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A New Machine
Foundry, est. 2011, in Raleigh, NC, by Kent Swecker. A New Machine created the beautiful hairline hand-printed typeface Hair Line (2011), Sweck Sans (2011, a sans with some contrast and a large x-height), Unstable (2011, a paper cut face), the sketch typeface Crosshatch (2011), and the modular FontStruct-like typeface Model UR (2011).
In 2012, he made Quarry (an outlined hand-drawn shadow font), Holt Sans (a Peignotian family), Unstable Slab, Mitosis (using bubbly dots), Radial (prismatic), and Airwave (techno).
Typefaces from 2013: Benthic (decorative geometric caps), Tubbs (a beefy poster face), Dot To Dot (a dotted and lined pair of school fonts), Emjay (sketched blackboard bold typeface).
Typefaces from 2014: Art Party (a festive hand-drawn typeface codesigned with with Erin Solomon), Carawan (a rounded sans family), Back and Forth, Fat Nib (splatter brush face), Smoot (whimsical typeface).
Typefaces from 2015: El Guapo (a hand-crafted typeface codesigned with Erin Solomon), Nervy, Current (thin connected script).
Typefaces from 2016: Big Trees (Victorian, Western), Igor (a beatnik style font).
Klingspor link. [Google]
Aka OKpants, Cleveland, OH-based Aaron Sechrest created the luxurious layered type system Leutner in 2016, and published it at Dustin Lee's typefoundry, Retro Supply. Prismatic in nature, the designer calls it a hypnotic and sturdy geometric font system. Youtube movie about Leutner. [Google]
Aalborg, Denmark-based graphic designer. He used the free font Talie as a model for his multiline typeface Mixed Ape (2013), which was designed for Mixed Ape Records. Behance link. [Google]
Riyadh, Saudi Arabia-based creator of a free prismatic multiline (Latin) vector font in 2012. Devian tart link. [Google]
French digital type foundry, est. 2007, located in Lille. The type coop includes Stéphane Meurice, Xavier Meurice, Sébastien Delobel (the three founders), as well as Jérémie Perrin and Baptiste Servais.
Commercial fonts include these made by Atelier Télescopique: Stone Heure (2007, multiline), Ader, Bepierre (pixel), Beye (pixel), Birinte (experimental), Boureuse (an elegant geometric sans), Byme, Capulco, Ciceron (dot matrix), Delory (clean sans), Dicion (dot matrix), Dixca (pixel), Fisher, Fluo (2012-2014, a stencil font by Xavier Meurice and Sébastien Delobel), Hic, Kune (sans family), Lailuya, Lienne, Mentable (dot matrix), Mento (clean sans), Merik, Miante, Micale, Mulette, Naconda, Nalfabait (dings), Natomi (techno), Nibalsmith (ultra-fat), Norak, Normal, Peindice, Rabik (paperclip face), Raoul, Rijsel (2013, sans), Rondie (kitchen tile), Rubal, Scard, Screenex, Stone Heure (prismatic), Singolo, Sphiquesy, Steroid, Stuce, Tino, Tomica, Treen, Varo, Velinge (dings), Veu, Vrette, Vure, Yoli (dings), Xatif, Zofage.
Corporate typefaces by them include the Quechua family (for the sports company Quechua in Domancy, France), which consists of four typefaces, Bionnassay (for cross-country skiing), Forclaz (mountain hiking), Arpenaz (for recreational hiking) and Capcir (for Nordic skiing).
Chartered accountant. Designer (b. 1993, Kerala, India) of Orust (2010, "rusty" grungy face), AjiHand (2011), Ugran (2013), Ambambo (2013, brushy caps), Aesthetica (2013, prismatic), Dingy Bird (2013, a great grungy brushy script), and Chisel Script (2010), Rough Treatment (2014).
Old URL. Dafont link. Aka Ajith Rindia.
Arts vs Accounting page. [Google]
Barcelona-based grandson of Joan Trochut of Super-Veloz fame. Fantastic graphic designer in his own right. He is the codesigner with Andreu Balius of SuperVeloz (2005, TypeRepublic), a digital version of his grandfather's typeface. It won an award at the TDC2 2005 type competition. Balius says about this typeface originally created by Joan Trochut from 1920-1980: Super-Veloz could be considered as an Ornamental type design, but in its core it is an experimental typeface based on a set of modular features that, with the combining of its modules, a great range of typefaces, ornaments ---even illustrations---, could be made. That is perhaps the most interesting experiment in early modern type design ever made in Spain during the immediate years after the War. The lecture, considering the borders between type design and ornament design, will introduce the context where Joan Trochut's Super-Veloz was produced (from sketches to published brochures and speciments) in 1942. Also will explain how Super-Veloz works. It is really a "type-ornament" design that could be considered on the edge of what we call type design.
Alex Trochut's lettering must be seen to be believed---it has to be genetic transmission. Recurring themes include adorned initials and modular types. His numerical all-caps alphabet for British Airways is phenomenal and pushes the bling-bling to the fashionable extreme. Stunning dollar sign drawn by him in 2007 for Acido Surtido.
In 2009, he published Neo Deco at HypeForType. Noteworthy type treatments of that year include Nixon and the Futurecraft logo.
In 2012, he designed Trojan Font (like Trajan). He also did some stunning multiline alphabet for V Magazine. Also noteworthy is a swashy calligraphic logo for Wiz Khalifa and Atlantic Records.
Typographic picture by TDC55.
Behance link. Debutart link. Klingspor link. [Google]
Alexander Wright (Modo Visual, Caracas, Venezuela) created the hip alchemic display typeface Alicia (2012, HypeForType). It won an award at Tipos Latinos 2012.
In 2014, he published the prismatic typeface Maquinista, which can be bought at Hype For Type. It won an award at Tipos Latinos 2014.
Behance link. HypeForType link. [Google]
Alexey Carlove (Carlove Design) is the Dzerzhinsk, Russia-based creator of the tri-lined prismatic Latin / Cyrillic typeface Gorod Spotra (City of Sports), which is somehow related to the 2014 Winter Olympics in Sochi.
Behance link. [Google]
Saint Petersburg, Russia-based designer of the experimental prismatic Cyrullic typeface simply called Decorative (2016). [Google]
Prolific art director from Moscow who is now located in New York. Her work includes the fashion mag Latin/Cyrillic typeface Cadre (2014), the prismatic custom typeface Icon Face (2014, done for a make-up school) and a few other fashion industry fonts. Behance link. [Google]
At SCAD in Savannah, GA, Andrew Wagenhals created the prismatic typeface Wagenhalia in 2015. Behance link. [Google]
Maracaibo, Venezuela-based designer of the decorative prismatic all caps typeface Elephant (2015). Elephant was a school project. [Google]
Vilnius, Lithuania-based designer of the prismatic op-art and art deco typeface Aks Font. [Google]
Bogota, Colombia-based graphic designer who created the prismatic typeface Refrán (2012). [Google]
Savannah, GA-based designer of the prismatic typeface Saxofon (2015). Behance link. [Google]
Art deco typefaces by Nick Curtis: II
Commercial art deco typefaces by Nick Curtis.
- Bessie Mae Moocho NF (2002). An art deco font based on handlettering found on a travel brochure for IMM Steamship Lines, circa 1927.
- Blitzkrieg NF (2011). A Lufthansa Airlines baggage label from 1936 provided the inspiration for this genuinely German typeface, with strong art deco influences.
- Blue Jay Way NF (2011). An art deco typeface inspired by Ross F. George. This typeface was used on the Beatles' original Magical Mystery Tour album.
- Boeuf au Joost (2003). Art deco based on work by comic book artist Joost Swarte.
- Boho à Gogo NF (2007): a multiline (op art?) typeface inspired by Bauhaus.
- Chalk and Cheese NF (2004). This art deco uppercase is based on 1930s lettering by French poster artist Charles Loupot (based on this art deco poster), and the non-art deco lowercase is based on 1910s lettering by German plakatmeister Ludwig Hohlwein.
- Chemin de Fer NF (2005). An art deco shadowed outline face.
- Chi Town NF (2008) is a heavy art deco creation that is based on a 1931 poster for the film The Man from Chicago.
- Coochie Nando NF (2011). An art deco shadow caps face, after a typeface called Kitchen by Milton Glaser.
- Dooijes Deco NF (2010). A 3-style art deco family in the style of Broadway, based on the Dick Dooijes tryptich, Carlton, Bristol (1929) and Savoy (1936).
- Duck Soup (2003, after a 1928 poster by Italian designer Neri Nanetti for Snob Cognac).
- Elektromoto NF (2011). This family takes its inspiration from two early Art Deco typefaces from Germany. The Normal version is based on Dynamo, designed by K. Sommer for Ludwig&Mayer in 1930, while the Narrow version is based on Stadion, designed by Erhard Grundeis for Die Schriftguß AG in 1929. Their common design motifs epitomize the Age of Streamline.
