parazzi designed the hand-crafted typeface Marazzi in 2016. [Google] [More]  ⦿

Igor Postiga

Graduate of the ESDI School of Design in Rio de Janeiro. Creator of a lively squrish typeface called Geomeletrica (2012). [Google] [More]  ⦿

Ilha Tipográfica

Brazilian makers of the free fonts Caligrafia (handwriting) and OPS (futuristic). [Google] [More]  ⦿

Ina Strapazzon

Curitiba, Brazil-based designer of a high contrast modular typeface Moduler (2016). [Google] [More]  ⦿

Ingrid Barbedo

During her studies at UFRJ (Rio de Janeiro), Ingrid Barbedo created the art deco typeface Lunar (2013). [Google] [More]  ⦿

Ingrid Fraga

During her studies, Recife, Brazil-based Ingrid Fraga created Cine (2015), a counterless typeface inspired by 1920s movie theater lettering. [Google] [More]  ⦿

Insane Machina
[Fernando Henrique de Sousa]

Brazilian illustrator residing in Joinville, SC. Creator (b. 1992) of the free blackletter typefaces Hairline Quadrata (2013) and Quadrata Preciosa (2013). He also made Tired Fingers Fail (2013, hand-printed), Easy Going Stroke (2013, hand-printed), Trace Me Gordo (2013), and Masonic Cypher (2013).

In 2014, he created Julia Black (blackletter typeface) and Lemurika. In 2016, he designed the hand-crafted Teacher Notes.

Dafont link. . [Google] [More]  ⦿

Intellecta Design
[Paulo W]

Design company in Brazil run by Paulo W (b. 1970) from Recife. Paulo W is a gaúcho (Brazilian southerner), with interests in multiple areas, including poetry (he has published the digital opus Magical Book), graphic design and, most recently, type design.

Dafont link. MyFonts. MyFonts link. Abstract Fonts link. YWFT link. Behance link. Blog. Home page. Fonthaus. Monotype. Eshops. Facebook. Flickr. Klingspor link. Wordpress. Devian tart. T26. Linkedin. Identifont. Linotype. ITC. Faces.co. His typefaces:

  • Free fonts: Inductive Resonance (2014: connected script), Retrodings (+Two, 2014), Living In The Past (outlined Tuscan face), Rough Ornaments Free (2014), CornPop Three (borders), Too Good To Be True (2013, retro script), Blanchard Inland (2013), Living Together (2013), Arresto (2013, brush script), Hertziano (2013, non-connected fat script), Japanese Tourist (2013), Nouveau Never Dies Free (2013), The Beat Goes On (2012, fifties script), Stencix (2012), Figgins Brute Trash (grunge), Fontaniolo Beveled (2011, ornamental caps), Czech Gotika (2011), Random Dingbats (2011), Victorian Free Ornaments (2011), Rustic (2011), Armorial (2011), Woman Silhouettes (2011), The Nile Song (2010, hieroglyphics), Smith Typewriter (2009), Sign Flags (2010, semaphore dingbats), Senectus Morbus (2010), MesoAmerica (2010, Indian symbols), ClassicSketches (2010, dingbats), Columns (2010, dingbats of Greek and Roman columns), EasyCuneiform (2010), EasyLombardicTwo (2010), EasyOpenFace (2010, blackboard bold style), Egidia (2010), Significante (2010, dingbats with, e.g., gender symbols), WhiteDominoes (2010, domino pieces), Easy Heraldics (2010), Intellecta Heraldics (2010), Heraldic Devices (2011), KidingsFree (2010, dingbats), RoughTuscan (2010), The French (2009, Fleur de Lys dings), AprendizCaligrafico (2010), Volitiva (2006, Trajan caps and chancery lower case, all based on work by Ludovico Vicentino Arrighi), Gaivota (2006), KurrentKupferstichThin (2006), PaulKlein (2010), PaulKleinTwo (2010), PortuguesArcaicoLectura (2005), ReproxScript (2009, based on Jerry Mullen's Repro Script from 1953-1954), RickGearyHomage (2007, scanbats), WestBalaio (2006, ornamental caps), Corto Maltese (2006, scanbats), Renaissance Coiffure (2006), Renaissance Ornaments (2007), Renaissance Shoes (2012, free), TTF Tattoef (2006, tattoo-inspired dingbats), ExperiTypo5 (2006), Lower Metal (2006), Geometric Serif PW (2006), Geometric (2006), Geometric Petras PW (2006), War II Warplanes (2005), Carbono (2005), Times New Vespasian (2005), BoldBold (2005), Vengeance (2005), Doppleganger (2005), Chancelaresca (2005), Cursivo Saxonio (2005), Gotische Minuskel 1269 (2005: a Kanzlei Schrift after Dekan Hermann zu Soest, 1269) and Guto Lacaz (2005, dingbats).
  • Richard Gans revival project: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada (2006), Gans Ibarra (2006), Gans Antigua (2006), Gans Antigua Manuscrito (2006), Gans Radio Lumina (2006), Gans Fulgor (2006), Gans Carmem Adornada (2006), Gans Italiana (2006, extensive Italian-style slab serif family), Gans Titania (2007), Gans Titania Adornada (2007), Gans Titular (2007), Gans Gotico Globo (2007: 9 styles by Iza W), Gans Royality (2007: 3 styles by Iza W), Gans Headpieces (2008), Gans Rasgos Escritura (2010: filets---followed in 2011 by Rasgos Escritura Nuevos), Gan Esquinazos (2010, frames), Gans Blasones (2010, shields), Gans Neoclassic Fleurons (2008), Gans Classical Fleurons, Gans Ding.
  • Wood-inspired typefaces: Dead Wood Rustic (2007), Taranatiritza (5 wood type styles, after William Hamilton Page), Majestade (2007, by Iza W---two Tuscan style typefaces), Decorative Tuscanian (2007), Concave Tuscan (2010, wood type), Palermo (2007, by Iza W---Tuscan style family), Teatro (2009, Tuscan), Bruce Double Pica (2009, Tuscan; the Beveled weight is free), Antique Extended (2010, slab serif wood type), Dark Wood (2009, gothic), Dark Wood Beveled (2011).
  • Charles Bluemlein's script revivals: Bluelmin Kisaburo (2013), Bluelmin Ralph (2012), Bluelmin Ronald (2012), Bluelmin Sandsfort (2012) and Bluelmin Benedict (2012). (2012).
  • Blackletter: Salterio (2012, +Trash, +Three, +Gradient, +Shadow, +Shadow Two), Leothric (2011, bastarda), Bruce 532 Blackletter (2011, after George Bruce), Schneider Buch Deutsch (2007, +Trash, +Shadow, +Shadow Two), Schneidler halb fette Deutsch (2009, +Beveled), Schneidler Zierbuchstaben, Hostetler Fette Ultfraktur Ornamental (2007, blackletter caps), Gothic 16 CG (2007), Gothic 16 CG Decorative (2007, blackletter caps), Schneidler Grobe Gotisch (2008, Iza W, T-26), Allerlei Zierat (2008, ornament fonts based on a 1902 catalog of Schelter & Giesecke), Allerlei Zierat Capitals (2007), Psalter Gotisch (2009, a blackletter after the Benjamin Krebs blackletter face by the same name, ca. 1890), Münster-Gotische (2009, a blackletter family after a 1896 typeface by the same created by Schelter&Giesecke), Koberger N24 Schwabacher (2007), Student's Alphabet (2007, blackletter), Like Gutemberg Caps (2007), Nürnberg Schwabacher, Gotische Frame (2007: four framed blackletter styles by Iza W), Gotische (2007: ten ornate blackletter styles by Iza W), Gothic Garbage, Gothic Shadow, Gothic Trashed, Gothic Flourish (2009), Gotica Moderna (octagonal, blackletter), AltDeutsch (2007, four severe blackletter fonts by Iza W), Fin Fraktur, Gotische Bouffard, Heimat RGS, Gothic Handtooled Bastarda (2006), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Gothic Handtooled Bastarda (2006).
  • Historical revivals: Pantographia (2010: a digitization, as is, of several alphabets from Edmund Fry's Pantographia, 1799), Caslon2000, Caslon B, Delamotte Large Relief (2010), Figgins Brute (2007: 8 heavy Egyptian styles by Iza W based on Figgins' 1817 specimen book), Erased Figgins Brute (2007), Gras Vibert (2007, a didone family; followed by Gras Vibert Two in 2009).
  • Erotic or human alphabets: American Way of Life (2011), Roman Silhouettes (2011), Silvestre Weygel (2007, named after Martin Weygel'a erotic alphabet from 1560, which in turn was based on Peter Flötner's 1534 alphabet), Gravure (caps typeface made of human silhouettes), Innocence (2007, dingbats of girls).
  • Medieval chancery hand: Portugues Arcaico (2005, three medieval handwriting styles), Kurrent Kupfertisch (2006, a medieval hand done with Fernanda Salmona), Dovtrina Christam 1622 (authentic old manuscript face), Catania (2007, exquisite medieval caps in 3 styles by Iza W).
  • Typewriter typefaces: Remix Typewriter (2012), Smith Trash (2012), Neo Bulletin (2010, +Trash), Remington PW (old typewriter face), Olivetti Linea (old typewriter face), Erased Typewriter 2 (2007: 4 styles by Paulo W), RIP Typewriter (2009), Shadow Typewriter (2007), Underwood Typewriter (by Iza W).
  • Calligraphic: Broken Kiss (2015), Derniere Script (2015), Bradstone Parker Script (after Zaner's penmanship), Jan van den Velde Script (2011, based on the penmanship of Jan van den Velde as illustrated in vna den Velde's 1605 book Spieghel der schrijfkonste; developed jointly by Paulo and Iza W), Penabico (2010, with Iza W); Penabico is a free interpretation of the copperplate script styles to be found in the Universal Penman, London, 1741, by George Bickham---it contains over 1500 calligraphic glyphs and 250 ornaments. Samples of Penabico: i, ii, iii, iv, v, vi, vii, viii, ix), Easy Calig, Intellecta Mixed Script (2008), Spencerian Constancia (2008), Calligraphia Latina Soft4 (2010, quilled ornaments), Intellecta Script commercial (2009), Spencerian By Product (2009), Spencerian Palmer Penmanship Pro (2010), Indenture English Penman (2010), Calligraphia Latina (2008-2010, in weights called Soft2, Dense, 3, Soft4, Mixed, Square Edition).
  • Victorian, Edwardian: Engel (2007, by Iza W in 15 styles that have a 1870s look), Compendium (Victorian), Costado (2009, a Victorian / Western face).
  • Ornamental caps: Campi (2009), Doppel Mittel Lapidar Azure (2012), Musirte Antiqua (2012), The House of Usher (2012), Peterlon (2012), Dolphus Mieg Alphabet (2011, +Two), Dolphus Mieg Monograms (2011), Human Nature (2011), English Arabesque Revival 1900 (2011), Imprenta Royal Nonpareil (2011), XVI Century Shaw Woodcuts (2011), Ichweis Caps (2011), Cherubim Caps (2011), Rara Beleza (2011), Gothic 1880 Revival (2011), Angelicaps (2010), Unnamed Caps Two (2010), VertiCaps (2010) Rebimboca Caps (2010), Rebimboca Beveled (2012, free), Rebimboca Gradient (2012, free), Rebimboca Trash (2012, free), Rebimboca Outlined (2012, free), Republica Presente (2010), Speedball Metropolitan Caps (2010, after a design by Ross F. George), Nice Initials (2010), Morphelic (2010), DurerGotischCapitals (2010), Egmontian (2007, ornamental caps family), Saducismus Triumphatus (ornamental caps), Vogus (Victorian caps), Victorian Ornamental Capitals (2009) and Frompac 1889 Arabesque (2007) [both are classical arabesques published in Ludwig Petzendorfer's Schriften-Atlas. Eine Sammlung der wichtigsten Schreib- und Druckschriften aus alter und neuer Zeit nebst Initialen, Monogrammen, Mappen, Landeskarten und heraldischen Motiven fur die praktischen Zwecke des Kunstgewerbes, 1889], Lettrines Petin (+Ornée), Numa Initials (2006), Gradl Initialen, Vampirevich (2009, ornamental caps), Paulus Franck 1602 (2006, ornate caps), Geodec (2006, baroque caps), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Cadels (2007, ornate caps by Iza W), Manuscript XIV Century (2007, by Iza W--four Lombardic caps), Merona (2007, by Iza W--ten Lombardic caps fonts), Selena (2007, by Iza W---ornate Victorian caps), Leyenda (great Victorian era ornamental caps), Mixed Capital Style (2007, caps), Lenda (2008, capitals), Kidnaped at Old Times (2008, ornamental caps, ransom note style), Mortised Capitals, Is Not ABrazilian Font (hand-printed blackboard bold caps), Robur The Conqueror (2009, ornamental caps), Georgia Capitals (2009), Decadence avec Elegance (exaggerated ornamental caps).
  • The American Advertise series: American Advertise No. 9 (2008), American Advertise No. 17 (2007, 19th century caps), American Advertise 018 and 019 (2008), American Advertise Square Series (2007), American Advertise 003 (2012), American Advertise 004 (2010), American Advertise 005 (2010), American Advertise 006 (2010, alphadings), American Advertise 007 (2010, ornamental caps).
  • Ornaments, fleurons: Transportation Dings *2015), Cornucopia of Dingbats Eight (2015), Animals Old Cuts Two (2015), Unpublished Ornaments Two (2013), Classix (2012), Cornucopia of Dingbats (2012-2014, +Two, +Three, +Four, +Five, +Six, +Seven), Cornucopia of Ornaments (2013; +Two, +Three, +Four, +Five, +Six, 2014), Cornucopia Caligrafica (2012), Vintage Hands (2012), Human Silhouettes (2012; +Free, 2013; +Two, 2013; +Human Silhouettes Three, 2013; +Four, 2013; +Five, 2014; +Six, 2014; +Seven, 2014; +Eight, 2014; +Nine, 2015), Easy Fleurons (2012), Floreale Two (2012), Neoclassic Fleurons Free (2011), Calligraphic Frames Soft (2011, +Two), Jugendstil Flowers Free (2011), Easy Ornaments (2011), Blasons (2011), Blasons Free (2012), Armorial (2011), Monograms Soft (2010, with Iza W), Easy Tiles (2010), Free Tiles (2010), Rough Fleurons Two (2010), Vegetable Breathe (2010), Corn Pop Plus (2010), Mortised Fleurons (2010), Mortised Ornaments (2011), Mortised Ornaments Free Two (2013), Golden Times (2010), Stahlhelme und Kronen (2010), Rough Fleurons (2006), Nouveau Never Dies (2009, ornaments), GeodecBruceOrnamented6 (2006, after a sample from the Bruce Type Foundry), Grave Ornamental (2006), BlackOrnaments (2008), Hera Hedelix (2009, ornamental tiles), Mortised Ornaments (2009), Soft Fleurons (2007), Half Flower (2007), Frames 1 (2007, by Iza W), Flower Essences, Micro Fleurons (2009), Naturella (2009, leaf and grape dingbats by Iza W), Black Fleurons (2010), Easy Fleurons Two (2011), Intellecta Borders (2008, by Iza W), Intellecta Style (2007, borders).
  • Fonts made before 2007: Brute Aldine (2007, Western family), Bad Situation (2007, after a design by Freeman Delamotte from 1864), Benjamin Franklin (2007), Geodec Petras Enhanced (2006), Deutsche Poster (2006), FatFontGrotesk (2006), Orchis (2006, an art deco family by Iza W), Fantis (2006), Frompac (2006, with Iza W), Geodec Fog (2006), Intellecta Modern (2006), Intellecta Modern 2 (2006), Intellecta Romana Humanistica (2006), Advantage (2006, together with Iza W), Biza (2006, together with Iza W), Elegancy (2006, together with Iza W), Estiliza (2006, a sans family together with Iza W), Experitypo 4, Stairway to Heaven, Copperplate PW, Dings PW, Roger Dean, Gliphs PW, Luxeuil, Watchtower Bible 1965, Gabinete Portugues (11 fonts), Elara (2009), Xilografuras (dingbats), Beta, Alta, Paleolitica Nacional, Shakespeare Studs, Copperplate collection (5 fonts), Wine, Ampersamp, James Poem, Leal Conselheiro, Haeckel Enygma, Iza B, Of, Lementa (2006, ornate family), Pirates (dingbats), Wire Clip (2009), Divina Proportione (2009, dingbats), Tharagaverung (2007), Correo (2009, a nice manly bold face), Titivilus (2007, Roman lettering), Pirates De Luxe (2007, dingbats), Geodec Minuskel (2006), Geodec Spyral (2006), Copperplate Decorative (2006), Feosa (2006), Francesco Decorative (2006, Iza W), Geodec Petras Enhanced (2006), Ibarra Flourished (2006), Intellecta Decorative 017 (2006), Intellecta Decorative 018 (2006), Intellecta Slab Bold (2006), Kansas Decorative (2006), Pingente (2006), Sixties Living (2006), Caractere Doublet (2007), DeutschePosterSteinschrift (2007; by Iza W), GP Casual Script (2007), Colonia Portuguesa (2007), Contouration (2007), Deco Experiment 3 (2007), Floresco (2007), Flower Jars (2007, by Iza W---a very nice idea), Frutisis (2007), Intellecta Monograms (2007: 19 monogram fonts by Paulo W), Intellecta Monograms Random Sample (2012-2013: several typefaces), Peloponeso (2007, by Iza W), Porcupine (2007, by Iza W), Southern Flight (2007, by Iza W---condensed), TTF TTTOEF 4 (2007, by Iza W---dingbats), GeodecBruceFlourished, HostetlerNormande, Victorian Ultra Parphernalia (2007), Angels (2007), Angels Free (2013), Mondrongo (2007), Oorlog (2007).
  • Fonts in 2008: Das Riese (3d engraved caps, +Shadow), Economica (sans, T26), Antiqua Double 12, Bad Baltimore (+Beveled, +Typewriter), Calligraphia Latina (2008-2009, in weights called Soft2, Dense, 3, Mixed, Square Edition, Free), Fry's Alphabet, Grissom (bug dingbats, by Iza W), Latinish (by Iza W), Lettering Deco (by Iza W), Litho Romana Inland, Quadratta Serif (a slab serif by Fernando Diaz), TTF TATTOEF 7 (by Iza W).
  • Fonts made in 2009: Eingraviert (engraved; scans: i, ii, iii), Eingraviert Beveled (2011), Greko Roman Oldstyle, Ortodoxa do oriente, Sans Square, Speedball (by Iza W, Victorian style), Speedball Western Letters (after Ross F. George's lettering), Elara (2009), Intellecta Roman Tall, Force Brute & Ignorance, Sunamy Caps, Starret, The Pilgrim (alphadings), Renaisperian (alphadings), Real Caps Two, Mateus Bold (4 bold styles), Intellecta Crafts (arts and crafts family), Bruce 1490, Bradley Dingies (five dingbat typefaces, after William H. Bradley), Allerlei Zierat Renaissance, Grave Plus, the grungy Monkey series (Victorian Monkey, Monkey Poesy, Monkey Messed Gutenberg Caps, Monkey Was Here, Monkey Insinuation, Monkey In The Middle Ages), Montezuma (dingbats), Grotesque and Arabesque, Calhambeque (old car dingbats), Eiger (2009, a 3d sketched headline face).
  • Faces made in 2010: Polen, Pencraft (capitals were inspired in Swagger Capitals, an original design from Carl Stephen Junge, at Barnhart Brothers & Spindler; lowercase based Pencraft Specials, an ornamental variation of the Pencraft Oldstyle series, as displayed in the BBS catalog from 1922), Salamemingoe (children's hand), BarberPoles, Beware the neighbors (scary), BlackInitialText, CaligrafiaDivina, CornPop, CowboyHippie Pro, Grotesca3-D, Nardis, Senzacuore, Speedball Metropolitan Poster (2010, after a design by Ross F. George), TagWood, Tosca, TypographyTribute, Zooland, Bubbleboddy-Fat, bubbleboddylight-Light, Pretoria Gross (a Victorian family done with Iza W), Wood Font Five (wood plank font), Wood Font Four, Herr Foch (art nouveau), Rebimboca, Octagon French (a 3d beveled typeface due to George Nesbitt, 1838), Picuxuxo (retro futuristic, comic book style), Large Old English Riband, Ornamental Riband, Kidings (Dutch dingbats), Hostil (originally done in 2007: a headline family; followed by Hostil Shadow Two (free, 2012) and Hostil Gradient (free, 2012)), Grotesca, Heptagon French, Antiquariaat (condensed), Cortinado, Sanoxio (3d headline face), Violentia (grunge), Swirlies (spiral dings).
  • Faces from 2011: Dia de los Muertos (fantastic skeletal masks), Inland Becker, Rasgos Escritura Nuevos, Jaggard (2007, a renaissance penmanship caps typeface modeled after Joachim Romann's Queen (1954-1956, Stempel)), Jaggard Two, Naive Ornaments Black, Augustus (+Beveled: roman letters), Sayonara (oriental simulation face; the Beveled style is free), Trash Barusa (inline ornamental face), Free Ribbons, Black Ornaments Three, Calligraphia Latina Soft 5, Heraldic Devices Premium, Ornate Blackboards, Benjamin Franklin Beveled, Baltimore Typewriter Beveled, Bernardo Beveled, Van den Velde Script (a free interpretation of the work of the famous master penman Jan van den Velde, found in the Spieghel der schrijfkonste, in den welcken ghesien worden veelderhande gheschrifften met hare fondementen ende onderrichtinghe (Haarlen, 1605)), Indenture English Penmanship, Penmanship Birds and Ornaments (2012), Beware The Neighboors Shadow (texture face), White Free (shadow face), Delamotte Large Relief Beveled.
  • Typefaces made in 2012: Porosa, Presto, Derradeira (signage script), About Sweet Memories (brush script), Intellecta Ribbons, Irrelevante (beveled caps), Laus Sus Chris (Christian dingbats), Unpublished Ornaments, Heavy Squared Writing (brush face), Mezcla Titan, Sweet About (retro script), Publicité, Hard to read monograms, Free Medieval, Doctor Polidori (initial caps), Mixed Silhouettes (One through Five), Glosilla Castellana Cursiva (inline type family), Sayonax (a textured version of the oriental simulation typeface Sayonara), Wood Stevens (free), Rockabilly (fifties script), Interdite Script (heavy calligraphic face), Prismatica (free), Cristalid (free prismatic face), Zed Leppelin (free), Neo Bulletin Outline (free), Neo Bulletin College (2012), Victorian Free Ornaments (+Two), Spanish Army Shields (+Two), Varius Multiplex, Stephens Heavy Titling.
  • Typefaces from 2013: Face of Yesterday (calligraphic script), Ribbon in the sky, Dreamer (a flowing upright semi-connected script), Vorname (blackletter), Barocque Capitals, Close To You (a rabbit-eared script), Wappen (heraldic shields), Eletroz (hand-printed), Morcrepito (blackletter), Metropolitan Poster Black, Animal Silhouettes, Intellecta Pointers and Hands, The Loyalist (script), Vonnegut (a left-leaning script), Perhaps Love (left-leaning script), So Lonely (script), Exposition (upright script), Plaster of Paris (connected script), Volstead (connected script), Versitia (connected script), Porongo (heavy brush script), Fat Fantasy, Das Krieg (soldier dingbats), Corn Pop Two (ornamental corners), Corn Pop Four, Corn Pop Five, Astrodings, Vulnavia Sans (comic book face), Capitular Heraldica, Mirella Initials Ornamntals (a swashy calligraphic script; with Iza W), Carpete (retro script), Free Writer, Round Hand, Exclusivite (fifties script), Hertz Oscillations (fat retro script), Heavy Rock (fifties script), Raindrops (retro script), Ralph Walker (ronde), Exiles (retro signage script), Mr. Richmond Caps (art nouveau alphadings), Berengard Caps Two.
  • Typefaces from 2014: Prester John, Animals Old Cuts, Take a Pebble, Corn Pop Five (borders), Kidnapped at German Lands (ransom note font), Kidnapped at German Lands 2, Kidnapped at German Lands 3, Kidnapped at German Lands 4 (finished in 2016).
  • Typefaces from 2015: Rogeer (script), Chart Moss, Eliensee, Speedball Ragged, State Bridge, Derniere Script, Grissom Four (dingbats of critters), Das Modern, Zona Pro (a sans family).
  • Typefaces from 2016: Doctor Russel (script), Hollandisch Closed (blackletter), Rough Flowers (floral ornaments), Equis (crosses), Mattaaus (a counterless poster font), Holland Morleau (a Kanzlei style blackletter font), Rough Vignettes, Rechnung (a bejeweled didone), Alphabet Fantasie (decorative caps), Phantasinian (blackletter), Loosing Memory (blackletter), Laandbrau (blackletter), Lord Radcliff.
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Ipanema Gráfica
[Rubén Prol]

