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FONT RECOGNITION VIA FONT MOOSE

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Victorian typefaces



[Headline set in Hortensia (2009, Canada Type), which is a revival of Emil Gursch's Victorian typeface Hortensia (ca. 1900).]








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[Deduk Suandana]
[MyFonts]

160 Studio
[Supar Wanto]

Omar Ichigo, aka Supar Wanto, operates as 160 Studio out of Cirebon, Indonesia, since 2011. In 2017, he designed the ball terminal typeface Andalas and in 2018 the decorative Victorian typeface Kodia, the brush font Modaro, and the script typefaces Santigold, Rochefort (a signature script and accompanying sans), Anastasiya (a signature script), Browzko, The Smithey, Sartono and OgyiGo. Typefaces from 2019: Baltore (a heavy display sans), Chardy (Script, Sans), Fun Story (a fat finger font), Berson (a vintage font), Fischel (a decorative organic sans), Dead Slime (a Halloween font), Madjoe (a brush script), Darkflow (a horror font), Zolda (a rounded sans), Zolda Script, Anger Bae (a horror brush font), Deadclub (a monster font), Cemanley, Swaylea.

Typefaces from 2020: Medona, Baxoe, Bakrie, Bilage.

Typefaces from 2021: Agola Sans (a soft rounded sans), Anger Bae (an angry brush font), Bageo (a geometric sans), Blont (a wide monolinear circle-based sans), Leandro (Sans and Script), Mallesi (a wide monolinear sans), Promus (an all caps headline sans), Rakote (a cartoon font), Rastey (a wide monolinear sans). [Google] [MyFonts] [More]  ⦿

24Design Studio
[Nur Cholis Majid]

Known as Holis Majid and Nur Cholis Majid. Jakarta, Indonesia-based designer (b. 1991) of Prodush (2018), The Circous (2018: a circus font), Northden (2018: a vintage typeface), Rockinsoda (2018), Light City Sans (2018), Glowria (2018), Huvet Rough (2018: a free weathered typeface), Millicious Script (2018: a free brush font), Restorans (2018: hand-printed), Blank City Script (2018), the signature font Ashyta (2018), Blue Captain (2018), the script typefaces Jenifa (2018), Pretty Girl Monoline (2018), Chicken Noodle (2018), Grinty (2018), Ristica Script (2018), Underbridge (2018: brush), Granshey (2018), Naycila Script (2018), Night Work (2018), Little Spring (2018), Basfar (2018) and Troficanos (2018), the free art deco font Palm Tree (2018), the dry brush script Wild Horse (2018), the condensed Epicologic (2018), the octagonal font Avriella (2018), and the techno font Effort (2018), and the squarish typeface Bedebah (2018).

Typefaces from 2019: Madali, Lumiera, Mantra, American Label, Kida Main, Besty (font duo), Mellonia, Refaline Script, Eliotica, Chance, Lemonace (font duo), Reyonha Script, Mideltone, Prodush, Trushme Script, Wakeup, Sugarly, Rushely Script (retro signage script), Cromana, Arigatho (brush).

Typefaces from 2020: Mideltone (textured), Maghnoyha (a monoline script), Wild Brush, Hotelio (a monoline sans), Roadkey Line (an inline all caps typeface), Sercerez (brush font), Collectials, Avekins, Cread, Gardenia, Glowria, Jenifa, Larrisan (a decorative serif), Light City, Millicious, Mindate, Mordova, Murner, Nobstars, Pittania, Rockside.

Typefaces from 2021: Artmosfear, American Label (a Victorian label font), Asiatic (an inky script), Ballocs, Benhard (a vintage display font), Biorka Serif, Brith Brish, Chance (a squarish sans), Clowsh Esport, Catherina Script, Confillia (a clean sans), Focger Serif, Ganirus, Grimson (a signage script), Madtone, Monstario Serif (in the plump serif genre), Muve Serif (incised caps), Pancrack (a font for children), Redsans, Subaraya Retro Script. [Google] [MyFonts] [More]  ⦿

38 Lineart Studio (or: Grayscale, or: Fontsources)
[Muhammad Ridha Agusni]

Architect and designer in Banda Aceh, Indonesia, b. 1980, who set up Grayscale, then 38 Lineart, and finally Fontsources.

In 2018, he released the hexagonally-patterned color font Space, the nervous monoline display typeface Barcelona, the monoline script Brandy, the tattoo and metal band blackletter font Amstha, Twinkle (hexagonal texture), Premium Quality, Hightide (signage script), Ashley Pages, Bold Grunge (a wood style Western font), Rabbit House, Strongbold (brush style), Onthel (a rhythmic signage script), Cafeine, Seulanga (calligraphic), Sweet Bubble, Downhill, Architecture (technical writing font), Wisethink (rough brush), Emerald, Ghotic, Oakland (signage script), Parthenon (signage script), Strawberry Night (script), the formal calligraphic font Beauty Athena, the inline font Epicentrum, and the signature font Attitude in 2018.

Typefaces from 2019: Ghoust (a marker font done at Cititype), Diamant Handwriting (a signature font), Utrecht (with Siti Saribanon Nurjannah), Exhibitionist (a fine rhythmic script), Holimount, Prague Metronome (a thin signature script), Allegroost (a brush typeface), Anisha (script), Kyoto Northern, ChiQuel (a Victorian display typeface that can be layered), Hillstone (a dry brush script), Malique, Ginchiest (a retro signage script), Kid Knowledge, Haghia, Khatija Calligraphy, Bernound, Graffity, Brandy Script (monoline), Downhill, Concept (sketched, blueprint font), Konya (signature script), Blacksmith, Curve Calibration (condensed sans).

Typefaces from 2020: The Pallace (a great natural inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Chipen (inline, all caps), Jakarta (a flowing inky script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Rhode White (a great signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Bailamore (a creamy signage script), Vogie (a sporty / techno sans family of 72 fonts, plus a variable font), Rollingtime (a brush script jointly designed by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Piedmont (a heavy connected handwriting script advertized as a masculine signature font), Whiplash (an all caps dry brush font), Aceh (a 36-style geometric sans), Youthink, Sacred Letter (a vintage weathered script), Serif Sketch (by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Corinthiago, Smart Chameleon (a handcrafted typewriter font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Hiroshima Gyoshi (a brush font inspired by Japanese calligraphy), Roughmarker (dry marker font), Brotherhood, Blugie (a fat finger font), Rome Ionic (an all caps roman typeface), Black Orchestra (a great horror or black metal font), Black Orchestra (a horror font).

Typefaces from 2021: Magreb (an 8-style renaissance serif typeface), Toxide (calligraphic; Celtic; uncial), Redtone (a 14-style geometric sans), Moula (an 18-style geometric sans for Latin, Greek and Cyrillic), Zouk (blackletter), Zagreb (an inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Alsace (Victorian), Backbone (a black metal blackletter typeface), Roundkey (a 24-style condensed, but not round, sans), Wordwalker (a marker pen font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah for Cititype), Sweet Bubble (a bubblicious font), Souljah (an elegant inky calligraphic script).

Creative Fabrica link. Another Fontbundles link. [Google] [MyFonts] [More]  ⦿

A New Machine
[Kent Swecker]

Foundry, est. 2011, in Raleigh, NC, by Kent Swecker. A New Machine created the beautiful hairline hand-printed typeface Hair Line (2011), Sweck Sans (2011, a sans with some contrast and a large x-height), Unstable (2011, a paper cut face), the sketch typeface Crosshatch (2011), and the modular FontStruct-like typeface Model UR (2011).

In 2012, he made Quarry (an outlined hand-drawn shadow font), Holt Sans (a Peignotian family), Unstable Slab, Mitosis (using bubbly dots), Radial (prismatic), and Airwave (techno).

Typefaces from 2013: Benthic (decorative geometric caps), Tubbs (a beefy poster face), Dot To Dot (a dotted and lined pair of school fonts), Emjay (sketched blackboard bold typeface).

Typefaces from 2014: Art Party (a festive hand-drawn typeface co-designed with with Erin Solomon), Carawan (a rounded sans family), Back and Forth, Fat Nib (splatter brush face), Smoot (whimsical typeface).

Typefaces from 2015: El Guapo (a handcrafted typeface co-designed with Erin Solomon), Nervy, Current (thin connected script).

Typefaces from 2016: Etymon (Skyline style), Big Trees (Victorian, Western), Igor (a beatnik style font).

Typefaces from 2017: Down With The King (a great techno headline typeface).

Typefaces from 2018: Thickness (hand-drawn), Chisel Brush, Dot to Dot, Dot To Dot Cursive (dotted line font, perhaps for teaching children in school).

Typefaces from 2019: Artie Deco, Marie Jeanne.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Abdul Ghofur
[GFR Creative]

[MyFonts] [More]  ⦿

Abdul Malik Wisnu
[Almarkha Type]

[MyFonts] [More]  ⦿

Abietar

Spanish foundry. In 2011, they published the Victorian family Abietar (+Negra). [Google] [MyFonts] [More]  ⦿

ABM Studio

Located in Bandung, Indonesia, ABM Studio created the spurred Victorian typeface Huntington (2014), the sans titling typeface Grandia (2014), and the curly Indic simulation face Sailendra (2014). In 2015, they made the signage font Roodies. Creative Market link. [Google] [More]  ⦿

Active Sphere
[Ronnie Dela Cruz]

Active Sphere is a foundry in Valenzuela City, The Philippines. It is run by Ronnie Dela Cruz (b. 1963, Manila), a part-time freelance web and graphic designer.

Their fonts include the geometric sans display families Kayla Sans (2008), Kathleen Sans and Serif (2008), Leenyx (2008), Jekatep, Sean Henrich ATF (2009), and Yarikha (2008). Stephanie (2008) and Zirphy (2008) are rounded geometric display fonts, and Kamaru Sans (2008) is an experimental sans face. Mecatoque (2008) is Victorian but pretends to be futuristic, and Sayonachi (2008) is a curly children's book face.

Stanix (2011) and Tsikot (2011) are fat techno typefaces. Maxine Sans (2011) is a basic humanist sans family. Tamika (2011) is a gorgeous oriental style brush face. Anino (2011) is a grunge family. Anikka (2011) is a monoline sans family with an extremely thin hairline on one end. Filipina (2011) is an organic sans family. Bradford (2011) is a squarish family. Gretta (2011) is a minimalist sans with missing strokes. Danrex (2011) is Ronnie's contribution to the "fat counterless" craze. Merina (2011) is a fat piano key face. Sailfin is a stylish monoline organic sans family.

Typefaces from 2012: Noki (a great slabbed squarish typeface family), Xira (angular), the sturdy geometric display font Zafra, and the fat squarish techno family Mossimo.

Typefaces from 2013: Monterra.

Typefaces from 2014: Tiger Cat. A large modular typeface family that follows the octagonal mechanical genre.

Klingspor link.

Typefaces from 2021: Blue Creek (22 fonts; a condensed all caps sans), Blue Creek Rounded (22 fonts).

View Active Sphere's typefaces. [Google] [MyFonts] [More]  ⦿

Adam Fathony
[AF Studio]

[MyFonts] [More]  ⦿

Adam Grason

Adam Grason (aka Zadok44) is an Orlando, FL (and before that, Kansas City, MO)-based illustrator at Disney. He designed the Victorian ornamental families Blair (2012) and Patmos (2011). It is unclear whether Grey Sans (2014) and Quire (2014) are typefaces. Behance link. [Google] [More]  ⦿

Addy Sukma Bharata
[Suke Toejoeh (or: Pollux of Geminorum)]

[More]  ⦿

Ade Meiada
[Fontsgood]

[MyFonts] [More]  ⦿

Adil Budianto
[Suro Studio (or: Surotype)]

[MyFonts] [More]  ⦿

Adit Saputra
[Alter Deco Type foundry]

[More]  ⦿

AF Studio
[Adam Fathony]

Adam Fathony (or Adam Fathoni Haris; AF Studio, Bandung, Indonesia) created the vintage typeface Grandesa (2014), the signage typeface Magnifika (2014) and the Victorian typeface Marema (2014).

In 2015, he published the connected swashy script typeface Octavia Script, the brush scripts Carbonera and Shallom, the hand-lettered Vanilla Daisy Script and Mightype, the watercolor script Hollycakes, and the connected Brayden Script (and Sans).

Typefaces from 2016: Drustic Daily, Karlberg Script, Ecosmith Script, Halosense Script (calligraphic), Lunar Cone (connected layered script), Clarkson Script, Salvador Script, Salvador Serif, Salvador Condensed, La Venice Script (retro signage lettering).

Typefaces from 2017: Clarkson Script (brush lettering), Bignord Vintage (with Fauzan Rafhy), Douglas Collection (12 fonts: Aaronade Script, Ancaster Script, Burlington, Calgury, Montreal Rounded, Morphic 60s, Norwood Old, Ogdensburgh, Palmeira, Rutland Extended, Wolves Sans, Wolves Serif), Almost Lover, Rhythmic Dances (rough script), Sevastian (layered font set), Rustling Trees (dry brush), Little Karla Script.

Typefaces from 2018: Figuera Variable (a late Victorian, early art nouveau typeface family; variable font format), Brignola (a calligraphic penmanship script), Eastside Brush (a brush signage script done with Angga Kristiandri), Marshfield (a retro cursive typeface by Adam Fathoni Haris and Renov Olivian), C'est La Vie (font duo), Chivels (a vintage typeface done with Angga Kristiandri at Abbassy Studio), Sevastian (a layered font family), Drustic Dialy (weathered; with Angga Kristiandri), Elli Bellie (calligraphic).

Typefaces from 2019: Scottsdale Serif (at Typeverything), Scottsdale Desert (an opentype feature-laden display serif), Norfolk (Narrow, serif), Tiverton (Sans, Serif, Script: by Adam Fathony Haris and Angga Kristiandri), Havard (a layerable athletic lettering set of 12 fonts), Gorga Grotesque.

Typefaces from 2020: Auvelle (a hairline sans), Windsore (a font trio), Howli (layerable, rounded; sans, serif and script), Genty (a creamy retro signage script typeface by Ilham Herry and Adam Fathoni Haris), Burnest (a vintage typeface by Adam Fathoni Haris and Renov Olivian), Glaw (a psychedelic font by Ilham Herry and Adam Fathoni Haris), Oliviar Sans (28 styles and a variable font), Budge (a layerable retro signage script by Ilham Herry and Adam Fathoni Haris), Stanlow, Muray House (a bold swashy bathroom towel typeface by Ilham Herry and Adam Fathoni Haris), Esteric (a playful tapered font by Ilham Herry and Adam Fathony).

Typefaces from 2021: Alstera (an oblique serif), Monvar (a layerable Cooper Black style typeface by Ilham Herry and Adam Fathoni Haris), Rische (a 6-style display serif with huge counters and an enormous x-height; by Ilham Herry and Adam Fathoni Haris), Ottenthic (script and serif), Mionic (a reverse contrast slab serif by Adam Fathoni Haris and Angga Kristiandri), Matchbox Font Collections (a set of vintage fonts based on lettering on matchboxes; it includes substyles called Linea, Lettre, Deco, Scriptura, Ornato, and Graso).

Typefaces from 2022: Balide (a 70s style display typeface), Norsy (a 21-style and variable flared font family). [Google] [MyFonts] [More]  ⦿

Affolter und Gschwind AG
[Werner Affolter]

Werner Affolter ran a phototype and printing company in Basel, Switzerland, called Affolter und Gschwind AG, Fotosatz&Reprotechnik. In 1981, Affolter published an extensive catalog entitled Letterama that showed over one thousand alphabets. Few of those were original, so I suspect he acted as a vendor of sorts, but at least a couple seemed original, or were claimed to be original or exclusive: Guigoz, Moby Dick. Moby Dick was revived in 2014 by Nick Curtis as Call Me Ishmael NF.

Some examples of the types shown, in alphabetical order: Antique Wood MP363 (art nouveau), Antique Wood MP 364 (oriental simulation face) [the Antique Wood series is quite extensive, and is just numbered], B+T Classic (roman), Bernhard Fett, Beton Fine Line (typewriter), Burko (avant garde family), fonts starting with G, Gaston Fett (a squarish gothic typeface also called Gipsy), Gaston Halbfett (also called Grassy), Gemini Computer, Germanic Sans (more avant garde and Lubalin-style glyphs), Hollandse Mediaeval, Hollywood (a 3d decorative family), typefaces starting with K, Lineamarca (slabby), Linear (avant garde, geometric monoline), Melen (experimental, geometric), Meola Bookman swash (decorative), Metro (art nouveau, after the Metroploitaine font), Moraine (squarish), the Old Foundry sub-collection [another mysterious numbered collection; examples include some uncials, and some more art nouveau typefaces, some Victorian ornamental typefaces (F260 through F262), more art nouveau (MP418 through MP420) and blackletter typefaces (MP421)], Pierrot (psychedelic, groovy), Phydian (one of many Western style ornamental typefaces), Ronda, Roulette, Roulette Schattiert (=Rajah) (more Western fare), Ruby (shaded caps), Runic Small (condensed), Rustic (wood log look), typefaces starting with S, Spengler Gothik, St. Clair (ornamental), Zither (calligraphic script). [Google] [More]  ⦿

Agung Aris

R. Agung Aries Triyanto is the Indonesian designer (b. 1975) of the brush script typeface Destain (2016), the Broadway style deco typeface Broad (2015: originally called Broadway, it as renamen Broad in 2016), and the Victorian typeface Brandals (2016).

In 2017, he created the connected script typeface Molluca, the signage typeface Cheese Latte, the heavy brush typeface Breed and the avant garde sans typeface Moody Rock (+the shadow version called Moody Rock Extrude).

In 2018, he designed the handcrafted typeface Cuties Caps. The mini-slabbed Bounaville was added in 2019. [Google] [More]  ⦿

Agung Maskund
[Decade Type foundry]

[MyFonts] [More]  ⦿

Ahmad Jafar Shadiq
[Midvel]

[MyFonts] [More]  ⦿

Ahmad Muslimin
[Koplexs Studio]

[More]  ⦿

Ahmad Ramzi Fahruddin
[Arterfak Project]

[MyFonts] [More]  ⦿

Aiyari
[Ricky Rinaldi]

Bandung, Indonesia-based designer (b. 1988) of the modular display typeface Kurawal (2013) that is based on compositions of curly brackets. In 2015, he designed the angry brush typeface Violence, the connected creamy script Nurture (2015), the handcrafted sans typeface Imperiosa (2015), the connected Fabulous, and the watercolor brush script Sweetiest.

Typefaces from 2016: Holiday (17-script family), Dreadful (a layered Halloween typeface family, with dingbats), Casual Brush, Lucidity (signage script), Euphoria (Victorian), The Painter, Minority (very condensed hand-lettered typeface), Thunderstorm.

Typefaces from 2017: Tjikapoendoeng Script (formal calligraphic script by Ricky Rinaldi and Juru Aksara), Lovadelic (psychedelic), Neptunian (dry brush), The Moonlight (comic book script), Savath (a horror font), MacLaurent (tattoo font).

Typefaces from 2018: Lucidity (an expansion of his 2016 version, including Psych, Expand, Extras: psychedelic / art nouveau trio), Winter Is Coming (a beatnik font), The Beardy, Dreadful (a layered horror movie font), Saturday Night (a great retro disco poster typeface family with a particularly striking interlocking style).

Typefaces from 2019: Spooktacular (a Halloween font), Spooky Sans.

Typefaces from 2020: Tropika Island (a great tiki font), Swettiest, Laguna Vintage.

Typefaces from 2021: Ayr Blufy (a puffy supermarket signage script).

Typefaces from 2022: Ayr Thrope (a weightlifter's font).

Dafont link. Behance link. Graphicriver link. [Google] [MyFonts] [More]  ⦿

AJPT
[Alan Jay Prescott]

Pottstown (Philadelphia)-based designer and PostScript font hacker who ran Prescott Design and now Alan Jay Prescott Typography, but was also involved in other ventures such as the Black Walnut Winery. Originally from Greenfield, MA, he graduated from Saddleback College, and worked for some time as a typesetter in New York. He advertizes himself as a leader in PostScript Open Type Font development specializing in the revival of print-only letterforms into digital typographic materials. He operates as APT and more recently as AJPT. In 2019, he announced that he would stop making typefaces altogether. His work can be partitioned into time periods. For this reason, Prescott's oeuvre is split over several pages:

  • His late period (2017-2019). In these three years, he showcased his work on Facebook, and was mainly involved in reving 19th century typefaces, about half of which were from the Victorian era. The annotations in the list below are quoted from Prescott's pages.
    • Absolution Cursive (2017). When I was a typesetter in New York City, I had one of the largest collections of typefaces from CompuGraphic's library available for setting. One of the faces I never used in two decades of work was a rather ungainly decorative font called Abel Cursive. Apparently it was designed by Bernie Abel (perhaps one of CompuGraphic's employees) and I'm not sure it got much use, since I don't recall seeing it anywhere except my type catalog. Before I sold my equipment and closed my business for good, I made a scan of every typeface at 72-point size that I owned for future development, if there ever came a time to work on something crazy like that. Most of those 2,000 scans were lost when I changed computers a long time ago, but Abel Cursive survived and I made a down-and-dirty mow-and-blow font back then. I have recently worked on it extensively to make it usable as a multilingual slightly redesigned font in OTF format. I would classify it is as neo-Victorian medium-contrast decorative italic. It is definitely an oddball and may never see use.
    • Algol (2017). Based on a scan from Dan X. Solo, Algol is a vastly expanded character set for Algernon, a typeface that clearly presages Machine and other "octics." I don't have any source material for the original design, but it may have been a Dan Solo original.
    • Aloysius and Aloysius Ornamented (2017). This is a digital revival of the original Algonquin, cut by J.F. Cumming in the late 1880s for the Dickinson Type Foundry in Boston. While this was not my most challenging project, it was a doozy.
    • Alpenhorn Roman (2017). Another oddball typeface is revived here, renamed from the design called Alpine by Henry Schuenemann for the Cleveland Type Foundry in the 1880s. Buried in the "gingerbread" of this weird face is technically a Latin serif, but otherwise it is an entirely unique letterform for which I had a heart soft enough to revive here in digital form.
    • Androgen Roman (2017). I know next to nothing about this ultra-geometric blackletter called Anderson that I found displayed in a Dan X. Solo catalog, but it is another oddball that is attractive and very simple to revive in digital format. It is one of those projects I would recommend to a beginning revivalist who wanted to cut his or her teeth on a moderate challenge after mastering some basic tools in font development software.
    • Angolan Text (2017). I found Angular Text in a Solo catalog and revived it as a digital font with diacritics and other characters for expanded typesetting possibilities. It was designed by Herman Ihlenburg in 1884 for MacKellar, Smiths & Jordan, which information I found in a link from Tom Cruz for a fellow named Toto who revived the font as well; he has several glyphs I do not have and I like his showing better. Interesting to see what others have done with the exact same typeface and scan and some research for tantalizing missing glyphs...kudos.
    • Antiochia Series (2017). This collection of typefaces represents a revival of several bold slab-serif wood types with the name Antique that are related. Their individual histories will follow at another time, but note that several here are useful derivatives that add to the variety of this letterform's impact.
    • Azurine Roman (2017). Azurine is a digital revival of a typeface known as Aztec, drawn by an unknown designer for the Union Type Foundry before 1889.
    • Beltane Roman (2017). The very complicated story behind the work on this revival is too long for this space (and perhaps too boring to most), but suffice it to say that this letterform started out in 1886 as drawn by the great Herman Ihlenburg as Artistic and assigned to MacKellar Smiths & Jordan. Dan Solo called this face Belmont but only showed caps and was suspect anyway. I was able to find specimens elsewhere and a motherlode of other interesting things in the Inland Printer. I developed my first full-featured OTF using this typeface and designed Greek and Cyrillic glyphs as well. I also fitted it out with a set of small caps to make a font that now has 4,000 glyphs for nearly every non-Asian language. To top it off, Robert Donona revived the decorative caps for this typeface, an excruciating task that I once considered for myself but was lucky enough to have this other crazy person take up. The number of hours dedicated between Robert and myself in reviving this complete series digitally is probably unprecedented.
    • Bernhard Swirl (2019). This is a digital revival of the letterform of the same name. It is equipped only with the upper case, an ampersand, a spacer dingbat and the numerals. The numerals are quirky, not only in design, but the fact that they seem to have been intended as old-style figures with the exception for the 4 and 7. Lucian Bernhard is either the designer of this limited-use typeface or inspired a reworking of his "wobbly" poster typefaces for which he is known as an innovator. I have reworked the scanned samples I had used as templates and drew them with a little more consistency than the originals to improve color on the page.
    • Bireme Roman (2017). Below is a digital revival of a typeface called Bijou. As I have come to understand, several people have revived this face already. It is similar to Flirt in many respects. I will update information as I come across it, but I wanted to post my version here for your appreciation.
    • Blackguard (2018). This is a digital revival of a typeface known as Black Cap. William E. Loy writes that Black Cap was designed and cut by Charles H. Beeler Jr. for MacKellar, Smiths & Jordan. The earliest-known commercial specimen was advertised in the January 1891 edition of The Inland Printer, so he probably created it in 1890.
    • Blackminster (2017). One of the more interesting treatments of blackletter forms in the 19th century is this beauty called Black No. 544 designed by Henry Brehmer in 1889, who assigned the rights to Bruce Type Foundry. Originally I was unable to locate certain key glyphs in this font, but they were graciously supplied by others in our crazy network of type geeks. More information on the people behind these projects will follow in other articles.
    • Bleak (2017). Bleak is a series based closely on a typeface called Stark. As with nearly all typeface names, there are several unrelated fonts developed in recent years that bear no resemblance to this gorgeous sans serif.
    • Brotherly Roman (2017). Among many "antiqued" letterforms developed in the late 19th century, Ben Franklin was offered by Keystone Type Foundry in Philadelphia. Several glyphs were missing from my best showing of the font, but I was luckily able to find them, as well as logotypes, two ornaments, several alternate characters and some punctuation. There had already been a digital revival of this typeface kicking around as shareware in the 1990s, but it was very poorly drawn and incomplete. I believe it has been rendered nicely and consistently here for posterity.
    • Busker Contour (2017). Burlesque was the name given by Solo to a typeface originating through Caslon or Figgins around 1843 and shown in German specimens a couple of years later.
    • Cane Gothic (2018). Cane Gothic was designed and cut by Edwin C. Ruthven c.1886; he patented it in March–April 1886 and assigned the rights to David Wolfe Bruce (son of George Bruce, holder of the first design patent in US history). The Bruce catalog number is unknown. The tradename Cane Gothic, an apt description of the caning patterned background, may have been assigned by Dan X. Solo, who had revived the face for his photo-lettering service, but it has previously been considered impossible for digitizing. Although the average character in this font contains something like 3,000 Bézier control points, it turned out to be doable once I figured out the original mathematics that Ruthven must have used to guide his design objectively. It is digitized for posterity and I thank Anna Allen once again for the patent specimen (No. 16,643) indicating, if extremely faintly, five missing glyphs from my otherwise excellent scan. Thus I've generated the border glyphs and a pound Sterling symbol to augment this letterform. As far as I can determine, this character set is complete, and I have generated three fonts in order to accommodate chromatic typesetting with very little effort.
    • Cantini Casual (2019). This is a digital revival of the typeface of the same name (or at least that is the name Solo gave it in the type specimen book from which it was scanned). It is a great example of the exuberant fancy characters that came to ascendance during the 1960s and 1970s. It is a medium-weight Latin italic with unusual decorative details in addition to crazy swash choices. I do not have any information on the history of this trippy face, but it is likely it was revived at some time in the recent past. It includes a large number of alternate glyphs as well.
    • Capulet (2017). This is a revival of a typeface called Caprice that was patented in 1888 by Arthur M. Barnhart and assigned to Barnhart Bros. & Spindler of Chicago. This letterform is a prime example of the explosion in design ideas occurring before the turn of the century, hundreds of which remain to be translated into digital format.
    • Carmenite Roman (2017). This beautiful digital revival covers a letterform drawn by the Bauer Type Foundry of Stuttgart, Germany sometime before 1896. It was originally called Carmen and has been referred to as Carmencita in the Solo books.
    • Centrum Text (2017). This is my digital revival of one of the more complex decorated blackletters, among my favorite and most difficult projects to work on and just finished today. It is identified as Celebration Text on p. 18 of Solo's "Gothic and Old English Alphabets." The lowercase for this letterform is also presented for two other typefaces, Testimonial Text and Innsbruck in his larger catalog, presenting some confusion. But I believe all three were drawn by the same designer, although I have no idea how old they are. The lowercase may simply have been used for all three decorated capitals, since they are a very good match. Intentional, who knows? It is a real beauty and I'm going to perhaps revive the other two in this triplet of great examples of decorated capitals.
    • Chapterhouse Roman (2017). This is an interesting typeface known as Ecclesiastic from Caslon around 1870. It was also known as Albion and Chapel Text No. 30. Most of those names were applied to completely unrelated designs, adding to the confusion that permeates typographic development and history to this day (and only gets worse over time). There are probably more alternate characters out there, but this is the best showing I could make with the resources I have and it is now available from me as a digital font.
    • Chapterhouse Roman (2017). This is an interesting typeface known as Ecclesiastic from Caslon around 1870. It was also known as Albion and Chapel Text No. 30. Most of those names were applied to completely unrelated designs, adding to the confusion that permeates typographic development and history to this day (and only gets worse over time). There are probably more alternate characters out there, but this is the best showing I could make with the resources I have and it is now available from me as a digital font.
    • Clarence Roman and Dotted (2017). Clarence Roman is a revival of Clown Alley and Clarence Dotted that of Cooktent (also called No. 515). Wood typeface Cooktent comes from W.H. Page before 1890 and the other looks to be a back-formation from it.
    • Commissioner Script (2017). The typeface known as Commercial Script was designed by Morris Fuller Benton in the early twentieth century and enjoyed widespread use for decades. There have been many variations from other foundries, varying mostly in contrast; but as far as I know there was ever only one rather bold weight produced. I have redesigned the letterforms for consistency on the way to producing the ten weights shown here. It is interesting to see the font in lighter weights that accentuate the beauty lurking in this standard, and the heavier weights to see that the design still holds up under even heavier lifting.
    • Courtesan Roman (2017). Among the dozens of wood types I have revived digitally is Courier, here called Courtesan. Many of these letterforms have been revived by others, all slightly different in their interpretations. More information on wood types will follow in articles I plan to write in the future on various areas of interest in the field of revival in particular and typography in general.
    • Cranston Ornamented (2017). This is one of the most difficult digital revivals I have worked on. It started as Crayon, another masterful design from the prolific Ihlenburg, available at MSJ in 1885. There are sister fonts in an Open and a Solid that differ slightly in design and will be available from me at some point in the future.
    • Creekside Playful and Calligrapic (2018). These are two digital casual scripts of my own creation based loosely on hand-drawn types from the 1950's. One is a calligraphic interpretation and the other is a more mono weight design that is a bit more slanted, both available for multi-language setting.
    • Criticism (2017). This is a digital revival of Critic, a typeface designed by William F. Capitain in the mid-1880s with rights assigned to Marder, Luse & Co. Several logotypes had been designed for this letterform and many alternate glyphs. I added a few of my own, as well as diacritic marks, for balance to this surprisingly modern face that can be rendered multilingually as well.
    • Crosby Roman (2017). This is a digital revival of the typeface known as University Text, designed in 1862 and shown by MacKellar, Smiths & Jordan in 1869 as Crosier. It was also known much later as Morningside. It is a stylized Latin with great charm.
    • Crossan Roman (2017). This is digital multilingual OTF revival of a typeface called Cross Gothic, another one of those unique, nearly unusable letterforms I adore. I got a million of 'em.
    • Cullane Roman (2017). Cullane is a digital revival of Herman Ihlenburg's Culdee, patented in 1885 and offered through MSJ. Others helped me scour the literature for missing glyphs and no one is sure we've got them all, but this is a wonderful showing of what we think is available until something randomly shows up in the future.
    • Currier (2018). J.B. Lieberman, Ph.D. identifies it as Deberny & Peignot Lettres Ombrés Ornés (ornamented shaded letters) and adds that it was originally cut by Gillé in 1820, thus making it one of the oldest typefaces I have revived digitally. It is an exuberantly decorated engraved shadowed heavy-weight Egyptian.
    • Danuvius (2017). Danube is the original name for this letterform, again found in a Solo catalog, and its links with medieval letterforms is obvious despite the trends toward modernization at the time it was first produced. I otherwise have no information on this face.
    • Devonian Roman (2017). This is a digital revival of a wood typeface known as DeVinne. More information updated later.
    • Dorothy Series (2017). The original Doric Chromatic was designed as a wood typeface and made its appearance in the United States in the 1850s, though it probably got its start in France in the 1840s according to Rob Roy Kelly.
    • Doughboy Roman (2017). This series of decorative caps is shown as Dodge City in Solo. I am not sure it is very old; it may very well have been a photographically slanted version of an older wood typeface in the Thunderbird category with flourishes added on at the same time. This has been revived before because of its simplicity, but I made my own version a little more consistent and they make attractive drop caps.
    • Enclave Roman and Expanded (2017). These two related digital revivals represent Enchorial in two versions. The roman came out of the Caslon Type Foundry in 1884 and was extremely popular (sometimes known as London). Petzendorfer showed the expanded Enchorial around 1903.
    • Esteban (2017). Esteban is an original design I developed around 2010, named after the recently deceased Esteban Arriaga, a leading seascape painter in the area of Málaga in Spain. It is a medium-contrast sans serif produced in nine weights plus italics. Currently it is available only for the Macintosh OS, but an OTF cross-platform font is anticipated.
    • Euclid, Euclid Initials,Euclastic, Elberon, Astral, and Auroral (2018). Elberon existed by November 1886 from Cleveland Type Foundry in The Inland Printer. Euclid (a lighter version of Elberon with a few different glyphs) is an obvious derivative from Illinois Type Founding Co. in Chicago in August 1890. Euclid appears with several Euclid Initials, a full sample of which appears as "Grant Iniitials" from Minnesota Typographic Co. Auroral (basically a shaded form of Elberon) appears in January 1887 from Central type foundry. Astral, also from Central type foundry, (the almost exact shading concept) whose base form is a condensed, heavier form than Euclid) appears in December 1886. Euclastic is my name for a complete set of weights, from a Hairline at the extreme end of lightness, through Black at the other extreme, using redesigned examples of Euclid and Elberon.
    • Farmerboy and Farmergirl (2017). Although these two typefaces have both been called Fargo in the past, they are distinctly not the same letterform despite sharing some characteristics. They are both probably late 1850s, early 1860s and some sources say they are German. In any case, two interesting oddballs with no usage in the last century-and-a-half are revived digitally by AJPT.
    • Fastidious Series (2017). The typeface known as Fashion started out in 1876 and was patented by Andrew Little for A.D. Farmer & Son. There are a total of five related typefaces in the same design: the prototype, condensed, ornamented, antique and extra-condensed. It turned out that the samples I had available when I originally revived these two were rather suspect and I have to consider going back to these and try to figure out what the "real" glyphs are. I believe that the Solo ornamental showing was rather a hatchet job on the base font, so I consider these two on hold pending further research, but they are interesting to view how they are so far.
    • Flare Serif Striped (2018). This is a digital revival of a face called Ornamented 1,079. This over-the-top candy-cane-with-curls design was created by Henry Brehmer, who patented it in December 1884–January 1885. The application was submitted and approved on the same days as Ornamented No. 1,077 (Hermann Ihlenburg), and the rights to both were assigned to David W. Bruce of the Bruce TF (New York) [USPTO D15748]. It was advertised in The Inland Printer of October 1885. Thanks again to Anna Allen Conroy for the background on Ornamented 1,079 and for the patent samples giving a good idea of the design of glyphs missing from the catalogs. I have produced AE and OE ligatures as well as a decent set of diacritical marks for setting in a few important languages, but it is not at OTF font at the moment and exists only as PostScript for Mac only.
    • Flippant Roman (2017). This fun font is a revival of a typeface known as Flirt. Although it has that 1960s feel, like many fonts popular then, I believe it has a much older pedigree. I will supply more information as I come across it. (There is currently an unrelated script font called Flirt on the market now, designed in 2009.)
    • Fusion (2017). i developed three weights (including small caps) for the popular typeface Futura, all of them lighter than the Futura Light that is widely available. You can never be too thin.
    • Gallantry Roman (2017). The earliest known specimen of the original Gazelle is found in the 1893 catalog of ATF in Cleveland and designed by Henry Schuenemann. This digital revival has multilingual capabilities and is quite unusual, demonstrating again the almost limitless possibilities of type design over the centuries.
    • Gamut (2017). The Gamut series of very condensed sans serifs is based on a wide range of typefaces that all began with the letter "G": Galaxy, Gable, Garfield, Giant, Gamma, etc. (Their italics began with the letter "E", perhaps to come at a later time). I produced these typefaces under the same name to keep them all in one place, all ten weights that are floating around somewhere undigitized until now. They are currently available from me as Mac-only fonts, but OTF may be developed over time. They are members of the large "family" of typefaces whose members can be difficult to separate, such as the Helveticas, Trade Gothics, Standard Gothics, etc. I believe this was a well-designed condensed face that has nice nuances.
    • Gironde and Gironde Extended (2017). Giraffe is the original name for this digital revival. It has been difficult to find a complete character set for this typeface, as I'm sure whatever existed in the roman also existed for the extended version. I revived what I could find, but it is a rather simple design and other characters can be imagined that are congruent with what is seen here. I'm not sure how much use these two oddball typefaces got in their time, but they were designed by Charles Beeler, Jr. in 1891for MacKellar , Smiths & Jordan.
    • Gothic Decorated (2018). This is my temporary name for the digital revival of a typeface once called Ornamented 1,078. In the past couple of weeks, I have revived the "ornamenteds" on either side of this number. I have no information on this other than that it appears in the Inland Printer of October 1885 from George Bruce's Son & Co. TF in New York City.
    • Goudy Flare Extra Bold (2019). This is a digital revival of another typeface in the Goudy superfamily, titled originally as simply Goudy Flare. I don't know the provenance of this particular letterform, but it was found in a Solo publication and could very well be one of his own creations, since I have never seen it used in print. It turns out that this is a modification of Goudy Old Style Extra Bold, and so I was able to find a suitable digitized version that matched the base forms very closely and modified the existing characters to accommodate these rather simple swashes. A reader added: "Goudy Flair was created by Mr. Phil Martin of Alphabet Innovations, that is he took Goudy Extra Bold and added swashes to this."
    • Goudy Long Fancy (2019). This is a digital revival of the typeface of the same name, again another addition to the large Goudy family. There is a tremendous selection of swashes and alternate characters in this font, especially the upper case. It is an extra bold italic Goudy whose slant is less steep than normal for this family. There are no figures or punctuation provided for this letterform; those provided in the scan from which I worked were incorrect, and possibly back-formations from a different Goudy, so they were not produced for this version.
    • Goudy Swash Heavy Italic (2019). This is a digital revival of the typeface of the same name. There are literally hundreds of revivals of letterforms in the Goudy "family" of typefaces. Nearly every foundry has produced its own version of this popular form, with many nuances between them. There are many weights, italics, various alternate characters and swashes galore, but I haven't seen a revival of this particular set of gorgeous swashes and alternates. Thus, I worked on very good printed samples, perhaps from a photolettering catalog half a century ago.
    • Goudytype Antique (2019). This is digital revival of a typeface designated as Goudytype in a Solo catalog, with a slight twist. There is no punctuation for this font, but several nice swash alternates, a dollar sign and an ampersand. I decided to draw this as an "antique," because the ink spread in the original lent itself to this sort of treatment. Although a bit tedious, it can be used in the same way as other faces, such as Packard, Benjamin Franklin, Caslon Antique, Papyrus (heaven forbid) and others. Although one would assume this is in the Goudy superfamily, there are some characteristics that set it apart. The stresses and some other features are rather reminiscent of Palatino. And the slant is so slight as to make it unlike both typefaces' italics.
    • Gracile (2019). Gracile is based closely on Greyhound Script, but has been expanded and standardized to include weights on either side of the two available in Solo. It is a semi script, since not all characters can be joined, and thus has a more casual feel. It is a strictly monoweight letterform in all six stroke thicknesses, with several alternate glyphs. There are digital versions in two medium strokes available from others, but those I was able to locate are rather poorly realized despite having diacritical marks for foreign languages. They can readily be designed and added to my interpretations, but I have chosen to do this later if anyone requires them.
    • Griego Wood Series (2017). Several typefaces classified as Grecian were produced in wood for large sizes. Here I show Full Faced (William Page, 1859); Condensed and X Condensed (Wells & Webb/L. Johnson, 1846); X Condensed Bold (probably handmade, Nebraska, before 1885), and XX Condensed (John Cooley, 1859). I had revived some of these digitally years ago, but I revisited them recently and gave them a real facelift. They have undoubtedly been revived before because of their relative simplicity.
    • Grosgrain (2017). This is a revival of a typeface called Grotesque No. 120. The lineage of the most famous typeface in the world, Helvetica (and, sort of, Arial) is evident in the early "grotesques." Although there are distinct differences in many of the characters of this very light typeface designed for mostly display use with alternate flourished glyphs, its resemblance to the later sans serifs of the twentieth century is striking. Marder, Luse & Co. of Chicago shows this face in 1885. Another similar typeface from around the same time called Circular Gothic is even closer to the Helveticas and derivatives of today. The alternate characters are revived from the sister font called Grotesque Fancy.
    • Grounded Series (2017). I have revived Abramesque again, this time in congruence with the series from which it originated, thus it is called Grounded Ornamented. The original types started with Gothic Rounded. There was a Roman, an Outline, an Open and an Ornamented. The story behind these beauties is (as usual) too long, but briefly, information from Anna Allen: Old Bowery and Abramesque were originally called Rounded Open and Rounded Ornamented and have led interesting lives. Nicolette Gray identifies them with Caslon c1844. As a teenager, Rounded Open visited the Bruce TF (c1854), where she was called Ornamented No. 1007. After a suspected Bruce facelift as Gothic Round Shaded (≤1869), she was reintroduced by ATF as Old Bowery in 1933. McGrew writes, “Old Bowery is an ATF revival, in 1933 and again in 1949, of Round Shade No. 2, originated by Bruce , one of its predecessor companies, about 1854, as Ornamented No. 1007.“ Only an ornamented version, different from Abramesque and not illustrated by Gray, is shown in Bruce 1856. At a recent Oak Knoll event, Nick Sherman shot a photo of the page in Caslon's 1844 catalog showing Rounded, the solid prototype of these faces (not documented by Gray) and shared it at flickr.com. Albert-Jan Pool (designer of DIN and keen historian of sans-serif faces) observed that the footer is dated “September 1836,” so it was reprinted (probably as a stereotyped page) from an earlier Caslon publication. Until then, the earliest specimen examined by THP is shown in Caslon 1841. All agree that, so far, it is the earliest-known rounded sans-serif face in history—and this pleasingly plump family of three is as appealing today as ever! Of a very similar wood-type face tradenamed Gothic Round, Kelly reports: “First shown by George Nesbitt in his 1838 specimens. … The Nesbitt design was an Outlined or Rimmed Gothic Round. The Caslon Foundry issued several Gothic Round designs, of which an ornamented one (Abramesque), in particular, came into general usage in America around mid-century.” George Nesbittt, a New York printer, distributed wood types produced by Edwin Allen (Windham, CT ). Sherman adds that “Miguel Sousa at Adobe is in the process of making a digital revival of this face (Gothic Round|Old Bowery) for the Hamilton Wood Type Foundry.”
    • Heraldry Roman (2017). This is a digital revival of a typeface called Heraldic, patented by John K. Rogers in 1880, an agent of the Boston Type Foundry.
    • Hinterland (2017). Attached is a revival of an exuberant, heavy sans serif called Hibernian in Solo's catalogs. I've included alternate glyphs that I know of, but there may be some floating out there somewhere. The origin of this typeface is obscure, but there is some evidence it may have been from Genzsch & Heyse around 1893 according to one knowledgeable source.
    • Hopscotch Roman (2017). Hopscotch is a revival of a wood typeface known as Hopkins.
    • Jackdaw (+Open) (2017). This is a revival of a wood typeface known as Jackpot in Solo's catalogs, but was originally named Tuscan Shade No. 1. I have also produced a derivative called Jackdaw Open. Otherwise, I have little information on this bizarre beauty.
    • Jeffers Contour (2017). Another decorative cap discovered as Jeffrey in a Solo catalog has been digitally revived here.
    • Jeremiad (2018). A digital revival of Jenson Old Style, a typeface cut by Hamilton with the permission of American Type Founders in 1906. It has undoubtedly been revived before, as many wood types already have, but this is my interpretation and has been given a measure of consistency without losing its charm. I post this now, but it was produced a couple of years ago and I overlooked posting
    • Joshua Contour (2017). I found a rather odd display typeface called Joseph in a Solo catalog, and it seems not to have a history longer than that, so who knows?
    • Juvenilia Roman (2018). Juvenilia is a revival of a semiserif medium-weight typeface called Jumbo. Anna Allen's description follows: This slick stylized sans serif was designed and patented by Ernst Lauschke in 1887; he assigned the rights to Arthur M. and Alson E.Barnhart. This letterform is very unusual in having the tops of the characters generally devoid of the expected serif. Overall the design has medium contrast, which would be expected of a serif face. Several characters reflect missal-style influences (e.g. T, M), which was common for the time, but they are sprinkled in with standard types. The ampersand is influenced by wood types of the era. It is a distinctly odd species, another Lauschke innovation and unique.
    • Katy Beth (2017). I discovered in the Inland Printer typefaces called Katherine and Elizabeth that were identical to each other and I was able to piece together a complete set of glyphs between the two to make a full digital revival.
    • Kodiak (2017). Kodiak is a revival of Komet, an exuberant calligraphic sans serif produced by Roos & Junge Type Foundry around 1902
    • Latchkey Roman (2018). This is a digital revival of Lattice, a face designed by Carl/Charles E.Heyer (1841 Berlin–1897 Chicago). He patented it in October–December 1883 and assigned the rights to Arthur M. and Alson E. Barnhart by name (the firm was not yet incorporated). Among other things, his unique hooked C was probably inspired by the hint of a hook in Copley (a sign-painter face dated before or in 1877 and cut by J.F. Cumming in 1881-1884). As Heyer's talent flourished at BBS (Chicago, 1868–1929), he led his new employer from one loathed by traditional TFs for bartering stolen designs for newspaper advertising space to one at the forefront of truly innovative display types. In the history of this TF historically regarded as great, he conceived at least 50% of their designs. Thanks to Anna Allen for the background on Lattice. Thanks to Dan X. Solo for the complete specimen, which although inconsistent and ink-heavy for some characters, was complete as far as I know. I have substantially reworked this typeface to bring a consistency for modern-day typesetting, but it is entirely faithful to the original cutting. Several of the characters are adventurous for their time (the C and ampersand, for example).
    • Latin Fancy (2018). The Latin Fancy Engraved Shade version of these three fonts (the two others are derivatives) started life as Ornamented No. 1,077. Thanks again to Anna for the research that follows and for a patent specimen that gave a very rough idea of glyphs that did not appear in the catalog showings. It has ben digitally revived for posterity and is available for now as Mac-only. It appeared in October 1885 in the Inland Printer. Herman Ihlenburg, usually associated with MacKellar, Smiths & Jordan (Philadelphia), designed and cut this sizzling all-caps Latin face for the Bruce TF (New York). The patent application, submitted and approved on the same days as the one for Ornamented No. 1,079 (Brehmer), was likewise assigned to David W. Bruce (New York) [USPTO D15752]. A caveat for purists out there: The "A" has been drawn to compensate for a cutting or design error that appears in all examined versions of the typeface. No alternate has been provided for the misdrawn A.
    • Lipo Caps Series (2017). Lipo Caps is a typeface series whose members are related in the sense that they have never existed as digital fonts (as far as I know), they are hand-lettered (probably by the same person), they were unlikely ever to have been developed as typefaces at the time they were drawn, and they were found in the same publication of bizarre letterforms. I have given them consistency without sacrificing the hand-drawn qualities and produced two versions of each one that I found, five fonts altogether (with "undecorated" versions as the lower-case keystrokes in each case). It is interesting to see great drawing technique that nevertheless never resulted into typography until now.
    • Livornese Roman (2018). This is a digital revival of Livonia, an art nouveau-inspired typeface for which I have no information. There is a full set of alphanumerics, but no punctuation. It is a monoweight bold condensed sans serif with minimal descenders and an x-height that is at the maximum allowed visual percentage of cap height. This is another example of a face I revived in the 1990s but has been tightened up considerably for consistency and professional typesetting.
    • Lubricious (2018). This strictly monoweight rounded sans serif typeface was referred to as Lute Medium in a Dan X. Solo publication, but I otherwise have no information on this letterform. It is influenced by the Art Nouveau movement and I have drawn a plausible Light and Bold as well; it seems that either one or both must have existed if it was referred to as a medium and I have made a rough guess as to the stroke weight. I think this face is quite pretty and has several innovations that are not over the top.
    • Luring Series (2017). Luring is a faithful rendition of MacKellar , Smiths & Jordan's Luray and patented by Charles H. Beeler around the mid-1880s. Because the lining work in each was different depending on the point size of the metal type used (in order to achieve the same visual "grayness" when printed), I have developed each of these in such a way that when the same size is selected for each font, the optimal relative size is actually produced. The same technique was used for the equally challenging typeface called Tinted.
    • Luscious (2017). This is a revival of a typeface called Lulubelle found in Solo's catalogs. It has been rendered in 7 weights, several of which correspond to known weights of this interesting sans serif condensed Art Deco-influenced letterform.
    • Maggie Tried (2018). This is my digital revival (there have been others) of a typeface called Margit. According to sources I believe to be reliable, it was designed in 1969 by Phil Martin. An inquiry from a follower of this page generated a look back at a face I had once revived in the 1990s, but it was not as well-rendered as it could have been. I started from scratch and brought it back to life in a way more congruent with my current skills. It is a lovely example of letterforms developed in the late 1960s and early 1970s.
    • Maltic (2018). In the six original sizes advertised and an additional three sizes to fill the gaps: This is a revival of the typeface by the same name, since it may not have been patented or trademarked by anyone until further notice. This typeface may never have been used and certainly is rather odd, but it can be seen that it must be one of the oldest forerunners of typefaces that were built from discrete "pieces" into a dot pattern, presaging the use of pixelation on monitors a hundred years later, as well as many other examples of typefaces built from pixels, dots, rectangles, stars and numerous other doodads and dingbats. In this case, the strict grid is violated for diagonals and many other interesting work-arounds; there are actually three different shapes used to build this geometric sans serif letterform. Information by Anna Allen: "Maltic is an interesting sans-serif face built from geometric motifs, was shown by the Illinois Type Foundry in The Inland Printer edition of December 1886. The specimen is marked patented, but extensive THP research finds no verification of this claim. This typeface is a complete mystery to me, as is the Illinois TF [Chicago, 1872–1892]… Annenberg (who bewails the lack of history details) reports that it was originally a distributor for the BruceTF (New York) and no record exists of any types that were originated by the Illinois Type Foundry. A showing of ornamental borders in the August 1890 edition of The Inland Printer advertises that they were Western Agents for Conner (New York) types as well."
    • Margarethe (2017). It is hard to believe, but the original typeface was shown by Eduard Haenel (Berlin) in 1847 and was later adopted by American type houses. Eventually it was called Marble Heart, but most samples show only the upper case. Eventually I was ably to put together a large character set for multilingual setting after a rare, complete lower case specimen was discovered. This digital revival also covers typefaces variously known as Ornamented No. 11, 13 and 33. It is an early forerunner of faces known as grotesques (sans serifs that resemble Helvetica, Standard Gothic, etc.) This is another very difficult drawing exercise, but made all the more enjoyable after valuable sleuthing for missing glyphs by Anna at Type Heritage Project.
    • Minster (2018). Minster was yet another style ground-breaker by Herman Ihlenburg, who patented the design in May–June, 1878 with assignment to MacKellar, Smiths & Jordan. This rimmed dual-case ornamented Latin beauty was consistently shown by MSJ and by ATF as late as 1897. It was also distributed by the Franklin TF (Cincinnati) [aka Allison & Smith]. Charles H. Smith, foreman, was the son of Lawrence Johnson's former partner (Johnson & Smith, 1833–1843). It has been digitally revived for posterity and took about two weeks to produce the full set of glyphs. Thanks to J. Choi and Anna Allen for very good specimens of printed materials.
    • Molto (Fiorito, Ombreggiato and Nero) (2018). Molto Fiorito is a digital revival of MoléFoliate, whose history below has been researched by Anna Allen. Ombreggiato is a derivative with just the shadow, and Nero is the central characters adapted for separate setting, Bodoni or Didone letterform with high contrast and thin slab serifs. It has been produced in multiple sub-fonts for a wide variety of pin-register multicolor setting. Researching the topic on Fonderie Générale (Paris, 1834–1912) raised some perplexing questions about the history of this famous ornamented Didone. Twentieth-century historians attribute the design to Joseph Moléin c1819. Indeed, the conservative styling is compatible with fonts intended for title pages of scholarly and literary books, mainstay of the publishing industry during this period. The 1835 catalog issued by Tarbé (Molés successor) states that text, titling and display faces are offered therein. Even so, none resembling MoléFoliate is shown by any Molésuccessor in five digital specimen books dated 1835–1896. On the contrary, surface ornamentation is limited almost exclusively to Tuscans and Egyptians. Jaspert et al. (2001) note the then-current letterpress font source as Stephenson Blake & Co. Ltd. (Sheffield). Millington explains that the face was "redrawn by S.L. Hartz from a design by the Parisian typefounder Molé". Sem L. Hartz was associated with the Enschedé TF (Haarlem). SB introduced it in 1958 as "An Exotic Display Type". Did Molétransfer rights to this design before Tarbé's acquisition in 1835? If so: to SB? Enschedé? Another TF in existence at the time? Did Moléhimself design the leafy ornamentation attributed to him today? Or… Did Hartz superimpose his own concept on the surface of a MoléDidone roman? An anonymous developer digitized free revivals of this font and a matching plain one in 1997. They are difficult to find now [and are poorly executed].
    • Montrose Roman (2017). Montrose is a display typeface with many interesting features, an example of numerous "banner style" letterforms produced at the time, such as Stephen Ornate and Arboret. It was called Motto (a design claimed by John P. Rogers for the Boston Type Foundry in 1879) and I understand there is still a typesetter who has the original metal matrices. Mine was produced from rather poor scans, so some interpretation was necessary. It came out quite nicely, but not quite exacting enough for some standards. It is definitely of historical interest.
    • Moocher Roman and Moocher Open (2018). These digital revivals are based on Moorish and Moorish Open as described below: Moorish was designed, cut and patented by German immigrants Julius Schmohl and Ernst Lauschke, who assigned the rights to Barnhart Brothers & Spindler in April–May 1891. Commercial specimens consistently showed Moorish Open on the same page or in a spread. As advertised, this handsome stylized Latin was meant for multi-color effects.
    • Morton Roman (2017). It is plausible for reasons too long to explain here that Ludwig S. Ipsen of Boston designed the typeface known as Mother Hubbard sometime before 1886 when it was offered by Dickinson Type Foundry. There were numerous swashes and alternate characters for this typeface, and I'm certain some will never be discovered. (The unadorned caps of this font bear a close resemblance to Monopol from Petzendorfer in 1903 and I have heard a rumor that a lower case alphabet was designed in modern times. As with many typefaces, the stories behind the letters are sometimes fascinating to those who are interested to know more.)
    • Muralla Text (2017). This is a digital revival of Music Hall text. I have no information about it except that it appears in one of Dan X. Solo's publications, but it is quite pretty. Robert Donona added: "This was called Teuton Text, shown in MacKellar, Smiths & Jordan type specimen books, it is also shown in the 1898 book entitled Shriftatlas by Ludwig Pfetzendorfer of German and also shown in some German Printing periodicals entitled Archiv für Buchdruckerkunst by Alexander Waldow, this publication ran from 1864 to the early 20th century."
    • Mystica (2019). Mystica was found in a Dan Solo publication on swash alphabets. It consists of the upper and lower case only, but is a very pretty example of a slightly quirky calligraphic letterform that appears to have been hand-drawn. There are several features that I retained when digitizing, and there are others I standardized without sacrificing the overall feel. I'm not sure whether this was ever really a typeface; until now it probably would have been classified as ephemera.
    • National Pride (2018). This is a digital revival of a typeface known as National or National Gothic that is surprisingly old, and more surprisingly, not digitized until now despite being a rather obvious project. It was completed a few weeks ago, but it required a little massaging to get a few parameters more in line with afterthoughts I had. Thanks to Anna again for research and some good specimens to go with mine. In his correspondence with William E. Lo , German immigrant Julius Herriet Sr. (then in his 80s, with a life-long career in type design/cutting) recalled producing this face during the few years he worked in Philadelphia. As was customary at the time, his boss, the "hyper-active" Lawrence Johnson, patented it in 1856 [USPTO D760]. Johnson's patent affidavit explains that the design was geared to chromatic separations for printing with blue and red inks with white paper as the third color. What a great idea 150+ years later! Incidentally… It is said that Mr. Johnson [1801-1860] "worked himself to death." In the process, he promoted three of his employees to partners and groomed them to succeed him: Thomas MacKellar, John F. Smith and Richard Smith (sons of his first partner, Johnson & Smith). Together with Peter A. Jordan (the CFO of his time), these men built on Johnson's foundation to become the "largest and most celebrated type foundry in the world."
    • New Orange (2017). New Orange is a revival of a typeface called New Orleans but originally called Romantiques No. 3 in catalogs from the 19th century. The Decorated is the original design and the roman is one I created for special interest. Like many of these decorative typefaces from the 19th century, they can be produced as dual fonts for chromatic separations on special request.
    • Nile (2017). Nile is an original work based loosely on typefaces called Egyptians, particularly that of VGC. I've greatly expanded the possibilities of this letterform by generating 8 weights with accompanying italics and small caps, suitable for a wide range of languages as well as English, both text and display.
    • Nova Sandra Script (2017). Novelty Script has been revived as Nova Sandra. I've produced the typeface as an Extra Light, Light, Roman, Medium, Bold, Extra Bold and Black. (The Bold is a revival of the Novelty Script available from specimens.) The six other weights were added as an extra-special challenge. It is a beautiful connected script that has many unusual quirks unique to this design. There are several alternate characters and I have supplied a full set of “beginning forms” as well. I have also created a reasonable set of punctuation that did not exist in the original. It is a connected script, and therefore, one of the most difficult projects to undertake.
    • Octic Latin Drop Shade (2018). This is my digital revival of a typeface that started out life around 1884 at Illinois Type-Founding as Octagon Shaded. Several typefaces over the years have had "Octagon" somewhere in their name, but this is really an octic Latin with distinctive features such as a certain curviness where one would expect linearity, so not a true octagon type, and it in any case has a Latin serif, which was itself applied differently in later Latin designs. It has a wonderful drop shade that gives it great depth. There is no known lowercase for this font and the showing in Inland Printer was nearly complete.
    • Octuple (2017). This is a digital revival of a very old wood typeface called Octagon, which seems to have been first shown by George Nesbitt in specimens from 1838, believed to have its origins in France.
    • Partisan Ornamented (2017). One of the most challenging projects I've undertaken in the digital preservation of antique letterforms is this remarkable typeface that started off as a reference to "French 1838" and what Figgins showed as Parisian in 1843. Johnson & Smith showed it as Ornamented in 1841, but it was also known elsewhere as Dandy and Ornate No. 6. The principal trouble (beyond the sheer work involved in reviving this monster) lies in assembling anything like a complete character set. Showings in catalogs for nearly all typefaces have been several letters and perhaps a figure or two, but it is often impossible to get enough glyphs from even a dozen showings; Q, X, Z, J are commonly not shown. I revived the letter N to see whether it was even feasible to start the project and estimated it would take two months to complete, even if the missing letters could be found. Beyond my wildest dreams, several people were able to track down every missing letter and even the numerals and the AE and OE ligatures, in varying degrees of resolution from ancient catalogs. I was able to generate this type over many enjoyable, hellish hours.
    • Pattycake Condensed (2017). Attached is a digital revival of a lovely monoweight casual serif font called Pastel Condensed. I have seen revivals of this typeface, but I believe mine is a more complete and consistent version, and includes diacritical characters for setting in a wide variety of languages.
    • Paymaster Roman (2017). This wood typeface was called Painter's Roman and cut by both Page and Wells, being made available in the 1870s. It was revived a while ago by a major font developer with many glyphs added, but my cut retains some of the quirkiness of the sample I had available from Rob Roy Kelly's masterpiece, American Wood Type 1828–1900. Its numerous specimens are the source of many of my wood type digitizations.
    • Pencilings (2018). Pencilings has been digitally revived in three versions known to exist. Pencilings One was originally shown as Paragon Pencilings. Pencilings Two was originally shown as Paragon Pencilings No. 2 and uses the same caps as Pencilings with the lower case characters at 75% the size of No. 1 and with different cuts; both showings have several ligatures and alternates. Pencilings Three is a rendition of Solo's version, which was much heavier and was shown in "Grunge Alphabets" on page 65. The alphabet I scanned for One and Two is shown by Marder, Luse & Co., January 1885 in The Inland Printer. This is a lovely if somewhat inconsistent example of early explorations of typefaces that mimicked handwriting, particularly printing as opposed to calligraphy or penmanship. As such, these irregular examples are sometimes called casuals, a large group that includes brushes and bounces.
    • Pisa Semiscript (2017). A seldom-used font available from Bitstream, Piranesi Italic is nevertheless a lovely letterform whose designer I do not know. I have discovered that there was also a bolder version at some time in the past, but have never seen it except in type catalogs existing before digital typography, so quite rare. Despite its being called an italic, there never was a "Piranesi Roman." I have produced nine weights, both lighter and heavier than the original, completely redrawn for consistency and available in OpenType PostScript multilingual cross-platform fonts.
    • Precocious (2017). Preciosa was the original name for this little gem and it dates from around 1898 from Bauer & Co. in Stuttgart. It has been fonted before as freeware from Klaus Johansen of Svendborg, Denmark, but did not include lowercase. I'm not quite sure the lowercase I came across is the one designed for that face, as it comes from a Solo catalog, and occasionally he used lowercase alphabets from other faces to accompany his perhaps all-caps blackletter fonts, so who knows? More on that subject later as I revive a couple other drop-cap Gothic beauties whose lowercase characters are the same.
    • Protagonist (2018). This series is a digital revival of a face known as Program. Thanks to Anna Allen for the following research as well as a few critical scans from materials I didn't have in my possession: According to William E. Loy, this typewriter-like Egyptian was designed and cut by William F. Capitain [1851–1915]. Carl Müler, an executive of Marder, Luse & Co. (Capitain's employer since November 1874), patented the design in November 1881–April 1882 and assigned the rights to [USPTO D13862]. Contrary to USPTO regulations effective in 1874, he got away with identifying the intended commercial tradename. It was advertised in The Inland Printer of April 1885. In February–May 1885, Capitain himself patented Inclined Program, a dual-case back-slant derivative [USPTO D161054]. Like Program, it was shown in the Marder, Luse catalogs issued in 1889 and 1890. Unlike Müler, he retained the rights.
    • Rochelle (2017). This series is intended as an extension of Herb Lubalin's 1970 creation, Ronda. It has always been available in several weights, but I extended the utility of this face to some lighter forms as well as the inclusion of small caps (except in the bold).
    • Rose Madder (2017). This is another example of reviving a letterform that may never have been a typeface. It was found unnamed in Carol Belanger Grafton's "Bizarre & Ornamental Alphabets" on pp. 96–97.
    • Rosemary Series (2017). Rosemary is a revival of various Roman woods found in "100 Wood Type Alphabets," by Rob Roy Kelly. Ornamented (p. 230) first shown by George F. Nesbitt in 1838 specimens (Shadow and Expanded are derivatives); X Condensed (p. 234) same Nesbitt; Condensed (p. 233) same; Extended (p. 231) same; Roman (p. 232) first shown by Darius Wells 1828.
    • Ruinous Titling (2018). This is a digital revival of a face called Parable that appears in one of Dan X. Solo's publications. It would be strange if no one has revived this face, and I do so solely as a demonstration of how it is that people get into doing the sort of work I do, even as an occasional hobby and nothing more. With the right software and a little determination to learn something new, the average person can produce a typeface in a few hours, albeit one this simple and lacking anything more than the capital letters. It whets a lot of folks' appetites for something more challenging, but rarely ending up where I am at a level of astonishing self-inflicted pain! The typeface was less than two hours from turning on the scanner, through drawing and spacing to a usable font.
    • Rye Roman (2017). This is a digital revival of a typeface identified as Ryan Jackson on p. 85 of Solo's "Victorian Display Alphabets," but I have found no other reference so far as to its origins before that publication. Technically, it is a moderately decorated low-contrast Latin.
    • Saluzzo font (2017)> Giambattista Bodoni, one of the first rockstars of typography and printing, flourished in the latter half of the eighteenth century in Parma, Italy. His fans included Benjamin Franklin, Napoleon and Pope Pius VII. The typeface we know as Bodoni has been developed by numerous foundries, particularly in the late twentieth century, no two of which are identical. It has generally been drawn as a high-contrast serif and was itself based on some of the transitional forms originating in Baskerville's studios at the time Bodoni ran his printing business. I have developed a unique Bodoni myself, slightly lower in contrast to render it more readable at smaller sizes. I have produced the letterform in Open Type PostScript format for cross-platform use in eleven different weights, italics and small caps (in the roman only), for a total of 33 multilingual fonts. Saluzzo is named for Bodoni's birthplace in Italy.
    • Santa Claus (2018). This is a self-named digital revival of Santa Claus and Santa Claus Initials, both No. 1 and No. 2. This irresistible pair of fun faces was introduced by Central TF in the December 1885 edition of The Inland Printer. A patent pending notice was displayed in at least one commercial specimen; no such patent exists and none was claimed in the post-ATF catalog issued by the Central /Boston TFs in 1892. According to policies of the US Patent and Trademark Office in effect at the time, Santa Claus was positively new, novel and non-obvious and absolutely worthy of a design patent. No approved applications for design patents were filed by Central executives nor assigned by others after 1886. Apparently this notice was of the "beware of the (non-existent) dog" variety. The designer is unknown. William E. Loy does not account for Santa Claus in his biographies of Gustave F. Schroeder or Nicholas J. Werner, Central's staff type designers/punch-cutters until 1889, when they partnered an independent business. In 1891, Schroeder moved to California; he and Werner continued to contract design commissions from Central and other clients.
    • Saprophyte Roman (2018). Saprophyte is a digital revival of a typeface that started out as Ornamented No. 1060. Thanks to Anna Allen for the commentary on its provenance. This Latin gingerbread face was designed and patented by Julius Herriet, Sr. in 1878–1879. He assigned the rights to David Wolfe Bruce , the last family member involved with the Bruce TF. After the USPTO established the trademark division in 1870–1874, the Bruce TF switched from naming its new faces to numbering them. Presumably, this expedient circumvented payment of additional attorney and registration fees. The name Safari may have been dubbed by Dan X. Solo. Those comparing my version with Solo's and the patent specimen will find there to be discrepancies with Solo. The patent specimen was poor but indicated significant changes that occurred by the time Solo had samples. I went as best I could by indications from the patent application of 1878 in regards to overall form and design and had to rely on Solo for only several details. It is my creation based on the information I have available and is nevertheless stunning and unique.
    • Shifty Wide (2017). Shifty is a revival of a typeface identified as Shimmer Wide in Solo's "Victorian Display Alphabets," p. 88. I don't otherwise know the origin of this letterform, but because of its regularity I don't believe this was a wood type, or at least the version I'm seeing comes from a metal face that may have been based on a wood design. There is a resemblance to Antique Tuscan No. 1, a wood face from the 1850s.
    • Snitch Script (2017). Based squarely on one of the most familiar scripts, Snell Roundhand, my version has several major design changes. Charles Snell developed this letterform many decades ago and it was translated by Matthew Carter into phototype in the mid-1960s with a total of three weights made available. I have developed a total of 12 weights of this very difficult connected script, all the way from a Hairline to an Extra Black, beyond the ranges previously available—keeping in mind that this form has some very different glyphs in place of the originals, and quite a bit of standardizing in ways the original designer would perhaps find offensive. But I love it, so there.
    • Solomonic, Cliffhanger and Deerfield (2017). I revived Solar, Climax and Dearborn Initials consecutively, since they had been shown in many catalogs adjacent to one another and were offered by Barnhart Brothers & Spindler in the late 1880s. They are decidedly modern-looking display faces, and as I always say, all of our best ideas were stolen by designers of the past!
    • Spiral Swash (2019). This is a digital revival of the typeface of the same name, found in one of Solo's publications. Technically it is a higher-contrast extra-bold, wide, extreme flare-serif with ball swashes. It is reminiscent of the Euclids I revived last year and would work well as drop caps with the entire range of undecorated forms from that revival. It is equipped with a very nice range of alternate characters, but there is no punctuation supplied. I don't know the designer of this face or the time period, but it looks to be something that would have appeared in a photolettering catalog in the late 1960s and early 1970s.
    • Springfield Roman (2017). This is a revival of a previously undigitized typeface called Spangle in some catalogs but has been also named Uncle Sam, Carnet de Bal, Ornate No. 3, Ornamented No. 851 and Romantiques No. 1; which demonstrates with one font the tremendous problem in type identification. In any case, it's hard to believe this was designed in the 1830s by Laurent & de Berny of Paris, calling it Ornamented No. 1071.
    • Sprinkle Roman (2017). Based on the original typeface called Spring, this is a display letterform that I digitized a few years ago from one of Dan X. Solo's catalogs. It is notable for containing a huge number of alternate characters that make it a lot of fun to work with for a distinctly retro feel. Also called Bonaparte by Photo-Lettering, and Radiant Flair by OptiFont.
    • Stakeholder Roman (2017). This wood typeface was called Staccato by Solo, but was originally released as Tuscan Extended by W.H. Page before 1872. I suspect this is another letterform that has been revived by others.
    • Stengel Roman (2018). This is a digital revival of Sterling. There have been other unrelated typefaces with the same name, but the history of Sterling follows. Again, thanks to Anna Allen for the sleuthing: A far cry from ATF Sterling (Morris F. Benton, 1917), this suave stylized Latin has just the right slinky curves! The designer, Charles E. Heyer, reprises his trend-setting hooked C and extends the style to the G with a new interpretation for this stunning all-caps alphabet [with two alternates, an E and an L]. His patent application was promptly approved in September–October 1890; rights were assigned to Barnhart Brothers & Spindler, his employer since 1878. It was shown by BBS until at least 1909. A few of my own comments on this letterform follow. For its time, it is certainly a departure from standard interpretations of alphabets. To begin with, we are finding terminals in some of the characters that are unexpected, swashes where we would expect traditional terminals. The A is square with a swash crossbar, echoed in the H, and the H itself is like the M and H in being bandy-legged. The W is practically an inverted M. The J and the U are very wide. All characters are quite a bit wider than usual, in line with Clipper, which it resembles in some respects; but the question mark is super-condensed. The A, B, E, F, H, P and R have compressed upper stories, giving the face a top-heavy look, which became very popular in the Art Nouveau craze. The curves are much thicker than expected, perhaps a bit outside acceptable for good color, so a high contrast in places where you would not expect. The serif is minimal and difficult to discern in my specimens, so I interpolated somewhat. Its modern sort-of-equivalent look is like Newtext, Americana or the modern Copperplates. I worked mostly from the patent specimen, because it was quite different from all the printed materials I examined.
    • Stigmata (2018). Only rock-solid project management, determination and a tolerance for tedium will get a typographic revivalist though the gantlet in bringing back to life one of the most complex typefaces ever designed, Stipple. The history of this unique letterform is provided by Anna Allen as follows: The brilliant Herman Ihlenburg completed design of this masterpiece in 1889; in January–February 1890, he patented it and assigned the rights to MacKellar, Smiths & Jordan [USPTO D19660]. Concurrently, he patented a set of related ornaments for line finials and a semi-rectangular frame [USPTO D19659]. The earliest commercial specimen examined was shown in the June 1890 edition of The Inland Printer by Shniedewend & Lee Co., then MSJ's Chicago agent. Widely considered unvectorizable, it was thus a challenge I undertook because the number of good specimens was high enough to consider the challenge. The rest of the story of this revival is too long and technical to relate, so I will describe this is as a maximally decorated modified bold Latin banner typeface. Just one of these characters contains around 2,000 data points, close to the maximum possible to create a font that will not crash. Thanks to all and sundry for a few rare specimens and particularly the US Patent Office for its poor but complete specimen of the 48-point characters; and several others for the serendipitous discovery of a couple important 36-point characters. The bang, question, period, comma and colon were designed by me to make the font more usable. Stipple is now available for the first time in 130 years.
    • Sundog (2019). This 9-weight series is a revival of a typeface shown as Sunningdale (in three weights from Dan X. Solo). It is a slab face Egyptian italic with very nice swashes, but there is no punctuation for this letterform. It contains a large range of alternate characters. Although I don't know the origin of this typeface, it is almost certainly the same designer as Whitley Sans, revived most recently by me. The lighter weights in this series are almost strictly monoweight, but there is an increase in contrast from Light through Heavy, as in the original forms.
    • Sunnybrook Script (2019). This is a very light monoweight upright semiscript of my own design with a lot of features found in traditional scripts of 150 years ago. The exuberant swash capitals are very loosely based on Flemish Script but have been modified a great deal and standardized across several glyphs. It can be set in a wide variety of languages.
    • Superior (2018). This is a digital revival of Superior, whose first showing I have as April 1886 from Great Western Type Foundry in Chicago. It is a slightly decorated extra-light condensed Latin existing only in caps as far as I can tell. There is a full set of numerals and minor punctuation. Superior is a rather simple revival in relative terms and requires only a few hours because of that simplicity and paucity of other glyphs. It has perhaps been revived by other developers, but I am not sure.
    • Tanglewood (2017). This revival ranks in the top five of the most difficult projects I've undertaken, not only because of the sheer amount of work involved in drawing the characters but in addition because of the number of glyphs that happened to be available. The name of this face was originally offered as Conner Ornamented No. 43, patented by James M. Conner in 1881. My undying thanks must go to Robert Donona, who supplied an incredibly good specimen from Graphic Compositions, Inc.'s phototype specimen book wherein the typeface is called Tangier. Diacritical marks, superior and inferior characters and basically enough glyphs to complete a large OTF file were evident in the specimen. Specimens of such completeness are rare in the world of typography, but having them available for viewing makes the revival process a time-consuming, if satisfying, venture. It required an absolutely stupid amount of time to finish. Several people have said this is my magnum opus...so far at least!
    • Tasty Gothic (2018). This is a digital revival of typefaces variously known as Tasso, Gotham and No. 205). 1890 (Tasso, Gotham), Barnhart Bros. & Spindler; 1895 (No. 205) George Bruce's Son. Some hunting around was necessary to find missing glyphs, but my version appears to contain everything that was originally designed for this very pleasant monoweight gothic.
    • Tender Regard (2018). This is a digital revival of a graceful letterform originally known as Tendril. The design for Tendril was patented by Herman Ihlenburg [1843–1905] in 1878. Along with Camelot (Goudy-Phinney/ATF Boston 1900), his application was one of the fastest-approved in 19th-century history. Rights were awarded in less than three weeks during November and assigned to MacKellar, Smiths & Jordan [MSJ ] of Philadelphia.
    • Thursday Roman (2017). Attached is my digital revival of Thurston, a letterform appearing in one of Dan Solo's numerous type specimen books. I don't have any information on the source of this form, but like other postings here, this will be updated at some point in the future for the curious. This face is strongly reminiscent of the Peignot types, sans serifs with relatively strong contrast, but in this case with quirky ornamentation.
    • Tiberius (2017). Tiberius is a revival of a typeface called Tirolean. This is another strange letterform that has distinct Art Nouveau influences, but I'm not at all sure of the history of this face except that it was found in a Solo catalog.
    • Tinting Series (2017). Tinting is a faithful rendition of MacKellar, Smiths & Jordan's Tinted and patented by Charles H. Beeler around 1885. Because the lining work in each was different depending on the point size of the metal type used (in order to achieve the same visual "grayness" when printed), I have developed each of these in such a way that when the same size is selected for each font, the optimal relative size is actually produced. The same technique was used for the equally challenging typeface called Luray.
    • Trinitro (2018). This super-sophisticated stylized Latin (known originally as Trinal) was patented by British immigrant William F. Capitain [b1850] of Chicago in September–October 1888. The Marder Luse Type Foundry (a.k.a. Chicago Type Foundry ), his employer since 1874, advertised it in The Inland Printer edition of November 1888. It was shown by ATF until c1900. Trinal has been digitized, containing many of the variously decorated characters that make up a large font. I am not at all sure I found everything, and it took the sleuthing of several other fanatics to find anything like a final set of everything that may have been produced.
    • Tunbridge Shadow Ornamented (2017). This is a revival of Tungsten, another oddball ornamented style probably originating in the late 19th century.
    • Unitary Roman (2017). Unitary is a revival of a wood type published as Unique. I have no other information as to the provenance of this typeface except that it was taken from a Dan X. Solo publication.
    • Valor Shade and Rimmed Shade (2017). These digital revivals started out in 1847 at V & J Figgins and there were several other variants in wood type at the time. Van Horn, Zebra and Tuscan Condensed Shade were other names used over the years, but the latter best describes the letterform. This is a moderately challenging revival that can be made available for chromatic separations, as many of these complicated characters were intended originally.
    • Venetian Tulip Wood (2018). The story of this revival is unfolding, but to make it short, this was digitized from a very large point-size specimen of what purports to be wood type from Kelly's collection. But upon further investigation, it is unclear whether this sample was a drawing made from an impression (or printed specimens) or whether it is an actual impression of wood type itself. I suspect the former, but it is indeed a legitimate typeface (and an important early 19th-century face) that existed in several different decorated forms. It is unclear which came first, the metal or the wood letterform. Technically this is an exuberantly decorated drop-shadow concave Tuscan.
    • Vicarage Initials (2017). This challenging revival took many hours to complete for digital font use, but well worth it. Vatican Initials was found in a Solo publication and much has been done here to achieve consistency of color and design without sacrificing the nuances of this rare beauty.
    • Warpath (2017). Warpath is a revival of a wood typeface called Wampum in Dan Solo's publication; otherwise, I don't know the provenance of this letterform.
    • Whitestone Sans (2019). This is a digital revival of a very unusual face called Whitely Sans, found in a Solo publication. It is a medium-weight sans serif italic with very nice swashes and an interesting treatment of shading. There is a wide variety of alternate glyphs, including rare "ending forms," several of which I produced on my own to make it a little more consistent with typefaces supplied with ending forms.
    • Wood Types Numbers 154, 500, 506, 508 & 510 (2017). These are five unrelated wood types that were occasionally used in foundries setting metal type because of their availability in large sizes. No. 154 is a modified Tuscan; Nos. 508 and 510 are flared sans serifs; and Nos. 500 and 506 are Latins. Like most wood types, the character availability was usually quite limited.
  • The free sans typeface families done in 2003: Clemente, Ultima, Passion Sans (a Peignotian family).
  • His 19th century series, all made in 1995 or 1996: APT New Abramesque, APT New Alferata (psychedelic), APT New Armenian, APT New Belmont (Victorian), APT New Brenda, APT New Cabinet, APT New Caprice, APT New Dawson, APT New Euclid, APT New Linden, APT New Madison, APT New Moorish, APT New Mystic, APT New Rollo (Victorian), APT New Slapstick (wooden plank font), APT New Spiral, APT New Stephen Ornate, APT New Teahouse, APT New Viola, APT Novelty Script.
  • The wood type collection of Alan Jay Prescott.
    • APT Antique Wood Double Outline Shaded 1995, APT Antique Wood Extended 1996
    • APT Caslon Wood w: Alts 1996
    • APT Clarendon Wood Extended 1996
    • APT Columbian Wood w: Alts 1996
    • APT Courier Wood 1997
    • APT Doric Wood 1995
    • APT Gothic Wood (+Alts) 1997
    • APT Grecian FullFaced Wood 1996
    • APT Jenson Old Style Wood 1996
    • APT Kurilian Wood w: Decorated Alts 1997
    • APT Modified Gothic Wood Cond 1997
    • APT New Venetian Wood 1996
    • APT New Woodcut Shaded Initials 1995 (Houtsneeletter)
    • APT Roman Wood 1994-1995
    • APT Tuscan Antique Wood (+Alts) 1995-1996
    • APT Tuscan Concave Wood 1996-1997
    • APT Tuscan Contour Wood 1996
    • APT Tuscan Gothic 1 Wood 1996, APT Tuscan Gothic 2 Wood Cond w: Alts 1996, APT Tuscan Gothic 3 Wood Cond w: Alts 1997, APT Tuscan Gothic Pointed Wood w: Alts 1997 (Ironwood)
    • APT Tuscan Italian Wood 1997
    • APT Unique Wood 1995
    • APT Wood 1995-1997
    • APT Wood No. 501 1996 (orig Wm.H. Page 1887), APT Wood No. 508 1997, APT Wood No. 51 1997, APT Wood No. 510 1997, APT Wood No. 515 1996
  • Stencil typefaces designed in 1995 and 1996: APT Crystal Ship (1995), APT New Acapulco Light (1995; after the phototype Acapulco Light VGC), APT New Alpha Midnight (1996; after a typeface from 1969 sold by John Schaedler), APT New Beans w/ Alts (1996, after Beans by Dieter Zembsch, 1973), APT New Checkmate (1995---not a stencil type, really, but rather a modular typeface; after the film type Checkmate), APT New Zephyr (1996).
  • Computer fonts designed in 1995 and 1996: APT Bugsy (1995), APT New Quote (1996: bilined).
  • Art nouveau typefaces designed in 1995 and 1996: APT New Abbott (1995; after Joseph W. Phinneys' abbott Old Style, 1901), APT New Ambrosia (1995, after Peter Schnorr's 1898 Jugendstil typeface), APT New Baldur (1996; after Baldur by Schelter (1895) and Julius Klinkhardt (1903)), APT New Jagged w/ Alts (1996), APT New Jason (1996), APT New Livonia (1996), APT New Margit w/ Alts (1996), APT New Nightclub (1995), APT New Quaint (1995), APT New Quaint Open (1995).
  • Decorative typefaces designed between 1995 and 1997: The Bizarre series (decorative caps), Advertisers Gothic PD (2010: a large family based on Robert Wiebking's ugly original from 1917), APT Antique, Crayon PDS (2013, a decorative Victorian family), APT Caslon 76 (1997, based on a Compugraphics original), APT Feinen Inline (1997, after Henry Mikiewicz, 1983), APT Millais (1995, unknown origin), APT New Abel Cursive (1996, a revival of Bernie Abel's Abel Cursive (Compugraphic, 1974)), APT New Artcraft (1996), APT New LSC Book (1996, after a 1970 original by Lubalin Smith Carnese), APT New Classic Rubber Stamp (1996: based on DeVinne by G.F. Schroeder, 1890; F.W. Goudy 1898), APT New Hearst (1995, based on an original from Inland Type Foundry, 1901, which was famously ripped off from Goudy; the Italic was by Carl Schraubstadter, 1904), APT New Ticonderoga (1995-1996), APT New Woolly West (1995), APT Horizon Initials (1995), APT New Gill Floriated (1995), Old Gothic Initials Plain (1995: Lombardic caps), Pfister Bible Gothic APT Cameo (1997, blackletter caps), APT Saint Nick (1995: snow-themed caps), APT Black Dog (1995), APT Blacksmith Heavy (1995), APT New Airedale (1995, after an original tattoo / poster from the 1930s), APT New Blade Display w/ Alts (1996), APT New Cugat (1995; a wedge serif letterpress emulation typeface), APT New Fieldstone (1995), APT New Static (1995), APT New Trump Gravur (1995; after Georg Trump, 1954), APT New Yagi Bold (1996), APT New Courtier Italic (1996, Vanity Fair), APT New Harlequin (1996), APT New June (1996, after Fournier le Jeune).
  • Avant Garde typefaces: APT Avant Garde Alts and Display (1997), APT Lubalin Graph Alts (1997; to be used with BT Lubalin Graph, Ed Benguiat, 1974).

Local download of some of his fonts. [Google] [More]  ⦿

Akang Kamezvara

Bandung, Indonesia-based designer of the bold handcrafted typeface Zeligh (2017). [Google] [More]  ⦿

akaType
[James D. Milligan]

akaType is James Milligan's outfit. Fonts made by him include akaPosse (2005), akaArcade (2003, Victorian), akaDylan (2005, comic book style set of three typefaces), akaChen, akaDora (2005, script), akaFrivolity (2002), akaHoggle (2002), akaIndic (2002), akaPotsley (2002, Victorian).

1001fonts link. Another URL. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Akhbar Design

Lhokseumawe, Indonesia-based designer of the spurred Victorian (and perhaps tattoo) font Nebenk (2019), the script typeface Seulanga (2019), the 12-style sans typeface Baver Avalone (2019), the vernacular typefaces Choco Peanut (2019) and Kungfu Cartoon (2019), and the modular typeface Pro Legacy (2019).

Typefaces from 2020: Aceh Island (Victorian), Casbelov, Eco Power (a round poster sans), Hening, House of Kanoe, Onix, Risol Script (curly), Sweet Boy. [Google] [More]  ⦿

Akhmad Reza Fauzi
[Reza Design (or: Silverstein Design)]

[MyFonts] [More]  ⦿

Akhmad Reza Fauzi
[Grezline Studio]

[MyFonts] [More]  ⦿

Akmal Yusar
[Picatype Studio]

[MyFonts] [More]  ⦿

Aksa & Nusa Co.

Jakarta-based designer of the vintage typeface Pumper (2016), the Victorian signage typeface Hippia (2016), the script typeface Pat Judge (2016), the brush script Wilder Mood (2016), the signage typefaces Bostly Script (2016) and DBrakes (2016), and the weathered hexagonal typeface Broster (2016).

Typefaces from 2017: Lebakre (a monoline script), Wilder Mood (brush type). Behance link. [Google] [More]  ⦿

Aktiengesellschaft für Schriftgiesserei und Maschinenbau (or: AG für Schriftgiesserei)

Foundry in Offenbach, Germany. Their main specimen book is Haupt-Probe über Schriftgiesserei-Erzeugnisse und Messing-Material (1911, Offenbach am Main). House typefaces include the blackletters Angelsächsisch, Archiv-Gotisch (1909), Asta (1902), Freigotisch, and Schöffer-Gotisch (ca. 1900). Heinrich (Heinz) König made the blackletter typeface Germania (1903). Eduard Brox designed Moderne Alt-Fraktur (1907; some give the date 1910). Albert Christian Auspurg created the blackletter typefaces Apart (1911) and Fraktur-Kursiv (1923). Their art nouveau typefaces include Apollo (ca. 1900), Inserat Kursiv, Neptun, Tedesca.

For digital revivals, see Appeal DT (2007, Malcolm Wooden, a revival of Apollo) and RMU Neptun (2021, Ralph M. Unger). [Google] [More]  ⦿

Alan Jay Prescott
[AJPT]

[More]  ⦿

Albert Angus Turbayne

Albert Angus Turbayne (b. 1866, Boston, MA, d. 1940, London) was an American book designer and bookbinding artist. He worked in London for the London County Council School of Photoengraving and Lithography and also for Carlton Studio. He wrote Monograms and Ciphers (republished by Dover in 1968 and by Mayflower Books in 1978 with the title A Complete Book of Monograms & Ciphers). Designer of an initial caps face at the end of the 19th century. One of his typefaces inspired Ben Noe's typeface Turbayne (2021). [Google] [More]  ⦿

Albian Gagica

Digital artist in Kosova, Albania. Behance link. Most historians believe that the Albanians are descendants of the Indo-German tribesmen called the Illyrians who were in the Western Balkans ca. 1000bc. Illyria (2011) is a curly monoline sans script that permeates Victorian perfumes. [Google] [More]  ⦿

Alejandra Bortoni

Creator of Walking Around (2012, a Victorian typeface). [Google] [More]  ⦿

Alejandro Paul

Designer who lives in Buenos Aires and who teaches graphic design and typography at the Universidad de Buenos Aires. He has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone, and Movicom. He runs Estudio Paul. Professor at Facultad de Arquitectura, Universidad de Buenos Aires. Co-creator, with Apostrophe at Apostrophic Laboratory, of Usenet (2000), FontCop I through IV (2000) and the pixel font family Cayetano. Published the dot matrix font Stardust with T-26 in 2000. Designed the gorgeous font Elektora in 2000. He developed with Michael Lynch a 17-font Tennis set of grid-based pixel fonts. At Typeworx, he published Reflex (2002), a commercial 6-style unicase font family. Another web site by Alejandro. Cofounder of DAS, a design studio in Buenos Aires.

Cofounder of Sudtipos (2003), where he does custom work and creates new typefaces.

His work there includes Tierra (a titling face), Latinaires (2003-2018: originally called Latina Sans), Reflex, Downtempo (2003), Stardust and Mosaico (1999, pixel face).

Still at Sudtipos, he digitized the beautiful handwriting/calligraphic typefaces by Angel Koziupa called Alma (2005), Murga, Habano and Tiza, which together with his script typeface Argenta (2004), Oxida (2005), the medieval script typeface Mama Script (2004, designed with Alfredo Graziani), Divina (2004, with Alfredo Graziani), and the sans family Kautiva (2004) can be bought via Umbrella Type.

For children's orthography, he developed Estrada Hand, on commission for Editorial Estrada. He was working on the serif family Libertina (2004).

Herencia (2004, a handwriting typeface done with Diego Giaccone), Grover (2004, slab serif), Milk Script (2004, with Alfredo Graziani), Mama Script (2004, with Alfredo Graziani), Politica (2004, a techno typeface with a very thin Thin weight) are at Sudtipos.

The Bluemlein Scripts (2004-2005, Umbrella and Veer) are based on the calligraphic renderings of Charles Bluemlein, shown in a 1943 ink catalog: Miss Le Gatees, Mr Rafkin, Mr Keningbeck, Mr Lackboughs, Lady Dawn, Mrs Von Eckley, Mr Sheppards, Mr Dafoe, Mr Canfields, Mr Stalwart, Mr Sandsfort, Mr Leopolde, Mr DeHaviland, Mr Blaketon, Miss Stanfort, Miss Packgope, Miss Fajardose, Mrs Saint-Delafield, Mrs Blackfort, Mr Sopkin, Mr Sheffield, Miss Lankfort, Herr Von Muellerhoff, Dr Sugiyama, Dr Carbfred. (Note: Soft Horizon's Lainie Day (1993) is an earlier free font in the style of Lady Dawn and Mr Lackboughs). In 2011, that series was made available at Google Web Fonts.

Sudestada (2005, Sudtipos) is a handwriting script developed with Diego Giaccone. Cuisine (2005, Umbrella Type) is an informal bold script. Mousse Script (2005, Sudtipos) is based on Glenmoy, a 1932 Stephenson Blake typeface. Suave Script (2005) is a 4am jazz bar script. Ministry (2005) is related in style but less funky, Chocolate (2005) is for sales ads, and Cenizas (2005, with Angel Koziupa) is straight from an old manuscript.

Whomp (2006, Umbrella) was based on a partial sign-painting font by Alf Becker (1930s), and so was Buffet Script (2006, Sudtipos). Affair (2006, Umbrella) is swashy and calligraphic, while Candy Script (2007) and its italic version Sugar Pie (2011) are based on Argentina's market lettering. Galgo Script (2007) is a brush calligraphic font based on a design of Angel Koziupa.

Burgues Script (2007) is an ornate calligraphic script based on the lettering of calligraphy teacher Louis Madarasz (1859-1910) (award at TDC2 2008). Burgues Script, Adios Script (2008: it won an award at TDC2 2009), Feel Script and Sugar Pie all won awards at Tipos Latinos 2008.

Sinfonieta (2006) and Buffet Script are fifties style connected scripts. Feel Script (2007) is based on lettering that calligrapher and logo designer Rand Holub created in 1950 and that was subsequently captured in Intertype's typeface Monterey (1958). Some letterforms were redrawn from vintage American magazine ads (some by Holub himself), Cuisine (2008, food advertising script), Pronto (2008, comic book style, by Alejandro Paul and Angel Koziupa), Grover (2004, rounded sans family), Grover Slab (2004). Burgues Script, Adios Script, Feel Script and Sugar Pie all won awards at Tipos Latinos 2008. Calgary Script (2008, Umbrella) is a pure signpainting job.

Accolades from all typophiles for his calligraphic wunderkind, Compendium (2008).

The 2009 haul: Sugar Pie (signage font), Bravissima Script, Theorem (upright semi-script).

Speaker at ATypI 2009 in Mexico City.

The year 2010 starts off with a bang, five awards at Tipos Latinos 2010: a grand prize for Brownstone Sans, and four standard awards, for Semilla, Kewl Script (for food packaging and store windows), Calgary Script, and for Business Penmanship.

Typefaces from 2010 include the baseball lettering typeface Fan Script and the tattoo script face Piel Script (piel=skin), which was influenced by Burgues Script and more remotely by showcard lettering by B. Boley (1930s, Sign of the Times Magazine). Piel Script won an award at Tipos Latinos 2012.

In 2011, he and Koziupa made the fat signage typeface Aventura and Viento (a grunge version of their earlier 2004 face, Brisa).

He added one retro connected signage font to the Filmotype collection in 2012, called Filmotype Kitten (original from 1955). Filmotype Zephyr (2012) is an italic roman formal script. Filmotype Yukon (2012) is inspired by the classic Palmer style of penmanship.

Storefront (2012) is a swashy signage typeface based on an incomplete alphabet by Alf Becker.

His signage script typeface Hipster Script won an award in the TDC 2012 competition and at Tipos Latinos 2012.

Typefaces from 2013: Rolling Pen (a connected script that recalls the business penmanship genre), Bellissima Script (based on a copperplate calligraphic alphabet from Bellezas de la Caligrafía by Ramón Stirling, 1844).

In 2014, he helped Panco Sassano, a lettering artist and illustrator from Mar del Plata, who designed the wide connected semi-calligraphic handwriting typeface Horizontes Script (Horizontes subsequently won an award at Tipos Latinos 2016). Still in 2014, he published the fat packaging or signage script Bowling Script, which is based on Freely Drawn Italic, a non-font alphabet by Ernst Bentele (1953).

In 2015, Alejandro Paul, Yani Arabena and Guille Vizzari combined forces in the signage script typeface Quotes (Script+Caps) (2015, Sudtipos).

Merengue Script (2015, with Panco Sassone) is a fun creamy script, ideal for pastry shops, tea rooms or supermarkets.

Steak (2016) is a connected vintage signage script based on an Alf Becker design.

Envelove (2017) is a script typeface family consisting of Script, Icons, and Caps, designed at Sudtipos by Yani Arabena, Guille Vizzari, and Alejandro Paul. Winner at Tipos Latinos 2018 of a type design award for Envelove.

Still in 2017, Guille Vizzari and Alejandro Paul co-designed the great Moleskine notebook-inspired typeface family Proprietor. Proprietor comes in Script, Icon, Deco, Wide, Open and Roman styles. It won an award at Tipos Latinos 2018.

Rigatoni (2017): A skyline didone based on mid-20th century example by Eugen Nerdinger.

Bibliophile Script (2017). A pair of copperplate calligraphic typefaces.

Fixture (2018: a 72-font grotesk family published by Sudtipos).

Newbery Sans Pro (2018). A simple workhorse sans typeface family that is inspired by German industrial design and the lettering of Eugen Nerdinger.

Winner at Tipos Latinos 2018 of a type design award for Tennis Set, Bibliophile Script, French Bulldog, Envelove, La Taqueria, and Speakeasy Set (a collection of (copperplate) script, sans, modern, flare and gothic substyles).

From 2019: Hot Salsa (a retro brush script; with Ximena Jimenez), Old Letterhand, Clockmaker (arts and crafts style), Steak Script (inspired by an old alphabet by Alf Becker), Address Sans Pro (a sans family inspired by Butti and Novarese). In 2019, Alejandro Freitez and Claire Menager, under the art directoship of Alejandro Paul, designed the multistyle wood type look / Western / Victorian / reverse stress / hyper-decorative Presley Slab.

Typefaces from 2020: Apothicaire (a wonderful quaint serif family in the frivolous didone genre; three variable fonts, 16 styles in all), Inglesa (a penmanship script), Dilemma, Dilemma Serif (Dilemma is a sans/serif type system with 42 styles; it is inspired by the anonymous Polyphème, Cyclopéen and Extra Condensé designs from the early 1900s at the Peignot Fonderie; two variable fonts are included), Sporty Pro (a large sports / athletics font family).

Typefaces from 2021: Plethora (an 18-style family and two variable fonts that build on Julius Herriet's Old Style Ornamented for Bruce Type Foundry; Alejandro added various frills, ligatures, weights, exaggerating in true Victorian spirit), Magari (a fat face or Normande; Alejandro likens it to Italian classics of the 19th century though), Regional (27 styles, plus variable styles).

Typefaces from 2022: Wienerin (a revival and expansion of Olympia (1929) by Carl Otto Czeschka, one of the members of The Wiener Werkstätte). [Google] [MyFonts] [More]  ⦿

Alex Dominguez

Creator of the free Victorian typeface Organic Fruit (2012: lower case only). [Google] [More]  ⦿

Alex Traian Munteanu
[Zeppelin Graphics]

[More]  ⦿

Alexander Samburov
[Lurex Design]

[More]  ⦿

Alexander Sperl

German designer (aka laynecom) at FontStruct in 2008 of band, blokk_2, maiden, substance, Fette Serif (fat, octagonal), Runde Pixelig, Velvet, Thin Sans, Constr, Clear Serif, Blokk.

Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).

Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).

Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).

From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans typeface ever made by anyone using FontStruct), Bencraft.

Fonts from 2013: Meadow Bold, Lush Capitals, SwiftStroke, Its Slab To Be Square, Mellow Doubt, Ligure Black, Beige Organic, Trafo, Trafo Evolution, Codester Mono (a programming font), Swash Buckle, Nova Thin Extended (a hairline sans), Meson Sans, Burgwald Exquisite Bold Condensed, Editoriale, Coalescimen, A La Carte, Hampton Italic, Baby Elephant (fat grotesque).

Fonts from 2014: Terminal One (a basic sans), Fanomino, Fontris (like Tetris), Schlaraffenland (+Variant: great rounded sans family), Crystalline, Tick Brush, Manuale Neue Bold, Terminal One, Sanspura, Italics Study, Mundane Black Extended, Heavy Grain, Wineshop Stencil, Folds and Rhizones, Viva Las Inline.

Fonts from 2015: Augustine, Coleridge, Framtid, Licht-Sans, Quire-Bold, Quire, Static-Grotesk, Tattoo-Parlour, The-Gift-Serif, Tuileries-Black, Usual-Type, Ziseleur, Zungenschlag, Blackesteverblack.

Klingspor link. [Google] [More]  ⦿

Alexandra Leopoldovna Gophmann

Russian designer of typefaces who collaborates with Ivan Zeifert and specializes in revivals, cyrillizations and beautiful digitizations, some of them done with Anatole Gophmann. There have been complaints about her practice of borrowing fonts from type designers without asking. One typophile writes: I have cracked open fonts she claims as hers, Bolero, Bickham and others, she has copied and pasted glyphs, copyright data, added Cyrillic and changed the copyright string. As an example, Angelica is a copy of Alejandro Paul's Miss Fajardose. Alejandro has drawn the numerals in his font in 2004 to accompany the letters found in an old catalog of alphabets. There is no other source of the numerals, and Angelica has them. Michael Clark writes: I initiated a battle with the illustrious Alexandra "Bitch" from Russia who has renamed Pouty (FontBureau) and copyrighted [it as] Bolero. She and her partner Anatoly shithead. Available on Fonts101.com for anyone who wants it free. The ass's site, Jagdesh, is in Pakistan and we cannot touch him. 260+ viewings and 140+ downloads. Let's see that is 1400$ I will never see! Others have complained as well about her practice of taking and extending fonts without permission. Anyway, her "fonts" are:

  • A: Adine_Kirnberg (2005, the Cyrillic version), Advokat Modern (2008), Afisha, Afisha Cap, Agatha-Modern, AlexandraScript, Amadeus, American Text C, American-Retro (2008), Ametist [based on Lorelei] (2008), AmpirDeco, Andantino-script (2008), Andantinoscript, Anfisa Grotesk (2008), Angelica, Annabelle, Antikvar (2008), Antikvar Shadow (2008), Antonella Script (2008), Antonella Script X (2008), Antract, Aquarelle, Ariadnascript, Ariston-Normal, Arkadia (2008), Arkhive, Arlekino, Art-Decoretta (2008), Art-Decorina (2008), Art-Metropol, Art-Nouveau Initial (2008), Art-Nouveau1895, Art-Nouveau1895-Contour, Art-Nouveau1900, Art-Nouveau1910, Art-Victorian (2008), ArtNouveau-Bistro, ArtNouveau-Cafe, Artemis Deco (2008), Artemon (2008, psychedelic), Arthur Gothic, Artist-Modern, Astoria Deco (2008), Atlas Deco A (2008), Atlas Deco B (2008), Auction, Augusta One, Augusta Two, AvalonMedium.
  • B: Ball-Point Pen, Bankir-Retro, Barocco Floral Initial (2008), Barocco Initial (2008), Baron Munchausen, Batik Deco (2008), Belukha, BelukhaCapital, BickhamScriptAltFour, BickhamScriptAltOne, BickhamScriptAltThree, BickhamScriptAltTwo, BickhamScriptOne, BickhamScriptThree, BickhamScriptTwo, Birusa (2008), Bodoni Initials (2008), Boleroscript, Bonapart-Modern, Briolin, Brokgauz&Efron, Brokgauz&Efron-Italic.
  • C: Caberne, Cafe Paris C, Calligraph-Medium, Campanella (2008), Capitol Deco (2008), Carmen, Carolina, Casanova (art nouveau) (2008), Cassandra, Castileo (2008), Certificate of Birth (2008), Chocogirl (2008), ClassicDecor (ornaments), Classica-One (2008), Classica-Two (2008), Cleopatra (2008), Conkordia (2008), Cordeballet, Corinthia, Corleone, CorleoneDue.
  • D: Dama Bubey (grunge) (2008), Debut (art deco in the style of Broadway) (2008), Decadance Cursiv (2007), Decor Initial (2009: decorative caps, a Cyrillic extension of a typeface by Pampa Type), Decor Line (2008), DeutschGothic (blackletter), Donaldina (2008).
  • E: Edisson (blackletter), Egipet-Bold, Ekaterina_Velikaya_One (2005), Ekaterina_Velikaya_Two (2005), English Rose (2008), EnglishScript, EseninscriptOne, EseninscriptTwo, Evgenia Deco (2008).
  • F: Fairy Tale (2008), Fantasia (2008), Fata Morgana, Favorit, Favorit Grotesk (2008), Flamingo (2008), Fortuna Gothic FlorishC (2009, blackletter).
  • G: Geisha (2006), Gertruda Victoriana (2008), Globus (2006), Gloriascript, Goudy Decor InitialC (2009, ornamental caps), Goudy Decor ShodwnC, Goudy OrnateC, Graceful Mazurka (2008).
  • H: HeatherScriptOne, HeatherScriptTwo, HeinrichText, Hogarth_script (2005).
  • I: Isabella-Decor, Italy-A (2008), Italy-B (2008), Izis One (monoline sans), Izis Two.
  • K: Kabriolet Decor (2009), Kamelia (2009, Victorian face), Kareta-A (2007), Kareta-B (2008), KarnacOne, KarnacTwo, Konkord-Retro, Konrad-Modern (2008), Konstrukto-Deco (2008) (2008), Kot Leopold (2008), Kumparsita.
  • L: Lastochka (2008), Le Grand, Leokadia Deco (2008), Lombardia, Lombardina One, Lombardina Two, Lombardina-Initial-One (2008), Lombardina-Initial-Two (2008), Lombardina-One-Roman (2008), Lombardina-Two (2008), Ludvig_van_Bethoveen (sic) (2005).
  • M: Majestic X-2, Majestic-, MajesticX, Malahit-Bold, Margaritascript, Marianna, MarkizdeSadscript, MartaDecor One and Two, MartaDecorTwo, Martina Script C, Masquerade (2008), Matilda, Matreshka, Maya (2008), Medieval English, Melange Nouveau (2008), Menuetscript, Metro Modern, Metro Retro B (2008), Metro Retro C (2008), Metro-Retro A (2008), ModernistNouveau, ModernistOne, ModernistThree, ModernistTwo, ModernoNouveau, ModernoOne, ModernoThree, ModernoTwo, Modestina (Victorian), Mon Amour Two (both jointly copyrighted with David Rakovsky) (2008), Mon Amoure One (2008), Monte-Carlo, Monte-Kristo, Monti-Decor A B, Moonlight, Moonstone, Moonstone Stars, Morpheus, Moulin Rouge (2008).
  • N: Nocturne (2005), Nostalgia (2008).
  • O: Old Comedy, OldBoutique, Olietta-script-BoldItalic (2008), Olietta-script-Lyrica-BoldItalic (2008), Olietta-script-Poesia-BoldItalic (2008), Orpheus, Ouverture Script (2004, calligraphic).
  • P: Parisian, Picaresque One, Picaresque-Two (2008), Pilotka (2008), Plimouth, Port-Arthur (2008), Poste Retro (2008), Postmodern One, Postmodern Two, Promenad Deco (2008), Prospect-Deco (2008), Pudelina (2008), Pudelinka (2008).
  • R: Red Sunset, Regina Kursiv (2008), Renaldo Modern, Rochester, RochesterLine, RockletterSimple, RockletterTransparent, Romantica Script, Romashka Deco (2008), Romashulka (2008), Rondo Ancient One (2008), Rondo Ancient Two (2008), Rondo Calligraphic (2008), Rondo Twin (2008), Rosa Marena, Rosalia (2008), RosamundaOne-Normal, RosamundaTwo, Rotterdam, Rubius, Rurintania (sic) (2005).
  • S: Samba DecorC (2006), San Remo, Sapphire C (2008), Scriptorama (a clone of Scriptina), Secession-Afisha, Sevilla Decor X, SevillaDecor, Sladkoeshka (2008), Stereovolna (2008), Stereovolna Black (2008), Stradivari Script (2008), Stradivari Script [the Latin part copyrighted by Grosse Pointe Group] (2008), Stravinski Deco (2008).
  • T: Taverna, Teddy Bear [Latin by House Industries] (2008), Telegraph, TelegraphLine, TelegraphShodwn, TelegraphSmall, Terpsichora (2008, psychedelic), Theater (2009, Victorian), Theater Afisha, Topaz, Trafaret Kit (2008), Trafaret Kit Hatched (2008), Trafaret Kit Transparent (stencil) (2008), Traktir-Modern, Traktir-Modern3-D, Traktir-ModernContour, Turandot.
  • V: Valentina (2008), Variete (2008), VenskiSadTwo-Medium, VenskisadOne-Medium, Vera Crouz, VeronaGothic (blackletter), VeronaGothicFlourishe (blackletter), Veronica-script-One (2008), Veronica-script-Two (2008), Victorian-Gothic-One (2007), Victorian-Gothic-Two (2008), Victoriana, Vizit (2010, engraved face).
  • W: Wolfgang Amadeus Mozart (2005), Wonderland (2008), Wonderland Star (2008).
  • Z: ZanerianTwo, [Google] [More]  ⦿

Alexey Markin

Russian graphic designer who created AM Racy (2017), the Victorian (Latin) typeface AM Fame (2017) and the display typeface AM Consist (2017). [Google] [MyFonts] [More]  ⦿

Alfie

A Victorian typeface from before 1964. Bauer (Stuttgart) and Berthod (Berlin) show an outline version of this typeface in their catalogs called Alexandra. [Google] [More]  ⦿

Algerian: The typeface

Various implementations of Stephenson and Blake's Algerian (1911) exist. Algerian is reminiscent of 19th century woodcut types and suggests the Victorian era. Modern versions were made by Philip Kelly at Letraset in 1968, and by Alan Meeks in 1988. In the early digital era, thee is a Letraset font, Algerian, and renamed early digital fonts OPTI Achilles (Castcraft) and Alfredo (SoftMaker). There are also Algerian [1994, URW++], Algerian Condensed [Linotype], Algerian Condensed [1988, Alan Meeks for ITC], Algerian EF [Elsner+Flake; based on Philip Kelly's version from 1968], Algerian Mesa [FontMesa], and Tavern [2017, FontMesa]. Tavern (2017), by Michael hagemann at FontMesa, is by far the most extensive collection of fonts. It includes every possible alternate glyph that ever existed for Algerian. [Google] [More]  ⦿

Alit Design (or: Gurita Hitam)
[Alit Suarnegara]

A graduate of Institut Seni Indonesia Denpasar Bali who is based in Denpasar, Bali, Alit Suarnegara (Gurita Hitam, b. 1986, Denpasar) created these typefaces:

  • 2022: Psychofun (psychedelic), Lhont Down (a bouncy baseline serif), Spidro Marley (a flared display serif), Bellyman (an art nouveau boutique serif), Hulahoy Typeface (a formal reverse stress script), Bulone (a display serif with curved stems and terminals), Mankey (glyphs with wavy kinks), April Blossom (a scrapbook script), Soka (a 28-style display sans), Mollyn (a 14-style casual sans), Mongek (a 13-style display serif with funky curves), Round Saetan (a ribbon typeface), Putrey (a 9-style display grotesk), Rosehot (a display serif), Maglony (a 9-style font with sharply cut edges and terminals), Nillota (a 13-style display serif), Romans Lovers (a 12-style decorative serif), Maboth Typeface (blackletter), Belong Faith (a spurred tattoo (?) blackletter), Hello Mytoys (a modernized blackletter), Belligoes (blackletter), Boiller (a 14-style Peignotian sans).
  • 2021: Mybook Again (a great swashy calligraphic script meant for romantic events), Radja Lover (a calligraphic font with hairline connectors), Brohoney (a 13-style text family), Two Race (a race car font family), Piersob (a very wide display sans reminiscent of the old Porsche logo font), Black Mild (Victoriana), Decondor (a 14-style delicate mini-serif), Gathell (a 13-style fashion mag serif), Hero Beam (spurred, Victorian), Vaclice Script, Nokarin (a bold calligraphic script), Horseboy Boots (Western, with terminals that emulate hooves), Mokgech (blackletter), Sutray (a rather formal upright script), Mister Honey (Tuscan), Nandola (a fine calligraphic script), Bungker (a layerable hand-drawn slab serif), Brolimo (a 14-style Peignotian sans), Takashimura (a Japanese emulation font), Bunker (a layerable marquee font family), Dronefly, Miloner (a 14-style fashion mag serif), Mono and Friends (handcrafted and rounded), Roby Soho (a simple flared display sans in 12 styles), Saihat (emulating Arabic calligraphy), Gofienda (a calligraphic script), Rusty Store (Victoriana), Chalk and Friend (a sketched typeface), Grunge Decade (art nouveau), Kenoky Coffekan (a 15-style decorative sans and script duo), Botaky and Botaky Script (a wavy display font), Hidrofont (vintage), Roller Alika, Mistic (a decorative serif), Burgie (14 styles: an ink-trapped swashy and inky display serif), Hand Real (a thin monolinear script), Assox (a reverse contrast Tuscan typeface), Balian (a textured typeface that is based on Balinese carvings), Handy Quomte (calligraphic), Brohillo (a display serif).
  • 2020: Karmila, Shary (a 52-style sci-fi sans font that could also be useful in sports), Brave Eighty One (techno, squarish), Mollas (a decorative serif), Crying, Milk and Balls (a 28-style display typeface with rhombic tittles, wedge serifs and razor blade edges---the connection with milk or balls will forever remain mysterious), Boiling, Mallent (brush script), Bemalla (script), Marons (a script/serif hybrid).
  • 2019: Black Quality (inline, vintage), Caibojog (watercolor brush), Bonillo, Balimoon, Mofita, Nahye, Pintgram, Subscriber, Lovina Script , Bolehdong (script), Zamrack, Melloner, Melloner Fun, Beautiful Lovina, Localghost (a signature script).
  • 2018: Controwell (a Victorian script and text collection), Raustila, Rollete Qaku (dry brush), Norffo, Nermola Scripcy Font, Braton Composer.
  • 2017: the script typefaces Rumble Brave Script (as part of the vintage typeface Rumble Brave), Mellony (2017: dry brush script), Raph Lanok (brush style), Jandys, Jandys Dua, Billy Ohio (2017: dry brush), Localghost and Valledofas, and the vintage tattoo typeface Young Heart.
  • 2016: the thin connected script typeface Mooglonk, the signage script Altoys, the decorative didone Florva, the connected script typefaces Asfrogas, Rofitaste (brush style), Qarvic (a sans), Qarvic Icon, Morva (a decorative didone), Young Heart (a free vintage typeface with spurs), and Brushgyo.
  • 2015: Bromello (brush script), Vroffloow (in script and sans styles), Godfeem, Mooglonk, Floren (a display serif), Lawasth, Mooglonk Serif, the brush typeface The Faino, the tattoo font Alitide, the watercolor brush typefaces Roomfer and Norffo, the connect-the-dots typeface Circle Line, and Kemayu.
  • 2014: the beveled typeface Piramid.
  • 2013: the spurred signage typeface Starck.

Creative Market link. Another Creative Market link. Dafont link. Graphicrier link. [Google] [MyFonts] [More]  ⦿

Alit Suarnegara
[Alit Design (or: Gurita Hitam)]

[MyFonts] [More]  ⦿

Aliv Pandu
[Sehat Co (or: Duasatu)]

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Ally Takyudin
[Sundawani]

[More]  ⦿

Almarkha Type
[Abdul Malik Wisnu]

Indonesian designer of the brush script Sometimes (2019), the high contrast serif typeface Quakiez (2019), the serif typeface Romerio (2019), the condensed all caps piano key typeface Romestone (2019), and the script typefaces Cherolina (2019), Photorichies (2019), Photography Script (2019), Retrochips (2019), Mountecarlo (2019: monoline), Beautinela (2019: monoline), Ophelie (2019, Script+Sans), Denalova (2019), Shelline (2019), and Mathelline (2019).

Typefaces from 2020: Banana Juice, Bella Sweety, Bubble Bobble (a bubblegum font), Dear Sunshine, Oatlander (retro baseball script), Sweet Purple, Monieta (an inky and creamy rabbit ear script), Orange Milk (a playful handcrafted typeface), Rockbitz (a children's book font), Seathera, Avocado Creamy, Bolyvina, Charlie Angela (an inky calligraphic script), Lovemy, Chadelova (an enhanced script), Grumbear, The Mezirane, Charlotte Amalie, Crash Soul (a dry brush script), Costiera (a dry brush script), Handestonie (a monoline script), Mentality (a signage script), Technovier (a monolinear squarish sans), Antiquesta (a dry brush script), Belgium Catherine, Cronisse (a display serif), Pronave (an all caps display typeface), Uniser (condensed all caps sans), Westack (a display serif), Avone (a stencil serif), The Roletta (a dry brush script), Waluxe (a fashion mag all caps sans with flared stems), Dear Sunshine, Mikalotta (poster script), Walker Knight (a vintage all caps typeface), Towards (stencil), Cronisse (a decorative serif), Avaneonz (a neon font), The Heista Killer (a dry brush horror font), Someone (a dry brush font), Vicenza (an all caps skyline font), Bristone (a wide sans in six styles; perhaps for car tire ads), Shutterlocks (a dry brush script), Romantics (a creamy script), Revoxa, Yippie Yeah, Wonderful Day (calligraphic), Girly (a girly script), Kamelitta (a wild curvy script), Roadstore (a spurred vintage all caps typeface), Springloved (a paper cutout typeface and a a fine inline poster font), Saturated, Choxr, Blackheat (a super condensed all caps sans), Retrohols, Alibabe, Lordcorps (an octagonal sports or military font; with a stencil style), Headcorps (a sports shirt or military stencil font), Pineforest (with soft spurs), Airborne 86 (a military stencil), Orchide (a dry brush script), Beneficha (wild calligraphy), Radens (a retro bold signage script), Brokenz (a heavy condensed sans), Delninoys (a playful sans), Lorenza (sans), Elcatraz (Mexican simulation font), Hubby Bunny, Rosadetta (script), Swingsnug, Chickens Lovers, Rollinkland, Grumbear, Bubble Bobble (a bubblegum font), Blackheat (a heavy ultra condensed typeface), Brokenz (a muscular display sans), Lorenza (a fashion mag sans), Belgium Catherine (a signature script), Amazed Breath (script), Rockmore (a brush script), Empirez (an octagonal slab serif sports font), Amazed Breath.

Typefaces from 2021: Neurock (pure sci-fi), The Cheelaved (spurred, Victorian), Headbears (a sports font), The Antique (a vintage typeface), Vespalogy (a vintage display font), Bestorika (a decorative serif by Abdul Malik Wisnu and Rivo Adriansyah), Quakerhack (a rough brush font), Balietta (a flowing script), Brothery (a retro signage script), Beauticella (a signature script), Glamorez (a luxurious serif), Reloaded (a military stencil font), Austragen (a bold sharp-edged display typeface), Bearetta (script), Keawneta (a display font), Racerz (a speed font), Stangith (a decorative serif co-designed with Rivo Adriansyah), Quick Letter (a wide signature script), Arcinoll (a graffiti font), Charlie Brocklin (a thin signature script), Retrolight (a multiline neon sign typeface), Mokalatte (a wild script), Thugolatz (an all caps typeface with many interlocking ligatures), Author Think (a signature script), Bionetha (calligraphic), Bouncyland (a stylish wild script), Little Knight (a scrapbook typeface), The Brushentica (a beautiful dry brush script), The Soulmate (a dry brush script), Bettawork (a dry brush script), Philips Dutcher (a signature script), Recons (a techno font), Heezpiero (futuristic), Milky Quaker (a playful supermarket font), Rostemary (a fat finger font), Therestone (a Flintstone font), The Checkmate, Chick Chack (a heavy rushed script), Retroman (an Italian Western font), Brown House (a national park font), Emeralde Chamerions (a serif and script duo), Redzein (an octagonal slab serif), Rostera (a bold script), Sketchup (a sketched font), Thealiens (a condensed all caps sans), Williesh (a meaty display serif), Amazing Sweety (a scrapbook font), Heellaaz (an all caps children's book font), Almeira, Americans Classy, The Corps 86 (a military stencil), Brexo (a techno font with solid and stencil versions), Romeline (a scrapbook font), Yippie Yeah (a rounded monolinear marker pen font), Avaneonz (a neon or paperclip font), Sangira (a stylish serif), The Blackheads (a bold script), Kandaline, Marinaga (a creamy brush script), Mochalosta (script), Morning Sweety, Rockmore (a bold script), Deloire (a 4-style all caps sans), Montelova (script), Quinger (a monolinear decorative serif), Wonderella, Wonderful Sunset, Bellachia (a scrapbook script), Choxr (a very condensed all caps sans), Keepsmile (a rounded children's book font), Lovely Sweetie (a scrapbook font), Melanista (a wild script), Rollinkland (a brush font), Bellamona (a monolinear script), Bettanesia (handwriting), Bonalisha (script), Overwave (wavy), Beautimy (a wild script), Melatie (a wild script), Memorita (a wild script), The Handnature (a Treefrog script), Heinch (a 5-style all caps sans), Sweetie Banana (a scrapbook script), Sweetie Moment (a wild calligraphic script), The Dear (a retro script), Winterline (a wild script), Young Evaline (a signature script), Salt + Pepper, Sindenetta (a signature script), Autumnilla, Bella Ciao, Rosadetta (a wild calligraphic script), Saturated (a wild calligraphic script), Wondiletta, Bubblez, Lovely Orange, Milkalotta, Luxoorea (a stylish fashion-model-skinny all caps typeface), Momotako (a paper cutout font), Neonblitz (a neon font), Unione Force (an octagonal sports or military font; with a stencil style), Westman (a Western font), Delamoore (an all caps high-contrast display serif), Delaproza (an all caps display serif), Kinglead (a cartoonish font), Modesfa (an all caps display serif), Hexore (a slab serif), Deluxes (a stylish display sans), Kenzomaru (an oriental brush font), Lumbero (wooden plank font), Pineforest (a Victorian label or sign painting font), Beneficha (a wild calligraphic script), Brokenz (a bold condensed sans), Orchide (a dry brush script), Revoxa (a 4-style sans), Romantics (script), Schein (a sans and slab serif pair), Someone (a dry brush script), Towards (a minimalist stencil font), Averox (a futuristic all caps sans), Chicken Lovers (a playful informal font), Hubby Bunny (a cute display sans), Swingsnug (an informal monolinear sans).

As Typotypea">Typotypea, he published the script typeface Manthoels (2020) and the roman all caps typeface Stinker (2020).

Typefaces from 2022: Signattimes (a signature script), Thematheka (a constructivist font published on the day Putin invaded Ukraine), Overbillions (a dry brush script), Brolachess (a stylish all caps semi-serif), Suntage (a wide vintage all caps font).

Typefaces from 2021 published by Gassstype but made by Abdul Malik Wisnu: Ruthless (a heavy dry brush font), Timeless Nature (script), Unranked (a rough mural font). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Alphabet Agency Font Foundry
[Jonathan Swinn]

Aka Alphabet Agency and Alphabet Agent. Jon (or Jonathan) Swinn is based in Preston, UK. He designed these typefaces in 2014: Hellfire, Halberdier, Norseman, Order of Calatrava, Lancaster Castle, Santa Rosa (ornamental caps), Arcade, Captain Regular, Captain Shipwreck, Strobe Stencil, Gunslinger (spurred Western font), Street Stencil (+Overspray, +Grime), Abandoned Saloon Font (Western typeface).

In 2015, he made the free speed-themed sports font Top Speed, the baseball logo font Benchmark, the tattoo font Hellfire Club and the decorative caps typeface Santa Rosa.

Typefaces from 2016: Rangers (spurred), Four Potato Farm, Peacemaker (spurred family), Potato Farm, Hammer & Anvil, Mughals (Victorian), Mughals Distressed, Zero 2 Sixty (speed emulation techno font), Neodigital (free; inside the font we find the date 2012 though).

Typefaces from 2017: College Champions (a varsity font), Toronto Display (chamfered), Homeplate Font Duo, Megapowerz (all caps, cartoon or comic book style typeface), Physico (techno), Gamerica (beveled techno typeface), Monster Truck, Shift (a technical speed emulation font), Urban Tribe (grungy stencil).

Typefaces from 2018: Ice Champs, Baseball Champs, Pro Hockey Champs.

Typefaces from 2019: Cicero, Sports Headline (an octagonal sports font), Outline 99.

Typefaces from 2020: Iron Lake (a Tuscan pioneer font), Iron Lake Rough, They Live (a paint brush font), Gamebred, Glitch Esports, Doomsday, Nextgen Athletic, Nextgen Solid.

Typefaces from 2021: Cicero Series (a mechanical typeface in the style of old wood types), Benchmark2 (vintage, spurred), Pro League 2000 (a 6-style sports font), Captain Tall Ship (a Victorian typeface with concave outlines), Nexgen SLD (a 6-style mechanical industrial octagonal font family), Block Brush (a sketched SVG font), Hallowevil (a Halloween font), Preds, Resiliency (18 styles), VSB, Old Jersey (a sports font).

Hellofont link. [Google] [MyFonts] [More]  ⦿

Alter Deco Type foundry
[Adit Saputra]

Yogyakarta, Indonesia-based designer Adit Saputra set up Alter Deco Type foundry in 2013. He created the spurred Victorian typefaces The Famous Typeface (2013), Midnight Show (2013), Heister (2013), Cardiman Script (2013), Epique (2013), Holden (2013), Long March (2013), Dialog (2013), Big Lodge (2013), Jack Runner (2013, spurred), Shoutest (a Western circus font), Old Opera (2013) and AI Trashed (2013, free download).

Other typefaces: Haimdale (2013, Victorian), Hamdall (2013), Chevia (2013), Chevitz (2013, roman caps), Shakehand (2014), Harmonique (2014), Knight Guard (2014), Hydenia (2014), Monopolish (2014), Antiqueen (2014), Samathor (2014), Sea Horse (2014), Phillnesia (2014, spurred), Relative (2014: a multiline custom typeface for Addthisrock Studio), Dubster (2014: a multiline typeface), Orbital (2014: a multiline custom typeface for Addthisrock Studio), Apparecum (2014), Handster (2015), Mermaid (2015: Victorian), Roasted (2015), Run (2015, spurred), Movember (2015), Bhaltazar (2015, eroded medieval font), Arthur (2015, rounded and handcrafted), Aberden (2015), Boulden (2015, rounded spurred typeface family, including letterpress emulation styles), Mouthen (2015).

Typefaces from 2016: Strongwill (Victorian), Cyanide, Handland.

Dafont link. Creative Market link, where one can buy the fonts. Another Creative Market link. Graphic River link. Behance link. Yet another Behance link. Designs Net link. [Google] [More]  ⦿

Amera Type
[Cahyadi Ikhsan]

Banduung, Indonesia-based type foundry, set up in 2020 by a designer who was born in 1995. In 2020, Amera Type released the mini-serifed all caps typeface AT Askara.

Typefaces from 2021: AT Hazchel (decorative roman caps), AT Glanela (a bold vintage display serif), Avalaqus (a vintage family with sans, serif and (spurred) decorative substyles).

Typefaces from 2022: AT Borsnery (vintage caps), AT Nezue (a 9-style flared display family, AT Lagermont (bold rounded elephnat-footed caps), AT Carterwood (inspired by 19th century labels). [Google] [MyFonts] [More]  ⦿

Amir Subqi Setiaji
[Blank Sub (or: Subqi; or: Blankids; was: Bombas Type)]

[MyFonts] [More]  ⦿

Amondo Szegi
[FONTana Typestudio]

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Amtypes (was: TypeWolves, Amtypefoundry, or Try and Error)
[Angga Mahardika]

Bandung, Indonesia-based designer of the angular signage typeface Lawson (2014), the Victorian signage typeface Houden HTN (2014), the paint brush typeface Valerie (2014), and the ironwork typeface Pipeburn (2014).

In 2015, Angga made the hand-painted typeface Hellous, the handcrafted Belion, Haste, Seafool and Teaters, the brush typefaces She Lovely, Stay Bold and Rainfall, the great rough brush typeface Harvest, the calligraphic (wedding script?) Judy, the brush face Tropica Island, and the script typeface Callera.

Typefaces from 2016: Badhorse, Burtons Script, Heats, East Coast, Happy Boys, Bird House, Sailor (a vintage rounded letterpress emulation typeface in solid and rough versions), Alloha (brush script).

Typefaces from 2017: Cinamon (brush script), Blackships (Victorian), Explode (a fresh all caps sans layered typeface), Black Gate, Cup Cakes, Wildest Script, Buffalo.

Typefaces from 2018: Hellios (a signature script), Haste, Sunborn Sans, Sunborn Script, Bright, Sweet Belly, Cortez (octagonal), Silver Stone (a vintage Western font), Sumo Book.

Typefaces from 2019: Masquerouge.

Behance link. Creative Market link. Cargo Collective link. Behance link for Try and Error Studio. Creative Market link for Amtypefoundry. Creative Market link for Type Wolves. Behance link for Type Wolves. Creative Market link for Amtypes. Graphicriver link. [Google] [More]  ⦿

Amy Greenan

Co-designer with Christina Torre and Richard Kegler of P22 Victorian Gothic (2000), which was based on a typeface called Atlanta. [Google] [More]  ⦿

Amy Lyons

Raleigh, NC-based designer of Isabel (2017, a brush font) and Stately (2016: a Victorian style typeface). Creative Market link. [Google] [More]  ⦿

Ana Natalia
[Lyth Creative (or: Iyanatha)]

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Andika Setiawan
[Dikas Studio]

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Andinistas
[Carlos Fabián Camargo Guerrero]

Bogotá-based Colombian graphic design studio and type foundry Andinistas was founded in 1998 by Carlos Fabián Camargo Guerrero, Lennyn Salinas, Mariangeles Valero, Juan Carlos Valero, Jorge Alexander Camargo Guerrero, Rafael Rincón, and Jordi Teres. It was first located in Caracas, Venezuela, but moved in 2003 to Bogotá, Colombia. New names in its organization include Alexander Moreno. Many of its designers are Venezuelan.

Among their typefaces: Nikona, Magola (2008, puffy script), Angelita, Pepelepu, Zerotipo, Skuke, Retro, Radio Bemba, Pumarosa, Pr1, Oficia, Nativa, Mongol (free), Lirrot, Leroy (1999-2008, computer screen stripes), Leroy Dingbats (1998-2008), Hiroformica, Hibrida, Guerilla, Guerilla Outline, Gruada, Gancho Petare, Escuedra, Esbelta, DSNett, dia-D, Download, Denego, Cristal, Codiga, Codiga Icon, Codiga Destroy, Codiga Codec, Chacao Petare, Cazon Gothic, Boa, Biol, Ave-cedario, Anaira.

Cazon (2007, Camargo Guerrero) is a family of calligraphic origin consisting of 7 styles: Gris, Negra, Uno, Dos, Tres, Dingbats A and B and is based on the paintbrush letters found in the popular markets of La Guaira, Caracas. This family won an award in the experimental typeface category at Tipos Latinos 2008. Lirrot (2007) is a 6-style grunge handwriting typeface bordering on the psychotic, and comes with Lirrot Dingbats. It too won an award at Tipos Latinos 2008.

PP Lepu (1998-2008) is pixel grunge. Josefina (+Dingbats1) is a curly script also made in 2008. Navaja (2008) and Diad are collections of grunge fonts with grungy dingbats. Lucrecia 1 through 3 (2008) is a fat connected script family ranging from clean to splattered.

Telesforo (2008) radiates anger from its brushy grungy limbs. Telesforo Black won an award at Tiupos Latinos 2012. Ninja 1 and Ninja 2 (2008) are script fonts, and are accompanied by Ninja Dingbats (2008). Dsnet (2008) is a 6-style bare-bones rounded squarish family. Flaminia and Flaminia Dingbats (2008) are useful for food-related signage. Modelia (2008) is thick, informal, and looks like it was brushdrawn. Modelia won an award at Tipos Latinos 2010. Filomena (2008) is a brush family with a goth theme and an accompanying goth dingbats. Obdulia (2008) and Floro (2008) are extreme mural grunge fonts. Marimonda (2009) is grunge calligraphy.

Typefaces from 2012: Demetria (a hellish script), Ciclope (army stencil), Meteora (a sturdy weathered family), Kamuy (a grunge typeface, with dingbats, that links to Asian comic style lettering, and Japan in the Pacific War), Naturalia (an informal sans family).

In 2013, he made Gluten (a poster typeface family), Bengala Script (a distant relative of Mistral), Chef Script (a large signage script influenced by Ross F. George's Speedball lettering manual (1957)), Chef Script Dingbats (hilarious restaurant dings and fists), Sumergible Script.

Typefaces from 2014: Citronela (cartoon or Caribbean hotel signage font family), Bemol (a set of script fonts in craftsman style), Nemocon (creamy script), Acustica (a calligraphic Acustica Script, with didone Acustica Caps, and a decorative Acustica Dingbats), Cereal (+ Script (a vampire script), Skin and Dingbats).

Typefaces from 2015: Draw (which includes a gorgeous calligraphic Draw Script), Coffee Break (signage script family, +dingbats), Solar (a set of seven handcrafted styles).

Typefaces from 2016: Enjoy (Script, Caps).

Typefaces from 2017: Warhol (irregular scripts), Makeup (a crayon font by Carlos Guerrero and Carolina Suarez).

Typefaces from 2018: Bechamel (a delicious curly brush script), Bechamel Roman (based on the unicase letterings of the movie Willy Wonka and the chocolate factory), Stevia (script).

Typefaces from 2019: Bleak (an experimental layerable font inspired by wood type, Piet Zwart, Lissitzky and van Doesburg), Nutcake CatchWords.

Sonora won an award at Tipos Latinos 2014. Combine Script and Combine Caps (layerable colorable fonts), and Nemocon, won awards at Tipos Latinos 2016. Winner at Tipos Latinos 2018 for Clothing, a titling typeface published at Andinistas by Camilo Zamora and Carlos Fabian Camargo.

Typefaces from 2020: Cherrypie (a food packaging script), Rapsodia (a decorative all-caps family with curl, spurs, Victorian details, and decadent frills).

Typefaces from 2021: Visible (an inky script family), Caribe (Script, Caps, Shields).

View the typefaces designed by Andinistas.

Klingspor link. Dafont link. Behance link. [Google] [MyFonts] [More]  ⦿

Andrea Leksen
[Leksen Design]

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André Zottolo
[Artist of Design]

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Andrei Robu
[Typeverything]

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Andrew H. Leman
[E-phemera (was: HPLHS Prop Fonts, and earlier: Prop Fonts)]

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Andrew Hart

Andrew Hart is a Corona-based American digital photographer (b. 1988), who runs a small free font archive. Another archive of his. Dafont link. Another URL. Yet another URL. And still another one. And another one. And one more. His later fonts refer to SickCapital.Com.

His own fonts include Gothickella (2017, blackletter), Sailorette Tattoo (2015), Elkwood (2014, sans), Snowinter (2014, sans), Rebel Pixy (2014, tattoo script), Pride of the Young (2014, hipster style), Scribblet (2014), Tall & Slim (2014, a great tall-legged poster typeface), Tribal Threat (2014), Boldenstein (2014), Fireflies (2014), Rio Frescata (2014, curly), Alpaca Scarlett (2014), Alpaca Solidify (2014), Vanity Script (2014: a vampire script), SC Gretchin and Timmy (2013), Fun In The Jungle (2013), Pixelic War (2013), A Glitch In Time (2013), Giraffe And Co (2013, an African-themed typeface), Chameleon Dreams (2013: a fantastic wacky party typeface), Angelic Serif (2012), Angelic Peace (2012), Pyrite Script (2012), Pyrite Crypt (2012), Body Piercing And Chains (2012), Love til Killed (2012), Hollywood Capital (2012), Donaldo Regrecka (2012), Deadly Black Chain (2012), Dirt2 Copperbolt (2012, grungy copperplate), Truskey (2011, grunge), Sick Capital Kingston (2011), Full Moon On (2011), Grafitik Riot (2011, graffiti face), Electric Panda (2011), Last Draft (2011, grunge typewriter), CaliforniabyDirt2 (2010), JusticebyDirt2 (2010), SC Gum Kids (2010), SC Tinas Baby Shower (2010), Little Ryan (2010, handwriting), Sick Capital Vice (2010), Star Avenue (2009), Cute Tattoo (2009), DuerTWO (2009), Dirt2Stickler (2009), Ithornët (2009, grungy blackletter), NoXWay (2009, graffiti grunge), Skulls and Splatters (2009), Hacjiuza (2009, hand-drawn blackletter; +Dirty), Popstar Autograph (2009, comic book style script), The Quickest Shift (2009, curly script), DuerTwoo (2009, bloody horror font), Malgecito (2009, grunge), Ithornët (2009, grungy medieval pirate font), Little Bliss (2009), Loyal Fame (2009, curly script), Angelic War (2009, grunge), Soulstalker (2009, grungy blackletter), Kings of Pacifica (2009, ransom note font), GanixApec (2009), GoodPeace (2009), KatyBerry (2009), OffTheDrugs (2009), ThinFranq (2009), WILDAFRICA (2009, African-theme multiline face), St. Andrew (2009, a spray type font), Hawaii Lover (2009, grunge calligraphic script), Aristotle Punk (2009, grunge), Juicy Hunt (2009, grunge), Dead Hardy (2009, Victorian), Kate Perry (2009, fifties script), Kate Berry (2009, fifties script), Vloderstone (2009, hairline slab serif), Good Peace, Off The Drugs, Thin Franq (2009, hairline), Ganix Apec (2009, sans), Jailbox1 (2009, grunge), Blast Beat (2008), Ghosttown-BC (2008, Western style), Dead Secretary (2008, grunge), DIRT2-DEATH (2008, grunge), Robot Head (2008), Alpaca 54 (2007, grunge), Hawaii Killer (2007, Coca Cola grunge), Splinter2 (2007, grunge based on Franklin Gothic), Everyday Ghost (2007, grunge), Plague Death (2006, grunge), SEXtalk69 (2007), Screamz1 (2007). [Google] [More]  ⦿

Andrey Chernevich
[Mister Chek]

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Andrey Kudryavtsev
[Andrey Kudryavtsev Type Foundry (or: AKTF)]

[MyFonts] [More]  ⦿

Andrey Kudryavtsev Type Foundry (or: AKTF)
[Andrey Kudryavtsev]

Foundry in Irkutsk in Siberia.

Andrey Kudryavtsev designed Spacexplorer (2012), Necromant (2012), Flexy Sans (2011), Otrada (2011, signage script), Micronica (2008), a font shaped like old TV screens, Karlson (2009), Imperator (2010, a Trajan face), Alter (2010), Sommelier (2011), Alebarda (2009), Rubicon (2009) and Flexy Sans (2009).

Typefaces made in 2012 include the macho slightly flared Antey (Latin and Cyrillic) and the strong display sans typeface Tambov.

In 2013, AKTF published Softipen Script. In 2014, he created Qwincey FY (a high-contrast slightly flared almost Peignotian sans family, published by FontYou), Warren Narrow and Achille II Cyr FY (together with the Fontyou team of Alisa Nowak and Gregori Vincens).

Typefaces from 2015: Smile Pro (a fat multi-style handcrafted poster family of exceptional beauty; together with Rodrigo Araya), Ardilla Small (a rounded small x-height sans done together with Rodrigo Araya; inspired by the children's show Peppa Pig), Plumps, Antey, Crisper.

Typefaces from 2016: Pequena Pro Cyrillic (Rodrigo Typo), Robest (unicase).

Typefaces from 2017: AK Sans, Hatter Cyrillic Display (a Halloween font), La Pica (by Rodrigo Araya and Andrey Kudryavtsev), Fairystory (curly typeface), Kreker (a rounded poster sans), Stickout (comic book style).

Typefaces from 2018: Czarevitch (a Cyrillic and Cyrillic simulation pair), Skaz (a psychedelic type inspired by the Victorian typeface Ringlet), Sitari, Dozer, Squick (a comic book / children's font family by Franco Jonas, Andrey Kudryavtsev and Rodrigo Araya), Freept (a free marker font), Nightelf, Ingot (a condensed rounded blackletter), Insolenta. Ding (2018) is a great fattish cartoon font that was co-designed by Rodrigo Araya Salas, Andrey Kudryavtsev and Franco Jonas. See also its extensions, Ding Pro (2019) and Ding Extra (2019).

Typefaces from 2019: Clarence Alt (a an almost bubblegum children's book sans by Franco Jonas, Rodrigo Araya Salas and Andrey Kudryavtsev).

Typefaces from 2020: La Pica Bonus (a vernacular or supermarket style font and dingbat family by Andrey Kudryavtsev and Rodrigo Araya Salas), Ancoa Slanted (an angular display family in 15 styles; by Andrey Kudryavtsev, Rodrigo Araya Salas and Franco Jonas Hernandez), Skippie (a comic book family by Andrey Kudryavtsev, Rodrigo Araya Salas, Bruno Jara Ahumada and Franco Jonas, and four sets of dingbats including Skippie Monster Lucha Libre and Skippie Monster Halloween), Ancoa (an angular 19-style layerable typeface by Andrey Kudryavtsev, Rodrigo Araya Salas and Franco Jonas Hernandez).

Typefaces from 2022: Chessnota (a chess font).

Behance link. Creative Market link. Myfonts link. Klingspor link.

View the typefaces made by AKTF. Patreon link. [Google] [MyFonts] [More]  ⦿

Andri Kurniawan
[Struggle Studio]

[MyFonts] [More]  ⦿

Andy Benedek
[Font Factory]

[MyFonts] [More]  ⦿

Angga Mahardika
[Amtypes (was: TypeWolves, Amtypefoundry, or Try and Error)]

[More]  ⦿

Angga Suwista
[Sans and Sons (was: Agga Swistblnk)]

[MyFonts] [More]  ⦿

Anglo

A Victorian typeface shown in the 1895 specimen book of Barnhart Brothers and Spindler. Digital revivals include Angelo (2019, SoftMaker) and Angler NF (2014, Nick Curtis). [Google] [More]  ⦿

Anita Jürgeleit
[Type This Studio]

[MyFonts] [More]  ⦿

Ann Stretton
[The Dingbatcave (was: Ann-S-Thesia)]

[MyFonts] [More]  ⦿

Anna Safitri
[Runsell Type (or: Runsell Studio, Studio Runsell)]

[MyFonts] [More]  ⦿

Anthony Prudente

Typefounder in Polegate, UK, who was born in 1981 in Croydon, Surrey, UK. He created the art deco typeface Foreman (2012), which is typified by condensed tall-legged letters.

Hurstmonceux (2013) is an antiqued Victorian typeface. [Google] [MyFonts] [More]  ⦿

Antony Zonne

Russian designer of the Victorian typeface Chelyabinsk Trucker (2009, copyright RockSquare). [Google] [More]  ⦿

Anxiety Studio (or: Design Co)

Portland, Oregon-based designer of these typefaces in 2019: Countdown (spurred; Rough, Outline & Ornament), Countdown Ville, The Hotling (brush font), Sihaloho (signage script), Blues Vacations, Hacrley Serif, Roller Coaster (Victorian), Orlando (a monoline signature font), Fairing Brush (a Halloween brush font), Lydiani, Rusty The Buttcher, Anetha Faith Signature, Gibsons Co Vol.2, Tunnels (dry brush), Hellena Jeslyn (a signature font duo), Gibsons Co, Saint Quard Serif, The Wolfman SignPainted, The Beatcher Typeface (a vintage all caps titling typeface).

Typefaces from 2020: Marotho, Leatherhand Stencil.

Typefaces from 2021: Future Unwritten, The Luxury (Sans, serif), Theodore Bagwell (font duo), Chammer Beauty, Broken Letters, Manasco (stencil), PQRS Handpainted, Holluise Vintage, Freestyle. [Google] [More]  ⦿

Ardian Radityo
[TSV Creative]

[More]  ⦿

Area Type (was: GType)
[Dhan Ghete]

Brazilian or Indonesian designer, known as Dan Ghete, Dhan Ghete, Ambia Ambia and just Ambia. His/her foundry was first called GType but changed its name to Area Type. At that time, the Creative Market page started mentioning that the designer is from Indonesia and not Brazil.

Designer of the Victorian typefaces Broser (2015), Romant (2015) and Moyers (2014). In 2015, he made the connected script typefaces Madelina Script, Smoothline Script (calligraphic), Adediala and Adamenya, the poster typeface Wolder, the connected brush script Sannie, and the hand-lettered typefaces Alastrina and Quintessa.

Typefaces from 2016: Sheraton Script (calligraphic), Mahogany Script (calligraphic), Monisa (calligraphic script), Strongman Script, Natalia Script, Agustine (script), Amberland (calligraphic script), Mallicot Script (calligraphic), Sifrand Script (brush), Chamelia Script, Moodnight Script, Flowerroom Script (curly script), Ismelda Script (calligraphic script), Charissa Script (brush script), Shartica Script, Morenthya Script, Aintzane (connected script).

Typefaces from 2017: Wasatch Brush (dry brush), Shanti Script, Hottemp Brush, Darling Harbour, Matterhon Script, Blishfully, Motisan Script, Anindita Script, Authentic Script, Sentosha Script (a great wild calligraphic (wedding) script), Heritage Script, Strengthen Script (calligraphic), Redheads Script.

Typefaces from 2019: Anthony Script, Lucinda Script (calligraphic).

Typefaces from 2020: Charissa Script, Sifrand Script (a dry brush script), Salbatora Script, Natalia Script, Platipus Script, Moodnight Script (a dry pen script), Electrophorus (script), Amelina Script, Hilsa (a great dry brush script), Bignay (wild calligraphy), Motherly Script, Black Line, Chaliya Script, Highland Script, Darling Harbour (a dry brush script).

Typefaces from 2021: Majors (a stylish serif with wind-swept ascenders and descenders), Maroon And Black (a swinging display typeface), Morissa (a delightful display serif with a didone skeleton), Mitogen Display (a display serif), Bigbone, Flower Rose (a brush script), Mustang Script, Marsya Script. [Google] [MyFonts] [More]  ⦿

Aridi Computer Graphics: Digitizations by Dick Pape
[Dick Pape]

Aridi Computer Graphics is known for its initial caps and ornamental typefaces and ornaments. In 2008, Dick Pape digitized these typefaces: AridiArabesqueDesignsI, AridiArabesqueDesignsIIIa, AridiArabesqueDesignsIIIb, AridiArabesqueDesignsIIa, AridiArabesqueDesignsIIb, AridiArabesqueDesignsIV, AridiArabesqueFrames, AridiArabesqueMasterpieces, AridiArabesqueMasterpiecesA, AridiArabesqueMasterpiecesB, AridiArabesqueOrnaments, AridiArabicCalligraphyArt, AridiArtNouveauA, AridiArtNouveauB, AridiBusinessGraphics, AridiCalligraphiaA, AridiCalligraphiaB, AridiCalligraphicaI, AridiCalligraphicaII, AridiCrests&Ribbons, AridiElaborateFrames, Aridi Fiesta 1 and 2, AridiInitials1Blister, AridiInitials1Gothic, AridiInitials1Nabel, AridiInitials1Regal, AridiInitials1Spring, AridiInitials1Wind, AridiInitials2Digital, AridiInitials2LubnaHollow, AridiInitials2NapoliHollow, AridiInitials2Romantic, AridiInitials2Royal, AridiInitials2Stone, AridiInitials3Cherubs, AridiInitials3Fantasia, AridiInitials3FantasiaBold, AridiInitials3Masselle, AridiInitials3Rosette, AridiInitials3RosetteRevers, AridiInitials3Victoriana, AridiInitials3Vincente, AridiInitials4Cinderella, AridiInitials4Federal, AridiInitials4Ginger, AridiInitials4Marquesa, AridiInitials4Renaissance, AridiInitials4Tuscani, AridiOldWorldFramesA, AridiOldWorldFramesB, AridiOldWorldFramesC, AridiOldWorldFramesD, AridiOldWorldFramesE, AridiOldWorldFramesF, AridiOldWorldFramesG, AridiOldWorldOrnamentsA, AridiOldWorldOrnamentsB, AridiOrnamentalDesigns, AridiOrnamentalFrames, AridiPrinterOrnamentsD, AridiPrinterOrnamentsSingle, AridiPrinterOrnamentshA, AridiPrinterOrnamentshB, AridiPrinterOrnamentshC, AridiPrinterOrnamentsvA, AridiPrinterOrnamentsvB, AridiRibbons&Banners. Download page. [Google] [More]  ⦿

Arief Setyo Wahyudi
[Typia Nesia]

[MyFonts] [More]  ⦿

Aring Typeface
[Måns Grebäck]

Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:

View Mans Grebäck's typefaces.

Abstract Fonts link. Fontspace link. MyFonts link. Another URL. Dafont link. Klingspor link. Buy fonts directly from Måns Grebäck. Old URL. [Google] [MyFonts] [More]  ⦿

Aritro Dias

Graphic designer in Kolkata, India, who "created" the tweetware script typeface Vigneta (2015)---he is asking 2 dollars for it tto; the only problem is that it was actually stolen from Ilham Harry. In 2015, he published the free font Cassiderra and has the chtutzpah to write Cassiderra is a beautiful and expressive handmade script font made by me. It is a shameless copy of Eduilson Wessler Coan's Delicatta (2012)----it was removed within 24 hours. He also "made" (referring to it as my project) the free curly Victorian typeface Qwerly, which was made in 2014 by Dede Mulyadi. And the list goes on. I can't understand why Behance does not place him on the no-fly list.

He surfaced as Frank Supply Co and Aritro Francis, again on Creative Market. He was selling Mozzart Sketch by Posterizer KG as Retro Ink. [Google] [More]  ⦿

Arkara (or: Fopifopi)
[Edy Bagus Pamungkas]

Edy Bagus Pamungkas (aka Arkara) is a Jakarta, Indonesia-based type designer born in 1986 or 1989. His typefaces:

  • From 2019: ARK Reunio, ARK Seychelle, ARK Misha (+Script), Allice, Brooks, Dark Slide.
  • From 2018: Toonish, Willex (experimental brush), Savage Odette (brush), Friday Killer, Enamel Lovers, Festivo, Lucinta (a rounded all caps color font).
  • From 2017: Ghost Trick, Outcast Motofont, Bompail (brush), Baby Arthara, Nanda (handcrafted).
  • From 2016: Foxy Brush, Hello Creamy, Artsins (art brush style), Toonish, Summerica, Willex Brush.
  • From 2015: Fiestalogy, Happy Trippy, Varsita (athletic lettering), Caraka (curly script), Artchiko Brush, Slicks (Victorian signage), DarkSide (brush typeface), Allice, Halays, Artsy Brush, Futur Attire (cursive script), High Pride (Greek simulation brush), Ozzombie, Paud.
  • From 2014: The free modular decorative typeface Sekruplongbo, Retrophoria (a tall condensed neon sign font), Cyr52 (a geometric font inspired by sci-fi movie posters), and Arkara (fat finger typeface). Also known as Fopi Fopi and Win Rico, he created the free speed simulation typeface Fopi Rush and the rounded display typeface Fopi Artchiko. Commercial typefaces (via Creative Market) include Chiko Cookies, Late Halloween, Doddy Boldy (a block font), Punk Machine (+ vector-format retro motorcycle dingbats), Abraham (Gothic medieval font), King Arthur, Smokey (wavy font), Warastika and Mama Bear.

Behance link. Dafont link. Buy Edy's fonts at Creative Market. Dafont link for Fopifopi. Fopifopi link. Creative Market link for Fopifopi. Old Tumblr link. [Google] [More]  ⦿

Arlo Vance
[Typecaste Foundry & Design]

[MyFonts] [More]  ⦿

Arnold Hoepker

Graphic designer in Escazu or San Jose, Costa Rica, who made the free round Victorian informal text face Pavo Royal (2011), Zaguatica (2012, a free masculine sans), the free angular and very readable typeface Lorena (2011), and the free multiline typeface Telefono (2011).

In 2016, he designed the free numerals font AHB Numeros. [Google] [More]  ⦿

Art and Sign Unlimited
[Jerry Berg]

Jerry Berg (Art and Sign Unlimited) created these signage typefaces in 2014: Zipper, Quick Script (calligraphic), Maverick, Poster Script, Longhorn, Empire (spurred, Victorian), Backfire, Cascadia, Casino (Victorian), Casino Fancy.

In 2015, he created Shop Casual, Hamilton Grand (flowing formal script), Muy Bueno (a regular monoline script font), Rough Draw, Gambit and Tradition. In 2015, he designed Ale House (a slab serif done with Lavonne West).

Typefaces from 2016: ASU Stingray Regular (a casual rhythmic hand), Dragonfly (Victorian octagonal style), California Script.

Typefaces from 2017: Tramp (signage script).

Creative Market link. Klingspor link. [Google] [More]  ⦿

Art nouveau typefaces: FontShop selection 2010

FontShop compiled its list of art nouveau typefaces from its stable of fonts: P22 Mucha (Christina Torre), Karolla OT (Paratype), Herold OT (Paratype), Virile (ATF, then Agfa, and then Monotype), Absinthe (Rian Hughes), Artistik, ITC Croissant, Arnold Boecklin, Eckmann Com, Ortem (Mecanorma), Art Gothic (URW), Greeting Monotone, P22 Art Nouveau (Christina Torre), Boomerang (Tim Ryan), ITC Baylac (Gerard Mariscalchi), Metroplitaines P (URW), Metroploitain (Elsner+Flake), ITC Stoclet, Galicia (Rian Hughes), Neuseidler (Richard Yeend), Virgin Roman (David Farey), Kolo (Paul Shaw), ITC Noovo (Phill Grimshaw), Abacus (David Farey), Maigret (David Farey), Edda (Ralph M. Unger, URW), ITC Galadriel (Alan Meeks), Eccentric, Skjald, Cupid, Beatty Victoriana (Richard Beatty), Isabella (Hermann Ihlenburg), ITC Tarragon (Alan Meeks), Old Paris Nouveau (Nathan Williams), Auriol, FF Elegie (Albert Boton), Edwardian 1 and 2 (Colin Brignall), Cantoria (Ron Carpenter), Della Robbia (Bitstream), Meyer Two (Font Bureau), ITC Korinna (Antonio DiSpigna, Ed Benguiat), Lutahline (Judith Sutcliffe). Scans: i, ii, iii, iv, v. [Google] [More]  ⦿

Arterfak Project
[Ahmad Ramzi Fahruddin]

Ahmad Ramzi Fahruddin (aka Ramzehhh and as Ramz Fahruddin, b. 1993) established Arterfak Project in 2015. He is the Palembang, Indonesia-based designer of the display typefaces Aidah (2015, spurred), Temenyut (2015, spurred), Basenglah (2015, a geometric solid typeface), Local Genius (2015), Oropitem (2015, blackletter), Cakmacak (2015), Maeninaja (2015), Yagitudeh (2015, a free doodle font), Cagar (2015, free), Pletakrutuk (2015) and Beguyur (2015), the free experimental techno typeface Semravut (2015), the lava lamp typeface Cagar (2015) and the free spurred vintage typeface Outromoro (2015).

Typefaces from 2016: Anehena (a beveled ornamental typeface), Bongoknian (spurred), Sebasengan (sketched, arched, stitched, textured, eroded and embossed substyles), Sekatoon (Victorian), Bekelakar (Victorian), Sambeltigo, Wayawaya (free bilined art deco), Geroboktuo, Bedengkang, Ringam, Cindo Kato (spurred Victorian typeface), Ngopi Doken (a layered handcrafted typeface family), Bedesau (Victorian), Temenyut (spurred Victorian style), Sirugino (a spurred tattoo / blackletter type), Buyanbengak (spurred), Geradakan (dry brush type).

Typefaces from 2017: Martinez (Tuscan), Hughoney, Rockrace, Monabelia (Victorian), Philosophiya, Love Quake, Childwood, Circulat Decorative Frames, Dakmodal, Yasaman, Bsakoja, Meringam, Besigetz (Victorian), Bedempank, Ngamboel (a modern inline), Jemahok (an inline typeface), Sirunian (decorative blackletter), Belinjangan (brush style), Cerudikan, Kanjian (Victorian deco).

Typefaces from 2018: Mirandah (monoline, vintage), Subversia (Victorian), Bertha (a free display family that includes Shadow Line, Sans and Spurred substyles), Quickers, Marchelle (art deco), Lourena, Mellynda, Leophard (octagonal), Wishteria, Slashback, Katheryna, Febiolla, Tropicane, Maretha (a monoline script).

Typefaces from 2019: Requeiro (a spurred inline vintage font), Mourich (an all caps display typeface), Newston (a tall condensed news headline typeface family), The Black Sugare (blackletter-inspired), Magnies (an elegant stencil), Hermona (a spurred vintage label font), Bronzier (a sports font), Mayhena (a monoline script), Amnestia (a vintage all caps typeface), Highrush (font duo), Humeira (for children's books), Montheim (retro signage font), Hodgeson (a slab serif family), Delaroca, (a spurred black metal band font) Banda Niera, Bargers Distressed (spurred, Victorian), The Realita, Newston (a compressed skyline-style font), Ariestha Script, The Black Square, Requiem (Victorian or rococo inline caps), Invasible, Ferguson (an almost monoline slab serif family), Mirenath (a rounded vintage monoline typeface), Afolkalips (a tribal painted font inspired by the Papuan culture), Mellandry, Masterson (a slab serif western font), Marsheila (art deco), Kanjian, Belinjangan, Sirunian (a decorative spurred typeface), Quickers, Marcheile (slightly art nouveau), Marcheile, Monabelia, Nourishe (a fashion mag sans).

Typefaces from 2020: Trashbone, Burgery (a monolinear all caps children's book font), The Brande and Lotaline (a decorative serif), Rimba Andalas (a tribal font), Bronela (a decorative serif), Wonder Night (a beatnik font), Malinsha (a signage script), Marones (spurred, vintage, all caps), Katenila (a fat finger font), Meliana Script (a brush script), Romelio (sans / script pair), Bondrians (a vintage label font), Black Ravens (a dry brush font), Shinkoya (vernacular lettering), Brothership, Novante (stylish caps), Almatine Script (a flat pen calligraphic script, with perhaps a touch of Arabic script emulation), Almatine Sans, Wargate (a military stencil font family), Bragley (a cartoon font), Varino (a rounded unicase sans family), Ranille (a bold display serif), Neilvard (a vintage label font family), Nagietha, Khodijah (an Arabic emulation font), Sometimes Rough, Savaneta (a vintage all caps typeface), Valmera (a Peignotian sans), Hargalia (classic calligraphy), Cherione (a unicase font), Revans (a display sans).

Typefaces from 2021: Larantuka (an informal font with a dancing baseline), Bolandes (a weathered monoline sans), Delauney (a formal art deco typeface), Chieezy Burger (grungy, vernacular), Ranmor (a vintage slab serif), Andalia (a signage script), Insiders (a dry brush script), Granesta (a dry brush font), Abigral (a Peignotian serif), Suzanstein (a dripping blood font), Broken Console (a retro video game pixel font), Naluka (a tiki or nature park font), Lovatine (a scrapbook script), Rushen (vintage caps in curvy, regular, distressed, stencil and shadow versions), Siegra (futuristic), Komersie (a bold supermarket font), Borensa (a reverse stress font), Rashavine (a dry brush font), Blankone (a brush font), Montagna (a monolinear script), Hadnich (a heavy signage script), Sallomae (a scrapbook font), Vankours (a dry brush font), Wonderful Melanesia (a decorative serif), Albertson (a Tuscan font), Rantika (a bold brush script), Rusthack (a stylish brush typeface), Mustopha (an upright typeface in arabesque style), Marviona (a marker pen font), Marviona (a marker pen font), Niquitta Mirzani (script), Shikamaru (emulating a Japanese brush), Mortend (a 5-style expanded all caps sans), Barlock (an all caps and spurred varsity font), Northash (stencil), Motteka (a beatnik font), Sharely (a brush font), Rompies (a condensed titling sans), Beardsons (a vintage label font), Broken Crush (dry brush).

Typefaces from 2022: Bradrock (a vintage semi-Tuscan Western font), Market Written (a fat finger font), Almalik (Arabic emulation), Vanitha (a brush script), Rambors (prismatic caps with four parallel lines), The Last Shuriken (emulating Japanese), Warzone (an all caps echno / sci-fi font), Kalidony (calligraphic with heart-themed tittles), Lemands (a stocky condensed display typeface).

Dafont link. Creative Market link. Behance link. Graphicriver link. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Arthy Type
[Sani Sanjaya]

Aka Opentypes. Indonesian designer, b. 1983, of Gelat (2021), Mantra (2019: signage script), Tokyo Drift (2019: a speedster font), Louvre (2019: a fashionable display sans), Billian (2019: an autocrat's sans), Sigma (2019), Angettypes (2019: a bold script), Neuron (2019: sans), In The Dark (2019: based on the ACDC logo), Bodhi (2019: a wild brush font), Sylvanna Script (2019), Emely Script (2019), Tom Harvey (2019: a weathered script), Brave Heart (2019: Victorian), Riogrande (2019: a retro signage script), Reaverock (2019: a spurred black metal typeface), Brotherjhon (2019, Bold and stencil), and Gajetto (2019: a bold geometric sans). Creative Fabrica link. [Google] [More]  ⦿

Artist of Design
[André Zottolo]

Commercial foundry that was in Kensington and/or Moorhead, MN, but is now in Park Rapids, MN, run by André Zottolo. Most of his fonts are hand-printed, such as AZ Cut Script (2011, a script), AZ Pledge, AZ Grampa, AZ Fast Fury, AZ Hello, AZ Dude, AZ Tiki, AZ Script, AZ New Rough, AZ Imperial, AZ College (+Brushed), and AZ Vintage Tattoo, all made ca. 2010-2011.

His earliest fonts were free. They included Alpha, Barracuda, Collem, Cornelia, Declan, Funtime, Roughfart, Tiki, MessyGirl.

Typefaces from 2011: AZ Union is a Western face. AZ Text and AZ Dramamine are grungy hand-printed typefaces. AZ Sailor Tattoo is an outline tattoo face. AZ Hello Brushed is a brush typeface inspired by auto repair signs. AZ Rough Fart is a squarish mural brush face. AZ Wings is Victorian. AZ Placid is an eroded outline face.

Type designs from 2012: AZ Mavericks (based on a skateboard logo), AZ Barista (inspired by Leonetto Cappiello's poster art from the 1920s), AZ Indian (signage script), AZ Harpers July (inspired by Edward Penfield's poster art from ca. 1900), AZ Plug Italic (inspired by the poster art of Edward Penfield and Franz Hazenplug, ca. 1900), AZ Audiotape, AZ Kiss (sketched type), AZ Varsity (athletic lettering), AZ Varsity Brush (textured version), AZ Claire (fat signage script).

Typefaces from 2013: AZ Watercolor, AZ Brand (connect-the=dots script), AZ Hobie (signage script), AZ Storm (Western look), AZ Declan (scratchy typeface), AZ Clouds (spurred).

Typefaces from 2014: AZ Scorch (a worn headline font family), AZ Black (didone engraved currency font), AZ Ultra, AZ Retro, AZ Postcard 3D.

Typefaces from 2015: AZ Yoyo.

Typefaces from 2016: AZ Cruisin.

Klingspor link. Creative Market link. Fontspring link.

View the typeface library of Artist of Design. [Google] [MyFonts] [More]  ⦿

ArtOne CreativeWorks (was: Locomotype)
[Arwan Sutanto]

ArtOne Digital (formerly Locomotype) is the type foundry of Arwan Sutanto, a graphic designer in Yogyakarta, Indonesia, who also owns ArtOne Creativeworks. Arwan created the elliptical sans face Fonquero (2014), the free brush typeface Belepotan (2014, +Italic), Fonesia (2014), Fonesh (2014), Fonia (2014), and the free outline typeface Fonarto XT (2014; updated in 2019 to Fonarto v2). Fondian (2014) is a commercial rounded Comic Sans style typeface. Fonago (2014) is a vintage font. Tinta Script (2014) is an upright script.

Typefaces from 2015: Fonesia, Cemara (brush script typeface), Garris (monoline script), Fonstyle, Fonari, Fonderful, Fonjava (a rhythmic script), Fonjazz, Fonino (brush script).

Typefaces from 2016: Om Telolet Om (free), Sumptuous (sans), Sumptuous Light, Boldero Brush (inspired by graffiti art), Hotline (a monoline connected signage script), Jogjakartype, Jogjakartype Logos.

Typefaces from 2017: Endeavora, Bahagia (signature script), Windtalker, Asalasik, Fonalux, Fonquero Sedo, Wolesbro, Morning Dew, Eufoniem (upright connected script), Delicy, Matahati (script).

Typefaces from 2018: Hokyaa, Jankador, Dephion (font duo), Bakso Sapi, Lemoo.

Typefaces from 2019: Crimstone (a weathered octagonal typeface), Noiry (script), Bonega (an all caps inscriptional sans), Pantura (a playful casual font), Kaftice, Redsniper (Victorian), True Happiness, Harmona (Script, Sans), Pestapora, Lendiga (a monoline script), Zoelander, Wkwk, Romantick, Sweet Pancake (calligraphic script).

Typefaces from 2020: Reffort (a fourteen-style sans showing emotion in its counters), Sandega (a stencil font), Halokia (a condensed monoline connected sans), Shelda, Nilakandi (an upright script), Bakso Sapi, Komikula, Antario (a stylish sans), Giga Sans (an 18-style geometric sans), Toska (squarish).

Typefaces from 2021: Gunterz (a macho all caps hardware store techno typeface), Filarion (a polygonal typeface in the style of Ben Shahn), Kanzaki (a 10-style playful script).

Typefaces from 2022: Bradia (a condensed Victorian typeface).

Home page. [Google] [MyFonts] [More]  ⦿

Arwan Sutanto
[ArtOne CreativeWorks (was: Locomotype)]

[MyFonts] [More]  ⦿

Aure Font Design
[Aurora Isaac]

Aurora Isaac (Aure Font Design, Issaqua, WA) is a California-born type designer. She created the uncial typeface Aure Westra LP (2011) and the Victorian family Aure Zeritha LP (2011).

Typefaces from 2018: Aure Brash (an outline font that speaks with the cheeky inuendo of a sassy parrot), Aure Nox (semi-haunted; with modulated stems), Aure Teddy (art nouveau style), Aure Declare (a text typeface family accompanied by several sets of extraordinary and quite complete astrological symbols), Aure Sable (also with astrological symbols), Aure Wye, Aure Jane.

Typefaces from 2019: Aure Zeritha. [Google] [MyFonts] [More]  ⦿

Aurora Isaac
[Aure Font Design]

[MyFonts] [More]  ⦿

Authentype (or: Mix Jpg)
[Ekayasa Ekayasa]

Aka Ekayasa. Bali, Indonesia-based designer of the display serif typefaces Wano Quin (2020), Black Wano (2020), Mix Dimly (a wild calligraphic script) (2020), Horst More (2020) and Barsillago (2020), the funeral parlor font Mixink Std (2020), the signature script typefaces Milly (2020) and Weisy (2020), the script typefaces Amelo (2020: monolinear), Quritta (2020) and Battic (2020), the nature font Foturest (2020), the display typeface Yougats (2020), and the signage script typeface Qaylla (2020).

Typefaces from 2021: Wave Vero (a stylish display serif family), Cavas Nera (a decorative serif in nine styles), Balune (an extra-condensed hipsterish sans), Balune Handwrite (script), Sarony (script), Ayulia Molga (script), Qustyle (Victorian), Sand Forest (Victorian), selga (a decorative serif), Magero (a decorative serif), The Calonue (a decorative serif), Cavas (a decorative serif), Calonue, Daylosta (a bold monolinear script), Ayulia Molga (curly), Syake (a swashy display sans), Roses Bolero TP (a 9-style sharp-edged display typeface family), Sand Forest (Victorian), Silagus Modern (a signature script), Milysa Signature, Barsillago, Sinelys Brush, Hildor San (a 9-style display typeface), Hildor (an elegant semi-script).

Typefaces from 2022: Dolego (a 9-style display font), Valute (a 9-style display sans with asymmetric shoulders), Margic Tp (a flared display serif), Reclamo (a wide fashion mag sans in 18 styles). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Balibilly Design
[I Wayan Bill Natih]

In 2010, Bali-based Bill Natih founded Balibilly Design. Creator of script or handcrafted typefaces. In 2020, he published Moro Baby (an all caps children's book font), Siganture Photopedia (a signature script), Qene G (an artsy font duo that evokes a belle epoque atmosphere), Kage (a fashion mag serif family), Kitahara (script and brush), Native Miles, Patahola and Risalove.

Typefaces from 2021: BD Megatoya (a slightly boxy simplified sans family in 40 styles; plus a variable font), Onamura (an 11-style Victorian typeface family with roots in medieval blackletters), Gegor (14 styles; a decorativbe serif), BD Megalona (a 26-style serif that attempts to improve Times New Roman).

Typefaces from 2022: Kage Pro (a 24-style (+variable) condensed luxury serif).

Creative Fabrica link. Type Department link. [Google] [MyFonts] [More]  ⦿

Bang Kumis Type foundry (was: Eltypolocos Type foundry)
[Endang Hidayat]

Jakarta, Indonesia-based designer (b. 1988) of the Victorian display typefaces Inlander Batavia (2013, spurred) and Heisenberg (2013). In 2014, he made Mockingbird Script. In 2015, he added Mustache University (spurred Victorian display family co-designed with Agga Swistblnk) and Toenas Bangsa Slab (a clean rounded slab serif family with six styles). In 2016, he designed Neuesanstara.

Buy the typefaces at Creative Market under the banner Eltypolocos. Behance link. Dafont link. [Google] [More]  ⦿

Bangkit Tri Setiadi
[Blankids Studio]

[MyFonts] [More]  ⦿

Barmee.com (was: Czcionki.com, or: Barme Fonts)
[Bartek Nowak]

Original fonts by Polishman Bartek Nowak (aka Barme, b. 1973) made in 2000-2001: BukwaNormal (Cyrillic), Nokian (pixel font), Passja, Xar, BarmeReczny, Elementarz (orthographic writing for kids) [see also here], Gotyk-Poszarpany (Fraktur, revamped in 2014 as Gotyk Nr 7), Afarat Ibn Blady (Arabic simulation face), Hieroglify, Kobajashi, Kwadryga, Magda (Basque), Maszyna (old typewriter), MaszynaAEG, Nerwus (scribbly, sketchy), Pascal, SecesjaPL (curly font: a revival of Herman Ihlenburg's ultra-Victorian typeface Nymphic, 1889), Zakret, RecycleIt, Sandwich, Keiser Sousa, Manifest.

Alternate URL.

Font list (with repetitions): 4Mini, BarmeReczny, Elementarz, Fiesta, GotykPoszarpany, GrubaBerta, Hieroglify, KeiserSousa, Kobajashi, Kwadryga, Magda, Manifest-Niski, Manifest, MaszynaAEG, MiniMasa, MiniSet, MiniSter, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki, Pascal, Passja, Premiership, RecycleIt, Sandwich, SecesjaPL, Szablon, Wabene, Xar, Zakret, MiniForma, MiniStrzalki, Miniline, Minitot, Ulisson, Astalamet (2002), Gosford (2002), Volan (2002), Establo, QuatronFat, Infantyl (2002), Quatron (2002), YnduFat (2002), YnduOut (2002).

URL not accessible to my browser (Mac+Firefox).