- Humpty Dumpling NF (2010). A fat art deco typeface based on an offering from the irrepressible M. Draim, seen in La Lettre dans le Décor&la Publicité Modernes, published by Monrocq Frères of Paris in 1932).
- Dusty Rose (2008) is an art deco typeface based on the logotype for the Dutch magazine Geillustreerd Schildersblad in 1940.
- Edgewise (2007), a quirky well-rounded post-art deco and pre-psychedelic face, uses ideas from Ryter Night (VGC).
- Ege Schrift NF (2011). a faithful revival of Ege-Schrift (1921, Eduard Ege), a mix between Mexican party lettering and art deco.
- Engel Stabenschrift NF (2008). In 1927, Ernst Engel created an art deco typeface which was revived by Nick Curtis as Engel Stabenschrift NF.
- Faerie Queen NF (2006). Based on an art deco typeface named Titania made in 1933 by Fundición Richard Gans.
- The Reed and Fox typefaces Viennese and Corinthian were combined in 2014 in Nick Curtis's digital typeface Genever NF.
- Gotham Rail Company NF (2002). Art deco based on an Italian travel poster from 1931.
- Great Lakes Shadow (2008) is an art deco typeface based on a 1930s travel poster for the Canadian pacific Railway.
- Hunky Dory NF (2014). A circus font after William H. Page's wood type Doric, ca. 1850.
- Jazzfest NF and Tinseltown NF (2009). Based on the 1932 art deco typefaces Newport and Hollywood, respectively, both designed by Willard T. Sniffin for ATF.
- Kharon Ultra (2009). An art deco typeface based on Ludlow Stygian.
- Kinkajou Stew (2003). Image of Kinkajou NF.
- Kirschwasser NF (2005). A bubbly art deco face.
- Korner Deli NF (2006, art deco).
- Kymmera Deco NF (2011). Revival and redesign of Rainbow Bass (1982, saul Bass).
- La Reyna Catalina NF (2006). An art deco face based on Aragón, designed by Enric Crous-Vidal.
- Legnano Cuneo NF and Legnano Sassari NF (2014). Italian art deco wood type.
- Linea Nera NF (2011). Based on Wolf Magin's Black Line (1976, Berthold).
- Lodewijk Gothic NF. After Elzevir Gothic (ATF, 1897).
- Luben Tunen (2008) is another art deco face.
- Madison Squared NF (2012).
- Mighty Ditey (2007): a mix between art deco and Peignot, this elegant typeface is based on a 1970s Photolettering typeface by Richard Nebiolo called Aphrodite, and competes with Riesling (1994, Bright Ideas) and Gillespie (2015, Darren Odden) as revivals of Aphrodite.
- Mogzilla NF (2007) is an ultra fat art deco face.
- Monte Carlo Script NF (2002). An art deco font based on a font called Médicis from a Deberny and Peignot catalog, circa 1920.
- Nip&Tuck (2006).
- Odalisque NF (2008, +Stencil, 2010) are art deco fonts based on Morris Fuller Benton's Chic (1927).
- OK Chorale (2003). An art deco typeface based on Carl Holmes' ABC of Lettering book.
- Orchard Street NF (2011, +Inline). A pair of art deco caps typefaces inspired by one of many posters produced by the WPA by anonymous artists during the 1930s.
- Pentaprism NF (2011). Part Futura, part Bauhaus, this 5-style family has multiline, inline, and other variants.
- Picture Postcard NF (2004: based on an alphabet by Alf Becker).
- Raconteur NF (2006-2008) is a wonderful art deco typeface that shouts gin fizz and high heels: it takes its inspiration from a 1923 ad for Piera Nova, designed by Hernando G. Villa.
- Quoi Chou NF (2006). An elegant and quite original beefed-up version of Bernhard Fashion by Lucian Bernhard.
- Radio Days (2008). An art deco typeface based on 1930s logotype lettering for Crosley Radios.
- Rassetta NF and Rassetta Swash Caps NF (2005). An art deco pair of typefaces originally designed by Willard T. Sniffin for American Type Founders in 1931 under the name Rosetti.
- Renard Moderne NF (2010). An art deco typeface inspired by Sol Hess's 1940s typeface Twentieth Century Poster.
- Resolute NF or USA Resolute NF (2009). An all caps fat headline typeface based on Morris Fuller Benton's Eagle, ATF, 1934.
- Retrorocket NF (2015). An art deco alphabet based on a French lettering chapbook from entitled Art du Tracé Rationnel de la Lettre (1934, D. Duvillé).
- Salzmann Deco NF (2011) and Salzmann Deco Deco NF (2011), art deco and Mexican-themed typefaces, modeled after Max Salzmann's Dolmen (1921-1922) and Zierdolmen (1922), respectively.
- Secret Agent (2003). A pure art deco beauty based on this Loupot poster from 1919.
- Ski Alpin NF (2014). An art deco typeface based on a Swiss travel poster from 1927.
- Smart Frocks NF (2008). A Peignotian face, after a shop sign in London, ca. 1930. Designer unknown.
- Stony Island NF (2011). Based on an Alf R. Becker typeface from 1935 called Chicago Modern Thick and Thin.
- Suave Sam NF (2010). An art deco typeface after a 1930 alphabet by Samuel Welo.
- Tasneem (2007) is the ultimate art deco face, originally drawn by Gustav Jensen in 1931.
- Tiny Bubbles NF (2008). An art deco typeface inspired by an alphabet in Pen&Brush Lettering and Practical Alphabets (Blandford Press, Ltd., London, 1929).
- Top Kick NF (2011). Based on Concentra, a geometric marvel with several parallel and concentric lines making up the letters. Concentra was originally published in Schriftatlas: Alphabete von A bis Z .
- Turista Gorda NF (2009). Based on Baltimore Type Foundry's Airport Tourist, which in turn was influenced by Futura Display.
Atelier Telescopique (Fonderie Nordik)
Fonderie Nordik is a new French foundry in Wasquehal near Lille, which publishes some fonts such as Tomica (2009, a geometric sans done for Wéo Télé Nord Pas de Calais), Le Dixca, Le Cicerond, LaNormal, La Lienne. Founded in 1998 by Xavier Meurice and Sébastien Delobel. Stéphane Meurice and Guillaume Berry are also involved.
Font list: Font list: Scard (2000, Xavier Meurice), Stonehenge, Dixca (free pixel font), Fish, Delory, Lienne (2001, with Delobel), Bizeau, Raoul, La Cidulée, Ader (Xavier Meurice, 2002), Tex (2002, pixel font by Xavier Meurice), Normale (free), PSUS (Xavier Meurisse, 2000), Bépierre, Péro, SV01 (dings), Cicerond (free dot matrix font), Réka (2001, Meurice and Delobel), Nuk, Stéroide, Rosoir (2002, Xavier Meurice, dingbats), Equinox, Acropik, Wazemmes, Kune, Stoneheure (2001, Xavier Meurice), Sphiquesie (Xavier Meurice, 2002, an octagonal font), Nyctalope (2002).
Xavier Meurice participates in the type cooperative Ainsifont in Lille. His typefaces there include:
- The rounded sans typeface Fluo (2012, with Stéphane Delobel).
- AF Singolo (2012, with Stéphane Delobel). A stencil typeface created for Lille Design.
- Mento (2015, with Stéphane Delobel). Original from 2007.
- Raoul (2007, with Stéphane Delobel). Original created for the Kursaal in Dunkirk, and named in honor of Lille-based singer Raoul de Godewarsvelde.
- Stone Heure (2011). A prismatic typeface.
During her studies in Beirut in 2014, Aya Al-Kotob created experimental Latin and Arabic typefaces. [Google]
Brisbane, Australia-based designer of the multiline prismatic and chromatic typeface Everest (2015). Behance link. [Google]
Sydney-based designer who graduated in 2011 from the College of Fine Arts with a Bachelor of Design. Bonnie created the beautiful prismatic art deco typeface Strukture (2012). [Google]
Enrique Teruel was Orihuela, Spain-based designer of Line (2013, a prismatic typeface), and Helvetica Serif (2014). He joined or set up Brand Design in Madrid, where he now lives. [Google]
Amarillo, TX-based creator of the prismatic caps typeface Retro F (2015) and the fun Rally Numbers (2016). Behance link. [Google]
Designer from Lisbon. He created the modular experimental typeface Pista (2010), which is based on sections of model car race tracks, and could be considered prismatic or op-art. Behance link. [Google]
Jeroen Krielaars (Calango) is a Dutch web designer in Amsterdam who made an animated prismatic geometric typeface called Moshun (2010). Krielaars created Moshun using the program Adobe After Effects in less than three days. Buy it exclusively from HypeForType.
Images of Moshun: i, ii, iii, iv, v, vi.