Brazilian photoblog site, where original fonts such as Rita (2010, slabby), Comic Arousa (2007), Nantronte (2005), Velvet Illusions (2005, retro futuristic), Vila Morena (2006), Johnyokonysm (2005), As pedras da Belle Otero (2006, an artsy pixel font), Milocha (2010, sans), Rita (2010, slab serif), and Marela (2005) may be found.

Rubén Prol (Compostela and A Coruna, Spain) created the sans face Carme (2011), which is free at Google Font Directory. Ancient Galician stone inscriptions led Prol to design Uralita (2012, +Bold, 2013), which is also free.

In 2016, he designed the soccer shirt lettering typeface Hibernia. In 2014, he designed the custom soccer shirt typeface RCD Carme Condensed for the new (2014-2015) RC Deportivo kits.

Dafont link. Behance link. Old URL. Behance link for Ruben Prol. [Google] [More]  ⦿

Isaac AraGuim

Isaac AraGuim, a student at IESB in Brasilia, Brazil, created the hand-printed caps typeface Trilo (2012). [Google] [More]  ⦿

Isaac Guimaraes

Brasilia, Brazil-based designer of the hand-crafted typeface Trilo (2016). [Google] [More]  ⦿

Isabela Avellar

During her design studies at PUC (Rio de Janeiro), Isabela Avellar created the woody typeface Primavera (2015). [Google] [More]  ⦿

Isabela Certain de Freitas

Brazilian creator of a vernacular signage face in 2011. [Google] [More]  ⦿

Isabela Frazao

Recife, Brazil-based designer of the dot matrix typeface Bolota (2014), which was a school project at UFPE. Behance link. [Google] [More]  ⦿

Isabela Lima

Isabela Soares de Lima (Belo Horizonte, Brazil) created the barbed typeface Xote das Letras in 2015 during her graphic design studies. [Google] [More]  ⦿

Isabela Robeiro Rodrigues Isa

Graphic design student in Campos, Brazil, who created the spurred typeface Nobre (2012). [Google] [More]  ⦿

Isabella Gião

Brazilian graphic designer in Sao Paulo who is studying at SENAC. She designed Old Hope Edessa (2011). [Google] [More]  ⦿

Isabella Ribeiro Aragao

For her PhD at UFPE (in Recvife, Brazil) and USP (in Sao Paulo, under Priscila Farias), Isabella Ribeiro Aragao researched Funtimod (Fundição de Tipos Modernos, est. 1932), the largest and first industrial scale type manufacturer in Brazil with national reach. Considered an important Brazilian type foundry, it used to import matrices from European countries, especially Germany, to fabricate the modern types. Examples of their typefaces include Memphis Meio Preto (1960s), which is similar to Rudolf Wolf's iconic slab serif typeface, Memphis. At ATypI 2015 in Sao Paulo, Isabella Ribeiro Aragao and Priscila Farias reported on their research into Funtimod. [Google] [More]  ⦿

Isabelle Cunha

During her graphic design studies in Fortaleza, Brazil, Isabelle Cunha created the vintage display typeface Spatito (2014). [Google] [More]  ⦿

Isac Correa Rodrigues
[Isaco Type]

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Isaco Type
[Isac Correa Rodrigues]

Isaco Type is a type foundry in Vacaria, Brazil, est. 2009. Its founder is Isac Rodrigues (b. Vacaria, 1986), a graphic designer born who graduated from the Universidade Federal de Santa Maria, Rio Grande do Sul State. His typefaces:

  • Grand prize winner at Tipos Latinos 2010 for his calligraphic typeface family Monarcha (2009).
  • Basel Sans ITD (2009, a humanist sans in one style only).
  • The calligraphic family Mayence (2010). Mayence Ornaments won an award at Tipos Latinos 2012.
  • Cantiga (2014): s a 44-style workhorse typeface family that uses contrast to express itself.
  • Basel Neue (2014). A complete redesign of BaselSans ITD in eight styles.
  • Destra (2015). A narrow sans typeface family.
  • Zega Text (2016). A 14-style slightly flared top-heavy typeface family. Followed later in 2016 by Zega Grot, which also has 14 styles.

Facebook page. Behance link. Creative Market link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Isaias Jacomeli

Ribeirao Preto, Brazil-based designer of the art nouveau style typeface Toulouse Lautrec (2014). [Google] [More]  ⦿

Isis Marques

Brazilian visual designer who is based in Antibes, France. Creator of the tall thin sans typeface Vitral (2013). [Google] [More]  ⦿

Israel Boschetti

Florianopolis, Brazil-based designer of the art deco typeface Coiote (2014). [Google] [More]  ⦿

Israel Teixeira

At UNESP in Bauru, Brazil, Israel Teixeira designed the blackletter typeface Modern Gothic (2016). [Google] [More]  ⦿

Iza Wilma Lima Peixoto

Iza W is a Brazilian type designer who works with Paulo W at intellecta Design. Klingspor link. She created Kocham (2008, an art deco geometric typeface with dots centered in all letters), Orchis (2006, Intellecta Design), an art deco famliy in the style of Broadway. Other fonts, done with Paulo W at Intellecta Design in 2006: Advantage, Biza, Elegancy, Estiliza, Frompac. She designed DeutschePosterSteinschrift, Alta (5 styles), Apolo Decorative (Victorian era caps), Ariana, Black, Cresciesco (roman times lettering), Drianh (late 19th century styles), Easy Callig, Evangeliaire Uncial, Geodec N9 (high contrast sans family), Glaciana (decorative caps), Grid, Half Flower 2, Laureatus (Lombardic), Malvinna, Paola Decorative (caps), Passo Borgo (the ultimate spiky dungeon family), Schneider Kontrast (a 15-style art deco and ornamental family based on the work of F.H. Ernst Schneidler), and Questy (semi-slab serif) in 2007.