This site carried these fonts in May 2008: 4Mini, Afarat-ibn-Blady, Astalamet, AstalametPure, BarmeReczny, Cyree, DorBlue, ElementarzDwa, Erton, Establo, EstabloFat, Fiesta, Gosford, GotykPoszarpany, GrubaBerta, Hieroglify, HongKong (oriental simulation), Infantyl, InfantylFat, InfantylItalic, InfantylOut, Jiczyn, KeiserSousa, Kobajashi, Komix, Kwadryga, Lola, Magda, Manifest-Niski, Manifest, MaszynaAEG, MaszynaRoyalDark, MaszynaRoyalLight, MiniBet, MiniForma2, MiniJasc, MiniKongo, MiniLine2, MiniMasa, MiniQuan, MiniQuanMniejszy, MiniSet2, MiniSter, MiniStrzalki, MiniTot, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki-Metro, Opeln2001Szeroki, Pascal, Paskowy, Passja, Quatron, QuatronFat, RecycleIt, Sandwich, SecesjaPL, Sloneczko, Szablon, Tabun, TechnicznaPomoc-Italic, TechnicznaPomoc, TechnicznaPomocRound, Ulisson, Vaderiii, Volan, Wabene, Xar.

In 2011, he established the commercial foundry GRIN3.

Dafont link. Klingspor link. Fontspace link. GRIN3 link. Old free font URL.

Showcase of Bartek Nowak's commercial fonts. [Google] [MyFonts] [More]  ⦿

Bartek Nowak
[GRIN3]

[MyFonts] [More]  ⦿

Bartek Nowak
[Barmee.com (was: Czcionki.com, or: Barme Fonts)]

[MyFonts] [More]  ⦿

Baseline Fonts
[Nathan Williams]

Foundry in Wichita, KS, founded in 1999 by Nathan Williams (b. Concordia, KS, 1973), formerly from the University of Kansas Art Museum Library. Its motto: The goal of the foundry is to provide uninterpreted revivals of type samples generated through disappearing printing methods, and create new fonts for dissemination in the type community. Order through MyFonts.Com or Union Fonts or Creative Market. FontShop link. Klingspor link.

Fonts:

  • The Rodeo family of wood type fonts: 66 Rodeo, 57 Rodeo, 58 Rodeo (2003), Rodeo Rope, Rodeo Rope Superchunk.
  • The Tuscan family: Tuscan (2003, a wild west face). To this group we can add the Tuscan typeface Circus KS (2006).
  • Egyptians: Grit Gothic (2013), Grit Sans (2013), Heirloom Artcraft (2013), Worn Gothic (2013), Stately GG (2013), Grit Egyptienne (2005, grunge Egyptian family), Rough Egyptienne (2005).
  • Grunge typefaces: Antimony (2005, grunge), Dryden (distressed handwritten face).
  • Old typewriter fonts: Slab American Regular (old typewriter), Slab American Titling, Slab American Titling Heavy (2002). Slab American has 55 styles.
  • Art nouveau typefaces: Old Paris Nouveau (2003).
  • Pixelish typefaces: Base PXL7, 80s PXL Bold.
  • Display Sans: Maxime (2004, having support for most European languages; Maxime Shadow is available at FontShop), Woodgrit Thin (based on 19th century American letterpress fonts), Woodgrit Medium, Woodgrit Heavy, Pippen (squarish).
  • Calligraphic: Roundhand Regular.
  • Victorian: Boback.
  • The Grit family: Grit History (2003-2004), Grit Primer (2003), Grit Egyptienne, Grit Typesorts (2006, free).
  • The Old Times American family (+Italic, +Titling).
  • Pia Regular.
  • Kandt: the handwriting of legendary designer and art director James Kandt; 4 styles.
  • Chitchy.
  • AVI Sans.
  • Country Fang (2003, with Brian Miller).
  • Craft Roman
  • Licious Script.
  • Luxe (2003, casual).
  • Momentum (2002).
  • George Gibson (handwriting from mid 1800s).
  • Dingbats: Megaflakes 2010 (2010) and Megaflakes 2011 (2011).
  • Sketchwriter (2011).
  • Dusty Circus (2011) is a five-layer stacking display face designed to be infinitely morphed. It is a prototypical member of that old western circus font genre.
  • Bobbi Bee (2013). A connected script.
[Google] [MyFonts] [More]  ⦿

Ben Grib
[Black Bird Foundry]

[More]  ⦿

Ben Noe
[Ben Noe Studio]

[MyFonts] [More]  ⦿

Ben Noe Studio
[Ben Noe]

Graphic designer in Texas, active since ca. 2000. In 2021, he designed Turbayne, an all caps wedge serif with a Basque capital A and Victorian underpinnings. Turbayne is based on examples by A.A. Turbayne in 1896 London. [Google] [MyFonts] [More]  ⦿

Ben Weiner
[Reading Type]

[More]  ⦿

Beth Rufener
[Ornaments of Grace]

[More]  ⦿

Bhima Bagaskara
[Goldlake Graphic]

[More]  ⦿

Bill Tchakirides
[UTF Type Foundry]

[More]  ⦿

Billy Jacobs
[Coffee Bin Fonts]

[MyFonts] [More]  ⦿

Bing Febby Aldiansyah
[Rvq Type Foundry (was: Hey Bing Type Foundry)]

[MyFonts] [More]  ⦿

Black Bird Foundry
[Ben Grib]

Ben Grib (Black Bird Foundry, and Black Bird Press, South Africa) created the Western signage typefaces Excelsior and Indiana Headline in 2015. He also made the handcrafted signage typeface Deputy Serif (2015). On Behance, we read that the foundry is associated with Chris Bushey in Bongoville, Gabon. Chris made the Victorian signage typeface Fancy Pants (or Foxtrot). They also made several great sets of icons and drawing including Animalia, Le Kitchen and Fruits. [Google] [More]  ⦿

Black Cats Media
[Mihaela Serbanescu]

Designer of the swashy calligraphic typefaces Berson Dream (2018), Beradon Script (2017) and Enyssala Script (2016), the Victorian ornaments typefaces Beradon Frames (2017) and Vondey Ornaments (2017), the script font Amastery (2017), the prototypical Victorian typefaces Vondey (2019) and Troemys (2018) and the signage typeface The Trickster (2016).

Typefaces from 2019: Sorinka (a handcrafted party font), Biosha, Rebetha, Corisa, Bohema, Divine Light. [Google] [More]  ⦿

Black Lab Type
[Kenny Li]

Toronto, Canada-based designer of BLT Balfour (2019: art deco), Dozen (2019: a donut bakery font), BLT Heirloom (2019: rounded informal sans), BLT Portage (2019: a reverse stress Western font), BLT Gerhard (2019, a Victorian headline typeface) and BLT Norfolk (2019, a vintage-inspired font based on the styles found on packaging from the early 1900's). [Google] [MyFonts] [More]  ⦿

Black Lotus
[Riska Kurniawan]

Aceh, Indonesia-based designer of these sometimes eerie display typefaces in 2019: Neo Thomasy, Queen of Sahara, The Jungle, The Viper Stone (a vampire script with a monogram style), Droidlady, Soulring, Braxica Lily, Arch Diary, Avenomous, Oscar, Neptunes (octagonal, sci-fi, stencil).

In 2020, he designed Berliana Elemixia (a scriptish display typeface) and the rustic spurred Victorian typeface Asteric Vintage.

Typefaces from 2021: Sweet Honey (a scrapbook script), Fathiyya Script (calligraphic), Atjeh Night (a lava lamp typeface), Holy Mordigan (cursive; with calligraphic undertones), The Stacy (an upright retro signage script), Arcandias Downtown (a decorative serif), The Florest (floriated caps). [Google] [MyFonts] [More]  ⦿

Blair Massey

Canadian co-designer, with Steve "Gecko" Harrison, of the Victorian revival font Brand New Memorial (2020), which improves on Dan Solo's Memorial. [Google] [More]  ⦿

Blank Sub (or: Subqi; or: Blankids; was: Bombas Type)
[Amir Subqi Setiaji]

Yogyakarta, Indonesia-based type foundry set up in 2017 by two independent foundries, Blankids (Bangkit Setiadi) and Subqi (Amir Subqi Setiaji). Yogyakarta, Indonesia-based designer of the Victorian typefaces Sacred Bridge (2017: co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji) and Barakah (2017), the script typeface Alyssum Blossom (2017), and the signage typeface Mattoa (2017, co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji).

In 2018, he designed Headster (signage type), Hondurhas and Black Drama (a free Victorian typeface, with Bangkit Setiadi).

Typefaces from 2019: Sholaria (luxurious calligraphy), Hophus Roghus (a Victorian typeface by Bangkit Tri Setiadi and Amir Subqi Setiaji), Crumble, Hondurhas (a vintage typeface family by Bangkit Tri Setiadi and Amir Subqi Setiaji), Hungry Beast (a Victorian typeface by Bangkit Tri Setiadi and Amir Subqi Setiaji).

Typefaces from 2020: Alstoria (a decorative serif by Bangkit Tri Setiadi and Amir Subqi Setiaji).

Typefaces from 2021: Royal Grande (an old English blackletter with a variable font option), Rotten Banquet (a 19th century / Victorian display typeface), Kovanov (a 14-style serif), Bilgosia (a display serif family), Rosvard (a layerable vintage all caps font by Amir Subqi Setiaji and Bangkit Tri Setiadi). Creative Market link. Graphicriver link. [Google] [MyFonts] [More]  ⦿

Blankcraft (was: Fallen Type, or: Fallen Graphic)
[Vava Aryanto]

Karanganyar, Indonesia-based designer of the upright script typefaces Lettering Script (2018), Rosalinda (2018), Roxxette (2018) and Allabama (2018), the handcrafted Minnesotta (sic) (2018), and the grungy typefaces Xsodux (2018), Stikers (2018) and Kaze (2018).

Typefaces from 2019: Quitgan Script (signage script), The Spooky Time (a beatnik font), Sunday (bold sans), Bythemis Quertas (script), Elegant, Voques (all caps), Brongline Presiom, Summer Tropical, Alarate Script, Letterhear (calligraphic) Frayhord Monoline, Situgintu, Rubinetto (a signage script), Rottrydam Wargna, The Hartes, Mosgrade, Fashion Script, Charllie (upright script), Originality Script, Friday Worst Letters, Silhouette.

Typefaces from 2020: Bogies Bird, Tilmans (a fine decorative serif), Goovy Modice (a psychedelic serif), Revitale (a Victorian display typeface), Former Broston, Choges (a creamy serif), Youth Cow, Boxes Dream, Follio Cooper (a creamy script), Cats Style, Minoila, Ameliya, Hummingbird, Loveline, Hisyam, Brightlast (a retro script), The Heglio (a formal script), Monthella, Motgan (weathered textured caps), Bronxi (a flared all caps sans), Revolage (a vintage sans serif and monolinear script pair), Quentes Fleur (spurred, Victorian), Midnight Story, Hella Mella, Daylight, Xiolien, Flawless, Tails Mermaid, Havana, California Sunrise, Range Orange, Mallaba, Banbos (a dry brush script), Anattalia (script), Bright Sunkiss (script), Rattaullie (a beatnik typeface), Imagine Dreams, Schuttezerg Script, Makgraf Script (for signage), Sweet Duck, Theyriad Script (signage script), Hilgreds Script (a nice fat signage script), The Matesih (a plump signage script), Othersight Script, Roquero (an octagonal athletics font).

Typefaces from 2021: Kinderly (a signature script), Red Ribbory (a spurred Victorian typeface), Red Ribbory (a spurred Victorian typeface), Muriely (a warm if not mischievous display serif), Amigo (a script), Thinkers (a dry brush script). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Blankids Studio
[Bangkit Tri Setiadi]

Nengtak, Bangunjiwo, Kasian, Bantul, Semarang and Yogyakarta, Indonesia-based designer (b. 1991) of Marchell (2017: copperplate calligraphic script), Bluesky (2017), Kallisa Script (2017: brush), the signage typeface Mattoa (2017, co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji), Blandes (2017: brushed signage font), Slender (2017: signature font), Sacred Bridge (2017: co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji), Wildcats (2017: vintage signage font), Alentine (2017, brush style), Black Django (2017), Rockaboy (2017, signage), Raidand (2017, brush signage script) and Conjure (2017, Victorian).

Typefaces from 2018: Flanella, Clarissa, Kallisa (dry brush), Funkies (signage script), Monthelo (a retro signage script), Chomolatte, Anthemis (a heavy signage script), Northead (a vintage display typeface), Quiska, Fresty, Old Finlander (Victorian), Black Drama (a free Victorian typeface), Blackjack (sign painter font).

Typefaces from 2019: Sagesta, Hayline, Old Finlander (a blackletter vampire font), Streamzy (a great graffiti font), Questario, Heatting, Bubble Boom (defined by graffiti and comic books), Brigherdz, Black Night (a horror font), Sporter (octagonal), Orlande (brush script), Dayland (formal calligraphy), Birallina, Stonekids (a layerable signage script for children's books), Beautiful Roses (a swashy calligraphic font duo), Butchery, Heykido, Queenline (monoline, swashy), Letter Marker, Frenda (a monoline retro signage script), Rockadelic (signage script), Bresley (a signature font), Brayles (a brush signage script), Hondurhas (a vintage typeface family by Bangkit Tri Setiadi and Amir Subqi Setiaji), Hungry Beast (a Victorian typeface by Bangkit Tri Setiadi and Amir Subqi Setiaji).

Typefaces from 2020: Anelise, Andrea Belarosa, Signatria, Happy People, Deckled, Beatney, Blezer, Bomber Squad, Lodstay (a graffiti font), Right Strongline, Westerion (spurred), Tuberosa, Lodstay (a graffiti font), Restown, Black Squad (an ominous slab serif), Graffiti Rebel, Rastelay (a brush script), Bros Rover, Hardsign, Street Hipster, Cripsy, Madelia, Paisley Cupcake, Miracle Day, Hello Valentica, Romantic Crafty, Strabela Moisty, Stay Girly, South Beast, Monstora (a playful scrapbook font), Alstoria (a decorative serif by Bangkit Tri Setiadi and Amir Subqi Setiaji), Belyard (a signage script), Barlen, Brendy-Berly, Cincha (a cartoon font), Everline (a bilined script), Feelista, Femina (a calligraphic signature script), Lemon-Squash, Lovely-Creamy, Milko-Denilo, Pretty-Yellow, Romie-Shine, Samberia, Belsmont, Bembies, Baby Monkey, Amdoly Cokie, Craptons, Danilena, Benchey, Cuty Tubby, Beirnite, Bilber Bread, Sweety Cats (a cartoon font), Andrea Bilarosa, Balgeris, Aperly, Adora Chalie, Beauty Angel.

Typefaces from 2021: Broly (a creamy blocky font that looks at first like a Hebrew emulation font), Blood Blaster (a cartoon font), Brenza (an urban mural brush font), Aloha Dance (a tiki font), Gresta (a chunky supermarket script font), Black Blast (a super-fat cartoon font), Star Blast (a fat cartoon font), Stone Ocean (beatnik vernacular lettering), Berlion, Vampire Zone (a horror font), Brockers (a graffiti font), Bomber Throw (a bubblegum font), Helsky (a playful font), Scream Zombie, Ageoline (a sign painting script), Airneo (a graffiti font), Cristone (a tattoo blackletter font), Square Spray (ultra-fat), Street Lord (inspired by murals), Rosvard (a layerable vintage all caps font by Amir Subqi Setiaji and Bangkit Tri Setiadi), Loving Kitten (a scrapbook font), Urban Rebel (a plump graffiti font), Bolgen (a sketched font), Mondeline (a signature script), Bomber Squad (a graffiti font), Algeline (a wild script), Hello Almeida (a fat finger font), Northead, Belgetha (handwritten), Hello Valentica, Romantic Heart, Street Urban (a plump graffiti font), Bondy Quirky (a scrapbook font), Slenderline (a signature script), Diamonda (handwriting), Biber Beard (an all caps children's book font), Morthena (a copperplate script), Deliosa, Almeida Script, Hello Nightmare, Rough Letterline, Wildcats (a signage script).

Typefaces from 2022: Smack Boom (a cartoon font).

Home page. [Google] [MyFonts] [More]  ⦿

Blenda E

San Luis Potosi, Mexico-based designer of the Victorian decorative circus font Macanuda (2015). [Google] [More]  ⦿

Bloom XXVI

Bandung, Indonesia-based designer of the brush typefaces Flow Oil Paint (2017, OpenType SVG format), Thinks (2017, OpenType SVG format), Heady Rough (2017, dry brush, SVG), Matthew Rough (2017), Velowley (2017), and Discovar (2017), the sans typeface Carbon (2017), Salvathore (2017, pure Victoriana), the handcrafted poster typeface Majestic (2017) and the calligraphic typefaces Nuvaticia (2017) and Olwas (2017).

Typefaces from 2018 include Charles Swarel, Floatwod (Victorian), Scarletto, Harbour, Jamsuit, Macquina, Bouquet (flowery caps), Phelovetica, Beverley (a signage script), Phelovetica (a feminine script), and Nuvaticia (script). [Google] [More]  ⦿

Blue Line Design

North Coast, Australia-based creators of the display typefaces Samatta (2015, a Peignotian sans), Milk Barn (2015), Canyon (2015, handcrafted, with an outline typeface in the style of athletic lettering), Pocket Knife (2015, +3D), Otter Pop (2015), Meso (2015 a tribal font set with Inca themes), Fuego (2014) and Creamsicle (2014, signage type).

Typefaces from 2016: Schoolyard (children's didactic hand-lettered fonts), Millstreet (based on a font found in a school book from 1886).

Typefaces from 2017: Parapet (blackletter). [Google] [More]  ⦿

Boston Type Foundry
[Edward Pelouze]

Boston-based foundry, est. 1817 by Edward Pelouze. Also called Bedlington&Ewer, Boston Type&Stereotype Co. (1825-1845), and John K. Rogers, Agent (the latter happened when it was bought by John K. Rogers and Edward Pelouze in 1853). Acquired by ATF in 1892.

Free specimen books: Condensed specimen book from the Boston Type Foundry (1860, John K. Rogers&Co, Boston), Popular designs for artistic printers. Selected from the novelties manufactured by the Central type foundry, of St. Louis and Boston type foundry, of Boston. The only manufacturers of copper alloy type (1892).

Digital revivals:

View digital typefaces derived from the Boston Type Foundry. [Google] [MyFonts] [More]  ⦿

Boy Moch Tomi
[Work Ins Studio]

[More]  ⦿

Brendan Ciecko

Graphic and web designer in Boston who studied at Hampshire College 2006-2007). He wrote the Fontly app for finding and preserving the typographic culture all around us. In 2014, he founded of Cuseum, a company that powers mobile-first experiences that help museums engage their visitors. His software platform makes it easy for museums, cultural institutions, and public attractions to publish mobile apps, manage their collections, access visitor analytics, and generate new revenue opportunities. Brendan specialized for a couple of years in revivals of classical typefaces but seems to have left the domain of type design permanently:

  • Pani Deco (2013): an art deco typeface based on a poster designed in 1928 by Polish artist Anna Harland-Zajaczkowska.
  • Secesja (2013): a typeface based on Polish "Mloda Polska" (Young Poland) Art Nouveau / Secession styles of the early 20th-century. It is based on a poster printed in 1908 by an unknown artist.
  • Warszawa Deco (2013): an art deco typeface based on a document from 1939. This typeface is based on Polish Art Deco and modernism of the Interwar period.
  • Galicja (2013): a typeface based on Polish "Mloda Polska" (Young Poland) Art Nouveau / Secession styles of the early 20th-century. It is based on a poster printed in 1911 by the Piller-Neumann printshop in Lwow (present day Lviv, Ukraine).
  • Mekicki (2013). A typeface based on a poster designed in 1928 by Polish artist Rudolf Mekicki. It is part of a series inspired by the aesthetics of Poland between 1908 and 1939.
  • Klimt (2013). A Peignotian typeface based on the handwriting of Gustav Klimt.
  • Seebad Grado (2013). A typeface based on the a 1906 art nouveau poster by Austrian artist Josef Maria Auchentaller.
  • Froika (2013). A spurred Victorian typeface based on lettering found on a poster designed in 1922 by Czech artist Antos Frolka.
Creative Market link. Behance link. Linkedin link. Obsolete link from 2013 where his fonts could be downloaded. [Google] [More]  ⦿

Brent Couchman

Designer and illustrator at Hatch in San Francisco, who hails from Boerne, TX. His typefaces include Sasquatch (2011, a bilined custom face), and Milk (2011), a very thin slab face. He is working on the multiline typeface Hello (2011), and on the Victorian ornamental typeface San (2011). Flickr link. [Google] [More]  ⦿

Brethren Design Co

Designers of vintage display typefaces including many psychedelic and signpainting fonts. Their catalog in 2021 showed Beat Cop, Brotherly Love, Brush Fire, Buzzkill, Cherry Bomb, Chronic Sans, Chronic Sans, Cocktail Lounge, Courtesy Diner, Crust Punk, Dubba Hubba (bubblegum type), Fat Camp, Funk Ranch, Good Book, Killer Snakes (spurred), Lucky Charmer, Mystic Charmer (Victorian), Night Caps, Pig Roast, Royal Smokes, Soda and Poppers, Switchblade, and Xtra Funk.

Typefaces from 2022: BDC Curb Wax, Clean Freak, BDC Drugstore Cowboy (Western). [Google] [More]  ⦿

Brian Brubaker
[Tried & True Supply Co.]

[MyFonts] [More]  ⦿

Brian J. Bonislawsky
[Monogram Fonts Co]

[MyFonts] [More]  ⦿

Brian Powers
[Furdzville]

[More]  ⦿

Brittany

An orphaned curly Victorian font downloadable from Dafont, and made in 2012. [Google] [More]  ⦿

Brittany Wilson

During her studies at Anderson University in Anderson, SC, Brittany Wilson designed Victoria (2013). [Google] [More]  ⦿

Bruce Mikita

Faux Chinese font from Bruce's Type Foundry, 1867, originating from Bruce's Ornamented no. 1048. Paul Shaw notes: Mikita is considered by type historians to be the oldest ethnic type since it has an "Asian" quality and can be traced back to a design by Bruce's New York Type Foundry in 1867. But that face, created by Julius Herriet, Sr., underwent a number of name changes, based on how it was perceived over the years. Originally called Bruce's Ornamented no. 1048, it was copied in England the following year by the foundry of J.&R.M. Wood, which named it Novel. Bruce later renamed it Rustic Shaded, a descriptive name that suggests a cabin's carpentry. But in the mid-'50s, when Charles Broad, the owner of Typefounders of Phoenix, dubbed it Mikita, the letters must have been equally suggestive of Japanese woodworking. A decade or so later, the Visual Graphics Corporation, a leading manufacturer of display phototype fonts, offered it as Bruce Mikita (TB-29). The digital version of the typeface was created in 2000 by Harold Lohner of Harold's Fonts. Although unaware of the type's history-on his website, Lohner asks, "Who was Bruce Mikita?"-Lohner recognized the font's latent qualities, writing, "It seems handcrafted and rustic and suggests East Asian calligraphy." Lohner based his version on a showing of the typeface in Dan X. Solo's Victorian Display Alphabets (1976). Interestingly, Solo, the owner of Solotype Typographers, considered the typeface Victorian rather than Japanese. [Google] [More]  ⦿

Buminatha Arvin

Yogyakarta, Indonesia-based designer of these display typefaces in 2020: Black arcade (Tuscan), Crowded, Stradas (Victorian), Brainster (blackboard bold). [Google] [More]  ⦿

Bunny Dojo
[Tim Gengler]

New York-based type foundry, est. 2003 by graphic and web designer Tim Gengler. Creator of Rummy (2015, an octagonal mechanical font based on sports branding and 1940s films) and Rummy Tall (2016).

In 2019, Gengler designed Kempt (a stencil family), Torch (a display sans), Guile (a squarish typeface family) and Pluot, which is characterized by mini-wedge serifs.

In 2020, he released Afire (a thorny sans family).

Typefaces from 2021: Upona (a 12-style Victorian family inspired by 19th century storybook lettering). [Google] [MyFonts] [More]  ⦿

Burhan Afif
[HansCo]

[MyFonts] [More]  ⦿

Burntilldead
[Eric Kurniawan]

Eric Kurniawan (or Burntilldead, b. 1986) is located in Bali, Indonesia. He created the vintage script typeface The Goldsmith Vintage (2015).

Typefaces from 2016: Lazarus (a brush font), Bestters Supply (signage script), The Wild Hammers, Ramblin Script, Ramblin Sans, Angeline Vintage (brush typeface), Victorian Deco (more Victoriana), Steelworks (letterpress), Angeline (swashy brush script), La Petitenget, Azarus (brush style), Victorian Parlor (Victorian).

Typefaces from 2017: Dandeleon, American Whiskey, Vulturemotor (with Gusti Ngurah Widiantara), Sandglow (signage script).

Typefaces from 2018: Renaissance Garden (vintage), Victorian Fonts Collection (which consists of King Edward (Edwardian) and Queen Victoria (Victorian)), Billyforges (weathered letterpress style; with Ade Meida and I Gusti Widiantara).

Typefaces from 2019: Victorian Decade (18 fonts: +Gradient, +Outline, by Eric Kurniawan and Ade Meiada).

Typefaces from 2020: Alocasia (Sans, Script and Serif), Victorian Supremacy (an 11-style ornate Victorian / blackletter typeface family), Galactus (sci-fi), Prestissimo Classy (Serif and Script: the Script features copperplate calligraphy), Historium and Historia (a weathered vintage typeface), Sportage (a squarish sports font).

Typefaces from 2021: Mashbro, Barones (a vintage label font), Arterium (a vintage Victorian label font family), Veinline (a vintage script font), Bonitalia (script), Alota (funky and groovy 1970s font), Energize (techno), Metalsmith (a weathered all caps typeface), Bower (an early computer emulation font), Broto, Celestic (a decorative partly psychedelic serif), Dellucion (an art nouveau serif), Glitcher (a great art nouveau typeface), Greta, Lazarus, Racer Boy (a techno family), Silly Kids, The Sitcom (a retro script).

Typefaces from 2022: Mooners (a spurred Victorian liqueur font), Morvem (an 18-style psychedelic typeface). [Google] [MyFonts] [More]  ⦿

Cahya Sofyan
[Studio Sun (or: Sun Brand Co)]

[MyFonts] [More]  ⦿

Cahyadi Ikhsan
[Amera Type]

[MyFonts] [More]  ⦿

Camille Gicquel

Roubaix, France-based designer of the curly Victorian ironwork typeface Alistina (2016, done for a school project). Behance link. [Google] [More]  ⦿

Candee Kis

Original fonts and dingbats by Candee Kis: Victorian Silhouettes, Jewels, Ornaments. [Google] [More]  ⦿

Carga Maxima

Lima, Peru-based lettering outfit that specializes in a Victorian signage lettering style. Some of these were designed by Azucena del Carmen and Alinder Espada. Their Lettering Populachero won an award at tipos Latinos in 2016. [Google] [More]  ⦿

Carla Marques

At St. John's University in New York City, Carla Marques created the Victorian typeface Slender (2015), which is sprinkled with small teardrops. [Google] [More]  ⦿

Carlos Fabián Camargo Guerrero
[Andinistas]

[MyFonts] [More]  ⦿

Carol Maciel

Recife, Brazil-based designer of the Victorian display typeface New York (2014), which was developed during her studies at UFPE. [Google] [More]  ⦿

Carolina Cobarrubias

Santiago, Chile-based creator of the curly Victorian pre-art nouveau typeface Valencia (2013). [Google] [More]  ⦿

Carolina Laudon
[Laudon Type]

[More]  ⦿

Carolina Pernet

Graduate from FADU, University of Buenos Aires, who created the spindly Victorian typeface Furh Modern (2009). [Google] [More]  ⦿

CAT Design Wolgast
[Peter Wiegel]

Wolgast-based type designer Peter Wiegel (b. 1955) runs CAT Design Wolgast. Designer of these free fonts:

  • In 2019: Kufi Pattern.
  • In 2018: Aurach Tri (a trilined typeface), Googee (monoline circle-themed sans), Gianna (medieval script), Hamburger Schwabacher.
  • In 2017: Eyechart (heavy slab serif), Border Control (inline), Espresso Dolce (rounded sans), Gotisch Weiss, Halt (a dry brush typeface after Walter Hoehnisch's Stop from 1939), Kanzler, Llewie (rounded sans), Schulze Werbekraft (expressionist, after Arthur Schulze, 1926).
  • In 2016: Ronaldson Gothic (after a MacKellar, Smiths & Jordan Co original), Vorgang (a great 1920s geometric sans), 5by7 (LED pixel font), BP 12-22 (industrial sans), u DIN 1451 Mittelschrift, Flubby, Gaeilge (Irish / uncial), Junior CAT (after Hans Heimbeck, 1936), CAT Liebing Gotisch (after Kurt Liebing), Tippa (an old typewriter font based on Adler Tippa 1).
  • In 2015: Nuernberg (blackletter), CAT Schmalfette Thannhaeuser (blackletter), Offenbacher Reform (a revival of Offenbacher Reform, a blackletter typeface by Roos & Junge), Autobahn (blackletter), Barloesius Schrift (after Georg Barloesius's Barlösius Schrift, 1906), CAT-Franken-Deutsch (after Alfons Schneider, 1936), Fuckin Gwenhwyfar, CAT Kurier (a script after Herbert Thanhaeuser's Kurier from 1939), CAT Linz, CAT Rhythmus (a sharp-edged black grotesk after a Schriftguss AG original), DIN Schablonierschrift (DIN-based stencil), CAT North Licht, Feronia, Fette National Fraktur (after Walter Hoehnisch, 1934), Grobe-Plakat-Fraktur, CAT Childs (fifties style cursive typeface), Jena Gotisch (decorative caps), Kabinett Fraktur (after Johann Friedrich Unger, 1793-1794), Wattauchimma (heavy hipster sans), Friedolin (blackletter), Lorem Ipsum, Symphonie (a calligraphic script, reviving Imre Reiner's Symphonie (1938), also called Stradivarius (1945)), Power (a retro techno typeface), Krugmann Brush, Omega.
  • In 2014: BernerBasisschrift1, BernerBasisschrift2 (school script), Berolina, Brausepulver (after Brause & Co., 1912), Fette Mikado (psychedelic style oriental look), Germanica, Gloria, HentimpsCirclet (blackletter), Hofstaetten (blackletter), Kleinsemmering, KuenstlerGotisch (blackletter), LacledeCAT (psychedelic), NeptunCAT, Neue Zier Schrift (a mischievous curly script), Pommern Gotisch, Reclame, CAT Report (retro brush script), Rueck-Italic, Rueck, RueckLeft, RueckLicht, RundschriftCAT (hairline ronde), Standard Graf (German expressionist and hexagonal typeface), Teutonic, VerzierteFavorite, VictoriaCAT, AdmiralCAT (a retro script), Dynamo (poster font), Des Malers Fraktur, Kanzleyrath (blackletter), Ober-Tuerkheim (art nouveau), PopplFrakturCAT (blackletter), Rundkursiv, Modeschrift (fifties script), Biedermeier Kursiv, Ehmcke Federfraktur (after a 1935 font by F.H. Ehmcke), Wernicke Schwabacher (after an original by Emmi Wernicke), Gotische Missalschrift, Hand Textur (after a 1935 font by F.H. Ehmcke), Renata (after a 1914 bastarda by Bauersche Giesserei), Rundgotisch Rauh (possibly after a Schelter & Giesecke design from 1903), Offenbacher Schwabacher (after Kurt Wanschura's bastarda from 1900), Incopins Clusters (multilined typeface), BadGong, Bernardo Moda (Bold, Semibold, Moda, Contrast: modeled after Lucian Bernhard's Bernhard fashion), CAT-Hohenzollern (after a 1902 art nouveau font by Bauersche), CATNorth, CATNorthLicht, CATNorthShadow, CAT Zentenaer Fraktur UNZ1 (a blackletter after a 1937 original by F.H.E. Schneidler), Coggers-Tariqa, EirikRaude, Fabrik (a geometric sans), Grobe Deutschmeister (German expressionist face), Harry Piel (or Piehl--a tattoo font), Kanalisirung, Klaber-Fraktur, Peter Obscure, Rumburak (a fat retro script), Flottflott (retro script), Indira K, Regent UNZ (a Schwabacher), Postamt, TGL 0-1451 Engschrift (a DIN-like font).
  • In 2013: Spartakus (+Round), Cut Me Out (white on black sans), 5by9 (dot matrix face), Tartlers End (high-contrast ball terminal face), Alpha 54 (rounded flared script face), Chunk Five Ex (slab serif; he writes: With permission of Meredith Mandel, the original author of the ASCII-Font Chunk Five, I have extended Chunk Five Ex to a full featured unicode font with all figures used in Latin and Cyrillic writing), Simple Print (simple sans), Fette Bauersche Antiqua (a didone fat face), Manuskript Gothisch (after Manuskript Gotisch (1899, Bauersche), which was modeled after Wolfgang Hopyl's 1514 Textura), Quast (hairy font).
  • Still in 2013, he published a number of school scripts, including Neue Rudelskopf, Deutsche Normalschrift, Imrans School, Rastenburg (German school font), and Bienchen.
  • In 2012: Hardman (connected fifties script), Immermann (a quaint slab serif), Quast (grunge), Fundamental Brigade (sans family), DiffiKult (a bilined face), Men Nefer (a Memphis lookalike), Fette Unz Fraktur (like Fette Fraktur), Mutter Krause (for the reconstruction of the 1929 silent movie "Mutter Krausens Fahrt ins Glück", where it is used for intertitles, that where missing. The font is redrawn from the original intertitles), Youbilee (a font with laurels).
  • In 2010: Alfabilder (dingbats), Gondrin (athletic lettering with a 3d effect), Helvetia Verbundene (making Helvetica into a school script? The original typeface was by Carl Albert Fahrenwaldt 1901), Proletarsk (a grotesk face), Vis-à-vis (great idea--a double-storied serif face), ApolloASM (Victorian), BertholdrMainzerFraktur, Doergon-Regular (license plate font), DoergonBackshift, DoergonShift, Eureka (Victorian, ornamental face), GoeschenFraktur (1880-style Fraktur used in Sammlung Göschen books), Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, Moderne3DSchwabacher, ModerneGekippteSchwabacher, StrassburgFraktur, TGL0-16 (same as DIN 16), TGL0-17 (same as DIN 17), TGL0-17Alt, Tank (emblems of gas companies), EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular (typewriter), ErikaOrmig, Fibel Vienna (2012, a high-legged sans), GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift (German Schreibschrift), Midroba-Regular (a strong mechanical octagonal face), MidrobaSchatten, MMX2010 (futuristic), Präsent60, Rotunda Pommerania (blackletter), TengwarOptime, TengwarOptimeDiagon, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe.
  • In 2009: 18thCenturyInitials, 18thCenturyKurrent-Regular, 18thCenturyKurrentAlternates, German writing from the 18th century), CentreClaws, CentreClawsBeam1, CentreClawsSlant, Cöntgen Kanzley Regular (blackletter), Cöntgen Kanzley Aufrecht (2009), ElficCaslin, H1N1, Loxembourg1910Shadow (an art nouveau-influenced stencil face), Luxembourg1910, Tschichold, VarietScala (an art deco sans family), Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, KochFetteDeutscheSchrift (blackletter), MoradoFelt-Regular (upright connected script), MoradoMarker (2009), MoradoNib, PreussischeVI9 (DIN-like family), PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, SchatternvonPreussischeVI9, Stage (art deco), Ring Matrix (dot matrix), Nathan, Amptmann Script (2009, upright connected script), Cat Shop, Blankenburg (blackletter), Murrx (arched face), Schwaben Alt (1988, bastarda), Vrango, 14LED (Regular, Phattt-Heavy, Rised-Black), 24LED (+Bright, +Grid, +Modul), DIN1451fetteBreitschrift1936-Regular, FibelNord (basic sans family with an architectural twist), FibelSued (family), PaneuropaBankette, PaneuropaCrashbarrier-Black, PaneuropaFreeway, PaneuropaHighway, PaneuropaRoad, PaneuropaStreet, PaneuropaWrongWay, Quirkus (family), RingMatrix (dot matrix family), RingMatrix3D, RingMatrixTwo, DiscipuliBritannica (connected script), GruenewaldVA-Regular (connected school script), Rudelskopfdeutsch-Aufrecht, WiegelLatein (connected school script), WiegelLateinMedium (2009), Morado, Moebius Bicolor (art deco), Elbaris (sans), ElbarisOutline, Nomitais (multiline face), RostockKaligraph, Waschkueche, WaschkuecheGrob-Ultra, WiegelKurrent (traditional German school script), WiegelKurrentMedium, XAyax, XAyaxOutline (2009), Kaufhalle (squarish), Quimbie (art deco), CasaSans-Regular, Elb-Tunnel, MeyneTextur (blackletter), Yiggivoo, TGL 31034-1 (futuristic sans), Beroga (a simple organic sans).
  • Before 2009: Xayax, PreussischeIV44Ausgabe3 (2006, a severe sans), Utusi Star (1989, very condensed all-caps face), Avocado (2006, script face), CbeNormal (2006, script face), Leipzig Fraktur (+Bold) (2006), Berlin Email (2006, a condensed sans family, followed in 2009 by Berlin Email Serif), MaassslicerItalic (2006, a futuristic typeface made for Rudolf Maass + Partner GmbH), Powerweld (a gorgeous avant-garde typeface made for OPTI Pumpen und Technik GmbH), WolgastScript (2005), WolgastTwo (2006, connected script), WolgastTwoBold, ZeichenDreihundert-Regular, ZeichenHundert-Regular, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular (2006, traffic dingbats), Djerba simplified (Arabic font, Computer and Technologie, Hamburg, 1995; it can be downloaded here), Titus FrakturBaltic (1998), TITUS FrakturEast Normal (1998), and TITUS FrakturWest Normal (1998) [which used to be downloadable here; these fonts were retired and the Titus name dropped; most of the glyphs made it to Schwaben Alt].

Dafont link. One more URL. Fontspace link. Yet another URL. Font Squirrel link. Fontsy link.

The list of his truetype and opentype typefaces as of 2011: 18thCenturyInitials, 18thCenturyKurrentStart, 18thCenturyKurrentText, Alfabilder, AlteDIN1451Mittelschrift, AlteDIN1451Mittelschriftgepraegt, AmptmannScript, ApolloASM, Avocado, Barnroof, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, BerlinEmailWideSemibold, Beroga, Beroga, BerogaFettig-Bold, BerogaFettig-Bold, BertholdMainzerFrakturUNZ1A-Italic, BertholdMainzerFrakturUNZ1A, BertholdrMainzerFraktur, Blankenburg-Regular, BlankenburgUNZ1A-Italic, BlankenburgUNZ1A, CasaSans-Regular, CasaSans, CasaSansFettig-Bold, CatShop, CentreClaws, CentreClawsBeam1, CentreClawsSlant, ChunkFiveEx, CntgenKanzley-Regular, CntgenKanzleyAufrecht, DIN1451fetteBreitschrift1936-Regular, DiscipuliBritannica, DiscipuliBritannicaBold, Doergon-Regular, DoergonBackshift, DoergonShift, DoergonWave-Regular, Elb-Tunnel, Elb-TunnelSchatten, Elbaris, ElbarisOutline, ElficCaslin, EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular, ErikaOrmig, Eureka, FibelNord-Bold, FibelNord-BoldItalic, FibelNord-Italic, FibelNord, FibelNordKontur, FibelSued-Bold, FibelSued-BoldItalic, FibelSued-Italic, FibelSued, FibelSuedKontur, GoeschenFraktur, GoeschenFrakturUNZ1A-Italic, GoeschenFrakturUNZ1A, Gondrin, GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift, GruenewaldVA-Regular, GruenewaldVA1.Klasse, GruenewaldVA3.Klasse, H1N1, HelvetiaVerbundene, KochFetteDeutscheSchrift, KochFetteDeutscheSchriftUNZ1A-Italic, KochFetteDeutscheSchriftUNZ1A, LeipzigFrakturBold, LeipzigFrakturHeavy-ExtraBold, LeipzigFrakturLF-Bold, LeipzigFrakturLF-Normal, LeipzigFrakturNormal, LeipzigFrakturUNZ1A-Bold, LeipzigFrakturUNZ1A-BoldItalic, LeipzigFrakturUNZ1A-Italic, LeipzigFrakturUNZ1A, Luxembourg1910, Luxembourg1910Contur, Luxembourg1910Ombre, MMX2010-Regular, Maassslicer3D, Maassslicer3D, MaassslicerItalic, MaassslicerItalic, Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, MeyneTextur, MeyneTexturUNZ1A-Italic, MeyneTexturUNZ1A, Midroba-Regular, MidrobaSchatten, Moderne3DSchwabacher, ModerneFetteSchwabacher, ModerneFetteSchwabacherUNZ1A-Italic, ModerneFetteSchwabacherUNZ1A, ModerneGekippteSchwabacher, MoradoFelt-Regular, MoradoMarker, MoradoNib, MoradoSharp-Regular, Murrx, Nathan-CondensedRegular, Nathan-ExpandedRegular, Nathan-Semi-expandedRegular, Nathan, NathanAlternates-CondensedRegular, NathanAlternates-ExpandedRegular, NathanAlternates-Semi-expandedRegular, NathanAlternates, Nomitais, Nomitais, Numikki, Numukki-Italic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, PreussischeIV44Ausgabe3, PreussischeVI9, PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, Proletarsk, Prsent60, Quimbie, Quimbie3D, QuimbieShaddow, QuimbieUH, Quirkus-Bold, Quirkus-BoldItalic, Quirkus-Italic, Quirkus, QuirkusOut, QuirkusUpsideDown, RostockKaligraph, RotundaPommerania, RotundaPommeraniaUNZ1A-Italic, RotundaPommeraniaUNZ1A, Rudelskopfdeutsch-Aufrecht, SchatternvonPreussischeVI9, Schulfibel-Nord-Linie-2, SchwabenAlt-Bold, SchwabenAltUNZ1A-Italic, SchwabenAltUNZ1A, Stage, StrassburgFraktur-Regular, TGL0-16, TGL0-17, TGL0-17Alt, TGL31034-1, TGL31034-1, TGL31034-2, TGL31034-2, Tank, TengwarOptime, TengwarOptimeDiagon, TitilliumMaps29L-1wt, TitilliumMaps29L-400wt, TitilliumMaps29L-800wt, TitilliumMaps29L-999wt, TitilliumText22L-1wt, TitilliumText22L-250wt, TitilliumText22L-400wt, TitilliumText22L-600wt, TitilliumText22L-800wt, TitilliumText22L-999wt, TitilliumTitle20, UtusiStar-Bold, UtusiStar, VarietScala, Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, Via-A-Vis, Vrng, Waschkueche, Waschkueche, WaschkuecheGrob-Ultra, WaschkuecheGrob-Ultra, WiegelKurrent, WiegelKurrent, WiegelKurrentMedium, WiegelKurrentMedium, WiegelLatein, WiegelLateinMedium, WolgastScript, WolgastScript, WolgastTwo, WolgastTwo, WolgastTwoBold, WolgastTwoBold, XAyax, XAyax, XAyaxOutline, XAyaxOutline, YiggivooUnicode-Italic, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D-Italic, YiggivooUnicode3D, YiggivooUnicode3D, ZeichenDreihundert-Regular, ZeichenDreihundertAlt, ZeichenHundert-Regular, ZeichenHundertAlt, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular, ZeichenZweihundertAlt, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalle, kaufhalleblech, kaufhalleblech, moebius.

His type 1 fonts as of 2011: Avocado, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, Beroga, BerogaFettig-Bold, CasaSans, Elb-Tunnel, Elb-TunnelSchatten, Maassslicer3D, MaassslicerItalic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, Quimbie, QuimbieUH, RostockKaligraph, TGL31034-1, TGL31034-2, UtusiStar-Bold, UtusiStar, Waschkueche, WaschkuecheGrob-Ultra, WolgastScript, WolgastTwo, WolgastTwoBold, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalleblech.

A list of typefaces in alphabetical order, with descriptive comments provided by Reynir Heidberg Stefansson from Iceland: 18th Century Kurrent (Kurrent-style handwriting, Wiegel-coded), Alfabilder (Alphabetic picture font for the German alphabet), Amptmann Script (Partly-connected, upright writing, used on Prussian Railways pattern drawings), ApolloASM (Jugendstil, vaguely resembling an ornate Bocklin), Avocado (Handwriting, broad-nib pen-style), Berlin Email (Narrow sans-serif, based on emailled signage; Wiegel-coded), Berlin Email Serif (Narrow serif, based on emailled signage; Wiegel-coded), Beroga (All-minuscule, rounded marker-style sans-serif with ca. 8° slope), Berthold Mainzer Fraktur (Fraktur in Wiegel (Regular only) and UNZ1(A) coding), Blankenburg (Semicondensed Tannenberg in Wiegel (Regular only) and UNZ1(A) coding), Casa Sans (Squarish, broad-nib pen-style block writing), CatShop (Serif, soft of an acid-washed didone), cbe Normal (Sans-serif, narrow, somewhat cuneiform), Centre Claws (Sans-serif, Art Deco display, a bit like Broadway), Cöntgen Kanzlei (Cöntgen Kanzley) (Fraktur-based calligraphy by Heinrich Hugo Cöntgen, Wiegel coding), DiffiKult (Sans-serif, display, no horizontal lines), DIN 1451 fette Breitschrift 1936 (The now-withdrawn Wide version of DIN 1451 traffic font), Discipuli Britannica (UK school handwriting), Doergon (Slab-serif, narrow-ish, all majuscule), CAT Eckmann, Elabris (Elbaris) (Sans-serif, caps/smallcaps, shades of DIN1451 Engschrift), Elb-Tunnel (Sans-serif, based on signage in the old Elbe tunnel in Hamburg), Elbic Caslon (Elfic Caslon, Elfic Caslin) (a Caslon for the Queen Galadriel), Erika Type (Erica Type) (Slab-serif, typewriter, comes from Wiegel's old Erika typewriter), Eureka (Serif, caps/smallcaps, Art Deco/Jugendstil), Fibel Nord (2009, sans-serif, based on German school primer), Fibel Sued (2009, sans-serif, based on German school primer), Fibel Vienna (Sans-serif, based on Austrian school primer), Fundamental Brigade (Sans-serif, geometric, some UNZ1 ligatures), Göschen Fraktur (Goeschen Fraktur) (Fraktur with a biblical feel, Wiegel (Rg only) and UNZ1 coding), Gondrini (Gondrin) (Sans-serif, geometric, display, shaded outlines, cookie-cutter), Greifswalder Deutsche Schrift (Handwriting, based on Rudolf Koch's Offenbacher Kurrent, Wiegel coding), Greifswalder Tengwar (Tengwar handwriting in Offenbach style), Gruenewald VA (Latin-style schoolhand, Wiegel coding), H1N1 (Heavy display typeface made of parallel wavetrains), Hardman (Heavy, wide, squarish logotype with connecting letters), Helvetia Verbundene (Swiss handwriting), Immermann (Display, resembles a seriffed Radio/Rundfunk, UNZ1 coding), Kaufhalle (Display, recreation of HO Kaufhalle logotype), Koch Fette Deutsche Schrift (Very plain fraktur, Wiegel (Rg only) and UNZ1 coding), Leipzig Fraktur (Fraktur for bread text, Wiegel coding), Leipzig Fraktur UNZ1A (Fraktur for bread text), Luxembourg 1910 (Sans-serif, Jugendstil display typeface from old spice drawers), Maass Slicer (Maassslicer) (Sans-serif, oblique display face, orig. logotype), Makushka (Sort-of an Elabris with minuscules, looks overlayable), Men Nefer (Slab-serif, geometric, UNZ1 coding), Midroba (Spur-serif, display, all-majuscule, heavy, octal), MMX2010 (Sans-serif, display, caps/smallcaps, TV game machine feel), Moderne Schwabacher (Heavily reworked, Wiegel coding), Moderne Fette Schwabacher UNZ1A (Heavily reworked, Wiegel coding), Möbius (moebius) (Sans-serif, display, bicolour (u/c = non-spacing fills, l/c = spacing outlines)), Morado (Connected handwriting with nib or marker pen), Murrx (Heavy display typeface made from ellipsoids on NE-SW axis), Mutter Krause (Serif, slanting, Jugendstil-feel), CAT Neuzeit and CAT Neuzeit Schatten (2012-2014), Nathan (Slab-serif, hand-drawn.), Nomatais (Nomitais) (Elabris with multiple levels of outlines), Numukki (Conlang, knotted-line, good for separators and scenebreaks), Powerweld (Sans-serif, Bauhaus style, all-minuscule), Präsent 60 (PI font with various East German logos), Preussische IV 44 (PreussischeIV44Ausgabe3) (Repro of Prussian Railways pattern type IV 44 version 3), Preussische VI 9 (Repro of Prussian Railways pattern type VI 9 version 2), Proletarsk (Sans-serif, monoline, doubled-up questionmark), Quast (Brush type, all-majuscule, very rough outline), Quimbie (Sans-serif, all-majuscule, resembles Amelia), Quirkus (Sans-serif), Ring Matrix (LED matrix with ring LEDs, solid LEDs and ring LEDs with shadow), Rostock Kaligraph (Very round calligraphy, resembles rotunda), Rotunda Pommerania (Rotunda style, Wiegel-code (Regular only) or UNZ1-coded), Rudelskopf deutsch (Sans-serif, based on Kurrent-style letterforms), Schwaben Alt (Schwabacher in Wiegel- (Rg only) or UNZ1-coding.), Stage (Sans-serif, narrow, Art Deco, fleeting taste of Broadway), Strassburg Fraktur (Handwritten fraktur, ornate majuscules, Wiegel-coding), Tank (PI font with (gas/petrol) tank station logos), TengwarOptime (Optima for Tengwar), TGL 0-16/0-17 (East German versions of DIN 16 and DIN 17 blueprint types), TGL 31034-1, TGL 31034-2 (East German versions of DIN 6776 / DIN EN ISO 3098 blueprint types), Utusi Star (Sans-serif, slight resemblance with Rundfunk), Varieté (Sans-serif, all-majuscule or caps/smallcaps), Vis-A-Vis (Serif, all-majuscule, split in middle), Volk Redis (Kurrent handwriting, anno 1930-1941), Vrångö (LED matrix type like Ring Matrix), Waschküche (Serif, resembles Antykwa Torunska), Wiegel Kurrent (Kurrent-style handwriting), Wiegel Latein (Latin-style handwriting), Wolgast Script (Sloppy-looking handwriting with a broad-nib pen), Wolgast Two (Latin/Cyrillic handwriting), XAyax (Serif, Jugendstil, narrow, all-majuscule), Yiggivoo Unicode (Sans-serif, wide, tall x, board game packaging feel), Youbilee (PI font with various jubilee laurels), Verkehrszeichen (Zeichen) (PI fonts with traffic signs (in layers)), Verkehrszeichen alt (Zeichen Alt) (PI fonts with old traffic signs (in layers)).

Abstract Fonts link. Dafont link. Kernest link. Klingspor link. CAT Fonts link. Fontesk link. [Google] [More]  ⦿

Cecilia Ann Harris
[Letters by Wordsworth]

[MyFonts] [More]  ⦿

Cecilia Payseur

Graphic designer in Charlotte, NC, who during her internship with Arzberger Stationers, created some caps typefaces in 2011; Flora (floriated), Suzy (oriental simulation), Caroline (calligraphic), Sassie (Victorian), and a blackletter face. [Google] [More]  ⦿

Celebrity Fontz
[Jose Jimenez]

Specializing in celebrity signature fonts, this Arcadia, CA-based foundry (est. 2008) is run by Jose Jimenez (b. Costa Mesa, CA, 1963). MyFonts link. It sells the following typefaces: Nursery Rhyme Initials (2004), Hire Me (2009), American Presidents (2008: a collection of all 44 U.S. Presidential signatures including Barack Obama), Signers of the Declaration of Independence (2008: a collection of all 56 signers of America's Declaration of Indepdendence).

In 2009, they added Tough Dude (childish handwriting), Western Americana (famous signatures), and Coulant Classique (calligraphic).

In 2010, he created a mix of calligraphy and brush in Classic Cool, as well as an ordinary hand-printed Wet Pussycat, and the all caps typefaces Snowflake Drop Caps, Crumpled Parchment (grunge), Mauro Poggi Ornamental Caps, and Flowery Drop Caps. Lil'Punk (2010) is a grungy hand-printed face. 20th Century German (2010), Maurice Dufrene Initials (2010, art nouveau) and Sassa Mixed (2010, inspired by Swiss art from 1939) are ornamental caps typefaces.

First Ladies (2011) consists of signatures of first ladies. Parisian Ornamentals (2011) is an ornamental shadow caps typeface modeled after an alleged 1810 design by J. Gillé [ahem, Gillé died in 1789...]. Other 2011 designs: Landscape Alphabet, Hollywood Stars (signatures), American Revolution (signatures), American Authors.

In 2012, he published Cartoon Characters Vol. 1, Medieval Times (illuminated caps), Pretzel Dough, Cats (alphadings), Bellflower (Victorian caps), Florid Renaissance (floriated caps), Victorian Ornamentals, Griffith Initials, Mother's Hand, Art Deco Flowery Initials (which are Victorian or art nouveau, and not really art deco in my view), Santerini Initials (inspired by Italian hand-etched designs dating back to 1839), 19th Century American Initials (art nouveau ornamental caps), Godfrey Sykes Initials (inspired by the decorations of Godfrey Sykes, whose work was greatly influenced by that of Raphael and Michelangelo), Alphabet of Death (a series of Northern-Renaissance-style woodcut letters based on the work of Hans Holbein the Younger), Lombardia Illuminata (Lombardic ornamental capitals), Straight Angles, Body Art (silhouettes), Italian Gothic (a full set of decorative initials inspired by 16th-century Italian calligrapher Giovanni Battista Palatino), Letters And Lace (ornamental caps), 26 Flowers (floriated drop caps), Brushwork (oriental brush face), Sfondo Fiorito (flourished caps).

Typefaces from 2013: English Monarchs (signatures of British monarchs), Kitchen Utensils (ornamental caps), Devilish, Papillon Woodcuts (a digital revival of an ornate alphabet by French engraver Jean-Michel Papillon dating back to 1760).

Typefaces from 2015: Kids at Play (ornamental caps).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Central Type Foundry

Foundry from St. Louis, est. 1872. It became "Central Division of ATF" in 1893. Discussion of its types by McGrew. Digitizations:

  • Spiral was the basis of the curly revival Hasta La Pasta (2005, Nick Curtis).
  • Raphael (1885) was digitized at Linotype / Monotype. It is an art nouveau display typeface with lots of swashy flair. Check the Adobe version (1974-1995).
  • Monument is a Solotype revival of a 1893 typeface by the Boston Type Foundry (which was also cast at the Central Type Foundry).
  • Harpers was designed for the popular newsweekly of the same name. It was digitally revived in 2009 by Nick Curtis as Weekly Bazaar NF.
  • Oh You Klid NF (2009, Nick Curtis) is based on the Victorian typeface Euclid from the 1880s.
  • Multiform, created for coloring. No known digitization.
  • Quaint Roman: a great hand-drawn alphabet. Khnown digitizations include Eglantine (David Nalle, Scriptorium), MiTica (2020, Rafael Ferran i Peralta), Bushwhacked NF (Nick Curtis) and Romanche (1992-1993, Thomas E. Harvey).
  • An 1880 typeface was revived in 2011 by Claude Pelletier as Euclid CP (free download).
  • Gloriosus NF (2014, Nick Curtis) revives Apollo.
  • Chuck Mountain revived Othello (1892) as Chausson CF (2020).
[Google] [MyFonts] [More]  ⦿

Cenz Qobbal

Malaysian designer (b. 1984) based in Petaling Jaya.

Creator of these typefaces in 2012: Afro, Stitches (stitch font), Pop Jazz, Galah Panjang, Bunga Cengkih, Senandung Malam (Victorian all caps family), Kunang Kunang, Raja Drama (hairline avant garde sans), Piring Hitam (Peignotian sans), Dayang Senandung (hairline caps), Kaberet (a squarish outlined typeface), Kata Bidalan (hairline sans), Halusinasi (hallucination), Pak Pandir, Primadona, Mohsuri, Badang (a strong sans), Si LuNcai (monoline geometric sans), Kata Bidalon (a hairline avant garde sans), ContenG (grungy), Chempaka, Retak Seribu, Batik Indo (a textured typeface), Berus Rambut Kuda, Usang (sketched face), Songket (textured caps), Ugly Hand Writing, Dedaun (floriated), The Garden (ornamental caps), Seni Pop (a textured typeface), Modern Kerawang (ornamental caps), Cakar Ayam (scratchy hand), Sticky Notes, and Kerawang (ornamental caps).

Typefaces from 2013: Selari (bilined), Haru Biru (bilined).

Behance link. [Google] [More]  ⦿

Ch. Rud & Son

London-based foundry, active at the end of the 19th century. Creators of the Victorian/almost art nouveau typeface Artistique Recherche. [Google] [More]  ⦿

Charles Emil Heyer

Chicago-based punch-cutter, 1841 (Berlin, b. Carl Emil Heyer)-1897 (Chicago). His typefaces have late Victorian and early art nouveau elements:

  • At BBS: Armenian (+Extended) (1879), Calumet (1887), Castle (1888, a clean basic sans), Challenge Lightface (1888), Fair (1893), Fair Open (1891), Grant No. 2 (1892), Heyer, Jewel Script (1888), La Salle (1889), Lakeside Script (1883), Lyric (+Lightface Lyric, 1882; in 1925 renamed to Greeting Card (+Light)), Maltese (+Open) (1878), Mayo, Myrtle Script (1885), Occident (+Shaded) (1881), Opaque, Plate Script, Princess Script (1887), Princeton, Solar (1888), Sylvan Text.
  • At Boston Type Foundry: Bank Note Italic Ornamented (1874 or 1875), Compressed Black (1875), Copperplate Italic (1875), Harlem (+Open, +Shade) (1875), Karnac (1874 [note: not sure this was done at Boston Type Foundry]), Mayence (1875), Nubian (1876), Rococo (1876), Vienna (1875).
  • At Western Type Foundry: Circular Gothic No. 44 (1879). For a revival, see Foundation Sans Number 44 (Henrik Kubel, 2018).
List of patents taken on fonts, by date: 1879: Armenian extended, unnamed art nouveau face, unnamed BBS face. 1880: unnamed BBS face, unnamed BBS face. 1881: blackletter face, unnamed BBS face, unnamed BBS face, unnamed BBS face, unnamed BBS face. 1882: unnamed BBS face, unnamed BBS face, unnamed BBS face, unnamed BBS face. 1883: unnamed BBS face. 1884: unnamed art nouveau face, unnamed art nouveau face, unnamed art nouveau face, unnamed BBS face. 1886: unnamed BBS face, borders. 1887: School Script for BBS, unnamed BBS face, unnamed BBS face. 1888: unnamed BBS face, unnamed BBS face. 1891: ornaments for BBS. [Google] [More]  ⦿

Charles Henry Beeler

Type designer, b. 1855 Philadelphia, d. 1934. He made a condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887, and digitally revived as Roundhead by Dan Solo (Solotype). In fact, this type already appears in an 1883 specimen book by Mackellar, Smiths & Jordan. For a second revival of Roundhead, see LevellerNF (2014, Nick Curtis).

Still at Mackellar, he created a fist-based alphading typeface in 1891. Hansard (1887) and Telegraph (1895), Victorian designs, were also revived by Dan Solo. Manifesto Bold (2003, Dan Solo) is a further revival.

Google patent link. MyFonts catalog. Klingspor link. Patent office link. [Google] [MyFonts] [More]  ⦿

Christian Munk

Danish designer (b. 1991), aka CMunk, who used FontStruct to create most of his typefaces. Dafont link.

In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime typeface to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.

In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.

FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Blocktur, Symmetricus (alien writing?).

FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).

Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.

Typefaces made in 2013: Ribbons And Banners, Digital Rome (pixel face), Censorship, Interlock, Bouma, Glaedelig Script, Hand XL Smooth, Vascomat, Spitzschtruct (emulation of Suetterlin), Neonic, Fish Scales, 7:12 Serif, Analogly, Squarific Fraktastic, Metro Sans (pixelish).

Typefaces from 2014: Word Games, Shadows, Yuuroppuna pixel, Spines, Numbers, Tal Dansk, Zahlen Deutsch, Insular Typewriter, Nudge Nudge (dot matrix), 7:12 Serif (monospaced pixel font), Jovian, Squarafic Fraktastic, Computer Says No, Runic, Fluorescent (neon tube typeface).

Typefaces from 2015: Hexagonia, Kapow (a comic book font), Fauxreign (a Thai emulation font).

Typefaces from 2016: Ziplock (art deco), Vexillum (maritime signal flags).

Typefaces from 2019: Drop Cap (Lombardic), Fun with Cubes (3d). [Google] [More]  ⦿

Christie Liberatore

American graphic designer from Baltimore, MD, who studied in SVA;'s Masters program in Rome in 2012. Roman signage inspired her in the creation of four alphabets in 2012: Sermoneta (Victorian), Giolitti (Victorian), Credito Italiano (Victorian), and Deccio (avant-garde).

Behance link. [Google] [More]  ⦿

Christina Fountain

Lawrence, KS-based graphic designer who created the Victorian typeface Ophelia (2012) and the beautiful blackboard bold typeface Gilded (2014) dedicated to the roaring twenties. Behance link. [Google] [More]  ⦿

Christina Torre

Co-designer with Richard Kegler of several fonts at P22 type foundry, which she joined in 2000. She graduated from the State University of New York at Buffalo with a BA in Communication Design. She worked at the Pushpin Group in NYC and at Dog Eat Dog Advertising, Inc. in Buffalo, NY. Her typefaces:

[Google] [MyFonts] [More]  ⦿

Christopher K. Wright

Originally from Brooklyn, Christopher K. Wright now teaches graphic design, web design and typography at Indian River State College in Florida. He created the commercial curly Victorian typeface family Exposition (2014). Creative Market link. [Google] [More]  ⦿

Christopher Kebblewhite

During his studies at Design College Australia, Christopher Kebblewhite created Neaves (2015), a custom serif font inspired by a masthead from an 1890's Ladies Home Journal. [Google] [More]  ⦿

Christopher Laughlin

American graphic and type designer who created Semester (a curly almost Victorian script) and Joseph Venetian (almost blackletter) in 2009. [Google] [More]  ⦿

Chuck Davis
[Letterhead Fonts]

[MyFonts] [More]  ⦿

Chyrllene Albuquerque

Aka Chyrllene K. Daughter of Iza W, who designed many typefaces at Intellecta Design starting in 2010. She studied applied mathematics and graphic design, and works as COO of Intellecta Design. In 2013, she wrote a thesis entitled Revival Tipografico at Faculdades Integradas Barros Melo, Brazil. Based in Recife, Brazil, she is credited with these typefaces:

  • Naive Ornaments (2012, with Iza W).
  • Calligraphic Birds (2012, with Iza W).
  • ABC Hand (2011). A sign language face.
  • Pencraft (2010): a penmanship typeface with uppercase based on Swagger Capitals (Carl Stephen Junge, at Barnhart Brothers&Spindler), and lowercase based on Sidney Gaunt's Pencraft Oldstyle series (1914), as displayed in the BBS catalog from 1922.
  • Eingraviert Dutch Capitals (2009). An engraved typeface.
  • Vintage Hands (2012). A set of fists and penman's hands.
  • Bonsai Paufo (2010): a dingbat face.
  • Floreart (2012). With Iza W.
  • Jugendstil Flowers (2011).
  • Libertee Ornaments (2011): an elegant art nouveau typeface done with Paulo W.
  • MesoAmerican (+Two) (2011): native Indian dingbat typefaces.
  • Tribalism (2011): three typefaces with ornaments and fleurons, done together with Iza W and Paulo W.
  • Cripto (2011). With Paulo W.
  • Soft Garden (2012). With Iza W.
  • Bruce 1065 Soft Serifs (2011). Very Victorian. With Iza W.
  • Victorian Advertizing (2011).
  • Gothic Revival Layered (2012). One of the first layered blackletter typefaces anywhere.
  • Forte (2013) is a fee brush font in the style of Forte MT (1962, Carl Reissberger).
  • Tribalism (2011). Three fonts with penmanship-style flourishes.
  • Enchiridion (2012).
  • Azalleia Ornaments (2012). With Iza W.

Behance link. [Google] [MyFonts] [More]  ⦿

Clarence Pearson Hornung
[Dick Pape]

Prolific author, b. 1899. His books include the typographically magnificent Handbook of Early Advertising Art, Mainly from American Sources (Dover, 2 volumes). The typeface Lexington is attributed to him, as Mac McGrew writes: Lexington is a font of shaded and decorated letters and figures, drawn for ATF by Wadsworth A. Parker in 1926, from a design by Clarence P. Hornung. It is an ornamental form of roman letter, with curly serifs, and tendrils at the ends of light strokes. It was recast in 1954, and copied in one size by Los Angeles Type.

The book Early Advertising Alphabets, Initials and Typographic Ornaments (1956), edited by Clarence P. Hornung, led Dick Pape to creates these digital fonts in 2008: AltDeutsch, Amorette1889, ArabesqueDesign, BreiteEgyptienne (2008), BreiteverzierteClarendon, ChiswickPressGothicInitials, EarlyScrollAlphabet, EarlySignboards, EnglandInitials1880, ErhardDatdolt, FlorentineInitials, FlorentineInitialsReverse (2008), GothicChancery1880s, GothicClosedLetter (2009-2010, Lombardic), Hollandisch-Gothic (2010), JudendstilAlphabet (2009), LilyoftheValley, Papillon 1760 [First shown in Paris in 1760, and reprinted by Clarence P Hornung in Dover Pictorial Archive Series: Early Advertising Alphabets, Initials and Typographic Ornaments (1956, Dover Publications). Hornung's images inspired Pape's typeface], Phantasie (2009-2010), Romaine Midolline (2010), RomanPrintShaded (2010, ornamental roman caps), RusticAlphabet, SilhouetteInitials1880, TheTerrorsofNightLife, VerzierteAltGothic, VerzierteGothic, VictoriaGingerbread1890 (2007).

Klingspor link.

Download here. More direct link to Pape's digitizations. [Google] [More]  ⦿

Clarendon

A discussion on Typophile regarding the history of Clarendon and good versions. This site provides additional information. A summary:

  • The original Clarendon is due to Robert Besley (1845). Robert Bringhurst writes: Clarendon is the name of a whole genus of Victorian typefaces, spawned by a font cut by Benjamin Fox for Robert Besley at the Fann Street Foundry, London, in 1845. These typefaces reflect the hearty, stolid, bland, unstoppable aspects of the British Empire. They lack cultivation, but they also lack menace and guile. They squint and stand their ground, but they do not glare. In other words, they consist of thick strokes melding into thick slab serifs, fat ball terminals, vertical axis, large eye, low contrast and tiny aperture. The original had no italic, as the typeface had nothing of the fluent hand or sculpted nib left in its pedigree.
  • Robert Bringhurst: Herman Eidenbenz drew a revival Clarendon for Haas Foundry in Münchenstein, Switzerland, in 1951, and in 1962 the foundry finally added the light weight that transformed the series, paring it down from premodern ponderousness to postmodern insubstantiality. Clarendon LT (Linotype) is the digital version of this typeface (Linotype says that the typeface was created in 1953, contradicting Bringhurst).
  • Freeman "Jerry" Craw designed the Craw Clarendon (Book and Condensed) at ATF in 1955-1960. It is available, e.g., as Craw Clarendon EF, OPTI Craw Clarendon, and Craw Clarendon (2013, Jordan Davies).
  • Contemporary Clarendons include Font Bureau's Giza, Storm's Farao and Hoefler's Proteus.

Poster by Elizabeth West. [Google] [More]  ⦿

Clarendon

The original Clarendon is due to Robert Besley (1845). Robert Bringhurst writes: Clarendon is the name of a whole genus of Victorian typefaces, spawned by a font cut by Benjamin Fox for Robert Besley at the Fann Street Foundry, London, in 1845. These typefaces reflect the hearty, stolid, bland, unstoppable aspects of the British Empire. They lack cultivation, but they also lack menace and guile. They squint and stand their ground, but they do not glare. In other words, they consist of thick strokes melding into thick slab serifs, fat ball terminals, vertical axis, large eye, low contrast and tiny aperture. The original had no italic, as the typeface had nothing of the fluent hand or sculpted nib left in its pedigree.

Mac McGrew adds: Clarendon is a traditional English style of typeface, dating from the 1840s, the name coming from the Clarendon Press at Oxford, or, according to some sources, from Britain's Earl of Clarendon and his interest in that country's Egyptian policies. (Such typefaces were classified as Egyptians, and inspired such later designs as Cairo, Karnak, Memphis, and Stymie.) Early Clarendons were used primarily as titles and display typefaces, for which their strong and sturdy nature was well suited. They have the general structure of romans, but lack the hairlines typical of those typefaces. Being heavier, the traditional Clarendons were often used as boldfaces with romans, before the family idea provided matching boldface designs.

McGrew continues his discussion by pointing out various revivals and typefaces with strong similarities: Similar typefaces were known as Doric or Ionic, before more individualized type names became common; in fact, all three names were sometimes used interchangeably. Most foundries had versions of Clarendon, and sometimes Doric and Ionic, in the nineteenth century, but most of these typefaces were obsolescent by the turn of the century. However, a few were copied by Linotype, Intertype and Monotype, and thus given a renewed lease on life. Clarendon Medium of BB&S was formerly known as Caledonian. ATF had a similar typeface known as Ionic No. 522. Keystone showed Clarendon Condensed in 1890. Clarendon [No. 51 of BB&S was called Winchendon by Hansen, and extended to 48-point. Like many pre-point-system typefaces, some foundries adapted them to point-system standards by casting them on oversize bodies, others on undersize bodies with overhanging descenders. In the later 1950s Stephenson Blake in England revived several of these early Clarendons under the new name of Consort, which became a popular import (and the source of some of our specimens). Consort Bold Condensed is said to be the first Clarendon, of 1845. (Some added members of the Consort family are noted under Popular Imports in the Appendix.) In 1953 a new version of Clarendon was developed by Hermann Eidenbenz for the Haas Type foundry in Switzerland and later acquired by Stempel in Germany. The Haas Clarendon was copied by Linotype in 1966, in light and bold weights, and about the same time Ludlow brought out three weights of essentially the same face. This was created primarily to set the newspaper ads of a large department store, but it was a good addition to the resources of Ludlow. ATF commissioned a modernized rendition of Clarendon from Freeman Craw, and this was brought out in 1955 as Craw Clarendon (q.v.). About 1961 Monotype brought out Clarendon Bold Extended, similar to Craw Clarendon but heavier. Also see Ionic, News with Clarendon, Manila.

Poster by Elizabeth West. [Google] [More]  ⦿

Claude Pelletier
[Victorian fonts]

[More]  ⦿

Claude Pelletier

Quebec-based typographer and type designer (aka Diogene) who specializes mainly in revivals of obscure or old typefaces.

Dafont link. Yet another URL. Abfonts carries many of his fonts. Fontspace link.

His typefaces:

  • Aerolite C Pone (2013). A calligraphic connected copperplate script.
  • Angelica CP (2011). After a Fotostar font, Angelica, ca. 1960.
  • Banner Star (2012). An American flag-themed display typeface.
  • Barrio CP (2011). An inline face based on a Neufville original.
  • BeansCP (2010, after a font found on page 10 of Art Deco Display Alphabets: 100 Complete Fonts by Dan X. Solo).
  • Bienetresocial (2003), BienetresocialBold (2003).
  • Bizarre and Bizarrerie (2010; based on Edwards and Inland, both designed in 1895 by Nicholas J. Werner at the Inland Type Foundry; renamed in 1925 by BBS)
  • Bloque Demo (2011). Experimental.
  • Bold (2008)
  • Bolina (2015). A copperplate calligraphic script after Dan X. Solo's alphabet shown on page 12 of Dan X Solo. Script and Cursive Alphabets (1987, Dover).
  • Bonte Divine (2017).
  • Carre (2009, athletic numerals).
  • Caslon CP (2012, based on Caslon 223 Bold).
  • Champignon (1999-2009, a formal calligraphic script)
  • Chartrand (2010, Victorian)
  • Chomage (2009)
  • Chopin Script (1999-2010, calligraphic; after Polonaise by Phil Martin)
  • Constanze Initials (2010). After Constanze Initials by Joachim Romann (1956).
  • Crayonnette (2000-2001). Same as his earlier font Derniere (1999).
  • DeClaude (2010, patterned and named after DeVinne)
  • Dojo CP (2011)
  • Dynamic CP (2010, based on page 48 of The Solotype Catalog of 4,147 Display Typefaces as Dynamic Deco)
  • Ebony (2011). Based on a Marder&Luse design from 1890. Ebony is on page 38 of 100 Ornamental Alphabets by Dan X. Solo and also on page 43 of The Solotype Catalog of 4,147 Display Typefaces.
  • Embrionic 85 (2012, +Swash Caps) and Embrionic 55 Swash (2012): an ink trap sans display family modeled after Robert Trogman's Embrionic in the FotoStar collection.
  • Essai (2003)
  • Euclid CP (2011): based on an 1880 typeface at Central Type Foundry.
  • Fancy Text (2004, blackletter)
  • Fantaisie1 (1999)
  • Gourmandise (2013), an exquisite Normandian-style didone display typeface.
  • Grandee CP (2014). Claude says that it is based on T.H. Grandee, but that is too cryptic for me...
  • Haricot (2010, a fat modular typeface based on Beans in the Dan Solo catalog)
  • Humeur (2001-2002, funny smilies)
  • IEC5000 (2011). A symbol font with electrical and other icons.
  • Initiales Medium (2011).
  • Jeux Cache (2016). A boxed letter font.
  • JohnHancockCP-Medium (2010, bold didone)
  • Landi Echo (2011). A remake of Landi Echo by Alessandro Butti (1939-1943).
  • La Tribune (2011). A newspaper type.
  • Le Golf or Le Trou (2010, art nouveau typeface by Antoine Szczebanski, digitized by Claude Pelletier; also on page 71 of the Solotype catalog)
  • Les Etoiles (2013): an inline typeface
  • Les Tuyaux (2018). A great slinky font.
  • Lionel CP (2010, a multiline typeface inspired by Letraset's 1973 typeface Stripes)
  • Louisa CP (2015). A free calligraphic copperplate script. Louisa CP is Louisa on page 56 of Script and Cursive Alphabets: 100 Complete Fonts by Dan X. Solo.
  • Malvern (1999)
  • Manquis CP (2012). A roman typeface.
  • Maratre (2013). A delicious connected copperplate calligraphic script that revives (or is almost identical to) François Boltana's Aurore (1993).
  • Monterey Wide (2011). A Tuscan ornamental face, based on a showing on page 22 of The Solotype Catalog of 4,147 Display Typefaces.
  • Motscroises (1997)
  • Niaisage (2012). A lachrymal caps only typeface.
  • Oxford CP (2010, a multiline face, based on the 1960s typeface by Christine Lord)
  • Pasdecourbe (2003)
  • Pasdenom (2001, no punctuation)
  • Peak CP (2020). A revival of VGC's photo font Peak.
  • Pepinot (2012), an art nouveau typeface based on Coral Inline on page 190 of The Solotype Catalog of 4,147 Display Typefaces.
  • Pistilli Roman (2011, after the original by Pistilli)
  • Postface (2012). A bold signage script face.
  • Rita Smith (2012). After Primavera by Rita Major.
  • Rogers, Rogers2 (1997). He says that it is not his font---that he just rearranged the glyphs. According to Claude, can be found in the book Treasury of Authentic Art Nouveau Alphabets, ed. Petzendorfer, Plate 23. It was made in 1902 by A.V. Haight for Inland Type foundry.
  • Salamandre (2012). A tall 19-th century style slab typeface based on Iguana, a design of Sally-Ann Grover.
  • Simplement (2011) is Cut-in Medium on page 163 of The Solotype Catalog of 4,147 Display Typefaces.
  • Stylie Stymus (2012).
  • Threshold (2014).
  • TriangleETcircleShadow, TriangleETcircleShadowed (2010, 3d iron work style face)
  • UptightC (2010, multiline face).
  • Whitin Condensed Black (015). Whitin Condensed Black is Whitin Black Condensed on page 151 of The Solotype Catalog of 4,147 Display Typefaces.
  • YagiUHFNo2 (2012).
  • Zenith CP (2016). A free connected calligraphic (wedding) script typeface.
[Google] [More]  ⦿

Cleveland Type Foundry

Foundry in Cleveland that existed from 1875 until 1892, when it was absorbed by ATF. It was also called H.H. Thorpe Mfg. Co. They published Catalogue and Book of Specimens From the Cleveland Type Foundry. The H.H. Thorp Mfg. Co., 147 St. Clair Street, Cleveland, Ohio (176 pages, 1880), Catalogue and Price List of Type and Material (ATF 1893 Specimen) (1893), and Catalogue and book of specimens of type typefaces and printing material and machinery (1895).

Its original designs include Koster Initials and Litho (a curly Victorian typeface digitally revived by Nick Curtis in 2007 as Cleveland Litho NF; Curtis says that it comes from an 1898 specimen book but that contradicts the ATF date). Another Curtis revival, Yum Yum NF (2008) is said to be based on Mikado from an 1893 Cleveland specimen book. And in 2008, Nick Curtis continued with a revival of the geometric display typeface Morning Glory (1893), and a revival of Oxford called Really Big Shoe NF (2009). One of Central type foundry's most famous typefaces is the faux-Chinese font Chinese (1883, later called Mandarin). In 2010, Nick Curtis redid Geometric, a typewriter style face, and called it Linndale Square NF.

In 2013, the Victorian capitals typeface Oxford No. 2 (from the 1893 catalog) provided the inspiration for the digital typeface MFC Damask (Brian J. Bonislawsky and Jim Lyles, Monogram Fonts Co). MFC Damask Flourish (2013) is a floriated caps typeface from the same source. [Google] [More]  ⦿

Cob Studios (was: Aidan, or WY Creative)
[Wildan Yakob]

Wildan Yakob (Cob Studios, formerly Aidan, and before that, WY Creative, Bandung, Indonesia) created the spurred vintage typeface Mandon, the spurred Victorian typefaces Zumba and Munozudo, the curly typeface Afatar, the brush script typeface Heina, the curly typeface Bahamastch, the script typeface Ariandi and the vintage decorative typeface Lanedey in 2015.

In 2016, he designed Arthila Script, Noera, Cafetila (a bold script), Willona (brush script), and the connected brush script Mathila Script.

Typefaces from 2017: Varche Caps (sans), Ol Sans (a rounded sans; +Inline), Austic Script (monoline), Justich Brush (watercolor brush), Machost (rounded sans).

Typefaces from 2018: Jachoust (font duo), Bhetanic Signature, Sabita, Lastion, Sadinta. Creative Market link. New Behance link. Newer Creative Market link. Newer Behance link. [Google] [More]  ⦿

Coffee Bin Fonts
[Billy Jacobs]

Navarre, OH-based foundry run by artist/designer Billy Jacobs (b. 1958). His font creations are based on 19th century advertising type found in tradecards, catalogs and periodicals from that era.

His 2006 designs: Drugstore, Horsfords, Hoyts German Cologne (art nouveau), Letterhead, Soap Box, The Youths Companion (+Shaded: Victorian).

Klingspor link.

MyFonts selection. [Google] [MyFonts] [More]  ⦿

Colative Studio

Medan, Indonesia-based designer of Hoarse (2022: a vintage display typeface), Florica (2022: spurred, Victorian) and Chiladepia (2022). [Google] [More]  ⦿

Colin Brignall

British type designer and art director, born in 1940 (MyFonts.com says 1945, Warwickshire), who was type director at Letraset for some time. In 1980 he became Type Director for Esselte Letraset. In 1995 Brignall moved to ITC. With the closure of ITC's New York office in November 1999, Brignall was re-appointed Type Director for Esselte Letraset. The latest major project in which Brignall was involved was the ITC Johnston series launched in 1999. He received the Type Directors Club Medal at TDC2 in 2001. The Letraset and ITC collections are now owned (via Linotype) by Monotype.

Bio. Bio at Linotype. His fonts include

  • Aachen Bold (1967, Letraset), Aachen Medium (1977, an extension done with Alan Meeks). Digital implementations of Aachen: Aachen (ITC), Aachen (Tilde), Aachen (Adobe), Neue Aachen (ITC), Aachen SH (Scangraphic Digital Type Collection), Aachen SB (Scangraphic Digital Type Collection). In 2012, Jim Wasco (Monotype) extended Aachen to 18 fonts including an italic, called Neue Aachen. Aachen is characterized by short slab serifs, which gives it a retro techno look.
  • Revue (1969), an unsuccessful display face.
  • Countdown (1965, LED simulation face), cyrillicized in 1993 by A. Kustov at TypeMarket.
  • Superstar (1970, an athletic lettering typeface now owned by ITC and sold by MyFonts).
  • Italia (1974; see Istria on the SoftMaker MegaFont XXL CD, 2002, and Revival 791 in the Bitstream collection), Italia Book (1977). Influenced by the Venetian style. Designed for Letraset and then licensed to ITC, where it became ITC Italia.
  • Premier Lightline (1969), an elegant art deco hairline face. For a digital revival, see Pergamon (2012, SoftMaker).
  • Premier Shaded (1970), caps only shaded art deco face.
  • Romic Light (1979-1980). See R790 Roman on Softmaker's XXL CD (2002).
  • Corinthian (1981).
  • Epokha (1992), a 1910 poster style slab serif.
  • Edwardian (1983). Digital versions: Edwardian Medium (ITC), Edwardian (Linotype), Edwardian EF (Elsner&Flake).
  • Harlow (1977-1979), a fifties style keavy monoline display script. The Scangraphic versions are Harlow SB and Harlow SH. Harlow Solid was revived by Felipe Calderon as Melts Script (2017, more an interpretation than a revival). For other digital versions, see Harlekin (2012, SoftMaker), HarlowICG (Image Club Graphics), Harlow (ITC), HarlowD (URW), OPTI Hastings (Castcraft), H652 Script (SoftMaker), and Harrogate (SoftMaker).
  • Octopuss (1970), similar to Harlow. Digital versions exist at ITC and Scangraphic.
  • Tango (1974) [a freefont inspired by Tango can be found in Julius B. Thyssen's Kylie 1996-J], yet another typeface in the spirit of Harlow.
  • Jenson Old Style (1982, with Freda Sack), a Venetian face.
  • Victorian (1976, Letraset; with Freda Sack).
  • Type Embellishments One, Two and Three (1994): handsome ornaments developed in the Letraset Type Studio by Michael Gills and Colin Brignall to complement the Fontek Typeface Library.
  • Retro Bold (1992, a slab serif done with Andrew Smith).
  • ITC Werkstatt (1999, ITC: a hookish Preissig-style typeface developed with Satwinder Sehmi).

FontShop link. Klingspor link.

View Colin Brignall's typefaces. [Google] [MyFonts] [More]  ⦿

Collide 24
[Lena Manger]

Lena Manger works multidisciplinary in the fields of visual communication and graphic design. She graduated from the University of Applied Sciences, Mainz in 2018, and currently lives and works in Berlin, Germany. In 2019, Lena Manger and Kevin Moll co-designed the spindly Victorian typeface Mystica Extended. [Google] [More]  ⦿

Corradine Fonts
[Manuel Eduardo Corradine]

Manuel Eduardo Corradine Mora was born in Bogotá in 1973. He graduated from the School of Graphic Design of the National University of Colombia in 1996, and became a graphic designer. He started by custom-designing fonts and by making typefaces for his own company, Casa Papelera El Cedro (The Cedar Papermaking House), for printing invitation cards. With other designers like Carlos Fabián Camargo, John Vargas and César Puertas he formed Tipográfico in 2007 to strengthen the type discipline in Colombia. Corradine Fonts is Manuel Corradine's own foundry in Bogotá, Colombia, founded in 2006. Today, he is one of Colombia's principal type designers. He also teaches at Universidad Piloto de Colombia in Bogota.

Fonts from 2007: Kidwriting (a family which includes Kidwriting Dingbats 1 and 2), Garabata (a fantastic handwriting face), Garabata Dingbats, Hexagona Digital, Quadrat (grunge), Quadrat Old (grunge), Quadrat Dirty (grunge), Quadrat Broken, Quadrat Ugly, Neogot (experimental, 8 styles).

Fonts from 2008: Mucura (handwriting), Prissa (handwriting), Salpicon (a script), Cuento Serif (a bouncy hand-printed family), Memoria (brush script), Charco, Happy Day (comic book family with Happy Day Dingbats), Espectro (a swinging script with swashes and a Dingbats style), Furia (handwriting), Candelaria (based on house signs in the La Candelaria neighborhood of Bogotá), Old Village (1600's style), Old Village Ornaments, Rapidda (a successful simulation of quick handwriting), Hueca (an outline children's script), Antigua (an old swashbuckler family), Colegial (a great-looking hand script), Pincel (a fantastic paint brush family with accompanying splatter dingbats), Trazo (Corradine's handwriting), Arcos (a techno family), Caveman (a primitive stone-look type family), Rumba (two styles; an elegant flowing brush script), Parche (graffiti family), Elegance Monoline (a greeting card script typeface that won an award at Tipos Latinos 2008), Abuelito (script).

Fonts from 2009: Helga (flowing script), Mussica (+Swash, +Antiqued: a delicate Victorian typeface; followed in 2017 by Mussica Italic), Guarapo (hand-printed), Toxic (futuristic stencil), Emotion (comic book face), Bloque 3D, Rock and Cola, Betco's Hand, Telefante (comic book family), Nancy's Hand (more comic book hand-printing), Alambre (multiline/paperclip), Sensual (calligraphic hand), Zape (in the style of Tekton), Antrax Tech (grunge), Masato (handwriting), Hu Kou (oriental simulation).

Fonts fgrom 2010: Miel (a curly script), Oferta (a signage script), Corradine Handwriting (and Corradine Handwriting Italic, 2015), Alberto (connected hand), Changua (hand-printed).

Fonts from 2011: Plebeya (2011, connected hand), Mimi's Hand Connected, Legendaria (an extensive connected calligraphic family).

Fonts from 2012: Tecna (a techno family co-designed with Sergio Ramirez), Neuron (a fantastic 16-style rounded elliptical sans family created together with Sergio Ramirez), Bucanera Soft (blackletter), Bucanera Antiqued (grungy blackletter), Official (a simple monoline sans family), Almibar (a connected calligraphic Spencerian script), Eterea (a roman all-caps family), Eterea LC (the lower case set), Canciller (an italic roman, done with Sergio Ramirez), Quarzo (2012, a formal copperplate script done with Sergio Ramirez).

Typefaces from 2013: Neuron Angled (still with Sergio Ramirez), Alianza Slab (a great-looking slab family), Alianza Italic and Alianza Script (a packaging font), all made jointly by Manuel Eduardo Corradine and Sergio Ramirez.

Typefaces from 2014: Whisky (a large blackletter family with inlines and fills for layering co-designed with Sergio Ramirez; related to German expressionism, it won an award at Tipos Latinos 2016), Whisky Italics, Beauty Script (with Juan Sebastian Rincon), Emblema and Emblema Headline (tall-legged art deco sans family by Duvan Cardenas), Wild Pen (a 1200-glyph set of typefaces that can be used to simulate handwriting thanks to smart replacements in Opentype), Sinffonia (a thin informal typeface with oodles of choices for swashes).

Typefaces from 2015: Be Creative (a vintage display typeface), Typnic (a varied handcrafted layered and script typeface family; rhymes with picnic), Typnic Headline Slab.

Typefaces from 2016: Naugles (thick display face based on the Naugles logo), Scrans (a modern signage script), Bloque (heavy slab family), Bloque Italic.

Typefaces from 2017: Cristal (layered, triangulated and beveled font family, including exquisite Cristal Dingbats and Cristal Frames), Almibar Pro (connected calligraphic script).

Typefaces from 2018: Tierra Script, Pueblito (rustic style).

Typefaces from 2019: Austera Text (a comfortable workhorse serif).

Typefaces from 2020: Kidwriting Pro.

Klingspor link. Behance link. Creative Market link. MyFonts link. Fontspring link. Font Squirrel link.

View Corradine's typefaces. [Google] [MyFonts] [More]  ⦿

Cove 703 (was: ComicVector 703)
[Cundrawan Tan]

Denpasar, Bali-based designer of the curly handcrafted typeface Kerithing (2015), Baline Script (2016) and the watercolor brush typeface Amarill (2016). Typefaces from 2017: The Naturel (woodblock printing style), Balistroke, Rosedita Script (calligraphic), Maheera, Ringotube (2017).

Typefaces from 2019: Tony Bhages (dry brush), James Stroker, Ricky Lhambert, Cleopharta (dry brush), Hardy Blow (dry brush script), Morgan Chalk, Cherry Angela, Christopher Done, Chrusty Rock, Willy Brothers, Zuka Doodle (3d, sketched), Yasmine Rothem, Qinyana Signature, Firyana Beauty, Olivia Dhorgent, Wyntex Brasco, Charlie Zonk, Agnesa Kyoto, Mickey Steward, Becky Tahlia, Boldywolf, Paul Signature, Happy Sunday, Just Mandrawn (sketched), Ghiya Strokes (a dry brush typeface), Jocky Starline, Billy Scriptian, Rose Katrinah, Nugie Romantic (Victorian), Nadia Sofia (bold italic), Golden Ranger, Dharko Gilbert, Kestoy Selfie, Falling Button (a fat finger font), Richie Brusher (dry brush), Rhyanie Lane, Sheila Crayon, Anthem Nasney, Melodya Chatrina, Sandra Belhock, Duck in Shipah, Monster Game, Robert Barack, Hot Restaurant (monoline script), Funshop, Katrine Holland, Shark Ready, Heidy Indigo, Takashi Minta, Ballet Harmony, Knight Jacker (blackletter script), Michael Jackpot (brush font), John Bulgarry (script), Roshida Valentines, (script) The Naturel Txt (a dry brush or wood texture emulation font), Jungle Boy, Shitoberry (script), Baline Script. Creative Market link. Dafont link. Graphicriver link. [Google] [More]  ⦿

Craft Graphic (was: Thrift and Thistle)
[Matt Hull]

British free font foundry located in London run by Matt Hull (or Matt Rowan), a graphic designer, web designer and illustrator based in Surrey, UK. Behance link. Creative Market link, where Matt started selling his fonts. Matt's typefaces:

  • Acquaintance is a free rounded hand-drawn display typeface that is best used for headlines.
  • Acta (2019). A weathered label font.
  • Albium (2019). A rounded sans.
  • Aneto (2019). A rounded sans.
  • Baird Sketch Serif (2019).
  • Cavalcade is a free hand-drawn 3d face.
  • Crotched (2012).
  • Delineate is a free handwriting face.
  • Exesa (2019).
  • Flumen (2019).
  • Gaunt is a free uppercase variable-width poster face.
  • Griffonage is a free uppercase chalk/pencil/crayon typeface for a scribble or scrawl style. See also Griffon (2019).
  • Incision (2012). A paper cut out typeface.
  • Jabre (2019). A condensed sans.
  • Ottavia (2019). A simple sans.
  • Meander. Hand-printed.
  • Perplex is a heavy ink script face.
  • Piav (2019). An open single stroke sans.
  • Polpo (2019). Hand-crafted.
  • Quercia (2019). A contemporary slab serif.
  • Sampler (2012). An ornamental caps typeface based upon an original needlework sampler pattern.
  • Selva (2019).
  • Signe (2019). A condensed display typeface.
  • Viscid (2012). A brush face.
  • Winchester (2019). A script typeface.
  • Typefaces from 2013: Franq (poster typeface), Densen, Chroma (a sign painters' font), Mulligan (a hand-drawn Western / Victorian typeface).
  • Typefaces from 2014: Heiter, Viscount (Western typeface).
[Google] [More]  ⦿

Craft Supply
[Nazzar Saputra]

Kediri, Indonesia-based designer of the monoline script and sans typeface Quetty (2017), the rhythmic script font Quitman (2017), the geometric sans typeface Francy (2017), the signage script font Danilla (2017), the all caps sans typeface family Stockport (2017), Stockport Rounded (2017) and the great creamy super-heavy signage script typeface Kidding Script (2017).

Typefaces from 2018: Rustelyn (script), Sweet Buttermilk (Script, Sans), Lucylane (a monoline script), Blusty Script, Riffle (a skyline typeface), Melvis, Deluce (a luxury serif), Dutchy, Aguero (a luxury serif font), Finland, Finland Rounded (rounded monoline sans), Coldiac (an all caps luxury serif), Tigreal (a vintage slab serif), Road Race, Road Race Extra, Logam (sans), Houston Sports (spurred), Studly (a layered font), Morning Gold, Houston Italic, Comodo (sans), Rainly (brush SVG), Offlander (condensed sans), Offlander Rough (free), Salvalyn, Bafora (dry brush SVG font), the sans typeface Bondie Condensed, Bondie Extrude, Troye Serif (display didone), Troye Sans, Troye Script, Boardley Script (layerable retro signage font), Rotterin (a free signage script), Giveny (caps only fashion serif), CS Mulan (Victorian), Pastelyn, Belgium (a distinguished all caps sans), Finland (sans), Rickies (brush), Bravely, Houston (a semi-octagonal font by Wahyu Hadi Yuana), Pommel (a free script by Wahyu Hadi Yuana), Prestage (condensed all caps sans), Prestage Outline, Lovelyn (display serif), Espoir (a Peignotian font by Wahyu Hadi Yuana and Nazzar Saputra), Espoir Serif, CS Juicy (a color font), Retrocycles (monoline display sans), Fadelyn (script and sans), CS Gordon, CS Harley (sans), CS Maria, CS Nancy (sketched), CS Rocky, CS Roger, CS Rosalia, CS Sandreas.

Typefaces from 2019: Giroud (a free copperplate font), Cattus, Rovey, Vendeur, Colbiac, Angelic Bonques Script, Angelic Bonques Sans (a formal sans), Railly (dry brush), Gold Coast (vintage, all caps), Gold Coast Rough, Souther (brush script), Passtyn (Script, Sans), Larissa, Duskey (a weathered vintage typeface by Wahyu Hadi Yuana and Trio Nazzar Saputra), Rolves, Kitten Days, Jadyn Maria (signature script), Betty Rose, Fenord (a heavy sans), Adelya, Groce, Qualey, CS Nancy Inline, Manyland, Marques (wedge serif), Jocker (a vintage layered spurred typeface family), Nordin (sans), Masitha (script), Croco (Peignotian sans).

Typefaces from 2020: Marques Vintage, Monocole (all caps sans), Mondeur, Espano (all caps, serif), Celine Peach (Sans, Script), Marlyn.

Typefaces from 2022: Funkley (funky and psychedelic). [Google] [MyFonts] [More]  ⦿

Crave
[Lyndon Povey]

Crave Ltd is a foundry in London that is run by Lyndon Povey, the Ingoldisthorpe, Norfolk (or Hunstanton), UK-based designer who specializes in labels for whiskey, vodka and gin bottles. Povey designed the nearly Victorian font family Boatbuilder (2012), which has a nautical look. Behance link. [Google] [MyFonts] [More]  ⦿

Creative Media Lab
[Kadek Adi Mahardika]

Bali, Indonesia-based designer (b. 1983) of Baruna (2018: vintage decorative font), Brotherley (2018), the hilarious Chef Characters Icons (2018), the sans typeface Drupadi (2018), the ball terminal typeface Cameo Sweet Gothic (2018), the handcrafted typefaces Miyake Signature (2018), Kiddo Handwriting (2018), Puralova Script (2018) and Children Alien (2018).

Typefaces from 2019: Jollin, Jollin Family, Popstick (an ultra-smooth popart style rounded sans), Yellost (blackletter), Chalk and Pamor, Little Pea, Tropiello (Tuscan, Victorian), Pink Shark, Molga, Othelie (swashy and medieval), Brume, Little Pea, Kuashe (monoline), Lordish (blackletter), Blue Angel, Black Cameo (spurred), Puralova, Milova (a great calligraphic typeface).

Typefaces from 2020: Zolina (a decorative sans, with a variable font added), Black Mango (a chic 10-style display sans with some flared stems; +a variable font), Mesdag, Prettywise (a decorative serif), Loubag (an elegant short-ascender vintage display typeface in ten styles), Kooka (a variable width stylish exaggerated wedge serif family), Belle Story (a high contrast display serif), Losta Masta (a decorative serif), Matterdi (a fashion mag family with an extremely large x-height), Popstone (psychedelic, with a variable font), Carpellon (a tattoo font), Dorris (a swirly psychedelic font), Losta Masta, Mavera (a modular display font), Rajjah Famillia (a blackletter), Allaina (a Victorian serif), Kaoly (a stylish bold serif), Cattedrale (blackletter).

Typefaces from 2021: Losta Bonita (psychedelic), Black Mango (Kadek Mahardika) (display sans), Naskle (psychedelic), Reggy (psychedelic), Losta Frida (a curvy display serif), Parka (a decorative saber-edged stencil typeface in nine styles), Missy Voya (a decorative serif), Greyst (a fashion mag display typeface), Skinny Joe (revisiting the bell bottom 1980s in a wonderful wide display family), Morgy (intestinal), Magrit (an ultra-fat high-contrast display typeface), Pretty Boy (a decorative serif family), Catavalo (a 6-style fashion mag typeface), Voire (a swirly lachrymal serif family consisting of 18 fonts), Viva Kaiva (an intestinal and perhaps psychedelic typeface), Pink Crestelle (a ten style display typeface, and a variable font), Benoa (a 7-style decorative serif).

Typefaces from 2022: Losta Nova (11 styles), Mango Style (10 styles; a stylish wide display sans with straight terminal endings: +a variable font), Cobya (a variable fashion mag family in 28 styles, influenced by ocean waves and liquids), Missy Voya (a stylish display serif), Losta Nova. [Google] [MyFonts] [More]  ⦿

Creative Toucan (was: Leo Supply Co)
[Leonard Posavec]

Cakovec, Croatia and Washington Park, WA-based designer (b. 1995) of preponderantly grunge typefaces. In 2013, he created Funny Classic, Lion Pro, Lover, War is in the Air (military stencil), Aussen (squarish), Ensione (outlined), Rangle, Gaon, Momgers, Escapea (athletic lettering), Campus A (athletic lettering), Zebraliner, The Alistaren, Goteros, Collegerion (athletic lettering face), Prestinia Pro (grungy serif face), Fast Ostrich, Funny Trip, Boro, Electric (grungy face), On The Left, Power Balloon, Heavy Bomb (grungy), Kid From Hell, Army Stamp (rough army stencil), Jump Party, Comic Type, Commy, Faster, Fati, Funny me, Hypnotize, Half Half, My Day, Totally Outline, First Day, Funny Kid, Waterline, Piranha, Fish (grunge face), Modern Sketch, Beboline (dymo label grunge), Metalic (sic), Moter (grungy outline face), Privjet, ShadowM (shaded typeface), Old Movie, Strong Boy, Russian Line, Long Leg, Cool Day, Jungle Tree, Funny Teca, End of Era, DeLeo, Buble Muble, Morris, Funky Monkey, Leonards (a scratchy typeface), Dead John (grunge), Square Baby (grunge), Handwriter, Outline Storm, Mejiko (grungy Western font), Bird Fly, Died, Close To (grungy dymo label font).

Typefaces from 2014: Dabre, Handeer, Bad Land, Thron, 806 Typography (wood style didone), Rypote.

Typefaces from 2015: Debeli Bridge (faded, grungy and gorgeous), Rustal, Madalen, Stiquez, Vallyns (grungy, stamped typeface), Falsthan (brush face), Areson, Summeron (brush script), Surpal Lovely (Victorian kitsch), Summer 2, Megeon (+Grunge), Dabre Grunge (textured caps).

Typefaces from 2016: Taramda, Endless Script, Riot Ton, Dabre (grungy stamped style), La Tequila (Western font), Originals (painted letters), Originals is out, Avenue Drift, Amoky (sketched), Bastielle Script, Ipsum Script, Baroquey Script, Pomah Type (brush script), Vrown Fox (dry brush), Time Machino (dry brush), The Gohe Go, My Boquet Script, The Sellen, Baley Sun, Brushed Traveler, Salone Strand, Aple Time (brush), Bert Loch (brush), Brushed Car, Last and Chaos (brush), Thin Zeus (brush), Top Light (fat brush typeface), Summer Soul Script, Summter (connected script), Summdraw, Planine Script, Samtak Script, Astel Script, Rostek Old, Megiline, Sally Script, Rolley, Naila Script, Amoky (textured letterpress emulation typeface family), Reeld (dry brush typeface), Stamped Navy (textured).

Typefaces from 2017: Musterion (brush script), Wolvos (rough brush), Xenos, Descolorido, Mushroom (an angulara children's book font), California Jackpot, Zondas, Codiac (rough brush), Gullias (signage script), California or California Jackpot (brush font), Rhinos Rocks (brushy), Quick Toy (inky brush script), Italiano (dry brush), Gode (thick brush), Ananas Lips, Kiwano Apple, Cup of Sea, Fly N Walk, Sign 45 (vintage grungy poster style), Jaoy, Gas Rock, Acids.

Typefaces from 2018: Storehouse (a vintage all caps copperplate family with small wedge serifs; by Nicolas Massi and Leonard Posavec; it includes a stencil style), San Francisco, Quick Pick (brush), Mick's, Jumper, Alask (brush), Royal Twins, Clas (brush script), Yolloy, Scolarship (sketched).

Typefaces from 2019: Planina, Athletica (letterpress style), Costa La Vista (font duo), Springs, Originals 2 (dry brush), Astana.

Typefaces from 2020: Myla (a display typeface).

Typefaces from 2021: Surfbars (a dry brush font for outdoors usage; also supports Cyrillic).

Fontspace link. Creative Market link. Old URL. Another Creative Market link. Dafont link. Fontplanet link. [Google] [MyFonts] [More]  ⦿

Crt Mate
[Type Fleet]

[MyFonts] [More]  ⦿

Cruzine
[Peter Olexa]

Peter Olexa (Bratislava, Slovakia, b. 1978) created the (typically retro / vintage) mostly commercial typefaces Slow SVG (2020: a brush font), Hurley (2020), Royal (2020: vintage caps), Wagoon (2020), Snow (2020: a 3d color SVG font), Venomous (2020: spurred, grungy), Behofeel (2020), Chasmophile (2020: formal calligraphy), Angelic (2019: dry brush), Boutique Paris (2019), Umbrella (2019), Cellica Bold (2019), Abigaile (2019), Ragtime (2019: a brush font), Ragtime Marker (2019), Futu (2018), Kiko (2018), Pineapple (2018), Urban (2018: inline), Plasma (2018), Evolve (2018: inline), Hallowen (sic; 2018), Phantom (2018), Palam (2018), Alter (2018), Chrome (2018), Rhino (2018), Giant (2018), Valeria (2018), Ruas (2018), Strife (2018), Giant (2018), Atari (2018), Octopus (2018), Green Light (2018), Atlantis (2018), Maroon (2018), Secure 3D (2018), Cube (2018), Billionaire (2018: art deco), Savana (2018: bejeweled), Castile (2018), Starla (2018), Brodo (2018), Nomos (2018), Brisk (2018, art deco), Tron (2018), Jewel (2018), Forest (2018), Noxa (2018), Ama Deust Inline (2018), Goliath Inline Grunge (2017), Arbatosh (2017: Victorian), Momoco (2017), Heyro Fun (2017), Calliope Fun (2017), Steampunk Gears (2017), Ponds (2017: Victorian), Zahra (2017: inline grunge), Green Light (2017: inline grunge), Jordan Bold Grunge (2017: inline), Metalic 3D (2017), Mecha Grunge (2017), Buffalo (2017), Queen (2017), Lacoste Inline (2017), Ollie (2017, sans family), Nomos (2017), Blue North (2017: spurred), Murray (2017), Atlantis (2017), Montana (2017, outlined), Speedhunter Line (2017), Star Black Inline (2017), Gatsby Inline (2017: art deco), Jibril (2016: spurred), Hallowen (sic) (2016), Kiko (2016), Sailor (2016, tattoo font), Annabel (2016), Zalora (2016), Geno (2016), Marin (2016), Starship (2016), Mozza Shadow (2016), Meravin (2016), Venomous (2016), Amora Inline Grunge (2016), Rocket Shadow (2016), Hydrant (2016), Boston Inline Grunge (2016), Skywalker (2016, art deco), Ocela (2016), Columbus (2016), Raven (2016), Nomura Grunge (2016), Stella (2016), Salada (2016), Vultron (2016), Majestic (2016), Napoleon (2016), Temu (2016), Rodeo (2016, Western style family), Brooklyn (2016), Thunder (2016, Victorian label typeface family), Murray Inline Grunge (2016), Opera (2016, Victoriana), Flamingo Shadow (2016), Blue North Inline Grunge (2016), Montana Bold Outline (2016), Monophone Fancy (2016, retro style), Marin Victorian (2016), Westwood (16-style Western font family), Mozza (2016, +Inline, +Shadow, +Grunge), Speed Hunter (2016), Metro Grunge (2016), Annabel (2016, Victorian), La Forest (2016, blackletter), Star (2016, decorative caps, with outlined and inline versions), Phoenix (2016, a spurred typeface), Gatsby (2016), Bureno (2016, a Victorian display typeface), New York (2016, letterpress emulation), Capella (2016), Almanac Italic Grunge (2015), Anabel (2016, roman caps), Regolith (2015), Chocoleta (2015, hand-printed), Sailor (2015), Turmeric (2015), Ultimatum (2015), Heyro (2015, a rough brush font), Calliope (2015, a rough brush), Glass Beads (2015), Red Paprika (2015), Greenkitchen (2015), Artistico (2015, grungy), Brush Shop (2015), Graceful (2015, irregular script), Brush Wall (2015), Nickainley (2015, connected script), Harloft (2015, a warm brush script), Detective Typewriter (2015), Not Perfect (2015), Good Vibes (2015), Cool Story (2014), Get Coffee (2014), Think Happy (2014), Say Less (2014), Let's Do This (2014), Just Be Cool (2014), Brooklyn Coffee (2014, a spurred poster typeface), Bronx Shoes (2014), Nevermind (2014), RockNRoll (2014), Bluegrass (2014), Memento (2014, spurred Victorian face), Melody (2014) and Grazioso (2014). He runs Dealjumbo.

Creative Market link. Behance link. Dafont link. [Google] [More]  ⦿

Cucu Supriyadi
[Seventh Imperium]

[MyFonts] [More]  ⦿

Cundrawan Tan
[Cove 703 (was: ComicVector 703)]

[More]  ⦿

Curly Stars

An orphaned free Victorian curly font, published in 2014. [Google] [More]  ⦿

D. Sandi Sjahputra
[Winston Type Co.]

[MyFonts] [More]  ⦿

D.A. Sanborn
[Sanborn Fire Insurance Map typography]

[More]  ⦿

Dalal Nizam

Graphic designer in Sydney who studied Visual Communication at University of Western Sydney. Creator of Steamafide (2013), a free steampunk / Victorian typeface family.

Behance link. [Google] [More]  ⦿

Damelev Studio (was: Logo Labs, Tanziladd, Rawi Project)
[Nyapa Tanzil]

Yogjakarta, Indonesia-based type foundry, est. 2016, whose designer is Nyapa Tanzil, who also used the alias Tanzil Adduha (b. 1991), who operated as Logo Labs before changing the name to Damelev Studio.

Their first typefaces include Fadillah (2016, brush script), Raya (2016, spurred Victorian style), and Cabe Brush (2016). Typefaces from 2017: Candelion, Audrey Script, Mentkent (monoline connected script), Jansky Script (signage brush font), Bandalaka Script (connected brush script).

In 2018, he designed Malbrock (or Malbrouck Script: a classic calligraphic penmanship script), Nayland Script, Avital (font duo), Windpeak Script, Andamar (Script, Serif), Montante (calligraphic), Adamantine, Caernarfon, Diandra (signature script) and Quinshawna.

Typefaces from 2019: Behofeel (a gorgeous crisp calligraphic script), Marmoreal (formal calligraphic), Munchen Script (script font), Chasmophile (a formal calligraphic script).

Typefaces from 2020: Daizen Script, Alqaisumah Script (formal calligraphy), Brandoneir Signature, Elika Gorica, Bornice (a decorative serif), Broger Display (hipster meets arabesque, The Herera (a baseball script), Roberston Display (intestinal style), Armies Display, Dalglish (a display serif with clean lines), Anaximander (a condensed swashy fashion mag wedge serif typeface), Herschel (font duo), Gorga, Fringland (calligraphic), Almerian (a monoline script), Milestone (a signage script).

Typefaces from 2021: Naguboty (art nouveau), Bayanaka, Noeran (a dashing display serif with exaggerated ink traps), Avaunt, Merson, Claude, Rokurou, Reinhart Script, Monfem, Gunsan Serif and Script (an art nouveau-inspired font duo), Northway (a dramatic bold display typeface), Ardmore Display (psychedelic). [Google] [MyFonts] [More]  ⦿

Dan X. Solo
[Solotype]

[MyFonts] [More]  ⦿

Dan X. Solo: Digitizations by Dick Pape
[Dick Pape]

Dick Pape based the following digitizations (2008-2010) of blackletter, art deco, Celtic, initial caps, and other ornamental typefaces shown by Dan X. Solo in his Dover books: DXSAlphaMidnight, DXSAlphaTwilight, DXSBeansBold, DXSBlackline (prismatic, art deco), DXSBoboBold, DXSBrusselsInitials, DXSBuckinghamInitials, DXSBust, DXSCharger, DXSCheckmate, DXSCorral, DXSDevon, DXSDevonian, DXSDudleyPNarrow, DXSFatCat, DXSFestival, DXSFrankfortInitials, DXSFuturaInline, DXSGrooviestGothic, DXSGuildhall, DXSHessNeobold, DXSHotline, DXSHuntingtonInitials, DXSJoyceBlack, DXSKupferInitials, DXSLampoon, DXSLeipzigInitials, DXSLeister, DXSLowenbrau, DXSMonogramStencil, DXSMonumentBold, DXSNottinghamInitials, DXSOrbit, DXSOttoHuppInitials, DXSPickfair, DXSPolly, DXSPotsdamInitials, DXSPrismaniaC, DXSPrismaniaP, DXSQuote, DXSRegalBlack, DXSRhythmBold, DXSRickyTick, DXSRoco (art deco), DXSSansSouci, DXSShadyDeal, DXSSheetSteel, DXSSilverShadowBlack, DXSStuttgartInitials, DXSTester, DXSThedaBara (counterless geometric art deco), DXSTulo, DXSTuxedo, DXSUrban (psychedelic), DXSVeronica, DXSWestmorland, DXSWienText, DXSYagiBold.bmp DXSYagiDouble, DXSYorkshireInitials, DXSZany, DXSZephyr.

Images: DXSBlackline, DXSBust, DXSDudleyPNarrow, DXSGrooviestGothic, DXSJoyceBlack, DXSMonogramStencil, DXSPrismania'P', DXSRickyTick, DXSRoco, DXSSheetSteel, DXSTulo, DXSUrban, DXSYagiDouble, DXS Alpha Twilight, DXS Brussels Initials, DXS Kupfer Initials, DXS Lowenbrau, DXS Otto Hupp Initials, DXS Theda Bara, DXS Urban. Download page. [Google] [More]  ⦿

DanBetty Studio

DBS is a multidisciplinary visual design studio based between Brussels, Paris and Bordeaux. They are selling three commercial typefaces, Harring Stone (2011, squarish modernist), Aert Deck (2011, Victorian), and Qlacic (2011, more Victorian fare). Qlacic is attributed to Tom Haas.

At Dafont, one can download Art Deck. [Google] [More]  ⦿

Dani Foster Herring

From Hanna, WY, the designer of the free fonts Snowy Caps, the bird nest dingbat font ForTheBirds, VictorianAngels (elaborate caps), Sleigh Ride (1999), WeGiveThanks (Thanksgiving bats), Fisher's Women, Pika Pika, Winter Wonderland, Harbour Lights, Christmas Cheer (1999), Evergreen (1999, various Xmas trees), TeaTime (1999), DeannasIvyCaps (1999), and PikaPika (1999).

Dafont link. Another Dafont link. Obsolete link to Dabi's Delusions. Fontspace link. [Google] [More]  ⦿

Danielle Quast Tostes

Designer in Sao Paulo, Brazil. During her studies at SENAC, she created the warm serif typeface Humbond Regular (2012) and the Victorian display typeface Deffugia (2012). In addition, she created Adventure Game Icons (2011) and Alien Pictogram Set (2011). [Google] [More]  ⦿

Dansdesign
[Danu Setyaji Nugroho]

Yogyakarta, Indonesia-based graphic designer and lettering artist who founded Dansdesign in 2018. Creator of principally decorative Victorian and blackletter typefaces. These include the curly Victorian typeface Stalber (2019), Black Fellas (2021), Famous Flames (2021), Morgan Tattoo (2021), Tattoo Beast (2021), Gematype Blackletter (2020) Sauronking (2020), Carless Panther Blackletter (2020), Stunegart (2020: a blackletter), Green Bull (2020), and Sinners (2020: blackletter).

Other fonts: Calathea (2020), Graffiti Fat (2020), Grav Boom (2020: a cartoon font), Dirtydroop Graffiti (2020), Revenol (brush) (2020), Crack (2020) and Overloot (2020).

Typefaces from 2021: Bugenvil (a festive blackletter) (with Agni Yugisworo). [Google] [MyFonts] [More]  ⦿

Danu Setyaji Nugroho
[Dansdesign]

[MyFonts] [More]  ⦿

Dathan Boardman
[Squid & Steve (or: Rocket Type)]

[MyFonts] [More]  ⦿

Dave Smith

Designer at Letterhead Fonts of the Victorian age display typefaces LHF Doc Terwilligers (2007), Factory, LHF Chapman (2007) and English Rose (2006) and of the roman inscription typeface LHF Melissa (2007). [Google] [More]  ⦿

David A. Occhino
[David Occhino Design (was: Treehouse Graphic Design)]

[More]  ⦿

David Adrian Smith

David Smith is a lettering and signage artist in Torquay, the city of Fawlty Towers, specializing in vintage and Victorian designs. In 2015, he designed the Victorian style typeface Mayer: This is the original font I created for the song titles for the Album Born and Raised by the American pop and blues rock musician, singer-songwriter, recording artist, and music producer John Mayer. Behance link. [Google] [More]  ⦿

David Cohen

Squid (aka Dave Cohen) is a font designer, sculptor, illustrator and musician. He has executed hundreds of prototypes for the toy, ceramics and gift industries, such as tiki mugs. Squid's fonts are published exclusively by Sideshow Foundry. You can see his other musings at SquidArt. Google Font Directory link. With Stuart Sandler, he created the wooden plank look font Bamboozle (2008, Sideshow), the whacky comic book typefaces Goofball (2008), Weird Bill (2008, with Stuart Sandler), Weirdbats (2008, with Stuart Sandler), Doinky, Doinky Inline (multiline version of Doinky) and Doinkbats (2008), Zombie Rot (2010, with Stuart Sandler), Squidtoonz (2010, a comic book typeface done with Stuart Sandler), Motobats (2010, with Stuart Sandler), Skritchy (2010, a sketch font done with Stuart Sandler), Kitchenbats (2010, with Stuart Sandler), Beachcomber (2009, a wooden plank style face; with Stuart Sandler), Beachbats (2010, with Stuart Sandler), Office Blogger (2010, with Stuart Sandler, hand-printed), Western Dressing (2010, with Stuart Sandler), Canned Corn (2010, with Stuart Sandler).

In 2010, as Wisconsin-based Sideshow, he placed a number of free fonts at the Google Directory, all mostly hand-drawn typefaces: Walter Turncoat, Unkempt, Sunshiney, Slackey, Kranky (blackboard bold), Irish Growler (comic book style), Irish Grover, Chewy (bubblegum face), Rock Salt.

Faces from 2011 at Sideshow: Rancho Deluxe (with Stuart Sandler), Creepster Pro (with Stuart Sandler), Permanent Marker Pro, Rochester (a Victorian upright connected script).

In 2012, David Cohen and Stuart Sandler published these typefaces at Neapolitan: Irish Grover Pro (2010, a bouncy face), Satisfy Pro (2011, a connected retro script face), and Slackey Pro (2010, a paper cut out style face).

Typefaces made in 2012: Mystery Quest (a curly Victorian and/or psychedelic typeface that is free at Google Web Fonts), Seaweed Script (Google Web Fonts), Griffy (spooky face, Google Web Fonts), Skranji (Google Web Fonts).

Typefaces made in 2013: Impala Script (retro script; with Stuart Sandler), Fuzzbox (a funky typeface; with Stuart Sandler), Ramparts (funky font, with Stuart Sandler), Seaweed Script Pro, Griffy Pro, Blinky (chalky, hand-drawn).

Typefaces from 2014: Tradewinds Pro (with Stuart Sandler), Flavors Pro (with Stuart Sandler), Flavors Pro Spicy (with Stuart Sandler), Oyster Shore, Rumpus Room Filled (with Stuart Sandler), Rumpus Room (with Stuart Sandler).

Typefaces from 2015: Mystery Quest Pro (wacky, wobbly, funky, offbeat and groovy), Frijoles (with Stuart Sandler, at Neapolitan), Snackbar (an 18-style fifties diner script family by David Cohen and Stuart Sandler).

Typefaces from 2019: Grannys Greenhouse (a beatnik font by David Cohen and Dathan Boardman).

Klingspor link. Fontspace link for some free fonts. [Google] [MyFonts] [More]  ⦿

David Fleming Nalle
[Scriptorium (Ragnarok Press, Fontcraft)]

[MyFonts] [More]  ⦿

David Kasidi
[Silverdav Studio]

[MyFonts] [More]  ⦿

David Occhino Design (was: Treehouse Graphic Design)
[David A. Occhino]

Treehouse Graphic Design was David Occhino's font outlet. It is now called David Occhino Design. The Treehouse collection specialized in Startrek, futuristic, Disney and Indiana Jones style fonts, but has widened lately. Most fonts are commercial, but there are a few free ones:

  • Exclusive Designs: Tangaroa (2009, tiki font), TradeWind, Nautilus, Graviton, Voyager, Cinema, Firefly, Forest, Emblem.
  • Signage typefaces: Craftsmen (2010), Craftsmen Ornaments (2010).
  • Movie Fonts: Safari (1996, based on the famous Indiana Jones movie logo created by Mike Salisbury and David Willardson; version 2 in 2011), Venture, Astro, Galax-E, Time Travel, Iron Hero, Knight, Blade, Aeronaut (1997, avant-garde).
  • Art Deco Fonts: Aeronaut (1997; Aeronaut 2.0 in 2011), Cinema, Pan-Pacific (2010: based on the classic 1940s lettering style that was used for the signage for the famous Pan-Pacific Auditorium).
  • Theme Park Fonts: Kingdom (1996, blackletter), Mansion, Encounter, World.
  • Sci-Fi Fonts: Astro SE, Basestar, Blade, Encounter, Galax-E, Graviton, Nautilus, Time Travel, Voyager.
  • Halloween Fonts: Hocus Pocus, Nautilus, Mansion 3.0 (1996-2009), MansionCryptBats (2009, free).
  • Education Fonts: School.
  • Free Fonts: Aurebesh (for Star Wars, 1997), Forbidden Eye, Tangaroa Glyphs (Hawaiian petroglyphs, 2009), World Symbols, Big Thunder Dingbats (2009: Western dingbats).
  • Western fonts: Big Thunder (2009).
  • Fonts I can no longer find: Aurebesh, DNealianArrows, DNealianGuides, DNealianRegular, Starspeeder, StarspeederUpright, Pyramid's Venture, Victorian Mansion.

Abstract Fonts link. [Google] [More]  ⦿

David Parr
[Fontwright Design]

[MyFonts] [More]  ⦿

David Sanchez

Zamora, Spain-based creator of the Victorian display typeface New Antique (2013).

Behance link. [Google] [More]  ⦿

David W. Peat

Type collector. Katherine Fries and Erin Beckloff write: His extraordinary collection of 19th-century type. Seventy-three years ago Peat's collection began with an 1873 Franklin Type Foundry specimen book filled with ornate Victorian faces. He now holds a period of typographic history in his basement print shop in the form of 4,000 fonts of type and a rare collection of specimen books of the same era. Acquired from backyard chicken coops, transported in cigar boxes, and recast from the ATF Vault---both the fonts and stories of the acquisitions are essential elements of the artifacts' history. Without knowing the future significance of his unique collection, from 1962-1971 Peat printed 38 pages of his One Line Specimen book. [Google] [More]  ⦿

DCO (or: dcoxy medina, or: Atelier Oxydes)
[Greg Médina]

DCO (or: dcoxy medina, or: Atelier Oxydes) is Greg Médina. Atelier Oxydès is located in St Maurice de Cazevieille, France. He specializes in very funny drawings. Creator of these typefaces in 2012: the fun figurine dingbat typefaces called Alien DCO and Warrior DCO, the hilarious typeface dingbat fonts Zombiz and Teubé, Bubbledco, Profilsdco, Ovni (futuristic dingbats), Punkskull DCO (2012), and the kaleidoscopic Formes (2012).

Typefaces from 2013: Felicity (ornaments), Gross Brush (grunge), Dark Forest, Follow The Arrow, Snow for Santa, Eat My Cookie, Cooking Set (dingbats), Florality, Big Bang Comix, Babydoll (geometric monoline sans, with a shadow style), Dirty Macadam, Elegance Two (frames), My Sweet Sunshine, Lucie Mandragore, Pimp My Christmas (dingbats), Magic Kiss, Women and Shoes, Halloween Bell, Dust Scratches, Elegance (ribbon ornaments), Dumbass Town, Meaning of Life, Life Style Memory, Tribal Tattoo Addict, Ornaments Soul, Lost Area, Funny Toys, Space Dude, Sick Crew, Teubé 5, Teubé 3, Teubé Hat, Teubé Bot, Plastic Pets, Girl Power, Alien Dude, Formes 2, Alien DCO2, Teubé2.

Typefaces from 2014: Gants de Soie, Anne Exilum, Kaboom & Bang, Dcoxy Stamp (a baby-themed dingbat font), Rooster Serif, King Rooster (constructivist), Speak Easy, Skater Girls Rock, TheCinthia Edito, Bad Spirit, Birdy Game (creamy typeface), Shell Gate (tattoo font), Mandala Home, Macaroni&Cheese, Holy Moly (rounded comic book sans), Delphine et Mathias Script (tattoo font), Limonade de Camomille (signage script), Indians Lives (signagecscript), Ether Cute Poison (signage script), Tartare de Violettes (vampire or tattoo script), Karl Wright Script, Bubble & Soap, Break The Silence, Spooky Night, Right Balance, Peanut Butter Cookies, Rabbit Hole (brush script), Smile Parade, Radio Trust, Oakland Sista, Dust & Blast, Psycho (weathered shadow typeface), Bowling Shoes (connected script), Ornament Mix (dingbats), Shuriken Dance Like A Tiger (script), Arthus Hightone (tattoo script), Dark is the Night, City of Angel, From Brush to Caps, Donovan Quidaw (a ronde), Not A Drope (brush face), Karl Wright, Kerala Quest, Rock and Roll Street, Ray Morgan Style, Wind of Change, Mama Love, Mama Punch (athletic lettering), Queen Luna, Kelly Brush The World, Shadow Boxing (an upright connected script), Header Ornament, Sweet Dreamz, Zombie Morning (brush typeface), Dragonfly on my Nose, Estella Cello, Djah Beat, Roses Kingdom (uopright connected script), Buddha Moon, War Brush, Icarus Kharma, Cheese Cake, Badiane (upright loopy script), Meny Please, Young Shark (spurred typeface), Keep It Up (heads), Purple Shadow (Victorian decorative typeface), Tears of Joy (flourishes), Hilarious, Teubé Tribute.

Typefaces from 2015: Radical Beat (tattoo script), Raisin des Sables (script), Bandits (tattoo script), Vinegar Stroke, Mad Rats, Sliced by Hand, Ready to Ride, Chardons, Mr Sunshine, Chardons Brush, Gueules de Loup, Atlantic Mail (rhythmic script), Daily Quantum, La Maison de Papier, Friday Night (supermarket signage style), Butter Kings (tattoo script), Lady Bohemia (tattoo script), Kilowatts, Akodia (a lava lamp typeface), Moustache Club, Brioche au Potiron (avant garde sans), Bisous (signage script), Deadly Inked (tattoo script), Spider Monkey (poster font), Qualité Deluxe Platinium (signage script), Distillated, Blood Shade, Ribambelle (thin script), Burning Man, Amandes Salées (tattoo script), Bring Me That Glyph (alchemic), Mad Potato Bill, Authentic Ratatouille, Fugu + Maki (a great set of thin-veined poster fonts), Une Sale Histoire de Yak (script), Pamela Wants to Ride, Sani Andrew des Kiwis, Grilled Chicken, Ancestral Katana Sword, Magic Bean Salade, Alice And The Wicked Monster, Rhum Banane, Honey Moon (borders and filets), Rookies Showtimes (signage font), Digging The Grave.

Typefaces from 2016: Watch Out (brushed typeface), America Stars, Grown Localy (sic), Winter in Alaska (glaz krak style), Dusty Muffin, Gillie & Hilda, Chatelain des Radis, Manhattan Avenue (heavy script), Seasider, Suburban Pledge, Baldaquin, Original Woody, Your Fear (vampire script), Drone Nation, Big Car Short Gun, Cameltoe Kalypse, Doctor Cosmicucumber, La Cithare (connected script), Agatha Needs Flesh (script), Bostella (script), Jonquilles, La Cité des Mille Reines, Shotgun, Thunder Strike, Atelier Omega, Aldebaran, Bichette, Bulldozer (brush font), La Citadelle des Papillons.

Typefaces from 2017: Polibrush (monoline sans), Endless Wall, Chicken Socks, Barry Kades, Sansaul Petronika, Stubborn Shark, Sharky & Meduza, Oblivion (script), Brainfish Rush, Summer Fever, Bethanie Snake, Last Shade (weathered), Raku (heavy brush), Lily of the Valley, The Bully (grungy signage script), Stick & Kick, Sketch (brush script), Joly Death (blood drip type), Bambino, Gatalike, Lucia (connected monoline script), Gatalike, Island of Dreams, Snow Riders, Amtrash, Stardust (signage script).

Typefaces from 2018: Mustardy, Wawie Patch, Anathematise, Delich (an SVG dry brush font), Sweet Spot (doodles), Detrimental, Shitzu & Porko (a comic book font family), Detective Bildo, Daylight & Moonlight (brush script), Deadline Countdown, Rotten Pumkin (sic), Rhapsodize, Chunks (heavy script), Shenanigans (dry brush), Cassandre, Ridiculous, Slam, Lithium Hill (dry brush), Litchis Island (a painted script), Snowballs City, Litchis on Velvet, Brainfish, Burglar, Action Protocol, Snowballs Season, Shania & Heinz (brush script), Slamers, Madera studio, Chaude Sourie, Barber Street.

Typefaces from 2020: Pickle Juice, Klaxon Gaston, Mezalia Sumatra (hatched), Bozos (squarish), Niktalope, Livie (a fat finger script), Ornamentis, Artisanalerie, Marbles Trick, Komou, Black Swan, Historic Seattle, Iconic Poopies (yes, poop-shaped icons!), Thurdy Sticks, House Marker, Zorgho, Blue Mist, Dreambats (dingbats), Strike Block (dingbats), Esteban+Solina, Rusty+Gosh.

Typefaces from 2021: Shelter (script), Seekers, Game On (sketched, 3d), Green Room (a marquee font), Madame Viviane (script), Lemon Sangria (inline), Chicken Pot Pie (arched), Wombats (squarish), Chico Rocket (inline), Red Bee (a half-black typeface).

Dafont link. Old URL. [Google] [More]  ⦿

Deadlock Studio
[Rhega Juliandy]

Rhega Juliandy (Deadlock Studio, Bandung, Indonesia; b. 1991) designed the rhythmic brush script Nailika (2015), the calligraphic Sweet Holiday (2015), the flowing script typeface Vallerie (2015), the beautiful brush script typeface Nailika (2015), the curly display typeface Milady (2015), the free fat marker typeface March (2015), the wonderful connected brush script Allenois (2015), the logotype Voltus (2015), the thin calligraphic script Theodore (2015), the script typefaces Sweet Holiday (2015) and Rose (2015), and the script typeface Anke (2015).

Typefaces from 2016: Humphrey (a sans headline family), Diamor (monoline packaging script), Mallena, Everlasting Script, Clockwise (brush script).

Typefaces from 2017: Flattery (retro signage script).

Typefaces from 2018: Friday Vibes, Bouvardia, Roland Emerald (Victorian and layerable).

Typefaces from 2021: Baerst (art deco), Cerelina (a decorative serif). [Google] [More]  ⦿

Deanna McGeown

Vintage seed packaging from the 19th century inspired Deanna McGeown in the design of a Victorian ornamental caps typeface in 2012. Deanna was a student in Queens, New York, at the time of that design. [Google] [More]  ⦿

Decade Type foundry
[Agung Maskund]

Decade Type foundry (Bandung, Indonesia, est. 2008) is run by Agung Maskund (Agung Gumilang Sugih), b. 1987, Bandung. It specializes in Victorian and vintage type. Creator of Authentic Labels (2013), New Black (2012, a metal band typeface) and Chicano Brush (2012, graffiti face). Note: It is possible that Chicano Brush was made by Gilang Purnama.

In 2013, they published Reckless (by Gilang Purnama: a retro car font), Fabulous Drop Cap (with a free demo font), Los Santos (graffiti style), Logotype Frenzy (brushy signage face), Insurance Maps (inspired by the Sanborn Map Company's 1909 insurance map catalog), Basingstoke (a spurred display typeface by Gilang Purnama Jaya), Hustlers Rough (Western Tuscan signage font), Lakester (another Tuscan signage font with layering), and Griba (alchemic typeface).

Another great typeface project is the National Currency Font (2013), which features spurs and an engraved look. Stay Gold Script (2013) is a vintage signage typeface. Aesthetique (2013) is a Victorian ornamental Tuscan design.

Typefaces from 2014: Stanwood (Victorian), Herschel.

Typefaces from 2015: Tervia (spurred vintage typeface), Edmond (vintage typeface), Pretty Script.

Typefaces from 2018: Versica (by Irma Asharini and Agung Gumilang Sugih).

Typefaces from 2020: Voska (a bold display serif family), Breland (a titling typeface, and decorative borders and ornaments by Agung Gumilang Sugih and Irma Asharini).

Cofounder of Image Type with Ihsan K. Lazuardi and Gilang Purnama.

Behance link. Creative Market link. Fontspace link. Behance link for Agung Maskund. Another Creative Market link. [Google] [MyFonts] [More]  ⦿

Dede Mulyadi
[Harder Type Foundry]

[MyFonts] [More]  ⦿

Deduk Suandana
[Made Deduk]

[MyFonts] [More]  ⦿

Deeezy
[Peter Olexa]

Pete Deeezy is Bratislava, Slovakia-based designer Peter Olexa, who also is involved in or running Dealjumbo and Cruzine Design. Designer of these fonts in 2017: Trendy Script, Demonius Bold Inline, Murray Inline Bold, Money, Just Marriage (script), Valeria (Victorian).

Typefaces from 2020: Retjeh, Blokee, Helga, Starship Shadow, Aviation Cocktail, Arthemis, Monument, The Crow, Marseille (script), Meravin Inline, Paulina Elegance (script), Venomous Shadow, Magneto Bold, Madeva Suarte, Legacy Outline, Hermes Futuristic, Mocca Inline Grunge, Skywalker Shadow Grunge, Majestic Inline Grunge, Blue North, Murray Inline, Metro Inline Bold, Salada Inline, Vultron Bold, Capella, Bureno, Napoleon Shadow, Atara Inline, Stella Inline Grunge, Temu Shadow, Rodeo Shadow.

Typefaces from 2022: Wimberley (a display serif). [Google] [MyFonts] [More]  ⦿

Deni Dessastra
[The Sastra]

[More]  ⦿

Denise Bayers

American designer at Letterhead Fonts who specializes in vintage typefaces. Her designs:

  • LHF Durango (2014). A rustic Western typeface, inspired by the opening credits and title of the 1957 version of 3:10 to Yuma.
  • LHF Spencer (2014). In the Victorian style.
  • The 19th century (Victorian) display typeface LHF Royal Crimson (2014), which can be used for layering.
  • Euphoria (2004). A Victorian extravaganza. Followed by LHF Euphoria2 in 2015.
  • The Peignot-inspired Charlotte (2004).
  • LHF Dark Horse (2014). A blackletter tattoo font.
  • Boot Camp. A letterpress emulation.
  • Cavalero. A Victorian typeface.
  • Fat Daddy. A fat art deco poster typeface, done with Chuck Davis, based on an original by Alf Becker from the 1940s.
  • Big Daddy. Like Fat Daddy.
  • LHF Shogun (2013). A spurred Victorian typeface.
  • The retro dingbat typeface LHF Retro Ricky Doohickies (2015).
  • LHF Mercantile (2015).
  • The gorgeous compressed art deco typeface LHF Speakeasy (2016).
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Denise Clendenin
[Sassy Rose's Graphics Garden (or: Sassy Graphics)]

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Dennis Ludlow
[Sharkshock]

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Design Co

Designer of the Victorian label typeface Countdown Ville (2018), the cigar box font Hartons (2018), the brush typeface The Hotling (2018), and the all caps roman typeface Hacrley (2018). [Google] [More]  ⦿

Dhan Ghete
[Area Type (was: GType)]

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Dharma Type
[Ryoichi Tsunekawa]

Yet another foundry of Nagoya, Japan-based designer Ryoichi Tsunekawa, who also runs Flat-It, Prop-A-Ganda, and Holiday Type. The first download is the industrial grotesk typeface Bebas Neue (2010), which was followed in 2014 by Bebas Kai, in 2018 by Bebas Neue Semi Rounded and Bebas Neue Rounded, and in 2019 by Bebas Neue Pro. Bebas Neue can now be had for free at Open Font Library and at FontFabric, where new weights and a Cyrillic were added. Bebas Neue v2 is free at Github and Google Fonts. Dedicated web site.

The connected signage typeface Sneaker Script and the 19th century set of ornaments Gothic Extras followed in 2012 and 2011, respectively. Great Victorian (2012) follows the prototypical Victorian style.

In 2015, Dharma Type published the great ultra-black creamy signage script Piepie. In 2016, he published the powerful layered Mighty Slab.

Typefaces from 2017: Pansy Bo (calligraphic), Nothing (script), Daisy Lau (calligraphic), Banana (script), Lily Wang (calligraphic), Calling Code (monospaced programming font), Commuters Sans (elegant wide sans), Mighty Slab, Rigid Square (octagonal), Taro (sans), Concrete Stencil.

Typfaces from 2018: Victorian Orchid (a transitional text typeface characterized by a Victorian era A and a frolicking lower case g), Dr Slab (an extraordinary layerable and colorable rounded slab poster typeface), Code Saver (a condensed monospaced programming font), Sometype Mono (a free programming font family; MyFonts link).

Typefaces from 2019: City Boys Soft, City Boys (sans), Slow Tempo (a relaxed sans family), Baby Baby (an experimental layerable font), Dharma Gothic Rounded. Like Dharma Gothic, it is an antiqued condensed sans serif designed inspired by 1800s-style wood type. It comes in 42 styles.

Typefaces from 2022: Debugger (a 6-style octagonal monospaced programming font).

Dafont link. Creative Market link. Behance link. Graphicriver link. Adobe link. [Google] [MyFonts] [More]  ⦿

Diana Corredin

Graphic designer and lettering artist in Brooklyn, NY. In 2016, she designed the Victorian era ornamental typeface Bushwick Brooklyn, and drew a decorative all caps typeface. Behance link. [Google] [More]  ⦿

Dick Pape
[Dick Pape: Dover Pictorial Series]

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Dick Pape
[Dick Pape: Victorian designs]

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Dick Pape
[Dan X. Solo: Digitizations by Dick Pape]

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Dick Pape
[Aridi Computer Graphics: Digitizations by Dick Pape]

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Dick Pape
[Clarence Pearson Hornung]

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Dick Pape: Dover Pictorial Series
[Dick Pape]

The extensive Dover series by Dick Pape contains about 150 typefaces. The typefaces are numbered and carry these names:

Download here. [Google] [More]  ⦿

Dick Pape: Victorian designs
[Dick Pape]

Dick Pape's Victorian designs include the Jack Daniels logo font typefaces Jasper Daniels and Jasper Daniels SC (2011), Lynchburg Script (2011) and Motlow Caps (2011). All are free versions of the Jack Daniels series of custom fonts made by Carlos Segura.

In 2010, Dick Pape designed the decorative font Rose Wedding.

abfonts link. Download page. [Google] [More]  ⦿

Dickinson Type Foundry
[Samuel Nelson Dickinson]

Boston-based foundry, also called Phelps&Dalton, and Phelps, Dalton&Co. Founded by Samuel Nelson Dickinson in Boston in 1839. They published "Specimen of type for book printing, manufactured by Samuel N. Dickinson" (Boston, 1842), "Hand-book specimen of printing type, cuts, ornaments, etc., from the foundry of Samuel N. Dickinson" (Boston, 1847), and "Point specimen book. Specimens of printing types, rules, cuts, printing material" (Boston, 1893, 457 pages). See also The General Specimen Book of the Dickinson Type Foundry, Comprising Types for Letter-Press Printing of Every Variety (Boston: Phelps&Dalton, 1856). In 1872, a fire ravaged the company, and a skilled punchcutter, Alexander Phemister, became a partner. In 1891, Dickinson became part of ATF in the great meltdown. Joseph W. Phinney and Robert W. Nelson (1851-1926) made the transition from Dickinson to ATF.

Scans of typefaces shown in the 1923 ATF catalog: Roycroft Tinted, Card Mercantile (1890s).

Commentary by McGrew on Card Mercantile: Card Mercantile was produced by Dickinson Type Foundry in the 1890s or earlier. Except for a few letters, it appears to be a duplicate of Extended No. 3 of Stevens, Shanks in England. In 1901 Morris Benton redesigned the two smallest sizes for ATF, successor to Dickinson, for better compatibility with the other sizes. It is a very delicate, wide, thick-and-thin style without lowercase (but the English typeface has lowercase), somewhat similar to Engravers Roman, which supplanted it in popular use. An 1899 ad said, "For imitating the work of steel engravers there can be nothing more beautiful picked from a case, and it is difficult if not impossible to imagine how anything finer ever can." Compare Engravers Roman, Brandon, Litho series.

Digital revivals include Renaissant NF (2014, Nick Curtis: a Victorian typeface).

Wikipedia link. [Google] [MyFonts] [More]  ⦿

Dieter Steffmann

FontShop was the name of Dieter Steffmann's foundry in Kreuztal, Germany (not to be confused with the FontShop foundry and font vendor). He made about 600 self-proclaimed "old-fashioned" fonts, and among these many Fraktur fonts. His site became too expensive to run, and was for about two decades hosted by Typoasis. His fonts can now de downloaded afrom 1001 Fonts. Alternate URL. Current list of fonts. See also here. New stuff. Fontspace link. A nice essay about Fraktur fonts accompanies the fonts. News. As Dieter puts it: I am not a designer but I add missing letters to public domain fonts in order to get a complete character set and I hint the fonts and create new weights (shadow, inline etc.) His Christbaumkugeln font, and how it was made. The font families:

  • Acorn Initialen (2000), Adine Kirnberg (2000, after David Rakowski's Adine Kirnberg Script, 1991), AI Parsons (1999: a simple conversion to truetype of AI Parsons (1994, Inna Gertsberg ans Susan Everett), which in turn revived Will Ransom's Parsons from the 1920s), Albert Text (2000), Alpine (2000), Altdeutsche Schrift (1998: a rotunda), Alte Caps (2000: white on black), Alte Schwabacher (2000, +Shadow), Ambrosia (2000), American Text (2000: a blackletter), Aneirin (2000: Lombardic), Angel (2000: an ironwork font), Anglican Text (2000: a frilly blackletter), Angular (1999: +Inline, +Shadow), Ann-Stone (2000: boxed art nouveau caps), Antique No. 14 (2000: fuzzy hand-crafted letters), Arabella (2000: script), ArabesqueInitialen (2002), Argos George (1999, an art nouveau font after Georges Lemmen's George-Lemmen-Schrift (1908); Steffmann added Argos Geirge Contour), Aristokrat Zierbuchstaben (2002, after a house font at Ludwig&Mayer, 1911), Ariston Script (2000: a formal calligraphic script), Art Nouveau Initialen (1999), Attic Antique, Augusta (2000: a rotunda; +Shadow).
  • Baldur (2000: art nouveau; +Shadow, +RoughSliced; after a schelter typeface from 1895), Ballade Bold (2002, a Schwabacher font based on Ballade Halbfette designed by Paul Renner in 1937; +Contour, +Shadow), Barock Initialen (2002: an incomplete decorative initials typeface), Becker (1999; +Shadow, +Inline), Beckett-Kanzlei (2001), Behrens-Schrift (2002: an art nouveau-inspired blackletter typeface based on an original by Peter Behrens), Belshaw (2000: a Victorian decorative serif), Belwe (2002, after an original by Georg Belwe, 1913; Gotisch, Vignetten), Benjamin Franklin Antique (2000, after a warm wood type designed in 1991 by Walter Kafton-Minkel simply called Benjamin), Berlin Squiggle Condensed, Bernhard Schmalfett, Bier und Wein Vignetten (2002, based on drawings from the Bauersche Giesserei), Billboard, Bizzaro, Black Forest (2000, blackletter; +Text, +ExtraBold), Black Knight (1999: blackletter), Blackletter (2001; +ExtraBold, +Shadow), Blackwood Castle (2000: an almost Lombardic blackletter; +Shadow), Breitkopf Fraktur (2000), Bretagne Gaelic (1999), Brian James Bold (2000, +Contour), Bridgnorth, Broadcast Titling (2000, 3d caps), Broadway Poster, Brock Script (2000: formal calligraphic script).
  • Cabaret (2000: all caps, +Contour, +Shadow), Campanile (2000: Victirian), Camp Fire (2000: wooden plank font), Canterbury Old English (2001: blackletter), Cardiff (2000: textured caps), Cardinal (2000: almost Lombardic; +Alternate, +Anglican), Carmen (1998: art nouveau style; +Shadow), Carrick Caps (2000), Caslon Antique, Caslon Fette Gotisch, Cavalier (2000), Celtic Frames (2000), Celtic Hand (2000), Challenge (2000; +Contour, +Shadow), Chelsea (2000: a serif), Chopin Script (2000, a formal penmanship script identical to Polonaise), Christbaumkugeln (1999: art nouveau alphadings consisting of Christmas ornaments), Chursächsische Fraktur, Cimbrian (2001: blackletter), Circus Ornate Caps (2001, a Western or circus font), Cloister Black Light (2001: blackletter), Coaster Black (2001, +Shadow), Coelnische Current Fraktur (2000), Colchester Black (2001: an ornamental blackletter), College, Courtrai (2000: a decorative blackletter), Coventry Garden, Cruickshank (2000: art nouveau caps).
  • Damn Noisy Kids (2002: a heavy brush font), Davy's Dingbats, Debussy, Decorated Roman Initials (2003), Deutsch Gotisch (2002: an expressive blackletter font; +Dutesch Gotisch Heavy, +Outline, +Shadow), Deutsche Uncialis (+Shadow) (2000), Deutsche Zierschrift (2002, after Rudolf Koch, 1919-1921), Devinne Swash (2000), Digits (2000), Direction (2000: letters with embedded arrows), Dobkin Script (2000: after David Rakowski, 1992, Domino, Domo Arigato (1999: oriental emulation), Dover, Driftwood Caps (2000: a wooden plank font), Due Date (2000: a grungy stencil typeface), Duerer Gotisch (2001), Duo Dunkel (+Licht), Durwent (2001: a rotunda).
  • Easter Bunny (after a 1994 font by Apropos Creations), Easter Egg (2001; after a 1994 font by Apropos Creations), Eckmann Initialen (2002, after the famous art nouveau typeface from 1900 by Otto Eckmann), Eckmann Plakatschrift (2002), Eckmann-Schrift (2002), Eckmann Titelschrift (2002), Eckmann Schmuck (2002), Egyptienne Zierinitialen (2002), Egyptienne Zierversalien (2002), Ehmcke-FrakturInitialen (2002), Ehmcke-Schwabacher Initialen (2002), Eichenlaub Initialen (2000), Eileen Caps (2000; after David Rakowski, 1992), Eisenbahn (2002, based on train vignettes at Bauersche Giesserei), Elzevier Caps (2000; after David Rakowski), Enge Holzschrift (2000; +Shadow), English Towne Medium (2000: a Fraktur), Epoque (1999; an art nouveau typeface; +Shadow, +Inline), Erbar Initialen, Estelle, Evil of Frankenstein, Express (1999).
  • Faktos (1998; a rip-off of Cory Maylett's Faktos, 1992; +Striped, +Contour, +Shadow), Fabliaux (2000: Lombardic caps), Fancy Card Text (2000: a textura), Fat Freddie (2000: a fat all caps font; +Shadow, +Outline), Faustus (2000: a Schwabacher), Fenwick Woodtype (blackletter: 2001), Fette Caslon Gotisch (2001), Fette Deutsche Schrift (2002, a revival of a Rudolf Koch font from 1908), Fette Egyptienne, Fette Haenel Fraktur (2000), Fette Kanzlei (2002), Fette Mainzer Fraktur (2001), Fette Steinschrift (2002), Fette Thannhäuser (2002; after Herbert Thannhäuser, 1937-1938; +Schattiert), Fette Trump Deutsch (20002, after Georg Trump, 1936), Firecat, Flaemische Kanzleischrift (2000: calligraphic), Flowers Initials (2000: floriated caps), Forelle (2002: a retro script; +Shadow), Fraenkisch Spitze Buchkursive (2002; after Lorenz Reinhard Spitzenpfeil, 1906), Fraktur Coelnische Current (2000), Fraktur Schmuck (2001: ornaments), Fraktur Shadowed (2001), Fraktur Theuerdank (2000: a Schwabacher), Frederick Text (2001: a blackletter), Futura Script.
  • Gabrielle (1999: a retro script), Ganz Grobe Gotisch (2000), Gebetbuch Fraktur (2000: a Schwabacher), Gebetsbuch Initialen (2001), Germania (2001, a revival of the 1903 blackletter typeface by Heinz König called Germania as well), Germania-Versalien, Gille Fils Zierinitialen (2002, after Gillé Fils, ca. 1820), Gingerbread Initials (Victorian initials, after an original from ca. 1890), Globus, Gloucester Initialen (2001), Gorilla Black (2000: rounded elephant feet font), Gotenburg A+B (2002, after Friedrich Heinrichsen), Gothenburg Fraktur (2000), Gotische Initialen (two different sets with the same name, one from 2000 and one from 2002), Gotisch Schmuck (2002, Fraktur), Goudy Initialen (2000), Goudy Medieval (2000), Goudy Thirty (2000), Grange (1999), GrenzschInitials (2001), Grusskarten Gotisch (2001), Gutenberg Textura (2000).
  • Haenel Fraktur Fett, Hansa (1999: art nouveau), Hansa Gotisch (2001: a textura), Hansen (1998; +Contour, +Shadow), Happy Easter (1994, by Apropos Creations: art deco caps), Harrowgate (2001: a textura), Hazard Signs (2000), Headline Text (2001: a textura), Hercules (1999: art nouveau), Herkules (2004: art nouveau), Hermann-Gotisch (2002; after an original by Herbert Thannhaeuser, 1934), Herold (2002), Hippy Stamp (2000: after rubber stamps from the 1960s), Hoedown (2000; +Shadow), Holla (2001; after Rudolf Koch), Holidayfont, Holtzschue(2000: a circus font, after David Rakowski, 1992), Honey Script (2000: a retro script), Horror Dingbats (2000; after Letters from the Claw, 1998), Houtsneeletter, Humboldt Fraktur (2002-2005; after a Schwabacher font by Hiero Rhode, 1938; +Zier, +Initialen).
  • Iglesia Light (2002), Iron Letters (2000), Isadora Original.
  • Jan Brad, Journal Dingbats, Jahreskreis (seasonal dingbats, 2002), JSL Blackletter Antique (2000, by Jeffrey S. Lee), Jugendstil Fraktur (originally designed by Heinz Koenig, 1907-1910), Jugendstil Ornamente (2002, art nouveau ornaments, after Schelter & Giesecke).
  • Kabinett Fraktur, Kaiserzeit Gotisch (2001), Kanzle (2001)i, Kanzlei Initialen (2002), Kalenderblatt Grotesk (2000), Kashmir (2001: an arts and crafts typeface), Kinder Vignetten (2002), KingsCross (2001: blackletter), Kinigstein Caps (2000: art nouveau initials after David Rakowski, 1990), Klarissa (2000), Kleist Fraktur + Zierbuchstaben (2002, after Walter Tiemann, 1928), Koch Antiqua (2002), Koch Antiqua Zierbuchstaben (2002), Koch Initialen (2000, after Rudolf Koch, 1922), Koenigsberger Gotisch (2001), Koenig-Type (2002; a Jugendstil Fraktur originally designed by Heinz Koenig, 1907-1910), Kohelet (2001), Koloss, Konanur Kaps (2000, after David Rakowski, 1991), Kramer, Krone Bold.
  • La Negrita (2000, +Shadow), Latina (2001: script), Lautenbach (2001, +Zierversalien), Legrand (1999: art nouveau), Lemiesz (2000), Lettres ombrées ornées (2002, based on a typeface by Schriftgiesserei J. Gillé, 1820), Linolschrift (2000, +Heavy, a linocut font as in the Munch paintings), Lintsec (2000, a stencil typeface, after David Rakowski, 1992), Liturgisch + Zierbuchstaben (2002, after Otto Hupp, 1906), Logger (2000, after David Rakowski, 1991), Lohengrin Fraktur (2000), Long Island Antiqua, Louisianne (1998-2000: +Contour, +Shadow; a bold upright connected script), Ludlow Dingbats (2000, after Ludlow, 1930), Luthersche Fraktur (2000).
  • Mainzer Fette Fraktur, Marker Felt (2001), Marketing Script (1999, +Shadow, +Inline), Marlboro (2000), Maximilian (2002, a Fraktur font and decorated caps based on Rudolf Koch, 1914; +Zier), Mayflower Antique (2000), Mediaeval Caps (2000), Medici Text (2002: an ornamental blackletter), Menuetto (1994, after K.R. Field), Messing Lettern (2000), Metropolitain (2000, an art nouveau font like the ine used for the Paris metro; +Contour, +Condensed), Middle Saxony Text (2001), Moderne Fraktur (1999), Monats-Vignetten (2002, based on drawings by Franz Franke for Bauersche Giesserei, 1920), Montague (2000), Monument (2002, after Oldrich Menhart, 1952), Mordred (2000), Morgan Twenty-Nine (1999: Victorian caps), Morris Roman Black (2002, after William Morris, 1893), Morris Initialen (2000, after William Morris).
  • Napoli Initialen (2000), Neptun Gotisch (1999), Neugotische Initialen (2002, after an original from 1890), North Face (2000), Nougat (2000), Nougat Nouveau Drop Caps (2000), Nubian (after Walter T. Sniffin's font from 1928).
  • Olde English, Old English Five (2000: blackletter), Old Town (2000: Western), Old London (2000: blackletter).
  • Packard Antique (2000), Paganini Text (2000: blackletter), Pamela (2000: an ornamental blackletter), Paris Metro (1998; +Outline), Parsons Heavy (2000, after Bill Ransom, 1918), Paulus Franck Initialen (2002), Penelope (2000, Victorian), Peter Schlehmil (2002, after Walter Tiemann, 1918-1921), Peter Schlemihl Fraktur, Picture Alphabet (2000; after an original from 1834), Pilsen Plakatschrift (2000), Pinewood (2000, like wooden branches), Pinocchio (based on a psychedelic typeface by Gustav Jaeger, TypeShop, 1994), Plakat-Fraktur (2001), Plakat Antiqua, Plastisch (2002: ornamental caps), Plastische Plakat Antiqua (2002), Plum Script (2000: an upright script)), Pointage (2000; after David Rakowski, 1992), Polonaise (1999: a formal calligraphic script), Polo Semi (2000), Powell Antique (2000), Prince Valiant (1999: blackletter), Printer's Ornaments One (after Blake Haber, 1994), Prisma (2003, a four-line typeface inspired by Rudolf Koch's Prisma), Progressive Text (2001), Puritan (2000, +Swash).
  • Quentin Caps (2001: Tuscan).
  • Rediviva (2002), Rediviva Zierbuchstaben (2002: a Schwabacher font after a 1905 typeface at Benjamin Krebs designed by Franz Riedinger), Reeperbahn (1999; aka Rope), Regatta Relief, Reiner Script, Relief Grotesk (2003), Revue Decor, Reynold Art Deco (2000: arts and crafts; +Contour), Rheinische Fraktur (1999: after a 1905 Stempel font called Arminius Fraktur and Rheinische Fraktur), Rio Grande, Rockmaker (2000, after David Rakowski, 1992), Roland 92000. +Shadow, +Contour), Rolling No. 1 ExtraBold (2000), Roman Antique (+Italic) (2000), Romantik Initialen (2000), Romantiques (2002: ornamental caps, perhaps a circus font), Rondo, Rosemary Roman (2001: a great calligraphic script based on Rosemary Hall's Rosemary Roman), Roskell (1998: a poster font, +Bold, +Shadow), Roslyn Contour (2000), Rossano (2000, +Shadow), Rothenburg Decorative (2000: a frilly blackletter), Rothenburg Fraktur, Royal Initialen (1999), Roycroft Initials (2000), Rudelsberg (Schrift, Initialen, Schmuck: a typeface family in Munch Jugendstil style, based on Otto Eckmann's Eckmann from 1901).
  • Saddlebag Black (2000: Western), Saloon ExtraBold, Saltino, Salto, Sans Plate Caps (2000), San Remo (2000: a Parisian art nouveau typeface), Sans Serif Shaded (2000, after a font by Stephenson Blake), Savings Bond, Schampel Black (2001: a blackletter), Schmalfette Fraktur (2000; +Schattiert), Schluss-Vignetten (2002, also from Bauersche Giesserei), Schmale Anzeigenschrift + Zierbuchstaben (2002, after Rudolf Koch's Deutsche Anzeigenschrift, 1916-1923), Schmuck Initialen (2001), Schwabacher (2002), Sebaldus-Gotisch (2002, a blackletter after H. Berthold's Sebaldus Gotisch from 1926), Sentinel (decorative caps from 2001), Sesame (2000, +Shadow), Shaded (2002, a take on Sans Serif Shaded by Stephenson, Blake & Co. Ltd., Sheffield), Sholom (1999: Hebrew emulation), Showboat Caps (2000), Shrapnel (2000: in the font, we find a reference to David Rakowski, 1992), Siegfried (2001, art nouveau, based on a typeface by Wilhelm Woellmer), Simplex, Sixties, Snowtop Caps (2001), Starburst (2000; after a 1990 font by David Rakowski), Steelplate Textura (2002), Stencil Display, Subway (2001: Black, Shadow), Supermarkt.
  • Tanach (2003: Hebrew emulation), Tannenberg (Fette Gotisch, Fett, Umrandet, Schattiert: after Emil Meyer, 1933-1935), Thannhaeuser Fette Fraktur, Thannhäuser Zier (2002; original by Herbert Thannhauser, 1937/38), Theuerdank Fraktur (2000; after Schoensperger's Theuerdank, 1517), Thorne Shaded (2002, a shaded didone based on a Robert Thorne design of 1810), Tierkreiszeichen (2002, zodiac signs, based on drawings by Franz Franke for Bauersche Giesserei), Tintoretto (2000, after a Schelter & Giesecke original), Titania (2001; after Titania by Haas, 1906), Titling Roman Antique, Tobago Poster (2001; +Shadow), Tone And Debs (2002; after a 1991 snow capped font by D. Rakowski; identical to Snowtop Caps in 2001), Tonight (2002: a marquee font), Topic, Toskanische Egyptienne Initialen (2003: after a 1889 font by Schelter & Giesecke), Transport Pictorials, Tribeca (2001, after a David Rakowski original), Trocadero Caps, Trucker Style ExtraBlack, Turtles (2000; an extension of Turtles by Neale Davidson), Typographer Caps (2000), Typographer Fraktur (2002), Typographer Gotisch (2002), Typographer Holidayfont (2002: Christmas dingbats), Typographer Rotunda (2002), Typographer Subway (2011), Typographer Textur (2002, Fraktur), Typographer Uncial Gotisch (2002), Typographer Woodcut Initials (2002), Typographer's Schmuck-Initialen.
  • Uechi Gotisch, Uncialis Deutsche, Unger Fraktur Zierbuchstaben (2002; after an ornamental caps typeface by Julius Nitsche done in 1908), Unicorn (2000).
  • Vadstena Rundgotisch, Varah Caps, Ventura Bold (2000), Verve (+Shadow, 2000), Victorian Initials (2001), Victorian Text (2001), Viking (2000), Vivian (2000, +Shadow), Vogeler Initialen (2002, aka Vogeler Caps), Volute (1999: art nouveau caps).
  • Walbaum Fraktur (after Justus Erich Walbaum, 1800), Wallau Deutsch, Wallau Rundgotisch, Wallau Unzial and Wallau Zierbuchstaben (2002; originals by Rudolf Koch 1925-1930), Walthari Text, Washington Text, Waterloo Relief, Wave, Weiß Initialen (2000), Weiss Lapidar (2002, revival of a typeface by Emil Rudolf Weiss), Weiss Rundgotisch (1998; Bold and Shadow), Werbedeutsch (2002, original by Herbert Thannhaeuser, 1934), Westminster Gotisch (2001: Lombardic), Wharmby (2000, a shadow font), White Bold (2003, a shadow font), Wieynk Fraktur (2002, +Initialen, + Caps Round; after a Schwabacher by Heinrich Wieynck, 1912), Wieynk Fraktur Vignetten (2001), Will-Harris Caps (2002, after David Rakowski, 1992), Woodcut.
  • Yellow Submarine (1995; after Stanley Davis's Amelia, 1966), Yentus (2001: Hebrew emulation), Yonkers (2001: a Rundgotisch font), Yorktown (2000: a Western wood type emulation font).
  • Zallman Caps (2000, after David Rakowski, 1991), Zentenar Fraktur (2003: after Friedrich Hermann Ernst Schneidler, 1937), Zentenar Zier (2002; after F.H.E. Schneidler, 1937), Zierinitialen 1 (2002, after an original from ca. 1800), Zierinitialen Two (2002; based on Deutsche Zierschrift by Rudolf Koch), Ziffern und Pfeile, Zither Script, Zodiac Pictorials.

A set of TeX service files for many of the decorative caps fonts was published by Maurizio Loreti from the University of Padova.

The collection is now also available in OpenType. 1001Fonts link. Fontsquirrel link. Dafont link. Fontspace link. Abstract Fonts link. Home page. [Google] [More]  ⦿

Digital Typeface Studio (was: Evas Unique Fonts)
[Eva Barabasne Olasz]

Aka Eva Barabas, and as Digital Studio. Ireland-based designer of Zenfyrkalt (2015, decorative textured caps), Papyrus EBO (2015), and Cirkus (2015, curly font).

In 2016, she designed Kristaly (connected script), Rubican (connected script), FlypFlop (thin connected script), Dingfleur (floral dingbats), Dingsprinkle (ornaments), Lacy (textured), Coalpen, Digi Stamps One (flowery ornaments), the textured typefaces Leaffy (decorative caps) and Hyppolit, the ornamental typeface Zending, Karykas, the curly script Pyktor, Symca, Dood Leafs, Pypats, the textured typeface Zensyrom, Doodlowers, Doodletters, Woodys, the stylish display typeface Lynzer, the curvy Roucorns, the sans typeface Dyane, the pendant typeface Proxanys, the display typeface Chowes, the bubble-themed Amydor, the textured typefaces Sanzen and Bubbles, the sketched typeface Stone Story, the handcrafted Clarissa, Cally Script and Sanlabello, the mask dingbat font MaskbyEBO, the curly decorative all caps typefaces Zsylett and Zsynor, Rythmus and Popcorn.

Typefaces from 2017: Maudlyn (script), Hakyt (script), Atyla (script), Welga, Bynda (script), Kylets (script), Martyn (script), Balton (handcrafted), Zengo (ornamental caps), Chyga (Victorian, curly), Geryta, Leafyction, Edyra (textured caps), Simpla (textured caps), Digidon (textured caps), Trefay (calligraphic script), Fonix (textured caps), Haloven (Halloween font), Sylabus, Icing Cookies, Clarissa, Floryan (floriated caps), Flory Anna, Nebulo, Storyteller (floriated didone), Mandings, Zenyth, Beadwork, Eszty (calligraphic), Divat, Kahir (exquisite decorative caps), Zen3, Moaren (sketched), Moare (fingerprint texture), Stone Story (textured), Stampy, Wyllam, Dyane (sans), Manuell (a heavy display didone), Labrint (textured), Zenone (textured decorative initial caps), Zensyrom (textured caps), Marmelad, Filigran (a textured didone), Chamylle (leafy font), Balloony (comic book style), Bemydor (textured caps), Eggshell Mosaic (textured caps), Portabell (textured caps), Stampy Light (outlined shadow typeface), Tendrils (textured caps), Retrograph (textured caps), Digizen (textured all caps typeface).

Typefaces from 2018: Lamor (heart-themed textured caps), Zentyp (decorative textured initials), Square Frames, Seamless Patterns, Tiptak, Adetar, Seryfan, Blysher, Katalyn, Agrifan, Bokretan, Hebydia (calligraphic), Westyler (script), Pepitas, Sthencyl (script), Bykars (curly), Hegran (Victorian, with curls), Monogram Framer, Grafyk, Orhydea (upright script), Denka (textured caps), Dathyn, Agrish, Olyber, Sayes Script, Layers (with snowy TV screen texture), Dafodyl, Rubynt, Ofaly, Gudlak, Natyl, Vytorla Mix (curly script), Gaby, Kiraly, Meybi (heart script), Sofye, Emryt, Vytorla, Sybelia, Alyfe, Bigdey, Amagh.

Typefaces from 2019: Gitar, Feba, Arthegos (script), Quilty (script), Trinyta, Lyra (textured caps), Astoria, Judyth, Artopyl, Stokyt, Janzen (tribal texture caps).

Typefaces from 2020: Storyk (script), Pegro Stencil, Framed Monograms, Beprity Stencil (a script), Direkt Stencil, Dings, Sati, Hapyster, Stager, Lathyn, Welga, Agrifan, Atyla, Hegran (curly Victorian), Orhydea (a rabbit ear script), Dyobar (a stencil font), Cytar, Valtin (decorative caps for Valentine's day). Creative Market link. Creative Fabrica link. [Google] [More]  ⦿

Dikas Studio
[Andika Setiawan]

Bogor, Indonesia-based designer (b. 1996) who set up Dikas Studio in 2016 and (with Muthia Fajrijannah) Ludere Studios in 2020. His early fonts at Dikas Studio include the handcrafted display typeface Hantam Mereka (2016), the letterpress emulation font Caredrock (2016, 14 styles), the vintage label font Redvolve (2016), Sunday Quotes (2016), the spurred Victorian typefaces Bohem (2016) and Sadis (2016), Besitoea (2016), a vintage Sunburst collection (2016), the spurred Caringin (2016) and Dramaga (2016) and Sherlock (2016), the sci-fi typeface Space Weel (sic) (2016), the vintage Savaro (2016), the free poster typeface Kalemun (2016), and the mix-and-match poster typeface family Bollo (2016).

Typefaces from 2017: Stay Wildy, Oldventure, Historycal, Holiday in Monday, Chapter One (grungy), Bohem Press (spurred vintage style), Hillenberg (vintage).

Typefaces from 2018: Rajawaley, Outistyle (brush script), Outistyle Brush, Mahoni (an attractive fat script), Wildlast, Wild Ones.

Typefaces from 2019: Hot Sauce (a fat brush), Pine Script, Gutter (a hand-drawn all caps sans), Brotherland (vintage, weathered), Gutter Rust (free), Wildy Sign, Wildy Sans, Baby Wildy, Sherlock Press, Pine Forest, Marlies (script).

Typefaces from 2020: Liong (a friendly Western or saloon style slab serif), The Sherloks (vintage, spurred), De Floras, Chillow.

Typefaces from 2021: Kiti Cuties, Straightler (grungy), American Signer (a baseball script), Great Mammoth (a heavy poster typeface), LD Cherries (a scrapbook font).

I am really at a loss here---at Behance, we read that Nuryana Fajartama designed some of these fonts like Sadis and Dramaga. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Diki Hermawan
[Letterflow Studio (or: Typestory)]

[MyFonts] [More]  ⦿

Din Studio (or: Doni, Ditatype)
[Donis Miftahudin]

Yogyakarta, Indonesia-based designer (b. 1990) of these script typefaces in 2018: Radicalis (script), Blacktail (layered, spurred, Western), Aniyah (formal calligraphic script), Angelina Script, White Star, Better Saturday, Volaroid, Gravity Handwritten, Wellington (Sans), Mister Froggie, Amadora (upright script), Brilliant, Portland, Adora Queen, Fox Tail, Deliciously (+Sans), Breaking Down (brush-lettered), Welcome Home.

Typefaces from 2019: Smooth Fantasy, Le Jour (font duo), Kafina, The Stranger (dry brush), Rolling Back, Marline, Blue Rose, Better Summer, Lemonday, Rottely (a decorative serif) (by Muhammad Romzul Khoir?), Monday Vacation (a dry brush or chalk font; +Sans), Brilliant Soulmate (a signature font), Perfect Redemption (dry brush), Redemption (dry brush), Andasia, Saturday Lovers, Pondspell (a free dry brush font), Sailing Heart (dry brush script), Calling Loves Script, Just Calling, Zingakon (a brush font), Anastik, Miracle Script, Camellia, Blueberry, Lovely, Gulali (a heavy monoline script), Boga Bogi, Bigtime (script).

Typefaces from 2020: Bright Angels, Blaster Timers, Hawken (a sharp-edged display typeface), Lemonlove (squarish and interlocking), Darknight (a dystopian typeface), Kickout (a sports font), Vintage Melody (a vintage signage script), Anyva (a formal calligraphic script), White Pigeon (a heavy retro signage script), Ayalena, Gamerock (squarish, dystopian), Marrline (an upright monoline script), Black Bones, Westlake (a bold display serif), Anzilam (a regular script with a beheaded lower case f), Among (a condensed monolinear sans), Black Indie, Blue Rose, Kanetin (a sans), Menthol Signature, The Fox Tail (a lava lamp script), Willson (all caps, slightly flared), Kasdio, Lovely, Miftah, Shall Blossom (a dry brush script), Striker (squarish, modular and characterized by square counters), Waranty (a display serif), Aiytha (formal calligraphic), Blastine (a fine inky script), Sporten (squarish; a sports font), Vantely (a one-style monolinear sans), Atteron (a refined decorative all caps typeface), Carade (a decorative serif), Esporte (constructivist), Kafina (a decorative serif), Netraly (a condensed bold organic sans), Regular Brush (a dry brush script), Jafrine, Watterline, Redkits (a dry brush script), Feel Better (a dry brush font), Maraton (a blackboard bold font), Hellomind (a monoline script), Rodwick (a sports font), Norwill (a sports font), Kaithryn (an inky script), Ventralie (blackletter), Kingroad (a blackletter or tattoo font), Hunterlife (a blackletter font), Lovera (a display serif with tall x-height), Rankfine (a formal script), Slashmine (a calligraphic blackletter font), Blackside (a blackletter or tattoo font), Fiosthic (an inky script), Calvera (squarish), Revillia (a decorative serif), Aniyah (formal calligraphy), Better Saturday, Gacor (sans), Bright Rainbow, Dellons Signature, Le Jour, Mister Jacky (brush script), Panama (brush script), Roaster Brush (a dry brush script), Speedline, Sawah (a wide techno logo font), Finest Butter, Garetha (a decorative serif), Rithem (a dry brush script), Vintage Rotter (a monoline script), Amelliyo (a dry brush script), Okinawa (a dry brush script), Rostave (futuristic), Voyntea (calligraphic), Montheylin (a formal calligraphic script), Soage (all caps, mini-serifed), Avalors (a sci-fi font), Mister Sally, Razor Bland (all caps, a heavy razor-sharp sans), Request, Halvert (layered, all caps, vintage), Jasson Gillen (script), Mertalion (a vintage all caps mini-wedge serif), Black Bones (a dry brush script), Halleyo (a dry brush script), Pitchey Bloom, Rocklay (a smooth brush script), Black Arcade (Tuscan), Blaster Timers, Batteny, Bettermind Signature, Castrade (a thin architectural sans), Brown Sunflower, Slash Signature, Chyali, Rockel (squarish, techno, cybernetic), Best Quotes (a brush script), Sweet Fig, Remind (a heavy decorative serif), Stradas (spurred, Victorian), Neon Planet (a neon or paperclip font), Neon Planet Script, Malion (a display serif), Akserant, Akserant Display, Moderrat (a 7-style wide tuxedoed sans family), Pretty Queen, Cybero (a techno / cyberpunk typeface), Sisterhood (a dry brush script), Qeskile Voyage, Breathing (a dry brush script), Fogie (a ten-style display serif), Feeling Passionate, Bella Vista (a thin monoline script), Spring Sunday, Bogota (a display serif), Marcelo (an all caps train font), Montaseli (Sans, Script), March (a display mini-serif font family), Crowded (a vintage font), Grown, Gellatio (a dry brush font), The Poisoned Heart (an art nouveau style script), Costa Rica (script), Brightwall (a dry brush script).