In 2011, he teamed up with Maria Jose Torrero Heredia from Mexico to create the latest addition to the typeface collection, Binary 2.0 (experimental and very modular). Typogami is another layered animated font made in 2011.
In 2012, Jeroen created Webster, an animated font described as fllows: Webster is an extensive animated typeface with a nerdy look. It comes with uppercase, lowercase, numbers, punctuation and special characters. All together it counts over a 150 glyphs. With 13 customizable features, you can create over a gazillion looks. That's right, over a gazillion!
In 2014, Jeroen codesigned the animated octagonal typeface Magnus with Linn Fritz, and the animaited typeface Razor (Animography) with Jeffrey Schreiber. He created the animated rounded sans typeface family Mantis in 2014.
In 2016, Jeroen Krielaars and Pablo Balcells codesigned the animated pixel typeface Pixelar based on Balcell's 2012 original.
Behance link. MyFonts link. See also here. Klingspor link. [Google]
Goiana, Brazil-based graphic designer. He used simple programming for the creation of the multiline prismatic typeface Font Code (2013).
Behance link. [Google]
FontStructor who made Movement (2011, a prismatic face). [Google]
Joseph Churchward (b. Apia, Samoa, 1933) grew up in Samoa, and moved to New Zealand, where he founded a design studio in Wellington. He lived in Hataitai. He died in 2013 [Obituary by Jack Yan].
His early type designs were released as photolettering through Berthold. In 2000, in partnership with Chank, his fonts are finally being converted to the standard electronic formats. In 1984, he won a Silver Prize at the Morisawa Awards competition. In 2009, he was made a life member of The New Zealand Designers Institute DINZ.
MyFonts writes: Churchward Type started in 1962 as Joseph Churchward's freelance lettering service. Within six months he had generated enough work to move from his job as Senior Artist into setting up Churchward International Typefaces, which became one of the largest typesetting companies in New Zealand. In 1969 Joseph was asked to submit alphabet designs to Berthold Fototypes and saw immediate success. He later went on to sign distribution agreements with D.Stempel AG, Dr Böger Photosatz GmbH/Linotype, Mecanorma-Polyvroom B.V and Zipatone. He self-published a handful of original fonts in 1978 becoming the first and only company in New Zealand to publish original photo-lettering. Churchward International Typefaces was forced to close in June 1988 but Churchward Type lives on with a fresh set of independent releases. David Buck has taken on the role of digitisation. Joseph continues to draw alphabets and now has a stockpile of over 300 unique alphabets to his name.
Catalog of Joseph Churchward's typefaces:
- Chank sells ChurchwardHeading, ChurchwardSamoa, Churchward Maori, ChurchwardDesign5Line, ChurchwardBrush. See also Churchward Roundsquare (2002), which reminds me of Apostrophe's Toolego.
- At Berthold, he published Churchward 69 (1969, a fat face), Blackbeauty (1972; this psychedelic type inspired Nick Curtis's 2009 font, Strollin NF), and Churchward 70 (1970, a Bauhaus-style sans family).
- MyFonts sells Churchward Alien (2012), Churchward Maori (2004, frilly), Churchward Marianna (1969, an obese bubblegum typeface; Nick Curtis's Proud Mary NF (2010) is derived from it), Churchward Ta Tiki (2003), Churchward Asia (2003), Churchward Samoa (2003, 6-weight sans family), Churchward Maricia (a Western-style face), Churchward Brush (2006; copied by SoftMaker as Josephs Brush Pro), Conserif CW (2006, BluHead Studio), Churchward Heading (2007), Churchward Supascript (2007), Design CW (2006, BluHead Studio), Freedom CW (2006, BluHead Studio), Ta Tiki CW (2006, BluHead Studio), Churchward Newstype (2008, 8 styles, BluHead Studio), Churchward Chinatype (2008, 5 styles of oriental simulation glyphs), Churchward Heading (2011), Churchward Brush (2009, BluHead Studio), and Churchward Design Lines (1970, a prismatic multiline face), Churchward Montezuma (2012, an Aztec-inspired design digitized by BluHeadStudio), Churchward Legible.
- Churchward Tua (2014). A Western typeface published posthumously. Similarly, BluHeade published Churchward's 1996 geometric sans typeface Churchward Lorina in 2014.
- Churchward Isabella (2015). A geometric sans.
- Churchward 69 (2015, BluHead Studio). Churchward 69 is a ten-weight typeface family originally designed during the late 1960's, but published in 2015 by BluHead Studio.
View Joseph Churchward's typefaces. [Google]
Montreal-based studio with a French-only web site. Designers of the gorgeous Split (2015), the geometric solid typeface Braziu (2015), the multilined prismatic art deco typeface Brooklyn Fat Black (2015) and the pixel typeface Pixies (2015). Behance link. [Google]
Graphic design student in Lyon, who created an art deco prismatic typeface called Striped (2012). [Google]
Designer from Richmond, VA (aka fontcollector) on whom I bestow the title King of octagonal typefaces. Dafont link.
- He used FontStruct in 2008 to create the ultra fat octagonal typefaces ShortFatStrangerMono and TallDarkStrangerMono after his Bank Gothic-themed series called EZMonoA through EZMonoG. Other creations: MaxiFiveMono, MaxiFiveTallMono, MaxiFiveTooTallMono, CurvedFiveMono, SkinnyMinnieMono (think skinny and octagonal), KaleidoscopeMono (dingbats), NervosaMono (thin, angular and jittery). CourieresqueMono, HeavyMono, SuperHeavyMono, SkinnierMinnierMono, SkinniestMinniestMono, DiamondsMono, LucDevroyeMono1 and LucDevroyeMono1 (based on my own Yonkaku fonts), PortraitMono (each character on an easel), PortraitText Mono, RollingStockInverseMono (characters on wheels), OctagonoMonoA, OctagonoMonoB, AmazonoMono (a macho octagonal face), BlackboardTallMono (white on black), ScoreBoardInverseMono, VarionoMono, TeflonoMono, SymmetronoMono (geometric patterns), VerticalSlatsMono, VerticalSlatsTallMono, BlackboardMono, BlackboardTallMono, SteepFifteenStretchMono, SteepFifteenSuperStretchMono, SteepFifteenMono, RockSolidMono, RockSolidStretchMono, RockSolidSuperStretchMono, YugoFiveUltraTallMono, KitchenTilesMono, PrimoMono, OctagonoMonoC (+Tall, +ExtraBold), LotsaDotsMono, OvaltinoMono, OctagonoPropC (+Tall).
- Fonts made in 2009: Bevel's Advocate Mono, Mammoth Mono, NovaMono (+Inverse), OctoMono, PortraitMono, GravitonoMono, PortraitTextSteepMono, XLMono, XLProportional, ScallopiniMonoInverse, BrickbatsMono (dingbats), IconoMono (white on black dings), KaleidoscopeMono, DiamondsMono, ShortFatStrangerMono, QuattroMono (+SC), OvaltinoMono, GargantuaMono, EdgeMono, FacetedSuperFiveStretchMono, MegaloMonoGrande, OctagonoMonoExtraBold (+SuperSteep), MegaloMono, KitchenTilesMono (#1, #2, #3), PrimoMonoTall, StereophoneMono (+Inverse), GrecoRomanoMono (+Ultimo), FacetedFiveMono, YugoFiveMono, TopsyCurvy, DiamondLinkMono, RunningOnEmpty.
- Fonts made in 2010-2011: BAP Solid (sturdy octagonal typeface), XLMonoAlt, XLProportionalAlt, Octagonico (octagonal inline face; +Dark), White Elephant 3 (2011, a 3d shadow face), White Rhino (outlined athletic lettering, Black Rhino), Albino Rhino (2011, black on white), Striped Rhino (2011), Curvilino (ultra-condensed), Rondino (2011, similar), BAPSolid (2011, octagonal).
- Fonts from 2012: BAP Outline, Big Hairline (octagonal hairline caps face).
- Fonts from 2013: Rondino Junior, Legibus Rex Mono (octagonal), Little Black Font (octagonal), Legibus Maximus (octagonal), Bevel's Advocate Proportional (prismatic typeface).