Productions in 2008: Basilissa (flowery caps), Calligraphia Latina Soft, Chyrllene (curly Victorian family), Clea (caps), Fridha (undrerstated and 3d calligraphy), Hostetler Kapitalen 2, Litho Romana Inland (a caps family), Ogden (calligraphic), Olivetti Typewriter (5 styles), Syl (frilly Victorian caps), Tissot (2008, fine caps), Triball (headline blackletter family), TTF TATTOEF 8 (tattoo dings). MyFonts says The mysteriously-named Iza W shares most of the development activities at Intellecta Design with Paulo W. She specializes in revivals of historic advertising types, specifically metal and wood display types of the Americas, from the early 19th to mid 20th century. and lists these fonts at the end of 2008 as having been designed by her: Advantage, Agua (2007, an extension of Heinrich Maehler's 1931 font, Salut), Alta, AltDeutsch, Anatomy, Antiqua Shaded, Apolo Decorative, Ariana, Basilissa, Biza, Black, Boliche, Bruce Borders, Bruce Flourished, Bruce Hairline, Bruce Miscelania, Bruce Ornament, Cadels, Calligraphia Latina Soft, Catania, Centennial Script Fancy (+Three), Chancelaresca Spanola, Chyrllene, Clea, Cleo (Lombardic ornamental caps), Cresciesco, Deco Experiment 2, Deco Experiment 3, Deco Experiment 4, Deco Experiment 5, Deco Experiment 6 (2007), Deco Experiment 7, Deutsche Poster Steinschrift, Donald, Drianh, Easy Callig, Egipcia, Elara (2009), Elegancy, Engel, Estiliza, Evangeliaire Uncial, Faroeste, Feosa, Figgins Brute, Fin Fraktur, Flower Essences, Flower Jars, Fofucha (2007, a psychedelic typeface modeled after Seymour Chwast's Artone from 1968), Frames 1, Francesco Decorative, Fridha, Frompac, Fry's Alphabet, Furniet Roman (2008, after Fournier), Gans Animals, Gans Carmen Adornada, Gans Cornucopia, Gans Gotico Globo, Gans Italiana, Gans Royality, Gans Sport Club, Gans Titania, Gans Titular Adornada, Gans Transportation, Gans Vessels Fishes, Geodec Bruce Ornamented (2006, a tribute to George Bruce), Geodec Minuskel, Geodec N9, Geodec Petras Enhanced, Glaciana, Gloo Biloo (2010, spooky alphading face), Gothic Handtooled Bastarda, Gotische, Gotische Frame, Gottar (blackletter), Gradl Initialen, Grid, Grissom (insect dingbats), Grolier (caps), Grolier Beveled (2011, free at Dafont), Half Flower, Hannover, Hostetler Kapitalen, Imperio Romano (2009, roman heads), Intellecta Bodoned (+Two, +Trash), Intellecta Borders, Intellecta Crowns (royal crowns), Intellecta Grotesca Compacta, Intellecta Slab Bold, Intellecta Square, Intellecta Typewriter, Intellecta Typewriter 2, Japonesa (2010, oriental simulation), Julisa Script, Kocham, Latinish, Laureatus, Lettering Deco (2008, art deco, +Shadow), Litho Romana Inland, Littler Serifada, Magro, Majestade, Malvinna, Manuscript XIV Century, Merona, Missal, Monograms Soft (2010, with Paulo W), Naturella (2009, leaf and grape dingbats), Neretta (2008, +Italic), Numbers, Ogden, Olivetti Typewriter, Orchis, Palermo, Paola Decorative, Peloponeso, Porcupine, Questy, Remington Elite Typewriter, Samuello, Schneider Kontrast, Schneidler Zierbuchstablen, Schwandner Versalia (2010, ornamental caps based on an alphabet by Austrian penman Johann Georg von Schwandner), Schwandner Black Fleurons (2010), Schwandner Ornaments (2010), Selena, Sinfonia, Southern Flight, Speedball, Standard Typewriter, Suciellid, Sunamy (oriental simulation, after lettering by Ross F. George), Surrey (2008), Syl, Tissot, Tondella, Triball, TTF TATTOEF 4, TTF TATTOEF 6, TTF TATTOEF 7, TTF TATTOEF 8, Tuska, Underwood Typewriter (+Underscore), Uthan, Versatile Initials, Victorian Exotical Capitals, Warp, Woodball, Yanna, Zooth.

From 2009: Calligraphia Latina Soft3, Cantate (+Beveled), Remington Weather (old typewriter), Xyla (caps), Polen, Polen Two (2007), Arrius (calligraphic), Catilina, Pentagraph (upright connected script), Renania (calligraphic), Renania Double Line (free), Samantha (caps), Silius Engraved (caps), Stencil Intellecta (+Trash), Tatooyn, Urszula (caps), Victorio (caps), Elfort (formal calligraphy after Poppl Exquisite, a typeface by Friedrich Poppl), Pretoria Gross (2009), Holy Church (2009, blackletter), Holy Church Fleurons (2009), Single Silhouettes (2009).

Typefaces done in 2010: Penabico (a calligraphic script; with Paulo W), Baltimore Typewriter (a great typewriter family, with a black-on-white typewriter keys style added), Izouda (an art deco Broadway-style beauty), Bernardo (an italic family, with swash initials thrown in, named after Lucian Bernhard), Netuno, Supermarket (shop signage family), Bruce Influence (interpretation of Great Primer Ornamented No. 30, from the Bruce's TypeFoundry 1869 catalog), Pretoria Gross (a Victorian family done with Paulo W), Reliant (2010, with Dmitrij Greshnev: a free interpretation of Bernhard Schönschrift (Lucian Bernhard) and Liberty, which was designed by W.T. Sniffin for ATF in 1927, following the original designs by Lucian Bernhard), Reliant Limited (2012, free version).

Gostosinhos (2010) are hilarious faces put together in a dingbat font. Centennial Onaments (2010) was done with Paulo W. Calligraphic Birds is pure penmanship.

Fonts done in 2011: Ambrose Bierce Daned Font (ornamental caps), Menina Carinhosa (floriated caps), Menina Formosa (floriated caps), Menina Espinhosa (2011), Menina Graciosa Ornaments (2011, +Two), Menina Poderosa Ornaments (2011), Azalleia (floriated caps), Azalleia Ornaments, Naoko (a fantastic oriental simulation face), Bestiario (calligraphic penmanship dingbats based on the work of English writing master John Seddon, 1644-1700), Seddon Penmans Paradise Capitals (elaborate caps along the lines of Bestiario), Dolphus-Mieg Monograms (after a 1901 book by the Dollfus-Mieg company), Imprenta Royal Nonpareil, Dia de los muertos (2011), Naive Ornaments (2011), Eingraviert Dutch Capitals (2011).

Creations in 2012: Spirulina, Promotion Script, Soft Ornaments (+Two, +Three, +Four, +Five, +Six, +Seven, +Eight, +Nine, +Ten, +Eleven, +Twelve, +Thirteen, +Fourteen, +Fifteen, +Sixteen, +Seventeen, +Eighteen, +Nineteen, +Twenty, +21), Soft Garden (ornaments), The Black Shapes, Sabor Words, Sabor Digital (textured), Sabor Rasgos Escritura (upright connected script), Floreart (floral dingbats), Mirella Script (French bastarda penmanship script), Soft Flowers, Derriey Vignettes (after Charles Derriey), Gracious Azaleas (flowery dings).

Design from 2013: Bruce Ornaments Collection, Invitation Script (after the calligraphy of Andrade de Figueiredo, 1722), Mirella Initials Ornamentals (a swashy calligraphic script done with Paulo W), Menina Graciosa (ornamental caps), Menina Gostosa (Loira (caps), Morena (calligraphic), Ornamentos (floral)), Alien Trees. [Google] [MyFonts] [More]  ⦿

Izabela de Lima

Izabela de Lima ("Elfa do PhotoScape", b. 1993) is the Brazilian creator of the hand-printed typefaces Bella J =K A Better Place (2012), Bella K Don't Blink (2012), Bella K Brackets (2012), Bella K. Hopeless (2012), and Bella K. Mad (2012).

Fonts from 2013: Bella K. Dings are Cool, Bella K. Hopeless (script font).

Fontspace link. Dafont link. [Google] [More]  ⦿

Ja

La Coruña, Spain-based designer of pixaçao ABC (2014), a typeface based on Brazilian graffiti. Behance link. [Google] [More]  ⦿

Jackson Alves
[Type Curitiba Foundry]

[MyFonts] [More]  ⦿

Jackson Tadeu Amaral

Graphic designer in Belo Horizonte, Brazil. Creator of Allure, Amaral Serif (in four styles), Franzserif, Levez, and Monk Gothic (2010, a free blackletter font).

Klingspor link. Devian Tart link. [Google] [More]  ⦿

Jacques Palermo

As a student at ESPM-SUL in Porto Alegre, Bazil, Jacques Palermo designed Kill Me Please (2012, a scratchy hand-printed typeface) and Memorial (2012). [Google] [More]  ⦿

Jadna Saibert

During his studies in Florianopolis, Brazil, Jadna saibert created the cut-out vernacular typeface Maracatu Pulsa (2014). [Google] [More]  ⦿

Jady Salvatico

Sao Paulo-based creator of Loop (2012) and Partout (2014). [Google] [More]  ⦿

Jahde Vaccani

Rio de Janeiro-based designer of Foxy Font (2016) during her studies at ESPM-RJ (class of 2017). Behance link. [Google] [More]  ⦿

James Eduardo Dudi

Curitiba-based Brazilian designer of the liquid typeface Setor (2004), Wcom, the pixel typeface Cube (2004), the Cyrillic display typeface Poka (2004), and the futuristic DNA (2004). [Google] [More]  ⦿

James Passos

Balneario Camboriu, Brazil-based designer (b. 1978) of the fat brush typeface Abstracto (2014). [Google] [More]  ⦿

James W. Mills

Glasgow-based graphic designer. Home page. He created a pixacao-inspired typeface in 2011. [Google] [More]  ⦿

Janaina Lima

During her studies in Sao Roque, Brazil, Janaina Lima designed the graffiti-inspired typeface Sevati (2015). [Google] [More]  ⦿

Janepix

Brazilian designer of Janepix Handwriting (2011). [Google] [More]  ⦿

Janis Odara

During her studies at Universidade de Pelotas, Brazil, Janis Odara created Tipo Escama (2014), a display typeface based on fish scales. [Google] [More]  ⦿

Jaqueline Morais

Salvador, Brazil-based designer of the minimalist sans typeface Mind The Gap (2015). [Google] [More]  ⦿

Jarbas Gomes
[Forte Type]

[MyFonts] [More]  ⦿

Jasco Jasco

Designer in Curitiba, Brazil, who created Minimo Stella (2014, an avant garde caps typeface) and Deco Avenue (2014, art deco typeface). [Google] [More]  ⦿

Jason Nona

During his studies in Sao Paulo, Jason Nona created an unnamed informal typeface (2013). [Google] [More]  ⦿

Jean Bros

Jean Bros (Venancio Aires, Brazil) created Le Pixel (2013). [Google] [More]  ⦿

Jean Luc Louis

Jean Luc Louis (Porto Alegre, Brazil) designer of th sci-fi font Louis Futuristic (2015), which was a school project. [Google] [More]  ⦿

Jean M. Wojciechowski

Graphic designer in Curitiba, Brazil and/or New York City, who created the antiqua typeface St. Monique (2015) and the stunning and powerful (and free!) sans typeface Axis (2014).

Creative Market link. [Google] [More]  ⦿

Jeferson Damasceno Lima

Brazilian designer of Square Alphabet (2011, geometric, experimental), and the dot matrix typeface Digt R (2011). [Google] [More]  ⦿

Jeferson Jacob de Souza

Born in 1981 in Joinville, Brazil, Jeferson Jacob de Souza created the hand-crafted typeface Guapos in 2015. [Google] [More]  ⦿

Jeferson Sevald

Sao Jose do Cedro, Brazil-based designer of the compass-and-ruer typeface Geoclidia (2015). [Google] [More]  ⦿

Jefferson Cortinove
[Sea Types]

[MyFonts] [More]  ⦿

Jefferson Cortinove
[Cort9.com]

[MyFonts] [More]  ⦿

Jefferson de Camargo

Brazilian designer who graduated from Unesp. Creator in 2003 of Concept (pixel face), Superout (pixel-based) and Dual (techno). [Google] [More]  ⦿

Jenifer Abad

During her studies at UEMG (Universidade do Estado de Minas Gerais), Jenifer Abad (Belo Horizionte, Brazil) created an untitled connect-the-dots typeface (2014). [Google] [More]  ⦿

Jeniffer Fernandes

Campos dos Goitacazes, Brazil-based creator of Natural Nouveau (2013), a typeface that contains certain art nouveau elements. [Google] [More]  ⦿

Jennifer Monte

Recife, Brazil-based designer of Mauricea (2012), a blackletter typeface based on lettering on a bottle of cachaça. Surreal (2012) is based on Trajan Pro. Goo Font (2013) is a puixelish typeface. All these fonts were created during Jennifer's studies at Universidade Federal de Pernambuco. [Google] [More]  ⦿

Jeremias Ribeiro

Pompeia, Brazil-based designer of BausQ (2015), a Bauhaus-inspired display sans typeface. [Google] [More]  ⦿

Jessica Avila

Designer in Porto Alegre, Brazil, who, during her studies at ESPM, created a clean sans typeface (2015) [Google] [More]  ⦿

Jessica Boscardin

During her studies in Sao Paulo, Jessica Boscardin created the octagonal typeface Letras Geometricas (2014). [Google] [More]  ⦿

Jessica Lima

Design student in Recife, Brazil, who created the ballet-inspired Noir (2015) for a school project at UFPE. [Google] [More]  ⦿

Jessica Lin

Sao Paulo-based designer of the display typeface Latte (2014). [Google] [More]  ⦿

Jessica Pereira

Designer and illustrator in Joinville, Brazil, who created the display typeface Initus (2013). [Google] [More]  ⦿

Jessica Reis

In 2015, Jessica Reis (Maranhao, Brazil), Emerson Muniz, Maria Cecilia de Freitas and Milena Carvalho codesigned a hand-crafted vernacular typeface for a school project. [Google] [More]  ⦿

Jessica Santos

Graphic designer in Olinda, Brazil, who created the venacular font Jessie in 2015. [Google] [More]  ⦿

Jessica Serafim

Graphic designer in Vila Velha, Brazil, who created the text typeface Prongs in 2016 with Amanda Ardisson during her studies at UFES. [Google] [More]  ⦿

Jesus Jones

Graduate of UFG, where he studied graphic design. Goiana, Brazil-based designer of the free typeface Serjao Vernacular (2013). [Google] [More]  ⦿

Joâo Batista Moreira Correia

Brazilian designer of the typeface Leon Regular, which won an award at Tipos Latinos 2014. [Google] [More]  ⦿

Joana Amador

Brazilian type designer who works at Tipos do aCaso. Her fonts include the children's handwriting font Toinho, designed with Renata Faccenda. [Google] [More]  ⦿

Joana D

Graduate of Universidade Lusofona and of PUC in Rio de Janeiro. Based in Lisbon, Joana created a pixacao style graffiti font called Pixo Type (2012).

Behance link. [Google] [More]  ⦿

Joana Henrique

Santos, Brazil-based designer of the vernacular typeface Veio Abusado (2016). [Google] [More]  ⦿

Joana Vidal

At Universidade de Fortaleza (Unifor, Fortaleza, Brazil), Joana Vidal designed the hand-crafted typeface Joa Hand (2015) and Joana (2015). [Google] [More]  ⦿

Joao Bastos

Graphic design student in Belo Horizonte, Brazil. Creator of the curvy display typefaces Modular (2012) and Lindha (2012) while studying at UEMG. [Google] [More]  ⦿

Joao Brandao

Recife, Brazil-based designer at UFPE of the spurred typeface Paraiso (2016). [Google] [More]  ⦿

Joao Chafic

Rio de Janeiro-based designer of the squarish modular typeface Modularum (2015). [Google] [More]  ⦿

Joao Claudio

Florianopolis, Brazil-based designer of the yextured typeface Viceras Neue (2015). [Google] [More]  ⦿

Joao Costa

Brazilian creator of the serifed typeface family Edith Book (2012).

It is possible that this is the same Joao Costa who codesigned the thin lachrymal typeface Zitrone FY in 2014 at FontYou with Jérémie Hornus and Alisa Nowak. [Google] [MyFonts] [More]  ⦿

Joao Faraco

Brazilian FontStructor who made the piano key typeface Phyllon (2010) and Bar Dot (2009). [Google] [More]  ⦿

Joao Garcia

Gravatai, Brazil-based designer of the display typeface Dovahkin (2016). [Google] [More]  ⦿

Joao Henrique Lopes

Ananindeua, Brazil-based creator of FontForum Giureska (2012), a blackletter / uncial family published by URW, and of Styla Pro (2013), a flared typeface also published by URW, and advertized as a romantic sans influened by Bodoni.

Lucca (2013) is a flared humanist sans typeface that was inspired by Italian Renaissance fonts like Poliphilus, Blado, Centaur and Arrighi.