Typefaces from 2021: Valiety (an 8-style display serif), Lafayette (a dry brush script), Margita (an 8-style cultured sans), Steamy Miracles, Smiling Lovely (a dry brush script), Grandift (a squarish typeface), Writable Story (an inky script), Beach Vibes (a brush font), Bigruns Brush (a horror brush font), Blimps (a dry brush script), Yellow Palette (dry brush script), Hysteria Rollers (a brush script font duo), Wild Month (a chubby flared all caps typeface), Denlia, Mirava (an 8-style geometric sans, from hairline to bold), Medyan Script (a bold retro signage script), Morning Vintage (a heavy reverse stress retro script), Misslena (a decorative serif), Boldy Vintage (a bold retro signage script), Finest Vintage (a creamy retro signage script), Reverse Vintage (a reverse stress script), Brave Gates (a dry brush font), Retro Vibes (a signage script), Angella White (a dry brush script), Carloti (a stylish all caps sans), Fitriyah (a decorative, almost painted, serif), Stay Retro (a signage script), Arthur Keith (a brush script oozing personality), Beauty Satine (script), Handoyo Signature, Lost Monday (a heavy monoline script), Vintage Round (a vintage signage script), Vintage Lander (a fat script), Sending (a dry brush script), Sweet Moments (a dry brush script), Vilane (a 7-style geometric sans), Windey Signature (calligraphic), Wonderful Branding (a dry brush script), Glory Signature (upright), Basking (a decorative serif), Billie Sight (an inky script), Finding Beauty, Antique Heritage (a rounded monolinear upright script), Fancy Matter (a monoline script), Safira March (a display serif), Beauty Swing (a decorative serif), White Space (a decorative serif), Billion Miracles (a signature script), Kickoff (a squarish font), Skater Squad (a graffiti font), Streetbomber (graffiti), Streetfire (graffiti), Streetlife (graffiti), Bomber Dreams (graffiti), Bosskids (graffiti), Bostero (a graffiti font), Urban Blocker (a fine bulky graffiti font), Bomberboy (a graffiti font), Billionary (a 7-style slab serif), Magelo (a thin-slabbed serif; seven styles), Miguel (a tuxedoed mini-serif typeface in seven styles), Chicago Makers (a fine vintage decorative serif; eight styles), Feeling Steady (a dry brush script), Flatlion (a monolinear script), Javyer (a thin script), Romely (a 7-style fashionable Peignotian typeface), Billastim (a thin and wild script), Universe (futuristic, octagonal), Wertign (a thin and wild script), Boomber Rockstar (a graffiti font), Vintage Rovery (a plumpish decorative serif), Starstone (squarish, modular), Portaly (a rounded monolinear sans), Spaceline (a sci-fi font).

Din Studio spun off Vintage Division in 2021, where it published their vintage fonts. The initial collection in 2021: Big Flask, Black Arcade, Blacktail, Boosters, Carlingthon, Cravery, Crowded, Dracolas, Fieldstone, Finest Vintage, Lastones (art deco), Lostcowboy, Medyan Script, Mertalion, Monoline Fighter, Morning Vintage, Mostlatest, Reverse Vintage, Royale Dreams, Stay Retro, Vintage Bridge, Vintage Feeling, Vintage Lander, Vintage Melody, Vintage Rotter, Vintage Round, Vintage Rovery, Western Brother.

Typefaces from 2022: Stainger (a 16-style display sans), Rakeny (a 7-style sharp-edged display serif), Billstone Signature. [Google] [MyFonts] [More]  ⦿

Dirtyline Studio
[Hendra Maulia]

Banda Aceh, Indonesia-based designer of the script typefaces Humblle Rought (sic) (2015), Nirmana (2015, brush type), Cecilia Script (2015), Stay High (2015, graffiti influence), Gracias Script (2015), Bowlist (2015), Miguella Script (2015), Islander Brush (2015), Zailla Script (2015), Funkiess (2015), Scarlet (2015), Amanda (2015, calligraphic), Natasya (2015, a creamy signage font), Violla Script (2015), Seulanga (2015), Cornish (2015), Butller (2015), Twice (2015), Evelyn (2015), Steelmond (2015), Humble (2015; also spelled Humblle with two l's), Swirlesque (2015) and Jeumpa (2015). Aka Dirty Line Type.

Typefaces from 2016: The script typefaces Tendencia, Bull Stander (+Slab), Black Pearl Sans, Befolk, Wild Heart, Kick Hornet (brush style), The Beard, Drama Queen Script, Valiente Brush, Beautiful Dreams, Tropical (2016, in Brush Script, Brush, Brush Caps, Sans and Monoline styles), Rising Script, Rising Brush, Be Grateful, Sweetline, Lightening Sript, Zailla Script, Adorabelle Script, The Luxury, Harbour (brush type). In addition: Mortuguais, Black Heat (Victorian), Sweetline and Neptern (a Saul Bass style font).

Typefaces from 2017: Significent, Lindsey Smith Script (signature font), Axewell, Matchstic (retro signage), The Booster (baseball script), Cursive Script, Kindness Typeface (signage brush), Conquer (dry brush), Significant, The Boundaries (signage script), Blinded (fat brush script), Maldives Script, Mind Blowing (brush), Skywalker (brush script), Reshuffle Script.

Typefaces from 2018: Specta Retro Script (2018, a signage script by Hendra Maulia and Aulia Rahman), Hype Beast (brush font), Shockwave (SVG brush font), Humblle Rought (sic), Brewery (SVG font), Shanders (brush script), Hoodson (signage script), Emberblaze (brush font).

Typefaces from 2019: Blackink (a tattoo font), Hatch (brush script), Matao Serif (a decorative didone typeface done with Aulia Rahman), Black Theory (brushed), Magnison Script (signage script), Hoodson Script, Hyperflow, Baby Boomer, Hereditary, Stereohead (dry brush), Metafora, Metafora Sans (free).

Typefaces from 2020: Dx Sitrus (a 12-style display family), DX Rigraf (a 55-font sans, with a variable typeface on the side; the i and f are slab serif glyphs though), Hedgehock (a signage script), Hatch Brush (a dry brush script), Skywalker (a brush script), Matriver (a dry brush script), Adolle Bright (a quill pen script), Emerat (a heavy script), Nagaiya (a 15-style display sans (+a variable cut) characterized by sharp spurs; by Aulia Rahman and Hendra Maulia), Balecimo (a wild script), Scalter (a 42-style sign lettering typeface with Serif, Sans, Script and Variable options), Hazzard (script), Casta (a display serif in 55 styles; with a variable font), Cynthia Blooms (a signature script), Baby Boomer, Significent, Aliva Brush Script, Reshuffle Sans, Ancient Zurich, Rustler Barter (a display font done with Aulia Rahman), Neue Metana (a wide display sans by Aulia Rahman and Hendra Maulia), Mabrick Serif, Mabrick Signature.

Typefaces from 2021: Wagon (an 18-style sharp-serifed typeface family with a dancing baseline), Dx Gaster (a 15-style display or headline serif, with two variable fonts tossed in the mix), Magtis (a 10-style retro fashion mag serif by Aulia Rahman and Hendra Maulia), Scalter, Harmond (a 47-style display serif family with art nouveau charm), Cigra (a decorative serif by Aulia Rahman and Hendra Maulia).

Type department link.

Typefaces from 2022: Garcia (a Picasso-esque display typeface by Aulia Rahman and Hendra Maulia), Consta (an 8-style display serif by Aulia Rahman and Hendra Maulia). [Google] [MyFonts] [More]  ⦿

Dixie's Delights
[Michelle Dixon]

This used to be a wonderful page, but Michelle Dixon seems to have retired from the font making business. There used to be five shareware dingbats fonts: African Ornaments One, Cave Painting Dingbats One, Mayan Dingbats, Pre-Columbian Ornaments One, and Printers' Ornaments One (Mac PS), plus about 45 other original fonts (not shareware). In her wonderful collection, the following of Michelle Dixon's creations stand out: Arrighi Copybook, ItalianMosaicOrnaments, Beautiful, LondonHouse, Love Letter Typewriter, Gaudy Medium, Rusty Nail-Medium (the last four are all old typewriter fonts), and the display fonts Isla Bella (art nouveau), La Negrita, Arty Nouveau, Victorian, Art Nouveau Fonts, Bad Dog-Black, Berlin, Caslon Frenzy, Dixon's Vixens Caps, AntiqueMonoTW, DangerousTypoWriter, Elegant Nouveau Initial Caps, Fruitbasket, Matador, Manhattan, Modern Scribe, Ovid, Spillage, Tacos, Tolstoy, Typewriter, Love Letter, Basketcase, ChiliPepperDingbats, Postage Stamps, Garish Monde, Taco Modern, and Beautiful Ink. All fonts are between 5 and 30 dollars a piece, but often there are four fonts per face. In August 98, the absolutely gorgeous calligraphic font Beautiful Ink became available as a 10USD shareware font in Windows TrueType. Many designs are by Blake Haber, who is Michelle Dixon's husband. Located in Santa Barbara, CA.

Dafont link. Alternate URL. [Google] [More]  ⦿

D.M. Rachmath
[DMR Studio (or: Aksaratype Industries)]

[MyFonts] [More]  ⦿

Dmitry Loshkin

Moscow-based designer of the handcrafted Victorian typeface Snake End (2015) and a handcrafted outline font simply called Handdrawn Font (2015). Creative Market link. [Google] [More]  ⦿

DMR Studio (or: Aksaratype Industries)
[D.M. Rachmath]

DM Rachmath, also written D.M. Rahmath and Rahmat (DMR Studio, Cianjur / Bandung, Indonesia), designed the hipster typeface Parantina (2017), the Balencha family of display typefaces (2017), the stencil typeface Beklon (2017), the vintage logo font Kalalua (2017), the hipster typeface Terazcho (2017), the layered Western textured typeface Baroschi (2017), the spurred typefaces Elago (2017) and Elagonian (2017), the free vintage display typefaces La Pontane (2016-2017) and La Pontane Deconia (2017), and the Victorian typeface LHF Sorangeun (2017).

Typefaces from 2018: Morowali, Kaliandra, Diantos, Jailolo (a rebel or sports font family), Persib Sasm (octagonal sports font; free demo), Veranomata (multishade font), Bieliko (prismatic), Nonami (great-looking athletic lettering fonts), Nonamiako, Naratas (athletic lettering), Kamarita (a logo font family), Axina (stencil), Hasya d'Ellena (formal calligraphy).

Typefaces from 2019: Beklon, Vietara, Tiaso (an athletic shirt typeface), BRQ (shadow typeface), Gharisan (octagonal).

Typefaces from 2020: Sima Maung (an octagonal athletic lettering font family that includes a few shadow styles), Leafco (floriated, textured), Pentacone (molecular, prismatic), Pollenca (script), Floresque (a multiline caps typeface), Garbello (a shadow font), Elago (a sports font), Boyana (a monoline script), Scada (a shadow font), Romansha (a display type), Nevota (an all caps sans), Mamberamo (a creamy script), Manawi (a creamy script).

Aka DMR Studio and DMR Art Studios, and as Aksaratype Industries). Home page of Aksaratype Industries. [Google] [MyFonts] [More]  ⦿

Donis Miftahudin
[Din Studio (or: Doni, Ditatype)]

[MyFonts] [More]  ⦿

Donis Miftahudin
[Nathatype]

[MyFonts] [More]  ⦿

Douglas Day

Creator of Bracelet Victorian (Tuscan Ornate, Victorian) New&Old in 2001. He writes: Scanned from Tschichold's "Treasury of Alphabets and Lettering" (Norton) and painstakingly digitized. For another typeface based on the same alphabet, see Romantiques (2002, Dieter Steffmann).

In 2013, he reappeared at Fontspace and posted these free Victorian / Western / circus style ornamental caps typefaces: Gardenia Victorian, Radiant Antique, Caliope Victorian. All three were scanned from Dan Solo's Victorian Display Alphabets in 2001.

Fontspace link. [Google] [More]  ⦿

Downwind

Downwind is an unesthetic Victorian negatively tilted display face. Various similar typefaces exist: Alfereta (Dan X. Solo: some say it is originally due to Seymour Chwast in the photo-lettering era, but Dan X. Solo's catalog states that it due to Manhattan Type Foundry), Voco Script (SSI/SSK), Layla (Silver Graphics), Funky Face (WSI/IMSI). [Google] [More]  ⦿

DPIKTD

Designer of these typefaces, ca. 2017: DML Sans, DML Serif, Victorian Cyborg, Guerilla, Graphic Novel T. [Google] [More]  ⦿

DTP Types Limited
[Malcolm Wooden]

DTP Types Ltd was launched in 1989 by Malcolm Wooden (b. London, 1956) from Crawley, West Sussex, England. Wooden worked at Monotype for over 20 years just before that. Malcolm Wooden joined Dalton Maag early 2008 to work on font engineering and production. DTP Types does/did custom font work, and sells hundreds of retail fonts.

In the Headline Font Collection (50 fonts), we find reworked and extended designs (Apollo, New Bodoni (1996-2002), Camile, Engravers, and so forth), as well as fresh typefaces (Hellene handwriting, Finalia Condensed, Birac, Delargo Black, Delargo DT Rounded (comic book family), Dawn Calligraphy).

In the Elite Typeface Library, there are type 1 and truetype typefaces for Western and East-European languages. For example, Elisar DT (1996, see also Elisar DT Infant) is a humanist sans family made by Malcolm and Lisa Wooden. Fuller Sans DT (1996) is a grotesk family by Malcolm Wooden. Greek and Cyrillic included. Other typefaces: Garamond 96, Pen Tip (Tekton-like).

Fonts distributed by ITF and MyFonts.com: Berstrom DT, Beverley Sans DT (2007, comic book style face), Birac DT, Century Schoolbook DT, Convex DT, Delargo DTInformal, Delargo DT Infant, Engravers DT (1990), Finalia DT Condensed, Garamond DT, Garamond Nine Six DT, Goudy Old Style DT, Graphicus DT (1992, a 24-style geometric sans family), Kabel DTCondensed, Leiden DT (1992: after Dick Dooijes's Lectura), Macarena DT, Modus DT (2007), New Bodoni DT (1992), Newhouse DT (1992, a large neo-grotesque family), Office Script DT (1994, copperplate script), Pelham DT (1992), Pen Tip DT, Pen Tip DT Infant, Pretorian DT (a revival of an old Edwardian font by P.M. Shanks done by Ron Carpenter and Malcolm Wooden in 1992; for a free version, see Vivian by Dieter Steffman), Solaire DT, Triest DT, Vigor DT (2000---a slab serif family).

Discussion: Something I don't get is that Vecta DT (2006) is based on Vecta (2005, Wilton Foundry)---same name, same sans family, what gives? Duet DT (2006, a calligraphic script) is by Robbie de Villiers of Wilton, based on his own Duet (2004). MyFonts page. The typophiles reserve harsh judgment: I recognize these designs by their original names. Slightly manipulating Times Roman, Optima, Icone, Franklin Gothic, Sabon, Tekton, does not make them new or original. Many of the designs are identical to the originals they're derived from (Carl Crossgrove), The DTP Types outfit sells the usual rip-off fonts under new and old names (e.g. Century Schoolbook DT, Engravers DT, Goudy Old Style DT, Kabel DT, etc.) (Uli Stiehl).

  • Typefaces from 2007: Rustikalis DT (after a phototype by VGC from the 1960s), Appeal DT (a revival of the Victorian typeface Apollo designed ca. 1900 by Aktiengesellschaft für Schriftgiesserei und Maschinenbau), Fatbrush DT, Kardanal DT, Pamela DT (semi-blackletter).

    In 2008, DTP announced a new newspaper and magazine text family, Arbesco DT (PDF), based on a 1980s photolettering family (see also here), and a simple 24-style architectural sans family called Sentico Sans DT (elliptical). They also published the marker family Pen Tip DT Lefty in 2008.

    In 2009, the calligraphic Trissino DT was published: it was named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds.

    In 2020, he released Hastrico DT (a 13-style grotesque family), Hastrico DT Condensed.

    View the DTP Types typeface library. [Google] [MyFonts] [More]  ⦿

  • Dusan Jelesijevic

    Serbian graphic designer located in Gornji Milanovac, Serbia. Cofounder in 2009 with Slobodan Jelesijevic, his father, of the Serbian foundry Tour de Force. Creator of these typefaces:

    • Dusan Script (2009, Ascender: a monoline informal hand-printed script).
    • Artvod (2009, slabby and octagonal at the same time).
    • Qiltray (2009, handwriting for long texts).
    • Punkerro Crust (2009, delicious scratchy type).
    • Rough the Type (2009, blackboard style).
    • Shuma (2009, handwriting).
    • Dolina Script (2010).
    • Econs (2010, ecology dingbats).
    • Sensor (2010, an ink-trap monoline face).
    • Enforcer (2010, an elliptical headline sans).
    • Epruveta (2009).
    • Passage (2010, a great art deco family, including Initials and Borders).
    • Amanet (2011). A flared display face.
    • Osmacka azbukovica (2011). A Cyrillic font made by his kids in school.
    • The clean-cut semi-humanist sans family Centim (2011).
    • The Egyptian typefaces Saxophone Soprano and Saxophone Baritone.
    • Debelly (2011), one of the best typefaces to come out of Tour de Force. They say about this elegant fat poster face: Debelly is catchy fat typeface, with lovely geometric shapes. Inspired with contrast strokes, with square joins, Debelly gives an impression of retro style combined with contemporary trends. It is designed specially for packaging, posters, logotypes or headlines, even it can be pretty handfull in smaller sizes. Contains 375 glyphs.
    • Epitet (2011). A simple monoline family built around elegant elliptical shapes.
    • Refren (2012): A monoline script face.
    • Equator (2012): An avant-garde caps headline family.
    • Brisko Sans (2013). A straightforward sans family. Extended to Brisko Display (2012).
    • A day before Serbia was crushed by the Belgian soccer team, Dusan published the organic sans typeface Publio (2013).
    • Kamenica (2013). A display sans. Followed in 2017 by the gorgeous Kamenica Texture typeface family.
    • Nervatica (2013). A children's book font.
    • Lasta (2013) is an informal serif typeface advertized as poetic.
    • Selektor (2013). A geometrical almost techno sans family. This was followed by Selektor Slab (2013).
    • Bartender (2013). A copperplate typeface.
    • Lumier (2013). An all caps geometric sans family inspired by art deco posters from the interwar period. Followed by Lumier Texture and Lumier Rounded (2018).
    • Scholle (2014). A bouncy two-style inline family with cartoonish elements.
    • Hedon and Hedon Display (2014). A hedonistic sans that exhibits the sort of contrast one finds in inscriptional types.
    • Lumberjack (2014). A bouncy fat cartoon typeface. Not to be confused with Thiago Bellotti's Lumberjack (2013, Mushroom Type), it was renamed 24 hours after its first appearance to Lumberjacky.
    • Trampoline (2014). A funky typeface.
    • Dondolare (2014). A primitive hand-drawn typeface.
    • Balcon (2014) and Balcon Round (2014, a condensed rounded sans).
    • Scripton (2015). An urban wall brush type.
    • Manzello (2015: a workhorse text typeface).
    • Pleyo (2015). Hand-crafted, perhaps for children's books.
    • Dusan Script (2015).
    • Fartitudo (2015). Just for the name alone, this typeface deserves a medal. Fartitudo is a 3-style handcrafted all caps poster family in a genre that was kickstarted by Pintassilgo in Brazil.
    • Avram Sans (2016).
    • Dambera (2016) and Dambera Retro (2016). A connected script, perhaps suitable for children's books. Crazymond (2016). Hand-crafted semi-connected script.
    • Lunatino (2016). A poster script.
    • Plonker (2016). An all caps hand-printed typeface.
    • Fine New Bonbons (2016). A quaint candy store script.
    • Napolitanka (2016). A delicate high-fashion hifgh-contrast didone.
    • Businessland (2016). A rough handcrafted poster typeface.
    • Escondida. A high-contrast connected script.
    • Alonga (2017). A serif family with considerable contrast characterized by sharp triangular serifs.
    • Nula (2017). A 22-style humanist sans typeface family.
    • Mymoon (2017: a geometric sans in 22 styles), Mymoon Stencil, Mymoon Stencil Texture.
    • Landsick (2018). An intense script.
    • Blond (2018). A sans family that tends towards the humanist side.
    • Penfriend (2018). A script typeface.
    • Modny (2018). A fashion mag Peignotian sans family with a gorgeous inline style.
    • Stropha (2018). A compact slab serif family.
    • Hlad (2018). A distinguished 5-weight incised / lapidary typeface family.
    • Masny (2019). A no-nonsense modern sans family in 22 styles.
    • Connectica (2019). A retro connected script.
    • Dietal (2019). A condensed squarish military parade slab serif. Accompanied by Dietal Sans (2019).
    • Mondish (2019). A stylish sans family, perhaps best suited for fashionable environments.
    • Edicia (2019). A charming serifed typeface family.
    • Plaisir (2020). A serifed text family that oozes style.
    • Roanne (2020). a 44-style sans family characterized by a yawning lower case a.
    • Prego (2020). A 23-style Peignotian sans.
    • Prelom (2020). A retro wedge serif family in 15 styles.
    • Hartia (2020). A 10-style serif.
    • Silqa (2020). An art deco typeface on Novichok.
    • Finoteca (2020). A beatnik font.
    • Kondes (2020). A 20-style condensed squarish sans with variable styles.
    • Lupio (2021). In 20 styles: a variable and static geometric sans family.
    • OK Moral (2021). A Western font.
    • Ragazzi (2021). A 21-style with a didone skeleton but dwarfed serifs and sharper terminals.
    • Metropola (2021). A Victorian era sans accompanied by a variable font.
    • Stray (2021). An 18-style geometric sans for Latin and Cyrillic, with pinched connections.
    • Ancress (2021). A wide geometric sans in 14 styles.
    • Klaud (2021). A 14-style slab serif of Clarendon pedigree.
    • Fabular (2021). A twelve-style display serif.
    • Cat Fight (2021).
    • Bottled Moon (2021). A Victorian serif.
    • Povetarac (2021) and the superfamily consisting of Povetarac Didone, Povetarac Display, Povetarac Sans (2022). Each subfamily has 6 or 12 styles and contains a variable font.
    • Poruka (2022). A monolinear script.
    • King of August (2022). A retro signage script.

    Behance link. MyFonts link. His most popular typefaces showcased. Fontspring link. Klingspor link. View Dusan Jelesijevic's typefaces. [Google] [MyFonts] [More]  ⦿

    Dyana Weissman
    [Kerns&Cairns]

    [MyFonts] [More]  ⦿

    Edi Gunawan
    [Edignwn Type (or: Fitriyawan)]

    [MyFonts] [More]  ⦿

    Edignwn Type (or: Fitriyawan)
    [Edi Gunawan]

    Magelang, Indonesia-based designer of the signage script typeface Justlyne (2017), the connected scripts Arthurdale (2018), Natalia Rosaline (2018, a font duo at Runsell Studio), Rusted Orlando (2018: monoline), Jaquilane (2018), Soulgates (2018) and Qatar Capital (2018), and the handwriting typeface Morristone (2018). He also designed the vintage typefaces Classic Arkansas (2018), Retro Chalet (2018) and Echomotors (2018).

    Typefaces from 2019: Hemispheres, Acherone, Historical (Script, Sans), Natasha, Windgard (brush signage script), Throttles, Lancaste, Northam Thorne, Josephine (script), Pacific Coast, Jessie Odelya.

    Typefaces from 2020: Rundeck (a Victorian display serif), Hallen (a decorative serif), Inlander (a vintage label font), Retroica (a vintage display sans).

    Typefaces from 2021: Homkiges (a connected italic typeface), Higakles (a 9-style family that contains slab serifs and sans versions ranging from Regular to Stamp), Martellas (a vintage font duo, +Dingbats), Duhline (chamfered vintage caps), Neoland (a fat signage script), Polands (a reverse stress western font), Retrokia (a monolinear supermarket script), Monogram Holder, Laquile (a ten-style meaty script), Brocades (vintage and grungy), Bygonest (an old typewriter font), Rustic Printed (letterpress emulation), Menalde (a vintage all caps typeface), Marline (a vintage slab serif display typeface), Hertical (an 8-style vintage caps typeface with sharp serifs), Peacher (an elegant formal script with serious contrast).

    Edi Gunawan is associated with Runsell Studio and/or Fitriyawan.

    Typefaces from 2022: Derpache (script, caps and dingbats (script, caps and dingbats)), Plastun (a weathered retro signage script). [Google] [MyFonts] [More]  ⦿

    Eduard Scholz

    Typefounder in Vienna around 1900. His work includes the art nouveau post-Victorian typefaces Reklameschrift Secession and Zierschrift Monopol. [Google] [More]  ⦿

    Eduardo Recife
    [Misprinted Type]

    [MyFonts] [More]  ⦿

    Edward Pelouze
    [Boston Type Foundry]

    [MyFonts] [More]  ⦿

    Edy Bagus Pamungkas
    [Arkara (or: Fopifopi)]

    [More]  ⦿

    Ekahermawan
    [Putu Eka Hermawan]

    Bali, Indonesia-based designer of Brastika (2020: a decorative serif), Kopitha (2020: a decorative serif), Castrelon (2020), the blackletter typeface Herkaloya (2020), the display serif typefaces Diskanila (2020) and Astila (2020).

    Typefaces from 2021: Sunbest Mora (a curly serif with Victorian influences), Klaristha (a Victorian serif), Dhaks (a display typeface with traditional Hebrew terminals), Rottran (a woolly serif font), Kostania (a superb display typeface with plenty of ligatures), Bakihara (a blackletter), Bhostra Lala (a hyper-decorative font), Frastha (a wavy hipsterish display typeface), Brolian (a display sans), Shallota (a 9-style stylish display script), The Kanderlic (a creamy signage script), Kalivo (a 9-style display typeface with flared strokes).

    Typefaces from 2022: Balkind (an 8-style display serif), Distrela (a 5-style display serif). [Google] [MyFonts] [More]  ⦿

    Ekaterina Sheleveister

    Based in Saint Petersburg, Russia, Ekaterina Sheleveister created an unnamed Latin / Cyrillic Victorian script typeface in 2013. [Google] [More]  ⦿

    Ekayasa Ekayasa
    [Authentype (or: Mix Jpg)]

    [MyFonts] [More]  ⦿

    Eko Nur Cahyo
    [Kulo Kale Studio]

    [MyFonts] [More]  ⦿

    El Mehdi Chouyoukh
    [Mchcrafter]

    [MyFonts] [More]  ⦿

    Elaine Biss

    Lancaster, PA-based designer of Kiddie Sampler (2011) and Elaine (2006, curly hand-printed face).

    In 2012, she went commercial via Creative Market. Her fonts there include Kiddie Things Dingbats and Victoriana Caps (2012).

    Fontspace link. [Google] [More]  ⦿

    Elizabeth Carey Smith

    Lettering artist and graphic designer in Brooklyn, NY, who runs the design studio, The Letter Office, and teaches typography and design at City College. She specializes in text-heavy publications and information graphics. Her typefaces:

    • At Type@Cooper (2011-2012), she designed the crisp, elegant and feminine geometric sans typeface Brightcut.
    • In 2011, she created Howland New at Type@Cooper. This is a revival of a typeface from 1892 by John F. Cumming. Mac McGrew comments on Howland: Howland was introduced by Dickinson in 1892 as a "companion series to DeVinne." The same design was called DeVinne Condensed (No.3) by Keystone Type Foundry, but differs from the De Vinne Condensed issued by other sources. Howland Open followed in 1894; it was copied by Linotype as Condensed Outline and suggested through the 1940s as a display typeface for classified advertising pages which banned bold types. Compare DeVinne Condensed, MacFarland Condensed.
    • Various typefaces that are part of Elizabeth's Imaginary Alphabets: Marguerite (Victorian), Harlemite (vernacular).
    • Typefaces in the works (as of 2017): Jada (a great rounded sans), Avedon.

    Home page. Imaginary Alphabets link at Alphabettes. [Google] [More]  ⦿

    Eller Type
    [Emerson Eller]

    Emerson Nunes Eller is a Brazilian graphic designer based in Lisbon, Portugal. He has a Masters from UEMG in Belo Horizonte, Brazil, in 2014, and his thesis there was entitled Letras do cotidiano: a tipografia vernacular na cidade de Belo Horizonte. It led to the (caps only, Tuscan, Victorian) vernacular typeface Sucata. He holds a PhD in Communication Design from the University of Lisbon. In 2019, he graduated from the Expert Class type design at the Plantin Institute of Typography, Antwerp.

    In 2017, he designed the innovative hybrid (sans / serif) typeface Sagarana.

    Typefaces from 2021: Itacolomi. He explains: Itacolomi is a result of an extensive investigation into Scottish style types produced in Brazil around 1820. A possible connection between Brazil and Scotland. In short, it preserves the qualities of the famous 19th-century Scotch Roman types while adding a personal approach with unique features from the early Brazilian models.

    In 2019, supervised by Frank E. Blokland at the Plantin Institute of Typography, he developed the (garlde) Glossa type family.

    In 2021, he released the slab serif Perva, which is accompanied by Perva Reverse (a Western font) and Perva Black (an old English blackletter). [Google] [MyFonts] [More]  ⦿

    Ellmer Stefan
    [The Pyte Foundry]

    [More]  ⦿

    Ellmer Stefan & Johannes Lang
    [Stefan Ellmer]

    Stefan Ellmer is a Norwegian type designer based in Oslo. In 2014, he set up the commercial type foundry Ellmer Stefan & Johannes Lang with Johannes Lang.

    Codesigner with Joakim Jansson and Dag Laska of the bespoke typeface Aker Brygge Display (2012). For an architecture magazine, he created Corvus Corax at Skin Designstudio. The Science typeface family was commissioned by Work AS.

    In 2013, Stefan is in the stages of publishing Essay, a wonderful very readable angular text typeface, at Type Together. Ellmer was finally published in 2014 as Essay Text.

    Other typefaces in development include Amalgam and Yorrick Tristram (a baroque typeface). He also designed the grotesque typeface family Georges. Still in 2013, Johannes Lang and Stefan Ellmer co-designed the free display typeface Brevier Viennese (Langustefonts). It is based on a Victorian typeface called Viennese by the Fann Street Foundry from 1874.

    In 2014, he created Ur 1927 and writes: Ur 1927 is a digital reanimation of the original sketches by Paul Renner made for the typeface that later became Futura as part of the social-housing program Das Neue Frankfurt in 1927. Ur 1927 is not an auto-traced imitation neither an interpretation of the original source---like other revivals of pre-digital type---but an attempt to grasp the inherent design principles of the original design and the ideological impetus intended by its maker. Ur 1927 is sticking stubbornly to the sketches made in 1927---not performing any optical compensations or deviations from geometrical construction. In addition it incorporates all (!) alternative---radical even to contemporary eyes---letter shapes drawn by Renner.

    Schouss Plass (2014) is an angular display typeface developed for Schous Plass, a youth café and concert hall in Grünerløkka, Oslo.

    In 2014, Johannes Lang and Stefan Ellmer revived the frilly Victorian typeface Stencil Gothic originally designed by John West in 1885.

    Sentralen Oslo (2016). They write: A set of 3 text and one display typefaces for the branding of a new multidisciplinary cultural site based in the old town of Oslo, Kvadraturen. The text styles are based on the former stationary of the Oslo Sparebank, which later became the foundation responsible for the redefintion of the old bank building. The display typeface is a derivate of the logotype (not shown) and is intended for use in the site's wayfinding system. These typefaces were commissioned by and developed in close collaboration with Metric Design, Oslo.

    Levvel Script (2016) is a brush script based on illustrator Bjørn Rune Li's distinct handwriting style. It was commissioned by Scandinavian Design Group.

    Gustav Display (2018) is an exclusive (lapidary, roam, inscriptional, wedge serif, all caps) typeface for the celebration of Gustav Vigeland's 150th birthday in 2019. Commissioned by the Vigeland Museum in Oslo, it was designed by Ellmer Stefan under the Art Direction of Anders Hofgaard (NODE Berlin Oslo), and is based on an inscription accompanying one of Vigeland's sculptures.

    In 2018, Ellmer Stefan designed a custom sans typeface for Diller Scofidio + Renfro.

    Behance link. [Google] [MyFonts] [More]  ⦿

    Emerson Eller
    [Eller Type]

    [MyFonts] [More]  ⦿

    Emfoundry
    [Jon Melton]

    Emfoundry is the micro font foundry of type designer Jon Melton, whose first degree in art dates back to 1984. It was created originally as part of his MA in Typographic Design postgraduate studies at the Cambridge School of Art within Anglia Ruskin University in 2007. Jon Melton is course leader for BA (Hons) Graphic Design at the CSA. His academic research as a senior lecturer at this university informs his work that focuses upon key moments in type design evolution.

    His typefaces are not commercially available, They inclde:

    • Fount Sans 1756 (2018), a revival typeface of the 18th century, the legacy for all the countless sans serif fonts today. Speaker at ATypI 2018 in Antwerp, where he explains that revival: The search for the origin of today's commercial sans serif typography has become something of a holy grail for type historians. The earliest known example of a deliberately geometrical serifless letterform was confirmed back in the late 1990s, on a plan-drawing title block for a new parliamentary building. It was produced whilst on the grand tour by the architect John Soane. Duly exhibited at the Royal Academy in 1779, it marked the start of Soane's utilising this then-radical letterform on his design drawings and for inscriptions on buildings. Prior to Soane's exhibited "Design for a British Senate House," there is a void. Scholars are aware that the sans serif originates within the letterforms of Greece and the informal inscriptions of the Roman Empire. But what inspired Sir John Soane to use it, for what appears to be the very first time?
    • Cuban Revolt. Cuban Revolt was inspired by a plantation sugar sack from the 1960s, which utilised a sans serif letterform with modeling curves and counters created during a traditional hand-cut stencil process in silk screen printing. It has a constructivist feel.
    • Russian Revolt. Russian Revolt was created via a regularization of the modeling of its comrade font Cuban Revolt. It is a faux-Russian display face with a range of contextually (Cyrillic) inspired alternate glyphs that reflect the experimental typography of dadaism, suprematism and constructivism.
    • Cuba Libre & Cubana.
    • English Open, or "Georgian English Open Initials & Titling". English Open was derived from the letterforms of metal engravers, and examples of these are readily found on armorial silver and maps produced over one hundred years earlier than the first available open typeface specimens. Its character follows the steel and copper plate engravers of the 18th century, and is ultimately informed by the open types of the period such as Cocaine, Moreau-Le-Jeune, Fournier, Fournier Le Jeune and Rosart.
    • Empire Initials, Empire Initials mark the end of informed neoclassical and revivalist ornamentation, and the beginnings of ostentation and the over-adornment so representative of Victorian eclecticism. White-out decorated fat types were produced within a very short Late Regency period, from the 1820s-40s, of fevered expression within the decorative arts.
    • English Vernacular. The letter is informed by generations of 17th and 18th century armorial silver and goldsmiths, glass engravers, topographic and political print gravurists, signwriters and our provincial stone carvers who developed English vernacular, the Georgian artisan letter.
    • Bifurcated Bodoni. EM Bifurcated Bodoni represents a missing piece of the typographic evolutionary puzzle, with its Archaic and Deviant alternates exhibiting tentative and restrained characters and ornamentation, such as median decoration, internal tracery cusping and Romanesque letter formations. [...] The transition has been increased and the proportions expanded pointing towards the predominant display Fat Faces of the period; while the serif bifurcates subtly to represent early tentative experiments within what became known as the Tuscan form.
    • Classic Soane: Classic Soane is created in homage to the Regency architect Sir John Soane and his refined classical vernacular.
    • Pure Soane Sans. Melton explains this inscriptional sans:,i>Pure Soane Sans forms part of a reappraisal of the Regency architects intensions for inscriptional letterforms following a recent discovery of an overlooked early Sans serif letter on a pair of gate houses in Norfolk. These buildings were recorded as erected between 1790-92 with two Greyhound statues including inscriptional motos on stone plynths contemporary to the building. The letters have distinctive widths and features, particularly the 'G' and 'J' which shares an idiosyncratic partial serif that is also seen on Soane's titling on the better known drawings for his proposed Norwich (Castle) Gaol. These features have provided the clues to a new Sans Serif Typeface firmly based upon the 18thC origin of the seref-less letter.
    • Ogilby's Britannia (Britannia Regular, Britannia Italics, Britannia Swashes): Ogilby's Britannia reflects the engraved letterforms published in Britain's first Road Atlas published in 1675. John Ogilby employed numerous Surveyors, Weywisers (measuring wheel), Cartographers, Plate Engravers and Printers in the production of his revolutionary book. This typeface seeks to capture the engraver's vernacular of the 17th century, utilising the ichnographic ornaments and cartographic letterforms used on Ogilby's post roads strip maps, which applied a standardised unit mile for the very first time.
    [Google] [More]  ⦿

    Emil Gursch

    German foundry based in Berlin, active from 1866 until 1917, when it was acquired by H. Berthold AG. Klingspor's file on Gursch. Typefaces published by them include:

    • Accidenz-Versierungen.
    • Akademisch.
    • Alexandra (<1897).
    • Antiqua No. 2 through 9.
    • Apollo Grotesque (1897).
    • Alt-Gotisch (1899) mager&halbfett. Altgothische initialen.
    • Bambus Grotesque (1896).
    • Berliner Fraktur (ca. 1897).
    • Briefschrift Deutsch (<1899).
    • Britannia-Versalien (1902).
    • Continental Grotesque.
    • Dekorative Vignetten (1899).
    • Egyptienne.
    • Elzevir, ca. 1899: many weights and styles.
    • Eskorial (1909) and Eskorial halbfett (1908) by Eduard Lautenbach, published by Emil Gursch.
    • Flächer Ornamente (1899).
    • Fraktur 14g (1910), Fraktur 14 halbfett (1915), Fraktur 16 (1916), Fraktur No.4 through No.8. Halbfette and Moderne schmale halbfette Fraktur, Schmale Fette Zeitungs-Fraktur, Fette Fraktur.
    • Gloria (1898), Fette Gloria Kursiv (1904), Gloria fett (1902), Gloria schmalfett. Gloria Kuric schmalfett. Digitally revived in 2019 by Ralph M. Unger as RMU Gloria.
    • Gothisch (schmale enge, Courante and Accidenz), Renaissance Gothisch (1902: eng, magere and halbfette), Fette Gothisch (neueste and breite). Gothische Federzüge.
    • Grandezza I and II (1904) by Hermann Zehnpfundt.
    • Grotesque.
    • Hermes Grotesque (1897).
    • Hortensia (<1902). A digital version of this Victorian script was finished in 2009 as Hortensia by Canada Type: Hortensia was Gursch's most popular typeface, used extensively and prominently in many beautiful type catalogs, and a commonly seen design element in Germany for quite a while after its release.
    • Industria (1913, a grotesk designed for ads). Weights include Zart, Halbfett, Fett and Zephyr. By Hermann Zehnpfundt.
    • Journal (1912-1913) by Hermann Zehnpfundt. Weights include Antiqua, Kursiv, Antiqua Halbfett.
    • Breite Kanzlei, Moderne halbfette Kanzlei, Antike Kanzlei (wow!).
    • Kavalier (1910) by Hermann Zehnpfundt.
    • Klinger (1919, +Antiqua) by Julius Klinger.
    • Koenig-Type (1903-1907, Heinz König), Koenig Schwabacher (1912-1913, Heinz König), Koenig-Fraktur (1910, Heinz König. This is also called Gursch Fraktur),
    • Kontinental Grotesk.
    • Korona (1905, + Halbfett) by Albert Auspurg.
    • Mediaeval, Cursiv, Mediaeval Cursiv.
    • Monument (+Halbfett).
    • Moderne Schreibschrift.
    • Phönix-Cursiv (1897).
    • Polygon Undine (1904).
    • Roma (ca. 1897).
    • Rubens (1905) by Albert Auspurg.
    • Rundschrift.
    • Saxonia Einfassung (borders).
    • Schwabacher, Fette Schwabacher (1899).
    • Schwarze Hände, and many great math and astrological sets.
    • Senefelder (1908).
    • Sirius Ornamente (1908).
    • Skulptur (1901): has styles called Halbfett and Licht.
    • Sütterlin Unziale (+Halbfett), made in 1905 by Ludwig Sütterlin himself.
    • uncial gotisch or Morris Gotisch. For a digital version, see Morris Gotisch by Gerhard Helzel.
    • Versierte Italienne.
    • Werk Fraktur (fett, halbfett), done before 1907.
    • Zierschrift Roma, Zierschrift Apollo, Zierschrift Gloria, Boston Zierschrift.
    • Zirkular Kursiv (1913) by F. Müller-Münster.
    There were also numerous ornaments and vignettes. Published documents include Industria, eine charaktervolle Reklame-Grotesk (1913), Polygon-Undine. Fette Gloria-Kursiv (1904), Nachtrag zur Handprobe. Neue Erzeugnisse aus den Jahren 1898-1901 (1902), Munster-Sammlung der Schriftgiesserei Emil Gursch, Berlin S., Messinglinien-Fabrik und Gravir-Anstalt (1899). That last book is their main publcation, 112 pages of nicely presented specimens covering all lettertypes and ornaments in detail. A peek into one of Gursch's specimen books. PDF prepared by Klingspor Museum. [Google] [MyFonts] [More]  ⦿

    Emil Karl Bertell
    [Fenotype]

    [MyFonts] [More]  ⦿

    Emilee Higgins

    Portland, OR-based creator of the Victorian typeface Wishbone (2012). PDF file. Emilee is a graduate of the Art Institute of Portland with an BA in Graphic Design. [Google] [More]  ⦿

    Emma Wesseling

    During her studies, Nieuwleusen, The Netherlands-based Emma Wesseling created an all caps Victorian ironwork typeface (2016). [Google] [More]  ⦿

    EN 86 21

    Bandung, Indonesia-based designer of Joglo (2016), a frilly typeface based on Hanacaraka, the traditional Javanese typeface. He also created Black Moon (2016, a spurred vintage typeface) and Swoosh (2016, a brush font). [Google] [More]  ⦿

    Endang Hidayat
    [Bang Kumis Type foundry (was: Eltypolocos Type foundry)]

    [More]  ⦿

    Ephemera Fonts
    [Ilham Herry]

    Ephemera Fonts was set up in 2020 by experienced type designers Gilang Purnama Jaya and Ilham Herry, with the goal of creating vintage digital fonts.

    In 2020, they co-designed the vintage (Victorian) sign painting font families Ephemera Fascia (layered, by Ilham Herry) and Ephemera Sickles. They write: Ephemera Sickles is a ornamented letterhead style typeface-inspired by the Victorian era (1800-1900) and this style was commonly used by engrossers at the turn of the century to embellish official documents, such as diplomas and other certificates. The style is named after Charles Sickels, who headed the art department of Electro-Light Engraving Co. in New York City during the early 20th century.

    In 2020, Ilham Herry designed Ephemera Egyptian, which, despite its name, is a block lettering sans.

    Typefaces from 2021: EFCO Brookshire (a Victorian all caps serif), EFCO Overhold (vintage signage; all caps), Ephemera Nickson (a heavy vintage typeface), Ephemera Shoemakers (a spurred font).

    Typefaces from 2022: EFCO Songster (Victorian), EFCO Fairley (a smorgasbord of eleven vintage fonts). [Google] [MyFonts] [More]  ⦿

    E-phemera (was: HPLHS Prop Fonts, and earlier: Prop Fonts)
    [Andrew H. Leman]

    Andrew Leman is a prop designer in Hollywood, CA. The type foundry HPLHS Prop Fonts (was: Ephemera, Prop Fonts) was started by Hollywood's Andrew Leman, and is now located in Pasadena, CA. Some fonts are free, most are commercial.

    Dafont link. Klingspor link.

    Andrew Leman's fonts:

    • Cablegram (2001, old typewriter face, T-26).
    • Leviathan.
    • Garamold (2007, 2 styles).
    • Journalistic (2007, a blackletter inspired by the nameplate of a New England newspaper from the 1920s).
    • Blackburn (2006, distressed).
    • RTemporal (2006, blackletter).
    • Fonts in the HPLHS series, dated 2002: HeadlineTwoHPLHS, OldStyle1HPLHS, OldstyleItalicHPLHS, OldstyleSmallCapsHPLHS, Rogo, SlabSerifHPLHS, TelegramHPLHS, WW2BlackletterHPLHS, WW2BlackltrAltHPLHS, HPLHS-Lovecraft Cursive and Block (replica of H. P. Lovecraft's own handwriting), HPLHS-Autograph Lanier (replica of the 1875 handwriting of Sidney Lanier, a 19th century American poet), HPLHS-TextSerif (really Linotype Antique No. 1), HPLHS-TypoScript, HPLHS-TextSerif Oblique, HPLHS-Bulfinch, HPLHS-Colwell, HPLHS-Colwell Italic, HPLHS-Cromwell, HPLHS-National Oldstyle (after Goudy's font by that name), HPLHS-Post Monotone, HPLHS-Atlas Italic, HPLHS-Italic, HPLHS-Victoria (from the 1923 ATF book), HPLHS-Manuscript Caps, HPLHS-Tome Pi, HPLHS-TypoGothic, HPLHS-Copperplate Roman, HPLHS-Gothic520, HPLHS-Times Gothic, HPLHS-Persnickety, HPLHS-Roman Engraved, HPLHS-Mercantile, HPLHS-Mercantile Oblique, HPLHS-Mercantile Card, HPLHS-Headline Modified, HPLHS-ExtraExtra, HPLHS-Extra (wood type), HPLHS-Forsythe, HPLHS-MetroThin, HPLHS-MetroLight, HPLHS-MetroMedium, HPLHS-MetroMedium Italic, HPLHS-MetroBlack, HPLHS-Policy Gothic, HPLHS-Black Gothic, HPLHS-Gothic Compressed, HPLHS-Black Condensed, HPLHS-Black Oblique, HPLHS-Electro Gothic, HPLHS-Blackletter (an irregular hand-drawn textura font based on the lettering of French heraldic engraver Charles Demengeot).
    • The E-phemera Font Collection, available from MyFonts, which includes these fonts, with a majority being retro or script typefaces: Policy Gothic (2012, an eroded caps face), Mooseheart (2012), Operapolitan (2012), Fishwrapper (2012), Fred (2007, inspired by a 1930s typeface by Fred G. Cooper), Schreibweise (2007, a pirate-flavored font inspired by a hand-lettered manuscript dating from 1492), Cablegram-Regular, Golden Ticket (2003: Base, Fill, Highlight; a digitization of hand-drawn poster lettering by Otto Heim from 1925), Cablegram-Urgent, Cablegram-Madras, Cablegram-Ottoman, Julius Klinger (2003, based on 1925 fabric lettering by Julius Klinger), Cablegram-Zagreb, DMV Printer, Landry Gothic, Telegrafo, Toronto Gothic (2003: worn wood type or letterpress emulation, close to Condensed Titling Gothic #11), Vogue (pencil-lettered caps), Penitentiary Gothic (+Fill, +Lolite, +Hilite, +Shadow), Chicago House, Compliments (+Upright), Satisfaction (script based on 1930s cigarette ads), Vandal Broke Extra Juicy, Lanier (2004), Impersonal. The Cablegram and DMV series are typewriter fonts. Heck Italic (2010) is based on captions, labels and legends appearing on 19th-century maps and natural history engravings by Johann Georg Heck. Dai Vernon (2010) is based on the handwriting of card magician Dai Vernon.

    View Andrew Leman's typefaces. View the E-phemera typeface collection. [Google] [MyFonts] [More]  ⦿

    Eric Be
    [Eric Berto]

    Alicante, Spain-based designer of the condensed Victorian typeface Regencia (2018) and the free sans typeface Kymera (2018). [Google] [More]  ⦿

    Eric Berto
    [Eric Be]

    [More]  ⦿

    Eric Kurniawan
    [Burntilldead]

    [MyFonts] [More]  ⦿

    Erik Kirtley

    Graduate of Konstfack University of Arts, Crafts and Design (2013-2016). Malmö, Sweden-based desiner of the free Victorian typeface Echotopia (2020), which is based on the masthead of an issue of The Echo published sometime between 1890 and 1900. [Google] [More]  ⦿

    Ernst Johnston (Edward) Lauschke

    Nineteenth century engraver (b. Germany, 1872, d. 1944) in Chicago. He designed these typefaces:

    • Pekin (1888). This is an oriental simulation typeface first published in 1888 at the Great Western Foundry under the name Dormer. It was very novel at the time, and shows the mannerism of art nouveau. The name Pekin was given to it by BB&S after Great Western morphed into BB&S. The name Pekin was probably first given in 1923, but surely before 1925. McGrew says this: Pekin is one of many typefaces renamed by BB&S for their 1925 specimen book. Its original name was Dormer, patented by the Great Western foundry in 1888 and credited to Ernst Lauschke. It is a very novel face, basically a fine-line letter with most characters having a heavier accented portion in an unconventional place. Vertical strokes on some of the capitals extend downward like descenders. It was made only in two sizes, one of which was later plated by Type Founders of Phoenix, after ATF had recast it in 1954. For a digital revival of Pekin, see Pekin by Solotype.
    • Handcraft Title and Handcraft Wide Title. Mac McGrew: Handcraft is renamed by BB&S for its 1925 specimen book. Handcraft Title was designed by Ernst Lauschke in 1887 as Spenser; this was followed by Wide Spenser which became Handcraft Wide Title. With lowercase added a few years later, Spenser became Southey, and later Handcraft.
    • Brevet Normal (1887). A Victorian typeface revived in digital form by Dan Solo.
    • Additional typefaces at BBS: In 1891, Julius Schmohl and Ernst Lauschke designed an art nouveau and a Victorian face for BBS. Unnamed BBS typeface from 1887.
    [Google] [MyFonts] [More]  ⦿

    Ethan Phan

    At the University of the Arts in London, Ethan Phan designed the Victorian typeface Cinerva (2018) and the experimental Precursor (2018). [Google] [More]  ⦿

    Eva Barabasne Olasz
    [Digital Typeface Studio (was: Evas Unique Fonts)]

    [More]  ⦿

    Fabio Martins

    During his studies in Bauru, Brazil, Fabio Martins created the free Victorian typeface family Hogshead (2014). Behance link. [Google] [More]  ⦿

    Face Type
    [Marcus Sterz]

    Austrian foundry located in Vienna, est. in 2008 by Marcus Sterz (b. 1971) and Andrej Waldegg. MyFonts link. Unless exlicitly mentioned, all typefaces are by Marcus Sterz. You Work For Them link.

    • Adria Grotesk (2013). This was followed by Adria Slab (2014).
    • Aldrans (2009, minimal sans).
    • Anymals (2008) is one of my favorites: it has dingbats of imaginary undersea monsters.
    • Asimov (2009). What is this?
    • Baustelle Thin (2009, hairline sans).
    • Bikra (2010, Plain and Stencil).
    • Blitzplakat (2009). A poster face, white on black.
    • Darjeeling (2010) is a display family inspired by both Optima and Bodoni.
    • Doll (2008), Dollbats (2008).
    • Flint (2008). A hand-drawn squarish face.
    • Gerber (2009, pixel face).
    • Grafinc (2009). An ultra fat art deco. See also Grafinc Rounded.
    • Hausbau (2009, experimental).
    • Idrans Medium (2010). A poster face.
    • With Georg Herold-Wildfellner, he created the Victorian family Ivory in 2009.
    • Letterpress (2009) is an experimental grungy family in which he mixes glyphs of three classics, Jakob Erbar's Phosphor (Ludwig&Mayer Foundry, ca. 1923), Aurora (1912, Johannes Wagner Foundry) and Permanent Headline or simply Headline (Karlgeorg Hoefer).
    • Lignette Script (2011) is an extensive loopy monoline script font.
    • Loki (2009). A decorative pixel family.
    • The Marlowe family (2010) is pure art deco elegance---a play on geometric forms and elegance. Subfamilies include Marlowe Cocktail and Marlowe Swirl.
    • Moki (2011).
    • Mono Lisa (2020) by Marcus Sterz, in collaboration with programming experts Andrey Okonetchnikov and Juho Vepsäläinen. A commercial programming font to compete with Fira Code, Source Code, and Jetbrains Mono.
    • Motto (2009). An art deco typeface in the style of the Italian Futurismo of the 1920s, designed for using with two colors.
    • Mouse (2008-2009, pixel), Mousedings (2008).
    • Newcastle (2014).
    • Notdef (2009). A strange experiment.
    • The handwriting typeface Palma (2008).
    • Pinback (2009, techno).
    • Plaquette (2018). A collection of retro typefaces ranging from Victorian to Bauhaus to the sixties.
    • Publica Sans (2016). A clean geometric sans typeface family. Publica Play (2016) is a playful, and even more organic, sans that exploits many OpenType features. Publica Slab (2017) and Publica Sans Round (2021) complete the collection.
    • Scrap Outline (2008).
    • Slug (2009). A geometric typeface made for bicoloring.
    • Status (2009, super fat art deco).
    • Strangelove Next and Strangelove Next Slab (2010). This beautiful typeface was inspired by Stanley Kubrick's movie Dr. Strangelove. The original titles were designed by Pablo Ferro, who is one of the most acclaimed film title designers, especially famous for his hand-drawn lettering. Dr. Strangelove is a hairline face.
    • Substance (2013). A sans family.
    • Wenzel (2009). Handprinted.

    Facetype's typeface library. See also here. View Marcus Sterz's typefaces.

    Klingspor link. Behance link. Fontspring link. [Google] [MyFonts] [More]  ⦿

    Fahrizal Tawakkal
    [Fontdation (was: Twicolabs Design)]

    [MyFonts] [More]  ⦿

    Faka Pratama Putra
    [Tama Putra (or: Tama Vocks)]

    [MyFonts] [More]  ⦿

    Fann Street Foundry / Reed&Fox

    Fann Street Foundry is a defunct London-based foundry, started by Robert Thorne in 1794. It specialized in display types, often Victorian in nature towards the end of the 19th century. The foundry was bought by William Thorowgood in 1820, by Robert Besley in 1849, became Reed&Fox in 1866 and closed in 1906. Its designs passed to Stephenson Blake.

    Fann Street Foundry Reed&Fox (1873, London) is one of their specimen books.

    The Reed and Fox typefaces Viennese and Corinthian were combined in 2014 in Nick Curtis's digital typeface Genever NF. Johannes Lang and Stefan Ellmer revived Viennese in 2013 as Brevier Viennese, and Jason Wolfe reinterpreted it in 2021 in his https://www.wolfehall.com/projects/samuelbradleydam">Bradley Dam (2021). [Google] [MyFonts] [More]  ⦿

    Fantail

    A prototypical Victorian typeface first seen in the 1889 catalog of the Franklin Type Foundry, and later in the ATF catalogs. Digital revivals include OPTI Fantail (Castcraft) and Wanted (1991, Richard Beatty). [Google] [More]  ⦿

    Faqih Sandri
    [Typollery (was: Dri Zy)]

    [More]  ⦿

    Farhan T. Sudiya
    [Illusletra (was: Typovecto, or: Tirta Craft)]

    [MyFonts] [More]  ⦿

    Fathi Al Ghazi
    [Youthlabs Studio (was: Zrox Studio, Muhammad Fathi Al Ghazi)]

    [MyFonts] [More]  ⦿

    Fatimah Dipi
    [Kong Font (or: Gemes Font)]

    [More]  ⦿

    Fauzan Rafhy

    Bandung, Indonesia-based designer of the Victorian typeface Big Nord (2017, with Adam Fathony). [Google] [More]  ⦿

    Feeling C. Foster
    [The Union Type Foundry]

    [More]  ⦿

    Fenotype
    [Emil Karl Bertell]

    Fenotype, a Finnish type foundry, has the original (often techno) designs of Emil Bertell (b. 1983, Helsinki) and his brother Erik Bertell and wife Kea Bertell. Emil has been studying graphic design at University of Art&Industrial Design in Helsinki since 2004. He designed most of his typefaces during 2001-2004, and works as a freelance illustrator. Behance link.

    Typefaces made in 2002: Disco (prismatic), Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Cheaptype, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, 0210, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaia 2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon (paperclip face), Mama and Mama Round (paperclip typefaces). In private email, he calls himself Carl. The foundry evolved from 2theleft.

    Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it.

    Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Acid Test 2, Acid Test (texture typefaces), 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL.

    In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, FT Blockbuster, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium.

    In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats).

    MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima.

    Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (ultra-condensed), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display typeface with mustache dings thrown in), FT Master of Poster (bi-level display typeface with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a hand-printed rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display typeface with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna).

    Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals).

    In 2012, he created Salamander Script, Taiga (connected upright script), Mercury Script (a set of upright connected script typefaces), Slim Tony (a bubblegum retro signage face) and Mercury Ornaments.

    Typefaces from 2013: No. Seven (a successful brushy signage or baseball script), Alek and Alek Ornaments (an upright signage script), Voyage (a vintage script), Barracuda Script (brushy signage face), Bonbon (signage script), Bonbon Ornaments, Scaramouche (a playful connected script).

    Typefaces from 2014: Larry (sturdy connected script), Silver (upright connected script), Powder Script, Peaches And Cream (creamy signage or baseball script), In and Out (a connected retro signage script), The Carpenter (a script family in the style of Mercury Script).

    Typefaces from 2015: HMS Gilbert (a collection of 14 hand-crfated vintage types), Lager (a signage script family with adaptable swashes and other opentype goodies), Vanilla Shot, Journey (a smooth and elegant vintage script family of four weights and a matching ornament set, packed with alternate characters, and, in Bertell's style, perfect connections between glyphs), Tea Biscuit (signage script), Skipper, Skipper (connected script), Frost (a signage typeface that is just right, a sure award winner), Monday (sign apinting typeface).

    Typefaces from 2016: Jazz Script, Fragola (sign painting font), Syrup (sign painting font), Cosmopolitan (monoline connected script), Bluebell (copperplate calligraphic script), Inkston (vernacular brush script together with the standard handcrafted sans and text styles), Beaujolais (brush script), Black Script (a heavy signage script), Beaujolais (an organic brush script), Cold Brew (signage script), Inkheart (tattoo style).

    Typefaces from 2017: Camper (monoline script, accompanied by Camper Print), Aether Rain (thin script), Thang, Big Fish, Bolton (Bolton Script and Bolton Script, and the degraded Bolton Print pack), Vodka (Slab, Sans, Pen and Brush), Poster Brush, Fresh Press (signage style), Praktika (grotesk), Praktika Rounded, Blossoms, Kitchen (sign painting brush), Letterpress Studio, Takeaway, Aether Rain, Pitcher (baseball script), Karu (a workhorse sans), Bluebell (calligraphic), Roster (signage script), Dog Days, Catsy, Alfons (in Script, Display, Sans, Serif, Tiki, Extras and Ornaments subfamilies), Cosmopolitan (monoline script and sans pair), Snooker (retro signage script), Salty (a creamy brushed signage typeface).

    Typefaces from 2018: Aster Script, Audrey (a monoline script and sans duo), Galatea (a 48-style sans family by Erik and Emil Bertell), Double Porter (an 18-style font collection with scripts, sans, and grunge faces thrown in the mix), Matchstick, Fruitos, Corner Deli (a layerable set of fonts in script and sans styles), Bayamo (a brush script done for Monotype), Sidecar (a connected monoline neon sign script, and a matching sans), Ginger John, Brush Marker, Shirataki (monoline soft pen script), Ash (a crayon font), Breakfast Script, Dallas Print Shop (a display family by Teo Tuominen and Emil Karl Bertell), Capital (a sans and serif family by Teo Tuominen, Erik Jarl Bertell and Emil Karl Bertell). Elixir, Maestri (a classical connected scrupt by Teo Tuominen and Emil Karl Bertell), Popcorn (brush script), Cherry (signage script), Goodwater, Signature Script, Kingfisher (a beer botle signage script), Sonder (brush script).

    Typefaces from 2019: Taurus (an all caps logotype family by Emil Bertell, Erik Bertell and Teo Tuominen), Ex Libris (a high contrast flared serif titling font), Riley (a retro sign painting script), Allison Script, Milky (a sign-painting brush script), Portland (a reverse contrast typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Zeit (a transitional text typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Boardwalk Avenue Rough (a monoline script and a weathered all caps sans), Avion (a sans family by Emil Bertell, Erik Bertell and Teo Tuominen), Yes Script, Gainsborough (script), Florian (a roman typeface with crisp edges and some contrast), Vogue Sans (a haute couture all caps contrast sans), Fabrica (a decorative frilly didone by Emil Bertell, Erik Bertell and Teo Tuominen), Chai (an expressive sans / serif hybrid), Rainmaker Script (monoline), Aequitas (a stylish sharp-edged roman typeface family), Tapas (by Emil Bertell, Erik Bertell and Teo Tuominen: a Serif, Sans, Deco and Script collection), Lawrence (a stylish roman typeface), Kallio Brush (a signage brush script), Morison (a great 32-style wedge serif typeface by Erik and Emil Bertell and Teo Tuominen), Felicity Serif (a juicy bold high-contrast serif), Las Palmas (Brush, Pen, Slab, Condensed), Honey Drops, Explorer, Boardwalk Avenue (a sans/script font duo), Skye (a heavy decorative didone), Leftfield (a retro baseball script), Steak And Cheese, Agile Sans (a humanist sans by Emil Karl Bertell, Erik Jarl Bertell, and Teo Tuominen), Punk Rocker, Silverline, Perfume (Pen, Brush and Sans), Hops And Barley, Allison.

    Typefaces from 2020: Laurel (by Teo Tuominen, Emil Bertell and Erik Bertell: a 4 style sans with amnay wedge elements), Omnipop (Sans, Brush, Script), Paper Tiger (a Victorian Script accompanied by a condensed flared serif in two weights and a chunky sans serif), Resolve Sans (by Teo Tuominen, Emil Bertell and Erik Bertell: an extensive grotesk super family of 124 fonts: from compressed to extended, thin to black), Gambler (a 14-style display type collection), Rockford Sans (2020: an 8-style geometric sans with large x-height and slightly rounded corners; Emil Bertell, Erik Bertell and Teo Tuominen), Slacker (a brush script), Grand Atlantic (a vintage display package), Magnolia (Brush, Serif), Walden (a heavy rustic serif typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Klik (a geometric sans family with Bauhaus influences, by the dynamic trio of Emil Bertell, Erik Bertell and Teo Tuominen), Rose Garden Deluxe (a font duo), Felicity (a heavyweight display sans).

    Typefaces from 2021: Alonzo (a 24-style Peignotian sans by Emil Bertell, Erik Bertell and Teo Tuominen), Imagist (a 12-style sharp-edged serif by Emil Bertell, Erik Bertell and Teo Tuominen), Maine (a 12-style modernized book antiqua by Emil Bertell, Erik Bertell and Teo Tuominen), Briston (a bold creamy serif in the Windsor genre), Lagom (a 16-style slab serif with some Clarendon charm; by Emil Bertell, Erik Bertell and Teo Tuominen), Skillet (a chubby Cooper Black-genre typeface full of hedonism and joie de vivre), Kings Valley (a decorative serif), Shaker Script (monolinear), Wonder (a 12-style rounded serif in the style of Windsor; by Emil Bertell, Erik Bertell and Teo Tuominen), Ellie Script (a signature script), Dirty Sundae (a casual font), Grand Cru (a refined serif family with 36 styles; by Emil Bertell, Erik Bertell and Teo Tuominen), Kiosk (a 4-style vintage headline typeface family in Script and Sans versions).

    Typefaces from 2022: Blood Orange (in the Cooper Black / Windsor / Souvenir genre), Tomato Ketchup (supermarket kitsch in the fat rounded Windsor genre).

    Dafont link. Behance link. Creative Market link. MyFonts interview.

    View the Fenotype typeface library.

    View Emil Bertell's typefaces. [Google] [MyFonts] [More]  ⦿

    Feòrag NìcBhrìde
    [Feorag's Place]

    [More]  ⦿

    Feorag's Place
    [Feòrag NìcBhrìde]

    Nice designs by Feòrag NìcBhrìde (or Feòrag Forsyth) from Edinburgh, Scotland. Her Mac TrueType and PostScript fonts are mostly reproductions of historic type. Styl, Styl Round, Astradyne and DaySquareCut are futurist in inspiration. Chapbook and Chapbook Italic are based on 17th century type and Vespasian is taken from a late 7th century manuscript. Symbats and Orkney Runes are of particular interest to occultists. Flgheadh, my first shareware font, makes the creation of knotwork rows as easy as typing three characters which happen to be next to one another on the keyboard. Viking Runes from the Orkney Isles, Taisean (2010, angular uncial), Accelerando (2009, nice simple techno face), Day Square Cut (1997; based on lettering designed by Lewis Day, some time around 1900), Cianán (Mac type 1 font based on an old Irish manuscript, 1998), Astradyne (based on the font used on Ultravox's Vienna LP from 1980), Symbats (1997-2008, a Pagan dingbats font), Innsmouth Plain (2011, hand-printed), Skelett (2011, blackletter), Maeshowe (2014, Futhark runes), Orkahaug (2014, a grungy version of Maeshowe), Lindberg (2007-2014, a beer bottle font), Lindberg Caffeine (2014), Springmarch (2014). In 2016, he designed the Victorian typeface Whittier.

    Dafont link. Older URL for her free stuff. [Google] [More]  ⦿

    Ferry Hadriyan
    [FHFont (was: Feydesign)]

    [MyFonts] [More]  ⦿

    Ferry Septian
    [Uncurve]

    [MyFonts] [More]  ⦿

    Fevzi Yazici

    Fevzi Yazici was the award-winning design director of Zaman, the daily newspaper in Istanbul, now closed. He was the design director of Zaman, the award-winning newspaper in Istanbul. In 2016, after an abortive coup, 47 journalists from Zaman were arrested and accused of complicity. Yazici and his colleagues were convicted, and the newspaper was closed. He was sentenced to life in prison; that sentence was later reduced to eleven years. Held in the notorious Silivri prison, 90 kilometers from Istanbul, Fevzi Yazici designed a Victorian typeface with a pencil in his dimly lit solitary-confinement cell and named it Firdevs for his wife. The drawings were digitized by Dyana Weissman, Type Networks' custom type director, and Firdevs is now available from Dyana's foundry, Kerns & Cairns. [Google] [More]  ⦿

    FHFont (was: Feydesign)
    [Ferry Hadriyan]

    Ferry Hadriyan (FHFont and before that, Fey Design, located in Indramayu and/or Cirebon, Indonesia) designed these typefaces in 2015: Milkytwins Modern Wave, Fantasia (a charming curly upright script), King City (calligrapghic signage script), Chocolate Heart Script, Adefebia (calligraphic wedding script font), Sexy Shout, Awesome Display (signage script), Love Mile (curly brush-painted font), Shakila (a vampire script), Hard Brush Ghost, Telena Brush, Slow Motion Script, Heaven Sky, Candy Sugar, Chocolate Heart (curly script), and Hard Brush.

    Typefaces from 2016: Anniversa (wedding script), Point Break, Atlantis Heart (brush font), Hometown (a 15-style vintage letterpress-style family, +Clean, +Rough), Apple Tree (dingbats), Strawberry, Wild Zova (a free brush script), Beauty Heart, Devil East, Sexy Shout, Hometown Script (signage script), Awesome, Hunter Heart (free vintage titling font), Voltury, Wowangle Brush Script, Nightamore (free brush script font), Honeymoon Midnight (calligraphic).

    Typefaces from 2017: Peace Maker (script), Hunter Skyfar (dry brush), Wonderfebia (wedding script), Chocolate Milky, Soybeanut (upright script), Vertical Brushy, Firefly, Ambergris Script (calligraphic), Arthouse Display Pro (Victorian), Real Stones, Hard Stones Pro, Photograph (a formal calligraphic wedding script font).

    Typefaces from 2018: Bloomy Script, Strongloves (dry brush), Break Stones.

    Typefaces from 2019: Esmetralda, Pinkalova (a free brush script), Magentasia, Butter Swany, Butter Luchy, Caramello, Wondertime (dry brush), Mangotea, Simpletune, Pintenium Script (brush script), Pinkalova Script, Pentenium (brush script), Dragtime, Auntekhno Script (handlettered script style), Salute Riches, Shutten Reason, Young Blood Solid.

    Typefaces from 2020: Festany (a dry brush script), Button Grinder (all caps, dry brush), Marijose (a dry brush script), Astro Jack, Browsa (a modular all caps typeface), Frigtona (a dry brush script), Ankerisey (dry brush script), Southwave, Vinegart (dry brush script), Brightsome, Bitten Amore, Artics Snow, Aimchestar (a brush script), Hello Beauty, Rightside (a dry brush script).

    Typefaces from 2021: Mount Light (despite the name, a bold script), Standgrow (a fat script). [Google] [MyFonts] [More]  ⦿

    Fiodor Sumkin

    Byelorussian illustrator who fled his country when he was 18 years old. He sold paintings in Moscow and now lives in Amsterdam. His drawings are straight out of the 19th century, ornamental and playful. He is also inspired by the psychedelic lettering of the 1960s. Discussion of his work by Coles. Typefaces, all made or drawn in 2006-2007: Rodopi, Fashion Condensed, Farringdon, Hopkins, Rondell (Western style face), Abramesque (ornamental caps), Mansard Trimmed (19th century emulation), Wedlock, Silverado, Shimmer Wide (cyrillic), Mona (extra-wide slab serif), Flirt Chloe (more 19th century ornamental glyphs), Jubilee (constructivist Cyrillic lettering), Big Cyrillic pixels (many great pixelized alphabets), Cuba, Gingerbread (Victorian), and St. Clair. Alternate URL. Check out his gorgeous country maps designed for the aeroflot in-flight magazine in 2008. [Google] [More]  ⦿

    Fiorelo Filho

    Buenos Aires, Argentina-based creator of the spurred Victorian typeface Nautical Type (2015). Behance link. [Google] [More]  ⦿

    Flavia Maidana

    Flavia Maidana (Buenos Aires, Argentina) designed Old Art Font (a Victorian display face) for Vino Galan Tango in 2013. [Google] [More]  ⦿

    Flora Jammes

    Graphic designer in Paris. In 2016, she created Kitch, a Victorian typeface that is based on Campanile (1881, the Cincinnati Type Foundry). She also drew an alphabet called Fraktur (2016). [Google] [More]  ⦿

    Florence Boudier

    Graphic designer in Strasbourg, France, who created Meerschweinchen in 2014. Behance link. [Google] [More]  ⦿

    Florencia Romano

    Freelance designer in Buenos Aires, who created the wavy Victorian typeface Alfabeto Ela in 2015. [Google] [More]  ⦿

    Floris Voorveld

    Dutch freelance graphic designer (b. Almelo, 1985) living in Granada, Spain, and/or Nijverdal, The Netherlands. Creator of the free rounded sans typeface FV Almelo (2012), which was designed using ruler and compass. FV Granada (2012) is a contemporary monoline sans typeface. FV Deventer (2012) is a wavy antique almost Victorian font. Floris also created Hipster Icons.

    Behance link. Dafont link. [Google] [More]  ⦿

    Fonderie Française

    French foundry. Designers of some beautiful often didone typefaces, such as the fat face Liliom (see Slimblack for a similar typeface). They also produced well-known Victorian decorative capitals under the names Romantiques No. 1 through 5. The Egyptian typefaces are called just that, Egyptiennes (Narrow, Bold, Italic). Henry Chaix made the display roman typeface Editor in 1937.

    Revivals include Liliom Pro (2012, Ralph M. Unger). [Google] [More]  ⦿

    Font Factory
    [Andy Benedek]

    Andy Benedek's (b. Manchester, UK, 1945) Cotswolds-based outfit for "custom fonts and lettering of distinction", founded by him in 1988. Andy (András) made corporate typefaces for Umbro, QZERO, Bowater, Lloyds Bank, Royal Free Hospital, Liptons teas, Gordons gin, Marlboro cigarettes, as well as typefaces for magazines (Royal Academy of Arts, Elle, Blueprint) and for newspapers (The Scotsman). All this was done under the label of The Font Factory. With Michael Johnson and Mike Pratley, he created a font for BT Cellnet. A braille typeface has been developed to aid the production of signage for the blind. In 2001, he co-founded Fine Fonts with Michael Harvey. CV. Typefaces:

    • Aesop (2000, with Michael Harvey): developed from book jacket lettering drawn by Michael Harvey for an edition of Aesops Fables.
    • Balthasar (2002, with Michael Harvey): a serifed stencil font.
    • Braff (2002, with Michael Harvey, for Monotype Imaging): an outline face.
    • Fine Gothic (2002, a blackletter typeface co-designed with Michael Harvey): a blackletter family with a Basque A.
    • Friezea (Andy Benedek and Michael Harvey, Fine Fonts). The original font dates from ca. 1990. They explain: The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and guild them. Instead, they were cut in perspex and guilded. Some twenty years later, the missing upper-case letters were drawn together with the lower-case letters and Frieze, the font, was born.
    • Marceta (2003, with Michael Harvey): an eighth-century uncial.
    • Mentor (2004, with Michael Harvey, for Monotype Imaging): a Times-Roman style family.
    • Mentor Sans (2004, with Michael Harvey, for Monotype Imaging): a sans family.
    • Quirky (2010).
    • Ruskin (2008, Andy Benedek and Michael Harvey, Fine Fonts). This display serif typeface was originally created as a commission for Michael Harvey to design a signage font for the Dean Gallery in Edinburgh.
    • Scorpio (2015). Based on he condensed lettering Michael Harvey drew for the card The Sign of The Nudge which was designed in collaboration with poet Ian Hamilton Finlay. It was digitized after Harvey's death by Benedek.
    • Songlines (2001, with Michael Harvey): based upon a pen-drawn script drawn by Michael Harvey to illustrate a poem by Johannes Thurman.
    • Tisdall Script (2002, with Michael Harvey): based upon the brush-drawn script lettering of Hans Tisdall, who was the designer of many distinctive lettered book jackets for Jonathan Cape in the 1950s.
    • Victoriana (2002, a Victorian font by Andy Benedek and Michael Harvey, Fine Fonts). Named after cyclist Victoria Pendleton.

    FontShop link.

    View Andy Benedek's typefaces. [Google] [MyFonts] [More]  ⦿

    FONTana Typestudio
    [Amondo Szegi]

    FONTana is a font design studio in Szeged, Hungary, started in 1999. Free and commercial typefaces (39USD/piece) by Gabor Kóthay (La Danse, Luxury, Sehrgut (Fraktur), Faximile (1999), L&R (1999), Monsoon (1999)), and Amondó Szegi (Telegdi family, which is based on the worn typefaces used by Abbot Nicolaus Telegdi at the Vienna Jesuit press in the 16th Century; Velorex (1999)). Very beautiful web page, and fantastic fonts in all respects!

    Free typefaces: Zodiac (2000), Cards (Gyula Zsigri, 2001), Maldoror, Domino (Gabor Kóthay), Count, Csenge (a Hungarian rune font by Csaba Dávid), Qwerty (Gabor Kóthay, 2000), Y2K (Gabor Kóthay, 2000).

    Early commercial fonts: Woodini (caps), Sleeping Beauty (caps), Zimbalo (1999, Amondó Szegi), Pacalsone (1999, Amondó Szegi), Paradox (1999, Amondó Szegi), Construct (2001, Amondó Szegi), Binario (2000, Amondó Szegi), Bikewrench (2001, Amondó Szegi), Cabin (2001, Gábor Kóthay).

    At T-26, in 2001, Amondó Szegi published the commercial typefaces MuseFace (art nouveau), Glosso (2003), Xodus (2001, Regular, Italic, Forgotten), Kozma-Ornaments, all showing old Slavonic and/or Armenian influences in Latin letters. In 2000, he made Alian Ornaments (floral ornaments) for T-26.

    At T-26, Gábor Kóthay published Adagietto (2000), Minerva (2000), Archetype (2000). At PsyOps, Gábor Kóthay published the formal script Anglia (2001), Berill (2001), and Plexo (2001).

    Amondó Szegi's typefaces at T-26: Nexodus (2008, medieval style), Zenthes (2008), Alien Ornaments, Glosso, Iskola (2002, a Victorian typeface done with Silas Dilworth), Kozma (great ornaments), Melico, Melico Ornaments (2004, another great set), Xodus.

    At P22, Szegi designed the curly typeface Mantra (2005). Amondó Szegi's Telegdi family is since 2001 available from P22.

    At The Type Trust, he created the playful Gepetto (2006).

    Typefaces from 2013: Ma (avant-garde, constructivist, done as an hommage to Lajos Kassak), Overdose, Sorry (kitchen tile typeface), Atett (hommage to Lajos Kassak), Street Soul, Samizdat, Velorex (brush script), Zsir (fat octagonal face), Kedves (hipster font).

    Typefaces from 2014: Iseum, Pix Gotisch.

    Among their custom corporate identity jobs, the Losonczi Hair Salon work (2012) is quite outstanding.

    Dubstep (2012) is an experimental triangulated grid-based typeface.

    In 2013, Glosso Novum (2013, Fontana Type Foundry), a remastering of Glosso (2003), was published. Nexodus (2013) is a reworking of his 2001 typeface Xodus, with new ornaments and zodiac signs, and more weights. Xodus (2001, Regular, Italic, Forgotten) revives work by Miklós Kis Misztótfalusi (Nicholas Kis), who was one of the first designers of Armenian type: He prepared his first set of exotic types before September 1685 for the Armenian printing house in Amsterdam. It was the knowledgeable mayor of Amsterdam who requested that those types be founded. These types were used to print the mayor's (Nicolaes Witsen) work entitled Noord en Oost Tartarye. Misztótfalusi's name appears in the colophon of the book. Later, in 1687, he found Georgian types, which were, in many respects, similar to the Armenian set. Since there was no printing house in Georgia, he designed the types on the basis of some manuscripts. Unfortunately, as legend has it, the types never reached the Georgian court, which had commissioned Misztótfalusi to design them. They were either lost or stolen somewhere in Sweden. However, a sample sheet survived and was found in 1980 in Amsterdam. It may seem to make no sense to re-Latinise the types of Misztótfalus, who himself was a great master in founding Latin types, and for whom Armenian types meant the first step in a new direction.

    Typefaces from 2016: Crave Sans.

    Klingspor link. Fontspace link. Behance link. Dafont link. Creative Market link. [Google] [MyFonts] [More]  ⦿

    Fontdation (was: Twicolabs Design)
    [Fahrizal Tawakkal]

    Fahrizal Tawakkal (Twicolabs Design, Malang, Indonesia, b. 1986) markets his fonts via Twicolabs Design and Fontdation.

    In 2013, he created Colin, Dollar Bill, Coleen (Victorian signage face), Nurjan (free sans titling face), Trigger (Victorian typeface), Athenry (heavy block vintage typeface), Sly (Victorian typeface), Gauntlet (spurred typeface), Rooters (a spurred tattoo typeface), Incognito (spurred tattoo font), Incognite (like Incognito), Chuck Noon (a copperplate signage font available from Creative Market), Debute and Black Velvet (a Victorian advertizing typeface, followed by Black Velvet 2 in 2014).

    Typefaces from 2014: Facile Pro (geometric sans), Deadhead Rough, Armament, Black Velvet, Facile Sans (free), Lifer (spurred, Victorian), Dublin (spurred), Dollar Bill 2, Carlingford (a spurred beer bottle typeface), Akura Popo (copperplate; free), TM Stanley (a spurred beer label font), Deadhead Script (signage script).

    Typefaces from 2015: Greenore, Armament Stencil, Avondale (handcrafted all caps typeface), Deadhead Classic, Deadhead Brush, Patronia Script.

    Typefaces from 2016: Westmeath (free art deco style), Kite Script, Armament, Premier Sans, Premier Script.

    Typefaces from 2017: Haarlem Serif, Haarlem Sans (Dutch deco), Haarlem Deco (Dutch deco), Signatra (signage script), Chuck Noon 2 (copperplate caps).

    Typefaces from 2018: Lansdowne (vintage all caps, copperplate), Lifer (spurred), Neue Stanley (spurred), Rebute, Pittsbrook Sans (octagonal), Pittsbrook Serif (octagonal, with small wedge serifs), Highwind, Nufced, Jalisco (monoline script), Linoleo Script, Slainte Script (monoline).

    Typefaces from 2019: TF Handwriting, Tequila Sunrise, Chuck Noon Script (for signage), Tawakkal Sans (for headlines), Obsypac (Victorian), Baisteach, Pioggia (a text typeface with several didone elements such as ball terminals), Ferghaus Sans, Vallely, Cairlinn.

    Typefaces from 2020: Mullingar (a sharp-edged display typeface), Killarney (a flared display font), Kinsale Display.

    Typefaces from 2021: Athlone.

    Fontspace link. Creative Market link, where one can buy the fonts. Hellofont link. [Google] [MyFonts] [More]  ⦿

    Fontek (Letraset Fontek)

    Collection of typefaces at Letraset. Newest typefaces include Donaldson Hand (Tim Donaldson), La Gioconda (based on letters from Giovanni Francesco Cresci, done by Richard Dawson and Dave Farey), Spidercave (Michael Gills), Locomotiv (Phill Grimshaw), Bobbysox (Alan Dempsey), Bouchon (Roselyne and Michel Besnard), Eplica (Yvonne Diedrich), Uffington (Tim Donaldson). The fonts: Aachen Bold, Aachen Medium, Academy Engraved, Agincourt, Algerian Condensed, Ambrose, Aquinas, Aquitaine Initials, Aristocrat, Arriba, Arriba-Arriba, Artiste, Augustea Open, Avalanche Script, Avenida, Axis Bold, Balmoral, Bang, Banner, Becka Script, Belwe Mono, Belwe Mono Italic, Bendigo, Bergell, Bertie, Bertram, Bible Script, Bickley Script, Bitmax, Blackmoor, Bluntz, Bobbysox, Boink, Bordeaux Display, Bordeaux Family, Bordeaux Italic, Bordeaux Roman, Bordeaux Roman Bold, Bordeaux Script, Bouchon Bold, Bouchon Light, Brighton Bold, Brighton Light, Brighton Medium, Bronx, Burlington, Buzzer 3, Cabaret, Cabarga Cursiva, Campaign, Cancellaresca Script, Carlton, Carumba, Caslon 540 Ital/Swash, Caxton Light Italic, Caxton Roman Bold, Caxton Roman Book, Caxton Roman Light, Chalkline Bold, Challenge Bold, Challenge Extra Bold, Champers, Charlotte Bold, Charlotte Book, Charlotte Book Italic, Charlotte Family, Charlotte Medium, Charlotte Sans Bold, Charlotte Sans Book, Charlotte Sans Book Italic, Charlotte Sans Family, Charlotte Sans Medium, Charlotte Sans Small Caps, Charlotte Small Caps, Chiller, Chipper, Choc, Chromium One, Citation, Claude Sans, Claude Sans Bold Italic, Claude Sans Italic, Collins, Comedy, Commercial Script, Compacta, Compacta Bold, Compacta Italic, Coptek, Corinthian Bold, Corinthian Bold Condensed, Corinthian Light, Corinthian Medium, Crillee Bold Italic, Crillee Extra Bold Italic, Crillee Italic, Crillee Italic Inline Shadow, Cult, Dancin', Data 70, Dave Farey Display Fonts, David Quay Display Fonts, David Quay Scripts, Demian, Demian Bold, Design Font Attitudes, Design Font Calligraphic Ornaments, Design Font Celebrations, Design Font Commercials, Design Font Delectables, Design Font Diversions, Design Font Diversities, Design Font Eclectics, Design Font Energetics, Design Font Expressions, Design Font Incidentals, Design Font Industrials, Design Font Inspirations, Design Font Journeys, Design Font Mo' Funky Fresh Symbols, Design Font Moderns, Design Font Naturals, Design Font Organics, Design Font Organics II, Design Font Primitives, Design Font Radicals, Design Font Urbans, Design Font Well Beings, Design Font Wildlife, Digitek, Dolmen, Donaldson Hand, Doodlebug, Dynamo Shadow, Edwardian Medium, Elysium Bold, Elysium Book, Elysium Book Italic, Elysium Family, Elysium Medium, Elysium Small Caps, Emphasis, Enviro, Eplica Bold, Eplica Bold Italic, Eplica Book, Eplica Book Italic, Eplica Family, Eplica Medium, Eplica Medium Italic, Epokha, Equinox, Etruscan, Faithful Fly, Fashion Compressed No. 3, Fashion Engraved, Figural Bold, Figural Book, Figural Book Italic, Figural Family, Figural Medium, Figural Small Caps, Fine Hand, Flamenco Inline, Flamme, Flight, Fling, Follies, Forest Shaded, Frances Uncial, Frankfurter, Frankfurter Highlight, Frankfurter Inline, Frankfurter Medium, Freestyle Script, Freestyle Script Bold, Gigi, Gilgamesh Bold, Gilgamesh Book, Gilgamesh Book Italic, Gilgamesh Family, Gilgamesh Medium, Gilgamesh Small Caps, Gilgamesh Titling, Gill Display Compressed, Gill Kayo Condensed, Gillies Gothic Extra Bold Shaded, Glastonbury, Globale, Globale Bold, Globale Bold Italic, Globale Family, Globale Italic, Goo Goo Gjoob, Gravura, Green, Greyton Script, Hadfield, Hand Drawn, Harlow, Harlow Solid, Harvey, Hazel, Heliotype, Helvetica Bold Condensed, Helvetica Medium Condensed, Highlight, Hollyweird, Ignatius, Impakt, Indy Italic, Informal Roman, Inscription, Iris, Isis, Jazz, John Handy, Jokerman, Kanban, Katfish, Katytude, Klee, La Bamba, La Gioconda, La Gioconda Bold, Lambada, Laser, Laser Chrome, Latino Elongated, Laura, LCD, Le Griffe, Lexikos, Lightnin', Limehouse Script, Lino Cut, Locarno Italic, Locarno Light, Locomotiv, Magatama, Malibu, Marguerita, Martin Wait Display Fonts, Martin Wait Scripts, Mastercard, Mekanik, Mekanik Italic, Milano, Mistral, Mo' Funky Fresh, Montage, Neo Neo, Oberon, Odessa, Old English, One Stroke Script, One Stroke Script Bold, One Stroke Script Shaded, Orange, Orlando, Pablo, Papyrus, Party, Pendry Script, Phill Grimshaw Display Fonts, Phoenikia, Pink, Plaza, Pleasure Bold Shaded, Pneuma, Potato Cut, Prague, Premier Lightline, Premier Shaded, Princetown, Pristina, Pritchard, Pritchard Line Out, Pump, Pump Demi Bold, Quadrus, Quixley, Rage Italic, Ragtime, Rapier, Refracta, Regatta Condensed, Retail Script, Retro Bold, Retro Bold Condensed, Riva, Robotik, Robotik Italic, Romic Light, Romic Light Italic, Roquette, Ru'ach, Rubber Stamp, Rundfunk, Santa Fe, Savoye, Scratch, Scriba, Scriptease, Scriptek, Scriptek Italic, Scruff, Shaman, Shatter (op-art), Sinaloa, Skid Row, Slipstream, Smack, Smudger, Spidercave Bold, Spidercave Book, Spidercave Book Italic, Spidercave Family, Spidercave Ornamented, Spooky, Spotlight, Squire, Squire Extra Bold, Strobos, Superstar, Synchro, Tag, Tannhauser, Teknik, Telegram, Tiger Rag, Tim Donaldson Display Fonts, Tim Donaldson Scripts, Tiranti Solid, Trackpad, Tropica Script, Twang, Uffington, Ulysses, University Roman, University Roman Bold, University Roman Italic, Van Dijk, Van Dijk Bold, Varga, Vegas, Vermont, Victorian, Victorian Inline Shaded, Vienna Extended, Vivaldi, Wade Sans Light, Wanted, Waterloo Bold, Westwood, Wild Thing, Willow, Xylo, Young Baroque, Zaragoza, Zennor, Zinjaro. [Google] [More]  ⦿

    FontsandFashion.com

    Italian creator of Broken Depth (2015, a shadow font), Fuzzy (2015), Dark Place (2015, scary font), Whispers Calligraphy (2015), Vintage College Dept Worn (2015), Peacock (2015), the free handcrafted typeface Old Sydney (2015) and the vintage typeface Old Bob Junior (2015).

    Typefaces from 2016: Forever 7eventy (textured disco typeface), Daily, Matildas Grade School Hand (children's script), Dream American Diner (retro script), Gasoline (grungy), Nice Love The Simple Font, Manual (a grungy dymo label font), Charming Normal (script).

    Typefaces from 2017: Merry Christmas (dingbats), Freaky Halloween (dingbats), Carpe Diem Mark (an inline typeface), carpe Diem Middle.

    Typefaces from 2018: Carpe Diem Luxury (textured), Happy Valentine's Day, Happy Easter.

    Typefaces from 2019: Matildas Back to School, Nice Picture (dingbats).

    Typefaces from 2020: Comic Boom (Bubble, Elements). [Google] [More]  ⦿

    Fontsgood
    [Ade Meiada]

    Denpasar, Bali-based designer (b. 1988) of the connected brush script typeface Perfume (2017) and the free script typefaces Girly Things Script (2018: a splendid dry brush script), Magical Stylish Script (2018), Prestige Signature Script (2018) and Paradiso (2018), and the free text typeface Prestige Signature Serif (2018).

    Typefaces from 2019: Posyden (blackletter, tattoo font), Victorian Decade (18 fonts: +Gradient, +Outline, by Eric Kurniawan and Ade Meiada), Amygdala (a brush script), Lusting Script, Gold Leaf, Westbury Signature. [Google] [MyFonts] [More]  ⦿

    FontSite
    [Sean Cavanaugh]

    Online font site run by Sean Cavanaugh (b. Cape May, NJ, 1962) out of Camano Island, WA. This used to be called Title Wave Studios. Since 1996, Sean Cavanaugh is the head of FontSite. In the archives, one can/could find essays on writing style, rules of typography, and a comparison by Thomas Phinney (program manager of Latin Fonts at Adobe) of T1 and TTF. The Fontsite 500 CD (30 USD) offers 500 classical fonts with the original names, plus a few names I have not seen before, such as Bergamo (=Bembo by Francesco Griffo), Chantilly (=Gill Sans), Gareth (=Galliard), Noveo sans (=Neuzeit Grotesk), Palladio (=Palatino), Savoy (=Sabon), URWLatino, Unitus, Toxica, Publicity, Plakette, Pericles, Opus (=Optima), Melville, Function, Flanders, Cori Sans, Binner. Uli Stiehl provides proof that many of the fonts at FontSite are rip-offs (identical to) of fonts in Martin Kotulla's (SoftMaker) collection. This is perhaps best explained that Sean Cavanaugh's last real job was director of typography for SoftMaker, Inc., where he oversaw the development and release of SoftMaker's definiType typeface library and associated products [blurb taken from Digital Type Design Guide: The Page Designer's Guide to Working With Type, published in 1995 by Hayden Books].

    Free fonts: Bergamo, CartoGothic (1996-2009), CombiNumerals. At MyFonts, the CombiNumerals Pro and CombiSymbols dingbat families are available since 2010. The site has a number of fonts with the acronym FS in the name, so I guess these are relatively original (but I won't swear on it): Allegro FS, Beton FS, Bodoni Display FS (+ Bold, Demibold), Bodoni No 2 FS (+ Ultra, Bodoni Recut FS (+Bold, Demibold), and so forth. His 500 Font CD has these fonts:

    • Garalde, Venetian: Bergamo, Bergamo Expert, Bergamo SC&OsF, Caslon, Caslon Expert, Gareth, Garamond, Garamond Expert, Garamond SC&OsF, Garamond Condensed, Garamond Modern, URW Palladio, URW Palladio Expert, Savoy, Savoy Expert, Savoy Small Caps&OsF, Vendôme.
    • Slab Serif: Clarendon, Glytus, Typewriter, Typewriter Condensed.
    • Script: Commercial Script, Deanna Script, Deanna Swash Caps, Hudson, Legend, Mistral, Park Avenue, Phyllis, Phyllis Swash Caps, Vivaldi.
    • Uncial: American Uncial, Rosslaire.
    • Blackletter: Fette Fraktur, Fette Gotisch, Olde English.
    • Borders and symbols: Celtic Borders, Deanna Borders, Deanna Flowers, Picto, Sean's Symbols.
    • Transitional: URW Antiqua, Baskerville, Baskerville Expert, New Baskerville.
    • Didone, modern: Bodoni, Bodoni Expert, Bodoni Small Caps&OsF, Modern 216, Walbaum.
    • Sans serif: Chantilly, Franklin Gothic, Franklin Gothic Condensed, Franklin Gothic Cnd. SC&OsF, Function, Function Small Caps&OsF, Function Condensed, Goudy Sans, Opus, Opus Small Caps&OsF, Syntax, Letter Gothic.
    • Decorative: Ad Lib, Algerian, Arnold Boecklin, Binner, Caslon Antique, Chromatic, Copperplate Gothic, Davida, Delphian Open Titling, Function Display, Glaser Stencil, Goudy Handtooled, Handel Gothic, Hobo, Honeymoon, Horndon, Mercedes, Mona Lisa, OCR-A&OCR-B, Plakette, Reflex, Salut, Stop, Toxica, VAG Rounded.
    Some more fonts: Alperton, Anaconda, Arizona, Bamboo, Bellhop, Bellows Book, Bernhard Modern FS (2011), Boehland (a revival of Johannes Boehland's Balzac, 1951), Le Havre. MyFonts link. Fontspace link. His art deco fonts, as always without "source" and confusing Victorian, art nouveau, and psychedelica with art deco, include Rimini, Arnold Boecklin, Eldamar, Erbar Deco, Rangpur, Pinocchio, Azucar Gothic, Boyle, Busorama FS, Winona, Abbott Old Style, Almeria (after Richard Isbell's Americana) and Adria Deco, Bernhard Modern FS (2011). FontSpring link. [Google] [MyFonts] [More]  ⦿

    Fontwright Design
    [David Parr]

    American designer at Letterhead Fonts of Grindle (blackletter), Squeezebox (Victorian) and United Cigar (more Victorian fare). In 2014, John Studden and Dave Parr co-designed the Victorian display typeface family LHF Blackstone. Dave Parr's other typefaces at LHF and his own type foundry, Fontwright Design, include LHF Tributary (2014, a calligraphic blackletter; followed by LHF Tributary Distressed in 2016), LHF Ascribe (2014), LHF Heller's Script (with John Studden: a retro script), LHF Heller's Casual (2014), LHF Aledo (2014: a Western typeface), LHF Big Bob (2013, a sign painter's casual), Castlerock, Cedar Creek, Sanborn Thin (Victorian), FWD Egyptian Tower (2019: stackable), and Sheridan Script (fifties script).

    Typefaces from 2022: FWD Zooks (a beatnik font).

    Klingspor link. [Google] [MyFonts] [More]  ⦿

    Fort Foundry
    [Mattox Shuler]

    Type foundry in Washington state, est. 2014 by Mattox Shuler. Typefaces:

    • Abolition (2014). An octagonal titling typeface.
    • Bourbon (2014), Gin (2014). These are sturdy mechanical typefaces with copperplate terminals.
    • Factoria (2014) (a squarish geometric slab).
    • Industry Inc (2014), Industry (2014). Industry Inc is a sturdy military sans family with ample layering (beveled, 3D, inline, stencil, etc.). Industry is a basic squarish sans family.
    • Prohibition (2014). Octagonal design, almost as in varsity lettering.
    • Termina (2015). A modern take on Industria, a wide sans family designed by Hermann Zehnpfundt in 1913 for Emil Gursch.
    • Rift (2016). A sci-fi all caps font family.
    • Native (2016). A great monospaced typewriter style family.
    • In 2021, Brian Brubaker and Mattox Shuler released Figure at Fort Foundry. Figure is a sturdy quirkhorse sans inspired by gothic wood type of the 19th century, available as a family of 40 fonts of 5 weights across 4 widths including roman and italics.
    • Alkaline (2021), by Jonathan Ball, Mattox Shuler and Brian Brubaker. This typeface family at an 18 degree slope was inspired by 1950s lettering and logos on kitchen appliances.
    • Pentz (2021). A Victorian font by Mattox Shuler and Brian Brubaker. First developed for the Motown Museum in celebration of the 50th anniversary of Marvin Gaye's What's Going On. The album title was originally set in Tedesca (a late 19th century font), but the cover designer, Curtis McNair, took some nice liberties in adjusting the letterforms when setting the type. Pentz continues in this theme, reviving and modernizing Tedesca.
    • Cinder (2021). A vintage expressionist typeface with elongated letters that reference the title sequences of classic animation films from the 1950s.
    • Locale (2021). A 16-style rounded geometric sans with a large x-height plugges as a national park signage or supermarket font.

    Adobe link. [Google] [MyFonts] [More]  ⦿

    Fortunes Co (was: Celcius Design)
    [Ramandhani Nugraha]

    Cimahi / Bandung, Indonesia-based designer (b. 1986) of the hand-lettered alphabets Awesome (2015), Wonderwall (2015, a splash brush font), Valencia Sweetness (2015, brush script), Basik Rough (2015, brush), Innocents (2015), Againts (2014) (sic) and Leathery (2014).

    Other typefaces: Magenta Latte, Glamour Beauty (2016), Traveler (2016: dry brush style), Electric Vibe (2016: dry brush script), Nouvele Louisela (sic: this 2016 renaissance typeface was influenced by the chancery hand), Valencia Sans (2016, brush script), Burnts Marker (2015, a dry marker script), Celestial (2015, pure Victoriana), Borderland (2015).

    Typefaces from 2017: Beast (rough brush, SVG format), Mield Script, Fountain, Celestial, Postmark Typewriter (rough and textured), Pinkerton Script, Manhattan (brush script), Brighton (Victorian), Loveable Script, Camp Press, Campground (connected script; free after a complicated immigration procedure; see also Pixel Surplus).

    Typefaces from 2018: Minted Mood, Modular, Carlsons Script (a vintage lettering family), Milestone (baseball script), Maldina, Signatra, Block.

    Typefaces from 2019: Milles (an SVG format dry brush script), Miles Handwriting, Wincosin (free art nouveau caps), Hey Fonallia, Liondales.

    Typefaces from 2020: Futurama (octagonal), Bilestone (a retro signage script), Morning Violetta (a swirly creamy display typeface).

    Typefaces from 2021: Boldies Slab, Fd Catilde (a decorative serif with severely explicit ink traps), Fd Hallway (a retro signage or baseball script), Cutterlakes Script (a fat finger font). [Google] [MyFonts] [More]  ⦿

    Francisco Alfaro Leon

    Santiago, Chile-based designer of the decorative Victorian typeface Vintage Barber (2019). [Google] [More]  ⦿

    Franck Trebillac

    Designer in London. In 2011, he designed the free Victorian era advertizing typeface Absinthe.

    In 2013, he published the ornamental display typeface Rasputin. I agree with what he says: Rasputin is one sexy beast of a display font. Holy Motors (2013) is a retro style display font with perspective and shading effect. He says about his retro 3d shaded caps typeface Little Fatty (2013): You can be short and fat and still look sexy.

    Klingspor link. Dafont link. Behance link. [Google] [More]  ⦿

    Frank Hainze
    [MicroLogic Software]

    [More]  ⦿

    Freda Sack

    Prolific British type designer (b. Enfield, 1951, née Freda Buckley, d. 2019) who completed her diploma in Graphic Design and Typography at the Maidstone College of Art. She began to work at Letraset International in 1971 and learned the basics of type design under the direction of Bob Newman. At URW in Hamburg she was involved in the development of the first groundbreaking font software application. In 1978, she was appointed Senior Type Designer at Hardy Williams Design in London and moved to Typographic Systems International in 1980. Freda Sack began working as a freelance designer in 1983. Her clients included British Airways, Air UK and Vauxhall. Obituary at The Guardian.

    In 1989, Freda Sack and David Quay founded The Foundry in London. In 2000, Freda set up her own company Foundry Types to further develop The Foundry typeface library, and to continue with the design and implementation of specially commissioned typefaces. Her corporate fonts include NatWest, Yellow Pages directory, Brunel signage UK mainline stations, Lisbon Metro Portugal, Swiss International Airlines, Saudi Arabian Airlines, and WWF (Worldwide Fund for Nature) multi-language.

    Her retail typefaces:

    [Google] [More]  ⦿

    Freeman Gage Delamotte

    Author, artist, photographer and wood engraver, b. Sandhurst, 1814, d. London, 1862. He published The Book of Ornamental Alphabets, Ancient and Mediaeval (1879, Crosby Lockwood and Co., London), which has plenty of 8th to 11th century alphabets and initials. See also here, here, and here. Another book is Examples of Modern Alphabets, Ornamental and Plain (1864, C. Lockwood and Co, London), which was scanned in and can now be downloaded here, here (locally), and here (the latter link has the 1891 version printed by Crosby Lockwood and Son, London). Further texts: The Book Of Ornamental Alphabets Ancient & Modern (1858, publ. E.F.N. Spon, London), The book of ornamental alphabets, ancient and modern, from the eighth to the nineteenth century, with numerals (1859, E. and F.N. Spon), Medieval alphabets and initials for illuminators (1861, E. and F.N. Spon; see here or here (locally) for a PDF), and A primer of the art of illumination for the use of beginners (1860, E. and F.N. Spon). Most of his lettering is typical of the Victorian tradition of adding ornaments to simple silhouettes. Example: 16th century wood engaving. An Italian alphabet (1864).

    Digital typefaces based on his work include New Saxon Initials (David Nalle, 2016), Delamotte Initials One (2016, David Nalle), Delamotte Initials Two (2016, David Nalle), Museum Initials (2007, John B. Wundes) and Bad Situation (Intellecta Design, 2007: based on an 1864 design called Example Alphabet). [Google] [MyFonts] [More]  ⦿

    Furdzville
    [Brian Powers]

    Great free fonts made by Brian Powers (Furdzville): BrianPowersDoodleNormal (very funny), BrianPowersDoodle21, ChangelingDingbats, Nocker (curly Victorian typeface), NockerCranky, Plok, RedcapBloodthirsty, SatyrPassionate (1998, Greek simulation face), SidheNoble, SluaghCreepy, TMBGJohnHenry, TMBGSevereTireDamage, TrollOathbound (1992).

    Fontspace link. Dafont link. [Google] [More]  ⦿

    Gabriel Kazuo

    As a graphic design student in Campinas, Brazil, Gabriel Kazuo created the Victorian era circus font Retro (2016). [Google] [More]  ⦿

    Gabriel Oviedo
    [Opus Nigrum]

    [More]  ⦿

    Gage LaGreca

    Anderson, SC-based creator (b. 1991) of the Victorian typeface Quest (2012), which was created by taking el;ements of Plantin abd Tengwar.

    Behance link. [Google] [More]  ⦿

    GalloFonts (was: Graphics by Gallo)
    [Gerald Gallo]

    GalloFonts is part of Graphics by Gallo, founded in 1974 by Gerald Gallo (b. Lucernemines, PA, 1941), and based in Bethesda, MD. The fonts: Bullish (squarish), Display Brutal Rough (2015), Display Black Serif Rough (2015), Pristine Light (2014: caps only squarish sans family), Display Pump (2014), Display University (2005, athletic lettering), Angulatte Light, Angulatte Medium, Angulatte Bold, Anniversary Seals (2003), Basic Bullets, Blooming Ornaments (2008), Brashee Regular, Brashee Bold, Calendar Font One, Calendar Font Two, Calendar Font Three, Carved Initials, Chiseled Initials, Cleancut, Dexterous (2010, art nouveau), Diamond Monogram - 2 Characters, Diamond Monogram - 3 Characters, Display Black Serif (2010, angular), Display Dots Five (2010), Display Dots Six (2010), Display Grungy (2010), Display Robust (2010), Dooddle, Embossed Shallow, Embossed Medium, Embossed Deep, GG Casual Light (2002, was Gallo Casula: hand printing family), GG Casual Medium, GG Casual Bold, GG Dingbats (was Gallo Dingbats, like Zapf Dingbats), GG Serif (1993, was Gallo Serif), Geometric Arrows, Geometric Ornaments, Gnarlee, Greetings, Home Sweet Home, Isometric Initial Caps - Bird's Eye View (1994), Isometric Initial Caps - Worm's Eye View, Isometric Ornaments, Jackolantern Assortment (2002) Just Bugs, Kruede Light, Kruede Regular (handwriting), Kruede Bold, Leaf Assortment (1994), Leaves Falling, Logotype, Magnificent Ornaments (2006, Victorian era decorations), Make Tracks (2002, animal footprints), Number Ornaments, Numbers 0-99 Style One - Circle Negative, Numbers 0-99 Style One - Circle Positive, Numbers 0-99 Style One - Diamond Negative, Numbers 0-99 Style One - Diamond Positive, Numbers 0-99 Style One - Square Negative, Numbers 0-99 Style One - Square Positive, Numbers 0-99 Style Two - Circle Negative, Numbers 0-99 Style Two - Circle Positive, Numbers 0-99 Style Two - Diamond Negative, Numbers 0-99 Style Two - Diamond Positive, Numbers 0-99 Style Two - Square Negative, Numbers 0-99 Style Two - Square Positive, Numbers 0-99 Style Three - Circle Negative, Numbers 0-99 Style Three - Circle Positive, Numbers 0-99 Style Three - Diamond Negative, Numbers 0-99 Style Three - Diamond Positive, Numbers 0-99 Style Three - Square Negative, Numbers 0-99 Style Three - Square Positive, Ornate Initials - Style One (2002), Ornate Initials - Style Two, Ornate Initials - Style Three, Pleasant Hand Light (2002) Pleasant Hand Medium, Pleasant Hand Bold, Precision, Rolling Ball Cursive, Serene (1993), Slender, Smiling Faces, Snowflake Assortment (1994), Snowflakes Falling (2001), Sport Numbers, Star Assortment (2002), Stature (2010, compressed sans), Swiss Folk Ornaments - Critters&Things, Swiss Folk Ornaments - Floral, Swiss Folk Ornaments - Geometric, Time Clocks, Woozee, Display Prominent (2005), Ultimate Ornaments (2005), Cross Ornaments (2005), Heraldic Creatures (2006), Victorian Leaf Ornaments (2006: great!), Quilt Patterns One (2007), Holy Ornaments (2007), Oriental Ornaments (2007), Gothic Initials One through Six (2007-2008), Interlaced Ornaments (2007), Modest Ornaments (2008), Art Nouveau Flowers (2008), Art Nouveau Ornaments (2008), Quilt Patterns Two (2008), Display Gothic (2008, blackletter), Plant Assortment (2008), Birds Flying (2009), Happy Go Lucky (2009, Victorian), Fish Fresh (2009), Display Dots One (2009, dot matrix face), Display Art Two and Three (2009, art nouveau alphabets), Display Dots Two Serif and Sans (2009, dot matrix typefaces), Display Dots Three Serif and Sans (2009), Display Dots Four Serif and Sans (2009), Display Robust (2010), Quilt Patterns Three and Four (both 2009), Gothic Initials (Seven, Eight, Nine: 2009), Carefreed (2009, a Halloween script?), Glorita (2009, casual condensed sans), Fancy Flowers (2010), Rectilinear Ornaments (2010), Display Brutal (2010, grunge), Cross Stitch Graceful (2010), Cross Stitch Regal (2011), Cross Stitch Formal (2010), Cross Stitch Discreet (2010), Cross Stitch Classic (2010), Display Dots Seven (2011), Cross Stitch Majestic (2011), Cross Stitch Elaborate (2011), Cross Stitch Medieval (2011), Cross Stitch Ornaments (2013), Display Squares One and Two (2011, gridded or dot matrix typefaces), Display Digits One through Seven (2011), Display Crisp (2012, octagonal), Blue on Blue (2012, shadow face), Green on Green (2012, 3d shadow face), White on White (2012), Orange on Orange (2012, a 3d shadow face), Victorian Ornaments (2012), Printers Plant Ornaments (2012, a floral typeface), Simple Ornaments, Numbers Style Three Diamond Positiv Regular (2012), Charisma (2013, inspired by the hand lettering used by draftsmen and architects), Display Explicit (2013), Display Uncanny (2013, unicase), Display Carlos (2013, a piano key typeface), Mighty Oaks (2013, stylized oak leaves), Sweet Hand (2014), Fast Hand (2014), Medallion Ornaments (2016), Vigorous (2016, octagonal), Heavy Duty (2016, a bold condensed sans), Tight Hand (2016), Hasty Hand (2016), Neat Hand (2016), Bullish (2017), Impossible Ornaments (2018: based on Escher's ideas), Flair Hand (2018), Severe (2018: squarish).

    Typefaces from 2022: Flashie (technio caps), Illustrious (chamfered caps), Sturdie (condensed, squarish), Jubilant (squarish), Noteworthy, Sensuous (art deco), Loftie (chamfered caps), Pudgie, Brilliante (squarish), Fervent (an all caps condensed slab serif), Bevelle (a beveled chamfered slab serif), Lankie (a gas pipe font), Rotunde (a blocky sans), Rigide (a 6-style squarish sans).

    View Gerald Gallo's typefaces. [Google] [MyFonts] [More]  ⦿

    GARM Company (or: Graphic Artist Resource Merchant Company)
    [Kendrick Kidd]

    GARM Company (or: Graphic Artist Resource Merchant Company) is Kendrick Kidd's Jacksonville, FL-based graphic design outfit. Kendrick has worked in the advertising industry, freelancing since 2000 for companies like, Target, Nickelodeon, Fitbit, and Nike.

    Kidd released these typefaces in 2021: Cigarro (a Victorian display typeface), Snips (a monolinear single weight modular sans).

    Home page. [Google] [MyFonts] [More]  ⦿

    Gary Godby

    Sign painter and gilder now located in Blue Ridge, GA. He made the Victorian signage font families Tyler (2003, inspired by a typeface by E.L. Brown from the late 1800's), Palmer, Brien (2003, inspired by the Clive Barker "Imajica" book cover by lettering artist Iskra Johnson), and Dixie at Letterhead. Tyler was inspired by E.L. Brown who taught penmanship and engrossing in the late 1800's.

    At SignDNA, he published the script typeface Monika.

    At Carmel Type Co in 2015, he published the decorative Victorian typefaces Calliope [not to be confused with the 2005 font MVB Calliope], Bronwyn, and Vintage Design Elements in 2015.

    Letterhead had this bio: Gary Godby's career as a sign artist has spanned nearly 28 years. He has worked in commercial sign shops in Virginia and Florida. While in Florida he spent thirteen years at Disney's in-house sign shop. In 1995 he returned to his native Virginia to work for Graphic Services, Inc., a large commercial shop in Manassas. Graphic Services is a full service sign and display company that primarily works for builders and developers. The shop employs 42 people with Gary's primary role as designer. "When you're designing," Gary says, "you see a project go from concept to reality, and I get alot of gratification out of that."

    Klingspor link. Behance link. [Google] [More]  ⦿

    Gatot Triardi Pramaji
    [Typehead Studio]

    [MyFonts] [More]  ⦿

    Geckodude (or: Sleepy Gecko)
    [Steve Harrison]

    Steve "Gecko" Harrison of the Sleepy Gecko Chillout Bar on Cam Nam island off Hoi An, and also Danang, Vietnam, b. 1952, designed these typefaces:

    • Rocodecoco (2019). An art deco, Broadway style typeface based on a hybrid of Grock (1935) and Roco (1973).
    • Motter Alustyle. After a 1972 font by Othmar Motter.
    • Rabbit Moon (2019). Based on a few glyphs drawn by Kenneth Anger for an alternative film).
    • In 2020, he did a proper revival of Gene Eidy's iconic oriental simulation typeface Sukiyaki (1968, Lettergraphics), which can be downloaded here.
    • Together with Blair Massey, he designed the Victorian typeface Brand New Memorial (2020), which improves on Dan Solo's Memorial
    • Razor Face (2020). A revival of the spurred film font Scott Gothic (Photolettering). Free download.
    • Castaway (2020). A huge improvement and extension of Dan X. Solo's Stowaway, in Inline, Fill, Solid and Outline styles. Free download.
    • Alpha Nouveau (2020). A free all caps art nouveau typeface based on old signage.
    • Bergling Nouveau Display (2020). An ornamental art nouveau typeface based on an alphabet by John M. Bergling (1923). Download.
    • Skedaddle (2020). An all caps sans. Download.
    • Balsamic Display (2020). A tall all caps display serif. Download.
    • Snicket Initials (2020). After an alphabet called Initial Letters by John O. Ohnimus (1906). Download.
    • Typefaces modeled after Ross F. George: Doolally (2020; Ross F. George, 1938), Dawdling (2020; Ross F. George, 1935), Dawdling Snowflake (2020; Ross F. George, 1935), Bogeyed (2021: art deco), Faffinabout (2021).
    • Seraphime (2017). Download.
    • Skaliwag Display (2020). A decorative art nouveau typeface inspired by an alphabet in John M. Bergling's Art Alphabets and Lettering (1914, 1918, 1923). Download.
    • Astrologos (2021). An exquisite zodiac symbol font.
    • Cordwrangler (2021). A display typeface inspired by Kenneth Williams from the "Carry On" movies.
    • Lettres Ornes Blonde, Lettres Ornes Noire and Lettres Ornes Lignes (2021). Three exquisite decorative caps typefaces modeled after Joseph Gillé's Lettres Ornées (1820).
    • Ruffinit (2021). An alphabet for emulating mural signage.
    • Floral Poppl (2021). Steve's attempt to decorate one of the Friedrich Poppl faces, making it all flowery.
    • Odessa (2021). A joyous and prototypical art nouveau typeface.
    • Hullabaloo (2021). A nearly art nouveau typeface from Dan X. Solo's treasure chest of oldies but goodies.
    • Doubleback Display (2021). A revival and clean-up of a Letraset rub down lettering typeface.
    • The prismatic typeface family Stripes (2021). This is an enormous expansion of the similarly named typeface Stripes (1972, Tony Wenman), which was made available by Letraset for dry-transfer lettering as part of Letragraphica 11 in 1973. It comprises eleven fonts from a nine-stripe version (note: Wenman had eight prismatic lines) down to a solid one-line version. Along the same lines, he created the prismatic typefaces Sixty Eight and Sixty Eight Plus (2021) based on Lance Wyman's lettering for the 1968 Mexico Olympics.
    • Schlubert Rounded and Schlubert Round Stencil (2021). Two squarish typefaces.
    • Vermin (2021). Based on an old typeface called Voodoo.
    • Geometricfix Eighteen and GeometricfixThirtySix (2021). Textured typefaces based on geometric / techno designs by Brazilian designer Danilo Gusmão Silveira.
    [Google] [More]  ⦿

    Gene Buban

    Gene Buban (aka geneus1) is the creative and prolific designer at FontStruct in 2008-2009 of these typefaces:

    • Aerologica (2009): 3-d headline face.
    • Alphadings: DeTracks.
    • Altitudinus (2010).
    • Amplifica (+Carved, 2010).
    • Arkham Bloodletters (2008).
    • bay6
    • Bauhaus style: Slink (2009) is a tribute to Josef Albers---one could also call it a piano key font. Codename Bauhaus (2010).
    • Arc Brick 1:1 and 2:2 (2010).
    • Bevelicious (2009): 3d shadow face.
    • Bezziaiare (2010): an imitation of Futura.
    • Brikd is a fantastic headline face.
    • Bubble Lab EF (2008) and Bubble Lab Bang (2008): dingbat fonts.
    • Calligraphique (2010).
    • Candella (2013).
    • ChequereBoard (2008): a 3d face.
    • Christmas fonts: Kallosia Decorative (2009, blackletter), Snowflakes (2009).
    • Clone War (2008).
    • code2
    • Codename Bauhaus (2010).
    • Country Fried (Western style)
    • Crossfyre (2010).
    • Crystles (2014). He writes: In 1983, Atari released the Crystal Castles video game. You play Bentley Bear walking around castles and collecting gems. Trimetric instead of isometric. Interestingly enough, the initials of the highest scorer in the leaderboard is used to build the first castle. This font version is created using the same thin plated tiles that the player traverses through the castles.
    • Decorata (stylized art deco)
    • Didone fonts: Legality (2009, sharply serifed), Petrissage (2009).
    • Digibubble (2014: pixelish face).
    • Dingbats: DeTrayne (graffiti-clad trains), Happy Halloween (2009).
    • Egalite (2010): a blackletter face.
    • Direktype (2014: striped).
    • Elektronika (2009) and Circularities (2015). Pixelish.
    • ElSeeDee (2008, white on a black grid, inspired by the baggage claim LED scrolling message system at the Oakland Airport)
    • Effleurage (2009).
    • Eurostijl (2008)
    • Exersia, Excursia
    • Ferno (hell?)
    • Filmstryp (2008)
    • Flameon (2008) is a vertically striped athletic lettering font.
    • Fluoralei (2008) and Fluoralyte (2008) are all caps floral-themed typefaces.
    • Futuro (2008) and Futuro Extra Bold (2008).
    • Futurity Watch (2009).
    • Fragg (2014: a rounded stencil face).
    • Framestore (2008).
    • G1 Construx (2012). An arched textured typeface for "under construction" signage.
    • G1 Stenzilla (2012). A piano key stencil face. G1 Twyne (2014: Celtic knots), G12 Brayed (2014: Celtic knots), G1 Explo (2014), G1 Fasttrax (2013).
    • Gappy and Gappy LC (2010).
    • Geolateral
    • Glossierre (2009).
    • Graffikki (2010): graffiti face.
    • Hammerslab (2008) is a very thick heavy slab serif face.
    • Happy Halloween (2008): Halloween dingbats.
    • HellStruct (2008): flamed letters.
    • hollo, holloback, holloblack
    • HulkSmash has the look of cracked concrete blocks---has to be seen to be believed!
    • HyperLynk (2010).
    • Indiglo (2010).
    • Interblok Cylindrome (2011) and Interblok Stroke (2009): labyrinthine / Celtic knot / texture typefaces.
    • IronManic (2008, letters resemble armor steel plates with bolts)
    • IsoMatrix 3D (2009, an Escher deception in 3D), Bevelluzian (2010, 3d beveled checkerboard illusion).
    • Jaggs (2010): angular.
    • Karuso 68 (2009).
    • Leefer is a kitchen tile font.
    • Legere (2010, a roman face).
    • LegoManiax (2008).
    • G1 Lovelines (2016). A multiline typeface with embedded hearts that won an award in the 2016 FontStruct competition on the theme of love.
    • Lucid (2009).
    • Lush Alienne Caps (2014).
    • Microboto (2014).
    • Modulus and Modulus Black, ultra fat fonts.
    • Motternal (2011), a version of Othmar Motter's Motter Tektura.
    • Mucro Bold, a heavy metal band font
    • Multiverse Diagonality (2009).
    • Nontroppo (2010).
    • Outlier (2010).
    • Paradoxx (2011). Peignotian.
    • Periculum (2010): monoline sans.
    • pixsle
    • Pixsle (2010).
    • Predatoric ad Predatoric2 (2010).
    • Prikkle (2010): angular.
    • Ray Type Alpha (2014). A game font based on Konami's 1981 game Scramble.
    • Renovare S1 (2010) and Renovare S2 (2015). a slab serif.
    • Requiemme Decorum (Sept. 14th, 2009): blackletter. He writes: Exactly one year ago two of my cousins, Chris and Cleofe, got into a dealer-loaned Lexus for a trip after their main car was being repaired. Cleofe's husband, a CHP officer, was driving and their teen daughter was along for the ride. While on the freeway, the accelerator became stuck and they lost control of the car. As the runaway vehicle sped up to over 100 mph, all four passengers were killed in a fiery crash in the San Diego River. The loss was unquantifiably devastating. This immensely tragic event led my aunt to testify before congress with damning evidence that would initiate the recall of millions of Toyota vehicles. Requiemme Decorum was created on the way down to southern California for the funeral services. For Chris, Cleofe, Mark, and Mahala, may you all rest in peace and love.
    • Renovare (2010, +Renovare S1, S2): a slab serif.
    • Roboscript (2008): an upright connected school script.
    • Rubrix (2008): a Rubik cube dingbat font.
    • Sanserity (2013).
    • Scipio (2010).
    • Scribble Not (2010) is a texture face.
    • Sequencia (2010).
    • sedagive
    • Seriface and Seriface 2.0 (2010, a roman all-caps set).
    • Sharp-serifed almost modern typefaces: Legality, Petrissage, Effleurage, Karuso68.
    • Sinaloco (2014: in the style of Sinaloa).
    • Sirkles (2015). a dot-matrix typeface.
    • Sonorous (2010). Broadway-style art deco typeface.
    • Spartan Tech (2010): inspired by the multiplayer game Halo3.
    • Stanley Twobrick (pointy minimalist face)
    • Startrek typefaces: Transformicon (2009).
    • Stencilline (2014).
    • Streamlyne (2010, squarish, outlined).
    • Structurocca and Structurozza (2009): Horizontally stencilled black typefaces.
    • Swizelle (2015). A lava lamp typeface.
    • Tangience and Tangience Solid (2008) are fonts in which the glyphs are built up from circles glued together.
    • Tetrisyde
    • The Pax Man (2009): metallic whatever.
    • Trelief and Trelief Rounded (2010): multilined 3d beveled typefaces.
    • Tubric (2010): counterless.
    • Upriteous and Upriteous Black, condensed protestant fonts.
    • Victoriana (Victorian caps)
    • Vindicta Dualine (2011: Blackboard bold).
    • Wall-F: white squarish letters in black circles
    • Waverly, with scary pointed barbs like on German WWI helmets.
    • Weaver (Celtic knot-themed letters)
    • Xerro (2010): like Helvetica.
    • Yeomamuh, a fat look face.
    • Wypeout (2010)
    • Zorea (2014, inline font).
    [Google] [More]  ⦿

    Geoffrey Bunting
    [The Ugly Tree]

    [More]  ⦿

    Georg Herold-Wildfellner

    Type designer based in Vienna, Austria. Codesigner with Marcus Sterz at FaceType of a Victorian type family called Ivory (2009). They state that Ivory is inspired by a beautiful typeface used in an illustrated compendium about pomology from 1882. I did not know what Pomology is but the Urban Dictionary defines a pomosexual (for postmodernism sexual) as an individual who challenges assumptions about gender and sexuality. Now, a pomologist is a fruit tree specialist---that's another thing altogether. He created Aeronaut (2009, FaceType), a textura based on Kirchengotische Schrift, a font that can be found in a German font book from 1879 entitled Vorlegeblätter f&uunl;r Firmenschreiber. Weingut Script (+Ornaments, 2011) is a flourished type family. Mr. Moustache (2011) is a neatly hand-trimmed condensed type family, complete with various sets of ornaments and dingbats.

    Supernett (2019) and Supernett CN (2013, Facetype) are huge font families based on hand-drawn versions of Helvetica. They have 4700 glyphs and many opentype features.

    In 2014, he created the hand-lettered poster series Pinto.

    In 2015, Georg published the Opentype-feature-laden 2600+-character Mila Script Pro at FaceType.

    Typefaces from 2017: Pinto No 2 (hand-drawn), Sofa Sans Hand.

    Typefaces from 2019: Sofa Serif Hand.

    Klingspor link. Creative Market link. [Google] [MyFonts] [More]  ⦿

    George J. Becker

    Philadelphia, PA-based author of The American system of penmanship ... In ... ten numbers (1842, Uriah Hunt and Son, Philadelphia), Becker's System of Penmanship, Comprising Manual and Elementary Excercises, Business and Epistolary Writing, and Ornamental Penmanship. In Twelve Numbers. No. 10 (1856, Uriah Hunt and Son, Philadelphia), Becker's Ornamental Penmanship (1854), and Ornamental Penmanship Analytical and Finished Alphabets (1854, Uriah Hunt and Son), a lettering manual.

    In 2013, James Puckett (Dunwich Type Founders) revived five typefaces from this manual as digital typefaces in his Becker Gothics collection. They include Egyptian, Egyptian Rounded, Stencil, Tuscan and Concave. All have Western and wood type influences. In 2009, Becker's 1854 book was used by Monogram Fonts Co in the creation of Noir Monogram (2009), which was based on Becker's Pearl type.

    Downloads of his 1854 book: University of Michigan scan. For a Facsimile, see Becker's ornamental penmanship. A series of analytical and finished alphabets [FACSIMILE]. Free PDF file of the latter book.

    In 1993, Dover reprinted 23 complete alphabets in Ornamental Calligraphy [With 50 Plates] (Dover Books on Lettering, Graphic Arts & Printing). Local download of his 1854 book. [Google] [MyFonts] [More]  ⦿

    George Williams

    George Williams's site (now defunct) site was a discovery! George Williams (b. 1959) wrote spline-generating code and then went on to produce several fonts with his software between 1987 and 1998:

    • Art nouveau style: Carmen, Ambrosia (1989), Fantaisie Artistique, Baldur, Monopol, Parisian, Peignot, Bocklin, Edda.
    • Lombardic: Lombardic.
    • Victorian: Caprice, Ringlet.
    • Uncial: Uncial Animals, Roman Uncial Modern.
    • Ornamental caps: Versal, Decorative, Square Caps, Extravagant Capitals, Floral Caps, Morris, Andrade.
    • Display typefaces: Crystal, Flash, Cupola, Santa Barbara Streets (2013-2014; after the street signs in Santa Barbara, CA).
    • Blackletter: Rotunda (1998), Bastarda, Textura Modern, Fractur (a remake of Wittenbach).
    • Art deco: Piccadilly, Mirage (1999, prismatic).
    • Calligraphic: Humanistic.
    • Text: Caslon.
    • Slab: Monospace.
    • Sans: Caliban.
    • Bamboo Gothic (2007).
    • TIS620-2529 (a Thai font).

    George Williams writes: I have been slowly working to provide free unicode postscript fonts for the three major groupings of styles used by European (Latin, Greek and Cyrillic anyway) type designs: serif, sans-serif and typewriter (or Times, Helvetica and Courier). Monospace is my approximation to Courier. Close examination will reveal that it is a bad copy of courier. Caslon Roman (1992-2001) is a serif font (designed by William Caslon in 1734), it's not a bad copy of Times, it's a bad copy of something else. Caliban is a bad copy of Helvetica. If Microsoft can call their version of Helvetica Arial, then Caliban seems appropriate for mine. Yet another URL.

    George Williams is best known as the inventor and creator of FontForge, the biggest and best free font editor today. It made him the darling of the Open Software community. Interview with OSP.

    Fontspace link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

    Gerald Gallo
    [GalloFonts (was: Graphics by Gallo)]

    [MyFonts] [More]  ⦿

    Gerhard Helzel

    Diplom Engineer and painter from Hamburg who designed or digitized over 210 Fraktur fonts. He is heavily involved in the Bund für Deutsche Schrift und Sprache. Helzel is the designer at Delbanco-Frakturschriften of DS-DtWerkschrift (1997), DS-Fruehling (1996), DS-MaximilianGotisch (1994), DS-MaximilianTitel (1994), DS-Post-Fraktur (1997). He has hand-digitized over 200 Fraktur fonts, including

    • BreitkopfInitialen (2000). Breitkopf Fraktur was made in the 18th century.
    • ElementSchmalfett (1998). Element is a modern Textura by Max Bittrof (1933, Bauersche Giesserei).
    • Fichte Fraktur, after M. Tiemann, 1934.
    • GotenburgA and GotenburgB (1998-2000). Gotenburg was originally designed by Friedrich Heinrichsen (1935-37, Stempel AG).
    • HamburgerDruckschriftFett (1996). Hamburger Druckschrift is due to Friedrich Bauer (1904, Genzsch&Heyse). According to "Blackletter: Type and National Identity", Hamburger Druckschrift "is an accomplished entry in this category of hybrid typefaces made before the 1st World War. They work within the black-letter tradition while borrowing lighter weight, softer curves and more open proportions from roman. Bauer maintained the structure of broken script, but subdued any flourishes. The width of his letters are generally wider than in traditional frakturs and, as in Jugendstil hybrids, some lowercase letterforms are modernized." It has been used as headliner for "Hamburger Nachrichten" which was stopped by the Nazis in 1939. Today's "Hamburger Abendblatt", the daily Hamburg Times, is still using it as headliner.
    • Humboldt Fraktur (2000, gross and klein). Humboldt Fraktur was made originally by Hiero Rhode (1938, Stempel AG).
    • KochFrakturSchmaleHalbfette (2000). This font is due to Rudolf Koch (1910-1921, Gebr. Klingspor), and was originally named Deutsche Schrift. Digitized in 1998.
    • Mainzer Fraktur. After an original in 1901 by Carl Albert Fahrenwaldt.
    • Mars Fraktur (1995, free family).
    • RatdoltRotunda (1998). Named after Erhard Ratdolt (1443-1528), typesetter. Designed by Wolfgang Hendlmeier in 1989. Available at Delbanco. Tannenber (after E. Meyer, 1934).
    • Weber Fraktur.
    • WieynckGotischLicht (2001). A font by by Heinrich Wieynck (1926, Schriftguss Dresden), inspired by William Morris' work.

    Helzel also offers a free "Frakturconverter" program for Windows which transforms Antiqua fonts into Fraktur fonts.

    List of his fonts as of 2009: (Anker-)Schul-Fraktur, Accidenz-Gotisch, Akzidenz-Gotisch, Aldine, Albion-Gotisch, Alt-Fraktur, Alt-Gotisch (Bradley), Alt-Deutsch (after Ferdinand Theinhardt, 1851), Alte Münchner Fraktur (after a 1850 typeface by Gustav Lorenz), Alte deutsche Schreibschrift, Alte Schwabacher, Amts-Fraktur (after Heinrich Wilhelm Hoffmeister), Andreae Fraktur, Andreas-Schrift, Angelsächsisch, Angelsächsisch, Verzierte, Antike Gotisch, Aramäische Quadratschrift, Astra, Bastard, Bernhard-Fraktur, Bismarck-Gotisch, Breite deutsche Anzeigenschrift, Breite Kanzlei, Breitkopf-Fraktur, Britannia (Alt-Gotisch), Büxenstein-Antiqua, Büxenstein-Fraktur (after a house style at D. Stempel, 1912), Canzlei, Caxton, Caxton-Type, Claudius, Courante Gotisch, Danziger Fraktur (after A. W. Kafemann), Derby, Deutsche Reichsschrift (after a 1910 typeface by Wilhelm Woellmer), Deutsche Schrägschrift, Deutsche Schreibschrift (Bismarck-Zeit and Goethe-Zeit: school fonts), Deutsche Schrift, Deutsche Werkschrift, Deutsche Zierschrift, Deutsch-Gotisch, Deutschland, Dresdner Amts-Fraktur, Eckmann-Schrift, Einfache Kanzlei, Elegant, Element, Enge Gotisch (2008, after an 1880 font by Bauersche Giesserei), Enge moderne Kanzlei, Enge König-Type, Enge Kanzlei, Englische Antiqua, Faust-Fraktur, Fette Gotisch, Fette Schwabacher, Fichte-Fraktur, Fractur, Französische Antiqua, Frühling-Fraktur (1997, after Koch's original from 1917), Garamond-Antiqua, Genzsch-Antiqua, Germanen-Fraktur (this is the same as Stempel's Normannia from 1905), Germanisch, Goethe-Fraktur (after Wilheml Woelmmer), Gotenburg, Graeca, Gronau-Gotisch (after Heinrich Ehlert, 1850), Gursch-Fraktur, Gutenberg-Fraktur, Gutenberg-Bibelschrift, Gutenberg-Gotisch, Haenel-Antiqua, Halbfette Aldine, Halbfette Kanzlei, Halbfette Normalfraktur, Halbfette Schwabacher-Flinsch, Halbfette Wallau, Hamburger Druckschrift, Hamburger Fraktur, Hamburger Schwabacher, Hammonia-Gotisch, Hansa-Fraktur, Hansa-Gotisch (after a Genzsch & Heyse original), Hebräisch, Hellenistische Antiqua "Graeca", Hölderlin (after Eugen Weiss, 1937), Holländische Gotisch, Hoyer-Fraktur, Humboldt-Fraktur, Hupp-Fraktur, Ideal-Fraktur, Jean-Paul-Fraktur, Jubiläumsfraktur, Kaiser-Gotisch, Kanzlei, Karl-May-Fehsenfeld-Fraktur, (after a 1870 font used in the Karl-May books) Karl-May-Radebeul (after a 1890 font used in the Karl-May books), Kirchengotisch, Moderne, Kleist-Fraktur, Kleukens-Fraktur, Koch-Antiqua, Koch-Fraktur, König-Fraktur G14, König-Type, Kühne-Gotisch, Kühne-Schrift, Kurante Gotisch, Kurmark, Lichte National, Liebing-Type, Liturgisch (after Otto Hupp, 1906), Logos, Ludlow-Wartburg-Fraktur (after Ludlow, ca. 1920), Magere Wallau, Mainzer Fraktur, Manuskript-Gotisch, Mars-Fraktur, Maximilian-Gotisch, Mediaeval-Gotisch, Leipziger Altfraktur (after a 1912 typeface by Carl Kloberg), Midoline (after Jean Midolle's typeface from 1840 at Julius Klinkhardt), Moderne Kanzlei, Moderne Kirchen-Gotisch (based on an original from ca. 1880), Mönchs-Gotisch, Morris-Gotisch (Uncial-Gotisch, Unzial-Gotisch, after Emil Gursch), Münster-Gotisch, Neu-Gotisch klein, Neudeutsch(-Hupp), Neue (moderne) Fraktur, Neue Schwabacher, Nordisch-Antiqua, Normal-Fraktur (1999, after the font by Gustav Schelter, 1835), Normannia-Fraktur, Nürnberg, Offenbach, Post-Fraktur, Psalter-Gotisch, Ratdolt-Rotunda, Reklame-Fraktur halbfett, Renaissance-Fraktur, Renaissance-Kanzlei, Renata (after a Schwabacher of the Bauersche Giesserei, 1914), Richard-Wagner-Fraktur, Romeo Fraktur (2009, after a Stempel font from 1910), Rundgotisch, Russisch-Römisch, Salzmann-Fraktur, Schmale Accidenz-Gotisch, Schmale Haas-Gotisch, Schmale halbfette Fraktur, Schmale halbfette Gotisch, Schneidler-Schwabacher, Schraffierte Gotisch "Stella", Schreibschrift, Schul-Fraktur, Schwabacher, Schwabacher Mager Gross (after Albert Anklam, 1876), Sonderdruck-Antiqua (2008, after a 1913 typeface by Deberny and Peignot), Stahl (2007, after a 1937 typeface by Hans Kühne), Stahl Kursiv (2009, after Hans Kühne), Stella, Stempel-Fraktur, Straßburg (a blackletter based on fter H type by H. Berthold, 1926), Tannenberg, Thannhaeuser-Fraktur, Tiemann-Fraktur, Tiemann-Gotisch, Tiemann-Mediaeval, Unger-Fraktur, Verzierte Angelsächsisch, Verzierte Musirte Gotisch, Victoria-Gotisch (Viktoria-Gotisch), Wallau, Wartburg-Fraktur, Weber-Fraktur, Weiß-Fraktur, Werkschrift Germanisch, Wieynck-Gotisch, Wilhelm-Klingspor-Gotisch, Wohe-Kursive (after Wolgang Hendlmeier, 1988), Wohe Textura (2009, after Wolfgang Hendlmeier), Zeitungs-Fraktur, Zeitungs-Schwabacher (halbfette Neue Zeitungs-Schwabacher, to be more precise---based on a 1900 typeface by Pustet), Zentenar-Buchschrift.

    Catalog from 1996. Article in 1995 by him on Normal Fraktur. Another catalog, in pieces: I, II, III, IV, V, VI, VII, VIII. Antiqua catalog.

    Three free blackletter fonts. [Google] [More]  ⦿

    Gert Wiescher
    [Wiescher Design]

    [MyFonts] [More]  ⦿

    GFR Creative
    [Abdul Ghofur]

    Tuban Jawatimur, Indonesia-based designer (b. 1997) of these typefaces in 2020: Bangilan (an upright formal monolinear script), Monday Monkey, Asdonuts, Balone Kids, Blarak (a script typeface), Ermia (a monolinear script), Star7 (a car racing font), the monoline scripts Qatar and America, the script typefaces Bhanira, Hati, Rosala, AriesA (a spurred hyper-decorative victorian typeface), Bella Dahlia and Habisa, the dry brush typefaces Ronggolawe and Blackbor, the brush typeface Halloqueen, the fat finger font Monday Monkey, the blackletter typeface Ashter, and the spurred typeface Monshter.

    Typefaces from 2021: High Speed (a speed font), Racing Hard (a speed font), Anderik (a bold signage script), Tarik Ses, Yello Cat (hand-drawn, monolinear). [Google] [MyFonts] [More]  ⦿

    GG Design

    Maryland-based graphic and type design company. Their typeface catalog in 2021 showed these fonts, most of which are ornaments or initial caps: Americana Ornaments, Angulatte, Art Nouveau Flowers, Art Nouveau Ornaments, Art Nouveau Ornaments, Birds Flying, Blooming Ornaments, Blue On Blue, Brashee, Bullish, Carefreed, Carved Initials, Charisma, Chiseled Initials, Cleancut, Cross Ornaments, Cross Stitch Basic, Cross Stitch Brazen, Cross Stitch Carefree, Cross Stitch Classic, Cross Stitch Coarse, Cross Stitch Cursive, Cross Stitch Delicate, Cross Stitch Diamond Monogram, Cross Stitch Discreet, Cross Stitch Display, Cross Stitch Elaborate, Cross Stitch Formal, Cross Stitch Gothic, Cross Stitch Graceful, Cross Stitch Majestic, Cross Stitch Medieval, Cross Stitch Monogram, Cross Stitch Noble, Cross Stitch Ornaments, Cross Stitch Regal, Cross Stitch Simple, Cross Stitch Solid, Cross Stitch Splendid, Dexterous, Diamond Monogram, Display Ardent, Display Art, Display Art One, Display Art Two, Display Black Serif, Display Brutal, Display Carlos, Display Chamfer, Display Crisp, Display Digits Eight, Display Digits Five, Display Digits Four, Display Digits Nine, Display Digits One, Display Digits Seven, Display Digits Six, Display Digits Ten, Display Digits Three, Display Digits Two, Display Dots & Squares, Display Dots Five, Display Dots Four Sans, Display Dots Four Serif, Display Dots One, Display Dots Seven, Display Dots Six, Display Dots Three Sans, Display Dots Three Serif, Display Dots Two Sans, Display Dots Two Serif, Display Explicit, Display Exquisite, Display, Display Gothic, Display Grungy, Display Haphazard, Display Intense, Display Plump, Display Prominent, Display Robust, Display Squares Two, Display Uncanny, Display University, Dooddle, Elegant Ornaments, Embossed Deep, Embossed Medium, Embossed Shallow, Fancy Flowers, Fast Hand, Fish Fresh, Flair Hand, Fleuron Ornaments, Floral Ornaments, Foliage Ornaments, Folk Art Flowers, GG Casual, GG Serif, Glorita, Gnarlee, Gothic Initials Eight, Gothic Initials Five, Gothic Initials, Gothic Initials Four, Gothic Initials Nine, Gothic Initials One, Gothic Initials Seven, Gothic Initials Six, Gothic Initials Three, Gothic Initials Two, Green On Green, Hand Lettered, HappyFont Hasty Hand, Heavy Duty, Heraldic Creatures, Holy Ornaments, Impossible Ornaments, Interlaced Ornaments, Isometric Initial Caps Bird's Eye, Isometric Initial Caps Worm's Eye, Isometric Ornaments, Just Bugs, Kruede, Leaf Assortment, Logotype, Magnificent Ornaments, Make Tracks, Mighty Oaks, Modest Ornaments, Neat Hand, Numbers Style One, Numbers Style Three, Numbers Style Two, Orange On Orange, Oriental Ornaments, Ornate Initials, Plant Assortment, Pleasant Hand, Precision, Printers Plant Ornaments, Pristine Light, Quilt Patterns Four, Quilt Patterns One, Quilt Patterns Three, Quilt Patterns Two, Rectilinear Ornaments, Rolling Ball Cursive, Rosette Ornaments, Serene, Shield Ornaments, Simple Serif, Slender, Smiling Faces, Snowflake Assortment, Spiral Ornaments, Sport Numbers, Star Assortment, Stature, Sweet Hand, Swiss Folk Ornaments Critters, Swiss Folk Ornaments Floral, Swiss Folk Ornaments -Geometric, Tight Hand, Time Clocks, Tree Assortment, Ultimate Ornaments, Veggie Fruit, Victorian Leaf Ornaments, Victorian Ornaments, Vigorous, White On White, Woozee. [Google] [More]  ⦿

    Gilang Maulana
    [Maulana Creative]

    [More]  ⦿

    Gilang Purnama Jaya
    [Spencer & Sons]

    [MyFonts] [More]  ⦿

    Gilang Senzana
    [Senzana (was: Inksun Aksara, or: Inksun Mildertype)]

    [MyFonts] [More]  ⦿

    Gilang Senzana
    [Typologic Syndrome]

    [More]  ⦿

    Gleb Guralnyk

    Dnipropetrovsk, Ukraine-based designer of these typefaces in 2015: Odd Times (a vintage blackletter typeface), Brandy Label (a layered Victorian signage font), Smoking (a great Western layered poster font), Traveller, Letterhead (steampunk, vintage, Victorian), Age, Nataly Temper, Vintage Auto (a retro chrome automobile font), Golden Dust (a lava lamp font), Rusty Phoenix, Phoenix, the Victorian signage typeface Whiskey, Spirals, Biker (spurred inline font), the oily signage font Pin Up.

    In 2016, he designed Far Kingdoms (Victorian), Brass Heart (steampunk / Victorian), Big City Light (a vintage movie theater typeface), Lostamp (a weathered vintage rough stencil script), Kexman (calligraphic script), Loftype (creamy brush script), Shoelaces (monoline script), Tobacco Box (Victorian), Humblest, Whiskey Label (a great vintage Victorian headline font), Insane Fear (spurred), Falchion Edge (Victorian display typeface), Inside The Box (techno), Amber Taste (a layered Victorian beer label font; see also Amber Taste Pro (2020)), One Thin Line (a paperclip font), Bald Eagle (Victorian), Autumn Feel (brush script), Dirty Cartoon, Magic Curls, Winery, Bite Hard (beveled caps), Lovebus (psychedelic style), Column (layered Victorian), Golden Brush, Marine Fairytale (Victorian), and Old Story (handcrafted).

    Typefaces from 2017: Goodwine, Daub (EPS format brush alphabet), Rusted Bevel, Dirty Cartoon (a layerable cartoon font), Bald Eagle (vintage), La Belman (Victorian; see also La Belman Pro in 2020), Bright (creamy calligraphic), Winery, Magic Curls, Black Queen (Victorian style), Little Mess (dry brush), Lovebus (psychedelic), Bite Hard, Fiver (prismatic style), Sweet Rum (vintage), The Freaky Circus (Western circus font), Biker New (spurred), Flex Wire, Agress (graffiti style), Old Story, Rusted Brushpen (dry brush), Mosaic Pool, Ranch (vintage style with layered textures), Golden Dust, Letter Head, Limber (dry brush script), Patina, Craft Beer (a layered beer label font), Droptune (Victorian), Chimera Tail, Hardwatt (dry brush), Megawatt (signage script), Jamish (a handcrafted blackboard bold typeface), Oak Lumber, Odd Times (blackletter), Gunshot (an art nouveau display typeface), Bootleggers (a vintage label typeface), Brandy Label (vintage layered font), Smoking Typeface (vintage Western style, with layering).

    Typefaces from 2018: Shining Night (a marquee font), Scratches, Candy Shop (a multiline titling typeface), Nataly Temper (a crayon font), Anise Seeds, Lostamp (a great stamp font), Hicksons (retro signage script), Loftype (creamy script), Far Kingdoms (spurred vintage typeface), Predators Cuspid, Sweet & Fresh, Frantic (a vintage car typeface), Affair (Victorian), Falchion Edge (spurred vintage style), Lost in Space, Traveler (an interlocking vintage Tuscan display typeface), True Black, Late Frost, Inside The Box (an interesting double-width font), Magic Garden (curly style), Skater Girl (retro script).

    Typefaces from 2019: True Black (Tuscan), Nature Force, Sweettooth (script: 2018-2019), Rusted Bevel, Rusted Bevel, Fishermans Knot (a vintage label font started in 2018), Skater Girl (a heavy upright script), Cidrella, Western Shooter, Little Mess (a dry brush calligraphic script), Spirit Board (pure Victoriana), Ranch Vintage (shadowed, textured, vintage), Forged Fence (an ironwork font), Long Ride (an octagonal license plate font), Chimera Tail Rough, Patina.

    Typefaces from 2020: Sweet Ponch, Natural Heap (letters in laurels), Street Rush, Cally (a decorative Tuscan typeface), Sunny Bay, Harietta (a retro monoline script), Cheer Inside (a vintage font), Frizzy (a vintage label font), Asia Impact (simulating an oriental brush calligraphy), Exa Metline (an inline font), Hallie (a curly display typeface), No Rules, Parallax, Golden Treasure (a vintage ironwork font), Squidink, Bushman (an organic sans), Florry (a display sans), Propeller, Spirit Board (a layered circus font family), Lord Grayson (Victorian), Grayson (a tall gloomy monoline sans), Grayson Rough, Kaipara (a patterned all caps font), Classic Heritage (a Victorian or steampunk signage typeface), Anise Seeds (vintage softly spurred Tuscan caps), Candy Shop (vintage trilined caps), Plop, Practish (an experimental slab serif family), Everleigh (a stylish thin typeface), Everleigh Duo, Love Affair (vintage, perhaps art nouveau), Lost in Space (sci-fi), Sweet and Fresh.

    Typefaces from 2021: Dusky Rough (a Western or saloon font), Dusky Pub (a Western typeface with Tuscan features), Dusky Slab (a reverse stress Western font), Humblest Pro (an all caps display sans), Giftbox (a vintage label font).

    Typefaces from 2022: Simply Royal (layerable vintage caps with an engraved money look), Go Pop (pop art). [Google] [MyFonts] [More]  ⦿

    Gliphmaker.com
    [Ivan Zeifert]

    Russian language site with an archive (specializing in calligraphic and display scripts), some original fonts by Ivan Zeifert of Ivan Zeifert Works, tens of free fonts by Alexandra Gophmann, and links to free and commercial font sites. Commercial scripts nearly all by Zeifert, and nearly all are cyrillicized versions of Latin typefaces. Free scripts: Cansellarist (2003, Ivan Zeifert, cyrillicized version of Cancellaresca Script Plain), ChampagneCyrillic (2005), Copyist (2004, Ivan Zeifert), Drakkar (2004), Figurny (2006, an exaggerated Victorian face, done with Anatole and Alexandra Gophmann), Flibustier-Thin (2005), HeatherScriptOne (2005, Alexandra Gophmann), HeatherScriptTwo (2005, Alexandra Gophmann), KabarettSimple-Thin (2004, a Showboat-style face, cyrillicized by Ivan Zeifert), KabarettDecorDEMO-Thin (2004), Marianna (2006), RockletterSimple (2005), RockletterTransparent (2005), RosamundaOne-Normal (2005, Alexandra Gophmann), RosamundaTwo (2005, Alexandra Gophmann). These are all by Ivan Zeifert: Flibustier-Thin (2005), Twin Brush (2006), Custodian (2006), Acquest Script (2006), Auric Script (2006), Calligraphist, ChampagneCyrillic (2005), Cansellarist (2003, cyrillicized version of Cancellaresca Script Plain), Chancellor, Chaplain, Chromium Plated, Connetable, Counterbalance, Copyist, Countess, Decree Art One and Two, Decree (Narrow, Thin, Wide), Drakkar, Engraver, Forest, Gissmonda, Kabarett Decorated, Kabarett Transparent, Languedoc, Maghreib, Medieval, Neon Italic, Patience, Rockletter Decorated, RockletterSimple (2005), RockletterTransparent (2005), Saloon, Splinter, Twin Brush, Whirlpool, Wooden Ship Decorated, Wooden Ship One and Two. News. [Google] [More]  ⦿

    Gluk Fonts
    [Grzegorz Luksza]

    Aka Grzegorz Luk and just Gluk, Grzegorz Luksza is a Polish type designer (b. 1973) who specializes in ultra-decorative and experimental typefaces.

    Creator of the free artsy font Wanta (2008), of Resagnicto (2010), of Rawengulk (2010), of Rawengulk Sans (2011), of Reswysokr (2011), of the bold slab serif typeface Zantroke (2011), and of the free calligraphic typefaces Odstemplik (2009), promocyja (2008) and Konstytucyja (2008).

    He published the elegant serif family Foglihten (2010), which includes the inline typefaces Foglihten No. 1 (2011), Foglihten Fr02 (2011), Foglihten No. 3 (2011) and Foglihten No. 4 (2012). The latter is inspired by the Polish Constitution of May 3, 1791. Foglihten Petite Caps Black (2012) and Foglihten Black PCS (2012) are high-contrast fat didone typefaces, minus the ball terminals. The series continues with Foglihten No. 6 (2012) and Foglihten No. 7 (2013).

    Qumpellka No 12 (2011) is a flowing italic. Opattfram01 (2011) is a dingbat typeface with onamental patterns. The Okolaks family (2008) has a bit of an art deco feel. It covers East-European languages as well as Cyrillic. Sportrop (2008) is a neat multiline face. Gputeks (2008) is a delicate decorative face. Szlichta07 (2008) on the other hand is an experimental typeface based on tilting the horizontal edges about ten degrees up. Kawoszeh (2008) is a curly Victorian pre-art nouveau face. Spinwerad (2009) and Itsadzoke S01 (2010) and Itsadzoke S02 are display didones. Znikomit (2011) is an impressive lachrymal hairline slab face. See also Znikomit No. 25 (2012) and Znikomit No. 24 (2012; image by Benjamin Frazzetto).

    Creations from 2012: Charakterny, Garineldo, Mikodacs (an Impact-like black display sans), Yokawerad (a didone headline face), Resagokr, Nikodecs, Garineldo SC.

    Typefaces from 2013: Etharnig, Namskin, Namskout (a layered heavy display face), Prida 65 (spurred antique face), Ketosag, Prida 61, Gatometrix, Glametrix, Gallberik.

    Typefaces from 2014: VECfont FogV4, EtharnigV (a bi-colored font), Risaltyp, Wabroye, Kleymissky, Sortefax (an outline font with engraved versions as on dollar bills), Dragerotypos (blackboard bold), Resamitz.

    Typefaces from 2015: Prida 36, Sudegnak No. 3 (script), Vecfont Sudegnak (cartoonish), PridaEn (a vector font for color), Prida S4, Prida01, Prida02 Calt.

    Typefaces from 2016: BroshN, Tofimpelik (+Candy), Prosh3, Digitalt, Agreloy (a lovely curly Victorian typeface), Gluk Mixer (ransom note font), Fogtwo No 5.

    Typefaces from 2017: Prosh 4B (a variable color font), BroshK2 (an origami style color font, in OpenType SVG format), Fuetargio (a multiline bejeweled typeface).

    Typefaces from 2018: BroshK, Rostef (all caps titling typeface), Fogthree.

    Typefaces from 2019: ResotE, ResotE-Pastels (a color font), ResotYc (a decorative unicase font), Resot Yg, Liserif (a kinetic SVG font).

    Typefaces from 2020: Digico M (a color font), Resotho (a wide all caps geometric sans).

    Dafont link. Digart link. Fontspace link. Dafont link. Open Font Library link. Scribus Stuff link. Fontspace link. Kernest link. Abstract Fonts link. Behance link. Font Squirrel link. Klingspor link. Creative Market link. [Google] [MyFonts] [More]  ⦿

    Goldlake Graphic
    [Bhima Bagaskara]

    Aka Goldlake Graphic. Bhima Bagaskara (Malang, Indonesia) designed the spurred display typeface GL Firstblood and the EPS-format brush typeface Steak Brush in 2013.

    In 2018, he created the thin calligraphic typeface GL Roosy Script, and the brush typeface GL Steak Brush V2. [Google] [More]  ⦿

    Graphicxell Studio
    [Usman Al Baehaqi]

    Wonosobo, Indonesia-based designer (b. 1999) of these handcrafted typefaces in 2020: Amoeba Square, Amsteroid Space, Angella (a formal script), Baby Queen, Belove, Berllina, Butter Food, Catty Magic, Hallo Bernad, Halloween Day's, Hanitha, Micky Dicky, Mighty Time, Pinky Unicorn, Rainy Snow (2020), Ranked Hockey, Rolling Love, Summer Sale, Sweet Dream.

    Typefaces from 2021, mostly display serifs: Levaus, Gingko, Wilkista, Larissa, Magistic, Minthe, Berllina, Marcost Toto (spurred Victorian), Foundation (script), Morvino Growing. [Google] [More]  ⦿

    Graphx Edge Fonts

    Lisa Johns from Orlando, FL, runs Graphx Edge Fonts, a foundry in Altamonte Springs, FL, offering "high quality pictorial fonts". Their 250-odd collection is surely not made from scratch, especially not their body, script and display fonts. One used to be able to find four great free dingbats here: GE Nautica, GE Zoom, GE Zodiac, GE Holiday Sampler. In the Font Services section, they will make custom pictorial, signature (10USD), or logo (20USD) truetype fonts. For 20 USD, get also packages of 20 fonts such as Absolute Fun Fonts, Absolute Dingbats (60 dingbats, 129USD) or Absolute Script Fonts. Now also called ScriptFonts.Com. Alternate site. Deco fonts, a collection of 4 dingbat fonts for 30 USD. Alternate URL. At this archive, you can find the following fonts: GEBanners, GEClipz, GEComedy, GECurviture, GEElegantScript, GEFiestaMarquee, GEFleet, GEFreeForm, GEFrills, GEGlob, GEHandyScript, GEMontage, GENervousTwitch, GERomanesse, GESheerScript. Partial list of dingbats: GEAngels (I to III), GECarouselHorses, GECelticArt, GEChineseArt, GEChristmasJoy, GEComicalChristmas, GECurviture, GEEdibles, GEEgyptianArt, GEElementsofNature (I and II), GEFloralStencils, GEHolidaySampler, GEIttyBittys, GEJapaneseArt, GEMerryChristmas, GENativeAmericanArt, GENautica, GEOutToSea, GEPennsylvaniaDutch (I and II), GESheerScript, GESnowmen, GESpringtime, GEStorybookTales, GEWhimsicalAnimals (I to IV), GEWildKingdom, GEZodiac, GEZoom. Another alias: Megadownloads. Another list of fonts: Fleet, Romanesse, Frills, Free Form and Comedy, Curviture, Elegant Script, Handy Script, Montage and Sheer Script, Fiesta Marquee, Nervous Twitch, Banners, Clipz and Glob. The list of fonts is long:

    • Dingbats: A Childs World, Angels I, Angels II, Angels III, Art Deco, Art Nouveau, Barnyard, Birds, Bride & Groom, Carousel Horses, Celtic Art, Cherubs, Chinese Art, Clothing, Fun Christmas, Deco Animals, Deco Foods, Deco Music, Deco Traveler, Edibles, Egyptian Art, Elements I, Elements II, Food Basket, Floral Stencils, Grab Bag I, Grab Bag II, Halloween, Holiday Sampler, Itty Bittys, Japanese Art, Motion, Native American, Nautica, Out to Sea, Penn Dutch I, Penn Dutch II, Profiles, Reptibian, Santa Claus, Stylized Foods, Ships Ahoy, Snowmen, Stylized People, Springtime, Storybook Tales, Sweet Tooth, Teddy Bears, Toys, Velveteen, Victorian Art, Wedding, Whimsical I, Whimsical II, Whimsical III, Whimsical IV, Wild Animals I, Wild Animals II, Wild Animals III, Wild Animals IV, Women, Merry Christmas, Christmas Joy, Xmas Silhouettes, Zodiac.
    • Body fonts: Booker, Century, Chrome, Civilized, Civilized BI, Drover, Early Gothic, Ergonomic, Expression, Headline, Madhouse, Monograph, Novus Sans, Optical, Palladian, Penguin, Pilfering, Quartz, Rhythms, Romulus, Sultan, Timpani.
    • Script fonts: Adina, Afresco, Alluring, Amazonia, Arabesque, Arista, Ballantine, Basalt, Brand, Brush Stroke, Clipper, Coterie, Curviture, Cygnus, Darlah, Elegant, Esmeralda, Flair Brush, Fleurish, Formality, Freelancer, Handsome, Handy Script, Journeyman, Lara Script, Light Stroke, Martine, Memograph, Misty, Mona Lisa, Montage, NanoTech, Park Script, Primus, Quilt, Quintet, Ragged, Sentinel, Sepia, Sheer, Signature, Sonatta, Storybook, Travel, Twil, Twine, Twin Peaks, Vibrant, Vienna, Zebra.
    • Decorative fonts: Acorn, Army, Arroyo, Astarte, Bagel, Baliff, Banners, Barter, Dough, Buttress, Cadbury, Cameron, Clipz, Cobble, Comedy, Compo, Cortina, Croatia, Crystal, Decco, Delphin, Dimensions, Dipped, Distort, Enchase, Fiesta, Filigree, Firework, Fleurish, Florist, FlChild, Graffiti, Gravid, Greenway, Hawthorne, Ironwork, Ivy, Khevah, Letter Cut, Lollipop, Marble, Marquee, Meso, Milieu, Money, Nervous, Offshore, Oldwest, Saloon, Scroll, Serpent, Sidestep, Snowtop, Spooks, Spotty, Stone, Sunscreen, Sylvan, Bones, Timber, Time Warp, ToolTime, Tree House, Typography Caps, Vortex, Warped, Watershed Caps, Wedgie, William.
    [Google] [More]  ⦿

    Greater Albion Typefounders (or: GATF)
    [Paul James Lloyd]

    Paul J. Lloyd's type foundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.

    Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette (2009, art nouveau), Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau).

    Art deco typefaces: Oakland (2011, multiline typeface gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).

    Other typefaces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2008, Tuscan) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat typefaces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display typeface based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).

    Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).

    Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved typefaces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter).

    Production in 2012: Alfere Sans Stripes, Albion's Americana (Western stars and stripes face), Tudor Perpendicular (blackletter), Amici (rounded headline face), Amie (rounded sans), Wolverton Text (Edwardian family), Vinea (10-style display family), Par Avion (retro futuristic), AstroBats (retro sci-fi dingbats), Beeching (+Shadowed), Gondolieri (didone meets Tuscan), Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family).

    Typefaces from 2013: Speedblur, Belhampton (Edwardian), Merry Baubles (Christmas tree dings), Merry Bauble Letters (Christmas alphadings), Wroxeter (blackletter), Thurbrooke (+Banner, +Initials, +Black, +Reverso, all based on 19th century banner headings and engraved lettering), Bourne (a rounded type system), Henrician (a set of eight Tudor style display typefaces), Belle Jardin (art deco marquee face), Lavery (Edwardian), Baldione (a stylized didone), Chequers (a vintage poster face), Turvy Topsy (fat finger face), Merrivaux (faux medieval), Blout (German expressionist typeface), Easter Egg Letters, Isometrica (a banner typeface family), Valentine's Letters, Imperial Granum (roman titling face), Brollo (chunky display face).

    Typefaces from 2014: Albions Very Old Masthead, Albions Engraved Black, Albions Old Masthead, Albions Incised Masthead, Albions Black Holly, Zanderley (pure Victoriana, +Initials), Landsdowne Commercial, Friendly Shaded Sans, Trivette, Wellmere Sans, Uncia Black, Henry VII, Greene and Rollins (layered Victorian typeface), Barollo, Alfrine, Alfrere Banner (+Incised), Lugano, Lanvier (1930s-style caps typeface family), Bonlivet (a hyper-decorative capitals alphabet from the late Victoian or early art nouveau era), Ames Text (a didone family with rounded brackets), Ames Roman (related to didones but with wedge serifs), Ames Weathered, Ames Shadow, Ames Shaded, Amersham (vintage signage family, 2013-2014).

    Typefaces from 2015: Netherland Perpendicular (Victorian blackletter), Ledbury (Victorian), Ambergate (Edwardian poster face), Empyrean (futuristic, yet curvy), Flinscher (1920s script), Signwriter Standard, Display Hatched, Albions Marker No.1 (a charming outlined marker pen typeface inspired by Bembo and Caslon), Joyvrie, Kinver (Victorian), Nationale (Victorian), Doges Banner, Doges Darker (Victorian), Doges Delight (Victorian), Doges Venezia (Victorian).

    Typefaces from 2016: Buntisland, Elmcourt, Allorette, Albion Sharp Italic, Deco Metro (art deco), SpeedSwash (blackletterish), Stridere (blackletterish), SpeedSketch.

    Typefaces from 2017: Shervington, Cantebriggia 1207 (a weathered blackletter), Algreve, Alambart, Duquesne Dark Woodcut, Courtold Shadow, Athabasca (Wild West Tuscan), Fargo Tuscan, Millerstown (Western), Millerstown Races, Old Millerstown, Sasparillo (Tuscan), Sasparillo Fizz, Wylgate, Herald Banner.

    Typefaces from 2018: Garstang Engraved, Halliwell Casual, Portculliard, Rotham Industria, Sombrieul (Edwardian), Shervington Engraved (a shaded typeface that appears hand-engraved on copper-plate).

    Typefaces from 2019: Dewhirst Display, Rakia (retro futuristic), Eurobia (art nouveau style).

    Typefaces from 2020: Draughtsman Engraved, Draughtsman Label Hand (Victorian), Civic Triline.

    Typefaces from 2021: Albion Seventies, Portculliard Engraved (an engraved ultra-decorative blackletter).

    Type announcements. Behance link. Klingspor link. Abstract Fonts link. Font Squirrel link. Kernest link. Abstract Fonts link. Hellofont link.

    View all typefaces by Paul Lloyd. Images of Paul Lloyd's best-selling typefaces. Greater Albion Typefounders: typeface collection. View Paul Lloyd's Victorian typefaces. [Google] [MyFonts] [More]  ⦿

    Grebe

    An orphaned font made an anonymous designer in 1994. It revives the Victorian typeface Bijou (1883, Hermann Ihlenburg, for MacKellar, Smiths & Jordan). [Google] [More]  ⦿

    Greg Médina
    [DCO (or: dcoxy medina, or: Atelier Oxydes)]

    [More]  ⦿

    Greyletter
    [Neil Patel]

    Greyletter is Neil Patel's type foundry in Portland, Maine, est. 2009. It morphed into Tetradtype in 2016. Neil Patel is a semiconductor process engineer who was introduced to type design by his wife, a graphic designer. His typefaces:

    • Pinion Display (2010). A Victorian display face.
    • Dynatherm (2013). A custom sci-fi stencil font for Cartoon Network's Toonami programming block.
    • Rieux (2013). Neil writes: Named after the steadfast doctor from Albert Camus' The Plague, Rieux is an even-tempered slab-serif that is confident without being cocky and approachable without being casual. The aesthetic of Rieux is inspired by the industrial age. While the design is not directly derived from typefaces of that era, the shapes of letter-forms are informed by images of over-sized steel machines and the monolithic brick buildings that housed them.
    • Grafton Titling (2014). A classical lapidary titling typeface.
    • Custom fonts: Inside Voice (2014, for IDEXX Laboratories), Hugo's (2014: a logotype for Hugo's in Portland).
    • Texttile (2014). A system of heavy sans titing typefaces for chromatic overlays and simulating textile textures.
    [Google] [MyFonts] [More]  ⦿

    Grezline Studio
    [Akhmad Reza Fauzi]

    Jakarta, Indonesia-based designer, who first set up Silverstein Design, then Reza Design", and finally, Grezline Studio. At Grezline Studio, in 2020, he released Mexiland (a retro signage script), Mexiland Serif, Brenson Charlotte (a creamy retro signage script), Sidney Hayden (a signage script), Ganetha (a bold rhythmic script), Natalie Caydence (a creamy script), Barthez (vintage, all caps), Geovano (spurred, 19th century look), Paula Matilda, Olivade, Barletta (spurred, vintage), Solvetta (a great inky script), Peter Quincy (a dry brush script), Jakobenz (Regular, Rough: an all caps logo font), Diane Amorta, Rodetta (a grungy vintage sans), Mike Samiya (a hand-printed brush typeface) and Shikatta (a script typeface).

    Typefaces from 2021: Paula Natalie (a smooth-edged rounded retro script), Thalia Kendrick (a signage script), Atsuka Montreal (serif and script), Pierce Jameson (a heavy script), Remora Camilla (a retro signage script).

    Typefaces from 2022: Julietta Madelyne (a signage script). [Google] [MyFonts] [More]  ⦿

    GRIN3
    [Bartek Nowak]

    A group of independent designers from Poland, heade by Bartek Nowak, and located in Staromiejska. Nowak has been designing typefaces since ca. 2000. Typefaces:

    • Inkaust (2011). A grungy face.
    • Uniwerek (2011). A sketched hand-drawn family inspired by college and university sportswear.
    • Galicya (2011).A hand-printed poster family.
    • Tygodnik (2011, Bartek Nowak) is a poster font inspired by logo of Polish magazine Tygodnik Powszechny.
    • Tentacle Szrift (2011, Bartek Nowak) is a blackletter family.
    • Stencimilla (2011) is an army stencil face.
    • Goniec (2011) is inspired by graffiti.
    • Pascal (2011).A brush script.
    • Machina G and Machina R (2011). A pair of grunge typewriter typefaces.
    • Nokian11 (2011). A gridded face.
    • Quattro Tempi (2012). A sketched typewriter face.
    • Centura Round (2012). A hand-drawn monoline sans family.
    • Kidorama (2012) is a hand-drawn script inspired by the calligraphic models used in Polish primary schools.
    • Revers (2012). A roughened slab serif.
    • Eight Zeta (2012). A casual hand-drawn typeface family.
    • Skurier (2012) is a hand-drawn font inspired by Courier.
    • Monosketch (2012) is a hand-drawn font inspired by monospaced fonts like Andale Mono. This sketch typeface can be layered.
    • Holy Roller (2012). A lively hand-drawn outline typeface.
    • Larsson (2012). A tall poster font.
    • Antidotum (2012). A stamp or eroded wood typeface in the style of Veneer or Anodyne.
    • Sahan (2012). An elaborate Arabic simulation typeface.
    • Martita (2012). A festive connected script.
    • Secesja Pro (2013) is a redesign of his earlier Secesja PL font. It is a revival of Hermann Ihlenburg's über-Victorian typeface Nymphic Caps (1889).
    • Astalamet Pro (2013) is a dot matrix typeface that evolved from Astalamet Pure (2001).
    • Engineer and Engineer Stencil (2013) is a rounded techno sans family based on Bartek's own TechnicznaPomoc (2001).
    • Collegium (2013) is an athletic lettering font.

      Barme Reczny (2013) is a hand-printed typeface.

    • Splasher (2013) consists of nothing but ink, coffee and paint splashes.
    • Gwidon (2013) is a connected script typeface.
    • Athletico (2013) is a layered university sports lettering typeface family. See also Athletico Clean (2013).
    • Polina (2013) is a hand-drawn 3d shaded layered typeface system. Its original name, Dobra, had to be discarded because that name was already taken by Dino dos Santos.
    • Leitmotiv (2013) is a heavy calligraphic typeface.
    • Misterall (2013). An all caps brush typeface for posters.
    • Delegat (2014). A comic book lettering font inspired by handwritting of Frank Ching.
    • Procent (2014). Bold and hand-printed.

      Gotyk Nr 7: a grungy blackletter typeface that evolved from Nowak's 2001 typeface Gotyk Poszarpany.

    • Suarez (2014). A vintage upright connected script. The dingbats are called Suarez Extra.
    • Kowalski (2014) and Kowalski2 (2014). A swashy typeface family.
    • Revers (2014) is a grungy slab serif typeface.
    • Pascal (2014, handwriting), Inkaust (2014, fat finger font).
    • Jasminum (2014). A connected script together with a flower dingbat font, Jasminium Extra.
    • Quattro Tempi (2014).
    • Athletico Clean (2014). Athletic lettering font.
    • Procent (2014). A shop signage typeface.
    • Charlize Script (2015). A connected curly script family.
    • Rossellina (2015). A connected calligraphic script font.
    • Giulietta (2015). A calligraphic script family.
    • Bellfort. A letterpress font family.
    • Elementarz Pro (2016). A monoline school font.
    • Dramaturg (2016). A brush script.
    • Ripley (2016). A connected monoline script.
    • Baltasar (2016). A brush script.
    • Jeremy (2017). A brush script.
    • Bridgewater (2018). A brush font.
    • Bellfort Draw (2018). A hand-drawn typeface family.
    • Nauticus (2019). A monoline script and an all caps sans font duo.
    • Vintage Fonts Collection (2019). This letterpress extravaganza includes the following fonts: VFC Besson, VFC Besson Press, VFC Fantomen, VFC Fantomen Press, VFC Fiesta, VFC Fiesta Press, VFC Jagan, VFC Jagan Press, VFC Morty, VFC Morty Press, VFC Ogar, VFC Ogar Press, VFC Rewizor, VFC Rewizor Press, VFC Ruiz, VFC Ruiz Press, VFC Sufler, VFC Sufler Press.
    • Boromir (2019). A layerable font family.

    Aka Leitmotif. Dafont link. Klingspor link. Fontspace link. GRIN3 link. Old free font URL. Creative Market link. Home page.

    Showcase of Bartek Nowak's commercial fonts. [Google] [MyFonts] [More]  ⦿

    Grzegorz Luksza
    [Gluk Fonts]

    [MyFonts] [More]  ⦿

    Guguh Gumantoro
    [Letter Stock (was: Gumacreative)]

    [MyFonts] [More]  ⦿

    Gumpita Rahayu
    [Toko Type (was: Formika Labs, or: Studio Formika, or: Absolut Foundry)]

    [MyFonts] [More]  ⦿

    Gunnar Link
    [Skogtype]

    [MyFonts] [More]  ⦿

    Gustave F. Schroeder

    Punchcutter, b. 1861 (Berlin), who made many typefaces. He worked at the Central Type Foundry and then ATF in the late 1800s, and was living in St. Louis, MO, in 1891 and in Mill Valley, CA in 1892. The Inland Printer announced in 1895 that Schroeder had joined the Pacific States Type Foundry in San Francisco. His typefaces straddle the Victorian, arts and crafts and art nouveau eras.