Dan X. Solo
Dan X. Solo: Digitizations by Dick Pape
Dick Pape based the following digitizations (2008-2010) of blackletter, art deco, Celtic, initial caps, and other ornamental typefaces shown by Dan X. Solo in his Dover books: DXSAlphaMidnight, DXSAlphaTwilight, DXSBeansBold, DXSBlackline (prismatic, art deco), DXSBoboBold, DXSBrusselsInitials, DXSBuckinghamInitials, DXSBust, DXSCharger, DXSCheckmate, DXSCorral, DXSDevon, DXSDevonian, DXSDudleyPNarrow, DXSFatCat, DXSFestival, DXSFrankfortInitials, DXSFuturaInline, DXSGrooviestGothic, DXSGuildhall, DXSHessNeobold, DXSHotline, DXSHuntingtonInitials, DXSJoyceBlack, DXSKupferInitials, DXSLampoon, DXSLeipzigInitials, DXSLeister, DXSLowenbrau, DXSMonogramStencil, DXSMonumentBold, DXSNottinghamInitials, DXSOrbit, DXSOttoHuppInitials, DXSPickfair, DXSPolly, DXSPotsdamInitials, DXSPrismaniaC, DXSPrismaniaP, DXSQuote, DXSRegalBlack, DXSRhythmBold, DXSRickyTick, DXSRoco (art deco), DXSSansSouci, DXSShadyDeal, DXSSheetSteel, DXSSilverShadowBlack, DXSStuttgartInitials, DXSTester, DXSThedaBara (counterless geometric art deco), DXSTulo, DXSTuxedo, DXSUrban (psychedelic), DXSVeronica, DXSWestmorland, DXSWienText, DXSYagiBold.bmp DXSYagiDouble, DXSYorkshireInitials, DXSZany, DXSZephyr.
Images: DXSBlackline, DXSBust, DXSDudleyPNarrow, DXSGrooviestGothic, DXSJoyceBlack, DXSMonogramStencil, DXSPrismania'P', DXSRickyTick, DXSRoco, DXSSheetSteel, DXSTulo, DXSUrban, DXSYagiDouble, DXS Alpha Twilight, DXS Brussels Initials, DXS Kupfer Initials, DXS Lowenbrau, DXS Otto Hupp Initials, DXS Theda Bara, DXS Urban. Download page. [Google]
During his studies at the School of Visual Communication in Denmark, Copenhagen-born Daniel Lindholt designed the hypnotic prismatic typeface Hypno (2015). [Google]
Vicenza, Italy-based designer of the prismatic typeface Cerchi (2013). [Google]
Prolific NY-based designer (born in East Los Angeles) who specializes in faithful revivals of old masters and logotype, in Latin and Hebrew. He made over 500 fonts including. He is also a translator and illuminator of Biblical period Hebrew and Aramaic. His clients include The Vatican (Pope John Paul II's Holocaust commemerative CD) and Hadassah, the Women's Zionist Organization of America. His specialties are translations worded in the language and style of the period in which the Biblical text was composed. His translation and enumeration of kabbalistic writings, otherwise known as Hebrew Mysticism and numerology, demonstrate the mathematical base of Biblical miracles.
His typefaces: OL Siynnamin Gothic, OL Radiant Slender, OL Raleigh Gothic (A, B) Display (2013), OL Titling Deco Semi Hilight (2013), OL Gotham Gothic (2013), OL Forum Titling (2013, Trajan column lettering), OL Signpainter Titling Face (2013, copperplate-influenced titling face), OL America The Beautiful (2013, a fashionable didone without ball terminals), OL Braggadocio (Braggadocio is a 1930 design by William A. Woolley), OL Candida Medium Condensed / Extra Condensed, OL Caslon Light / Bold, OL Chamfer Woodtype, OL Contact Bold Condensed, OL Contact Deco Caps, OL Corvinus Bold Condensed, OL Corvinus Versailles, OL Edenesque, OL Egiziano (+Comstock, 2005), OL Egmont (2005, +Medium, Medium Italic, Condensed: after Sjoerd Hendrik de Roos, 1933), OL Engraver's Roman, OL Engraver's Classic Roman (2009), OL Franklin Wide, OL Franklin Extra Bold / Extra Bold Italic, OL Franklin Triple Condensed, OL Garamond (2003), OL Gotham Gothic, OL Grecian Classic Bold Condensed / Bold Extra Condensed, OL Grecian Display, OL Grecian Modern (the Grecian series imitates wood type), OL Gothic Wide and Bold, OL Hairline Gothic (2009), OL Headline Gothic Triple Condensed, OL Heavy Metal Grecian, OL Jenson Bold Condensed / Extra Bold Condensed, OL Latin Classic Condensed, OL Lightline Gothic, OL Marksman Shot, OL Marla Bold, OL Miehle Classic (2009, +Condensed), OL Newsbytes Gothic, OL Purrrbank Gothic, OL Qumran Torah Hebraic Set, OL Racer Roman, OL Raleigh Gothic, OL Roman Compressed (2004), OL Roman Wide Deco Caps, OL Smokler (2006), OL Sharon Gothic Stoned, OL Sinead Stoned and Pointy, OL Smokler, OL Smokler Deco Caps, OL Thorne with Shadow, OL Twenty-five Deco Semicondensed, OL Windowpane Gothic, OL Woody Blocked, OL Avril Roman (2003, a flared face, after Emil Rudolf Weiss), OL Brierwood Grecian, OL Butterfly, OL Egyptian, OL Franklin, OL Garamond, OL London Black, OL Machina Black (2003, octagonal, mechanical), OL Manhattan, OL Marquee, OIL Newsbytes (2003, bold and black newsprint typefaces), OL Radiant, OL Round Gothic, OL Siynnamin Gothic, OL Skeleton Gothic, and HispanicHeritage (1999).
His fonts are sold through Phil's Fonts, Dsgnhaus, International Typefounders, and MyFonts. His 2001 fonts are signed Siynn bar-Diyonn, which is his Hebrew name. His Hebrew fonts published in 2007 include OL Hebrew Formal Script, OL Hebrew Neo Black, OL Hebrew Block, OL Hebrew Calligraphica, OL Hebrew Chisel, OL Hebrew Cursive, OL Hebrew Deco, OL Hebrew Handwriting, OL Hebrew Handwriting Deco, OL Hebrew Headline, OL Hebrew Prismatic, OL Hebrew With Tagin, and OL Qumran Torah.
Buy his fonts at MyFonts. Interview at the end of 2002, in which he recalls the start of his career at Rolling Stone magazine in 1979.
Showcase of Dennis Ortiz-Lopez's typefaces at MyFonts.
Klingspor link. [Google]
Sofia, Bulgaria-based creator of the prismatic typeface Phantasy (2014). Behance link. [Google]
Designer in Barcelona, who created Pixel8 (2012) and Norpeck (2014: a prismatic typeface). [Google]
[Dan X. Solo: Digitizations by Dick Pape]
Yogyakarta, Indonesia-based creator (b. 1987) of the counterless architectural lettering typeface Ruler Elementary (2011), of Cool Stuff (2011, dingbats), of Djoewana (2011, dingbats), and of the flip clock typeface Solari (2011).
In 2012, he made Munir (scanbat font with images of Munir Said Thalib, 1965-2004, one of Indonesia's most famous human rights and anti-corruption activists who was poisoned by an Indonesian government airline agent with arsenic on a flight to Amsterdam), Papan Kita (dingbats of Asian buildings), Sepeda (bicycle dingbats), Volkswagen (dingbats), Perangko Wayang, (shadow puppets) and Senyum (facial dingbats).
Typefaces from 2013: Paralis (multiline, prismatic).
Typefaces from 2014: Cermin Pahlawan (scanbats related to Hari Pahlawan), Toer (scanbats of Pramudya Ananta Toer, an Indonesian author and human rights activist who went to jail for his opinions).
Typefaces from 2015: Sekar Arum (textured caps).
Typefaces from 2016: Ikatan (Indonesian symbols; inside the font, the designer is identifed as Rumah Joana).
Dafont link. Fontspace link. [Google]
Diego Pinilla Amaya
Graphic designer and art director at As If Magazine, Buenos Aires. For As If he created the prismatic op-art typeface Optic Alphabet (2015). He also designed a prismatic fantasy alphabet called Strings (2015) and the axonometric alphabet Axo (2016). Behance link. [Google]
[Dieter Steffmann's Homepage]
Dieter Steffmann's Homepage
FontShop was the name of Dieter Steffmann's foundry in Kreuztal, Germany (not to be confused with the FontShop foundry and font vendor). He made about 600 self-proclaimed "old-fashioned" fonts, and among these many Fraktur fonts. His site became too expensive to run, and is now hosted by Typoasis. Alternate URL. Current list of fonts. See also here. New stuff. Fontspace link. A nice essay about Fraktur fonts accompanies the fonts. News. As Dieter puts it: I am not a designer but I add missing letters to public domain fonts in order to get a complete character set and I hint the fonts and create new weigths (shadow, inline etc.) His Christbaumkugeln font, and how it was made. The font families:
- Acorn Initialen, Adine Kirnberg, Albert Text, Alpine, Alte Caps, Alte Schwabacher, Ambrosia, American Text, Aneirin, Angel, Anglican Text, Angular, Ann-Stone, Antique No. 14, Arabella, ArabesqueInitialen (2002), Argos George, Aristokrat Zierbuchstaben (2002), Ariston Script, Art Nouveau Initialen, Attic Antique, Augusta.