Typefaces from 2015: Pleiad (seven interchangeable scripts published by URW++: Pleiad Alcyone, Pleiad Celeno, Pleiad Electra, Pleiad Maia, Pleiad Merope, Pleiad Sterope, Pleiad Taygete). [Google] [MyFonts] [More]  ⦿

Joao Mambelli

Brazilian designer (b. 1997) of the monoline squarish typeface Razer Black Widow (2016). [Google] [More]  ⦿

Joao Manuel Correia

During his studies at Centro Universitario FIEO in Osasco, Sao paulo, Brazil, Joao Manuel Correia created the hand-crafted digital poster typeface Cordel (2016). [Google] [More]  ⦿

Joao Neto

Graphic designer in Fortaleza, Brazil, who created a layered geometric typeface calle Cor Modular (2012) during his studies at Centro Universitário Estácio do Ceará. [Google] [More]  ⦿

Joao Pedro Anselmi

As a design student in Farroupilha, Brazil, Joao Pedro Anselmi created Ribbon Furled Typeface (2013). [Google] [More]  ⦿

Joao Pedro Barboza

Campinas, Brazil-based designer of the vernacular outlined typeface Sagafé (2015). [Google] [More]  ⦿

Joao Pedro de Oliveira

Brasilia, Brazil-based designer of the octagonal typeface Diaga (2016). Behance link. [Google] [More]  ⦿

Joao Pedro Jacques
[Type classification systems]

[More]  ⦿

Joao Pedro Vila Nova

Sao Jose dos Campos, Brazil-based designer of the free rounded monoline sans font Nita (2014). Dafont link. Behance link. [Google] [More]  ⦿

Joao Pereira

Vila Velha, Brazil-based designer of the fat finger typeface Homer Simpson (2015) and the hand-crafted typeface Open Season (2016). Dafont link. [Google] [More]  ⦿

Joao Peres

Senior designer at Interbrand Sydney who was born in Brazil. For Melbourne Theatre Company (MTC) he created MTC Neon (2013, with Chris Maclean).

Behance link. [Google] [More]  ⦿

Joao Pucci

During his studies at IED in Firenze, Italy, Joao Pucci, who hails from Brazil, designed Trytype (2013). This typeface was designed using geometric principles, and looks like an architectural typeface, a far relative of David Siegel's Tekton. [Google] [More]  ⦿

Joao Ricardo Zattar

Florianopolis, Brazil-based creator of Square Fold (2011, paper fold face). [Google] [More]  ⦿

Joao Vitor Santos

During his design studies in Rio de Janeiro, Joao Vitor Santos created Paper Punch (2014). [Google] [More]  ⦿

Joatan Junior

Graphic designer in Joao Pessoa, Brazil, who created the gothic typeface Hellvetica (2012). [Google] [More]  ⦿

João Carlos Martin Ramos

Sao Paulo, Brazil-based designer of the curvy typeface Halt (2014). [Google] [More]  ⦿

João Faraco

Brazilian designer in Rio de Janeiro (b. 1985) who graduated from ESPM-RJ. Designer of Bar Dot (2010), Faraco Hand (2009), and Phyllon (2010, piano key face). Home page. Fontsy link. Behance link. Another home page. [Google] [More]  ⦿

João Gabriel Oliveira

During his studiies at UFSC, Florianopolis, Brazil-based João Gabriel Oliveira created the grungy typeface Corrompida (2014). Behance link. [Google] [More]  ⦿

João Melhorance

Graphic design student at PUC in Rio de Janeiro in 2014. During that year, he created the modular typeface Svalbard. [Google] [More]  ⦿

João Paulo Angelim

Sao Paulo-based Brazilian designer in 2007 of the hookish hand-printed typeface Original Olinda Style, and of Lego System (dingbats). FADU-UBA link. Dafont link. Klingspor link. [Google] [More]  ⦿

Joceanny Lima

Brazilian ex-student of UFPE, b. 1981, who created the typeface Tipofilme at Tipos do aCASO (2005). From Paraibo, she works now as a designer. [Google] [More]  ⦿

Joelmir Guedes

Graphic designer in Sao Paulo, b. 1986. Designer of the display typeface Raul (2014) and the squarish modular typeface Guedes (2014). [Google] [More]  ⦿

Johlen Teixeira

Brazilian creator at Unique Types of the free experimental typeface Somos Todos Perfeitos (2011). [Google] [More]  ⦿

Joice Miyawaki

Graphic design student in Sao Paulo. Behance link. Creator of the thin monoline sans typeface Voil Light (2012). [Google] [More]  ⦿

Jonas Junior

Designer in Recife, Brazil, who created the modular typeface F Font (2013). [Google] [More]  ⦿

Jonas Mello Kühner
[Design Creatipos]

[More]  ⦿

Jonatan Xavier
[Types and Boats]

[More]  ⦿

Jonathan B

Brazilian graphic design student in Fortaleza who created the plumpish Air Balloon font (2015). [Google] [More]  ⦿

Jonathans Trevisan

During his studies at UNIMEP in 2014, Jonathans Trevisan (Piracicaba, Brazil) created the paper cutout typeface Sealtype. [Google] [More]  ⦿

Jonathas Beloni

During his studies, Itu, Brazil-based Jonathas Beloni designed the display sans typeface Beloni Unclosed Sans (2015). [Google] [More]  ⦿

Jordana Alves

Goiania, Brazil-based graphic design studentr at Universidade Federal de Goiás in 2015, when she created the italic typeface Hadnos in cooperation with Guilherme Marques and Thiago Augusto. [Google] [More]  ⦿

Jorge Kavicki

Sao Paulo, Brazil-based designer of the psychedelic typeface Slime Type (2014). [Google] [More]  ⦿

Jorge Luis Vidal

During his studies at Universidade Federal do Ceara, Fortaleza, Brazil-based Jorge Luis Vidal designed the decorative ivy-themed all caps typeface A Casa (2015). [Google] [More]  ⦿

Jorge Teivelis

Jorge Teivelis (Bauru, Brazil) designed the squarish typeface Pipe Type (2012) according to a strict grid design. [Google] [More]  ⦿

Jose Claudio Alves Neto

During his studies, Americana, Brazil-based Jose Claudio Alves Neto created a display typeface that was inspired by Japanese rice (2015). [Google] [More]  ⦿

Jose Zeh Fernando (Rorshack)
[blue eighty four (was Portfolio Virtual; or azul84)]

[More]  ⦿

Jose Zeh Fernando (Rorshack)
[The death of the pixel font]

[More]  ⦿

José Azevedo

Illustrator and graphic designer from Vitoria, Brazil, who is now located in Bremen, Germany. On his Behance page, we can find many great typographic posters.

In 2014, he created a scratchy multiline typeface called Scratching Font. [Google] [More]  ⦿

José Claudio Rodrigues da Silva

Sao Paulo-based designer of Bellini (2013), which was done at the Escuela de Arte de Granada. The typeface is based on Antigua Progreso (Gans, 1923). Not be confused with yet another typeface called Bellini (1999, A. Pat Hickson), which revived the same Richard Gans font. [Google] [More]  ⦿

José Fabio

Brazilian codesigner with Melissa Trigueiro, Ricardo, George Vinícios and Paula Robalinha of the experimental typeface Geometrica (2005, Tipos do aCASO). [Google] [More]  ⦿

Josenildo Pragana

Brazilian creator of the hand-printed typeface Fonte (2013) and the grungy Pragana's (2013).

Behance link. Fontspace link. [Google] [More]  ⦿

Josias Moraes

Aka Josias de Moraes Silva. During his studies, Josias Moraes (Diaderna, Brazil) created the free serifed typeface Sophine (2014). [Google] [More]  ⦿

JOSO
[Zózimo Teixeira Pinto Neto]

Zózimo Neto (JOSO) (b. 1984) is a Brazilian design student at UFPE in Recife since 2003. He created the free dingbat font Macumbats (2007). [Google] [More]  ⦿

Jossie Castro

Editorial and graphic designer in Buenos Aires. She created the minimalist monoline sans family Donna in 2010. [Google] [More]  ⦿

Joyce Carr

Bauru, Brazil-based designer of the UNESP school project font Techtype (2016). [Google] [More]  ⦿

J.R. d'Elboux
[Tipos Paulistanos]

[More]  ⦿

Juan Frias

Brazilian illustrator and designer of computer games. On Behance, he says that he lives in Spain. Designer of the fat counterless family Mantequilla (+Congelada) in 2010. [Google] [More]  ⦿

Juciara Rodrigues

During her studies at UFRN (Universidade Federal do Rio Grande do Norte), Juciara Rodrigues (Natal, Brazil) designed the outlined Bauhaus-style font Staatliches (2016). [Google] [More]  ⦿

Jugurta Lisboa Filho

Brazilian designer of the geographical symbol font Sigmoda. [Google] [More]  ⦿

Jukka Virkkunen

Finland-born and Londrina, Brazil-based designer of Oliveira's Neon (2013), a FontStruct typeface that was inspired by neon signs from the 1920s. [Google] [More]  ⦿

Julia
[Valerio Di Lucente]

Julia is Valerio Di Lucente (Italy), Erwan Lhuissier (France) and Hugo Timm (Brazil). They met at the Royal College of Art in London having come from different professional backgrounds in editorial design, web and art direction. The studio Julia was founded in 2008 upon their graduation. Together, they work on books, typefaces, posters, websites, identities and exhibition design. They teach as visiting lecturers at Kingston University. Typefaces:

  • Premio (2010), A beveled typeface, extended to lowercase in 2012.
  • Riso (2009) is a display typeface designed for The Invisible Dot.
  • Above Magazine (2009, an almost typewriter type).
  • Copan (2010, a multilined typeface commissioned by Wallpaper's Born in Brazil issue).
  • Herman (octagonal, done for Wired Magazine in 2010).
  • Modo (2008, an experiment on a superposition of shifted strokes).
  • Gill Sans Rounded (2007).
  • Serious Sans (2008, anti--Comic sans).
  • Volt (2009, a sans done for Volt Magazine).
[Google] [More]  ⦿

Julia

Brazilian designer (b. 1997) of the pixel typeface Outer Space (2016, FontStruct). [Google] [More]  ⦿

Julia Boudet Caldas

Julia took an ordinary Bodoni, and fiddled with the serifs---making them asymmetric and wedged--- in the creation of Nuova Bodoni (2012). She is based in Rio de Janeiro. [Google] [More]  ⦿

Julia Capinos

During her graphic design studies at Universidade Federal de Pelotas in Pelotas, Brazil, Julia Capinos created the wavy threaded typeface Gaia (2013). [Google] [More]  ⦿

Julia Contreras

Graphic designer in Sao Paulo, Brazil, who started from old metal type matrices and created a grungy pair of free typefaces, Carimbado (2015) and Carimbado Light (2015). Behance link. Dafont link. [Google] [More]  ⦿

Julia Falcao

Recife, Brazil-based designer of the free display typeface Crono (2016). [Google] [More]  ⦿

Julia Franco

During her studies at FACAMP in Campinas, Brazil in 2013, Julia Franco created a modular typeface. [Google] [More]  ⦿

Julia Kaffka

During her design studies in Sao Paulo, Julia Kaffka created the modular techno typeface Bandit (2015). [Google] [More]  ⦿

Julia Lopes

Brazilian designer of the round monoline sans typeface Lulia (2011). [Google] [More]  ⦿

Julia Mele

Sao Paulo, Brazil-based designer of Elenvars (2016). [Google] [More]  ⦿

Julia Stabel

Sao Paulo-based designer of the display typeface Ayni (2015). [Google] [More]  ⦿

Julia Teixeira

Brazilian designer of Tape Font (2012), a multichromatic paper-fold typeface. [Google] [More]  ⦿

Julia Yuri Landim Goya

Bauru, Brazil-based design student in the College of Architecture, Arts and Communication from Estadual Paulista Júlio Mesquita Filho University, who created Petit Noveau (2014), a typeface inspired by art nouveau. [Google] [More]  ⦿

Juliana Azevedo

Florianopolis, Brazil-based designer of a curly typeface (2015). [Google] [More]  ⦿

Juliana Bonardi

Sao Paulo, Brazil-based designer of the display sans typeface Xilo (2016) and a sign alphabet (2016). [Google] [More]  ⦿

Juliana Carvalho

Designer from Rio de Janeiro (b. 1987) who designed Refrigerator Notes (2008, handwriting) and Allura Script (handwriting).

Dafont link. [Google] [More]  ⦿

Juliana Demarque

While studying design at SENAC in Brazil in 2009, Juliana Demarque designed the avant-garde typeface Sfera Light. [Google] [More]  ⦿

Juliana Furtado

Illustrator/ designer in Nova Iguacu, Brazil, who designed a beautiful typographic anti-smoking poster in 2013. [Google] [More]  ⦿

Juliana Galati

Sao Paulo-based creator of Bidu (2012), an octagonal counterless typeface. [Google] [More]  ⦿

Juliana Marques

Juliana Marques (Sao Paulo) created the school project typeface Avalon (2014). [Google] [More]  ⦿

Juliana Matsubara

Art editor and illustrator in Sao Paulo, Brazil. Creator of Geometry Font (2013, an ornamental caps typeface) and City Collage Font (2013). Behance link. [Google] [More]  ⦿

Juliana Maulin

Designer in Ribeirao Preto, Brazil. Creator of Tube Type (2012). [Google] [More]  ⦿

Juliana Nogueira

During her studies in Sao Paulo, Juliana Nogueira created the copperplate typeface Nogs Bold (2013). [Google] [More]  ⦿

Juliana Santiago

Rio de Janeiro-based designer of Art Deju (2012, art nouveau). [Google] [More]  ⦿

Juliana Soares

Juliana Soares (Mogi das Cruzes, Brazil) made Pixel (2011) during her studies at Centro Universitário Belas Artes de São Paulo. [Google] [More]  ⦿

Juliano Augusto
[Fondue Fontes]

[More]  ⦿

Juliano Grendene Warpechowski

Designer in Porto Alegre, Brazil, who created a typeface called Terror (2012). [Google] [More]  ⦿

Juliano Vieira

Sao Paulo-based graphic designer who created typographically inspiring lettering for Imperio Bartenders in 2010. [Google] [More]  ⦿

Juliano Weide

Juliano Weide (Porto Alegre, Brazil) co-designed the kitchen tile typeface Black Saul with Andrey Damo in 2013.

Behance link. [Google] [More]  ⦿

Julianos Kahlonos

Julian was born in Brasil and grew up in New York City where he practices design and photography. Neu Kahlon (2012) is an italic-based sans serif font made up of thick geometric lines. Its design was influenced by fonts like Akkurat and Avant Garde. Behance link. [Google] [More]  ⦿

Juliany Siqueira

Graphic designer in Fortaleza, Brazil, who made the sci-fi typeface Space Type (2013). [Google] [More]  ⦿

Julie Mattos

Curitiba, Brazil-based creator of the rounded sans poster font Around Sans (2012). [Google] [More]  ⦿

Julio Dui

Brazilian designer associated with Mono Artes Graficas in Sao Paulo. Creator of Mandinga at Burritos do Brasil (1998). Other typefaces by Dui include Jardelina (connect the dots face), GK (stencil), Burti (sans), Original (shadowed caps), Nitra Mono (techno), Samakaka (organic sans), Ngola (stencil), Kapital, Federal, Secreta, and Esportiva.

Fontspace link. Dafont link. Behance link. [Google] [More]  ⦿

Julio Teodoro

During his studies at UTFPR, Curitiba, Brazil-based Julio Teodoro created an unnamed modular typeface (2013). [Google] [More]  ⦿

Julyane Lima

Web designer in Sao Paulo, Brazil. Creator of a gorgeous Christian Louboutin shoe illustration poster in 2013. Behance link. [Google] [More]  ⦿

Junior Souza

Graphic designer in Olinda, Brazil, who created the squarish techno typeface Delta Squad in 2014. [Google] [More]  ⦿

Junior Valler

Brazilian creative director who was born in Campinas in 1977. Creator of the vernacular hand-drawn typeface Nao (2013). Behance link. [Google] [More]  ⦿

Just in Type (was: Tipomovel)
[Tony de Marco]

Just in Type (ex-Tipomovel) is a Brazilian foundry run by Tony de Marco (b. 1963) and his brother Caio de Marco in Sao Paulo since 2005. They were joined later by Diego Maldonado. Tony de Marco was an illustrator for Folha de S. Paulo, 1987-1994. He co-edits Tupigrafia with Claudio Rocha Franco.