    His typefaces include:

    • Victorian style typefaces at Central Type foundry, done early in his career: Apollo (1888), Atlanta (1885, based on a design of Andreas V. Haight), Harper (1882, curly), Hogarth (1883), Jeffderson (1890), Jupiter (1888), Lafayette (1885), Morning Glory (1884), Scribner (1883), Victoria (1886, with Nicholas J. Werner), Victoria Italic (1891), Washington (1886). Apollo was revived by Nick Curtis in 2014 as Gloriosus NF.
    • At Marder, Luse and Co: French Old Style Extended.
    • At Pacific States: Aldus Italic (before 1891), Sierra (before 1897).
    • Arts and crafts typefaces at Central Type Foundry: Eccentric (1881, available in digital form at Monotype (Agfa), Solotype, Jeff Levine (2020: called Oddly Nouveau JNL), and Adobe. There is also a free version, Eccentrical, from an unknown designer.
    • Art nouveau typefaces done at Central Type Foundry: Art Gothic (1885), Multiform No. 1 through No. 4 (1892).
    • Othello (1886, Central Type Foundry). A black condensed rounded typeface that became very successful thanks to its revival (copy?) by Morris Fuller Benton. Digital versions include Bathysphere (2013, by Seymour Caprice) and Nick Curtis's Iago NF (2011).
    • Geometric Condensed (1882, Central Type Foundry, with W.W. Jackson). Revived in 2014 under the same name by Robert Donona.
    • For Barnhart Bros and Spindler: Era (1891) and Era Condensed No. 5 (1891). These typefaces were done with Nicholas J. Werner. Pastel was originally called Era.
    • For ATF: Empire Initials (ca. 1898), McCullagh No. 2 (1897, a remarkable art deco typeface twenty years ahead of its time). Patent application for McCullagh.
    • Geometric (+Italic, Condensed, Antique). Done in 1881 at Central Type Foundry. The Condensed and Antique are from 1883. For a digital version, see HWT Geometric (2013) by Hamilton Wood Type / James Grieshaber.
    • DeVinne (1890-1896, Central Type Foundry). This design was sold to Stephenson Blake. Digital versions available at Bitstream and Wooden Type Fonts. Bitstream writes about its version: This revival of the Bruce Foundry's No. 11 is typical of the nineteenth century types derived from the work of Didot and Bodoni; the typeface remains popular with lawyers and government printers. In fact, Theodore Low De Vinne opposed this kind of design as hard to print and read; he had Century designed to replace it.
    • Other typefaces at Central Type Foundry: Cushing Old Style (1890), Erebus (1889), Hades (1889), Johnston Gothic (1892, with Nicholas J. Werner), Laclede (1897), Novelty Script (ca. 1891), Old Style Bold (1886), Old Style Script (1887), Quaint Roman (1890 or 1895), Royal Script (1887), Typewriter (1884), University (1889). Mac McGrew on Royal Script: Royal Script originated with the Central Type Foundry branch of ATF in St. Louis in 1893. It is much like the later Typo Script, but wider. In spite of that similarity, it appeared in ATF specimen books as late as 1968. In the 24- and 30-point sizes there are normal and small versions of lowercase, caps being the same. Early specimens designated these large and small sizes as No.1 and No.2 respectively, later specimens as No. 551 and No. 552. Hansen's Newton Script is the same design.
    • The angled serif font family Romana (1892). Digital versions by Linotype, Elsner & Flake (called EF Romana) and Bitstream. Bitstream puts this didone design in the proper context: The French interest in the revival of suitably edited Oldstyle romans as an alternative to a world of Modern typefaces started in 1846 when Louis Perrin cut the Lyons capitals. About 1860, as Phemister was cutting the Miller & Richard Old Style in Edinburgh, Theophile Beaudoire turned the idea of the Lyons capitals into a complete Oldstyle typeface, with similar overwhelming success; it was generally known as Elzevir in France and Roemisch, Romanisch, Romaans or Romana in Germany, Holland and Switzerland. In 1892, Gustav Schroeder, at the Central Division of ATF, expanded the series, adding a boldface under the name DeVinne. It was promptly copied, initially in Europe by Ludwig & Mayer, and spread rapidly throughout the US and Europe, becoming the best known member of the series. ATF made popular an ornamental form under the name De Vinne Ornamental.
    • Patent applications: unnamed face for BBS (1891), another unnamed face (1893), an unnamed art nouveau face and another unnamed serif face (1893, for VJA Rey).

    FontShop link. Google patent link.

    Typefaces by him at MyFonts. [Google] [MyFonts] [More]  ⦿

    Halfmoon Type (was: Half Moon Design, or: Gluckiey Type foundry)
    [Yusril Muhtadi]

    Yusril Muhtadi or Umar Muhtadi (Half Moon Design, or Gluckiey Type foundry, Bali, Indonesia, b. 1997) created the spurred decorative typeface Qallos (2014) and Anchor Slab (2014). In 2015, he added Buron (Victorian signage typeface) and Magnolia. In 2016, he designed the connected script typeface Bringshoot.

    Typefaces from 2017: Avocado (rounded sans display style).

    Typefaces from 2019: Qallos, Glassure (an excellent condensed wavy (intestinal) font).

    Typefaces from 2020: Allust Italic (a curvy and upright typeface by Umar Muhtadi).

    Typefaces from 2021: Monologue (unicase) and Monologue Rounded (a tall condensed rounded sans). [Google] [MyFonts] [More]  ⦿

    Hamdani Putra
    [Refolve Design Studio]

    [More]  ⦿

    Hannah Peasley

    During her studies in Cardiff, Hannah Peasley created the Victorian ornamental caps typeface Parisian Love (2012). [Google] [More]  ⦿

    Hans Brehmer
    [Henry Brehmer]

    Type designer, b. 1840 Magdeburg, Germany. He went to the USA in 1865 to work at James Conner&Sons, and then moved on to other foundries, all in New York. He was for some time located in Stapleton, NY> Aka Henry Brehmer. His typefaces:

    • At Conner: Sideographic (Shaded 1872, Ornate 1879).
    • At Bruce Type Foundry (between 1876 and 1885): Ornamented Black No. 543, Ornamented No. 1053, Ornamented No. 1057, Ornamented No. 1067, Ornamented No. 1076, Ornamented No. 1078, Ornamented No. 1079, Ornamented No. 1080, Ornamented No. 1081, Ornamented No. 1082, Ornamented No. 1084, Ornamented No. 1085, Ornamented No. 1086, Ornamented No. 1091, Ornamented No. 1540, Ornamented No. 1553, Ornamented No. 1557, Ornamented No. 1559, Ornamented No. 1560, Ornamented No. 1562, Priscilla, Sarah, Shaded 1067, Shaded 1076, Shaded 1079, Shaded 1553.
    • At Dickinson Type Foundry, he designed Renaissant (ca. 1879). That typeface was digitally revived by Paul Smith in 2012 as Ressonant.
    • At Lindsay Type Foundry (1888-1890): Alma, Caroline, Crayonette (revived by David Jonathan Ross in 2017 as Crayonette; Crayonette is based on Hermann Ihlenburg's Crayon, 1886), Elizabeth, Frances, Gretchen, Irene, Julie (1868, a decorative Western / Victorian typeface called Eclair by Dan X. Solo; revived in 2010 by Toto as K22 Eclair), Katherine, Marguerite, Maria, Martha, Mathilde.
    Patent office link. [Google] [More]  ⦿

    HansCo
    [Burhan Afif]

    Yogyakarta, Indonesia-based designer (b. 1988) of the font duo Nesans and Nesans Signature (2019), the script fonts Sweet Love (2019: upright), Mondena (2019), The Bellinda (2019: calligraphic), Austin Capittal (sic) (2019: monoline script), Bread Store (2019) and Wrongler (2019), and the vintage (often, Victorian) display typefaces Blue Spirits (2019), Bandits (2019), Sonia (2019), Belgia (2019), Berlina (2019) and Berlin (2019).

    Typefaces from 2020: Blue Spiris, Grapine (Victorian), Ricasto (a signage script), Grizlie (an octagonal sports font), Madanira (a semi-formal script), Amellisa Ink, Anstec (a techno / sports font), Razen (a techno / sports font), Sourta (a speed emulation sports font), Abigile (an upright script), Off Side (all caps, brush), Bastina Sindey (a dry brush script), Bread Store, Feeling Blessed (an upright rabbit ear script), Meristmas, Mosteri (a fantasy font), Ateros (a sci-fi typeface), Aloner (a sci-fi font), Nucleo (a sci-fi font), Roline (prismatic), Tahu Bullats (a creamy signage script), Valentiqu (a curly upright script), Magic Funk (a psychedelic script), Letter Magic (a decorative serif), Craft Lovers, Magzo (a decorative serif), Belights, Cute Meow, Baking Pastry, Sweet Butter, Feeling Blessed, Baby Bunny Script, Misteri Caps, Carglos (blackletter), Traditian, Genta (a rounded bold all caps typeface), Beyond Stars, Off Side (brush), Santoriu, Hi Panda, Crows (a curly serif), Zeniq (a stencil font), Nucleo, Abigile, Blaster, Botania, Crunchy, Femina, Graphite, Holly Days, Hot Sauce, Just Swirls, La Fiesta, Lets Espresso, Little Baby, Magic Sparkle, Ricota, Secillia, Shinesy, Skid Rock, Stripline, The Englands, The Spectre, USA Nation, Magzo (a display serif indeed for food packaging and logos), Stabillo (a food logo brand typeface), Austina Capitton, Kora Kora, Mosherif (Regular, Tall, Short), Golden Stanbury (a signature script font duo), Risolla Calisto (a wild calligraphic typeface), Wild Wolf (brush), Balistone (a wild script), Glastia Monoline, Amorista (a rabbit ear script), Eastblue, Crimmy (a dry brush script), Buchery, Castel, The Begundals, Sambal Pedas (a dry brush script), Blastoic (a dry brush script), Queen Sea, Skid Rock, Platinum Signature, Sonita (a condensed decorative serif typeface).

    Typefaces from 2021: Bastro (a great obese short-necked retro display typeface), Romantic Serif, Pastel Orange (an elegant artsy ligature serif), Romantic Serif, Sunroll (fashion mag caps), Romla (a wide display serif), Magic Retro (a heavy magic mushroom typeface), Holingston (a dry brush script), Gopetter, Ballomont (handwriting), Astopher, Restoe Bumi (a handwriting font), Rotenfold (a script), Halima Sofira, Anastia Buttery (an inky signature script), Belighta (wild calligraphy), Bittle Birdy (an irregular typeface that will cause psychological damage), Magic Sparkle (a decorative all caps serif), Notted (an exaggerated fashion mag font loaded with smooth ligatures and featuring surprise gyhphs such as a lower case a that is a mirror of the lower case e).

    HansCo Studio. [Google] [MyFonts] [More]  ⦿

    Harder Type Foundry
    [Dede Mulyadi]

    Dede Mulyadi (b. 1990) is based in Bandung, Indonesia, where he established Harder Type Foundry. He created the Victorian typefaces Golden (2014), Qwerly (2014) and Bandung Pride (2014), and the vintage signage fonts Anastasia (2014) and Billfont (2014).

    Typefaces from 2015: Remires (Victorian), The Harrlems (curly script), James Fonts (a comic book or cartoon style all caps typeface), Ballarea (connected calligraphic script), Gullever (formal connected calligraphic script), The Georgios (script).

    Typefaces from 2016: Humber (signage script), Voster, Heritage (monoline script), Ballet Script, Roister, Dear Saturday (signage script).

    Typefaces from 2018: Lambreta, Caledon.

    Typefaces from 2019: Raighton (a 20-vintage font collection).

    Typefaces from 2020: Homebreaks, Rosemary Love (a dry brush script), Bandoeng (a vintage sign painting script that was inspired by the cover of a 1920 Nebiolo book).

    Typefaces from 2021: The Stylist (an upright monolinear signature script), Blossom Dahlia (a monoline signature script), Beautiful Summit (script), Heartbear, Homebreaks, Local Goods (a sign painter's font), Old Landmark (a monolinear retro script). [Google] [MyFonts] [More]  ⦿

    Harlan Wallach

    Creator of Alphabet3 and Victorian Caps---these are not fonts, but just illuminated caps. [Google] [More]  ⦿

    Harvey Tonkin
    [Harvey&Karen Tonkin]

    [More]  ⦿

    Harvey&Karen Tonkin
    [Harvey Tonkin]

    Aussies Harvey&Karen Tonkin have created Victorian cursive fonts that might also be used for primary schools. Address: 31 Deschamp Road, Noranda, WA 6062. URL that mentions their work. Fonts by Harvey Tonkin: DottedVicModCursive (1998), VicModCurJoinedNormal (1998), VicModCursiveNormal (1993). [Google] [More]  ⦿

    Hasto Hst
    [Sitintahitam]

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    Hayinah Hayinah
    [Rockboys Studio (or: Rockboy Studio)]

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    Heinrich Flinsch
    [Schriftgiesserei Flinsch]

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    Hendra Maulia
    [Dirtyline Studio]

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    Hendry Juanda
    [Letterhend Studio (or: Magang Letterhend)]

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    Henry Brehmer
    [Hans Brehmer]

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    Henry Schuenemann

    Born in 1866 in Cleveland, OH. Credited with the design of these typefaces:

    • Acadian No3 and No4 (1882, Cleveland Type Foundry). Victorian typefaces.
    • Alpine (before 1885, Cleveland Type Foundry). Revived in 2017 by Alan Jay Prescott as Alpenhorn Roman. Presott writes: Another oddball typeface is revived here, renamed from the design called Alpine by Henry Schuenemann for the Cleveland Type Foundry in the 1880s. Buried in the "gingerbread" of this weird face is technically a Latin serif, but otherwise it is an entirely unique letterform for which I had a heart soft enough to revive here in digital form.
    • Chic (1888, Cleveland Type Foundry). Art nouveau.
    • Clifton (1889, Barnhart Bros. & Spindler). Victorian.
    • DeVinne Extended (ca. 19896, Central Type Foundry).
    • Euclid (1889, Cleveland Type Foundry). Victorian. Alan Jay Prescott did revivals of Euclid and several other typefaces, which he called Euclid, Euclid Initials, Euclastic, Elberon, Astral, and Auroral (2018). He explains Euclid's genesis differently: Elberon existed by November 1886 from Cleveland Type Foundry in The Inland Printer. Euclid (a lighter version of Elberon with a few different glyphs) is an obvious derivative from Illinois Type Founding Co. in Chicago in August 1890. Euclid appears with several Euclid Initials, a full sample of which appears as "Grant Iniitials" from Minnesota Typographic Co. Auroral (basically a shaded form of Elberon) appears in January 1887 from Central type foundry. Astral, also from Central type foundry, (the almost exact shading concept) whose base form is a condensed, heavier form than Euclid) appears in December 1886. Euclastic is my name for a complete set of weights, from a Hairline at the extreme end of lightness, through Black at the other extreme, using redesigned examples of Euclid and Elberon.
    • French Old Style (Central Type Foundry).
    • Gazelle (ca. 1893, Cleveland Type Foundry). Revived in 2017 by Alan Jay PrescottIllyrian (1883, Cleveland Type Foundry). A curly Victorian typeface that was revived as Illyrian by Dan X. Solo.
    • Ivanhoe Series (1893, Cleveland Type Foundry).
    • Mikado (1886, Cleveland Type Foundry). Imitating a child's hand?
    • Oxford, Oxford No.2 and Oxford No.3 (1888, Cleveland Type Foundry). This includes ornamental caps. Oxford No2 was revived in 2013 by Brian J. Bonislawsky and Jim Lyles as MFC Damask.
    • Walton (ca. 1885, Cleveland Type Foundry).
    • Waverly Circular (before 1895, Cleveland Type Foundry).
    [Google] [More]  ⦿

    Herbanu Tri Sasongko
    [Herbanuts (or: LetterStuff Type Foundry)]

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    Herbanuts (or: LetterStuff Type Foundry)
    [Herbanu Tri Sasongko]

    Wonosari, Yogyakarta, Indonesia-based designer (b. 1991) of Primera (2018), Ballicons (2017) and Glyphicons (2017). In 2018, he added Larys Manice (a children's book font), Typis, Sweet Dessert, Rossela, Kiddos and the sci-fi typeface Space Surfer.

    Typefaces from 2019: Rolas Sans (a great rounded sans), Thumbelina, Alenka, Oceania (Victorian), Cherishia.

    Typefaces from 2020: Misro (a fat supermarket typeface), Chillok (plump, handcrafted), Qolak Pisank, Pastelova (a fat finger font).

    Typefaces from 2021: Silverback (an inline blackletter typeface). [Google] [More]  ⦿

    Hermann Ihlenburg

    German-American type designer (b. 1843, Berlin) who apprenticed at the Trowitzsch & Son type foundry in Berlin, and then worked as a punchcutter in Dresden and at the G. Haase & Sons foundry in Prague. After positions at the Flinsch foundry in Frankfurt, the Battenburg foundry in Paris, and the Fonderie Haas in Basel, Ihlenburg moved to the United States in 1866 to work for the L. Johnson & Company foundry in Philadelphia, which became MacKellar, Smiths & Jordan some time later. Specializing in ornamental (Victorian) fonts and borders, he designed over eighty typefaces for that Mackellar and a few more for American Type Founders after it purchased MacKellar, Smiths & Jordan in 1901. Ihlenburg became an American citizen in 1874, and died in Philadelphia in 1905. He will be remembered as the prototypical Victorian type designer.

    His typefaces at MacKellar:

    • American (1876), Angular Text (1884, a Victorian blackletter at MacKellar, Smiths & Jordan; digitally interpreted by Toto in his free font K22 Angular Text (2012) and by Alan Jay Prescott as Angolan Text (2017)), Arboret (1884), Arboret No. 2 (1885), Archaic (1888), Artistic (1886), Attic (1879). Artistic was revived by Alan Jay Prescott in 2017 as Beltane Roman. He wrote: this letterform started out in 1886 as drawn by the great Herman Ihlenburg as Artistic and assigned to MacKellar Smiths & Jordan. Dan Solo called this face Belmont but only showed caps and was suspect anyway. I was able to find specimens elsewhere and a motherlode of other interesting things in the Inland Printer. I developed my first full-featured OTF using this typeface and designed Greek and Cyrillic glyphs as well. I also fitted it out with a set of small caps to make a font that now has 4,000 glyphs for nearly every non-Asian language. To top it off, Robert Donona revived the decorative caps for this typeface, an excruciating task that I once considered for myself but was lucky enough to have this other crazy person take up. The number of hours dedicated between Robert and myself in reviving this complete series digitally is probably unprecedented.
    • Bijou (1883: digital copies include Bangle (1990-1991, FontBank), Riccio Display Script by Southern Software (1994, SSi, SSK), Grebe (1994, by an anonymous designer) and Mexacali by Swfte), Black Ornamented (1873), Broadgauge Ornate (1868: a spurred Western typeface at MacKellar Smiths & Jordan; revived by Michael Hagemann), Byzantine (1868).
    • Centennial Script (1874, a spectacular high-contrast script digitized in 2007 by Canada Type and in 2011 as a free font called Mortem Stylus by Stylus, and by Intellecta Design as Centennial Script), Chaucer (1883), Childs (1892, revived by R. Beatty, and by Ingo Preuss as Daring), Circular Black (1883), Columbian (1891), Columbus (1890: for metal recuts, see Victor Hugo by Nebiolo and Columbia (1909) by Urania); for digital revivals, see Cristoforo by Thomas Phinney, 2012, Cristoforo (2012) by SoftMaker, F37 Drago (2021, Rick Banks) and Colombo by Ingo Preuss), Columbus No.2, Columbus Outline (1892), Copperplate (1877), Crayon (1886), Culdee (1885).
    • Dado (1882), Drapery Border (1876), Dynamo (1891).
    • Elliptical Border (1878), Eureka Text (1870, blackletter), Eureka Shaded (1870).
    • Ferdinand (1892, now at Dover), Filigree (1878), Fillet (1890), Flourish Ornaments (1884).
    • Glyptic, Glyptic No. 2 and Glyptic Shaded (1878), Gothic Ornate (?), Greenback (1871), Grolier (1887), Gutenberg (1888).
    • Houghton (ca. 1880). Same as Edison. Revived by Jim Spiece as Edison Swirl SG.
    • Illuminated and Illuminated No. 2 (1876), Isabella (1892, a bastarda face; digital version at Agfa, Adobe, and Linotype, 2001), Italic Copperplate (1878).
    • Japanesque and Japanesque No. 2 (1877, oriental simulation typefaces), Johnson (1892).
    • Lady Text (1884, blackletter), Lippincott (before 1895).
    • MediaevalText and Mediaeval Text Ornate (1870, blackletter), Minaret (1868), Minster (1878), Mortised and Mortised No. 2 (1884).
    • Newfangle (1892, revived in 2015 by Nick Curtis as Newfangle NF), Nymphic (1889 [Ruffa says 1884], revived by Barmee in Secesja Pro (2013), and by Paul D. Hunt (2004), who published it as Kilkenny (2005, P22)).
    • Obelisk (1881), Oxonian (1881). Digital revival of Obelisk in 2014 by Robert Donona.
    • Pencraft (1885; digital revival in 2013 by Robert Donona), Pencraft No.2, Phidian (1870, redone by Dan X. Solo), Philadelphian (1867; digital revival by Michael Hagemann as Philadelphian in 2020), Pynson (1887).
    • Quenn Bess Script (1882).
    • Radiant (1876), Radiant Antique (1876: a money font), Radiated (1871), Relievo (1878), Relievo No. 2 (1879), Rimpled (1895), Ringlet (1882, the prototypical Victorian typeface; Dan X. Solo and George Williams made different digital versions in 1998 which are both also called Ringlet), Romanesque (1874).
    • Sansom Script (1888), School Text (1876), Spiral (1890, revived by R. Beatty), Stipple (1890), Stylus and Stylus No. 2 (1883).
    • Tendril (1878), Tilted (1886), Treasury (1874), Treasury Open (1875).
    • Unique (1874), Unique No. 2 (1875).
    • Zinco (1891, revived by Jim Spiece in 2002 as Zinc Italian SG).

    At ATF: Taylor Gothic (1894), Schoeffer Old Style (1897: revived and extended by Alfonso Garcia in 2020 as Spirits), Roundhand Series (1902), Post Oldstyle Roman No. 2 (1901---possibly made by E.J. Kitson and/or Guernsey Moore), Post Oldstyle Italic (1901), Ihlenburg Series (1900?), Bradley Series (1895-1897, now at Dover), American Italic (1902). Ludlow offers a digital version of Hannibal.

    Comments on some typefaces by Mac McGrew:

    • American Italic is a heavy, novel design by Herman Ihlenburg introduced by ATF in 1902, as a companion to Columbus, which had been designed for ATF's MacKellar Smiths&Jordan branch in 1892. The italic survived its roman mate, being shown by itself in 1906, but was gone by 1912. It is essentially a nineteenth-century design.
    • Bradley (or Bradley Text) was designed by Herman Ihlenburg-some sources credit it to Joseph W. Phinney--from lettering by Will H. Bradley for the Christmas cover of an Inland Printer magazine. It was produced by ATF in 1895, with Italic, Extended, and Outline versions appearing about three years later. It is a very heavy form of black-letter, based on ancient manuscripts, but with novel forms of many letters. Bradley and Bradley Outline, which were cut to register for two-color work, have the peculiarity of lower alignment for the caps than for the lowercase and figures, as may be seen in the specimens; Italic and Extended align normally. The same typeface with the addition of German characters (some of which are shown in the specimen of Bradley Extended) was sold as Ihlenburg, regular and Extended. Similar types, based on the same source and issued about the same time, were St. John by Inland Type Foundry, and Abbey Text by A. D. Farmer&Son. They were not as enduring as Bradley, which was resurrected for a while in 1954 by ATF. Also compare Washington Text.
    • Round Hand was designed for ATF about 1900, and has been ascribed to Herman Ihlenburg. It has the appearance of handwriting with a broad pen, but letters are not quite connected.
    • Schoeffer Old Style [No.2] was designed by Herman Ihlenburg for ATF in 1897. It is typical of a number of typefaces of the day-a plainly lettered roman with small, blunt serifs. Some references list Schoeffer Condensed, cut in 1902; this is probably the typeface shown a little later as Adver Condensed (q.v.). On Linotype, Schaeffer Oldstyle was called Elzevir No.2.

    In 2021, Noah Bryant set out to revive many of Ihlenburg's Victorian typefaces.

    Ihlenburg at the Rochester Institute of Technology's Cary Graphic Arts Collection. [Google] [MyFonts] [More]  ⦿

    HiH (Hand in Hand)
    [Tom Wallace]

    Tom Wallace's foundry, HiH (est. 2005), was first located in Woodbridge, CT. Subsequently, Tom Wallace (b. 1944) moved from Woodbridge to Naugatuck to Waterbury and finally in 2009 to New Britain, CT. His type designs are based on historical letterforms:

    • Augsburger Initialen and Augsburger Schrift (2001), an art nouveau pair found in Ludwig Petzendorfer's Treasury of authentic art nouveau alphabets, decorative initials, monograms, frames and ornaments (1984, Dover). Augsburger Schrift is originally due to Peter Schnorr (1901, Berthold). In 2007, Wallace added Augsburger Ornamente.
    • Figgins Tuscan (2005) is based on the first metal Tuscan typeface by Figgins in 1817.
    • Freak, based on Bamboo (1889, The Great Western Type Foundry). HiH explains: Great Western became Barnhart Brothers & Spindler in 1868. At some point, prior to 1925, Freak was renamed Bamboo by BB&S. It was delisted when BB&S was absorbed by ATF in 1929. Compare with Dan Solo's Bamboo (2004).
    • Gradl Initialen (2005): based on caps designed by Max Joseph Gradl ca. 1900 for engraving on his art nouveau jewelry in Germany. Samples are in Petzendorfer.
    • Huxley Alt (2005), an alternative to the ultra-condensed Lutherian church font Huxley Vertical (or Aldous Vertical) by Walter Huxley (ATF). Huxley Amore (2006) is a major extension of this, and Huxley Cyrillic (2008) adds Russian characters.
    • Künstler Grotesk (2005): a simple blackletter caps typeface based on a design seen in Petzendorfer's book.
    • Page No. 508 (2006): Page No. 508 was designed by William H. Page in 1887 as one of a series of designs for die-cut wood types for the firm of Page & Setchell of Norwich, CT. Page & Setchell was the successor to The William H. Page Wood Type Company and was sold to the Hamilton Manufacturing Company of Two Rivers, Wisconsin in 1891.
    • Pekin (2005): first designed by Ernst Lauschke in 1888 at the Great Western Foundry under the name Dormer.
    • Schnorr Dekorativ, Demi Bold and Initialen (2007), all due to Peter Schnorr (ca. 1900), as well as Schnorr Gestreckt (2006), an art nouveau typeface from 1898.
    • Rundgotisch (2005): based on a design by Schelter and Giesecke, ca. 1900.
    • Edison (2005) is based on Edison Swirl SG, a Spiece Graphics digitization of a late 18-th century design of the Bauersche Giesserei.
    • Bethlehem Star (2005) is based on the typeface Accent with the permission of URW++: HiH only added stars to the glyphs.
    • Antique Tuscan No. 9 (2006). One of the earlier wood-type designs by William Hamilton Page. It was first shown among the specimens produced in 1859, shortly after Page entered into a new partnership with Samuel Mowry, owner of the Mowry Axle Company. Antique Tuscan No.9 is an extra-condensed version of the tuscan style that had been released in moveable type by Vincent Figgins of London in 1817.
    • Secession (2006): a sans family with art nouveau twists.
    • French Plug (2007): A sign painters font based upon work of Frank H. Atkinson, a popular Art Nouveau sign painter in Chicago, who worked for Cadillac, and published Sign Painting in 1908.
    • T-Hand Monoline (2007): a printed script family.
    • Figgins Antique (2007): an all-caps black slab serif headline typeface based on Figgins, ca. 1815.
    • Mulier Moderne (2007): Based on a font designed ca. 1894 by E. Mulier, a French art nouveau era artist.
    • Regina Cursiv (2007): an art nouveau design that revives a typeface published by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895.
    • Edelgotisch (2007): a bold Jugendstil design (with caps), based on a design released by Schelter & Giesecke of Leipzig, Germany about 1898 and is very similar to Eckmann-Schrift released by Rudhard'schen Giesserei (later Klingspor) during the same period.
    • Teutonia (2007), a revival of Teutonia by Roos & Junge, a squarish art nouveau face. HiH writes: There are many quite similar attempts in the field of topography. In 1883, Baltimore Type Foundry released its Geometric series. In 1910, Geza Farago in Budapest used a similar letter design on a Tungsram light bulb poster. In 1919 Theo van Doesburg, a founder with Mondrian and others of the De Stijl movement, designed an alphabet using rectangles only -- no diagonals. In 1923, Joost Schmidt at Bauhaus in Weimar took the same approach for a Constructivist exhibit poster. The 1996 Agfatype Collection catalog lists a Geometric in light, bold and italic that is very close to the old Baltimore version. And in 2008, HiH itself published Baltimore Geometric.
    • Austin Antique, based on Richard Austin's 1827 antique typeface.
    • Morris Gothic, Morris Ornaments and Morris Initials One and Two (2007): The gothic that Morris designed was first used by his Kelmscott Press for the publication of the Historyes Of Troye in 1892. It was called Troy Type and was cut at 18 points by Edward Prince. It was also used for The Tale of Beowulf. The typeface was re-cut in at 12 points and called Chaucer Type for use in The Order of Chivalry and The Works of Geoffrey Chaucer. Morris' objective is designing his gothic was to preserve the color and presence of his sources, but to create letters that were more readable to the English eye. ATF copied Troy and called it Satanick. Not only was the ATF version popular in the United States; but, interestingly, sold very well in Germany. There was great interest in that country in finding a middle ground between blackletter and roman styles -- one that was comfortable for a wider readership. The Morris design was considered one of the more successful solutions.
    • Larisch (2007): a hand-lettered design by the Austrian calligrapher and teacher, Rudolf von Larisch. The original was used for the title page of the 1903 edition of Beispiele Kunstlerischer Schrift Examples of Artistic Writing).
    • Patent Reclame (2007): an art nouveau typeface first cast around 1895 by Schriftgeisserei Flinsch, and then by Stephenson Blake, ca. 1896.
    • Jugendstil Initials (2007): an all caps decorative blackletter typeface designed by Heinrich Vogeler around 1905.
    • Wedding (2007): a multi-style English blackletter family, based on a Morris Fuller Benton original called Wedding Text.
    • Brass (2007): two blackletter typefaces from the early 1500s described by Alexander Nesbitt in his Decorative Alphabets And Initials (Mineola, NY, 1959) as initials and stop ornaments from brasses in Westminster Abbey.
    • Auchentaller (2007), a monoline art nouveau typeface inspired by a travel poster by Josef Maria Auchentaller (b. Vienna, 1865, d. Grado, 1949; studied at the Vienna Academy, professor in Munich, member of the secession from 1898, artist) in 1906.
    • Phinney Jenson (2007): a Venetian by Nicolas Jenson from the 15th century, about which Wallace writes: In 1890 a leader of the Arts & Crafts movement in England named William Morris founded Kelmscott Press. He was an admirer of Jensons Roman and drew his own somewhat darker version called Golden, which he used for the hand-printing of limited editions on homemade paper, initiating the revival of fine printing in England. Morris' efforts came to the attention of Joseph Warren Phinney, manager of the Dickinson Type Foundry of Boston. Phinney requested permission to issue a commercial version, but Morris was philosophically opposed and flatly refused. So Phinney designed a commercial variation of Golden type and released it in 1893 as Jenson Oldstyle. Phinney Jenson is our version of Phinneys version of Morris' version of Nicolas Jensons Roman.
    • Advertisers Gothic (2008): based on Robert Wiebking's tasteless 1917 design for Western Type foundry. HiH writes: Advertisers Gothic is bold and brash, like the city it comes from, Chicago. It was designed by the accomplished German-American matrix engraver, Robert Wiebking, for the Western Type Foundry in 1917. As its name suggests, it was designed for commercial headliner work, much as Publicity Gothic by Sidney Gaunt for BB&S the year before. See our Publicity Headline.
    • Publicity Headline (2006): an allcaps version of Sidney Gaunt's advertising typeface, Publicity Gothic (1916, Barnhart Brothers & Spindler). Its heavy weight and robust strength allows it to be used against complex backgrounds or reversed out on dark backgrounds without getting lost.
    • Herold (2008): a revival of Berthold Herold Reklameschrift BQ (Hermann Hoffmann, 1901), an art nouveau advertising typeface.
    • Yes Dear (2008) is a funny hyper-curly blackletter face.
    • Besley Clarendon (2008) is the HiH version of the Clarendon registered by Robert Besley and the Fann Street Foundry in 1845. This condensed typeface was very popular in the 19th century, and was copied by most foundries of that era. It was followed by Gutta Percha (2008), a Clarendon in which the upper case letters are dropcaps.
    • Waltari (2008): a revival of Walthari (1899, Heinz König for the Rudhardsche Giesserei), a Jugendstil type.
    • Hispania Script (2008): revival of a pirate map script typeface called Sylphide by Schelter & Giesecke (1896) (and not Schelter & Giesecke's Hispania).
    • Cloudy Day (2008), an alphading.
    • HiH stumbled on a 1902 publication by Bruno Seuchter called Die Fäche, in which he found the art nouveau typeface that HiH revived in 2008 as Seuchter Experimental.
    • Petrarka ML (2006). HiH writes: Petrarka may be described as a Condensed, Sans-Serif, Semi-Fatface Roman. Huh? Bear with me on this. The Fatface is a name given to the popular nineteenth-century romans that where characterized by an extremity of contrast between the thick and thin stroke. The earliest example that is generally familiar is Thorowgood, believed to have been designed by Robert Thorne and released by Thorowgood Foundry in 1820 as "Five-line Pica No. 5." Copied by many foundries, it became one of the more popular advertising types of the day. Later, in the period from about 1890 to 1950, you find a number of typeface designs with the thin stroke beefed up a bit, not quite so extreme. What you might call Semi-Fatfaced Romans begin to replace the extreme Fatfaces. Serifed designs like Bauer's Bernard Roman Extra Bold and ATF's Bold Antique appear. In addition, we see the development of semi-fatface lineals or Sans-Serif Semi-Fatfaces. Examples include Britannic (1906, Stephenson Blake), Chambord Bold (Olive), Koloss (Ludwig & Mayer), Matthews (ATF) and Radiant Heavy (Ludlow). Petrarka has much in common with this latter group, but is distinguished by two salient features: it is condensed and it shows a strong blackletter influence, as seen in the H particularly. See also Nick Curtis's Petrushka NF (2012). Footnote: Fonts in Use refer to the metal typeface Petrarka by Schelter & Giesecke (1900) and Milton (by Societa Augusta). The Solotype catalog has a related typeface, Ophelia.
    • Haunted House (2008), Halloween-themed fonts.
    • Gothic Tuscan One (2008) is an all-caps condensed gothic with round terminals and decorative Tuscan center spurs. It was first shown by William H. Page of Norwich, CT, among his wood type specimen pages of 1859.
    • HiH Firmin Didot (2008) is a one-style didone based on an 1801 version of Didot. It led to a combined alphabet/stick people alphading called Gens de Baton (2008) after a lower case alphabet that appeared in the Almanach des Enfants pour 1886 (Paris, 1886) under the title Amusing Grammar Lessons.
    • Shout (2008), a Compacta-like fat headline sans about which HiH writes: Its lineage includes the Haas Type Foundrys 19th century advertising font, Kompakte Grotesk, which Jan Tschichold (1902-1974) dryly described as extended sans serif and which graphic designer Roland Holst (1868-1938) would have disapprovingly referred to as a shout, as opposed to the quiet presentation of information that he believed was the proper function of advertising. In 1963 Letraset released what appears to be an updated variation in multiple weights designed by Frederick Lambert called Compacta. Shout draws heavily on Compacta, as well as other similar fonts of the 50s and 60s like Eurostile Bold Condensed and Permanent Headline. In weight, it falls about halfway between Compacta Bold and Compacta Black.
    • The heavy art deco typefaces Guthschmidt and Guthschmidt Condensed (2008) are based on a 1924 KLM Royal Dutch Airline poster designed by Anthonius Guthschmidt. The poster draws on the imagery of the legend The Flying Dutchman.
    • Cherub and Cherub Caps (2008) are based on Phinney Jenson. Not to be confused with the many fonts that already existed with that name, such as Cherub from House of Lime, Twopeas, Graph Edge Fonts, and Fuelfonts.
    • HiH Large (2009) is a poster sans.
    • Mira (2009) is an art nouveau / Victorian typeface patterned after a font by the Roos & Junge Foundry in Offenbach, ca. 1902.
    • Thorowgood Sans (2009): A three-dimensional all-cap font for title use, Thorowgood Sans Shaded was released by the Fann Street Foundry of W. Thorowgood & Co. in 1839. Interestingly, it more closely resembles Figgins' Four-Line Emerald Sans-Serif Shaded of 1833 than Fann Street's own Grotesque Shaded of 1834 (with light and shadow reversed).
    • Fantastic ML (2009): an art nouveau typeface originally released as "Modern Style" by Fonderie G. Peignot & Fils, Paris, France some time before 1903.
    • Gundrada ML (2010): a medieval style typeface inspired by the lettering on the tomb of Gundrada de Warenne, who was buried at Southover Church at Lewes, Sussex, in the south of England in 1085.
    • Wedge Gothic (2010). HiH writes: Wedge Gothic ML is the original name of this font released by Barnhart Bros. and Spindler of Chicago in 1893. [...] The typeface was dropped for awhile -- it does not appear in the 1907 catalog for example -- but reappeared in 1925 as Japanette. McGrew says that the new name was Japanet. It was recast by ATF in 1954.
    • Norwich Aldine ML (2010) is an all caps typeface with enlarged serifs, designed and produced in wood by William H. Page of Norwich, CT in 1872.
    • Rodchenko Constructed ML (2010) is constructivist (Latin and Cyrillic).
    • Cruickshank ML (2012): a decorative typeface from the late Victorian period. The typeface was designed by William W. Jackson and released by MacKellar, Smiths and Jordan Type Foundry of Samson Street, Philadelphia, Pennsylvania in 1886.
    • Habana Deco ML (2013).
    • Chicago Ornaments (2015). a collection of decorative cuts cast by the Chicago Type Foundry of Marder, Luse & Co. of Monroe Street in Chicago, Illinois. This collection was shown in their 1890 catalog. Some of them were designed by William F. Capitain. Included in the font are a set of Victorian caps inspired by Ernst Lauschke's Dormer (or Pekin, 1888).

    View Tom Wallace's fonts. View the typefaces designed by Tom Wallace. MyFonts link. [Google] [MyFonts] [More]  ⦿

    Hindra Permana
    [ndroadv]

    [More]  ⦿

    Hotline Supply Co

    Bandung, Indonesia-based creator of the calligraphic script Chandelier (2017), the brush scripts Harley Style (2017) and Buckskin Script (2017), and the Victorian typefaces The Curious (2017) and Avelina (2017).

    Typefaces from 2018: Daylight (signage script), Shabiya.

    Typefaces from 2019: Billionaire (Victorian).

    Typefaces from 2020: Kimchi (a warm display serif). Creative Market link. Newest Creative Market link. Graphicriver link. [Google] [More]  ⦿

    House of Lime
    [Merethe Liljedahl]

    Defunct type foundry that had free original dingbats, alphadings and fonts, mostly from scanned art by Merethe Liljedahl (House of Lime) in Landskrona, Sweden.

    The font list: Abstract, Africa, African Design, African Eggs, AfricanPattern, AlphaRemember, AlphaSausage, AlphaThin, AmishQuilts, AngelsFairies, Angelsaroundtheworld, AngloText, Animal, AnimalDesign, AntiqueStuff, AntiqueStuffII, AroundSports, Aroundthehouse, ArtDecoMotif, ArtNouveauBild, ArtNouveauBlume, ArtNouveauFlowers, ArtNouveauFramesandBorders, ArtNouveauInitials (2001), ArtNouveauInitialsA, ArtNouveauInitialsB, ArtNouveauInitialsC, AsianArt, AsianArtII, BOO, BabyTime, BackToSchool (2000, pencil-themed face), Bagsandstuff, BagsandstuffII, Balloons, Baseball, Big Lou (2003, art deco), BirdStencilDesign, BirdStencilDesignII, Birdies, Bzzy (2004, alphadings), Books, Butterflies, Buttons (2006), Calender, CamelotCaps (2000), CarstensOwls, Cats, CelticElements, CelticElementsII, CelticMotif, Celtics, Cherub, CheshireInitials (2001), Chiseled (2006), ChristmasTime, ChristmasWreath, ChubbyDotty, ChubbyTrail, Cornerflair (2002), CrayolaKiddyFont, Curly Fleur Caps, DBLCeltic, DBLCorners, DBLFacesfromthepast, DBLFlowerDelight, DBLMedievalDesign, DancerInTheDark, DancerInTheDarkII, DancerInTheDarkIII, DecorativeOrnamental, Decorette, Decorina (2001), DesignMotif, DesignerCorners, DesignerCorners, DesignerDing, DesignerDividers, DesignerFrames, DesignerFramesTwo, DesignerMix, DesignerMixII, DesignerMixed, DesignerMotifs, DesignerMotifsThree, DesignerMotifsTwo, DesignerPlus, DesignerStuff, Dividers, DividersTwo, DoggyBag, DogsandCats, Dolphins, Dot Trail (2002), DoverChineseMotifDesign, DoverFloral, DoverFloralandDesignII, DoverJapaneseDesign, Dragons, Durbin Initials (2009), EasterBunny, EasterHoppy, EasterTime, EatingOut, Egypt, ElectionTime (2000), Elegance, EvelynsHeart, EvsDragons, ExtraOrnamentalNo2, FaceofaLady, Faces2Faces, FacesOfTheCentury, Faith, Fans, Fashion, FashionLadies, FleurCornerCaps (2000), FloralDesign, FloralStencilDesign, FloridVictorianOrnament, FlowerandFairyAlphabet, Folklore, FolkloreII, Fontanesi, Framed, Frames, FramesAndBorders, FramesAndBordersII, FramesAndBordersIII, FramesandBackgrounds, FramesandHeaders, Fromthegarden, Fruityandveggie, Furballs, GailsUnicorn, GardenTime, Geisha, Genzsch Initials, GermanCaps, GothicCornerCaps, GothicFlourish, GrafikText, GuinevereCaps, HalloweenKiddyFont, Hats, HatsII, HatsIII, HatsIV, HatsV, HeartsofLime, Heraldics, Horses, Houses, HousesII, Howling, Iconettes, Inmygarden, Inyourgarden, Itsserved, Jars, JustFrames, KarensKitties, KeyasTurtles, KiddyDing, KiddyFlakey (2002), KiddyFrames, KiddyHalloween, KiddyToys, KidsAlphabet, KittytheCat, Ladiesofthe20s, Leaves, LimeBlossomCaps (1999), LimeGloryCaps (2000), LisasDragons, LittleHeroes, LizsGibsonGirls, LovePoision, Maskes, MedievalAlphabet (2000), MedievalMotif, MedievalMotifTwo, MexicanMotif, MirrorImage, MosaicCaps (2000), Motif, Mousie (2000, alphadings), MoyrasParrots, Music For Your Ears (2006), MutansII, Mutants, Mythical, NavyBlues (2000, white on black buttons), OldFashionedIllus, OldFloralIllustration, OldFolksShuffle (2000), Onthefarm, OrientalDesign, OrientalIcons, OrientalIconsII, OrientalIconsIII, OrientalIconsIV, OrientalView, OrnamentalCorners, OrnamentalDecoration, OrnamentalDecorationII, OrnamentalElements, OrnamentalElementsII, OrnamentalFramesI, OrnamentalInitialsA, OrnamentalInitialsB, OrnamentalInitialsC, OrnamentalInitialsD, OrnamentalInitialsE, OrnamentalInitialsF, OrnamentalInitialsG, OrnamentalInitialsH, OrnamentalInitialsI, OrnamentalInitialsJ, OrnamentalInitialsK, OrnamentalInitialsL, OrnamentalInitialsM, OrnamentalInitialsN, OrnamentalInitialsO, OrnamentalInitialsP, OrnamentalInitialsQ, OrnamentalInitialsR, OrnamentalInitialsS, OrnamentalInitialsT, OrnamentalInitialsU, OrnamentalInitialsV, OrnamentalInitialsW, OrnamentalInitialsX, OrnamentalInitialsY, OrnamentalInitialsZ, OutOfAfrica (2000), Paisley, Paisley Caps, PaisleyII, Party (2004, Mexican simulation face), Pentagon (2003, Western face), PhilliBoo, PokemonKiddyDing, Retro Elite (2003, art deco), RibbonCaps, Rose, Rosegarden, Scary, Scary House, Scrapper's Arrows, ScrappersCorner, ScrappersElements, ScrappersElementsII, ScrappersElementsIII, ScrappersElementsIV, ScrappersElementsV, ScrappersKeys, ScrappersStencil, ScrappingDoodles, Scream, Sealife, September11, Shaking Salsa, Ships, SimplyFriends, Skeleton, Smelly, SomeoneSpecial, Spiders (2001), SplatterCaps, Spooky, Sporty (2004), Spring (2003, Victorian ornamental typeface), Square Frame (2006), Stamped Flowers, Starlite, Stars, Stencil, StripesCaps (2000), SugarFootStrut, Sun and Moon, Sunflowers, Sunny Days (2004), SunshineKiddyFont, Tattoo, TheGoddess, ThePerfectMan, ThemeCorners, TiffanyCorners, TiffanyCornersII, TiffanyCornersIII, Tiles, Tools, TraditionalFloralDesign, TraditionalFloralDesignII, TraditionalFloralDesignIII, Trapeze (2004), TreasuryofDesign, Treesandleaves, Tulips, TylersPokemon (2000), UncasWomen, Valentine, VictorianWindow, Wedding, Wildflower, WildflowerII, WildflowerIII, WildflowerIV, YesterdaysBeauty, YourSign, Yummi, Zodiac.

    Designer Menues (commercial dings, 2001). In 2006, these commercial dings: Scrapping Corners, Scrappers Fills. Direct access to the dingbats. Direct access to fonts.

    Fontspace link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

    Hoycke

    Hoycke, or Hoyx, is an illustrator and graphic designer in Hamburg, Germany. Designer of the spurred Victorian typeface Reunion (2014). [Google] [More]  ⦿

    Human figures, stick figures

    "Char@cter" suggests the following fonts for letters made to resemble humans:

    • apicturefont (Colonial figures with Caslon-Open style letters)
    • arbitre (A whistle-blowing referee)
    • armyboy (All identical soldiers with a simple superimposed letter)
    • BadCabbageICG-Primal (Elongated stick figures)
    • bizarro (It's ..errr.. well, its ummm ... bizarre)
    • CG Victorian Silhouette (People doing various things)
    • Chlorinuh (Think of the Pilsbury Doughboy in a swimming pool)
    • EDBindia (Puffy letters with eyes, wearing a feather headdress)
    • EDBsweatingIt (Puffy people-letters exercising)
    • FuzzyCootie (Sans-serif outline font with female silhouettes)
    • getagrip (Letters made up of arms holding each other's wrists)
    • GroovyGhosties (Cartoony ghosts - the covered-with-a-sheet kind)
    • Groupsex (Suggestive - Stick people in compromising positions)
    • KiddoTRT (Children Playing)
    • Kilroys (Like the WWII Kilroy Was Here)
    • LittleBallerina (Normal letters with a ballerina nearby)
    • PointerCaps (Each letter has a pointing hand)
    • Rad (People in exercise positions)
    • StickLetter (Stick people)
    • stripletter (Black letters with outline nudes superimposed)
    • Vintage Erotique (Elaborate and just what it says)
    [Google] [More]  ⦿

    Hunt Brothers
    [Walter Bernard "Ben" Hunt]

    Walter Bernard "Ben" Hunt (b. 1888, Greenfield, WI, d. 1970) was an American artist, outdoor educator and author. His books covered native American arts, woodworking, scouting, pioneering, jewelry making, metalworking, and calligraphy. Quoting wikipedia: Hunt was born in Greenfield, Wisconsin and grew up in a log cabin. He attended Milwaukee's South Division High School, but did not graduate, dropping out to become lithographic engraver at the Bruce Publishing Company. Hunt moved to Hales Corners, Wisconsin with his wife, Laura, in 1920. In 1924, Hunt, along with his father-in-law and his brother, Edwin C. Hunt, built a log cabin behind his home. The cabin, a 16x28-foot structure, made of tamarack logs, was the subject of Hunt's first article, How We Built Our Log Cabin. During the late 1930s, Hunt began to study the work of Native American artists. As part of his research, Hunt met with artists and leaders such as Nick Black Elk, Frank Smart (or Chief Gogeoweosh), and James F. "Buck" Burshears. Hunt shared his knowledge of "Indian lore" with Milwaukee's boy scout leaders and, in 1942, Hunt started writing articles for Boy's Life. He became a regular member of its staff, ultimately writing over 1,000 articles. Hunt's work for Boy's Life, led him to serve on the staff of the National Boy Scout Jamboree in 1950, 1953, 1957, and 1960.

    Edwin and Ben Hunt published Fifty Alphabets (1931), Lettering of Today (1935, revised in 1941), 60 Alphabets (1935, Bruce Publishing), and 101 Alphabets (1954, 1958). Several digital typefaces resulted from those publications. Grouped by type designer:

    • Pablo Mateu: HFF Hunts Deco (2012). Based on an alphabet designed by the Hunt Brothers in Lettering of Today.
    • Nick Curtis: Moonshine Script NF (2004). A casual connected script patterned based on 60 Alphabets (Hunt Brothers, Bruce Publishing, 1935).
    • Dick Pape created 11 fonts in 2012 that are based on 101 Alphabets, all named HuntBros101Plate followed by a plate number. Plate 02 is a Trajan typeface. Plate 5 is a Trajan face. Plate 6 is an art nouveau face. Plate 7 is a flared caps typeface. Plate 10 is a textured poster typeface. Plate 11 is an ornamental caps face. Plate 13 is a condensed caps face. Plate 14 could be considered as a Mexican vernicular typeface. Plate 18 is an antique italic face. Plate 25 is an upright script. Plate 26 Brush is fifties brush signage at its best. Plate 29 (octagonal), Plate 46 (Celtic), Plate 52 (German expressionist), Plate 54 Blackletter, Plate 56 (Lombardic), Plate 62 (uncial), Plate 63 Script, Plate 65 (Victorian ornamental caps), Plate 66 (Western typeface), Plate 74 (Mexican fiesta font), Plate 68 (Arabic simulation), Plate 71, Plate 76 (architectural lettering), Plate 77 (inline caps) and Plate 83 (stencil face) complete the collection.

    Download some typefaces based on the latter publication. Flickr site sith images of 101 Alphabets, courtesy of Diane Zerr. Local download of 101 Alphabets. Download link for Pape's typefaces. [Google] [More]  ⦿

    Hustle Supply Co
    [Jeremy Vessey]

    Jeremy Vessey (Hustle Supply Co, Charlottetown and/or Cornwall, PEI, Canada) created these commercial typefaces in 2014: Parlour (a grungy vintage typeface), Native (quaint style), Instapress (letterpress emulation).

    In 2015, he designed the vintage typeface Arbour, the free octagonal caps-only typeface Cast Iron, the handcrafted Yosemite, Wayfarer, American Tradition, Growler Script, Yonder and Longshore. He also made the old whisky label-inspired Höchstadt, and the brush typeface Sitka, which will have to be renamed once Microsoft's lawyers hear about the name, which coincides with MS Sitka (2013, Matthew Carter et al).

    Typefaces from 2016: Bourbon Grotesque, Holtzberg (a free letterpress emulation font), Bonfire, Belfast (brush style), Buffalo, Gibson Script (vintage label font), Hochstadt (a whiskey-inspired sans serif), The Great Outdoors, Summer Hearts, Oatmeal Stout (a vintage beer label font, with Rough, Hatched and Aged substyles that can be mixed and matched), Whiskey (letterpress emulation), Greenstone, Hochstadt Rounded, Hochstadt Serif, Pathways, Restless Youth, Yorkshire (brush script), Hustle Script (retro connected script done with the help of Scott Byrne).

    Typefaces from 2017: Ciderhouse, Boathouse (brush script), The National (condensed sans, in 12 styles, including aged, weathered versions), Renegade (dry brush), North Port (dry brush), Rustico (a free dry brush font), Gastro Pub (a 3d layered typeface family), Harper Script, The Brewers Collection, Everyday Script and Sans, Genuine Sans and Script (by Jeremy Vessey and Stephanie Arsenault).

    Typefaces from 2018: Calibre Super Condensed, Purveyor (vintage all caps), Rothmans (a heavy monoline script), Bolder (an OpenType SVG font), JV Signature (an opentype SVG font for signatures), Köhler (a condensed textured typeface family), Restless (brush script), Secret Society (spurre), Berringer, Portrait (signature script), the Artisan collection (letterpress set: Heinberg, Holtzman, Trade Supply, Barley Script).

    Typefaces from 2019: Purveyor, Avondale (monoline script), The Great Outdoors (all caps sans), Huscon (vintage label style), HSCO John Hancock (a signature font), Heather Oliver (a signage script), Haroldson (condensed sans), Youthful (dry brush script).

    Typefaces from 2020: Athletic Dept, Kendrick Serif, Arbour, The Shoreman (vintage, all caps).

    Typefaces from 2021: Hatchet Arrow (Victorian), Parkshore, The Sterling Bros (+Stencil), National (a 12-style ultra condensed all caps typeface), Artisans Moniker (a signage script), Wayward, Headline (a headline sans), Ashfort Brush Script, Hastington Script, Bohemian Hunter (a vintage wedge serif), Hustle Brush (a dry brush typeface), Birchfield (vintage), Acreage (a decorative serif), The Handwritten Watermark (script), Waves (a condensed all caps didone), Quartz Grotesque, Athletic Dept.

    Typefaces from 2022: Nolan (a free dry brush SVG font). [Google] [More]  ⦿

    Huy Fonts
    [Juan José Lopez]

    Huy Fonts is a foundry in Madrid run by Juan José Lopez. In 2016, he designed the great poster typeface Black Pack, which is inspired by the odd bold plastic shops signs from the 60s and 70s.

    With Inés Atienza, Juanjo designed the multilayered and/or chromatic circus font family Show (2014). Influenced by chromatic letterpress types, it is based on a type family called Concave, a Victorian type launched in 1884 by the foundry Marder, Luse & Co. Inés Atienza and Juanjo López are members of the Familia Plomez association, a small printshop based in Madrid that devote their efforts to promote everything about letterpress printing, calligraphy, and lettering.

    Lopez made Choriza and Choriza Sans (2013: sausage-inspired type), Adoquin (2013), the informal sketchified family Bodoniez (2011), Chiripa (2011, hand-printed), Hands Up (2011, various hands, including "thumbs up", "a OK", "the finger", and fists), Paquita Pro (2011, informal lettering; this children's book font was remodeled in 2016 as Paquita Next), Ultramarina (2011, a quaint face based on wood type headline examples), and Pichi (2011).

    Designer of the Scotch modern typeface Schotis Text (2017), the cartoon font family Xunga (2017) and the angular text typeface family Pliego.

    Earlier, Lopez was a T-shirt designer, who also used the name Juanjo Lopez. Old page of Juanjez Nikis.

    At Dafont, one could download the headline handwriting font Paquita (2006), a predecessor of Paquita Pro. See alo Fontstore / Fontshare's Paquito (2017).

    In 2021, he released the 70-strong thick-and-thin poster sans typeface Rotulo, which was inspired by Jano's Spanish movie posters. Later in 2021, he designed Graveur (he writes: Graveur is a Renaissance style text face based in the work of the French punchcutter Robert Granjon (1513-1589). Working on original artifacts kept in Museum Plantin-Moretus in Antwerp, observation of his punches, matrices and printed materials resulted in a extense type family that tries to capture the overall style of Granjon rather than simply being a slavish copy of a particular source. Started as my project at Expert Class in Type Design in Antwerp, Graveur has grown to become a typeface with four optical sizes and seven weights, plus italics and an ornaments font. It also has variable font).

    Klingspor link. Home page. I Love Typography link. Behance link.

    View Juanjo Lopez's typefaces. [Google] [MyFonts] [More]  ⦿

    H.W. Caslon&Co Ltd
    [Justin Howes]

    H.W. Caslon&Co Ltd was Justin Howes' foundry based in Rushden, UK, with one product, Founders Caslon, in several optical ranges: 1776, Text and Display are the main subfamilies (PC and Mac, truetype, type 1 and opentype). Justin Howes' Lino page.

    Justin (b. Solihull, 1963; d. London, 2005) was director of the Type Museum until 2005, when he moved to the Plantin-Moretus Museum, and then to Reading for postgraduate work. He published "Johnston's Underground Type" for the London Transport Museum in 2000. Justin was a typographer as well as a printing historian. He was responsible for designing many books. He was chair of the Friends of St. Bride from 1998-2003. He died in February 2005 at age 42. Obituary. Quote by Nick Shinn: "Founders Caslon is a trompe l'oeil masterpiece, a carefully crafted amalgam of subtle judgements as to what will best mimic the desired patina of 18th century typography." Obituary at St. Bride. Old URL (now occupied by squatters). [Google] [MyFonts] [More]  ⦿

    I Wayan Bill Natih
    [Balibilly Design]

    [MyFonts] [More]  ⦿

    Ian Barnard
    [Vintage Type Co (or: Vintage Design Co)]

    [MyFonts] [More]  ⦿

    Ian Mikraz

    Ian Mikraz is based in Banda Aceh, Sumatra, where he works as an illustrator and type designer. In 2019, he designed the script typefaces Beach Party, Debora, Aloha, River, Qickie, Bafalia, Badeg, Reghina, Buffalo, Netherlande, Almanak, Sabila, Artoone Oriottes, Viera, Dadali, Adelia, Kids Park, Rimona, Arsa, Yafoga, Dreamland, Beach Party, Bad Ride, Bedec, Robert Buso, Manfet, Rosydit, Quenty, Angelia, Hesgaki, Quenyland, Emargo, Denmark, Elpanas, Demian, Haruko, Kavelleri, Bella Marwa, and Melliana Script.

    His earlier creations include Maudy Script (2018), Ayla Script (2018), Ariana (2018), Orchestra Script (2018: monoline), Almonde, Frutilla Script (2018), Billowing Script (2018), Cemberline Script (2018: monoline), Breakable (2017, brush script), Rainwood (2017, a free hand-painted font), Rachella Script (2017), Signatura Roselline (calligraphic script), Signatura Monoline (2017: free), Bigshine Script (2017, calligraphic), Priscilla Script (2016, free), Just Smile (2016, a free thin script), Setta Script (2016: thin and calligraphic), Prasto (2016: a monoline script), Rainy Day (2016), Mountique (2016), Queensha (2016, calligraphic script), Brightshine (2016, connected calligraphic script), Marthina Script (2016), Angelova Script (2016), Mochafloat Script (2015), Beautylove (2015, calligraphic script), Moonshine Script (2015), Sophia Script (2015), Fairybells Script (2015, a connected calligraphic font), Pradyse (2015, a connected calligraphic brush script), Angelova Monoline Script (2015), Miracella Script (2015, calligraphic), Skyoval (2015, signage script), Cellicia (2015, a calligraphic script), Harmonie Script (2015), Octavina Script (2015), Marcella Script (2015), Nadhine Script (2015, calligraphic), Mellissa (2015, brush script), Badhead (2015, a free lively powerful connected script), Peinture (2015, a painter's font), Quickline Script (2015, free), Bellanie Script (2015), Melliana (2015, a script), Stellanova (2015, connected script), Maudy Script (2014), Ayla Script (2014, wedding invitation script), Amazinga (2014, spurred Victorian typeface), Prodia (2014, Victorian signage font) and Ariana Script (2014).

    Creative Market link. Older Creative Market link to Unromantic Studio. Behance link. Creative Fabrica link. [Google] [More]  ⦿

    Ibnu Utomo
    [Omotu]

    [MyFonts] [More]  ⦿

    Icelar

    Spanish art student (in 2013). FontStructor who created these typefaces in 2013: Beauvoir, Lancaster, Figaro, Abel, Cawdor (octagonal), Dilior (a didone), Harmond (blackletter), Antelopes, Godiva (blackletter), Autumn, Sasanida, Help I Need Somebody (circle-based geometric sans), Goodbye Fontstruct, Fairy Tale Vanishing, Slanton, Kyrie, Eat Me, De Stijl, Chiara, Hecate, Stancyl (piano key), Ionica, Winty's Gothica, Vintage America, El Greco, Fairy Tale, Ozawa, Donibo Display, Decade (blackletter), Donibo, Weirdy Moves (+Party), Bliss (crayon font), Ibsen (a dark copperplate style inspired by an Ikea logo), Avenzo, Avenzo Mad Serif, The Code of Honour (constructivist), Yago, Vienna Cafe Big (art nouveau), Castillian (Textura, +SmallCaps), Lumpy, Origami (3d face), Baldur2 (a lava lamp typeface), Trinity (Victorian), Patterns For Everyone, Evangelion, Scriptura, Maverick, Giralda, Freak Fraktur, Vienna Cafe (art nouveau), Sportiva (Small Caps, Deco1, Deco2 [blackboard bold], Sans, Alternates 1, Alternates 2, Alternates 3, Regular), Carmina, Hieronimus (a pixelish typeface inspired by Bauhaus: +Slab, +Stencil).

    Typefaces from 2014: Bronzino, Hagia, Decodrops, Kobe Slab, Enoe (blackletter), Adagio, Nemesis (thin avant garde sans), Shalott (geometric sans), Origami, Kobe Regular, Kobe Stencil, Giovanni (textura blackletter), Decan, Thoreau (blackboard bold), Blue Requiem, Funky Business, Red Requiem, Dreamcatcher, Drastic, Retropix, Vanity Strong, Dotchild, Reya (blackletter).

    Typefaces from 2015: Stanwyck (stencil), Tiberian (roman caps), Dresde Sans, Fraktur in the Forest, Dingbat Tribe, Action (in the style of Impact), Hibiscus (sans), Oranienbaum (a stylish serif), Amphora (sans), Lazzaro (squarish), Pineapple Juice, Sheldon.

    Typefaces from 2016: Watercolor (an art deco sans inspired by Carlos Winkow's Grotesca Radio), Hipster, Lakme Mondrianesque, Humanist Sans.

    Typefaces from 2017: Dublin, Dresde Serif. [Google] [More]  ⦿

    Ihsan Khairul Lazuardi
    [Imagi Type]

    [MyFonts] [More]  ⦿

    Ihsan Khairul Lazuardi
    [Juru Rancang Studio (was: Juru Aksara)]

    [MyFonts] [More]  ⦿

    Ilham Herry
    [Ephemera Fonts]

    [MyFonts] [More]  ⦿

    Ilham Herry

    Bandung, Indonesia-based designer (b. 1990) of the free Victorian typeface Pilar (2013). With Ezza Adhreza, he created Libre (2013).

    In 2014, he created the commercial Victorian typefaces Handter, Vigneta, Splandor, Bhavers (art nouveau) and Brilant (sic). In 2014, together with Panji Nugraha and Maghrib Lab, he started Flavor Type.

    In 2015, he made the brush typefaces Messy Script (with Maghrib Lab) and Wild Youth, Rusty ColaPen, the Victorian typefaces Fictoria and Artisan Display and the swashy watercolor script typeface Afecta (followed by Afecta Clean in 2018).

    Typefaces from 2016: Herchey (baseball signage script), The Hipton (layering typeface), Quite Hustle (a brush face done with Maghrib Lab).

    Typefaces from 2017: Balford (vintage or label typeface).

    Typefaces from 2018: Bilcase, Adelios (layerable and art deco), Caniste, Stoneburg (a free athletic lettering font family), Stoneburg Condensed, Caniste (Victorian).

    Typefaces from 2019: Samtom, Moister (calligraphic signage type based on old beer labels), Fontcise, Borest (a luxurious flared sans by Ilham Herry and Maghrib Lab), Fulgate (by Ilham Herry and Adam Fathony).

    Typefaces from 2020: Ephemera Bullsmith, Ephemera Wristen, Genty (a creamy retro signage script typeface by Ilham Herry and Adam Fathoni Haris), Glaw (a psychedelic font by Ilham Herry and Adam Fathoni Haris), Ephemera Kingsford (vintage), Budge (a layerable retro signage script by Ilham Herry and Adam Fathoni Haris), Muray House (a bold swashy bathroom towel typeface by Ilham Herry and Adam Fathoni Haris), Esteric (a playful tapered font by Ilham Herry and Adam Fathony).

    Typefaces from 2021: Monvar (a layerable Cooper Black style typeface by Ilham Herry and Adam Fathoni Haris), Rische (a 6-style dis[play serif with huge counters and an enormous x-height; by Ilham Herry and Adam Fathoni Haris). [Google] [MyFonts] [More]  ⦿

    Ilham Taro (or: Type Aliens)
    [Ilham Wahyu]

    Aka Ilhamtaro Ilham, or Type Aliens. Yogyakarta, Indonesia-based graphic designer (b. 1986) who created these script typefaces in 2018: Sidorababy, Chesterville, Asthenia. He also designed the blackletter fonts Avertastevia (2018) and Avertequestra (2018).

    Typefaces from 2019: Acuentre (tattoo script), Bvas Estadas, Buchin (a supermarket script), Chemvre, Aihet Script (a tattoo blackletter font), Melvca (Victorian), Hornbuckle (a tattoo font), Bullhawk (Tuscan, +Ornaments), Nafasyah (brush script), The HavSon, Avertequero (a tattoo font).

    Typefaces from 2020: Khalif (calligraphic, Celtic), Brighton Spring, Alevantre, Coaster Ghost, Enica, Finezia (a monoline script), Treva Del Mar, Artisocrat (spurred, vintage), Ved Relret, Aviorte, Crockotten, Hanahelia (bold script), Raidspell, Alevattros (script), Blocco, Barstagle (a spurred wedge serif), Bellvast, Mostfear, Constreu (Victorian; with Oka Darmawan), Avestrava (blackletter), Avestrava Tattoo, Bluezingham, Arquitec (a fancy Tuscan typeface), Antistar (vintage label font). [Google] [MyFonts] [More]  ⦿

    Ilham Wahyu
    [Ilham Taro (or: Type Aliens)]

    [MyFonts] [More]  ⦿

    IlhamSyah Vutra
    [Inspira Type (or: Collabro Studio, or: Inspira Sign)]

    [MyFonts] [More]  ⦿

    Illusletra (was: Typovecto, or: Tirta Craft)
    [Farhan T. Sudiya]

    Or Farhan Tirta, or Farhan Sudibya, or Farhan T. Sudiya. Malang / Surabaya, Indonesia-based designer, b. 1994, of the display typefaces ICR Ever East Serif (a plump vintage serif) (2019) and Bigie Bang (2019), the Tuscan typeface WallAxe (2019) and the brush script typefaces Zapan (2019), Manhattan Brush (2019) and Manhattan Script (2019).

    Typefaces from 2021: ICR Ever East Serif (a plump vintage serif).

    Typefaces from 2022: Evereast (a 15-style spurred Tuscan typeface family). [Google] [MyFonts] [More]  ⦿

    ImageLine

    Virginia-based software company which exists since the mid 1990s and "made" a few thousand fonts (mostly renamed from elsewhere). It is headed by George P. Riddick III. Occasionally, we can find these fonts nowadays in archives such as DaFont. They were involved in a lot of litigation on both sides of the fence, and it appears that they are no longer in the font business. However, they still run a clip art operation and state: For over 20 years Imageline, Inc. has been one of the Computer Industry's leading sources for High-Quality Clip Art and other value-added "Graphic Arts Content", such as templates, logos, and animations. Riddick sues the pants off anyone who uses any of his clip art things on a web site or in a publication. But he himself copied thousands of fonts without blinking an eye. May his breath forever smell like a wildebeest's ass. The fonts:

    • AberaHam9-SPBold, AberaHam9, AborigianlKite91-SPBold, AborigianlKite91, AboutFace33-SPBold, AboutFace33, AboutFace33, AboutFace33Stch, Abracadabra91-Ext, Abracadabra91-SPBold, Abracadabra91, Abracadabra91SupCon, AdVentura33-Condensed, AdVentura33-Ext, AdVentura33-SPBold, AdVentura33, AdVentura33, AdVentura33Stch, AdVentura33SupCon, AdriAnna44-Ext, AdriAnna44-SPBold, AdriAnna44, AdriAnna44, AdriAnna44, AdriAnna44Stch, AdriAnna44SupCon, AfterLife113-SPBold, AfterLife113, AfterLife113, AgainstTheWind49-SPBold, AgainstTheWind49, AlexOne83-Ext, AlexOne83-SPBold, AlexOne83, AlexOne83, AlexOne83Stch, AlexOne83SupCon, AlteredStates67-SPBold, AlteredStates67, AncientMariner19-SPBold, AncientMariner19, AnimalSilenceText122-SPBold, AnimalSilenceText122, AnitaFlairWay68-SPBold, AnitaFlairWay68, AnnaLisaFont71-Ext, AnnaLisaFont71-SPBold, AnnaLisaFont71, AnnaLisaFont71Stch, AnnaLisaFont71SupCon, ArtPursuit117, ArtRecord114-Ext, ArtRecord114-SPBold, ArtRecord114, ArtRecord114Stch, ArtTimesReg52, ArtisTicMyth-SPBold, ArtisTicMyth, ArtisTicMythStch, ArtistPursuit117-Condensed, ArtistPursuit117-SPBold, ArtyTimesReg52-Condensed, ArtyTimesReg52-SPBold, AtLeisureWorld76-SPBold, AtLeisureWorld76, AuthurFont110-Condensed, AuthurFont110-Ext, AuthurFont110-SPBold, AuthurFont110, AuthurFont110, AuthurFont110Stch, AuthurFont110Stch, AuthurFont110SupCon, AwkWard8-SPBold, AwkWard8
    • BabyMaker35-SPBold, BabyMaker35Stch, BackScratcher-SPBold, BackWater52-SPBold, BadhHabit71-SPBold, BadhHabit71, BadhHabit71SupCon, BadlyChipped66-SPBold, BadlyChipped66, BaggageMasterText79-Condensed, BaggageMasterText79-SPBold, BarnYard77-SPBold, BarnYard77, BarneyWay5-Condensed, BarneyWay5-Ext, BarneyWay5-SPBold, BarneyWay5, BasicClassA156a-SPBold, BasicClassA156a, BathingBeauty66-SPBold, BathingBeauty66, BeachComber65-Condensed, BeachComber65-SPBold, BearMarketGear7-SPBold, BearMarketGear7, BeavertonPlace-Ext, BeavertonPlace, BedFord-SPBold, BedFord, BelindaType67-Condensed, BelindaType67-Ext, BelindaType67-SPBold, BelindaType67, BelindaType67, BelindaType67Stch, BelindaType67SupCon, BestSevenFont77-Ext, BestShotText56-Ext, BestShotText56-SPBold, BestShotText56, BestShotText56, BestShotText56Stch, BestShotText56SupCon, BetaTechFont65-Ext, BetaTechFont65-SPBold, BetaTechFont65, BetaTechFont65, BetaTechFont65Stch, BetaTechFont65SupCon, BigBrushFont19-SPBold, BigBrushFont19, BigFictionText-SPBold, BigFictionText, BillionsFont-Ext, BillionsFont-SPBold, BillionsFont, BillyTheKid65-SPBold, BillyTheKid65, BlazingHeat9-SPBold, BlazingHeat9, BoastingTextLight116-SPBold, BoastingTextLight116, BocciText13-SPBold, BocciText13, BocciWorksBold55-SPBold, BocciWorksBold55, BohemianRap7-SPBold, BohemianRap7, BoobShellText125-SPBold, BoobShellText125, BoogieWoogieBold112-SPBold, BoogieWoogieBold112, BoosterRocketLight83-SPBold, BoosterRocketLight83, BostonLifeToday1-SPBold, BostonLifeToday1, BottomOutOne104-SPBold, BottomOutOne104, BounceBackText110-SPBold, BounceBackText110, BoyHoodDrive-SPBold, BrainChildFont-SPBold, BrainChildFont, BrawnyArmsLight99-SPBold, BrawnyArmsLight99, BrawnyArmsLight99Stch, BrawnyArmsLight99SupCon, BrokenArrowDrive-Condensed, BrokenArrowDrive-Ext, BrokenArrowDrive-SPBold, BrokenArrowDrive, BrushMagicText78-Ext, BrushMagicText78-SPBold, BrushMagicText78, BrushMagicText78Stch, BrushMagicText78SupCon, BrushMasterFont12-Condensed, BrushMasterFont12-Ext, BrushMasterFont12-SPBold, BrushMasterFont12Stch, BurningFactsText79-SPBold
    • CanDiceFont35-Ext, CanDiceFont35-SPBold, CanDiceFont35, CanDiceFont35, CanDiceFont35Stch, CanDiceFont35SupCon, CanToshaText63-Ext, CanToshaText63-SPBold, CanToshaText63, CanToshaText63, CanToshaText63Stch, CanToshaText63SupCon, CapSizeBold-SPBold, CapSizeBold, CarParkText33-SPBold, CarParkText33, CarnegieWay32-SPBold, CaterPillarDrive72-SPBold, CaterPillarDrive72, CavilUS115-Ext, CavilUS115-SPBold, CavilUS115, CavilUS115, CavilUS115Stch, CavilUS115SupCon, CelticBreezeLight80-SPBold, CelticBreezeLight80, CelticBreezeLight80SupCon, ChamberDoorsOpen99-SPBold, ChamberDoorsOpen99, ChangeCourseFont56-SPBold, ChangeCourseFont56, CharkText116-Condensed, CharkText116-Ext, CharkText116-Ext, CharkText116-SPBold, CharkText116, CharkText116, CharkText116Stch, CharkText116Stch, CharkText116SupCon, CheersTypeNorm13-Condensed, CheersTypeNorm13-Ext, CheersTypeNorm13-SPBold, CheersTypeNorm13, CheersTypeNorm13Stch, CheersTypeNorm13SupCon, ChildsPlayType64-Condensed, ChildsPlayType64-Ext, ChildsPlayType64-SPBold, ChildsPlayType64, ChildsPlayType64Stch, ChildsPlayType64SupCon, ChinaOneDirect47-SPBold, ChinaOneDirect47, ChristianChicText65-SPBold, ChristianChicText65, ChristianChicText65SupCon, ChristinaFontLight555-Ext, ChristinaFontLight555-SPBold, ChristinaFontLight555, ChristinaFontLight555, ChristinaFontLight555Stch, ChristinaFontLight555SupCon, CityScapeNorm48-Condensed, CityScapeNorm48-Ext, CityScapeNorm48-Ext, CityScapeNorm48-SPBold, CityScapeNorm48-SPBold, CityScapeNorm48, CityScapeNorm48, CityScapeNorm48Stch, CityScapeNorm48Stch, CityScapeNorm48SupCon, ClarkNorm107-Condensed, ClarkNorm107-Ext, ClarkNorm107-Ext, ClarkNorm107-SPBold, ClarkNorm107, ClarkNorm107, ClarkNorm107Stch, ClarkNorm107Stch, ClarkNorm107SupCon, ClassicBookerFont77-Condensed, ClassicBookerFont77-Ext, ClassicBookerFont77-SPBold, ClassicBookerFont77, ClassicBookerFont77Stch, ClassicBookerFont77SupCon, ClassicFont104-Condensed, ClassicFont104-Ext, ClassicFont104-Ext, ClassicFont104-SPBold, ClassicFont104, ClassicFont104, ClassicFont104Stch, ClassicFont104Stch, ClassicFont104SupCon, ClassicFont104SupCon, CleanCut56-SPBold, CleanCut56, ClearFall54-SPBold, ClearFall54, ClearFall54SupCon, ClowningWayText-Condensed, ClowningWayText-Ext, ClowningWayText-SPBold, ClowningWayText, ClowningWayTextStch, ClowningWayTextSupCon, ClowningWayTextSupCon, CoastWise67-Condensed, CoastWise67-Ext, CoastWise67-SPBold, CoastWise67, CoastWise67SupCon, CoinageOfMind-SPBold, CoolHandLuke-SPBold, CoolHandLuke, CoolHandLukeSupCon, CosmicFlushText8-SPBold, CosmicFlushText8, CountryLove3-SPBold, CountryLove3, CountryLove3Stch, CowGirl156a-Condensed, CowGirl156a-Ext, CowGirl156a-SPBold, CowGirl156a, CowGirl156aStch, CowGirl156aSupCon, CreativePower-Condensed, CreativePower-Ext, CreativePower-SPBold, CreativePower, CreativePowerStch, CreativeThoughtText124-SPBold, CreativeThoughtText124, CrossFireFont-Condensed, CrossFireFont-Ext, CrossFireFont-SPBold, CrowsFeetLight94-Condensed, CrowsFeetLight94-Ext, CrowsFeetLight94-SPBold, CrowsFeetLight94, CrowsFeetLight94Stch, CrowsFeetLight94SupCon, CuteEnvy127-Ext, CuteEnvy127-SPBold
    • DamselWalkFont71-Condensed, DamselWalkFont71-Ext, DamselWalkFont71-SPBold, DamselWalkFont71, DanaText66-Condensed, DanaText66-Ext, DanaText66-SPBold, DanaText66, DanaText66, DanaText66Stch, DanaText66SupCon, DanceOfTheBrush11-Condensed, DanceOfTheBrush11-Ext, DanceOfTheBrush11-SPBold, DanceOfTheBrush11, DanceOfTheBrush11Stch, DancePrancer, DancerPrancer-SPBold, DancingComfort39-Condensed, DancingComfort39-Ext, DancingComfort39-SPBold, DancingComfort39, DancingComfort39Stch, DancingComfort39SupCon, DangerousScript27-SPBold, DangerousScript27, DangerousScript27SupCon, DarkGray50-Condensed, DarkGray50-Ext, DarkGray50-SPBold, DarkGray50, DarkGray50SupCon, DeGarThin6-Condensed, DeGarThin6-Ext, DeGarThin6-SPBold, DeGarThin6, DeGarThin6Stch, DevotedWorship107-SPBold, DevotedWorship107, DevotedWorship107Stch, DevotedWorship107SupCon, DisCardedWriting85-Ext, DisCardedWriting85-SPBold, DisCardedWriting85SupCon, DisPlacedFont-Condensed, DisPlacedFont-SPBold, DisPlacedFontStch, DoorKeeper41-Condensed, DoorKeeper41-SPBold, DoorKeeper41, DoorKeeper41SupCon, DoubleAgent43-SPBold, DownWardSlope77-Ext, DownWardSlope77-SPBold, DownWardSlope77, DroPcapperType101-Ext, DroPcapperType101-SPBold, DroPcapperType101-SPBold, DroPcapperType101Stch, DroPcapperType101SupCon, DroopingPaintText56-SPBold, DroopingPaintText56, DroopingPaintText56, DropCapsText100-Ext, DropCapsText100-SPBold, DropCapsText100-SPBold, DropCapsText100, DropCapsText100, DropCapsText100Stch, DropCapsText100SupCon
    • EagleType121-Ext, EagleType121-Ext, EagleType121-SPBold, EagleType121, EagleType121, EagleType121Stch, EagleType121SupCon, EggBeater86-SPBold, EggShell61-Ext, EggShell61-SPBold, EggShell61Stch, EggShell61SupCon, ElaineFont81-Condensed, ElaineFont81-Ext, ElaineFont81-Ext, ElaineFont81-SPBold, ElaineFont81, ElaineFont81, ElaineFont81Stch, ElaineFont81Stch, ElaineFont81SupCon, ElasticTrainFont59-SPBold, ElasticTrainFont59, ElectricWave7-Ext, ElectricWave7-SPBold, ElectricWave7, ElectricWave7SupCon, Elegance104-Condensed, Elegance104-Ext, Elegance104-SPBold, Elegance104, Elegance104SupCon, ElvisSaxHorn45-Ext, ElvisSaxHorn45-SPBold, ElvisSaxHorn45-SPBold, ElvisSaxHorn45Stch, EmPower42-Condensed, EmPower42-Ext, EmPower42-Ext, EmPower42-SPBold, EmPower42, EmPower42Stch, EmPower42SupCon, EricBrush21-Condensed, EricBrush21-Ext, EricBrush21-SPBold, EricBrush21SupCon, EverettText67-SPBold, EverettText67, ExPertType50-Ext, ExPertType50-SPBold, ExPertType50, ExPertType50Stch, ExPertType50SupCon, ExplosiveNoise119-SPBold
    • FairChild85-Condensed, FairChild85-Ext, FairChild85-Ext, FairChild85-SPBold, FairChild85, FairChild85Stch, FairChild85SupCon, FairTrade53-Ext, FairTrade53-SPBold, FancyVapor-SPBold, FancyVapor, FarPoint41-SPBold, FarPoint41, FarPoint41SupCon, FastPardonType32-Ext, FastPardonType32-Ext, FastPardonType32-SPBold, FastPardonType32Stch, FastPardonType32Stch, FatBackPlus14-Ext, FatBackPlus14-SPBold, FatBackPlus14, FatBackPlus14Stch, FatBackPlus14SupCon, FateScriptText29-SPBold, FeltPointNew35-Ext, FeltPointNew35-SPBold, FeltPointNew35Stch, FertileMindPlus-SPBold, FinalMandate77-Ext, FinalMandate77-SPBold, FireWalk36-SPBold, FireWalk36, FireWalk36Stch, FirstHome34-Condensed, FirstHome34-Ext, FirstHome34-SPBold, FirstHome34, FirstHome34SupCon, FlatBrush36-SPBold, FlatBrush36, FlowerCapsText1222-Ext, FlowerCapsText1222-SPBold, FlowerCapsText1222, FlowerCapsText1222Stch, FlowerCapsText1222SupCon, FluctuantLight37-Ext, FluctuantLight37-SPBold, FluctuantLight37, FluctuantLight37Stch, FluctuantLight37SupCon, FlyingDutchMan1-SPBold, FontChordNew62-SPBold, FontChordNew62Stch, FontFever26-Condensed, FontFever26-Ext, FontFever26-SPBold, FontFever26, FontFever26Stch, FontFever26SupCon, FoolHartOld27-Ext, FoolHartOld27-SPBold, FootLoose43-Ext, FootLoose43-SPBold, FootLoose43, FootLoose43Stch, FootLoose43SupCon, FooteDragging911-Condensed, FooteDragging911-SPBold, FootenHold-SPBold, FootenHold, ForeStall-SPBold, ForeStall, FranklinBook49-Ext, FranklinBook49-SPBold, FreeTimeBold14-Ext, FreeTimeBold14-SPBold, FreshCapFont120-Ext, FreshCapFont120-SPBold, FreshCapFont120, FreshCapFont120Stch, FreshCapFont120Stch, FreshCapFont120SupCon, FuddyDuddy118-SPBold, FuddyDuddy118Stch, FutureType59-Condensed, FutureType59-Ext, FutureType59-Ext, FutureType59-SPBold, FutureType59, FutureType59Stch, FutureType59Stch, FutureType59SupCon
    • GalacticFuss72-Ext, GalacticFuss72-SPBold, GalacticFuss72, GalacticFuss72Stch, GalacticFuss72SupCon, GambitMoveType103-Condensed, GambitMoveType103-Ext, GambitMoveType103-SPBold, GambitMoveType103, GambitMoveType103Stch, GambitMoveType103SupCon, GanturyFont86-Condensed, GanturyFont86-Ext, GanturyFont86-SPBold, GanturyFont86, GanturyFont86Stch, GanturyFont86SupCon, GarDeningTools84-Condensed, GarDeningTools84-Ext, GarDeningTools84-SPBold, GarDeningTools84, GarDeningTools84Stch, GarDeningTools84SupCon, GatlingGun24-Condensed, GatlingGun24-Ext, GatlingGun24-SPBold, GatlingGun24, GatlingGun24Stch, GatlingGun24SupCon, GeneralMotionFont110-Condensed, GeneralMotionFont110-Ext, GeneralMotionFont110-SPBold, GeneralMotionFont110, GeneralMotionFont110Stch, GeneralMotionFont110SupCon, GhostWriterText-Condensed, GhostWriterText-Ext, GhostWriterText-SPBold, GhostWriterText, GhostWriterTextStch, GhostWriterTextSupCon, GidieonType39-Ext, GidieonType39-Ext, GidieonType39-SPBold, GidieonType39, GidieonType39Stch, GidieonType39Stch, GidieonType39SupCon, GiftOfSong14-SPBold, GilBertText61-Ext, GilBertText61-Ext, GilBertText61-SPBold, GilBertText61, GilBertText61Stch, GilBertText61SupCon, GiveAndTake18-Condensed, GiveAndTake18-Ext, GiveAndTake18-SPBold, GiveAndTake18, GiveAndTake18Stch, GiveAndTake18SupCon, GlobeTrotterPlain20-Ext, GlobeTrotterPlain20-SPBold, GlobeTrotterPlain20Stch, GoalSetterPlus67-SPBold, GoalSetterPlus67, GoodMoodExtra31-Condensed, GoodMoodExtra31-Ext, GoodMoodExtra31-SPBold, GoodMoodExtra31, GoodMoodExtra31Stch, GoodMoodExtra31SupCon, GoodName74-Condensed, GoodName74-Ext, GoodName74-SPBold, GoodName74, GoodName74Stch, GoodName74SupCon, GramMy79-Ext, GramMy79-SPBold, GramMy79, GramMy79, GramMy79Stch, GramMy79SupCon, GraphLand40-Ext, GraphLand40-SPBold, GraphLand40, GraphLand40, GraphLand40Stch, GraphLand40SupCon, GraphicShoesText113-SPBold, GrayBeardPlus112-SPBold, GrayBeardPlus112SupCon, GreenWich4-SPBold
    • HackDriverText155-SPBold, HackDriverText155, HandWriting53-Ext, HandWriting53-SPBold, HandWriting53, HandWriting53, HandWriting53Stch, HandWriting53SupCon, HandyMan94-Ext, HandyMan94-SPBold, HandyMan94, HandyMan94Stch, HandyMan94SupCon, HappyLandText27-SPBold, HappyLandText27, HardBrush-SPBold, HardBrush, HardeHeaded150-Condensed, HardeHeaded150-Ext, HardeHeaded150-SPBold, HardeHeaded150, HardeHeaded150Stch, HardeHeaded150SupCon, HardlyLeft55-SPBold, HardlyLeft55, HauntedEyes-SPBold, HauntedEyesSupCon, HeartLightBold70-Condensed, HeartLightBold70-Ext, HeartLightBold70-SPBold, HeartLightBold70, HeartLightBold70Stch, HeartLightBold70SupCon, HedgeHogFont22-Condensed, HedgeHogFont22-Ext, HedgeHogFont22-SPBold, HedgeHogFont22, HedgeHogFont22Stch, HedgeHogFont22SupCon, HelterSkelter83-SPBold, HelterSkelter83, HereAfter114-SPBold, HiResFont52-Ext, HiResFont52-SPBold, HiResFont52, HiResFont52Stch, HiResFont52SupCon, HighEmotions47-SPBold, HighGoal73-SPBold, HighMeaningPlus115-SPBold, HighMeaningPlus115, HighPurchase113-SPBold, HisQuarry4-SPBold, HisQuarry4, HistoricalDistortion117-Condensed, HistoricalDistortion117-Ext, HistoricalDistortion117-SPBold, HistoricalDistortion117, HistoricalDistortion117Stch, HistoricalDistortion117SupCon, HitOrMiss89-Condensed, HitOrMiss89-Ext, HitOrMiss89-SPBold, HitOrMiss89SupCon, HonestStokesLight4-SPBold, HorseManFont66-SPBold, HorseManFont66, HotFootPlain8-SPBold, HusandCurseType66-SPBold
    • IdeaBate69-Ext, IdeaBate69-SPBold, ImageMaker25-SPBold, InPlainView76-SPBold, InPlainView76, InovatorFont-Condensed, InovatorFont-SPBold, InovatorFont, InterPlayText-SPBold, IronMaidenType84-SPBold, IronMaidenType84
    • JabaCaps105-Ext, JabaCaps105-SPBold, JabaCaps105, JabaCaps105, JabaCaps105Stch, JabaCaps105Stch, JabaCaps105SupCon, JacksonBold72-SPBold, JapanScript911-Ext, JapanScript911-SPBold, JapanScript911, JapanScript911Stch, JapanScript911SupCon, JelindaFont52-Ext, JelindaFont52-SPBold, JelindaFont52, JelindaFont52Stch, JelindaFont52SupCon, JesaBellFont72-Ext, JesaBellFont72-SPBold, JesaBellFont72, JesaBellFont72Stch, JesaBellFont72SupCon, JoKer84-Ext, JoKer84-SPBold, JoKer84, JoKer84, JoKer84Stch, JoKer84SupCon, JohnJones10-Ext, JohnJones10-SPBold, JohnJones10, JohnJones10Stch, JohnsonText103-Condensed, JohnsonText103-Ext, JohnsonText103-Ext, JohnsonText103-SPBold, JohnsonText103, JohnsonText103, JohnsonText103Stch, JohnsonText103Stch, JohnsonText103SupCon, JoustPlus99-Condensed, JoustPlus99-Ext, JoustPlus99-Ext, JoustPlus99-SPBold, JoustPlus99, JoustPlus99, JoustPlus99Stch, JoustPlus99Stch, JoustPlus99SupCon, JulianWay-Condensed, JulianWay-Ext, JulianWay-SPBold, JulianWay, JulianWayStch, JulianWaySupCon, JurasakiFontBold83-Condensed, JurasakiFontBold83-Ext, JurasakiFontBold83-Ext, JurasakiFontBold83-SPBold, JurasakiFontBold83, JurasakiFontBold83, JurasakiFontBold83Stch, JurasakiFontBold83SupCon, JustGood72-Condensed, JustGood72-Ext, JustGood72-SPBold, JustGood72, JustGood72Stch, JustGood72SupCon, JustStewType3-Condensed, JustStewType3-Ext, JustStewType3-SPBold, JustStewType3, JustStewType3Stch, JustStewType3SupCon, JusticePlain112-Condensed, JusticePlain112-Ext, JusticePlain112-Ext, JusticePlain112-SPBold, JusticePlain112, JusticePlain112, JusticePlain112Stch, JusticePlain112Stch, JusticePlain112SupCon
    • KeyLogo34-Condensed, KeyLogo34-Ext, KeyLogo34-Ext, KeyLogo34-SPBold, KeyLogo34, KeyLogo34, KeyLogo34Stch, KeyLogo34SupCon, KingsFont125-Condensed, KingsFont125-Ext, KingsFont125-Ext, KingsFont125-SPBold, KingsFont125, KingsFont125, KingsFont125Stch, KingsFont125Stch, KingsFont125SupCon, KizerFaxType65-Condensed, KizerFaxType65-Ext, KizerFaxType65-SPBold, KizerFaxType65, KlaksonType51-Ext, KlaksonType51-SPBold, KlaksonType51, KlaksonType51SupCon, KnocksBold-SPBold.
    • LancasterBold-SPBold, LawAndOrder-SPBold, LawAndOrder, LeapYear113-SPBold, LeatherBrushExt24-SPBold, LetterPerfect37-SPBold, LetterPerfect37, LightWave, LightWave114-Ext, LightWave114-SPBold, LightWave114, LightWave114SupCon, LighteFlair10-SPBold, LightingRod60-Ext, LightingRod60-SPBold, LightingRod60, LightingRod60SupCon, LipService90-SPBold, LiquidAssets98-SPBold, LittleSquirtFont13-SPBold, LittleSquirtFont13, LivingWellText52-SPBold, LogicDisk63-SPBold, LogicDisk63, LongTeeth61-SPBold, LowGlow95-SPBold, LucyFont95-Ext, LucyFont95-SPBold, LucyFont95, LucyFont95SupCon
    • MacBeth79-SPBold, MachineGun23-SPBold, MagNolia38-Ext, MagNolia38-Ext, MagNolia38-SPBold, MagNolia38, MagNolia38SupCon, Magic117-Ext, Magic117-SPBold, Magic117, Magic117SupCon, MainPhrase112-SPBold, MakeShift27-SPBold, MakenWell16-SPBold, ManCalled68-SPBold, ManChildText69-SPBold, MarketProduct, MarketProduct72-SPBold, MarketProduct72, MasacellaBold155-SPBold, MasterMind18-SPBold, MatterOfFact96-SPBold, MeltedText62-SPBold, MetalPenNew113-Ext, MetalPenNew113-SPBold, MetalPenNew113, MetalPenNew113SupCon, MidVictorian117-SPBold, MidVictorian117Stch, MideEastFont-Condensed, MideEastFont-SPBold, MideEastFont, MideEastFontStch, MilkyWayBold53-SPBold, MillTownBuf64-SPBold, MillTownBuf64, MindSetFont29-SPBold, MindSetFont29, MisConductFont-SPBold, MisConductFont, MissingLink9-SPBold, MoHawkLight82-Ext, MoHawkLight82-Ext, MoHawkLight82-SPBold, MoHawkLight82, MoHawkLight82Stch, MoHawkLight82SupCon, ModernArt71-SPBold, ModernArt71, MoleHill30-SPBold, MoneyScapePlus68-SPBold, MoneyScapePlus68, MonkeyPlusBold62-SPBold, MoonDogText111-Ext, MoonDogText111-Ext, MoonDogText111-SPBold, MoonDogText111, MoonDogText111Stch, MoonDogText111SupCon, MorEhouseType97-Condensed, MorEhouseType97-Ext, MorEhouseType97-SPBold, MorEhouseType97, MorEhouseType97, MorEhouseType97Stch, MorEhouseType97SupCon, MorganWay89-Ext, MorganWay89-SPBold, MorganWay89, MorganWay89Stch, MorganWay89SupCon, MuggyNew84-Ext, MuggyNew84-SPBold, MuggyNew84, MuggyNew84Stch, MuggyNew84SupCon, MummyLikeNew111-Condensed, MummyLikeNew111-SPBold, MuseumPieceFont68-SPBold, MushRoomCloud90-SPBold, MushRoomCloud90, MutualChangeExt-SPBold
    • NeedFulThings12-SPBold, NeedFulThings12, NeedleWorker86-SPBold, NeoLith123-Ext, NeoLith123-SPBold, NewModelType127-SPBold, NewModelType127, NewsMessenger120-SPBold, NormalBrush24-SPBold, NormalBrush24, NormalBrush24SupCon, NorthernExposure46-Ext, NorthernExposure46-SPBold, NorthernExposure46, NumbSkull49-SPBold, NumberTest44-Ext, NumberTest44-SPBold, NumberTest44, NuttyCake88-SPBold, NuttyCake88SupCon
    • ObjectDArt71-SPBold, ObjectDArt71, ObjectDArt71SupCon, OfficalTyrant17-SPBold, OfficalTyrant17, OldeWallStreet54, OldedGeorge1-SPBold, OldedGeorge1, OldenConnection2-SPBold, OldenConnection2, OldenWestType69-SPBold, OldenWestType69, OlderEnglishCaps118-Ext, OlderEnglishCaps118-SPBold, OlderEnglishCaps118, OlderEnglishCaps118, OlderEnglishCaps118Stch, OlderEnglishCaps118SupCon, OldingSpiriT76-Ext, OldingSpiriT76-SPBold, OldingSpiriT76, OldingSpiriT76, OldingSpiriT76Stch, OldingSpiriT76SupCon, OldyStyleType102-Ext, OldyStyleType102-SPBold, OldyStyleType102, OldyStyleType102, OldyStyleType102Stch, OldyStyleType102SupCon, OliveOil43-SPBold, OliveOil43, OmegaType93-Ext, OmegaType93-SPBold, OmegaType93, OmegaType93, OmegaType93Stch, OmegaType93SupCon, OnTheSpot80-SPBold, OnTheSpot80, OneChildType15-SPBold, OneChildType15, OneChildType15Stch, OneChildType15SupCon, OnesOwnFont79-SPBold, OnesOwnFont79, OnesOwnFont79SupCon, OpenClassicFont74-SPBold, OpenClassicFont74, OtherView-SPBold, OtherView, OutWorn27-SPBold, OutWorn27
    • PackAway35-SPBold, PackAway35, PaddedCell65-SPBold, PaddedCell65, PaidInFull32-SPBold, PaidInFull32, PaintStroke, PaintStroke58-Ext, PaintStroke58-SPBold, PaintStroke58, PaintStroke58, PaintStroke58Stch, PaintStroke58SupCon, PaleFace-SPBold, PaleFace, ParagonView38, PasserBy41-SPBold, PasserBy41, PathFinderType5-SPBold, PathFinderType5, PeoplesType121-SPBold, PeoplesType121, PetPeeve61-SPBold, PetPeeve61, PicketsChargeFont59-Condensed, PicketsChargeFont59-SPBold, PicketsChargeFont59, PlatoFontNew113-Ext, PlatoFontNew113-SPBold, PlatoFontNew113, PlatoFontNew113, PlatoFontNew113Stch, PlatoFontNew113SupCon, PoeticDreamer-SPBold, PoeticDreamer, PoetryInMotion101-SPBold, PoetryInMotion101, PoliceMan63-Condensed, PoliceMan63-SPBold, PoliceMan63, PoliceMan63SupCon, PorkBarrelFont-SPBold, PorkBarrelFont, PortLandType-Condensed, PortLandType-SPBold, PortLandType, PortLandTypeStch, PortLandTypeSupCon, PositiveNew45-Condensed, PositiveNew45-SPBold, PositiveNew45, PositiveNew45, PositiveNew45Stch, PositiveNew45Stch, PositiveNew45SupCon, PostBoyText60-Condensed, PostBoyText60-SPBold, PostBoyText60, PostBoyText60Stch, PowerDriverNew20, PowerSymbolPlus-Ext, PowerSymbolPlus-SPBold, PowerSymbolPlus, PresenterPlus64-SPBold, PresenterPlus64, PrestoDone38-SPBold, PrestoDone38, PrettyGirl21-SPBold, PrettyGirl21, PrettyThreatFont69-SPBold, PrettyThreatFont69, ProVisionFont-SPBold, ProVisionFont, ProVisionFontStch, ProVisionFontSupCon, PromisedLandPlus21-SPBold, PromisedLandPlus21, PuppyLikeNew32-Condensed, PuppyLikeNew32-SPBold, PuppyLikeNew32, PutForthNew40-SPBold, PutForthNew40
    • QuickJump37-SPBold, QuickJump37, QuickView-SPBold, QuickView
    • RaceHorse47-Ext, RaceHorse47-SPBold, RaceHorse47, RaceHorse47, RaceHorse47Stch, RaceHorse47SupCon, RachelNew92-Ext, RachelNew92-SPBold, RachelNew92, RachelNew92, RachelNew92Stch, RachelNew92SupCon, ReCallComplete-SPBold, ReCallComplete, ReMinder106-Ext, ReMinder106-SPBold, ReMinder106, ReMinder106, ReMinder106SupCon, ReaderShipFinal-SPBold, ReaderShipFinal, RealBrush49-SPBold, RealBrush49, RealVirtue19-SPBold, RealVirtue19, RebuffText-Ext, RebuffText-SPBold, RebuffText, RebuffText, RebuffTextSupCon, ReservedText46-SPBold, ReservedText46, ReturnToEarth42-SPBold, ReturnToEarth42, ReversalSubject41-SPBold, ReversalSubject41, RibbonArt68-SPBold, RibbonArt68, RickShaw90-Ext, RickShaw90-SPBold, RickShaw90, RickShaw90, RickShaw90SupCon, RiskyBusiness-SPBold, RiskyBusiness, RiverOfDreams-SPBold, RiverOfDreams, RoaringFire96, RobinHood98-Ext, RobinHood98-SPBold, RobinHood98, RobinHood98, RobinHood98SupCon, RoseyCapsFinal57-SPBold, RoseyCapsFinal57, RoughRiderType60-SPBold, RoughRiderType60, RoyalBaseExt-SPBold, RoyalBaseExt, RoyalBrushNew20-SPBold, RoyalBrushNew20, RoyalLuster67-SPBold, RoyalLuster67, RoyalSireText50-SPBold, RoyalSireText50, RuleOfThumb-SPBold, RuleOfThumb, RumbleSeatFinal-SPBold, RumbleSeatFinal
    • SargonOne41-Condensed, SargonOne41-SPBold, SargonOne41, SaucyMozartOne44-SPBold, SaucyMozartOne44, SavorNowText43-Ext, SavorNowText43, ScentedMintExt47-Condensed, ScentedMintExt47-SPBold, ScentedMintExt47, ScentedMintExt47Stch, ScentedMintExt47SupCon, SchoolBoy, SchoolBoyOld80-Condensed, SchoolBoyOld80-Ext, SchoolBoyOld80-SPBold, SchoolBoyOld80, SchoolBoyOld80, SchoolBoyOld80SupCon, ScrewBallFinal-SPBold, ScrewBallFinal, ScriptSongBold15-Condensed, ScriptSongBold15-SPBold, ScriptSongBold15, ScriptWriterText-SPBold, ScriptWriterText, ScuttleButtNew-Ext, ScuttleButtNew-SPBold, ScuttleButtNew, SeamStressFnal-SPBold, SeamStressFnal, SecondNature-SPBold, SecondNature, SelfImage69-Ext, SelfImage69-SPBold, SelfImage69, SelfImage69, SelfImage69SupCon, ShaShaText36-Ext, ShaShaText36-SPBold, ShaShaText36, ShaShaText36, ShaShaText36SupCon, SharpTypeOld-SPBold, SharpTypeOld, ShelmanFont49-Ext, ShelmanFont49-SPBold, ShelmanFont49, ShelmanFont49, ShelmanFont49SupCon, SherWoodFont99-Ext, SherWoodFont99-SPBold, SherWoodFont99, SherWoodFont99, SherWoodFont99SupCon, ShortMemoryNew-SPBold, ShortMemoryNew, SingOutNew62-Ext, SingOutNew62-SPBold, SingOutNew62, SingOutNew62, SingOutNew62SupCon, SketchyIdeaText5-SPBold, SketchyIdeaText5, SkinTightReal74-Ext, SkinTightReal74-SPBold, SkinTightReal74, SkinTightReal74, SkinTightReal74SupCon, SlashTankMaker33-SPBold, SlashTankMaker33, SleepWalkerFinal9, SmallRoseExt45-SPBold, SmallRoseExt45, SmokeAgent150-SPBold, SmokeAgent150, SmoothFontNew75-Ext, SmoothFontNew75-SPBold, SmoothFontNew75, SmoothFontNew75, SmoothFontNew75SupCon, SnowWrite-SPBold, SnowWrite, SodaJerk19-SPBold, SodaJerk19, SoundStudioBold12, SpareTimeFont82, SparrowNew119-Ext, SparrowNew119-SPBold, SparrowNew119, SparrowNew119, SparrowNew119Stch, SparrowNew119SupCon, SpeakingStyleExt106-SPBold, SpeakingStyleExt106, SplashFontStyle, StakeWorks108-Ext, StakeWorks108-SPBold, StakeWorks108, StakeWorks108, StakeWorks108Stch, StakeWorks108SupCon, StandardBrushFont54-Ext, StandardBrushFont54-SPBold, StandardBrushFont54, StandardBrushFont54, StandardBrushFont54Stch, StandardBrushFont54SupCon, StateOfAffairs122-SPBold, StateOfAffairs122, StatelyTypeStyle77-Ext, StatelyTypeStyle77-SPBold, StatelyTypeStyle77, StatelyTypeStyle77, StatelyTypeStyle77Stch, StatelyTypeStyle77SupCon, SteepleChaser71, StickerMade-SPBold, StickerMade, StickerMadeStch, StoneAge124-SPBold, StoneAge124, StudentTeacher111, StyleBrandFinal61-SPBold, StyleBrandFinal61, StyleMongerBold73-Ext, StyleMongerBold73-SPBold, StyleMongerBold73, StyleMongerBold73, StyleMongerBold73SupCon, SunDownBold98-SPBold, SunDownBold98, SuperSederNorm2-SPBold, SuperSederNorm2, SuperSederNorm2SupCon, SuperThinNorm53-Ext, SuperThinNorm53-SPBold, SuperThinNorm53, SuperThinNorm53, SuperTypeStyle99-SPBold, SuperTypeStyle99, SuperTypeStyle99Stch, SwashBuckler13-SPBold, SwashBuckler13, SweetPea16, SweetTime78, SwingDown63, SwishNorm64-Ext, SwishNorm64-SPBold, SwishNorm64, SwishNorm64, SwishNorm64Stch, SwishNorm64SupCon, SwishWorks55, SystemTaker52
    • TabithaType32-Ext, TabithaType32-SPBold, TabithaType32, TabithaType32, TabithaType32Stch, TabithaType32SupCon, TabithaType32-SPBold, TabithaType32-Condensed, TadPole-SPBold, TadPole, TailSpin-SPBold, TailSpin, TakeOver, TearGas25-SPBold, TearGas25, TechnoWorks70-Ext, TechnoWorks70-SPBold, TechnoWorks70, TechnoWorks70, TechnoWorks70Stch, TechnoWorks70SupCon, TennisBum64-SPBold, TennisBum64, TextureCover54-SPBold, TextureCover54, TheHawkFont46-SPBold, TheHawkFont46, TheSixtyText63-SPBold, TheSixtyText63, ThrillOfText28-SPBold, ThrillOfText28, TickTock18-SPBold, TickTock18, TigerFont16-SPBold, TigerFont16, TimeScarred119-SPBold, TimeScarred119, TombStoneFont60-Ext, TombStoneFont60-SPBold, TombStoneFont60, TorchHandler56-SPBold, TorchHandler56, TouchDown-SPBold, TouchDown, TouchTheWind59, TracyTracy68-Ext, TracyTracy68-SPBold, TracyTracy68, TracyTracy68, TracyTracy68Stch, TracyTracy68SupCon, TransPose95-SPBold, TransPose95, TriBecca90-Ext, TriBecca90-SPBold, TriBecca90, TriBecca90, TriBecca90Stch, TriBecca90SupCon, TrickyLake11-SPBold, TrickyLake11, TrojanFinal87-Ext, TrojanFinal87-SPBold, TrojanFinal87, TrojanFinal87, TrojanFinal87Stch, TrojanFinal87SupCon, TrueExcess105-SPBold, TrueExcess105, TurnAbout121-SPBold, TurnAbout121, TurnOil27-SPBold, TurnOil27, TurningPoint57-SPBold, TurningPoint57, Twiggy86-Ext, Twiggy86-SPBold, Twiggy86, Twiggy86, Twiggy86SupCon, TwoShakes5-SPBold, TwoShakes5, TylerFont88-Ext, TylerFont88-SPBold, TylerFont88, TylerFont88, TylerFont88SupCon, TypeMaker57-Ext, TypeMaker57-SPBold, TypeMaker57, TypeMaker57, TypeMaker57SupCon, TypeOne9-SPBold, TypeOne9, TypeTalkBold58-SPBold, TypeTalkBold58
    • UltiMateText-SPBold, UltiMateText, UnCreative6-SPBold, UnCreative6, UnDiluted-SPBold, UnDiluted, UnExplored-SPBold, UnExplored, UnSnarl60-SPBold, UnSnarl60, UnderGround59-SPBold, UnderGround59, UnderPressure81-SPBold, UnderPressure81, UnderWay69-SPBold, UnderWay69, UnitedLand, UseFulSpectator123-SPBold, UseFulSpectator123
    • VageParable39-SPBold, VageParable39, ValueType126-SPBold, ValueType126, VectorType124-Ext, VectorType124, VectorType124, VectorType124SupCon, VerticalSmudge94-SPBold, VerticalSmudge94, ViciousCircle-SPBold, ViciousCircle, VictorianFont64-SPBold, VictorianFont64, VideoCast-SPBold, VideoCast, VisionThick-SPBold, VisionThick, VoCab54-Ext, VoCab54-SPBold, VoCab54, VoCab54, VoCab54SupCon, VoldiFinal96-Ext, VoldiFinal96-SPBold, VoldiFinal96, VoldiFinal96, VoldiFinal96SupCon, VooDooText-SPBold, VooDooText
    • WagonMan72-SPBold, WagonMan72, WaistBand, WalkAway-SPBold, WalkAway, WallWriting34, WasteAwayType79-SPBold, WasteAwayType79, WasteBasketFont-SPBold, WasteBasketFont, WaterMarkFont-SPBold, WaterMarkFont, WaveScape48-SPBold, WaveScape48, WayFarer10-SPBold, WayFarer10, WeekenderType123-Ext, WeekenderType123-SPBold, WeekenderType123, WeekenderType123, WeekenderType123SupCon, WeighAnchorFont68-SPBold, WeighAnchorFont68, WellOiled-Condensed, WellOiled-SPBold, WellOiled-SPBold, WellOiled, WellOiledSupCon, WheelerDealer-SPBold, WheelerDealer, WhiteWaterRaft27-SPBold, WhiteWaterRaft27, WhiteWaterRaft27SupCon, WhosItFont42-SPBold, WhosItFont42, WideEyed44-SPBold, WideEyed44, WildWorldNew62-SPBold, WildWorldNew62, WisdomWriterOld-SPBold, WisdomWriterOld, WishingType3-SPBold, WishingType3, WishingType3SupCon, WordsWorthType12-SPBold, WordsWorthType12, WordsWorthType12SupCon, WounSockaFinal66-SPBold, WounSockaFinal66, WounSockaFinal66, WrittenWordsFinal103-SPBold, WrittenWordsFinal103, WrittenWordsFinal103SupCon
    • XRayCopy-SPBold, XRayCopy, XanaduFont-Condensed, XanaduFont-SPBold, XanaduFont, XanaduFontSupCon
    • YankeeFan-SPBold, YankeeFan, YearBook, YellowJacket-Condensed, YellowJacket-SPBold, YellowJacket
    • ZenithBay-SPBold, ZenithBay, ZigSong55, ZipThrough
    [Google] [More]  ⦿

    Imagi Type
    [Ihsan Khairul Lazuardi]

    Imagi Type is the first collaborative digital type foundry in Indonesia. The name IMAGI is an acronym based on the names of the three founders, Ihsan K. Lazuardi, Agung Gumilang a.k.a Maskund, and Gilang Purnama, who are based in Bandung.

    Designers of the signage typefaces Mecka (2015), Fetridge and Outfitter Script (2015, by Gilang Purnama Jaya), Le Gourmet (2015, a handcrafted blackboard menu brush script family), and Kulacino (2015, +Rough).

    Typefaces from 2016: Skiltmaler (spurred Victorian style, by Ihsan K. Lazuardi), Chesterfield (a sign painter typeface), Conseil (poster style).

    Typefaces from 2017: Michigan Brush (by Gilang Purnama Jaya and Kiena Audri), Trellist.

    Typefaces from 2018: Le Gourmet, Conseil (by Gilang Purnama Jaya). [Google] [MyFonts] [More]  ⦿

    Imam Shofyan

    Jepara, Indonesia-based designer (b. 1999) of Guenue (2019), Theapot (2019), Hades (2019), Gueva (2019), Hades (2019), Spiral (2019: Victorian), Buntut Iwok (2019) and Afterain (2019). [Google] [More]  ⦿

    Indriyanti Sidiq
    [Paranesia (or: Bismillah)]

    [More]  ⦿

    Inés Atienza

    Designer in Madrid (since 2008) who has worked with Alberto Corazon in Madrid (2004-2005) and Massimo Vignelli in New York (2006-2007). She studied at the Sorbonne (1999), Universidad San Pablo CEU in Madrid (2004), Parsons in New York (2007) and Cooper Union (2011). With Juanjo López, she designed the multilayered and/or chromatic circus font family Show (2014). Influenced by chromatic letterpress types, it is based on a type family called Concave, a Victorian type launched in 1884 by the foundry Marder, Luse & Co. Klingspor link. [Google] [MyFonts] [More]  ⦿

    Ingo Krepinsky
    [Typonauten]

    [MyFonts] [More]  ⦿

    Insane Fonts (or: Heather Insane)
    [Maria Yurina]

    Russian designer Maria Yurina (aka Heather Insane and as Insane Fonts) created these (vintage, spurred) typefaces in 2017: Ocean Storm, Hipster, Tennessee Honey, Pegasus Label, Imperial (striped and spurred), Haven (a spurred circus font), Tequila, Old Cask, Marine Rum, Bottle Of Gin, Old Bourbon Label. Other typefaces from 2017 include Hoodlum, Centennial (Victorian), Antiquarian (Victorian), and Orange Tree.

    Typefaces from 2018: Stones, Nautical, Campus (a multilined sports font), Mariner, Raw Coffee (Victorian), Dead Biker (spurred), Tail, Bubble.

    Typefaces from 2019: Medieval Kingdoms (with decorative layerable caps), Big Pie Mama, Wild Nature, Birmingham, Prohibited (spurred, layerable). [Google] [More]  ⦿

    Inspira Type (or: Collabro Studio, or: Inspira Sign)
    [IlhamSyah Vutra]

    We find the names Septian Fauzi and IlhamSyah Vutra associated with Inspira Type. Jakarta, Indonesia-based designer of script and brush script typefaces, who also runs Aktab Studio. Fonts from 2019: Greenland, Jaeggers, Vancouver (script), Freya (a free script), Beneth (brush script), Gisella (script), Fearless, Anggada (a vintage script), Delia (a text typeface), Baratyuda, Stanford (or Standford: a vintage label font), Itikaf (a religious serif), Maldins, Riverside (signage script), Stucker, Rottordam, Cartoon, Cartoon Fancy, Magna, Hollaboi (a brush font), Bratarini, Nanda Script, Qiba Serif, Gula (a cartoon font), Qiba, Alvaro (a fat monoline script), Fresh Berries Script, Eastchaft, Fillia Script, Alistair Signature, Abhyaksa, Etherion (wedge serif), Adhe Sans, Herey (dry brush), Backhill (signage script), Cecillia (inky script), Never Ending (dry brush), Abhinaya (Victorian), Debtos Script, Dohong (vintage style), Dohong Kaliba, Bessita Handwriting, Cendolita Script, Dingbod Script (monoline), Aussiente, Pure Tintri.

    Fonts from 2020: Abimo, Baliosa (a signature script), Balkous, Bangga, Baswara Catra, Belly, Borude (sketched), Brigita, Bustracks, Candle, Cerita Senja, Confinental, Daniza Claretta, Dethars, Earthan, Eighties, Facibian, Fialiga (an octagonal sports font), Ghost Walker (dry brush), Gnaw, Goldstep, Halcyon, Hantari, Howkins (stencil), Intuitive, Itikaf, Jello, Khanaya (calligraphic), Kosmik, Kuffie, Lutuna, Malbourne, Mayasi, Mechanical (squarish), Mhoko, Nagista, Oblady, Our Story Begins, Panorama, Raimond, Rebellion, Sagittaria, Sanoraya (a tall inky script)Serpents, Shockwave (brush script), Sintya, Speedtrap (a speed emulation sans), Suballie, Sweetboys, The Bovalo, The Loccosta (dry brush), The Rolides, Throne (a wide all caps sans), Townsquare, Volare, Wildeoo, Wonderful Jungle. [Google] [MyFonts] [More]  ⦿

    Intellecta Design (or: Monocracy Types)
    [Paulo W]

    Intellecta Design is a design company in Brazil run by Paulo W (b. 1970) from Recife. In 2020, he also set up Monocracy Types. Paulo W is a gaúcho (Brazilian southerner), with interests in multiple areas, including poetry (he has published the digital opus Magical Book), graphic design and, most recently, type design.

    Dafont link. MyFonts. MyFonts link. Abstract Fonts link. YWFT link. Behance link. Blog. Home page. Fonthaus. Monotype. Eshops. Facebook. Flickr. Klingspor link. Wordpress. Devian tart. T26. Linkedin. Identifont. Linotype. ITC. Faces.co. His typefaces:

    • Free fonts: Inductive Resonance (2014: connected script), Retrodings (+Two, 2014), Living In The Past (outlined Tuscan face), Rough Ornaments Free (2014), CornPop Three (borders), Too Good To Be True (2013, retro script), Blanchard Inland (2013), Living Together (2013), Arresto (2013, brush script), Hertziano (2013, non-connected fat script), Japanese Tourist (2013), Nouveau Never Dies Free (2013), The Beat Goes On (2012, fifties script), Stencix (2012), Figgins Brute Trash (grunge), Fontaniolo Beveled (2011, ornamental caps), Czech Gotika (2011), Random Dingbats (2011), Victorian Free Ornaments (2011), Rustic (2011), Armorial (2011), Woman Silhouettes (2011), The Nile Song (2010, hieroglyphics), Smith Typewriter (2009), Sign Flags (2010, semaphore dingbats), Senectus Morbus (2010), MesoAmerica (2010, Indian symbols), ClassicSketches (2010, dingbats), Columns (2010, dingbats of Greek and Roman columns), EasyCuneiform (2010), EasyLombardicTwo (2010), EasyOpenFace (2010, blackboard bold style), Egidia (2010), Significante (2010, dingbats with, e.g., gender symbols), WhiteDominoes (2010, domino pieces), Easy Heraldics (2010), Intellecta Heraldics (2010), Heraldic Devices (2011), KidingsFree (2010, dingbats), RoughTuscan (2010), The French (2009, Fleur de Lys dings), AprendizCaligrafico (2010), Volitiva (2006, Trajan caps and chancery lower case, all based on work by Ludovico Vicentino Arrighi), Gaivota (2006), KurrentKupferstichThin (2006), PaulKlein (2010), PaulKleinTwo (2010), PortuguesArcaicoLectura (2005), ReproxScript (2009, based on Jerry Mullen's Repro Script from 1953-1954), RickGearyHomage (2007, scanbats), WestBalaio (2006, ornamental caps), Corto Maltese (2006, scanbats), Renaissance Coiffure (2006), Renaissance Ornaments (2007), Renaissance Shoes (2012, free), TTF Tattoef (2006, tattoo-inspired dingbats), ExperiTypo5 (2006), Lower Metal (2006), Geometric Serif PW (2006), Geometric (2006), Geometric Petras PW (2006), War II Warplanes (2005), Carbono (2005), Times New Vespasian (2005), BoldBold (2005), Vengeance (2005), Doppleganger (2005), Chancelaresca (2005), Cursivo Saxonio (2005), Gotische Minuskel 1269 (2005: a Kanzlei Schrift after Dekan Hermann zu Soest, 1269) and Guto Lacaz (2005, dingbats).
    • Richard Gans revival project: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada (2006), Gans Ibarra (2006, after Carlos Winkow's Elzeviriano Ibarra), Gans Antigua (2006), Gans Antigua Manuscrito (2006), Gans Radio Lumina (2006), Gans Fulgor (2006), Gans Carmem Adornada (2006), Gans Italiana (2006, extensive Italian-style slab serif family), Gans Titania (2007), Gans Titania Adornada (2007), Gans Titular (2007), Gans Gotico Globo (2007: 9 styles by Iza W), Gans Royality (2007: 3 styles by Iza W), Gans Headpieces (2008), Gans Rasgos Escritura (2010: filets---followed in 2011 by Rasgos Escritura Nuevos), Gan Esquinazos (2010, frames), Gans Blasones (2010, shields), Gans Neoclassic Fleurons (2008), Gans Classical Fleurons, Gans Ding.
    • Wood-inspired typefaces: Dead Wood Rustic (2007), Taranatiritza (5 wood type styles, after William Hamilton Page), Majestade (2007, by Iza W---two Tuscan style typefaces), Decorative Tuscanian (2007), Concave Tuscan (2010, wood type), Palermo (2007, by Iza W---Tuscan style family), Teatro (2009, Tuscan), Bruce Double Pica (2009, Tuscan; the Beveled weight is free), Antique Extended (2010, slab serif wood type), Dark Wood (2009, gothic), Dark Wood Beveled (2011).
    • Charles Bluemlein's script revivals: Bluelmin Kisaburo (2013), Bluelmin Ralph (2012), Bluelmin Ronald (2012), Bluelmin Sandsfort (2012) and Bluelmin Benedict (2012). (2012).
    • Blackletter: Salterio (2012, +Trash, +Three, +Gradient, +Shadow, +Shadow Two), Leothric (2011, bastarda), Bruce 532 Blackletter (2011, after George Bruce), Schneider Buch Deutsch (2007, +Trash, +Shadow, +Shadow Two), Schneidler halb fette Deutsch (2009, +Beveled), Schneidler Zierbuchstaben, Hostetler Fette Ultfraktur Ornamental (2007, blackletter caps), Gothic 16 CG (2007), Gothic 16 CG Decorative (2007, blackletter caps), Schneidler Grobe Gotisch (2008, Iza W, T-26), Allerlei Zierat (2008, ornament fonts based on a 1902 catalog of Schelter & Giesecke), Allerlei Zierat Capitals (2007), Psalter Gotisch (2009, a blackletter after the Benjamin Krebs blackletter face by the same name, ca. 1890), Münster-Gotische (2009, a blackletter family after a 1896 typeface by the same created by Schelter&Giesecke), Koberger N24 Schwabacher (2007), Student's Alphabet (2007, blackletter), Like Gutemberg Caps (2007), Nürnberg Schwabacher, Gotische Frame (2007: four framed blackletter styles by Iza W), Gotische (2007: ten ornate blackletter styles by Iza W), Gothic Garbage, Gothic Shadow, Gothic Trashed, Gothic Flourish (2009), Gotica Moderna (octagonal, blackletter), AltDeutsch (2007, four severe blackletter fonts by Iza W), Fin Fraktur, Gotische Bouffard, Heimat RGS, Gothic Handtooled Bastarda (2006), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Gothic Handtooled Bastarda (2006).
    • Historical revivals: Pantographia (2010: a digitization, as is, of several alphabets from Edmund Fry's Pantographia, 1799), Caslon2000, Caslon B, Delamotte Large Relief (2010), Figgins Brute (2007: 8 heavy Egyptian styles by Iza W based on Figgins' 1817 specimen book), Erased Figgins Brute (2007), Gras Vibert (2007, a didone family; followed by Gras Vibert Two in 2009).
    • Erotic or human alphabets: American Way of Life (2011), Roman Silhouettes (2011), Silvestre Weygel (2007, named after Martin Weygel'a erotic alphabet from 1560, which in turn was based on Peter Flötner's 1534 alphabet), Gravure (caps typeface made of human silhouettes), Innocence (2007, dingbats of girls).
    • Medieval chancery hand: Portugues Arcaico (2005, three medieval handwriting styles), Kurrent Kupfertisch (2006, a medieval hand done with Fernanda Salmona), Dovtrina Christam 1622 (authentic old manuscript face), Catania (2007, exquisite medieval caps in 3 styles by Iza W).
    • Typewriter typefaces: Remix Typewriter (2012), Smith Trash (2012), Neo Bulletin (2010, +Trash), Remington PW (old typewriter face), Olivetti Linea (old typewriter face), Erased Typewriter 2 (2007: 4 styles by Paulo W), RIP Typewriter (2009), Shadow Typewriter (2007), Underwood Typewriter (by Iza W).
    • Calligraphic: Broken Kiss (2015), Derniere Script (2015), Bradstone Parker Script (after Zaner's penmanship), Jan van den Velde Script (2011, based on the penmanship of Jan van den Velde as illustrated in vna den Velde's 1605 book Spieghel der schrijfkonste; developed jointly by Paulo and Iza W), Penabico (2010, with Iza W); Penabico is a free interpretation of the copperplate script styles to be found in the Universal Penman, London, 1741, by George Bickham---it contains over 1500 calligraphic glyphs and 250 ornaments. Samples of Penabico: i, ii, iii, iv, v, vi, vii, viii, ix), Easy Calig, Intellecta Mixed Script (2008), Spencerian Constancia (2008), Calligraphia Latina Soft4 (2010, quilled ornaments), Intellecta Script commercial (2009), Spencerian By Product (2009), Spencerian Palmer Penmanship Pro (2010), Indenture English Penman (2010), Calligraphia Latina (2008-2010, in weights called Soft2, Dense, 3, Soft4, Mixed, Square Edition).
    • Victorian, Edwardian: Engel (2007, by Iza W in 15 styles that have a 1870s look), Compendium (Victorian), Costado (2009, a Victorian / Western face).
    • Ornamental caps: Campi (2009), Doppel Mittel Lapidar Azure (2012), Musirte Antiqua (2012), The House of Usher (2012), Peterlon (2012), Dolphus Mieg Alphabet (2011, +Two), Dolphus Mieg Monograms (2011), Human Nature (2011), English Arabesque Revival 1900 (2011), Imprenta Royal Nonpareil (2011), XVI Century Shaw Woodcuts (2011), Ichweis Caps (2011), Cherubim Caps (2011), Rara Beleza (2011), Gothic 1880 Revival (2011), Angelicaps (2010), Unnamed Caps Two (2010), VertiCaps (2010) Rebimboca Caps (2010), Rebimboca Beveled (2012, free), Rebimboca Gradient (2012, free), Rebimboca Trash (2012, free), Rebimboca Outlined (2012, free), Republica Presente (2010), Speedball Metropolitan Caps (2010, after a design by Ross F. George), Nice Initials (2010), Morphelic (2010), DurerGotischCapitals (2010), Egmontian (2007, ornamental caps family), Saducismus Triumphatus (ornamental caps), Vogus (Victorian caps), Victorian Ornamental Capitals (2009) and Frompac 1889 Arabesque (2007) [both are classical arabesques published in Ludwig Petzendorfer's Schriften-Atlas. Eine Sammlung der wichtigsten Schreib- und Druckschriften aus alter und neuer Zeit nebst Initialen, Monogrammen, Mappen, Landeskarten und heraldischen Motiven fur die praktischen Zwecke des Kunstgewerbes, 1889], Lettrines Petin (+Ornée), Numa Initials (2006), Gradl Initialen, Vampirevich (2009, ornamental caps), Paulus Franck 1602 (2006, ornate caps), Geodec (2006, baroque caps), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Cadels (2007, ornate caps by Iza W), Manuscript XIV Century (2007, by Iza W--four Lombardic caps), Merona (2007, by Iza W--ten Lombardic caps fonts), Selena (2007, by Iza W---ornate Victorian caps), Leyenda (great Victorian era ornamental caps), Mixed Capital Style (2007, caps), Lenda (2008, capitals), Kidnaped at Old Times (2008, ornamental caps, ransom note style), Mortised Capitals, Is Not ABrazilian Font (hand-printed blackboard bold caps), Robur The Conqueror (2009, ornamental caps), Georgia Capitals (2009), Decadence avec Elegance (exaggerated ornamental caps).
    • The American Advertise series: American Advertise No. 9 (2008), American Advertise No. 17 (2007, 19th century caps), American Advertise 018 and 019 (2008), American Advertise Square Series (2007), American Advertise 003 (2012), American Advertise 004 (2010), American Advertise 005 (2010), American Advertise 006 (2010, alphadings), American Advertise 007 (2010, ornamental caps).
    • Ornaments, fleurons: Transportation Dings *2015), Cornucopia of Dingbats Eight (2015), Animals Old Cuts Two (2015), Unpublished Ornaments Two (2013), Classix (2012), Cornucopia of Dingbats (2012-2014, +Two, +Three, +Four, +Five, +Six, +Seven), Cornucopia of Ornaments (2013; +Two, +Three, +Four, +Five, +Six, 2014), Cornucopia Caligrafica (2012), Vintage Hands (2012), Human Silhouettes (2012; +Free, 2013; +Two, 2013; +Human Silhouettes Three, 2013; +Four, 2013; +Five, 2014; +Six, 2014; +Seven, 2014; +Eight, 2014; +Nine, 2015), Easy Fleurons (2012), Floreale Two (2012), Neoclassic Fleurons Free (2011), Calligraphic Frames Soft (2011, +Two), Jugendstil Flowers Free (2011), Easy Ornaments (2011), Blasons (2011), Blasons Free (2012), Armorial (2011), Monograms Soft (2010, with Iza W), Easy Tiles (2010), Free Tiles (2010), Rough Fleurons Two (2010), Vegetable Breathe (2010), Corn Pop Plus (2010), Mortised Fleurons (2010), Mortised Ornaments (2011), Mortised Ornaments Free Two (2013), Golden Times (2010), Stahlhelme und Kronen (2010), Rough Fleurons (2006), Nouveau Never Dies (2009, ornaments), GeodecBruceOrnamented6 (2006, after a sample from the Bruce Type Foundry), Grave Ornamental (2006), BlackOrnaments (2008), Hera Hedelix (2009, ornamental tiles), Mortised Ornaments (2009), Soft Fleurons (2007), Half Flower (2007), Frames 1 (2007, by Iza W), Flower Essences, Micro Fleurons (2009), Naturella (2009, leaf and grape dingbats by Iza W), Black Fleurons (2010), Easy Fleurons Two (2011), Intellecta Borders (2008, by Iza W), Intellecta Style (2007, borders).
    • Fonts made before 2007: Brute Aldine (2007, Western family), Bad Situation (2007, after a design by Freeman Delamotte from 1864), Benjamin Franklin (2007), Geodec Petras Enhanced (2006), Deutsche Poster (2006), FatFontGrotesk (2006), Orchis (2006, an art deco family by Iza W), Fantis (2006), Frompac (2006, with Iza W), Geodec Fog (2006), Intellecta Modern (2006), Intellecta Modern 2 (2006), Intellecta Romana Humanistica (2006), Advantage (2006, together with Iza W), Biza (2006, together with Iza W), Elegancy (2006, together with Iza W), Estiliza (2006, a sans family together with Iza W), Experitypo 4, Stairway to Heaven, Copperplate PW, Dings PW, Roger Dean, Gliphs PW, Luxeuil, Watchtower Bible 1965, Gabinete Portugues (11 fonts), Elara (2009), Xilografuras (dingbats), Beta, Alta, Paleolitica Nacional, Shakespeare Studs, Copperplate collection (5 fonts), Wine, Ampersamp, James Poem, Leal Conselheiro, Haeckel Enygma, Iza B, Of, Lementa (2006, ornate family), Pirates (dingbats), Wire Clip (2009), Divina Proportione (2009, dingbats), Tharagaverung (2007), Correo (2009, a nice manly bold face), Titivilus (2007, Roman lettering), Pirates De Luxe (2007, dingbats), Geodec Minuskel (2006), Geodec Spyral (2006), Copperplate Decorative (2006), Feosa (2006), Francesco Decorative (2006, Iza W), Geodec Petras Enhanced (2006), Ibarra Flourished (2006), Intellecta Decorative 017 (2006), Intellecta Decorative 018 (2006), Intellecta Slab Bold (2006), Kansas Decorative (2006), Pingente (2006), Sixties Living (2006), Caractere Doublet (2007), DeutschePosterSteinschrift (2007; by Iza W), Bailarina (2007), GP Casual Script (2007), Colonia Portuguesa (2007), Contouration (2007), Deco Experiment 3 (2007), Floresco (2007), Flower Jars (2007, by Iza W---a very nice idea), Frutisis (2007), Intellecta Monograms (2007: 19 monogram fonts by Paulo W), Intellecta Monograms Random Sample (2012-2013: several typefaces), Peloponeso (2007, by Iza W), Porcupine (2007, by Iza W), Southern Flight (2007, by Iza W---condensed), TTF TTTOEF 4 (2007, by Iza W---dingbats), GeodecBruceFlourished, HostetlerNormande, Victorian Ultra Parphernalia (2007), Angels (2007), Angels Free (2013), Mondrongo (2007), Oorlog (2007).
    • Fonts in 2008: Das Riese (3d engraved caps, +Shadow), Economica (sans, T26), Antiqua Double 12, Bad Baltimore (+Beveled, +Typewriter), Calligraphia Latina (2008-2009, in weights called Soft2, Dense, 3, Mixed, Square Edition, Free), Fry's Alphabet, Grissom (bug dingbats, by Iza W), Latinish (by Iza W), Lettering Deco (by Iza W), Litho Romana Inland, Quadratta Serif (a slab serif by Fernando Diaz), TTF TATTOEF 7 (by Iza W).
    • Fonts made in 2009: Eingraviert (engraved; scans: i, ii, iii), Eingraviert Beveled (2011), Greko Roman Oldstyle, Ortodoxa do oriente, Sans Square, Speedball (by Iza W, Victorian style), Speedball Western Letters (after Ross F. George's lettering), Elara (2009), Intellecta Roman Tall, Force Brute & Ignorance, Sunamy Caps, Starret, The Pilgrim (alphadings), Renaisperian (alphadings), Real Caps Two, Mateus Bold (4 bold styles), Intellecta Crafts (arts and crafts family), Bruce 1490, Bradley Dingies (five dingbat typefaces, after William H. Bradley), Allerlei Zierat Renaissance, Grave Plus, the grungy Monkey series (Victorian Monkey, Monkey Poesy, Monkey Messed Gutenberg Caps, Monkey Was Here, Monkey Insinuation, Monkey In The Middle Ages), Montezuma (dingbats), Grotesque and Arabesque, Calhambeque (old car dingbats), Eiger (2009, a 3d sketched headline face).
    • Faces made in 2010: Polen, Pencraft (capitals were inspired in Swagger Capitals, an original design from Carl Stephen Junge, at Barnhart Brothers & Spindler; lowercase based Pencraft Specials, an ornamental variation of the Pencraft Oldstyle series, as displayed in the BBS catalog from 1922), Salamemingoe (children's hand), BarberPoles, Beware the neighbors (scary), BlackInitialText, CaligrafiaDivina, CornPop, CowboyHippie Pro, Grotesca3-D, Nardis, Senzacuore, Speedball Metropolitan Poster (2010, after a design by Ross F. George), TagWood, Tosca, TypographyTribute, Zooland, Bubbleboddy-Fat, bubbleboddylight-Light, Pretoria Gross (a Victorian family done with Iza W), Wood Font Five (wood plank font), Wood Font Four, Herr Foch (art nouveau), Rebimboca, Octagon French (a 3d beveled typeface due to George Nesbitt, 1838), Picuxuxo (retro futuristic, comic book style), Large Old English Riband, Ornamental Riband, Kidings (Dutch dingbats), Hostil (originally done in 2007: a headline family; followed by Hostil Shadow Two (free, 2012) and Hostil Gradient (free, 2012)), Grotesca, Heptagon French, Antiquariaat (condensed), Cortinado, Sanoxio (3d headline face), Violentia (grunge), Swirlies (spiral dings).
    • Faces from 2011: Dia de los Muertos (fantastic skeletal masks), Inland Becker, Rasgos Escritura Nuevos, Jaggard (2007, a renaissance penmanship caps typeface modeled after Joachim Romann's Queen (1954-1956, Stempel)), Jaggard Two, Naive Ornaments Black, Augustus (+Beveled: roman letters), Sayonara (oriental simulation face; the Beveled style is free), Trash Barusa (inline ornamental face), Free Ribbons, Black Ornaments Three, Calligraphia Latina Soft 5, Heraldic Devices Premium, Ornate Blackboards, Benjamin Franklin Beveled, Baltimore Typewriter Beveled, Bernardo Beveled, Van den Velde Script (a free interpretation of the work of the famous master penman Jan van den Velde, found in the Spieghel der schrijfkonste, in den welcken ghesien worden veelderhande gheschrifften met hare fondementen ende onderrichtinghe (Haarlen, 1605)), Indenture English Penmanship, Penmanship Birds and Ornaments (2012), Beware The Neighboors Shadow (texture face), White Free (shadow face), Delamotte Large Relief Beveled.
    • Typefaces made in 2012: Porosa, Presto, Derradeira (signage script), About Sweet Memories (brush script), Intellecta Ribbons, Irrelevante (beveled caps), Laus Sus Chris (Christian dingbats), Unpublished Ornaments, Heavy Squared Writing (brush face), Mezcla Titan, Sweet About (retro script), Publicité, Hard to read monograms, Free Medieval, Doctor Polidori (initial caps), Mixed Silhouettes (One through Five), Glosilla Castellana Cursiva (inline type family), Sayonax (a textured version of the oriental simulation typeface Sayonara), Wood Stevens (free), Rockabilly (fifties script), Interdite Script (heavy calligraphic face), Prismatica (free), Cristalid (free prismatic face), Zed Leppelin (free), Neo Bulletin Outline (free), Neo Bulletin College (2012), Victorian Free Ornaments (+Two), Spanish Army Shields (+Two), Varius Multiplex, Stephens Heavy Titling.
    • Typefaces from 2013: Face of Yesterday (calligraphic script), Ribbon in the sky, Dreamer (a flowing upright semi-connected script), Vorname (blackletter), Barocque Capitals, Close To You (a rabbit-eared script), Wappen (heraldic shields), Eletroz (hand-printed), Morcrepito (blackletter), Metropolitan Poster Black, Animal Silhouettes, Intellecta Pointers and Hands, The Loyalist (script), Vonnegut (a left-leaning script), Perhaps Love (left-leaning script), So Lonely (script), Exposition (upright script), Plaster of Paris (connected script), Volstead (connected script), Versitia (connected script), Porongo (heavy brush script), Fat Fantasy, Das Krieg (soldier dingbats), Corn Pop Two (ornamental corners), Corn Pop Four, Corn Pop Five, Astrodings, Vulnavia Sans (comic book face), Capitular Heraldica, Mirella Initials Ornamntals (a swashy calligraphic script; with Iza W), Carpete (retro script), Free Writer, Round Hand, Exclusivite (fifties script), Hertz Oscillations (fat retro script), Heavy Rock (fifties script), Raindrops (retro script), Ralph Walker (ronde), Exiles (retro signage script), Mr. Richmond Caps (art nouveau alphadings), Berengard Caps Two.
    • Typefaces from 2014: Prester John, Animals Old Cuts, Take a Pebble, Corn Pop Five (borders), Kidnapped at German Lands (ransom note font), Kidnapped at German Lands 2, Kidnapped at German Lands 3, Kidnapped at German Lands 4 (finished in 2016).
    • Typefaces from 2015: Rogeer (script), Chart Moss, Eliensee, Speedball Ragged, State Bridge, Derniere Script, Grissom Four (dingbats of critters), Das Modern, Zona Pro (a sans family).
    • Typefaces from 2016: Ares Modernos, Soldier William Holmes (vintage handwriting), Doctor Russel (script), Hollandisch Closed (blackletter), Rough Flowers (floral ornaments), Equis (crosses), Mattaaus (a counterless poster font), Holland Morleau (a Kanzlei style blackletter font), Rough Vignettes, Rechnung (a bejeweled didone), Alphabet Fantasie (decorative caps), Phantasinian (blackletter), Loosing Memory (blackletter), Laandbrau (blackletter), Lord Radcliff.
    • Typefaces from 2019: Penmanship Feather.
    • Typefaces from 2020: Victorian Alphabets (a weathered engraved money font; despite its name, this is just one alphabet), Mortised Vignettes, Mortised Caps, Monocracy Cuts And Clips, Sincelo Ornaments, Augusta Torino Ornaments (based on art nouveau ornaments from Societa Augusta Torino), Renouveau (art nouveau).

      Typefaces from 2021: Gotteslob (blackletter), Cotton Mather (a medieval blackletter), Josef Wein Moderne Blackletter (after an alphabet by Josef Heim from the 1900 book Moderne Schriften / herausgegeben und verlegt von Josef Heim, Supernouveau (art nouveau ornaments).

    Showcase of Intellecta Design's fonts, numbering 554 as of early 2017. [Google] [MyFonts] [More]  ⦿

    Inumocca Mocakaliyeh

    Indonesian designer.

    Creator of the spiky spurred tattoo typeface Inumocca (2012), Longhorn (2014), the spurred vintage typefaces Gedung State Art Deco (2014, a spurred Victorian typeface inspired by the Gedung building in Bandung), Lemonade (2014, signage script), Iorek Byrnison (2014, based on the movie The Golden Compass) and Empire Wars (2013), Morning Glory (2013, spurred Tuscan Victorian typeface), England (2013, spurred 19th century style), InuTattoo (2013), and InuMocca Belut Listrik (2013).

    Typefaces from 2015: Kathleen (handcrafted), Akiko (sans), Kiota (spurred sans), Day After End (pure Victoriana), Summers (handcrafted), Carters (spurred, steampunk style), House of Glory (a hand-lettered family with substyles called Kiota and Akiko), Oldiez, Yellow Orange, Flamboyan (vintage signage type).

    Typefaces from 2016: Bhejeuct Gash (sci-fi), Early Morning (signage script).

    Typefaces from 2017: Pumpkin's Brush, Urban Case (a glitch font), Rock Sands (decorative blackletter), Bouquet (signage script).

    Typefaces from 2019: Brother Wood, Bobber Bold, Ceuretas (an origami font), Crunchy Burn (handcrafted), Bertha Neckline (vintage blackletter), Landdeuh (layered), Iron Horse (Victorian), The Boiseries (Victorian).

    Typefaces from 2020: Paddingtoons (a comic book font), High Rise (a blackletter), Industrial Sans, Cuba Script (monolinear), Morning Sunshine, Sanekala, Oat Crackers (brush script), Rootking (blackletter), Bronco Speedway (a layered vintage serif), Work Space, Stronghold (brush), Morning Beach.

    Typefaces from 2021: Patinas Stencil (a pearl-studded, but not a stencil, typeface), Rullen (an all caps display font), Patinas Pointed (spurred), Howl Castel, Arunika Lavanaa (a script), Marry Gold, Mollucas Clove (a modern day Tuscan font), Cabo Blancco (a tiki font), Morning Sunshine (a display serif with monumental top slabs), Folkloric (a retro poster typeface), The Buckarooz (a reverse stress Western font), Adenium (a decorative serif), Cendrawasih (a tall rhythmic script), Gold Giggers (all caps, very Victorian), San Louis (a swashy decorative serif).

    Typefaces from 2022: Lusto (a display typeface with concave outlines borrowed from wood type), Showra (a very bold and wide display typeface), Urban Case (a font with glitches), Fatdudes (a hybrid between Western and Hebrew emulation styles).

    Behance link. Creative Market link. Dafont link. Graphicriver link. [Google] [MyFonts] [More]  ⦿

    Iqbal Habibi
    [Type Combo]

    [More]  ⦿

    Ivan Diaz
    [ThunderPixels]

    [More]  ⦿

    Ivan Jimenez

    Ivan Jimenez (Leon, Mexico) is also called DaMuff. Creator of the ornamental Victorian caps typeface Papel Picado (2012).

    Fontspace link. [Google] [More]  ⦿

    Ivan Zeifert
    [Gliphmaker.com]

    [More]  ⦿

    Iza Wilma Lima Peixoto

    Iza W is a Brazilian type designer who works with Paulo W at intellecta Design. Klingspor link. She created Kocham (2008, an art deco geometric typeface with dots centered in all letters), Orchis (2006, Intellecta Design), an art deco famliy in the style of Broadway. Other fonts, done with Paulo W at Intellecta Design in 2006: Advantage, Biza, Elegancy, Estiliza, Frompac. She designed DeutschePosterSteinschrift, Alta (5 styles), Apolo Decorative (Victorian era caps), Ariana, Black, Cresciesco (roman times lettering), Drianh (late 19th century styles), Easy Callig, Evangeliaire Uncial, Geodec N9 (high contrast sans family), Glaciana (decorative caps), Grid, Half Flower 2, Laureatus (Lombardic), Malvinna, Paola Decorative (caps), Passo Borgo (the ultimate spiky dungeon family), Schneider Kontrast (a 15-style art deco and ornamental family based on F.H. Ernst Schneidler's Kontrast (1930, Weber)), and Questy (semi-slab serif) in 2007.

    Productions in 2008: Basilissa (flowery caps), Calligraphia Latina Soft, Chyrllene (curly Victorian family), Clea (caps), Fridha (undrerstated and 3d calligraphy), Hostetler Kapitalen 2, Litho Romana Inland (a caps family), Ogden (calligraphic), Olivetti Typewriter (5 styles), Syl (frilly Victorian caps), Tissot (2008, fine caps), Triball (headline blackletter family), TTF TATTOEF 8 (tattoo dings). MyFonts says The mysteriously-named Iza W shares most of the development activities at Intellecta Design with Paulo W. She specializes in revivals of historic advertising types, specifically metal and wood display types of the Americas, from the early 19th to mid 20th century. and lists these fonts at the end of 2008 as having been designed by her: Advantage, Agua (2007, an extension of Heinrich Maehler's 1931 font, Salut), Alta, AltDeutsch, Anatomy, Antiqua Shaded, Apolo Decorative, Ariana, Basilissa, Biza, Black, Boliche, Bruce Borders, Bruce Flourished, Bruce Hairline, Bruce Miscelania, Bruce Ornament, Cadels, Calligraphia Latina Soft, Catania, Centennial Script Fancy (+Three), Chancelaresca Spanola, Chyrllene, Clea, Cleo (Lombardic ornamental caps), Cresciesco, Deco Experiment 2, Deco Experiment 3, Deco Experiment 4, Deco Experiment 5, Deco Experiment 6 (2007), Deco Experiment 7, Deutsche Poster Steinschrift, Donald, Drianh, Easy Callig, Egipcia, Elara (2009), Elegancy, Engel, Estiliza, Evangeliaire Uncial, Faroeste, Feosa, Figgins Brute, Fin Fraktur, Flower Essences, Flower Jars, Fofucha (2007, a psychedelic typeface modeled after Seymour Chwast's Artone from 1968), Frames 1, Francesco Decorative, Fridha, Frompac, Fry's Alphabet, Furniet Roman (2008, after Fournier), Gans Animals, Gans Carmen Adornada, Gans Cornucopia, Gans Gotico Globo, Gans Italiana, Gans Royality, Gans Sport Club, Gans Titania, Gans Titular Adornada, Gans Transportation, Gans Vessels Fishes, Geodec Bruce Ornamented (2006, a tribute to George Bruce), Geodec Minuskel, Geodec N9, Geodec Petras Enhanced, Glaciana, Gloo Biloo (2010, spooky alphading face), Gothic Handtooled Bastarda, Gotische, Gotische Frame, Gottar (blackletter), Gradl Initialen, Grid, Grissom (insect dingbats), Grolier (caps), Grolier Beveled (2011, free at Dafont), Half Flower, Hannover, Hostetler Kapitalen, Imperio Romano (2009, roman heads), Intellecta Bodoned (+Two, +Trash), Intellecta Borders, Intellecta Crowns (royal crowns), Intellecta Grotesca Compacta, Intellecta Slab Bold, Intellecta Square, Intellecta Typewriter, Intellecta Typewriter 2, Japonesa (2010, oriental simulation), Julisa Script, Kocham, Latinish, Laureatus, Lettering Deco (2008, art deco, +Shadow), Litho Romana Inland, Littler Serifada, Magro, Majestade, Malvinna, Manuscript XIV Century, Merona, Missal, Monograms Soft (2010, with Paulo W), Naturella (2009, leaf and grape dingbats), Neretta (2008, +Italic), Numbers, Ogden, Olivetti Typewriter, Orchis, Palermo, Paola Decorative, Peloponeso, Porcupine, Questy, Remington Elite Typewriter, Samuello, Schneider Kontrast, Schneidler Zierbuchstablen, Schwandner Versalia (2010, ornamental caps based on an alphabet by Austrian penman Johann Georg von Schwandner), Schwandner Black Fleurons (2010), Schwandner Ornaments (2010), Selena, Sinfonia, Southern Flight, Speedball, Standard Typewriter, Suciellid, Sunamy (oriental simulation, after lettering by Ross F. George), Surrey (2008), Syl, Tissot, Tondella, Triball, TTF TATTOEF 4, TTF TATTOEF 6, TTF TATTOEF 7, TTF TATTOEF 8, Tuska, Underwood Typewriter (+Underscore), Uthan, Versatile Initials, Victorian Exotical Capitals, Warp, Woodball, Yanna, Zooth.

    From 2009: Calligraphia Latina Soft3, Cantate (+Beveled), Remington Weather (old typewriter), Xyla (caps), Polen, Polen Two (2007), Arrius (calligraphic), Catilina, Pentagraph (upright connected script), Renania (calligraphic), Renania Double Line (free), Samantha (caps), Silius Engraved (caps), Stencil Intellecta (+Trash), Tatooyn, Urszula (caps), Victorio (caps), Elfort (formal calligraphy after Poppl Exquisite, a typeface by Friedrich Poppl), Pretoria Gross (2009), Holy Church (2009, blackletter), Holy Church Fleurons (2009), Single Silhouettes (2009).

    Typefaces done in 2010: Penabico (a calligraphic script; with Paulo W), Baltimore Typewriter (a great typewriter family, with a black-on-white typewriter keys style added), Izouda (an art deco Broadway-style beauty), Bernardo (an italic family, with swash initials thrown in, named after Lucian Bernhard), Netuno, Supermarket (shop signage family), Bruce Influence (interpretation of Great Primer Ornamented No. 30, from the Bruce's TypeFoundry 1869 catalog), Pretoria Gross (a Victorian family done with Paulo W), Reliant (2010, with Dmitrij Greshnev: a free interpretation of Bernhard Schönschrift (Lucian Bernhard) and Liberty, which was designed by W.T. Sniffin for ATF in 1927, following the original designs by Lucian Bernhard), Reliant Limited (2012, free version).

    Gostosinhos (2010) are hilarious faces put together in a dingbat font. Centennial Onaments (2010) was done with Paulo W. Calligraphic Birds is pure penmanship.

    Fonts done in 2011: Ambrose Bierce Daned Font (ornamental caps), Menina Carinhosa (floriated caps), Menina Formosa (floriated caps), Menina Espinhosa (2011), Menina Graciosa Ornaments (2011, +Two), Menina Poderosa Ornaments (2011), Azalleia (floriated caps), Azalleia Ornaments, Naoko (a fantastic oriental simulation face), Bestiario (calligraphic penmanship dingbats based on the work of English writing master John Seddon, 1644-1700), Seddon Penmans Paradise Capitals (elaborate caps along the lines of Bestiario), Dolphus-Mieg Monograms (after a 1901 book by the Dollfus-Mieg company), Imprenta Royal Nonpareil, Dia de los muertos (2011), Naive Ornaments (2011), Eingraviert Dutch Capitals (2011).

    Creations in 2012: Spirulina, Promotion Script, Soft Ornaments (+Two, +Three, +Four, +Five, +Six, +Seven, +Eight, +Nine, +Ten, +Eleven, +Twelve, +Thirteen, +Fourteen, +Fifteen, +Sixteen, +Seventeen, +Eighteen, +Nineteen, +Twenty, +21), Soft Garden (ornaments), The Black Shapes, Sabor Words, Sabor Digital (textured), Sabor Rasgos Escritura (upright connected script), Floreart (floral dingbats), Mirella Script (French bastarda penmanship script), Soft Flowers, Derriey Vignettes (after Charles Derriey), Gracious Azaleas (flowery dings).

    Design from 2013: Bruce Ornaments Collection, Invitation Script (after the calligraphy of Andrade de Figueiredo, 1722), Mirella Initials Ornamentals (a swashy calligraphic script done with Paulo W), Menina Graciosa (ornamental caps), Menina Gostosa (Loira (caps), Morena (calligraphic), Ornamentos (floral)), Alien Trees. [Google] [MyFonts] [More]  ⦿

    J. Randall Harris
    [Just My Type]

    [MyFonts] [More]  ⦿

    Jacek Janiczak

    Poznan,Poland-based designer of Rock Font (2014, a spurred Victorian set of caps), and a free set of icons (2014, vector format). Behance link. [Google] [More]  ⦿

    Jaime Van Wart
    [Ketchup n Mustard]

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    Jake Jarkor
    [J.M. Cova]

    San Nicolas de los Garza and/or Nueva Leon, Mexico-based creator of the heavy modular typefaces Jakejarkor Locura (2013, street art-inspired) and Conflictivo (2013), and the graffiti typeface Felona (2013, chicano tattoo and graffiti style). In 2014, he made Craneo and Ingobernable (a spurred typeface).

    In 2016, he designed the fiery tattoo or metal rock typefaces Perros and La Aurora, the devil-themed Demonio, the spurred Victorian typefaces Tequilero, Arsenico, Los Jefes, Demente, Carbones, Bandidos, Madriza, Abatido, Malosa, Huracan and Mercenario, Radical (street art-inspired), Hermandad, Malandra (ghoulish font), and Infame (a modular typeface influenced by street art).

    Typefaces from 2017: Brutal (inspired by tattoo lettering, chicano culture and street art), Furia (a blackletter inspired by tattoo letters, chicano culture, graffiti and street art), Rabia, Aliento, Demolicion (spurred), Pecados (spurred style).

    Typefaces from 2018: Crudo, Atraco (graffiti-inspired typeface), Criminal (tattoo font), Dogma (spurred), Asfalto.

    Typefaces from 2019: Guerra, Animal, Vicio, Omerta, Bastarda, amenaza, Insano, Supremo, Macabro, Insano (spurred), Bestia spurred), Ataque (spurred), Agresivo (spurred), Artero (spurred), Colapso, Sabotaje. [Google] [More]  ⦿

    Jake Luedecke
    [Luedecke Design Font Co (was: LDF Fonts)]

    [More]  ⦿

    James A. Lebbad
    [Lebbadesign (or: Lebbad Design)]

    [MyFonts] [More]  ⦿

    James D. Milligan
    [akaType]

    [More]  ⦿

    James Vipond

    Creator of Vipondoctic (2008), an octagonal beauty, with the help of FontStruct. Other creations at FontStruct in 2008: vipond_angular, vipond_chubby, Fast Money, Vipond Octic, Lampoon, Fast Money (gridded face), Unity Titling (art deco), Vipond Angular (octagonal), Ringling (Victorian circus font). [Google] [More]  ⦿

    Jan Nuzzo

    Berlin-based designer of the free EPS format Victorian caps typeface Kurt (2016). Behance link. [Google] [More]  ⦿

    Jared Stahl

    Minooka, IL-based designer of the Victorian display typeface Willow LN (2017). Behance link. [Google] [More]  ⦿

    Jarnawi Saja
    [Spidergraph (was: Grontype)]

    [MyFonts] [More]  ⦿

    Jarno Lukkarila
    [Typolar (was: Jarno Lukkarila Type Foundry, or: Format Design)]

    [MyFonts] [More]  ⦿

    jasgul164

    Designer of the free Victorian all caps typeface Gloria (2019). [Google] [More]  ⦿

    Jason Anthony Walcott
    [JAW Fonts (Jukebox Type)]

    [MyFonts] [More]  ⦿

    Jason Anthony Walcott
    [Jukebox Collection]

    [MyFonts] [More]  ⦿

    JAW Fonts (Jukebox Type)
    [Jason Anthony Walcott]

    JAW Fonts (and before that, JAW Arts Fonts, and Jukebox Type) was founded by Jason Walcott (b. Trenton, MI, 1971) from Hollywood, CA. Jason grew up in New Jersey, and now resides in Southern California. He graduated from Kean College of New Jersey (now Kean University) in 1997 with a BFA in illustration. JAW Fonts features many elegant calligraphic and comic book style typefaces. JAW Fonts ceased operation in 2003 and Jason reintroduced his collection of fonts in a revised form under the new name of Jukebox Type.

    The original list of typefaces includes Acroterion JF (2002, formal script), Adage Script JF (2002, formal script), Alpengeist, Andantino (2003), AnnabelleJF (2002, a formal script), Baileywick Curly, Baileywick Festive, Baileywick Gothic, Baileywick Happy Grams (star dingbats), Baroque Text JF (2003, a great Fraktur font based on a hand-lettered alphabet drawn by Ross George), Boxer Script, Bronson Gothic, Buena Park (2001, Victorian vintage type influenced by Clarendon), Cathexis (2010, a heavy poster font), Cavetto, CharadeJF (2001, informal script), Debonair, Fairy Tale, Fanfare (2004, a bouncy serif family), Fenway Park, Friki Tiki, Geometric Soul (2004, an art deco all caps face), Gypsy Switch, Holiday Times, Hucklebuck (2003, upright connected signage face), Jeffriana, John Andrew JF, KonTiki (a family published in 2002 containing Aloha, Enchantment, Hula, Kona, Lanai, Lounge and Trader), Lady Fair, Luxury Royale (2003), Manual Script JF (2002), Martini (2004, a brush script), Mary Helen, Opulence JF (2002, formal script font), Peregroy, Periwinkle (2006), Cabernet (2006, frilly didone), Polynesian (2004, Hawaiian-look typeface that could also pass for an oriental simulation face), Primrose JF (2002, formal script), Rambler Script, Randolph, Retro Repro (2002, based on a script by Jerry Mullen from 1953), Saharan, Scriptorama (Hostess, Markdown and Tradeshow), Shirley Script JF (2003), Southland, Spaulding Sans, Stanzie, Stella Ann (2005), Stephanie Marie JF (2003), Tamarillo (2005), TwisterJF (2003), Valentina Joy, Varsity Script, Viceroy, Walcott Gothic (Fountain, Hollywood and Sunset), Groovin (2005, Umbrella Type), Wonderboy. The fonts of this West Hollywood, CA-based foundry can be bought at MyFonts.com. In 2003, he started Jukebox Type and started offering his fonts at Veer. In October 2003, Veer acquired Jukebox Type outright.

    In 2005, they added Rootin Tootin (Western style), Dulcimer (soft script), Block Party, Dandelion, Marmalade (idyllic script).

    In 2006, he created Jukebox Bookman, a 6-weight family, and the brush script typeface Stephanie Marie.

    In 2007, he added Hellenic Wide (after a 19th century ATF font), GiggleScript JF, Savoir Faire (after a handlettered slogan in 1940 for Chesterfield cigarettes), Lollipop.

    2008 additions: Hogwash (paintbrush face), Antiquities Technobaby.

    2009 additions: Cynthia June (calligraphic).

    Typefaces from 2010: Eloquent (a didone in the style of Pistilli).

    Counterpoint Type Studio was established by Walcott in 2013. In 2013, Jason designed the psychedelic typeface Califunkia and the calligraphic script typeface Profiterole. Domani CP (2013, CounterPoint)) is a faithful digital revival of an old photo-typositing typeface called ITC Didi. Originally designed by Herb Lubalin and Tom Carnese, Domani brings to life a font that has been somewhat neglected by the digital era until now.

    This is the list of fonts sold by MyFonts in 2015. It is just a subset of the fonts made by Walcott:

    Jukebox Type has these typefaces:

    Klingspor link. View the Jukebox Type typeface library. View the JAW Fonts typeface library. [Google] [MyFonts] [More]  ⦿

    Jean Joveneaux

    Author of La lettre dans la peinture et la publicité (1957, Editions Charles Massin, Paris: see also here and here). His Futura Stencil-like Le Pochoir (plate 40) was digitally remade by Toto as Le Pochoir (2011), and also by Jan Gerner as Pochoir (2006). Author also of La lettre dans le décor. An art deco typeface from that book was digitally revived by Toto and Dick Pape in 2011 under the name La lettre dans le décor. Free download here.

    The alphabets of La lettre dans la peinture et la publicité (1957) include many styles, from art deco to blackletter, Victorian and retro. Joveneaux gave them names, so I will list them in alphabetical order: 1erEmpire, AnDeGrace1320, Antiquites, Aquarium, ArtsGraphiques, BalDeNuit, Bar, BeauxArts, Cafe, CompositionDecorative, Constellation, CoursDeStenotypie, DerniereHeure, EclairageFluorescent, Editorial, ElectroStatique, EnExclusivite, Exposition, Illustration, InitiationSportive, JeuDeDominos, LaGrandeParade, LePochoir, LettresOrnees, Massif, Meubles, ModeDEte1950, Motos, Nouvelle, Ordonnance, OrpheeAuxEnfers, PrestigeDeLaSoie, Promotion52, RealisationsGraphiques, RobesDEte, SalonMai1953, Samedi23Mai1953, TissusTousColoris, TouteUneGammeDeLaines, ZoneInterdite. [Google] [More]  ⦿

    Jeff Levine
    [Jeff Levine: Additional typefaces]

    [MyFonts] [More]  ⦿

    Jeff Levine: Additional typefaces
    [Jeff Levine]

    This is a list of fonts by Jeff Levine not categorized anywhere else on my pages.

    [Google] [MyFonts] [More]  ⦿

    Jefferson Andres Baquero

    As a student in Universidad Mayor de Chile, Bogota, Colombia-based Jefferson Baquero created the Victorian typeface Colonial (2016). [Google] [More]  ⦿

    Jeremy Jett

    Cincinnati, OH-based design student who created Wonka (2012, Victorian decorative face). [Google] [More]  ⦿

    Jeremy Vessey
    [Hustle Supply Co]

    [More]  ⦿

    Jerry Berg
    [Art and Sign Unlimited]

    [More]  ⦿

    Jim Spiece
    [Spiece Graphics]

    [MyFonts] [More]  ⦿

    J.M. Cova
    [Jake Jarkor]

    [More]  ⦿

    Jo Alfie Wimborne

    In 2014, Jo Alfie Wimborne was studying at the University of South Wales in Cardiff. Her typeface family Toy Airship (2014) combines Victorian and steampunk elements. [Google] [More]  ⦿

    Joao Ferreiro

    Quarteira, Portugal-based designer of the Victorian display typeface Train (2015), which is modeled after a railroad station sign near Faro, Portugal. [Google] [More]  ⦿

    Jodie Koldijk

    Graphic designer in Amsterdam who created Untitled (2012) and Random (2012), experimental typefaces. Her second font is called Font Twee (2012). She also created a Victorian typeface in 2012. [Google] [More]  ⦿

    Johannes Lang
    [Langustefonts]

    [MyFonts] [More]  ⦿

    John Davis

    Type designer from Southern California, who designs type at Reno, NV-based Letterhead Fonts, which in turn is run by Chuck Davis. Many of his designs are Victorian / Western.

    At Letterhead Fonts, he designed these typefaces: 20 Six Letters (with Noel Weber), 20 Six Panels (with Noel Weber), LHF Bergling Panels (2012, after J.M. Bergling, ca. 1900), Boston Ballpark, LHF Classic Panels 2 (2011, with Kaitlin Sims), Cool Blue 2 (2014, based on Letterhead's Cool Blue from 2002), General Store, Hambone, Heritage, Kips Bay, Metro 39 (inline, art deco), Monogram Diamond (based on J.M. Bergling), Monogram Oval, LHF Pipeline (2012, inspired by Alf Becker), LHF Ridgecrest (2012), Ringer, LHF Encore (2014: Victorian calligraphic designs), Woodmere, LHF Brooklyn (2015), Bella Vista (2015).

    Klingspor link. Letterhead Fonts link. [Google] [MyFonts] [More]  ⦿

    John F. Cumming

    Massachusetts-based punchcutter, b. 1852, Harrisville, PA.

    • Typefaces at the Boston Type Foundry: Albino (1882), Autograph Script (1884), Bank Note Roman and Italic (1870), Banner (< 1883), Binner Gothic (< 1898), Century (1884), Cheque (1882), Clark Script (1884), Copley (1886), Dresden (1882), Duerer (1889), Facade (1892), Kismet (1879, the ultimate Victorian typeface), London (< 1885), Lubeck (1884), Magnolia Script (1884), Morris, Munich (1882), Record (1881), Rubens (1884), Skinner Script (1885), Soudan (1884), Syrian, Weimar (1886).
    • Typefaces at the Dickinson Type Foundry (also in Boston): Algonquin and Algonquin Ornamented (1888), Caxton Title, Colonial (1887), Elandkay (1892), Florentine Old Script (1884), French Cursive, Globe. Gothic Script (1891), Gothic Slope, Grady (< 1891), Howland (1892), Jagged Series (1881), Karnac (1884, Victorian), Masonic Text (1890), Mother Hubbard (1885), Outing Series (1888, revived by Nick Curtis as Pique-Nique NF in 2014), Quaint (1888), Renaissant (1880, a Victorian typeface revived in 2014 by Nick Curtis as Renaissant NF), Satanick (1897), Skjald (1890), Stenograf (1890), Vertical Script (1897), Virile (1890), Visible Speech.
    • Typefaces at the Hansen Type Foundry: Viking Old Style No. 3 (1899).

    Comment by Mac McGrew on Howland: Howland was introduced by Dickinson in 1892 as a "companion series to DeVinne." The same design was called DeVinne Condensed (No.3) by Keystone Type Foundry, but differs from the De Vinne Condensed issued by other sources. Howland Open followed in 1894; it was copied by Linotype as Condensed Outline and suggested through the 1940s as a display typeface for classified advertising pages which banned bold types. Compare DeVinne Condensed, MacFarland Condensed.

    Some digitizations exist: the nice fat pre-art deco typeface Binner is offered by Linotype, Elsner & Flake (as Binner EF), and Monotype (as Binner Poster MT). Kismet was digitized by Linotype and separately by Richard Beatty as Spiral. Viking Old Style No. 3 was revived in Ingvaeonic-Oldestyle (2007, Nick Curtis)). Howland was revived by Elizabeth Carey Smith as Howland New.

    Jenson Oldstyle No. 2 (1893) was designed by J.W. Phinney and cut by John F. Cumming.

    Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

    John George Mengel

    Baltimore, MD-based designer of a Victorian typeface in 1885. [Google] [More]  ⦿

    John Haddon & Co (or: Haddon-Caxton Type Foundry)
    [Phil May]

    London-based foundry with a sense of humour, because all their type names start with the letter H. Examples of art nouveau typefaces: Harlech, Harquil, Harrington, Hawarden Italic, Huntsman (late Victorian, pre-art-nouveau style).

    Most of their typefaces were designed by Phil May [information unverified].

    For digital revivals, see Huntsman (2005, Dan X. Solo).

    John Haddon published Haddon-Caxton List of Poster Wood-Letters Ornaments and Rules at the Fleet Street location of the Haddon-Caxton Type Foundry in London in 1923. Free local PDF. That book shows these exclusive wood types: Haddon, Hawarden, Highland, Herald, and Hamlin. [Google] [More]  ⦿

    John J. Palmer
    [Palmer and Rey]

    [MyFonts] [More]  ⦿

    John M. Fiscella
    [Production First Software]

    [MyFonts] [More]  ⦿

    John Moore

    Born in 1951, John Moore is a Venezuelan type designer. He studied graphic design in the Institute of graphic design Neumann from 1972 until 1976. In 1980 he took a workshop with Milton Glaser and since 1983 he has worked as an art director and creative director in many advertising agencies. He designs type since 1976.

    His typefaces Gordis (a fattish comic book family) and Tepuy won awards at Tipos Latinos 2008 in the non-text and experimental typeface categories, respectively. At Tipos Latinos 2010, he won twice in the display category, for Victorina and Radio Time.

    His typefaces: (New) Maracay (2013, a large layered Victorian signage family), Fine Art OT (2013, brushy typeface), Roadline Italic (2013, a retro script), JMTF Robin (2013, a layered post-modernist display family), Virgin Script (2013), Radio Time (2013, fat retro signage script), Radio Time Icons (2013), Palaima (2013, an aboriginal style face), Factor (2012, a layered geometric font), Onda (2012, a wavy psychedelic face), Blockee (2012), Aliykit Open (2012, a multiline typeface), VE Inconexa (2006, outline architectural face), VE Makiritare (2006, a double labyrinthine script that is based on symbolisms used by the Makiritare or Yecuana, river people who live in the village of Santa Maria de Erebato in the Venezuelan jungle on the border with Brazil), VE Moho (2006; or simply Moho in 2014), VE Palaima (2006, futuristic, Amazonian), Radio Time (fifties style script, with Alejandro Paul at Sudtipos), Fruta (stencil, influenced by Glaser?), Glaser Stencil Round, Gothike (sharp-edges), Aqua (ultra round), Club, Caracas (sans; +Caracas Pro, 2015; see also Caracas Stencil Pro, 2015), Factor (hookish), Space Lab (futuristic family), Robin (headline), Victorina (multiline Victorian poster typeface which won an award at Tipos Latinos 2010), Victorina Black Shadow (2011), Waterman (2010, a flowing undulating script family), Spacelab (2010, futuristic) and RobinBienalII (2005).

    Sudtipos sells these fonts of his via MyFonts: Makiritare (bilined, based on woven baskets), Palaima (experimental, runic), Precolombino (petroglyphs), Tepuy (rounded version of Makiritare), Roadline (2009, fifties diner font), Sacred Geo (2011, a geometric dingbat font that won an award at Tipos Latinos 2012), DeCoro (2011, art deco family), Sacred Geo Tiling (2011), Primate (2012, an African look typeface family), Morenita (2012, a connected fifties or school script), Takox (2012), Petroglifos (2012), Xtencil (2012, a rounded stencil influenced by Milton Glaser; followed by Xtencil LC and UC in 2013 and Xtencil Pro in 2015).

    Typefaces from 2014: Moho Sport Pro (layered athletic lettering typeface family), Scripta Pro and Gothic (40s-style lettering typeface inspired by the style of L.H. Copeland), InkArt Labels, Moho (named after Laszlo Moholy-Nagy), MohoBis Pro (a multilined version of Moho), Moho Condensed, Moho Script, Duvall (named after Edward J. Duvall, who published Modern Sign Painting in the late 1940s; Duvall won an award at Tipos Latinos 2014).

    In 2015, the Moho series continued with Moho Style. He also made Arthaus (2015, a fantastic Bauhaus font family inspired by Herbert Bayer's universal alphabet), MyCard (a techno type), NeoScript Pro and Hierra (after a font by Dan Solo) in 2015.

    In 2016, he designed Artime (a sci-fi font), Virtual.

    Typefaces from 2017: FunFont (cartoon style).

    Klingspor link. MyFonts link. Behance link. Poster.

    View John Moore's typefaces. [Google] [MyFonts] [More]  ⦿

    John Studden

    Sign artist in Burbank, CA who runs L.A. Signs and Graphics on E. Verdugo Avenue there. MyFonts link. All his fonts are commercial, and can be bought from Letterhead Fonts (LHF). He specializes in signage and retro typefaces. Perhaps his best-selling typeface is Classic Caps (2002). Other typefaces: Casablanca (2003), LHF Ephemera (2002, calligraphic), LHF Ballpark Script (2001, connected signage script), Goldsmith (2003), New Trajan (2002, based on Roman lettering found on buildings), Aristocrat (2002, inspired by a 1930s ad for swallow motorcycles), Big Top (2002, a circus headline font), Bulldog, Burbank (modeled after fire truck lettering), Classic Roman, Light Face Roman (2003), Fairground, Havana, Hertford, Corrie (2004, a roman titling face), The Bat (2004, inspired by lettering of Al Imelli), Pullman Train (2003), Labelle (2003, inspired by a Peace Time cigar label), Stetson (2004, an elegant all-caps display face), Brough Superior (2004), Classic Caps (2006, for Western style signs), Diploma (2006), Watrin (2006), Hamilton Ornate (2006, late 19th century ornamental style), Mackinlay (2006), Hamilton Nailhead (2006), Palms Bold (2006, wood type), Square Block (2006), Bank Note (2006, all-caps pair of typefaces that includes an outline), Gilmore (2006, wood type), Booth (2006, an artsy modern-serifed headline face), LHF Citizen (2007), LHF Prince (2007), LHF Vienna (2007), LHF Victoria (2007, art deco), LHF Roebuck, LHF Quaker (2007, elegant and artsy), LHF Prince (2007, inspired by the old "Farmer's Deposit National Bank" stock certificates), LHF Gilmore (2007), LHF Jumbo (2007, heavy Egyptian), LHF Conservatory (2008, a tall serif face), LHF Iron Horse (2008) and Shopfront (2002).