- Baldur, Ballade Halbfett (2002, a font originally designed by Paul Renner in 1937), Barock Initialen (2002), Becker, Beckett-Kanzlei, Behrens-Schrift (2002), Belshaw, Belwe (Gotisch, Vignetten), Benjamin Franklin Antique, Berlin Squiggle Condensed, Bernhard Schmalfett, Bier und Wein Vignetten (2002, also based on drawings from the Bauersche Giesserei), Billboard, Bizzaro, Black Forest Text, Blackletter ExtraBold, Blackwood Castle, Breitkopf Fraktur, Bretagne Gaelic, Brian James Bold, Bridgnorth, Broadcast Titling, Broadway Poster, Brock Script.
- Cabaret, Campanile, Camp Fire, Canterbury Old English (blackletter), Cardiff, Cardinal Anglican, Carmen, Carrick Caps, Caslon Antique, Caslon Fette Gotisch, Cavalier, Celtic Frames, Celtic Hand, Challenge, Chelsea, Chopin Script (2000, identical to Polonaise), Christbaumkugeln, Chursächsische Fraktur, Cimbrian, Circus Ornate Caps (2001, Western), Cloister Blackletter, Coaster Black, Coelnische Current Fraktur, Colchester Black, College, Courtrai, Coventry Garden, Cruickshank.
- Davy's Dingbats, Debussy, Decorated Roman Initials (2003), Deutsch Gotisch, Deutsche Zierschrift, Devinne Swash, Digits, Direction, Dobkin Script, Domino, Dover, Driftwood Caps, Due Date, Duerer Gotisch, Duo Dunkel (+Licht), Durwent.
- Easter Bunny, Easter Egg, Eckmann-Schrift, Egyptienne Zierversalien (2002), Ehmcke-FrakturInitialen, Ehmcke-Schwabacher Initialen (2002), Eichenlaub Initialen, Eileen Caps, Eisenbahn (2002, based on train vignettes at Bauersche Giesserei), Elzevier Caps, Enge Holzschrift, English Towne, Epoque, Erbar Initialen, Estelle, Evil of Frankenstein, Express.
- Faktos, Fabliaux, Fancy Card Textura, Fat Freddie, Faustus, Fenwick Woodtype, Fette Deutsche Schrift (2002, a revival of a Rudolf Koch font from 1908), Fette Egyptienne, Fette Haenel Fraktur, Fette Trump (2002, original by Prof. Georg Trump, 1936), FetteKanzlei (2002), FetteSteinschrift (2002), Fette Thannhäuser (2001), Firecat, Flaemische Kanzleischrift, Flowers Initials, Forelle, Fraenkisch (2002), Fraktur Schmuck, Fraktur Shadowed, Frederick Text, Futura Script.
- Gabrielle, Gebetbuch Fraktur, Gebetbuch Initialen, Germania (2001, a revival of the 1903 blackletter typeface by Heinz König called Germania as well), Germania-Versalien, Ganz Grobe Gotisch, Gille Fils Zierinitialen (2002), GingerbreadInitials, Globus, Gloucester Initialen, Gorilla Black, Gotenburg A+B (2002), Gothenburg Fraktur, Gotische Initialen, Gotisch Schmuck (2002, Fraktur), Goudy Initialen, Goudy Medieval, Goudy Twenty, Goudy Thirty, Grange, GrenzschInitials, Grusskarten-Gotisch, Gutenberg Textura.
- Haenel Fraktur Fett, Hansa, Hansa Gotisch, Hansen, Happy Easter, Harrowgate, Hazard Signs, Headline Text, Hercules, Herkules, Hermann-Gotisch (2002; after an original by Herbert Thannhaeuser, 1934), Herold (2002), Hippy Stamp, Hoedown, Holla, Holidayfont, Holtzschue, Honey Script (2006, after a Filmotype original from the 1950s), Horror Dingbats, Houtsneeletter, Humboldt Fraktur (2002-2005; after a font by Hiero Rhode, 1938).
- Iglesia Light, Isadora Original.
- Jan Brady, Journal Dingbats, Jahreskreis (seasonal dingbats, 2002), JSL Blackletter Antique, Jugendstil Ornamente (2002).
- Kabinett Fraktur, Kaiserzeit Gotisch, Kanzlei, Kanzlei Initialen (2002), Kalenderblatt Grotesk, Kashmir, Kinder Vignetten (2002), KingsCross, Kinigstein Caps, Klarissa, Kleist Fraktur + Zierbuchstaben (2002), Koch Antiqua, Koch Antiqua Zierbuchstaben (2002), Koch Initialen, Koenigsberger Gotisch, Koenig-Type (2002; a Jugendstil Fraktur originally designed by Heinz Koenig, 1907-1910), Kohelet, Koloss, Konanur Kaps, Kramer, Krone Bold.
- La Negrita, Lautenbach, Legrand, Lemiesz, Lettres ombrées ornées (2002, based on a typeface by Schriftgiesserei J. Gillé, 1820), Linolschrift, Lintsec, Liturgisch + Zierbuchstaben (2002), Logger, Lohengrin Fraktur, Long Island Antiqua, Louisianne Black (bold upright connected script), Ludlow Dingbats.
- Mainzer Fette Fraktur, Marker Felt, Marketing Script, Marlboro, Maximilian (2002, Fraktur font and decorated caps based on Rudolf Koch, 1914), Mayflower Antique, Medici, Mediaeval Caps, Menuetto, Messing Lettern, Metropolitain, Middle Saxony Text, Moderne Fraktur, Monats-Vignetten (2002, based on drawings by Franz Franke for Bauersche Giesserei, 1920), Montague, Monument (2002, original by O. Menhart, 1952), Mordred, Morgan Twenty-Nine, Morris Roman Black, Morris Initialen.
- Napoli Initialen, Neptun Gotisch, NeugotischeInitialen, North Face, Nougat ExtraBold, Nouveau Drop Caps, Nubian.
- Olde English, Old English Five, Old Town, Old London.
- Packard Antique, Paganini Text, Pamela, Parsons Heavy, PaulusFranckInitialen (2002), Penelope (2000, Victorian), Peter Schlehmil (2002, based on work by Walter Tiemann, 1918-1921), Peter Schlemihl Fraktur, Picture Alphabet, Pilsen Plakatschrift, Pinewood (2003, like wooden branches), Pinocchio, Plakat-Fraktur, Plakat Antiqua, Plastisch (2002), Plum Script, Pointage, Polonaise (1999), Polo Semi, Powell Antique, Printer's Ornaments One, Prisma (2003, a four-line typeface inspired by Rudolf Koch's Prisma), Progressive Text, Puritan, Prince Valiant Blackletter.
- Quentin Caps.
- Rediviva, Rediviva Zierbuchstaben (2002), Reeperbahn (aka Rope), Regatta Relief, Reiner Script, Revue Decor, Reynold Art Deco, Rio Grande, Rockmaker, Roland, Rolling No. 1 ExtraBold, Roman Antique, Romantik Initialen, Romantiques (2002), Rondo, RosemaryRoman, Roslyn Contour, Rossano, Rothenburg Fraktur, Royal Initialen, Roycroft Initialen, Rudelsberg (Munich Jugendstil style, based on Otto Eckmann's Eckmann from 1901).
- Saddlebag, Saloon ExtraBold, Saltino, Salto, Sans Plate Caps, San Remo (Paris (art) nouveau style), Savings Bond, Schampel Black, Schmalfette Fraktur, Schluss-Vignetten (2002, also from Bauersche Giesserei), Schmale Anzeigenschrift + Zierbuchstaben (2002), Schwabacher, Sebaldus-Gotisch (2002), Sentinel, Sesame (2000), Shaded (2002, a take on Sans Serif Shaded by Stephenson, Blake & Co. Ltd., Sheffield), Sholom, Showboat Caps, Shrapnel, Siegfried (2001, art nouveau, based on a typeface by Wilhelm Woellmer), Simplex, Sixties, Snowtop Caps, Starburst, Steelplate Textura, Stencil Display, Subway, Supermarkt.
- Tanach (Hebrew), Tannenberg Fette Gotisch, Thannhaeuser Fette Fraktur, Thannhäuser Zier (2002; original by Herbert Thannhauser, 1937/38), Theuerdank Fraktur, Thorne Shaded (2002, a shaded didone based on a Robert Thorne design of 1810), Tierkreiszeichen (2002, Zodiac, based on drawings by Franz Franke for Bauersche Giesserei), Tintoretto (2000, after a Schelter Giesecke original), Titania, Titling Roman Antique, Tobago Poster, Tone And Debs, Tonight, Topic, ToskanischeEgyptienneInitialen (2003), Transport Pictorials, Tribeca (2001, after a David Rakowski original), Trocadero Caps, Trucker Style ExtraBlack, Turtles, Typographer Caps, Typographer Fraktur (2002), Typographer Rotunda (2002), Typographer Subway (2011), Typographer Textur (2002, Fraktur), TypographerGotisch (2002, Fraktur), TypographerWoodcutInitials (2002), Typographer's Schmuck-Initialen.