As a type designer, he created over 50 typefaces for the newspaper Noticias Populares, for America Online, and the magazines Moderna, Saraiva, FTD and Atica. Free fonts at the Tipomovel site included Ariana, Beabá, Bloco, CyberComix, Cyber Rounded, Cyber-Zinha, Digital Typewriter, Egly (my favorite--a Bodoni with curly serifs), Futura Vítima, Futura Vítima Bold, Futura Vítima Extra Bold, Games, Genoveva, Helvetica Backlight, Illinoise, Macmania Bold, Neurastenic, Notícias Populares, Oficina Bold, Pin ups, Pixel, Pravda, Sequestro, Simbolo, Splash, Stalin, Sumô, Super Braille (created for the Dorina Nowill Foundation), Times Change, Tipografia, Toxic Bodoni, Web Power, Zine. Samba LT (2003, Linotype, designed with Carlo de Marco; this art deco typeface was inspired by the lettering art of J. Carlos, a Brazilian illustrator during the early 20th century) won an award at the Linotype International Type Design Contest 2003.

Just in Type typefaces include HallowHell Dingbats (2006, Halloween dingbats), Drop It (2005, dot matrix), Illinoise (2005, techno-grunge, by Tony and Caio de Marco), Pixel Zoo (2008, dingbats), Inferno Dingbats (2008), Brazil Pixo Retro (2007, rune simulation), Fractal (2010), Concreta (2011, a stencil typeface in the style of Josef Albers, done with Niko Fernandez).

In 2012, Tony de Marco and Diego Maldonado codesigned Garoa (a black rounded sans). Influenced by Herb Lubalin, it was derived from the free font Garoa Hacker Clube (done with Diego Maldonado).

In 2014, Bernardo Faria and Tony de Marco created the masculine typeface family Terrorista, and wrote this blurb: Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, fits perfect for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version. This is the font for the political propaganda machine.

Fontspace link. MyFonts link. Dafont link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Kadu Lombarde

Graphic designer in Santo André, Brazil, who created an unnamed typeface in 2013. [Google] [More]  ⦿

Kadu Supanik

Kadu Supanik (Joinville, Brazil) created the free hand-printed script typeface Rose (2013). In 2014, he created the free social media icons font family Sozialize, the warm commercial sans typeface family Elisabeth and the ornamental caps typeface Windflower.

Typefaces from 2015: Vintage Break (letterpress emulation).

Behance link. Creative Market link. Gumroad link. [Google] [More]  ⦿

Kaiky Fernandez

During their studies in Goiania, Brazil, in 2015, Natasha Hoshino, Kaiky Fernandez and Bia Menezes codesigned Drame Sans. [Google] [More]  ⦿

Kaique Amorim

Sao Paulo-based designer of the free font Estreita Condensed (2015). . [Google] [More]  ⦿

Kairon Sarri

Digital artist from Ribeirao, Brazil. He created the fat and semi-psychedelic outline typeface Sarry's Rounded (2011) and the outlined display typeface Valar (2014). Behance link. [Google] [More]  ⦿

Karen Sampaio

Sao Paulo-based graphic designer. Behance link. She created the oddly serifed typeface Falta Alguma Coisa (2010). That typeface and the experimental typeface Somos Fortes (2011) can be freely downloaded at Unique Types. With Eduardo Batiston, she made the semi-stencil typeface Horizontes (2011). [Google] [More]  ⦿

Karina Dias

At Universidae Positivo in Curitiba, Brazil, Karina Dias created a beautiful art deco display typeface (2013). [Google] [More]  ⦿

Karina Duarte

Graphic designer in Rio de Janeiro. Creator at Unique Types of the free experimental typeface Pequeninos (2011). [Google] [More]  ⦿

Karine Tressler

Brazilian creator of the student project typeface Captivus (2012) [Google] [More]  ⦿

Karol Stefanini

Designer in Campinas, Brazil, who created the angular poster typeface Aerofont in 2014. [Google] [More]  ⦿

Karoline Nascimento

Santa Barbara d'Oeste, Brazil-based designer of the fun bike-inspired display typeface Pedala Familia (2015). Behance link. [Google] [More]  ⦿

Kawan Hartkamp

Brazilian creator of the modular typeface Staedler (2014). [Google] [More]  ⦿

Kayuane Silveira

Designer in Porto Alegre, Brazil, who created a sketched art deco typeface, Modern Folkwood (2015), for carving on wood. [Google] [More]  ⦿

Kboco

Brazilian codesigner with Buggy, Bosco and Plínio Uchoa Moreira of the dingbat typeface Manguebat 4 (2005, Tipos do aCASO). [Google] [More]  ⦿

Keine Martins

Designer in Porto Alegre, Brazil. Creator of Kel (2014, a free organic sans typeface), , [Google] [More]  ⦿

Ketlin Martins

Originally from Rio de Janeiro, Brazil, Ketlin moved to Canada in 2008. She studied at Emily Carr University of Art & Design and the British Columbia Institute of Technology in Vancouver. She is working as a freelancer in Montreal. In 2013, she designed the modular fashion mag typeface ABC. In 2015, she designed Skinny Pete and Hairy Gary. Behance link. [Google] [More]  ⦿

Kikuto
[Augusto Icaro]

Augusto Icaro (aka Kikuto) is at the Centro de Pesquisa em Matemática Computacional of CPMAT, in the CalaMgo lab. He studied computational origami in the Mathematics Department of the Universidade Federal do Estado de Alagoas, class of 2011. In this conext, it is no surprise that he used FontStruct to make the origami typefaces Origami Typo and Origami Typo Dual Color (2015). Outspoken Open Source supporter. FontStruct link. [Google] [More]  ⦿

Kollontai Cossich Diniz

Kollontai researches typography and native languages of Brazil. She obtained her bachelors degree in graphic design from the University of Brasilia in 2007, and during that time she was a trainee at the Fundação Nacional do Índio, the governmental protection agency for indigenous people interests and culture, where she worked on editorial projects in various native languages. She won the young scientist award from the Brazilian Society of Information Design. She currently works in the Institute for Brazilian Studies at the University of São Paulo. Speaker at ATypI 2009 in Mexico City on the topic of type and native languages in postcolonial America. She lives in Sao Paulo. [Google] [More]  ⦿

Konstantin Datz

Graphic designer in Potsdam, Germany. Behance link. He proposed---tongue-in-cheek, I guess---a 42-style generalization of Comic Sans into three subfamilies, Comic Sans, Comic Serif and Comic Condensed. [Google] [More]  ⦿

Laís Fernandes

Belo Horizonte, Brazil-based designer of the mechanical slab serif geometric typeface Machine (2014). [Google] [More]  ⦿

Laila Szafran

Influenced by the Korean suburb of Sao Paulo called Bom Retiro, graphic designer Laila Szafran (Sao Paulo, Brazil) created the Hangul emulation typeface Bom Retiro (2015). She also created the vernacular typeface Toynbee (2015). [Google] [More]  ⦿

Laina Fasoli

Graphic and web designer in Sao Paulo, Brazil. Creator of the informal typeface Limão (2014). [Google] [More]  ⦿

Lais Almeida

At UFRJ in Rio de Janeiro, Lais Almeida created the pearly display typeface Bolleans Type (2015). [Google] [More]  ⦿

Lais Costa

Graphic designer who studied at Universidade de Sorocaba in Brazil. She created the alchemic typeface Helvetian (2012). [Google] [More]  ⦿

Lais Dornelles

Art director at W3Haus in Porto Alegre, Brazil, who created the tall elegant serifed typeface Lenda (2012-2014). [Google] [More]  ⦿

Lais Lopes

Creator of the school project fonts Reef (2013) and Quilhas (2013) at the Escola de Design da Universidade do Estado de Minas Gerais, Belo Horizonte, Brazil. [Google] [More]  ⦿

Lais Patricio

During her studies, Lais Patricio (Recife, Brazil) created the hexagonal typeface Hexagonus (2014). [Google] [More]  ⦿

Lais Ramos

Art director in Americana, Brazil. During her studies at Senac Campinas, she created the exquisite high-contrast art deco typeface Opponimus (2015). [Google] [More]  ⦿

Lais Santiago

During her studies, Lais Santiago (Goiania, Brazil) created the high-contrast display typeface Madu (2015). [Google] [More]  ⦿

Lais Shiraishi

Graphic designer in Bauru, Brazil. Creator of the modular typeface Geni (2012). [Google] [More]  ⦿

Lais Terentin Penteado

Visual communication student at SENAC in Brazil, where she designed the pointy and arrow-based typeface Flash (2011). [Google] [More]  ⦿

Lambe-lambe

Lambe-lambe (translated: 'lick-lick') is a vernacular printing tradition once popular for promoting theatre and spectacles in Brazil. Lick lick alludes to how the posters are affixed to walls. Poster hangers use large brushes to paint glue on the front of the poster. The glue penetrates the thin paper and sticks the poster to the walls. Long in decline, the city of Sáo Paulo still boasts a working lambe-lambe printshop, Grafica Fidalga, where one can find a rich history of hand-generated letterforms carved as wooden blocks used to print vibrant poster series. The lambe-lambe tradition is reviewed at ATypI 2009 in Mexico City by Catherine Dixon and Henrique Nardi. Christy Wickoff's Lambe-Lambe pages with pictures.

Rahma Projekt (Criciuma, Brazil) created some lambe-lambe simulation posters in 2014. [Google] [More]  ⦿

Lampejos -- Foncati -- Psicotipos

Brazilian typographic and art direction studio in Americana. Behance link, where it runs under the name Foncati. Creators of some experimental geometric alphabets in 2009. At this sub-site called Psicotipos, one can download free fonts such as Pasion and Fagulha (2009). [Google] [More]  ⦿

Lara Barbosa

Rio de Janeiro, Brazil-based designer of the nature-inspired typeface Virga (2015). [Google] [More]  ⦿

Lara Miranda

Lara Miranda, a graphic designer in Rio de Janeiro, designed the sans ttpeface family Lina sans in 2016. Behance link. [Google] [More]  ⦿

Larissa Bela Fonte

Graphic designer in Americana, Brazil, who crated the poster typeface Tarantino in 2014. [Google] [More]  ⦿

Larissa Blanco

During her design studies in Bauru, Brazil, Larissa Blanco designed The Awesome Fox typeface (2013). [Google] [More]  ⦿

Larissa Constantino

Recife, Brazil-based creator of the Victorian typeface Perdiçao (2015), the pixel typeface Cambito Sans (2013) and of the modular typeface Tarantina (2012). [Google] [More]  ⦿

Larissa Mastria

During her graphic design studies in Curitiba, Brazil, Larissa Mastra created a curvy typeface called Atramis (2013). [Google] [More]  ⦿

Larissa Ribeiro

During her studies in Belo Horizonte, Brazil, Larissa Ribeiro created the typeface I Love Cake (2015). [Google] [More]  ⦿

Larissa Silva

At the University of Belo Horizonte, Brazil, Andressa Castro, Jessica França, Larissa Silva, and Paulo Matos created Astroletria (2015), a geometric typeface. [Google] [More]  ⦿

Larissa Wiggers

During her design studies at UTFPR, Curitiba, Brazil-based Larissa Wiggers created the hand-painted sans typeface Straylight (2015). [Google] [More]  ⦿

Laryssa Wannelle

The modular typeface Follage was created by Olinda, Brazil-based Larysaa Wannele in 2012.

Behance link. [Google] [More]  ⦿

Laura Fleury

Rio de Janeiro, Brazil-based designer of the old school tattoo typeface Take A Breath (2016). [Google] [More]  ⦿

Laura Mello

During her studies in Sao Paulo, Laura Mello created the hand-crafted typeface rasm (2016). [Google] [More]  ⦿

Laura Meneguzzo

Designer in Porto Alegre, Brazil, who created the octagonal typeface Diamond in 2013. [Google] [More]  ⦿

Laura Rita Rabello

Brazilian designer of Technos. [Google] [More]  ⦿

Laura Wahlbrink Padilha da Silva

During her studies at UFPel in Pelotas, Brazil, Laura Wahlbrink Padilha created the weathered typeface Enmarañado (2014). [Google] [More]  ⦿

Lavos Design
[Luiz Lavos]

Luiz Lavos (Lavos Design) (b. 1980) lives in Sao Paulo, Brazil. Designer of the hand-printed typeface Lavos Handy (2009). Dafont link. [Google] [More]  ⦿

Layla Barcala

Graphic designer and illustrator in Belo Horizonte, Brazil, who created the display typeface Breeze (2015). [Google] [More]  ⦿

Lea Rebeca Klein

Brazilian creator of Prof Jorge (2013, hand-printed), CO2 (2011) and No Perfect People Dingbats (2011, scanbats). Dafont link. [Google] [More]  ⦿

Leandro Araújo da Costa

Brazilian type designer who studied at UFPE in Recife. Aka "Buggy". He made Cordel (1997), the bitmap font Disquete, Oxe, Palm, Stone (a rune face), Ferro de Boi and Regua at Tipos do aCaso. He created the Manguebat dingat series there, together with some others. Armoribat 1 (codesigned with Gustavo Gusmao) and Armoribat 2 (codesigned with Matheus Barbosa) won awards at Tipos Latinos 2008. [Google] [More]  ⦿

Leandro Fortuna

Brazilian creator at Unique Types of the free experimental modular fat typeface United (2011). [Google] [More]  ⦿

Leandro Jorge

Brazlian creator of Jazz Font (2012). Behance link. [Google] [More]  ⦿

Leandro Lisboa

Visual designer in Amsterdam. Designer of the elliptical typeface Yon (2010), a typeface designed during a course at Politecnico in Milan where he studied under Gio Fuga. Leandro is from Belo Horizonte, Brazil. Other typefaces:

  • Imigongo (2012). An African-look face.
  • Nyanza (2012), for a brand for a refined collection of ethnic jewelry produced in Rwanda.
  • Iolanda (2012). A signage script.
  • Laguna and Laguna Italic (2012, a pair of sans typefaces in the final project for his graduation at IUAV University of Venice).

Behance link. [Google] [More]  ⦿

Leandro Moura

Designer and illustrator from Sao Paulo. He created these experimental typefaces in 2009. [Google] [More]  ⦿

Leandro Nogueira
[Noinfonts]

[More]  ⦿

Leandro Paula

Itapema, Brazil-based student-designer (at Universidade do Vale do Itajai UNIVALI) of the dot matrix typeface Time (2015). [Google] [More]  ⦿

Leandro Ribeiro
[Leandro Ribeiro Machado]

Graphic design graduate of the Universidade Paulista, who started designing typefaces in 2012. In 2012, still based in Sao Paulo, he published the cell phone dingbat typeface LGPhone and the techno family Cogan (+Cogan Shadow, 2013; +Cogan Straight, 2014; +Cogan Rounded, 2014; +Cogan Curved, 2014).

In 2013, he published the display typeface Dogo and explains: Dogo (Spanish) is a type inspired by the shapes of the Bulldog dog breed originating from England. Her personality is described as playful and affectionate, despite the brave face.

In 2014, he created the organic sans typeface Cogan.

In 2015, he designed the sans typefaces Birica (organic), Anevena and Anevena Rounded.

Typefaces published in 2015: Guonia (text typeface), Hacuia (organic sans), Infiilus (text typeface with modulated strokes), Jabore (an information design sans), Coges (squarish), Dustria (squarish), Ernon (with mini slabs), Feiris, Kanellus, Lecharin, Orffela, Pagnua (teardrop font), Quisnue (another teardrop typeface), Resneo, Mufflu (organic sans), Niffica. In fact, in 2015, he set out to design a typeface for every letter of the alphabet. His complete list: Anevena, Birica, Coges, Dustria, Ernon, Feiris, Guonia, Hacuia, Infiilus, Jabore, Kanellus, Lecharin, Mufflu, Niffica, Orffela, Pagnua, Quisnue, Resneo, Sengoa, Thulu, Umunu, Velinse, Wence, Xecrian, Yuruy, Zongri.

Typefaces from 2016: Cogtan (a free shadow font).