    In 2014, John Studden and Dave Parr co-designed the Victorian display typeface family LHF Blackstone and the retro script LHF Heller's Script. Studden also finished LHF Iron Knight in 2014.

    In 2011, J.M. Bergling's work (early 1900s) inspired the development of LHF Monogram Circle, LHF Monogram Diamond, and LHF Monogram Oval.

    In 2015, John Studden designed the Western Tuscan typeface LHF Nugget. [Google] [MyFonts] [More]  ⦿

    John West

    Charles S. Hazlett of Boone, IA, and John West, of Chicago, co-designed a script typeface for BBS in 1890. When he patented the stencil face in 1885, he was listed as living in Brooklyn, NY. This Stencil-Gothic appeared for the first time in the Eleventh Book of Specimens of printing types and every requisite for typographical use and adornment (1885, MacKellar, Smiths & Jordan). In the following years it was also offered by Shniedewend, Lee & Co. of Chicago as well as Barnhart, Brothers & Spindler of Chicago---in the later under the name Cleft Gothic. For a revival, see Stencil Gothic (2014, Johannes Lang and Stefan Ellmer; MyFonts link).

    In 1885, he patented another typeface.

    John west became manager of the small Chicago-based typefoundry, Indestructibe Type Co towards the end of the century. [Google] [MyFonts] [More]  ⦿

    John Wollring
    [Koeiekat]

    [More]  ⦿

    Jon Melton
    [Emfoundry]

    [More]  ⦿

    Jonathan Swinn
    [Alphabet Agency Font Foundry]

    [MyFonts] [More]  ⦿

    Jordi Manero Pascual
    [Woodcutter Manero]

    [More]  ⦿

    Jose Jimenez
    [Celebrity Fontz]

    [MyFonts] [More]  ⦿

    Joseph Bertram Jowitt

    Author of Modern Show Card Writing (1922, National Drug Clerk). One Victorian alphabet served as a model for Nick Curtis's Shangri-La NF (2000, 2008). [Google] [MyFonts] [More]  ⦿

    Josephine Encarnacion

    Brooklyn, NY-based designer of Eyre (2017), a Victorian font influenced by the books of Charlotte Brontë. [Google] [More]  ⦿

    Joshua M. Smith
    [Legacy of Defeat]

    [More]  ⦿

    Juan José Lopez
    [Huy Fonts]

    [MyFonts] [More]  ⦿

    Jukebox Collection
    [Jason Anthony Walcott]

    This is the new foundry of Hollywood, CA-based Jason Walcott, who formerly ran JAW Fonts, Jukebox Type, and Counterpoint Type Studio. JAW Fonts ceased operation in 2003 and Jason reintroduced his collection of fonts in a revised form under the new name of Jukebox Type. Established in 2015, Jukebox Collection started out with these typefaces, which are mainly remastered and recycled typefaces from JAW Fonts and Jukebox Type with original designs going back to the period 2001-2007, roughly spaeking:

    View the Jukebox Collection typeface library. [Google] [MyFonts] [More]  ⦿

    Julien Sarton
    [Jü Dzign]

    [More]  ⦿

    Julius Herriet Jr

    Type designer born in 1861 in New York. At the Boston Type Foundry, he created Coburg, Facade Condensed, Makart (ca. 1886), Mural (1881), Quincy Script (ca. 1885), Rogers, Samoa, Webster (ca. 1888). At A. D. Farmer, he did Fashion Extra Condensed (some time before 1892). Facade Condensed, which has Victorian influences, is available in digitized form from Monotype. [Google] [More]  ⦿

    Julius Herriet Sr

    Born in 1818 in Braunschweig, Germany. He emigrated to the United States where he worked as a type designer for various foundries in New York. His work includes these typefaces:

    • Bruce Type Foundry: Black (Extended, Extra Condensed, Slope, Italian), Circular Italic, German Text 580, Harrington, Italian Antique, Italian Black Ornamented (1872), Ornamented No. 1025, Bruce's Ornamented no. 1048 (faux Chinese), Ornamented No. 1060 (1878), Ornamented No. 1515 (1867), Ornamented No. 1522 (1871), Ornamented No. 1526 (1871), Ornamented No. 1528 (1873), Ornamented No. 1532 (1875), Ornamented No. 1533 (1873), Ornamented No. 1542 (1876), Ornamented No. 1543 (1876), Ornamented No. 1545 (1876), Ornamented No. 1549 (1868), Ornamented No. 1551 (1878), Ray Shaded Black, Rustic 1048, Soutache (1873, a Tuscan typeface revived by Font Mesa as Main Street), St. Clair (1875), Stephen Ornate (1877).
    • Conner Type Foundry: Cosmopolitan, Curved Antique, Latin Ornate (+Shaded), Mayflower, Nero, Octagon (1885, +Shaded, 1883), Old Style Title, Ornamented Text (+Shaded), Pilgrim, Roman Shaded, Text (+Italic).
    • Johnson Type Foundry: Gothic Tuscan, Modern Text (+Open), National (1856), Recherche.

    In 2021, Alejandro Paul paid homage to Julius Herriet's Old Style Ornamented in his Plethora, an 18-style family and two variable fonts by adding various frills, ligatures, weights, exaggerating the design in true Victorian spirit. [Google] [MyFonts] [More]  ⦿

    Julius Klinkhardt
    [Julius Klinkhardt Schriftgiesserei]

    [More]  ⦿

    Julius Klinkhardt Schriftgiesserei
    [Julius Klinkhardt]

    Julius Klinkhardt designed typefaces such as the blackletter font Neue Schwabacher (1922, Berthold). He ran the Julius Klinkhardt Schriftgiesserei in Leipzig in the late 19th century, after having acquired the type foundry of Gustav Schelter in 1871. It was taken over by Berthold in 1920. Their typefaces include Flora Ornamente (1906), Lithographia (1895), Secessions Schriften (1906), Baldur (1903, art nouveau; for a digital revival, see Alan Presott's New Baldur APT, 1996, and Dieter Steffmann's Baldur from 2000), Britania-Gotisch (1900, also known as Altgotish, and as Kloster Gotisch, and as Mammut Gotisch), Breitkopf Fraktur (just like versions of this typeface at C.F. Rühl (1912)), Helios Reklameschrift (revived by Ralph M. Unger in 2017 Affiche), Stempel (1912) and Berthold (1919)), Rosen Zierat (ca. 1910), Negro (1908), Elvira (1908), Cornelia Einfassung (1908), Hubertus Schmuck (1909), Filigran Ornamente (1910), Doris Ornamente (1917), Stigma Ornamente (1911), Bastard gross (a Kanzlei typeface with mager and fett versions), Werkschrift Germanisch (ca. 1880), Tango-Cursiv (1914), and Bismarck-Gotisch gross, all digitally revived by Gerhard Helzel. His TipTop (ca. 1900) was digitized under the same name by Petra Heidorn (2004). Tip Top Pro (2008, URW++) is a commercial revival of the same typeface by Ralph M. Unger.

    On EBay, they were selling the specimen book: See here. Their main specimen books are Gesamt-Probe der Schriftgiesserei Julius Klinkhardt in Leipzig und Wien (1885, 690 pages) and Oktav-Probe II (1890, 452 pages). See the cover of an earlier specimen book.

    Some type designers:

    • Richard Grimm-Sachsenberg: Grimm-Antiqua und Schmuck (1914), Neue römische Antiqua (1907), Saxonia (1907), magere römische Antiqua (1912).
    • Heinz König: Rundine (1913).
    • Hermann Delitsch: Ramses (1912, an Antiqua face), Delitsch-Kanzlei (1903), Delitsch Antiqua (1911).
    • Julius Nitsche: Unger Fraktur (1910; Wetzig says 1907), Neudeutsche Ornamente (1911), Buchschmuck (1905), Akzidenz-Zierat (1905).
    • Remarkable typefaces: Schmale Runde Grotesk (1885, a forerunner of DIN?).
    • Gadso Weiland: Toscana Schriften und Schmuck (1908).

    Examples from their catalog from 1890: Fette Universal, Garnitur XII and XIII, Garnitur XIV, Kurrentschrift, Verzierte Merkur Kanzlei, and Neue Cursiv Zierschrift, Antika and Italia Grotesk Versalien, drawing of a boudoir, Enge Egyptienne, Fette Cursiv, Fraktur, Halbfette Fraktur, Holz Schriften (wood type), more wood type, drawing of horses, Moderne Fette Fraktur, monograms, Neue Fette Fraktur and Victoria Gotisch, Neue Fette Fraktur, Neue Schmale Fette Egyptienne, Romanische Gotisch, Rundschrift Polytypen, Schmale Antiqua, Schmale Fraktur, Schmale Halbfette Grotesk, Schwabacher, Silhouette Initialen, Stickmuster Typen, vignetten, more vignetten, Zierschriften, more Zierschriften, Zweifarben-Schriften. [Google] [More]  ⦿

    Julius Schmohl

    In 1891, Julius Schmohl and Ernst Lauschke designed an art nouveau and a Victorian face for BBS. Schmohl was born in Germany, but lived in Chicago for most of his life. In 1895, he and Max Rosenow published an upright script with BBS. This ronde typeface was originally known as Oliphant and renamed Advertisers Upright Script in 1925. In 2014, Spiece Graphics created a digital version of it, Milroy Upright SG. [Google] [MyFonts] [More]  ⦿

    Jumbo Design
    [Peter Olexa]

    Designer of these (mostly vintage display or Victorian) typefaces:

    • In 2021: Almanac (spurred), Aston (spurred), Atlantis Serif (art deco), Cassanova (a hand-drawn slab serif), Halfmoon, Havana (a bold art deco typeface), Inspiron, Lavenda, Melcoinda, Monopoly, Scorpio, Vaganza.
    • In 2020: Wagoon.
    • In 2019: Construction Kit 3D, Coconut Inline Grunge, Umbrella, Roman Black, Dories.
    • In 2018: Stela, Balques, Futu, Amadeus Inline, Quadro, Ocean, Amadeus, Forest.
    • In 2017: Noxa, AmaDeust, Goliath, Arbatosh, Queen, Jewel, Savana, Tron, Starla, Brisk (multiline art deco typeface), Brodo (art deco), Castile, Billionaire (art deco), Cube, Valeria, Strife, Rhino Font (fat slab), Ruas, Maroon, Green Light, Giant, Atlantis, Octopus (spurred), Alter, Atari (Trajan caps, with grunge substyles).
    • In 2016: Zora, Watson, Urban, Plasma (art deco), Wagoon, Evolve, Pineapple, The Crow, Magneto, Legacy (athletic lettering style), Mocca, Jimny, Hurley (vintage style), Royal, Pirate, Amora Script, Rocket (Victorian), Hydrant, Boston, Stella (pure Victoriana), Tracker (blackletter family), Murray, Nomura (upright connected script), Salada, Vultron (spurred Victorian typeface), Flamingo (a Victorian set of fonts), Blue North (Western font), Safi (upright connected script), Phoenix, Demonius, Holiday (baseball script), Timor, spurred vintage style), Shelby, Jibril (Victorian signage typeface), Atara (grungy spurred vintage style), Atara Inline.
    • In 2015: Almanac (grunge style), Rolla (a grungy multiline all caps typeface), Speed Hunter, Square Space (athletic lettering font).
    [Google] [More]  ⦿

    Juru Rancang Studio (was: Juru Aksara)
    [Ihsan Khairul Lazuardi]

    Graphic designer in Bandung, Indonesia, b. 1986, Bandung, who is now located in Bali. He created IKL Bold (2013) for Oink, a skateboarding company. IKL Archi was made in 2010. He also designed the gooey Halloween font Brainless (2015), the thick brush typeface Ngabret (2015), the hipster typeface Braga (2015), the script typefaces Panghegar Script (2015), Kosambi Script (2015), the calligraphic script typeface Manglayang Script (2015, Juru Aksara), Kulacino (2015, +Rough), the art deco typeface IKL Archi (2015) and the display / poster sans typeface family Rancang (2015, Juru Aksara).

    Cofounder of Image Type, where he published the spurred Victorian typeface family Skiltmaler in 2016.

    Typefaces from 2017: Braga Huis (a Dutch deco typeface inspired by the famous street in Bandung), Tjikapoendoeng Script (formal calligraphic script by Ricky Rinaldi and Juru Aksara), TjikapoendoengSlabRough, Trellist (compressed and modular techno typeface).

    Typefaces from 2018: Aksara Agya (brush font), Bahula (dry brush), JA Jayagiri, Buana, Mancakrama (connected script), Bancakan (a handcrafted menu font).

    Typefaces from 2021: Anggara, Marxis (a hyper-condensed movie credit sans), Seahoarse (sic) (all caps), Genesis (sci-fi), MAD-GTX (sci-fi), Sagara (a sports shirt family). Creative Market link. Behance link. Creative Market link for Juru Aksara. [Google] [MyFonts] [More]  ⦿

    Just My Type
    [J. Randall Harris]

    Just My Type is a type foundry that was founded in 2012 by J. Randall (or Randy) Harris (b. 1947, Marion, IN) in Tucson, AZ. Harris is a graphic and type designer who has been making typefaces since 1997. He teaches at the Art Institute of Tucson. His typefaces from 2013: Megatropolis (a stackable deco font system), Historic Warehouse (Victorian).

    Typefaces from 2012: Happenstance (a lovely retro-futuristic script), Illuminations Woodcut, Yule Love It (Christmas time dingbats), Gawain (based on the hand of Gawain Douglas), Oaxaca (a Mexican look face), Boxy Code, Channel B (a rounded monoline sans), Curves, Puzzle, Dempsey (based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey), Chilespice, Strata, Deco Donut, Jiminy (a comic book face), Invites (a roundish upright script that intends to recreate the 1920s spirit), Hunky Chunky (an obese poster face), the hand-printed typeface Carissa, Got Milk, Cutting Corners, Astro (retro-futurustic), Dix (2012: a slabby wood style typeface inspired by the poster for the 1929 film Redskin, and a desire to create a black Edwardian font with an offbeat serif), and the monoline rounded stripped-down sans typeface family Laszlo (2012: the name is an homage to Laszlo Moholy-Nagy of Bauhaus fame).

    Kolega (2012) is a constructivist typeface family that consists of Kolega, Kolega Tall, and Kolega Podrobska (fake comrade).

    Steampipe (2012) is an ironwork, Jules Verne, wrought iron and time machine font.

    Los Muertos (2012) is a Halloween font.

    Typefaces from 2013: Megatropolis (a stackable deco font system).

    In 2014, he created the art deco typeface HG Welles, which was originally designed for a privately-published luxury edition of The Time Machine.

    Behance link. J Randall Harris Design link. Home page. [Google] [MyFonts] [More]  ⦿

    Justin Howes
    [H.W. Caslon&Co Ltd]

    [MyFonts] [More]  ⦿

    Jü Dzign
    [Julien Sarton]

    Julien Sarton (Jü Dzign, Paris) created the hand-drawn font Main Levée and the spurred Victorian typefaces Western Square and Type Western in 2014. His fonts are free.

    Typefaces from 2016: Black Sheeep, Type Western 2 Lawson (free), Type Western 3.

    Dafont link. Behance link. [Google] [More]  ⦿

    K22 Fonts
    [Toto]

    Quezon City or Kyusi (Philippines)-based designer of revivals and opportunistic typefaces, who is quite active on newsgroups like alt.binaries.fonts. His production is impressive:

    • Typefaces from Dan Solo's books: Pluto Outline (2012), a 3d beveled typeface from page 82 of Solo's Outline Alphabets. K22 Angular Text (2012, an interpretation of Herman Ihlenburg's 1884 Victorian typeface Angular Text at MacKellar, Smiths and Jordan), K22 Helve Cursive (based on Helvetica Serif by Dan Solo; other digitizations include Pen Tip (WSI) and Renania (Intellcta)), K22 Spiral Swash (Victorian), K22 Athenian Wide (2011: K22 Athenian Wide is Athenian Wide on page 5 of Circus Alphabets: 100 Complete Fonts by Dan X. Solo; see also Tobias SSK), K22 TriLine Gothic (2011, a multiline art deco typeface based on Ross F. George's TriLine Gothic from 1956), K22 Timbuctu (2011: this is the Arabic simulation typeface Timbuctu on page 73 of The Solotype Catalog of 4,147 Display Typefaces and on page 95 of Special Effects and Topical Alphabets: 100 Complete Fonts by Dan X. Solo), K22 Didoni (2011, + Swash: a fat typeface based on Didoni from page 33 of Swash Letter Alphabets: 100 Complete Fonts by Dan X. Solo and also on page 140 of The Solotype Catalog of 4,147 Display Typefaces), K22 K22 Eureka (2010, based on Eureka from Dan X. Solo's book "Circus Alphabets, 100 Complete Fonts"), K22 Monastic (2010, based on Monastic from Victorian Display Alphabets by Dan X. Solo), Solo Ornaments (2003, based on Solo's books), K22 Eclair (2010, a decorative Western typeface Toto found in Dan X. Solo's book on Victorian alphabets, but which in fact dates back to Hans Brehmer in 1868), K22 Karnak Deco (2009, a slab serif based on Karnak Deco from the Moderne Alphabets by Dan X. Solo and published by Dover Publications in 1999).
    • Revivals of Letraset phototypes: K22 Lucifer No. 1 (2012, a beveled neon-look face).
    • Typefaces from 101 Alphabets (W. Ben. Hunt and Ed. C. Hunt, The Bruce Publishing Company, New York, 1958): Saisa (2011, art deco face), K22 Amihan (2011, an art deco face, after this original).
    • MICR fonts: K22 GKW Computer (2011, a MICR font which is based on KW Computer from ATF, and looks very similar to Moore Computer), Auto Mission (2011, after Auto Mission was derived from the MICR font Automation Shaded on page 3 of Solo's Special Effects and Topical Alphabets, and is more complete than Otto Mason SH, the Soft Horizon digitization of Automation).
    • Fonts based on work by Ross F. George: K22 TriLine Gothic (2011) is based on Tri-Line Gothic by Ross F. George in Speedball Text Book, 17th Edition, 1956.
    • K22 Xanthus (2012, based on Xanthus Computer, a dry transfer (or rub-on) font from Mecanorma).
    • K22 Stile Ballmer (2011, after an art deco typeface made by Walter Ballmer for Olivetti), Mallary (2011, based on Mallary from page 43 of Dan X. Solo's Moderne Alphabets).
    • K22 Landi Linear (2011, after Nebiolo's Landi Linear).
    • Le Pochoir (2011, an art deco stencil typeface (à la Futura Stencil) based on an alphabet from Plate 40 of La Lettre dans la Peinture et la Publicité by Jean Joveneaux, Paris, 1987), Le Pochoir Creux (2011), Lettre dans le decor (2011, based on an alphabet from "La Lettre dans le Decor et la Publicité Modernes").
    • Splash Gordon (2011, +Inline; after the title of Flash Gordon, the movie).
    • Soccer shirt fonts: Brooks Chile (2011, used by Chile in the 2010 world cup), SwitchImage FC Copenhagen (2011, used by FC Kopenhagen), Azmie WC2010 South Korea (2010), SwitchimageACMilan (2010), FCBarcelona (2010), Azmie WC2010 United States (2010), Azmie WC2010 England (2010), Azmie WC2010 Australia (2010), Azmie WC2010Brazil (2010, based on a vector image by Kuala Lumpur-based Azmie for the Brazilian World Cup team), Azmie WC2010Portugal, Azmie WC2010Netherlands, Azmie2Slovenija-2010, Real Madrid 2011 (2010), ABFonts RCD Mallorca 2012 (based on the shirts of Real Club Deportivo Mallorca, for the 2012-2013 season).
    • K22 EricGill Shadow (2011, after Gill's 1929 face, Gill Sans Shadow 338; and K22 EricGill Shadow Line, an inline version).
    • Sajou Fancy Gothic (2011, based on pages 3 and 4 of Sajou No. 236, a late 19th century French embroidery booklet).
    • RAWB (2010, ultra fat family).
    • Linyat Bilog (2010). A geometric monoline typeface.
    • K22 Ambelyn Condensed (2010, based on Ambelyn Condensed, page 2 of Condensed Alphabets: 100 Complete Fonts by Dan X. Solo and also page 21 of The Solotype Catalog of 4,147 Display Typefaces where it is called Ambelyn), K22 Spiral Swash (2010, based on Spiral Swash from Dan X. Solo's Swash Letter Alphabets (p79)).
    • Art Jam MakingFaces (2003, a great dingbat font based on designs found in Image Club Graphics' volume 30, called Art Jam).
    • Town Sketches Bandstand (2003, based on volume 35 (Sketches On The Town)).
    • Fonts based on Aridi's designs: Nabel Initials (2005, based on Marwan Aridi's Nabel from the Initial Caps Vol I), Anabel (2005, a simpler version of Nabel Initials), Blister Caps (2005, based on the Blister set from the Aridi Initial Caps Vol. 1), RegalAlt, RegalInitials (2005, based on the Regal set from the Aridi Initial Caps Vol. I), SpringAlt, SpringInitials (2005, based on the Spring set from the Aridi Initial Caps Vol. I), VictorianaAlt, VictorianaInitials (2005, based on the Victoriana set from the Aridi Initial Caps Vol. III), Tuscan Initials (2005, based on more of Marwan Aridi's alphabets), Napoli Initials (2009, more Aridi capitals), Gothic Initials (2009, Aridi-based), Romant Initials (2009, Aridi-based), Royal Initials (2009, Aridi-based), Stone Initials (2009, also based on Aridi).
    • K22 You Know Who (2004, dingbats based on Dark Mark from the Harry Potter books).
    • Gidget Cameo (2004).
    • K22 Xerxes (2003, a stone carving typeface).
    • Dover Birds (2012, based on the Birds Alphabet Coloring Book by Ruth Soffer, Dover Publications).
    • K22 Spotty Face (2012, +Cyrillic) is a dot matrix font based on Tony Huggett's Spotty (Zipatone).
    • K22 Gadget Lined (2012) is an art deco typeface based on Gadget Lined by Peter Bennett at Zipatone. See also K22 Gadget (2014).
    • K22 Lawenta (2012). A teepee-styled typeface (check also Nick Curtis's Wigwam NF). He says: The font is based on the alphabet on page 63 of 101 Alphabets by W. Ben. Hunt and Ed. C. Hunt (The Bruce Publishing Company, New York, 1958).
    • K22 My Didot (2012). This is one of three known digitizations of CBS Didot.
    • K22 Aking Didot (2012). free.
    • K22 Plural (2013) is a revival of the op-art font Plural made in 1971 by Vicente Rojo for the Mexican magazine Plural.
    • Sabbath Paranoid (2018). It is based on the letters used in Paranoid, the 1970 album of Black Sabbath.
    • UP Fighting Maroons (2018). An unreleased custom font based on the sports font on the shirts of the Fighting Maroons at the University of the Philippines. The original Fighting Maroons font, called Maroons (Sharp Strong, Wide) is an octagonal family by AJ Dimarucot, Joanna Malinis of Plus63 Design Co., and Dan Matutina of Plus63 Design Co.
    Alternate URL. Fontspace link. Partial catalog from 2010. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

    K22 Foundry
    [Niall Kitching]

    Teesside, UK-based graphic designer. Creator of Poster Slab (2011), Stussy Script (2013, hand-printed), Alycidon (2013, condensed wood face), Tulyar, Tulyar Eroded, Meld Bold Extended, Crepello.

    Typefaces from 2014, all inspired by wood type: Ballymoss, Green Howard, Blackwatch, Saint Paddy, Nimbus Condensed, Pinza Bold Condensed, Deltic Catchwords, Koyli Compressed (letterpress emulation). Tulyar (2015) is a Tuscan eroded woodbloack typeface.

    Typefaces from 2017: CAB Letterpress, Duga Stencil (a Latin / Cyrillic military stencl based on lettering seen in the Chernobyl Exclusion Zone).

    Dafont link. Old URL Creative Market link. Aka Kitch 22. [Google] [More]  ⦿

    Kadek Adi Mahardika
    [Creative Media Lab]

    [MyFonts] [More]  ⦿

    Kah Khiong Design
    [Lee Kah Khiong]

    Kah Khiong Design was founded by Lee Kah Khiong, an illustrator and graphic designer based in Sarawak, Borneo (part of Malaysia). Creator of Paku (a curly Victorian typeface that was inspired by fiddleheads and the Fibonacci spiral). [Google] [MyFonts] [More]  ⦿

    Kapri Prianto
    [Neutrone Labs]

    [More]  ⦿

    Karina Haasz

    Graduate from FADU, University of Buenos Aires, who created the Victorian typeface Vennezia (2008). [Google] [More]  ⦿

    Karl Klimsch

    Type designer, born in 1867 according to some sources [this must be wrong!]. He created Flinsch-Germanisch (1876, Flinsch), a blackletter face. In 1877, he created some decorative typefaces at Klinkhardt, called Zierschriften. One of his ornamental typefaces from 1869 was revived by Paul Lloyd as the free fonts Saraband Lettering and Saraband Initials (2002). In 1878, he published Zierschriften von Karl Klimsch Band I. Dover republished two books by this author: 2,100 Victorian Monograms (1994), and Florid Victorian Ornament (1977). [Google] [More]  ⦿

    Karl Klingspor
    [Klingspor (or: Gebrüder Klingspor)]

    [MyFonts] [More]  ⦿

    Karley Johnston

    Creator of the curly Victorian typeface that was inspired by the works of Charley Harper, called Anning (2011). Charley Harper (1922-2007) was a Cincinnati-based American Modernist artist. He was best known for his highly stylized wildlife prints, posters and book illustrations. [Google] [More]  ⦿

    Karolina Lach

    Polish / American designer who writes: Karolina Lach is a graphic designer, web designer and typographer residing in New York. She currently works as the Senior Designer for Kiwibox Media, a social network and online magazine for teens. A graduate of The Cooper Union for the Advancement of Science and Art, she has studied under Mike Essl, Emily Oberman, James Craig, Maxim Zhukov and Hannes Famira. Graduate from the type design program at the University of Reading in 2010.

    Her typefaces:

    Behance link. Home page in New York City. Behance link. Klingspor link. Google Plus link. [Google] [More]  ⦿

    Kate Greenaway

    English Victorian illustrator and letterer (b. London, 1846, d. 1901), known for her children's books. Sample of her work in her Almanack for 1884. Here are the title pages of The Royal Progress of King Pepito (1889) and The Book of Games.

    In 1885, she drew Kate Greenaway's Alphabet (caps with children in various poses), which was made into a font by Gert Wiescher in 2005. Gert Wiescher also made the dingbat typeface Greenaway Mignonettes (2012).

    Alternate URL. [Google] [More]  ⦿

    Katelyn Ratajczak

    Columbus, OH-based designer at Columbus College of Art and Design of the Victorian typeface Eclipse (2017). Behance link. [Google] [More]  ⦿

    Keith Bates
    [K-Type]

    [MyFonts] [More]  ⦿

    Kendrick Kidd
    [GARM Company (or: Graphic Artist Resource Merchant Company)]

    [MyFonts] [More]  ⦿

    Kenji Enos

    West Sacramento, CA-based designer of the rounded sans Simplex (2012), the tall-legged Twiggy Display (2012), the sans family Locksmith Display (2012, an experiment on inline), the arched shadow headline typeface Architype (2012), the bicolored geometric typeface El Grito (2012), Squirrel Display (2012), the geometric layered typeface Chunky Display (2012), and the Western slab typeface Slabtastic Display (2012).

    Typefaces from 2013 include Samuel Display (+Clean, +Ruff), Industry Display (+Raised, +Inline, +Lined: an octagonal typeface family), Winter Display (a spurred typeface), Delilah Display, Wellington Display. The Condensed weight of this family is tweetware. Rockefeller Display has mini-slabs characteristic of copperplate. Barker Display is a condensed straight-edged typeface. Elizabeth Display has so many different crazy terminals that it must be classified as high-Victorian.

    Typefaces from 2014: Euclid Display (octagonal, free), Cornelius Display (weathered slab serif), Quentin Display.

    Typefaces from 2015: Magnolia Display (free), Bear Display (a heavy octagonal typeface), Mable Display (spurred vintage typeface).

    Typefaces from 2016: Bear (modular and squarish), Rosemary Display (a great slab serif family), Magnolia Display, Quentin Display v.2, Ember Display (a high-contrast didone), Elder Display (a free transitional style typeface).

    Typefaces from 2018: Kenjiboy Village Plus (reverse stress psychedelia).

    Behance link. Creative Market link. [Google] [More]  ⦿

    Kenny Li
    [Black Lab Type]

    [MyFonts] [More]  ⦿

    Kent Swecker
    [A New Machine]

    [MyFonts] [More]  ⦿

    Kerns&Cairns
    [Dyana Weissman]

    American type designer, b. 1980, who graduated from the RISD, and worked at Font Bureau (as Senior Custom Designer) and Type Network (as Custom Type Director) in Boston. She set up Kerns & Cairns, also in Boston. Interview at Daidala. Interview by Christian Palino. Her typefaces:

    • Materot: calligraphic.
    • She expanded the Benton Sans family into an ultra for Toyota, commissioned by Saatchi&Saatchi.
    • Baskerville was modified by her for Northeastern University (via Korn Design).
    • She made a font for learning handwriting for TouchMath.
    • Apotek (2020): a squared counter typeface family based on lettering on old medicine bottles seen in Oslo.
    • Benton Modern Display (2008), co-designed with Richard Lipton at Font Bureau: Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. Design and proportions were taken from Morris Fuller Benton's turn-of-the-century Century Expanded, drawn for ATF, faithfully reviving this epoch-making magazine and news text roman. The italic was based on Century Schoolbook.
    • A redesign of Matthew Carter's Postoni (1997), called Stilson (2009, with Richard Lipton and Jill Pichotta): Since 1997, The Washington Post's iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display & Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post's founder, Stilson Hutchins.
    • Escrow Reading Edge (2016, Font Bureau). An extension of Cyrus Highsmith's Scotch Roman, Escrow (2006).
    • Syfy Hero and Syfy Sidekick.
    • Waldorf Astorai. An art deco typeface inspired by the lettering on the facade of Waldorf Astoria Hotel at 301 Park Avenue in New York City.
    • Comedy Sans. A 12-style typeface commissioned by Comedy Central.
    • Firdevs (2022). A digitization of a Victorian typeface drawn in Silivri Prison by political prisoner and journalist Fevzi Yazici, and named after Fevzi's wife.
    • CTV Sans. For the Canadian TV network.
    • ESPN College Football. A custom varsity font family developed together with Victoria Rushton and loyalkaspar.
    • Peacock Sans (2020, with Victoria Rushton). A custom typeface for Peacock, NBC Universal's video streaming platform.
    • GRab=vity Grotesk (2021, with Victoria Rushton and CSTM Fonts).

    FontShop link. Type Network link. [Google] [MyFonts] [More]  ⦿

    Ketchup n Mustard
    [Jaime Van Wart]

    Art director in Los Angeles, who studied at NC State University (class of 2008). Jaime Van Wart was a full-time product and visual designer for IBM's Lotus software group, and designed original typefaces and custom lettering. She created the Victorian typefaces Restoration and Vodarna in 2009. In 2018, she designed the display sans typeface Gipsy, the modulated sans Pacific, the blackletter typeface Eastwatch, and the geometric sans typeface Admiral. [Google] [More]  ⦿

    Kevin Cantrell

    Talented art director in Salt Lake City, UT. Kevin earned a BFA in Graphic Design from Brigham Young University in 2008. He has worked with clients such as M&RL, Neenah Paper, Fetcham Park (UK), Harvard University, Princeton University, Phillips Exeter Academy and Cottonhouse Hotel (Barcelona). In 2016, he designed the art deco typeface Tom's Town, and wrote: Tom's Town Distilling Co. is downtown Kansas City's first legal distillery since Prohibition. Drawing inspiration from the country's most polarizing and corrupt political boss, Tom Pendergast, Tom's Town brings to life the glamorous magnetism of the Gatsby-era. Rooted in a deco optimism, Kansas City flouted Prohibition under the Pendergast machine. Today as Kansas City experiences its second cultural rebirth, the people are still thirsty. Welcome to Tom's Town, where free spirits reign. KCS created a comprehension branding identity system including a proprietary font, designed exclusively for Tom's Town. His typefaces are available from Typeverything.

    In 2014, he designed the art deco typeface Fitzroy Display for the Fitzroy Condos in New York (with Andrei Robu).

    In 2018, he published Vance Serif (co-designed with Andrei Robu) and wrote: Vance Serif began as a proprietary typeface for Clayton Vance Architecture. Inspired by classical Roman architecture and proportions, Vance burgeoned from geometric angles and slants to decorative swashes and serifs to give life and nuance; architecture vivified by the human persona.

    In 2019, Typeverything released the Victorian typeface Cottonhouse by Andrei Robu, Kevin Cantrell and Arlo Vance. [Google] [More]  ⦿

    Kevin King
    [Kingthings]

    [MyFonts] [More]  ⦿

    Kevin Moll

    During his studies in Offenbach am Main, Germany, Kevin Moll designed the free circle-themed typeface Rollender Siegfried (2016) and the squarish and stylish typeface family Kastenpeter (2018). In 2019, Kevin Moll and Lena Manger co-designed the spindly Victorian typeface Mystica Extended. [Google] [More]  ⦿

    Keystone Type Foundry

    Philadelphia-based foundry, 1888-1917. The history of this short-lived foundry was told by James Eckmann in The Keystone Type Foundry, 1888-1917: a reprint [from] Printing&graphic arts, volume VI, number 1, February 1958 (Lunenburg, Vermont: The Stinehour Press, 1958). Their work appeared in Keystone Type Foundry, 1901 (362 pages), Abridged specimen book, type: nickel-alloy on universal line comprising a price list of types, borders, leads and slugs, brass rule, brass galleys; miscellaneous cuts and general supplies for printers (1906, 636 pages, see also here, here and here), A book of Keystone type typefaces (2nd ed., Philadelphia, ca. 1920), Catalogue and specimen book. Keystone products, consisting of type, material, furniture, complete line of miscellaneous supplies for printers and publishers, machinery and wood goods (Philadelphia, ca. 1910), See also Keystone Products Catalogue and Specimen Book, Consisting of Type, Material, Furniture, Complete Line of Miscellaneous Supplies for Printers and Publishers, Machinery and Wood Goods (1915).

    Typefaces: Admiral, Ayer (Mac McGrew: Ayer was introduced by Keystone Type Foundry in 1909, which said it was "named for F. Wayland Ayer, founder of Keystone Type Foundry and the great advertising agency which bears his name." The non-kerning italic was added in 1910.), Ben Franklin, Ben Franklin Condensed, Ben Franklin Open, Bulletin, Caslon Adbold, Caslon Adbold Extended, Caslon Adbold Extra Condensed, Caslon Bold, Caslon Bold Condensed, Caslon Bold Extended, Caslon Bold Italic, Caslon Lightface, Caslon Lightface Condensed, Caslon Lightface Italic, Caslon Title Extended, Charcoal, Charter Oak (1899), Compressed Gothic, Condensed Lining Gothic, Crayonette, Elite Typewriter, Gothic Condensed No. 3, Gothic No. 102, Gothic No. 114, Harris Italic (1910), Harris Roman (1909), Herculean Gothic, Italia Condensed (1906), John Alden Decorative Initials (1906), John Hancock, John Hancock Condensed, John Hancock Extended, John Hancock Outline, Keystone Gothic, Laureate (1906: revived in 2012 by Isabel Urbina), Lining Antique [Keystone], London Gothic (1910 or earlier), New Model Remington Typewriter, Outline, Outline Condensed, Remington, Remington Typewriter, Round Gothic (1884), Skeleton Lining Gothic, Skeleton Lining Gothic No. 19, Smith Premier, Title Gothic [Title Gothic No. 9, Condensed Title Gothic No. 11], Venezia, Washington Text (1902, blackletter), Washington Text Shaded.

    Digital pictures I took from the Specimen Book of Type (1903): Bulletin, Keystone Bikes, Boldface Cellini, Crayonette Open, Keystone Cyclers, Encore, Lining Antique, Lining Gothic, Outing Initials, Remington Typewriter, Remus, Ronde Initials, Salem (a wedge serif revived in 2021 by Latinotype as Osbourne), Venezia, Victoria Italic, Worcester. Catalog A-C, Catalog C-P, Catalog P-Z.

    Digitizations:

    • Miletus Grotesk (2021, Mario Feliciano) revisits Standard Gothic (1906).
    • The slab serif John Hancock (ca. 1903) and condensed slab serif John Hancock Condensed (ca. 1917, Lanston Monotype) were digitized as Hancock RR (1994) and Hancock Pro (2017) by Steve Jackaman (Red Rooster).
    • The Remington typewriter typefaces (ca. 1905) were digitized as Secret Service Typewriter RR (2002) by Steve Jackaman (Red Rooster).
    • Roman TyresRR (1997) was made by Steve Jackaman (Red Rooster).
    • Poor Richard RR is based on a Keystone design from 1919, namely Ben Franklin, Ben Franklin Condensed, Ben Franklin Open (named after Benjamin Franklin's "Poor Richard Almanack"). There is also a free font Poor Richard (1994, Projective Solutions).
    • Jeff Levine's Keyden Drop Caps JNL (2021) is a set of slab serif framed capitals based on John Alden Initials, shown in the 1906 edition of the Keystone Type Foundry specimen book.
    • Caslon FB (1992, Font Bureau) comes with this text: Our familiar Caslon Bold headletters were invented around the turn of the twentieth century in the United States and were only loosely based on William Caslons romans. The best of the Caslon Bolds originated at the Keystone Type Foundry of Philadelphia, whose Caslon Bold Condensed appeared about 1905, probably drawn by R.F. Burfeind. Jill Pichotta revised his Bold Condensed&drew the Bold Extra Condensed.
    • Gibbs Mason designed the art nouveau typeface Vanden Houten (1904) at Keystone. This typeface was remade by Dan X. Solo as Dutch Treat at Solotype.
    • Emerge BF (2009, John Bomparte) is a flare serif typeface that was inspired by Admiral, c.1900.
    • Old Softy NF (2010, Nick Curtis) is a soft round typeface based on Round Gothic (1884).
    • Charter Oak is similar to Royal Gothic (Stevens Shanks & Sons). For a digital revival, see Gothic Grotesk JNL (2020, Jeff Levine) or OPTI Charter Oak (by Castcraft).

    Comments by Mac McGrew:

    • On Harris Roman: Harris Roman was announced by Keystone Type Foundry in 1909. It was "named in honor of the late Joel Chandler Harris, author of Uncle Remus." It is a plain modernized roman, somewhat similar to Century Expanded. In 1910 Harris Italic was added; it was designed to be cast without kerns. Advertising claimed, "Non-kerning italics will save endless annoyances and losses resulting from broken letters, and the purchase price is the same as any other type of our make."
    • On Charter Oak: Charter Oak is a heavy, inclined gothic introduced by Keystone in 1899. There is a fair amount of contrast, and round letters are flat sided or nearly so. London Gothic (q.v.) was a comparable upright face, and Royal Gothic of the 1880s from another foundry is quite similar. Compare Doric Italic.
    • On London Gothic: London Gothic was issued by Keystone Type Foundry in 1910 or earlier, but is virtually a duplicate of Royal Gothic, shown by Marder, Luse&Co. in 1887. It is similar to the same founder's Charter Oak series, but upright. Although the italic typeface survived Keystone's acquisition by ATF in 1919. London Gothic does not appear to have done so. See Charter Oak.
    [Google] [More]  ⦿

    Khoir
    [Muhammad Romzul Khoir]

    Jepara, Indonesia-based designer (b. 1996) of the decorative caps typeface Karakter (2017), the monoline script Suprats (2017), the culturally inspired Jepara Carving Font (2017), the script typeface Cahyati (2017), and the free fat finger font Romzul Sans (2017, Letterhend Studio).

    Typefaces from 2018: Delova, Domco (an art deco sans), The Cheryl (a Victorian label font), Elma (display sans), Boven (display sans; caps only), Randusary, Almairah, Antenna, Massali (signature script).

    Typefaces from 2019: Milona, The Houls, Bromtone, Panerah, Benaco (art nouveau-inspired), Syailendra, Nieel, Gram (spurred), Wolver (a luxurious high-contrast typeface), Bodbug (1970s style balloon type), Caravan (a free display font).

    Typefaces from 2020: Givani (a decorative serif), Sila (a decorative serif), Rolih (a decorative serif), The Maulo (a decorative serif), Sila, Antonia (display), Virago (display), The Alpan (a bold semi-psychedelic display typeface), Dovika (Victorian), Chinta.

    Typefaces from 2021: La Penina, Qulio (a sharp-edged display serif), Carafia (a stylish black display serif), Sadila (a stylish black sharp-edged display serif), The Britin.

    Typefaces from 2022: Trimo (a wide extreme contrast display serif). [Google] [MyFonts] [More]  ⦿

    Khusunun Irawan
    [Typotopia Studio]

    [More]  ⦿

    Kidcool Studio (or: Kidcool Design)

    Bandung, Indonesia-based creator (b. 1991) of the free vintage font Kidcool Dragon (2018), the connected monoline script font Walfords (2018), and the spurred death metal band typeface Death Crow (2018). In 2019, he released the signage script Northern Freedom, the sans typeface Northern Display, Murghen Script, Golden Risk (a Victorian label font) and Little Bird. In 2020, he designed Godbless (vintage, spurred) and Rightion (a watercolor brush font). [Google] [More]  ⦿

    Kim Wilson

    Brisbane, Australia-based designer of Penman Vintage Victorian Styles for Illustrator (2017). [Google] [More]  ⦿

    Kingthings
    [Kevin King]

    Keven King (Kingthings) is the British designer (born in Kent in 1959, educated at the Graphic Design College in Exeter/Devon, and based in Exeter) of these fonts, many of which have Celtic influences. His typefaces:

    • 2002: Kingthings-Gothique (oranmental face), Kingthings-Hand, Kingthings-Hand-Light, Kingthings-Organica, Kingthings-Petrock, Kingthings-Petrock-Light, Kingthings-Xander, Kingthings-Xander-Outline.
    • 2003: Kingthings-Calligraphica, Kingthings-Calligraphica-Italic, Kingthings-Calligraphica-Light, Kingthings-Chimaera, Kingthings Flashbang, Kingthings Flourishes (Arabic simulation face), Kingthings-Italique (blackletter), Kingthings-Kelltika---Kevin-King.-2003 (fantastic Celtic style caps face), Kingthings-Sans, Kingthings-Whizzbang, Kingthings-Xander-Outline.
    • 2004: Kingthings Linear K, Kingthings Pique'n'meex, Kingthings-Annex (started in 1981: ornamented letters), Kingthings-Printingkit (old typewriter), Kingthings-Spike (blackletter), Kingthings-Typewriter (old typewriter), Kingthings Versalis, Kingthings Wrote, Kingthings-Xstitch. Some fonts have calligraphic/medieval or Celtic influences.
    • 2005: Kingthings Poppalok (ornamental dot matrix face), Kingthings Embroidery, Kingthings Spikeless, a blackletter face.
    • 2006: Kingthings Petrock, KingthingsChristmas (ornamental).
    • 2007: Kingthings Willow (great ornamental face; a commercial Pro version exists at CheapProFonts), Kingthings Willowless, Kingthings Exeter, Kingthings Extortion (ransom note face), Kingthings Facetype, Kingthings Lupine (the Pro version was done in 2009 at CheapProFonts), Kingthings Lupineless.
    • 2008: Kingthings Wrecktangle (piano key font), KingthingsSerifique, Kingthings Clarity, Kingthings Gutenberg, Kingthings-Conundrum (oriental simulation face: the Pro version follows in 2012), Kingthings-Eggypeg, Kingthings-Inkydinky, Kingthings-Knobson, Kingthings-Spirogyra, Kingthings Bloone, Kingthings Tendrylle, Kingthings Foundation.
    • 2009: Kingthings Slippery Lips, Kinthings Spike Pro (blackletter, commercialized by Cheap Pro Fonts).
    • 2010: Kingthings Lickorishe, Kingthings Scrybbledot.
    • 2011: Kingthings Scrybbledots Pro and Kingthings Scrybble Pro (sketch typefaces).
    • 2012: Kingthings Frontwards, Kingthings Sans, Kingthings Kurllie (curly Victorian caps).
    Alternate URL. Cheap Pro Fonts catalog. Klingspor link. Fontspace link. Abstract Fonts link. [Google] [MyFonts] [More]  ⦿

    Klapaucius Co

    Singapore (and before that, Jakarta, Indonesia)-based designer of Elena (2015, a connected rough brush script), Clark & Lou (2015, a scribbly handcrafted typeface), Tim (2015, a hand-printed typeface), August (2015), Lisa Marie (2015, a great calligraphic brush script), and Bartolomew (2015, a handcrafted poster font).

    Typefaces from 2016: Paris 1920 Script, Paris 1920 Sans, Sarah Loewe, Butterscotch Popcorn (rough brush), Carissa Wellington, Every Summer (brush style), Oatmeal Jack, Patricia Dorothy (a watercolor brush script), Nicoline, Old Emma, Emilia Baker (a great watercolor brush script), Herbert Lemuel (Victorian)l, Edeline (watercolor brush script), Ilana Bloom (brush script), Patrick Pie (Script and Sans), Harper Moe, Brandine (connected brush script), Hannah Abbot, Ornette (brush face that emulates a sans), Briella (a great watercolor brush script), Margot and Margery, August, Astrud Miller (described as a feminine brush type font), Jane Bugg (watercolor brush), Emilia Baker (watercolor brush script).

    Typefaces from 2017: Anita Liana Script, Hannah Abbot (+Sans), Leah Gaviota (casual typeface family), Jenna Jenkins (a messy script that approaches handwriting), Paula Paulina (Script+Sans).

    Typefaces from 2018: Figuerola (font duo), Daisies of our Lives, La Pimienta, Bronze & Copper, Carlagata, Anita Liana Script.

    Graphicriver link. [Google] [More]  ⦿

    Klaus Johansen
    [Listemageren Fontarkiv]

    [More]  ⦿

    Klingspor (or: Gebrüder Klingspor)
    [Karl Klingspor]

    German foundry established in 1906 by brothers Karl Klingspor (1868-1950) and Wilhelm Klingspor (1871-1925) in Offenbach am Main. About half of its catalog consists of blackletter types (as listed in 2000 by Harald Süß), and many of its typefaces were designed by German über-designer Rudolf Koch. History (in German, PDF), resummarized here:

    • 1892: Carl Klingspor (1839-1903), the father, buys the Rudhardsche Gießerei in Offenbach am Main in 1892, which was originally founded in 1842 by Johann Peter Nees, Phillip Rudhard and Johann Michael Huck.
    • 1899: Heinz König designs Walthari (a light Fraktur font).
    • 1900: Otto Eckmann designs the Fraktur font Eckmann Schrift, and Kurt Wanschura (from Leipzig) designs the Fraktur font Offenbacher Schwabacher. Reform appears!
    • 1901: Peter Behrens publishes Behrensschrift (art nouveau style). Offenbacher Fraktur appears too.
    • 1902: Behrens Schrift by Peter Behrens. Fette Eckmann Schrift und Ziermaterial by Peter Behrens. Vignetten by Emil Doepler d.J., and Schmuck für Bücher und Akzidenzen by Robert Engels, München.
    • 1903: Reform Kursiv.
    • 1904: Karl and Wilhelm Klingspor become the sole owners of the Rudhardsche Gießerei. As a private typeface, they decide on Munthe Schrift by Norwegian Gerhard Munthe.
    • 1905: Heinz König designs König Antiqua. Breitkopf Fraktur is published, based on the original design of Joh. Gottl. Immanuel Breitkopf (1719-1794). Also new is Auszeichnungsschriften für Fraktur, as well as Die Leidensstationen by Robert Engels.
    • 1906: The form is renamed Gebr. Klingspor. Otto Hupp makes Liturgisch (another Fraktur font). Jugendschrift is published.
    • 1907: Peter Behrens publishes Behrens-Kursiv.
    • 1908: Peter Behrens publishes Behrens Antiqua. Otto Hupp makes Neue Anzeigen Schriften. Halbfette Reform is published.
    • 1909: Otto Hupp makes Hupp Antiqua (a Basque "A" in here!), Hupp Unziale. Walter Tiemann designs Tiemann Mediäval.
    • 1910: Rudolf Koch designs Fette Deutsche Schrift (Fraktur) and Fette Kochschrift (are these not the same?). Hupp Fraktur appears. The company publishes Kalender Bilder by Heinrich Vogeler.
    • 1911: Tiemann makes Halbfette Tiemann Mediäval.
    • 1912: Tiemann makes Tiemann Mediäval. Kursiv and Tiemann-Kursiv. Koch makes Halbfette Deutsche Schrift and Deutsche Schrägschrift.
    • 1913: Peter Behrens publishes Behrens Mediäval. Koch makes Schmale deutsche Schrift.
    • 1914: Rudolf Koch publishes Frühling, Maximilian Gotisch, Maximilian-Antiqua and Maximilian. Walter Tiemann makes Peter Schlemihl and Tiemann Fraktur.
    • 1915: Klingspor acquires F. W. Aßmann and Wilhelm Gronau in Berlin.
    • 1917: Albert Windisch makes Windisch Kursiv.
    • 1919: Karl Michel designs Schraffierte Antiqua. Some cooperation is established with D. Stempel AG, which acquires some shares.
    • 1920: Tierbilder-Probe is published.
    • 1921: Rudolf Koch publishes Deutsche Zierschrift (Fraktur) and Magere deutsche Schrift. Walter Tiemann makes Narziß. The company publishes Elfenschmucjk, as well as Schräge Schwabacher. Leo Wackerle makes Kalender Bilder.
    • 1922: Rudolf Koch designs Koch Antiqua and Koch Antiqua Kursiv. Otto Hupp publishes Deutsche Schrägschrift. Ernst Engel designs Mörike Fraktur, a private typeface just created for the Ernst Engel Presse.
    • 1923: Rudolf Koch designs Koch Antiqua Kursiv and Neuland. Walter Tiemann designs Tiemann Antiqua.
    • 1924: Koch designs Grosse Koch Antiqua, and Tiemann makes Tiemann Gotisch.
    • 1925: Wilhelm Klingspor dies. Rudolf Koch designs Wilhelm-Klingspor-Schrift (Fraktur), and Victor Hammer creates an uncial font, Hammerschrift.
    • 1926: Tiemann makes Tiemann Antiqua Kursiv and Koch publishes Klingsporschrift.
    • 1927: Rudolf Koch designs Kabel.
    • 1928: Rudolf Koch designs Neuland Licht. Walter Tiemann makes Kleist Fraktur.
    • 1929: Rudolf Koch creates Zeppelin.
    • 1930: Rudolf Koch designs Wallau (rotunda) and Jessen-Schrift (Fraktur).
    • 1931: Heinrich Maehler makes Salut.
    • 1932: Rudolf Koch designs Holla.
    • 1934: Walter Tiemann makes Fichte Fraktur.
    • 1935: Rudolf Koch creates Koch Kurrent.
    • 1937: Rudolf Koch publishes Claudius.
    • 1940: Rudo Spemann's Gavotte appears.
    • 1944: A bombardment destroys a lot of material and drawings.
    • 1950: Karl Klingspor dies. Walter Tiemann makes Offizin. According to Chronik und Stammfolge der Familie Klingspor (1989, Reinhard Klingspor and Gerhard Moisel), Karl Klingspor died on January 1, 1951, but everywhere on the web we find 1950.
    • 1951: Karl Hermann Klingspor (1903-1986), son of Wilhelm, takes over the company.
    • 1952: Karlgeorg Hoefer makes Salto.
    • 1953: Karlgeorg Hoefer publishes Saltino. Victor Hammer makes Hammer Unziale. The Klingspor Museum in Offenbach is created.
    • 1954: Hans Kühne designs Andreas Schrift (Fraktur) and Kühne Schrift (Fraktur). Joachim Romann makes Constanze (a formal script) and Queen. Alfred Finsterer designs Duo Licht and Duo Dunkel.
    • 1955: Karlgeorg Hoefer makes Monsun.
    • 1956: D. Stempel AG buys the remaining shares of Klingspor, and incorporates many of its types in its own catalog.
    That library included typefaces by these designers:
    • H. Kühne: Andreas Schrift (1954, carried by Delbanco and Gerhard Helzel), Kühne Antiqua (1954), Kühne Schrift (1954), Stahl (1933-1939).
    • P. Behrens: Behrens Antiqua (1907), Behrensschrift (offered by Intecsas as Sprecher Gothic), Behrens Initialen (called Sprecher Initials at Intecsas).
    • Rudolf Koch: Claudius (carried by Delbanco), Deutsche Schrift (1910), Frühling (1917, carried by Delbanco), Deutsche Zierschrift (1921, offered by Delbanco and Gerhard Helzel), Holla (1932), Jessen-Schrift (1924-1929, carried by Delbanco), Kabel (1927, at Linotype now; called Geometric 231 at Bitstream, and Kalten at PrimaFont, and Koch Original at LetterPerfect), Koch Antiqua (1922, published by Linotype now; available from Alphabets Inc as AI Koch Antiqua MM; called Eva Antiqua SG at Spiece Graphics), Zeppelin (1929, available from Agfa now), Koch Kurrent (1935, offered by Delbanco), Koch Fraktur (offered by Delbanco, Gerhard Helzel, and Christian Richter), Marathon (1938), Maximilian (1917, available at Castle Systems, and carried by Delbanco), Maximilian-Gotisch (carried by Gerhard Helzel and by Walden Font), Neuland (1923, available from Linotype; available from Alphabets Inc as AI Koch Neuland, and at Bitstream as Informal 011, and at PrimaFont as Newfish, and at Keystrokes as Neuland inline), Prisma (1928; a multiline typeface revived in 2003 by Dieter Steffmann, and extended in the large family LL Prismaset at Lineto), Wallau (1926-1934, carried by Delbanco, and called Wal at PrimaFont), Wilhelm Klingspor-Schrift (1925, carried by Delbanco and Linotype; Wilhelm Klingspor-Gotisch is called Wilson at PrimaFont).
    • J. Romann: Constanze (1954), Queen (1954, called Ferrante by Intecsas).
    • Walter Tiemann: Daphnis (1929), Fichte Fraktur (1934-1939, carried by Delbanco and Gerhard Helzel), Kleist Fraktur (1928, revived by Dieter Steffmann in 2002, and carried by Delbanco), Narziss (1921, available from Font Bureau and Spiece Graphics as Narcissus), Offizin (1952), Peter Schlemihl (revived by Walden Font, and by Dieter Steffmann in 2002), Tiemann Mediäval (carried by Gerhard Helzel), Tiemann Antiqua (1923, now at Linotype).
    • A. Finsterer: Duo licht/Duo dunkel (1954).
    • O. Eckmann: Eckmann Schrift (1900, called Freeform 710 at Bitstream, and called Eckmann at Elsner&Flake, ScanGraphic, Linotype, URW++, Gerhard Helzel and Delbanco), Eckmann Initialen (called Jan Bent at Intecsas).
    • Kurt Wanschura: Offenbacher Schwabacher (1900, Offered at Delbanco).
    • H. König: Falstaff (1906).
    • H. Schardt: Folkwang (1949).
    • R. Spemann: Gavotte (1940, available from Linotype).
    • V. Hammer: Hammerschrift (1923, available as Martel at Scriptorium), Hammer Unziale (1953). [Linotype has it as Neue Hammer Unziale. Agfa carries Uncial, which is really Neue Hammer Unziale. The Electric Typographer calls it Electric Uncial. Elsner&Flake have a version called American Uncial.]
    • O. H. W. Hadank: Ornata (1943).
    • H. Bohn: Orplid (1929).
    • O. Hupp: Liturgisch (1906, carried by Gerhard Helzel), Hupp Antiqua (1909).
    • F.K. Sallwey: Information breitfett (1958).
    • A. Kumlien: Kumlien Antiqua.
    • R. Bauer: Magnet (1906).
    • K. Hoefer: Monsun (1955), Salto (1952, now at Linotype), Saltino (1953, carried by TypeRevivals), Saltarello (1954).
    • H. Maehler: Salut (1931, version available from Agfa).

    An unclassified condensed elongated Victorian fat face, Slimback-style, is Figura. No date known.

    View the Klingspor typeface library. [Google] [MyFonts] [More]  ⦿

    Koeiekat
    [John Wollring]

    John Wollring (aka Koeiekat), b. Amsterdam, 1943, d. 2017, was passionate about type design. John worked in marketing communications in advertising agencies and at Philips. Bronwyn Holmes explains: His love of fonts came from his work in producing advertising and brochures and his close involvement with printers and printing. He was very aware of the power of typography in communication. He retired in Extremadura to a remote mountainous region. Small villages with little distraction except the very wild and beautiful nature so plenty of time for him to spend on typography.

    John Wollring designed these typefaces:

    • The tuxedoed art deco typeface Zig Zag ML (2009, based on Zig Zag, a 1972 alphabet by Marcia Loeb). See also ML ZigZag KK (2013). ML Rainbow KK (2013) is identical.
    • Monotoon KK (2012, monolined and simple).
    • The formal calligraphic typeface Monogram KK (2007, Victorian initials).
    • A revival of Modern Fancies (Lewis F. Day) called Fontenay Fancy (2012).
    • ML Sunglow KK (2012, ornamental caps).
    • HK Display (2012: HK Display KK is a free interpretation of an art deco alphabet designed by Henk Kolkmeyer for a poster for the Veiligheids Museum in Amsterdam).
    • Dwiggins Initials KK (1930, an art deco caps typeface based on an unknown sketch by Dwiggins from 1930).
    • Obese & Square KK (art deco stencil).
    • ML Roxy Initials KK (2012, after Marcia Loeb's Roxy).
    • Open Egmont Kapitalen (2013: an interpretation of Sjoerd Hendrik de Roos' Open Egmont Kapitalen also known as Egmont Inline and Egmont Versalien. Based on a 1935 specimen sheet of Lettergieterij Amsterdam and punctuation based on a 1938 specimen sheet of Intertype. Alternates in the lower case b and r based on a 1951 specimen sheet of the Belgian type foundry Plantin).
    • EA Sports Covers SC (2013).
    • Gotica Moderna KK (2013).

    Abstract Fonts link. [Google] [More]  ⦿

    Kong Font (or: Gemes Font)
    [Fatimah Dipi]

    Surabaya, Indonesia-based designer of these typefaces in 2019: the plump almost bubblegum fonts Cookies Chip, Cookies Bold, Broom, Glowie, Bobba, New Cookies and Chiki, the cartoon fonts Cartoon Cookies, Dolpi, and Boebloe, the squarish (sci-fi) typefaces Klock, Mancha (+ Bold), Maxim, Blades, Kong, Forgotten, Warlock, Hi Jack (techno), Retrolab, Bagfresh and Rubrick, the oriental emulation typeface Japanola, the handcrafted typefaces Worflat Bold, Pramudya, Santuy, Ceetar, Sticky and Honnestly, the script typefaces Casofa, Claudia, Welldone, Baliday, Extendo, Peenguin, Natune, Adinda and Meraphy, the rounded monoline sans typeface Orcef, the horror blackletter font Dark Power, the brush font Must Brow, the monoline script font Chalisa Beauty, the gooey fonts Zumanie, Wildness, Histery, Halloweenkuy and Walktrought, the foliated typeface Leaf, the sports font Ancients Bold, the blackboard bold font Breader, the brush font Must Brow, the kawaii children's fonts Cookies Bold, Nino, Minnio, Kidstation and Bobba, the rounded sans fonts Wudsap Bold, Stikco, Polka, Himenz Bold and Goostt Bold, and the display typefaces Alpawolf Bold, Bagie, Incloud, Manohara and Bublo.

    Typefaces from 2020: Abiyu Chan, Alloystan, Amatemora, Archimate (squarish), Baby Lovely, Battle Andy, Beckhand, Better Tomorrow, Blossom, Blue Julieta, Boogie Worth (an oily font), Brasblus, Butter Cookies, Byorg (all caps, blocky), Caitlin Angelica (wild, calligraphic), Carrie Gallerie, Chambers (a logotype), Confused, Dobbystar, Falencia, Faster Bottom, First Time, Forsegi, Hotte Brush (a dry brush script), Humingson, Nattalya, Pather Times, Petter Story, Pinkerston, Raspberry, Raynoss, Reflisatta, Sambara, Sebbastian, Snooky, Spicy, Stay High, The Texterius (a decorative serif), Varenthin, Walterson, Winne Vinne, Better Jack, Billie Bonnie, Greenleaf, Gumy Monster, Hello Olivia, Insurgence, Livermore (a speckled brush font), Lunar (a monolinear sans), Malcolm (a decorative serif), Manggala, Margo, North Coast, Red Steel, Shaeila Maker (a fat finger font), Simply Sugary, Smith Mouth, (a speckled brush font) Westie Ametta, White Systemattic Duo, White Systemattic, Zepplines (blackletter), Riverflows (a titling serif), Birawa (monoline script), Bintari (script), The Lord Night (script), La Lemonti (a display serif), Amerggedon, The Purple Love (an upright rabbit ear script), Monsterize, Wolfraid (a brush horror font), Hellowin (a display serif), Agnostic, Arcades, Armstrong, Babyface, Baimbo, Baliday, Beam Box, Blackmore (stencil), Blasteran, Bleach, Chucky buck, Classic Rock Band, Comfortune, Deathmatch (blackletter), Dolphin, Eniceplay, Fatayah Irhami (YonTypeStudio), Greatwriten, Humingson, Juicy Luicy, Lovamarte, Mustbrow, Passifille, Playbrush, Rackles, Ravenborg, Reflected, Samhock, Sevarozi, Spicy, Thenacious, Threarer, Wallrous, Wamatto, Wish Good, California Sun (blackletter), Brutals, Cartoon Cookies (a comic book font), Chalisa, Chucky-buck, Deallisa, Forgotten, Gient, Hiluck, Jacob-and-son, Mahoney, Dunford Moore, Buon Umore, Bongus, Samble Tracie, Retrow Mentho, Gilmoore, England Signature, Fleepavlop, Runcrow, Jacksilver, Backstranger, Heroes (spurred), Eastwood (Tuscan), Jellyo, Wilson Hawk (all caps, headline), Stilere, Charles, Beastic (script), Quanto (script), Benzo (modular caps), Wynfors (octagonal, inline), Masicha (script), Gottam (script), Marthinoul (a signature script), Cointa (script), Japan Rementen (oriental emulation), Tallo Stick, Cempe West (modular), Guard, Dumie, Fishtail, Horroh (a barbed wire font), Cosiris Cure, Borju, Fortman, DeBamboo, Donaldson, Winchester, Alison Finch, Kind Monster, Dr. Ziemboz, Mr. Draculle, Khilifah, Lobots, Song of Coronos (calligraphic blackletter), Aline Signature, Hooded, Limonea, Articha, The Rambler, Blackbird (grocery store script), Cooldown, Legend (spurred), Gentleman (Victorian), Mechane (octagonal), Darker, Bestbrust, Kenarock (blackletter), Spidol (script), Yellosun (script), Skelbourne, Stixuits.

    Typefaces from 2021: Orange Signature, Lovelystory, Double Signature, Sunny Rommansa, Mas Karebet, Brillian, Hi Jack, Wonderfull, Ventus, Wellside, Keffie Austina, Broom, Minnio, Addison Affson, Adellicia, Adriana, Alberteen, Amongh Sein, Antoinete, Aurella, Aurely Lovely, Baby Coffee, Baby Doll, Babydoo, Bagstore, Battalion Commander, Beattrice, Black Pearl, Bobbey, Bobbi Jeffina, Boostone, Bricktown (roman capitals), Buckingham (spurred), Bunny Honey, Candywell, Charlotte Bella, Charlotte (a monoline script), Christaline, Christmas Bells, Christmas Glooves, Clutter Street, Cute Cartoon, Dakiens, Dakota Artha, Decembery, Demon Blade, Divalia, Ellanor, Envellope, Eternal Amsterdam, Extendo, Freakland, Frozzy Mosther, Gladiolus Display, Gladiolus Script, Glory Sunshine (a decorative serif), Hellilove, Hello Beloved, Heywolf, High Jersey, Hopkinson, Hoppe Dizzie, Iron Shark, Jackdean, Javassoul, Jeniffer, Jessica Mariolline, Katherinna, Katterine Rose, Kayonna, Kenthir, Kiss Boom, La Fleur, Leviathan, Lillian May, Lokey, Loving Gabriella, Luimp, Mackline, Margarett (a signature script), Margharita, Mecha (sci-fi), Miles Hunt (inline), Minigame, Mintmolly, Miss Amalia, Moonday, Morthwicks, Moulin, Mozzana, Mozzarella, Mutchin, My Happy, Nevla, Northwest Signature, Obsurd, Ocean Aubrey, Odessa, One January, Palesik (eerie), Peenguin, Pollutant, Queency, Rayanne, Ressoven, Road Light, Road Sunshine, Rodano, Rosaffina, Rosanna, Rosemary Jasmine, Rubeckia, Sabrina, Schofield, Shaffari, Sharlene, Shean Holmes, Skylark (squarish), South Forest, Stable, Sunnday, Taylorsit, The Blester, Timeline, Victoria, Wimter White, Wishleman, Youth Wright, Zanden.

    Creative Fabrica link. [Google] [More]  ⦿

    Konstantine Studio

    Commercial typeface foundry in Jakarta, Indonesia, run by "Ian" and "Abdilah". Its first typeface is Muffler (2014), which is inspired by retro brush signage for car races. Lacydes (2014) is a spurred advertizing typeface. Upjohn (2014) is a horror movie poster typeface. Curely (2014) is a free hand-drawn curly typeface, expanded to Curely Pro in 2017. Hemera (2014) is based on vintage matchbox packages.

    Typefaces from 2015: Marthas, Risoless Script, Elska (a thick warm watercolor brush script), The Chalker (crayon font), The Bride, The Groom (brush script), Wanderlove (brush script), Rumbell (handcrafted poster typeface).

    Typefaces from 2016: Easy Lullabye (Swash, Sans), Wiggle (brush script).

    Typefaces from 2017: Fathers (a vintage packaging script), Ride Slow (a handcrafted set of motorcycle culture fonts), Delight, Kehlin (retro poster style), Butter Love (dry brush), Fathers Script (vintage), Fili & Kyla (thin script), Husky Giggle (casual hand stroked brush font), Ruffle (dashing brush script), Dollyn Script, Halloween Rock, Love Hurts (ballpoint pen font), Moneyroll, Trakster, Trakster Serif, Noswatt, Noswatt Serif (copperplate style), Notstar, Rodenda, Hammet, Hastagirl (watercolor brush), Arzeti Script (informal monoline wedding script), Sicero (vintage display typeface by Abdilah), Sign Panthers Brush Script, Magle Sans, Magle Script.

    Typefaces from 2018: Millerstone (connected calligraphic script), Bad Taste, Conserta (Victorian), Grestal Script, Beclave, Double Aunofa (Script and Serif), Summer Classico, Ahoy Amigo (font duo), Aunofa Serif, Aunofa Script, Delphin Spring, Delight Lettering Script, Tropical Asian, Vedacity (calligraphic), Rothe (vintage), Bigger Love (script), First Choice (calligraphic), Love Hurts, Hall Of Fun, Casual Font Bundle (which includes Easy Monoline Script, Subber Sans, Sintix, Rebel Four, and Grotes Sans), Hemera II (a vintage Victorian matchbox typeface), Asian Skyline, Queen Waffle, Rosse, Harvest Barn (script), Oh Samantha, Simple Monologue (calligraphic), Sweet Getaway (handwriting).

    Typefaces from 2019: Vango (a sci-fi or speed font), Aghony (script), Conserta Royal (Victorian), Roast Serif, Mister Quenos (a fast food store signage font), Calisatt (an SVG brush font), Redstock Script, Suspiria Vampira (a Halloween font set), Hoffers (a children's book font), Closer (a Swiss sans), Hoffers (a marker pen font), Mackle (Script, Serif), Blante (Sans + Script), Millerstone, Kimball, Henave (flared sans), Valsday (Sans, Script).

    Typefaces from 2020: Destrokes, Kremato (+Script, +Short, +Tall), Krasher (a painted brush SVG font), Rebelton (a 12-style all caps sans), Koutura (a fashion mag font), Kalleco (a free hand-printed typeface), Citypop (1990s Japanese retro pop style, with subfamilies Main Display, Neon, Screen, Digital and Automotive), Urban Shock (ultra-condensed), Renin (a Western super-heavy slab serif), Jaksel (a bold squarish sans typeface), Alkaria (a retro display typeface).

    Typefaces from 2021: Kingsad (a 5-style wide flared display family), Ahoy Amigo (a type duo), Harvest Barn (script), Simple Monologue (a calligraphic script), Magle (a script typeface), The Sign Painters, Makalo (an African tribal font), Discopia (neo-futurist), Daguin (a fashionable display typeface inspired by the Middle Ages), Tropical Asian (a painted font), Fosty Blue, Kofje (a daring decorative serif).

    Typefaces from 2022: Vogatron (sci-fi), Hwaiting Handwriting (emulating Korean), Hwaiting Serif, Hwaiting Sans (an experimental Korean vibe font), Walanor (a pop art font).

    Tumblr link. Graphicriver link. Fontspace link. [Google] [MyFonts] [More]  ⦿

    Koplexs Studio
    [Ahmad Muslimin]

    Rembang, Indonesia-based designer (b. 1997) of the script and handcrafted typefaces Candia Script (2020), Kidersun (2020) and Zumattan (2020).

    Typefaces from 2021: Rose Merry, Sallytta, Just Like, Frankly, Alaskia, Allina, Zojihun, Stars Mounth.

    Typefaces from 2022: Aloska, Amoveno, Amstelan, Amsterline, Brittany Amastry, Brometalic (Victorian), Camelluna Beauty Script, Candia, Djembode, Elastro, Embolism Spark, Lost Late, Samarata, Sweettea, Vanisha, Wistania, Wizard. [Google] [More]  ⦿

    K-Type
    [Keith Bates]

    K-Type is Keith Bates' (b. 1951, Liverpool) foundry in Manchester, UK, est. 2003. Keith works as an Art&Design teacher at a Salford High School. They custom design type, and sell some of their own creations.

    Commercial typefaces:

    • Adequate (2012). A basic geometric monoline sans family.
    • Adventuring (2010, comic book style)
    • Alan Hand (2005, based on some blobby lettering, handwritten by printer and mail artist, Alan Brignall)
    • Alex (2002-2004)
    • Alright (2004, cursive script)
    • Anna (2002-2007).
    • Argot (2019). Characterized by square counters, this typeface family exhales brutalism and industrialism. See also Argot Machine (2019).
    • Artist Hand (2019).
    • Axis
    • Bank of England (2012, blackletter): Bank of England is loosely based on blackletter lettering from the Series F English twenty pound banknote introduced in 2007. The font also takes inspiration from German Kanzlei (Chancery) typefaces and the 17th century London calligrapher, John Ayres.
    • Banks & Miles (2018). Inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, which included Double Line and Single Line alphabets. The new digital typeface is a reworking and extension of both alphabets.
    • Barbica (2015). A glyphic typeface.
    • Bricola (2020).
    • Brush Hand New (2013): Brush Hand New is a full font based on a copy of Flash Bold called Brush Hand marketed by WSI in the 1990s and more recently distributed through free font sites. Brush Hand was an anonymous redrawing of Flash which simplified, slightly lightened, smoothed out ragged edges, and improved the legibility of the original classic created by Edwin W. Shaar in 1939.
    • Building&Loan (2007, engaved face)
    • Bigfoot (2005, a Western font based on the slab capitals used by Victor Moscoso in his 1960s psychedelic rock posters)
    • Bolshy (2009)
    • Bolton750 (2003, a mechanical typeface done with John Washington).
    • Chancery Lane (2021). An italic text typeface that is based on chancery scripts.
    • Charles Wright (2016). A set of fonts based on the UK license plate fonts.
    • Chock (2009)
    • Circa (geometric sans)
    • Cloudbuster (2019). Inspired by Imre Reiner's Corvinus Skyline of 1934.
    • Club.
    • Coinage Caps (2017). Coinage Caps is a trilogy of small caps fonts based on the roman lettering used for the designs of British coinage. Coinage Caps Eric Gill is a regular weight, spur serif style drawn by Eric Gill for silver coin designs in the 1920s which were rejected by the Royal Mint. Coinage Caps Humphrey Paget is a medium weight serif based on the lettering of Thomas Humphrey Paget, designer of the Golden Hind Halfpenny first struck in 1937. This font simulates the soft, slightly rounded corners of the minted letterforms. Coinage Caps Kruger Gray is a glyphic, flare serif font typical of the bold style engraved by George Kruger Gray for numerous British and Commonwealth coins during the 1920s and 30s. This font also simulates the slightly rounded corners of the minted letterforms.
    • Collegiate (2009)
    • Component (2012). A font for lost civilizations and dungeon rituals.
    • Context (experimental)
    • Credit Card (2010, font for simulating bank cards)
    • Curwen Sans (2018). A monoline sans from the early 1900s originally created for in-house use at the Curwen Press in London.
    • Cyberscript (2006, connected squarish face)
    • Deansgate (2015). Deansgate and Deansgate Condensed are based on the clearest and most distinctive of the sans-serif letterforms used on Manchester street nameplates, and easily identified by a pointy Z and pointed middle vertices on M and W.
    • Designer
    • Digitalis
    • English
    • Enamela (2013). Keith writes: Enamela (rhymes with Pamela) is based on condensed sans serif lettering found on vitreous enamel signage dating from the Victorian era and widely used in Britain for road signs, Post Office signs, the plates on James Ludlow wall postboxes, railway signs, direction signs and circular Automobile Association wayfinding plaques throughout the first half of the twentieth century. The original model goes back to Victorian times, ca. 1880.
    • Engravia (2018). Engravia is a didone display typeface supplied in three varieties of engraving---Inline, Shaded and Sawtooth---plus a plain basic font.
    • Example (2017). A workhorse neo-grtesque typeface family.
    • Excite
    • Flip (2011), a western grotesk billboard face.
    • Flyer (2009, techno)
    • Frank Bellamy (2009, an all-capitals family based on the hand lettering of English artist Frank Bellamy, who is most famous for his comic art for Eagle and TV21, and his Dr Who illustrations for Radio Times)
    • Future Imperfect
    • Gill New Antique (2003)
    • Greetings
    • Helvetiquette
    • Hapshash (2010): an all capitals font inspired by the 1960s psychedelic posters of British designers Hapshash and the Coloured Coat (Michael English and Nigel Waymouth), in particular their 1968 poster for the First International Pop Festival in Rome. A dripping paint font.
    • Irish Penny (2016). An uncial typeface based on the lettering from Percy Metcalfe's influential pre-decimal coinage of Ireland, the Barnyard Collection.
    • Ivan Zemtsov (2009)
    • Kato (2007, oriental simulation face)
    • Keep Calm (2015). A geometric sans inspired by a British war poster from 1939.
    • Keith's Hand
    • Klee Print (2010, Klee Print is based on the handwriting of American artist Emma Klee)
    • Latinate (2013). A vintage wedge serif wood style typeface, and a rough version.
    • Lexie (an improved or "adult" version of Comic Sans) and Lexie Readable (2006, modified in 2015). Keith writes: Lexie Readable (formerly Lexia Readable) was designed with accessibility and legibility in mind, an attempt to capture the strength and clarity of Comic Sans without the comic book associations. Features like the non-symmetrical b and d, and the handwritten forms of a and g may help dyslexic readers.
    • Licencia (2016). A blocky typeface inspired by the tall, soft-cornered lettering on vehicle licence and registration plates world-wide.
    • Londinia (2016).
    • Matchbox
    • Max
    • Ming
    • Modernist Stencil (2009).
    • Monterey Pop (2020). A psychedelic / popart typeface based on Tom Wilkes's poster lettering for the Monterey International Pop Festival in June 1967.
    • Mythica (2012). A slightly condensed lapidary roman with copperplate serifs.
    • Modulario (2010): a contemporary sans.
    • New Old English (2010, blackletter)
    • Norton (2006)
    • Nowa (2004, a play on Futura)
    • NYC (octagonal)
    • Openline (2008, an art deco pair)
    • Oriel Chambers Liverpool: A Lombardic small caps font based on the masonry lettering on Peter Ellis's 1864 building, Oriel Chambers, on Water Street in Liverpool.
    • Pentangle (2008, based on album lettering from 1967)
    • Pixel
    • PixL (2002-2004)
    • Plasterboard (2004-2005)
    • Pop Cubism (2010) is a set of four texture fonts, combining elements of cubism and pop art.
    • Poster Sans (2006). A wood type family based on Ludlow 6 EC. See also Poster Sans Outline.
    • Rick Griffin (2006, more psychedelic fonts inspired by a 1960s Californian artist)
    • Rima (2020). A stencil typeface with heavy slabs.
    • Roundel (2009, white on black)
    • Runestone (2010, runic).
    • Sans Culottes (2008, grunge)
    • Serifina
    • Solid State (2008, art deco blocks)
    • Solus (2004, a revival of Eric Gill's 1929 typeface Solus which has never been digitized; read about it here)
    • Stockscript (2008, down-to-earth script based on the pen lettering of the writer, Christopher Stocks)
    • Susanna (2004)
    • Ticketing (2011): pixelish.
    • Total and Total Eclipse (2004, squarish display typefaces based on the four characters of Jaroslav Supek's title lettering for his 1980s mailart magazine, Total)
    • Transport New (2009: a redrawing of the typeface designed for British road signs. In addition to the familiar Heavy and Medium weights, Transport New extrapolates and adds a previously unreleased Light weight font originally planned for back-lit signage but never actually applied. Originally designed by Jock Kinneir and Margaret Calvert beginning in 1957, the original Transport font has subtle eccentricities which add to its distinctiveness, and drawing the New version has involved walking a tightrope between impertinently eliminating awkwardness and maintaining idiosyncrasy.)
    • Union Jack (octagonal)
    • Victor Moscoso (2008, psychedelic)
    • Wanda (2007, art nouveau)
    • Waverly
    • Wes Wilson (2007, psychedelic, inspired by 1960s psychedelic poster artist Wes Wilson).
    • 3x5
    • Zabars (2001): a Western face.

    His free fonts:

    • Blue Plaque (2006: a distressed font based on English heritage plaques)
    • Blundell Sans (2009)
    • Celtica (2007) has Celtic influences
    • Dalek (2005, stone/chisel face: Dalek is a full font based on the lettering used in the Dalek Book of 1964 and in the Dalek's strip in the TV21 comic, spin-offs from the UK science fiction TV show, Doctor Who. The font has overtones of Phoenician, Greek and Runic alphabets). See also Dalek Pinpoint (2018).
    • Designer Block (2006)
    • Flat Pack (2006)
    • Future Imperfect (2006, grunge)
    • Gommogravure (2005)
    • Greetings (2006), Greetings Bold (2006)
    • Insecurity (2005, experimental) won an award at the 2005 FUSE type competition.
    • International Times (2006, inspired by the masthead of the International Times underground newspaper of the 1960s and 1970s)
    • Keep Calm (2011). Related to London Underground.
    • Kindersley Sans (2017). A modernized version of David Kindersley's 1950s type used for many street name plates in Britain, about which Bates writes: Kindersley Sans is a humanist sans-serif that conserves the Gill-inspired character and some of the calligraphic qualities of Kindersley's lettering, it retains the Roman proportions and its Britishness, but traditional prettiness and intricacy are discarded in favour of a clean modernity.
    • Klee Capscript (2005: based on the handwriting and capitals drawn by artist Emma Klee (USA) for her Color Museum Mail Art invitation. The upper case is based on Emma's capitals and the lower case is freely adapted from her script)
    • Lexia and Lexia Bold (2004)
    • MAGraphics (2004)
    • Magical Mystery Tour (2005, outlined shadow face), Magical Mystery Tour Outline Shadow (2005), Magica (2015, a serifed titling typeface family).
    • Mailart (2004), Mailart Rubberstamp (2004), Mailart Rubberstamp Sans (2018).
    • Mandatory (2004, a UK number plate font based on the Charles Wright typeface used in UK vehicle registration plates).
    • McKnight Kauffer (2021). A retro poster font in the style of poster artist Edward McKnight Kauffer.
    • Motorway (2015), a companion typeface to Transport, the British road sign lettering. This is an extension of an original design by Jock Kinneir and Margaret Calvert: The Motorway alphabet was created for the route numbers on motorway signage, and is taller and narrower than the accompanying place names and distances which are printed in Transport. However, for Motorway Jock Kinneir and Margaret Calvert created only the numbers 0 to 9, the capitals A, B, E, M, N, S and W, ampersand, slash, parentheses and a comma. So, although the lettering made its first appearance on the Preston bypass in 1958, K-Type Motorway is the first complete typeface and contains all upper and lower case letters, plus a full complement of punctuation, symbols and Latin Extended-A accented characters. As with the Transport alphabet the starting point was Akzidenz Grotesk, Motorway taking inspiration from condensed versions. Changes were mainly driven by a quest for legibility, resulting in some reduced contrast between horizontal and vertical strokes, and Gill-esque straight diagonal limbs on the 6 and 9, and high vertex for the M.
    • Penny Lane (2014). A a sans serif derived from twentieth-century cast-iron signs displaying Liverpool street names.
    • Possible (2020). A 10-style mini-serif typeface.
    • Provincial (2014). A Victorian set of outline fonts.
    • Ray Johnson (2006-2008)
    • Roadway (2005, based on New York roadside lettering).
    • Romanica (2017). A humanist sans.
    • Sam Suliman (2020). A condensed squarish typeface which was inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962. Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.
    • Savor (2011). An art nouveau family.
    • Sgt Peppers Lonely Hearts Club (2014).
    • Sinkin Sans (2014, free) and Sinkin Sans Narrow (2015, commercial). Open Font Library link.
    • Soft Sans (2010)
    • Subway Ticker (2005)
    • Taxicab (2016). A squarish style.
    • This Corrosion (2005).
    • Toppler (2018). A modern and full range top-heavy cartoon font family that includes a Popdots style. Bates was striving to improe on 1990s clasics such as Baby Kruffy (Ben Balvanz), Comix Heavy (WSI) and Startling (Dave Bastian).
    • Wildcat (2016). An athletics typeface family.
    • Zinc (2018). A monoline sans with diagonal nubs.
    • Colnage Caps Kruger Gray (2018). Coinage Caps is a trilogy of lapidary small caps fonts based on the Roman lettering used for the designs of British coinage.
    • Dalek Pinpoint (2018). Based on Dalek comic book lettering from the 1960s.
    • Icky Ticket Mono (2018). IckyTicket Mono is a monospaced font based on the coarsely printed numbering from 1960s bus tickets.
    • Sexbomb (2018). A psychedelic typeface family.
    • Mancunium (2019). A monoline sans family.
    • Straight Line (2020). An outlined font with chamfered corners and straight edges, possibly useful as a blackboard bold type.
    • We The People (a blackletter font based on the peamble of the American constitution).
    • Bowdon (2021). A six-style warm, Bodoni-inspired English Modern, influenced by the 1930s lettering of designer Barnett Freedman.
    • Oxford Street (2021). A condensed grotesque with horizontal and vertical stem terminals; it is a street a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster, which in turn were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger's Univers 69 Bold Ultra Condensed.

    Custom / corporate typefaces: With Liverpool-based art director Liz Harry, Bates created a personalized font, loosely based on Coco Sumner's handwritten capitals, for the band I Blame Coco. Medium and Semibold weights of Gill New Antique were commissioned by LPK Design Agency. Stepping Hill Hospital and Bates created Dials, a pictorial font to help hospital managers input data about improvements. A custom font was designed for Bolton Strategic Economic Partnership.

    Abstract Fonts link. View Keith Bates's typefaces. Dafont link. Yet another URL. Fontspace link. Fontsy link. Behance link. [Google] [MyFonts] [More]  ⦿

    Kulo Kale Studio
    [Eko Nur Cahyo]

    Surabaya, Indonesia-based designer of the display typefaces Karimun (2019) and Mogena (2019).

    Typefaces from 2020: Bugaki (a heavy decorative serif), Resgak (a 20-style display serif), Sergio Trendy (a plumpish display serif), Moranke, Golden Metafor, Michegar, Kyoda Ascher, Reikna (a bold display serif), Sedhayu (a bold display typeface with Latin warmth), Foldnick (a vintage Victorian signage script).

    Typefaces from 2021: Geska Rolling (psychedelic, groovy), Kylie Boga, Grace Tokyo, Examors (a tall condensed sports font), Noorge Karlos (a display serif), Kafkey (a reverse stress slab serif, perhaps a Western font), Regysca (an elegant flared all caps typeface), Block Marys (blocky caps), Sake Moru (an experimental display font), Ramose (a tall hipster serif), Regas, Aeroxys (an ultra-condensed sans), Phoska Dangers (techno), Regista Grande (a stylish serif), Bustor Rhikan (a slab serif), Ageya (a display typeface with thorny serifs), Heroxy (a rounded squarish typeface), Sebian (a hipsterized serif), Melian Kingsley (a display serif), Geakosai (a condensed sans in the style of Impact), Bronke Evander (a plump decorative serif), Marishka Roseville (a tall Victorian all caps typeface), Kaftus (a decorative serif), Melian Kingsley (a decorative serif), Aveghia (a creamy serif typeface), Awesome Lathusca (a decorative serif with strong flaring), Milgran (a ten-style decorative sans).

    Typefaces from 2022: Geska Rolling (a plump supermarket font), Alexia Rody (art deco), Rakushi. [Google] [MyFonts] [More]  ⦿

    Langustefonts
    [Johannes Lang]

    Johannes Lang (Langustefonts) is a graduate of the KABK in Den Haag in 2008. Originally from Vienna, he created the transitional text family Dendra as a student at KABK. Other fonts made by him at his Langustefonts: Alefbet, A Maze Thing, Audiotypi (filled in art deco letters), Baguette (smudged), Canard (octagonal), Canontire, Crossword, Doggy, Donotiron (glyphs like clothes), Elfenfreund (2006-2012, handwriting), Ella (connected upright script), Fontball Field, Fontballet (soccer dingbats), Hellvetica, Kapitalschaden (grunge), Klatschmohn, Lamb, Lichtenberg, LF Pixel, Noncept, Overdressed, Schnoerkel2512, Setzkasten, Somehand, Tak (child's hand), Unisize, Vin rouge (handwriting with scratchy hairy endings). He also made the Armenian text typeface Foltyn (2011).

    In 2013, Johannes Lang and Stefan Ellmer co-designed the free display typeface Brevier Viennese. It is based on a Victorian typeface called Viennese by the Fann Street Foundry from 1874.

    In 2014, Johannes Lang and Stefan Ellmer revived the frilly Victorian typeface Stencil Gothic [MyFonts link] originally designed by John West in 1885.

    In 2014, Stefan Ellmer and Johannes Lang cofounded Ellmer Stefan & Johannes Lang.

    Alternate URL. [Google] [MyFonts] [More]  ⦿

    Larin Type Co
    [Pasha Larin]

    Pasha Larin or Pavel Larin is the Perm, Russia-based designer of these handcrafted typefaces in 2017: Andrea, Alaska (brush script), Phaeton, Modesty, Quarter (brush script), Magdolena, Casamia, Natalia, Kemuri.

    Typefaces from 2018: Jumbo, Winter Miracle, Planet Earth (signage script), Tiny Love, Cambridge, Shaimus, Darling Romance, Paeonia, Merchant, Kurtis, Road Crew (a monoline script), Lucky Fortune (a beatnik font), Aeriform, Christmas Mystery, Shanky, Cashmere, Seaward, Christmas Story, Inside, Sheraton, Beverly Hills, Vanilla Cream, Blue Moon, Bambino (children's script), Fun Play Day, Belorian, Malibu, Peach Blush, Royal Voyage, Crystal, Jackson, Highest, Stephany, Macbarel, Magnatec, Forestage, Honied, Arrivals, Fantasy, Modern Talking, Playful, Gulliver, Hadron (monoline script), Loituma (script), Rhonely (signature script), Sophia (smooth brush script), Chik Pik (a monoline children's script), Candy Land, Smashing (signature font), Garkleriny, Habital, Sambina, Space Jam Script, Taste of Desires, Rusarian Script, Lemon Blast, Skyline Script, Daintily Script, Fairytale Script, Jalsony, Balwest, Dandelion (calligraphic), Solar (brush script), Selrany, Joyful, Amplifier, Hantery (signature script), Richard, Buldery, Laperla, Largus Script, Juliet (watercolor brush), Dilation, Sun Island Script (brush script), Relang, Mirages Script, White Nights, Simple Game, Miracle Roved, Marylowe, Bird House, Selvia Script, Showing, Hendricks, Rosemary, Paradise, Adrenaline (a free signage script), Old Broadway, Virginal Script, Famous (script).

    Typefaces from 2019: Winter Day, Blauer, Captain Nelson (vintage), Winter Miracle, Loredana (script), The Pincher Brothers, Romanson (a serif typeface), Lost Wind, Prima Donna, Palatine (a soft-edged script), Firm (a black sans with some oomph), Bunny Hop (cartoon type), Evelyn (brush script), Milady, Wild Nebraska (a monolinear font duo), The Old Navy (stencil), Kataleya, Spinach, Palestra (a black titling sans, followed in 2021 by Palestra Moderna), Foucher, Sanremo, Selatine (a streaked brush script), Beauty Flowers, Rush Hour, Avenger (a vintage monoline display sans), Anderson, Santa Monica, Pointer, Pattaya (script), Brisbane, Avangard, Armstead and Armstrong (two calligraphic wedding scripts), Violeta (script), Futurino (a great chldren's book font family), Avignon (script), Bombastic (cartoon font), Velvet Line, Beyond, Bright Cofetti (font duo), Fort Yukon (spurred), Briosh (signature script), Marisha, Black Star (monoline), Sensation (inky script), Bonavista, Pina Colada, Milardo, Bondy Mondy, Ostende, Pasternak, Secret Room, Pointer, The Old Navy (stencil), Lush Garden, Blonde, Way to the Heart, Youth Wind, Mulled Wine, Helardy, Ramson, Marine, Silona, Horse White, Hello Sakura, Mirabella .

    Typefaces from 2020: Selna (a fashion mag typeface), Vianor (a decorative Victorian serif), Hughes (a retro signage script), Sugar Cake, Clarins (Script and Serif), Knopa (a beatnik font), Adventure Island (a monoline script), Morando (a decorative serif), Pina Colada, Norando (a decorative serif), Comilfo, Simaro, Malmont (script), Todes, Chaser (a military stencil), Mulled Wine (an inky Treefrog script), Bosca, Costa Mala (pure art deco), Sensal (formal art deco), Blaine (square-serifed), Leronda (a wedge serif typeface for display), Gron (bilined caps), Parnas (a stylish Peignotian sans), Landre (a retro script), Mansory (a Peignotian sans family), The Buchen (a rounded serif font), Platinor (a decorative serif), Grovana (soft all-caps sans), Ametis (an all caps fashion mag serif), Capella (brush script), Enigma (a stylish all-caps serif).

    Typefaces from 2021: Cicada (a 10-style modulated sans), Legend Of Christmas (six styles: a font trio), Etero, Black River (a vintage outdoors font), Miamo (a script / sans pair), Portaso (a vintage grunge family), Brewery Factory (a 16-style collection of vintage beer label fonts), Butcher's Daughter (a vintage family ideal for pubs and beer bottles), Baren (a 9 style wide sans), Rolan (a 6-style art deco sans), Casual Style (sans, script), Delores (delicate roman caps), Above Ground (a dry brush script), Thawed (a melting ink font), Poum Boum (a children's book font), Giordano Gold (a stylish font duo), Lerum (a stencil serif typeface), Dress Code (a 12-style all caps headline or poster sans), Melgard (script), Chroman (a decorative serif first named Chroma), Chopard (a 12-style fashion serif), Hermitage (a 6-style decorative serif), Fremont (an inky Treefrog script) (a Treefrog script), Mansory (a formal display sans), Senar (20 styles; a slab and sans serif family), Opera Signature (a stylish serif), Faberge, (a decorative serif), Berkut (a take-no-prisoners octagonal military font with sold and stencil versions), Poligon (a military stencil family), Marmaris (a soft serif), Lestina (an inky script), Milonga (a Treefrog script).

    Typefaces from 2022: Ramenson (a 15-style weathered vintage font collection including Sans, Serif and Script), Laro (an 18-style geometric sans). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

    Larissa Constantino

    Recife, Brazil-based creator of the Victorian typeface Perdiçao (2015), the pixel typeface Cambito Sans (2013) and of the modular typeface Tarantina (2012). [Google] [More]  ⦿

    Larry White

    Designer at Letterhead Fonts of the Victorian ornamental typefaces United Cigar and Bill Blake (2006). these fonts were removed from the LHF collection as explained by Larry White himself: I was a contributing artist to LHF, until I was deemed "unhappy" by Chuck, and since he didn't "like my tone" on a phone call HE made to me, he deleted me and my fonts right off his site. I wrote him a letter to see if I could get him to reconsider. I received a very rude reply back, with his closing statement of, "Lay off the pot Larry, it's making you paranoid." Shows you how much he knows, I don't smoke pot. He's just a diminutive little weasel, that has no clue on how to discuss any issue with anyone. It's his way, or the highway. What a total ass! Please, don't buy anything from that jerk! [Google] [More]  ⦿

    Laudon Type
    [Carolina Laudon]

    Laudon Type Design is a one woman type studio dedicated to typography, type design and type education. Carolina Laudon is a Swedish typographer and type designer living in Gothenburg, Sweden. After art studies in Stockholm and London she finalized her MA in Graphic Design at the University of Goteborg in 2000. Since then she has worked in her own type studio, focusing on type design and typographic work. For seven years she was responsible for all typographic tutoring at the Konstfack University of Arts in Stockholm. She taught typography at the Forsberg School in Stockholm and Goteborg. She currently teaches at Berghs School of Communication in Stockholm. In 2012, Carolina Laudon received The Berling Prize, Sweden's most prestigious typographic design-prize.

    Her work includes some of the most used corporate typefaces in Sweden, like Monopol (for Systembolaget, the booze monopoly in Sweden), and DN Bodoni and DN Grotesk (2000-2002, together with Örjan Nordling, Pangea Design, for the Swedish daily morning paper Dagens Nyheter). Other clients include Volvo AB, Arla, White Architects, Insurance company If and design agency F&B Happy and Identity Works as well as ad agency F&B.

    Her other typefaces include Endure (grungy sans), LTD Vichy (octagonal face), Laudon Stockholm Sans (unfinished), LTD Pamskrift (Victorian), LTD Handskrift (2001, a script font for the Scandinavian insurance company Försäkringsbolaget IF), LTD Shake, LTD Sthlm Sans, LTD Cartoon, White Dark (a shaded typeface for White Architects (2002)), LTD Cut (a 3d face), John Rounded (a fat marker font), Derome Sans, Gamlestadsstencil, and Länsförsäkringar Rubik.

    Graduate of the TDi program at the University of Reading, UK, 2017.

    In 2020, Carolina became president of ATypI. Her term lasts until 2022. [Google] [More]  ⦿

    Laura Antonelli

    Whistler, BC-based designer of the decorative Victorian typeface Tango Type (2016). [Google] [More]  ⦿

    Laura Arrieta

    Creator of the free curly Victorian font Black Flowers Blossom (2012). [Google] [More]  ⦿

    Lauren Thompson
    [Nymfont (was: Nymphont)]

    [More]  ⦿

    Lazy Dog Foundry (or: Franklin Type Founders)
    [Willie Ford]

    St. Paul, MN-based foundry run by Willie Ford, who at one point headed the graphic design deartment at Sarah Lawrence College in Yonkers, NY. Franklin Type Founders includes a collection of fonts from Lazy Dog Foundry but has also a library of fonts licenced from International Typeface Corporation (ITC) and, with the backing of URW++, from a number of smaller foundries. Some Lazy Dog fonts: Belmondo, Berliner, BigBlack, Boomerang, Bostonia (a gothic font), Chieftain Solid / Inline, Cypress, Durango, Emporium, Glorietta, GrecoDeco Solid / Inline, Harpers, Isadora, Little Louis, Manhattan, Medina, Minneapolis, Mississippi, Neuland Solid / Inline, Nova Bold, Riverboat, Schwere, Shrifteen, Socrates, Tombstone Outline / Solid, Thermo, Uptown, Yitsui. All fonts made in 1992. I have been looking for Willie Ford. The most interesting match is here. Font Factory sells these Franklin Type Founders fonts: Aster, Augustea, Barcelona, Baskerville Hancut, Berliner, Beton, Big Black, Blackboard, ITC Bolt Bold, Boomerang, Bordeaux, Bostonia, Brody, Bullfinch, Busorama, Cabaret, Camellia, Castle, Catherine, Chelmsford, Chieftan, Chisel, Colwell, Cypress, Diskus, Durango, Einhorn, Emporium, Erin Lynn, Fat Face, Flash, Glorietta, Greco, Harpers, Harris, Herald, Honda, Horndon, Ice Age, Isadora, Latin Tall, Lazy Script, Legriffe, Liberty, Lindsay, Little Louis, Madison, Magna, Magnus, Manhattan, Marker, Medina, Minneapolis, Mississippi, Nadall, national Modern, National Oldstyle, Nevision Casual, Nova, Pajamas, Phyllis Script, Piccadilly, Plaza, Primus, Punch, Quentin, Railroad, Recess, Riverboat, Rumpus, Scaffold, Schwere, Schrifteen, Slipstream, Socrates, Sophie, Sterling, Superstar, Synchro, Thermo, Timeless, Times Coop, Titus Light, Tombstone, Uptown, Victorian Script, Vienna, Weifz Rundfchrift, Windsor, Worcester, Yitsui. [Google] [More]  ⦿

    Lebbadesign (or: Lebbad Design)
    [James A. Lebbad]

    Lebbadesign (Stockton, NJ) is where James Lebbad (b. 1955, Newark, NJ) publishes his work, mostly logotype and lettering. Jim graduated from Kutztown University in 1977. He is a winner of an award at the TDC2 Type Directors Club's Type Design Competition 2002, with Globetrotter, a fine hand-printed font. Other fonts: Penske, Campbell Soup, Echo, Takhomasak, Lebbad Roman, Ellen, Janelle. MyFonts sells Alie (2008, a rough-edged script), Antman (2008, reto futuristic face), Bunky (2008), Ellen (2008, a display serif face), Kerb (2008, an elliptical sans), Pastina (2008, a Victorian serif), Nicole (2008, a graceful condensed face), Zoomba (2009, a script), Lebbad Script (2011, retro signage face), Juliana Joy (2012, a sharp-edged serif face), Minnie (2016, a curly upright script), Minnie Brush (2016), Leo Slab (2016), Krone (2018: a bold semi-serif), Oliver Serif (2020).

    View the typefaces designed by James Lebbad. [Google] [MyFonts] [More]  ⦿

    Lee Kah Khiong
    [Kah Khiong Design]

    [MyFonts] [More]  ⦿

    Lee Schulz

    Boston-based designer of the Type Directors Club 1999 award-winning design Antionette, an "extreme Victorian" face. His Salome also won an award at the same competition. Hrant Papazian on Schulz when he wrote a piece on a CalArts exhibition: Then there was Lee Schulz with his dedicated craftsmanship and astonishing inspirational range: the hyper-decorative Antoinette; the gloriously organic Salome; the surprising low-res Batterie; the reserved Minister. [Google] [More]  ⦿

    Legacy of Defeat
    [Joshua M. Smith]

    This web site, related to Joshua Smith's Hydro 74 foundry in Orlando, FL, offers original creations, both free and commercial. They specialize in vintage signage type, display type, the Western look, scary typefaces, art nouveau, tattoo type, psychedelic and Victorian styles. The catalog as of 2011: Anarchy Script, Aphex Script, Apocalypse, Avante, Black Mail Sect, Black Mamba, Black Plague (blackletter), Burial Black, Cadaver Ink (tattoo font), Cadaver Script, Calypso, Catalyst, Cortez, Dayton Black, False Idols, Golden Age, Heresy, Hood Black, Hydro Script, Imperial Black, Iron Fist, Kremlin Ink, Kustom Style, La Calavera Catrina, La Santsima Muerte, Le Venom, Lucky's Flash, Martyr Black, Muerte Black, Napalm Vertigo, Nue Black, Nue Goth, Norway Black, Razor Black, Royal Baron, Sacred Black, Sailor Jerry, Salem Witch Hunt, Sentry Black, Spitfire, Skid Row, Thai Black, The Clique, The Thickness, Thunder Script, Tramp Stamp, Tyranny Gothic, Uber Black, Vahalla, Venice Black, Viper Black, War Machine, West Coast Soul, Wolfstien Electro, Working Class Hero, Zombie Allegiance, Zombie Attack, Slash Black, Suture Set, Corpse, Czar, Proclivity, Uber Black Caps.

    Free and commercial typefaces from 2013: Pricks, Ocelot Piss, The Witches, Wizard Tit, Wizard Dick, Riverside, Dirty Sanchez, Corpus Delicti, Warlock, Ghetto Wolves, Spitfire, Cheap Deal, Shwarma (Arabic simulation), Alderaan (alchemic), Surplus (spurred), Goth Bitch (blackletter), Siberian Vodka (alchemic), Scalliwag (2015, a fat brush), Zombie Headshot (2015), Counter Strike (2015), Bitch Please, Dirty Whore (brush script), Skeleton Key (EPS), Old School (EPS), Forty Thieves (EPS; Arabic simulation), Conquest (EPS), The Sailors Creed (EPS), Achilles (constructivist), Gold Chain (EPS), Bootleggers (Western), Blood Clot (dripping blood face), Hernandez (Latino style), The Order (spurred), Kuso, Pinche Muerte, Chingon, Nomad, Major Jackov, Sinner, Mayhem, Outlaw (Western), Absinthe, Zombie Headshot, Black Diamond, Alcazar, Eastern Star, El Librador (Cuban colonial style), Monniker, Her Majesty, Kobra, Dishonor, Ghetto Hawk, Kings Wrath, Fraternal, Wizard Taint, Rinzler (inspired by TRON), Dream Weave.

    Behance link. Creative Market link. [Google] [More]  ⦿

    Leksen Design
    [Andrea Leksen]

    Andrea Leksen (Leksen Design, Seattle, WA) has a Master of Design degree from Duncan of Jordanstone College of Art & Design, Dundee, Scotland, and a BA in Music Arts Administration from Whitworth University, Spokane, WA. She has been a freelance designer since 2003. She teaches at Seattle Pacific University. Her typefaces include:

    • Nordique (2015). A circle-based simple Scandinavian-style sans typeface. It is related to Nordeco (2020).
    • Bemis (2013). Based on the engraved type on the historical Bemis building in Seattle, this is a typeface with a large x-height. The peppermint-striped Christmas version is called Candy Cane Lane (2015).
    • Cristoforo Italic (2013). Done with Thomas Phinney, this is a Victorian H.P. Lovecraft typeface. In 2012, Thomas had started work on Cristoforo, a revival of Hermann Ihlenburg's Victorian typeface Columbus (1890, ATF) and its accompanying American Italic, also by Ihlenburg. Kickstarter project. Phinney notes that it is known as the typeface of Call of Cthulhu, the H.P. Lovecraft roleplaying game, and as the original logo for Cracker Jack.
    • Mr Gabe (2022). A didone display typeface.
    Creative Market link. [Google] [MyFonts] [More]  ⦿

    Lena Manger
    [Collide 24]

    [More]  ⦿

    Leonard Posavec
    [Creative Toucan (was: Leo Supply Co)]

    [MyFonts] [More]  ⦿

    Letter Stock (was: Gumacreative)
    [Guguh Gumantoro]

    Bandung, Indonesia-based designer (b. 1982) of Masura (2016, brush style), Space Cake (2016, sci-fi style), Caroline Script (2016), Morning Fever (2016), Binzo (2016), Morning Cloud (2016, handcrafted), Rancha (2016: grungy style), Alkhali (2016), Gath Is A Robot (2015) and Scarlet (2015, textured typeface).

    Typefaces from 2018: Vanhala (Tuscan), Orchard, Solitaire, Founder (a thin script), Elanor, Callous (signature script), Keith (script), Subsky (script), Hamburger (artsy script), Smith (monoline rounded sans).

    Typefaces from 2019: Steven Mattew, Romansa (script), Pianicas, Infamous, Voltras, Faddox, Slayer Creeper (a dripping blood blackletter font), Hellioum (a balloon font), Grootten Beast (a wooden plank font), Lazarrous (beatnik), Salmounth (a clean script), Damaskush (a blackletter), Neurotic (spurred, blackletter), Maclucash, Neowave, Throoper, Maldivine, Morrisette (signage script), Descrendent (sans), Athlenstan, Hole Script, Cardigan, Lenox, Aero Space, Esentrik (over-decorated), Lethal (sans), Markwell (script), Hallmark, Fymous (signature script), Brighford (spurred), Bulb (a bubblegum font), Wavecraft.

    Typefaces from 2020: Flinch (a stone cut Flintstone font), Jack Miller (a signature script), Jaguar Jugglers (squarish, constructivist), Lazarrous (beatnik style), Jane Frediction, Grindmore (a calligraphic blackletter typeface), Descendent (a monolinear rounded coffee shop sans), Oliver Queen (a fat brush script), Orangutan, Chadwick (a Halloween font), Oakleaf, Buckles, Hackwell, Susan Brooks, Jacqueline, Alistair Morrison, Gibson Walsh, Slapstick, Monkey Werch, Rooselyn, Northway (lettering for outdoor or nature trail signage), Ghotana, Apija, Rawkin Pickles, Lockdown, Linger (a curly delight), Nuttyclash (a dry brush typeface), Ghosie, Kuro (a brush script).

    Typefaces from 2021: Bellamind (a decorative serif), Bingana (a playful typeface with oriental influences; appropriate for toys), Cheshire (sketched, textured), Creepycall, Croftler (a grungy athletic shirt font), Goldenwick (a vintage decorative serif), Karlburns (an ultra-decorative font by Vic Carless), Shorelly (an arts and crafts all caps serif), Walkingblue (a round vernacular slab serif), Garlicha (a great formal copperplate calligraphic font that unfortunately features a lower case r that can be confused with a lower case n), Hamingduck (copperplate calligraphy), Antucious (an ornamental serif), Monkeymod (a textured reverse srtress display font), Eightbit (a retro pixel font), Maloney West (art nouveau), Adamovick (a spurred Halloween font), Grindleaf (organic), Cronicalypse (a reverse stress elephant foot display font), Houston Palace (a monolinear retro script), Raceryouth (a weathered stencil font), Lyonade (a monolinear script based on retro motorbike posters), Alleysondust (a calligraphic script), Carlosberg (a spurred Victorian typeface), Clubeight (a trilined neon typeface that is reminiscent of Wyman's designs for the 1968 Olympics in Mexico), Slacksluger (a decorative inline typeface with medieval terminals), Beckmarine (a rough typeface inspired by retro cartoon and retro motorbike posters), Bullmars (a heavy font), Sinofluck (a stylish brush script inspired by a samurai poster), Scandlers (a dry brush script), Melvines (a thick paint brush font), Rockapolis (stencil), Lexaviers (a rune simulation font), Mylo (a dry brush typeface), Meckatler, Machiates (a vintage signage font), Fluxion (a dry brush script), Black Marilyn (blackletter), Palermosh, New Kids on the Font, Psychonaut (a reverse contrast, or even a Western, font), Black Valentine (a decorative blackletter), Buckles (a dry brush font), Smegh Mouth (a dry brush font), Armthadore, Brookland (a dry brush script), Khian Shantang (a decorative blackletter), Laekar (a hand-drawn blocky poster font), Schoutler (an ornamental fantasy font), Sonoxa (a heavy and creamy dry brush typeface), Classicloud (a decorative and festive blackletter).

    Typefaces from 2022: Gavin Zoo (a vintage decorative serif), Sallam (Arabic emulation), Sururim Maudunah (emulating Arabic), Ar Rayyan (Arabic emulation), Hollybucks (a round handprinted typeface), Mack Dutch (a weathered elephant foot serif), Obidel (a squarish vernacular typeface), Pinkerton (a playful cartoonish font), Sloopy Joe (a condensed sans with some curly terminals), Xylo Macloud (a decorative serif), Hickenwitch (a decorative serif), Parkwilson (a decorative serif), Buckedtalk (an inline blackletter typeface), Buckedtalk (an inline blackletter typeface). Creative Fabrica Script. [Google] [MyFonts] [More]  ⦿

    Letterflow Studio (or: Typestory)
    [Diki Hermawan]

    Bandung, Indonesia-based designer (b. 1995) of hand-crafted and display typefaces. His early typefaces include Valenia (2019), Winter Is Coming (2019: script), Antello (2019: script), Vanilla (2019), Braga (2019: a vintage serif), Brader John (2019: an all caps slab serif), The Sunday (2019), Breethy (2019: script), the Victorian typeface Darktown (2019) and the script typefaces Rockhead Script (2019), Breakfast (2019: brush), Timberly (2019) and Fortwenty (2019).

    Typefaces from 2020: Winter Beauty, Midnight Glamour (a rabbit ear calligraphic script paired with a semi-didone), Love Bright (an upright rabbit ear script), Yesterday Dream (+Script), Mountain Bridge (script), Rockhead (script).

    Typefaces from 2021: Betterside (an upright script), Sweet Dreams (a calligraphic script), Brilliant Summer (script), Venice Bridge (an all caps display serif), Bridney Signature, Buttershine Serif (and script).

    The catalog in 2022: Amberia, Austein Script, Beauty and Elegant, BragaPRO, Breakfast, Bride (upright script), Bridney Signature, Brilliant Summer, Buttershine (a rabbit ear script and display serif duo), Chiara Feragni (a stylish display serif), Darktown, Darktown Font Duo, Gladisa, Golden Cheese, Gorgeous Font Bundle, Magic Bright, Marvelous, Midnight Glamour, Mountain Bridge, New Rockhead, Papernotes (a notebook font; +Sketch), Peony Blush, Riochi, Rockhead Script, Salva Avauger, Simply Lovely, Spring Edelweiss, Stay Lovely, Sweet Brownie, Sweet Dreams, Sweet Tropical, The Braders Script, Timberly, Valenia, Venice Bridge, Winter Beauty, Winter is Coming, Yesterday Dream. [Google] [MyFonts] [More]  ⦿

    Letterhead Fonts
    [Chuck Davis]

    Chuck Davis (Palmdale, CA) is the founder of Letterhead Fonts, which is now loacted in Reno, NV. LHF was established in 1999. They specialize in sign and logo fonts, taking inspiration from wood type and late 19th century style typefaces.

    Free fonts "Letterhead Tuscan" (handlettering), Quadrex (2006, 3d effect font), and Wal-Mart People (dingbats). Early display fonts include Esoteric (1999), Wall Dog, Double Gild, Convecta, Smalts, Splash, Lisa. His Atkinson collection has a few nice lettering alphabets: Heavy Sign Script, Eccentric French, Fancy Roman and Modern 1908 Classic (now called Cafe Nouveau).

    Mike Stowe designed Old Blackletter in 2001. Ken McTague made the hand-lettered style typeface Boston Truckstyle. Designed by Brian Kniceley in 2000: LHF Henderson Church, LHF Ohnimus Florid, LHF Ohnimus Spiked, LHF Strong Tea House, Strong Caliope, Strong Nouveau.

    Fonts made around 2000 by Chuck Davis: LHFActionMovie LHF Bulletin Plug, LHF Classic Block, LHF Condensed French, LHF Convecta (2005, beveled face), LHF Cool Blue, LHF Crouching Tiger, LHF Def Artist, LHF Def Writer, LHF Double Gild, LHF Eccentric French Lt, LHF Esoteric, LHF Heavy French Roman, LHF Heavy Sign Script, LHF Jami (2000), LHF Letterhead Tuscan, LHF Lisa, LHF Modern 1908 Classic, LHF Quantum (2001, techno family), LHF Smalts, LHF Splash, LHF Tuscan Full Block (Western style), LHF Wall Dog, LHF Letterhead Tuscan. Fonts made in 2001 by Chuck Davis: LHF Advertisers Plug ATK, LHF Argentine Solid, LHF Boston Truckstyle, LHF Esoteric New, LHF Grants Antique, LHF Mister Kooky, LHF Mister Spooky, LHF Scriptana (2003, angular calligraphic script).

    The following are all by Chuck Davis: Kung Faux (2021: oriental simulation), LHF Antique Shop, LHF Fat Cat (2011, a round informal typeface influenced by Alf Becker's rounded block letterstyle), LHF Bank Note (2007), Quadrex (2005), Menace (2004, comic book style), Michelle (2004, calligraphic script), LHF Ambrosia (2004, free), Sofia Script (2003), Stanford Script (2003), Sarah Script (2003), Fancy Full Round (2003, a Western typeface inspired by Al Imelli, ca. 1900), Matthews Thin (2003, tall caps face), New Modern Classic (2003), LHF Birgitta (2003, roman style typeface, inspired by an E.C. Matthews book), LHF Happy Fun Ball (2003, comic book style), CD Esoteric, OldSignFont, Robin, LHFDefWriter, LHFDefArtist, LHF Amarillo (2001, a spurred serif), LHFBeckerMonogramEnglish, LHFBeckerPosterScript, LHFBeckerRoundedBlock, LHFConclaveFLATreg, Cool Blue (2003), LHFConclaveFLATwide, LHFConclaveROUNDreg, LHFConclaveROUNDwide, LHFConclaveSHARPreg, LHFConclaveSHARPwide, LHFCrouchingTiger, LHFCrouchingTigerCONVEX, LHFEquinox, LHF Esoteric3 (2004), LHFMirageBOLD, LHFMirageITALIC, LHFMirageREG, LHFMonogram, LHFQuantumCONVEX, LHFQuantumREG, LHFRomanaClassico, LHFScriptana (great lettering font), LHFTimberlodge, Village, Kelly Ann, Outlaw, Hensler (2002, a cigar box face), Antique Half Block (2002, wood type), Spurred Egyptian, Wolverine, Ortlieb, Super Thick&Thin, Denise, Hensler, Charlotte, Antique Half Block (2002), Supabad (2003), Brianna (2003, techno), Happy Fun Ball (2003, comic book family), Naylorville (2004), LHF Grant's Antique (2004, caps only Victorian face), Michelle (2004), Cafe Corina (2006, a decorative 19th century style free font by Chuck Davis), LHF Ambrosia (2004, a purely Victorian free font by Chuck Davis), Lincoln (2006), No Fishin (2006), LHF Bell Boy (2004, a free art deco font, Chuck Davis), LHF Full Block (2003; free slab serif athletic number typeface by Davis), Mike's Block (free slab serif by Davis), Old Block (free athletic numbering typeface by Davis), LHF Old Stock (2007), (2007, lettering from old stock market certificates), Hick Sticks (2007, letters made from sticks), LHF Fast Slant (2007, comic book style), LHF Cartoon Cowboy (2009), LHF Big Daddy (2012, fat signage family), LHF Comic Caps 2 (2014), LHF Advertisers Square (2014, after a signage alphabet by Al Imelli, 1922), LHF Asylum (2015, scratchy brush), LHF Black Rose Script (2016), LHF Mastercraft (2017).

    Typeface categories: 3D, 30's and 40's, 50's and 60's, Art Deco, Art Nouveau, Bold, Calligraphic, Cartoon, Casual, Circus, Condensed, Convex, Corners, Decorative, Distressed, Early 1900's, Extended, Fire Truck, Formal, Gothic, Graffiti, Inline, Late 1800's, Layered, Light, Modern, Old English, Ornaments, Panels, Prismatic, Racing, Railroad, Ribbons, Roman, Sanborn Map Co., Sans Serif, Scripts, Scrollwork, Shadow, Stock Certificate, Swashes, Victorian, Western, Word Art.

    Designers: Arthur Vanson, Brad King, Bruce Bowers, Charles Borges, Chuck Davis, Dan Sawatzky, Dave Correll, Dave Smith, David Parr, Denise Bayers, Duncan Wilkie, Francis Lestingi, Jeff Marshall, John Davis, John Studden, Kaitlin Sims, Ken McTague, Mark Searfoss, Mike Erickson, Mike Jackson, Patrick Kalange, Rob Cooper, Steve Contreras, Tom Kennedy.

    At one point, Chuck Davis was running Blu Creative Media, where he published BLU Esoteric (1999).

    Interview at MyFonts. Letterhead link. Behance link. [Google] [MyFonts] [More]  ⦿

    Letterhend Studio (or: Magang Letterhend)
    [Hendry Juanda]

    Hendry Juanda runs Letterhend Studio in Yogyakarta, Indonesia. He designed the signage script typefaces Redoura (2016) and Kadisoka (2016), and the accompanying Redoura Serif (2016) and Kadisoka Monoline (2016). Hendry also designed the handcrafted typefaces Signerella Script (2016, +Sans), Motherline (2016), Motherline Sans (2016), Mukadua (2016: a beatnik serif and a script), Sakra (2016) and Sakra Script (2016).

    Typefaces from 2017: Kaylar Script (formal calligraphy), Keylar Serif, Legion, Hipsterious (signage script), Megattor, Dear Jane (a signature script), Wonder Stark (a rhythmic script), Kingbirds (monoline script), Mandatory (Sans+Script), Modesta Script, Romzul Sans (a fat finger font by Muhammad Romzul Khoir), Kanuda (by Galih Prasetyo), Aamonoline (by Ageng Jatmiko), Fad Script, Ageng Sans (by Ageng Jatmiko), Anisa Sans, Morsel, The Lentigo, Quinible, Storytella, Rose Colored, Swiftone, Antone (letterpress family), Retrology (monoline script), Claytonia, Pipetton (brush Script and Sans), Marttabuck (retro), Gloriant Signature Script, Jouska, Brooklyn (dry brush), Holiday, Take Easy (dry brush), Larizo (brush script), Vanillate (monoline retro script).

    Typefaces from 2018: Sabatons, Autogate (font duo), Sharon Baker, Blue Phantom Script, Dologan, Bolica, Jaceline, Youther (brush script), The Goldies, Carllosta (curly), Black Space (brush style), Anjani Script, Melania Monoline, Calasans (retro layered), Arlington (spurred, Tuscan), Pastelle (SVG brush font), Diana Webber, Caligor (a vintage headline typeface), Greatly, Belymon Script (a great signage script), Majestika Script (signage script), Nagoya (monoline script), Charlotta Script, Stronger (vintage style), Vanillate (connected monoline script), Pipetton (script), Roseville (calligraphic: by Hendry Juanda and Sarid Ezra), Rupture, Gustolle (a great watercolor brush font in OpenType SVG format), Riverside (monoline script), Bulgaria Script, The Majority (calligraphic script), Blacklite (signage script), Athalia Script, West Hood (Western), Fort Collins (font duo, by Sarid Ezra at Letterhend), Flanders Script (a signage script), Thirdlone (a monoline script), Bigstorm, Melania Script (named after the first golddigger), Motherline, Harsey (a 16-font toolbox of signage scripts and dingbats), Dearday Script, Dearday Sans, Blodders, Callonsky Script, Kulon, Quicken, Reklase, Skizzle, Storytella, Brighter.

    Typefaces from 2019: Shockbar (a Halloween font), Chanide Script, Girly Moods, Padlock (a great retro script), The Rouged (monoline script), Karatone, Kingdrops, William Letter Signature, Billskates, Dorothy Clark, Chord Brights (a Victorian typeface), Sequents, LS Olive 01 Script, Bargitta (an SVG brush script font by Hendry Juanda and Sarid Ezra), Hellone Script, Sharon Baker (by Hendry Juanda and Sarid Ezra), Daniella Evans (a display serif by Hendry Juanda and Sarid Ezra), Leafstar, Righton (a signage script by Hendry Juanda and Sarid Ezra), Lotustail (by Henry Juanda and Sarid Ezra), Radicals, Seriously (a display sans), Rupture, North Avellion, Majestika Script, Palmbell (a signature font by Hendry Juanda and Sarid Ezra), Fokers (Victorian), Frankest (Script, Serif; with a Victorian feel), Danielle Harris, Callonsky Script, Murphy Script, Lanoline Script, Bittergrace Script (by Hendry Juanda and Sarid Ezra), Bordemile (a copperplate calligraphic script by Henry Juanda and Sarid Ezra), Daybird Script, Amerta Misty, Wonderstory, Kingbirds Rough (monoline), Rupture Stamp (for signage), Gorgone (a one-style didone by Henry Juanda and Sarid Ezra), Stomper, Caligor, Asterone (a wide all caps sans), Venettica Script (a signature script), Hougbon Script, Philomena Script, Cephalonia, Birmingham Script (calligraphic), Hillstown (Sans and Script).

    Typefaces from 2020: Billrocks (a condensed all caps sans), Greybridge (a fine retro script), Lava Cookies, Just Because, Moraline Script (a baseball signage script), Lemonade Peach, Mayburn (a retro signage script), Fillerglad (a signature script), Breadfast, Della Brian (script), Sailritme (wild, calligraphic), Stacylia, Stacylia, Salty Unicorn (a monolinear marker pen font), Super Giants, Gingerly, Creeplens, Donthank (a fat finger font), The Viperion, Blantika, Maritosca (wild, calligraphic), Thirtylane Script, Winland (a brush script), Ballmarks (wild, calligraphic), Mellodate, Braleno (a shaky font), Siregar, Camie (a wedge serif), Hugiller (a high contrast ball terminal fashion mag serif), Mildistance (a tall calligraphic script), Midgeto (a casual all caps typeface), Crimson Black (a brush typeface), Duke Charming (a decorative serif), Lucky Spark, Blue Jones, Sunshine Valley, Hello Christine (a rough-edged script), Revalina (a wild calligraphic script), Ranshell (a chalky script), Malliandra Script (a wild calligraphic script), Vistaria Notes (a wide flowing calligraphic script), Achiever, Bullgine (blackletter), Billion Reach (a signature script), The Randi (a monoline script), Yorkson (a signage script), Laverty Castaroza (all caps, art nouveau), Kandani (a creamy signage script), Fragtude (a creamy script), Quick Counters, Kaeliwritten, Heaven Wanders (a lively vintage hand-printed typeface), Chillday Script, Redberries, Foretelling Script, The Stegris (a decorative serif), Bayland (a signage script), Darthon, Caligonia, Deluge (a heavy script), Laterlocks (a display typeface), Baille Simpson (a dry brush script), Kanote (an all caps cartoon font), Black Ground, Franceur, The Wanters, Alburgone (an all caps quaint shop front lettering typeface), Annette Bradford, Winstreak (a brush font), Madegra (a decorative serif), Samrose (a dry brush font), Dehors (a Tuscan circus font), Compania (a wild script), Neography (a formal script), Shakuro Brush (oriental brush), Rascals, Wednesdom, Chirpy, Altia (Script, Sans, Slab Serif, Signature, Hand, Brush, Dingbats), Stargation, Buttoni, Radgrows, Linkgray, Monday Bay, Brown Chunkers (a vintage label font), Squiborn (a hand-drawn athletics font), Brilliantly, Holystone, Detroit (a handcrafted slab serif), Spring Note, Bigtown (a heavy hand-lettered slab serif), Naville (a 6-style all caps sans family), The Proactive (script), Wardrum Pro (a wide sans) and Wardrum, Kinderline Script (monoline), Kingdrops, The Kogles Script (retro), Conseration (a condensed sans). Hopkins Angela, Blue Phantom, Gladiolus Script, Calvous (spurred and weatheed), Fort Smith (penmanship calligraphy), Ramdone (a creamy signage script), Devilion (a signage script), Cortair (a vintage typeface), Kingbirds (a monoline script), Purefell Script, Rangkings (serif), The Holloway (Victorian), Roquen (a rustic typeface), Gloriant.

    Typefaces from 2021: The Riskeys (a tall stylish serif), Brandice (blackletter), Carllosta (a Victorian font), Dountyland (a monoline script), Garten House (Victoriana), Hello Sierra Sans (a child's hand), Marla Griselda (a formal script), Nachinta (script), Winter Rosetta (a curly script), Distoniare (a thin calligraphic script), The Moon Milter (a vintage all caps display font), Asper Crown (a nature park display font), Delgian (script), Astropicks (a marker bpen font), Cerlistine (a fat finger script), Fintbar (a fat all caps display font with an oversized chin), Madre Rose (a stylish unicase typeface), Norvin (vintage caps), Roundkind, Sentra (a wide hand-crafted display font), Stone Masher (script), Beast Party (a Halloween font), Hollow House (a Halloween font), Blowsters (a dry brush mural font), Rumble Born (a bean font), Stano Sans (rounded), Amillia Rochete (a delicate signature script), Shopie Minclair (a fine pencil script), Sign Paintoh (a sign painter's font), Wednesday Island (script), Sinister Mind (a horror font), Divine Stone (a brush font), Pinsmalle (a signage script), Radnick (a plumpish retro font), Wackets, The Royal Chambers (decorative caps, with a hint of art nouveau), Shopie Minclair (a refined script), The Morshine (Victorian), Beauty Culture (an angled calligraphic script), Allarmante (a horror font), Billanta (a retro signage script), Galpike (a 9-style sans with modulated stems), Magnitude (a stylish display sans with large x-height), Romans Story (stylish caps), Stay Strong (a dry brush script), Cardila (a monoline retro signage script), Explore Magic (hand-printed), Kingslayer (a graffiti font), Marina Bullock (a flowing rabbit ear script), Dustland (a retro signage script), Haystack (script), Sakura Town (Japanese brush emulation), Boldistrike (a retro signage script), Maleryan (a delicate formal calligraphic script), Sellina Word (a calligraphic script with irregular line thickness), Servegin (a display serif), Shelbie Roger (Victorian), Stumble (a signage script), Foresight (a vintage script), Cordoba Sans (vintage caps), Badgear (a monoline script), Edellyn Script (tall and elegant), Glorify Sans (an 8-style decorative sans), Wellytonia Package (a scrapbook script), Turesco (a creamy caps typeface), Black Space (a horror brush SVG font), Slime Yogurt (a fat finger font), Black Hymned Script, Pompano (a lively almost vernacular headline sans), California Quotes (brush script), Rosterine (a vintage condensded display font), Between Days (a display serif), Crescent Slim (a stylish display serif), Captivate (script), Flumbery White (a thin tilted script), Modern Prestige, Olive Vine (a lively brush script), Graystera (an elegant script), Morning Glints (a marker pen font), Native Roast (a vintage layered typeface), Menleader (script), Neophyte (a flared vintage typeface), Dankfield (condensed, squarish), Sogate (a bold script), Hollow Sky (a thin script), Boosley (a condensed supermarket script), Killviners (blackletter), Chenile Deluxe (a vernacular supermarket font) Silvestern (a vintage display font), Arnette Script (a calligraphic script), Margoline (an elegant formal calligraphic script), Pinmold (a geometric stencil font), Eligated (all caps, vintage), Garmouth Display (a Victorian era advertizing font), Bugheds (blackletter), Candleton, Riotous, Baverley Astone (script), Belmistate (a fine rhythmic brush script), Hulberk (an all caps slab serif), Mogaster (a monolinear script), Black Rockets (a dry brush script), Glady Script (a bold signage script), Yesternight (a bottom heavy script), Welroseltone (a stylish calligraphic font), Bold Garage (an inky unusually elegant typefacre), Bright Clones (hand-printed) Grand Wilson (a font duo), Merodine (calligraphic), Appears (a decorative serif), Mounties (tall caps with flared terminals), Quatro, Ground Castle (a display serif), Linestay (a signage script), Alessia Harvey (a signature font), Caramel Chestnut, Londers (an upright bold script), Hubstone (a brush font), Oversouth (vintage, hand-drawn), Bright Gesture (a lachrymal font), Center Voyage (an all caps display typeface), Asteria Royalty, Georude (hand-printed), Raksana (a bold upright script), Aesthetic Notes, Broadley (a vintage font duo), Chopader (a vintage font duo), Wimp Stars (a beatnik font), Brown Holmes, Mortina (a vintage font duo), Dustown (a rounded handcrafted sans), Holymore, Lamberds (a rhythmic script), North Mountain (a decorative flared typeface), Butter Slices, Portalica (an all caps italic font with plenty of ball terminals), Evening River (an optimistic and playful script), La Graziela (formal copperplate calligraphy), Metro Capitals, Davenvale, Earthgate (a vintage penmanship font), Vindale (a retro reverse stress script), Better Hobby (a layerable cutout font), Bouldster (a bottom-heavy psychedelic script), Melorist (a display sans), Benorante, Millgrove (a condensed spurred typeface), Asterluck (a fat finger font), Boinger (wide, octagonal), Rimeland (calligraphic), Ansylia, Mantaray.

    Typefaces from 2022: Arturico (a frivolous art deco font), Calmine Font Duo (a bold vintage script), Foresight, Penster Bross, Mayhome (script), Rivervale (flared hand-crafted caps), Rontage (a late 19th century-style display typeface), Bert Watson (a tall thin upright script), Honnie (Greek emulation), Livemono (6 styles), Caldeisa (a creamy script), Coral Candy Regular Slant (a blocky plump unicase typeface), Hanstone (script), Hintown Slant (arts and crafts era caps), Liviatica (a wavy display serif), Rosie Brown (a font duo), Growline (an all caps display sans), Lion Parade (a vintage apothecary script), Praysire (a sharp-edged display serif), Bashiton (a monolinear script), Crainzel (notched caps), Garetra (a stylish serif), Moon Slayer (a scrapbook brush font), Growlies (a fat finger script), Ridge Cliff (a massive slab srif), The Bristers Sans (a font duo), Augify (a hipsterish display serif), Dustyland (a monoline script), Primore Castle (hand-crafted), Merry Brook (script), Monstroux (a brush font), Blue Carousel (an informal brush script), Bastinson (a thin monoline script), Happy Sparkle (an inky treefrog script), Arinkoln, Backdown (script), Krostenia (a monoline script), The Bardian (script), Black Rocket (hand-printed), Kaglia (script), Cyberion (sci-fi), Groovy Friends (hand-printed), Calfine (a bold condensed poster typeface with small wedge serifs), Fountencil (a blackletter stencil), Logirent (a minimalist logo font), Logirent, Hermush (art nouveau caps).

    Aka Magang Letterhend. Behance link. Dafont link. Graphicriver link. Dafont link. Creative Market link. Fontesk link. [Google] [MyFonts] [More]  ⦿

    Lettering Garage
    [Maximilian Huber]

    Maximilian Huber (Lettering Garage; and before that, Cellar Door, Vienna, Austria) created an experimental sketched geometric alphabet called Cellar Sans (2011; images: i, ii) and a fashion mag typeface called Enie (2011, free).

    In 2012, he published Leberkaas Grotesque (Ten Dollar Fonts), Justus, a blackboard bold typeface family, and Walden, a tall hand-printed poster typeface available from Ten Dollar Fonts.

    Still at Ten Dollar Fonts, he published these typefaces in 2013: Mandag (sans titling face), Fredag (another sans face), Pista (a successful inline titling face), Selador (Ten Dollar Fonts), Strassenbahn (a sans based on text in Vieenese tramways).

    Typefaces from 2014: Justus (a blackboard bold / tattoo font), Warpath (vintage hand-drawn typeface).

    Typefaces from 2015: Work Hard, Live Well (handcrafted poster typeface).

    Typefaces from 2016: Stoa Sans (inspired by stone wall engravings and stoic philosophy), LK Better Days (a free Victorian signage typeface).

    Typefaces from 2017: Ultra Sunshine family (handcrafted; consisting of Handsy, Frandsy and Garage Script), Dromeus (octagonal).

    Behance link. Dafont link. Klingspor link. Creative Market link. [Google] [More]  ⦿

    Letters by Wordsworth
    [Cecilia Ann Harris]

    Cecilia Ann Harris is a type designer from Bonne Terre, Missouri, b. 1958, BonneTerre. She created Dog Heaven (2011, hand-printed), CroMagnon (2010), an informal face, and the bouncy titling typeface Fribble (2010). Mile High (2011) is a Victorian family. Hayden Creek (2011) is a great informal script face. Her foundry, Letters by Wordsworth, is located in Colorado. [Google] [MyFonts] [More]  ⦿

    LGF Fonts (or LG Tipos)
    [Manuel Lage]

    LGF fonts is the foundry of Manuel Lage Novo, a Galician type designer in La Coruña, b. 1970. He inherited the Richard Gans collection.

    Manuel specialized initially in sexy silhouette fonts: Sexy Spanish Erasmus Girls (2007), Chicas y Mujeres (2007), Sexy Spanish Woman (2007), Gimnasia (2009). He also made the distressed typefaces TNewPro (2009) and Carboncillo Palo (2007), Galería Coruña (2008, Victorian), the geometric display typeface WFF Lage Grafica (2007) and the elegant upright script Lage Goyesca (2008).

    In 2009, he published Sistemas Font BT, which seems to be a copy of or very close to the well-known stencil typeface Futura Black BT. Fuck This Copy (2011) is a counterless grunge face.

    In 2012, he published LGF Goyesca, LGF Disco Inferno, LGF Terra Demo and LGF Patuko (fat finger face).

    In 2013, he created Belter (a vinyl disk font), LGF Besitos Square, LGF Besitos Round, LGF Lovevelyn, LGF Lage Logo TresD (a 3d shadow face), and the inline typeface Elucidar Titulares.

    Fonts from 2015: LGF Centelleo, LGF Cup.

    Typefaces from 2016: Circus LGF (an art deco layered family, ideal for coloring), Primavera LGF (based on Richard Gans's Primavera, and extended with a bold weight), Alicia LGF (a Broadway style art deco typeface based on Fatima, a font designed by Karl Hermann Schaefer in 1933 at Schriftguss), Mario LGT, LGF Avadar (an inline display typeface), ImanRG (a great shadow headline typeface after Richard Gans's Iman), Lgf Besitos Round Light (an architectural font).

    Typefaces from 2017: Decorativa RG (after Richard Gans), Elucidar, Ornato, Escorial RG (after Richard Gans), Rias Altas Ribadeo, Escritura Luis XVI (after Richard Gans), Maruxa (a script typeface after Richard Gans), Ortegal, Gauntlet LGt (a great neon / metal / disco typeface), LGF A Lage Logo (origami), Alage Evo + Evo Century (octagonal).

    Typefaces from 2018: Ornamentos Orlas y Vinetas.

    Typefaces from 2020: Patri LG (a belle epoque display typeface).

    Typefaces from 2021: Volvoreta RG LG (or Bolboreta; a revival of Richard Gans's Decorativa).

    Dafont link. Klingspor link. Abstract Fonts link. [Google] [MyFonts] [More]  ⦿

    Lia Wijayanti
    [Orenari (or: Oren Ari)]

    [MyFonts] [More]  ⦿

    Listemageren Fontarkiv
    [Klaus Johansen]

    In the late 1990s, Klaus Johansen from Odense made gorgeous (free) dingbat typefaces such as Fabeldyr, Ancient Heads, Art Nouveau Headers, Art Nouveau Women, Atleter, Border DingCats, Devils and Dragons, Dutchmen Dingbats, Dingbat Cats, Engleknapper, Fandom Dingbats, Gabriel's Angels, Great Detectives, NY Dingbats, Malacates, Masonic Symbols, Mayan Dingbats, Mexican Ornaments, Mythago Wood, New Dingcats (1997), Ornamenter 1 through 5, Panda, Relieffer, Spirits, Square Ornaments, Statuer, Zodiac Signs, Zodiac02 (1998), Traesnit, Traesnit2, Woodcut1, Woodcut2 and Aeroplanes. Listemageren fonts also include Hans Christian Andersen Papercuttings, and the following alphabet fonts: Carmencita (ornamental Victorian), Preciosa (Victorian), Tropicana (almost like caps), Domino-samlingen, 1998 A, 1998 B, 1998 experimenter..., Fantomet, Karen Helenes Haandskrift, Klaus Johansens Haandskrift, Lewis F. Day No. 191, Lisbjerg, William J. Pearce No. 213 [note: this is named after an alphabet by Walter John Pearce...], Takker. All postcardware! More complex designs: Children, WW1-A (bicycles), WW1-B, WW1-C, WW1-Planes.

    Dafont link. [Google] [More]  ⦿

    Liz Smith

    During her studies at Savannah College of Art and Design in Savannah, GA, Liz smith created Edgar, a Victorian typeface about which she writes: Edgar is a type typeface inspired by the man of mystery and macabre himself, Edgar Allan Poe. Based upon type samples from the 19th century and the Sanborn Map Company, it is a geometric typeface that lends itself well as a display face. [Google] [More]  ⦿

    Lost at Sea Co
    [Petr Knoll]

    Prague-based creator of the handcrafted spurred vintage typeface Vienna Hotel (2015), the spurred handcrafted El Capitan (2015), and the Victorian typeface Fiero Rough (2015). He also made Apparel Icons (2015). Behance link. Creative Market link. [Google] [More]  ⦿

    Louis Minott

    American designer (1912-2003) associated with Visual Graphics Corporation. Creator of the Victorian typeface Davida (1965, VGC). Digital versions of Davida include Davida EF by Elsner&Flake, a Bitstream version, Delaware (Softmaker) and Ruminata (at Photo Lettering).

    Bio at Linotype. FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

    Louise Fili

    Founded in 1989, Louise Fili Ltd is a graphic design studio specializing in brand development for food packaging and restaurants. Formerly senior designer for Herb Lubalin, Louise Fili was art director of Pantheon Books from 1978 to 1989, where she designed close to 2,000 book jackets. She has received Gold and Silver Medals from the Society of Illustrators and the New York Art Director's Club, the Premio Grafico from the Bologna Book Fair, and three James Beard award nominations. Fili has taught and lectured extensively, and her work is in the permanent collections of the Library of Congress, the Cooper Hewitt Museum, and the Bibliothèque Nationale.

    She is co-author, with Steven Heller, of Italian Art Deco, British Modern, Dutch Moderne, Streamline, French Modern, Deco Type, Deco España, German Modern, Design Connoisseur, "Typology Type Design from the Victorian Era to the Digital Age" (Chronicle Books, San Francisco, 1999), Typology, Stylepedia, Euro Deco, Scripts, Shadow Type, Belles Lettres, Cover Story, and Stencil Type. Fili has also written Elegantissima, Grafica della Strada, Graphique de la Rue, The Cognoscenti's Guide to Florence, and Italianissimo. A member of the Art Directors Hall of Fame, she has received the medal for Lifetime Achievement from the AIGA and the Type Directors Club.

    Her book cover (done with Jessica Hische) won a design award at TDC 55. Fili was also honored with the 2018 SOTA Typography Award.

    In 2015, she made a futuristic counterless typeface, Mardell, which is named after retired Hamilton type cutter Mardell Doubek. It was published in 2016 as HWT Mardell in the HWT (Hamilton Wood Type) collection over at P22.

    In 2017, Louise Fili, Nicholas Misani and Rachel Michaud co-designed the art nouveau typeface Montecatini, which is inspired by Italian travel posters from that era. In 2019, Louise Fili, Nicholas Misani and Andy Anzollitto expanded this typeface to the 24-style Montecatini Pro.

    Marseille (2017) is co-designed with Nicholas Masani and Andy Anzollitto. It is an art deco-inspired letterform that is based on Louise Fili's cover design for the Marguerite Duras novel The Lover.

    Keynote speaker at TypeCon 2018 in Portland, OR. [Google] [MyFonts] [More]  ⦿

    Lucia Legelen

    Montevideo, Uruguay-based designer of the curly Victorian typeface Migra (2016). [Google] [More]  ⦿

    Luedecke Design Font Co (was: LDF Fonts)
    [Jake Luedecke]

    Jake Luedecke (LDF Fonts, or Luedecke Design Font Co) (b. 1999) is the Dallas, TX-based creator of preponderantly hand-printed and pixel typefaces. These include:

    Fontspace link. Dafont link. Old URL. Behance link. Old URL. Creative Market link. Another Fontspace link. [Google] [More]  ⦿

    Luke Rowbotham

    As a student in Gold Coast, Australia, Luke Rowbotham designed the curly Victorian typeface Parthenon (2018). [Google] [More]  ⦿

    Lukmanul Khikmatullah
    [Macul Inc (or: Maculinc)]

    [MyFonts] [More]  ⦿

    Lurex Design
    [Alexander Samburov]

    Alexander Samburov at Lurex Design is the Russian designer (b. 1965) of the Cyrillic version of Pecmyc Festus, by Steve Lundeen. Other Cyrillizations of well-known fonts: Calligrapher, Demian (based on the Letraset version), Flemish Script, Rapier, Stonehenge, Victorian, Vityaz, VivaldiD, Acadian, Battlefield, Chauser, Romvel. [Google] [More]  ⦿

    Lutfi Hakim

    Aka Ell Haqim. Creator of the Victorian label typeface Melanesia (2018) and the weathered rounded sans typeface Nouty (2019). [Google] [More]  ⦿

    Lyndon Povey
    [Crave]

    [MyFonts] [More]  ⦿

    Lyth Creative (or: Iyanatha)
    [Ana Natalia]

    Bogor, Indonesia-based designer, b. 1986, of the script typefaces Butterfly (2019), Brittney (2019), The Night Began (2019), Love Purple (2019: dry brush style), Hello Monday (2019), Princes Rapunzel (sic) (2019), Aliandra (2019), Sribu (2019: monoline script), Naturally (2019), Nature of Beauty (2019), Emerttons (2019), Amaterasu (2019), Westminster (2019), Asmirandah (2019), Asmudila (2019), Lovely Ballon (2019), Honabite (2019), Chamelon (2019: signature script), Nurbaya (2019), The Night Began (2019), Cocolatte (2019), Artelis (2019), The Jeliman (2019), Brithasdine (2019: monoline) and Suci Marwati (2019). She also designed the Victorian typeface The Second Cinemax (2019) and the children's book font Kid's Planet (2019).

    Typefaces from 2020: Amilo, Battikaja, Brillfond, Burgela, Discored, Kalliant, Kiba Kidu, Mister Thing, Registand, Regitha Aston, Roller Blow, Barty Allen, Mistice, Brittney.

    Typefaces from 2021: Hillos, Kalliant, Aliandra, Love Purple, Amazing Books.

    Home page. [Google] [More]  ⦿

    M. Hausslein

    Designer at FontStruct in 2008 of the Victorian display typeface Spotiger, and the dot matrix experiment These Are Sad Times. [Google] [More]  ⦿

    Macarena Salgueiro

    Graphic designer in Buenos Aires. During her studies at FADU / UBA in 2012, she designed the curly Victorian typeface Mushroom. [Google] [More]  ⦿

    Mache Puentes

    Designer in Cali, Colombia, b. 1990. Her typeface Columbian Stroke (2012) is a grungy version of a Victorian style. [Google] [More]  ⦿

    MacKellar, Smiths and Jordan
    [Thomas MacKellar]

    Philadelphia-based foundry, which evolved in 1860 from the Johnson Type Foundry (upon Lawrence Johnson's death that year), which in turn evolved from Binny&Ronaldson (est. 1796). The proprietors were Thomas MacKellar (1812-1899), John F. Smith, Richard Smith, and Peter A. Jordan. MacKellar became the top exporter and producer of type in the 1870s. It united with 22 competitors in 1892 to become ATF (American Type Founders Co). Faces cut by them include the garalde Ronaldson Old Style (1884), named after James Ronaldson, one of its founders, and Campanile (1879). Monotype issued its own version of this typeface in 1903 with short ascenders and capitals the size of these ascenders. Jim Spiece did a revival of a classic Victorian typeface and calls it Zinc Italian SG (2002). The Victorian decorative typeface Ornamented No.5 (1888) was digitized and extended in 2007 by Nick Curtis as Vidalia Sunshine NF. Hermann Ihlenburg was one of their main punch cutters and type designers. Michael Hagemann made a blackletter typeface Spanish Main (2009) after an 1896 typeface called Sloping Black. The 1882 blackletter typeface Borussian was digitized by Nick Curtis and is called McKellar Borussian NF (2009). Hickory (2009, Michael Hagemann) is a revival of an unnamed ornamental Western font dating back to 1852 and was sold through a few different type foundries including Bruce, MacKellar Smiths&Jordan and James Conner's Sons. Monastic (see the1892 book Compact Specimen Book, page 280) was digitized by Toto as K22 Monastic (2010). Brazarri AOE Pro (2021, Astigmatic One Eye) is a revival of the Aztec emulation font Bizarre from 1884.

    Lining Gothic in their 1892 catalog inspired Jeff Levine's Order Form JNL (2021). An extra condensed serif typeface from that same 1892 catalog was revived by Jef Levine as Catalog Sheet JNL (2022).

    Specimen books include Specimens of original printing types cast by the patentees MacKellar, Smiths&Jordan co (ca. 1890), Specimens of printing types: ornaments, borders, corners, rules, emblems, initials, &c (1892, Philadelphia), Specimens of Printing Types (1890), 20th edition of the Compact Specimen Book (1892), Specimens of printing types, borders, cuts, rules, &c. MacKellar, Smiths&Jordan (1868), Specimens of printing types ornaments, borders, corners, rules, emblems, initials, &c. (1892), and Specimens of printing types made by the MacKellar, Smiths&Jordan co., type founders and electrotypers (1889). Also worthy of exploration is 1796-1896: One hundred years, Mackellar, Smiths and Jordan foundry (1896).

    Study and listing of their typefaces by yours truly. [Google] [MyFonts] [More]  ⦿

    Macul Inc (or: Maculinc)
    [Lukmanul Khikmatullah]

    Kecamatan Tersono, Jawa Tengah, Indonesia-based designer of the free handcrafted fonts Ondfuturs (2018: a marker pen font), Airates Script (2018), Hugtophia (2018), Hunsleitta (2018: script), Anghones (2018) and Maigreds (an all caps display typeface) (2018).

    Typefaces from 2019: The Eldians (script), Chamberton (script), Rose Town, Sainthorn (script), Baelish (script).

    Typefaces from 2020: Chimpsdale (a Victorian display typeface).

    Typefaces from 2021: Marthias (a lava lamp font), Thermind (a heavy retro script), Fernolester (a condensed display typeface), Jimmy Oh Timmy (retro script). [Google] [MyFonts] [More]  ⦿

    Made Deduk
    [Deduk Suandana]

    Or Deduk Suandanaipande, or Suandana Ipandemade, or Anggun Suandewi, or Suandana I Pande Made, or Pande Made, who publishes his fonts under the labels Made Deduk (est. 2016) and Type Class Heroes (est. 2022). Bali, Indonesia-based designer of the free display typefaces Merthy (2016, calligraphic script), Druchilla (2016), Breathe Karma (2016), Carrinady (2016: an all caps sans family), (2016), Rowdy (2016), Chandry (2016, connected script), Old Alpha (2016), Autumn Leaves (2016, textured with a floral pattern) and Anggun (2016).

    Typefaces from 2017: Die Hard (inspired by graffiti), Hamer, Harley (script), Pink Gladiolus, Madeleine (ultra-wide sans), Draconian (grungy caps), Amandella (calligraphic), Strong Bold (ink splash script), Jet Pilot (squarish), Bright Beauty (creamy connected script), In Blossom (watercolor brush script), Triumph Wheels, Budhayanti, Moonchrome (a monoline script), Claiborne, Geovana (a monoline script), Wild River, Sugar Candy (free signature font), Bilody Rainan (brush), Amandella (calligraphic), The Dark Titan (a textured typeface family).

    Typefaces from 2018: Donatello (signage script), Justify (spurred), Nightype, Violaceous, Pierce, Thrones, Homerun (signage script), Skytree (brush script).

    Typefaces from 2019: Merthy Script, The Dark Titan, Sugar candy (monoline script), Reingttoon (dry brush), Justify (a spurred tattoo font family), Bonthing (calligraphic), Chameron, Raegan (a brush script), Triumph Wheels (spurred, vintage), Inner Beauty, Reff Devil, Shergine (formal calligraphy), Sweet Yellow, Daniels Signature, Maddison Signature, Sophia Bella, Concetta Kalvani (a signature script / serif font duo), Chronicle (a layerable Victorian typeface), Nakone (a black fashion mag typeface), Gisbon (brush script), Marchello, Keshya (a dry brush script) (script), The Delicate, Sophia Bella (signature script), Munrolane (an extended techno or car grill typeface), Bethsy, Breath Karma (free), Bilody Rainan (free), Allison Tessa (script), The Phamelo (brush script), Majestic Romance (a monoline script).

    Typefaces from 2020: Mollie Rocky (a decorative art nouveau font), Hacky (an 18-style condensed display serif with a slight art nouveau feel), Wild River (a grungy and sturdy display typeface), Catellos (a display serif), Marlyn (with 73 styles, the largest floriated luxury serif typeface family to date), El Katana (a luxury serif), Delvon (a condensed organic sans), Sugar Candy, Pink Gladiolus , Primatama (a luxury serif), Black Elliot (a dry brush script), Sweet Harley Script, Challista (a signature script), Roman Morrissey (a dry brush script).

    Typefaces from 2021: Victory History (a single-height decorative typeface), Raque (an all caps display serif), Nirma (an expressive deco typeface), Heavy (a bold flared display font), Mothra (a semi-psychedelic display typeface), Kittenish (a playful retro cartoon font), The Strattos (a great interlocking cartoon font; perhaps a bit too complex to be used in children's books), Dino Moose (for children's books), Graves (a 9-style display family), Singa (a 53-style squarish display typeface), Marga (a decorative typeface), Pacho (a powerful angular display typeface), Nicla (a signage script). Graphicriver link. Creative Market link. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

    Maghrib Lab
    [Rizky Satyaludin]

    Rizky Satyaludin (Maghrib Lab) is the Bandung, Indonesia-based creator (b. 1990) of Botanica (2018, SVG), Mixing (2018: Open SVG format), Crude (2017: an OpenSVG font), Born Losers (2017), Baling Ink (2017, brush script), Siberia Rough (2016, brush style), Holihood Script (2016), Slav Rough (2016, an all caps brush typeface), Slav Clean (2016), Storing Brush (2016), Chamberline (2016, brushy typeface), The Rupture (2016), Voltunes (2016), Pantel Rough (2016, a rough brush script), Society (2016, a connected hand-painted typeface), Good Vibes (2016), Himalaya Script (2016), Quite Hustle (2015, brush type), Addic Type (2015, dry brush script), Rusty Cola Pen (brush script, 2015), Asmara (2015), Siren (2015: blackletter), Natalia Script (2015), Author Type (2015, signage typeface), Messy Script (2015, a rough brush font), Dream Big (2015), Bold Face (2015), Southern California (2015, retro spurred tattoo script also made by Reza Rahman), Delight (2015), Austin Type (2015), Sunoise (2015), Road Culture (2015, biker gang blackletter), Rise & Shine (2015, brush typeface), the brush typeface Mallow (2015), the Victorian or pre-art nouveau typefaces Ginusto (2014), MGH Vinolian Hand (2014). MGH Divergent (2014, a Victorian display typeface), Mira Script (2015), Bladekade (2014, a stencil script), Rude Cookie (2014, a layered hand-drawn font), Stooges Races (2014), Alpha Rough (2014, hand-drawn signage face), the ball terminal typeface Mucilage Type (2013), the fat brush typefaces Beats (2014) and Baurbon (2014), and the spurred typeface Brave (2013).

    Aka ngulik, as Satyaludin, and as Yuyun Miranur. Possibly also the same as Reza Rahman. Creative Market link. Behance link. Dafont link. Fontspace link. A second Behance link. Home page. [Google] [More]  ⦿

    Malcolm Wooden
    [DTP Types Limited]

    [MyFonts] [More]  ⦿

    Manfred Klein
    [TypOasis 2006]

    [MyFonts] [More]  ⦿

    Manfred Klein
    [Manfred Klein: Decorative caps and initials]

    [MyFonts] [More]  ⦿

    Manfred Klein: Decorative caps and initials
    [Manfred Klein]

    Capitals are a favoritre playground for illustrators, drawers, and artists. They go beyond just mere type. So, to no one's surprise, Manfred Klein has created well over one hundred initial caps typefaces: AlkoInitials, AlkoInitialsFramed, AnarchoCaps, Arabuttons, Archeologicaps, ArtNouveauCaps, BreezedCapsBoldOblique, BrokenSansCaps, CapitalisTypOasisMedium, CapsMKS, CapsRandomish, CapsRandomishBricks, CassandraTwo, ChaosStripesCaps, ChristianInitials, CircleInitialsFreeshape, ClassiCapsBricksBlack, ClassiCapsC, ClassiCapsShields, ClassiCapsXmas, ClassicRomanCaps, ClassicaCaps, ClownNormal, ConstrAccident, ConstruCaps, CorrodetClassicaps, CorrodetInitials, CrazyConstructor, CuneateCaps, CuxInitials, CuxhavenInitialsRound, DeKonitials, DeconstructionCaps, DelitschInitialen, DelitzschCaps, DevilsAlphabets, DirtyHatchCaps, DodgesCaps, DolbyFraxCaps, DotCapsMK, DotsCapsTwo, DrunkenConstructor, DuodezInitialen, EaglesButtons, ErikGCapsSkInvers, ErikGCapsSketches, Ermir-Normal, FatFloralphabetXperimental, FifthCenturyCaps, FilledABC, FloRaTialen, FlorAlphabet-Bold, Florabetic, FloralOne, FloralTwo, FloralalphaLight, FloraliaCaps, FlowerPower, FlowerPowerRound-Medium, ForJeffTwo, FragmentCaps-Cross, FragmentCapsRound-Medium, FrakturInitials07, GaraNitials, GaraNitialsFramed, GaranitialRings, Glitter, GlitterOblique, GoticCaps, GoticaCaps, GotikaButtonsDrei, GotikaButtonsOne, GotikaButtonsTwo, GoudamentBricks, GriffosSCapsFont, HansSachsCaps, HansSachsCapsTwo, HansSchoensCapsInGrid, ImresCorrodetCaps, ImresCorrodetCapsInvers, Incunitials, InitialenFramedMK, JahnsCaps, JahnsCapsRound50, JugendstilCaps, JuliusCaesarBlack, KaiserRotbartOneCaps, KaiserRotbartTwoCaps, KleinFeodoraCaps, KleinsWrittenCaps, KlungerCaps, KochsLongCapsSquares, LambordicCaps, LeiterplattenSans, LetterBuildings, LetterBuildingsTHREE, LettersAnimales, LettersBats, LinoCapsA, LinoCapsAR, LinocapsB, LinocapsBR, LombardInitials, LombardiCaps-Round, LombardiCaps, LucaPacioliCaps, LucaPacioliRough, MKapitalisRusticaMedium, MKapsMixed, MKidge, Magyarish, MammothishCaps, ManFont, MaximilianAntiquaSmallCaps, Mighty-Normal, MightyContour-Black, MightyShadowBlack, MightySpecial-Normal, MightyWindyBlack, MonAmourCapsAprilFraktur, MultiCapsOne, MultiCapsTwo, NeoPanFrames, NeudoerfferScribbleQuality, NoisyButtons, OldConstructedCaps, OldiesButGoodies, OrnamentalInitial, OrnamentalInitialButtons, OszillCapsSecond, OszilloCapsFirst, ParmaInitialenMK, PetitFleurLight, PetitFleurNormal, PixCaps, PixCapsRound, PixCapsShadow, PixCapsWinding, PreRomanCaps, QuaNauticale_Initials_No1, QuaNauticale_Initials_No2, QuaNauticale_Initials_No3, QuadratZiffernNegativ, QuadrataRoma-MediumOblique, QuasimodoCaps, ReliefCaps-Italic, ReliefCaps, RememberCassandre, RememberManhattanBolkd, RememberManhattanSeptember, RememberScribbledTypes, RodGauApesInitials, RodgauCaps, RomanGridCaps, RomanaCapsClassicSquares, SaltoOne-Normal, SaltoTwo-Normal, SchneidlerSchwabachInitials, SchnoerkelCaps, SchoenspergerCaps, Schraffura, SerifsCaps, SilvestreInitials, SilvestreInitialsSquares, SnowCupsCaps, Solitaire, Solitaires, SomeCapsStories, StoneCapsIngrid, TangoMacabre, Tangoasis, TokayMK, TokayOSeven, ToleCaps, TornielloInitials, Torynitialen, TorynitialenInversed, TorysToolsFS, ToscanButtons, ToskanaCapsRound, TrajanSmallCaps, TrajanusBriX-Invers, TrajanusBricks, TrajanusBricksXtra, TwilightCaps, TypOasisInitials, TypoGhosts, VForVictory, VariationsForImre, VaticanianInitials, VenetianBlind, VenetianBlindInverse, VespasianCaps, VespasiansFlorials, VictorianInitialsOne, WalNussCaps, WeimarCaps, WieynkCapsRound, WindyCityCaps, ZagzagCaps, ZebralCaps, ZebralSketchedCapsItalic, ZierCaps.

    Download page. Download all these fonts in onze zip file. [Google] [MyFonts] [More]  ⦿

    Manhattan Type Foundry

    Short-lived foundry located in William Street and Frankfort Street in Manhattan from 1886-1890. Some say that it designed the Victorian typeface Alfereta. [Google] [MyFonts] [More]  ⦿

    Manuel Eduardo Corradine
    [Corradine Fonts]

    [MyFonts] [More]  ⦿

    Manuel Lage
    [LGF Fonts (or LG Tipos)]

    [MyFonts] [More]  ⦿

    Marcela Fernandez

    Graduate from FADU, University of Buenos Aires, who created the Victorian typeface Leguin (2008). [Google] [More]  ⦿

    Marcus Sterz
    [Face Type]

    [MyFonts] [More]  ⦿

    Maria Olga Reyes
    [Minimo]

    [More]  ⦿

    Maria Yurina
    [Insane Fonts (or: Heather Insane)]

    [More]  ⦿

    María José Benavides

    María graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the swashy blackletter typeface Gothic Lolita. Blackletter meets Victorian style. [Google] [More]  ⦿

    Marie Wagner
    [Vintage Foundry Illustrator]

    [More]  ⦿

    Måns Grebäck
    [Aring Typeface]

    [MyFonts] [More]  ⦿

    Mark Searfoss
    [Searfoss Design]

    [More]  ⦿

    Martin Kotulla
    [SoftMaker Software GmBH (or: freefont.de)]

    [MyFonts] [More]  ⦿

    Martin Wait
    [Martin Wait Typeface and Lettering Company]

    [MyFonts] [More]  ⦿

    Martin Wait Typeface and Lettering Company
    [Martin Wait]

    Martin Wait (born Forest Gate, UK, 1942) is based in Horndon on the Hill, UK. He went to Lister Technical College where he was taught art. The Martin Wait Typeface and Lettering Company is Martin Wait's outlet for his fonts. Initially he was associated with Letraset.

    He designed Artiste Freescript Style (1981), Bertram LET Plain (1991, comic book lettering named for the famous Bertram Mills Circus), Cathedral (multiline decorative face, Letraset---this typeface has never been digitized), Emphasis (1989), Forest Shaded (1986), Hadfield (1980), Balmoral (1978, Letraset [see also Ballad Script (SoftMaker), Balmoral ICG, BalmoralD (URW) and Balmoral SH (Scangraphic)]), Informal Roman (1989), Horndon (1984, Western lettering), Banner (1986), Laser (1987), Laser Chrome (1987), Pendry Script (1981), Pritchard (1990), Rapier (1989), Refracta (1988: see also Reflex (2012, SoftMaker)), Challenge Bold (1982), Conference (1978), Forest (1986), Riva (1994), Roquette (1993), Scriba (1992), William Lucas (2010: a free-flowing connected script, ITC), Wild Thing (1995), Masquerade (1977, Letraset: ornamental Victorian caps), Tractor (2001), Julietrose (2006, informal script, Monotype), Company (2012), Spectra New Style (2012, monoline sans).

    MyFonts.com link. Linotype link. Klingspor link. FontShop link.

    Typeface catalog. Catalog of fonts at MyFonts. [Google] [MyFonts] [More]  ⦿

    Mary Faber

    Mary Faber (b. 1987) from Hamilton, New Zealand, writes about Mainline, a copperplate creation in 2011: Mainline's style was formed through an amalgamation of two historical typefaces titled Copperplate and Glyptic; research proved these the most popular metal display typefaces in New Zealand letterpress printing during the period of 1880 to 1900. Despite the lack of typeface designers in New Zealand in the late 1800s, this hybrid typeface design could be considered a national reflection of historic typefaces seen in New Zealand during that time. It should be noted that the selected parent typefaces were both Victorian typefaces by Hermann Ihlenburg.

    She also created Marino (2011): Marino is a contemporary typeface design influenced by a period of New Zealand's typographic history. Its letterforms were created based on research into typeface trends within newspaper advertising from 1920 until 1940, reflecting the increasing popularity of geometric modernity, and the peak of typographic Art Deco in 1930. In particular, Marino is based on an ad for Mencken from ca. 1930.

    Speaker at AtypI 2012 in Hong Kong: New Zealand Type on Display. In this talk, she introduced her typefaces.

    Dalton Maag, Tom Foley, Mary Faber, Stuart Brown and Hanna Donker won a Granshan 2014 award for Intel Clear Cyrillic. [Google] [More]  ⦿

    Matt Hull
    [Craft Graphic (was: Thrift and Thistle)]

    [More]  ⦿

    Matt Omlor

    Middlefield, OH-based designer of Fried Chicken (2017, a handcrafted vernacular typeface) and Bainbridge (2017, Victorian signage type). Creative Market link. [Google] [More]  ⦿

    Matt Uhlmann

    Brisbane, Australia-based student-designer (at Griffith University) of the spurred Victorian typeface Lambeth Iron (2019). [Google] [More]  ⦿

    Matteo Bologna
    [Mucca Typo]

    [MyFonts] [More]  ⦿

    Matteo Federico Bologna
    [Mucca Design (or: Mucca Typo)]

    [More]  ⦿

    Mattox Shuler
    [Fort Foundry]

    [MyFonts] [More]  ⦿

    Maulana Creative
    [Gilang Maulana]

    Bandung and/or Jakarta, Indonesia-based creator of Passion (2015, thick marker script), Elrotex (2015, thick brush script), Arkana Script (2015), Asia Otasi (2015, thick brush script), Wolf Reality (2015, thick brush typeface), Atorak (2015, brush script), Soulmater (2015, a calligraphic script), Zurich (2015, a heavy brush font), Chromount (2015), Constanta (2015, brush typeface), Tristan (2015, fat brush style), Rissa (2015, a fat brush script), Morracle (2015, hand-painted brush font; free), Tycho (2015, + Ornaments), Sobbers (2015, a lively connected script), Karenina (2015), Abg Centil (2015, a spindly curly script; later renamed Karenina), Benihana (2015) and Shine & Tokio (2015).

    Typefaces from 2016: Astronaut (signature font), Axwell (dry brush font), Allia (calligraphic), Broke, Dounuts (a great calligraphic script), Hattes (brush script), Blesd (connected hairline script), Kalista (connected script), Arissa (rough brush), Lote Santos (marker script), Sobod (a great high-contrast creamy script), Qoobly, Supartiny (thin calligraphic script), Evadoffi Script (calligraphic), Adellove, Alissya Script (heavy brush font), Rustic Station, Wonder Sunshine, Kania Script, Rabbits Hole, Easy Brush Font, Bottle Massow Brush Script, Sottafles (brush script), Roselowe (brush script), Pratiwi (connected formal script), Zonas (breezy script), Zonas Sans, Wosser, Palm Brush, Mornin Awesome, Jarvish Blurry Brush, Morning Wishes (calligraphic script), Valdemar (bold script), However Store.

    Typefaces from 2017: Klast (signature font), Santashoes Script, Raisa Script, Harris Signature, Aerials, Fturism, Contaur, Bouttiques, Gladise (signature script), Bottle Massow, Sustans (script), Otentic (signature font), Hard To Love (dry brush), Bware, Love Hewits, Glamoush, Like Father Like Son, Brostars, Kottam (dry brush), Swanish, Little Kittens (script), Afattal, Peter Jhons (signature font), Sallad (brush script), Sandia Brush, Augustia Signature, Casses, Boostpest (brush), Habbit, Without You, Vesial (brush script), Hatton, Jollie, Bom Day (signage script), Rohtwo, Rusa Hitam, Authen Brush, Walrus, Datto (brush script), Masto (brush script), Jolies, Arion Signature, Gamot, Dattsy (a signature font), Sbastian Signature Clean.

    Typefaces from 2018: Puspa Script, Puspa Sans, Kaydens (Sans+Script), Uniclo (a wide sans), Crake (brush SVG font), Scottsmith (script), Justices (font duo), Seltons (a dry brush SVG font), Golte (sans), Saturasi (signature font), Hybrid (brush script), Rossa Script, Saintrop (brush script), Leibra (font duo), Ladytron, Ansterdam (a monoline signature font), Rups Script (an SVG font), Amstonia (a signature font duo), Batters (a monoline script), Sweetshy, Fractis (monoline script), Aviliator (brush script), Clodia (signature font), Hunny Straw (font duo), Rushfor (calligraphic), Strollers (script), Zeuty Script, Bikarosta, Ollister (signature font), Wowi (brush font), Something Cool, Easy Salads, Limitless, Rissa (brush script), Nordams (condensed sans), Pollistons (Sans and Script: a signature font), Sheiral, Monerd (sans), Pure Dance (brush, SVG), Owissa Story (font duo), Rattles (Signature and Serif), Serrona Script, Love Rosnita (font duo), Seirra (OpenType SVG brush font), Funtastic Youth, Osturria, Zattoya (signature font), Bertta (signature font), Athen, Birocratic, Ottodisom, Baltism (monoline script), Stantic, Hellicopters (sic) (signature font), Agrem (sans), Motters (connected script), Stampson Signature, Solevate, Smith Allison (a signature font), Asturria, Awosem, Amber Queen (a signature script).

    Typefaces from 2019: Broothers (chalk SVG font), Brotthers Sans, Pillish (font duo), Osttrola, Bastille, Nubolts Rounded, Hardtrack, Mistari, Wellfare, Millton (Serif, Script), Aklay (script), Worthness (an SVG font), Artifac (script), Anthique (spurred, Victorian), Poliesster (font duo), Snowhart, Fairmont, Mollysh Script, Swootys (for signatures), Sarvati, Rossmore, Horsesse (brush type), Paulina (a signature font), Mathew Rohas (a heavy brush font), Lany Zesty (a monoline script), Bridgetts (a font duo), Cardiff, Arlobuns, Asphalt (monoline script), Sweetshore (monoline script), Borris (font duo), Rushtten (script), Dotyville, Cayttons (a monoline signature script), Polandic (dry brush script in SVG format), Weisston (a thin script), Foltta, Suarte (script), Roosevelt (dry brush), Arthemis, Frances, Argents, Schrader SVG, Bashira, Emerisa, Hogart Script, Moriarty Serif, Flohart SVG, Triester SVG, Fire Stone, Lovas (script), Mombay Brush, Amorisa (monoline script), Amberla (font duo), Thorce (a rounded sans), Cassius, Katty Lynch (font duo), Jadeline (Script, Serif), Nyquist (signature script, and sans), Pradita Script, Modura, Oliviare (sans), Goodsay (a great monoline script), Scouthels, Hello Subrim (font duo), Darto (a signature font duo), Lostfield (display sans), Brushelly SVG.

    Typefaces from 2020: Hmrile Brush, Bareta (a monoline script), Carols Night (a monolinear signature font), Eastpoint (wild calligraphy), Juxtapose, Mad World (a monolinear script), Corlathans, Grunges (a brush font), Anthroops, Ameriondela (monoline script), Wooden Okadio (a fashionable display typeface), Arturia, Esok Pagi, Scottish, Soul Harder, Stereoflows, Bahud Aroyek (a blackletter), Siarons (a dry brush script), Soul Harder, Frostiest, Gastronomes, Gottar Adsset, Symptonics, Malo Aino (a graffiti brush font), Beauty Flome, Moriss Ward (a dry brush script), Atorge, Black Range (all caps, dry brush style), Sabrionte, Waykers Amor (spurred, blackletter, Victorian), Rockerby, Bestro (a dry brush script), Charoeys (a monoline script), Constaniz, Mist Sunshine Brush (a dry brush font), Clockwork (a decorative inline blackletter font), Distance (a bold upright script), Stereomantic (a monoline script), Spacetroops, Astrolove, Randirops (a fat finger font), Adicttives, Mayoritte, Torches Realistic Brush Font (a dry brush script), Oturllis, Rollo (a decorative sans), Pollyester (a blackletter), Wondar Quason (a display serif), Winchester (a vintage label typeface), Cardiolla, River Rocks (a fat finger font), Backers (a fat finger font), Riverola (a dry brush font), Mathernal, Fleurette, Gillford, Santoria, The Monster, Balleys, Bestons (a dry brush script), Karstar (a monoline script), Bestiest (a script typeface), Arsitage (dry brush script), Asterica, Heathers, Judith (monoline script), Lekcra Crubop (signage script), Diettersen, Hasta (a dry brush script), Smithgroove, The Carbs, Elanor (tall caps), Outeris, Nymburgh (a fat finger font), Acrosmyth, Windblows, Asiatropic, Hello Miassond, Brasons Risool, Castallier, Elosiam, Tumbrella Script, Alona, Monology, Margott Rooster, Theodorlane, Charmeleon, Flim Flom Graffiti, Rabbit Oaks, Dawsons Script, Arteknilo (a wild script), Jetha Crimson, Heatwave, Kavarian Serif (a display serif), Royal King (spurred, vintage, inline), Clairdelune, Hawk Eyes (dry brush, SVG format), Sunset Trips, Roschetta, Chordettes, Salmander Bentols Script, Sentilum, Viesta, Morish, Amkifuny (vintage, decorative), Victory Rose, Emma Goulding (a monoline signature font), Wallace (a display serif), Monalls Script (wild calligraphy), Rozex (blackletter), La Rosse (Serif, Sans, Script), Gilodas (a monoline script), Dalton Gardens, Sophan Calligraphy (a signature font), Trickiest, Breakloft (a signature script), Elitmog, Collabro, Alentropics, Querins (an SVG brush font), Russlock (an SVG brush font), Winter Delight (textured caps typeface), Jonathan (script), Magic Daisy, Deronic (font duo), Alentropics, Brittanstone, Blackseas, Heartales, Dillandio, Mysthics, Qurtsign, Chelsy, Polers, Sattiers, Nickollas, Artlines, Osirish, Oterdin, Astherik (Sans, Script), Stuborn (sic).