- Uechi Gotisch, Uncialis Deutsche, Unger Fraktur Zierbuchstaben, Unicorn.
- Vadstena Rundgotisch, Varah Caps, Ventura Bold, Verve, VictorianInitials, Victorian Text, Viking, Vivian, Vogeler Initialen (2002), Volute.
- Walbaum Fraktur, Wallau Deutsch, Wallau Rundgotisch, Wallau Uncial and Wallau Zierbuchstaben (2002; originals by Rudolf Koch 1925-1930), Walthari Text, Washington Text, Waterloo Relief, Wave, Weiß Initialen, Weiss Lapidar (2002, revival of a typeface by Emil Rudolf Weiss), Werbedeutsch (2002, original by Herbert Thannhaeuser, 1934), Westminster Gotisch, Wharmby, White Bold, Wieynk Fraktur (now also in OpenType), Wieynk Vignetten, Will-Harris Caps, Woodcut.
- Yellow Submarine Font, Yonkers, Yorktown.
- Zallman Caps, Zentenar Fraktur, Zentenar Zier (2002; by F.H.E. Schneidler, 1937), Zierinitialen 1 (2002), Zierinitialen Two (2002; based on Deutsche Zierschrift by Rudolf Koch), Ziffern und Pfeile, Zither Script, Zodiac Pictorials.
A set of TeX service files for many of the decorative caps fonts was published by Maurizio Loreti from the University of Padova.
The collection is now also available in OpenType. Fontsquirrel link. Dafont link. Fontspace link. Abstract Fonts link. Home page. [Google]
Dinamo is a Swiss type foundry established by Johannes Breyer and Fabian Harb after graduation from schools in Zurich, Basel and Amsterdam. Johannes and Fabian are visiting teachers at the Estonian Academy of the Arts, Tallinn. Johannes is teaching type design at University of the Arts Berlin (UDK) and HfG Offenbach. Fabian is lecturing typography at the School of Design St. Gallen. Their typefaces:
- Favorit (2014). A basic sans family.
- Grow (2013). An experimental collaborative font family. Many of the members are multilined and even prismatic.
- The heavy sans typeface Heureka (2009-2013).
- Pareto (2016). Western style typefaces.
- Prophet (2016).
- Custom typefaces for Kunsthalle Zurich (CH), Warp Records (UK), Elton John (US), Yale Architecture (US), Manifesta 11 (CH), Harvard Graduate School of Design (US), Universal Music (GER), IBA Thüringen (GER), Festival B:om (KR), Gagosian Gallery (US), Planet Mu/Knives (GER/UK), LayTheme (GER) or the German, Estonian and Cyprus Pavillions at the 55th and 56th Venice Bienniale.
Johannes Breyer. Fabian Harb. [Google]
London-based creator of the wavy prismatic typeface Rhythm (2014). [Google]
Emil Karl Bertell
Empty Page Studio
Lukasz Kulakowski, a Polish graphic designer in Dublin and Baile Atha Cliath, Ireland, created the free typeface Mosaic Leaf (2011), which was inspired by Akzidenz Grotesk typeface. In 2012, he published Orbits (a prismatic multiline face, done with Zbyszek Czapnik).
Typefaces from 2013 include the free display typeface Rhubarb Display Font (a condensed art deco sans caps family for Latin and Cyrillic done with Zbyszek Czapnik). In 2014, he created the tweetware font Christmas Time.
Emptypage Studio is presently located in New York City. [Google]
[Erik Jarl Bertell]
Helsinki, Finland-based Erik Bertell graduated from Lahti Institute of Design. His fonts include Neon, Mama and Mama Round. Born in Helsinki in 1980, Erik was at first a type designer for Fenotype, which was founded by his brother Emil Bertell. He holds an MA in graphic design from aalto University in Helsinki. Around 2012, he set up his own foundry, simply called Erik Bertell.
Erik's fonts EB Base Mono (2009, monospaced), EB Futuretro (2002, bilined art deco techno face), EB Neon (2002), EB Boogie Monster (2002, multiline prismatic op art family), EB Vintage Future and EB Humboldt (2002, ultra fat).
EB Martin (2010) is, in his own words, a post modern take on several traditional blackletter types. EB Bellissimo Display (2010) is a rounded monoline geometric sans typeface family. EB Jessica (2011) is part typewriter, part cemetery.
Typefaces from 2013: Steamer (which he calls a grimy grotesque), EB Vintage Future, EB Martin (blackletter), EB Jessica Condensed Book.
Moomin (2015) is a custom typeface designed for the Moomin brand. It is based the type used in the early comic strips by Tove Jansson, the author and creator of the Moomins. Cavalier (2016) is an avant-garde sans in the style of the 1970s. Link to Bond Creative Agency. Behance link. [Google]
Erik Jarl Bertell
As a design student in Curitiba, Brazil, Erika Lourenco created the prismatic typeface David Bowie (2014). [Google]
ESAL: Ecole Supérieure d'Art de Lorraine
ESAL is the Ecole Supérieure d'Art de Lorraine in Metz. One can study type design there. The active group has established a site with some free fonts made by the students. The free typefaces posted in 2013 include Artemis (by Diane Rohn, 2012), Boom (by Cécile Etienne, 2012), Crypt (by Aude Schmittheisler, 2012: a squarish stencil face), Effilé (2012, by Valentin Mirouf), Escape (2012, by Estelle Bizet: a straight-edged typeface), Geomhotic (2012, by Isaline Rivery), Jyk (2012, by Jung Yoon Kim: straight-edged), Kazan (2012, a prismatic typeface by Eric Chapuis), Misenpli (2012, by Céline Kriebs: origami typeface), Morse (2012, a Morse-based typeface by Romuals Kabala), ODR (2012, a modular typeface by Audrey Pereira).
The text family Messine (2012) was created as a cooperative project in workshops at ESAL led by Alejandro Lo Celso and Jérôme Knebusch. Contributors were Céline Kriebs, Romain Gamba, Bernard Gissinger, Aude Schmittheisler, Gaía Fyot, Eric Chapuis, Francis Ramel, Audrey Perreira, Fanny Woimant and Isaline Rivery. Image of Messine Titrage. Image of Messine Quotidienne. Facebook page. Their seminar series is called Let's Type. [Google]
Dinamo is a Swiss type foundry established by Johannes Breyer and Fabian Harb after graduation from schools in Zurich, Basel and Amsterdam. Johannes and Fabian are visiting teachers at the Estonian Academy of the Arts, Tallinn and regularly teach at UDK Berlin and University of Applied Sciences, St. Gallen. Their typefaces:
- Favorit (2014). A basic sans family.
- Grow (2013). An experimental collaborative font family. Many of the members are multilined and even prismatic.
- The heavy sans typeface Heureka (2009-2013).
- Pareto (2016). Western style typefaces.
- Custom typefaces for Kunsthalle Zurich (CH), Warp Records (UK), Elton John (US), Yale Architecture (US), Manifesta 11 (CH), Harvard Graduate School of Design (US), Universal Music (GER), IBA Thüringen (GER), Festival B:om (KR), Gagosian Gallery (US), Planet Mu/Knives (GER/UK), LayTheme (GER) or the German, Estonian and Cyprus Pavillions at the 55th and 56th Venice Bienniale.
Johannes Breyer. Fabian Harb. [Google]
[Fabrizio Schiavi Design (or: FSD)]
Fabrizio Schiavi Design (or: FSD)
Fabrizio Schiavi was born in Ponte dell'Olio in the Piacenza province in 1971. FSD Fabrizio Schiavi Design in Piacenza was opened in 1998. With Alessio Leonardi, he co-founded Fontology. He also co-launched the experimental graphics magazine Climax in 1994.
Bio at FontFont where he made FF Mode 01, FF 0069, FF GeabOil, FF9600, FF Trade 01, FF Steel Mix, FF Steel Ring, FF Steel Jones.
[T-26] designer of D44 (1994), Lithium (1994, dingbats), Moore895 (1994), Moore899 (1994), Sidewalker (1994), Exit (1988). Many of his typefaces are grungy such as Washed (1994). Some are minimalist, such as Monica Due (1999), Monica (1999), and Eco (2001, developed from a logo in the 70s for Ageco). The latter three fonts are very geometric in nature.
Other fonts: Washed (1994), Parakalein, Aurora Nintendo (1995), Aurora CW (1995), Mode01 (1995), GeabOil (1995), 9600/0069 (1995), Fontology (1995), FSDItems (2001), FSDforMantraVibes (2001), Pragmata (2001, monospace, designed for programs), PragmataFlash (2002, a pixel font), Pragmata Pro (2011), Essential Pragmata Pro (2011, still monospaced), Sys (2002), SysFlash (2002, a pixel font), Sys 2.0 (2012, a condensed sans designed for very small print), Virna (2003, a multiline typeface for Italian MTV, discussed here). The Pragmata and Sys series were optimized for screen usage. In addition, Sys has many ink traps, so it prints well at small sizes, and is more legible than Verdana.