Behance link. Dafont link. [Google] [MyFonts] [More]  ⦿

Leandro Ribeiro Machado
[Leandro Ribeiro]

[MyFonts] [More]  ⦿

Leandro Rodrigo

Born in Sao Paulo in 1981, Leandro Rodrigo studied at Carlos Drummond de Andrade and Universidade Anhembi Morumbi, both in Brazil. He created the vernacular typeface Havaianas (2014). Behance link. [Google] [More]  ⦿

Leandro Tavares

Graphic designer in Rio de Janeiro, Brazil. At FontStruct, he designed the free squarish typeface Skyscraper (2015). [Google] [More]  ⦿

Leo Barbosa

Leo Barbosa (aka Ceccatto) is the Brazilian creator of the ultra-fat counterless typeface Cubo (2010). Other FontStructions by him include the squarish typefaces Half D and Aqui (2010). [Google] [More]  ⦿

Leo Eyer
[Nuke Type]

[More]  ⦿

Leo Malachias

Aka Borro, Leo Malachias de Oliveira is a graphic artist in Sao Paulo, Brazil. He is also a street (graffiti) artist. His free typeface Podre (2013) reflects the pixacao style of graffiti practiced in Brazil. [Google] [More]  ⦿

Leonardo Asseituno

Sorocaba, Brazil-based designer of the vernacular (school project) typeface OfFantasy (2016). [Google] [More]  ⦿

Leonardo Augusto

For an academic project, Sao Paulo, Brazil-based Leonardo Augusto designed a rounded monoline sans typeface family (2016). [Google] [More]  ⦿

Leonardo Buggy
[Tipos do aCaso]

[MyFonts] [More]  ⦿

Leonardo Costa

Rio de Janeiro-based creator of Pixel Nostalgia (2014). This font was inspired by the games Fez and Spelunky. [Google] [More]  ⦿

Leonardo de Matos

During his studies, Santa Barbara d'Oeste, Brazil-based Leonardo de Matos created the free sci-fi typeface Magnetype (2015). [Google] [More]  ⦿

Leonardo Hurovich

During his studies at UFRJ, Rio de Janeiro-based Leonardo Hurovich created Cirth Erebor (2014), which is based on alphabet by J.R.R. Tolkien. [Google] [More]  ⦿

Leonardo Lorenzo

Leonardo Lorenzo (Salvador, Brazil) created Breuer (2012), a typefaces named after one of the Bauhaus artists, Marcel Breuer. His G-Type (2012) is a monoline sans named after Eric Gill. [Google] [More]  ⦿

Leonardo Napolitano

During his studies in Sao Paulo, Leonardo Napolitano designed an unnamed stitching typeface (2013). [Google] [More]  ⦿

Leonardo Padoveze

Rio das Pedras, Brazil-based student-creator of an untitled modular typeface (2014). [Google] [More]  ⦿

Leonardo Prause Sartori

Leonardo Prause graduated from the University of Passo Fundo - UPF (Southern Brazil). Creator of the alchemic typeface Dicto (2012, Ten Dollar Fonts). [Google] [More]  ⦿

Leonardo Ratzlaff

Web designer and developer in Sapiranga, Brazil. In 2015, he created the paperfold typeface Dawn. Behance link. [Google] [More]  ⦿

Leonardo Rodrigues

Graduate of ESPM, class of 2014. Sao Paulo, Brazil-based designer of the sans typeface Bardi Sans (2016). Behance link. [Google] [More]  ⦿

Leonardo Rosa Borges

Brazilian codesigner with Anderson Kleber, Fábio Henrique and Carlos Santos of the calligraphic typeface Amor e Odio (2005, Tipos do aCASO). [Google] [More]  ⦿

Leonardo Vaz

Brazilian designer who made a few typefaces in 2010, including an art deco face. He created Handin (2010, hand-printed) and Mimography (2010, hand-printed, co-designed with Aline Monaris). [Google] [More]  ⦿

Leopoldo Leal

Brazilian designer from Sao Paulo who created the typefaces Cacografia, Caligrafia and OPS at Tipos do aCASO (2005). [Google] [More]  ⦿

LESTE
[Marcelo Leme]

LESTE is the graphic design studio of Marcos Leme based in Rio de Janeiro. In 2012, he created the typeface Sistema Arterial. In 2008, he created a typeface for the Guarana Kuat identity. [Google] [More]  ⦿

Leticia Genesini

Brazilian graphic designer. As an exercise for Central Saint Martin's Summer School in London, she created the playful gin stick-themed ornamental caps typeface called Gin O'Clock (2011). [Google] [More]  ⦿

Leticia Lopes

During her studies at FAUUSP (Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo), Leticia Lopes created the modular typeface Halevi (2015). [Google] [More]  ⦿

Leticia Martins

During her design studies, Leticia Martins (Taboao da Serra, Brazil) created the minimalist sans typeface Line Font (2015). [Google] [More]  ⦿

Leticia Robini

During her graphic design studies in Belo Horizonte, Brazil, Leticia Robini created Dotty (2014). [Google] [More]  ⦿

Leticia Rocha

Brazilian graphic designer. Creator of a fantastic plump and fleshy display face called Jazz Tipográfico (2011). The typeface was showcased by Rafo Barbosa, a graphic designer from Belo Horizonte, Brazil. [Google] [More]  ⦿

Leticia Rumjanek

Leticia Gouvea Rumjanek wrote a Masters thesis at ESDI (Univ. of the state of Rio de Janeiro, Brazil) on readability entitled Tipografia para crianças: um estudo de legibilidade (2009). [Google] [More]  ⦿

Letra Um
[Zed Martins]

Letra Um is a foundry, est. in 2008 in Belo Horizonte, Minas Gerais, Brazil. It is run as a cooperative by type designers Tiago Porto (b. Belo Horizonte, 1984), Vicente Repolês Pessôa (b. Ipatinga, 1986) and Zed Martins (b. Belo Horizonte, 1977). Martins cofounded Sete Oitavos.

They published a 10-style 2d and 3d pixel font family called Processual (2008).

Klingspor link. [Google] [MyFonts] [More]  ⦿

LeType
[Gabriel de Souza]

Typefoundry in Bahia, Brazil, run by Gabriel de Souza. Creator of the 72-font sans typeface families Clio, Clio Condensed, Clio Icons, and Clio XS in 2012.

Typefaces made in 2013: Only You Sexy, Only You Sexy Icons, Only You Icons (frames, kitchen dings, romantic dingbats), Only You Pro (a curly hand-printed set of typefaces).

Behance link. [Google] [MyFonts] [More]  ⦿

Lia Novaes

During her studies in Sao Paulo, Brazil, Lia Novaes created the squarish typeface Narua (2016). [Google] [More]  ⦿

Liber Type Foundry
[Andreas Wastian]

Andreas Wastian (Liber Type Foundry, est. 2010) is an Austrian type designer, b. 1973, Sao Paulo, Brazil.

His typefaces include Liber Serif (a 14-style family) and Liberix (a pixel font family). He writes: was inspired by Silica from Sumner Stone, Egyptienne from Adrian Frutiger, Floris from Lucas de Groot, Le Monde from Jean-François Porchez and of course the Garamond.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Lili Costa

Rio de Janeiro-based designer of the geometric typeface Tres (2012). [Google] [More]  ⦿

Lilian Albani

During her graphic design studies at Ufes in Vitoria, Brazil, Lilian Albani (Vila Velha, Brazil) co-created the typewriter-style slab serif typeface Eureka Serif (2013) with Cassio Ferreira. [Google] [More]  ⦿

Lisle Meneses

Lisle Meneses (Rio de Janeiro) designed the artsy Cordel typeface (2012).

Behance link. [Google] [More]  ⦿

Lista Tipografia e Caligrafia

Discussion list on type and calligraphy. In Portuguese. List manager: Roberto Marques and Sapien Design. [Google] [More]  ⦿

Livia Hermanny

Print and graphic designer in Vitoria, Brazil, who used ear plugs as a theme in the design of the curly "plugged" typeface Plugged (2010). [Google] [More]  ⦿

Livia Prata

Rio de Janeiro-based Livia Prata created the multi-serifed typeface Lichia in 2013 during her studies at Universidade Federal do Rio de Janeiro. [Google] [More]  ⦿

Livia Weyl

Design student in Curitiba, Brazil, who created the sketched typeface Rococon (2013) during her studies. [Google] [More]  ⦿

Liz Hoffmann

Florianopolis, Brazil-based designer of the free rough brush font Not Posterman (2015), which was finished during her studies at Universidade Federal de Santa Catarina. Behance link. [Google] [More]  ⦿

Lizard Sharkragon
[Filipe Aryel]

Brazilian designer (b. 1988) of Crash-a-Like (2010), SharkFormalFunnyness (2010), Shark Party (2010, comic book face), SharkMadeInJapan (2010, hand-printed), Shark Army (2010, stencil), SharkHandWrittenABC (2010), Shark Random Funnyness 2 (2009), Shark Claw Damage (2009), Shark Trouble (2009), Shark Claw Damage (2009, hand-printed), Super Mario Bros Alphabet (2009), Shark Got Your Hand (2009), Shark Soft Bites (2009), SharkCrash (2009, comic book style), FOP Title Style (2009, comic book face), Onomato Shark (2009, comic book style), FOP Title Style (2009, comic book face), Shark Super Hand (2009), FairlyOddFont (2008, comic book style), Shark Supah FX (2008, comic book style), Shark Heavy ABC (2008), Shark Hands (2008, comic book outline face), SharkRandomFunnyness (2008, comic book style) and the pixel typefaces SMWHudNameFont (2008) and SMWTextFont (2008), used in the Super Mario games. He also made Shark Scratching (2008). FairlyOddFont (2008) is based on a font shown in the cartoon Fairly Oddparents, by Butch Hartman. Dafont link. Fontsy link. [Google] [More]  ⦿

Lizie Evangelista

During her studies at UFRJ, Rio de Janeiro-based designer Lizie Evangelista created the Saitama font in 2013, which is based on the logo of the band Siam Shade.

Behance link. [Google] [More]  ⦿

Loanne Molin Alves Cesar

Loanne Molin's final school project in Belo Horizonte, Brazil, involved the design of a typeface. Hers is a curly creature, Wavin (2014). Behance link. [Google] [More]  ⦿

Loïs Lancaster

Loïs Lancaster (aka Ronceveaux) is the Brazilian designer of the nice revolutionary graffiti typeface Puteiro Anarquista (2003) and of Doideira New Wave (2003).

Dafont link. [Google] [More]  ⦿

Lorian Toledo

Pelotas, Brazil-based designer of the free display typeface Starlight (2014). [Google] [More]  ⦿

Luana Albrecht Barcellos

Novo Hamburgo, Brazil-based designer of Minimal Type (2015). [Google] [More]  ⦿

Luana Catiste

During her studies, Luana Catiste (Sao Paulo, Brazil) createc the art deco typeface Manbow (2015). [Google] [More]  ⦿

Luana Concatto

Farroupilha, Brazil-based designer of the tall minimalist sans typeface Forma (2015), the pop art typeface Pop na Arte (2015), the hand-crafted typeface Manuscrita (2015), and the fun retro poster typeface Fina (2015). [Google] [More]  ⦿

Luana Moreira

Recife, Brazil-based designer of the condensed roundish sans typeface Granfina (2016). [Google] [More]  ⦿

Luana Oliveira

Uberlandia, Brazil-based designer of the all caps decorative typeface Uberlandia (2014). [Google] [More]  ⦿

Luane Dourado

At Universidade Federal De Goias in Goiania, Brazil, Luane Dourado designed a typographic bicycle in 2015. [Google] [More]  ⦿

Luanna Bittencourt

During her studies, Luanna Bittencourt (Indaiatuba, Brazil) created the vernacular typeface cachaca (2014). [Google] [More]  ⦿

Lucas Almeida
[Lucas Perdidaão]

[More]  ⦿

Lucas Azevedo

Rio de Janeiro-based designer. Behance link. Designer of these typefaces: Maquina Serif (2011), Soul Ninja (2011, free squarish face), Nu Times (2011), O Barateiro (2011, logotype). [Google] [More]  ⦿

Lucas Blat Lage

Lucas Blat lage currently studies Graphic Design at Centro Universitário Belas Artes de São Paulo, and works as a Motion and Graphic Designer based in Sáo Paulo, Brazil.

Designer of the typeface called Circumactio (2012, sold by Ten Dollar Fonts). In 2014, he designed the experimental typeface Cisa.

Cargocollective link. HypeForType link. Behance link. [Google] [MyFonts] [More]  ⦿

Lucas Campos

Olinda, Brazil-based designer of the modular typeface Nyan Catchair (2015). [Google] [More]  ⦿

Lucas Corte

Brazilian illustrator and fashion world designer. He created the sexy caps typeface Objeto (2012). [Google] [More]  ⦿

Lucas D'Emery

As a student at UFPE in Recife, Brazil, Lucas D'Emery created these typefaces in 2016: Aplica se Botao (vernacular style), Ponto Perdido (pixel font), E O Bambu (bamboo-inspired display type). [Google] [More]  ⦿

Lucas Dutra

During his graphic design studies, Lucas Dutra (Rio de Janeiro, Brazil) created the octagonal 90s style typeface Nova (2015). [Google] [More]  ⦿

Lucas Fernandes
[Mel Purple Crystal]

[More]  ⦿

Lucas Fogaça

Piracicaba, Brazil-based student-designer of the neon font Hey Mr DJ (2014) and the striped TV screen typeface Lotaçao (2014). [Google] [More]  ⦿

Lucas Gibim Rodrigues

Londrina, Brazil-based designer (b. 1983) of Vikingueiro (2013).

Dafont link. [Google] [More]  ⦿

Lucas Girod

Graphic and web designer in Londrina, Brazil, who created the FontStruct typeface Botequeiro Boiadeiro (2014). [Google] [More]  ⦿

Lucas Guedes

Recife, Brasil-based designer of the squarish typeface Ninebox (2013, FontStruct) and of the subway-inspired Urbana (2013). FontStruct link. [Google] [More]  ⦿

Lucas Henrique Klock

Curitiba, Brazil-based designer of the comic book font Zelda (2016). [Google] [More]  ⦿

Lucas Ilustra

During his studies, Lucas Ilustra (Rio de Janeiro, Brazil) created the creamy typeface Onirica (2014). Behance link. [Google] [More]  ⦿

Lucas Kurz

Lucas Kurz (Pelotas, Brazil) designed the spurred monoline typeface Piledriver Waltz in 2013 during his studies at UFPel. [Google] [More]  ⦿

Lucas Lago

Belo Horizonte, Brazil-based creator of slightly grungy free serifed typeface Palovsky (2012).

Dafont link. Behance link. [Google] [More]  ⦿

Lucas Lima

During his studies in Belo Horizonte, Brazil, Lucas Lima designed the creamy display typeface Cheshire Crisis (2014). [Google] [More]  ⦿

Lucas Lopes

Art director in Sao Paulo, who created the paperclip typeface Sotaque (2014). [Google] [More]  ⦿

Lucas Martinelli

For a school project at PUC Rio, Lucas Martinelli (Rio de Janeiro) designed the modular typeface Baloon Sans (2016). [Google] [More]  ⦿

Lucas Matuda

Graphic designer in Sao Bernardo do Campo, Brazil. Lucas "Matuda" Torres created the thin hairline sans typeface Diztinta (2012). [Google] [More]  ⦿

Lucas Maximo

Sao Paulo, Brazil-based designer of the Greek simulation typeface Poseidon (2015). [Google] [More]  ⦿

Lucas Mayer

Sao Paulo, Brazil-based designer of the free octagonal typeface Ribbons (2014). Behance link. [Google] [More]  ⦿

Lucas Momosaki

Graphic designer in Sao Paulo, Brazil. [Google] [More]  ⦿

Lucas Morais

Belo Horizonte, Brazil-based designer of the outlined typeface Noite (2016). [Google] [More]  ⦿

Lucas Nogueira

Porto Alegre, Brazil-based creator of Maze Without Destination (2011, outline face).