    Typefaces from 2021: Bolivar Shore (a wild script), Chasterlize (a tall and somewhat wild script), Greastly (a fat finger font), Ray Harts (script), Sobiah Written (a scrapbook script), Street Walks (a dry brush script), Surfers South (a monolinear signature font), Writes Sketh (a scrapbook brush font), Anesthesa (a fat finger script), Gratelos (a straightened bold inktrapped sans), Logkey Block (an informal blocky font), Qualyters (a rabbit ear signature script), Restflaws (a fat finger script), Pluckypot (counterless), Beauty Snowy (script), Brominates (script), Colatera Soft (a bold soft sans), Garmint (a condensed bold grot), Grimblocks, Hilority (a tall signature script), Julliusy (a wild script), Katvondy (script), Nastyflashy (script), Rissyetta (script) Roxfranks (brush script), Supergravity (script), Almond Nuts (a scrapbook script), Crash Struck (a brush script), Jillstone (script), Red Bells (a signature script), Sallowness (a bold script), Converon (in the style of Saul Bass), Cool Unkle (a bean font), Crayonest, Crisp Cracks (a marker pen font), Discreates (a signature script), Elfashion (script), Gradiattes (script), Woodstark (script), Kartbones (a signature script), Drive Hearts (script), Drive Hearts, Subcultures (a creamy script), Taptalks (a hasty script), Monstafaller (a Halloween font), Neillgates (script), Guyad (a scrapbook script), Twicelights (a signature script), Hollowcoves (a heavy old school script), Shadyspeed (a scrapbook script), Qritticaly (a marker pen font), Hockleys (a monoline script), Soulections (script), Bermont (sans caps), Manford Sans, Gramary (a compressed sans), Binthrots (script), Oxyless (a signature script), Fairdate (a unicase placard font), Farloxy (a thin signature script), Fortyfresh (vernacular supermarket caps), Hybridge (a brush font), Distractiles (script), Fallen City (a rabbit ear script), Fattalsfort (a brush font), The Rebound (a graffiti font), Bravarya Sky (script), Halley Parades (handwriting), Moralstory (a fat display script), Qobryts (a signature script), Shortwaves (script), Skisterstone (a scrapbook script), Hastafloris (script), Lafoyettes (script), Chillybeans (a rhythmic swashy calligraphic script), Olgoods, Rookys, Salmonillo (a brush script), Tarboots (a bold script), Tiffanka (a tall calligraphic script), Westclock (script), Angel Rise (a monolinear script), Chillphils, Golfrush (a monolinear script), Ronny Catuss (a signature brush font), Chorest (a dry brush script), Contoursy (a signature font), Hoffmans (a signature script), Quintys (a wild calligraphic script), Zapatos (a thin signature script), Avextur SVG, Roxtowns, Orbitens (signature script), Goversy, Sellyamor (signature script), Kartbones (signature script), Zapatos (siagnature script), Castury (signature script), Citadels (script), Elfashion (script), Chorest (an SVG brush font), McTellyus (a monoline script), Golfrush, Angel Rise, Tarboots (a fat finger script), Hoffmans (signature script), Contoursy (a signature font), Cillphils, Ronny Catuss, Risella fruits, Nuttelos, The Impostor (a fat finger script), Foxity, Infamous Rush, Alaskano (a plump display typeface), Brickston (script), Gutreks (script), La Roux (a bold monoline script), Overtis Signature, Younglines (script), Blackbirdy (a bold script), Clifttons (script), Mc Havoks (a script), Plotwist (a bold script), Belltons (an SVG format brush script font), Canthonys (script), Eureka Springs (script), Kollhers (a sloppy script), Lovesmilly (script), Quiltyks (script), Feeltrips (a marker pen font), Ginloops (script), Jollynorly (script), Soulsteps (script), Blacksharks (script), Fishercat (handcrafted), Honestbeat (a bean font for scrapbooks), Milkista (a heavy signage script), Railstone (a bold brush script), Silvia Norlin (script), Arttelost (script), Blisstrapy (a fat finger font), Blufcrowds (a monoline script), Callways (a creamy script), Hartsinger (a prototypical fat finger font), Mottel Laguna (an upright script), Sunsetstill (a fat finger script), Aurellia (a scrapbook font), Blakecats (a bean font), Franches (a bean font), Hopipolla (a plump script), Kurtistown (script), Malikis (a display font), Sailmelly (a fat script), Smithmagis (a bean font), Fujinstall (font duo), Switch Sister (script), Volatter, Hellostars (a script typeface), Hide Seek (a script font), Jeigers (an antiqued all caps font), Southavely Signature, Astavilla (script), Butterjam (a scrapbook font), Caberolla (a fat finger font), Rosestaly (script), The Junos (a handcrafted display font), Crunchyes, Fever Coaster (a handcrafted display typeface), Lottebytes (a scrapbook font), Noobys Display (beatnik caps), Cliquelly (a monoline script), Foxrights, Hillstatic (script), Howelstun (script), Jimmslofs (a brush script), Jownsey (a monolinear script), Just Hopes (a brush font), Sallymoores (a signature script), Tesselates (a wild calligraphic script), Adorefunny (a wild script), Birdflocks (a monoline script), Cheesyfloat (a fat finger script), Mustardmoster (script), Polyfonics (a handcrafted art deco typeface), Rusticform (a monolinear script), Steelkold (a brush font), Adoredly (script), Believest (script), Fortunelimes (script), Jawstone (script), Milatones Signature, Rawks Dream (script), Castella (script), Jullysinty (script), Kreatives (a wild script), Salvadores (a wild script), Amberlion (a creamy upright script), Ecaliptycus (an upright monolinear script), Nordstall (a brush script), Oplatussy (script), Sidehustle (a fat finger script), Terrakota (font duo), Tripfills (script), Anestacilla (a thin signature script), Blisslayton (a brush script), Dailytrust (script), Koolkids (script), Lovesgoods, Gilly Fleurs (a thin script), Hittoshira (script), Plastikcycle (a tall and wide signature script), Bloomshine (a script), Girlfinest (script), Owlmoons (script), Barkertraps (a wild calligraphic script), Konstanhigh (a signature script), Nickjones (an irregular script), Yourstrully Script (a wild calligraphic script), Cholasette (a tall handwriting font), Mondayslove (a wild script), Losthouse (script), Missousy (an upright signature script), Mylofist (a wild script), Affinities (script), Emitensy Script (upright), Gentlysoftly (a script), Homeytasty, Wollyroots (a handwriting script), Jollytimes (a thin script), Smorebucklys (script), Mostlovely (script), Dreamotions (a script), Hunnyflash (an upright script), Kristafly (script), Mashpoints (a scrapbook script), Heavenllys (script), Kallis Ottis (script), Nicestrips (script), Pallpitas (script), Amberlayton (a monolinear script), Chuckybits (a monoline script), Monkeystand (script), Jefferys York (a monolinear signature script), Monkeystand (script), Acronits (script), Bellmounts (a script), Mellodyst (a thin script), Wishlyttes (script), Wonkyest (script), Cashwoots (script), Kites String (script), Mylestock (an irregular signature script), Steffyray (a signature script), Ownttys (script), Greylorks (script), Vellizta (a wild script), Jilliankrots (a signature script), Allisha Croft (a wild calligraphic script), Alulla Saffia (script), Goldshift (a brush script), Goryfitts (a brushy signature script), Hotty Potty, Le Patterns, Melly Hailey, Raliscka (a wild script), Skyeeloft, Amorflavor (script), Gastank (a brush script), Ollykers (script), Mistychain (a wild script), Moonsticky (script), Collibryums (a signature script), Constatic (a signature script), Montly Cloudy (script), Straightfast (a brush script), Glofuts (a fat finger font), Northyhuny (script), Babotta (script), Blowfisher (a signature script), Hachitos (a signature script), Lillyanstar (script), Minormayor (a brush script), Sunnycyclops (a monoline script), Billijanes (a scrapbook script), Glowyts (script), Harashi (a brush typeface), Jules Otonomi, Marshlord (a monolinear script), Purplemonths (a signature script), Righttoast (script), Slowly Moment (a monoline script), Hoeflers (all caps, retro and handcrafted), Thoolloves (hand-printed), Blammingst (a monolinear script), Fallisanta (script), Aprictoos (a dry brush script), Jifstone Signature, Bllides (hand-printed), Tiffanky (a monolinear script), Xylomylo (a chunky rounded typeface), Alonnafeast (script), Alphasoil (script), Monicallisa (a wild script), Volustion (upright handwriting), Collathives (script), Holly Wings, Moffle Chee (a monoline script), Deloissta (script), Jarvitts (a signature script), Mildlight (an inky script), Sarfokats (a monoline script), Whillys (script), Ballstomer (a monoline script), MVRX Maverix (script), Great Alexa (script), Hoomanist (a handwriting font with delightful quirks), Ordionally (a signature font), Rallista (a thin signature font), Mokashin (a wild script), Roma Invicta, Buttersoy (script), Corestairs (a signature script), Echountter (script), Gotlicks (script), Potlar (script), Qallani (a monolinear script), Monnolitic (a signature font), Astoylist (a monoline script), Cariollets, Oliviars script, Sunfort, Bilanthy (script), Challum (a creamy script), Krysttal Spears, Satinwoods (a monoline script), Qojack (a signature script), Astoylist (a monoline script), Cariollets, Oliviars script, Sunfort, Astylooms, Bliss Hearts (a scrapbook script), Classyloop (a signature script), Koffiesta (a hand-printed typeface), Schwitz Signature, Millstream (brush scriupt), Chucklots, Slotheryn, Bagelorts (a monolinear script), Bathsy, Brothest (a fat finger script), Harollds (a script), Starstoles, Thefrost (script), Wascer (a signature script), House Bay, Rillies, Flinckstone (a wild script), Machinkly (a curvy display typeface), Fattoll (a signage script), Afiany (script), Asterikats, Molaka (a signature script), Zincand, Kalia (a fat finger font).

    Typefaces from 2022: Brownfauks, Yellawolfs (a fat finger script), Gotslick (a fat finger script), Gromhins (reverse contrast), Olds Murray (a wild script), Romantic Purple (a wild script), Rust Crowth (a dry brush font), Wishstock (script), Hookypilots (a scrapbook script), Argenthus (brush script), Hustcroft (a bean font), Keithlar (an inky dispaly typeface), Norlandy (a wild script), Melvio Play (a bold script), Atheroll (handprinted), Bionzhe (a rock-solid sans), Cityskypes (script), Embroi Ghokib (a scrapbook font), Astomia Duslons (an inky rabbit ear script), Blastiks (a monoline script), Hearthaliso (a condensed upright script), Fourthyla (a plump elepehnat feet retro serif), Honey Rain (a fat finger script), Pacifica Tropics (a rabbit ear script), Lanchoster (a scrapbook script), Backflips (a thin script), Manor Smiths (interlocking and hand-crafted in Saul Bass's style), Munichley (script), Beautiful House (a fat finger script), Alto Bonito (a scrapbook script), Architaris (a signature script), Brad Rowland (a signature script), Feliztha (a scrapbook script), Collint Billy (a thin script), Grandetrix (a scrapbook brush script), Jamie Handwriting (10 styles), Hogla Brush, Rithmycs (script), Coopslight (a signature script), Darkbones (a heavy brush script), Madymory (a scrapbook script), Mistoms (a scrapbook script), Eggcup (a children's book font), Calstavier (a delicate display serif), Clockerts (a fat finger script), Redtrails (script), Zelmud Script, Cybertroops (a monolinear rounded stick font), Hartwick (script), Queensytrix (script), Anthem Park (a fat finger font), Hinterlands (brush script), Headskirt (a monoline marker pen script), Queen Sheila (script).

    Behance link. Graphicriver link. Another Behance link. Dafont link. Creative Market link. Unsure if Graphic Assets is another identity. [Google] [More]  ⦿

    Maura O'Docharty

    During her studies at San Francisco State University, Maura O'Docharty created the (Edwardian) decorative caps typeface Edweirdian (2014). [Google] [More]  ⦿

    Max Ayalla
    [Millieangelo Design Co]

    [More]  ⦿

    Maximilian Huber
    [Lettering Garage]

    [More]  ⦿

    Mchcrafter
    [El Mehdi Chouyoukh]

    Moroccan designer in 2021 of Cecilia, Glassier (a display sans with some curvy terminals), Balencia (a serif with ball terminals), Fancia (curly, Victorian) and Dizzy Boy (a spiral-themed Victorian font).

    Typefaces from 2022: Dakosta (a display serif with ball terminals), Lovely Bastilla (a bold smooth display serif in the Windsor genre), Agradable (a bold display serif), Virsace Bigiora (a hipster fashion mag font), Benefits (one serif style), Tangers (a woolly typeface in the Windsor genre), Diem Gibling (a ligature-rich serif). [Google] [MyFonts] [More]  ⦿

    Megan Boyd

    Graduate of Savannah College of Art and Design who now freelances in Orlando, FL. Creator of the Victorian typeface Ephemere (2013).

    Behance link. [Google] [More]  ⦿

    Melle Diete

    Berlin-based foundry run by Melle Diete, an ex-disciple of Lucas de Groot at the University of Applied Sciences in Potsdam. Before her studies she worked in several design agencies on typographic projects. Her typefaces are based on her natural illustrative handwriting. Her fonts are mostly published at Volcano Type. They include:

    Klingspor link.

    Interview by MyFonts.

    She also has beautiful illustrations. [Google] [MyFonts] [More]  ⦿

    Meredith Carson

    Manchester, NH-based designer of a curly Victorian alphabet in 2014. She also created Blue Lobster Type (2014). [Google] [More]  ⦿

    Merethe Liljedahl
    [House of Lime]

    [More]  ⦿

    Metaphase Brothel Graphix

    bobistheowl (lower case b) is the Ontario-based designer of the dingbat fonts HaydenPanettiereBats (2007, about 30 headshots of Hayden Panettiere) and LaetitiaBats1 and 2 (2007, based on images of Corsican supermodel Laetitia Casta). He also digitized the Rider-Waite-Smith Tarot (copyright Pamela Colman Smith for The Rider Company, 1909) in 2007 as Gypsy-Tarot-Major-Arcana, Gypsy-Tarot-Minor-Arcana, Gypsy-Tarot-Minor-Arcana-Inverted. Other fonts: Through the Looking Glass (2007, based on images dating from 1871 by Sir John Tenniel for the first Edition of Lewis Carroll's Through the Looking Glass, and What Alice Found There), Alice in Wonderland (2007, based on Sir John Tenniel's 1865 illustrations of Lewis Carroll's Alice in Wonderland), Apoux (2007, a digitization of the naughty all-caps collection of letters by Joseph Apoux, ca. 1880, called Alphabet Pornographique), KleinKarpets (2007, a snake skin-based geometric pattern font dedicated to Manfred Klein), AmyBats 1 though 4 (2008, Amy Winehouse scanbats), JessicasSoftballFont (2008, softball scanbats), GrimNatwickBettyBoop (2008, a Betty Boop dingbat font), Obey (2009---a huge family of scanbats), SINSofBOBCO (2008, a one glyph font made for Bob Dobbs), Woodland Creatures (2008, forest animals), Princess Madeleine of Sweden (2008). In 2010, he added FixCystNeon, a typeface that emulates Terminal, the 1981 IBM systems font.

    In 2012, he made MockingJay XL (a single glyph dingbat face), Outstanding (a Victorian caps set that looks like a rounded version of Ernst Voelker's Vineta (1973)), and Beauty Marks (an erotic silhouette scanbat font).

    In 2016, he finally published Cabbagetown, which he started in 2014. Cabbagetown is based on Light Shade (1874, Richard Smith). It later appeared in Dan X. Solo's The Solotype Catalog of 4,147 Display Typefaces on page 17 as Night Shade. The first known digital version of this typeface was Nigel SadeSH (1993, Soft Horizons). Other versions include Shadowed Serif (1994, James Fordyce), Cameo Antique (2009, by Character), and Outstanding (2012, Bobistheowl).

    Link at Dafont. Fontspace link. Abstract Fonts link. Devian Tart link. [Google] [More]  ⦿

    Mia Parcell

    Australian digital media student at Griffith University. Creator of the (free) Victorian over-ornamented typeface Wonderland (2012).

    Dafont link. [Google] [MyFonts] [More]  ⦿

    Michael Harvey

    Stonecutter and renowned carver (b. 1931, d. 2013), cyclist, and type designer. Michael was a visiting lecturer in the Department of Typography&Graphic Communication at the University of Reading, and is the author of several books on the lettering arts. CV and picture. He worked from his studio in Bridport (Dorset). At ATypI 2007 in Brighton, he analyzed the work of Frederic Goudy, Hermann Zapf, Eric Gill, Georg Trump, and Jan van Krimpen, and took the listener from analog to digital.

    Obituary by Yves Peters, who quotes Sumner Stone: We will miss the presence of his marvelous big smile and the twinkle in his eye that went with it. That twinkle always seemed to be there above his ruddy cheeks and one quickly learned that it was a true transmission of his inner state. He was a tall leprechaun, full of laughter. He had a subtle and perennial sense of humor and just being in his presence lifted you up. He could float on the jazz piano clouds of Ellington and Strayhorn, and named typefaces after each of them. He was also a serious thinker, a scholar, and always ready to engage in a discussion of the finer points. His achievements in the lettering arts are numerous and numinous. By any measure he was prolific. He carved letters in stone and wood, drew them for hundreds of book jackets, wrote books about them, taught them to graduate students, and made them into typefaces that ranged from goofy to sublime. He was a true master in every respect.

    Klingspor link. FontShop link.

    In 2001, he and Andy Benedek founded Fine Fonts, an independent digital type foundry in Cheltenham, UK.

    His typefaces:

    • Aesop Script (Fine Fonts).
    • Andreas (1996), an outline font, and Moonglow , an all-caps typeface, two stone-cutting fonts published by Adobe.
      • Balthasar (2002, Fine Fonts).
      • Braff (2003, Agfa and later, Fine Fonts).
      • Conga Brava MM, a fluid stencil font published by Adobe.
      • DTL Unico. An extensive all-purpose family at the Dutch Type Library.
      • Ellington (1990) and Strayhorn (1995), both at Monotype.
      • Fine Gothic (blackletter).
      • Frieze (Andy Benedek and Michael Harvey, Fine Fonts). The original font dates from ca. 1990. They explain: The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and guild them. Instead, they were cut in perspex and guilded. Some twenty years later, the missing upper-case letters were drawn together with the lower-case letters and Frieze, the font, was born.
      • Marceta Uncial (Fine Fonts).
      • Mentor (Fine Fonts).
      • The multiple master Mezz at Adobe.
      • Quirky (Fine Fonts).
      • Ruskin (2008, Andy Benedek and Michael Harvey, Fine Fonts). This display serif typeface was originally created as a commission for Michael Harvey to design a signage font for the Dean Gallery in Edinburgh.
      • Songlines (Fine Fonts).
      • Studz (at Adobe).
      • Tisdall Script (Fine Fonts).
      • Victoriana (2002, Andy Benedek and Michael Harvey, Fine Fonts). A Victorian typeface named after cyclist Victoria Pendleton.
      • Zephyr (at Ludlow).
      [Google] [MyFonts] [More]  ⦿

    Michael Jason Browers

    Duluth, MN-based designer (b. La Crosse, WI, 1977) of Ekkehard (2020: inspired by multiple blackletter typefaces that appeared in an 1862 printing of "The Doctrine of the Simple and the Power of the Powerless" by Hans Nielsen Hauge), Gladstone Street (2019), Jayce (2018, +Fleurons), Dulcyna Hand (2018), Bombastic (2010, grunge), Jeyran (2010, a blotchy hand-printed typeface done with Elnara Browers), Gladstone (2009, a readable blackletter), Diegeometrische (2008, a stencil for Latin and Cyrillic), Menim Elim (2007, cursive hand), Ellaroza (2007, gorgeous fleurons), Konscript (2007, old typewriter face), Geistig (2006, classical caps), Sophiazoya (2006, Victorian era ornaments), Dovshan (2007, more Victorian era ornaments), Loza (2006, curly antique face), Disjecta (2006, a shaken serif face), Formasi (2006, grunge face), Mehriban (2007, grunge), Mehriban Outline (2008), Squarefill (2008, grungy stencil), Squarefix (2008, grungy stencil), Wingbrush (2008), Somatica (2006, grunge) and Isoglyphics (2005, dingbats).

    MyFonts page. Alternate URL at MyFonts. View Michael Jason Browers's typefaces. [Google] [MyFonts] [More]  ⦿

    Michael Montoure

    A graduate of the University of Washington. He created the Victorian / Jules Verne look font called Difference Engine for Forever London. [Google] [More]  ⦿

    Michelle Dixon
    [Dixie's Delights]

    [More]  ⦿

    MicroLogic Software
    [Frank Hainze]

    Frank Hainze (Emeryville, CA) used to sell typefaces such as Adorable, Artisan, Celebrity, Crescent, Duchess, Elegance, Formal, Heather, Imperial, ImperialBold, ImperialBoldItalic, ImperialItalic, Legend, MajesticBold, MasonBook, MasonBookOblique, MasonDemi, MasonDemiOblique, Opera, Salsa, Samurai, Victorian (blackletter, 1994), Wedding.

    No longer in business. The fonts are still out there, however. For example, check Samurai here.

    Ulrich Stiehl documents all forged fonts on the PrintMaster CD and reports that the quality is remarkably good. Examples: Advantage = ITC Avant Garde Gothic, Architect = Adobe Tekton, Editor = ITC American Typewriter, Enchanted = ITC Korinna, Fantasy = ITC Tiffany, Gallery = ITC Galliard, Geneva = Linotype Helvetica, Gourmand = ITC Garamond, Imperial = ITC New Baskerville, Manuscript = Linotype Palatino, Mason = ITC Lubalin Graph, Mirage = ITC Benguiat, Optimum = Linotype Optima, Tiempo = Monotype Times. [Google] [More]  ⦿

    Midvel
    [Ahmad Jafar Shadiq]

    Kediri, Indonesia-based designer, b. 1995, of Afterfall (2020: script), Saffar (2020: a monolinear sans), Herosita (2020: spurred), Hearttaker (2020: monolinear), Elldier (2020), The Panglimul (2020: spurred, Victorian), Jsd Streampoint (2020).

    Typefaces from 2021: Kang Meatball (a bold brush script), Laillie Dream (a scrapbook font), Laftale (an upright casual script). [Google] [MyFonts] [More]  ⦿

    Miguel Angel Padriñán Alba
    [Mr. Black Fonts]

    [MyFonts] [More]  ⦿

    Miguel Rafa

    Or Miguel "Hueso" Rafa. Santo Domingo, The Dominican Republic-based designer of the spurred typeface Lucky You (2016), the free spurred display typeface family Melma (2015), Mom (sailor's tattoo font), and the free hand-printed typeface Yeah Papa (2015). Download link. Behance link. [Google] [More]  ⦿

    Mihaela Serbanescu
    [Black Cats Media]

    [More]  ⦿

    MIIM

    Designer of Transt (2015: 3d lettering), Blue Neon 3D (2015), Blue Neon 2 3D (2015) and Yellow Neon 3D (2015). Grunge Wood (2015), Stone (2015) and Wood (2015) are rough-looking typefaces with 3d effects. All pre 2016 fonts are in vector or PNG format.

    Typefaces from 2016: Palma (neon sign or multiline font family), Chrome (a set of six ultra black deco fonts), Conello (patterned typeface), Bionic, Krakatao (Victorian), Nemesis, Ultra-Modern, Shiro (inline), Terminal, Circus Circus (3d), Jello, Blocksy, Metro (a 10-style spurred font family), Ballona, Minoru (spurred typeface), Montana (rounded monoline typeface).

    Typefaces from 2017: Phantom, dark Glass 3D. [Google] [More]  ⦿

    Miller&Richard
    [William Miller]

    Founded by William Miller in Edinburgh in 1809. The company became Miller&Richard in 1838, and closed in 1952, when the designs became the property of Stephenson Blake. They are best known for innovative type design, including hits such as the Miller&Richard Oldstyle (and its boldface, nowadays called Old Style or Century Oldstyle), Le Naudin, Egyptian Expanded (1850), and Antique Old Style, or Bookman. Specimen book from 1884. In 1974, Bloomfield Books (Owston Ferry Lincs) published a facsimile of Miller&Richards Typefounders Catalogue for 1873. Scans: Cuban, Grange, Ludgate, Teutonic, Tudor Black, Grotesque Capitals, Old Style Antique No. 7, Old Style Italic, Sans Serif No. 7.

    From their 1912 catalog: Grotesque No4, Grotesque No4 Italic, Grotesque No7, Grotesque No7.

    Revivals:

    • Bruntsfield CF (2020). A revival of Bruntsfield by Chuck Mountain.
    • Nick Curtis offers a few digitizations: his Millrich Moravian NF (2010) revives Bohemian (1918, a jugendstil face). Millrich Grange NF (2015) revives Grange. Millrich Reading NF (2010, Victorian) revives a 1918 Miller&Richard typeface (by the same name, I presume). Millrich Olivian NF (2014) revives Olivian. Habana Sweets NF (2012) is a Victorian typeface modeled on Cuban (1873).
    • Canada Type's digitizations: King Tut (2011, Kevin Allan King) is a revival and expansion of the original Egyptian Expanded (1850).
    • Vintage Type Co revived Egyptian Expanded in 2019 as Bloke.
    • Wood Type Revival (Matt Braun) revived the arts and crafts typeface Teutonic (1909) as WTR Roycroft (2015).
    • Sean Coady revived Egyptian Expanded as VTC Bloke (2019).
    • Auber CF (2019, Chuck Mountain). A revival and extension of Bohemian, a metal type that can be seen in Printing Machinery and Material (Miller & Richard, 1902).
    • Massenet (2020, Chuck Mountain). A revival of Old Style Grotesque Condensed as shown in Specimens of Printing Type (Miller & Richard, Edinburgh, c. 1920).
    • Jeff Levine revived Condensed Edina from the 1921 Miller & Richard type specimen book as Office Space JNL (2021).
    • Brochure Sans JNL (2022, Jeff Levine). This is based on Sans Serif No.7 from the 1921 Miller & Richard type specimen book.
    [Google] [MyFonts] [More]  ⦿

    Millieangelo Design Co
    [Max Ayalla]

    Mission, KS-based designer of the spurred Victorian display typeface Legendary (2013).

    In 2016, now located in Kansas City, MO, he designed the rough stencil typeface Surplus Pro.

    Typefaces from 2017: Sumner (soft edge sans), Union Made (a vintage typeface family: It offers that bit of that masculine, whiskey drinking, machine using, denim wearing, ass-kicking touch to any design or logo), Argentine (a great roughened poster font), Kansas City, Pueblo Blackletter (tattoo font), Sylvester (headline sans), Soft Block (vintage octagonal typeface).

    Typefaces from 2018: Homestead, MDC Uptown, Vintage Athletic, Venice Gothic, Bevel Block.

    Behance link. Creative Market link. Old URL. [Google] [More]  ⦿

    Minhocossauro Emporium (was: Minhocossauro Tipografia)
    [Paulo Caparica Junior]

    Architect and designer in Sao Paulo, who runs Minhocossauro Tipografia. He created Salyma (2015, part vampire script, part curly Victorian extravaganza), Essential Coffee (2015, stencil), Militante (2015, stencil font), Cogumelo (2014, a retro futuristic unicase typeface), Biotech (2014, techno), Action Flick (stencil font), Morango (2015, handcrafted Western font), and Cinema Novo (2015, handcrafted typeface).

    Typefaces from 2016: Cinema Novo (handcrafted).

    Typefaces from 2017: Disco Voador (stencil). In 2018, he designed the handcrafted Party Popper, the deco typeface family Mystax and the stencil typeface Farofa.

    Typefaces from 2020: Pipoca (a great rounded stencil typeface), Milchkaffee (handcrafted), Delirante (squarish and stylish).

    Fontspring link. Behance link. Graphicriver link. [Google] [More]  ⦿

    Minimo
    [Maria Olga Reyes]

    Mariaolga Reyes (aka Minimo, or as MO) is a web and editorial designer in Guatemala City. She created the wrought iron curly Victorian typeface Barrots (2012), which was inspired by some buildings in Barcelona. [Google] [More]  ⦿

    Misprinted Type
    [Eduardo Recife]

    Misprinted Type (est. 1998) offers free and commercial old typewriter and grunge fonts designed by Eduardo Recife, an illustrator and graphic designer from Belo Horizonte, Brazil, b. 1980. Although his main work is in illustration, he became well-known in the early 2000's for his original grunge type designs. Typefaces:

    • Max Rhodes (based on the handwriting of Max Rhodes), Nasty, Shortcut, Carimbo (2003), Mosh (2004), Trashold (2004), Great Circus> (2004, a five-weight calligraphic decorative family), Pastelaria, Downcome (2002), DIESEL, DirtyEgo (2001), Mialgia, OverBored, PrintError, RecifeDings, ThirdWorldBuzz, Besign, HorsePuke, Lhabia, MemoryLapses, misprintedtype, NoMoreTypewriters, PrintFuck151, Selfish (2001), Misproject, Porcelain, Rochester (old typewriter), NailScratch, Astonished, Broken15, DisgustingBehavior, Guilty (2011, grunge).
    • NeasdenPIP was designed with Steve Smith (2001).
    • At Visuelle Orgasmus, we find Superphunky, Superload and Superaircraft, all made in 2001.
    • Here, we find DirtyEgo, Downcome, Porcelain, Selfish, Shortcut.
    • Myfonts sells Rapid Writing (a penmanship font), Magic 1985 (2017, grunge), King Bloser (2014, a calligraphic penmanship font named after E.W. Bloser), Bloser Serif (2014), King Bloser X (2014, ornaments), Mercy (2013, a set of connected Spencerian penmanship style fonts, with ornaments and flourishes if needed), Revanche (2013, a grunge stencil font), Grandpas Typewriter (2013, old typewriter font family), Monster Days (2007, grunge calligraphy), Kyoto (grunge), AntiRomantic (2006), Toscography (2007, slightly Kafkaesque), LeKing (2007: Eduardo calls it the Frankenstein of vintage ornamental typefaces of the past centuries), HandMade (2007, hand-drawn ornamental caps), Nars (2003, grungy script).

    Earlier versions of this site could be found at TypOasis (dead link) and Dafont. Many of his fonts are also here and here. Klingspor link. Creative Market link. Fontspace link. Dafont link. [Google] [MyFonts] [More]  ⦿

    Mister Chek
    [Andrey Chernevich]

    Russian designer in St. Petersburg, aka Mister Chek, b. 1983. Dafont carries his free demos. He sells his typefaces here: Horizons, Trueper (tattoo face), Black Queen (metal band face), King Arthur (blackletter).

    He created the free typefaces MCF Revolution Ink (2012, a Treefrog-style handwriting all-caps face), MCF Zelfis (2011, a tattoo font), MCF Bad Manners WW (2009, blackletter), MCF Star Worms (2012, blackletter / tattoo face), and MCF Funera (2010).

    Typefaces from 2016: Legion of Darwin, Galler, Petarda (tattoo font), Geroin (a rough brush), MCF Empire Cave, MCF Perun, Tawer, Barklay, Krechet (tattoo style), G Style, Amega Star, Pobeda, Brather Script, MCF Iraida Script.

    Typefaces from 2017: Black Fox (blackletter), Stone Head (Victorian), Alien Delon (hipster and trekkie styles).

    Typefaces from 2019: MCF Joker, MCF Mudster (inky).

    Dafont link. Devian Tart link. Abstract Fonts link. Creative Market link. [Google] [More]  ⦿

    mmolai
    [Ojay Juarez]

    Type blog by Ojay Juarez (TX). Aka mmolai. Ojay used Fontifier to create the handwriting font mmolaihandbasic (2008), and who used Fontcapture to make mminland or Inland (2009, free download), a Victorian typeface from the Inland Type Foundry. His blog.

    Vector typeface roundup.

    He created the ornamental caps typeface McDonald in vector (EPS) format.

    He made a scanfont called Roman Print Variously Shaded (2009), which is an ornamental caps alphabet in EPS format based on document from ca. 1800.

    In 2010, he used iFontMaker to create the hand-printed outline typeface Shadow Hand. [Google] [More]  ⦿

    Monogram Fonts Co
    [Brian J. Bonislawsky]

    Commercial foundry, est. 2009 by Brian J. Bonislawsky (Las Vegas, NV), known for his participation in the Astigmatic One Eye Typographic Institute, the Breaking the Norm Font Library, VersusTwin Type Foundry, and Foundry-X. Most of the fonts done after 2013 were in cooperation with Jim Lyles. Fonts made in 2009 include MFC Franklin Corners (based on Metal Corners from the 1889 "Convenient Book of Specimens" from Franklin Type Foundry in Cincinnati), MFC Manoir Monogram (2009, Victorian initials), MFC Bijou Monogram, MFC Escutcheon Monogram, MFC Pantomime Monogram, MFC Peony Monogram (2009), MFC Vice Monogram (an Art Deco letterset (capitals only) from a 1915 publication by Cartier-Bresson of Paris), MFC Viper Monogram (based on Hollywood Combination Initials, found in a 1934 ATF book), MFC Carson Monogram (from Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition, 1912), MFC Semicirculus Monogram, MFC Royaume Monogram (after lettering from the 1884 Ames' Guide to Self Instruction in Practical and Artistic Penmanship by Daniel T. Ames), MFC Bindi Monogram (after a 1915 publication by Cartier-Bresson of Paris), Carson Monogram (a letter set from the book Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition published in 1912, where it was simply labeled New Antique 53), Noir Monogram (after the "Pearl" letterset from the 1854 Becker's Ornamental Penmanship and Draughtsman's Letter Book by George J. Becker), Distinto Borders (after the Black&White and Running Borders from the 1906 Abridged Keystone Type Foundry Specimen Book), Tagliato Monogram (after a decorative letterset (capitals only) from the 1899-1900 Treatise on Embroidery, Crochet and Knitting booklet by M. Hemingway&Sons Silk Co), Mouchoir Monogram, Memoriam Initials (based on University Initials in the 1934 Book of American Types by ATF), Moissanite Monogram (based on Diamond Combination Monograms from the same book), MFC Monarchy Initials (based on Diamond Combination Monograms from the same book), Morningside Monogram and Neuport Monogram (both based on letters found in the 1934 Book of American Types by American Type Founders), Diamant Monogram, Distinto Borders (based on borders found in the 1906 Abridged Keystone Type Foundry Specimen Book), Ruse Monogram (an all caps typeface based on DeRoos Inline), MFC Tagliato Monogram (from the 1899-1900 Treatise on Embroidery, Crochet and Knitting booklet by M. Hemingway&Sons Silk Co), and Tryst Monogram. MFC Franklin Corners (2009) is a series of three border dingbat fonts.

    MFC Hills Medieval (2010) was developed from an overly ornamental blackletter type specimen found in the 1882 Hills Manual of Social and Business Forms. The interesting Victorian outline family Sappho Monogram (2010) was inspired by an alphabet set from the book, Monograms and Alphabets for Combination by Dollfus Mieg&Cie, first published in the 1890s.

    Typefaces from 2012: MFC Bruce Corners.

    Typefaces from 2013, all done with Jim Lyles: MFC Baelon Monogram (an 800-character monster font with outlined spurred letters from Dollfus Mieg's book, ca. 1890), MFC Bontebok Monogram, MFC Carnivale Monogram (known as Romantiques No. 3 and Ornate No. 2), MFC Thornwright Monogram (from the Manuel de Broderies No. 179 by N. Alexandre & Cie. from the late 1800s), MFC Zulu Monogram (an African-themed font inspired by Bibliothèque D.M.C: Alphabets et Monogrammes 2nd Series), MFC Jewelers Monogram (based on a decorative alphabet designed in 1901 by Marcus Goldsmith, an inventor of elegant accessories), MFC Verre Monogram, MFC Triangulus Monogram (based on a vintage publication called "Bibliotheque D.M.C: Alphabets et Monogrammes 2nd Series"), MFC Chaoxiang Monogram, MFC Fantasie Monogram, MFC Mastaba Monogram, MFC Voyeur Monogram (based on Broadway Monogram Initials in Book of American Types (1893, ATF)), MFC Haute Monde Monogram, based on Elite Monogram Initials in Book of American Types (1893, ATF)), MFC Budding Monogram, MFC Hardwood Monogram, MFC Almond Monogram, MFC Brass Rules Petit (based on filets from the Franklin Type Foundry), MFC Damask and MFC Damask Flourish (by Brian J. Bonislawsky and Jim Lyles, a Victorian capitals and floriated caps pair of typefaces based on Oxford No. 2 from the 1893 catalog of the Cleveland Type Foundry).

    Typefaces from 2014: MFC Medieval Monogram (a Lombradic caps typeface based on Book of American Types (1934, American Type Founders)), MFC Chaplet Monogram (from Dessins de Broderies---Album No. 486 (Sajou, late 1800s)), MFC Capulet Monogram (based on Monograms and Alphabets for Combination (Dollfus Mieg & Cie, 1890s)), MFC Klaver Monogram, MFC Billow Monogram (from Manuel de Broderies No. 179 by N. Alexandre & Cie. from the late 1800's), MFC Aldercott Monogram (by Brian J. Bonislawsky and Jim Lyles, after a 1901 alphabet by Marcus Goldsmith, an inventor of elegant accessories of personal nature).

    Typefaces from 2015: MFC Tattersaw Monogram, MFC Livermore Monogram (based on Victorian alphabets shown in Charles J. Strong's The Art of Show Card Writing, 1907), MFC Ringold Monogram (based on Strong's Book of Designs, 1917), MFC Petworth Monogram, MFC Piege Monogram, MFC Gilchrist Initials, MFC Gilchrist Monogram, MFC Arteaga Borders One, MFC Arteaga Borders Two, MFC Arteaga Borders Three, MFC Brass Rules Grand (based on Franklin Type Foundry's brass rules in Convenient Book of Specimens, 1889).

    Typefaces from 2016: MFC Diresworth Monogram (based on an alphabet set from the book, Monograms and Alphabets for Combination by Dollfus Mieg & Cie, first published in the 1890's), MFC Spindler Borders, MFC Imperator Monogram (based on Monograms and Alphabets for Combination by Dollfus Mieg & Cie, 1890s), MFC Mercer (an initials set from the book Monograms and Alphabets for Combination by Dollfus, Mieg & Cie, first published in the 1880s), MFC Botanical Borders (based on a collection of border treatments from the 1886 Spécimens de caractères d'imprimerie by E. Houpied a Paris), MFC Diamondside Monogram, MFC Redding Monogram (a highly ornate lettering style from Letters and Lettering by Carlyle & Oring), MFC Rodizio (a layered chromatic typeface family inspired by wood types by William H. Page), MFC Falconer Monogram, MFC Glencullen Monogram, MFC Bruce's Corners Two (based on Metal Corners found in Specimens of Printed Types (1882, Bruce Type Foundry)), MFC Westport Monogram, MFC Arkena Monogram (art nouveau font based on Strong's Book of Designs (1917)).

    Typefaces from 2017: MFC Enschede Borders (based on floral borders in the 1904 Ornamenten Hoofdlijsten en Sluitstukken book by Joh. Enschedé & Zonen, Haarlem), MFC Keating Monogram (based on Monograms and Alphabets for Combination (1890s, Dollfus, Mieg & Cie)).

    Typefaces from 2018: MFC Stencil Borders Six, MFC Elmstead Monogram and MFC Endeavor Monogram (both based on Dollfus, Mieg & Cie, 1890s), MFC Blossom Monogram (a chromatic layering font), MFC Buttergin Monogram (based on Tuscan typeface shown in Letters and Lettering by Carlyle & Oring), MFC Stencil Borders Five, MFC Stencil Borders Four, MFC Stencil Borders Three, MFC Stencil Borders Two, MFC Stencil Borders One (all by Brian Bonislawsky), MFC Diamondstack Monogram, MFC Sansome Monogram (an art nouveau typeface based on John F. Irwin's Rustic Roman from 1906).

    Typefaces from 2019: MFC Joliet Monogram (2019: based on a vintage McCalls Kaumagraph Transfer), MFC French Roman (an all caps typeface based on French Roman Light in an 1899 lettering publication by International Correspondence Schools), MFC Diamerrick Monogram (diamond-shaped monograms), MFC Ambeau Monogram (2019, based on the decorative art nouveau alphabet called American Beauty in J.M. Bergling's Art Alphabets and Lettering, 1914), MFC Diamas Monogram (diamond-shaped monograms), MFC Nadall Medieval (an uncial/blackletter font based on Bernd Nadall's Faust from 1898).

    Typefaces from 2020: MFC Patisserie Monogram (from Letters and Lettering by Carlyle & Oring), MFC Decatur Monogram (after an alphabet seen in J.M. Bergling's book Monograms and Engraving Alphabets).

    Typefaces from 2021: MFC Deco Diamond Monogram.

    View the typefaces made by Brian Bonislawsky.

    Typefaces from 2022: MFC Heathcliff Monogram (2022: rhombic monograms). Creative Market link. [Google] [MyFonts] [More]  ⦿

    Monotype Modern

    The first typeface released by Lanston Monotype was Monotype Modern (1896). It is a Victorian take on the didone style. [Google] [More]  ⦿

    Montague M. Bear

    Chicago-based designer at BBS of a Victorian face that was patented in 1890. [Google] [More]  ⦿

    Mouse Crafted

    Dublin, Ireland-based studio. Their typefaces in 2018: Glory (a round serif font), Barbarossa (spurred), Mother Letters, Royal Brandy (a Victorian label font), Oleisia Script, Crawley (script font family), Brother (font duo), ECons (icons). [Google] [More]  ⦿

    Mr. Black Fonts
    [Miguel Angel Padriñán Alba]

    Iztapalapa, Mexico City-based graphic designer. Creator of Pixa Square (2014: a dot matrix typeface family that includes some arcade game dingbats as well), Domino (2014: digitization of a typeface by Sabino Gainza), Norma Script (2014, avant-garde sans), Norma Cursiva (2014), Macmillan (2014, sans), El Corondel (2014, signage script), Taller (2014, done with Manuel Flores), Mr. Pascal (2014: LED or kitchen style typeface for numbers on watches), Britannia Capital (2014: a calligraphic copperplate typeface), Alfaomega (2014, avant-garde sans), Alfaomega Cursiva (2014, school script font), Espiral (2013, a Victorian school project font at Escuela Nacional de Artes Plásticas UNA).

    In 2016, Ayi Studio (Mexico City) published the constructivist typeface family Alek Rodchenko, which was jointly designed by Miguel Angel Padrinan Alba and Victor Manuel Flores Lopez. One must assume that they run Ayi Studio.

    Behance link. Newer Behance link. Old Wordpress link. Newest MyFonts link. [Google] [MyFonts] [More]  ⦿

    Mucca Design (or: Mucca Typo)
    [Matteo Federico Bologna]

    Born in Milan in 1965, Matteo Federico Bologna emigrated to the United States, where he founded Mucca Design in 1999, a company involved in logos, type, and corporate identity. He teaches font design at the Parsons School of Design in New York.

    His typefaces include Food Mucca, Hair Updown, Littoria, Filo Mucca, Mirra Mucca (gorgeous lettering), Mongo Mucca, Rigid Mucca, Rubens Mucca, Vox Mucca, Egizio Mucca, Latina Mucca, Joung Mucca and Pravda (cyrillic simulation font). Free fonts: Geo Mucca, Fax Mucca, Melt Mucca, Updown Mucca, Pepina Mucca (curly lettering). Mucca Design custom-designed Balazs, Decora, Moranda Serif and Grotesque, One Atlantic (a slabbed Garamond done by Joshua Darden), Faux Cyrillic (done for Manhattan's Pravda restaurant), Victoria's Secret Logotype. At iFontMaker, he did ItalianoAMano, and ItalianoAManoPieno.

    In 2015, he created the industrial squarish vernacular typeface NoExit. Originally designed for the Chicago Athletic Association Hotel, its inspiration was an old sign that said STAIRWAY found the hotel's old building.

    In 2017, Mucca Design (via Schriftlabor) created the custom typeface Sephora (Sans, Serif). [Google] [More]  ⦿

    Mucca Typo
    [Matteo Bologna]

    Established in 2005, Muccatypo's is a group of three type designers that form a subgroup of Mucca Design in New York:

    • Matteo Bologna, the principal of Muccatype, made Liminal (2011: a beautiful Venetian text typeface family inspired by Centaur), NoExit (2014, a variable width industrial vernacular signage sans typeface family, originally designed for the Chicago Athletic Association Hotel), Grotto Ironic (2010), Decoro (Victorian Tuscan ornamental face), Sportivo (a sports font family), and Infidelity Pro.
    • Will Staehle designed Warren and Valhalla.
    • Roberto de Vicq created Bastardo, Wet and Genealogy.
    • Matteo Bologna and Jesse Ragan created Athenian Extended in 2011. This "playfully peculiar face" (their words) was custom-designed for Typography 32, the annual of the Type Directors Club. A revival of the 19th century classic Athenian.

    Free typefaces at Muccatypo include the useless grunge typefaces Fax Mucca, Geo Mucca, Pepina Mucca, Melt Mucca and Up Down Mucca.

    In 2014, Matteo Bologna served as President of Type Directors Club. He is an associate faculty member at the School of Visual Arts and Kean University. [Google] [MyFonts] [More]  ⦿

    Muhammad Alif
    [Ovoz Digital Shop]

    [More]  ⦿

    Muhammad Ilham
    [Old Studio (or: Analogous Studio)]

    [MyFonts] [More]  ⦿

    Muhammad Ridha Agusni
    [38 Lineart Studio (or: Grayscale, or: Fontsources)]

    [MyFonts] [More]  ⦿

    Muhammad Romzul Khoir
    [Khoir]

    [MyFonts] [More]  ⦿

    Muhammad Sirojuddin
    [Shiro Ngampus]

    [More]  ⦿

    Muhammad Taufiq
    [Sheilla Type (or: Luminto Studio)]

    [More]  ⦿

    Muksalmina Muksalmina
    [Muksalmina (or: Mercurial, or: Muksal Creatives)]

    [MyFonts] [More]  ⦿

    Muksalmina (or: Mercurial, or: Muksal Creatives)
    [Muksalmina Muksalmina]

    Mercurial (Banda Aceh, Indonesia) has been associated at various epochs with Mercurial Roxxane, then Muchsal Al Chalidi, Muchsal 7, Muksalmina Mercurial, and more recently, Salt Mercurial, and Muksalmina Muksalmina. The name Mercurial was changed in 2020 to Muksal Creatives.

    Designer of the brush script typefaces Historise (2016), Ardilla (2016), Venturalia (2016), Someday Brush (2016), Lightning Script (2016) and Penelope (2016), the handcrafted Befindisa (2016) and Sathscha (2016), and the calligraphic typefaces Repackage Script (2016), Cleopatra (2016), Catandra Script (2016) and Hysteria Santa (2016).

    Typefaces from 2017: Histeria Bites (monoline script), Scoothlane Script, Louise Miller (calligraphic script), Charletto (brush script), Sheiloria (brush script), Carrolina Script and Sans, Hillgates (brush script).

    Typefaces from 2018: Eivitarri Blossom (script), The Fourth Avenue Sans (all-caps), Cottage (script), Rookie Mastering (a logotype script), The Chapetown (a font duo), Befindisa, The Fourth Avenue (font duo), Bridgetown (ink splash script), Lost Treasure, Rellista Script.

    Typefaces from 2019: Rinjane, Amelyna, Angelina, Cherlina, Jonathan, Eliya, Ayudia, Anggela Styled, Bellgia, Valena, Archipelago (a Treefrog style script), Crayones, Bluestoria, Styledeep Brush, Fredilight (script), Elisofa Calvin, Scoothlane Sans Brush, Sheiloria Stylish Brush, Ernesthuge (a Treefrog-style script), Tristan Script, Boustown Sans, Catandra Brush.

    Typefaces from 2020: Thalisar Handwritten, Guten Denison, Haney Love (rabbit ear calligraphy), Bangfel (a thin stylish font), Mellya (a signature script), Antaro (wild calligraphy), Bondjlo (a vintage serif), The Craprio (a decorative serif), Sellena (a wild upright script), Moycen (an almost stencil typeface), Vincent Familiante, Watten (script), Maldive (a decorative serif), Calrida (a decorative serif), Bulgatin, Chathoney (a wild script), Bienvenue Handmade (script), Gonestone Signature, Archeology Script.

    Typefaces from 2021: Rangedit (a display typeface), Augan (a tuxedoed sans), Geefray (a stylized sans), Ghaden (a spindly display serif), Ardista Script (a scrapbook script), Bashan (a refined art nouveau typeface), The Bafger (a fashionable typeface), Ontime (script), Egalie (a stylish typeface with flaring), Andutione Handwritten, De Boulleva (a display serif), Benaya (a display serif), Redney (a stylish display typeface), Ardegan (a vintage decorative serif font that evokes see-through nighties in French boudoirs), Angista Script, Funny Holiday (monolinear, hand-printed), Daragie (a display typeface with Victorian curls), Hey Baby (a scrapbook font), Signore (a decorative serif), The Laughter Brush, Aloya (a playful marker pen font), Filogofil (a sans advertized for logos), Anbigu (a decorative serif) (a decorative serif), Katerlin (a swashy script), Stigma Serif Display (a decorative serif), Laughtale Script, Hello Amelinda (a script), Relagina (a stylish ligature-laden typeface).

    Typefaces from 2022: Farench (a light display serif), Garetc (a wavy thin display serif), Camilen (a fashion mag serif), Rhositania (a formal calligraphic script), Feragie (nine tuxedoed sans styles situated between art deco and Peignotian), Aikenap (a display serif with thin musical curls), South Time (script), Refanea (a decorative sans adorned with many ligatures), Mogiena (a high-contrast fashion mag serif), Gengich (a decorative serif with flared terminals), Rosegar (a playful display serif). [Google] [MyFonts] [More]  ⦿

    Muntab Art
    [Satriyo Hutomo]

    Malang, Indonesia-based designer of the serif typeface Lorena (2019: for fashion mags featuring skinny models), Orlando Sign (2019), Banana Caroline (2019: font duo), Salvages Bold (2019), Davinci (2019), the loud typeface Dogtown (2019), the blackletter typeface Tribal (2019), the black metal blackletter font Southside (2019), the brush script fonts Selfakia (2019) and Destroit (2019), the multi-font Good Vibes (2019), the monoline scripts Freeflow (2019) and Lemonade (2019), the curly tattoo script typeface Chicano (2019), the tattoo font Brigade (2019), the sans font Walker (2019), the spurred tattoo script Dayles Script (2019) and the script font Hanselle (2019).

    Typefaces from 2020: Esteban (Tuscan), Aquatone, Oakle, Familia (a tattoo font), Gangsta (a blackletter typeface with decorative spurs), Martyr, Santiago (decorative), Mayhem, Westcoast (spurred), Mexicanos (a tattoo or cigar box font), Florida (a wavy font), Aveden (an all caps avant garde typeface), Skyload, Black Sails (brush), Hardcore (dry brush), Mood, Caithlyn (a great inky calligraphic script), Lestly (a curly text typeface).

    Typefaces listed by early 2021: Aeromono (a futuristic semi-stencil), Akasara (a decorative serif), Amerald, Anomaly, Aquatone, Armora, Aveden, Balmonte, Baltre, Banana Carolline, Becko (futuristic, sci-fi), Befaro, Berlin (a sci-fi stencil typeface), Black Sails, Brigade, Caithlyn, Carl Brown (a decorative serif), Chicano Font, Chicano Vol. 02, Davinci, Dogtown, Dayles Script, Defrozo, Destroit, Eastside, Esteban, Evalter, Exposure, Familia Tattoo Lettering Font, Farware, Fenomeno (futuristic), Florida, Freeflow Monoline Script, Good Vibes, Gangsta Typeface, Glenca, Hardcore, Havox, Herlik, Herofin, Lemonade Signature Font, Leoni, Lestly Fonts, Lorena, Magna (a decorative serif), Maldito Font, Mandora, Martyr, Maverick, Mayhem, Metrolic, Mexicanos, Mijuo, Minerva, Monica, Monreal, Mood Font, Nordik (a sci-fi stencil typeface), Nova, Oakle, Orlando Sign, Phoenix, Quadron, Quincy, Rebelion, Reforma, Reviews, Roman, SALVAGES BOLD, SOUTHSIDE, Santiago, Selfakia, Skyload, Tribal Font, Valkrye, Velta, Westcoast, Wilyam, Zemora.

    Typefaces added in 2021: Anabele (decorative serif), Arizona (a stylish all caps typeface), Avander (a stylish serif), Babylon (an all caps blackletter), Badgiek (decorative serif), Bandito Script (for tattoos), Bestie, Boston (retro baseball script), Bravado (decorative serif), Brescia (decorative caps), Brown Sugar (an all caps decorative serif), Calya (decorative serif), Carl Brown (a decorative serif), Carola (an art deco mini-serif), Caterina (an all caps display typeface), Cigero (a decorative all caps serif), Dectro (decorative caps), Dream Avenue (a decorative serif), Elmo (a decorative serif), Elva, Felicio (an art gallery serif), Gamero (a monolinear paperclip font), Ghania, Hexagon, Katrine (a decorative condensed serif), Le Monte (a high contrast jewelry store typeface), Lemonia (a reverse stress serif), Love Story Self Made, Lower Coast, Macron (a spurred Victorian tattoo font; why it is named after the French president beats me), Margate (a sword-serifed display typeface), Matrix (a bullet hole font), Molten (a display caps typeface), Monstar (an all caps typeface for fashion mags), Musa, Pleasure (blackletter), Qaigero (a display serif), Qureka (a glamour font), Ragesta (decorative with wavy junctions), Reno (cyberpunk), Rhapsody (a swashy penmanship script), Rioky (a lovely wedge serif display typeface with a vaguely tribal vibe), Romance (display caps), Rosalia (a fashion mag typeface), Stachy, (elephant-footed caps) Tropico Salte (art nouveau genre caps). [Google] [More]  ⦿

    MyFonts: 1870s

    Typefaces from the 1870s. [Google] [More]  ⦿

    MyFonts: 1880s

    Top-ranked fonts at MyFonts on the theme "1880s". View a longer list of fonts rooted in the 1880s. [Google] [More]  ⦿

    MyFonts: 1890s

    Top-ranked fonts at MyFonts on the theme "1890s". View a long list of typefaces rooted in the 1890s. [Google] [More]  ⦿

    MyFonts: Best of 2009

    MyFonts declares the top 10 fonts of 2009.

    • Formal scripts: Champion Script Pro (Parachute), the year's most successful formal script font, with 4280 glyphs in all.
    • Brush scripts: Liza Pro (Underware).
    • Calligraphic display scripts: Memoriam (Canada Type), used in the December 2008 memorial issue of The New York Times.
    • Festive scripts: Aphrodite Slim Pro (Typesenses).
    • Dingbats: We Love Nature (Kapitza). I personally like their Snow Crystals better.
    • Swirligig style: Narziss (Hubert Jocham), with swashes and ball terminals to turn your head.
    • Victorian/Edwardian look: Ivory (FaceType).
    • Workhorse sans: Alright Sans (Okay Type).
    • Serifed text family: Calluna (Jos Buivenga).
    • Macho sans: Geogrotesque (Eduardo Manso), in seven weights.
    [Google] [More]  ⦿

    MyFonts: Edwardian

    Top Edwardian era fonts at MyFonts. View a longer list. A longer list of Edwardian typefaces. [Google] [More]  ⦿

    MyFonts: Mercantile typefaces

    From the MyFonts collection: mercantile typefaces. These typefaces are associated with the British empire in the Victorian age, the late 1800s. [Google] [More]  ⦿

    MyFonts: Victorian fonts

    Top Victorian era fonts at MyFonts. [Google] [More]  ⦿

    Narani Kannan

    Narani Kannan is a very gifted student at Ontario College of Art&Design in Toronto, pursuing a BDes in Graphic Design. She dabbles in typography and type design and created the organic sans typeface Pebble in 2008. Beautiful type posters. Home page. He created Victoria (2009, a delicate display typeface that was inspired by the Victorian elements and ornamental designs). [Google] [More]  ⦿

    Natalia Seczkowska

    Born in 1983 in Kujawy (Poland), and a 2008 graduate from the University of Fine Arts in Poznan, Natalia Seczkowska's first font, showcased at Behance, is called David (2011). It has a bit of a Victorian look. [Google] [More]  ⦿

    Nate Adelman

    Bozeman, MT-based designer of these mostly vintage typefaces: Eastport (2015), Aloha Friday (2015), Frigate (2015), Whydah (2015), Betty Bop (2015), Munster (2015). [Google] [More]  ⦿

    Nathan Williams
    [Baseline Fonts]

    [MyFonts] [More]  ⦿

    Nathatype
    [Donis Miftahudin]

    Nathatype (est. 2020) is one of the many foundries started by Donis Miftahudin (Gresik City, Indonesia), after Din Studio and Ditatype. Typefaces from 2020, all scripts or handcrafted: Mister Golden, Rainbow Lemonade, Hyollin, Sandy Pillow, Siriella, Stay Feeling, Beauty Miracle, Bright Winter, Coconut Candy, Dealistha.

    Typefaces from 2021: Allonges (a flowing calligraphic script), Mint Smile (an elegant calligraphic script), Smooth Miracles (a flowing calligraphic script), Goldbugs, Mitters, Quaylike, Railing (a display typeface with calligraphic roots), The Marbler (a retro monoline script), Vintage Kingdom (retro signage script), White Block (a bold severe display typeface), Ballista Style (a signage script), Cagier (a very stylish display serif), Motion Taste (a scrapbook script), Blacktones (blackletter), Daily Smiles (script), Kalecius (blackletter), Milltown (blackletter), Verathrine, Northeast Oregon (script), Marteks (an 8-style simplified monolinear sans), Enjoy Doodle (an inky script), Quitos (a sharp-serifed typeface), Mirola (a fashion mag typeface with flared serifs and a stocky lower case t), Bavaria Gates (roman caps with some contrast), Cold Daylight (a creamy supermarket or signage script), Jotted Dream (a dry brush script), Fresh Roomettes (an inky script), Micfloral (a heavy upright supermarket script), Vikeys, Salt Debris (a creamy upright display typeface with possibly use in packaging), Ballon Midair (a dazzling inky script), Big Flask (a frilly display typeface), Staying Passionate (script), Embrown (all caps sans), Mostlatest (a vintage label font), Soft Cantle (a rabbit ear script), Vintage Bridge (a heavy monolinear script), Brighter Miracles (a tall rabbit ear script), Cravery (a hybrid of Victorian and art nouveau), Dracolas (Victorian), Lastones (a vintage all caps typeface), Monoline Fighter (a monolinear diner script from the 1950s), Vintage Feeling (a spurred retro script), Boosters (a spurred Victorian typeface), Western Brother (a Western font), Lost Cowboy (a spurred typeface), Bright Sunset (an inky script), Clean Fragile (a stylish serif), Real Magic (a stylish flared serif), Roashe (an all caps fashion font), Stealing Hearts (an inky script).

    Typefaces from 2022: Barethelly Signature, First Marigold (font duo), Repath (a wide display serif), Bigcups (a rounded marker font), Crofelo Delight (a scrapbook script), Highpath Signature, Realistic Twilight (a scrapbook script), Walnut Cream (a scrapbook script), Castre (roman capitals), Billstone Signature, Glowing Midnight (a retro signage script), Hello Youthen (a retro signage script), Retrolife (a retro signage script), The Vintage Town (a retro signage script), Vintage Scripter (a retro signage script), Equity (a stylish serif). [Google] [MyFonts] [More]  ⦿

    Nazzar Saputra
    [Craft Supply]

    [MyFonts] [More]  ⦿

    ndroadv
    [Hindra Permana]

    Bandung, Indonesia-based designer of the brush script typefaces Naira (2015), Noelan (2015: free at Pixel Surplus), Millet (2015, brush typeface family), Mochimochi (2015) and Mysera (2015), the vintage signage typefaces Naonweh and Naonweh Rough (2015), and the calligraphic script typeface Nafeeza (2015).

    Typefaces from 2016: Therion (Victorian), Rowo (dry brush script), Larquette, Pour Lavie, Explorado (children's book font family in Serif, Script, Sanserif and Dingbat styles), Brutus (Victorian, early art nouveau), Gloster (Script and Rustic styles), Noelan Script.

    Typefaces from 2017: Naira Script.

    Typefaces from 2018: Alinea (rough brush), Hui Boled (hand brush).

    Typefaces from 2019: Morosyot (script), Laksana (script). [Google] [More]  ⦿

    Neal Fletcher

    Neal Fletcher (Liverpool, UK) studied at the University of Central Lancashire, but was born and raised in Merseyside, England. His fonts are free.

    He made a typeface out of pieces of circles called Circular Alphabet (2010). Decani (2011, +Stencil) is an ornamental semi-Victorian type family.

    Creations from 2011 include Dalle and the fun monoline sans family Elega (+Rounded). Bino (2011) is a simple and free sans family with a monospace option.

    He complains: is everywhere, in airports, on signage, on TV and in corporate literature. Meta has become synonymous with the German middle ground. Almost too convenient and easy to digest it has spread like a disease. So he made the cancerous grungification of Meta, Metastasis (2011).

    In 2012, he created the free typeface Bouwen, the angular typeface Utile, and the custom typeface Metroplitan Wharf (for a building in Wapping).

    Klingspor link. Behance link. [Google] [More]  ⦿

    Neil Patel
    [Greyletter]

    [MyFonts] [More]  ⦿

    Neufville Digital

    Fundicion Tipografica Neufville SA is a foundry based in Barcelona, headed by Wolfgang Hartmann, which writes about itself: Neufville Digital produces and markets the fonts from Fundicion Tipografica Neufville, Bauersche Giesserei, Ludwig&Mayer, Fonderie Typographique Française and Fundicion Tipografica Nacional.

    List of typefaces. MyFonts link.

    Fonts include a newly digitized Futura family (Paul Renner, 1928), in the Bauer Classics collection.

    In the collection Grafia Latina, we find Diagonal ND (Antoni Morillas, 1970), Uncial Romana (Ricardo Rousselot, 1996), Pascal ND (José Mendoza y Almeida, 1959), Sully-Jonquieres (José Mendoza y Almeida, 1980), Fidelio ND (José Mendoza y Almeida), Llerda ND, Paris ND, Flash ND and Arabescos ND, all by Enric Crous Vidal (1945 to 1953). They write: Within the GRAPHIE LATINE collection Neufville Digital releases the works of famous typographers like José Mendoza y Almeida, René Ponot, Tomas Vellvé, Antonio Morillas, Ricard Giralt Miracle, Ricardo Rousselot, Juan Trochut and others. The BAUER CLASSICS collection includes the many typefaces from the Bauersche Giesserei. The first fontfamily available is FUTURA that has been completely digitized anew to meet today's professional demands. Many other fonts are to follow. Neufville Digital produces and markets the fonts from Fundición Tipográfica Neufville, Bauersche Giesserei, Ludwig&Mayer, Fonderie Typographique Française and Fundición Tipográfica Nacional. You will certainly be familiar with famous typefaces like Futura, Bauer Bodoni, Weiss, Folio, Imprimatur and many others from the rich type founding era. Neufville Digital digitizes them from their original artwork using state of the art technology and makes them available in compliance with the latest standards.

    Among the fonts to be reissued, we cite a few.

    From Ludwig&Mayer: Allemannia Fraktur (1908), Allright (1936), Altenburger Gotisch (1928), Bastard Mediaeval, Beatrice (1931), Chic, Cochin (1922), Commerciale, Diplomat (1964), Firmin Didot (1929), Hallo (1956), Kombinette (1932), Krimhilde (1934), Kupferplatte (1950), Largo (1939), Magnet (1951), Wolfram (1930). From FT Neufville: Antiqua (1850).

    From FT Nacional: Astur (1940), Belinda (like 15th century Spanish calligraphic writing, with fine curved serifs on the tips of the ascenders), Cervantes, Elzeviriano, Hispalis (1940), Imperio (1949), Inglés (1940), Interpol (1950), Numantina (1940; for a digital version, see Nick Curtis's Numancia NF (2011)), Radar (1940), Romana, Victoriana (1940).

    From the Bauersche Giesserei: Astoria (1911), Azurée (1908), Baron (1911), Baroness (1911), Baskerville-Antiqua (1923), Batarde (1915), Bauer Bodoni (1926), Fette Antiqua (1850), Lithographia (1895), Manuskript Gotisch (1899), Noblesse (1908), Steile Futura, Stephanie (1890), Times-Antiqua, Venus (1907).

    From FT Française: Bizerte, Italienne, Romantiques (1937), Stylo (1937). Their Catalogo de tipos (1978) shows many other typefaces too, so, with some repetition, we find the handwriting/script typefaces Vigor, Sinfonia, Privat, Sirena, Maxim, Litografia, Leyenda (Legend), Bernhard Cursive and Adagio, the federal money typeface Azuree (1908), the typewriter family Ibematic, OCR A-1, the blackletter typeface Gotico (or Manuskript-Gotisch), the outline fonts Royal and Columna, the checkbook typeface Litho, the display typefaces Nobleza and Carnaby, the Egyptian family Epoca (=Beton), as well as Homera (=Hyperion), Corvinus, Volta and Impressum. Galaxy ND (2006) is a mysterious, organic and quite useless typeface.

    Go here for a description of the old printing machines.

    Check also the Fundicion Tipografica Bauer in Barcelona and Visualogik Technology and Design in the Netherlands.

    Showcase of Neufville's fonts. Neufville Digital's typeface library. Neufville Digital's collection of fonts:

    [Google] [MyFonts] [More]  ⦿

    Neutrone Labs
    [Kapri Prianto]

    Medan, Sumatra-based designer (b. 1985) of the cursive typeface Baristha (2019), the grungy Halloween typeface Blackmilles (2019) and the curly Victorian typeface Alleha (2019) and Chouphie (2019).

    Typefaces from 2020: The Butterplay (a rhythmic script), Haildany, Hijakers (an upright monoline handcrafted typeface), Barringtone (Victorian and curly). [Google] [More]  ⦿

    New Typography
    [Vernon Adams]

    Vernon Adams (born England, 1967) was a furniture restorer, woodcarver and typeface designer. On August 24, 2016 Vernon Adams passed away from injuries sustained in a scooter accident in May of 2014. New Typography was his type design site. Vernon graduated in 2007 with an MA in type design from the University of Reading and lived in San Clemente, California. His wife Allison now holds the trademark and/or copyright to most of his fonts.

    He developed Mako (2007), a type family for text and image in magazines. Earlier, he created AutoPacHousehold. Nobile (2010) is part of the Google font directory. Through the Open Font Library, one can get the source Fontforge code for this open source sans family. About Mako, he writes that he submitted the font to Fontsmith, which sat on it for a while and rejected it, only to publish a few weeks later Lurpak, which according to Vernon is too similar to his rejected design. Free fonts at Google Code by Vernon, as of the end of 2010 include Coda (a heavy elliptical face), Nobile (mentioned above), Corben (a curvy bold typeface in the style of Cooper Black), and Gruppo (a thin sans).

    In 2011, he added Coustard (a slab serif family), Damion (connected signage script), Smythe (Victorian), Radley (display face), Oswald (a reworking of the Alternate Gothic style: see this dedicated page; Oswald was updated continually by Vernon Adams until 2014. Vernon added Light and Bold weights, support for more Latin languages, tightened the spacing and kerning and made many glyph refinements throughout the family based on hundreds of users' feedback. In 2016 the family was updated by Kalapi Gajjar and Alexei Vanyashin to complete the work started by Vernon, and support languages that use the Cyrillic script), Candal (sans), Pacifico (connected signage face), Bangers (comic book face), Anton (heavy sans), Bevan (a reworking of Beton, a traditional slab serif display typeface created by Heinrich Jost in the 1930s), Six Caps (a condensed headline face), Meddon (a display font created from the handwritten script of an Eighteenth century legal document), Rokkitt (an Egyptian), Paytone One (headline face), Holtwood One SC (wood block simulation face), Monofett (white on black), Carter One (casual face), Francois One (gothic sans), Sigmar One (think mid twentieth century pulp magazine advertising), Bigshot One, Metrophobic, Mako, Francois One, Nunito (rounded; CTAN link), Shanti, Sigmar, Muli (minimalist sans), Kameron (an Egyptian), Stardos Stencil, Bowlby One, Bowlby One SC (fat poster face), Tienne (serif), Monoton (a multiline face in the style of Koch's Prisma, 1931), Sancreek (emulating an ornamental wood font), Amatic SC (hand-printed poster family), Sancreek (a Tuscan face), Oswald (in the old Alternate Gothic tradition of sans typefaces---a free Google font; CTAN link), Rammetto (based on the Stephenson Blake uppercase display font Basuto, released in 1926), and Michroma (modeled after Microgramma).

    Typefaces made in 2012 include Bench Nine (Google Web Fonts: based on old Stephenson Blake typefaces), Oxygen (a sans typeface available from Google Web Fonts; forked in 2016 at Open Font Library as Comme and in 2017 as Oxygen Sans, with two new oblique styles), Oxygen Mono (Google Web Fonts), Norican (free script font at Google Web Fonts based in part on Stephenson Blake's Glenmoy from the 1920s), Cutive (free at Google Web Fonts, based on the IBM typewriter typefaces Executive and Smith-Premier), Pontano Sans (Google Web Fonts: a light basic sans), Trocchi (Google Web Fonts: derived from Nebiolo's Egiziano, and Caslon & Co's Antique No.4 and Ionic No.2), Seymour One (Google Web Fonts: derived from Sigma One), Anaheim (sans, Google Web Fonts), Cutive and Cutive Mono (Google Web Fonts: based on the typewriter typefaces of IBM's Executive and the older Smith-Premier).

    Typefaces from 2013: Mondo (sans), Anton (grotesque).

    In 2016, Jacques Le Bailly extended Nunito to a full set of weights, and an accompanying regular non-rounded terminal version, Nunito Sans. Another extension of Nunito is Iunito (2019, unknown designer).

    In 2020, Jacques Le Bailly, Cereal and Vernon Adams (posthumously) released the sans typeface family Mulish at Google Fonts. Mulish is a minimalist sans, designed for both display and text typography. It was initially drawn in 2011 by Vernon Adams under the name Muli and then refined until 2014. In 2017 the family was updated by Jacques Le Bailly to complete the work started by Vernon after he passed away, in collaboration with his wife Allison, an artist who holds the trademark on the typeface family name. In August 2019, it was updated with a variable font weight axis.

    Donations to Vernon's family. Memorial. Fontspace link. Dafont link. Google Plus link. Fontsquirrel link. Klingspor link. Github link. Fontsquirrel link. [Google] [More]  ⦿

    NF Fonts (or: Nicole Fally Fonts)
    [Nicole Fally]

    Nicole Fally started NF Fonts in 2012. She is an Austrian-born graduate of the type design program at the University of Reading in 2010.

    She created the typeface Miss Informed there. It has Latin styles (regular, italic, connected script), as well as Hebrew styles (regular and script). The Latin has one-sided serifs to fit in with the Hebrew. The italic and script styles are soft, smooth and balanced.

    In 2011, she published Hammersmith One with Sorkin Type / Google Font Directory: Hammersmith One is a very low contrast typeface inspired by the Johnston UK lettering tradition. Hammersmith One shows the quirks of a somewhat naive, handmade, brush written letters including a wider than normal "e" and "s" as well as dark joins between stroke which are normally compensated for in type. The sources for this design have been adapted not just for type but specifically for use as a web type. This font works well to even smaller sizes than was originally expected. Nicole Fally's elegant art deco typeface Limelight (2011, Sorkin Type) can also be found on the Google Font Directory, as well as Ovo (2011). Vast Shadow (2011) is a Victorian slab serif advertising type. Pinyon Script (2011, Sorkin Type) is a (free) romantic round hand script style font.

    BUT (2012) was first drawn as a logotype for the magazine BUT Bilder und Texte, which was published by an experimentally-oriented non-commercial initiative. This fat poster / headline typeface became the first commercial typeface at NF Fonts.

    Oldenburg (2012, Google web fonts) is a slabby bouncy poster face. Stoke (2012, Google Web Fonts) is a semi-wide high contrast serifed text typeface. Rye (2012, Google Web Fonts) is a medium contrast design inspired by posters using wood type, and is in the Western style.

    Google Plus link. Klingspor link. Fontspace link. [Google] [MyFonts] [More]  ⦿

    Ngene
    [Wachid Ristiyanto]

    Yogyakarta, Indonesia-based designer of these vintage display and script typefaces in 2019: Crowlen Script, Boorani Thampil (+Script), Paradiso Script (signage), Almerian Script (monoline), Beastline Script, Fringland Script, Gorgeous Script, Gunstone Script, Harrison (Sans, Script, Illustration), Herschel (Sans, Script), Horseman (a monoline sans and script pair), Ironhead, Juliette (Sans, script), Milestone (retro signage script), Narmada (signage script), Portland (Sans+Script: monolined), Rampsey Script, Roosevelt, Shinola (script), Sultrans (Victorian, with ornaments), The Hometown.

    Typefaces from 2020: Sanur, Eiutneck Script (psychedelic), Sceageus (a wavy display font), Emillont, Nolian script (calligraphic), Wentworth (vintage label font dup in Serif and Script versions), The Brone (a decorative display script), Sankes (a signage script).

    Typefaces from 2021: Cartoen (a refinement of Horseman Sans), The Sgone. [Google] [MyFonts] [More]  ⦿

    Niall Kitching
    [K22 Foundry]

    [More]  ⦿

    Nicholas Joseph Werner

    Born in Belleville, IL, in 1858. He died in 1940. Typefounder, author, artist, editor and printer, all in one. Involved at some point with the Inland Type foundry and the Central Type Foundry. His typefaces:

    • Antique No. 6 (ca. 1883, Inland Type Foundry).
    • Avil (1904, Inland Type Foundry).
    • Becker Series (1899, Inland Type Foundry), blackletter face.
    • Bizarre Bold (1895, Inland Type Foundry) oe Edwards (the original name) or Inland Series. This typeface adds many Victorian or steampunk elements to a didone skeleton. McGrew says: It was renamed, most appropriately, by BB&S in 1925 after that foundry took over Inland. A companion typeface called Inland, by the same designer, was produced at the same time using some of the same characters but with even more unusual twists to others. Compare Francis. In 2010, Claude Pelletier made two digital versions, called Bizarre and Bizarrerie. Vivien Gorse (Toulouse, France) revived Inland Series in 2014-2015.
    • Brandon (1898, Inland Type Foundry): According to McGrew, "a thick-and-thin title face, similar to Engravers Roman, named for a printer in Nashville, Tennessee. Like a number of other such typefaces, it has no lowercase but was cast in several sizes on each of several bodies so numerous cap-and-small-cap combinations could easily be made. This style was popular for stationery and business forms. Hansen called the typeface Plate Roman. On Linotype and Intertype Bold Face No.9 is essentially the same typeface but a little narrower; typesetters not infrequently call it Engravers Roman. There was also a Brandon Gothic, cut only in two small 6-point sizes, which was similar to Combination Gothic, but with a letterspaced effect."
    • Bruce Title / Menu Roman / Skinner: McGrew reports that Menu Roman is the BB&S rename, for the 1925 specimen book, of Skinner, which was shown by Inland Type Foundry about 1885, and ascribed to John K. Rogers as well as to Nicholas J. Werner. Menu Title, formerly Lining Menu, was Inland's Bruce Title, by Werner. Menu Shaded was Acme, designed in 1886 or earlier. The latter has only a very general relationship to the other typefaces which are nearly monotone, with long serifs tapering to sharp points. Compare Paragon.
    • Caxton Bold (Marder, Luse). Codesigned with William F. Capitain.
    • Central Lining Antique (ca. 1892, Central Type Foundry).
    • Corbitt (1900, Inland): McGrew states [...] a heavy, thick-and-thin typeface with tiny serifs [...] Although still showing many of the quaint design details of nineteenth-century types, it is somewhat more mature. Condensed Corbitt was advertised by Inland in 1902 as their "latest addition." Both versions were cast by ATF after Inland merged with that foundry in 1911, but only the Condensed seems to have survived until matrices were inventoried in 1930. Digital revival by Chuck Mountain in 2020 as Murden CF.
    • Courts (1900, Inland): later renamed DeVinne Recut Italic.
    • De Vinne: McGrew writes about this: DeVinne, the display face, is credited with bringing an end to the period of overly ornate and fanciful display typefaces of the nineteenth century, and with restoring the dignity of plain roman types. It is derived from typefaces generally known as Elzevir or French Oldstyle (q.v.). DeVinne says of it, "This typeface is the outcome of correspondence (1888-90) between the senior of the De Vinne Press (meaning himself) and Mr. J. A. St. John of the Central Type Foundry of St. Louis, concerning the need of plainer types of display, to replace the profusely ornamented types in fashion, of which the printers of that time had a surfeit. The DeVinne Press suggested a return to the simplicity of the true old-style character, but with the added features of thicker lines and adjusted proportion in shapes of letters. Mr. St. John approved, but insisted on grotesques to some capital letters in the belief that they would meet a general desire for more quaintness. Mr. Werner of the Central Type Foundry was instructed to draw and cut the proposed typeface in all sizes from 6- to 72-point, which task he executed with great ability. "The name given to this typeface by Mr. St. John is purely complimentary, for no member of the DeVinne Press has any claim on the style as inventor or designer. Its merits are largely due to Mr. Werner; its few faults of uncouth capitals. ..show a desire to please eccentric tastes and to conform to old usage. The new typeface found welcome here and abroad; no advertising typeface of recent production had a greater sale. Thus De Vinne himself credits the typeface to Central Type Foundry and its design to Nicholas J. Werner, but Werner says, "To correct the general impression that Theodore L. De Vinne was the designer of the typeface named after him, I would state that it was the creation of my partner, Mr. (Gustav) Schroeder." The design was patented under Schroeder's name in 1893. Central was part of the merger that formed American Type Founders Company in 1892, but continued to operate somewhat independently for a few more years. Meanwhile, DeVinne was copied by Dickinson, BB&S, Hansen, and Keystone foundries, and perhaps others-in fact, Keystone advertised that it patented the design in 1893, Connecticut Type Foundry copied it as Saunders, and Linotype as Title No.2. Dickinson called it "a companion series to Howland" (q.v.). When Monotype developed an attachment in 1903 to cast display sizes, DeVinne was the first type shown in their first announcement. Later ATF specimens showed this typeface and several derivatives as DeVinne No.2, probably because of adjustments to conform with standard alignment. DeVinne Italic and DeVinne Condensed were drawn by Werner and produced by Central in 1892 and copied by some other sources. Howland, shown by Dickinson in 1892, is essentially the same as DeVinne Condensed No.3, later shown by Keystone. ATF introduced DeVinne Extended in 1896, while BB&S showed DeVinne Compressed, Extra Compressed, and Rold in 1898-99. Keystone's DeVinne Title is another version of bold, not as wide as that of BB&S. In 1898 Frederic W. Goudy was asked to take the famous display type and make a book typeface of it. The resulting DeVinne Roman, Goudy's second type design, was cut the following year by the Central branch of ATF. DeVinne Slope, essentially the same design but sloped rather than a true italic, was cut by the foundry about the same time, perhaps from the same patterns as the roman. DeVinne Open or Outline and Italic also originated with Central. In the roman and smaller sizes of italic only the heavy strokes are outlined; in larger sizes of italic, certain thin strokes are also outlined. Monotype cut the open typefaces in 1913. DeVinne Shaded is another form of the outline, created by Dickinson in 1893; parts of the outline are much thicker than others. DeVinne Recut and Recut Outline, shown by BB&S, are not true members of this family, but are a revival of Woodward and Woodward Outline, designed by William A. Schraubstadter for Inland Type Foundry in 1894; there were also condensed, extra condensed, and extended versions, all "original" by Inland. DeVinneRecutItalic was a rename of Courts, by Werner about 1900, also from Inland. Compare McNally. There are several modern day interpretations, such as C790 (Softamker), Columbus, Roslindale (2018, David Jonathan Ross) and ITC Bernase (1970, Thomas Paul Carnase).
    • Edwards (1895, Inland Type Foundry). Revived and interpreted in digital version by Nick Curtis as Inland Edwards NF.
    • Era Condensed No. 5 (with Gustav F. Schroeder) (1891, Barnhart Bros & Spindler).
    • Flemish Condensed (1905), a typeface bought by Stephenson Blake from the Inland Type Foundry. Flemish Expanded (1890, Stephenson Blake; co-designed with Eleisha Pechev).
    • Gothic No. 8 (1890, Inland Type Foundry).
    • Hermes (1887, Central Type Foundry). This pure art nouveau typeface was co-designed with Gustav F. Schroeder.
    • Inland (1895, Inland Type Foundry).
    • Johnston Gothic (1892, Central Type Foundry). A pre-art nouveau typeface codeveloped with Gustav F. Schroeder.
    • Mid-Gothic (1892, Central Type Foundry): According to McGrew, Mid Gothic was designed by Nicholas J. Werner for Central Type Foundry, probably just before that St. Louis foundry joined the merger that formed American Type Founder s in 1892. It is an undistinguished gothic of nineteenth-century style, but is an intere sting example of the way many of the earlier types were modified for Monotype. The original copy of this typeface for machine typesetting (6- to 12-point) was necessarily reproport ioned to meet mechanical requirements; the same patterns were then used for display size s and the result is series 176. Later the foundry design was copied much more exactly, w ith little or no modification, as series 276. Both versions have been shown in Monotype literature as Lining Gothic, Mid-Gothic, or Mid-Gothic No.2 at various times. The No.2 designation was applied to many foundry typefaces around the turn of the century when they were adapted to standard alignment or when other slight changes were made. Hansen copied this typeface as Medium Gothic No. 7, and made an inline version as Boston Gothic (q.v.).
    • Multiform No. 1 through No. 4, with Gustav F. Schroeder (1892, Central Type Foundry).
    • Novelty Script (ca. 1891, Central Type Foundry). An Arabic simulation typeface co-designed with Gustav F. Schroeder.
    • Pastel series: according to McGrew, "Pastel began as Era, designed for BB&S about 1892 by Nicholas J. Werner and Gustav Schroeder. Lightface Era and Era Open were added about 1895, and Era Condensed about 1898. Around the turn of the century the name was changed to Pastel, perhaps when Pastel Bold was added in 1903. Era and Pastel are identical, except that Era had only the characters with extended strokes, shown as Auxiliaries with Pastel, where they were replaced with more conventional characters in regular fonts. Pastel is virtually a monotone design, with tiny, pointed serifs. There are several unusual characters, including the splayed M and the N with the curved diagonal. Pastel was quite popular for subtitles in motion pictures, before the advent of sound. It was recast by ATF in 1954. Intertype's cutting of Pastel is essentially the same as the foundry's Pastel Lightface. Intertype also cut a sloped version as Pastel Italic."
    • Quentell (1894, Central Type Foundry): Quentell was drawn for ATF's Central Type Foundry branch in St. Louis; it has been ascribed to N. J. Werner, but a design patent was issued in 1895 to William S. Quentell, advertising manager of Armour&Company of Chicago, for whom the typeface was made. Two years later it was redrawn as Taylor Gothic by Joseph W. Phinney for ATF, and later redesigned as Globe Gothic (q.v.). Meanwhile, the original Quentell was slightly modified as Quentell No.2, and in that form continued to be shown in specimens along with its altered forms. See Pontiac. (McGrew)
    • Skinner (1896, Inland Type Foundry).
    • Victoria Italic (1891, Central Type Foundry). With Gustav F. Schroeder. Mac McGrew: Victoria Italic is a nineteenth-century design that retained its popularity for many years, and has been made under several names by a number of sources. ATF's Central Type Foundry branch showed it as early as 1893, in usual form without lowercase, but with several sizes on each of several bodies in the manner of Copperplate Gothic. In 1898 the Pacific States Type Foundry in San Francisco showed the typeface with lowercase as Pacific Victoria Italic, and about the same time ATF showed Regal Italic with essentially the same lowercase. Victoria Italic without lowercase has also been shown by Keystone and Hansen, as well as Monotype and Ludlow. It is a wide, monotone design with thin, pointed serifs, and was popular for a time for business forms and stationery as well as general printing. Compare Paragon Plate Italic. Keystone also had Keystone Victoria, a similar upright design, without lowercase.
    • Woodward Condensed and Extended (1894) and Woodward Extra Condensed (1901), all published by Inland Type Foundry.

    Klingspor link.

    Read about Werner in The Inland Printer in 1898-1899, in an article by William E. Loy entitled Designers and Engravers of Type. No. XIX, Nicholas Joseph Werner. [Google] [More]  ⦿

    Nick Belshaw

    Designer of Frankfurter (1978-1981, with Alan Meeks and Bob Newman, who did the original Letraset design in 1970), Victorian Inline Shaded (1980, Linotype) and the curly Belshaw EF (1980, Linotype).

    FontShop link. Linotype link. [Google] [MyFonts] [More]  ⦿

    Nick Curtis

    Nick Curtis (b. Chicago, 1948) lived in Texas from 1952-1997, and lives since 1997 in Gaithersburg, MD and Alexandria, MD. From ca. 1990 onwards, he has been designing fonts, first for free, and then commercially. He had a great reputation as a "revivalist" type designer, with a particular interest in retro fonts and art deco types. In 2003, his site had become too popular and too expensive to maintain, and thus he went commercial as Nick's Fonts. In 2013, he stopped making fonts, and donated his collection of rare books and type material to the University of Virginia. Interview. Complete list of names and other info, maintained by Sander de Voogt. Interview in which we learn about his fondness for Corel Draw as a type design tool.

    Near the end of 2012, he posted this comment on his web site: Fifteen years ago, I embarked on a wonderful voyage of discovery, when I created my very first font with Fontographer 3.15. My maiden voyages were, frankly, rather clunky and amateurish, but I have been told that they showed promise. Well, sure enough, thanks to the diligent (and patient) efforts of Ilene Strizver, I polished up my craft enough to sell my humble efforts---first as a sideline business and, since 2006, as my full-time job. In total, I have produced over eleven hundred fonts---almost five hundred of them freeware fonts, which I conservatively estimate have been downloaded and enjoyed by over three million people worldwide. Unfortunately, this past year has brought a series of unanticipated setbacks, culminating in the loss of my wife's beautiful mind and soul to the scourge of alcoholism. In an effort to generate extra income to cover the expenses for her long-term care, I have proposed a number of, I believe, innovative ways to revamp the online font business; unfortunately, those efforts have fallen flat, primarily due to the professional font community's abject fear of crossing the $165 million Elephant in the Room. I even offered a special discount rate of 75% off retail price for full-time students of Typohile Forum. To date, there have been zero takers. Hell: even the webfont kit of one of my own fonts which I purchased from myfonts.com turned out to be an empty folder. Talk about a run of bad luck. Which leaves my with you, dear readers. If you or someone you know has had fun or made a buck from my humble efforts throughout the years, please donate whatever you can---even a lousy dollar would help---to help me out. I would greatly appreciate it.

    Home page. Dafont link. FontShop link. Klingspor link. Abstract Fonts link.

    View the typefaces designed by Nick Curtis. [Google] [MyFonts] [More]  ⦿

    Nick Curtis
    [Nick Curtis: Victorian typefaces]

    [MyFonts] [More]  ⦿

    Nick Curtis
    [Nick Curtis: Commercial typefaces]

    [MyFonts] [More]  ⦿

    Nick Curtis
    [Nick Curtis: Typefaces from 2015]

    [MyFonts] [More]  ⦿

    Nick Curtis
    [Nick Curtis: Typefaces from 2014]

    [MyFonts] [More]  ⦿

    Nick Curtis: Commercial typefaces
    [Nick Curtis]

    Nick Curtis (b. Chicago, 1948) lived in Texas from 1952-1997. Since 1997, he is in Gaithersburg, MD and Alexandria, MD. Since the 1990s, he has been designing fonts, first for free, and then commercially. He had a great reputation as a "revivalist" type designer, with a particular interest in retro fonts and art deco types. In 2003, his site had become too popular and too expensive to maintain, and thus he went commercial as Nick's Fonts. Interview. Free downloads at TypOasis. Complete list of names and other info, maintained by Sander de Voogt. Interview in which we learn about his fondness for Corel Draw as a type design tool. Home page. His free fonts are listed elsewhere.

    On MyFonts, he says this about himself: Nick's Fonts is a modest little foundry dedicated to the preservation of our rich typographic heritage. Most of the foundry's designs are based on authentic historical sources, gleaned from the massive collections of the Library of Congress. If you are looking for a font that captures the essence of the Wild West, the Gay Nineties or the Jazz Age, look here first: if it is not in the catalog, it will be soon. [Google] [MyFonts] [More]  ⦿

    Nick Curtis: Typefaces from 2014
    [Nick Curtis]

    Typefaces made by Nick Curtis in 2014:

    [Google] [MyFonts] [More]  ⦿

    Nick Curtis: Typefaces from 2015
    [Nick Curtis]

    Typefaces made by Nick Curtis in 2015:

    • Bothas Ruhm NF. After Blockschrift (1897, Genzsch and Heyse).
    • Chiselle NF. A revival of Rustikalis, a typeface designed for the VGC Phototypositor in the 1960s. See Rustikalis DT (1=2007, Malcolm Wooden) for the revival of the bolder version.
    • Coins Coupes NF. Modeled after Chamfer, a 19th-century octagonal typeface by Barnhart Bros & Spindler.
    • Doright Black NF. Based on Dudley Upright (Dan X. Solo, 1960s).
    • Feedbag NF. Based on Horse Tank (Fotostar).
    • Inland Edwards NF. Based on Nicholas J. Werner's Edwards (1895, Inland Type Foundry).
    • Millrich Grange NF. A revival of the 19th century font Grange by Miller & Richards.
    • Mitchell NF. A digital revival of the grotesque all-caps typeface Mitchell (1906, Inland Type Foundry), the bold version of Blair (1900, Inland Type Foundry).
    • Newfangle NF. A Victorian typeface based on Newfangle (1892, Hermann Ihlenburg).
    • Page Five Fifteen NF. After William H. Page.
    • Retrorocket NF. An art deco typeface after D. Duvillé, 1934.
    • Rockwall NF. After Aldine by William H. Page.
    • Telecomm NF.
    • Versacrum NF. A psychedelic / art deco typeface inspired by the lettering of Alfred Roller for the Ver Sacrum magazine in 1903.
    • Old Number Ten NF. A revival of a typeface Gothic Number Ten by the Cincinnati Type Foundry.
    • Terranova NF. A prismatic typeface based on Earth (Dan X. Solo).
    [Google] [MyFonts] [More]  ⦿

    Nick Curtis: Victorian typefaces
    [Nick Curtis]

    It is difficult to precisely define a Victorian typeface. They range from the ridiculously ornate typefaces from 1850-1870 to awkwardly balanced display typefaces and the pre-art nouveau trends. Nick Curtis's revivals in this genre are listed below.

    • Alto Rey NF (2014). A revival of a Victorian typeface issued by the Palmer and Rey Type Foundry of San Francisco in 1884.
    • AnagramShadowNF. A free font. Commercial version in 2008. Anagram Shadow NF is based on handlettering from a 1928 poster for a steamship line by renowned British artist Austin Cooper.
    • Angler NF (2014). After Anglo, which appears in the Barnhart Brothers and Spindler catalog of 1895.
    • Beantown Bounce NF (2007) revives Century, an ornamental display typeface from the 1898 catalog of the Boston Type Foundry.
    • Brownwood NF (2011). The inspiration for this semi-Victorian semi-art nouveau typeface came from a 1906 travel poster, promoting the Hotel Braunwald, located in the Swiss Alps.
    • Cinnci Card Ornaments NF (2014) is a collection of design elements used in logotypes and calling cards from the Victorian era.
    • Cleveland Litho NF (2007), a curly Victorian face, appeared in the 1898 specimen book of the Cleveland Type Foundry, under the name of Litho, while Yum Yum NF (1898) appeared in Cleveland's 1893 specimen book as Mikado.
    • DoctorJekyllNF. A free font.
    • Durham Abbey NF (2005). Based on a Victorian era font called Romanesque, which can be found in the Dan X. Solo collection.
    • Dury Lane (2007) is based on a Victorian era release by Blake Type Foundry called Blackfriars.
    • FancyPantsNF. A free font.
    • Federlyn NF (2010) and Federlyn Initials NF (2011). Based on the Edwardian-era Artcraft by Robert Wiebking.
    • Filibuster NF (2007). This curly über-Victorian typeface is based on Congress, an ornamental typeface found in H. C. Hansen Type Foundry's catalog of 1909.
    • GingerPeachyNF. A free font.
    • Great Sage NF (2010). That ugly duckling Victorian typeface Karnac (1888, ATF) [not to be confused with the Egyptian typeface Karnak by R.H. Middleton] led Nick Curtis to Great Sage NF.
    • Habana Sweets NF (2012). Based on Cuban (1873, Richard & Miller).
    • HardlyWorthit. A free font.
    • HornswoggledNF. A free font.
    • HutSutRalstonNF (2001). Based on a 1915 example in a Speedball Pen book.
    • LabyrinthCapital, Labyrinth (1999, 2007). A free font family based on this poster.
    • Londonderry Air NF (2002-2004) is based on Canterbury Old Style, a typeface designed by Morris Fuller Benton in 1920-1926 at ATF.
    • MarchMadnessNF (2003). A free font. Inspired by lettering from a 1920s Italian poster by legendary postermeister Marcello Dudovich.
    • MetropolisNF. A free font. Based on this movie poster from 1927 by Hungarian Josef Bottlik.
    • Millrich Reading NF (2010). A Victorian typeface that revives a 1918 Miller&Richard face. Millrich Olivian NF (2014) revives Olivian.
    • Nickelodeon NF (1999). A free font. This is sometimes compared with silent movie fonts.
    • Nickley Normal (1997). A free font based on arts and crafts lettering by William Joseph Dard Hunter.
    • Oaken Bucket NF (2009).
    • Oh You Klid NF (2009). Based on a Victorian typeface by Central Type Foundry called Euclid (1880s).
    • Palmer Oxonian NF (2011). Based on Oxford (Palmer&Rey, 1884).
    • PasticheCapital, Pastiche. A free font.
    • PayzantPenNF (2001). A free font, with a commercial version in 2010. Payzant Pen NF is based on Frank H. Atkinson's A Show at Sho-Cards: Comprehensive, Complete, Concise, published in 1918, executed with the then-state-of-the-art Payzant Reservoir Pen.
    • Plus de Vagues NF (2006). Based on a curly semi-Victorian alphabet by Stephenson Blake called Recherché.
    • Putney Junction NF (2007). Based on a BBS typeface called Design, ca. 1900.
    • RhumbaScriptNF. A free font. Based on Tango Kursiv (1913, Ernst Deutsch), it is often compared with silent movie fonts.
    • Shady Lady NF (2005). An ornamental shaded caps typeface called Umbra in the 1907 Barnhart Brothers&Spindler type specimen catalog.
    • ShangriLaNF, ShangriLaNFSmallCaps (2002). A free font family. The commercial version was done in 2008. Based on a Victorian alphabet from the 1922 chapbook Modern Show Card Writing, by Joseph Bertram Jowitt.
    • Sil Vous Plait NF (2009). A Victorian text typeface based on a 1917 font by Morris Fuller Benton called Invitation.
    • SouciSans (1999). A free font. Based on a type design by Sam Welo shown in Lettering Modern and Foreign (1930).
    • Speedball No1, Speedball No2 SW (2001), Speedball No3 (2001). SpeedballNo1NF-Bold, SpeedballNo1NF, SpeedballNo2NF-Bold, SpeedballNo2NF, SpeedballNo2SW, SpeedballNo3, SpeedballNo3NF-Bold, SpeedballNo3NF. This series is based in part on alphabets by Samuel Welo.
    • Storybook Initials NF (2014).
    • Streamers NF (2005). A Victorian-era typeface called Fillet revived.
    • Tanglewood Tales (2000). A free font.
    • Vidalia Sunshine NF (2007). An extension of the 1888 all caps typeface Ornamented No. 5 from MacKellar, Smiths&Jordan.
    • Vintage Panels NF (2011): Victorian panels.
    • VlaanderenChiseledNF, VlaanderenRoundNF, VlaanderenSquareNF. A free font family. These are based on an untitled work by Dutch designer André Vlaanderen from 1928. These are ugly ducklings because they mix various inconsistent styles without much thought.
    [Google] [MyFonts] [More]  ⦿

    Nick Shinn
    [Shinn Type]

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    Nicole Fally
    [NF Fonts (or: Nicole Fally Fonts)]

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    Nicole Mauloni

    London-based designer of the decorative Victorian typeface Pumpkin Patch (2016). [Google] [More]  ⦿

    Niko Todorov

    Designer of the curly Victorian hand-drawn typeface Maestro (2014) and the calligraphic script Karolina (2014). Creative Market link. [Google] [More]  ⦿

    Nirmana Visual
    [Sigit Dwipa]

    Or Sgt. Nirmana. Denpasar, Bali-based designer (b. 1989) of the script typefaces Classy Beautiful (2018), Ballistick (2018), Britson (2018) and Absolute Neon Script (2018), the brush typefaces Raskhal (2018), Marker Brush (2018), Raskhal (2018) and Khalif Irsyad (2018), Halowen (sic) (2018), Corona (2018: Victorian), and Neon Absolute (2018).

    Typefaces from 2019: Sharoe (brush), Loveyou (script), Club Style (a fat finger font), Halentine (script), The Absolute, The Absolute Brush, The Prestige Signature, Helowen Monsta, Naibacarte, Jabetta, Antreh (a brush font), Mellurack, Laryo (script), Jokowi Prabowo, Ralisto (signature script), Urban Retro, Brashio, Diary Kidies, Bakusho (a dry brush typeface), Bigarus (a rough brush type), Summer Kidoza (a marker pen font), Rikabrush, Sabrva (free; hyper-ornamental, Victorian), Retroholic, Yavato (a great all caps dry brush), David Elika (brush type), Fatye (signature script), Hesrat (rough brush font), Angel Bilsh (a curly vampire font), Artistik (a painter's font), Brushot, Retro Type (post-psychedelic), Angel Brish, The Rustic (or Rusteak).

    Typefaces from 2020: Retro Signature, Summer Magic, Lovely Girl, Gatkins (a signature script), Shettricka, Star Light, Rustgia (script), Kallisha, Gilas (wild calligraphy), Belagia (a sweeping script), Gelathy (script), Bentho (wild calligraphy), Playfull, Ramadhan (Arabic emulation font), Craft Holic, Awesome Brush, Blooms, Crafter, Hiromi (calligraphic), Sketchy.

    Typefaces from 2021: Vako Mave (a display serif with a coathanger f), Airthay, Regist Bong (all caps, hand-drawn).

    Typefaces from 2022: Handsta Signature, Retro Boldy (a vintage bold display serif accentuated by deep penetrating inktraps). [Google] [MyFonts] [More]  ⦿

    Noah Bryant

    Noah Bryant is a typographer and photographer, based Philadelphia, PA. He graduated from Rochester Institute of Technology. In 2021, Noah Bryant revived several ornamental Victorian typeface by Hermann Ihlenburg. [Google] [More]  ⦿

    no_comment

    FontStructor who made Aesthete (2011). He/she is a student at UWE in Bristol who writes: Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. [Google] [More]  ⦿

    Noha Shokr

    Cairo, Egypt-based designer of the curly almost Victorian style Latin typeface Esmeralda (2019). [Google] [More]  ⦿

    Nolan King

    During his studies in Lincoln, NE, Nolan King created the Victorian typeface King's Crown (2014). [Google] [More]  ⦿

    Novi Ananda
    [Novi Souldado]

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    Novi Souldado
    [Novi Ananda]

    Yogyakarta, Indonesia-based designer (b. 1989) of the copperplate calligraphic typeface NS Champtone (2019), the spurred Victorian Americana typeface NS Emhericans Vintage (2019).

    Typefaces from 2020: NS Bullsmith (a Victorian typeface), NS Mudolf (a script/sans/serif vintage type package).

    Typefaces from 2021: NS Gibswing (a spurred Victorian extravaganza, with a dingbat font that contains Victorian panels and flowers), NS Blackbooks Victorian, NS Lasttown (a penmanship script, and vintage capital and serif styles).

    Typefaces from 2022: NS Deckpress (a layerable Victorian label font). [Google] [MyFonts] [More]  ⦿

    Nur Cholis Majid
    [24Design Studio]

    [MyFonts] [More]  ⦿

    Nurron Shodiqin
    [Nurrontype (was: Neuron Neuron, or: Neuron Type)]

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    Nurrontype (was: Neuron Neuron, or: Neuron Type)
    [Nurron Shodiqin]

    Bandung, Indonesia-based designer of the tuxedoed art deco typeface Marcopolo (2019), the fashion mag typeface Prague Display (2019), the ball terminal extravaganza Brand (2019) and the inline Victorian typeface Larson (2019).

    In 2020, he designed the Victorian display typeface Migaela, the decorative serif typeface Nakilla, the curly decorative serif typeface Brasika Display, the Victorian typeface Sign Shop (with Pieter Bielous), Gentlemen Revival, the decorative didone typefaces Glinde and Lastone, and the octagonal typeface Mars Outline.

    Typefaces from 2021: Barbra (reverse stress, psychedelic), Longstride (a flared almost uncial typeface), Longstride (a flared almost uncial typeface), NT Tonight Show (a 12-style flared display family; in this font, Shodiqin attempted to instill a showbiz atmosphere as he admits being a fan of David Letterman's Tonight Show), Aschere (a psychedelic display typeface), Molen (a decorative serif), Molenilo (a medieval display typeface).

    Typefaces from 2022: NT Brick Sans (pixelish).

    Type Department link. [Google] [MyFonts] [More]  ⦿

    Nyapa Tanzil
    [Damelev Studio (was: Logo Labs, Tanziladd, Rawi Project)]

    [MyFonts] [More]  ⦿

    Nymfont (was: Nymphont)
    [Lauren Thompson]

    Lauren Thompson (Nymfont, or Nymphont) is a designer from Las Vegas (b. 1982). She created the elegant sans typeface LT Oksana (2008), the grungy Frail 7 bedazzled (2008) and the classical ornament typeface Nymphette (2008). Her LT Nutshell Library (2008, an ornamental titling font and a display text font) was inspired by the "Nutshell Library," a book series by Maurice Sendak. LT Chickenhawk (2008) is a hand-printed outline font.

    Nymph's handwriting (2009) followed a bit later. LT White Fang (2009) is an outline blackletter face. LT Sweet Nothings (+ Dingbats), Cupi de Locke and Damask Dings were added in 2009. Champagne&Limousine (2009) is an elegant geometric sans family. Caviar Dreams (2009) and LT Anomaly (2009) are sans families. Happy Phantom (2009, +Demi) is a typewriter-style slab serif.

    Pinstripe Limo (2010) is bilined. Sachiko (2010) is an upright connected script. Jolly (2010) is a monoline sans family with four weights.

    Lemondrop (2012) is an art deco family. Tellural (2012) is a monoline sans typeface family. The 4-style serif typeface Aver (2012) is quite useful.

    In 2013, she published Merveille (a ronde script), Xiomara (connected curly script), Connie (a late Victorian or early art nouveau typeface), Whipsmart (a clean flared sans), the classic ornamental font Dingleberries, Margot (a quaint almost art nouveau alphabet), and the informal Tuscan typeface Robinne Truecase.

    Typefaces from 2016: Rolande (handcrafted), Knud (yummy script).

    Devian Tart link. Abstract Fonts link. Fontspace link. Nymfont home page, which has a type design blog. Klingspor link. [Google] [More]  ⦿

    Octopi
    [Paul Smith]

    Octopi is UK-based foundry of Paul Smith. He created the round black monoline sans typeface Ioana (2011), the Victorian typeface Ressonant (2012: this typeface was originally cut by Henry Brehmer of New York for the Dickinson Type Foundry of Boston ca. 1879 under the trade name Renaissant. John F. Cumming later cut a light-face derivative called Artistic) and Kill Me (2015, messy handwriting).

    Typefaces from 2017: Egypt Rose (floral decorative caps based on old woodcut font).

    Typefaces from 2018: Comtype (octagonal).

    Typefaces from 2020: Luben (a 5-style quirky serif with long fingernails). [Google] [MyFonts] [More]  ⦿

    Ojay Juarez
    [mmolai]

    [More]  ⦿

    Oka Dermawan

    Indonesian co-designer with Ilham Taro of many, mainly Victorian, fonts. [Google] [More]  ⦿

    Old Studio (or: Analogous Studio)
    [Muhammad Ilham]

    Banda Aceh, Indonesia-based designer (b. 1987) of the script typefaces Alexander (2018), Anastasia Script (2018), Workside Slant (2018), Workside Script (2018), Latte Coffee (2018), Dealove Script (2018), Samantha (2018: signature font), Paula Eva Script (2018), Gallactica (2018), Entopia (2018), Le French (2018: a free thin monoline script), Mallino Monoline (2018), Allamanda Monoline (2018), Kimberly (2018) and Drinkwater (2018).

    Typefaces from 2019: Radiohead, Gayatri (a Victorian font), Nicole Script (wild calligraphy), Mahony (a formal script), Dreamer, Patricia Script, Evelyne Script, Ramsey Signature, Matthiola, Aquilland (a condensed script), Aquilland Sans, Dalmanti (roman caps), Handlove (calligraphic), Martina, Hurringtown Script (a creamy signage script), Cutyle Monoline Script, July It (a signature font), Fabulous.

    Typefaces from 2020: Samant (a thin script), Bulliandry (calligraphic), Scoutdale, Alathenas Signature, Anastalia Script, Mikazora, Strasbourg (a signature script), Incredible, Gerromono, Dominisme, Stephanie (script), Nattalie (a monoline script), Jena&Gula, JellyBean, Mellowdy (calligraphic), Olivias (script), Millatyna, Demian, Thinkloud (brush script), Sun Gold, Larssonia (a signage script), Kangchen (a signage script), Ramsey (a signature script).

    Typefaces from 2021: Analogous Script (a weathered script).

    Creative Fabrica link. Fontdraft link. [Google] [MyFonts] [More]  ⦿

    Oleg Voznyy
    [Vozzy (was: Oleg Vozny)]

    [MyFonts] [More]  ⦿

    Oliver Weiss
    [Walden Font]

    [MyFonts] [More]  ⦿

    Omotu
    [Ibnu Utomo]

    Kota Bekasi, Indonesia-based designer (b. 1983) of the handcrafted typeface Mr Kebab (2018) and the script typefaces Tracer Script (2018) and Beautype (2018).

    In 2019, he published Chips Snack, Gondess (script), Hallimah (script), Black+Blue, Fresh Hot (brush style), Salim (a dry brush script), Hibrush, Hijrah (a spurred Victrian typeface), Black & Blue (an urban brush font), Huge, Retroville (monoline script), Guthers (a textured monoline script), Canting (a decorative serif font), Crown, Sweet Candy (a marker pen font), Alitta and Sattay.

    Typefaces from 2020: Collins Butter (a display sans), Gutters Butter, Optimust (dry brush), Billy Signature, Ceria (a dry brush script), Sabilla Solid (a dry brush script), Broneo, Manees, Matross, Tropical Thunder, Happiness (a dry brush script), Sore (all caps, dry brush), New Crown, Finch (a monoline script), Genesiss, Olive, Alisa, Beautifully, Naura, Namira, Bonitto (a dry brush font), Fresh Milk, Rhodeport (brush), Samuell (brush script).

    Typefaces from 2021: Thalib (a creamy signage script), Midtown Black (a blackletter), Marhaban Ramadhan (Arabic emulation), Wardah (a monoline script), Better Faster (an all caps rough brush typeface), Otista (a bold script).

    Typefaces from 2022: Sephiro (a dry brush script with some pizzazz). [Google] [MyFonts] [More]  ⦿

    Opus Nigrum
    [Gabriel Oviedo]

    Senior designer in Buenos Aires who created the hand-drawn poster typeface Americano (2014) and the baseball script typeface American Forkball (2015). In 2016, he designed the rounded poster typeface Forest Camp.

    Typefaces from 2017: Strangerland (Victorian).

    Typefaces from 2018: Hand-Crafted (vintage all caps), Bohemian Alchemist (vintage).

    Typefaces from 2019: Stranger (a vintage font collection).

    Typefaces from 2020: El Camino (a 22-strong artisanal national park font family inspired by the old west, the desolate places, the desert of California and Mexico, and perhaps also drug and sex-fueled sects and their bagwans). [Google] [More]  ⦿

    Orca Creative

    Designer of the commercial spurred display typeface Flexiletto (2014) and the vintage Victorian spurred signage typeface Vintama (2015). In 2016, Orca designed the slab serif typeface Luna.

    Typefaces from 2017: Stronova, the handcrafted Leymark. [Google] [More]  ⦿

    Orenari (or: Oren Ari)
    [Lia Wijayanti]

    Lia Ari or Lia Wijayanti. Madiun, Indonesia-based designer of these typefaces in 2019: Birly (a children's book font), Omiwa, School Holic (a school font set with various degrees of texture and shading), Really Better, Caramel Macchiato, Little Miku, Lovantine (a Valentine's Day font), Pixe Lony, Hey Elsie (a Valentine's day font), Romantine (a hyper-curly Victorian Valentine's day font).

    Typefaces from 2020: Mollroy, Cherish Moment, Cloud Bread (rounded, handcrafted), Kopi Senja (a fat finger font), Magic Story (a beatnik typeface), Kiddy Times, Night Birds, Hello Rainbow, Sushi Cat, Jasmine Bloom, Candy Cake, Hola Zozo (a chubby grocery store typeface), Belligan.

    Typefaces from 2021: Mr Halloween, Things To Remember (handdrawn scrapbook caps), Moon Earth (a fat finger font), Mique (a smooth heavy brush typeface), Yes Margo, New Romantine (a romantic monolinear display serif). [Google] [MyFonts] [More]  ⦿

    Ornaments of Grace
    [Beth Rufener]

    Rittman, Ohio-based creator of a set of 23 Victorian-style vintage fonts called Church in the Wildwood (2014). She also made a free set of Victorian drop caps called Month of Sundays (2014). Along the same Victorian rustic wood emulation theme, she published the layered typeface family Sunday Best (2014) and the poster font collection Thankful (2014).

    In 2015, she created the handcrafted funky typeface Capriccio (Plain and Rough).

    Typefaces from 2016: Miss Elizabeth Script, Humoresque (a signpainter's family emulating the 19th century Western style; it has 12 weights designed for layering),

    Home page. Behance link. Creatove Market link. [Google] [More]  ⦿

    Otto Maurer
    [Otto Maurer (was: Tattoofont)]

    [MyFonts] [More]  ⦿

    Otto Maurer (was: Tattoofont)
    [Otto Maurer]

    Tattoo artist and graphic designer from Dinslaken (Duisburg), Germany, b. 1968, Duisburg. Klingspor link.

    Otto Maurer (Tattoofont) created Ipoint (2008, a 15-style fun-filled Bauhaus-inspired family), Black and Beauty (2007, blackletter family), Big Rain (2007), Blood (2007, dripping blood type), Preussen (2007, a 4-style blackletter family), Otto Bismarck Italic (2007), an italic blackletter face, and its parent, Otto Bismarck (2007). Designer of the free curly font Corps Script (2006) and Corps Script Shadow (2006). Creator with Sabrina of the free handwriting fonts Sabsis Handwriting Version 3 (2007) and Sabsis Handwriting (2007). Home page. Dafont link. Yet another URL.

    In 2007, he went partially commercial and set up shop at MyFonts. His fonts there include the artsy Sailors Tattoo (2006), SailorsTattoo-waves (2007), Sailors Tattoo Pro Xmas (2007), Sick Skull (2007, scary), Tribal Maori (2007), MauBo Flatline (2007, experimental), Tribal Dingbats (2007), Tribaltypo (2007: quite interesting), MauBo (2007, mechanical look), Hotrod (2007), Blood (2007, scary), MauBo Flatline (2007, white on black) and Corpse Fairy (2007), Mrs. Sabo (2007, calligraphic and grunge hand), Tribal King (2007), Pierced (2007), Big Rain (2007), Detective Maurice (2007, a typeface with fingerprints on the alphabet), Cutdown Maurice (2007), Digital Maurice (2007), Good Old Fifties (2007, 11 styles), Tribal Dingbats II (2008, a tattoo font), Tribal tattoos III (2010), Hot Flames (2008), Drago (2008, a blackletter and alphading family), Party Night (2009), Tattoo Girl (2008).

    Typefaces from 2009: Yuma (2009, Western saloon font), Freiheit (2009, blackletter), Lycaner (2009, blackletter), Sud France (2009, script), Psychbilly (2009, fat brush), Love Mom (2009), Vampire (2009), Animal Zoo (2009), Turtle (2009), Grunge (2009, cracked marble family), Crate (2009).

    Typefaces from 2010: Big Mom (2010, a family that includes a blackboard bold style), Haike (2010).

    Typefaces from 2011: Tinka Babe (2011, a gangster or tattoo script), Poisoni Pro (2011, tall art nouveau style brush face, with Shadow and College sub-styles), Lanzelott (2011, a very elegant retro display family, followed in 2017 by New Lanzelott), Stencilla (2011, a heavy stencil face), Guilin (2007, brushy), Darkwood (2011), Rock n Roll Typo (2011), Loreen (2011: an elegant display family that includes a hairline and a shadow style).

    In 2012, he made the pointy Psychomonster typeface.

    In 2013, Otto Maurer published the gangster tattoo font Bibiana as a companion for Tinka Babe.

    Typefaces from 2014: Cupcakes Winterwonder (snowy font), Soul Winterwonder, Loreen Hollywood (art deco), Soul Material Design Dingbatz, Soul Love (Valentine's Day font), AZ Cupcakes, Soul (a sans family with some flaring), Christe Wagner (a great set of curly Victorian music sheet-inspired typefaces), Spider Type, Marie Lyn, Mariedean (a Victorian titling set, including decorative caps), Peachy (+ Shadow: a slab serif).

    Typefaces from 2015: Maori New Zeeland, Chika Tattoo (12-style tattoo script), Chino Tattoo, Big Yukon (Wild West font), Bonecracker, Freibeuter NR (Western Tuscan family), Sailor Marie (tattoo font family), Baby Lyns ABC (children's book alphabet).

    Typefaces from 2017: Anchorage (a sailor's tattoo font), Friedrichsfeld (blackletter).

    Typefaces from 2018: Lettre Damour (handwriting font), Cryptolucre (started in 2014, Cryptolucre is a font specifically for all crypto currencies like Bitcoins, Litecoins, Ethereum, Ark, Siacoin and Golem--the icon version includes some existing currency logos and newly invented currency logos), Haike, Soul Leo (textured), Soul Skull, Tattooflash Fingers, Tattooflash Marie.

    Typefaces from 2019: Stencilla.

    Showcase of Otto Maurer's fonts. View the typefaces made by Otto Maurer. [Google] [MyFonts] [More]  ⦿

    Ovoz Digital Shop
    [Muhammad Alif]

    Madiun / Malang, Indonesia-based designer of the handcrafted typefaces Rockyboard (2016), Honebee (2016), Divine Razier (2016, brush style), Monorain (2016, monoline and vintage), Rockyboard (2016), Faerie Fire (2016, calligraphic), Deadaluss (2016) and Octomorf (2016), the thick retro signage typeface Fusioner (2016), the granite block typeface Hipstetic (2016), and the Victorian typeface Mishall (2016).

    Typefaces from 2017: Haynthams, Sabreena (Script, Signature Script, Vintage Bold), Botthanie Script, Velociraptype, Vandalord Grafiti.

    Creative Market link. Behance link. Dafont link. Graphicriver link. [Google] [More]  ⦿

    Palmer and Rey
    [John J. Palmer]

    Typefounders and printing press in San Francisco. The Miller&Richard Type Foundry of Scotland opened a branch in San Francisco in 1878, headed by John J. Palmer. This branch was sold to Palmer and Valentine J. A. Rey in 1882. In 1884, Palmer&Rey acquired the assets of the Pacific Type Foundry. The company then merged into American Type Founders in 1892. They published New specimen book (1884, San Francisco), in which we find several original typefaces, such as the Octic series (athletic lettering, octagonal) and the very Victorian typeface Oxford.

    Digitizations: In 2010, Nick Curtis created a digital version of their Courier, and called it Pony Xpress NF. Rightly So NF (2011, Nick Curtis) is a squarish typeface based on Geometric Gothic from the 1884 specimen book of Palmer and Rey---it is hard to imagine that this almost pixelish style was around at that epoch. Oxford was revived by Nick Curtis as Palmer Oxonian NF (2011). Octic was revived in 2012 by Nick Curtis as Easy Eights NF. Alto Rey NF (2014, Nick Curtis) revives an 1884 wedge serif design. [Google] [MyFonts] [More]  ⦿

    Panji Nugraha
    [Storic Type (or: Flavor Type, or: Flavortype)]

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    Paranesia (or: Bismillah)
    [Indriyanti Sidiq]

    Aka Tuki Mj. Wonosobo, Indonesia-based designer (b. 1995) of these script typefaces in 2018: Artifact (signature script), Blackbeard, Zhegotte, Astania Script, Guttime, Callita, Romansha, Wonoland Park, Magneum, Omelette, Winter Fall, Pianika, Stifora, Monitta, Sillebia, Pollaroid, Rich Dady, Insomenest, Psychopat, Playing Bumb, Donkey Stone, Cepttoni, Nofhistica and Bellania and the monoline script typefaces Ghicella, Queenesia and Bellievia Script.

    Typefaces from 2019: Domina, Witham (a circus font), Gacoure (Victorian), Candington (signage script), Cangkem (script). [Google] [More]  ⦿

    Pasha Larin
    [Larin Type Co]

    [MyFonts] [More]  ⦿

    Patrick Kalange

    Designer at Letterhead Fonts of the Western typeface LHF Branding Iron (2014), which was inspired by a 1930s font by Alf R. Becker.

    In 2015, he designed LHF Carnivale (a Victorian cigar label font), LHF Welo Thin (an art deco poster font inspired by the work of Samuel Welo) and LHF Handyman (a fresh take on 1940's traditional Gothic sign lettering). [Google] [MyFonts] [More]  ⦿

    Patten Wilson

    British Victorian, pre-art nouveau illustrator, 1868-1928. Creator of this (lettered) set of Modern Capitals. [Google] [More]  ⦿

    Paul D. Hunt
    [Pilcrow Type]

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    Paul Davy

    Aka Pilaster Davy, b. 1964. UK-based designer of Whitby Brewers (2015: inspired by the hand lettering on a reverse glass painted Victorian advertising mirror, found in the Beck Isle Museum in Pickering, North Yorkshire), Castle Press No 1 (2015, after original wood type from Castle Press, est. 1860), Medhurst (2015, a high-contrast display typeface), Providence (2015, tattoo typeface), Allegheny (2015, a spurred typeface), York Whiteletter (2015, white-on-black ribbon font inspired by a Delittle design called Eboracum No3 Improved White Letter Type and late 18th century woodtype), Spartanburg (2015, inspired by the 1923 Sanborn Insurance Map cover for Spartanburg, South Carolina; a tattoo typeface) and Galveston (2015, a tattoo typeface): GalvestonTX is derived from a Sanborn Insurance Map cover published in 1912 for the city of Galveston, Texas.

    In 2015, he also created Eboracum (based on a wood type from a 1972 wood type sample book by Delittle found at the Castle Press), Catle Press No 2 (a condensed gothic font, after original wood type from Castle Press, est. 1860), Philadelphian Gothic (a revival of a 19th century type called Philadelphia Lining Gothic), Archaic 1897 (a revival of a Victorian typeface from ATF), Metropolian (a revival of Metropolis (1897, American Type Founders)), Austin Nichols (Victorian: inspired by the hand lettering from an Austin, Nichols & Company advertising cover), and Hex (a hexagonal typeface).

    Typefaces from 2016: York Baile Hill, The Novice (blackletter), LF Clipped (fifties script: a faithful revival of Clipper by Louis Ferrand, Fonderie Typo. Française, 1952), Queens Square (inspired by a 1911 Sanborn map cover).

    Typefaces from 2017: Crepitus (monogram font). [Google] [More]  ⦿

    Paul James Lloyd

    About 100 free TrueType fonts by University of Western Australia lecturer Paul Lloyd (b. UK), many of them elaborate caps fonts: Larkin Capitals (2004), QuaNauticale Initials (2004, with Manfred Klein), Blavicke Capitals (2002), FoliarInitials (2002, Caps), Halftone (2003, blackletter), UltraBlack (2003, blackletter), Saraband (2002, an ornamental ribbon font after Karl Klimsch, 1869), Infula (2002, Caps), Strelsau (2002, Fraktur), Dampfplatz-DemiBold (2002, Fraktur), DampfplatzShadow-Black (2002, Fraktur), DampfplatzSolid-Black (2002, Fraktur), GenzschEtHeyse (2002, Fraktur), GenzschEtHeyseAlternate (2002, Fraktur), Moderna (2002, Fraktur), Lightfoot (2002), Nuffield Initials (2002), Cantebriggia (2002, Fraktur), Charterwell (2002, Fraktur), Portcullion (2002, blackletter), Portculliard Initials (2003, blackletter), Proclamate (2002, blackletter), Zenda (2002, blackletter), Teutonic (2002, blackletter), Medieval Victoriana (2002, caps), Portland Roman (2002), Wolnough (2002, caps), Landsdowne (2002, + Shadow: Victorian typefaces), Grimeswade (2002, caps), Orotund-Heavy, OrotundCapitals-Heavy (2002), Minster (2002, a 6-font Fraktur family), Killigrew (2002, Fraktur), Minim (2002, Fraktur), Coltaine (2002), Emporium Capitals (2002), Penshurst (2002), Cherubim Initials (2002), Pompadour Initials (2002), Casua (2002), Wadsworth's Industria (2002), Radaern Script (2002), Queen Empress (2002), Lisburne Initials (2002), Dundalk (2002), Claritty (2002, handprinting), Mysterious Voyage (2002), Arborial (2002), Deepwoods (2002), Florana (2002), Springtime (2002), Topiary (2002), Woodland (2002), Bertham, Camelot Initials, Chocolate Box (2002), Altea, Mosaic (2002, caps), Burgoyne (2002, caps), Hentzau Initials (2002), Engravier (2002, caps), Rustick Capitals (2002), Louvaine (2002), Chipperfield&Bailey (2002), Boister Black (2002, blackletter; the commercial Boister Black Pro was done in 2009 at CheapProFonts), Quill (2002), Erasmus (2002), Birmingham, Bolton, Brassett (2001), Chancera, Glastonbury, Grantham, E-Caps, CleaversJuvena, CoronationScot, Chronos, Brodgnorth, Draughtsman (2002), Duvall, Helena, Hominis (1997), Imperator, Lewisham, Newstyle, Noir-et-Blanc, Peake, Priory, Ruritania, Shrewsbury, Simplicity, Sylph, Ubiqita_Europa, Woodcut Capitals, Watson, Wrenn, Imperator, Trefoil Capitals (2002), TinplateTitling, Freame, Graphis, Dutch I, Festival, Festival Flourish, d'Spenser, Sylvan-Capitals, Helena, Bridgnorth and Paladin Caps. In his Black Jewels series (as in "blackletter"), he published Black (2002), Germanica (2002), and is working on Minim and Killigrew. Most typefaces come in many weights, and are carefully manicured products. Other Lloyd creations may be found here, here, here, here, or here in Russia. In 2008, he started a commercial foundry, Greater Albion Typefounders. Font Squirrel link. Behance link. [Google] [MyFonts] [More]  ⦿

    Paul James Lloyd
    [Greater Albion Typefounders (or: GATF)]

    [MyFonts] [More]  ⦿

    Paul Smith
    [Octopi]

    [MyFonts] [More]  ⦿

    Paulo Caparica Junior
    [Minhocossauro Emporium (was: Minhocossauro Tipografia)]

    [More]  ⦿

    Paulo W
    [Intellecta Design (or: Monocracy Types)]

    [MyFonts] [More]  ⦿

    Pavel Korzhenko
    [Vintage Voyage Design]

    [MyFonts] [More]  ⦿

    Pedro Alb Xavier

    During his studies in Recife, Brazil, Pedro Alb Xavier created a Tuscan circus font called Esquecida (2014). [Google] [More]  ⦿

    Pedro González Jorquera
    [PeGGO]

    [MyFonts] [More]  ⦿

    PeGGO
    [Pedro González Jorquera]

    Type designer graphic designer, calligrapher and illustrator from Chile, who graduated in graphic design in 2005 from the Universidad del Bío-Bío., b. 1977, Santiago de Chile. Aka PeGGO, a foundry established in 2002. MyFonts link. PeGGO designed some commercial fonts, such as:

    • Farola (2008, a curly Victorian face; +Farola Simple, without curls).
    • PAI Fashion Font (2011).
    • Legan (2008, a mini-serifed Trajan face).
    • Thörtl (an angular display face).
    • Gothric (gothic).
    • Claramaria (sans).
    • Claramaria Mega Black, Claramaria Extra Light (hairline version).
    • Fonton (a fat elliptical face; images i, ii, iii, iv, v, vi, vii, viii, ix, x). I can't understand why Fonton has not won any major awards. Even in this popular genre, it stands on a pedestal all by itself.
    • Cuadrada (2010, angular).
    • Lighton Extra Light (2011). An elliptical hairline sans.
    • Trianglery (2010, calligraphic).
    • Politic (+ExtraLight, +ExtraBlack: a slabbed family).
    • Bolta.
    • Minesmall (hand-printed).
    • SP-Font (squarish).
    • Halcön (2008, blackletter).
    • Krämfark (2008, blackletter).
    • Milica (2013). A squarish severe poster typeface family.
    • Hexaround (2013) is a dotted hexagonal matrix font.
    • Latinisiert Hebraica Schrift (2014). A Hebrew simulation typeface.
    • Double Trase Latinsiert Fraktur Schrift (2014) is a calligraphic blackletter alphabet.
    • Limonada (2015). An organic semi-serif typeface.
    • Ironbrick (2015). Pure techno futurism.
    • Sharka (2015). A mechanical high impact display typeface family ranging from Normal to Compressed widths.
    • Globa (2016). Globa is a low contrast round sans typeface family.
    • Niva (2016). A 60-style display sans typeface family advertized for use in scientific documents.
    • Primaria (2018). A great school script and print typeface family.
    • The commissioned decorative typeface family Roijer (2016), and Roijer Ornaments, Roijer Dingbats, and Roijer II (2017). This absolutely stunning display typeface family evolved from a branding exercise in which each letter was developed as typographic jewelry, a bond between classical and creative freedom concepts with Lombardic and art nouveau touches, Röijer puts a dual capital model in your hands---a classic Roman and a contemporary alternative.
    • LeBrush (2016). A contemporary humanist serif Roman typeface based on real brush lettering, in ten styles ranging from Thin to Extra Dark, inspired by the classical Roman proportions of the Capitalis Monumentalis of the Trajan Column. It comes with several dingbat fonts and a set of ornaments. The family could be appropriate for movie titling.
    • Animals LeBrush Extras (2016): a set of hand drawings of wild mountain and sea animals done for book covers, magazines and posters.
    • Geometrica (2017, Latinotype). Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet it remains modern and minimalist. Geometrica has ten weights.
    • Caprina (2017). A geometric sans family with the flat squarish tops that characterize the original Futura and the work of Max Bill.
    • In 2018, Pedro Gonzalez and Marcela Aguilera co-designed Orqquidea and Orqquidea Garden (dingbats).
    • Rationell (2020). Classifying it as neo-grotesk, Pedro writes: Rationell is a functional multipurpose corporate typeface, based on classic 1950's Swiss rationalism, subtly tuned on a XIX century didonesque modernist structure, a contemporary interpretation with the eyes of the Latin idiosyncrasy. Rationell's great weight range stretches from hairline to extra black, with rounding in the heavier weights.
    • Geometrica (2019). A low contrast geometric sans family.
    • PGF Now (2020). A 22-style Latin American humanist sans family.
    • PGF Strange (2021). A thorny layerable display serif family in eight styles.
    • PGF Caprina Pro (2021). An audacious geometric sans in 20 styles with some of Renner's early ideas of surprising squarish glyphs.
    • PGF Americas (2021). A 15-style family inspired by Rudolf Koch's carved lettering; this family includes ornaments, dingbats, boxed initials, inline styles, and an array of sans display typefaces.

    Calligraphic works include L'Ecole d'Fine Arts (2009), Latinisiert Fraktur Neue (2014), Paradise Duck, Eclesiastes (based on "La Rueda" of Sheila Waters, 1981).

    Creative Market link. Behance link. MyFonts foundry link. Klingspor link. [Google] [MyFonts] [More]  ⦿

    Pete McCracken
    [Portland Type Co]

    [MyFonts] [More]  ⦿

    Peter Bielous

    Presov, Slovakia-based creator of the tattoo font Bad Boys (2010). Specializing in vintage and Victorian lettering, he published Sign Shop (an ornamental Victorian typeface with many spurs and frills; together with Neuron Type) and Tobie in 2020. [Google] [More]  ⦿

    Peter Olexa
    [Deeezy]

    [MyFonts] [More]  ⦿

    Peter Olexa
    [Jumbo Design]

    [More]  ⦿

    Peter Olexa
    [Cruzine]

    [More]  ⦿

    Peter Wiegel
    [CAT Design Wolgast]

    [More]  ⦿

    Petr Knoll
    [Lost at Sea Co]

    [More]  ⦿

    Phil May
    [John Haddon & Co (or: Haddon-Caxton Type Foundry)]

    [More]  ⦿

    Picatype Studio
    [Akmal Yusar]

    Indonesian designer, b. 1987, who is based in Aceh. In 2017 he created the script typefaces Danliny Script, Almirra Script (dry brush), Rollent (calligraphic script), Sakhiya Script, Kalisha Script, Gallisia Script (calligraphic), Attention Script, Felicity Script, Gloretha Script (swashy), Hilwen Script, Claudette, Butterfly Script and Nightcall Script, and the calligraphic typeface Munira Script (2017).

    Typefaces from 2018: Formabbis (a brush script), Chellora (Victorian), Realvish (brush script), Conserina (a condensed script), Shirelda Script (calligraphic), Thuressia Script (a formal calligraphic typeface), Hadhelia Script, Martinail, Suhainora, Stayreed, Rishella (signature font), Barbara Script.

    Typefaces from 2019: Graphemic (all caps, art deco), Baltster (a creamy casual typeface), Blangkist (dry brush script), Quinter (a spurred Tuscan typeface), Srikandy (a retro signage script), Celiya Script, Konseric, Bhontage (monoline script), Sandoval, Martinail (signage script), Klibers (script), Shintosa Script (formal calligraphy), Suhainora, Nigthwel (a retro signage script) and the elegant modern italic typeface Thestone.

    Typefaces from 2020: Satnight Script, The Jophie Sans (a rounded sans), Gravia (a one-weight geometric sans). [Google] [MyFonts] [More]  ⦿

    Pilcrow Type
    [Paul D. Hunt]

    Type and graphic designer from Joseph City, AZ. His first degree was from Brigham Young University. He was a type designer at P22/Lanston from 2004-2007. In 2008, he obtained an MA in typeface design from the University of Reading where he designed the typefaces Grandia and Grandhara (Indic). In January 2009, he joined Adobe just after Thomas Phinney left. He lives in San Jose, CA. His talk at ATypI 2014 in Barcelona was entitled The history of non-Latin typeface development at Adobe.

    He created Howard (2006, a digitization of Benton's Sterling), P22 Allyson (2006, based on Hazel Script by BB&S; a winner at Paratype K2009), the P22 FLWW Midway font family (2006-2018: Midway One, Two and Ornaments; based on the lettering found on the Midway Gardens working drawings of Frank Lloyd Wright from 1913---tall-legged and casual), Kilkenny (2005, P22), a Victorian-style font based on the metal types named Nymphic and Nymphic Caps which were designed by Hermann Ihlenburg in 1889. This typeface has almost 1000 glyphs and comes in OpenType format. It includes Cyrillic characters. Check the studies here and here. For another revival of Nymphic Caps, see Secesja by Barmee.

    Designer of the display typefaces Seventies Schoolbook (2004) and Interlocq (2004).

    Hunt also digitized Goudy's Village (2005). Village was originally designed by Fredric Goudy in 1903 for Kuppenheimer & Company for advertising use, but it was decided it would be too expensive to cast. It was later adopted as the house face for Goudy's and Will Ransom's Village Press. The matrices were cut and the type cast by Wiebking. The design was influenced by William Morris's Golden Type. This Venetian typeface was digitized by David Berlow (1994, FontBureau) and by Paul D. Hunt (2005). Hunt's version was eventually released in 2016 by P22/Lanston as LTC Village.

    He revived Hazel Script (BB&S), which he renamed Allyson (2005).

    Still in 2005, he created a digital version of Sol Hess' Hess Monoblack called LTC Hess Monoblack.

    In 2006, he published a nice set of connected calligraphic script fonts, P22 Zaner. Bodoni 175 (2006, P22/Lanston) is a revival of Sol Hess' rendition of Bodoni. He was working on Junius (2006), a revival/adaptation of Menhart Antiqua. Frnklin's Caslon, or P22 Franklin Caslon, was designed in 2006 by Richard Kegler and Paul Hunt in collaboration with the Philadelphia Museum of Art. This slightly eroded font set includes faithfully reproduced letterforms digitized directly from images of impressions made by Benjamin Franklin and his printing office circa 1750. It comes with a set of ornaments.

    In 2007, he used Goudy's 1924 typeface Italian Old Style in the development at P22/Lanston of LTC Italian Old Style. That typeface was remastered and extended to cover several languages by James Grieshaber in 2011.

    In 2014, Paul Hunt finished work on the wood type revival font HWT Bulletin Script Two (P22 & Hamilton Wood Type). This backslanted psychedelic typeface can be traced back to the wood type manufacturers Heber-Wells (Bulletin Condensed, No. 5167), Morgans and Wilcox (Bulletin Script No. 2, No. 3184), Empire Wood Type (1870: Bulletin Script), Keystone Type Foundry (1899: Bulletin Script), Hamilton (117), and Wm. H. Page & Co (No. 111 through No. 113).

    Free fonts at Google Web Fonts: Source Sans Pro (2012; Source Sans Pro for the TeX crowd), Source Code Pro (2012, a companion monospaced sans set by Paul D. Hunt and Teo Tuominen). Source Serif Pro, its Fournier-style relative, was developed at Adobe by Frank Grießhammer. They can also be downloaded from CTAN and Open Font Library.

    Fun creations at FontStruct in 2008-2009: Possibly (a stencil loosely based on the Mission Impossible series logo), Probably (same as Possibly but not stenciled), Med Splode, Arcade Fever, negativistic_small, New Alpha_1line, New Alpha_4line, New Alpha_bit, New Alpha_dot [dot matrix font], New Azbuka [after Wim Crouwel's New Alphabet from 1967], positivistic, slabstruct_1, slabstruct_too, structurosa_1, structurosa_bold, structurosa_bold_too, structurosa_caps, structurosa_faux_bold, structurosa_leaf, structurosa_script, structurosa_soft, structurosa_tape, structurosa_too, structurosa_two, Slabstruct Too Soft, Structurosa Clean Soft, Structurosa Script Clean, Structurosa Clean, Structurosa Clean Too, Structurosa Clean Leaf, Structurosa Boxy, Stucturosa Script Heavy.

    In 2010, he designed he programming font Sauce Code Powerline. Well, this is probably a renaming of Source Code by some hackers. Just mentioning that sauce Code is on some Github pages.

    Klingspor link. Google Plus link. [Google] [MyFonts] [More]  ⦿

    Pompo

    Ismailia, Egypt-based designer of the Victorian typefaces Black Scava (2017) and Black Cupio (2017) and the psychedelic layered font Easy Way (2017). [Google] [More]  ⦿

    Portland Type Co
    [Pete McCracken]

    Type foundry in Portland, OR, established in 2010 by Pete McCracken, who headed Plazm before that. McCracken acquired all of the Plazmfonts assets of the type design portion of the company in 2006. The (mostly custom) typefaces:

    • Spore (2008). Developed together with Veronika Burian for the hit game Spore by Electronic Arts Video Games.
    • Portland Ore (2012). The Portland Suite is a collection of typefaces related to Portand. These include Portland Ore, Portland OR, Portlandneer, Belmont, Old Town, NOPO, Hawthorne, PDX, and Portlander. Of these, Portlander was used in the Harry Potter movie Deathly hallows.
    • Target Five Percent: a pair of custom typefaces designed for Target in collaboration with Brad Trost, Wieden+Kennedy.
    • Starbucks: a type family for the coffee company.
    • Dodge: Custom typeface for Dodge.
    • Dr. Martens: a hand-printed custom type design.
    • Adidas Adihaus: custom typeface done for Adidas.
    • Bushmill: A custom typeface for an Irish Whiskey brand.
    • McMenamin's Poor Farm (2012). A custom Victorian typeface.
    • Victory Neue: a custom font family done for Nike. It grew out of a Plazm font family called Victory.
    • Custom typefaces for REI (2014), Columbia Sportswear (2015) and New Seasons Market (2017).

    Gallery of Pete's design and custom type work. Personal web site.

    Pete lectures at Pacific Northwest College of Art (or PNCA). His articles at PNCA include an interview with Jonathan Barnbrook and a discussion of web fonts.

    Speaker at TypeCon 2013 on How to Become a Rich and Famous Type Designer. Bloggers are praising his presentation.

    FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

    PrimaFont

    Foundry that was run in the 1990s by Christine Mauerkirchner and Rainer Grunert out of Kronberg, Germany. They made about 30 free Truetype and PostScript fonts, and were selling over 2000 fonts at 2.50 Euro a shot. Check here for Berthold A.G. clones of all famous families. The main PrimaFont collection in PostScript cost 1700 USD! As far as I can tell, if the 30 free-font sampler is any indication, this collection is not different from the good old Adobe, Monotype or Linotype collections, which may all be found somewhere if one looks hard enough.

    Free fonts: Cheboygan, Exmouth (copperplate script), Jacoba (another copperplate calligraphic script), Mouth (uncial), Livingstone (uncial), Marlon Book, Oliver (Victorian), Scoutlight DB, Shanghai (oriental simulation face), and Xtra (Greek simulation face).

    Dafont link. Abstract Fonts link. Font Journal link. [Google] [More]  ⦿

    Prio Nurokhim Aji
    [Prioritype]

    [MyFonts] [More]  ⦿

    Prioritype
    [Prio Nurokhim Aji]

    Kebumen, Indonesia-based designer (b. 1997) of these typefaces in 2020: Arkaedos (a creamy script), Amtera (a fat finger font), Takidos (children's letters), Merilland, Tamword, Terasu Brush (a dry brush script), Chalk Perio (a chalk font), Diltoon (a cartoon font), , Savattera, Pecattes (a very dry brush script), Dhecalovia (a fat finger font), Launsela (a fat finger font), Super Love Christmas, Bevalonia, Butter Spoky, Super Love Christmas, Merilland, The Bonbon, Annila Script, Kagatsun, Frangstton, Sophomore, Reacter, Oliotton, Many Cheeks, Keyrannha (monoline script), Chatalisa, Dhecca House (a monoline script), Ligotra (all caps, Victoriana), Fagetone (a retro signage script), Gangsoka (an angry serif), the script font Meltinghones and the monoline script typefaces Caligendings and Frangstton.

    Typefaces from 2021: Flower Glory (a counterless kindergarten font), Delichan (a calligraphic script), Smile Darling (a decorative stencil), Fondest (a Peignotian sans with a hipster f), Mintage (a retro serif), Klender (a descendant of Cooper Black), Charming Smile (a plump painted font), Hey Tiny (a fat finger font that emulates a child's hand), Central Display, Street Ruins (a graffiti font), Bruskest (a bold dry brush script), Klemer Display (a flat top display typeface), Nectarine (a plump almost psychedelic font), The Burcey (a casual cutout typeface), Relation De Luxe (a rounded all caps sans characterized by many interlocking pairs), Qochy (a display font with elephant feet serifs), Urban Starblues (a graffiti font duo), Urban Java (a reverse stress Western font), Brugty (a bold display typeface in the Cooper Black / Windsor genre), Organic Peach (a fat finger font), Kosans (all caps), Magilio (in the trendy Windsor / Cooper Black style), Elkoga (an 8-style rounded wedge serif), Onedrips (a dripping paint font), Bilground (script), Dassie (an all caps display font), Sugar Smile, Roti Bakar (a sans with swirls), Dripping Drops (a dripping paint font), Apple Slices (a font duo), Dialog Anila, Goodwin Geraldine, Tropical Blooming (a scrapbook script), Bomb Da Gone (graffiti lettering), Fillings Urban (a plumpish graffiti font), Tratags (graffiti), Johny Palkons (letterpress emulation), Kickcore (a brush font), Lonely Girl (a fat finger font), Malistiona, Bittermoon (a fat finger script), Demilton (a heavy script).

    Typefaces from 2022: Amila Cuties, Cansetras (a tattoo blackletter), Codigra (a liquid serif), Distant Neighbors, Employed, Favorite Notification (a hipster serif), Getrok, Glemor (font duo), Niblick, Olasthy Script (a loopy script), Peach More, Pink Punk (a death metal font), Red Royale (blackletter), Shining Youth (ornamental caps with flowery texture), Sunday Bloom (a hand-drawn serif), Ditsa Calista (script), Brume Matinale (a sharp-edged display serif). [Google] [MyFonts] [More]  ⦿

    Production First Software
    [John M. Fiscella]

    Production First Software offers edriginal, revival and historic designs and specializing in non-latin scripts including Armenian, Cyrillic, Greek, Hebrew, Thai, mathematical symbols and pi characters. It is run by John M. Fiscella in San Francisco since 1990, with most typefaces created immediately after that. John M. Fiscella designed the fonts for symbols and many of the alphabetic scripts for the unicode charts and all typefaces complky with unicode standards.

    List of typefaces: BernalPF, Blck2LineGothicPF Logo, Blck3LineGothicPF Logo, Blck4LineGothicPF Logo, CourPF, CourPF Bold, CourPF BoldOblique, CourPF Oblique, EdwardianMansePFTitling, EriePF, EuroPF-Bold, EuroPF-BoldOblique, FiftiesPopPF, GrandVictorianPFTitling, HlvPF Bold, HlvPF BoldOblique, HlvPF Medium, HlvPF Oblique, ItalianatePF, ItalianateMulticolor1PF, ItalianateMulticolor2PF, ItalianateMulticolor3PF, ItalianateSansPF, LafayettePF, LosPFBold, MisionPFAntique, MisionPFBold, MisionPFBook, MisionPFBookMetal, MisionPFLight, MisionPFTitling, PalouPFTitling, PiazzaPFScript, RadioPF, RadioCityPF, SymbolPF Bold, SymbolPF BoldItalic, SymbolPF Italic, TexMexPF, TmsPF Bold, TmsPF BoldItalic, TmsPF Cursive, TmsPF Italic, TmsPF Rom +, TmsMathPF Cursive, TmsHebWidePF Rom, UnvPF Bold, UnvPF BoldOblique, UnvPF Oblique, UnvPF Medium, UviewPF Bold, UviewPF BoldOblique, UviewPF Oblique, UviewPF Medium, ZenonPFTitling. [Google] [MyFonts] [More]  ⦿

    Putra Cetol Studio
    [Putra Novembria Candra Kusuma]

    Karanganyar, Indonesia-based designer, b. 1989, of these typefaces in 2018:

    • Oriental simulation fonts: Japanese Emperor (2022: emulating Japanese).
    • The spurred typeface Darkrise.
    • The circus font The Circus Show.
    • The futuristic typeface Digitechno.
    • The curly script typeface Valentijn.
    • The monoline poster typeface Revalate.
    • The monoline cursive script typefaces Simplyline, Cinta Cantik, Antiqueline, The Beautyline, Aiushtya, Skywave, Simbok Pudjie and Yesie.
    • The vintage typeface Nuri.
    • The retro signage script typeface Vintage Party.
    • The tall octagonal typeface Armor.
    • The display typefaces Ratigk, Deco Tech, Horstail and Murai.
    • Playlines.
    • The tiki font Tikiland.
    • The script typefaces Jofi, Beauty Love, Bigfun, and Rhonde (a free swashy calligraphic typeface).
    • The upright scripts Shathika, Sweetyhearts and Shaquilla.
    • The brush typefacesAuthorfun and Pax Suyud.
    • The weathered condensed Therlalu.
    • The color fonts Garis Lengkung and Circuitra.
    • The textured typeface Quiltrix.
    • The poster typeface Audrey.

    Typefaces from 2019, mainly calligraphic except if specified otherwise: Attaira (art deco and script), Arshaka (a great vampire blackletter font), Honey Berry, Vanetta, Safiar (font duo), Havina, Eurolite (a modular sans), Florita (font duo), Silky Candy, Ultimate Slayer (brush), Zahiya (a ronde), Networld (a mesh font), Stranger Creature, Amella, Grimscy, Visaka (a tall spurred wedge serif), Micayla, Rougher (brush), Slatter, Rygid (a straightened script), Mixy Missy (an oily script), Qunky (a formal script), Marceila (upright script), Glamoury (calligraphic), Thicxer, Madhen (script), Secret Darling, Keshia, Mahaputra (a spurred swashy Victorian typeface), Busther (brush style), Sherley, Shanela, Rotters (script), Sweety Lovers (script), Aliyah, Laureta, Tashia, Smash Wall (a glaz krak typeface), Delacruz (techno), Elvino (techno), Crava (a vintage display typeface), Bornena (curly script), Vintage Queens (for vintage signage), Kanaya, Yuanita, Daysha, Thickline, Maze Line (labyrinthine), The Doctor (a signature font), West Kingdom (fat signage script), Pixel Bit, Barstrip, Arjunka, Waffle Latte (monoline and connected), Strip Deco (Broadway style), Corlita Script, Fathur (signature script), Royal King (inline, vintage), Boldest (an oily fat font), High Mount (titling sans), Stasya, Ultimate Class (a thin monline script), Hai Eisya (geometric sans), Dirty Rock (grunge), Hello Eisya, Boldline, Dvorak (dry brush), Ayana, Bigdot, Ghaya, Scary Night, Keytip (Victorian), Melodious Script, Lusya, Nachelle.

    Typefaces from 2020: Techno Board (a circuit font), Happy Christmas Party, Roadstone (a signage script), Cavilay Script (wild calligraphy), Urban Sketart (a fine mural art font), Shecarea, Rose Thorns, Retroparty (a bold script), Lovely Couple, Macrosty (a bold script), Amarithe, The Bold Street (a fat graffiti font), Rahaely (script), Nightcrow (a fiery font), Vintage King (a grungy vintage signage script), Vintage Party (a signage script), Gayesha, Water Splash, Clarinta (a wide hairline calligraphic script), Kinghawk, Audrena (a monoline script), Royal Queen, Headbrush, Coldcoast (script), Mahacara, Goldenlife (an upright signage script), Lyodra (a monoline script), Mayla (wild inky calligraphy), Faylake (a fat finger font), Grandmora (monoline script), Qonitya, Clowney (an inky script), Shafiqa (a rabbit ear script), Spirly (curly, Victorian), Quentara, Roxer, The Excited (signature script), Street Road (modular), Rasputia (a calligraphic script), Retroking.

    Typefaces from 2021: Antique Vignette (a stylish script with extreme contrast), Love Paradise (a scrapbook font), Vintage Reclame (an upright retro advertizing script), Bulky Book (in the piano key genre), Scarf Bandana, Double Pineapple, Lychee Farmland, Single Tangelo (a cuddly casual typeface), Grandtown (a bold retro script), Dizzy Fence (a beatnik font), Cheesy Bread (a bold supermarket font), Roughpen, The Night Lamp (a horror brush font), Monokind Script (a monoline script), Cristaloak (a script with a weathered outline), Cute Love Story (a scrapbook font), My Love Letter (a monoline scrapbook script), Feldberg (a dynamic display typeface), Morrello (a rounded wide display serif), Quaker Ladies (Victorian), Spooky Monsta, Abstract Style (a geometric solid typeface), Ballsye (a fat finger font), Burning Hammer (a font with flaming letters), Falsetto Signature, Kharinniswa (a bold and wide serif typeface), Roshmary (a condensed monolinear sans), Unpredictable (a condensed display sans), Surprise Spring (script), Handaru (a wide script), Queen Veronica (a monolinear script), Strong Grandpa (a bold retro signage font), Rahardian (a signage script), Candrika (a vintage spurred typeface), Euphoria Party (a psychedelic font), Spookies Identity (this is what a font infected with pestilence or leprosy would look like), Alvarisky, Springate (script), The Knight (script), Hello Audrey (an upright script), Winslet (a bold script), Hello Audrey (an upright script), Winslet (a bold script), My Beautiful Story (an inky script), Romantic Dates (calligraphic), Blossom Heart (script), Happy New Year Party.

    Typefaces from 2022: Japanese Emperor (emulating Japanese), Binlay (script), Child Krafter, Fresh Spring (a scrapbook script), Our Infinity Love (a wonderful connected script with a warm rhythm), East Aurora (a bold slab serif), Heathfield (a bold vintage serif). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

    Putra Novembria Candra Kusuma
    [Putra Cetol Studio]

    [MyFonts] [More]  ⦿

    Putu Eka Hermawan
    [Ekahermawan]

    [MyFonts] [More]  ⦿

    Qiwbrother Studio
    [Rayaseta Kartiwa]

    Bandung, Indonesia-based designer of the handcrafted typeface Middle Beat (2017), the rough brush font City Bustle (2017), the signature font Blesing (2017), the brush script font Marqhuis (2017), the dry brush font Rahoet (2017), and the Victorian typeface Guardiart (2017). [Google] [More]  ⦿

    Ralph Michael Unger
    [RMU (Ralph Michael Unger Typedesign)]

    [MyFonts] [More]  ⦿

    Ramandhani Nugraha
    [Fortunes Co (was: Celcius Design)]

    [MyFonts] [More]  ⦿

    Rangga Singgih Subekti
    [Subectype]

    [MyFonts] [More]  ⦿

    Ray Meadows

    Aka p2pnut, b. Wales, 1943, who started making fonts in 2009 at FontStruct. Alternate URL. Dafont link. Klingspor link. In 2010, Ray Meadows set up shop at MyFonts.

    Prolific creator at FontStruct in 2009 of the 3d typefaces Alphabox, Alphabox Reverse, Alphabox Lite, Alphabox Lite Complete, Alphabox Shadow and Alphabox Basic. He also made RM Playtime (outlined 3d family), Art DECOrated, Single DECOr, Romantic (+Carved, +Carved Shadow), TripleDECOr, New Romantic, SOFA, Mondrianish, Eye Test, Meltdown (grunge), Ameslan (American Sign Language), DECO Noir, DECOction, DECOserif (+Bold), DECOoction (+Bold Open), DEChrome, DECOpix, DECOr (a pure art deco typeface like Levine's Art Lover JNL), DECOThin (+Medium), Scrapheap, Westward (Far West font), Cheese Fondue, Alphabox Reverse (shadow font), AlphaRune, Spaced, Gothicky, Grand Prix, Entrees (alphadings), Compround, Phatzzo (nice!), DECOr8, Gothicky, Gothicky Grey, RM Ginger, RM Albion (blackletter), and Opening (outline face). RM Squarial (2009) is a hairline sans. Its 3d version is RM Squarial 3D. RM Typewriter (2009, +Medium, +Bold, +Old) is an old typewriter face. RM Serifangle (outline art nouveau face, +3D, +Chrome, +3DChrome) and RM Corrugation (postage stamp, white on black style) are both interesting. RM DECO Serif (2009) is in the RM Typewriter style series. RM Bowie Basic is a futuristic typeface based on the typeface used on Mars in "The Waters of Mars" (2009). RM Playtime Stencil (2009) is a rounded stencil typeface based on RM Playtime Solid. There are more styles such as RM Playtime 3D.

    Additions in 2010: RM New Albion (blackletter), RM Lined, RM Serifancy (Western face), RM Almanack (+Old), RM Tubeway (+Chrome), RM Thinny, RN White Letter, RM Blacklet, RM Squarial (+Ribbon, +3d), RM Typewriter Old, RM 7even, RM SideSlip, RM Teeny, RM Teeny 1.5, RM Narrowboat (+3D) (athletic lettering).

    His typefaces at MyFonts include RM Victoriana (2010, caps only Victorian face), RM Whiteletter (2010), RM Signwriter (athletic lettering), RM Deco (pure Broadway art deco), RM True to Type (typewriter face), RM Scrapheap, RM Elegance (condensed, with high ascenders), RM Playtime, Graphite

    Creations in 2011: RM Celtic, RM Uncialic (+RMWL Uncialic: Carolingian), RM Opensans, RM A Sign of the Times, RM Sans, RM Oliver (bold rounded sans), RM Soft Sans (wonderfully round sans), RM True To Old Type (old typewriter), RM True to Type (new typewriter), RM Middy, RM Phatso (textured), RM Phatso 2.0, RM Phatso 2.0 Solid (texture typefaces).

    Creations in 2012: RM Luceat (a bullethole typeface), RM Jazz Age, RM Basic Serif (roman face), Alphabox (a 3d family: +Reverse, +Lite, +Reverse Stencil), RM Slab, RM Slabb, RM Tubes (3d typeface), RM Smoothsans (rounded sans), RM Romantic Carved (+Shadow: a beautiful set of beveled typefaces), RM Westward, RM Typerighter, RM Uncorrugated, RM Snowtime, RM Smooth Jazz, RM Smooth Age, RM Nova Albion (blackletter), RM Tubes Chrome, RM Squarial FS10, RM Basic Serif.

    Typefaces from 2013: RM Bloc, RM Greek, RM Victoriana, All Bricks, RM Deco, RM Random Outline, RM Random 3D, RM Random (cartoon face), RM Celtic Condensed, RM Westus Condensed, RM Westus (Western, spurred), RM Hunky (chunky and modular), RM Thunk (piano key face, thick and chunky), Westward Ho (spurred Western face), RM Hangle (chuunky and elliptical).

    Typefaces from 2014: RM Firmstone (+Outline, +Condensed, +Outline Condensed), RM Ebdon Outline, RM Imber Outline, RM Moss Outline, RM Imber, RM Art Decorated, RM Celtic Inline.

    Typefaces from 2015: RM Deco, RM Stoney, RM Mondrianish, RM Stoney Shaded, RM Middy, All Bricks, RM Shepherds.

    Abstract Fonts link. Dafont link. [Google] [MyFonts] [More]  ⦿

    Rayaseta Kartiwa
    [Qiwbrother Studio]

    [More]  ⦿

    Reading Type
    [Ben Weiner]

    Reading Type is a UK enterprise that offers free fonts designed by Ben Weiner, a British information designer specialising in internet work. Fonts: Acknowledgement (2001, heavy slab serif), Bentham (2008, didone), Crop, Geo (1999, a squarish typeface completed in four hours---influenced by modernist designers such as Theo van Doesberg and Herbert Bayer), GeoOblique, Lineastraightforward, Puritan (grotesque), PuritanBold, PuritanBoldItalic, PuritanItalic, RolloutBold, RolloutBoldItalic, RolloutPlain, RolloutRegularItalic, St. Margaret's Cross (2008, a Victorian Gothic revival cross drawn over a photo of a stone cross in the masonry of St Margaret's church, Oxford, England). Acknowledgement (2001, OFL) is an Egyptian face.

    Dafont link. Another URL. And another Open Font Library URL. Fontsquirrel link. Google Code link. Klingspor link. Fontspace link. Google Plus link. [Google] [More]  ⦿

    Refolve Design Studio
    [Hamdani Putra]

    Bandung / Semarang, Indonesia-based designer of the Victorian signage typeface Erudite (2014) and the spurred typeface Trave (2015). In 2016, he designed the monoline connected script typeface Roundless, Favor, Boaedan Script (calligraphic wedding script style, accompanied by great ornaments) and Roundless Script.

    Typefaces from 2017: Fetani (a wonderful handcrafted typeface for bohemian gastronomy), The Jevera (brush script), Floure (letterpress emulation), Clairborne.

    Typefaces from 2021: Stora (a bold poster typeface). Behance link. Creative Market link. Behance link. Creative Market link for Refolve. [Google] [More]  ⦿

    Reymund Schroeder
    [Zeugler]

    [More]  ⦿

    Reza Design (or: Silverstein Design)
    [Akhmad Reza Fauzi]

    Jakarta, Indonesia-based designer.

    Typefaces from 2021: Atsuka Montreal (serif and script).

    In 2020, he designed Shania Quinton, Peter Quincy (a dry brush script / sans duo),

    In 2019, he published these script typefaces: Paula Matilda, Natalie Caydence, Mike Samiya, Death Squire (a horror font), Camilla Ahoy, Audrey Tatum, Olivade, Diane Amorta, Kasper Lullaby, Sharica, Brushella, Rawinda, Olismore, Shikatta (script), Peter Quincy (Sans, Script), Olime, Daisuke (monoline signature script), Ottmar, Hontary (brush script), Barthez (Victorian), Rodetta, Ganetha (an outstanding creamy script), Solvetta (a wild calligraphic script), Silver King (signage script), Barletta (a spurred vintage typeface). He also released the rounded sans typeface Minahils, the copperplate font Jakobenz, the spurred vintage / sans / serif/ monoline script typeface family Geovano, and the weathered vintage typeface Punizione in 2019.

    Typefaces made in 2018: Wensfort (script), Omelette Script (a creamy retro signage font), Hallory, Bellington.

    Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

    Rhega Juliandy
    [Deadlock Studio]

    [More]  ⦿

    Richard Beatty

    Richard Beatty (Colorado) died on May 14, 2018. He made beautiful fonts, often revivals and interpretations of old typefaces and calligraphic designs, and was influenced by Frederic Goudy. In the 1990s, he operated as Richard Beatty Designs, making over 500 typefaces. Most were only for private or corporate use. Richard's typefaces:

    • Baxter New Style (1988), Baxter Old Style (1988)
    • Beatty Victoriana (1991): a set of five Victorian era fonts---Wanted, Spiral, Recherché, Hermosa and Childs (1985). Hermosa and Childs are nearly art nouveau. Childs is a revival of an 1892 typeface by Hermann Ihlenburg. Puzzling note: the Linotype catalogue says that Kismet was designed in 1879 by John F. Cumming. When you look at Spiral by Richard Beatty, you find a close copy of Kismet; Beatty says it's an "edited version of Kismet", but he holds the copyright. Is this another case of legal cloning? Finally, Wanted is based on an ATF typeface, Fantail, that was already shown in 1889 by the Franklin Type Foundry.
    • Benjamin (2002, BeattyType): from sketches by Ed Benguiat.
    • BernardsHand (beautiful medieval hand)
    • Borders (1990, some designed by R. Mitchell and R. Beatty)
    • Calligraph Initials (1997): a Lombardic face.
    • Childs. After a design from 1893 by Hermann Ihlenburg.
    • Civilite
    • Cooper
    • Desdemona (1994, +Black): art nouveau
    • Doric
    • Doves Type (2006). After the famous Venetian typeface designed by Emery Walker and T.J. Cobden-Sanderson, 1900.
    • Duchy Blackletter, Duchy Initials (2002): A blackletter typeface based on a sketch by Ed Benguiat of Benton's Dutch Initials.
    • Elizabeth RB. After Frederic Goudy, 1900.
    • Elizabeth (1994, BeattyType): An all caps almost uncial face.
    • Fanny Mitchell, Fanny Mitchell Initials (2005).
    • GeneralMenou
    • Goodhue (2005).
    • Goudy Claremont (1993: based on Scripps College Old Style, 1941).
    • Goudy Italian Old Style (1992).
    • Goudy Mediaeval (1992).
    • Goudy Saks (1990: based on a typeface designed in 1934 by Goudy for Saks Fifth Avenue in New York).
    • Hermosa (1991). a Victorian typeface.
    • Kennerley Old Style (1986, after Goudy's 1911 design)
    • Jensen Eusebius, Jensen Eusebius New Style (1989). A Venetian typeface.
    • 11LivingstonJCL
    • Lucianard
    • Mediaeval Calligraphy
    • Ornaments (based on 1928 figures drawn by E. Adler)
    • Overdressed (2002): based on a sketch by Edward Benguiat for his Phototype Company.
    • Prairie Poster (Plain, Fancy): arts and crafts face.
    • Quillsong (calligraphic)
    • Recherché (1991). A curly Victorian typeface.
    • Rene Louis (1992)
    • Rolls Royce.
    • Spiral (1991). Revival of John F. Cumming's Victorian typeface.
    • Troyer
    • University Old Style. After Frederic Goudy, 1938.
    • Velda (2005, connected hand): the handwriting of Velda Burgess Will, classmate of the designer.
    • Wanted RB (1991). A western font.
    • White Tie, White Tie Relaxed (2005): roman lettering.
    [Google] [More]  ⦿

    Richard Diaz Granados
    [Stereo Type Haus]

    [MyFonts] [More]  ⦿

    Richard William Mueller

    Designer from Elkader, IA (or is he from Garnavillo, IA?), b. 1956. No web page, but the fonts, mostly made in the early 1990s, were collected by CybaPee at TypOasis for your downloading pleasure. His typefaces:

    • AdvertMF, AdvertMFItalic. Ultra-heavy brush lettering.
    • AkashiMF (1993). Oriental simulation font.
    • AltenglischMF
    • AmbrosiaMF (1995). Art nouveau.
    • AndreasPenMF, AndreasPenMFBold
    • AnglesMF. Beveled letters.
    • ApolloMF-Shadow, ApolloMF (1994-1997). Victoriana.
    • ArgosMF
    • AtlantisMF
    • BaileyMF (1997).
    • BlackCastleMF. A rounded blackletter.
    • BodieMFFlag, BodieMFHolly (1995). An American flag font.
    • BolideMF. A brush font.
    • BrandyMFScript (1993).
    • BravoMF (1994). A script typeface inspired by a 1945 font by E.A. Neukomm.
    • BurntMF. Halftone textured letters.
    • CamelotMF, CamelotMFBold (1995).
    • CarnivalMFOpen, CarnivalMFOpenShadow, CarnivalMFRimmed
    • Casual-Regular, CasualContactMF, CasualMarkerMF (1994). Marker pen fonts.
    • CignoMF. A delicate script.
    • Cinema-Regular
    • ClubMF
    • CoffeeTinMFInitials. Western circus font.
    • CreditCards. Dingbats.
    • GFCristateMF (1997). Borders and dingbats, published by Garagefonts.
    • DaisyMF
    • DipperMF, DipperMFDemiBold
    • DirectionsMF (1995).
    • DragonflyMF
    • EarthquakeMF. Broken letters.
    • EddaMF. Art nouveau.
    • EdisonMF (1995). Pure Victoriana.
    • ElectMF (1997).
    • FanfareMFFancy. Art nouveau.
    • FantasticMFInitials, FantasticMFModern
    • FarleyMF (1994).
    • FlamesMF
    • FleetingMF
    • FranconiaMF (1994).
    • GingerMF (1997). Late Victorian, early art nouveau.
    • GrangeMF
    • GreetingsMF
    • GuttenbergMF (1995). Victorian.
    • HayStackMFWide
    • HeeHawMF
    • HoffmanMF
    • InkHighlight
    • Knockout-Regular, KnockoutMFInitials
    • KompaktMF
    • LavaMF (1994).
    • LegrandMF
    • LongEarsMF
    • MaizeMF
    • MamaMF
    • MantelMF
    • MeltdownMF
    • MercuriusMF
    • NewDayMFScript
    • OceanViewMFInitials
    • OmegaMF-Bold, OmegaMF (1994).
    • PaintPeelMFInitials
    • ParchmentMF
    • PenMarkMFBold (1995).
    • PinewoodMF
    • PlymouthMF
    • PollockMF (1995). Marble-filled artsy display letters.
    • PoloBrushMF (1993).
    • PosturesMFInitials
    • Primitive
    • ProtestSignMF (1995).
    • QuaintMF
    • RaggedMF (1996).
    • ReefMF (1994).
    • SantaMonciaMF
    • Sexy-MF
    • SixtiesMF (1993). A psychedelic font.
    • SophieMF (1995). Art nouveau.
    • SpeedlineMF
    • SpiritsMF
    • StarshineMF
    • StereoMF
    • SteveMF (1997).
    • StowawayMF
    • SwingtimeMF (1995).
    • TamboScriptMF
    • TarantellaMF. An insect-themed decorative typeface.
    • TitaniaMF
    • TolkienUncialMF
    • TomahawkMF (1995).
    • TradingPostMFBold
    • TumbleweedMF
    • TuscanMFNarrow
    • UncleBobMF-Shadow, UncleBobMF (1993).
    • VassarMF
    • VeronaScriptMF
    • WaverlyMF
    • WetPaintMF (1996).
    • WindsweptMF
    • WishMF (1997). Art nouveau.
    • WizardryMF-Contour, WizardryMF (1997). Art nouveau.