He does some custom typeface design, such as the innovative sans serif family called CPCompany (2000). Other clients include Ferrari and Philip Morris.
In 2007, he produced a stencil and signage font, Siruca (see also here), for the Al Hamra Complex, one of highest skyscrapers in the world, located in Kuwait. Siruca Pictograms (2008) is free. In 2015, he followed that up by a non-stencil rounded sans called Sirucanorm: Designed using golden ratio formulas, it's inspired to DIN and Isonorm typeface.
In 2013, he published Sys Falso, Abitare Sans (30 weights, originally commissioned by the group Rizzoli Corriere della Sera. Abitare is an Italian magazine).
Typefaces from 2014: Nove (a German expressionist typeface inspired by B movie typography: Nove freshly reworks exploitation film era movie poster lettering, refitting the genre to a contemporary audience. The expressive typeface was done for a Nike Italy spoof campaign featuring 1970s cult film director Enzo Castellari and a recently found film reel from his archives, featuring several current Italian athletes and American basketball star Kobe Bryant).
The rounded sans typeface Widiba Bank (2015) was codesigned with Jekyll & Hyde in 2015 for the brand identity of the new bank of Gruppo Monte dei Paschi di Siena.
In 2016, he designed the custom corporate typeface R&M in art nouveau style.
At ATypI in Rome in 2002, he spoke about the need for more fonts.
Behance link. FontShop link. Klingspor link. Font Squirrel link. Dafont link.
Showcase of Fabrizio Schiavi's typefaces. [Google]
[Emil Karl Bertell]
Fenotype, a Finnish typefoundry, has the original (often techno) designs of Emil Bertell (b. 1983, Helsinki) and his brother Erik Bertell and wife Kea Bertell. Emil has been studying graphic design at University of Art&Industrial Design in Helsinki since 2004. He designed most of his typefaces during 2001-2004, and works as a freelance illustrator. Behance link.
Typefaces made in 2002: Disco (prismatic), Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Cheaptype, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, 0210, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaia 2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon (paperclip face), Mama and Mama Round (paperclip typefaces). In private email, he calls himself Carl. The foundry evolved from 2theleft.
Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it.
Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Acid Test 2, Acid Test (texture typefaces), 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL.
In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, FT Blockbuster, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium.
In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats).
MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima.
Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (retro), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display typeface with mustache dings thrown in), FT Master of Poster (bi-level display typeface with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a hand-printed rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display typeface with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna).
Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals).
In 2012, he created Salamander Script, Taiga (connected upright script), Mercury Script (a set of upright connected script typefaces), Slim Tony (a bubblegum retro signage face) and Mercury Ornaments.
Typefaces from 2013: No. Seven (a successful brushy signage or baseball script), Alek and Alek Ornaments (an upright signage script), Voyage (a vintage script), Barracuda Script (brushy signage face), Bonbon (signage script), Bonbon Ornaments, Scaramouche (a playful connected script).
Typefaces from 2014: Larry (sturdy connected script), Silver (upright connected script), Powder Script, Peaches And Cream (creamy signage or baseball script), In and Out (a connected retro signage script), The Carpenter (a script family in the style of Mercury Script).
Typefaces from 2015: HMS Gilbert (a collection of 14 hand-crfated vintage types), Lager (a signage script family with adaptable swashes and other opentype goodies), Vanilla Shot, Journey (a smooth and elegant vintage script family of four weights and a matching ornament set, packed with alternate characters, and, in Bertell's style, perfect connections between glyphs), Tea Biscuit (signage script), Skipper, Skipper (connected script), Frost (a signage typeface that is just right, a sure award winner), Monday (sign apinting typeface).
Typefaces from 2016: Fragola (sign painting font), Syrup (sign painting font), Cosmopolitan (monoline connected script), Bluebell (copperplate calligraphic script), Inkston (vernacular brush script together with the standard hand-crafted sans and text styles), Beaujolais (brush script), Black Script (a heavy signage script), Beaujolais (an organic brush script), Cold Brew (signage script), Inkheart (tattoo style).
Dafont link. Behance link. Creative Market link. MyFonts interview.
View the Fenotype typeface library.
View Emil Bertell's typefaces. [Google]
Singapore-based designer of the triangle-based typeface Prismatry (2013). [Google]
Font Studio Four
Paul Bokslag is a Kilkenny, Ireland-based type designer.
FontStructor (aka Four, or Font Studio Four) who made the dot matrix typeface Numbat (2012), the athletic lettering typefaces Atletica (2011) and Atletica Serif (2011), and the texture typeface Milky Way (2011).
In 2011, he created Things That Go (car silhouette dingbat face).
Faces from 2012: Crazy Fredericka (poster stencil face), Twisty, Remix Chinese Whispers, Toastbread (wavy, 3d) and Plywood (3d), Field Day (blackboard bold), Transfer Window (bilined), Walk in the woods (dot matrix face), Rock Paper Scissors (bilined), One Way Ticket (bilined), White Knight (outlined blackletter), Black Knight (blackletter), Shelf Life (stylish), Oystercatcher, Broken Promises (multiline typeface), Tarmac, Hibernation (German expressionist face), Glendalough (nibbed face), Tartan Permutations (multiline face), Return Flight, Orbital Flight, Quatermaster, Featherstone, Gorilla Republic, Granny's Bear Hunt (stencil), Detour Ahead (multiline face), Shanghai Express (angular), Cassiopeia, Camelopardalis.
Creations in 2013: Solo, C Is For Cookie, Early Riser, Firelighter, Timberline (an angular script), Lupo, Polkastruct, Bridger, Six Quinces, Dompteuse, Scandalous, Lane Seven, Singel (cross stitching font), Shadowbox, Hide And Seek, Playroom, Realta 1, Glimpse, Sinistra, Crash Test Dummy, Flightpath, Close Shave, Popover, Switchboard (electrical circuit font), Black and Amber, Wavelength (prismatic), Sightline (multilined), Structurosa Outline, Sparky, Trasna (stencil), Hold Your Horses (Western), Lupo (a winner in the FontStruct Connected Script competition), Skate Park (multiline face), Circumscript, Blinker, Bobs Your Uncle, Snowcat (inline face), Cottage Industry (house silhouettes), Causeway, Springville, Longitude, Pebble Dash, Tulipano, Hitchhiker, Stretcher, Whalewatcher, Solituda, Carbonium, Railway Sleeper (shadowed face), Bricklayer Sans, Candyfloss, Milvi, Bluebell Carpet, Pinball Dingo, Spinfish (blackboard bold), Pelicano (piano key typeface), Metropolaris, Glimpse.
Typefaces from 2014: Thornbrush, Retro Pixel, Spacepixel, Level Rebel, Plutona, Blue Saloon, Seriosa, Bullwhacker, Spiegeltent, Stencilitis, Circumscript, Touchline Script, Brushland, Dordogna, Southbound, Things That Go (ar dingbats), Pacemaker Backslant, Hibernation (wood type emulation), Touchline Script, In Stitches, Stagefright, Process, Cabin Fever, Hamelin, Olingo, Black and Amber, Surftide, Move Over (stencil like Futura Black), Blackrock (rounded stencil), Windway (stencilish), Olingo (bubblegum face), a set of African-themed fonts (Bakelite, Amuletta, Spooner, Chevronel, Yellowhammer, Pinto), Rush Hour, Canario, Nova Zembla (sci-fi), Sleepless, Things That Go (vehicle dings), Cottage Industry (silhouettes of houses), Glimpse, Ticket to Ride (in the style of Tkachenko's Perfopunt), Oluna, Eyeliner, Linearo, Goldfinger, Permanent Black (fat rounded stencil), Solas (artsy dot matrix face).
Typefaces from 2015: Structurosa Italic, Ketting, Panenka, Nook, Companero, Circularity (textured), Recap Stencil, Beach Street, Life Cycle, Waterway, Rock Paper Scissors, Microwave, The Pattern Exchange, Alphabetical Order, Bloem, Synopsis, Microwave, Marbello, Dustcloud, Timberline, Boxthorn.
Typefaces from 2016: Blueback (a retro wood cut look).
Dafont link. Behance link. FontStruct link. Hellofont link. [Google]
Fontfabric is the foundry of Svetoslav Simov, a visual designer who is located in Sofia, Bulgaria, b. 1984. Highly innovative designer whose creations have lots of style and flair. Many fonts are for both Latin and Cyrillic. Picture. Behance link. Dafont link. Typegoodness link. YWFT link.