Dafont link. [Google] [More]  ⦿

Lucas Oriel

Lucas Oriel (Belo Horizonte, Brazil) created the curly display typeface Carnaval do Recife (2012) aty the Universidade do Estado de Minas Gerais (UEMG). He also designed Caminha 1 (2009), a calligraphic typeface based on the Letter of Pero Vaz de Caminha, written in 1500---the year Brazil was discovered by Portuguese adventurer Perdro Alvares Cabral.

Behance link. [Google] [More]  ⦿

Lucas Perdidaão
[Lucas Almeida]

Lucas Almeida is also known as Lucas Perdidaão. He is a Brazilian web developer and art director located in Londrina. Behance link.

Creator of the free grid-based art deco typeface Bobber (2012, in ai format; developed with Dmitry Goloub). In 2014, he finished Alpine. [Google] [More]  ⦿

Lucas Rafael

Marilia, Brazil-based designer of the display typeface Fixed Type (2014). [Google] [More]  ⦿

Lucas Ribeiro Maia

Brazilian graphic designer (b. 1984) who graduated from Escola de Design/UEMG, Belo Horizonte/MG. Creator of the stylish free font Carbona (2009).

Klingspor link. Dafont link. [Google] [More]  ⦿

Lucas Torres Matsuda

Brazilian creator (b. 1992) of the sans typeface Diztinta (2011). [Google] [More]  ⦿

Lucas Yuji Honma

Brazilian designer associated with Nakata Studio. During his studies in Bauru, he created Vitruvian O (2013), a gorgeous sketched antiqued didone typeface that was inspired by Leonardo Da Vinci's drawings in The Vitruvian Man (1490). [Google] [More]  ⦿

Lucaz Mathias
[Estudio Cao]

[More]  ⦿

Luciana Bacelar

Graphic designer in Recife, Brazil. Vitamina (2011) is a digital vernacular font developed while Luciana was studying at UFPE in Pernambuco, Brazil. It was inspired by the signage of Casa Amarela in Recife.

In 2013, she created G Font (a pixel face) and Pirassununga (a modular typeface). [Google] [More]  ⦿

Luciana Carvalho

Brasilia, Brazil-based designer of the squarish typeface Yellowtape (2016, FontStruct). At FontStruct, she works as Saturno. [Google] [More]  ⦿

Luciana de Mari

Recife-based designer in Brazil, who made the dingbat font 3x4 at Tipos do aCaso. [Google] [More]  ⦿

Luciana Medeiros

Brazilian codesigner with Daniel Lopes, Maurício Nunes, Daniel Pinheiro, Nara Rocha and Virgulino Melo of the typeface Sodoma (2005, Tipos do aCASO). [Google] [More]  ⦿

Luciana Morin

Born in 1994, this designer from Rio is present on Devian Tart, and has her own web site called Starguides. She created the hand-printed outline font Starguides (2009, hand-printed look), and Whatever (2009, basic hand-printed look). Alternate URL. [Google] [More]  ⦿

Luciano Araujo

Brazilian creator of the iFontMaker fonts Autalinha (outline, hand-printed), Garrancho, Setetres. [Google] [More]  ⦿

Luciano Cardinali

Sao Paulo-based Brazilian graphic designer (since 1981) and type designer who designed Aknathon (1994) and Cardehal (1998). He also made Ghentileza Original, a sign post font used by the prophet Gentileza, the sans serif Kashemira, Reich, paulistanhia, and Atrophia, a minimalist font. He designed Thanis, a text family for the magazine ADG. FADU-UBA link. His company is called Tipomakhia. [Google] [More]  ⦿

Luciano Gonçalves

Brazilian codesigner with Priscila Bahiense of Soldiers of Hell (2010), a toy soldier silhouette dingbat font. [Google] [More]  ⦿

Luciano Skorianez

Brazilian designer who runs Assys Technologies. He created the pointillist typeface Assys (2004), LS Font (2012) and the pixilish typeface Skor (2012). [Google] [More]  ⦿

Ludimila Castro

Belo Horizonte, Brazil-based designer of the vernacular hand-drawn typeface Algodão Doce (2014) and of the hand-drawn typeface Cute Fruit (2014). [Google] [More]  ⦿

Luís Henrique Robaldo Tavares

During his studies at IFSUL in Pelotas, Brazil, Luís Henrique Robaldo Tavares created the techno typeface Mema (2014). [Google] [More]  ⦿

Luis Araujo

During his studies at the Universidade Federal de Goiás (UFG) in Brazil, Luis Araujo designed the display typeface Naomi (2013), which is based on Robert Slimbach's Minion (1990). [Google] [More]  ⦿

Luis Augusto de Oliveira Nunes

Brazilian designer (b. 1983) who lives in Santa Rita do Sapucaí, Minas Gerais. Home page. Creator of the curly handwriting font Dirty Lady (2005), which can be found on Dafont. [Google] [More]  ⦿

Luis Felipe Furlanetto

Graphic designer in Curitiba, Brazil, who created the thin industrial Market typeface in 2013. [Google] [More]  ⦿

Luis Henrique Camargo

Santa Barbara d'Oeste, Brazil-based designer of Pedalar (2014), a typeface that was inpired by bicycle pedals. [Google] [More]  ⦿

Luis Mello

Sao Paulo-based designer who studied at FAAD. He created the avant-garde sans Estrondo Sans (2011) and the geometric texture typeface Conj Nacional (2011). [Google] [More]  ⦿

Luis Morici

Brazilian designer in Belo Horizonte of Neoben (2011, blackletter) and Gnose (2011, Peignotian sans). [Google] [More]  ⦿

Luisa Baeta

Graduate of the University of Reading in 2011. Luisa is from Portugal and Brazil and lives in Rio de Janeiro. Her graduation typeface was the multifaceted family Arlecchino (2011), which contains a signage script, a slab serif, and an ordinary script. Both Latin and Greek are covered.

Monuments and Museums (2012) was commissioned by the Greek design studio Bric-a-Brac for a visual identity for Greece's museums and monuments. Bligh is a 3-weight sans-serif type family designed from scratch during her time working at Dalton Maag, published in 2015. [Google] [More]  ⦿

Luisa Cardoso Ferreira

Rio de Janeiro-based designer of the fantasy horror font Gaslighting (2016). [Google] [More]  ⦿

Luisa Kuhn

Designer in Porto Alegre, Brazil, who created the outlined sans typeface Kuhn in 2016. [Google] [More]  ⦿

Luisa Malheiros

During her studies at FADU / UBA in Buenos Aires in 2010, Luisa Malheiros (Brasilia, Brazil) designed the curvy bold display typeface Matska. [Google] [More]  ⦿

Luisa Massi

Luisa Massi de Almendra Freitas (Rio de Janeiro, Brazil) designed the outlined typeface Woody Sans (2016), which she uses for obtaining a wood textured look. [Google] [More]  ⦿

Luisa Napoli

During her studies in Sao Paulo, Luisa Napoli created Imagine Regular (2013), an outlined squarish typeface, and 40 design Stuff Icons (2013). [Google] [More]  ⦿

Luisa Nunes Andrade

Belo Horizonte, Brazil-based graphic designer who created the inky typeface Forró (2011). [Google] [More]  ⦿

Luise Tonett Alfonso

During her design studies, Farroupilha, Brazil-based Luise Tonett Alfonso created a circuit of subway map-based typeface (2013). [Google] [More]  ⦿

Luiz C. Vieira

Brazilian designer of (dot matrix) typefaces that mimic the lettering on some HP devices: HP-82143A-CharSet-4, HP-82240-ECMA94-CharSet, HP-82240-ROMAN8-CharSet, HP-Classic-LED-Set, HP-DotMatrix-1-Menu, HP-DotMatrix-1, HP-DotMatrix-2, HP-DotMatrix-3, HP-Platinum-LCD, HP-Voyager-Character-Set, HP10BII-CharSet-1, HP10BII-KeySet-2, HP30S, HP30S_7, HP33S-CharSet-3, HP41-Character-Set-Xtended, HP41-Character-Set, HP42SCharSet-3, HP71BCharSet-1, HP9S-CharSet, KeySet-4, HP42SCharSet 3 (char42s.ttf), HP 82240 ROMAN8 CharSet (char82240_R.ttf), HP 82240 ECMA94 CharSet (char82240_E.ttf), HP 82143A CharSet 4 (char82143_E.ttf). Alternate URL. Most fonts are dated 2004. [Google] [More]  ⦿

Luiz Campos

Designer born in 1968 and located in Belo Horizonte, Brazil. His design studio, Alias. Creator of RM Midserif (2008), an organic font. Alternate URL. [Google] [More]  ⦿

Luiz Carmelo

Sao Paulo, Brazil-based designer of the rounded poster typeface Guarana (2014). [Google] [More]  ⦿

Luiz Felipe Souza

During his studies in Sao Paulo, Brazil, Luiz Felipe Souza designed the sans typeface Procmatika (2014). [Google] [More]  ⦿

Luiz Gustavo Ruffa

Graphic designer (n. 1977) in Sao Jose dos Campos, Brazil. In 2010, he created the motorsports lettering font Motoplatio. [Google] [More]  ⦿

Luiz Henrique

Itapecerica da Serra, Brazil-based creator of the grid-based typeface Luiz Henrique (2013). This typeface was a school project at Centro Universitario Senac. [Google] [More]  ⦿

Luiz Jales

Brasilia, Brazil-based designer of the free pixacao typeface Conspurcar (2016, made with FontStruct). [Google] [More]  ⦿

Luiz Lavos
[Lavos Design]

[More]  ⦿

Luiz Lazaro Camoes

Based in Curitiba, Brazil, Luiz Lazaro Camoes created the squarish display typeface Pictocracia (2013), the circle arc typeface Vegetal (2013), and the lachrymal titling typeface Larga (2013). He studied at the University of Salvador. Behance link. [Google] [More]  ⦿

Luiz Lucas Gomes Xavier

Web designer in Fortaleza, Brazil, who created the fat squarish typeface AV2 (2015). Behance link. [Google] [More]  ⦿

Luiz Marques
[Brock Marques]

[More]  ⦿

Luiza Barrocas

Brazilian graphic design student in Recife who made the pixel typeface Chunky (2011). [Google] [More]  ⦿

Luiza De Carli

Sao Paulo-based designer of the dot matrix display typeface Glauco Mattoso Serif (2014). [Google] [More]  ⦿

Luiza Fonseca

Natal, Brazil-based designer of the hand-sketched didone typeface Dobino (2016). [Google] [More]  ⦿

Luiza Hoefel

During her studies at ESPM, Porto Alegre, Brazil-based Luiza Hoefel designed the monoline sans typeface Iridescent (2015). [Google] [More]  ⦿

Luiza Manzano

Caxias do Sul, Brazil-based designer of the futuristic typeface Space (2016). [Google] [More]  ⦿

Luiza Morgado

During her studies, Rio de Janeiro-based Luiza Morgado created the hairline avant garde sans typeface Hiper Cool (2015) and the modular octagonal typeface Box (2015). She also designed a set of playing cards based on the work of Cassandre. [Google] [More]  ⦿

Luiza Prado

Brazilian designer (b. 1985) of Thereza (2006, a beautiful hand-printed display face) while she was at PUC in Rio. Alternate URL. [Google] [More]  ⦿

Luiza Ramiro

During her graphic design studies in Sao Paulo, Brazil, Luiza Ramiro created the sans typeface Joluma Light (2014). [Google] [More]  ⦿

Luiza Vieira

During her studies at PUC Rio, Luiza Vieira (Rio de Janeiro) designed the modular typeface Summer (2015). [Google] [More]  ⦿

Luiza Weber

As a student in Sao Paulo, Luiza Weber designed the serifed typeface Lunot (2012) and the art deco typeface entitled Tipografia Modular (2012). [Google] [More]  ⦿

Lukas Guinard

Lukas Guinard (Rio de Janeiro, Brazil) created the modular high-contrast display typeface Salomon (2013) during his studies at ESPM RJ. [Google] [More]  ⦿

Lula Rocha
[Sugiro Design (was Rocha Design)]

[More]  ⦿

Luri Mabe

During her studies in Sao Paulo, Brazil, Luri Mabe (b. 1992) designed the text typeface Melano (2016). [Google] [More]  ⦿

Márcia Maia

Brazilian designer from Recife who makes type at Tipos do aCaso. [Google] [More]  ⦿

Márcio Shimabukuro
[Tipograma Fontes]

[More]  ⦿

Magbis Ovando

Brazilian from Campo Grande, b. 1977. [Google] [More]  ⦿

Maiara Verra

Maiara Verra (Rio de Janeiro) designed the sans typeface Mai in 2013 for a school project. [Google] [More]  ⦿

Maiara Verra

Rio de Janeiro-based designer of a tall organic school project font in 2014. [Google] [More]  ⦿

Maikel Morais
[Hamo Design]

[More]  ⦿

Maisa Moreira

Based in Fortaleza, Brazil, Maisa Moreira designed the display typeface Ludica in 2012 while studying at Escola Superior de Artes e Design (ESAD) in Matosinhos, Portugal. [Google] [More]  ⦿

Makoto Saito

Sao Paulo-based designer of Biteme (2011, with Guilherme Rizzatti and Alexandre Venancio). [Google] [MyFonts] [More]  ⦿

Mallu Poggetti dos Santos

During her studies in Tijucas, Brazil, Mallu Poggetti created the ink splatter typeface Drop (2014). [Google] [More]  ⦿

Manoel Lucas

Natal, Brazil-based designer of the art deco typeface Mangeo One (2015) during his studies at Federal University of Rio Grande do Norte (UFRN). [Google] [More]  ⦿

Manoela Gonçalves

Bauru, Brazil-based designer of the vampire typeface Schwarze Witwe (2014, lit. black widow). [Google] [More]  ⦿

Manu Correia

During his studies at UFPE Manu Correia (Recife, Brazil) created the ball-terminal-themed typeface Elvis (2014), for which Abril Fatface was used as a skeleton. [Google] [More]  ⦿

Manuella Jatoba

During her studies in Olinda, Brazil, Manuella Jatoba created the modular typeface Amnesia (2013). [Google] [More]  ⦿

Marcel Farias

Pelotas, Brazil-based designer of the glitch art typeface Tilt (2016). [Google] [More]  ⦿

Marcela Zimmerle

Recife, Brazil-based designer of Le Chocolat (2015, a display typeface derived from OPTI Caslon Two) and Elza (2016, hand-drawn vernaculat yypeface done as a project at UFPE). [Google] [More]  ⦿

Marcell Aguilar

Sao Paulo-based designer of the ultra fat typeface Hong Kong (2010) and of this experimental face (2010). [Google] [More]  ⦿

Marcelle Gonçalves

Brazilian FontStructor in Rio de Janeiro who created the Hebrew simulation typeface Marcelle Abigail Dip (2012). Behance link. [Google] [More]  ⦿

Marcelo Angelim

Fortaleza, Brazil-based designer of the vernacular typeface Tipos de Muro (2014). [Google] [More]  ⦿

Marcelo Bittencourt

Designer of Metalbitt Manetrix (2003), a white on black face. Marcelo (b. 1982) lives in Curitiba, Brasil. [Google] [More]  ⦿

Marcelo Cabral

Lorena, Brazil-based creator of the experimental typeface Hyperlink (2011). [Google] [More]  ⦿

Marcelo De Nadai

Brazilian designer of the dot matrix typeface Drop-It (Just in Type). [Google] [MyFonts] [More]  ⦿

Marcelo Garcia

Brazilian graphic designer and type designer who works at Tipos do aCaso. His fonts include Celo Bold. [Google] [More]  ⦿

Marcelo Leme
[LESTE]

[More]  ⦿

Marcelo Magalhães Macedo

Sao Paulo, Brazil-based designer of the free font Mono MMM 5 (2009) and the Google Font Coiny (2015, Github link: a rounded yummy vernacular typeface for Latin and Tamil). Abstract Fonts link. Google Plus link. [Google] [More]  ⦿

Marcelo Magalhães Pereira
[Tipos Pereira]

[MyFonts] [More]  ⦿

Marcelo Martinez

Typographer from Rio de Janeiro (Brazil) who won third prize at the Tipografia Brasilis in the dingbat category, 2001, with his "Agli Feices" (read: ugly typefaces). [Google] [More]  ⦿

Marcelo Martins Ferreira

Graphic designer in Sao Paulo who created a hairline art deco typeface called Trinca (2013), which was inspired by architectural lettering seen on buildings in his city. [Google] [More]  ⦿

Marcelo Reis Melo
[Free Goodies for Designers]

[More]  ⦿

Marcelo Rizzetto

Brazilian designer (b. 1976) of Rizzetto Script (2012) and Razing (2013, brush script). [Google] [More]  ⦿

Marcelo Rodrigues

Illustrator and web designer at Kaus Media in Rio de Janeiro. Creator of the hand-printed typeface Kaus Tripa (2012).