    Abstract Fonts link. Klingspor link. Dafont link. Fontspace link. [Google] [More]  ⦿

    Ricky Hartasni
    [Taznix Creative]

    [MyFonts] [More]  ⦿

    Ricky Rinaldi
    [Aiyari]

    [MyFonts] [More]  ⦿

    Riska Kurniawan
    [Black Lotus]

    [MyFonts] [More]  ⦿

    Rizky Satyaludin
    [Maghrib Lab]

    [More]  ⦿

    RMU (Ralph Michael Unger Typedesign)
    [Ralph Michael Unger]

    Ralph M. Unger (b. 1953, Thuringia, East Germany) says this about himself at MyFonts: Typesetter from the composing stick via Linotype setting machines to the Mac. Jobs in various Thuringian printeries. Barred further education by Communist authorities due to political reasons. Imprisoned in East Germany. Since 1988 in the state of Baden-Wuerttemberg, former West Germany. Jobs in several newspaper printing houses as advertisement compositor. Own office since 1995, in Aalen, Baden-Wuerttemberg. He lives in Schwaebisch Gmuend, and was a freelance type designer for Profonts and URW++, where he contributed frequently to their libraries between 2002 and 2009. In 2009, he founded RMU. MyFonts link. I split his contributions into two groups, the URW / Profonts group, and the RMU group. The prefix FontForum refers to a subseries of URW++ fonts. Unless specifically mentioned, all the following fonts are at URW++ and/or Profonts:

    • FontForum Admiral Script (2005): revival of Middleton's Admiral script from 1953.
    • Amitié (2009): a garalde family.
    • Arabella Pro (2006): after the script by Arnold Drescher from 1936, published at Joh. Wagner.
    • Fontforum Atrament (2006): architectural lettering. Do not confuse with a Suitcase Type Foundry font from 2003 by the same name.
    • Atze (2010): a comic book family.
    • Behrensschrift D (2007): after the jugendstil typeface Behrens Schrift, 1902, by Peter Behrens.
    • FontForum Bernhard Script (2005): after Bernhard Script from the 1920s.
    • Bradley (2005): blackletter, after the original by William H. Bradley.
    • Breite Kanzlei (2007).
    • Breitkopf Fraktur (2003): after the original by Johann Gottlob Immanuel Breitkopf, done in 1793.
    • Brocken (2011) is a signage typeface inspired by a design of Volker Küster (1960s).
    • Profonts Bureau (2010, Profonts): a minimalist rounded sans family.
    • FontForum Calypso (2005): a revival of Roger Excoffon's Calypso (1958).
    • Card Pro (2006): a decorative display based on Ella Cursief (1916, Sjoerd Hendrik de Roos, Lettergieterij Amsterdam).
    • Chaweng (2006, Profonts): an oriental all caps simulation face.
    • Civilite URW (2005).
    • Compliment (2004, casual script). Based on a 1965 script by Helmu Matheis for Ludwig & Mayer.
    • Cranach (2007): a blackletter typeface modeled after Kuenstler Gotisch from the Krebs Foundry.
    • Dominante (2007): a serif family based on Johannes Schweitzer's font by that name, 1959.
    • Dominique (2010, profonts): an informal typeface.
    • FontForum URW Ecsetiras (2005): revival of Ecsetirás (Zoltan Nagy, 1967, a brush face).
    • Edda Pro (2008). An art nouveau typeface that revives a Heinrich Heinz Keune typeface from 1900.
    • Energia Pro (2008, Profonts): connected monowidth script, based on Arno Drescher's Energos from 1932.
    • Estro (2003, Western lettering). Seems close to Nebiolo's Estro from the 60s.
    • Eurobrush Pro (2007, Profonts): handwriting.
    • EuroSans (2008).
    • Euroscript Pro (2006, Profonts): school script typeface based on his own handwriting.
    • Flashes (2007): a revival of Crous-Vidal's Flash, 1953.
    • Fox (2007): a brush script based on W. Rebhuhn's original from the 1950s.
    • Gamundia (2010): a calligraphic copperplate script inspired by Excoffon's Diane.
    • Ganz Grobe Gotisch (2006): a fat blackletter modeled after the original by F.H.E. Schneidler.
    • Gmuender Elan Pro (2011) is a 1950s style script face.
    • Gradl Nr 1 (2008): based on hand-drawn art nouveau upper case characters by M. J. Gradl, ca. 1900.
    • Graphique Pro (2008): shaded caps face, based on Graphique, which was originally created by Swiss designer Hermann Eidenbenz in 1945, and issued as hot metal font by Haas'sche Schriftgießerei. See also New Graphique Pro (2011).
    • Handel Slab (2009): a 6-style extension of Trogram's 1980 typeface Handel Gothic.
    • Hanseat (2010): a grotesque family done at Profonts. It was heavily inspired by Germany's official DIN 1451 Engschrift.
    • Iova Nova (2007): based on Jowa Script, designed by J. Wagner in 1967.
    • Profonts>Impression (2008): art deco.
    • Jessen Schrift (2004): after the Rudolf Koch blackletter typeface by that name.
    • FontForum URW Konzept Pro (2005): revival of Konzept (1968, Martin Wilke's handprinting face).
    • Legende (2002): a script typeface based on the original typeface of Friedrich Hermann Ernst Schneidler (1937).
    • Leipziger Antiqua. The original Leipziger Antiqua by Alfred Kapr at Typoart dates from 1971 until 1973. The digital version of Leipziger Antiqua was developed by Ralph M. Unger in 2005.
    • Manuskript Antiqua (2005): after Oldrich Meinhart's Manuskript Antiqua.
    • The Maszynysta family of heavy industrial sans typefaces (2010) have a textured style (Struktura), a Shadow, and a plain Roman.
    • Maxim (2003, Profonts): The heavy brush typeface Maxim was originally designed by Peter Schneidler in 1956 for the Bauer foundry.
    • New Bayreuth (2008): after Friedrich Hermann Ernst Schneidler's Bayreuth from 1932.
    • Old Borders and Lines (2010). A free font.
    • Ornella (2008): Jugendstil.
    • Peter Schlemihl (2008, Profonts): a revival of a blackletter by Walter Tiemann.
    • Pedell (2009): a casual script.
    • Polo (2002): a brush face modeled after Carl Rudolph Pohl's Polo (1960).
    • In 2012, Ivana Koudelkova co-designed the grungy headline typeface Retroactive Pro with Ralph M. Unger at Profonts.
    • Fontforum Rhapsody (2006): a revival of Ilse Schüle's rotunda face.
    • Roberta (2003): art nouveau typeface after obert Trogman's typeface for FotoStar.
    • FontForum Signs and Symbols (2006).
    • Splendor (2009): a revival of a brush script typeface by Wilhelm Berg, Schriftguss, 1930. See also Splendor Pro (2014).
    • Sportowy (2009): an outline face.
    • Stanford (2011). A sports lettering face.
    • Stiletto (2006): a medieval script.
    • Fontforum Stripes (2007): a multistripe op art display typeface based on a Letraset font from 1973 by the same name.
    • Fontforum Thalia (2006): retro font.
    • Tintoretto (2006): shadow display face based on an origonal by Schelter & Giesecke.
    • Tip Top Pro (2008): a Julius Klinkhardt art nouveau typeface revival.
    • FontForum Unciala (2005): a revival of Oldrich Menhart's typeface Unciala (1953, Grafotechna).
    • Unger Chancery (2005).
    • Unger Script (2003): based on H. Matheis' Slogan typeface designed for Ludwig&Mayer in 1957.
    • Veltro (2007): after a 1931 original by G. da Milano at Nebiolo.
    • Profonts Woodpecker (2008).
    The list of RMU fonts:
    • Affiche (2017). A revival of Helios Reklameschrift of the Klinkhardt foundry.
    • Aldo Manuzio (2017). After a house typeface from 1897 by Schelter&Giesecke.
    • Amati Pro (2010): after Georg Trump's condensed didone face, Amati, 1951.
    • Antiqua Florenz (2021). A revival and extension of Paul Zimmermann's Antiqua Florenz (1960, Ludwig & Mayer), which is based on Venetian romans.
    • Avus Pro (2012). A sans family that extends Gert Wunderlich's Maxima (1970).
    • Baroque Pearl (2016). A pearly typeface that revives Peter A. Demeter's Fournier Geperlt (1922, Schriftguss).
    • Behrens Kursiv (2013). After a 1906 original by Peter Behrens.
    • RMU Belvedere (2020). A revival of Heinrich Wieynck's art nouveau / fin-de-siècle typeface Belvedere (1906, Bauer).
    • RMU Bison (2020). A revival of Julius Kirn's brush script Bison (1935-1938, C.E. Weber).
    • Bernhard Blackletter (2016). After Lucian Bernhard's extrafette Bernhard Fraktur (1921).
    • Bernhard Cursive Extra Bold (2010).
    • Borghese (2015). An art nouveau font after a Schelter & Giesecke original from 1904.
    • Borgis Pro (2012). A Clarendon-style text family.
    • Boulette (2015, a fat creamy script).
    • RMU Bowery (2019) A revival of Old Bowery (1933, ATF)).
    • Bravura Pro (2013). After G.G. Lange's Publica.
    • Bricklayers (2012). An original fat slab display face.
    • Brillant (2009): art nouveau and ultra heavy.
    • Butti (2011). A script family paterned after Fluidum (1951, Alessandro Butti, Nebiolo).
    • Cable Condensed (2014). Based on Koch's Kabel.
    • Caesar Pro (2011). A flared sans typeface after Caesar Schrift (1913, Georg Schiller, C.F. Rühl).
    • Capitol Pro (2012). An art deco typeface based on Capitol (Karl Hermann Schaefer for Schriftguss, 1931).
    • Carina Pro (2017). A calligraphic script typeface based on Rautendelein (1929, Schriftguss).
    • Carla Pro (2013). A broad-nibbed script modeled after Ballantines Script (Elsner & Flake, 1974; see also Ballantines Serial by SoftMaker).
    • Carlsbad (2018). A couple of art nouveau typefaces based on originals from 1895 by H. Berhold called Regina Cursiv and Hansa Cursiv.
    • Caslon Gotisch (2009): after the original by William Caslon from 1763.
    • Celebration (2009): blackletter.
    • Circensis (2016). A Western circus font based on a concept of Fritz Richter.
    • Claudius (2010): after a 1937 blackletter font at Klingspor.
    • Constanze Pro (2012). A light cursive typeface based on Constanze (1954, Joachim Romann, Klingspor).
    • Contact Pro (2010): after Contact, a 1963 font by Helmut Matheis.
    • Dante Alighieri (2018). Based on a Schelter & Giesecke original.
    • Daphnis (2016). A revival of Daphnis (1929, Walter Tiemann).
    • Deutschmeister (2017). A textura blackletter typeface after Deutschmeister by Berthold Wolpe for Ludwig Wagner in 1934. (Some dispute that Wolpe made this font.)
    • Diamant Pro (2012). A transitional serif face.
    • Emilia (2016). Based on Weiss Antiqua (1928) by Emil Rudolf Weiss.
    • Neue Echo (2016). Based on Echo for Schriftguss.
    • Elbflorenz (2020). A revival of Albert Auspurg's display typeface Miami (1934, Schriftguss).
    • Emilia Gotisch (2016). After Weiss Gotisch (1936) by Emil Rudolf Weiss.
    • Emilia Fraktur (2021). A revival of Emil Rudolf Weiss's Weiss Fraktur (1913).
    • Erler Titling (2015). After Erler Versalien (1953, Herbert Thannhaeuser for Typoart).
    • Eurotech Pro (2011): a slabby techno family.
    • Faulkner Pro (2011): a connected heavy signage script based on Alan Meeks's Kestrel.
    • Fette Kanzlei (2019).
    • Fette Unger Fraktur (2010).
    • Fichte Fraktur (2020). After Walter Tiemann's Fichte Fraktur (1934).
    • Fontanesi RMU. An ornamental caps typeface that revives Aldo Novarese's Fontanesi (2018).
    • Forelle Pro (2010): after the original Forelle script typeface by Erich Mollowitz, 1936.
    • Frankenberg Pro (2012). An antique script face.
    • Gabor Pro (2014). A connected copperplate script.
    • Gaby Pro (2017). A revival of Hans Möhring's script typeface Gabriele (1938 or 1947, C.E. Weber).
    • Garamond Antiqua Pro (2015).
    • RMU Gilgengart (2020). A revival of Hermann Zapf's Fraktur font Gilgengart (1938).
    • Gillray Pro (2015). A copperplate script after Hogarth Script (by Harald Bröder for Typoart).
    • RMU Gloria (2019). After Gloria (1898, Emil Gursch).
    • RMU Gong (2020). Based on Arno Drescher's Super Grotesk Schmalfett first released in 1933 at Schriftguss.
    • Gmuender Gravur (2011). A 3d shadow face. Gmuender Antiqua Pro (2015) is influenced by the metal font Imprimatur (1952-1955, Konrad F. Bauer and Walter Baum). Gmuender Kanzlei (2018) is a blackletter typeface.
    • Goethe Fraktur (2022). A revival of a blackletter typeface by Wilhelm Woellmer (1905).
    • Gravira (2021). A revival of Herbert Thannhaeuser's Gravira, released by Schelter & Giesecke in 1935 .
    • Haenel Antiqua (2020, based on a 19th century antiqua by Eduard Haenel) and Haenel Fraktur (2011, after Haenel Fraktur, ca. 1840).
    • Hanse Textura (2020). A revival of a textura by Hermann Zapf.
    • RMU Helion (2020). A revival of the 3d titling typeface Helion (1935, Arno Drescher for Schriftguss Dresden).
    • RMU Herkules (2019). After a late 19th century font by Bauer and Berthold called Reklameschrift Herkules.
    • Hoelderlin (2018). After Eugen Weiss's Hoelderlin blackletter font (1937).
    • Hoyer Script (2017). After Hanns Thaddeus Hoyer's Hoyer Schoenschrift (1939, Stempel).
    • Hupp Fraktur (2016). After Otto Hupp, 1911.
    • Impuls (2010): a brushy typeface based on Paul Zimmermann's Impuls (1945).
    • Initials RMU One (2012) consists of revivals of Rudhardsche Initialen (Otto Eckmann, ca. 1900) and Walthari Initials (ca. 1900, Rudhardsche Giesserei). Initials RMU Two (2012) consists of revivals of Jubilaeumsinitialen (by Bauersche) and Augsburger Initialen (by Peter Schnorr, 1901).
    • Jean Paul Fraktur (2021). A revival of Breitkopf's Fraktur font Jean-Paul-Schrift (1798).
    • Jobs Gravure (2011). It had to happen---a few days after Steve Jobs' death, Unger released the beveled engraved typeface Jobs Gravure, which is an extension of Trump Gravur (1954, Weber).
    • Jolly Polly (2012): a curly non-connected script face.
    • Kis Antiqua Pro (2018). A revival of Hildegard Korger's Kis Antiqua at Typoart.
    • Kleist Fraktur (2010): after Walter Tiemann's original.
    • Kompress Pro (2013). Two compressed sans typefaces.
    • RMU Kontrast (2021). An art deco typeface that revives Kontrast (1930, F.H.E. Schneidler at Weber).
    • Koralle RMU (2018). A revival of Schelter and Giesecke's Koralle (1915).
    • Korpus Pro (2014). A text typeface family. Followed later in 2014 by Korpus Sans Pro.
    • Korpus Serif Pro (2021). A revival and extension of Timeless (Typoart) that covers Greek, Latin and Cyrillic.
    • Leibniz Fraktur (2012) is modeled after the famous Genzsch & Heyse blackletter font.
    • Lenbach (2021). Inspired by a German font from the Victorian era.
    • Liliom Pro (2012). A beautiful fat didone typeface based on an original from the Fonderie Française.
    • Lipsia Pro (2011). An angular serif family.
    • Literatura Pro Book (2012).
    • Litfass (2021). A revival of an art nouveau font by Flisch.
    • Lutetia Nova (2014). A fresh two-style take on Jan van Krimpen's Lutetia (1924).
    • RMU Luchs (2021). A redesign of Jakob Erbar's inline all caps art deco font Lux (Ludwig & Mayer, 1929).
    • Luxor Pro (2010): a Victorian/Western display face.
    • Lyrica (2014). A revival of the informal blackletter typeface Lyrisch (1907, Georg Schiller).
    • RMU Magnet (2021). A redesign and revival of Magnet (1951, Arthur Murawski at Ludwig & Mayer).
    • RMU Manolo (2019). Based on the art nouveau typeface Manolo (Ludwig & Mayer).
    • Manutius Pro (2012).
    • Meister Antiqua (2011, +Bold, +Book). A Typoart original from 1951 in the tall flared ascender serif genre, revived and extended.
    • Mitropaschrift (2016). An octagonal original.
    • Mobil Pro (2011). A semi-script typeface in the fifties style of Matheis.
    • Monument (2010): a 3d shadow roman caps face created after Oldrich Menhart's Monument.
    • Narziss (2018). A revival of Walter Tiemann's Narziss from 1921.
    • RMU Neptun (2021). A revival and extension of the art nouveau typeface Neptun by Aktiengesellschaft fuer Schriftgiesserei und Maschinenbau, Offenbach.
    • Neue Kurier (2011). Typoart's popular signage script font in a new, completely remastered version.
    • Neue Muenchner Fraktur (2010).
    • Neue Schwabacher (2021). After Albert Anklam's Neue Schwabacher (Genzsch & Heyse, 1876).
    • Neue Thannhaeuser (2011).
    • Old Towne Pro (2010): a Western font.
    • RMU Omega (2020). After Omega, an art deco typeface by Friedrich Kleukens at Stempel in 1926.
    • Orbis Pro (2016). A revival of Walter Brudi's shadow typeface Orbis (1953, Stempel).
    • Orplid Pro (2019). a layerable typeface that revives and extends Hans Bohn's all caps Bauhaus era typeface Orplid (1929).
    • Parcival Antiqua (2016). A revival of Parcival Antiqua (1926, Herbert Thannhaeuser).
    • Parfum (2013). A low x-height script that was inspired by Howard Allen Trafton's Quick (1933, bauer).
    • Parler Fraktur (2018). A revival of Friedrich Poppl's Poppl Fraktur.
    • Parler Gotisch (2011). A blackletter face.
    • RMU Pittoreske (2019). A decorative Victorian typeface.
    • Plastica Pro (2015, a chiseled typeface inspired by a J. Lehmann design).
    • RMU Pergola (2021). A vintage shadow typeface inspired by a late-19th century font of Georg Giesecke.
    • Post Fraktur (2014) and Postillon (2014). After Herbert Post, 1933-1937.
    • Primana Pro (2012). A seductive geometric grotesk family.
    • Prinzess Gravur (2010): a blackletter typeface modeled after Prinzeß Kupferstichschrift (1905, Berthold).
    • Prisma Pro (2011). Revival and extension of Rudolf Koch's multiline typeface Prisma (1931).
    • Reklame Fraktur (2016). After Reklame Fraktur by Albert Christoph Auspurg, 1914.
    • Reflex Pro (2018). All caps, with an inline style.
    • Reznicek Pro (2011) is a post-Victorian pre-art nouveau typeface named after Ferdinand von Reznicek (1868-1909), one of the leading artists and illustrators of those times.
    • Rekord Antiqua (2020). A revival of the art nouveau era text typeface Rekord Antiqua (1911, Wagner & Schmidt).
    • Rhythmus Pro (2016). After a Schriftguss AG and Schelter&Giesecke original grotesk, and extended to cover Cyrillic.
    • Ridinger Std (2012). Based on Riedingerschrift (Franz Riedinger, 1906, for Benjamin Krebs Succ.).
    • Ronde Pro (2011): roundhand script.
    • Royal Grotesque (2021). A revival of Wotan by Wagner & Schmidt, 1914. Did this typeface become RMU Royal Sans (2022)?
    • Salzmann Fraktur (2019). A revival of Max Salzmann's blackletter font released by Schelter & Giesecke in 1912.
    • Saskia Pro (2016). Revival of Jan Tschichold's Saskia (1931, Schelter & Giesecke).
    • Schmale Anzeigenfraktur (2009): based on Koch's Schmale Deutsche Anzeigenschrift, 1923, Klingspor.
    • Schmale Mediaeval (2020). Based on Schelter & Giesecke's Schmale Mediäval (1840).
    • Schmuckinitialen (2009): an ornamental caps typeface in the art nouveau style based on Walthari Initials [Walthari (1899, Heinz König for the Rudhard'sche Giesserei) in the upper case and Eckmann Initials (ca. 1900, by Otto Eckmann, Germany's chief art nouveau type designer) in the lower case].
    • Schreibmeister (2021). Ralph's interpretation of Arno Drescher's formal cursive typeface for Ludwig Wagner (1958, Leipzig).
    • Schwabacher Book (2013).
    • Sebaldus (2019). A heavy blackletter typeface, after Sebaldus Gotisch (1926, H. Berthold).
    • Senatsfraktur (2020). After Friedrich Bauer's Senats Fraktur done in 1907 for Genzsch & Heyse.
    • Concordia (2020). A revival of Sensation Schmalfett (1914, Heinrich Hoffmeister).
    • Siegfried Pro (2017). A revival of the art nouveau typeface Siegfried (1900, Wilhelm Woellmer).
    • RMU Skizze (2021). This revives Walter Höhnisch's script typeface Skizze (1935, Ludwig&Mayer).
    • Staxx Pro (2013). A prismatic typeface.
    • Staufer Gotisch (2015). An engraved blackletter typeface modeled after Herbert Thannhaeuser's Hermann Gotisch (Schriftguss, 1934).
    • Steinschrift Pro (2015). A single style condensed sans serif.
    • Sylphe Pro (2019). A vintage script font that revives Schelter & Giesecke's Isabel (not Sylphide, as claimed by him).
    • Tablica (2017). After Karl-Heinz Lange's DDR telephone directory font Minima (1984).
    • Thannhaeuser Fraktur (2013) is a redesign of Typoart's Thannhaeuser Fraktur.
    • Thomasschrift (2014). A rustic typeface that revives and extends Thomas-Schrift by Friedel Thomas (1957-1958, Typoart).
    • Titanschrift (2011). A yummy soft and fat display face.
    • Tombola (2018). After an alphabet from the 1920s by Otto Heim.
    • RMU Trianon, renamed RMU Trifels (2020). After Heinrich Wieynck's Trianon (1905, Bauersche Giesserei).
    • Trocadero Pro (2010): an extension and revival of Trocadero Kursiv, 1927, Albert Auspurg, Trennert.
    • Troubadour Pro (2010): In Medium and Engraved styles.
    • Trump Deutsch (2011): a blackletter face, after the 1935 original by Georg Trump.
    • Trybuna (2013). Based on Herbert Thannhaeuser's Liberta Antiqua (1958), but completely redrawn.
    • Turnier (2019). A revival of G.G. Lange's derby (1952-1953).
    • Tyton Pro (2013). A brush script after Heinz Schumann's famous 1964 Stentor.
    • Typoskript Pro (2010): a revival of Hildegard Korger's Typoskript, first done at TypoArt in 1968.
    • Unger Fraktur (2010): after a 1793 design by Johann Friedrich Unger; includes fett and mager.
    • Walbaum Antiqua Pro (2013). A revival of Justs Erich Walbaum's didone classic.
    • RMU Wallau (2019). After Rudolf Koch's rotunda typeface Wallau (1926-1934).
    • Werbedeutsch (2021). A revival of the blackletter typeface Buchdeutsch (Ernst Schneidler, 1926).
    • Wieynck Fraktur (2019). after Heinrich Wieynck's Wieynck Fraktur (1912).
    • Wieynck Gotisch (2018). After Wieynck Gotisch (1926, Heinrich Wieynck).
    • Zentenar Fraktur (2010): mager and halbfett; after the 1937 workhorse by Ernst Schneidler at Bauer.
    • Zierfraktur (2010): after Deutsche Zierschrift, an engraved blackletter font that was cut by Rudolf Koch between 1919 and 1921 for Klingspor.

    Ralph made some typefaces outside URW/Profonts and RMU, such as Stripes (2014, a prismatic typeface puvlished by Thinkdust).

    Klingspor link.

    View Ralph M. Unger's typefaces. [Google] [MyFonts] [More]  ⦿

    Robert Donona

    Cleveland, OH-based expert (b. 1964) in American film type, who launched himself in type design in 2006, and has made great contributions in the Type Heritage Chapel project, reviving mostly 19th and 20th century American typefaces, including many Victorian designs. In particular, he revived, or is working on the revival of, these typefaces:

    • Alhambra (2013). Based on Alhambra (unknown designer at J.M. Conner, 1874).
    • Anglo Saxon (2013) and Anglo-Saxon Open (planned). Based on Anglo Saxon (Haenel 1847, French A.T. Kay / Caslon, 1854).
    • Armenian No. 2 (2013). Based on Armenian No. 2 (C.E. Heyer for BBS, 1879).
    • Artistic Initials (2014). Based on Artistic / Belmont Initials, Ornaments (H. Ihlenburg / MSJ, 1888).
    • Artistic (2013). Based on Artistic Belmont (H. Ihlenburg / MSJ, 1886).
    • Bruce Black No. 583 (2013). Based on Black No. 583 (H. Brehmer / Bruce, 1888).
    • Bulletin Script (2013). Based on Bulletin Script Paint Brush (Haenel, 1847).
    • Cadence (2015). Based on Cadence (E. Lauschke / BBS, 1888).
    • Card Gothic (2013). Based on Card Gothic (A.V. Haight / Farmer, 1882) .
    • Caslon (2013). Based on Caslon (unknown designer, T.W. Smith / Caslon, 1885).
    • Charlemagne (2019). Based on Charlemagne (Stephenson Blake, c1885).
    • Circular Text (2013). Based on Circular Black (H. Ihlenburg / MSJ, 1883).
    • Colgate (2013). Based on Colgate (unknown designer, W. Barnhart / BBS , 1888).
    • Dado (2013). Based on Dado (H. Ihlenburg / MSJ, 1882).
    • Dennison Script (2013). Based on Dennison Script (unknown designer, BBS 1907).
    • Egyptian Ornamented Rose (2013). Based on Ornamental Rose Egyptian (Bower & Bacon, 1830; E. Allen / Nesbitt, 1838) .
    • Fanchon (2013). Based on Fanchon (unknown designer, BBS, 1893).
    • Geometric Condensed (2014). Based on Geometric Condensed (W.W. Jackson and G.F. Schroeder, J.A. St. John / Central TF, 1882).
    • Gothic Ornate (2013). Based on Gothic Ornate (H. Ihlenburg / MSJ, 1875).
    • Goth Tusc No. 1 (2013). Based on Gothic Tuscan No. 1 Verbena (W.H. Page, 1872).
    • Grolie (2016). Based on Grolier (H. Ihlenburg / MSJ, 1887).
    • Gypsy (2017). Based on Gypsy Ornamented No. 1056 (J. Herriet Sr. / Bruce TF, 1877).
    • Hair-Line Condensed (2013). Based on Hair-Line Condensed (Bruce TF, 1848).
    • Harlech (2013). Based on Harlech (unknown designer, Haddon, 1903).
    • Italian Text (2013). Based on Italian Text Numbered (Haenel, 1847 French?).
    • Jupiter (2018). Based on Jupiter (Schroeder / Central TF, 1888).
    • Legend (2013). Based on Legend (J.K. Rogers / Boston TF, 1880).
    • Lincoln (2013). Based on Lincoln (unknown designer, Schelter & Giesecke, 1894).
    • Morning-Glory (2013). Based on Morning Glory (G. Schroeder / Central, 1884).
    • Nestor Script (2015). Based on Nestor Script (unknown designer, BBS, 1898).
    • No. 128 (2014). Based on Page No. 128 (W.H. Page, 1882).
    • Obelisk (2013). Based on Obelisk (H. Ihlenburg / MSJ, 1881).
    • Ornamented No. 1543 (2016). Based on Ornamented No. 1543 (J. Herriet Sr. / Bruce TF, 1876).
    • Pen Writer (2013). Based on Pen Writer (R. Gnishwitz / Keystone, 1889).
    • Pencraft (2013). Based on Pencraft (H. Ihlenburg / MSJ, 1885).
    • Queen Anne Text (2013). Based on Queen Anne Text (E. Ruthven / MSJ, 1881).
    • Quentell (2013). Based on Quentel (W.P. Quentell / ATF, 1895).
    • Random (2013). Based on (unknown designer, Farmer, 1889).
    • Reclame (2013). Based on (unknown designer, Flinsch c1900).
    • Romanic (2013). Based on Romanic (unknown designer, Farmer, 1884).
    • Shanks_Expanded_No._3 (2019). Based on Shanks Expanded No. 3 (Shanks, 1860).
    • Skeleton Gothic (2014). Based on Skeleton Gothic (Conner TF, 1891).
    • Spinner Script (2015). Based on Spinner Script (J. Graham, 1883; C. Müller / Marder Luse TF ).
    • Stipple (2014). Based on Stipple (Herman Ihenburg / MSJ, 1890; Prescott 2018-08-23 Volume I
    • Stylus (2014). Based on Stylus (H. Ihlenburg / MSJ, 1883).
    • Tremont (2014). Based on Tremont (unknown designer, C. Schraubstadter Sr. / Boston TF, 1872).
    • Tudor Black (2014). Based on Tudor Black and Old Tudor Black (unknown designer, 1878 Miller & Richard, 1883).
    • Tuscan Graille (2013). Based on Tuscan Graille Stellar, Ornamented No. 1046 (Caslon TF, c1865; Bruce TF, 1865).
    • Tuscan Shaded (2013). Based on Tuscan Shaded Numbered (Haenel, 1847).
    • Typo (2013). Based on Typo (W.W. Jackson / MSJ, 1891).
    • Unique (2019). Based on Unique (H. Ihlenburg / MSJ, 1874).
    • Utopian (2013). Based on Utopian (W.F. Capitain / Marder Luse, 1887).
    • Valencia (2013). Based on Valencia (unknown designer, Boston, 1879).
    • Winchell (2013). Based on Winchell (E. E. Winchell / Inland TF, 1903).

    Youtube interview. [Google] [More]  ⦿

    Roberto de Vicq de Cumptich

    Brazilian graphic and type designer, who teaches at Type Cooper West (in San Francisco) and is a renowned restaurant branding designer. Bembo's Zoo is Roberto de Vicq de Cumptich's children's book with all drawings integrated with glyphs from Bembo. He also published Men of Letters and People of Substance (David R. Godine, 2007). The promotional blurb states: de Vicq takes the designs of type and ornaments (known affectionately in the trade as "dingbats") and common linecuts to form the typefaces of his literary heroes. In the second part he combines type ornaments and icons to suggest a typeface with singular attributes: pride, fear, fanaticism, and surprise. But these are not drawings; they are images arranged from the combination of specific and discrete graphic forms. They are created on a computer and not in a composing stick. Designer at Muccatypo of Bastardo, Wet and Genealogy.

    He wrote Words at Play (with Matteo Bologna, Adobe, 2004), about which he says: This book showcases type portraits of well-known writers in a playful homage to the power of words and the beauty of typography. In 2010, he designed a PDF brochure for TDC in New York entitled How To Make Love To Your Type [and the typophiles as a group are a cranky bunch without any sense of humor].

    In 2021, he released Tuppence at Delve Fonts. Tuppence is a contemporary interpretation (including a variable font) of Blackfriars, a reversed-contrast Victorian typeface released in 1910 by London foundry Stephenson Blake.

    Typographic picture by TDC, 2009. Another URL. Klingspor link. Adobe link. [Google] [More]  ⦿

    Robyn Phillips
    [Skeldale House Treasures]

    [More]  ⦿

    Rockboys Studio (or: Rockboy Studio)
    [Hayinah Hayinah]

    Graphic designer in Jambi, Indonesia, who says that most of his clients are tattoo craftsmen. Creator of Angelissa (2020: a formal calligraphic font), Hayes Preston (2020: a signage script) and Huntly, (2020: a decorative blackletter font that has interesting options for adding frills and swashes).

    Typefaces from 2021: Rosica, Andina Janelia (a heavy monoline script), Geotrica (a 4-style geometric sans), Jack Mason (a script with a large x-height), Kinghood (serif), Reymond (a sturdy brush script), Beauty Festival (script), Buffallo (a scrapbook script), Hellowhiten (a signature script), Linguista (a monoline upright script), Santarino (a dry brush script), Autosmash (a dry brush script), Avengeline (script), Delphanium (calligraphic script), Reskova (a dry brush script), Alphayouth (a dry brush script), Brostone (a dry brush script), Geostar (dry brush caps), Stargold (script), Castonvilla (a creamy script), Shutdown Brush (a dry brush script), Anabelia (an upright monoline script), Hugio (a decorative serif), Belliza (a dry brush script), Priscilla (a scrapbook script), Bottania (a scrapbook script), Brettisa (script), Alovetha (script), Warmtone (script), Westerna (script) Shootballs (a fat finger script), Boldetton (a scrapbook script), Roselitta (a wild calligraphic script), Aghitta (brush script), Rustcyber (a dry brush script), Brushtter (a dry brush font), Slatteros (a brush script), Finesolla (a dry brush script), Strike Brush, Thunder (a bold brush script), Deska Magosta (a swashy display serif), Mogenta Signature, Darkness Brush, Blackshot (an exaggerated Victorian typeface), Battle Skill (a dry brush font), Bellazio (a tall and effective dry brush script), Astallya Script (monolinear), The Classic Signature, Zero Master (a techno stencil for cyber-starved geeks), Roxelane (hyper-ornamental and Victorian, perhaps useful for tattoos), Ludovica (a formal calligraphic script).

    Typefaces from 2022: Contagia (a meaty decorative serif), Vessagio (a tuxedoed sans). [Google] [MyFonts] [More]  ⦿

    Rodrigo López Fuentes

    Chilean type designer who studied at Universidad de Chile and teaches at Pontificia Universidad Catolica de Chile. Santiago, Chile-based co-founder, with Sergio Leiva Whittle, of Untype in 2017.

    He won an award in the display type category at Tipos Latinos 2012 for Needham Black, and at Tipos Latinos 2010 for his text typeface Amaranta.

    In 2016, he published the humanist sans typeface family Aromo at Underground and the likable slab serif Rogliano at TipoType. Rogliano Pro followed in 2019 at Untype: Rogliano Pro is a 70-font humanist slab serif super family (7 weights on 5 styles each plus matching italics) that while maintaining a strong and direct backbone, sustains a warm undertone that nods to the lettering and lithographic posters of the Victorian era. It contains William Morris-influenced borders.

    Co-designer, with Sergio Leiva Whittle, of the 18-style wedge serif typeface family Nikola (2017), which won an award at Tipos Latinos 2018. In 2018, they published the humanist sans typeface family Axios.

    In 2018, Lopez Fuentes published the major workhorse sans typeface Wozniak, which is named after Steve Wozniak as a tribute to the pioneers of the digital revolution, and has all the bells and whistles of a modern typeface.

    Typefaces from 2020: Madero Slab (monolinear, in 42 styles; with Sergio Leiva Whittle), Mondo (a great display typeface characterized by incised terminals and a humanist ductus), Mondo News (20 styles), Tectonica (a decorative didone by Rodrigo López Fuentes, in Poster, Engraved and Swash styles: it appears to be almost identical to his 2019 font family Tectonic).

    Typefaces from 2021: Suave Pro (an 18-style humanist sans with rounded terminals). [Google] [MyFonts] [More]  ⦿

    Ronna Penner
    [Typadelic]

    [MyFonts] [More]  ⦿

    Ronnie Dela Cruz
    [Active Sphere]

    [MyFonts] [More]  ⦿

    Ronny Agan

    Cipta Nuansa, Indonesia-based designer of the decorative Victorian typeface Bogalakon (2019) and the Victorian typeface D Warung (2019). [Google] [More]  ⦿

    Roos&Junge

    German foundry established in 1886 and located in Offenbach. Acquired by D. Stempel in 1915. Typefaces include Teutonia (scan) and Offenbacher Reform (blackletter, ca. 1900). Offenbacher Reform was revived by Peter Wiegel in 2015. Teutonia is being reworked by Dan Reynolds as Teutonia Serif (2005) and/or Mountain. HiH made another revival in 2007, also called Teutonia. One of their art nouveau / Victorian typefaces, Mira, was digitized as Mira (2009, Tom Wallace). Komet is another art nouveau face, and Romanische Initialen is a decorative caps face. [Google] [More]  ⦿

    Rubi Valverde

    Graduate of UNAM who is based in Mexico City. In 2018, she designed the curly Victorian typeface in a class taught by Cristobal Henestrosa. [Google] [More]  ⦿

    Rudolph Gnichwitz

    Type designer from Ashbourne, PA, who filed some designs with the US patent office. With Edwin C. Ruthven, he created an unnamed border type in 1889 for the Mather Manufacturing Company of Philadelphia. He made a curly Victorian face in 1890. In 1889, he made an art nouveau face. [Google] [More]  ⦿

    Runsell Type (or: Runsell Studio, Studio Runsell)
    [Anna Safitri]

    Magelang and/or Temanggung, Indonesia-based designer of Stayhend (2016, brush script), Shanthans (2016, brush script), Menulis (2016), Revalina (2016, grunge), Asbak, Rollingline (2016, brush script), the creamy script typeface Qisah (2016), the display typefaces Mishall (2016) and Stangbunder (2016), and the handcrafted display typefaces Smanca (2016), Beliung (2016), Sathas (2016) and Rolade (2016).

    Typefaces from 2017: Homeland, Standley, Seact, Hollybear, Vertica, Robusta.

    Typefaces from 2018: Royal Stamford, Fairyland, Lancaste, Britania Letter (a signature font), Northam Thorne, Throttles, Amanda Santiago, Red Brick, Rusted Orlando, Lightstone, Echomotors (+Script), Jumping Frog, Soulgates, Qatar Capital, Arthurdale, Jessy Odelya, Robusta, Robusta Sans, Tosca Beauty, Pacific Coast, Eudora, Housemate, Shilkmen Sans, Morristone Script, Macrone, Belle Hamilton, Justlyne, Hockley, Natalia Roseline, Woodystone, Artista, Arucard, Adelline, Brush Wayne.

    Typefaces from 2019: Windgard, Historical, Robusta II (Sans, Script), Lancaste Sans, Lancaste Serif, Hemispheres (Sans, Bold Sans, Script), Eudora, Salveation (vintage script, serif and slab serif family), Glorial (font duo), Schramberg (script + sans), Josephine (script).

    Typefaces from 2020: Burma (a vintage label font), Historical (calligraphic), Goldenside (script), Regint (a display serif), Wildstreet (a dry brush script), Retroica (a vintage display sans by Fitriyawan), Greatwall (dry brush), Romance Story (Sans, Script), Sweet Rosetia (an informal wedding script), Batrider (a vintage bottom-heavy signage script), Retrorelic (Script, Serif, Slab Serif), Neville (a vintage label script).

    Typefaces from 2021: Naira (a smooth display typeface with many ink traps).

    We have both Fitriyawan Runsell and Anna Safitri associated with Studio Runsell---maybe they are aliases of the same person? [Google] [MyFonts] [More]  ⦿

    Rupert Russell

    Vendor of Australian school fonts including Victorian script fonts, a set of math fonts with many geometric shapes, and dotted outline fonts. [Google] [More]  ⦿

    Russ McMullin

    Designer and illustrator in Midway, UT, who studied at BYU. He created Antique Android (2019: Victorian), Benmont (2007, a quirky sans), Daisy Rae (2018: a thin script), Dots of Fun (2019), and Chunky Town (2019: rounded and plumpish). [Google] [More]  ⦿

    Rvq Type Foundry (was: Hey Bing Type Foundry)
    [Bing Febby Aldiansyah]

    Bing F. Aldiansyah (Hey Bing Type Foundry or Heybing Supply Co, Bandung, Indonesia; b. 1988, Bandung) designed the sans titling typeface Confession (2015, +Serif), the retro brush script Anastasia (2015), the brush signage script Northshire Script (2015, with ink splatters), Glorious Sunday (2015, brush script), Hepburns Type (2015), the retro font Violina (2015), the blackletter typeface The Mariam Story (2015), the pure Victoriana fonts Burton Slab (2015, Tuscan) and Briliants (2015), Hours (2015), the poster typeface Brawls (2015), the Victorian typefaces Dacota (2015, a great layered vintage circus font, with dingbats) and Aseina (2015), the brush scripts Washington (2015) and Hazelnut (2015), the Victorian typefaces Hours (2015) and Warden (2015), the spurred Victorian typefaces Riotic (2015) and Harsh (2015), and the vampire type Furach (2015).

    Typefaces from 2016: Monolith, Ashtone (signage script), Black Vision (Victorian), The Minier, Bellarious, The Sectione Bright Script (heavy brush), Capricorn (decorative blackletter), Blings (signage type), Weinston (vintage signage typeface), Weinston Sans, Hours, Quinte, Monttier Script, Shine (signage script), Holywants (brush script), Choconut.

    Typefaces from 2017: Skylight Graffiti, The Wednesday (swashy blackletter), Java Heritages (a fine layered vintage signage typeface).

    Typefaces from 2018: Amstrong (tattoo or black metal blackletter),

    Typefaces from 2019: Hustle Times (a neon font), Giver (dry brush), Hunting Season (brush script), California (a swashy blackletter).

    Typefaces from 2021: Diamond History (a graffiti font).

    Typefaces from 2021: Northen (a horror font), Nightmare Gothic.

    On Behance, we find the name Rifqi Triana (b. 1989, Bandung). Creative Market link. Behance link. Alternate URL. Graphicriver link. [Google] [MyFonts] [More]  ⦿

    Ryan Prasetya
    [Thirteen Studio (or: Lost Volt Type foundry)]

    [More]  ⦿

    Ryoichi Tsunekawa
    [Dharma Type]

    [MyFonts] [More]  ⦿

    Sabrina Mariela Lopez
    [Typesenses]

    [MyFonts] [More]  ⦿

    Sam Edwards

    During his studies in Cheltenham, UK, Sam edwards designed an exquisite ornamental caps alphabet called Lovely Letterforms (2013), which was inspired by the Victorian and Arts & Crafts styles. [Google] [More]  ⦿

    Sam Wang

    Clemson, SC-based designer of Partridge-Thin (1994), the Art Nouveau fonts Sarah Caps (1992), Ambrosia Caps (1992), Greeting (1992), ArgosANouveau (1992), Edda Caps (1993), Isadora Caps (1993) and Gismonda (1992, after an original phototype font by Geoff Nicholson from 1971), Maidstone Script (1992), Handsign (1993, Irish sign language font---not ASL), Harrington (1991, Victorian), Mira, Lampoon Brush (1992), Libby Script (1992), Uncio Gothic (2008, Lombardic), Thalia (2008), Arctic (1992), Celtic (1992), Fatso Caps (1992, psychedelic), Inkwell (1992), Arctic2, Columbus (1992, Victorian), Handwriting, Hokusai (brush script, 2008), LampoonBrush2, Partridge-ThinOblique, Saki Script (2008, faux oriental), Sumibrush (2008), Sycamore Sans (2008, draftsman style), New Hand (1995), Tamarind (1999).

    See also here. Fontspace link. [Google] [More]  ⦿

    Sam Wilkinson

    Creator of Scoop (2013, a script typeface based on the 1956 board game Scoop) and Ryder (2013, Victorian caps). [Google] [More]  ⦿

    Samuel Nelson Dickinson
    [Dickinson Type Foundry]

    [MyFonts] [More]  ⦿

    Sanborn Fire Insurance Map typography
    [D.A. Sanborn]

    Great Victorian and western style posters. Title pages, headings and letterforms clipped, cropped and isolated from maps and map publications issued between about 1880 and 1920. D. A. Sanborn, a young surveyor from Somerville, Massachusetts, was engaged in 1866 by the Aetna Insurance Company to prepare insurance maps for several cities in Tennessee. [..] Before working for Aetna, Sanborn conducted surveys and compiled an atlas of the city of Boston titled 'Insurance Map of Boston, Volume 1, 1867'. [..] The atlas includes twenty-nine large plates showing sections of Boston at the scale of 50 feet to an inch. It is believed to include the earliest insurance maps published by Sanborn. [Google] [More]  ⦿

    Sandi Dez
    [Zeune Type Foundry (was: Zeune Ink Foundry)]

    [MyFonts] [More]  ⦿

    Sani Sanjaya
    [Arthy Type]

    [More]  ⦿

    Sanja Toshic

    Skopje, Macedonia-based designer of the free EPS format vintage typeface Whiskey Label (2015). [Google] [More]  ⦿

    Sans and Sons (was: Agga Swistblnk)
    [Angga Suwista]

    Malang, Indonesia-based designer who also uses the name Agga. Creator of the free fonts Lucker (2013), Blnker (2013, a spurred Victorian typeface), BLNK Taper Lucker (2013) and Sivernake (2013, a spurred typeface).

    Typefaces from 2014, some of which are commercial: Wilder, Rocking Rochoes, Rocking Bones, Brch Handdrawn, Reidfork, Hoverage (letterpress emulation, spurred), Hobric (letterpress emulation), Blnc (vintage, hand-lettered), Garado Blnco (spurred), Bracker (spurred Victorian typeface), Averake (sic) Glam (spurred, Victorian).

    Typefaces from 2015: Ruffle, Ruffle Beauty, Moabhoers, Neaments (watercolor script: a renamed version of Sortdecai Handmade Script?), Banthers, Bleakerst (free), Monthoers (a free letterpress emulation font), Monthoers Signature, Sortdecai (a fantastic watercolor brush script in sub-styles called Handmade, Handmade Script, Vintage, Script, Display, Cursive Script, Cursive Wild Script, and Brush Script).

    Typefaces from 2016: the script typeface Missmallove (designed by Lativa), Yellow Dawns (chalky), Coellack, Moalang (tweetware), Duwhoers (tweetware brush script).

    Typefaces from 2017: Achillers Bant, Bouchers Script 2.0, Smbrn Stencil, Bouchers (vintage layered typeface), Moalang Pro, Salted Monthoers, Bouchers Layered, Garagethers.

    Typefaces from 2018: Moalang-Melintang, Moalang X, Carters Layered.

    Typefaces from 2019: Chalmers, Bouchers X1, Scarlett Display, Miss Waited, Buenos Script (brushed). Carphe (Sans, Script), Gourmet Le French (+Script) and Hello Paris (Serif and Script).

    Typefaces from 2020: Olivia James (a wild script), Bulgari (a fashion mag serif), Peach (a display serif), Hello Paris Sans (an all caps fashion mag course), La Mango (a 6-style fashion font with refined serifs), Hello Branch (a decorative serif defined by its ligatures), Salty Feathers (a great inky signature script), Margot (a fashionable display serif).

    Typefaces from 2021: Silver Future (a wild script), Fragile Serif (a display serif), Manne (fashion mag caps), Grande (in the Windsor style), Bethany (an inky rabbit ear script), Groovy Fruity (a creamy display serif), Blanch Sage, Frunchy Sage (a decorative serif with bent ascenders and descenders).

    Typefaces from 2022: Charis (a modernized display serif).

    Hellofont link. [Google] [MyFonts] [More]  ⦿

    Sara
    [Sara Arts]

    [More]  ⦿

    Sara Arts
    [Sara]

    Sara at Sara Arts designed a beautiful Fraktur font, Hilda Sonnenschein at Progothics in 2001. Other fonts: Futurex Swish, Summertime (Victorian), JR. Her confession I am a font whore is magnificent.

    Dafont link. [Google] [More]  ⦿

    Sarah Ahmed

    During her studies at German University in Cairo, Sarah Ahmed designed the curly hyper-Victorian typeface Spiral (2018) and the curly Arabic typeface Belle (2018). [Google] [More]  ⦿

    Sarid Ezra

    Yogyakarta, Indonesia-based designer of the handcrafted typefaces Sakra (2016, a script published at Letterhend), Sarid Ezra (2017), Retrology (2017), King Birds (2017), Megattor Script (2017), Dear Jane Script (2017: a signature script by Hendry Juanda), Wonder Stark (2017: by Hendry Juanda), Mandatory (2017), Modesta Script (2017), Antone (2017), Better Red (2017), Madgue (2017, monoline script), Beautiful Holiday (2017: monoline script), Dear Disya (a chalk script) (2017), Shutter Stone (2017, signature script), Hello Stranger (2017), Vanillate (2017: monoline script), Gloriant Signature (2017), Signerella Script (2017, signature font), Claytonia (2017, by Hendry Juanda), Rose Colored (2017), Quinible (2017), Mukadua (2017: a beatnik font by Hendry Juanda), The Lentigo (2017), Morsal (2017: free).

    Other typefaces from 2017 include Bitter Rose (free), Suddenly (signature script), Historia Sky and Billenia.

    Typefaces from 2018: Roseville Script (calligraphic: by Hendry Juanda and Sarid Ezra), Daytonia, Carrol Wild, Royalite, Historia Sky, Headley (monoline font duo), Scarlette Script, Bellatrone (script), Edinburgh (SVG brush font), Carrol Standard (sans), Richardson Script (a signature font), Audacity (font duo), Daviton (SVG brush by Sarid Ezra), Rossie Kelly (SVG brush), Sirens, Magdaline, Stephen Gillion (an inky script), Allison Style (font duo), Black Mountage (dry brush font), Merova (serif), Rotrude Sans (in 16 styles), Aurelie Smith (a signature script, and ornaments), Soredime (a great rabbit ear signature font), Hughson (a monoline script), Morriles (SVG brush), Strong Heart (font duo), Auckland Script (signage font), Camilla (signature font), Big Reputation (font duo), Briberra (a brush script) (free version), Carrol Sans, Kaylar, Brighter, Hipsterious (signage font: by Hendry Juanda).

    Typefaces from 2019: Fokers (Victorian), Bargitta (an SVG brush script font by Hendry Juanda and Sarid Ezra), Gorgone (a one-style didone by Henry Juanda and Sarid Ezra), Sharon Baker (by Hendry Juanda and Sarid Ezra), Daniella Evans (a display serif by Hendry Juanda and Sarid Ezra), Lotustail (by Henry Juanda and Sarid Ezra), Palmbell (a signature font by Hendry Juanda and Sarid Ezra), Bittergrace Script (by Hendry Juanda and Sarid Ezra), Bordemile (a copperplate calligraphic script by Henry Juanda and Sarid Ezra), Loverica (a tall elegant titling typeface), Wonderstory (a dry brush script), Point Panther (all caps, display), Dua Rosé, Black Mountage (brush script), Quirkily, Callistera Script, Fort Collins (font duo, by Sarid Ezra at Letterhend), Seriously (at Letterhend), Callistera Script (a signature script), Troyline, Marquis, Elaine Hanks (script and dingbats), Katherine.

    Typefaces from 2020: Briberra (a brush script), Bitter Rose (a brush font), Swifted (a stylish sans), Pearlone (a stylish stencil), Cloudster (an all caps titling sans), Carrol (a 16-style unkerned all caps sans), Carentro, Lindsay Brown, Karelle (decorative serif), Beautifull Weakness (a wild inky script), Augillion (a bold decorative serif), Bread Crumbs, Troyline (a retro script), South Louisville (a painter's script), Shutter Stone, Sirens (a bold headline sans), Shutter Stone, Crooked Hooks (a brush font), Headley (a monoline script), Mister London (a monoline script and sans duo), Roller Cores (a roller paint typeface), Scary Things (all caps, wedge serif), Quinstar, Lequire (a logotype), Routhers (a creamy signage script), Chequers, Lindsay Brown, Audrey Mirages (a decorative serif), Mandalika (a display serif), Branders, The Postgates (a calligraphic script), Louise Walker (Serif, Script), Fragilly, Bombalurina (a script), Goldbrick (wild calligraphy), Dropgray (a stylish sans), Mandalika.

    Typefaces from 2021: Billy Magie (a smooth stencil typeface), Broken Drive (grunge), Future History, Krafika (a modern display typeface), Vierra Moon (a fat finger script), Lighters (a minimalist sans), Duarose (a vintage all caps font), Klopers (a display typeface), Planet Gamers, Freaky Story (a horror font with pointy dagger terminals), Freaky Story (a horror font with pointy dagger terminals), Consent (a playful display font derived from didone caps), Desira (a decorative art gallery serif), Proxemic (a bold sans intended for use in logos), Fireside (a techno logo font), Psyche Lover (psychedelic), Baligo (a fat finger font), Retrips (a bold rounded display serif), Blink Twice (a wavy font), Holybuck (a signature script), Diamond Bridge (a stylish display serif), Adoria (a sci-fi logo font), Folklore Story (script), Strong Girls (an all caps display serif), Space Boards (a sci-fi font), Hisquins (a diamond-themed all caps typeface), Herkings (an all caps display typeface), Collingar (a lachrymal serif), Claire Murphy (a stylish italic serif), Daviton (an SVG brush font), Cherions (a rough brush font), Sertona (a bold display typeface), Daisy Lovers, Louise Walker (a meaty display serif), Carrol Wild (a vintage all caps sans), Edinburgh (a dry brush font), Redrains (a decorative serif), Designors (hand-printed, all caps), Hello Friday Vector (a grungy handcrafted typeface), Angel Charms, Blackpast (a notched all caps sans), Hillray (a stylish bold sans), Love Board (an all caps typeface with some ink run), Cloudy Aurora (font duo), Duarose Serif, Reminder Notes, Explore Wonders (a watercolor font), Shaping Heart (a decorative typeface with hairline serifs), Cronera (handcrafted), August Stories (a display serif), Brolink (tech, sci-fi), Laginchy (a quirky decorative serif), Argue (a decorative serif adoned with hipsterish lower case f and t), New Orleans (an inky script), Glendale (a variable width all caps sans), Ezra (italic), Coachella (a soft serif), Burgundy (a sans with ball terminals and swashes), Cherish Today (a cutout font), Blank Moment, Saphira (a smooth display typeface), Slightly Marker (a brushed marker pen font).

    Typefaces from 2022: Crazy Party (hand-crafted reverse stress caps), Philosophy (a feminine display typeface), Maglite (a lachrymal display serif), <,a href="https://www.myfonts.com/fonts/sarid-ezra/winder/">Winder (a pure display font), Black Point (a stencil / script font duo), Daily Spark (a font duo), Maginors (starry, all caps), Nefilt (a wavy display serif), Stay Tuned (a crayon font), Bodwars (techno logo).

    Behance link. Dafont link. Creative Market link for Letterhend. Creative Market link for Sarid Ezra. Graphicriver link. [Google] [MyFonts] [More]  ⦿

    Sassy Rose's Graphics Garden (or: Sassy Graphics)
    [Denise Clendenin]

    Tens of original dingbat fonts made by Denise Clendenin (who is based in California) in 1998-1999: Americana, AmericanaTwo, ArtDeco, ArtNouveau1, ArtNouveau2, BirdsOne, BirdsTwo, Butterflies, CarouselHorses, CelticDesignsI, CelticDesignsII, CornersBorders, DecoBorders, DecoDividers, Designs1, Designs22, Designs3, DividersMisc, Ellipses, FancyFish, FloraDeco, Flowers1, Flowers2, Flowers3, Flowers4, FolkArt, FolkArt2, FolkArtDividers, FunFish, IndianDesigns, JapaneseDesigns, MoreRoses, RosesRoses, Sealife, Ships, TeddyBears, TeddyBears2, VictorianDesignsOne, VictorianDesignsThree, VictorianDesignsTwo, Wildflowers1, Wildflowers2. Excellent quality, smooth outlines.

    Fontspace link. Dafont link. Catalog. Old dead URL. [Google] [More]  ⦿

    Satriyo Hutomo
    [Muntab Art]

    [More]  ⦿

    Schriftgiesserei Flinsch
    [Heinrich Flinsch]

    Foundry in Frankfurt am Main. House typefaces include Enge Antiqua (1859), Renaissance Kanzlei (also known as Antike Kanzlei), Verzierte Musirte Gotisch (ca. 1870, digitally revived by Gerhard Henzel), Flinsch-Germanisch (1876, blackletter by Karl Klimsch), Magere Kloster-Gotisch (ca. 1900), Neugotisch (1907), Universal-Gotisch (ca. 1900), Bernhard-Fraktur (1913, plus Extrafette), Dürer-Gotisch (ca. 1900), Flinsch-Fraktur, aka Frankfurter Fraktur (1911), Tages Antiqua (1915), Flinsch-Privat (1919, by Lucian Bernhard), Halbfette Schwabacher-Flinsch (which was used for titling in the Fehsenfeld editions of the Karl-May books; a digital revival at Gerhard Helzel's place), Breite halbfette Roemisch, Elzevier Initialen, Fette Mikado, Franconia, Jenson, Langschrift, Patent reclame, Reclame, Samson, and Victoria.

    For digital revivals, see Edna Text (Reymund Schroeder, 2017) and Litfass (2021, Ralph M. Unger).

    Their Book of Type Specimens (1904) has 719 pages. An earlier book from 1899, Einundzwanzigstes Fortsetzungs-Heft 1899 has just 70 pages. [Google] [More]  ⦿

    Scriptorium (Ragnarok Press, Fontcraft)
    [David Fleming Nalle]

    Dave Nalle was born in Beirut in 1959, but lives and works in Texas. He is currently in Manor, TX. From his wiki page: Dave Nalle is a political writer, game author and font designer who was active in the early history of the development of the internet. He is Chairman of the Republican Liberty Caucus, a group that promotes libertarianism within the Republican Party and is Senior Politics Editor at Blogcritics online magazine and is the CEO of Scriptorium Fonts. A creative and prolific designer, he has made hundreds of beautiful (often historic) fonts. His outfit, Scriptorium (based near Austin, TX, est. 1989), also does custom font and logo design. At some points, Scriptorium was also known as Ragnarok Press and Fontcraft. It specializes in artsy and ancient typefaces. Some subset of the fonts is made by Michael Scarpitti. Free font demos.

    Images of his best selling fonts. Special subpages:

    • Three free fonts: Onuava (a mini-serifed hybrid fixed-width font), Divona (sans), Sirona (based on Lombardic calligraphy).
    • Lombardic: Aneirin, Benevento (8th century Lombardic), Cymbeline, Fabliaux, Formidable, Locksley.
    • Decorative initials such as the 20th century sign lettering initials set Pencraft Initials (2009), New Saxon Initials (2016, based on work by F.G. Delamotte), Delamotte Initials One (2016), Delamotte Initials Two (2016), Holly Initials (2010, based on Real PenWork (1880s, Knowles and Maxim), Vyones (2010), Vergennes (2001), Cascade (2009), Bergling (2010; based on initials by John M. Bergling).
    • Steampunk typefaces: Clockwork, Gearhead, Gears, Verne, Draughtwork, Belgravia, Boetia, Blackthorn, Linthicum, Good-fellow, Necromantic, Mephisto.
    • Wild West fonts: Academy, Alcalde, Atkinson Boomtown (2009, after the lettering of Frank Atkinson), Atkinson Eccentric (2009), BigIron, Cibola, Del Norte, Lachesis, Perdido, Plowright, Primer, Riudoso, Niederwald, San Lorenzo (2011, with a Mexican and Tuscan look), Stonehouse, Manquo, Rochambeau, Purcell, Vaquero.
    • Arabic simulation fonts: Samaritan is based on the poster lettering of Alphons Mucha from his poster for the play La Samaritan. Serendib and Waziri are based on the hand lettering of René Bull from his edition of the Arabian Nights. Caliph (1993) is derived from Ernst Schneidler's classic Legende font, with variant characters based on his original lettering. Also: Satampra, Jerash, Samarkand, Isfahan.
    • Celtic fonts: the fonts include Constance, Durrow (1993, traditional rendering of Insular Minuscule calligraphy), Malvern, Glendower (based on the most common lettering in the Book of Kells), Knotwork (caps based on Celtic knots), Alba Text (modernized text font based on Celtic uncial lettering), Lindisfarne (based on a square uncial style), Stonecross (1997, derived from Celtic cross and gravestone inscriptions), Celtic Spirals (dingbats), Celtic Borders font (lets you combine key strokes to form decorative borders; many frames and borders are original Celtic designs by Arts&Crafts period artists like Evelyn Paul and Louis Rhead), Spiral Initials, Brigida (based on Rudolph Koch's interpretation of a squared uncial), Macteris Uncial, Coverack (heavy non-traditional uncial), Dahaut (modernized uncial), Dunsany, Glendower, Morgow (1999, spiral uncial), Teyrnon (elaborate spurred uncial), Padstow (heavy uncial), Vafthrudnir (2011, uncial), Sualtim and Columba (decorative initials based on characters found in the Book of Kells), Albemarle (2001).
    • Oriental simulation fonts: Yoshitoshi (2003, based on the 1900-style writing by Yoshi Toshi.
    • Gothic fonts, including Alt Gothic, Koch Gothic, Barnabas (2011), Sternhagen (2014), Montgisard (2010, roman capitals with blackletter lower case), Serenissima, Gelderland, Alcuin, Monumental, Goldwork, Waldeck, Roncesvalles, Montressor (2010, ornamental blackletter capitals), T4C Beaulieux (1998, a free copy here), Bastarda (2011), Burgundian, Cadeaulx, Collins Old English, Courtrai, Descant, Ereshkigal, Faustus, Franconian (1993, a Schwabacher), Froissart (2000), Ghost Gothic, Katisha, Koch Gothic, Ligeia, Magdeburg, Magdelena, Melusine, Pyle Gothic, Rheingold, Sanctum, Stuttgart Gothic (2010), Textura, Theodoric, Yngling (2002).
    • German expressionist: Dromon.
    • Renaissance fonts: Monumental Gothic, Caswallon (a Caslon family), humanist cursive (Palmieri, Castiglione and Hanes Italic), quirky Italian cursives (Fiorenza and Alleghieri), a Roman style hand-lettered font (Rudolfo and Rudolfo Swash), a Trajan-style Roman lettering (Hadrianus), a classic flourished cursive (Trinculo) and a set of floral intials from the Quattrocento (Fraticelli).
    • Modern poster fonts: Ascelon, Bilitis, Cosmic Dude, Dromon, Ducatus Rough, Eglantine (after Central Type Foundry's Quaint Roman), Ekberg (2002, based on Samuel Welo's posters), Fortinbras, Hamilton, Jambon, Oblivion, Posada (2008, based on the poster lettering of Mexican artist José Guadalupe Posada), Squiffy, Suspicion, Magnin (2003).
    • Mapmaker fonts: building elements are available in Basilica; Ortelius is a map dingbat font; Queensland (based on lettering by artist and calligrapher Eric Sloane), is bold, hand-drawn and reminiscent of medieval writing on maps. There are also Brandywine, Daresiel, Hesperides, Longhorne, Windlass (1996), and Cityscape. Orford (2008) is based on samples of hand lettering from a 1693 manuscript collected by Lewis Day in his classic book on historical paleography, Alphabets Old and New.
    • Calligraphic fonts: Albemarle (2001), Azariel, Moncrief (2011, based on the calligraphy of J.M. Bergling), Pavane, Rasael (2009), Abdiel (2005), Roncesvalles, Gazardiel (2003, connected script), Spoonbill (2003, arts and crafts), Macteris (Roman uncial font), Antioch Uncial (Roman uncial font), Burgundian (Classic black letter font), Franconian (993, a classic black letter font), Castiglione (Attractive Renaissance lettering), Cicero (Roman Rustica font), Formidable (1993, very bold late medieval / Lombardic style), Collins Old English (Classic Old English style gothic), Corbei Uncial (Roman uncial font), Cymbeline (late medieval lettering), Durrow (Standard insular minuscule uncial font), Theodoric (Classic black letter font), Gazardiel, Ghost Gothic (Unusual gothic font), Glendower (Uncial font based on Book of Kells), Gloriana (Interesting hand lettering style), Folkard (from the hand-lettering of Charles Folkard), Offenbach Chancery, Ranegund Merovingian Courthand, Benevento (8th century Lombardic), Hesperides.
    • Art deco typefaces: Imperatore (2018: based on a hand lettered design from California art deco master designer Pedro de Lemos in the 1920s), Speakeasy (2018), Gates of the West (2018), Lyceum (2014), Borealis (2009), Criterion (2011), Illuminata, Madding (2009, a bold poster font that grew out of Aventine), Alexandrine (2009), art Deco Stencil (2009, based on samples of Art Deco stencil lettering by Pedro Lemos), Falmouth.
    • Art nouveau typefaces: Acadian, Agravain (2009), Amphitryon (2009), Ariosto, Asphodel, Averoigne, Beaumains (2011, based on J.M. Bergling's lettering), Beauvoir, Belgravia (based on J.M. Bergling), Bernhardt (based upon the lettering of the Czech art-nouveau artist Alphonse Mucha), Bentham, Berenicia, Boetia (2003, based on J.M. Bergling's lettering), Bruges, Bucephalus (1993), Burd Ellen (2009), Butterfield (1993; in Alfred Roller's style), Cafe Society (2018), Curetana, Damariscotta, Elsene (2011, based on lettering by early 20th century illustrator Clara Elsene Peck), Elysian, Exotique, Flaubert, Gaheris, Ganelon, Gehenna, Goodfellow, Grammophon (2019: a bold Jugendstil poster font), Harbinger, Huyot (2016, after Georges Auriol's types), Jugendstil Kunsthand (2003), Lysander, Maginot (1993; after Peter Schnorr, 1898), Munich (after the Munchner Jugend magazine), Norumbega, Odeon, Ormandine (2010), Pantagruel, Phaeton, Reggio, Rochmbeau, Rockne (2009), Rudolfo, Setebos, Sprite, Summerisle, Sylphide (2005), Undine, Valentin (2008), Vambrace (2010), Walhal, Wendingen (2016), Wormwood (2018), Zeitschrift (2016, based on the Ver Sacrum magazine).
    • Modern poster fonts: Field Day (2003), Ascelon, Bilitis, Cosmic Dude, Dromon, Ducatus Rough, Eglantine (after Central Type Foundry's Quaint Roman), Ekberg (2002, based on Samuel Welo's posters), Fortinbras, Hamilton, Jambon, Oblivion, Squiffy.
    • Constructivist fonts: Krasny Mir (2009), Vrubel, Structura (1997).
    • Futuristic fonts: Alecto, Angelus, Circuit, Culdrose, Gearhead, Ironclaw, Parika, Sanhedrin, Semiramis (1997), Slither, Structuro, Yazata, Adastra (dings).
    • Borders and ornaments. These include New Arets and Crafts Borders (20912, based on The Calendar of Golden Thoughts (Barse and Hopkins Publ, 1911).
    • Boneyard fonts: Undertaker (2014), Antrobus (2010), Sepultura (2002), Halloweenies, Dementia, Boneyard, Skull and Bones, Malagua (1999-2013), Paleos (2002, from titling of B movies in the cave girl genre), Carmilla, Abaddon, Black Cow (1998), Valdemar, Cuede, Ligeia, Mayhem, Mephisto, Golgotha, Sanguinary, Ironworks, Moravia, Gehenna, Nosegrind (2005, graffiti), Corpus, Ghostly.
    • School fonts: Schoolhand (2010).
    • Arts and Crafts movement (late Victorian period, 19th century), based on work and lettering by Walter Crane, William Morris, Charles Rennie Mackintosh and Elbert Hubbard. The Arts&Crafts movement was enormously influential on the works of designers, artists and architects of the 20th century, and inspired the Art Nouveau and Art Deco movements. Fonts include William Morris' Kelmscott (based on Morris' Troy type), and True Golden, fonts from the Glasgow branch of the movement like Chelsea Studio (1997), which is based on Charles Rennie Mackintosh's lettering, fonts from the Roycrofters of New York like Semiramis and Ganelon, fonts based on Walter Crane's work such as Crane Gothic, Pencraft Initials (2009) and Walter Crane, and even fonts from the California Arts&Crafts period of the early 1900s like Coloma. Other typefaces: Jesse M. King (refreshed in 2015, and based on hand lettering from a frontispiece design by Glasgow-based Jessie King who was known for her lavish book covers), Aylward, Palmyra (based on work by the Roycrofters, a design community founded by Elbert Hubbard), Aylward (2010, Victorian), Hyacinth Initials, Spoonbill, Adresack (1996: inspired by the arts and crafts lettering styles of designers like Charles Rennie MacKintosh and Jessie M. King), Brandywine, Changeling (2009, based on lettering by fairy artist Fanny Railton), Goddard, and Advertising Gothic (2003), Valentin, Gaheris, Agravain (2009). Delaguerra (2001-2009) is based on a lettering style originating in the California Arts&Crafts period commonly associated with Mission Style. It is still in common usage in signage at historical sites in California.
    • Victorian: Beaumarchais, Berenicia, Bilibin, Brandywine, Brigidis, Curetana, Durendal, Elphinstone, Flaubert, Folkard, Gjallarhorn, Gloriana, Hermia, Ironclaw, Magnus.
    • Typewriter: Fontcraft Courier.
    • Anthroposophic: Ekberg (2002, based on a sample of poster lettering by Samuel Welo).
    • Medieval fonts of Scriptorium, critiqued by Marc Smith, page 65: Batwynge is based on lettre gffe by Geofroy Tory (1529), and not on an illuminated manuscript of the tenth century as claimed by Scriptorium. Perigord (1993) is based on a Carolingian alphabet drawn by Ernst Bentele in 1952. Allencon is a calligraphic font based on an interpretation of 6th century Ostrogothic Italian calligraphy.
    Some selected fonts: Finchley (psychedelic), Captain Kidd (2012, an original font design based on the title lettering from the classic pirate movie starring Charles Laughton), Aerobrush (2011), Fondry Ornament (2009), Atkinson Egyptian (2008, after the lettering of Frank Atkinson), Verne (2008: remade in 2020 into Covid19), Goldwork (almost blackletter), BigBlok (2010), LetterpressGothic (2010), Plymouth (2010, in the style of Cooper Bold), Broadley (2008, an architecturally inspired script based on lettering by British architect and designer C.F.A. Voysey), Locksley (2004, medieval lettering), Tuscarora (curly lettering), Fiorenza (Renaissance calligraphy), Hesperides (old colonial calligraphic script), Angelus (beautifully printed monospaced script), Esperanza (1996, connected medieval handwriting), Ithuriel (2002), Alleghieri (2002), Hamilton (2002), Spiral Initials, Zothique (great font, based on hand lettering from a map of Clark Ashton Smith's fantasy world of Zothique), Reynard (semi-Celtic), Daresiel (elegant script), Caliph (1992, Arabic simulation), Bassackwards, Rosalinde (1999, handwriting), Arakne (2000, connected handwriting), Falconis (by Michael Scarpitti), Asrafel (semi-Celtic), Swithin (2004), Tyrfing (Art Nouveau/Fraktur, 1999), Waldeck (2008, blackletter), Woburn Initials, Stampwork, Draughtwork, Roughwork (a codex font derived from Nalle's own True Golden which is based on a=n earlier typeface by arts and crafts master William Morris), Melusine (gothic calligraphy), Corbei (uncial), Niederwald (hand lettering), Gjallarhorn (great uncial), Gaiseric (early medieval uncial), Taranis (1987, an uncial first drawn as a font for the cover of the old Ysgarth roleplaying system), De Bellis (roman era, by Michael Scarpitti), Engravers Gothic, Monimental Initials, Sanhedrin (Enemy of the State font), Vespasiano (roman capitals, by Michael Scarpitti), Bilitis, Hendrix (2002), Collins OE (old English), Samedi, Praitor, Evadare (1993, based on a character set which was hand calligraphed by Rudolf Koch), Koch Fantasie (1993), Black Cow (1998). Zothique, Ruritania, Mariner (2004, based on hand lettering originally done by Willy Pogany), Trinculo (a swinging cursive font), Texas Star (2002), Octavian (antique demi-serif font), Ruffian (antique type font), Ascelon (thin sans serif font), Munich (title lettering from Munchner Jugend magazine), Necromantic (bizarre bold titling font), Titania (romantic decorative lettering font), Oberon (bold romantic font), Knotwork, Guede (1993), Pullman, Purcell (Victorian circus poster style font), Allegheny, Carmilla, Malagua (1999-2013), Ardenwood, Platthand, Buccaneer, Cochin Archaic (2010), Boswell (1994), Guilford (based on lettering by artist and calligrapher Eric Sloane), Death Ray (2012, constructivist), Alecto (futuristic), Candlemas (2003), Bridgeport (2003, based on lettering by artist and calligrapher Eric Sloane), Medieval Tiles (2003), Linthicum (2003), Draughtwork (2003), Yngling (Fraktur, 2003), Rheingold (elaborate Fraktur: Music Hall Text elsewhere; see also Teuton Text, Cincinnati Type Foundry, 1877), Kidd (2003), Belgravia (2004), Peck Shields (2004), Scrawlies (2000, handcrafted), Albrecht Durer Gothic (2004), Orpheus (2004), InduXtrial (2004, a grunge face), Yoshitoshi (2003), Veronique (2004), Veneto (2006), Vidilex (1993, monospaced), Abelarde (2006), John Speed (1993: a mapmaker font), Furbelow (2006), Estoril (2006), Tangle, Aventine (sans), Texas Star (2002), Groningen (Bauhaus design), Nevins Hand, Scrapple (2011, Victorian, ornamental), Leodegar (2011, based on samples of 7th century Frankish hand lettering), Candlemass (2012).

    Fonts from 2013: Doge (a Venetian font based on a J.M. Bergling revival), Original Django (after the titling font in Quentin Tarantino's movie Django Unchained).

    Fonts from 2014: Highball, Carillon (based on a typeface by Samuel Welo), Edifice (based on lettering by J.M. Bergling).

    Fonts from 2015: Gods of Mars (an inline sci-fi typeface), Rykov (based on a 1930s Ukrainian constructivist style; Latin and Cyrillic), Vie Moderne (French art deco), Dahlgren, Grand Concours (art deco), Tantalus, Power Tie (art deco), Marquis Greeking.

    Fonts from 2016: Ekberg Modern (based on lettering samples by Samuel Welo from poster designs of the 1920s), Knuckleduster, Tzaphkiel, Sarandiel, Primrose Initials, Elizabethan Script (chancery style), Zeitschrift (an art nouveau font based on the Ver Sacrum magazine), Wendingen (Dutch deco), Memento Mori (Tuscan), Rounders (art deco).

    Fonts from 2017: Buzzmill (wooden plank font), Pumpkin Patch Initials, Talinn, Reliquary, Nopalito, Scattershot (script).

    Typefaces from 2018: Marionettas (a Mexican horror movie poster font), Fascination, Architextura, Santa Sangre, Glyphos.

    Typefaces from 2019: Cafe Corso (art nouveau), Comic Classix.

    Fnts released in 2020: Epigramatic (based on lettering by Dard Hunter for the Roycroft Press in the early 1900s), Cryptos (graffiti).

    Klingspor link. Abstract Fonts link. Dafont link.

    View David Nalle's typefaces. Scriptorrium's library. [Google] [MyFonts] [More]  ⦿

    Scrowleyfonts
    [Tanya Davis]

    Tanya Davis (Scrowleyfonts) is a type designer in Shrewsbury, UK (b. 1966). Her typefaces:

    MyFonts link.

    Images of her typefaces. Klingspor link.

    View Tanya Davies's typefaces. [Google] [MyFonts] [More]  ⦿

    Sébastien Hayez

    Type and graphic designer and art teacher, b. 1978, Lyon, France, who is based in Villeurbanne. He was artistic director at Crescend'O and curator of sifgners-book.com (2009-2018) and agfronzoni.com (2012-2018). His typefaces are mostly released at Frank Adebiaye's Velvetyne Type Foundry, which is committed to the Open Source movement---all fonts are free.

    In 2011, he created the experimental typefaces Mourier (based on a geometric alphabet created in 1973 by Danish graphic designer Eric Mourier. The font uses square of 7 x 7 units and consists of unclosed lines. The first and only use was in the booklet The Myth about Bird B by Knud Holten), Semicir, BipHop, Broom, Flaubertine (with Olivier Dolbeau), Hangul and Rotunda. In 2013, he added Victorianna (thin Victorian slab serif), Runic Sans (inspired by a runic semi-uncial callygraphy seen on the Book of Kells), Courrrier (with three r's---a monospaced experimental typewriter face), Process (geometric, experimental), Lment (hipster typeface), Gnaw.

    In 2014, he designed the free font VTF Victoriianna Thin at Velvetyne.

    In 2020, with Ariel Martin Perez, he released the free typeface Cantique at Velvetyne. Cantique was inspired by some hand-carved titles used in post-romantic French bookplates, both for their ornamental qualities and for their kind of medieval mood.

    Klingspor link. Velvetyne Type foundry, where one can download most of his fonts. Old URL. Behance link. Sébastien Hayez at Velvetyne. [Google] [More]  ⦿

    Sean Cavanaugh
    [FontSite]

    [MyFonts] [More]  ⦿

    Sean Coady
    [Vintage Type Co]

    [MyFonts] [More]  ⦿

    Searfoss Design
    [Mark Searfoss]

    Graduate of Columbus College of Art & Design, class of 1995. Art director and lettering artist in Columbus, OH, who published his first typefaces at Letterhead Fonts, a type foundry specializing in signage, sign painting, vintage and Victorian typefaces. His typefaces there include LHF Bluegrass, LHF Burly, LHF Champ, LHF Cordial, LHF Elixir 2, LHF Emporium, LHF Locksmith, LHF Olde Hickory, LHF Resolute, LHF Robusto, LHF Swindler, LHF Swindler, LHF Trolley, LHF Whistler.

    Typefaces from 2021: Whittemore, Porter, Ginger Ale, Millstone, Rambler, Blue Ridge, Sign Guy (dry brush, signage).

    Study of Searfoss's work by Julia Sagar (2017). [Google] [More]  ⦿

    Sebastian Perez

    Designer in Buenos Aires. During his studies, he created Zirletter, an ornamental Victorian typeface (2012). [Google] [More]  ⦿

    Sehat Co (or: Duasatu)
    [Aliv Pandu]

    Aliv Pandu is a Yogyakarta, Indonesia-based designer.

    In 2016, he created these typefaces: Thillends (2016, a thick brush script by Aliv Pandu and Hamam Jauhari), Hastadaya (a brush script co-designed with Hamam Jauhari at Wakacsara), Anthares, Aerokids Script, Marsmello (monoline fifties script), Sandat (connected script), Aduhay (calligraphic), Corder.

    Before that, he designed Realitium (2015, spurred Victorian style), Dianjuli (2015), Logawa (2015), Fantai (2015, a great brush poster typeface), Sandat (2015, a painted font), Wanih (2015, a signage script), Hayuk Script (2015), Aduhay (2015), Arisyan Script (2015), Greget (2015, painted type), Solecha (2015, +Rough), and the tall handcrafted typeface Flush (2014).

    Typfaces from 2017: The Austten (brush script), Cosmoball (a signage script by Aliv Pandu and Hamam Jauhari), Museum Sonobudoyo (curly Victorian typeface influenced by traditional Javanese patterns).

    Typefaces from 2017: Underland (a dry brush script by Aliv Pandu), Santhen (a sign painters font by Aliv Pandu and Hamam Jauhari), Sailoria (by Aliv Pandu and Hamam Jauhari), Baksoda (by Aliv Pandu and Hamam Jauhari), Austten (brush script), Mattcool (by Aliv Pandu and Hamam Jauhari), Cosmoball (a signage script by Aliv Pandu and Hamam Jauhari), Anthares (brush script).

    Typefaces from 2018: Delichia (a monoline script by Aliv Pandu and Hamam Jauhari), Southbeach, Rocket Clouds (a neon font done with Hamam Jauhari), Machineat (with Hamam Jauhari).

    Typefaces from 2019: Quadrone (by Aliv Pandu and Hamam Jauhari), Everland Script.

    Behance link for Sehat Co. Behance link for Duasatu. Another Behance link. Aka Ahya Agawiss (Pacitan and/or Yogyakarta, Indonesia). Dafont link. Creative Market link for Wacaksara. [Google] [MyFonts] [More]  ⦿

    Senzana (was: Inksun Aksara, or: Inksun Mildertype)
    [Gilang Senzana]

    Inksun Aksara (est. 2014) and Inksun Mildertype are aliases of Indonesian designer Gilang Senzana. As Inksun Aksara, he sells Victorian signage typefaces such as Brington (2014), Death Cross (2014), Zimat (2014), Amora (2014), Sang Jawara (2014) and Ophelos (2014). He also designed the tattoo script Tirtayani (2014) and the hand-lettered signage typeface Goodbye November (2014).

    In 2015, he created Anemone Script, Marbelia Evolutions (baseball script), Good Luck My Way, Archer (spurred, Victorian), Crishper, The Brodze (vintage, lettered), Narson (signage script), Holland (connected script), Marbelia (connected signage script), The Beauties Melody, Black Oval, Dream Sketcher, Sribaduga (a blackletter) and Jhonny (a script typeface).

    Typefaces from 2016: Archemy, Almost Hardcore (Victorian), Feuille Rosemary, Marbella Evolutions (signage script), Almost Hardcore (tattoo font), Queen (Victorian style), New Brington (Victorian), Blackbird (blackletter), Thoorma (Victorian), Winterfall (brush script).

    Typefaces from 2017: Brighter, Shinta Brush, Harvest, Laventy Script.

    Typefaces from 2018: Death Crow (heavy metal style), Goldenrisk (Victorian), Stay High.

    Typefaces from 2019: Hastline Script, Murghen Script, Northern Freedom (signage script).

    Typefaces from 2020: Lettown Hills (a decorative didone), Walford (script), Little Birds Script, Rightion (script), Goldbless (Victorian, spurred), Classical Authentic (display serif).

    Typefaces from 2021: Stone Orgonite, Glift (a ligature-rich display serif), The Last Reaverock (a spurred tattoo font).

    Creative Market link. Fontspace link. Dafont link. Behance link. Creative Market link for Inksun Mildertype. [Google] [MyFonts] [More]  ⦿

    Seruput (or: Barokah, or: Graptail)
    [Teuku Deky Firnanda]

    Indonesian design studio located in Banda Aceh, run by Teuku Deky Firnanda, b. 1989. In 2013 it published the free Comic Sans-style typeface Barokah, Purbacala (hand-lettered posater face), Hardline, Hardline Grunge, and Hardline Stencil.

    In 2014, they created Kahitna, Stand By Slab, Laskar (signage script), Aleandra (a flowing script), Gemulay Script (signage script family), Monday (script face), Transmetal and Bringin (a free connected script).

    Typefaces from 2015: Apashi, Anthem Script (a ronde style connected script), Honeymoon Script, Devious, Dankita Script (brush script), Ringdena (connected calligraphic script), DorayakiScript, Realist, Hillda Script, Angelline Script, Karmela Script, Lemonade.

    Typefaces from 2016: Pathout Script (for signage), Manisly Script, Kaitlyn Script, Trapline, Regaled Script.

    Typefaces from 2017: Antigena, Duffish (a heavy upright script), Sarcastic (+Inline; Victorian; published in 2019 as Sarkastic), Pathout Script, Young Coconut Script (signage brush script), Blastrick (Tuscan / Victorian), Smooth Boy, Bringin, Delitha.

    Typefaces from 2018: Dropslide (Victorian), Laskar Script, Aerohate (Victorian), Jailetter (spurred), Grantmouth, Monday Script, Karmela Script, Apashy, Ropstone (Victorian).

    Typefaces from 2019: Arastin (Serif+Script), Herina, Grantmouth Vol. 2 (art nouveau), Crotila.

    Typefaces from 2020: Rodest (a decorative serif), Histories Family (a fairy book display serif), Boheld (a vintage collection with Sans, Serif, Bold, Condensed, and Inline styles), Morthern (a decorative Victorian typeface).

    Typefaces from 2021: Sarcastic Nova (Victorian caps), Ringift (a decorative serif), Norteam (a 9-style vintage all caps collection), Lorida (a compressed display serif), Sernes (an 18-style condensed all caps display serif), Bunga Pro (a stylish curly romantic serif), Koling (a romantic cursive font), Klipan Black, Rhinegold (a heavy display serif with diamond-shaped tittles).

    Dafont link. Behance link. Graptail link. Another Creative Market link. Graphicriver link. Type Department link. [Google] [MyFonts] [More]  ⦿

    Seventh Imperium
    [Cucu Supriyadi]

    Bandung, Indonesia-based type foundry est. 2015, showcasing typefaces designed by Cucu Supriyadi. Cucu left Seventh Imperium in 2020 to set up a new type foundry, Thirtype. His initial work is largely Victorian, characterized by spurious curls or spurs:

    • Agneya (2015). A calligraphic brush script with an urban street art vibe.
    • Screter (2015). A spurred tattoo font with a blackletter feel.
    • Artonic (2015). A tattoo script.
    • Bellico (2015). A signage script.
    • Black Future (2015). A blackletter / tattoo /metal band font.
    • Bolyar (2015). An all caps display typeface. Almost an exact copy of FM Bolyar Pro (2013, Vasil Kateliev and Jordan Jelev).
    • Clarize (2018). A high-contrast didone family. Followed by Clarize Display (2019), which has a great Engraved style.
    • Egory Castle (2015).
    • Goldana (2017). A great layered font family that emulates chromatic type.
    • Heiders (2018, a 72-style script and sans typeface family).
    • Kyouking (2015).
    • Lockon Velline (2015).
    • Lunair (2019). A layerable script family.
    • Midnight Coffee (2015).
    • Monstice (2018). A stylish vintage typeface family with textured and inline styles.
    • Revorioum (2015).
    • Swiftel (2015). A layered creamy signage script font.
    • Gratinoli (2019).
    • Truens (2019). A vintage font collection.
    • Exorts Compressed (2020). A great compressed ultra black octagonal typeface family.
    • Autherical (2020). A Fraktura font.

    Creative Market link. Another Creative Market link. [Google] [MyFonts] [More]  ⦿

    Sharkshock
    [Dennis Ludlow]

    Dennis Ludlow (Sharkshock Productions, Raleigh, NC) started making mostly free fonts in 1999. On August 28, 2001, Dennis announced that he would stop producing fonts, forever. To prove himself wrong, he became more prolific trhan ever, and ultimately started designing retail fonts as well.

    His early typefaces include Hot Pizza (2001), Hawaiian Punk, Royal Acidbath, Little Caesar, Subway, Holiday India, Mobsters, Dallas Cowboys (Western look, 2004), Dark Crystal, Queen of Camelot (2015), Green Eggs and Spam (2015), Ludlow Strong Ale (2015, German beer label font), Space Angel (2014), Electrox, Cowboys, Dolphins, Viking Stencil, Lexust (2002), Padaloma (2002), Fujita Ray (2002), Willy Wonka, Hursheys, Grinched (a Halloween or beatnik font), Honda, Busch Gardenz, Holiday India (2000), Simpsons, Blockbusted, IHOP, Chicken Fool A, Playtoy (2000: like the masthead of Playboy), Cowboys (2001), Dreamscar (2001, has a Cyrillic version), Mr. Goodbaur, Dr. Peppers, Oreos, Air Millhouse, Fruitopia, Raiders, TGI Friday, Jolly-Raunchy, Mouser, Pirate-Keg, Fujita Ray (2015), Modeccio (2015, art deco), Wendyville (2015, Western), Vonique 64 (2015, avant-garde style), Your Royal Majesty (2015, a unique blackletter-inspired vampire script), Hackney Block (2015), Thunder Lord (2015, an outlined variant of Raiderfont), Republica Minor (2015), News of the World (2015: a news headline font), TH3 Machine (2015), Funkrocker (2015, inky, grungy), Tiki Tropic (2015: a tiki font), TypoGraphica (2015, a strong geometric sans), Vonique 92 (2015, circle-based fashion sans), Reisenberg (2015, a black titling sans; v2.0 dates from 2018). There is also a medium-sized categorized archive, with subsections such as cartoon fonts and movie fonts.

    Typefaces from 2016: Twiddlestix, Konigsberg (rounded sans), Wicked Mouse (looney tunes typeface), Heathergreen (a tall condensed sans), Wonderbar (psychedelic), College Block (athletic lettering), Death Star, Ring of Kerry (uncial style), Blockletter (octagonal), Café Françoise, Cronus (round monoline sans), Suissnord (a wide sans display typeface), Grinched 2.0 (an update of Grinched), Red Seven (futuristic), Enchanted Land (derived from the blackletter genre), Freakshow (ornamental ransom note font), Deutschlander (a condensed sans for movie credits and similar applications).

    Typefaces from 2017: Lemonade Stand, Dark & Black, Hennigar (a heavy compact sans in the spirit of Impact), Durango Western, Banbury (a heavy display didone), United Kingdom (techno), Goldoni, Kingsmen.

    Typefaces from 2018: Bloomsburg (a 6-style organic sans; +Cyrillic), Stupid Meeting (an all caps display typeface), Medusa Gothic, Carson (tall grotesque), Collegeblock 2 (an octagonal varsity font), Medusa Gothic, Royal Crescent (sans), Praetoria, Papaya Sunrise, Helmswald Post (blackletter).

    Typefaces from 2019: Deutschlander 2.0 (an organic monoline sans, with coverage of Cyrillic and Greek), Zanzabar (a genie lamp or Arabic emulation typeface), Vonique 43 (an organic fashion mag sans), Delacorso Outlines (tall decorative caps), Kwixter Sketch (for Latin and Cyrillic).

    Typefaces from 2020: Stupid Meeting (an all caps sans with a comic book feel, appropriately named to describe most COVID era Zoom work sessions), Toyster (a plumpish typeface), Wonderbar 2 (psychedelic, all caps), Boldstrom (a tightly spaced heavy industrial sans), Reisenberg, Snicker Snack, Crosshatcher (a sketched font), Czesko (a skyline font), Storybook Ending (a mix of uncial and Tuscan), Toyster (a bubblegum font).

    Typefaces from 2021: Kamryn (a display serif), Mouser (an organic geometric sans in six styles), Dottingham (a Victorian typeface), Tempestua (a sharp bold display sans), Lemonade Stand, Brontoburger (a vernacular typeface).

    Typefaces from 2022: Jumbalo (a bubblegum font).

    Abstract Fonts link. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

    Sharleen Ngo

    Creator of the Victorian typeface Kana (2014). Dafont link. [Google] [More]  ⦿

    Sheilla Type (or: Luminto Studio)
    [Muhammad Taufiq]

    Or Moh Taufiq. Pekalongan / Surabaya, Indonesia-based designer (b. 1984) of these typefaces in 2019: Billady Savior, Arthique (a geometric sans), Blackanger, BaltsaroS, Revalinda (brush font). In 2018 he designed Cartboom (a cartoon font family), Lakerstone, Bequind (a boldsans), Nirwana (monoline sans) and Athalita (a signage script), and the tattooish typefaces Armetya, Rockalocca and Sabor Knight.

    Typefaces from 2020: Armetya, Aurions, Black Roast, Rushland Script (a brush script), Brunela (script), Sheilla (Victorian, spurred), Black Savior (ornamental Victorian), Shavina (display), Rosalina Bridge, Raydenstone (a signature font), Candylove, Rosedina (script), Bellynitha Script. [Google] [More]  ⦿

    Shinn Type
    [Nick Shinn]

    Nick Shinn (b. London, 1952) is an art director and type designer. He teaches at York University in Toronto, and is a founding member of the Type Club of Toronto. He writes regularly for Graphic Exchange magazine, and has contributed to Applied Arts, Marketing, Design, and Druk. He founded Shinn Type in 1999, and made fifteen type families. Interview by Jan Middendorp, in which he describes himself as a contrarian. Pic by Isaias Loaiza. Pic by Chris Lozos at Typo SF in San Francisco in 2012. Custom typefaces have been produced for newspapers such as The Birmingham News (Alabama), The Chicago Tribune, The Daily Express (London), The Daily Mail (London), The Globe and Mail (Toronto), The Montreal Gazette, and The St. Petersburg Times (Florida). Custom fonts, with exclusive rights, have been created for corporations such as Thomson Nelson, Enbridge, Rogers Communications Inc., and Martha Stewart Living. Nick organizes type evenings in Toronto all year long.

    Shinn Type fonts at MyFonts. Behance link.

    He is the designer of Fontesque (a wild family of curly glyphs), the monospaced font Monkey Mono, Artefact (1999), Beaufort (a sharply serifed family done in 1999; in 2008, he published a 10-style extension called Beaufort Pro), Bodoni Egyptian (1999), Alphaville (2000, techno typeface with straight mono-width strokes), Brown, Brown Gothic, Duffy Script (2008, in 4 styles: an interpretation of the lettering of contemporary illustrator Amanda Duffy, aka Losergirl), Handsome (1999, cursive handwriting family, since 2005 available in OpenType), Merlin, Oneleigh (1999, masterful!!), Paradigm (1995, updated in 2008, inspired by 15th century letterforms), Shinn, Walburn (1996) [note: Walburn and Brown were originally commissioned for the 2000 redesign of the Globe and Mail. Walburn is an adaptation of a didone typeface by Erich Walbaum, c.1800], Worldwide (1999).

    In 2001, he designed the Richler font in honour of the memory of Mordecai Richler. The Richler font was only available to the Giller Prize, Random House and the Richler family until its public release in May 2013 at MyFonts, where Richler (+Cyrillic, +Greek) is advertised as a 21st century antiqua book face.

    In 2002, he published Goodchild (a Jenson revival; see also Goodchild Pro (2017). Goodchild is a Venetian with clean (not antiqued!) outlines and a larger-than-Jensonian x-height. It comes in 4 styles and is targeted at sophisticated academic typography) and the liquid lettering family Morphica, exclusively at Veer.

    In 2003, he released the absolutely gorgeous "modern" sans Eunoia (which has a unicase weight), and the quirky sans family Preface (2003; Preface Thin is a hairline weight; Preface Light is free at FontShop). In 2003, he also published the mmonowidth unicase family Panoptica (2003), which includes styles called Regular, Sans, Egyptian, Doesburg and Octagonal, to name a few.

    In 2004, he released Nicholas, a Jensonian serif family, which is the headline version of Goodchild.

    Additions in 2006 include Softmachine (VAG Rounded/comic book style family). Sexy type from Toronto is an article by Erin Kobayashi about Shinn's work published in the Toronto Star on April 15, 2007. Nick Shinn designed the type for the redesign of The Globe and Mail in April 2007: Globe and Mail Text [look at the f], Globe and Mail Sans (or GM Sans), Globe and Mail News (or GM News).

    In 2008, these typefaces went retail. One typeface is called Pratt, named after David Pratt, the design director at The Globe and Mail who commissioned the typeface for his redesign of the paper. The companion typeface will be called Pratt Sans.

    Additions in 2008: Figgins Sans (4 styles), Scotch Modern (a 5 style didone family that revives the typeface used in New York State Cabinet of Natural History), Scotch Micro. Paul Shaw writes: Scotch Roman, beloved by D.B. Updike and W.A. Dwiggins, was a standard in the typographic repertoire of pre-World War II printers but fell out of favor after the war, supplanted by Bodoni. Nick Shinn of Shinntype has made a bid to resurrect this oft-maligned typeface with Scotch Modern. Scotch Modern is not a revival of the familiar Scotch Roman of Linotype and Monotype, but of a more modern design attributed to George Bruce, the great 19th-century New York punchcutter. Shinn used a sample of the typeface from the New York State Cabinet of Natural History's 23rd Annual Report for the Year 1869 (printed in 1873) as a model. He drew it by eye, aided by a sharp loupe: no photographic enlargements, no scans, no tracing. The ends of the strokes are slightly rounded, to capture the effect of metal type being impressed into soft paper. Shinn contends that the 19th-century Scotch types were "eminently readable" and a factor in the rise of modern literacy. His rendition, an OpenType font, aims for readability in all situations with display, regular, and microtype versions. The display roman includes a unicase font-a nod to Bradbury Thompson's Alphabet 26 experiment-and the italic has elegant swash caps. Scotch Roman has never been a typeface for those seeking eternal beauty or anyone desperate for typographic kicks. Dwiggins gave it a 10 for legibility (where 10 was "reasonable human perfection") but only 4 for grace and 0 for novelty. Shinn's Scotch Modern, with its many OpenType extras, scores well on all three counts. It's a typeface for those who prefer a mature single malt: simple at first, but more complex as it is savored. Photograph. At ATypI 2008 in St. Petersburg, his talk was entitled Scotch Modern. Several catalogs have been published by Shinntype. Particularly noteworthy is The Modern Suite (2008, Nick Shinn, Coach House Press, Toronto), which showcases Figgins Sans and Scotch Modern. Sample of some Scotch Modern dingbats.

    Production in 2010: Sensibility (a humanist sans superfamily), Sense (a modernist sans superfamily), Bodoni Egyptian Pro (a monoline slab Bodoni experiment---the Pro version of a 1999 family by him).

    In 2011, he created Checker, an all caps 3d black and white-tiled typeface, and Parity (a roman unicase pair).

    Naiad (2013) is a didone, or neoclassical, typeface with Victorian curlicues thrown in to create a Victorian look.

    Pratt Nova (2014) is a 17-style large x-height typeface family that attempts to achieve visual and semantic opulence, equipping the typographer with a comprehensive array of harmonized fonts, all rigorously drawn, superbly fitted iterations of a single, profoundly original design. Neology (2014) is a 15-style sans family subdivieded into Deco, Grotesque and plain sans subfamilies.

    Brown Pro (2016) is a classic grotesque, distinguished by its semi-condensed proportions and slight flaring of the edges and some ink traps.

    Figgins Standard (2016) is a take on the low-contrast original sans typefaces designed in the 1830s in industrial London.

    Gambado (2016). This is a collection of shaken typefaces with bouncing letters. Particular fonts include Gambado Sans and Gambado Scotch.

    Dair (2017) is a revival of Canada's first home-grown typeface, Cartier, which was completed by Carl Dair in 1967 and named after 16th century explorer Jacques Cartier, who mapped the Gulf of St. Lawrence in the 1530s. Dair 67 and Dair 67 Italic are facsimiles of the original fonts. Dair and Dair Italic are fully-featured 21st century fonts.

    In 2018, Nick Shinn published Phiz, a diverse suite of 27 decorative fonts based on Figgins Sans Extra Bold.

    Designer of Boxley (2016), a superelliptical sans typeface family.

    At the end of 2020, he published the 14-style condensed rounded sans typeface family Aptly. o

    Typefaces from 2021: Buslingthorpe (a tall-necked typeface in which the x-height is only 29% of the ascender height, beating classic tall fonts such as Rudolf Koch's Koch Antiqua, and Lucian Bernhard's Lucian and Bernhard Modern).

    Speaker at ATypI 2017 Montreal.

    MyFonts interview. I Love Typography link. FontShop link. Klingspor link.

    View Nick Shinn's typeface library. [Google] [MyFonts] [More]  ⦿

    Shiro Ngampus
    [Muhammad Sirojuddin]

    Muhammad Sirojuddin, aka illustrator Shiro Ngampus (of The Art of Shirongampus), is the Yogyakarta, Indonesia-based designer (b. 1989) of Sweetfine (2016, handcrafted), Screamrock (2016), Artland (2016, an interlocking vintago logo font), Happiness (2016, textured eroded poster typeface), the accompanying Happiness Script (2016), High Voltage (2016: brush script), the glaz krak / earthquake-themed typeface Akainu Lava (2016), the handcrafted typeface Huskey (2016), the dripping blood typeface Sunday Nightmare (2016), the all caps rounded sans Melaque (2016), the watercolor brush typeface Defiellas (2016), the layered Victorian typeface family Bigman (2016), the Victorian typeface Jamoe (2016), the weathered caps typeface Zembood (2016), the handcrafted SweetBeat (2016), the brush typeface The BentRock (2016), the vintage poster typeface The Bearson (2016), Sweetland (2016), Wave Spurs (2016), Savanight (2016), Westwood, and the handcrafted Lava Vintage (2016).

    Typefaces from 2017: Desire, Hilton Script, Santana Script (monoline), Bring Heart, Dreamer Brush, Catherine Script.

    Behance link. Creative Market link. Dafont link. [Google] [More]  ⦿

    Sierra Kamatchus

    Sierra Kamatchus is a Minnesota-based designer and alumna of University of Minnesota Duluth. In 2014, she co-designed the vintage silent film typeface Good Bad Man with Chank Diesel. She explains: This historic revival font was created especially for use in the preservation and restoration of the 1914 silent film "The Good Bad Man," starring Douglas Fairbanks. There is only one copy of the original film print in existence, and when the film was restored for a screening at the San Francisco Film Festival in 2014 the new font was created to best recreate the intent of the original lettering in the film. It is a smooth and pleasant vintage lettering style, original designed for use on silver screens, now fully rendered in OpenType and ready for you to use in your designs or web pages today. Read about this story here. [Google] [MyFonts] [More]  ⦿

    Sigit Dwipa
    [Nirmana Visual]

    [MyFonts] [More]  ⦿

    Silverdav Studio
    [David Kasidi]

    Wajo, Indonesia-based designer of the script typefaces Richello Same (2020: a Victorian script), Marilyne (2020), Marlina Melvin (2020), Hessley Andreas (2020: a signature script), Brilliant Starlight (2020: Treefrog style), Flowerbloom (2019), Love Florida, Hello Sunday (2019), David And Sovhie (2019: calligraphic; +Sans), Heydhar (2019: dry brush), Bellandha (2019), William (2018), Seventeen (2018), Amarilis Script (2018) and The Queenthine (2018).

    He also made the display serif typefaces Fragille (2020), Rockabye (2020) and Backslash (2020).

    Typefaces from 2021: Alexandra Calligraphy (formal calligraphy), Bellagium (a creamy display serif), Richard + Caroline (stylish roman caps), Backnotes (a marker typeface), Safirah Moon (script).

    Typefaces from 2022: Ramadhan Mubarok (emulating Arabic). Home page. [Google] [MyFonts] [More]  ⦿

    Sitintahitam
    [Hasto Hst]

    Designer of the late Victorian / early art nouveau typeface Eversthedin (2020) and the signage script Ekshada Script (2020). [Google] [More]  ⦿

    Skeldale House Treasures
    [Robyn Phillips]

    This site used to have shareware dingbats by Missi (Robyn Phillips from Cascade, Montana). For a short while, it was a commercial site featuring 246 fonts on one CD for 49USD. And some time after that, it shut down altogether. However, the fonts will forever be floating around in cyberspace. Fontspace link.

    The font names start with Ryp or ryp, and with that prefix omitted, we have: Abctrain, Animal, Aquatic, Bars 1, Birds 1, Buildings, Butterfly 1+2, Button 1-4, Caps Fonts (60 typefaces !), Cartoon Bugs, Cats 1 + 2, Children 1-3, China Art (11 typefaces), Christmas 1-4, Christmas Bells, Christmas Caps, Deco 1-20, Element 1+2, Evil 1, Facets 1, Fat 1, Fiesta 1+2, Floral 1-11, Frames 1+2, Geometrics, Greek Vases 1+2, Halloween 1, Hats 1+2, Hearts 1, Jewels 1-4, Keys 1+2, Kokopelli Flute, Ladies Hats 1+2, Leaves 1, Lighthouse 1, Nature 1, Nymphic, Old Wood Cuts 1-6, 10-14, Old World Art 1-4, Ornate 1-7, Pipes 1+2, Quilt 1-10, Real Bugs, Ropes 1+2, Santa 1+2, Scarey, Snowflake 1-8 (image of Snowflake 1 and of Snowflake 3), Silhouette 1-20, Thanksgiving, Transportation 1-3, Trees, Victorian 1-3.

    Dafont link. [Google] [More]  ⦿

    Skogtype
    [Gunnar Link]

    Type designer born 1983 in Schramberg, Germany. He studied Kommunikationsdesign at Fachhochschule Mainz from 2007 to 2011, and founded Skogtype.

    Creator of Royal Oak Decor (Victorian ornaments), Royal Oak Sans (2009, Edwardian headline sans) and Royal Oak Serif (Western headline face). All were done in 2009 at Die Typonauten and were joint work with Ingo Krepinsky and Stefan Kroemer.

    In 2011, he designed the Cooper Black-style typeface Frido Black at 26 plus zeichen. See also Frido Narrow (2011).

    Ingo Krepinsky and Gunnar Link made the fun hand-drawn Western family Oklahoma Pro (2012) in styles called Deputy, Sheriff, Marshal and Scrawls (dingbats), and

    In 2012, he published Selva, a modern take on the textura style, at Die Typonauten. Riga (2012) is a lively fat signage typeface.

    Typefaces from 2014: Donki (fat signage script, extended to Donki Pro and Donki Pro Stencil in 2015).

    Typefaces from 2017: Skog Sans.

    Typedia page. MyFonts foundry page. Klingspor link. Behance link. [Google] [MyFonts] [More]  ⦿

    Slip Studios
    [Stephen Farrell]

    Slip Studios is Stephen Farrell's outfit in Chicago. He designed these display typefaces:

    Bio. [Google] [MyFonts] [More]  ⦿

    SoftMaker Software GmBH (or: freefont.de)
    [Martin Kotulla]

    SoftMaker, Martin Kotulla's German foundry in Nürnberg, is selling the 10,000-TrueType font Megafont XXL CD (50 USD, www.megafont.de). Every month, a different font or font family (TT and T1) is given away for free. The MegaFont XXL has most standard Monotype/Adobe/Linotype families (up to 1995/1996). They say that most fonts are licensed from URW++ and Brendel Informatik (Cologne). Contents of MegaFont XXL's predecessor, MegaFont Profi CD, here. Since early 2001, you can download one font family from the CD MegaFont XXL here. Martin Kotulla also started infiniType, a collection of 5050 fonts at a good price (Mac and PC). That collection grew to 7444 fonts in InfiniType 4 in 2016. The XXL series has character sets for Western and Central European languages, Turkish, and Celtic, and comes with many expert sets. For historical accuracy: older packages by Softmaker include the 3333-font (TT and T1) MegaFont Profi CD-2.0 (99DM), the 5000-font MegaFont Euro (50 Euro), the Truepack Profi-CD and the 500-font TypeMaker 5.0 Profi-Pack (10DM).

    Their early fonts were renamed and had the attribute Serial in the name. Samples of some of these fonts/families: Adelon Serial (1996, after Albertus MT), Melbourne Serial, Nashville Serial (+Heavy), Nevada Serial, On Stage Serial, Ornitons Serial, Penthouse Serial, Plakette Serial, Priamos Serial, Quadrat Serial, Quebec Serial, Riccione Serial, Rochester Serial, Salzburg Serial, Stafford Serial, Sunset Serial, Sydney Serial, Thames Serial, Toledo Serial, Valencia Serial (Heavy), Valencia Serial (Xlight), Verona Serial, Volkswagen Serial, Wichita Serial.

    In 2008, SoftMaker started selling fonts on MyFonts: fonts there include the 28-style Suetterlin family (2008), based on the handwriting taught in German schools in the first half of the 20th century, Harald Handwriting (2009), Agilo Handwriting (2009), Wally Handwriting (2009), Vittorio Handwriting (2009), Turandot Handwriting (2009), Tommi Handwriting (2009), Veneto Handwriting (2009), Tolomeo Handwriting (2009), Sarx Handwriting (2009), Salew Handwriting (2009), Roxana Handwriting (2009), Renate Handwriting (2009), PizPaz Handwriting (2009, Mexican style), Schneid Handwriting (2009), Pietro Handwriting, Phil Handwriting, Nadine Handwriting, Kuno Handwriting, Larissa Handwriting, Lizzy Handwriting, Juri Handwriting, Jeff Handwriting (2009), Josh Handwriting (2009), Jelena Handwriting (2009), Jaro Handwriting (2009), Jacques Handwriting (2009), Hilly Handwriting (2009), Harico Handwriting (2009), Hakon Handwriting (2009), Stone Handwriting (2009), Federico Handwriting (2009), Fabio Handwriting (2009), Emmi Handwriting (2009), Davio Handwriting (2009), Alec Handwriting (2009), Brian Handwriting (2009), Armand Handwriting (2009), Claude Handwriting (2010), Cathy Handwriting (2010), Clay Handwriting (2010), Danielle Handwriting (2010), Feliks Handwriting (2010), Foster Handwriting (2010), Giorgio Handwriting (2010), Giovanna Handwriting (2010), Guga Handwriting (2010), Giuliano Hanriting (2010), Carlo Handwriting (2009), Brouet Handwriting (2010), Bjarne Handwriting (2009), Fuego (2015: a retro script, after Letraset's Flamenco), Agnieszka Handwriting (2009) and Thery Handwriting (2009).

    Additions in 2010: Tabasco (a geometric based on the phototype font by John Schaedler), Tabasco Twin (a bilined typeface after John Schaedler's Paprika), Advertisers Gothic (a revival of a 1917 typeface by Robert Wiebking), Ad Lib (a revival of a quirky 1961 typeface by Freeman Craw for ATF), Accent (brush face), Flagstaff (oblique techno face), Cornered (with angular pieces), Abilene (Western; caps only), Comix, Cathedral Open (nice open face), Boa Script (2010), Bryce (2010, brush script), Brush Script (2010, after the original ATF font by Robert E. Smith from 1942), Bernhard Fashion (2010), Abbott Old Style (2010, after a 1901 semi-Victorian font by Joseph W. Phinney), Artistic (2010, after Ariston, a 1933 typeface by Martin Wilke), Elegant Script (2010, a revival of Berthold's Englische Schreibschrift), Garamond Serial (2011), the Suetterlin family.

    The typefaces remastered in 2012 include Chandler Pro (this is Rofer Excoffon's 1955 brush typeface Choc; see also Staccato 555 by Bitstream and Chalk by Corel), Cheltenham Pro, Cleargothic Pro (after Morris Fuller Benton's flared version of Clearface, Clearface Gothic, 1907), Cooper Black Pro (+Stencil), Bristol Pro, Tioga Script Pro (after Georg Trump's 1956 script by that name, but aka Time Script).

    Free download: Huntington-Bold [-> Handel Gothic], Huntington-Light, ImperialStd-Bold [-> URW Imperial] ImperialStd-BoldItalic, ImperialStd-Heavy, ImperialStd-HeavyItalic, ImperialStd-Italic, ImperialStd-Medium, ImperialStd-MediumItalic, ImperialStd-Regular, ImperialStd-Xbold, ImperialStd-XboldItalic, KremlinScript-Bold [-> Kuenstler Script], RaleighSerial-Bold, RaleighSerial-Heavy, RaleighSerial-Regular, Scott [-> Stop], TiogaScript-Bold [-> Time Script], TiogaScript-Light, TiogaScript-Medium.

    Handwriting fonts shown at MyFonts in 2013: Allan Handwriting, Andrew Handwriting, Eleanor Handwriting, Enrico Handwriting, Estelle Handwriting, Jay Handwriting, Jaz Handwriting, Jesco Handwriting, Justine Handwriting, Kris Handwriting, Laszlo Handwriting, Lennart Handwriting, Luitpold Handwriting, Manolo Handwriting, Marbo Handwriting, Marcello Handwriting, Murielle Handwriting, Pablo Handwriting, Paolo Handwriting, Pascal Handwriting, Picto Handwriting, Rainer Handwriting, Reyno Handwriting, Ronaldo Handwriting, Teje Handwriting, Theo Handwriting, Valerian Handwriting, Vincent Handwriting, Vogel Handwriting, Volker Handwriting, Wilma Handwriting.

    The blackletter collection published in 2016 by SoftMaker includes these typefaces: Albrecht Duerer Fraktur Pro, Barock 1720, Breitkopf Fraktur Pro, Coburg No1, Coburg No2, Coelnische Current Pro, Diamant Gotisch Pro, Fleischmann Gotisch Pro, Fraktur No2 Pro, Fraktur No3 Pro.

    Later in 2016, SoftMaker published its revival collection, which includes Alternate Gothic Pro, Amsterdamer Garamont Pro, Antiqua Pro, Balloon Pro (brush), Caslon Antique Pro, Century Old Style Pro, Elmore Pro (architectural hand), Falcon Pro (retro brush), Cheltenham ExtraCondensed Pro Bold, Casual Pro (a copy of Thomas Nevison's Casual Pro from 1935), Garamond Nova Pro, Giulio Pro (a copy of Gillies Gothic), Josephs Brush Pro (a copy of Joseph Churchward's Churchward Brush), Malaga Pro (a copy of Roger Excoffon's Mistral), Melville Pro (after Murray Hill), Pedro Pro (a revival of the brush script Dom Casual by Peter Dombrezian, 1950-1953, at ATF), Salmon Pro (a revival of François Boltana's Stilla from 1973), Soledad Pro (based on Helmut Matheis's Slogan (1959, Ludwig & Mayer)), Somerset Pro (a revival of the Letraset font Shamrock designed in 1978 by Alan Withers), Sterling Pro (based on Stentor, designed in 1964 by Heinz Schumann at Typoart), Violin Script Pro (based on Vladimir Script by Vladimir Andrich, 1978).

    Typefaces from 2019: American Text (after an original condensed textura by Morris Fuller Benton), Angelo (after a Victorian typeface called Anglo by Barnhart Brothers ans Spindler, ca. 1895), Balloon No2 (just like SoftMaker's Balloon, based on Max Kaufmann's Balloon from 1939 at ATF), Balzac (after Johannes Boehland's Balzac from 1951), Amber (after Amelia by Stanley Davis, 1964), Karin Pro (a revival of OttoWeisert's art nouveau script Kalligraphia), Beale Charming (2019, after an art deco typeface by Collis Clements, ca. 1974), Bernhard Condensed No2, Bluff No2 (2012-2019, after Julius Kirn's brush script Bison, 1938), Boss (2012, after the sci-fi typeface ITC Bolt (1970, Tom Carnase and Ronne Bonder)), Broadway No2 (2012), Cavalier (2012), Century Schoolbook Pro (2019: after Morris Fuller Benton's typeface from 1919), Century PS Pro (2019: after New Century Schoolbook), Commercial Script No2 (2012, after Morris Fuller Benton's Spencerian script), Cristoforo (2012: after Columbus, a Victorian typeface by Hermann Ihlenburg), Dillon No2 (2012, after Jan Van Dijk's Demian), Disco (2012), Dom (2012; after Peter Dombrezian's Dom, 1952), Durango No2 (2012; after K. Sommer's Dynamo, 1930), Egyptian Wide (2012, after walter H. McKay's Egyptienne from 1952), Eller Initials (2012), Entebbe (2012: after F. Scott Garland's Enviro, 1982), Estelle (2012, based on Vince Whitlock's Equinox from 1988), Florentine (2012, after Ludvig S. Ipsen's ATF Florentine Old Style (1896)), Fraktur No2 (2012, after Johann Christian Bauer's Fette Fraktur, 1850), Frenzy (2012), Giulio No2 (2012, after William S. Gillies's Gillies Gothic, 1935), Greyhound (2012), Harlekin (2012, after Colin Brignall's retro script Harlow Solid (1977)), Hobo No2 (2012, after Morris Fuller Benton's Hobo, 1910), Hubert (2012, after Jan van Dijk's Van Dijk from 1982), Hudson (2012, a brush script), Ingrid (2012), Inverserif (2012), Japanette (2012, an oriental simulation face modeled after Barnhart Brothers and Spindler's 1893 font, Wedge Gothic ML, aka Japanet), Kalligraphia (2012, after Otto Weisert's art nouveau script, Kalligraphia, from 1902), Legend Script (2012, after F.H. Ernst Schneidler's faux Arabic simulation font Legende from 1937), Looking Glass (2012, after Phil Martin's Introspect, 1971), Messing (2012, after W. Schwerdtner's Metropolis from 1928), Metallic Sky (2012, after Mekanik, a Letraset typeface from 1988 by David Quay), Mister Big (2012, after Juergen Riebling's Mr. Big from 1972), Openface No2 (2012, after Augustea Open done in 1951 by Alessandro Butti and Aldo Novarese), Organ Grinder (2019, based on Franz Heigemeir's Organda from 1972), Paladin (2012, a blackletter, also called P650 Blackletter and Excalibur), Pergamon (2012, a deco hairline sans modeled after Premier Lightline (1969, Colin Brignall for Letraset)), Pinocchio (2012, based on a psychedelic typeface by Gustav Jaeger from 1973; earlier called P732 Deco by SoftMaker), Pretoria (2012, earlier called P820 deco by SoftMaker; a revival of the Edwardian typeface Pretorian by P.M. Shanks and Sons, ca. 1880s), Publicity Gothic (2012, based on Sidney Gaun's 1916 typeface for BBS), Quartz (2012, after Alan Birch's LCD from 1981), Reflex (2012, based on Refracta, made in 1988 by Martin Wait), Regency Script (2012: was R690 Script), Rosa (2019, after Herb Lubalin's ITC Ronda, 1970), Rough Script (2012, based on Imre Reiner's Reiner Black, 1955), Rovinj (2012, after a font by Phil Martin), Shotgun (2019, based on a film font from 972 by J. Looney for VGC), Siegfried (2012, art nouveau style), Slager (2012, based on Flash by Edwin Shaar, 1937), Sprint (2012, after Aldo Novarese's Sprint from 1974), Station Script (2012, after a 1946 typeface pair, Studio and Flambard, by Adolf Overbeek), Status (2012, after Michael Neugebauer's Squire from 1980-1987), Tico (2019), Unziale (2012), Yorkshire (2019, formal calligraphy), Zanzibar (2019, after a 1950s Filmotype font), Zephyr (2019; after Rofger Excoffon's Mistral, 1953).

    View the Softmaker library of typefaces. See also here. [Google] [MyFonts] [More]  ⦿

    Solotype
    [Dan X. Solo]

    Dover Press sold Oakland's Dan X. Solo's digitizations. Dan Solo (b. 1928, d. 2012) has collected over 13,000 sets of metal fonts, starting when he was 9 years old and growing up in Oakland, CA. Finally, in 2002, he stopped doing that and began converting all of his fonts to computer type. Solotype, his company, was established in Alameda, CA. He printed 30 books on fonts (with Dover), including The Solotype catalog of 4,147 display typefaces, and created hundreds of fonts. In 2007, Dan Solo retired from the font business. He died in 2012.

    Robert Trogman writes: I know Dan X. Solo personally. He ran a typographic studio in Berkeley for over 30 years. He had a large collection of film fonts, including some of my own. He created thousands of fonts and is now retired and is an avocational prestigitator. Copyrights have run out on most of his fonts. He also protected himself by creating pseudonyms on the questionable font names. Stuart Sandler confirms that many of the fonts in Solo's Dover books are in fact from the Filmotype collection, which Stuart is digitizing right now.

    Gene Gable writes: Dan Solo of Solotype in Berkeley was experimenting with photo type as early as 1945 and started doing optical special effects in the early '60s. And a number of the larger display-type shops developed their own techniques. But in terms of opening up new markets for display type (and giving designers more control over type setting), Visual Graphics and Letraset lead the way. These companies were proud of, and promoted, the fact that that their products could be used by non-typesetters with little training.

    Bio. He wrote about himself: Dan X. Solo The Solotype Archive was begun in 1942 when I was 14. I was a kid printer for several years before that. At 16, after a quick three months of training, I dropped out of school and went to work full time as a radio actor and announcer in San Francisco. (Easy to get jobs in those days, due to the war-induced manpower shortage.) In 1949 and 1950, I created a magic show which played West Coast theatres with some success. After that, back to broadcasting. By 1962, I was completely burned out on radio, so I decided to see if I could make a living with my collection of antique types, which numbered about a thousand fonts at that time. In 1962, I sent out 4,000 catalogs showing the type to ad agencies all over the U.S. The timing was perfect (no thanks to me) because there was developing at that time a renewed interest in the old types. Business took off immediately. The Solotype collection was one of four commercial collections at the time, but I seemed to have been more aggressive in marketing than the other chaps. (Well, Morgan Press certainly knew how to market.) Two years into the business, I began to collect alphabets on paper for conversion to photo lettering, which was just becoming mainstream in the type business. We closed the shop for a month every year and went on a type hunt, mostly in Europe where there didn't seem to be much competition among collectors. Other typographers couldn't understand how we could do this, but I believe it made people appreciate the resource we offered even more. Over the years, the collection became quite large. When I closed Solotype a couple of years ago, I got rid of about half the archive (because the fonts were dull, or already digitized, or for a variety of other reasons) leaving me with about 6,000 fonts on paper or film. In 1974, I began to supply Dover Publications with mechanicals for books of 100 alphabets on a particular theme. I did 30 of these books over the years, and 30 more of printers' ornaments, borders, and so forth. Sometime in the 1990s, Dover asked me to digitize books of 24 fonts each, to be sold with a disk in the back. I did 12 of these. The Dover relationship came to an end when Hayward Cirker, the owner and my special friend, died and the company was sold to another publisher. Dover felt that they had covered the type field thoroughly. Now in my old age, my wife and I have a mindreading act that is great fun and good for the ego. Even so, when not traveling, I digitize type for relaxation and enjoyment, but have made no effort to sell it. Until now.

    Solo's wood type/Western/ headline/ Victorian collection includes Acantha, Bindweed, Dime Museum (2004, a French Clarendon revived by ATF in 1933 under the name P.T. Barnum), Egyptian Oldstyle, Excelsis, Extravaganza, Rigney, Assay, Baraboo Banner, Beijing, Brevet (after a Victorian typeface from 1887 by Ernst Lauschke), Brussels, Cathedral, Cleopatra, Cognac, Crossroads, Dainty Lady, Dangerfield, Diablo, Dutch Treat, Grecian, Lord Mayor, Malibu, Minnesota, Moulin Rouge, Penny Arcade (1992, a Victorian face after an 1890 original called Mural by Boston Type Foundry), Trixie, Valerie, Valjean, and Zorro. Alaska is based on an 1890 design of Marder, Luse and co. Arcade imitates an 1888 design of Barnhart Brothers&Spindler. Bamboo (oriental simulation face) is based on a 1889 creation of Barnhart Brothers&Spindler. Behrens Antiqua and Behrens schrift are revival of early 20th century typefaces by Peter Behrens. Eccentric is a digitization of a 1898 arts and crafts typeface by Kingsley/ATF. Hansard is a revival of a display type published in 1887 by MacKellar, Smiths,&Jordan. Pekin is a digitization of a face, first designed by Ernst Lauschke in 1888 and issued by Barnhart Bros.&Spindler foundry in Chicago under the name Dormer, and revived by them in 1923 under the name Pekin. Charles Henry Beeler made a condensed sans serif issued by Mackellar, Smiths&Jordan foundry in 1887: it was digitally revived as Roundhead. Monument is a revival of a 1893 typeface by the Boston Type Foundry, but was also cast at the Central Type Foundry. Vienna Light is a delicate early 1900s type originally created by the German foundry of Schelter&Gieseke. Other designs: Bareback, Campaign (ca. 1970), Cigar Label (1997), Estienne, Farringdon (a western face), Goodfellow (digitization of wood type from 1895 found at Hamilton and probably due to W.H. Page), Harlem Text (blackletter), Houdini (ca. 1992), Memorial, Quadrille 2 (a simplified Tuscan face), Sparticus, Vanities (a Victorian type), Whirligig.

    In 2005, MyFonts added Seminary (after a Victorian font from 1885 by Bruce Type Foundry), Margie (formal script based on Marggraff Bold Script by the Dresden foundry vormalig Brüder Butter, 1920s), Fancy Dan, Bamberg (2005, after a condensed wood type from ca. 1850), Fat Face No. 20, French Ionic (quite ugly--based on an 1870 Clarendon derivative by the Cincinnati Type Foundry), Hearst Italic (based on a 1904 typeface by Carl Schraubstadter of the Inland Type Foundry), Hearst Roman (based on a typeface from the Inland Type Foundry allegedly stolen from a hand lettering job done by Goudy, acccording to Goudy himself), Tally Text (early photolettering type of the comic book style), Welcome 1 (based on Van Loey-Nouri's art nouveau typeface from 1900). A list of some digitized fonts:

    • Art Deco: Advertisers Gothic Light, Alex, Beverly Hills, Boul Mich, Capone Light, Chic (after Morris Fuller Benton's Chic, 1927), Clyde, Eagle Bold, Eagle Narrow, Eden Bold, Eden Light, French Flash, Gallia, Graybar Book, Grock, Matra, Modernique (art deco), Parasol, Parisian, Phoenix American, Plaza Suite, Publicity Gothic, Salut, Stymie Obelisk, Zeppelin.
    • Victorian: Anglo, Arboret, Campanile, Chorus Girl, Fancy Celtic, Ferdinand, Floral Latin, Glorietta, Grant Antique, Gutenberg, Hogarth, Jagged, Katherine Bold, Lafayette, Meisteringer, Olympian, Phidian, Ringlet (1998, a Victorian typeface after an 1882 original by Hermann Ihlenburg), Romanesque, Rubens, Stereopticon, Templar, Wedlock, Zinco.
    • Script/Cursive: Amapola, Artists Script, Carpenters Script, Certificate Script, Commercial Script, Conway (an architectural script), Elegance, Engrossing Script, Figaro, Flare, Gloria Script, Hanover, Helvetica Cursive, Holly, Kunsteler Bold, Liberty, Manuscript, Orion Script, Pantagraph Script (+No2, +No3), Park Avenue, Romany Script, Trafton Script, Typo Upright, University Script, Virginia Antique.
    • Art Nouveau: Ambrosia, Argus, Artistik, Auriol, Baldur, Bocklin, Cabaret (2003, as in Murder She Wrote), Carmen, Childs, Edda Black, Excelsior, Francomia, Giraldon, Harrington, Isadora, Metropolitan, Murillo, Oceana, Odessa, Orbit Antique, Palmetto (2005; an art nouveau typeface based on a 1887 typeface called Palm from the A.D. Farmer Foundry), Siegfried, Skjald, Spartana, Titania.
    • Gothic/Medieval: Academy Text, American Uncial, Antique Black, Becker Bold, Bradley, Castlemar, Celebration Text Fancy, Church Text, Engravers Old English, Frederick Text, Freehand, Hingham Text, Initials-Bradley and Caxton, Kanzlei Light, Lautenbach, Lautenbach Fancy Caps, Libra, Morris Black, Nicholini Broadpen, Rhapsodie Swash Caps, Scottford Uncial, Solemnis, Washington Text, Wedding Text.
    • Celtic: Anglo Text, Camden Text, Chappel Text, Cimbrian, Colchester Black, Durer Gothic, Durwent, Fenwick, Genzsch Initials, Gloucester Initials, Gutenberg Gothic, Hansa Gothic, Harrowgate, Kaiser Gothic, Kings Cross, Konisburg, Malvern, Medici Text, Middlesex, Progressive Text, Tudor Text, Warwick, Westminster Gothic, Yonkers.
    • Special-Effects Display Fonts: Azteca Condensed, Buddha (oriental simulation face, after a Schelter&Giesecke type), Burst, Campaign (1970), Chinatown (oriental simulation), Cigar Label (1997-2002), Colonial Dame, Contract Banner (2004, a take on Mezzotint from 1880), Direction, Fillet, Filmstar (1999), Firebug, Headhunter, Hollywood Lights, Igloo Solid, Import, Lariat, Needlepoint, Old Glory, Protest, Rustic, Scimitar (Arabic simulation face), Scoreboard, Skyline, Starburst, Sundown Shadow, Tableau, Tonight, Xerxes.
    • Other: Acantha, Assay, Baraboo Banner, Beijing, Bindweed, Brevet (after a Victorian original by Ernst Laushke, 1887), Brussels (positioned inbetween Stephenson Blake's Flemish Expanded and Flemish Condensed), Cathedral, Cleopatra, Cognac, Crossroads, Dainty Lady, Dangerfield, Diablo, Dime Museum, Dutch Treat, Egyptian Oldstyle, Excelsis, Extravaganza, Grecian, Lord Mayor, Malibu, Minnesota, Moulin Rouge, Penny Arcade, Rigney, Trixie, Valerie, Zorro.

    Images of selected typefaces: Agency Gothic, Alpha Midnight, Alpha Twilight, Anita Lightface (1977), Art Deco Display Alphabets, Ashley Crawford, Ashley Inline, Astur, Bamberg, Banco, Beans, Blackline, Bobo Bold, Braggadocio, Broadway Engraved, Busorama Bold, Busorama Light, Bust, Charger, Checkmate, Colonel Hoople, Corral, Dudley P Narrow, Dynamo, Earth (a futuristic / prismatic typeface revived by nick Curtis in 2015 as Terranova NF), Eclipse, Empire, Ewie, Fat Cat, Fatso, Festival, Futura Black, Futura Inline, Gillies Gothic Bold, Greeting Monotone, Grooviest Gothic, Hess Neobold, Hotline, Huxley Vertical, Inkwell Black, Joanna Solotype, Joyce Black, Koloss, Lampoon, Mania, Mania Contour A, Mania Contour B, Margit, Mindy Highlight, Modernistic, Monograms Stencil, Mossman, Neon, Neuland (+Inline), Phosphor, Piccadilly, Pickfair, Polly, Prismania P, Quote, Rhythm Bold, Shady Deal, Sheet Steel, Sinaloa.

    The Solotype Catalog is a file with information on Dan Solo's typefaces, annotated with remarks about name equivalences and digitizations. The original file was due to Thibaudeau, but typophiles on alt.binaries.fonts have added to it in 2010. PDF version. Excel version. Text version. See also here.

    View Dan Solo's typefaces. Another page on Solotype. Dan Solo's typefaces listed in decreasing order of popularity. View Dan Solo's typefaces. View Dan Solo's typefaces. [Google] [MyFonts] [More]  ⦿

    Sophia Del Plato

    Cordelia (2015) was designed by Sophia Del Plato in the 15 week typeface design course taught by type designer Kris Holmes at the Rochester Institute of Technology's School of Design. Cordelia was inspired by the aesthetic of American Horror Story: Coven. Sophia writes about this tall-legged vintage typeface: This typeface was therefore influenced by witchcraft, femininity, spookiness, grandeur, and death. This face was initially named after one of the show's main characters and became unbelievably fitting, being itself old-fashioned, mature, and elegant. [Google] [More]  ⦿

    Spencer & Sons
    [Gilang Purnama Jaya]

    Spencer & Sons was set up in 2016 by Gilang Purnama Jaya (Bandung, Indonesia) and Cahya Sofyan. Gilang Purnama has been designing type since 2010 at his earlier companies, including Decade Type foundry, GP Type foundry and Imagi Type.

    Typefaces from 2017: S+S Amberosa (decorative Victorian), S&S Nickson (a 15-style copperplate display typeface).

    Typefaces from 2018: SS American Brewery, SS Greyhood (blackletter, tattoo font), SS Metroviation (retro style).

    Typefaces from 2019: S+S Baldwins (Vicorian, by Gilang Purnama), SS National Currency.

    Typefaces from 2021: Ephemera Nickson Pro One (a condensed headline typeface). [Google] [MyFonts] [More]  ⦿

    Spidergraph (was: Grontype)
    [Jarnawi Saja]

    Or Sisa Doenya. Bandaraya, Aceh, Indonesia-based designer, b. 1986, of the bilined typeface Hollgati (2019), the script typefaces Geruthu (2019) and Brullos (2019), the weathered font Sicupak (2019) and the monoline sans display typeface Klenik (2019).

    Typefaces from 2020: Buguri Slab

    Typefaces from 2021: Crypick (a frazzled typeface), Futurik (futuristic), Thurkle (a bold display font), Bitline (a display typeface with Victorian curls), Click Brother (a special script font), Killman (an informal typeface), Klick (a slabby typeface with top serifs that are looking left and right and see a coathanger lower case f in the distance), Keong (an inky hand-painted font), Kochire (a wonderful rounded squarish typeface), Mefista (a decorative serif).

    Typefaces from 2022: Saltstar (a retro display typeface), Banuk (paperclip style), Proach (a display typeface). [Google] [MyFonts] [More]  ⦿

    Spiece Graphics
    [Jim Spiece]

    James R. Spiece (b. 1946, Wabash, IN) attended Culver Military Academy and graduated from Wabash High School in 1964. Jim attended Indiana University and graduated with a B.S. in 1969 after serving two years in the US Army stationed in Germany. Based in Fort Wayne, IN, he liked to revive old type designs. Ji died in 2021 in Green Valley, AZ. Obituary.

    The typefaces made Jim Spiece:

    • Adonis Old Style SG (2004): a connected upright script modeled after a little stationery and greeting card typeface developed for American Type Founders in 1930 by Willard T. Sniffin.
    • Anthology SG (2005).
    • Arched Gothic Condensed: another Victorian type, developed around 1885 by the James Conners&Son Foundry (New York).
    • Ark Monogram SG: Ark is a combination monogram set based on the ATF Virkotype designi from the 1930s.
    • Asteroid Primo SG (2009).
    • Astoria Antique (2003): 19th century style ornamental face.
    • Aviator SG (1995), aka Ventura Slim, based on an old 1930s lettering style popularized by Carl Holmes in his book.
    • Bernhard Brushscript SG: based on an extremely heavy informal script was created in the early 1920s by Lucian Bernhard.
    • Bernhard Gothic SG
    • Beverly Shores Script SG (2004).
    • Birdlegs SG (1991).
    • Cactus Flower SG (2006): a Wild West family based on lettering by Ross F. George.
    • California Poster SG (1996).
    • Centric Geo SG (1996) and Centric Serif SG (1996). These are squarish slab typefaces.
    • Concerto Rounded SG: revival of some 1920s Lucian Bernhard lettering.
    • Edison Swirl: A frilly Victorian blackletter typeface based on a design by Hermann Ihlenburg from ca. 1900.
    • El Castillo SG (2008): an old style newsprint family.
    • Epicerie One&Two SG (2008): a signage family.
    • Eva SG. Eva Antiqua SG is an exquisite family based on the 1922 Klingspor model by German designer Rudolf Koch (known as Koch Antiqua or Locarno). It also includes Eva Paramount SG, which is a revival of a 1928 typeface, also flared, by Morris Fuller Benton called ATF Paramount. The Castcraft incarnation is called OPTI Eve.
    • Frisco Antique Display SG (2004): based on a woodtype display typeface from the 1880s by Bruce Type Foundry.
    • Gable Antique Condensed (2002): based on a Bauer Type Foundry art nouveau face.
    • Gambit Nouveau SG (2004): art nouveau.(2004): art nouveau.
    • Grand Slam SG (2002): based on an old cardwriting style known as Poster Gothic.
    • Headline Helpers One SG and Headline Helpers Two SG (2009). Followed by Headline Helpers Three SG (2017), Headline Helpers Four SG (2017), Headline Helpers Five SG (2017).
    • Hollywood Deco SG (1994): based on a Willard T. Sniffin deco-inspired original from 1932.
    • ITC Blair (1997). Blair has its roots in the Inland Type Foundry, ca. 1900.
    • ITC Deli Deluxe and ITC Deli Supreme (1999)
    • ITC New Winchester
    • Ironman SG (2002): art deco poster font.
    • Kingsbury Condensed SG (1992): 1930s style art deco face.
    • Kolinsky Sable SG (2004): a brush display typeface due to Charles P. Bluemlein, 1944.
    • Little Brown Frog SG (2007).
    • Melrose Modern SG (2005): art deco family.
    • Memorandum SG (1992): a sans text family.
    • Metropolis SG: revival of a long-legged 1932 classic design by W. Schwerdtner for the Stempel Foundry.
    • In 1895, Julius Schmohl and Max Rosenow published an upright script with BBS. This ronde typeface was originally known as Oliphant and renamed Advertisers Upright Script in 1925. In 2014, Spiece Graphics created a digital version of it, Milroy Upright SG.
    • Mingo Gothic SG (1991-1992).
    • Narcissus SG (Open and Solid): Narcissus Open is a heavy typeface designed by Walter Tiemann in 1921 for the Klingspor Foundry in Germany.
    • Newport Classic Basic SG and Newport Classic SG: based on an extra condensed art deco typeface designed by Willard T. Sniffin for American Type Founders in 1932.
    • Nicolas Jenson SG: a large text family about which Spiece writes: It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923. Similar in spirit to other early twentieth century revivals such as Centaur, Cloister Old Style, and Italian Old Style, Nicolas Jenson is distinguished by its pristine and delicate nature. A gifted young apprentice to Detterer, Robert Hunter Middleton, greatly expanded the family. And by 1929, bold, italic, and open were part of the Ludlow Foundry's beautiful Nicolas Jenson Series. It was reintroduced under a new name, Eusebius, in 1941.
    • Nova Script Recut One SG (2011): based on Nova Script (1937, George F. Trenholm).
    • Pacific Clipper SG (1991): a mix between Koch's kabel and ATF's Novel Gothic (1929, Morris Fuller Benton and Charles H. Becker).
    • Panorama SG (1995): art deco family, based on an old 1930s lettering style popularized by Carl Holmes is his wonderful book on the subject.
    • Quaint Gothic: Arts&Crafts face.
    • Replica Rough SG (2018). A grungy typeface.
    • Samson Classic SG: a heavy display typeface based on a 1940 design by Robert Hunter Middleton for the Ludlow Foundry.
    • San Remo Casual SG: a fifties style connected script.
    • Sheridan Gothic SG: an art nouveayu face, ca. 1910, known as Grant Antique.
    • Speedway SG (1992-1993): connected upright 1950s diner script.
    • Stellar Classic SG (1997): Stellar was originally designed by by Robert Hunter Middleton in 1929 as a serifless roman well before Hermann Zapf's Optima, released in 1958.
    • Stratosphere SG (1993).
    • Telepod SG (2002): based on an old Speedball lettering style and has a very retro look.
    • Thumbnail Text SG (2005).
    • Travel Kit SG (2004): art deco.
    • Tribunus SG: roman Trajanus style family, originally designed in 1939 by Warren Chappell for Stempel.
    • Tweed SG (1992): handlettering.
    • Ultramodern Classic SG: a marquee lettering font family in the style of Broadway. Based on a 1928 design by Douglas C. McMurtrie, Aaron Borad, and Leslie Sprunger.
    • Valentina SG (1991-1992): a plump comic book style script.
    • Veranda Poster SG: derived from a European art supply manufacturer's logotype done in the Vienna (Wien) Austria style, which was used by artists such as Julius Klinger and Willy Willrab in the 1920s.
    • Wellsbrook Initials SG: based on the 1920s work at Bauer of the German graphic designer Emil Rudolf Weiss.
    • Zinc Italian SG (2002): 19th century style curly ornamental face, aka Zinco in the Victorian era. Based on Zinco (1891, Hermann Ihlenburg for Mackellar, Smith & Jordan).

    MyFonts link. Klingspor link. View Jim Spiece's typefaces. Listing of Jim Spiece's fonts. [Google] [MyFonts] [More]  ⦿

    Squid & Steve (or: Rocket Type)
    [Dathan Boardman]

    Rocket Type, Squid & Steve, Dandylion Brushworks and Dandylion Typeworks are all names of foundry set up in 2014 by Dathan Boardman. Dandylion Typeworks link.

    The early typefaces by Dathan Boardman include Afternoon Tea (2010: inspired by a lettering specimen featured in Letters and Lettering by Paul Carlyle and Guy Oring) and Portsmouth (2012, with Ryan Lyse: a squarish typeface family). In 2015, Dathan designed the handcrafted typeface Little Pigeon, Jacuzzi Room, and the signage script Lampoon Brush (not to be confused with Sam Wang's Lampoon Brush from 1992).

    Typefaces from 2016: Redshift (a rounded geometric full range sans), Aldin (a simple monoline sans family), Rifleman, College Dropout (handcrafted athletic lettering font), Portsmouth (a stackable sketched textured typeface), Afternoon Tea (after an alphabet published in 1938 in Letters and Lettering by Paul Carlyle and Guy Oring), Eisley, Material (brush font).

    Typefaces from 2018: Diablo (beatnik style), Bivona (a retro jazzy typeface), Cream Cheese (handcrafted), Echophonic, Piquant (curly and joyous), My Left Foot, Mr + Mrs Konky (beatnik style), 500 Guitars. In 2018, at Great Lakes Lettering, Dathan Boardman published Penny Pincher, Posie, and Sharp Shooter. At Font Seed, he published Discount, a typeface co-designed with Stuart Sandler in 2018.

    Typefaces from 2019: Delmonico (a vintage display typeface by Dathan Boardman and Ryan Lyse). [Google] [MyFonts] [More]  ⦿

    Steampunk genre

    Steampunk refers to a subgenre of science fiction and fantasy that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machines. Its literary origins are sometimes associated with the cyberpunk genre. In general though, steampunk art is often set in an alternative history of the 19th century's British Victorian era or American Wild West, in a post-apocalyptic future during which steam power has maintained mainstream usage, or in a fantasy world that similarly employs steam power.

    Steampunk features anachronistic technologies or retro-futuristic inventions as people in the 19th century might have envisioned them. It is rooted in that era's perspective on fashion, culture, architectural style, and art. Such technology may include fictional machines like those found in the work of H. G. Wells and Jules Verne, or the modern authors Philip Pullman, Scott Westerfeld, Stephen Hunt and China Miéville.

    Several type designers have attempted to recreate the mood of the steampunk movement in their typefaces. [Google] [More]  ⦿

    Stefan Ellmer
    [Ellmer Stefan & Johannes Lang]

    [MyFonts] [More]  ⦿

    Stefan Krömer

    Cofounder (b. 1975, Bueckeburg) and type designer at Typonauten, a Bremen-based commercial font foundry started in 1998.

    Creator of SingapurFlash, SingapurHeavy, SingapurHeavyColor, SingapurLight, SingapurLightExpert, SingapurWords in 2003, a collection of dingbats and fun tattoo scripts that evoke Asia. Codesigner in 2005 with Ingo Krepinsky of Toon Town (2005, a comic book face). Creator of the grotesk family Sheffield (2003) and of the Cyrillic simulation font Dimitri (2001). In 2006, he added the Witchfinder family (2006), which has handwritten scripts, and fonts for alchemy, astrology, icons, demons, and necronomicons. In 2007, he co-designed the brush font series BMovie Retro with Ingo Krepinsky and Florian Schick. Creator (with Gunnar Link and Ingo Krepinsky) of Royal Oak Decor (Victorian ornaments), Royal Oak Sans (2009, Edwardian headline sans) and Royal Oak Serif (Western headline face).

    Klingspor link. [Google] [MyFonts] [More]  ⦿

    Stephanie Garcia

    Visual designer in San Francisco. Creator of the vintage Victorian typeface Isabella (2013), dedicated to her great-grandmother, Isabella Perez.

    Behance link. [Google] [More]  ⦿

    Stephen Farrell
    [Slip Studios]

    [MyFonts] [More]  ⦿

    Stereo Type Haus
    [Richard Diaz Granados]

    Stereo Type Haus (or STH) is a commercial foundry in Brooklyn, NY, est. 2000, offering fonts by Rick D. Granados ((b. Miami, FL, 1970): Bucks (graffiti font), Bushwick (handwriting), Ballbuster, Bedford (2010, an award-quality dot matrix family inspired by mosaic lettering by Heins&LaFarge, architects of the IRT (Interborough Rapid Transit) in New York City: Bedford hints at the station names on platform walls which date back to 1904 but modernize it through a rigid grid system and rounded corners), Bockhold (2010, a humanist take on DIN), Broadcast (neat stencil face), Konstrukt (stencil), Construkt (2009, a unicase stencil), Falcon, Gran Torino, Roller Girl, Opera (2005, with Ros Knopov), Prisma 2012 (2010, an octagonal multiline face), Radiac (2010, a monoline squarish unicase face), Rukbat, Stylus, Schmearox, Tech Stencil (2000), Noise&Hum, STH Sirena (2006, inspired by hand-painted signage found in "Little Haiti" Miami, Florida), Boris Dworschak (Partisan East, Partisan West, Basic, Gaijin. Other designers include Nikola Djurek (Cornerset (pixel), Aiseman), Luis Valle&R.D. Granados (Lillian, a script face), Arnold Steiner (Statica, Organic Mechanic), Michael Clarke (Paris), Carlos Alfonso (Locut, 2Bit), Denise Wilton (Stereobitz, a stereo dingbat face), Nikola Djurek (Tribeca, Magasine, Soho, Novella) and unnamed author fonts such as Palleta, Rook, STH Kit 1, Stereobytes (audio dingbats), Stereobytes Vintage (hi-fi dings), Nomad (a deconstructivist stencil face).

    At FontStruct in 2009, he made the Victorian family Cartelle (+Inline), the pixel family Microdot, and Chico. Granados spends his time between New York City and Austin, Texas.

    Klingspor link.

    View Richard Granados's typefaces. [Google] [MyFonts] [More]  ⦿

    Steve Harrison
    [Geckodude (or: Sleepy Gecko)]

    [More]  ⦿

    Steven Heller

    Prolific author, art director of the New York Times Book Review and founder and coChair of the School of Visual Arts, New York MFA/Design Program. He is the former editor of the AIGA Journal of Graphic Design and author or editor of over 170 books on popular culture, graphic design history, and political art. MyFonts page on him. Editor of The Education of a Typographer (2004, Allsworth Press). Some of his books closest to type design and typography:

    The typeface Heller Sans JNL (2019, Jeff Levine) is named after Steven Heller as its designer digitized an experimental alphabet by Steven Heller. [Google] [MyFonts] [More]  ⦿

    Storic Type (or: Flavor Type, or: Flavortype)
    [Panji Nugraha]

    Flavor Type was an Indonesian design studio located in Bandung in which Panji Nugraha, Ilham Herry and Maghrib Lab were involved. In 2017, Panji Nugraha set up Storic Type.

    Panji Nugraha is the Bandung, Indonesia-based designer of Caferus (2014), Murmers (2014, Victorian), Bonerica (2014, a Victorian typeface), Vanderchalk (2014) and Glowist (codesigned in 2014 with Ilham Herry and Maghrib Lab at Flavor Type).

    In 2015, he made My Dear Script (penmanship script), Hava Shine (Victorian signage face), Lovile, La Chalk (chalk writing emulation), Carneval (a fun hand-drawn typeface family with a possibility of layering), To Dear (brush script typeface), Allic (brush typeface), Vidiz (a swashy slab serif poster typeface), Levitte Script, Leila, Holisun (brush face), Vacamous, Summerica, Callalily, Vicent (watercolor brush), Morning Sugar (brush script), Blacky, Lonssa (hand-drawn type, with ornaments), Heartwell (a wonderful brushy poster script), Noside (a splashy brush), Toxine and Fruty.

    Typefaces from 2016: Enlighten (bouncy sans), Bite Chalk, Stay Alive (Victorian), Dafodil (Western), Vercha, De Arloy (art nouveau), Herald Bouncy, Mon Cheri (signage script).

    Typefaces from 2017: Relove (Victorian), Floresh, Chester (a layered spurred vintage typeface), Recipe Daily (free), Glandish, Moody Blue (a curly Victorian typeface), Reborn (ornamental Victorian typeface), Recipe Diary.

    Typefaces from 2018: Limit Corner (Victorian), Bride Chalk (sans and serif).

    Typefaces from 2019: Borest (a luxurious flared sans by Ilham Herry and Maghrib Lab), Fulgate (by Ilham Herry and Adam Fathony).

    Typefaces from 2020: Muray House (a bold swashy bathroom towel typeface by Ilham Herry and Adam Fathoni Haris), Esteric (a playful retro jazz typeface).

    Flavortype's catalog in 2022 showed these typeface families:

    • Barlon (2022). Art nouveau, modernized. By Ilham Herry and Adam Fathony Haris.
    • Borest (2019). A luxurious flared sans by Ilham Herry, Adam Fathony Haris and Maghrib Lab.
    • Budge (2020). A layerable retro signage script.
    • Bumsy (2021). A bold display serif by Ilham Herry and Adam Fathoni Haris.
    • Esteric (2020). A playful tapered retro jazz font. By Ilham Herry and Adam Fathony Haris.
    • Fulgate (2019). A luxury display family by Ilham Herry and Adam Fathony Haris.
    • Genty (2020). A creamy retro signage script typeface by Ilham Herry and Adam Fathoni Haris.
    • Glaw (2020). A psychedelic font by Ilham Herry and Adam Fathoni Haris.
    • Monvar (2021). A layerable Cooper Black style typeface. By Ilham Herry and Adam Fathony Haris.
    • Muray House (2020). A bold swashy bathroom towel typeface. By Ilham Herry and Adam Fathony Haris.
    • Rische (2021). A 6-style display serif with huge counters and an enormous x-height. By Ilham Herry and Adam Fathony Haris.

    Creative Market link for Flavor Type. Another Behance link. Behance link. Another Behance link. Another Creative Market link. [Google] [MyFonts] [More]  ⦿

    Struggle Studio
    [Andri Kurniawan]

    Indonesian designer of Mulan Cute (2020), Helena Girl (2020: wild calligraphy), Angel Boos (2020: a dry brush script), Megan Nice (2020: a calligraphic script), Justin Hailey (2020), Santaria Script (2020: a needle-and-thread script), Honey Batter (2020: a nearly upright script), the 19-style display sans typeface family Mantul Pro (2020), the casual calligraphic typeface Galista (2020), the copperplate calligraphic typeface Thamron (2020), the monoline script typeface Motherday (2019) and the script typefaces Pastela (wild calligraphy) (2020), History Love (2020), Fresh Hansler (2020), Safella (2020), Billie Endria (2020), Santaria (2020), Timeline (2020), Ghoppters (2020: a dry brush) and Nasty Life (2020).

    Typefaces from 2021: Quare Zombie (a Victorian font), Candy Hollyn (script), History Jasmin .

    Typefaces from 2022: Diana Custin (a scrapbook script). [Google] [MyFonts] [More]  ⦿

    Studio Sun (or: Sun Brand Co)
    [Cahya Sofyan]

    During her studies in Bandung, Indonesia, Bali-based Cahya Sogyan (b. 1994) created the free rounded sans typeface Synthesia (2014), the free sans typeface New Dawn (2015), and the free techno / futuristic typeface Cosmonaut (2015), with accompanying drop caps.

    In 2016, she co-founded Spencer and Sons with Gilang Purnama Jaya. In 2017, she started Studio Sun in Denpasar, Bali.

    In 2016, Cahyan published June of Fortune, the free hipster typeface family Soda Popp and writes: The new typeface called Soda Popp is inspired by pop-culture, vaporwave music, and seapunk that emerged in the early 2010s among Internet communities. It is characterized by a nostalgic fascination with retro cultural aesthetics, typically of the 1980s, 1990s, and early-mid 2000s.

    Typefaces from 2017 at Spencer and Sons: S&S Nickson (a copperplate display font including eight font styles and seven dingbat fonts).

    In 2018, she published the retro auto racing font Intensa, the extended sans typeface Matrice, and the free flared poster typeface Florent.

    Typefaces from 2019: Alathena (a decorative Victorian and Arts & Crafts typeface family), Rustob Club (a variable font), Tropiline, Matahari Sans (a large family that includes Matahari Sans Mono).

    Typefaces from 2020: Rachee (a 6-style renaissance text font), Klose Slab (an ultra-fat variable font), Gulfs Display (a 6-width ultra bold cartoon font family), Gliker (an extraordinary comic book font family; a new take on the Hobo typeface), Radiate Sans (40 styles), Balgin (a large display family that celebrates the 1990s), Brice Pop (a sixties display style; with Syarif Hafidh).

    Typefaces from 2021: Bethari (a 6-style art deco typeface, including a blackboard bold outline style).

    Typefaces from 2022: Fragmatika (a 9-style a geometric sans serif typeface with support for Latin, Cyrillic, Greek, Arabic, Armenian, Georgian, Hebrew and Thai). [Google] [MyFonts] [More]  ⦿

    Subectype
    [Rangga Singgih Subekti]

    Subectype is the team of Rangga Subekti and Ari Liari. Madiun / Surabaya, Indonesia-based designer (b. 1993) of the handcrafted typefaces Brownie Sundae (2020), Brosia (2020), Jumping Unicorn (2020), Martina (2020), The Crafter (2020), Abu Dhabi (2020), Daisy Girl (2020), Million (2020: a fat finger font), Wishline (2020), Rollanda (2020), My Brother (2020), Kind Heart (2020: a monoline elementary school script), Superion (2020: a dry brush script), Outbreak (2020), Blues Malone (2020), Ardila (2020), Amerio (2020: weathered letters), Smothink (2019: architectural drafting letters), Anantasia (2019: script), Larianti (2019), Awesome Journey (2019: brush), Kalline (2019: formal), Adelina Camarie (2019), School Holic (2019: +Sketch, +3D), Horthen (2019), Darkline (2019: brush script), Be Strong (2019), Marthin (2019: script), Smilen (2019: a layerable font), Herlambang (2019), Golden Class Font Duo (2019: Script, Serif), Sabryne, Romantine (2019: curly Victorian), Bill Smith (2019), Butterland (2018: a free monoline upright script), Good Feeling Script (2018), Realstone (2018), Pageone (2018: dry brush script), Selter (2018), Beegal (2018: a Halloween script), Shortime (2018) and Oureet (2018).

    Typefaces from 2019: Brush King, Omiwa, Brillion, Madelican, Realistic, Little Miku, Le Gusto, Odesty, Belligan, After Fall, Caramel Macchiato, Really Better, Secret Midnight (a Halloween font), Being Strong, Smilen, Katrine, Funking, Gemmo, Amalina Script, Single Fighter (Asian brush), Yonkie, Bathilda (signature script), Rasionil (beatnik style), Homina, Madeline, Katrine, Aldania, Failing Star, Onarie (upright script), Maulidine (script), Donattio, Rezdone (unicase), Lovantine (a Valentine font), Govani Emire (script), Sensaka (brush script), Hanna Monica, Romi Diorama, Billea Quin, Bad Racer (weathered), Hey Elsie, Hey Elsie Cute, Feeling Lovely, Romantine Dingbat, Nour Manise, Harold Flower, Hello Linnea, Quick Divine, Saturdate (font duo).

    Typefaces from 2020: Cute Gorilla, Billion Dreams (2020, by Mans Grebäck and Rangga Subekti: a heavy signage script), Rockies, Spring Daily, Highline, Great Feeling Sans, Feeling, Easteria (a fat finger font), Black Bruno (dry brush), Candy Cake, Right Side, Lightside (brush script), Velfo, Hola Zozo, Fontarian (a Valentine's Day font), Nadilla, Adinda Melia, Wonderline.

    Typefaces from 2021: Mermaid Babies (a scrapbook font), Wonderful Today (a roundish script), Love Craft (a scrapbook script), Shining Monday (a chubby display typeface), Backline (a monolinear fat finger script), With You (script), Holidream (a monoline script), Hello Angel (a scrapbook font), Malira (an upright monoline script), Urban Black (a graffiti font), Gold Night (a brush script), Baby Sakura (script), Magic Holiday (a fat finger font), My Beloved, Jumping Unicorn.

    Typefaces from 2022: Alyson Signature (a wild calligraphic signature script). [Google] [MyFonts] [More]  ⦿

    Suke Toejoeh (or: Pollux of Geminorum)
    [Addy Sukma Bharata]

    Yogyakarta, Indonesia-based designer of the watercolor brush typeface Brushylicious (2016), the Victorian typeface Grandeven (2016), and the free Victorian signage typeface The Bravery (2016).

    Typefaces from 2018: Budaphest.

    Typefaces from 2020: Hassengard (nodular), Rochard Benoitt (script), Believe Dreams (a monoline script), Luxuriougenics (script), Almada (a wild calligraphic script), Bobaniac (creamy, hand-printed), Warrington, Bruan Letter, Liefont Mooncrat (a fat finger font), Harlem Boston [Google] [More]  ⦿

    Sundawani
    [Ally Takyudin]

    Karawang, Indonesia-based designer of the decorative Victorian typeface Victory (2017), the techno typeface Xaliber (2017), and the monoline display typeface Rollade (2017). [Google] [More]  ⦿

    Supar Wanto
    [160 Studio]

    [MyFonts] [More]  ⦿

    Suro Studio (or: Surotype)
    [Adil Budianto]

    Adil Budianto (Suro Studio, or Surotype, Yogyakarta, Indonesia) designed the spurred Victorian signage typefaces Jainem (2014), SurocK (2014), Nihlah (2014) and Rocoustic (2014).

    Typefaces from 2015: Mantan (script), MounTiane, Neaby (script).

    Typefaces from 2016: Mahmur (signage brush script), Anthem, Suargie (signage brush script), Mentari.

    Typefaces from 2017: Muara (free demo), Handler (signage script), Crutsen (signage script), Entm, Mettars (a strong signage brush typeface), Mantten, The Brown.

    Typefaces from 2018: Groches, Brayline (monoline script), Muara No. 23.

    Typefaces from 2021: Popfun (a condensed layered unicase font), Rockids (a condensed all caps sans), Gangsar (a 6-style condensed sans with high shoulders), Gendis (a condensed vernacular sans), Rosign (an all caps sans), Berose (a stylish condensed sans), Chedros (humanist, all caps), Parten (inspired by 1950s motel signage).

    Creative Market link. Another Creative Market link. Yet another Creative Market link. Behance link. Behance link for Adil Budianto. [Google] [MyFonts] [More]  ⦿

    Tama Putra (or: Tama Vocks)
    [Faka Pratama Putra]

    Aka Tama Putra and Tama Vocks. Possibly the same as Yandi Adi Prasetya, located in Kediri, Indonesia, b. 1993. Designer of the Victorian typefaces Godhong (2016), Pindunk (2016), Crozzoe (2017: gothic), and Clobot (2016).

    Typefaces from 2017: Teyenc, Bathoock, Blarrack, Babball, Boolack, Genoock, Ancherr (thick brush typeface), Raimoo, Bathoock, Clarraph.

    Typefaces from 2018: Coovico (eerie), Garreng (spurred), Saraqoo, Qaddal (a graffiti font), Collazio (slab serif), Bladog (signature script), Blombanc, Clarraz, Qardoos, Archena, Debock, Noggovoso, Zagga, Clovvo (free).

    Typefaces from 2019: Callioca, Chagack (script). [Google] [MyFonts] [More]  ⦿

    Tanya Davis
    [Scrowleyfonts]

    [MyFonts] [More]  ⦿

    Taznix Creative
    [Ricky Hartasni]

    Semarang / Batang, Indonesia-based designer (b. 2000) of these typefaces in 2020: Aditta, Aihana Handwritten Font, Ankormati, Archeria, Avalla, Bastille Vredeburg (Victorian), Bethaine (formal calligraphic), Bubble Balloon, Buonapati (Victorian), Cyrille, Engkrak, Epines (a signage script), Eternal Ego (a spurred dystopian typeface), Fringilla (spurred), Grano, Jazking (a comic book typeface), Lacqua, Lalapis (a cartoon font), Limpung, Planus (an octagonal stencil typeface), Redpine (letterpress emulation), Silver Shield (a monster truck font), The Heritages Palace, Viennero (spurred, Victorian), Waraxe.

    Typefaces from 2021: Rothest (a layerable Victorian font with applications to tattoos), Degan (a bold children's book typeface), Shampoerna Betoel (a decorative Victorian typeface), Ankormati (Victorian), Magroe (a layerable vintage label font), Aditta (a monoline script), Novusa (a street art font). [Google] [MyFonts] [More]  ⦿

    Ted Staunton

    Born in Lincoln, UK, in 1942, Ted Staunton lives in Surrey, BC, and designs type. After serving a five-year apprenticeship as a hand compositor (1958-1963) with the Lincolnshire Publishing Co., he spent three years (1963-1966) at Leicester College of Art&Design, graduating in type design. After spending some time in London working for Penguin, Hamlyn and other book publishing houses, he emigrated to Canada in 1970, working for Mitchell Press and Hemlock Printers in Vancouver before opening his own design business and letterpress printing shop, Sherwood Graphics, in 1984. In 1991 he published a private press book, The Lincolnshire Poacher, illustrated with his own wood-engravings. Some of his fonts were used privately on transfer lettering sheets and cast in metal for hand typesetting at his private press, Sherwood Letterpress. His typefaces are mostly published bi P22:

    • In 2003, P22 launched Staunton's Sherwood Type Collection, a beautiful ensemble of revivals: Afton (2003), Albemarle (2008: connected script), Albion (2003), Albion Italic, Amelia (2003: ornamental caps in the style of William Morris), Aragon (2003: Victorian), Avocet Light (1985: chancery script originally named Avoca), Canterbury (2006, +Caps A, Caps B, Caps C, Pro), Elven (2003), Floriat (2003: floriated ornaments), Founders (2003), Freely (2002), Kaz (2008, between architecture and Comic Sans), Kaz Thin, P22 Kelly Pro (2009, Celtic style uncial), Latimer (2002), Lindum (2000; based on his Lindum Titling from 1967), Mayflower (2002: medieval lettering), Mayflower Italic, Mayflower Smooth (2009), Mercian (2003), Plymouth (2001), Roanoke Script (2002, a rough texture typeface; Albemarle is the smooth version), 1722 roman (2002), 1722 italic, Sherwood (2002), Sparrow (2001), Symphony (1987), Tyndale (2002), and Tyndale Xtras (2002: Arabesque ornaments).
    • Typefaces from 2004: Merton, P22 Ruffcut and P22 Spooky (blackletter).
    • Typefaces from 2005: the Staunton Script (package P22), which includes handwritten style typefaces that simulate the period spanning between the English Civil War (1640s) and the Victorian Era (1839-1901): Virginian, Royalist, Grosvenor, Grenville, Elizabethan, Broadwindsor, Chatham. Staunton Script was first drawn in 1981.
    • Typefaces from 2006: P22 Phantasmagoria (a wedge serif inspired by Viking runes), P22 Regina (calligraphic).
    • Typefaces from 2011: Bix, Brigid.
    • Typefaces from 2013: the spurred typeface Ridley, which is based on his Avalon Text (2002).
    • Typefaces from 2014: P22 Amelia Jayne (which has a classical roman, with several sets of initial caps).
    • Typefaces from 2015: P22 Clementine (sans, curly: pure Victoriana), P22 Ringwell (Victorian).
    • Typefaces from 2019: P22 Kingsclere. Inspired by a 17th century tombstone inscription in the town of Remedios, Cuba.
    • Typefaces from 2020: P22 Ridley (a spurred medieval typeface, named for Nicholas Ridley and similar in style to Staunton's Latimer font), P22 Tuscaloosa (P22: a hybrid Tuscan typeface).
    • Typefaces from 2021: P22 Araminta (a Tuscan Victorian font).
    • Undated roman: Bentley.
    • Undated sans: Witham Light.
    • Undated initial caps: Arabella Initials, Florabunda (floriated Lombardic caps).
    • Undated blackletter: Luther, Yeoman.
    • Undated Victorian typefaces: Arabella.
    • Undated scripts: Guildford, Hykeham Swash, Nadine, Saluki.
    • Undated text typeface: Crossroad.

    Klingspor link. P22 link.

    View Ted Staunton's typefaces. [Google] [MyFonts] [More]  ⦿

    Terima Kasih
    [WUB Studio]

    [More]  ⦿

    Terrance Weinzierl

    Grand Rapids, MI-based graphic designer trained in Chicago. Terrance worked as a graphic designer for the university book store while earning a bachelor of fine arts degree with an emphasis in graphic design from Grand Valley State University in 2008. After graduation, he joined Ascender Corporation where he worked closely with Steve Matteson. After Ascender folded, he became an in-house type designer at Monotype where most of his time is dedicated to custom fonts.

    His early typefaces include TW Geo Slab (2007), Dux (2007, ornamental Victorian type), Wingman (2006, handwriting) and Weinzierl Slab (2006, see also here). He joined Ascender and created there the stencil blackletter typeface Stenblak (2010), informal script typeface Rebus Script (2009, with Steve Matteson) and Romany (2009), a non-connecting script which was originally designed by A.R. Bosco and released by American Type Founders in 1934.

    In 2012, he created Feldman Engraver and JMC Engraver.

    Fonts from 2015: Kairos (Monotype: an octagonal typeface based on 19th century Grecian wood type). In 2015, Monotype set out to remaster, expand and revitalize Eric Gill's body of work, with more weights, more characters and more languages to meet a wide range of design requirements. As part of that project, Terrance Weinzierl designed Joanna Sans Nova (2015: sixteen fonts, loosely based on Gill's slab serif, Joanna, so technically, this is not a Gill revival, but a Gill extension. A well-balanced family with a medium-to-large x-height. But the italic g is disturbing).

    Fonts from 2016: Terry Junior Basic (free), Kairos Sans (which accompanies his 2015 typeface Kairos; both cover Latin and Greek). The octagonal typeface Kairos Sans became Monotype's first variable font---it is free at GitHub. Also in 2016, he added some Greek, Cyrillic, weights and widths to Kobayashi's Eurostile Next, for a grand total of 50 styles in this popular Linotype font family.

    Pizza Press (2013) won an award at TDC 2014.

    In 2017, Jeong-Sook Lee, John Pompa, Terrance Weinzierl and the Monotype team won a Red Dot award for the 72-style typeface family 72 designed for SAP Fiori.

    Fonts from 2018: Terry Junior (Monotype; a brush script perhaps with uses for children's books).

    Typefaces from 2019: Monarda (Monotype), Terrance Weinzierl's take on the loud and splashy brush scripts of the 1950s.

    Typefaces from 2020: Futura Now (a 107-style family by Steve Matteson, Terrance Weinzierl, Monotype Studio and Juan Villanueva, that includes variable fonts as well as subfamilies called Text, Display, Headline, Inline, Outline, Shadow and Script).

    Typefaces from 2021: Tellumo (a 12-style humanist geometric sans with a tidy look and large x-height) and Tellumo Variable.

    Klingspor link. Linotype link. [Google] [MyFonts] [More]  ⦿

    Teuku Deky Firnanda
    [Seruput (or: Barokah, or: Graptail)]

    [MyFonts] [More]  ⦿

    TGIF STD

    TGIF STD stands for Thanks God I'm Fontmaker Studio. Located in Bandung, Indonesia, this commercial type foundry produced these typefaces in 2016: Sigismund No. 7, Eugiene (monoline script), Aiden, Hodor (inspired by the character Hodor from Game of Thrones), Bengrraas (monoline ans), New Autumn (soft hand-printed), The Arms Race (bilined), Brushcheetah (brush script), Eugiene (poster typeface), Landon (deco), Camille (signage script), Neorah (neon style), December Script, Companion (spurred Victorian style), Boullevard (sic), Adeft (brush face), Vignette Script (calligraphic), Mewton, Castle John (Victorian), Pixelo, Desmodo, Elliot (fun script), Montour (geometric slab serif), Aiden (handcrafted slab serif), Madison (Victorian).

    Typefaces from 2017: Kakamora, The Servant (sans), Chaiaathah, Hollawinds (a rough rounded sans), Sunshine Boy, Remembrance, Beornheard, Glodiolusy, Caang, Sanur Beach, Jomantara, Daddy Day (titling sans), Fatherly (inline), Amorette Light (elementary geometric sans), Badstar, Scriptonesia, Adeft.

    Typefaces from 2018: Lucky Irish Dingbats, Lucky Prince Lettering Dingbats, Easterica, Mongli (all caps sans), Cincoyo (Tuscan), Hippo Letto, Huckleberries, Iacott Neue, Valentine's Dingbats, The Rogue (textured), Thank You Dingbats, Sun Pepper, Reilly, Regan Slab, Rawwwing (eerie style), Penny Farthing, Oliemolly, New Autumn, Ms Orange Sky, Little Girl (children's script), Leo Bronx (weathered athletic lettering), Leaderson, Laudya Bloods, Juneville (octagonal), Hellowins, Helldings, Echizen (brush), Coast Redwood (a pirate font), Chukies, Caldwell (+Easter eggs), Baileyns, Brodetto, Bellquina, Audie, Von Everect, Gustavo (art deco sans), The Queen (inline, spurred), Stardust Moonlight, Serenity (calligraphic), Questro (inline stencil), Otakaku, Dhangdose (spurred), Desmodus, Romaniesta, Emery (octagonal). [Google] [More]  ⦿

    The Brosnes

    Indonesian designer of the handcrafted typeface Diaryclouds (2016), Diarylicious (2016), the vintage layered typeface Berg (2016; free at Pixel Surplus), the monoline script Huskey (2016), the hand-lettered Glowing Sunday (2016), the signage script typefaces Ralington Script (2016) and Auto Moods (2016), the heavy brush typeface Throne (2016) and the Victorian signage typeface Silver Creek (2016). Behance link. [Google] [More]  ⦿

    The Dingbatcave (was: Ann-S-Thesia)
    [Ann Stretton]

    The Dingbatcave offers many dingbat fonts by Ann Stretton from Racine, WI. Ann Crawlers (crawlers!) is free. Borders, spiders, ringbats, ornaments, annaments. The spirals (5 fonts) are absolutely wonderful! Fonts include EyeEyeMate, Characters, Wreck Tangles, WebBats, BrideofWebbats, Victorian Frames, VictorianTriplets, Scrollbars, Decobands, GuestStars, Shaped Spheres, Satellite, Frets, RolyPoly (great circles), Wreck Tile, Ornaborder, Butterfly Scrolls, Annuals MorningGlories, Pansies, Petunias, Poppies and Zinnias, Wingnuts, Kaleidoblocks, Gothblocks Tetrascopes, Spinafores, Pinaforms, Patchquirks and Interlochs, Mandalarama Florascopes, Cross Scrolls, Triangles, HexaGlyphs, DecoGlyphs. Seconds One and Two were free at some point. Stan Starbuck's Stan Nipple family of ornamental circles is great (Pallas, Plato's Laws, Timaeus). Nearly all fonts are commercial now. Alternate URL to Ann-S-Thesia.

    At the now defunct OmegaFrog site she published some fonts that may have disappeared or improved, so I will list them for the historical record only: Annaments, Basketweave, Borders, DecoFrieze, DecoGlyphs, DingBatik, Florascopes, Frieze, GothicFrieze, HexaGlyphs, Kaleidoblocks, Ringbats, Roundabouts, Scrolls, Speyerals (one of the greatest spiral fonts on earth!), Spinwheels, Spirals, Woodblocks. A quote from that site: Her art is abstract, geometric, embellished, decadent and fun. She's the webmistress behind The S.S.Studio, also known as Ann-S-Thesia's Gallery of Digital Delights. At Garagefonts, check Baroquoco (borders).

    Finally, several fonts can be bought at MyFonts, such as the great gender symbol and astrological font family Ann's Astro. One also finds Speyerals, Dividers, EyeEye Mate (eyes), Decorative Bands, GothBlocks, WreckTile, Deco Glyphs, Spirals, Ann's Valentines, Satellite, Victorian Franmes, Shaded Spheres, Butterfly Scrolls, Guest Stars (scanbats), Bijous, Quadtiles, Stellars, Florascopes, FriezeFrame, Scrolls, Savvy Navvy, Characters, Modules, Annaments, Gingerbread Borders, Victorian triplets, Borders, OctOs, Cross Scrolls, Crop Circuits, Scrollbars, Web Bats, Framemaker, WreckTangle, TimePieces, NatureSwirls, Primotifs, Breakfast at TifAnnie's, Annuals, Bride of WebBats, Whirligigs, Basketweave, Dingbatik, Wingnuts, Frets, Ornaborder. Gone are Anns Butterfly, Breakfast Muffins, Stan Bugs, and Wingnut5.

    Dafont link. FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

    The Logical Choice

    A free font, vicmodcu, for "Victorian Modern Cursive Handwriting" (truetype). [Google] [More]  ⦿

    The Nest

    Branding studio in San Luis Potosi, Mexico. Designers of the Victorian typeface Mr. Porfirio (2020). [Google] [More]  ⦿

    The Pyte Foundry
    [Ellmer Stefan]

    The Pyte Foundry was established in 2015 by Ellmer Stefan in Oslo, Norway. During the course of the year 2016 Ellmer Stefan released a new free display font every consecutive Monday. They explain: Paying tribute to the typographic diversity of the 19th century, this project's aim is not historical accuracy---none of the typefaces are strict revivals of specific typefaces produced in the Victorian era. It is rather a revival in spirit---indulging into stylistic manifoldness and idiosyncratic hyperbolism. The digital fonts are generated using a component-based system that globally applies changes made to independently adjustable letter parts, such as stems or serifs. This approach mirrors the production methods envisioned for the making of wood types around 1880: in American Wood Type 1818-1900 (Van Nostrand Reinhold Company, New York; 1969) historian Rob Roy Kelly refers to a series of inventions by William H. Page using interchangeable modules in the creation of wood type letters enabling the rapid manufacturing of new styles.

    The list of typefaces from 2016: Prhyme, Alcove, Mortar, Plakat, Cabaret, Antique, Galore (piano key style), Lyrics, Protocol, RoutineA, RoutineB, Routine C, KinkA, Kink B, Moloch, Symptom, Residue (ultra-condensed), Perdu (Western, Italian), Turmoil, Polymer, Houdini (wide slab serif), Umbra (shaded style), Montage (mechano style), Flounce (Tuscan Western font), Throng (piano key style), Italian (reversed stress style), Epitome (ultra-condensed didone), Overdose (Italian), Overdone, Gyrator, Henry I, Plumb A, Blockage, Seryph (stitching font), Octango (a chiseled typeface), Potpourri (decorative caps), Persiflage, Radiator Italic, Ortho (octagonal), Nihilist, Errata, Dosage, Radiator, Vulture, Filocalus, Latency, Postulate, Syzygy, Cuneiform, Cuneimorf, Absolu (a great decorative titling typeface family), QFWFQ.

    In 2016, he designed Levvel Script (brushy), and Sentralen Oslo.

    Skald (2017) is a set of three typefaces designed for a series of classics issued by Norwegian publishing house Skald Forlag.

    In 2018, he designed the custom type system Diller Scofidio + Renfro (for the New York-based architecture firm).

    In 2019, they released Triptych (Roamn, Italick, Grotesque). He writes: Triptych consists of three distinct styles amplifying the notion of structural differentiation within a typeface family. The triplet of Roman, Italick [sic] and Grotesque is designed to take on clearly defined hierarchical functions in a typographic system. Roman and /Italick are irreverently free interpretations of the sturdiest of all sturdy book faces ever produced, namely O.S. (Old Style Antique No.7 by Miller & Richard of Edinburgh first issued in 1858). Most probably not designed by Miller & Richard's prime punchcutter Alexander Phemister. Despite its name, Triptych is of secular, utilitarian nature: its unsentimental, at times mechanical drawing makes for a stubbornly robust and economic design. Bare any bourgeois flamboyance it is suited for confident and hardworking typography. Where other typefaces are promoted as workhorses, this one is a mule.

    Also, for the celebration of Norwegian sculptor Gustav Vigeland's 150th birthday in 2019, he released the wedge serif roman inscriptional capital typeface Gustav Display. Still in 2019, he added the bespoke flared lapidary typeface Hamran and the custom typeface Aurlands Display.

    In 2020, he designed the economical sans family Oslo Sans for the City Council of Oslo. He also released Compagnie, a set of three typefaces that are a digest of various French and Swiss wood type Grotesques from the second half of the 19th century. [Google] [More]  ⦿

    The Sastra
    [Deni Dessastra]

    Singkawang, Indonesian Borneo-based designer, b. 1983. Creator of the decorative Victorian typefaces Noir (2015) and Dwiss (2015), which are intended for tattoos. He also made Crypton (2015), Steampunk Ornaments (2015), and Rosewell (2015, Western decorative caps typeface).

    Typefaces from 2016: Lawless (biker style blackletter), Union.

    Typefaces from 2017: Volcano (script).

    Typefaces from 2018: Wolfgang (a vintage tattoo font).

    Typefaces from 2019: Vanderink (tattoo type), Monteradoo, Temadjo (a biker gang font), Khatulistiwa (spurred tattoo type), Jhoony Richmond (art deco; caps only), Black Borneo (vintage, spurred), Blackphanters (vintage), Noise Storm. [Google] [More]  ⦿

    The Ugly Tree
    [Geoffrey Bunting]

    Geoffrey Bunting (b. 1991, Germiston, UK) graduated from Cambridge School of Art with a degree in Graphic Design in 2014. His first company was called The Ugly Tree Graphic Design (Norwich, UK). He created Eddison (2016), a tall condensed modular typeface for E.R. Eddison's The Worm Ouroboros.

    In 2018, he designed the all caps typefaces Victoria Nouveau. He also published the 3d typefaces Stalker and Pixel Gothic in 2018. [Google] [More]  ⦿

    The Union Type Foundry
    [Feeling C. Foster]

    In 1888, Chicago, IL-based Felling C. Foster designed two Victorian typefaces for The Union Type Foundry in 1888. [Google] [More]  ⦿

    Thea Bathan

    Creator of Bonnie (2014), a free typeface with Victorian curls. [Google] [More]  ⦿

    Thirteen Studio (or: Lost Volt Type foundry)
    [Ryan Prasetya]

    Ryan Prasetya (Republik Digital and Lost Volt Type foundry, Tangerang, Indonesia) created the spurred Victorian signage typefaces Arsemith (2015) and Stonebangs (2014), the tattoo typeface family Maroline (2015), and the art deco typeface Herline (2014).

    In 2015, he created Beautiful Friday (a calligraphic script and about 20 related handcrafted typefaces), Mutiara Vintage (letterpress emulation), the connected Vanessa, the connected script The Flanela, Mutiara (brush script), Nadhin Script (cursive), Nadhin Sans, Lussira Brushscript, Castrina Typescript and Syaquilla, as well as the spurred Victorian typeface Evolution.

    Typefaces from 2016: Agistha (logotype and script), Novitha Script, Kali Angke (layering typeface), Shella Hera (sans and script), the striped shadow typeface Vhiena and the copperplate typeface Renassance (sic).

    Typefaces from 2017: Moon & Chips, Vhiena 2.0 (layered), Vayentha Script, Vayentha Sans, The Braggest.

    Typefaces from 2018: Madeleine (a free signature font), Lineton (sans).

    Typefaces from 2019: Maryatha (an SVG script font), Panhitra Slab.

    Typefaces from 2020: Ariston (a comic book font), Retrica (a rounded hand-printed all caps font), Free Love Script. Graphicriver link. Creative Market link. Dafont lnk. Graphicriver link. [Google] [More]  ⦿

    Thomas MacKellar
    [MacKellar, Smiths and Jordan]

    [MyFonts] [More]  ⦿

    Thomas Phinney

    Font technology expert who runs his own type tech blog. Thomas Phinney (Portland, OR) has MS in printing from the Rochester (NY) Institute of Technology, and an MBA from UC Berkeley. He is freelance type consultant, font detective and type designer.

    Thomas Phinney was in Adobe's type group from 1997 until December 2008, mostly as Product Manager for Fonts&Global Typography, based in Seattle. At Adobe, he was involved in the technical, design, historical and business aspects of type, and worked closely with other font developers and customers. In 2008, he joined Extensis, where he was senior product manager for font solutions. In 2014, he joined the FontLab team, where he became Vice President and then CEO. In 2019, he left FontLab to become a full-time font detective.

    Phinney created Geode (2004, Adobe) and Hypatia Sans (2005-2007, Adobe, an elegant geometric sans family, complete with coverage of East European languages, Greek and Cyrillic). Hypatia Sans Pro (2009) is a more complete family that was finished with the help of Paul Hunt.

    In 2012, he started work on Cristoforo, a revival of Hermann Ihlenburg's Victorian typeface Columbus (1890, ATF) and its accompanying American Italic, also by Ihlenburg. Kickstarter project. Phinney notes that it is known as the typeface of Call of Cthulhu, the H.P. Lovecraft roleplaying game, and as the original logo for Cracker Jack. In 2013, Cristoforo Italic, a cooperation with Andrea Leksen, was shown at Leksen Design.

    In 2019, he worked on Science Gothic, a revival and mega-extension of Bank Gothic. He writes: Science Gothic is a variable font, designed for Google Fonts. Thomas Phinney based the regular master on Morris Fuller Benton's Bank Gothic (1930-1934), created for American Type Founders. Science Gothic builds on and extends Benton's design by adding a lowercase, dramatic variation in weight and width, and a contrast (YOPQ) axis, somewhat reminiscent of Benton's Broadway (1927) and other period designs such as R. Hunter Middleton's Radiant (circa 1938-1940) for Ludlow. The design was created by a team of designers: Thomas Phinney, Vassil Kateliev and Brandon Buerkle, with a little help from Igor Freiberger early on. See also Merom Sans (2019-2020) at OFL.

    At ATypI 2004 in Prague, he spoke about the demise of multiple masters, and the future of OpenType and type 1. At ATypI 2005 in Helsinki, he announced the phasing out of type 1 at Adobe. He has spoken at nearly all of the TypeTech parts of the annual ATypI meetings, and has been on the ATypI board since 2006. At ATypI 2008 in St. Petersburg, he spoke about web fonts and on OpenType. Speaker at ATypI 2010 in Dublin. His talk at ATypI 2011 in Reykjavik was entitled TSI: Type Scene Investigations. The title of his talk at ATypI 2013 in Amsterdam was Free Fonts: Threat, or Menace? Speaker at ATypI 2016 in Warsaw.

    Klingspor link. [Google] [MyFonts] [More]  ⦿

    Thomas Vree

    Dutch type designer, b. 1967, Amsterdam, who now works in Dundas Valley, Ontario, Canada, in pre-press and the print trade. He has had wonderous encounters with other type designers. He made 47 digital typefaces. As far as I can tell, no sales, and no downloads. Behance link. A partial list:

    • Amazon (1996). Most letters are didone, but some serifs are Bodoniesque.
    • Amsterdam: A compendium of experimental typefaces done starting in 1988. He writes: My initial forays into type consisted of hacking Letraset, distorting it on photocopiers, playing around with it on stat cameras, then adding to that with tech pens, etc. Then in early 88 I started drawing type on the computer. I was doing fanzines, gig posters, logos, tape covers, etc. and I knew instinctively that I wanted to use typefaces other than the ones I had at my disposal. My choices at the time were very limited, and nothing I had access to accurately conveyed the look I thought would be appropriate for say an experimental electronic combo. So I started drawing my own typefaces.
    • Bass Bin (1997). A first hint of grunge.
    • Boloni (1996). A Bodoni face.
    • Cosmodrome (1992).
    • Cryptonym (1995). A mishmash of fonts reconstructed to give something magical.
    • Dirigible (1993). A slightly convex display face.
    • Dread (1991). In the style of Kisman's Fudoni and Makela's Dead History.
    • Engravers Initials 2 and 3 (2011). These are Victorian über-ornamental semi-blackletter typefaces based on designs found in Dan X. Solo's Gothic and Old English Alphabets from Dover Publications.
    • Faith. Thomas writes: Back in 94, 95 Paul Sych of Faith asked me to do the production work on a typeface package he was going to release through Thirstype. I created the analphabetic, accented characters, set up the kerning tables, and in some cases, created variants (italic, bold, outline, etc.) One of the typefaces was Wit, which was inspired by the experimental typography of Kurt Schwitters. The set of typefaces Thomas did included Wit, Fix Plain Mix, Fix Sin Mix, Fix Ram Hog Mix, and USeh.
    • Freddy. A digital version of an art nouveau typeface that Morgan Press had been using in the 1960s [those psych typefaces were mostly inspited by art nouveau].
    • Gyrosol (1997).
    • Jarkko. Based on old sign painter lettering.
    • Lucas: a sans family.
    • Lucifah: comic book lettering.
    • Mau Gothic: a bold weight of W.A. Dwiggins's Gothic, on commission for Bruce Mau Design.
    • Nephilim (1996).
    • Penetralia (1990). An ultra-condensed face.
    • Percolator. An organic face.
    • Poser (1995): A comic book face.
    • Puffage (2010): a typeface made up of pot leaf elements.
    • Ray Gun: a type done for a Ray Gun flyer.
    • Reklame. With hints of Avant Garde.
    • Snug Industries Font (a logotype done with Tony Elston).
    • SubRosa (1992). A squarish condensed face.
    • Thornaments. A set of symmetric ornamental symbols.
    Behance link. [Google] [More]  ⦿

    ThunderPixels
    [Ivan Diaz]

    Colombian graphic designer. Creator of GrandGibson (2014), American Handmade (2014), a hand-drawn spurred vintage font that could be used for tattoos and vintage signage, New Yorker Handmade, Victory & Glory TP (2014, a spurred Victorian signage typeface), Gilmost Mills TP (2014), and Eighty One (2014, a Victorian typeface). [Google] [More]  ⦿

    Tim Gengler
    [Bunny Dojo]

    [MyFonts] [More]  ⦿

    Tobias Saul

    Düsseldorf-Germany-based designer of these typefaces:

    • The art deco era serif typeface Brilon (2017).
    • The vintage signage typeface Royal Signage (2017).
    • Blackriver (2017). A vintage label font.
    • The Victorian typefaces Old Alfie (2018) and Old Erika (2018).
    • The vintage typeface family Milkstore (2018).
    • Mirosa (2018).
    • Mogan (2019). A text typeface.
    • Charoe (2019). A poster sans.
    • Chatillon (2019). A luxury brand sans.
    [Google] [More]  ⦿

    Toko Type (was: Formika Labs, or: Studio Formika, or: Absolut Foundry)
    [Gumpita Rahayu]

    Gugum Gumpita Rahayu (b. Bandung) is a graphic designer based in Bandung and Jakarta, Indonesia, b. 1991. In 2013, he set up Absolut Foundry. In 2015, he started Gumpita Rahayu (Foundry) and Toko Type. In 2016, he founded Studio Formika, which became Formika Labs in 2017.

    Creator of the rounded sans typeface Tracks Type (2013, free at Fontfabric). Yuma is a free tweetware alchemic typeface. It is based on navajo patterns. Kurve (2013) is a sans headline typeface. Biere (2013) is a modular display typeface. Mojave (2013) is an all caps sans typeface.

    In 2013, he created Rocca, which is modeled after spurred wood type display styles from the Victorian era. Warenhuis de Vries is inspired by the signage on a 19th century colonial Dutch heritage building---the De Vries building, which today houses the OCBC NISP Bank---in Bandung, Indonesia. This font was renamed Oud Warenhuis (2013). Dutch colonial tropical architecture in Bandung led to the West Indian art deco typeface Bandoengsche (2013). Companion League (2013) is an octagonal Latin / Cyrillic signage typeface. Driekleur (2013) is pure Dutch colonial deco based on signage in a 1930s building (called De Driekleur) in Bandung built by Dutch architect A.F. Aalbers. March (2013) is a display family that includes beveled and inline styles.

    Free typefaces from 2013 include Swarha (in Neue and Rounded styles; an art deco sans named after the Swarha Islamic Building in Bandung made by Dutch architect Wolff Schoemaker between 1930 and 1935), Mohave (all caps sans, expanded in 2018 to a free typeface) and Flagship Slab Rounded.

    Typefaces made in 2014: Metrisch (a wide tall x-height geometric sans family; the Behance page attributes it jointly to Gugum Gumpita Rahayu and Deni Anggara), Luzern (a neutral industrial Swiss sans family---two free weights), Dealers.

    Typefaces from 2015: Catesque (grotesque).

    Typefaces from 2017: Celaras (flared, lapidary; renamed Celaraz), Monier (wayfinding sans), Eksikal (sans), Makro XM, Nomina (a 16-style + variable font grotesk family trying to emulate Venus and Akzidenz Grotesk; done in 2021, it is very different from his 2017 typeface called Nomina, which was an angular wedge serif---I can't explain the discrepancy), Gramatika (sans), Median Layer (layered colorable typeface family).

    Typefaces from 2020: Frasa (a 10-style transitional typeface influenced by Caslon), Stroma (a sharp-edged transitional typeface family).

    Typefaces from 2022: Plus Jakarta Sans (a free (variable) geometric sans family n the Neuzeit Grotesk and Futura mould; the fonts were originally commissioned by 6616 Studio for Jakarta Provincial Government program's +Jakarta City of Collaboration identity in 2020)

    Dafont link. Behance link. Creative Market link. Old URL. Studio Formika link. Fontsquirrel link. Google Fonts link. Github link. [Google] [MyFonts] [More]  ⦿

    Tom Kennedy

    Thomas Kennedy started working for Baldwin Designs, a wood sign company in Concord, Massachusetts, in 1989, where he grew up. He specialized in signage and lettering, and hooked up with Letterhead Fonts in 2011. He now lives in Sweden. Designer at Letterhead of the Pilsner formal script font family (2002) (the lower case is now called Ballpark Script), Egyptian (2006: this is a gothic, not an Egyptian), Pilsner Swashes, CigarShop Corona, CigarShop Maduro (2002, caps), the Western billboard font Tonic (2002), LHF Thick and Thin (2002, sign painting caps in serif and sans styles), Ephemera and Ephemera Swashes (2002, calligraphic), Old Tom, Engravers Ornaments (a great set of filets), Cameo (copperplate), Confection Deco Caps (+Essentials), Corner Specimens, Colonial Roman (2003), Rawson&Evans (Victorian), Royal Script (2003), Cosmic Cursive (2004-2011, a drop dead gorgeous thick upright script), LHF Bootcut (2010, Victorian), LHF Billhead (2004, art nouveau / Victorian), Firehouse (2004, a Tuscan face) and Thick and Thin (2003, sans and serif).

    Letterhead Fonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

    Tom Wallace
    [HiH (Hand in Hand)]

    [MyFonts] [More]  ⦿

    Toto
    [K22 Fonts]

    [More]  ⦿

    Tried & True Supply Co.
    [Brian Brubaker]

    Tried & True Supply Co. is the husband and wife creative team of Brian and Marcy Brubaker. Together, they run their design and screen printing studio out of their home in Charlottesville, Virginia. In 2016, they designed Herschel, a vintage Victorian typeface.

    At Fort Foundry, Brian Brubaker designed these typefaces:

    • Figure (2021, with Mattox Shuler). Figure is a sturdy quirkhorse sans inspired by gothic wood type of the 19th century, available as a family of 40 fonts of 5 weights across 4 widths including roman and italics.
    • Alkaline (2021), by Jonathan Ball, Mattox Shuler and Brian Brubaker. This typeface family at an 18 degree slope was inspired by 1950s lettering and logos on kitchen appliances.
    • Pentz (2021). A Victorian font by Mattox Shuler and Brian Brubaker. First developed for the Motown Museum in celebration of the 50th anniversary of Marvin Gaye's What's Going On. The album title was originally set in Tedesca (a late 19th century font), but the cover designer, Curtis McNair, took some nice liberties in adjusting the letterforms when setting the type. Pentz continues in this theme, reviving and modernizing Tedesca.
    [Google] [MyFonts] [More]  ⦿

    Trio Agustin

    Kebumen, Indonesia-based designer (b. 1995) of the curly Victorian typeface Javallesia (2021). [Google] [More]  ⦿

    TSV Creative
    [Ardian Radityo]

    Ardian Radityo (TSV Creative, Yogyakarta, Indonesia, b. 1984) created the typefaces Outrunner Retro Script (2016: connected neon style script), Proudly Signature Script (2015), Dignity (2015), Luvdove Script (2015, curly script), AXR Airpena (2015, spurred vintage letters) and Neverland Handmade (2015).

    TSV stands for Three Seven Visual. [Google] [More]  ⦿

    Typadelic
    [Ronna Penner]

    Ronna Penner (b. Niagara, Ontario, Canada, 1958) founded Typadelic, a commercial foundry. She won an award at Bukvaraz 2001 for Sketchley (2001, now a Bitstream font), which is based on her own handwriting. She is located in Waterloo, Ontario. Sketchley and Sketchley Swash are available from Bitstream. Font list: Avril (gorgeous handprinting), Butterflies (dingbats), BlackJack (2002, free), Clarissa (2002), Corky, Frivolous (2002), FiddlestixFunnyCaps (2002), FamousFolks (2002), Inkster (2002), Stone Hinge (2003), JellyBean, Jot, Mayfield, Moonbeam, Pointed Brush, Rendezvous (2003, calligraphic), Lee Ann (2003, calligraphic), Java Jive (2003, comic book style), Ronita (2000, Bitstream), Sketchley, Silver Script (2002), Silver Script Flourishes (2002), Velvet Script (2002), Fiddlestix, Garden Party (2002), Quigley (2002, great art nouveau font), Hayseed (2003), Fresh Paint (2002, handwriting), Frisco Serif (2002), Frisco Sans Serif (2002), Sunnydale (2003, handwriting), American Writer (2003, a Tekton-like font), Amelie (curly handwriting), Rockford (2003, handwriting), Persimmon (2004, brush script), Peach Fuzz, Sheree (2009), Journal Hand (2009), Dream Cake (2009), Sweet Pea, Mirielle (2004), Natural Script (2004), Not Too Shabby (2004), Schlub (2004), Tweedledee (2004), Type Keys (2004), Urban Scrawl (2004), Jinxed (2004), Wazoo (2004), Stylin (2008, a monoline face), Love Ya Honey (2009, a 1950s style hand-printed script), Shes All That (2009), Sharpy (2009, monoline), Tanked (2009), Cattapilla (2009, children's handprinting), Average Joe (2009) and Sweetheart Script (2004, sold via FontBros).

    Fonts from 2011: Pink Lemonade (child's hand), Little Sunshine (Open, Solid: slightly Victorian letters), Gaffer, Ruff N Ready, Elisabeth (rough-edged antiqua), Miss Demeanor (based on 1930s script), Wee Todd (2011, kid's hand), Crush (grunge).

    FontShop link. Fontspace link. Font Squirrel link. Klingspor link. Dafont link. [Google] [MyFonts] [More]  ⦿

    Type Combo
    [Iqbal Habibi]

    Jember, Indonesia-based designer (b. 1995) of the free display typeface Playtoon (2019: comic book or children's cartoon typeface), the signage typeface Golden Hills (2019), the supermarket signage typefaces Stangard (2019), Westhouse (2019) and Woodland (2019), and the display typeface Sochelia (2019).

    Typefaces from 2020: Clautya, Rallington (a retro signage script, and a vintage sans and serif pair), Froadmile (a signage script and a sans).

    Typefaces from 2021: Ampherian (Victorian), Old Maquine.

    Dafont links: Type Combo, Iqbal Habibi. [Google] [More]  ⦿

    Type Fleet
    [Crt Mate]

    Type Fleet is a Slovenian type cooperative in Ljubljana that includes type designers such as Martin Santic. Crt Mate is the Slovenian designer of Wieldy (2018), a Victorian typeface that is influenced by the Central European Arts and Crafts movement. [Google] [MyFonts] [More]  ⦿

    Type Heritage Project

    The mission of the Type Heritage Project is to discover and record the sources of digital fonts with 19th- to mid-20th-century origins-their legitimate tradename(s), the year, country and designer or foundry of origin. Volume One of a book series on this subject (in preparation) deals with 19th-century display typefaces. Research of this era, obstructed by nearly two centuries of renaming for good and not-so-good reasons, began c1996 by matching a Type-1 font called Parsnip with historical specimens called Art Gothic. [Google] [More]  ⦿

    Type This Studio
    [Anita Jürgeleit]

    Graduate of the University of Applied Sciences, Hamburg, Germany, who was initially associated with URW++ in that city. She first set up her own foundry under her last name, but in 2021 started using Type This Studio.

    Co-designer with Michael Hoffmann of the stamped font URW Urban (2013). She also made the strong-willed handwriting typeface Quendel (2013, URW++; extended in 2015 to include the textured Quendel Wood and the eroded Quendel Crayon) and Hangulatin (2014, URW++). Hangulatin applies the principles of Hangul to make letter combinations in Latin. See also Hangulatin EN (2016).

    In 2015 she created the slim vintage / steampunk typeface Nitaah One (URW++) and the handsome super-tall 1970s cocktail lounge sans Allioideae (URW++, Latin and Cyrillic).

    In 2018, she set up her own type foundry, and published Umba Sans, a 30-style family that exudes joy and is useful for display applications. It is accompanied by Umba Soft (2018) and Umba Slab (2019).

    Typefaces from 2019: Cosima (a low contrast workhorse sans), Captura (a simplified geometric sans), Famosa (+the pearl-studded Famosa Diara), Diara (a colorable wedding font package including ornaments), Crossfit (an elliptical sans family), Hyper (a wonderful packaging font).

    Typefaces from 2020: Orangina (a creamy supermarket typeface), Mireille (a decorative serif) , Marilka (a snappy 4-style modern text typeface characterized by the vertical terminals atop a, c, f, s and z), Lovebeat (a Valentine's Day font).

    Typefaces from 2021: Every Core (an 8-style serif), Headlines (a 12-style + 2 variable font headline sans), Every (a 24-style serif).

    Typefaces from 2022: Crossfit Core (a 5-style rounded technical sans), Horizona (a 9-style harlequin typeface), Cosima Core Edition (an 8-style sans), Famosa Core Edition (a fashion mag family with hints of Victoriana), [Google] [MyFonts] [More]  ⦿

    Typecaste Foundry & Design
    [Arlo Vance]

    American type designer, b. 1980, Utah. Designer of the free itchy sans typeface TC Daphne (2008) and the playful display typeface Nika (2011). Arlo Vance has a BFA in Graphic Design from Brigham Young University. Since June of 2007 he has been working as a designer with Hint Creative in Salt Lake City, UT. He founded Typecaste, and is presently located in Charleston, SC.

    In 2019, Typeverything released the Victorian typeface Cottonhouse by Andrei Robu, Kevin Cantrell and Arlo Vance. [Google] [MyFonts] [More]  ⦿

    Typehead Studio
    [Gatot Triardi Pramaji]

    Medan, Sumatra-based designer of these typefaces in 2022:

    • The 9-style sans typeface Librada Pro (a 9-style sans).
    • Hollandia. An ornamental Victorian circus font.
    • Neon Quebec.
    [Google] [MyFonts] [More]  ⦿

    Typesenses
    [Sabrina Mariela Lopez]

    Typesenses was founded in 2009 by Sabrina Lopez in Ramos Mejìa, near Buenos Aires. Sabrina Lopez (b. 1987) graduated from FADU, University of Buenos Aires. Her typefaces include:

    [Google] [MyFonts] [More]  ⦿

    Typeverything
    [Andrei Robu]

    Andrei Robu is a super-artist, award-winning photographer, art director, illustrator, type designer and rising star based in Barcelona. Andrei started freelancing ca. 2002 shortly landing clients like Sprite and Coca-Cola. In 2006 he became Chief Graphic Designer at Leo Burnett, Bucharest, Romania. In 2008 he joined Acme as a managing partner and design director. After three and a half years he left Acme and started his own practice. In 2014 he relocated to Barcelona where he works together with his partner Andreea Robescu. During his career he founded a few platforms for promoting other talents: Designers Go To Heaven (2009-2017), Calligraphica (2012-2017), Typeverything (2011).

    Andrei creates key visuals for branding, packaging, events and artist collections. He has worked with clients such as Adobe, Apple, Bloomberg, Nike, Jordan Brand, Stella Artois, Dailies, Fenwick London, Mastercard, Vodafone, VISA Epos, Coca-Cola, ESPN Magazine, Billboard, Wired, The Golden Globes, Exxon, Toyota, Hiscox.

    In 2011, he set up Typeverything in Barcelona. Typeverything features Andrei Robu's typefaces as well as those of other type designers such as Cahya Sofyan, Felipe Calderon, Natanael Gama, Adam Fathony, Matteo Broillet, Simon Walker, Drew Melton, Jason Carne, Lewis McGuffie, and Fer Cozzi.

    In his early type designs, we find extraordinary colored geometric experimental typefaces made in 2007 such as Idea, Trick Fun, Trick Squared, Trick (wow!).

    In 2009, he made Bs, Merci, Metropolis, Origami, and Think. In 2011, this was followed by Funky. These early typefaces are not featured in his foundry, Typeverything.

    His commercial typefaces:

    • Berry (2022). A seven-style+variable font family that oozes mischief and flexes its muscles.
    • Boldoni (2021). A fat face family.
    • Bourbon St (2020). A flashy experimental Marilyn-Monroe-just-walked-into-the-room kinda typeface.
    • Brule (2020). A throwback to the larger-is-better 1970s.
    • Champ (2021, by Cristi Bordeianu and Andrei Robu). A starkly incised display typeface family ranging from fashionable ultra-heavy to a flared thin. It includes a variable font as well.
    • Choco or Robu Choco Script (2017). An upright signage script.
    • Cottonhouse (2019). A Victorian typeface Cottonhouse by Andrei Robu, Kevin Cantrell and Arlo Vance.
    • Deia (2021). Advertized as a 7-weights bracketed serif that will do wonders on packaging projects.
    • Faroe (2022). A 7-style+variable font: a contemporary take on the art-nouveau period.
    • Fat Stencil Numerals (2016).
    • Fitzroy Display (2014). This art deco typeface was co-designed with Kevin Cantrell for the Fitzroy Condos in New York.
    • Flako Stencil.
    • Friseur. A supermarket script based on the 18th-century English roundhand.
    • Graf (2021). A very bold display and poster typeface that livens up the show with strategic ink traps.
    • Kitsune (2015). A thin connected script typeface published at The Designers Foundry. Re-released in 2019 by Typeverything.
    • Loggia (2020). A fashion mag typeface.
    • Loto Sans (2021). A geometric sans family.
    • Marques (2020). A luxurious display font.
    • Misfits (2018). A blackletter typeface.
    • Mochi (2021). An 8-style display sans with pointy terminals.
    • Motorino (2016). A connected retro script typeface.
    • Mr. Banks (2019) and Mr. Banks Serif (2020). Mr Banks is a stencil font.
    • Palace (2022). Based on vintage luggage labels from The Belle Époque (1890-1910).
    • Raval. A blackletter.
    • Roa Display. An angular and angry wedge serif.
    • Robu Bold. A retro signage script typeface originally created in 2010. Released in 2015 at The Designers Foundry. Re-released in 2019 at Typeverything.
    • Robu Grotesk (2017).
    • Robu Display (2017). In the fat didone genre.
    • Robu Stencil (2017).
    • Sharpie Pro (2020). A vernacular marker pen font.
    • Sports Numerals or Robu Sports Numerals (2017).
    • Vance Serif (2018). With Kevin Cantrell. They write: Vance Serif began as a proprietary typeface for Clayton Vance Architecture. Inspired by classical Roman architecture and proportions, Vance burgeoned from geometric angles and slants to decorative swashes and serifs to give life and nuance; architecture vivified by the human persona.
    • Writer (2022). A graffiti font.
    • Zufo (2017). A great children's book or comic strip typeface family.

    Subpage with more experimental type. Flickr page. Behance link. Behance link for Typeverything. Old web site. Typeverything link. [Google] [MyFonts] [More]  ⦿

    Typia Nesia
    [Arief Setyo Wahyudi]

    Aka Fitriyawan Runsell, Arief Setyo Wahyudi founded Typia Nesia in 2016. Malang, Indonesia-based designer of the brush signage script typefaces Marjei Display (2016), Riverhack (2016), Bhatoshine (2016), Bellatiez (2016, dry brush), Sinisuka (2016), Hello Lary (sic) (2016), Hilary Room (2016, renamed later to Hello Lary?) and SokaQola (2016).

    Other typefaces from 2016 include Glorynight (octagonal), Maqin Larisa, the calligraphic script fonts Rinstonia (almost like handwriting), Glorydays and Illusias, Revalina (grungy), and the vintage typefaces Asbak Display and Stangbunder.

    Typefaces from 2017: Little Ballerina, Authentic Monoline, Betarisa, Elsagars, Glorydays, Queenland, Pinarak (brush), Bigbroade, Quashar, Hamline (a monoline signature script), Zailayard, Sidaghis, Illusias (calligraphic), Aziya, Shelafisa, Selesia Heart, Moolrys, Glorynight, Whimsy, Rhaikane (monoline script), Dabrush (dry brush), Sheilazain (a free calligraphic script), Magehand (signage script), Meshitara (connected script), Autorich Sans, Aurellia (textured script font), The Historia (brush script), Quashar (grungy), Kaiya Land (dry brush font), Biolatesha (connected script).

    Typefaces from 2018: Historea (dry brush), Quashar, Houstander Allcaps, The Historia (heavy brush style), Sandbrush (a dry brush script), The Real Magazine (brush style), Single Brand, Lazy Quotes, Indie Fest, Alisheader, Houstander, Herdrey (calligraphic), Beshiny, Fantica, Riotiks, Outerlord, Antique.

    Typefaces from 2019: Aesthetic White, Aurellia Vintage, AvailaBrush, Jokelaws, KaiyaLand Brush, Mark the Date, Meshitara Elegant, Riverhack Brush, Runtoys (a children's book font), Sinisuka Logo, Availa Brush (free), Dream Beach (script).

    Typefaces from 2020: Advander Display Serif, Amaryllis Sans, Athetic Bold Script, Avaboca (a black condensed sans), Cageworld, Campfire (slab serif), Castand, Costigue (a hipster typeface), Crush Tease, Deltory (a stencil slab serif), Distropica, Great Dome Allcaps, Loemintoe, Luxury Quality, Magnetico Italic Sans, Maquire, Math & Risk, Nicolatte (a monospaced slab serif), Noiseware, Portway Stencil Serif, Qualivite Serif, Quartage Serif, Slabien Slab Serif, Sunnyside Rough Sans, TN Rosemary, Tarquile, Vanelope, Zoonaji, Athetic.

    Typefaces from 2021: Castilon (a warm display serif), Angle Coast (an expressive hipster serif), Archane, Astrovans Retro, Baby Sunday, Beachy Italic, Bella Queta serif, Birds&Home, Blisstwin, Chaostic, Codeca One, Faltige Slab Serif, Fast and Cure Serif, Ghapter Sans (a hipster typeface), Gilsock Sans, Glamode, Gold and Queen, Grand Matilda, Greatwoods, Gunstand, Helena Bloom, Jazzbury, Kingdom (a garalde), Knock Out (a sports font), Lumaneon, Luxury Quality Script, Magehand Logo Font, Mighty Wings, Milk and Wild, Mutone, Neomarket, Palmour, Pottery Gifts Sans, Quatera (a 10-style serif), Quatest Thin Italic, Quickwar Display Sans, Quitewave, Quite Word, Quotesa Sans (a thin stylish sans), Rosemode (a serif typeface based on Trajan), Roystorie, Scripter (a typewriter font), Shigatsu Italic Serif, Sporadic (a bold sports sans), Squiver (techno), TN Rosemary Font Duo, Vaulto (a wide bold sans), Westbake Sans, Wondermind.

    Creative Market link. Behance link. Another Behance link. [Google] [MyFonts] [More]  ⦿

    TypOasis 2006
    [Manfred Klein]

    Fonts published in 2006 by Manfred Klein: Mironikas, BatsStuff, CIAThePeaceWatchers, Expressiones, Faces, FirstLove, FischersFritzen, GodsAndHeroes, Hispanish, LifeIsAMovie, NewsFromAbsurdistan, PrivateLuck, BookBeings, DaddyGrid, LineArtVectoria, AbstractToConcrete, AfricainBats, Gestalten, GloriaVectoria, ModernTimesMrChaplin, PhotosToVectors, PixelBats, SurrealismK, BlaxArties, CoolDrawings, DogsFewCats, MKBrokenTypes, NearModernArt, Piepmaetze2006, Poppenspeeler, SportsAnimals, WithALittleHelp, AllWeathers, BienMayaInvers, CarnevaleConCarne, RenaissBeings, Sagenwelt, Scissoria, Sketcheria2, StrandgutC, TrainWhatVectorMeans, CuxhavenFraktur, CuxhavenInitials, MK-Skulls, ModernHeros, MouseArt, WillkommenLeute, WreckageCuttings, CurrentBlack, AtLastATshirt, Holzschnitte, OpticalArt, Taucher, WebArtSigns, ArteVectoria, OldStyleTravel, PicturesA, Trust YourDentist, GutenbergGoesAbstract, MouseFruitFaces, Silhouettes02, SomeCapsStories, HandsDown, HandsUp, HumanPartsStore, PhantaToons, ArteFacts02, BlackBeckMan, GeoEyes01, RockFonts01, Sketchbook01, Sketchbook02, WitchesStuff, Vampyrish-ABC, AfricArtes, ArtistTracesTwo, BirdsInfluenced, KidsDrawings02, LogosLogo, MesoFauna02, MyHouse, PhaistosFingers, ReligiousSymbols, TypographicTangos, EmkaBats, GeldRegiertDie Welt, GnomesTwo, KaleidoBats, KaleidoTypes03, StrongEuro, BigShadows, BigShadowsLeftOblique, Bradbury-Oblique, BuschButGerman, DillElefantenTwo, EgyptRund, KaleidWieynckFrax, KaleidoTypesCinque, KaleidoTypesQuattro, SomeTypesSilhous, LogoPhantasies, LogoSketchesMK, MKsketches, MonAmourFraktur-Broken, PlanetarishBats, SmallTypeWriting, SmallTypeWriting-Medium, StagesAfterEarthquake, StencilStamps, WoMan, Working, ImresCorrodetCaps, OldLettresOmbrees, GingkoFraktur, LufrakturBricks, MonAmourCaps, HeadfeeterO2, MangaManjana, MangaTypes, MrVector, OnStreet, PetitButtoni, Amputata, Chaplone, KleidosChaplina, VeryBrokenFrax, AbstractClassicCuts, BauhausOSix, ComicHeadsBeings, GeoStructures2, Kaleido04Invers, MechanicsActors, SuchLifeC, BerlinCaps, BrushPenMK-Medium, LettersSnakesAndMore, ComicChars, FineArts, ForCongrats, Frames, OldfashionPeopleTwo, PeopleButtons, PiCollection, SilhousOldfashion, SomeArtists01, AntikAlphaBeta, CorrodetInitials, DrunkenSailor, MendelsohnsTochter, AnimalsOldfashion, ColumbusAntePortas, CuriousVisitors, DadaPeople01, Malheur, OldDrawingsOne, WetterKapriolen, CatsAlphabet, DigitalisHistory, Duodez, EatMyHat, FlorAlphabet, InitialenFramed-MK, ArmsIdeasNParts, BirdsNPlants, Petrographs, SomeArtistsSquares, TypoJewels, TypoJewelsSquare, ClassicRomanCaps, IllustratedAlphabet, KleinHeadline, MKGreco, ArtParticles, ChildrensDarlings, Clowns, Devils, DongbutsBeings, HistoricMedicine, K-Labyrinths, WoodcutFurniture, Nighthawk, ToleCaps, CaveBeings, DesignElemente, DinoSilhous, StreetGraffArts, TribalBats, VignettesNFrames, Reclamare (art deco), AstroSymbols3, BlacKLinoleum, CaveLife, Krabbeltiere, LandAnimals, LionsClub, OldArtTools, OldScissorCuts, ZooloVectoriA, MotherAndChild, GermanFatman, Botanish, CrazyWeather, HeadImprovisations, Masks_K, MiddleAgers, Nipponia, DelitzschCaps, ImresDiscs, EgyptMythOne, LessIsMore, Protectors, SpaceBeingsTwo, ZooBats, HappyFrax, CorneredBirds, ExtraTerrestrial, Gargoyle, GargoyleRings, HeadSketches, IndiansToday, InTwilight, MardiKrass, OldCastles, AffigMonkeys, AngelsOrDevils, FlyingPioneers, MaritimK, MonkeysTheatre, PardonAgain, PardonThankYou, PetroglyphMarks, PixelFifties, SmallEdgedFrax, TextEmptyStickers, M-AnimalsUno, PhantasyDolls, SilhouettenPeople, TribalDesigns, ZodiacsSignStars, FacesAlphabetBeta, FatFineFree, AstrobatsInvers, BlackArt, BusyPeople01, GoodOldEyeCatchers, L'ArtPourL'Art, NipponFlorales, OtherShapes, Rock'nRollTime, RunningBeings, AstrologyCeltic, ColtecsBats, DesignParts, EgyptChildren, ElectricFaces, Kidsfont01, MediBats01, MediCartoons, OldTimers, TribalBirdsMissingGap, Archaeological, BeforeAlphabetsGallery, BlackWhiteMinimalism, DancingLetters, EveryPictureTellsAntique, FemalesNMales, HeadsGallery, ImprovisationsAboutK, KleinsBrokenGotik, KleinsKruschKursiv, MusiciansOne, OldRomaUno, OurLittleDarlings-One, ParmaInitialenMK, RunningZigzags, RunningZigzagsTwo, ScrapArt, SpaceWorkers, StripedSansBlack, SzeneInFrames, TypoDisturbances, Wacomian-Regular, ZoologicalGardenOne, ZoologicalGardenThree, ZoologicalGardenTwo, AlphabetismHand, KlungerCaps, RememberScribbledInv, Tequila, LudwigHohlwein, CatSketches, HeadSketches02, Krizzeleyn, PowerWoman, RosettaCalligraphia01, ThingsFound, TypoSymbols, VectorAnimals, Fraxboxes, RodgauCaps, OhRosetta, Olisillus, DeKonitials, Buddhism, Roylich, Grotesk, BigBrotherClassizismCaps, K-LettresOmbrées, TreeLike, InsectsTwo, Woodcutter, OldAntique, MKGrecoExtraBold, AbstractFaces, Africaans, AfricanGhosts, EmotionDrawings, GeoFacesBold, MirosWitchesMedium, Neighbours, PrimaryBats, RoundPieces06, StoneAgeBats, TypoSignals, SlabRoundSerif-Light, VictorianInitialsOne, Techno06, Artists, MasKs, Masks03, MythologicalArts, MythoBats, OldBoysToys, OldPictures, StarsStripesBullets, Woodcuts01, FischersFritze, HistoricPeople, HotelPrisoner, MythologicalSquares, OrnataUno, PatternArt, PatternaliaMK, WoodcutsFontissimo, ZooCages, AfricaArt, Meeting, Pumpkins2006, ElephantaBlack, FatSansRound, FishFaces, FlagHolder, HiddenSigns, HinduismK, Jugendstil-Medium, ManneKen, MobileSquares, OrnamHeads, PrivateAstroBats, RosettaMutanta, Schonan-Black, ScribbledFraktur-XHeavy, SomeImprosBats, VectorFaces, VikingsArt, AfricanissimaOSix, ApishOne, AxeBlack, CircusBoldSquares, EiDesKolumbus-Improvisations, FamilyLifeBats, HiddenSignsRings, KidSignsThree, KochsLongCapsSquares, SketchesX, TreesAndCo, VectorDrawingsOne, BlackWhiteSigns, BoringSansBold, CuxhavenInitialsRound, FrakturNitials, GeometricConstructs, HandsAndFeet-Two, HeadsNBirds, IrishHalfUncialisBricks, IrishUncialfabeta-Bold, MaennekinTwo, MutantA-MediumOblique, MyMaestroMrMiro, RomanaCapsClassicSquares, RoundBats, RoundFacesTwo, SansThirteenBlack, SchabLonski, TypographicRosettas, WinterSports, PopUp, Gotic Caps, Fun Bats, HappyXmasBats, MKlothes, MKomicsV2, AllDaysJokes, Blackbirds, DiscoverBats, EgyptianSilhouettes, FiftyYearsAgo, HumanRelations, MKoepfeBold, NewDarkTimes, PeaceTools, SilhouettSketches, SpaceMeetings, ComicFaces, MK-Heads, NewKoeppes, PetrasBauhausXmas, SilhousSimplex, StonesAgeButtons, ZagzagHeads02, BigMummy, CircusBoldSquaresInvers, EmastEtcetera, MKanzleiCaps-One, ReadersBats, SimPlexBats, XmasImprovisations, AnimalsPrey, Cartoons, Weihnacht2006, AxelsWoodTypesMK, CowBats, KleinsLittleDings. [Google] [MyFonts] [More]  ⦿

    Typolar (was: Jarno Lukkarila Type Foundry, or: Format Design)
    [Jarno Lukkarila]

    Jarno Lukkarila (b. 1978) works mainly in graphic design. As the author of the typography reference book Tekstuuri: typografia julkaisijan työvälineenä (2001, Helsinki: CredoNet) he is one of the few writing about the subject in the Finnish language. He ran a typography-oriented design studio called Format Design in Helsinki and lectures part time on typography in Finnish design schools. Lukkarila was recognized as a type designer in the Morisawa Awards 2002, where his Xtra Sans typeface received the bronze prize in the Latin category. Lukkarila studied type design at the Royal Academy of Art, the Hague, in the postgraduate course Type&Media highlighted by the writing and letter design workshop of Gerrit Noordzij in 2000. Before this he graduated as graphic designer in Finland. Format Design became Jarno Lukkarila Type Foundry, and in 2010 morphed into Typolar, which is based in London. Typolar is run with Teemu Ollikainen and Saku Heinänen.

    His type families, most of which start with an extreme hairline weight.

    • Xtra Sans: this won an award at TDC2 2007.
    • In 2009, he finally published his 66-style Egyptian family Tanger Serif. Images: Medium Heavy, Narrow, Wide Ultra light.
    • Calypso E (2010, E for Egyptian): a slab serif. Calypso I (2010, I for Italian) is a Victorian face.
    • Vinkel (Typolar) was not designed by Lukkarila---it is a mini-slab serif family by Saku Heinänen.
    • Altis (2011, Typolar). A readable sans family from Hairline to Black---ideal for information design.
    • In 2012, he designed the custom Suunto UI Sans for the sports watch company Suunto.
    • Typefaces from 2013 include the extensive Neuvos family. He writes about this small-serifed large-x-height family: Its large x-height, vertical stress and snug serifs make Neuvos an upfront and tough headliner. Although it has a hard-boiled cover, one can find hints of noble Transitional type like Baskerville underneath. Neuvos assures in editorial work and brings its Frutiger inherent calmness into branding or even signage systems. Neuvos Condensed was added in 2020.
    • In 2014, he designed Walmer Marker (for signage applications).
    • Typefaces from 2016: Etihad (a bespoke family for Etihad Airways), Alku Handwriting, motivated in this manner: The Finnish National Board of Education published a new recommendation for teaching handwriting in 2015. New letterforms were designed by Jarno Lukkarila (of Typolar) who participated in a committee set up for the renewal. This writing model will be used in virtually every Finnish primary and pre-primary school across the country from August 2016 on. Only a so called print writing will be provided by FNBE leaving the joined-up cursive writing as we've known it in the past.
    • Era Grotesk (2020). A grotesk in the style of the early 1900s.

    Klingspor link. Behance link. [Google] [MyFonts] [More]  ⦿

    Typollery (was: Dri Zy)
    [Faqih Sandri]

    Dri Zy, or Drizy, is Faqih Sandri, aka Faqih Fawaji. Bandung, Indonesia-based designer (b. 1991) of the layered techno typeface Trixie (2016), the brush typefaces Syelma Script (2016) and Syemox (2016), the gothic typeface Dark Widow (2016), the vintage lettering typefaces Overjoyed (2016, Western style) and Beatrixe (2016), the paperclip typeface Kuxu (2016), Dark Widow (2016), Brain Melt (2016: the ultimate Halloween / horror font), Mama Lian (2016), Copper (2016), Dust (2016), the brush script fonts Aeros (2016) and Rostoh (2016, brushy), the children's script typeface Roast (2016), the handcrafted Eastpine (2016), Nyam (2016, layered) and Monstahh (2016), the slimy Halloween typeface Brain Melt (2016), and the poster typeface family Ayuenda (2016).

    Typefaces from 2017: Heimdal (futuristic), Alectro (sci-fi style, with elements of Sinaloa), Wakiki (layered typeface), Kauai, Maui Script, Mokoto (a layered TV glitch typeface), Anxiety (multiline font), Nemphis (neo deco), Andimia (a layered Victorian font family), Mr. Trumb (comic book style, what else?), Mr. Trumb Chalk.

    Typefaces from 2018: Orbit, Solo (a thin all caps avant-garde font), Midnight (horror font), Buick (ethnic, futuristic and bold), Astro, Amoux, Galatee, Love & Life.

    Typefaces from 2019: Naras, Buick (a tribal pattern font), Aloen, Galatee Script, Zesant (font duo), Syemox (brush), Ayuenda Shadow, Adine, Galatee Script, Aeros (brush script), Tulisan, Bomtur, Forever (a signature script), The Brawn (monoline script), Loka, Brack (rough brush), Orbit, Midnight.

    Typefaces from 2020: Latone. [Google] [More]  ⦿

    Typologic Syndrome
    [Gilang Senzana]

    Gilang Senzana (Typologic Syndrome, Bandung, Indonesia, b. 1991) created the decorative modular typeface Senzana (2013) and the spurred Victorian typefaces Indonesian Ornament Font (2013), Ophelos (2013) and Death Cross (2013).

    Commercial typefaces from 2014: Zimat, Tales of Dragon.

    Typefaces from 2015: Good Luck, Old Crishper, The Brodze.

    Dafont link. Behance link. Home page. Creative Market link. [Google] [More]  ⦿

    Typonauten
    [Ingo Krepinsky]

    Ingo Krepinsky (b. 1976, Eschwege) graduated in 2000 from Fachhochschule Hannover, and in 20903 from Hochschule für Künste Bremen, where he specialized in typography. He is a cofounder and type designer at Typonauten, a Bremen-based commercial font foundry started in 1998 (together with Christoph Hanser and Stefan Krömer). MyFonts sells these fonts: Freakshow (2005, grunge), Nautilo Font System (2002, a futuristic font family), Oklahoma (2003, Wild West, handpainted look; the Pro version from 2012 was done with Gunnar Link), Toon Town (2005, a comic book typeface done with Stefan Kroemer), B-Movie Retro (2007 a brush font series with Florian Schick and Stefan Kroemer), B-Movie Splatter (2007, a grunge version of that family).

    Newsletter (2007) is an extensive no-frills sans family influenced by fonts like OCR-B and DIN. Newsletter Stencil was published at Volcano Type. Creator (with Gunnar Link and Stefan Kroemer) of Royal Oak Decor (Victorian ornaments), Royal Oak Sans (Edwardian headline sans) and Royal Oak Serif (Western headline face).

    Other commercial fonts: Dimitri (Cyrillic simulation), Flarrow, Grebbelinsky (nice dingbats), Killvetica, Litterae Diaboli, Mosaixxs, Nautilo (pixel font), Navtilo (pixel font), R2D2 (futuristic), Sheffield (sans), Singapur (2002, a gambling dingbat font), Oklahoma (2002, Egyptienne), Transarc, Uxmal (unicase with Mexican ornaments), Weimar (Bauhaus style), Estelec (Cyrillic simulation), Trixel (2002, free pixel font), Sport1, Spacelord (2013, sci fi face).

    In was waiting for this moment, but in 2015, Typonauten published the free slogan typeface Je Suis Charlie. Other free fonts include the dingbat face BremerSchriftkoffer (2010).

    View the typefaces made by Typonauten. Klingspor link. Dafont link. View the Die Typonauten typeface library. [Google] [MyFonts] [More]  ⦿

    Typotopia Studio
    [Khusunun Irawan]

    Indonesian designer in 2019 of the script typefaces North Grenada (a signature script), Gendry, Beric, Arya, Brandon, Robb, Sansa, Clegane, Theon (monoline), Rickon (creamy), Dakota (a spurred Western font), Malabo (an eerie brush font), Devilish and Sandorian (Victorian, layerable).

    Typefaces from 2020: Butterfree, De Solidia, Jupiter, Hamburg (Victorian), Circusia (Victorian, Tuscan), Chesnut (brush script), Candelia, Butterskull, Sugarly, Buttermill (script), Beleriand (script), Brianne, Astaroth, Barcely (script), Artline, Averoos (blackletter), Losdol, Antheme, Odenson (a heavy script), Seville (a fat finger script), Volantis (blackletter), Robusta (Victorian), Oregon (spurred, Victorian), Swit Pruit (a monoline script), Sembilu (script), Preteoria (script). Typefaces from 2021: Aquila, Arthur (blackletter), Barbatos (blackletter), Bellerin, Bewear, Bigmom, Devilish, Dudley, Edinburg Script, Haunter, Helloria, Honeybae, Kinderjoe, La Nantes, Lantenia, Mahalo, Maleficient, Megalhaes, Munich, Northline, Osgiliath (blackletter), Parsley, Polaria, Rouweth, Sandorian, Skandis, Skyline, Summeria, The Osgiliath, Weathertop. [Google] [More]  ⦿

    Uncurve
    [Ferry Septian]

    Bandung, Indonesia-based designer (b. 1986) of these Victorian signage typefaces in 2016: True West (spurred, layered Western font family), Convexa, Warclan (3d and layered, inspired by video games), El Tigres (layered), Eastern Beast, Crypton Stone (automotive lettering), Brandley (spurred and layered Victorian signage typeface), Trio Apriliana (a handcrafted family that includes a curly script), Eastern Beast (Victorian).

    Typefaces from 2017: Dream Catchers (monoline script), Greature (a scary decorative typeface, accompanied by classical ornaments, Greature Extras), Montreal Script, Hipster Letter.

    Typefaces from 2018: Chadlershire (a Victorian font duo).

    Typefaces from 2019: Delighter Script, Forthland (a monoline script).

    Typefaces from 2020: Afferiants (a formal signage script), Tweensco (a display sans), Northfield (a Vicorian label font), Queensby (a decorative swashy serif typeface).

    Typefaces from 2021: Goldshine (pure Victoriana), Arestons (a Victorian display typeface).

    Typefaces from 2022: Sketchson (a frilly Victorian script). [Google] [MyFonts] [More]  ⦿

    Usman Al Baehaqi
    [Graphicxell Studio]

    [More]  ⦿

    UTF Type Foundry
    [Bill Tchakirides]

    Fonts designed by Bill Tchakirides (b. 1946) out of Shepherdstown, WV (was Hartford, CT), who writes about himself: Would you believe that this old man in West Virginia was once a Broadway Producer, or a Commercial Food Photographer, or a Justice of the Peace, or a Font Designer, or even a Director of a major non-profit Arts Program on Cape Cod? Well, he was. Now he spends most of his time posting in the blogosphere and looking for things to do (retirement is a bitch).

    This company (UTF=U-Design Type Foundry) sells display and picture fonts at 45 dollars a shot (30+15 handling): Bill's Hand Chiseled, Bill's Blasting Caps, Bill's Fat Freddy Caps, Bill's Olde Foundry, Bill's 1935 Caps, Bill's Printer Pals (2003), Bill's Light Deco, Bill's DECOrations, Bill's Tropical DECOrations, Bill's Modern Diner, Bill's Barnhart Ornaments (1989), Bill's Victorian Ornaments, Bill's Broadway DECOrations, Bill's Dingbats (1988---his first font), Bill's Universal Symbols, Bill's Century Marks, Bill's Cast O Characters (2003), Bill's New Elzevir (1993), Bill's School Letters (1993), Bill's School Daze (1993), Bill's American Ornaments (1993), Bill's Bertham (after Goudy), Bill's Brushed Broadway (1993, fat art deco face), Bill's Metropolitan (1993, art nouveau), Bill's Peculiars, Bill's Real Rubber Stamps, Bill's Asterisks and Bullets (1993), Bill's FISTory (1993), Bill's Brackets, Bill's Ampersands, Bill's Box Specials. Klingspor link. [Google] [More]  ⦿

    Vanessa Kazakoff

    FontStructor who made a Victorian typeface called Swirly Serif (2012). [Google] [More]  ⦿

    Vantastic

    Designer of the weathered Victorian signage typeface Victorious (2014). [Google] [More]  ⦿

    Vava Aryanto
    [Blankcraft (was: Fallen Type, or: Fallen Graphic)]

    [MyFonts] [More]  ⦿

    V.B. Grinnell

    Victorian era painter in Vinton, IA. Author of Grinnell's Hand Book of Painting (1894), which shows some alphabets for sign painters. Local download. [Google] [More]  ⦿

    Vectorian
    [Vincent Le Moign]

    A vector ornament pack (EPS and AI formats) can be downloaded here. It was made by Vincent Le Moign from Rennes, France, who is now based in Chiang Mai, Thailand. There is an extensive set (for money) and a free sampler set. The ornaments are from George Bruce's catalog from 1882.

    In 2013, he published Printer's Paradise (430 frames and 179 seamless patterns, taken directly from George Bruce's Son & Co Type Catalog (1882)) and Luxurious Flourishes (543 ornaments and 179 frames taken from Specimen Album catalog, by the Charles Derriey French type foundry (1862)).

    There is also a list of links to free vintage fonts. [Google] [More]  ⦿

    Vernon Adams
    [New Typography]

    [More]  ⦿

    Verónica Bertazzo

    Graduate from FADU, University of Buenos Aires, who created the Victorian era typeface Arnol (2009). [Google] [More]  ⦿

    Vicky Mardian
    [VMF Fonts]

    [MyFonts] [More]  ⦿

    Victor Barac

    Bucharest, Romania-based creator of the rounded heavy display sans typeface König (2015), the Victorian typeface Aprille (2016), Sailors Treasure (2016), and the monoline script and sans typeface family The Wild Things (2016).

    Typefaces from 2017: Bright Moments (handcrafted).

    Typefaces from 2018: Blackout.

    Typefaces from 2019: Slake (a geometric grotesk). [Google] [More]  ⦿

    Victorian fonts
    [Claude Pelletier]

    Claude Pelletier recommends these choices for "Victorian fonts":

    • The CD-rom 24 Victorian - Dan X Solo: Anglo, Arboret, Campanile, Chorus Girl, Fancy Celtic, Ferdinand, Floral Latin, Glorietta, Grant Antique, Gutenberg, Hogarth, Jagged, Katherine Bold, Lafayette, Meistersinger, Olympian, Phidian, Ringlet, Romanesque, Rubens, Stereopticon, Templar, Wedlock, Zinco.
    • Aesthetic, Alfereta (VocoScript) (SSi), Arcadian, Bijou (Riccio Display Script) (SSi), Crusader (Croyon), Excelsis (FarquharsonFree), Fancy Card Text (Silver Graphic Showcard), Fantail (Wanted) (R. Beatty), Gardenia (Holtzschue) (D. Rakowski), Lady Text (KellyAnnGothic) (Mike Allard), Orleans Open (SaloonDisplayCaps) (SSi), Recherche (R. Beatty), Trocadero, Ullmar (Angular) (J. Fordyce).
    [Google] [More]  ⦿

    Vincent Le Moign
    [Vectorian]

    [More]  ⦿

    Vintage Foundry Illustrator
    [Marie Wagner]

    Marie Wagner (Vintage Foundry Illustrator, Munich, Germany) created a vintage Victorian typeface in 2015. In 2014, she designed Ink Collective (2014), a vintage letterpress emulation typeface.

    She originally operated as Mousemade Fonts [dead link]. Behance link. [Google] [More]  ⦿

    Vintage Mind

    Designer in 2017 of the vintage typefaces Black Widow (Victorian), Garage (spurred), Tennessee Whiskey, Crazy Circus, Golden Whiskey and Bourbon Label. [Google] [More]  ⦿

    Vintage Type Co
    [Sean Coady]

    Graphic designer from Summerside and/or Charlottetown, Prince Edward Island, Canada, who was located first in Edmonton, Alberta, and then in Moncton, NB, then in Toronto, and finally in halifax, Nova Scotia. He runs SRC Designs and founded Vintage Type Co in 2015 (not to be confused with Susan Townsend's Vintage Type, a company set up in the 1990s). Creator of the free sans titling typeface family Municipal (2013) and of the hand-printed typeface Fruit Sale (2013).

    In 2014, he created Shifty Sailor (spurred), Hofmann (psychedelic typeface), Kalopsia Slab (a condensed slab serif family with an arts-and-crafts flair). One weight is free---the others can be bought here. He also created free User Interface Icons in 2014.

    Typefaces from 2015: Jackal Display, Anaheim Gothic, Alehouse (vintage connected script), Dorchester Display (vintage Victorian typeface), Huxley (brush script), Drone Ranger (octagonal dystopian type), Authentico (vintage poster typeface in eight styles), Firefly (free poster font), Highbinder (an eroded vintage typeface), Adventurous Script (watercolor brush), Nomad Icon Font, Arctic Express (handcrafted capitals).

    Typefaces from 2016: VTC Numeric (free), Grindstone (vintage), Grindstone Script, Grindstone Sans, Midnight Owl, Southbank (free), Planet Rouge, Life Is Jazz Script, Mystery Tour (+Sans) (a layered Americana or circus font), Sugar Boats, Navy Queen (a nice free font influenced by vintage nautical posters).

    Typefaces from 2017: Virgo Antique, Virgo Display, PressBox (letterpress and Americana emulation), Merchant Street Sans (eight stackable fonts), Old Spirits (spurred Victorian style), Prizefighter (art deco sans), Andre's Diner, Artisans Script (signature script), Milton Grotesque (a free all caps American grotesque), Queen Street (a layerable family).

    Typefaces from 2018: Grindhaus Sans (geometric), Drone Ranger Pro (octagonal).

    Typefaces frm 2019: VTC Bloke (a revival of Miller&Richard's Egyptian Expanded, a wide typeface reminiscent of the Egyptian wood types), VTC Horoscope.

    Typefaces from 2020: VTC Elmwood (a modernized blackletter font family), Fellbaum Grotesk, VTC Fellbaum Grotesk.

    Typefaces from 2021: Chocolate Chipped (a condensed woodblock emulation typeface family).

    Vintage Type Co. Dafont link. Behance link. Another Behance link. Creative Market link. Home page. Creative Market link for Vintage Type Co. [Google] [MyFonts] [More]  ⦿

    Vintage Type Co (or: Vintage Design Co)
    [Ian Barnard]

    Crowborough, East Sussex, UK-based designer Ian Barnard (Vintage Design Co) created the curly hand-drawn typeface Warrior in 2014. With Sam Jones, he designed the school script font Path Type (2014).

    In 2015, Ian created the vernacular script Northern Soul, the brush script Enjoy The Ride, the free handcrafted typeface Foxhole, the brush font Sun Kissed, the connected monoline script typeface Smoothy and the letterpress emulation font Saltash.

    In 2016, he designed the poster typeface Sticky Lollipop, the American Oak series (Script, Serif, Slab, +scratchplate drawings by Emma Lindley), the vintage artisanal display typeface family Sugar Boats, the handcrafted Outbound and Money Penny Script, VTC Symbols, the sans titling typeface Fruitbox, Money Penny Sans, the handcrafted travel poster typeface Cool Britannia (2016), and the connected script font Bloomsbury, which is accompanied by Bloomsbury Sans and Bloomsbury Serif. In his Wood Type series (2016), he emulates old worn wood type and letterpress type---try out the free Condensed Slab Rough.

    Typefaces from 2017: Simple Things (old typewriter font), Dorchester Display (Victorian), Besties, Montebello (monoline script), Radiant Beauty (brush script), Adrenaline Brush, Foxtrail Script, Bookend (a super-condensed sans).

    Typefaces from 2018: Lemon Bird (free), Beautiful Grace (Serif, Script).

    Typefaces from 2019: Bloke (a revival Miller & Richard's classic metal typeface Egyptian Expanded).

    Typefaces from 2020: Andre's Diner (Peignotian).

    Creative Market link. Behance link. Home page. [Google] [MyFonts] [More]  ⦿

    Vintage Victorian Home

    Small archive of Victorian era fonts. [Google] [More]  ⦿

    Vintage Voyage Design
    [Pavel Korzhenko]

    Aka P. Rudakov and Pasha Korzhenko, and operating as Vintage Voyage Design. Perm, Russia-based designer of the vintage handcrafted typefaces West End (2015, spurred Western typeface family), Winter Holidays (2015), The Sugar Cane (2015, eroded signage script), Montana (2015), Canyons (2015), Forest Tramp (2015), Heart of Gold (2015, a think inky brush), La Fa Salt (2015, a connected monoline script), Robinson (2015, handcrafted), Rise (2015, rough brush), Stout (2015, +Stout Roughen), Jack's Guitar (2015) and Bough (2015).

    Typefaces from 2016: Chameleon (rough brush), Les Paul (beatnik style), 1994 Fancy, The First Division (an elegant handcrafted Peignotian typeface family), The Aviator, Ocean Beach (weathered athletic lettering font), Fenway Script (baseball script), Fenway Sans, Octanis (display family in Sans, Slab, Serif, and Rounded Sans sub-styles), Compare (a vintage wedge serif typeface inspired by the mafia), Unchained (Western typeface), The Selvedger (signage script), Driver (a retro speed emulation typeface family), Pasternak Script.

    Typefaces from 2017: The Bartender (a 14-font vintage typeface family with some letterpress styles), Easy Rider (a layered road movie brush script font), The New America (penmanship script), Ace of Spades (grungy), Cavalcade (a layered serif typeface inspired by American and European typography of early 20th century, from movie posters to design of alcohol bottles like Martini, Cinzano and Campari), Old Standard (sans, script), Season Times (Sans+Script), Roadstar (a vintage speed emulation techno font).

    Typefaces from 2018: VVDS Pacifica (a hand-lettered bold signage script inspired by American branding typography from the end of the 20th century), Le Bonjour (a retro sans), The Voyage Culture (font duo), Afterglow (a didone), VVDS The Bimbo (circus fonts), Two Letter Monogram, Diamond Monogram, Circle Monogram, Circle Frames, Harbour (a free decorative blackletter, +Harbour Decor: 2017-2018), Sandwich (a large 3d beveled typeface family), The Telegraph (transitional newspaper type), Golden Horn (a layered vintage typeface).

    Typefaces from 2019: VVDS Organum (a decorative typeface for operas and phantasms), The Pretender (a package inspired by vintage American sign painting), VVDS Praliner (an all caps sans for display), Le Bonjour (Peignotian), Kristopher (a fancy serif), Nurnberg (an expressionist, modernized blacletter), The British Telegraph (based on vintage British headline type), Halau (a tiki font), Halau Serif, Sign Painter (a monoline Script, a layerable Sans, and two Decor ornamental styles, all based on Victorian era signs).

    Typefaces from 2020: The Ruby (a 56-font and icon collection), VVDS Minorica (a handrwritten collection in ten styles), VVDS Rashfield (in the soft serif genre), VVDS London Oatmeal (Sans, Script), VVDS Sunshine Bridge (a creamy brush script), VVDS Benigne Sans (a wide geometric sans), VVDS La Truffe (a bold decorative didone), VVDS Big Tickle (a handcrafted retro family).

    Typefaces from 2021: VVDS Clementia (a stylish condensed serif), Urbanchrome (an SVG letterpress emulation font), VV Neonica (a 12-style neon font family), Grodsky (a stylish 4-style antiqua), The Country Blues (a throwback to the fifties), Surfbird (a 30-style western family), VVS Nobleman (a stylish serif in four styles).

    Behance link. Creative Market link. Vintage Voyage Design. You Work For Them link. [Google] [MyFonts] [More]  ⦿

    Vitaly Glyph

    Moscow-based designer of Latin and Cyrillic, or purely Cyrillic, fonts. There is a list of Cyrillizations of existing fonts: Atreyu, LHF Bounce Script, Modeka, Turnpike, PL Barnum, Good Times Regular, Playful JNL (Jeff Levine), Armageda, Showcard Gothic, SF Comic Script, Jolly Good Sans Basic, Enemy (Shaivanalla Perumal), House Slant (House Industries), House Brush (House Industries), Komika Axis (Apostrophic Labs), Snickers (Mark Simonson), Grand Hotel (AOETI), Wisdom Script (Lost Type), Mission Script (Lost Type), Cylburn (Lost Type), House Script (House Industries), House Holiday Gothic (House Industries), LHF Branding Iron (Letterheadfonts), LHF Fancy Full (Letterheadfonts), LHF Firehouse (Letterheadfonts), American West (FontMesa), Champ Ultra (BA Graphics), PL Davison Americana (Monotype), Blenny (Dalton Maag), Bigfish (Floodfonts), Same Same, But Different (Hanoded), Enemy (Lost Type), Special Forces (Typodermic), Serpentine (URW++), Ritts Cursive (Eurotypo), Voga Medium (CD Type), Hermes 1943 (Lukas Krakora), Brand (Lian Types), Tasty (Hubert Jocham), Bullet Regular (House Industries), Filmotype Athens (Filmotype), Signika (Anna Giedrys), Art Department (Jeff Levine), Borg (David Sum, aka titusprod).

    Original fonts made ca. 2015: GF Deathmatch (a super-macho typeface), GF Ram (pixel font), GF Mario (video game font), GF Mario Two, GF Oversize, GF Magnifica, Deadpool, GF Enroll (letterpress emulation), GF Happy Elephant (comic book style), GF Standout (compressed titling sans), Snickers Super (after the logo for Snickers), GF Bitrika (condensed display sans), Skazka (cartoon font), Minnesota (digitized Hamilton wood type), Alumnus (soft blackletter), Terminator Genisys, Comanchero (+Bevel (beveling using four layers)), Viko, Police (octagonal, athletic lettering), Terminator (after the movie), Old Poster font family, Lic Plate RUS, Lic Plate CT, Taurus Gothic, Slant GP (like Zelek), Brick Game (like Tetris), System Message, System Pixel, Digital 16s (LED).

    Behance link. [Google] [More]  ⦿

    Vivien Gorse

    Vivien Gorse (Toulouse, France) is a freelance designer who created these typefaces:

    • Inland Series (2014-2015). A revival of Inland Series (1895, Nicholas Werner, Inland Type Foundry). This typeface adds many Victorian or steampunk elements to a didone skeleton. It is also called Edwards, and Bizarre Bold (the BBS name of Edwards).
    • Rotury (2015). Also based on Inland Series.
    • Grosse Black (2014). A black slab serif typeface, ideal for poster work. Followed by the fat face Grosse in 2016.
    • Sèche Narrow (2015).
    • Beotian (2015). A German expressionist or heavy blackletter typeface.
    • Melville Bold (2015). A condensed grotesque titling face inspired by the work of French cinematographer Jean-Pierre Melville.
    • Moche (2014).
    • Lizard (2014).
    • Kanyon (2012). Experimental type.

    Behance link. [Google] [More]  ⦿

    Vivyan Leal

    Brazilian designer of the curly almost Victorian typeface Flowicca (2017). [Google] [More]  ⦿

    VMF Fonts
    [Vicky Mardian]

    Vicky Mardian (VMF Fonts) is the Bandung, Indonesia-based designer (b. 1988) of the pirate ship and/or tattoo font Nina Script (2012). The Pro version of this font can be bought at MyFonts. Lina Script Pro (2012), which was done with Mans Grebäck, looks awfully similar, so perhaps Vicky was forced to change the name by outside forces. Mardian (2012, with Mans Grebäck) and Brother Tattoo (2012, at Mans Grebäck) are more calligraphic tattoo fonts by her.

    In 2013, Vicky published Homi Script (tattoo font), the (tattoo) script typeface Anha Queen, the tattoo typeface Pure Black Demo (2013), the spurred tattoo typeface Lafayet Scripts, and the spurred tattooish (incomplete) logotype font Los Angeles.

    Typefaces from 2014: Deadly Heat (metal band typeface), Home Brush Font Script, Avigo (spurred Victorian), Hellter VMF (spurred tattoo font), Daisy Shop, Cotte VMF, Fonika VMF (signage script), Gold and Bone (incomplete Victorian face).

    Typefaces from 2015: Vizels (signage script), Scydet (spurred, Victorian), Ferrine Script.

    Typefaces from 2016: Fire Skin VMF (spurred), Mr. Brown VMF (tattoo font).

    Typefaces from 2017: Cester Shire, Almond Tree, VMF Gold Miner (tattoo font), Slugs Script, Papercut Rough.

    Fontspace link. Dafont link. Another Fontspace link. Creative Market link. Behance link. [Google] [MyFonts] [More]  ⦿

    Vozzy (was: Oleg Vozny)
    [Oleg Voznyy]

    Aka Vozzy, Oleg Voznyy, Oleg Vozny, and Anton Antipov. Dnipro, Dnipropetrovsk (was: Nepropetrovsk), Ukraine-based designer whose company is called Trivia. His typefaces from 2015: Ghost (a spurred typeface), Whiskey Label, Barber Label (shaded vintage font), Scotch Whiskey Label Font, Gouache, Hot Coffee, Mastodon (hipster typeface), Whiskey Shine, Bourbon Whiskey (a Tuscan spurred signage font), Bandidas (a Tuscan spurred label font), Finest Whiskey, Retro Disco, Tequila (a vintage spurred bottle label font), Tortuga Hand (a spurred tattoo font), Hand Drawn Font, Steampunk, Vintage hand Drawn Font, Modern Whiskey, Marine Whiskey, Old Label, Rock On Font, Chulkboard Sketch Font, Chalk Board Hand Drawn Font and Whiskey Label (vintage typeface).

    His typefaces from 2016: Samurai (layerable oriental simulation type), Old Mariner (vintage signage type), Two Shots, Curls (layerable Victorian label font), Ginger Gin Label, Old Style Label (Victorian, layered), Motorcycle Gang, Absinthe (vintage labeling font family, with layering), Mystic Label, Bourbon Strong (a whiskey label font), Aged Whiskey, Bold Craft (vintage label font family for absinthe, brandy, whiskey, rum, gin and beer), Origami, Vintage (a Victorian signage typeface), Gangster (a layered Victorian signage font), Motor (+Shadow, +Shine: a spurred motorcycle / tattoo font family), Family Hand, Absinthe Label (Victorian signage font), Old Sailor (layered vintage typeface set), Old Barrel, BadBoy (hand-printed), Nautical, Sinister (Victorian), Heavy Metal, Darkness Whiskey (Victorian).

    Typefaces from 2017: Blended Whisky Label, Adventure Vintage Label, Whiskey Original Label, Doncaster Vintage Label, Bourbon Special Label, Vintage Marine Label, Marine Whiskey, Alcohol Vintage Label, Virginia Vintage Label, Old Barrel Vintage Label, Tequila Vintage Label, Bubble Vintage Label, Vintage Classic Look, Bourbon Vintage Label, Handcrafted Old Style, Vintage Classic Look, Barber Vintage Label, Walsall Vintage Label, Original Tequila, Retro Style Label, Absinthe Vintage Label, Whiskey Vintage Label, Mystic Vintage Label, Castlecary Vintage Label, Real Estate Vintage Label, Whiskey Vintage Label, Rock And Roll Vintage Label, Blackburn Vintage Label, Tavern Vintage Label, Bourbon Vintage Label, Rock Star Vintage Label, Sandford Vintage Label, Norwich Vintage Label, Whiskey Glory, WireFont Vintage Label, Midieval Vintage Label, Barbershop Vintage Label, Summer Hippie, Bradford Vintage Label, Cartoon Vintage Label, Vintage Age, Retro Label, Stone Angry Look, Retro Alphabet Label, Tattoo Parlor, Brandy Vintage Label, Striped Vintage Label, Hit The Light Vintage Label, Music Album, Irish Whiskey Vintage Label, Northwood Vintage Label, Stitch Vintage Label, Innkeeper Vintage Label, Whiskey Vintage Label, Racer Label, Malt Whiskey Vintage Label, Marine Bay Vintage Label, Alcohol Vintage Label, New York label, Tequila Vintage Label, Portsmouth Label, Sunderland Label, Moonshine Label, Tavern Vintage label, Harbor Vintage Label, Peterborough Label, Blackpool Vintage label, Fresh Cartoon Look Label, Spiced Rum Vintage Label, Old Windsor Vintage, Team Spirit Label, Northamton Vintage, Saloon Label, Gold Rush Label, Rock and Roll Label, New Castle Vintage, Authentic Whiskey Label, Birmingham Vintage Label, Cognac Label, Hipster Label, Rock Star Label, Stockport Label, Barber Label, Colchester Label, WildForest Vintage Label, Brentford Vintage Label, Premium Beer Vintage Label, Lumberjack Vintage Label, Manchester Label, Richmond Label, Old Logger Label, Norwich Label, London Label, Liverpool, Liberty Label, Lancaster, Independence, Grand Reserve, GreatShot Label, Derby, Coventry Label, Coldwater Label, Brighton Label, Bourbon Label, Carlisle Label.

    Typefaces from 2018: Brewery (vintage label font), Amber Whiskey (a great spurred vintage Western typeface family).

    Typefaces from 2019: Coral Reef (monoline script), Sambuca, Original Absinthe (spurred), Tattoo Master, Horror Story (a gory dry brush script), Heavy Boxing (a vintage label font), Hawaii Beach, Green Mexican, Outer Space (a vintage label font), Aviation Cocktail (vintage), Bodybuilder (14 athletic lettering fonts), Biker Whiskey, Vintage Whiskey, Wanted Denim (weathered texture), Bandidas (vintage label style), Cosmic Lager, Spicy Taste, Farm House, Pirate Bay, Smokers, Quick Or Dead (Western, layered).

    Typefaces from 2020: Falange (a 5-style skeletal bone font family), Western Whiskey, Big Wave (a vintage layered font family), Eight Cylinder, Whisky Trail, Brew House (a beer bottle blackletter), Cyberpunk, Beer Time (a vintage label font family), Bobber Motorcycles (a vintage label font), Fire Sauce (layerable), Space Vacation, Metal Core (a spurred blackletter metal band font), Outdoors (a vintage label font family), Bakehouse, Roots, Asgaard (a textured vintage label font), Speedster, Mountain Expedition, Junk Food (a vintage label font family), Old Biker (a vintage spurred label font).

    Typefaces from 2021: Circus Sideshow (a spurred circus font), Vida Bandida (a tattoo font), Healthy Freak (a vintage sign painting sans), Tokugawa (inspired by Japanese), Seaman (a lava lamp font), Stuntman (a font duo, +Stencil and Stencil Paint), Road Rage (Tuscan), Unfair (a squarish all caps typeface), Race To Space (a vintage marquee font), Fun Baking (a condensed organic sans), Urban Ink (a prototypical tattoo font---the last tattoo font you will ever need?), Brewing Crafters (spurred, vintage).

    Typefaces from 2022: Bistro (a vintage shadowed label font), Sport Bar (a spurred vintage label font), Time To Play (a vintage gaming label font), Happy Trip (psychedelic), Barely Legal (a vintage label font).

    Alternate Creative Market link. [Google] [MyFonts] [More]  ⦿

    W. Murray

    Designer of the über-ornamental Victorian monstrosity, Circlet (1878, Barnhart Brothers and Spindler). Dan X. Solo digitized it in 1990-1991 and added a lowercase to it. [Google] [MyFonts] [More]  ⦿

    Wachid Ristiyanto
    [Ngene]

    [MyFonts] [More]  ⦿

    Wahyu Aji Prasetyo
    [WAP Type]

    [MyFonts] [More]  ⦿

    Walden Font
    [Oliver Weiss]

    Walden Font (est. 1997) sells historical typefaces&clip-art by Oliver Weiss from Winchester, MA. Walden's site includes a brief history of blackletter, as summarized in the PDF document The Gutenberg Press: Five Centuries of German Fraktur (1997). Typefaces by categories:

    • The nice 14-font package called Civil War Press.
    • The free art nouveau font Jugend WF (2006).
    • Kraftwerk Press (2016-2017), a collection of 25 German industrial fonts emulating the era from 1920-1930:
      • WFBorderBergland, WFBorderLineal, WFBorderLorbeer, WFBorderRauhreif, WFBorderRiesel, WFBorderSaftig, WFBorderSandmann, WFBorderSchnuppe, WFBorderWolkig, WFBorderZahnung, WFKraftwerkOrnamente, WFKraftwerkVignettenFett, WFKraftwerkVignettenLicht. Great borders and ornaments that were mainly revived from Neues Schmuckmaterial (Schriftguss AG, formerly Brüder Butte).
      • WFFettdruck, WFHochdruck, WFNormdruck: Examples of Reklameschrift originally designed in 1908, 1926 and 1920, respectively.
      • WFFetteKrause. Inspired by an advertisement for printing machinery in a 1924 issue of the Hungarian trade magazine Magyar Grafika.
      • WFKaracho: Inspired by a bit of hand-lettering from a 1926 issue of the German advertising art periodical Gebrauchsgrafik.
      • WFLuftpost. Based on lettering samples for sign painters.
      • WFNeueOhioSchrift. Weiss writes: The Brüder Butter foundry in Dresden had a good working relationship with ATF, and thus several American typefaces found their way into the Butter catalog. Among them was Pabst Oldstyle, designed in 1902. Brüder Butter changed the erect peak of Pabst's A to a flaccid one, and distributed the result as Ohio Schrift, starting about 1913. Throughout the 1920s, Brüder Butter marketed the Ohio family through a series of leaflets that put the typeface through its paces in innovative ways. WFNeueOhioKursiv is the Italian companion. In 1922, Brüder Butter added a bold typeface to the Ohio family. This was not an ATF transplant, but a new design by Eduard Lautenbach. It was available with a set of swash capitals, and several curly-cued, lowercase alternates, ideally suited for children's books. Weiss's revival is WFNeueOhioKraft.
      • WFNeueWerbeKraft. Based on Arthur Schulze's Werbkraft (1926).
      • WF Paletti. Loosely based on the popular monoline silent movie script typeface Tango-Kursiv (1913, Ernst Deutsch).
      • WF Vulkan. A loud all caps typeface based on an advertisement in the April 1926 issue of Gebrauchsgraphik.
    • Their Renaissance&Handwriting font pack has nine different handwriting fonts from 1450 to 1700.
    • The Minuteman Printshop set contains 18 colonial fonts: Ancient Black, Caslon Book, Caslon Book Italic, Caslon Swash Italic, Webster Italic, Webster Roman, English Hand, Rev.War Heroes, Signers of the DoI, Colonial Bullets, Daisy Border, Lily Border, Marigold Border, Needlepoint Border, Pine Cone Border, Quilt Border, Rose Border, Tulip Border.
    • Eighteen blackletter fonts, called the Gutenberg Press series: Alte Schwabacher, Breitkopf Fraktur, Coelnisch Current, Fette Haenel Fraktur, Ganz Grobe Gotisch, Grossvater Kurrent, Gutenberg Bibelschrift, Kurrent Kupferstich, Luthersche Fraktur, Maximilian Gotisch, Neue Schwabacher, Peter Schlemihl, Suetterlin, Theuerdank Fraktur, Unger Fraktur, W'bg. Schwabacher, Zentenar Fraktur.
    • Wood type, the Wild West Press series (2010, 47 fonts), and related fonts: Sawtooth WF (2002), Acanthus Border, Ashwood Condensed, Ashwood Extra Bold, Asphaltum, Aubrey Landing, Baubles Border, Bear Gulch, Brass Rules, Bullion Extra Condensed, Bullion Italic, Bullion, Cattle Brands, Chalk Bluff, Clifford Eight, Cut and Shoot, Dead Man's Hand, Faywood Extra Condensed, Faywood Italic, Faywood, Fringe Border, Garland Border, Gatlin Bold, Grid Border, Heroes and Villains, Jawbones Condensed, Lace Border, Langtry, Matchwood Bold Italic, Matchwood Bold, Matchwood Italic, Matchwood, Muleshoe, Ophir, Rawhide, Round Mountain, Royal Nonesuch, Sageland, Sawtooth, Seal Border, Shelldrake, Stockton, Thousandsticks, Thunder Mountain, Vine Border, Western Bullets, Whitecross, Wildwash.
    • Art nouveau revivals. His Art Nouveau Printshop Vol. 1 (2020) includes these fonts:
      • WF Border Edellinien: Based on borders by Schelter & Giesecke, 1901.
      • WF Border Eos.
      • WF Border Flach: After a specimen seen in a 1915 specimen book at Bauersche Giesserei.
      • WF Border Nimbus.
      • WF Border Patriz Huber: After a Schelter & Giesecke design from 1906 called Patriz Huber Ornamente, which was named after designer, goldsmith and furniture maker Patriz Huber, 1878-1902.
      • WF Border Peacock: Based on borders by Schelter & Giesecke, 1904 (or earlier).
      • WF Border Seerosen.
      • WF Border Ver Sacrum: Based on borders by Heinz Keune for Schelter & Giesecke, 1901 (or earlier).
      • WF Dahlia: Closely based on a draft for F. Schweimann's Wodan, first issued by Stempel & Co in 1902.
      • WF Fafner: After a poster typeface by Schelter & Giesecke first seen in 1905. Unknown designer.
      • WF Habsburg: After an original by Heinz Keune from 1903 for Schelter & Giesecke.
      • WF Jugendstil Ornaments.
      • WF Liane Semibold: A condensed Plakatschrift that revives Liane Semibold (1908, Schelter & Giesecke).
      • WF Maria Theresia: After Maria-Theresia-Versalien (1903, Heinz Keune for Schelter & Giesecke).
      • WF Meierschrift: Based on Meierschrift (1903, C.F. Meier), which was produced by Schelter & Giesecke in 1904.
      • WF Ovid: After an original by Heinz Keune from 1903 for Schelter & Giesecke.
      • WF Radium: After an original white on black typeface by Schelter & Giesecke (1905).
      • WF Rienzi Versalien: After Versalienschrift Rienzi (1901).
      • WF Schelter Antiqua: A revival of Schelter Antiqua (1905, Schelter & Giesecke).
      • WF Wallenstein: Based on an original by Heinz Keune (1904), who intended it as a heavy weight companion of Habsburg and Wittelsbach,
      • WF Wittelsbach: After an original by Heinz Keune from 1903 for Schelter & Giesecke.
    • Gnomos is a grungified merovingian typeface [Walden Font claims that it was found in a 16th century house].
    • Magick: A series of 11 alchemic and medieval typefaces, including custom creations by Australian calligrapher Mark Calderwood: Astaroth, Bastarda, Batwynge, Gnomos, Luxeuil, Orgeuil, Runor, Salem 1692, Alchemy Symbols, Astrological Symbols.
    • Diverse Handes: Nine historically accurate script fonts from the Renaissance era: 10th Century Bookhand WF, Bastarda WF, Copperplate 1672 WF, English Hand WF, German Latin WF, James the Second WF, Spanish Court Hand WF, Uncial WF, William Shakespeare WF.
    • A collection of 62 American poster fonts of World War II, heavily influenced by art deco, was created in 2013: Acie WF, Almanzo WF, Balfrey WF, Bellofatto WF, Bleecker WF, Bleecker WFShaded, Bobbin WF, Bullshorn WF, Calt WF, Cassino WF, Cephus WF, Chippett WF, Cutright Bold ItalicWF, Cutright Bold WF, Cutright WF, Dickie WF, Dragoo WF, Elbie WF, Eldon WF, Elmira WF, Enlow WF, Epsom WF, Falaise WF, Fansler WF, Fustian WF, Glancy WF, Golden WF, Graveney WF, Greenlaw WF, Hackett WF, Hardwick WF, Harlie WF, Huntley WF, Irby WF, Iva WF, Jowdy WF, Kilroy WF, Kododa WF, Lacar WF, Maximino WF, Nelda WF, Nuisance WF, Odon WF, Olindo WF, Payson WF, Payson WFBold, Payson WFBold Italic, Payson WFItalic, Perlina WF, Poster Bullets WF, Remely WF, Reny WF, Sharkey WF, Sheffie WF, Telmoss WF, Tilmon WF, Toxie WF, Ula WF, Wallington WF, Wilber WF, Wylie WF, Zipnut WF.
    • Other fonts in the collection: 10thCenturyBookhand, AcanthusBorder, Alchemy-Symbols, Alte Schwabacher, AncientBlack, AshwoodCondensed, AshwoodExtraBold, Asphaltum, Astaroth, Astrological-Symbols, AubreyLanding, Bastarda, Batwynge, BaublesBorder, BearGulch, BrassRulesBorder, BreitkopfFraktur, Bullion, BullionExtraCondensed, BullionItalic, BullionRoman, CWP_TypeNo08, CWP_TypeNo09, CaslonBook-Italic, CaslonBook, CaslonSwashItalic, Cattle Brands, ChalkBluff, CliffordEight, CoelnischCurrentFraktur, ColonialBullets, ConfederateSignatures, Copperplate1672, Cut&Shoot, DaisyBorder, Dead Man's Hand, EnglishHand, Faywood, FaywoodExtraCond, FaywoodItalic, FetteHaenelFraktur, FinalFrontierShipside, FringeBorder, GanzGrobeGotisch, GarlandBorder, GatlinBold, GebetbuchFraktur, GermanLatin, Gnomos, GridBorder, GrossvaterKurrent, GutenbergBibelschrift, Heroes & Villains, JamesII, JawbonesCond, Jugend, KurrentKupferstich, LaceBorder, Langtry, LilyBorder, LutherscheFraktur, Luxeuil, MarigoldBorder, Matchwood, MatchwoodBold, MatchwoodBoldItalic, MatchwoodItalic, MaximilianGotisch, Muleshoe, NeedlepointBorder, NeueSchwabacher, OldStateHouse, Ophir, Orgeuil, Pangho, Panghobl, Pangolin, Pangbl, PeterSchlemihl, PineConeBorder, QuiltBorder, Rawhide, RevolutionaryWarHeroes, RoseBorder, RoundMountain, RoyalNonesuch-Bold, Runor, Sageland, Salem1692, Sawtooth, SealBorder, Shelldrake, SignersoftheDOI, SpanishCourtHand, Stockton, Sütterlin, TheuerdankFraktur, Thousandsticks, ThunderMountain, TulipBorder, TypeNo1, TypeNo2, TypeNo3, TypeNo4, TypeNo5, TypeNo6, TypeNo7, TypeNo8, TypeNo9, TypeNo10, TypeNo11, TypeNo12, TypeNo13, TypeNo14, Uncial, UngerFraktur, UnionSignatures, VineBorder, WebsterRoman, Western Bullets, Whitecross, WilliamShakespeare, WittenbergSchwabacher, ZentenarFraktur.
    • The New Victorian Printshop collection (56 fonts): Absalom, Adelar, Amaltea, Amilcar, Augur, Banter, Baretto Italic, Baretto Shaded, Baretto, Barettoshaded Italic, Beamish, Blaisdell, Blinov, Braham, Brinton, Brunel Script, Chatelaine, Cupboard, Devough, Dewitt, Ephinol, Gano Extended, Giglio, Gresley, Grubb Script, Hester, Hipolon, Hiram, Inigo, Isherwood, Jasper, Jophet, Klabasto, Lightburn, Medola, Monboddo, Nestor, Oldkirk Italic, Oldkirk, Ormsby, Pennyfarthing, Phectic, Pomeroy, Rebstock, Rudyard, Rungholt, Sedgwick, Steam Border Medium Aztec, Steam Border Medium Bar and Balls, Steam Border Medium Bar and Curls, Steam Border Medium Bar and Leaves, Steam Border Medium Baroque, Steam Border Medium Belgian Lace, Steam Border Medium Dish and Wire, Steam Border Medium Drainfly, Steam Border Medium Flourish, Steam Border Medium Frill, Steam Border Medium Geometric, Steam Border Medium Leaf, Steam Border Medium Loops, Steam Border Medium Picture Frame, Steam Border Medium Quatrefoil, Steam Border Medium Ribbon, Steam Border Medium Shells, Steam Border Medium Spruce, Steam Border Medium Tiles, Steam Border Medium Triangles, Steam Border Medium Woody, Steam Border Thin Brick Bar, Steam Border Thin Cordula, Steam Border Thin Double Wavy, Steam Border Thin Double, Steam Border Thin Fine Dots, Steam Border Thin Forward Wave, Steam Border Thin Oscillations, Steam Border Thin Scallop, Steam Border Thin Straight Rule, Steam Border Thin Tight Oscillations, Steam Border Thin Triple, Steam Border Thin Undulations, Steam Border Wide Arch and Vine, Steam Border Wide Argent Leaf, Steam Border Wide Bar and Acanthus, Steam Border Wide Bower, Steam Border Wide Knots and Weeds, Steam Border Wide Lattice, Steam Border Wide Mephisto, Steam Border Wide Peacock, Steam Border Wide Rebstock, Steam Border Wide Roccoco, Steam Border Wide Shield and Acanthus, Steam Border Wide Shield and Vine, Steam Border Wide Stipple, Steam Border Wide Stone Leaf, Steam Border Wide Vault, Steam Charms, Steam Flourishes, Steam Gems, Steam Logotypes, Steam News Cuts 1, Steam News Cuts 2, Steam News Cuts 3, Swartwood, Tempris, Tilson Initials, Tivadar, Trowbridge, Twiselton, Whitcomb, Whittle, Winan.

    Dafont link. [Google] [MyFonts] [More]  ⦿

    Walter Bernard "Ben" Hunt
    [Hunt Brothers]

    [More]  ⦿

    Walter Heberling

    German handletterer who wrote Basic Lettering, and elements of composition, color harmony, gilding, embossing-processes (1922). Mike Jackson writes: W.A. Heberling was the instructor of Sign, Scene, and Pictorial Painting at the Mooseheart Vocational Institute in Mooseheart, IL. This book was also used as a textbook, taking beginners through the basics right up to painted pictorial billboards.

    His work from 1925 inspired Nick Curtis to digitize Fortune Cookie (2007) and Eulalie NF (2009). Heberling Casual NF (2002, Nick Curtis) is based on a single-stroke pen font from Heberling's 1922 book. All these fonts are quirky and almost Victorian. [Google] [MyFonts] [More]  ⦿

    Walter Wray

    Born in Panama City in 1951, Walter Wray now lives in Pennsylvania. He created the foliated Victorian display typeface Midsummer (2012). [Google] [More]  ⦿

    WAP Type
    [Wahyu Aji Prasetyo]

    Banjarnegara, Indonesia-based type foundry, est. 2013. Their catalog in 2021: Adventure, B Racing, Be Bold, Blade, Brick 3D, Brusaha, Cyber Rock (brush script), Escape, Futuristic, Halloween, Ink Signature, Katana, Kid Ul , Light Paint, Line Art, Logo oblong (a circle-based logo font), MX, Mango (brush script), Merden, Milk, Modern Future, Ninja (oriental emulation), Ninja Display, Noodle Monoline (script), Oblong (a rounded circular sans), Out Line, Pixel, Pro Tech, Slim Pro (a thin minimalist sans), Sport, Stencil Army, Sticky Bold, Tecno, Wild Life, Yumna (inline).

    Typefaces from 2022: Hookline (an Escher style font), Barbar Shop (Victorian), Franklin Fracture (blackletter), MX Pro (a race car font), Doodle, Futuristic (a minimalist stencil typeface), Rustic (a syrupy script), Sport News (a chamfered sports font). [Google] [MyFonts] [More]  ⦿

    Wates Awal

    Bandung, Indonesia-based designer of Viva Persib (2014), Dandding (2014, dingbats), Antara (2014), Balaka (2014), Ananda (2014), Elnaya (2014), Bahana (2014), Buwana (2014), Waskita (2014), Tamada, Bunda, Coolin Cheer (2014, Victorian), Bobotoh (2014), Pasundan (2014), Bimasakti (2014), Masra (2014), which is inspired by the logo of Himasra. Most of these are traditional Sundanese script fonts. He also created the display typefaces Lagegg (2014), Gardawesi (2014), Masra (2014), Oplo Sans (2014), Sunantara (2014), Sheandy (2014), Gondrong (2014) and Parahyangan (2014). Aka Kasuki (Kawula Sunda Kiwari). [Google] [More]  ⦿

    Werner Affolter
    [Affolter und Gschwind AG]

    [More]  ⦿

    Wiescher Design
    [Gert Wiescher]

    Gert Wiescher was born in Braunsbach am Kocher, Germany, in 1944. Based in München, Gerd Wiescher designed many classy and classic Bodoni families, as well as New Yorker Type (1985). All of his typefaces are carefully fine-tuned and balanced. Wiescher founded first Munich Type and then Wiescher Design and Autographis. He is known as a hard, fast and prolific worker. His exquisite typefaces can be bought at MyFonts. Catalog of his bestselling typefaces. Interview in 2008. Wikipedia page. Creative Market link. List of typefaces:

    • Scripts: Prima Script (2017: for menus and cookbooks), Marmelade (2015, +Fruits, a set of dingbats), Triana (2014, a thin monoline penmanship script named after a Spanish sailor on the Pinta who in 1492 was the first to see America---in this case the Bahamas), Floral Script (2014, copperplate style script), Sherlock Script (2014: this comes with Sherlock Stuff (fingerprints) and Sherlock Stuff Dots (ink stains)), Felicita (2013, a swashy copperplate script), Vividangelo (2013, after the handwriting of a real person), Dreamline (2013, connected monoline cursive wedding scripts in A, B and C styles), Fiorentina (2012, a renaissance style script with 650 characters), Excelsia Pro (2012), Delicia Pro (2012, a fat brushy signage script), Nono (2011, formal swashy calligraphic family), Dyane (2011), Penn (2011), Lettera (2011, hand-drawn formal face), Tosca (2010, a high-contrast calligraphic typeface with 730 glyphs), Grandcafe (2010), Loulou (2010, curly and of extreme contrast), Schoolblock (2010, hand-printed school font), Grandezza (2010, calligraphic family; +Xtra), Sixtra (2010, a curly didone script), English Script (2010, classic Spencerian calligraphic script), Savage Initials (2009), Morning News (2009), Revolte (2009, a brush script for demonstration signs), Estelle (2009), Scriptofino (2008, 4 calligraphic styles to give Zapfino a run for its money), Exprima (2008), Daiquiri (2008), Lisa Bella, Lisa Fiore and Lisa Piu (2008, connected and calligraphic), Tati (2008), Movie Script (2007), Cake Script (2007), Eddy (2007, grungy calligraphy), Pointino (2007), Bohemio (2007, a great oriental-brush script), Artegio (2007, two calligraphic scripts), Xylo (2006, in the tradition of the 18th-century English calligrapher George Bickham and the 19th-century American calligrapher Platt Rogers Spencer), Tamara (2005, art-deco script based on some initials for Semplicita made in the 1930s by the Nebiolo foundry), Tecon, Ellida (2005, inspired by the elaborate scripts of 18th-century English calligrapher George Bickham, with additional influences from 19th-century American calligrapher Platt Rogers Spencer), Eloise (2009, a high-contrast version of Ellida), Nadine Script (2005, an elegant script inspired by a set of initials the French designer and artist Bernard Naudin drew for Deberny&Peignot in the 1920s), Royal Classic (2005, unbelievable script based on a design that has initially been comissioned by King Ludwig I of Bavaria for in-house-use), DesignerScript, Filzer Script (1995, handwriting), Futuramano-Condensed-Bold, Futuramano-Condensed, Futuramano-Plain, Futuramano-Thin, Giambattista, Scriptissimo-Plain, Scriptissimo-Forte, Scriptissimo-Swirls, Squickt (1989), Konstantin A, B and C (2005), Konstantin Forte (2005), MyScript, GrocersScript, Swanson (2006). Scriptissimo (2004) has versions named Start, Middle and End, tweaked for their position in the word, and there are plenty of ligatures. Check also Bodoni Classic Chancery (2007) and Bodonian Script (2012).
    • Sans: Brute Sans (2018), Xpress (2018), Xpress Rounded (2019), Classic Sans (2017, a revival of Theinhardt Grotesk), Classic Sans Rounded (2017), Maxi (2017), Nic (2017), Azur (a large almost geometric sans famly with 1950s Roger Excoffon-style French flavours, called a Medterranean grotesk by Wiescher himself), Royal Sans (2017, after Theinhardt's Royal Grotesk---the forerunner of Akzidenz Grotesk--- from 1880), Docu (2016, a workhorse elliptical sans family), Viata (inspired by Bauhaus), Noticia (2016, in the Bauhaus tradition, with very pointy v and w, and a bipartite k; not to be confused with the 2011 Google Web Font Noticia Text by José Solé; followed in 2019 by Noticia Rounded), Avea (2015), Aramis, Nota Bene (2015: squarish, narrow, technical), Nota (2015, technical and cold: the rounded version, Nota Rounded, followed in 2019), Dylan Condensed (2014), Dylan Copperplate (2014), Supra (2013, grotesk: Supra Thin is free. See also Supra Condensed (2013), Supra Mezzo (2013, between regular and condensed), Supra Extended (2013), Supra Rounded (2015), Supra Classic (2014), and Supra Demiserif (2013, slab serif derived from Supra)), Dylan (geometric sans), Franklin Gothic Raw (2013, like Franklin Gothic but with raw, not rough, outlines, only visible at very large sizes), Blitz (2012, a flared family), Blitz Condensed (2012), Contra Sans (2011, which led to Contra Slab, Contra Condensed and Contra Flare), Vedo (2011, a Bauhaus style family that include a hairline weight), Germania (2011, a useful and beautiful monoline sans family), Geometa (2011, +Rounded, +Rounded Deco, +Deco: all based initially on Renner's Futura), Geometra Rounded (2011, a rounded family based on Futura and "much less boring than DIN"), Bombelli (2010, ultra-wide architect's hand), Bluenote Demi (2010, a grungy Franklin Gothic Condensed), Perfect Sketch (2010, sketched grotesque), Unita (2009), Antea (2009), Eterna (2009, sans with a swing), Pura (2008, an uncomplicated grotesk family), Purissima (2010, a decorated extension of Pura; +Bold), Copperplate Gothic Hand (2009, after a 1901 design by Goudy), Copperplate Alt (2011), Copperplate Wide (2011), FranklinGothicHandDemi (+Shadow), Franklin GothicHandCond (2009), Franklin Gothic Condensed Shadow Hand (2010), and Franklin Gothic Hand Light (2009, a hand-drawn version of Franklin Gothic), Papas (2005, sturdy, slightly curly), Julienne (2005, a condensed sans family; see the new versions Moanin and Julienne Piu, 2017), Cassandra (1996, an art deco style after Adolphe Mouron Cassandre), Futura Classic (2006), Cassandra Plus (2012), Ela Sans (2005, a large family), Mondial-Bold (2004), Mondial-Demi, Mondial-Light, Mondial-Medium, Mondial-Normal, Mondial-XBold, Monem-Bold, Monem-Medium, Monem-Normal, Monem-Roman.
    • Serif: Imperia (2011, a Trajan column caps face), Monogramma (2012, a Trajan family for monograms), Imperium (2005, a precursor of Imperia with a Relief shadow style included), Hard Times (2011), Fat Times (2011, retraced Times), Elegia (2011, slightly Victorian family), Breathless (2010, a spiky family, inspired by nouvelle vague movie posters), Bodoni Classic 1, Bodoni Classic 2, Bodoni Classic 3, BodoniClassic-Condensed, BodoniClassic-Handdrawn, BodoniClassic-Swashes, BodoniClassic-Text, Bodoni Classic Deco, Bodoni Classic Swirls (2009), Bodoni Classic Pro (2011), Bodoni Classic Inline (2012), Bodoni Classic Fleurs (2014, ornamental caps), Bodoni Comedia (2010, one of my favorites: a funny "live one day at a time" curly Bodoni cocktail), Bodoni Classic Swing (2010), Bodoni Classic Free Style (2010, curly), Bodoni Classic Ultra (2010), La Bodoni Plain (+Italic, 2008), Take Five (2005, a jazzy take on Bodoni Classic), DonnaBodoniAa, DonnaBodoniBe, and DonnaBodoniCe (three scripts named after Bodoni's wife, Margharita dell'Aglio, who published his complete works, the Manuale Tipografico, in 1818, five years after his death), Edito, Robusta. A great series, some of which were originally published at Fontshop, see, e.g., FFBodoniClassic (1994). MyFonts: When the first of Wiescher’s Bodoni Classic fonts came out in the 1993, there was nothing like it. Up to then, virtually all Bodoni revivals had been given clear-cut forms and square serifs. But Bodoni’s originals from the late 1800s were never as straight and simplistic as is often assumed: they had rounded serifs and slightly concave feet. Wiescher digitized a wide range of Bodoni letterforms, including a wonderful script-like family called Chancery and a nice series of Initials. Having accomplished his mission twelve years later, he began making personal additions to the family, such as the more decorative Bodoni Classic Swashes. Recently a useful little family was added to the clan: LaBodoni is sturdier and less optically delicate than most Bodonis, and therefore more usable as a text face. Wiescher made Metra Serif (2009), Principe (2008) and Paillas (2009). Prince (2009) is a curlified didone.
    • Romain du roi: In 2008, Wiescher designed the two-style Royal Romain, which is based on the Romain du Roi of Philippe Grandjean, which was completed in 1745 after Grandjean's death by Grandjean's successor Jean Alexandre and Louis Luce. Wiescher: The Romain du Roi was for the exclusive use of the Louis XIV. It was never sold or given to any other king or government. The king of Sweden tried to scrounge a set, but the king refused. This font is the basic design for such famous fonts as the Fournier and Bodoni. Just so the Romain du Roi doesn't get lost in the digital turmoil I set out to redesign it in 2004 and finished now in early 2008. I did a lot of research in France's National Library. A good excuse to visit Paris is always welcome!!!
    • Engravers: Dylan Copperplate (2014), Cavaliere (2010), Guilloche A (2009), Guilloche B (2013, op-art borders), CopperplateClassic-Plain, CopperplateClassic-Round, CopperplateClassic-Sans, Copperplate Classic Light Floral (2009), Cimiez-Bold, Cimiez-Roman (2004), Ela-Demiserif, Ela-Sans (2004), Eleganza (2008).
    • Blackletter/Fraktur: Renais (2011, renaissance initials), Flipflop (2011), Fraktura and Fraktura Plus (2008), Royal Bavarian (2004, based on a typeface commissioned by King Ludwig 1st of Bavaria about 1834), Royal Blossom (2009), Royal Bavarian Fancy (2004), Bold Bavarian (2010, a heavy version of Royal Bavarian), Monkeytails (2008), Fat Fritz (2006, rounded endings), Ayres Royal (2005, blackletter typeface based on drawings of London's calligrapher John Ayres, ca. 1700; to be used with RoyalBavarian; followed in 2010 by BoldAyres).
    • Slab serif: Slam Normal (2017), Slam Rounded (2017), Suez (2017: with extra tall ascenders and descenders), Egyptia (2010), Egyptia Rounded (2010).
    • Typewriter: Lettera (2014), Lectra (2011), QuickType-Bold, QuickType-Plain, QuickType-Sans.
    • Decorative: Tric (2017, art deco), Franklin Gothic Raw Semi Serif (2015), Frank Woods (2013, letterpress simulation based on Franklin Gothic Heavy), Ohio Bold (2012, a rough headline type in the tradition of Louis Oppenheim's Lo-Type from 1913), Viking Initials (2012), Cannonball (2012, a psychedelic typeface derived from a jazz record-sleeve for Cannonball Adderley), Byblos (2011, derived from the logo of St. Tropez's famous Hotel Byblos), Blockprint (2013, early 1900 German expressionist grunge face, renamed Bannertype after 24 hours), Ferrus (2010, inspired by Cassandre's Acier Noir, 1936), Petite Fleur (2009, flowery embellishments and the capitals of his redesigned Royal Romain, which in turn is based on the famous romain du roi), Glass Light (2012, a decoirative art nouveau type family based on Glass Light by Franz Paul Glass, 1912), Penstroxx (2009, 5 fonts that are based on the powerful, expressive Traits de plume (penstrokes) designed in Paris around 1930 by Alfred Latour), Liquoia A, B and C (2008, decorative scripts), Modernista (2008, an art nouveau headline face, based on an 1898 sample by Peter Schnorr), Ornata A, B, C, D, E, F and G (2008-2009: ornaments), Fleuraloha (2008), Floralissimo (2008: flowery ornaments), Frank Flowers (2011), Scrolls A (2010, penman's dingbats), Bacterio (2007), Alpha Bravo, Alpha Charlie, Alpha Echo (2006), Barracuda, Cacao (2005, fifties style), Cassandre Initials (2004, Elsner&Flake, after the 1927 original by Adolphe Mouron Cassandre), Contype, Fleurie (2005), Fleurons Two (2006), Fleurons Three (2006), Fleurons Four (2006), Fleurons Initials (2007), Fleurons Six (2008), Fleuron Labels (2008), HebrewLatino, Julius, Lunix (2006), MyHands, NewYorkerType (1985; extended in 2011 to NewYorker Plus, and in 2020 to New Yorker Type Classic and New Yorker Type Pro; after Rea Irvin's well-known typeface for The NewYorker), Venice Initials (2006, after a 15th century find, but Wiescher added about half of the caps), Ventoux, Vivian (2005), Woody.
    • Pixel and/or futuristic: Nexstar (2013: this octagonal typeface is also useful or athletic lettering), Alpha Fox (2007), Alpha Juliet (2010), Alpha Papa (2010), Alpha Square (2010), Alpha Jazz (2010), Alpha Papa (2010, LED meets stencil).
    • Stencil typefaces: Dripps (2010, handpainted, perhaps brutalist), Red Tape Plus (2014).
    • Comic book fonts or brush fonts: Breezy (2015), Caboom (2014).
    • Dingbats: Wayside Ornaments (2012), XX Century Ornaments (2012), Thistle Borders (2012), Greenaway Mignonettes (2012, after Kate Greenaway (1846-1901), author and illustrator of childrens books), Collins Florets (2012), Flourishes A (2010), Jingle Doodles (2010).
    • Art deco: Trix (2017), Zelda (2017, named after F. Scott Fitzgerald's wife).
    • Commissioned and special typefaces include a version of the logotype for the Munich's newspaper Abendzeitung, Maxi (variable width sans), NIC Grotesk, Tric (art deco), a Cyrillic version of Bodoni Classic for Vogue Moscow, a special Bodoni Classic for Ringier Publishers in Zurich, and Red Tape, a typeface that is on permanent exhibition at the German National Library in Leipzig.
    • Typefaces from 2019: Elita (a condensed sqaurish typeface), Artis Sans, Sigma Condensed and Sigma (simplified readable sans families), Cosma (an elegant high-contrast text family with tapered upstrokes and crossbars, but otherwise didone roots), Quincy (a bebop typeface that started from some letterutouts), Phoebe (an elliptical techno family), Phoebe Rounded, Polygon A, Polygon I, Polygon X.
    • Typefaces from 2020: Bullets Bannertype, Alpha One (a counterless experiment), Exec (a 14-style sans family), Exec Corners, Exec Demiserif, Penta (a grotesque family with large counters that make the ExtraLight style quite striking), Penta Rounded.

    Author of many books, including Zeitschriften & Broschüren (Systhema-Verlag, München, 1990), Schriftdesign (Systhema-Verlag, München, 1991), and Blitzkurs Typografie (Systhema-Verlag, München, 1992).

    The following text was excerpted from his wikipedia page: At 14 years of age, Wiescher went to Paris to study fine art. He financed his stay by doing portraits on the Place du Tertre on Montmartre. In the sixties Wiescher studied graphic design at the Berlin Academy of Fine Arts. (Since November 2001, Berlin University of the Arts.) He financed his studies by sidewalk painting and drawing portraits. While doing sidewalk paintings, he met the typeface designer Erik Spiekermann, who inspired his love of this branch of design. After two years he quit his studies, and went to Barcelona where he worked at the offices of Harnden & Bombelli, for whom he designed the OECD-Pavilion of the 1970 Osaka World Expo. In 1972 he moved on to Johannesburg working as an art director at Grey and Young advertising . In 1975, he returned to Germany, working first for DFS+R-Dorland, and then for the "Herrwerth & Partner" ad agency. At Herrworth, he was involved in introducing IKEA into the German market. In 1977 he became a creative partner in the Lauenstein & Partner ad agency, creating mainly campaigns for large German retail chains. In 1982 he started his own design office, creating work for editors (Markt & Technik, Systhema and Langen-Müller-Herbig), computer companies (House of Computers, FileNet) and he worked for Apple Computers designing their publications (Apple-Age and Apple-LIVE).

    View Gert Wiescher's typefaces. Wikipedia link. [Google] [MyFonts] [More]  ⦿

    Wildan Yakob
    [Cob Studios (was: Aidan, or WY Creative)]

    [More]  ⦿

    William Bayley (or: Bayley Design)

    Brand designer William Bailey (b. 1990), alias William Suckling (Bayley Design, Hastings, UK and/or Camberwell, UK, and/or London, UK) studied at Brighton University.

    Typefaces from 2020: Côte (2020: an elegant all caps geometric sans with various multiline styles).

    Typefaces from 2019: Block (beveled).

    Typefaces from 2017: Fixer (a free layered typeface in 3D, Display, Inline, Line, Outline and Regular styles).

    Typefaces from 2016: Porto, Empire.

    Typefaces from 2015: Rocket (bold sans), Boxer.

    Typefaces from 2014 include Figgy (formal monoline connected face), and Mongo.

    In 2013, he designed Telegram (piano key typeface), Quackers, Drunken Sailor, Victoria (a Victorian titling face), Chomp (comic book style typeface), Albert Sans and Slab (decorative), Iron, Butcher (a free thin stencil face), Liquor (free Victorian typeface), Axe (a free hexagonal typeface).

    Typefaces from 2012: the free monoline hand-drawn typeface Acorn, Bourbon (a free monoline sans), Tool Kit (dadaist), Obey (a free elliptical sans), Pathway (free), Thrice (a typeface made by using only three shapes), and Perspective (free).

    In 2011, he created an unnamed geometric typeface.

    Cargo Collective link. [Google] [MyFonts] [More]  ⦿

    William F. Capitain

    Punchcutter, b. 1851, Southgate, UK. Picture. In 1865, he went to Flinsch in Frankfurt to study punchcutting with William Kirkwood. Then he left for Chicago, and became American. His later work was done while he lived in Bayonne, New Jersey. His typefaces, often quite ornamental and/or Victorian, were all done at Marder, Luse & Co, except Adtype (+Italic) (1903, ATF), Lithograph Shaded (1914, ATF, with Morris Fuller Benton), an unnamed typeface patented by ATF in 1916, and Alfereta (ca. 1897, Crescent Type Foundry: Alfereta by Dan X. Solo is a digital revival). Google patent link.

    On Adtype, Mac McGrew writes: Adtype is a square-serif typeface patented in 1903 by W. F. Capitaine and introduced by ATF. An early example of this sort of square-serif letter, it is distinguished by its high-waisted R and unusual g. Compare Adstyle, John Hancock, Bold Antique, Contact Bold Condensed. Figures and some other characters are narrower in the Monotype cutting shown, which was produced about 1912. The italic is inclined an extreme 24 degrees. One of the revivals is Capitaine (2019, Letters from Sweden), which the Swedes descrive as a good-humoured slab serif.

    The Marder, Luse typefaces by date:

    • 1877: Parallel Shaded.
    • 1881: Ladies Hand Script.
    • 1885: Critic, Fancy Grotesque, Octagon, Pencillings.
    • 1886: Hiawatha, Parthenian, Roumanian, Spartan.
    • 1887: Georgian, Utopian [image].
    • 1888: Lithotint, Trinal 1, 2 and 3.
    • 1889: Banquet, Caxton Old Style, Caxton Italic.
    • 1890: Ebony. This typeface was revived in 2011 by Claude Pelletier as a free font.
    • 1891: Diagonal Card Black.
    • 1894: Caxton Old Style Bold.
    • 1895: Circular Gothic, Circular Italic.
    Patents of various typefaces in PDF format: 1885, 1885, 1885, 1886, 1886, 1886, 1887, 1889. [Google] [MyFonts] [More]  ⦿

    William Martin Johnson

    In 1903, William Martin Johnson published the beautiful Bulfinch Oldstyle at ATF. It was created for use in The Ladies' Home Journal (Curtis Publishing Company). Bulfinch was released for general sale to printers by ATF in 1905. Morris Fuller Benton helped in the production. Mac McGrew: Curtis specified a design devoid of oddity or freakishness, yet graceful and legible. Adjustments for practical foundry production were made by Morris F. Benton. Although it was used extensively as heads in their magazine, it was advertised to printers in general in 1905. Compare Meriontype. Bulfinch inspired Hernandez Bros (2021, by Daniel and Eli Hernandez). .

    He also created the (Victorian) Meriontype series for use in the same journal in 1905. ATF writes The requirements called for a composite modernization of popular oldstyle typefaces, retaining all of their desirable features, while eliminating those proven undesirable. It was further stipulated that the Meriontype letters must be interusable with the letters of Bulfinch, or sister series. McGrew adds: Some letters appear to be identical in the two series, others are similar, although the serifs of Meriontype are generally a little larger and more angular. The lowercase g of the latter typeface has the appearance of being reversed. Meriontype was revived by Nick Curtis in 2014 as Meriwether Circular NF. [Google] [MyFonts] [More]  ⦿

    William Miller
    [Miller&Richard]

    [MyFonts] [More]  ⦿

    William W. Jackson

    Prolific type designer, b. Camden, NJ, in 1847. He died in 1898 in Atlantic City, NJ. Many of his designs are late Victorian and art nouveau. As a punch cutter, engraver and type designer. He created typefaces for MacKellar, Smiths & Jordan, Barnhart Brothers & Spindler, Bruce Type Foundry, Central Type Foundry, Farmer Little & Co (later A.D. Farmer & Sons), Keystone Type Foundry, and ATF. His typefaces:

    • At A.D. Farmer&Son: Abbey No. 2 (ca. 1886), Flirt (ca. 1886), Horizontal Shaded (1883), Ivy Script, Law Hand (1883), Lockwood (1893), Stationers Script (before 1890).
    • At Keystone Type Foundry: Ancient Gothic (1891), Gothic Script (1891). Ancient Gothic was revived as Vasari NF (2011, Nick Curtis).
    • At MacKellar, Smiths&Jordan: Aquatint (1878), Cabalistic (1879), Cadmus (1887), Campanile (1879), Cimmerian (1882), Circular Script (1883), Cruickshank (1886: for a digital version, see Cruickshank ML (2012, Tom Wallace)), Eastlake (1879), Edson (1881), Fancy Gothic (1883), Fresco (1883), Graphic Text (1883), Jenson (1890), Kitcat or KitKat (1883), Koster Initials (1888), Medallic (1884), Mezzotype (1890), Monkish (1884), Myrtle Script (1885), Parsee (1888), Philadelphian Lining Gothic 6 (before 1896), Ripple Text (1878), Roundhead (1883; elsewhere we read that Roundhead is by Charles Beeler), Ruskin (1880), Title Black Shaded (1881), Typo (1891), Unique Celtic (1889). See also this art nouveau typeface from 1886, this script from 1883 and these ornaments from 1979. Other unnamed typefaces at MacKellar: 1878, 1883, 1879, 1882, 1883, 1883, 1888, 1890, 1879.
    • At Barnhart Brothers&Spindler: Grace Script (1889), Radial Italic (1885), Standard Script (1887), Umbra (1887). This famous shaded typeface has been copied tens of times. Umbra (1907) was revived by Nick Curtis as Shady Lady NF (2005). Monotype's Umbra is based on a later metal version by Ludlow though. List of digital typefaces based on Umbra.
    • At Bruce Type Foundry: Ornamented No. 515 (1876), Ornamented No. 1063 (1879), Ornamented No. 1547 (1875). Images of some typefaces at MacKellar: 1875, 1878.
    • At Dickinson Type Foundry: Phinney Script.
    • At Central Foundry: Steelplate Script (1888). Mac McGrew: Steelplate Script was advertised by ATF in 1907 as "equal to copperplate printing." It originated with Central Type Foundry in 1888. It is a very delicate traditional connected script, suggestive of nineteenth-century styles. The lowercase is quite small, but in 24-point there is an alternate lowercase font which is smaller yet. For digital revivals, see, e.g., Steelplate Script (2015, Gearwright). Geometric Condensed (with W.W. Jackson, 1882) was revived in 2014 by Robert Donona.

    Google patent link. Klingspor link. Another MyFonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

    Willie Ford
    [Lazy Dog Foundry (or: Franklin Type Founders)]

    [More]  ⦿

    Wilson Thomas

    Designer (aka Funk King, b. Fort Knox, KY) who lives in Orlando, FL, and/or Apopka, FL. He used FontStruct in 2008-2009 to make over 550 decorative fonts, and became one of the world's top experts on FontStruct, FontShop's on-line font editor. Most of his fonts were withdrawn in 2012. He did a few commercial typefaces at his commercial foundry, Funk King. His creations include

    • A Bit Eccentric.
    • Alphabots
    • Alphadings: Picnic Basket (2014), Rat Race (2014), Pod Invasion (2014), On Hangers (2012, a commercial series that includes Pants on Hangers, etc), Dog Tag, Black Bird, Easter Egg Dots, Ser Egghead T. handlebar, Ovoidotta (now called Sniff), Play Book, BuddhaBuddha, Swizzle Sticks, Computer Backplate, Milky Way, Sprout, Football, Clapboard (for movie makers), Teed Off, Book Stack, Speaker Box, Ant Farm, Sound and Vision, Speaker Grill, Tom Tom, Caged Type, Conga Lounge, Spinal, Add Van, Frostruct, Picket Fence, Regatta, Cranestruct, Impossible Alphabet, Igloo Village, Mortar Board, Jack, Marionette, Golden Gate (+Short, +Solid), Crossed, Eff U ("the finger"!), Tall Big Top, Jackpot, Skulls&Cross Bones Redux, Crosshairs, Drama Club, Good Day Sunshine, Butterfly, Steps and Windows, Heartbroken, O Christmas Tree, Christmas Lights, Candle, Supper Time (alphadings of plates), Sands of Time (alphadings of hour glasses), Fishbones (commercial since 2012), Handy (alphading with hands), Hang Ten (feet alphadings) and High Five (hand alphadings), Armade and Ghost Ship Armada (ship alphadings), Cut Here (stitching alphadings), Schematic (electric circuit alphading), Masquerade, Mortar Board, Gear Bits, Gearswork, Hi-Lo Gears, Gears, Resistor, Gear Shift, Castle, Castle with Flags, Antique Keys, Rounded Keys, Pods, Piano Keys (+Alt, +Correct), Framework, Dixieland Jazz, Spats, and City of New Orleans (the last three are alphdings based on the same Victorian alphabet), Saturn, Piggy Bank, Voodoo Doll, Dice, Fist Bump.
    • Antennas, Antennas Outline
    • Antiquity
    • Arcostellati, Arcostellato, Arcangolo, Arcontorno (2011): a blackletter family.
    • Architect, Ruled, Gridworks, Blueprint (Solid, Dashed), Quadular (+Serif), Isometric Modified (+Light, +Bold Outline), Isometric (a 3d gridded family: +Basic Latin, +Basic Latin Lite, +More Latin, +Bold, +Black).
    • Art deco: Arc Neuvo (rounded letters), Arc Nuevo (2012, commercial), Toneelschuur (based on the letterhead created for the Theatre Toneelschuur Haarlem), Shift (bold), Eye Spy (this says Peter Sellers), Mod Squad.
    • Atomic.
    • Avenue, Avenue Alphabet (white on black).
    • Badge
    • Ball And Chain (neat), Ball Bearings.
    • Balls and Bats
    • Banjo (2012).
    • Barber Shop
    • Barcoded
    • Basket
    • Beachwear (horizontally striped)
    • Beat Block, Beat Box.
    • Beatnik.
    • Beltway.
    • Birdseye
    • Birdsteps
    • Bitten
    • Blackletter: Abbey
    • Blanket Serif Caps, Blanket Sans Serif
    • Block Inline Block
    • Block Mosaic (great gridded letters)
    • Blockheads
    • Blood Sweat&Tears
    • Bolla Fratturato (2011): outlined blackletter face.
    • Bolt, Bolted
    • Bon Mots.
    • Break, Balance Beam, After Party (2010).
    • Bubble Zwrap (2010).
    • Build A Bridge
    • Buzz Kill
    • Cafe Fumante.
    • Carp Black, Carp Blanc
    • Caterpillar, Tall Caterpillar.
    • Cattails
    • Chain Gang, Krazy King
    • Channel
    • Check Mate (checkered flag font).
    • Cherry Bomb.
    • Chubby
    • Cinder Block (2010): a 3d typeface with texture thrown in.
    • Circuit Board Solid, Circuit Board Outline, Circuit Board Outline Numbers, Circuit Board Simple, Micro Clean, Microcircuitz, Circuit Board Simple, Schematode (2013).
    • Circus Maximus Outline
    • Cirquela (2012). a non-FontStruct font, this is his first hand-printed typeface.
    • Clean
    • Cobblestones
    • Code Hijack (2014).
    • Compass (+Plain)
    • Connected scripts: Cruise, Jet Cruise (2009), Notched Script (upright, connected), Rough Script (italic, connected), square Script (pixelish, connected).
    • Computer Backplate, Milky Way.
    • Contempole
    • Crimped Pincushion (2010).
    • Crispy Inline (classy)
    • Crooked Marker, Marker
    • Crop Circles
    • Crownbar.
    • Curls And Twirls
    • Cut Here
    • Daisies (nice rounded square letters with painted daisies)
    • Decoscriptic, Decoish.
    • Diamonds Are Forever, Liberty (dot amtrix fonts)
    • Didactic fonts: Back to School.
    • Digital, Digital Whimsy (gorgeous fonts in which the meat of the glyphs is made up of 0's and 1's), Digital Italics, Digital Non-italics.
    • Dingbats: Digital Biz Bitz (2012), Capitalist Pictograms (2012), Kapitalist Kit (2011), Weather System (2011), Twelve Days of Christmas (2010), Learning For Business (2010), Calder Symbols (2010), Mad Aliens (2010), FSEmoticons, Maven Pictograms, Temp (weather dings), Sports Wave, Bullet Arrows
    • Dinner at 8
    • Diode
    • Directional
    • Ditier Cycles (2010): a grunge version of J. Hughes's Dirt Cycles.
    • Disco Ball, Disco Salvation.
    • Doggie Tracks (2010).
    • Dollars and Cents.
    • Domestic Bliss (+Solid), Blissful Hearts (Valentine's Day alphadings).
    • Domino, Dominodot
    • Dot matrix fonts: Belly Button (2013), Fandangle (2013), Trace Remains (2013), Billiards (2013), Pome (2013), Cow Poke (2013), Rouletto (2014), Crawler (2014), Zephyrelli (2012), Yoyo (2012), Carousel (2011), Corsivo Punti (2011), Wisp (2011), Amusement (2011), Menagerie (2011), Junk (2011), Iphont (white on black dot matrix face), Lyrical (dot matrix script), Petits Pois, Elli, Industrial Magic, Wind Chime, Domestic Bliss (2010, +Serif, +Sans Serif), Ying Yang (2009)
    • Double Decker
    • Eau de Kerning.
    • Efficiency (2010).
    • Eiffel family: mechanical.
    • Electrifunkified (2013).
    • Emergency
    • eq Regular, eq Radio Waves, eq Tight.
    • Erector Set (2010).
    • Extension Cord
    • Fairy Tale (curly)
    • Fantastic
    • Fast Cars, Fast Lane, Fast Forward
    • Fifty Famous Fairy Tales (bi-lined and bejeweled)
    • Flair Ornate, Flaired Script, Flair, Flaired
    • Floor Plan
    • Flash (gridded face)
    • Folk Art (wooden plank simulation)
    • Font Troll
    • Fractal, Wireframe, Hemisphere, Origami (now Mummification): experiments in glyph partitioning.
    • Funk, Funky palms
    • Gancio (2014). Hand-drawn.
    • Gemstone (letters in a mosaic)
    • Glyphs made from broken objects: Broken Combs, Broken Glasses
    • GI Joe
    • Grain
    • Graphont
    • Grid1, Grid2, Pas De Grille Pli Isométrique (+Plombé), Grille Noir Pli Isométrique (+Plombé), Grille Intrépide Pli Isométrique (+Plombé), Grille Facile Pli Isométrique (+Plombé).
    • Grunge typefaces: Feather (2010).
    • Gummy (2010).
    • Happily Ever After (2010).
    • Heath Robinson (gorgeous mechanical font).
    • Hexcavated (2010).
    • High Anxiety.
    • High Wire (dotted).
    • Honeycomb Black (hexagonal).
    • Horizontally Phased (like IBM logo from afar), Vertically Phased, Field Goal.
    • Hot Diggity Dog (2010): a monoline rounded sans.
    • Void.
    • Inline: Hi-Fi Deco, Track (+Filled), Crispy Inline
    • Imperfect Optical Experiment.
    • Ironside, Ironworks.
    • Isomixed (+Inline, +Inverted, +Light, +Inline Light), Isomixerd Moire (nine textured styles).
    • Jacks (2010): a stitching font.
    • Jeannie
    • Jelly Bean series: I's, Wide, O's, Split
    • Jetsons (futuristic).
    • Jolly Swash 9+Tall, +Tall Wide Tail).
    • Kaleidoscope, Kaleidoscope Solid
    • Kitchen tile typefaces: MadisonAveAvenue (2010), Edgar Fernhout (2012).
    • Lace
    • Ladder
    • Last Days Of Summer, Endless Summer, Beach.
    • Lattice, Lattice Black
    • Lean
    • Leaves
    • l-e-display
    • Little Miss Muffet.
    • Loom.
    • Love, Love Letters
    • Martini
    • Metroliner and Metroliner Deluxe.
    • MICR fonts: Wedge Solid.
    • Mike
    • Mitered, Zietgeist: striped 3d typefaces.
    • Modal.
    • Modern Ancient (chiseled font imitation)
    • Molecular (+Complex, +Complex 1), Dense Molecular Complex (1 through 5), Molecular Architecture, Tessellation 1 (+Continuous), Tessellation 2.
    • Monkey Bars.
    • Montreal (+Italics)
    • Monumental, Less Monumental,
    • Mortar Booted (+Thick, Separated, Mission, Booted Mission).
    • Mouthy
    • Music fonts: Fret Full (2010), Fret Station (2010).
    • MyBlock
    • Mystere (2012, grunge).
    • Necklace
    • Ninja.
    • Oblique
    • Octovision Remix
    • Open&Shuttered Day, Open&Shuttered Night
    • Oriental simulation/look: Shoji Pixel, Shoji Stage&Screen Soapbox, Chinese Democracy, Asian Influence.
    • Origami City (2010): formerly Simply Elevated Black. Simple Elevation (2012) is in the same family.
    • Outline Habitat
    • Ozmosis (2014), Ozian (2014), Cardinal (2014), Emblem (2014), Oblio (2014), Hollow Branch (2014)
    • Pallina (2010, + Stampino, +Diluente).
    • Palm, Tall Palm
    • Paperclip typefaces: Neue Werner Paperclip (2012).
    • Patterns
    • Pavers
    • Piccadilly (2010).
    • Pipes
    • Pisa.
    • Pixel Dust, Pixels Dusted, Zogg Domination (video game font)
    • Plaid
    • Pop Arc (2010). In the same style: Conveyor Belt, Milk Bottle, Cookie Cutter, Erector Set (2010).
    • Popsicle Sticks (nice vertically striped glyphs).
    • Playbook (2010).
    • Power Grid, Power Gridlocked
    • Process This (2010) and Flowcahrt (2010): based on graphs of computer programs.
    • Pump Boys (2010).
    • Puzzle
    • Quagmire (2010)
    • Radio Waves
    • Razorback Block
    • Receipt (2012): a dot matrix face.
    • Regular Habitat
    • Relativity
    • Remixintag (2011, a clone of Wallachia by Intaglio).
    • Repeat
    • Ribbodini (2010, ribbon font).
    • Riveted
    • Road Trip
    • Sausalito Nautica (2011).
    • Say What? (Exaggerated ink trap face)
    • Scaffoldini (2010): a 3d gridded face. Followed by Scaffo (2012), Scaffoldini Senza Griglia (2010), Scaffoldini Ascendente Contrario SG, Scaffoldini Ascendente Senza Griglia, Scaffoldini Contrario Senza Griglia, Scaffoldini Ascendente, Scaffoldini Contrario, and Scaffoldini Ascendente Contrario, Scaffoldini Prospettico (+Contrario, +SG).
    • Scichosis.
    • Scripts: Diode (+Dioded, Diodoubled, Diodocked, Diodedocked, Diodiced), Scherzando, Fontstitution, Rough Script, Scriptilicious, Whipped Cream, 45 Degrees, Script Town (2013), Aloha (2013), Sinal Strength (2013), Ink Well (2013).
    • Skulls, Skully
    • Slice N dice
    • Skyscraper.
    • Small Wonder, Small World
    • Snowflake (2010).
    • Soap.
    • Sole
    • Soma (2009): 3d letters mades from cubes.
    • Spooky Eyeballs (2009).
    • Squiggles
    • Stained Glass, Stained with Cross
    • Starburst
    • Stencil fonts: GI Joe (2012, military), Kid's Stencil (white on black), Black Tie, Matchstick, Stensei, Stencillated, Tri-Fold, Tri-Fold Cut, Tri-Fold Rounded, Stencil, Stencil Plate, Stencil Face, Semi Stencil, Psuedo Stencil, Psychedelic Stencil.
    • Stitching fonts: Cross Worded (2013), Cut Here (2014), Sampler
    • T-Shirts on a Clothesline
    • Swamp Frog and Tadpole: artsy fat letters
    • Swamp Funk, Mojo (curly letters)
    • Swatches.
    • Tabular
    • Tall Habitat
    • Techno look: Technified, Slick, Tangential (2010).
    • Tanqueray (2010): octagonal face.
    • Teepee (wood look)
    • Tennis themed: Racket, Net Ball, World Cup.
    • Tetrominoes Black (2010): a 3d typeface cloned from TP2 Marriott's Tetrominoes.
    • Textile
    • Texture fonts: Global (2011, globes), SS Half Tone (One, Two, Three), SS Watermark, SS Silk Screen (2010). These brush texture typefaces were cloned from Swifted Strokes by Mike Lee. Tramarada (2011) has a stunning woven look.
    • Thalistic.
    • The Adventure of the Dancing Men (2011, dingbats).
    • The Big Top
    • The Real McCoy
    • Tiki.
    • Time
    • Timpani, Timpaniless, Timpaniblok, Alien Crop Circles (outer space face).
    • Toothpaste (2011): imitating oozing toothpaste.
    • Trapezoidot, Zoidot, Dotz (dotted typefaces).
    • Upright connected scripts: Madie (2009)
    • Valentine's fonts: Hearts and Flowers, Hearts and Arrows, Keys to your Heart, Bed of Hearts
    • Vapors and Mirage: evaporating glyphs.
    • Vibration (2010). This multiline typeface was followed by Echo (2010).
    • Victorian fonts: Alouette, Swamp Funk
    • Void.
    • Waveform
    • WPA Household Arts Stripes, WPA Household Arts Chex, WPA Household Arts (poster stencil face)
    • Wee The People, Small World.
    • Werner Paperclip (2009), Paperclip (2010): paperclip typefaces after a 1974 original by Ad Werner.
    • Western fonts: Bolo (2010), Bow Tie (2010), Bowl (2010), Western Doodle, Sparky, Buckaroo, Diamond Buckaroo, Saloon and Desert Rose. Western style alphadings: Cart Before The Horse, Wagon Train
    • Weird
    • White on black typefaces: Tabs, Dot Keys, Rounded Keys, Block Keys, Keys.
    • Wiggles
    • Wim Crouwel-related fonts: Unknown Crouwel #1, Edgar Fernhout (2012: a Wim Crouwel tribute font in kitchen tile style taken from a 1963 poster), Kalender 1976 Letters (octagonal based on a Wim Crouwel calendar from 1976), Kalender 1976, Brusselmans (based on a Wim Crouwel poster), Rabobank (based on a Wim Crouwel poster), Brabant (based on a Wim Crouwel poster)
    • Woodcut, Woodcut Recut, Woodcut Banjo.
    • Woven.
    • Wrenched
    • Yay Team
    • Zebeast (Zebra-striped letters)
    • Zodiac Block

    In 2012, he added these fonts at MyFonts: Architect, Black Tie, Carousel, Check Mate, Cobblestones, Cruise, Dog Tag, Edgar Fernhout (2012), Fifty Famous Fairy Tales, Fratturato Digitale (pixelish blackletter face), Ghost Town, Jackpot, Jelly Bean, Keyboard, Kingdom (a castle font), Lagniappe (Victorian), Lyrical, Madie, Matchstick, Menagerie, Q Typ, Scaffo, Sprinkle, Stained Glass, Stencillated, Stensei (stencil), Sweet Valley, Toothpaste, Vibration MF, Yoyo, Zephyrelli.

    Typefaces from 2013 (no longer freely downloadable!): Pome (dot matrix), Cow Poke (dot matrix), Sausalito Nautica, Cut Here (stitching typeface), Belly Button (dot matrix face), Rouletto (bejeweled typeface), Picnic Basket (alphadings), Fandangle (dot matrix), Trace Remains (dot matrix), Billiards (dot matrix), Cross Worded, Script Town, Schematode (connect-the-dots), Electrifunkified, Aloha, Signal Strength, Ink Well, Satellite, Supper Time (alphadings), Mike (alphadings), Licorice, Conga Lounge OF, Monkey Bars, Daisies, Fractal OF (textured face), Saloon OF, Ball and Chain, Say What.

    Typefaces from 2014: the multilined or inline typefaces Ozmosis, Ozian, Cardinal, Hollow Branch, Emblem, and Oblio. The alphading typefaces Rat Race and Picnic Basket. The pearly dot matrix typeface Rouletto and Crawler. The video game typefaces Pod Invasion and Zogg Domination. The stitching typeface Cut Here. The pixelized typeface Code Hijack.

    Klingspor link. Dafont link. Fontspace link. Additional URL. Myfonts link. MyFonts foundry link.

    View Wilson Thomas's commercial typefaces. [Google] [MyFonts] [More]  ⦿

    Winston Type Co.
    [D. Sandi Sjahputra]

    Aka Sandi Dez. Designer (b. 1985) based in Bandung, Indonesia. Creator of the free vintage spurred decorative blackletter typeface WT Bradford (2018), which includes Inline and Press styles. Winston also designed the vintage display typeface family WT Kingsbury (2018).

    In 2019, Winston Type Co published the distinguished early art deco typeface WT Bellochero, the Tuscan circus font WT Scotch, and the great formal calligraphic typeface WT Hilton Script. [Google] [MyFonts] [More]  ⦿

    Wnprh Collective

    Indonesian designers of the urban script typefaces Dianjuli (2015, splattered, oily and rusty, by Aliv Pandu) and Wanih (2015) and the spurred typefaces Realitium (2015, by Aliv Pandu) and Logawa (2015).

    Typefaces from 2016: Besttalia Script, Southamton (sic) (vintage script), Merdeka, Westerous.

    Typefaces from 2017: Marhaban (signage script). Creative Market link. [Google] [More]  ⦿

    Woodcutter Manero
    [Jordi Manero Pascual]

    Prolific Barcelona-based type designer. He started out by creating the counterless hand-printed typefaces Woodcutter Dripping Nightmare (2012) and Woodcutter MMXII (2012).

    In 2013, he created Gothic Winter (snow-capped blackletter), Woodcutter Anonymous (ransom note font; +part2, 2014), The Shining (movie scanbats), Woodcutter Optical Army (op-art), Viking Runes Shields, Fresh Blood, Pig Rules, Pole Dance, Music+Party, Asian Food, Deers (sic), Woodcutter Amor de Madre (curly tattoo font), Tattoo Vieja Escuela 1, 2 and 3, Origami (animal dingbats), Vintage Motorcycle Club (scanbats), Vintage Christmas (dingbats), Terry Richardson World (scanbats), Woodcutter Wire Fence, Woodcutter Points (textured face), Made in Spain 4, I Love 80s (dings), Drugs (drug paraphernalia dings), Barber Shop (dingbats), Woodcutter del Reves, Adventure Time, New York New York (1 and 2), Woodcutter Dripping Classic, Woodcutter Tinta China (ink splatter font), Woodcutter Cross, Nightmare on Social Media, Breaking Bad (scanbats), Fight Club (boxing scanbats), Boligrafo (sketched font), Robots, Luxury Brands, Woodcutter Buena Lettra, Barcelona (scanbats), Devoto (religious dingbats), Joker (dingbats), Woodcutter Typewritter (sic), Banksy (scanbats), Made in Spain 1, 2 and 3 (company logos), Animal City (funny dingbats), LSD Junior (a scary alphading font), Woodcutter Army (army stencil), Woodcutter El Día De Todos Los Santos (Mexican dingbats), Woodcutter Summer Shadows, and the monster dingbat typeface Woodcutter El Dia del Juicio. Still in 2013, he designed Woodcutter Black Square, DaPunk, Woodcutter Pollita Alegre (a penis font), Woodcutter Hungry Pig, and Woodcutter Hand Light.

    Typefaces from 2014: Hospital Icons, Woodcutter Rare Drawings, Headache, Irresistible (rounded sans), Doctor Garcia (textured), Violence, Hipster Icons, Saint Valentine's Day, Mister Manson, Casino (dingbats), Christian Icons, Christmas Icons, Hermes Manero, Beauty (dingbats), Art Icons & Tools, Clouds Mix, Malamadre (grunge), Offset Punk, Manos de Cerdo, Hotel Oriental, Basic Trip, Popeye (scanbats), Viva la Fiesta (flag alphadings), Street Stencil, Supermarket, Ebola Font, Vintage Halloween, Motel Imperial, Clothes, The Second World War (army stencil), Tahs On A Rope, Penis (dingbats), Regular Show (dingbats), Parkinsonism, The 70 Greatest Directors of All Time (scanbats), Smartphone (alphadings), Dripping, Chaos in Wisconsin, Saturno, Gym (dingbats), Angie, Antique Book, Black Rodeo, Gutierrez+, Matias-Font, Viejo-Oeste, Woodcutter-Prison-Tattoo, old+sailor, Italian Revolution, Kid Nightmare, Anderson (rough stencil), Manero (scratchy script), Tecno-Chaos (dot matrix font), Neverland, Martian Font, Radical Block, Woodcutter Delicada, Bon Appetit, Termica, Kandinsky, Hotel Paradiso, Seven Arts, Street Icons, Militaria (dingbats), Undergramo (poster font), Woodcutter Avispa, Fuego Fatuo, Other Space, Electrica Sals, Woodcutter Dramatica, Cocinitas (cooking dingbats), Bad Mother Fucker, Quentin Tarantino (scanbats), El Extraño, Fine Disorder, Woodcutter BCN Style (dripping blood font), Woodcutter Virus, Efectiva, Mogambo (fat brush), Duck Tape, Warriors, Cutre Glam, Woodcutter Sutill Shadow, Woodcutter Future, Rage, Woodcutter Negative, Manolo, Vegetables, Woodcutter Storm (lightning texture), Woodcutter Rare Drawings, Rustic Heavy Metal, Grass, Virgin Mary (scanbats), Laurus Nobilis (wreaths), Mister Bambu, Woodcutter Barcode, Conquest, Multimedia Icons, Preschool, Cursors, Woodcutter Kaos, Woodcutter Lines, Ukraine (constructivist), Meccano, Woodcutter Simple Font, Crux (crucifixes), Dolores (3d), Eyes, MoneyMoneyMoney, Made in Spain 5, Barcelona Mon Amour, New Society (a 3d shadow face), Federico (a hand-printed shadow typeface), Aranea (spider dings), Fifth Avenue (art deco), Beware of Pitbull, Dictators (scanbats), Woodcutter Vintage Cartoon, The American (textured face), Woodcutter Mixed Icons, Apple Japanese Keyboard, Vintage Classics Disney, Carnage College (blood splatter font), Vintage Porn (scanbats), Woodcutter Fontana (textured caps), Woodcutter Mixed Icons, Woodcutter Jet Set, Woodcutter Gothic Drama (blackletter), Woodcutter Relieve, Mixed Icons Vol. 1, Woodcutter Electric, Woodcutter Cloth, Street Style (graffiti font), Gothic Punk, Human Body Parts, Dirty Harry, Woodcutter Fine Sketch, Woodcutter Invisible, Miley Cyrus (scanbats), Old Guard, Circus and Fair, Comic Cover, Woodcutter Gigantismo, Clockwork Orange (scanbats), Dosmilcatorce, The Walking Dead (scanbats).

    Typefaces from 2015: Rude High School, Imprenta Gonzales (white on black), Estrategia (textured style), Monkey Business, Venganza (dripping blood font), Woodcutter Executive, Left Hand Comic (textured), Dirty News, Gorilla BCN (a great handcrafted athletic lettering typeface), Neo Protein (bio-grunge), Barrio-Santo (graffiti style), Periodic-Table-of-Elements, TerrorToons, Vanilla-Candy, Baseball-Icons, Boots, Fine-Homage, Jesus-Christ (religious icons), Lock, Meredith (texturted typeface), Neo-Victorian, Old-Europe (soft blackletter), White-Army (military stencil), HeadWear, Oil-Icons, Pollito-Peligroso (white-on-black letters), Taxi, The-Dentist, Planeta Zero (white-on-black letters), Cronenberg, Hell Bar, Horror Poster, Big Gipsy Bro, Peccatum (bloo drip font), Tempus Fugit (grunge), Indiana State (a great shaded titling face), DJ Icons, Gentleman Icons, Dope Crisis (textured), Bad Quality, Love and Hate, Smoking (dingbats), Phantom of the Opera (dripping blood font), Video Games (dingbats), Beauty Initials, Knife, Ciudad Capital, System Error (dot matrix font), Rejilla (gridded font), Punk Survival, Watches, Barrio Chino (grungy typeface), Delayed (dot matrix font), Impertinencia, Ecology, Anchor, Comic Sandchez, Beard, Globe Icons, Jalisco Company (handcrafted 3d typeface), Summer Icons, New Art Deco (textured art nouveau typeface), Gordita Alegre, Banned World, Pixel Chaos, Dirty Grunge, Metal Curvy, Jazz Club, One Percent, Profile, Scoreboard, Sentencia, The Octopus (silhouettes of octopi), New Sailor (tattoo script), Cleaner, Bear Icons, Woodcutter Trama, Manolete (wavy font), Skully (alphadings), Big Designer, Vintage Punk (white on black), Streets of Fire (textured), Nordica, Belle Epoque (art deco), Bakery, The Worlds Best Logos, Special Unit (textured typeface), Manifesto, Shooter, Woodcutter Carnage, Black Rain (sketched), Soft Addiction, Digital Camera Symbols, Surf, Tailoring, Palo Santo, Morbida (rounded athletic letters), Fine Shadows, The Woodcutter (dings), Experimento (textured typeface), Seven Sisters, Senior Citizen (dingbats), Hotel California, Woodcutter Hand 2015, Fire Department (scanbats), Dolor de Muelas [toothache], Hamburger, Vintage Mixed Vol 1 and 2, Torremolinos, Ol Torero (bullfight scanbats), Formula 1 (scanbats), Presidents of the United States of America, Furure Blood (dripping blood typeface), Wild West Icons, Maravillosos, Territorio (textured display face), Forced Flowers, Black Hole, The Death, Extra Fat (comic book font), Cristobal, Cirilico, Fuck Off (a very useful raised middle finger font), Mexican Skull (the best Mexican skull font anywhere), Old Nuremberg, Maria Dolores, China, Street College, Rodriguez, Tourism, Community, Oklahoma (varsity font), Smartphone Icons, Science Icons, Horse, Greek Mythology, Persiana (a Venetian blind font), Alcohol, Whatsap Emoticons, Library (possibly the best library icon font today), Candelita, Remember Me, Flamenco, Universidad 2015 (athletic lettering), Sneakers, Fire, Industrial Worker, Europe, Abstemious, Police, School, Paris, Savage Empire, Nautical (dingbats), Crusader (dingbats), Woodcutter MMXV, Rats, Monster Mash, 5th Avenue Stencil, Baby Icons, New Space, City Icons, Diamonds, Punkland, Temblores, Puttana Antique, Human Anatomy (dingbats), Guerra Santa, Winter Icons, Farm, NeoWriter, Russia.

    Typefaces from 2016: Woodcutter People Faces, Ear, Codociosa (grungy), Viking Hell, Simple Myopia (textured, halftone style), Bulbs, Emblem, Vegan Icons, Fleur de Lis, Pregnancy, Harley Davidson, Window, Owl, Native American Indians, The Toy Castle, Aristogramos Chernow, Mediogramo (monogram font), Yes Darling, Dilema Emocional (white on black), Original 301 (draftsman style), Emperador Oscuro (scribbly), Vespa (scanbats), Fine-Sheriff, Hard-Western, Olivia-Garcia (brush script), Woodcutter-Rude-Press (a great handcrafted poster typeface), Printing, Disabled Icons, Golf Icons, Electric Guitar Icons, Airport-Icons, Prudencia (pixel style), Rude-Basic, Stencil-Guerrilla, Tramita-club, Drone, Garden Icons, Feminine Hygiene, Psycho Dad, Intransigencia (textured), Fat Food Icons, Torrebruno, Home Appliances, La Pecosa (textured), Gyn Toons, Insect Icons, Bomb, Special Forces, Business, Irish, Female Underwear, Zombie Salad, Isometric Love, Dinastia (textured), Fireworks, Happy Birthday, Snake Mix, US Election, Spectrum, Extreme Simple, Drunk Sailor (tattoo font), Mountain (dingbats), Cafe Madrid (white on black), Celebration, Rabbit, Rude College, Words, Wingding Review, Transilvania (blood drip font), Tattoo Museum, El Arropeiro (dry brush font), TV (scanbats), Western Dead, Star Wuarras, File Types, Industrial Poison (grunge), Future War, Masacre Digital, Senor Domingo (grungy), Workout Routine (dingbats), Gipsy Bar, Finegrams (ornamental caps, monogram font), Diving (dingbats), Extupida, Dictadura, Euro Estilazo, Cul de Sac, Lions, Woodcutter Olla Barrejada, Cocaine, Monogramos, Gobierno (rounded sans), Maldita Comebolsas, Macho (spurred style), Eagle (great eagle-themed dingbats for East European coup d'etats ca. 1880), Fuck Love, Woodcutter Rocks (white on black), England (dingbats), Mechanic (garage mechanic dingbats), Rodaja (script), Le Petit Chaos, Old Deutschland (blackletter), Mister George, Cloud Candy, Ceporro, Old School Toons, Big Drama (fat poster style), Serial Font, Hotel Madriz, Lady Fiesta, Punk Army, Enfermo Rules, The Laguna, Casa Camaron, Mister Muerte (dripping blood font).

    Typefaces from 2017: Sea Life, Sushi Sushi, Destruccion, The Barrio Caps (blackletter for gangs), Prehistoric Paintings, Sumo, Hot Air Balloons, Woodcutter Self-Portraits, Manero Universe (grune), Digital Dark Sister (LED font), New Watch (LED style), Free Biker (spurred tattoo font), The King, Canada, Super Hero, Target Shooting, Smokeland, Rabia Absoluta, Infringement, Gifts Icons, Sprinkled (textured), Miopia Internacional, Chupapollas, Orientalismus (oriental emulation), Technopollas, Doctor Punk (ransom note font), Global Terror, Bananas Social Club, Wedding, Coffee Icons, Archeology, Graffiti Tags, Maquina de Escribir (old typewriter font), Little Candy Shop, Madre Superiora (script), Territorial, Diogenes, Cyber Tittle, Pain Explosion, Panchito Style, Lightning Bolt, Pixeland, Club Seven Espadas, Chandelier, Computer Mouse, Restroom, Wash Care, Hell Circus, Extraterrestre, Pix Punk, Lamp, Pizza, Pirate Style, Vacaciones, Hecatombe, Fuente Manerismo, La Cucaracha (white on black), Plastic Surgery, Mafia Mix, Dirty Classic Machine (old typewriter), Woodcutter Noise, Cokelines, Simple Cream, Vintage Poison, Lighter Icons, Pacific Break, Maldito Gringo, Bazar Costa, Doctor Satan (dripping blood font), Caja Fuerte (textured stencil typeface), Saint Peter (brush script), Bela-Lisboa, Ear, Future-Socialism (constructivist), Poop, Retro-Toons, Tattoo-Pro-Icons, Victorian-Gang, Woodcutter-Justice, Writing, Amusement-Park, Linoleum, Funny Barber (shaded), Decadence, Victorian Gang, Depalma (spurred sans), Bela Lisboa.

    Typefaces from 2018: La Gilda, Portugal Vintage, Call to Huesi, Wood Xmas, Black Empire (a fancy blackletter), Benedicto (a textured all caps typeface), Pixel Icons, Hysterical, Cadalso 74 (grunge), Gramitos, Negroni Chaos, Carajillo de Anis, Hail Disney, Pen Icons, Neo Spain (a glitch font), Adolfito, Anesthesia, Don Pasquale, The Imperial, Juanita Banana, Sovereignty, Bloody Winter (dripping blood font), Drunk College, Sunset Boulevard (shadow font), Miss Order (3d effect font), Burning Manero, Dirty War (a grungy military stencil), Press Division (a shadow font), Fight Team 18, Time To Dead (grunge), Woodcutter Clasica, La Nueva Vieja Escuela (a paint drip font), Woodcutter Animal Faces, Crochet (a softly spurred typeface), Marshal Manero, Nou Barris Bcn, Bad Things (a dripping blood font), Biker Vamp, Insuperable, Pain Shop, El Monstruo del Raval, Arabesque Ornaments, Fans, Tarraco City, Woodcutter Basic Viking (rune simulation), The Hurraca Company, Broken Press, Carnage 1974 (a dripping blood font), Manicomio Woodcutter (a very funny comic book style dingbat font), Amor (spurred), Rompetechos, Electric Punk, Happy Square, Bad Signal (a glitch font), Funny Death, Fresh Nieve (paint drip font), Rota en mil Pedazos (a glitch font), Perra Gorda, Goma de Mascar (a bubblegum font), Mister Love, La Deco Klan, Glitchland, Hackerchaos, Vicious Stencil, Hippie (dings), Skate (dingbats), Dinosaur Icons, Mastodontus, Alphaletras, Torito Style (a woven font), Problems in Wisconsin, Alarma Social, Rue Mademoiselle, Tree Icons, Go Go Sports, Rage Against Mom, Hell Kitchen, Black Order, Black Trident, Sale, War Times (dingbats), Ice Cream Icons, Bastardo, Titi Yayo Rules, Jailbreak, Britannia (blackletter), Venenosa (grungy letterpress), The Gallery (3d, sketched), El Puto Amo, Finolis, Lovegramos (monogram font), Smartwatch, Interferencias (glitch font), Hostage (ransom note font), Miss Antonia (grungy caps), Bocadilla de Mortelada, Bitcoin, Car Parts, Celtic Knots, Cock (rooster dingbats), Dubious Reputation, Funny Chaos, Garage Imperio (shaded, vintage), Geometriarquia (archeological stone font), Good Morning, Graphic Design (dings), Hard Core, HoldFast (spurred), MacizoCompany, Milk, New Gang (garage dingbats), Ninja and Samurai, PhayaThai (Thai emulation), Robotic Arm, Rotunda, Social Media Circled, Stone Block, Unicorn, Victorious (Victorian), Gypsyland, Modernist Chaos, Rata Negra, MMA Champ, Love Initials, Doctor Glitch, Mad College, E-Commerce (dingbats), Sheriff (dingbats), Outline Mix, Stencil Icons, Fairy Tales (dingbats), Alfabetizacion, Night Fever Again, Jodido & Noble, Woodcutter Oligarquia, Screwdriver, Baroque Explosion, Seville Kid, Huesitos, Hanging Party, Brave Grams, Tower of London (outlined, Tuscan), Quintanar de la Orden, Punk West, El Forastero, The Enemigo (ink splash font), El Camino, Finisterre (thin sans).

    Typefaces from 2019: Ho Chi Minh City, Retro Team, Brushland, Stamp Empire, The Drama Army (an irregular military stencil), Space Grunge, Disturbed (a glitch font), Dead Corporation, El Tito Adolfo (textured), Dirty Deco, Mister Black, Grunge Manifesto, Dark College, Indian casino (a striped Far West font), Heil West (Tuscan), Bonesitos (a bone font), Bad Santa Company, Felipe Segundo, Vanity Garden, Rough Blacky, Rough City (textured, weathered caps), California, Canarias, Chernobyl (weathered), Beauty Bee (an inky script), Chain Style (a bike chain font), Spaniard Soldier, The Matadero (a slimey font), Lapicero, The Minima, House Icons, La Distinguida, Fuente Jalisco, Cordoba, Extreme Glitch, Simulacro, Dies Irae Saloon, El Hispano (decorative Tuscan capitals), Senorita Esmeralda (Tuscan; white on black), Easy Listening, Cool Chaos, Guarrilla, Big Dealer (a grungy poster typeface), Lord British (decorative caps), Cantina Jalisco (Tuscan), Disco Paradiso (brush font), Dark Metal Institute, Asteroide, Bloody Office (dripping blood font), Los Chapters, Home Entertainment, Witch, Cemetery King (dripping blood font), Steel Soldier (a military stencil), Estreno (a dot matrix font), Cat Faces, Gears Icons, Flower Icons, Hardcore Poster, Northern Army (a military stencil), Casimiro, Pantano Gipsy (sic), Zodiac Mix, Insane Empire, Break Summer, Wood Hell Company, Merluza Company (a grungy typeface), Metalurgia Sexual, Aztec Icons, Cemetery Picnic, Pantano Thing, Falange Punk, Jupiter Team, Breakdance, Origaminator, Gothic Gotera, Friday 14, Wifi Icons, Parque del Buen Retiro, Bato Todo El Rato (a graffiti font), Neo Nacional (a shadow font), Capitan Morgan (a Tuscan pirate font), Habitacion 37, Santa Monica (a shadow font), Casino Bar (shaded font), El Boxeador, Attack the Block, Sister Ant, Hard Tree, Another Round, Charcuteria, Thor Gonzalez, Crappy Town (grungy), European War (eroded military stencil), Rock of Times (3d), Crazy Saigon (shaded), Diamondgrams (monograms), Humanoide 2014 (a dripping blood font), Cheddar Cheese (weathered type), Alberto ha Vuelto, Sweet Cake, Cortocircuito (a glitch font), Potorro Angular, Hijo Puta Peligroso (a 3d shadow font), Constitution, Mastodonte, Street Reich, Hispania Manero, Pureta, Pandora, Spray Letters, Roca de Escama, Fat Mom Rules, Thespian, Stencil Time, Isometria Club (3d), Meteoritox, Cinema Capitol, Barna Break, Scratch Night Team, The Estampada, Afterhours, B-Team, Caballito, Ampersand, Gothic Manus, Espana (spurred, Western), Circus Manerus (Tuscan circus font), Hood Army Stencil, Negative System, Positive System, Pagan Symbols, Andy Capp, American Sign Language, Tiki Idols, Greek Column, Maze, Euro Western, Speed Grams, Tiki Tako, Burgos City (waethered caps), The Company (inline caps), Waste Money (a striped money font), Speedy Retro (a circus font), La Rapidita (a speed emulation font), Chill-out Gang, Resistance (grunge), Normandy Squad (condensed military stencil), Last Round, Tecno Extrema, Madrid Grunge, Escabetxina, Face To Sun, Sailor Gonzalez (a tattoo font), Times Now (a codex font), Sergi Tete, Orgasm Co.

    Typefaces from 2020: Pocket Change, Basura Humana, Korean Icons, Construction Icons, Cowboy Manero (handcrafted, Western), National College, Big Junkie Joe, New World Order, Le Club Parisien, Hardcore Attitude (grungy), Orchestra Icons, Soccer Icons, Tennis, Billiard, Startup Icons, The Fortune, Imperator, La Ramera de Barcelona, The North Hell, Soccer Team, Traditional Punk (a ransom note font), Seismo Club (a glitch font), Ugly, Pistolas, Thailand Icons, Renderland (beveled), Traditional Tattoo Parlour, Retro Computer (halftone font), Vintage Glitch, Torquemada in da house, Louisiana Biker Shop, Le Casino Royale (vintage caps, almost Tuscan), Property of Thor, Los Angeles MMXX (a dripping blood blackletter), American Dreamer (a circus font), American Signs, Back To The Fantasy, Badass Draws, Ballooning, Barcelona Streets (a dripping paint font), Battle of Gettysburg, Bisturi Night Club (a marquee font), Born To be Strong (grungy), Bourbon Whiskey, Century Manero (blackletter), Crunch Motel, Decorative Stencil, Drunk Company, Fat Enterprise, Fellini Club, Gameboard, Gorilla Team, Grandma Rules (a stitching font), Grindcore Records (a scratchy font), Hygiene Icons, La Cebadita, Laia the Great Blondie, Latino Heart, Mass Hysteria, Neo Metropolis, Old Celtiberian (blackletter), Oscuro Club (a heavy grungy brush font), Pandemic&co, Poster Queen, Retro Killer (splattered blood font), Saint-Tropez, Sangre y Arena, Se Esta Lianado, Skate Brand (grungy), Spanish Nightmare (a glitch font), The Happy Bear, The Poster King (grungy), Trabello, Trapeze Artist, Western Samurai, City of Brussels, Daddy Ink (a dripping blood font), Conflictive, Albacete Team, Ornaments Salad, Strong Brain, Hand Shadows Icons, Hello Kitty, Bunker Lowercase (a blackletter), LSD Glitch, Rounder Dirty Team, Ole Torrero, Doctor Terror, Hello Chilly (a glitch font), Donuts Icons, Candy Icons, Holy Bible, Old Japanese, Gothic Notausgang, Adventure Magazine, Nordic Thunder, Black Metal, Franco Bros, Saigon Hotel, Piratas, English Bulldog, Mount Olympus (stone cut Greek emulation), Recreativos, Coronavirus, Dirty And Elegant (grungy), 18 Army (an army stencil), Dirty Streets (grungy), Dark Citizen (grungy), Wild Spain, Marbella, Woodcutter People Faces Vol2, Hawaiian Icons, Vietnam, Maps of USA, Comandante Glitch, Planets, Documenta (a shadow font), Ghetto Bros, Charnego (a wooden plank font), Westfalia (a blackletter), Oi!oi!oi! Party (a ransom note font), Bad Gringo (Tuscan), La Formalita, Sabandija Asquerosa, Woman Faces, Dark Tales, Model Woman Silhouettes, Super Impacto, Adolfo's Punk Restuarant, Virginia, Henry McCarty (a grungy western font), Neo Euskal Herria (a Basque font), Heartbreaking, Battery Icons, Space Rangers, Terremoto, La Distorsionada (a glitch font), New York Press (textured ultra fat caps).

    Typefaces from 2021: Retro Grunge West, The Bandido (spurred), Casino Madrid, Rosita's Dinner, Mom's Gang (a grungy slab serif), Las Brigadas (a military stencil), Typewriter Grunge, Fire Safety Icons, Zodiac Killer Code, Hearts Salad, American Offset (a halftone texture font) Schizoid Personality, Happy Ending (a dripping semen font), María Magdalen, Nuevo Orden Nacional, Future Shit, Carnage Movie Poster (brush), Big Holidays (counterless), San Judas Tadeo, The King Of Wall (a ransom note font), Graffiti City, Spanish College (a sports font), Campo De La Bota, History Icons, Gothic War, Rocking Bunny, White Storm, Police Department, Rebel Hero, Graphic Lady, La Casa Del Cementerio, Picapiedra (a 3d stone font), Barcelona Scared (a dripping blood font), Nightmare On Raval Streets, High Moon, The Lord of War, La Isla Tortuga (a pirate font), Carmen Polo Superstar (script), Napolitana, New Dimension (3d), Heavy Steel, Barna Hardcore, Fine Books (Initial caps), Descompensada (a ransom note font), Rifle Casual, Espana Imperial, Big Titles, La Costa Dorada is Spain, Brasil Icons, Indonesian Icons, Los Guripas (a grungy blackletter). [Google] [More]  ⦿

    Work Ins Studio
    [Boy Moch Tomi]

    Malang, Indonesia-based studio run by Boy Moch Tomi. Their typefaces include Hood Brothers (2017), Wellster Handdrawn (2015), Cavici Sans (2015), Queen Seal (2015), Variane Script (2015, free), and Korath Black (2015, spurred Victorian font). Graphicriver link. Fontspace link. [Google] [More]  ⦿

    WUB Studio
    [Terima Kasih]

    Bandung, Indonesia-based designer of the layered cigar box label font Historica (2016), the connected script font Symphoniesta (2016), the Halloween typeface Silenthell (2016), the handcrafted Spellbound collection (2016), and the brush script typeface The Flower City (2016).

    Typefaces from 2017: Cloudy Monday (a great watercolor brush script), Cashlitta (based on a president's signature), Moonhells (Halloween font), Courageous (vintage, layered), Nusantara (a layered Victorian signage typeface).

    Typefaces from 2018: Green Suligar (sans and script), Hellwolf (a Halloween font).

    Typefaces from 2019: Nagara (a great decorative roman and calligraphic script duo that makes optimal use of interlocking ligatures), Aspernatur (Victorian).

    Typefaces from 2020: Constructio Grotesk, Volutant Display, Juicy Rooky (a supermarket font), Hellianna (a Halloween font), Northville (over 100 vintage fonts in this family!). [Google] [More]  ⦿

    Yanky Goldman

    Yanky Goldman runs a design boutique in Brooklyn, NY, since 2014. In 2018, he created Ringlings, a decorative typeface that comes with Deco Caps and Borders, to give the package a late Victorian, early art nouveau feel. [Google] [MyFonts] [More]  ⦿

    Ydhra Studio
    [Yudha Ageng]

    Or Yudha Rahmat Ageng. Yogyakarta and/or Jakarta, Indonesia-based designer (b. 1996) of the bold script typefaces Eusthalia Sans and Clean (2018: a free font duo), the signage script typeface Chillout (2018), the calligraphic typeface Anthasic (2018), Helsinki (2018), Manhattan (2018) and Matane (2018), the vintage typeface Boatman (2018), the signature font Better Signature (2018), the monoline script typeface Royaland (2018) and the modern script typefaces The Blendhes (2018: a baseball script), Bellasic (2018) and Pharosi (2018).

    Typefaces from 2019: Haydes (a signage script), Eusthalia Stamped, Boatman Stamped, Buryland ((monoline) Script, (Victorian) Sans, Serif), Rocka + Billy.

    Typefaces from 2020: Sunpalm Addict (script).

    Typefaces from 2021: Boatman (a vintage label font).

    Graphicriver link. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

    Yesie Erma Yunita
    [Yunita Ecy]

    [More]  ⦿

    Youthlabs Studio (was: Zrox Studio, Muhammad Fathi Al Ghazi)
    [Fathi Al Ghazi]

    Or Youthlabs Studio, or Zrox Studio. Bandar Lampung, Indonesia-based graphic designer and lettering artist, b. 1997, whose name is either Muhammad Fathi Al Ghazi or Jafar Furgon. Creator of the strange typeface Sword Shit (2018), the handcrafted Kinderspiel (2018), the Victorian typeface Royale Kingdom (2018), the signage script typeface Thipe (2018) and the bloody brush font Mad Faith (2018: inside the font we find the name Jafar Furgon, so it is unclear who designed what). Other script typefaces include Mellati Script (2018), Grumpys (2018), Geralia (2018) and Washington Rough Script (2018).

    Typefaces from 2019: Black Widow, Halmahera Island, Hustle Hardcore, Kathlyn, Yuminika, Hamburg.

    Typefaces from 2020: Qaligo (a decorative serif), Milky White (a dry brush script), Supermove, Rose Brown, Piassey (a decorative serif), Basics Serif, Agrasia, Black Widow, Blues Coast, Schoolyst, Zephyrush.

    Typefaces from 2021: Baskvrl Club (a reverse stress typeface with art nouveau features), Keira (a display serif), Lucky Change (a ligatured serif), Allenia (a delicate fashion mag font), Kagnue (a stocky flared display serif).

    Typefaces from 2022: Kagnue (a display serif). [Google] [MyFonts] [More]  ⦿

    Yudha Ageng
    [Ydhra Studio]

    [MyFonts] [More]  ⦿

    Yunita Ecy
    [Yesie Erma Yunita]

    Surakarta, Indonesia-based designer of calligraphic typefaces, aka Yunita Ecy.

    In 2018, Yunita designed the free upright script typeface Shathika (2018) and the free script typeface Jofi (2018, PutraCetol Studio).

    Typefaces from 2019: Dorcy.

    Typefaces from 2020: Almahyra, Alyna, Andini, Armyta, Belvania, Bratayudha (monoline script), Dyana, Emila (a swashy script), Fimayra, Gold Marble, Gyldan (Victorian), Hanie, Hillway, Hovalik, Lanifira, Maysile, Morlyn (a monoline script), Oldland (a bottom heavy script), Rifanca, River Lake, Rogusta, Southaven, Syahira (a swashy upright script), Syarena, Tragedye (a dry brush script), Velisya, Veristic (modular), Vialuna, Wild Foxs (dry brush script). [Google] [More]  ⦿

    Yusril Muhtadi
    [Halfmoon Type (was: Half Moon Design, or: Gluckiey Type foundry)]

    [MyFonts] [More]  ⦿

    Yves Michel

    Koksijde, Belgium-based designer of the roman titling typefaces Via Appia (2019: beveled) and Pompei (2019, accompanied by decorative caps), the tuxedoed art deco typeface Valentino (2019), the cursive script typeface Coxyde (2019) and the connected script typefaces Cursyves (2019) and Abecedary (2019, +Stencil). Typornament Prague (2019) is a pure Victorian typeface based on an alphabet seen in Milan Kopriva's book Typoornamenty (1991, Pluto Publishers, Prague).

    Typefaces from 2020: Carl Larsson (a script based on the handwriting of famous Swedish painter Carl Larsson, 1853-1919), Clipangle, Claroscuro (striped caps), Virgule, Juneasvik (handcrafted). [Google] [More]  ⦿

    Zeppelin Graphics
    [Alex Traian Munteanu]

    Bucharest, Romania-based designer of these typefaces in 2018: Forests (a layered decorative all caps typeface), Habanos Retro, Quentin (serif), Hydra (futuristic), Lapland (a script and Christmas icons), Galla (font duo), Berthe Script, Bella Script (monoline), Storyland, Two Adventures, Andy One.

    Typefaces from 2019: Arrogant, Hermannstadt, Hotel Royal (vintage, art deco), Celestar.

    Typefaces from 2020: Hotel Imperial (Victorian), Fantasya, Coodles (a 20-style hand-drawn collection), Avantgarde Sans, Berry (slab serif and tattoo font), Woodman (a rugged slab serif). [Google] [More]  ⦿

    Zerowork Studio

    Bandung, Indonesia-based designer of the Victorian signage typeface Blazy And Glory (2016), the dry brush typeface The Walking Dead (2016), the handwriting typeface North Island (2016), and the signature script The Valleys Script (2016). [Google] [More]  ⦿

    Zeugler
    [Reymund Schroeder]

    Award-winning German type designer, who co-founded Forgotten Shapes in 2017. NaN descibes him as a type Janus with a two-sided practice, one oriented towards the past as a meticulous archivist-historian, the other towards alternate history called Typographic Uchronias. His typefaces:

    • Tempel Grotesk (2021, Production Type). Tempel Grotesk takes inspiration from old wood types. It is a blocky black sans in four widths. He writes: All that ink creates a fantastically heavy page with rich texture popping through the counterforms.
    • Lector FSL (2017, Forgotten Shapes). A text typeface family about which he writes: Lector FSL (originally named Lector Gewoehnlich and Lector Kursiv) is the digital rework of an original type design by Gert Wunderlich, drawn between 1963-1990. Lector was designed for, but never released by former Typoart (GDR). Published in cooperation with and permission of Gert Wunderlich.
    • Friedlaender. After Elisabeth Friedlaender's Elizabeth (1934).
    • Consul (with Stephan Müller). A revival of Wilhelm Woellmer's Consul (1903-1907).
    • Polja (2013-2014). Polja won an award in the Latin category at the Morisawa Type Design Competition 2014.
    • Edna (2016). He received an Honorable Mention in the Latin category for Edna in 2016 at the Morisawa Type Design Competition 2016. A revival of Schmale Fette Renaissance (Wilhelm Woellmer's Schriftgiesserei Berlin, ca. 1895).
    • Edna Text (2017). A Victorian typeface that revives Halbfette Etienne (Schriftgiesserei Flinsch, 1908).
    • Haiti. A revival of the wood type Dumbria (1885, Holztypenfabrik Sachs).
    • Huber. A revival of the wood type Christina (1885, Holztypenfabrik Sachs).
    • Zeit Tiemann Italic (2013). A custom font for Die Zeite.
    • NaN Hyena (2022). He writes: NaN Hyena is a crisp look at the humanist sans sub-genre, conceived as a sculptural exercise. [...] Hyena started as an extrapolation of the work of 20th century calligrapher and type designer Hildegard Korger. [...] NaN Hyena challenges the idea of type hierarchies. It's thought as a mood spectrum, a subtle play between sharp and soft, as if the shifting light of the sun would cast different shadows on the same object throughout the day bringing familiarity and the unexpected within the same room. Call it Type Impressionism if you like.
    [Google] [More]  ⦿

    Zeune Type Foundry (was: Zeune Ink Foundry)
    [Sandi Dez]

    D.S. Sjahputra (or Sandi Dez) (Zeune Ink Foundry, Bandung, Indonesia) created the Victorian typeface The Wallington and the spurred typeface Mythes in 2014. In 2016, he published the stunning swashy calligraphic typeface Hummington.

    Typefaces from 2017: Marschel and Marschel Display (a vintage roman font with possible uses in fashion mags; with Inline, Printed and Stencil styles).

    Typefaces from 2018: Serendior (art deco).

    Typefaces from 2020: ZT Voltra (a vintage serif family), Wallington Pro (based on his 2014 design).

    Typefaces from 2021: ZT Grafton (an 8-style dark neo grotesk typeface characterized by a sickle f). [Google] [MyFonts] [More]  ⦿