Behance link. Dafont link. [Google] [More]  ⦿

Marcelo Rosauro
[Blind Fontes (Fé Cega)]

[More]  ⦿

Marcelo Siqueira

Curitiba, Brazil-based designer of the ultra-narrow typeface Sublime (2015). [Google] [More]  ⦿

Marcelo Sodre
[Amatraca Design Grafico]

[More]  ⦿

Marcelo Souza

Designer in Rio de Janeiro who created the typeface Medieval in 2013. [Google] [More]  ⦿

Marcelo Vendramel

Milan-based and Sao Paulo-born designer of Rolo (2013), a typeface that was inspired by Sao Paulo's pixacao style.

Hellofont link. [Google] [More]  ⦿

Marcia Silva

For a school project at Universidade de Sao Paulo, Marcia Silva and Nicollas Oti codesigned the deco typeface Marushia (2016). [Google] [More]  ⦿

Marcio Duarte

Marilia, Brazil-based digital artist (b. 1976), who created the techno typeface Nucleo (2010) and the organic experimental typeface Wabi MD (2009, free). The organic typeface Sayuri followed in 2010. Creator of the free fonts Textbox Stencil (2010) and Textbox Regular (2013).

At FontStruct, he made Nucleo (2011) and Geo MD (2012, octagonal).

In 2013, he set up SeaTypes together with Jefferson Cortinove. Slab MD (2013) is a slab serif typeface promised for later in 2013.

In 2015, Duarte published the modular elliptical sans typeface Hollyday (sic) at Sea Types.

Behance link. Dafont link. Behance klink for SeaTypes. [Google] [More]  ⦿

Marcio Henrique

Rio de Janeiro, Brazil-based designer of the bilined all caps typeface Asphalto (2014). [Google] [More]  ⦿

Marcio Hirosse
[Fabrika de typos]

[More]  ⦿

Marcio Lemos

During his studies at Instituto Infnet in Rio de Janeiro, Marcio Lemos created the computer typeface Elemental (2013). In 2016, he published a brush-lettered alphabet. Behance link. [Google] [More]  ⦿

Marcio Martinson

Graphic designer in Balneario de Camboriu, Brazil. Marcio R. M. Martinson and Roberto Machado Jr. codesigned the brush signage typeface Caipirinha (2012) which is based on the Brazilian butecos style of writing. [Google] [More]  ⦿

Marcio R. M. Martinson & Roberto Machado Jr.

Designers of the hand-printed Caipirinha (2008). [Google] [More]  ⦿

Marco Antonio Ribeiro

Goiania, Brazil-based designer of the flowing script typeface Contemple (2016). Behance link. [Google] [More]  ⦿

Marco Moreira

Marco Moreira is Magel Studio in Sao Paulo. Creator of the leaf-shaped typeface Follaje (2012) and the squarish Soccer Type (2013). Na Type (2013), Rubber Type (2013) and Dog Type (2013) are experimental, while Hand Type (2013) is ornamental caps alphabet.

Behance link. [Google] [More]  ⦿

Marco Muniz

Rio de Janeiro-based designer of the blackletter typeface Fruktura (2016), a typeface developed during his studies at ESPM-RJ. [Google] [More]  ⦿

Marco Vinicius

Marco Vinicius (Belo Horizonte, Brazil) created an untitled curly typeface in 2013. [Google] [More]  ⦿

Marconi G. Lima
[TypeFolio Digital Foundry]

[MyFonts] [More]  ⦿

Marconi Soares

During his graphic design studies at Facamp in Campinas, Brazil, Marconi Soares created the vernacular typeface Fundo de Quintal (2013), which was extended from the word Fundos seen on a sign at the Fundo de Quintal. [Google] [More]  ⦿

Marcos Aurelio

Marcos Aurelio Morais (Recife, Brazil), created the pixel typeface Uomo and the display typeface Popcorn in 2015 during his studies at UFPE. [Google] [More]  ⦿

Marcos Balsini Garcindo

Born in 1977, this Brazilian graphic and web designer in Florianopolis created an experimental geometric typeface, Duotonic (2009). Behance link. [Google] [More]  ⦿

Marcos Buccini

Brazilian type designer who works at Tipos do aCaso. His fonts include Estruturas, Cafeina, Poracaso, and Quadra (pixel font). Residing in Recife, he was educated at UFPE. Dafont link, where one can find Passarela (2007, female silhouettes) and Cafeina Dig. [Google] [More]  ⦿

Marcos F. Maranzana

Brazilian creator of the dingbat / scanbat typeface Icones do Brasil (2009). [Google] [More]  ⦿

Marcos Mazzei

Brazilian illustrator who drew Type Distortion Love (2012), a 3d Escheresque alphabet. [Google] [More]  ⦿

Marcos Mello

Graphic designer. Professor of typography and design at the Anhembi-Morumbi University. Founder of the Oficina Tipográfica Sao Paulo. [Google] [More]  ⦿

Marcos Mello
[Oficina Tipográfica]

[More]  ⦿

Marcos Oliveira

Designer at Universidade Federal do Ceara in Fortaleza, Brazil, of the free slab serif typeface Gate (2015). [Google] [More]  ⦿

Marcos Veras

Typographer from Sao Paulo (Brazil) who showed his De Veras Cartoon font at the Tipografia Brasilis 2. [Google] [More]  ⦿

Marcus Nascimento

Sao José dos Campos, Brazil-based designer of the sans typeface Legolet (2016) for a school project at UFPE. [Google] [More]  ⦿

Marcus Rotten

Designer in Americana, Brazil. He made the free font Fast Gash (2011), an angular scary thing. [Google] [More]  ⦿

Marginalia
[Paulo W]

Very beautiful, original and informative Brazilian blog (in Portuguese) run by Paulo W. This is at the top of the heap, even if your Portuguese is rusty. Last update in 2011. [Google] [More]  ⦿

Mari Guilarducci

In Solange Coutinho's type design course at Universidade Federal de Pernambuco, Mari Guilarducci (Recife, Brazil) created the free typeface Tetris (2014). [Google] [More]  ⦿

Maria Carolina Caldas

During her studies in Rio de Janeiro, graphic designer Maria carolina Caldas created the fat poster typeface Gordinha (2014), and the vernacular typeface Livro de Receitas (2014---she did not name it like that, but it was designed for a book of recipes). Behance link. [Google] [More]  ⦿

Maria Eduarda Machado de Souza

Industrial designer in Rio de Janeiro who created the foliate typeface Fonte Folha (2013). [Google] [More]  ⦿

Maria Elisa Zaia

Brazilian design student. Creator of the text typeface Litteris Zaia (2011). [Google] [More]  ⦿

Maria Fernanda de Sa

During her studies at Escola de Design UEMG in Belo Horizonte, Brazil, Maria Fernanda de Sa created a circle-based typeface (2015). [Google] [More]  ⦿

Maria Fernanda Niro

Designer in Sao Paulo, who created the typeface Victor (2012). [Google] [More]  ⦿

Maria Ferreira

Designer from Lagoa Santa, Brazil, who created a beautiful modular stencil typeface in 2011, as well as a sans typeface called Blackemo (2011). [Google] [More]  ⦿

Maria Jose Rivera

Rio de Janeiro-based designer of the lava lamp typeface Cloudy Night (2014) and the calligrapghic font Gritt (2015). She studied at PUC-Rio. Devian Tart link. [Google] [More]  ⦿

Maria Julia Santos

Recife, Brazil-based designer of Fleur (2014, a dot matrix font), Fabulous (2015, a pixelish script), and Beatles (2015). [Google] [More]  ⦿

Maria Luiza Alves

Belo Horizonte, Brazil-based designer of a hipster school project font in 2013. [Google] [More]  ⦿

Maria Raquel F. Correa

During her graphic design studies at UEMG in 2014, Belo Horizonte, Brazil-based Maria Raquel F. Correa created the cute children's typeface Pose Kawaii (2014). [Google] [More]  ⦿

Maria Teresa Lopes

Brazilian type designer, who graduated from UFPE in Recife in 2000. She works in a foundry in Pernambuco, Tipos do aCASO. [Google] [More]  ⦿

Maria Valentin Thobias

Sao Paulo-based designer of Sarakali (2014). Behance link. [Google] [More]  ⦿

Maria Victoria Albuquerque

During her studies at PUC in Rio de Janeiro, Maria Victoria Albuquerque designed the modular sci-fi typeface Timer (2015). [Google] [More]  ⦿

Mariana Avila

Graphic designer in Balneario Camboru, Brazil, who created several display typefaces in 2016 such as Fileteada, Mond Min (inspired by Piet Mondrian) and Cosmic. [Google] [More]  ⦿

Mariana Barbieri

Graphic artist in Pelotas, Brazil, who designed the hipster or native symbolism font Espaco Amerindio in 2013. It is based on pre-Colombian graphic culture. [Google] [More]  ⦿

Mariana Bukvic

Brazilian graphic designer who lives and works in New York at Fluid NY. Creator of the bold display typeface Cestaria (2012). [Google] [More]  ⦿

Mariana Couto

During her studies at Universidade Federal de Pelotas in Pelotas, Brazil, Mariana Couto designed the soft-edged yummy typeface Cactacea (2015). [Google] [More]  ⦿

Mariana de França

During her studies in Recife, Brazil, Mariana de\0França designed an unnamed modular typeface (2013). [Google] [More]  ⦿

Mariana Freitas

Pelotas, Brazil-based designer of the hand-drawn poster typeface family Paper Sans (2014). [Google] [More]  ⦿

Mariana Guilarducci

During her studies at St John's University, New York City-based Mariana Guilarducci created these typefaces: Angels (2016: hand-crafted), Homi (2016: based on an antique tobacco package seen in Casa Loma, Toronto), Escorrega (2016: a fancy typeface based on the lettering on old cachaca bottles). At the Universidade Federal de Pernambuco in 2014, she designed the pixelish typeface Tetris (2014). [Google] [More]  ⦿

Mariana Leal

Sao Paulo, Brazil-based designer of these calligraphic scripts in 2015: Scriptica, Brush Hand, Louis. In 2016, she designed Box Rounded. [Google] [More]  ⦿

Mariana Marques

Fortaleza, Brazil-based designer of the free sans typeface Geo Modern (2015). [Google] [More]  ⦿

Mariana Nitta

During her studies at Senac in Sao Paulo, Mariana Nitta created the modular display typeface Titari (2014) and the classy multiline caps typeface Indian Type (2014). In 2014, she added Maze Type. [Google] [More]  ⦿

Mariana Rena

Graphic designer in Belo Horizonte, Brazil. She created two beautiful typefaces in 2012. The first one is a modular typeface inspired by droplets. The second one, called Gota, was developed while she was studying at UEMG. [Google] [More]  ⦿

Mariana Schmidt

Pelotas, Brazil-based designer of the amoebic typeface Amelia (2015: a school project at UFPEL, Universidade Federal de Pelotas). [Google] [More]  ⦿

Mariana Vargas

At the University of New South Wales, Mariana Vargas (Porto Alegre, Brazil) created the thin display typeface Fat Type (2016). [Google] [More]  ⦿

Mariane Assunção

Recife, Brazil-based designer of a dot matrix typeface in 2015. [Google] [More]  ⦿

Marilia Sobral

Recife, Brazil-based designer of the vernacular typeface Marly (2016). [Google] [More]  ⦿

Marina Castro

Marina Castro (Marina Neto) is based in Belo Horizonte, Brazil. She created the geometric slab typeface Truck (2013) during her studies at Universidade Estadual de Minas Gerais. [Google] [More]  ⦿

Marina Diniz

Belo Horizonte. Brazil-based designer of the stencil typeface Fluffy (2016). [Google] [More]  ⦿

Marina G. Santos

Marina G. Santos (Sao Paulo, Brazil) created the hand-printed typeface Tapas ES (2013) during her studies at Senac.

Behance link. [Google] [More]  ⦿

Marina Garcia dos Santos

During her studies in Sao Paulo, Marina Garcia dos Santos designed the free hand-crafted typeface Tapas (2012) and Pet Shop Icons (2013). [Google] [More]  ⦿

Marina Martins Chaccur

Marina is a Brazilian graphic designer and teacher, who graduated from Fundação Armando Alvares Penteado FAAP. She has an MA from the London College of Communication. In 2011, she obtained a Masters in the type and media program at KABK, Den Haag. She was a designer and college tutor in Sao Paulo, Brazil, but now lives in Den Haag, The Netherlands.

She spoke at ATypI in Lisbon on vernacular Brazilian type and the current state of Brazilian type design. On her site we can find some sketchbooks, and a proposal for a blackletter face, among many other type-related goodies.

At KABK, she designed the type system Chic (2011). This family includes fashion mag styles from a roman sans to curly caps and a "chic" didone.

In 2013, she created the beveled caps typeface O Melhor de Sao Paulo, which is based in part on Jackson Cavanaugh's Alright Sans Ultra.

In 2014, Crystian Cruz and Marina Chaccur codesigned the sans custom typeface UOL for the Brazilian internet provider.

Behance link. [Google] [More]  ⦿

Marina Mota

Recife, Brazil-based designer of the pixel typeface Ponto Cruz (2013). Behance link. [Google] [More]  ⦿

Marina Nunes

Graphic design student at Senac, Brazil, b. 1991, Sao Paulo. For her school project, Marina Nunes designed Organdi Cursive (2012) for a fictitious project to change the visual identity of Elle magazine. She also created the free all caps poster sketch font Mayonaise (2012).

Dafont link [Google] [More]  ⦿

Marina Peixoto

During her studies at ESPM, Porto Alegre, Brazil-based Marina Peixoto created the mini-serifed typeface Rapsodia (2015). [Google] [More]  ⦿

Marina Pontual

Brazilian student at UFPE from Recife who created the typeface Tipofilme at Tipos do aCASO (2005). [Google] [More]  ⦿

Marina Reis

Marina Reis in Pelotas, Brazil, designed the pixelish typeface 2001 (2011). She says: The source of inspiration are the ones developed by Wim Crouwel, Saul Bass, Neville Brody and the grid of the Experimental Jetset. [Google] [More]  ⦿

Marina Willer

Marina is a graphic designer, film maker and partner at Pentagram Design based in London. Perhaps best known for the Tate identity (produced with Brian Boylan) during her time as Head Creative Director at Wolff Olins in 1999, Brazilian-born Willer first came to London 15 years ago to study at the Royal College of Art. For 13 years at Wolff Olins, Marina worked on major identity schemes that include the Southbank Centre, Amnesty International and Russian telecoms operator Beeline.

Creator of a beautiful ornamental caps alphabet (2011).

Typocircle link. [Google] [More]  ⦿

Marini Cavalheiro

During her design studies in Porto alegre, Brazil, marini cavalheiro created the lachrymal typeface Boft & Co (2015). Behance link. [Google] [More]  ⦿

Marino Fontolan

Sao Paulo-based designer of Sqar Sans (2015, a thin modular typeface) and Maraca Sans (2015, a thick hand-crafted poster typeface based on Maracatu de Nação, an Afro-Brazilian performance genre popular in the state of Pernambuco, Brazil). [Google] [More]  ⦿

Mario Madureira

Brazilian creator of the Space Invaders stytle font Space Crazy Zone (2013, Open Font Library). [Google] [More]  ⦿

Mark Joshua

Brazilian designer of the simple hand-printed typeface Billy (2010). Born in 19078, he lives in Sao Pau