- Typefaces from 2008: Cubic (3d face), Clou (cloud-like letters), Colo (double-lined and geometric), Snail, Blou (very thick and counterless letters).
- Typefaces from 2009: United Sans (sans family), Uni Sans (another (the same?) sans family), Kare (psychedelic), File (fat face), Zag (7-style monoline sans with tear drop terminals; it include Zag Drps and Zag Deco), Clou (cloudy letters), Facet (Black and Ultra: paper fold typefaces), Noveu (psychedelic, art nouveau), Pastel (brush face), Rolka (round ultra-fat and curly lettering), Val (rounded fat), Kvant (severe and octagonal), Duplex (fat techno), Avatar (ultra fat black), Dovde (bubbly, co-designed by Maria Karkova), LOT (fat art deco), MOD (ultra-fat), Oval (rounded sans), Quad (octagonal outline), Portal Strips and Portal Black (hyper-experimental geometric typefaces), Prisma (more ultra-fat experimentation) and Wigan (Wigan Thin and Bold of this paperclip typeface appeared in 2014).
- Creations in 2010: Hero (free sans family), Null (ultra fat, free), Aston (a modern high-contrast rounded display face), DAN (free piano key font; Dan Pro is not free though), Solomon (headline sans family) [Images of Solomon: i, ii, iii, iv, v, vi, vii, viii], Dox (ultra fat geometric poster face), Sudoku (a geometric display family with several biline and triline styles, done with Fontan2), VAL Stencil (a stencil in which repeating letters makes them tilt the other way; free), Code (2010, a fantastic monoline sans family; images: i, ii, iii, iv, v), Dekar (techno), Clipdings Web, Clipdings Travel, Clipdings Graphic Arts, Babydings, Artdings, Reader (Light, Bold: avant garde sans), SAF2010 (comic book/signage: well, Jan Erasms, the designer in 2006 of Menyaka for FIFA WC 2010 is not happy, calling SAF a blatant imitation), Age Free (free fat organic face), GOTA (a free fat finger sans face).
- Typefaces from 2011: Gabriel Sans (grotesk family), La Boheme (signage face), Qero Mite (an organic monoline sans), Code Pro (caps only clean sans headline family), Solomon Sans (a headline monoline sans family).
- Typefaces made in 2012: Nexa (a geometric sans in 16 styles), Nexa, Rex (free octagonal family for Latin and Cyrillic), Hagin (free), Intro (26-style superfamily in the Futura style) and Intro Inline (free Futura-style family for Latin and Cyrillic). Intro Condensed was created in 2014.
- Typefaces from 2013: Nexa Slab, Nexa Slab XBold, Nexa Slab Bold, Nexa Slab Book, Nexa Slab Light. [Recognize the typeface by the a and the g (an 8 with a small piece missing).
- Typefaces from 2014: Nexa Rust (a weathered letterpress emulation family of 83 typefaces by Radomir Tinkov, Ani Petrova, Svetoslav Simov and Vasil Stanev).
- Typefaces from 2015: Bronn Rust, Bronn Script and Bronn Rust Extras is a hand-crafted collection of 22 typefaces created on the coat tails of the hugely popular Nexa Rust and other typefaces in the grungy worn letterpress and layering vogue. The roundish tightly set broad-ranged sans typeface family Panton is sure to make waves for years to come---it is the typeface for mobile devices. Sensa (2015, Radomir Tinkov and Svetoslav Simov) is a hand-crafted 21-style family divided into the subfamilies Sensa Brush, Sensa Pen, Sensa Wild, Sensa Sans, Sensa Serif and Sensa Goodies.
View Fontfabric's typefaces. In 2015, Ani Petrova, Svetoslav Simov and Radomir Tinkov codesigned the 214-style mammoth font system Intro Rust, a rough version of Fontfabric's Intro. The fonts are partitioned over Intro Rust, Intro Script, Intro Head and Intro Goodies. Still in 2015, we find Nexa Script.
Creative Market link. Klingspor link. Dafont link. [Google]
Born in 2001 in Fortaleza, Brazil, Gabriel Cunha created the free typeface X-Prism in 2014 and X-Prisma in 2015. Home Page. [Google]
Graphic design student in Groningen, The Netherlands, who created the geometric prismatic typeface transition (2015). [Google]
Derek Green (Gawr Juhs, Edinburgh, Scotland) specializes in visual communication and branding. He offers some free fonts. In 2012, he made Embra, Rave87, Portabello (counterless), and Constellation (a dot matrix font).
In 2013, he made Char, Impression and Gioma (a free Latin / Greek prismatic typeface created for a woman in southern Crete).
In 2016, he designed the free all caps art deco typeface Decodent.
Behance link. [Google]
Graphic designer in Budakeszi, Budapest, Hungary, who cofounded Typogravity Studio with Tamas Ilsinszki. Creator of the extreme contrast display typeface Slash Pro (2011), and the multiline prismatic typeface Grand Avant Garde (2011).
In 2012, he designed Lineo Serif (thin geometric face).
In 2013, he created a fantastic set of graph-based experimental capitals called Regenerative. Georabic (2013) is a calligraphic Arabic simulation font completely based on the principles of Arabic font design, i.e., with beginning, medial and end forms for each letter. He writes: Georabic Typface is my diploma work at Hungarian University of Fine Arts / Graphic Design Department. During my Erasmus studies in Istanbul I had the chance to learn a bit of Arabic language and typography and I realized that the logic of Arabic writing could be used for a calligraphic Latin typeface too. I started with calligraphy to find the right way to create the glyphs and the connections. [Google]
Gilberto Moya Perona
Hungarian creator of the prismatic typeface Waves (2013) and of Steady Font (2013). [Google]
Graphic designer and 3d modeler in Strasbourg, France, who created the hypnotic experimental decorative caps typeface Random Geometric (2015) by turning each glyph 360 degrees. [Google]
Hello Creative (or Hello Mart, or Hello Media)
[Margaret Harding Penney]
Saint Petersburg, FL-based web designer. Creator of the following commercial typefaces: Roccio (2010, fat geometric face), Untoward (2010), Magik (2012, a geometric display face), Roco (2013, a slit font), Faceplant (2013), Boccaccio (2013, art deco, prismatic and multilined, named after the Belgian club Boccaccio Life, where New Beat was first played), Magik, Haext (2013, hand-printed; followed by Haext Pen and Haext Bold in 2015, Ten Dollar Fonts).
In 2014, she created the Arabic simulation typeface Maroque: Maroque is a geometric type design inspired by the forms and pattern motifs found in Moroccan carpets, artwork and architecture. The pattern motifs most specifically associated with this font design are those found in the carpets of the Maghreb or Berber people of North Africa, these rugs have a kind of bold simplicity that appears decorative, detailed and grid-based. Maroque Stencil appeared in 2014.
Her company is called Hello Creative Co. Behance link for Studio Magik, the former name of her company. Hellofont link. Behance link. Hello Media link. Creative Market link. Old URL for Hellomart Fonts. [Google]
Yael Gauffier (HorSujet YG) is a French designer. His first typefaces are all prismatic and geometric, and explore the boundaries of what can be done in these styles. One might call it type as an art form. His typefaces include Souple (2013), Bronson (2013) and Optical (2013). Roulette (2013) and Je Suis Tellement Riche (2013) are quite experimental. Chiffres (2013) is a squarish techno outline typeface. [Google]
Dick Pape digitized these typefaces in 2009-2010, based on a source called Hula Fonts: Acorn House, BallTerminals, CableScriptCameo, CableScriptRegular (a paperclip family), CableScriptThin, CableScriptThinCameo, CurbDesire, DiscoDeco, EcoLeaf (a piano key typeface), HulaRibbon1 (prismatic), HulaRibbon2, Softsquare.
Download page. [Google]
Graphic and type designer from Moscow, b. 1985. Since 2005 he has been working in international advertising and creative agencies. Creator of the geometric typeface Discoteque (sic) (2012, +Poster, +Gold, +Hypnosis---a multiline version). [Google]
Design company in Brazil run by Paulo W (b. 1970) from Recife. Paulo W is a gaúcho (Brazilian southerner), with interests in multiple areas, including poetry (he has published the digital opus Magical Book), graphic design and, most recently, type design.
Dafont link. MyFonts. MyFonts link. Abstract Fonts link. YWFT link. Behance link. Blog. Home page. Fonthaus. Monotype. Eshops. Facebook. Flickr. Klingspor link. Wordpress. Devian tart. T26. Linkedin. Identifont. Linotype. ITC. Faces.co. His typefaces:
- Free fonts: Inductive Resonance (2014: connected script), Retrodings (+Two, 2014), Living In The Past (outlined Tuscan face), Rough Ornaments Free (2014), CornPop Three (borders), Too Good To Be True (2013, retro script), Blanchard Inland (2013), Living Together (2013), Arresto (2013, brush script), Hertziano (2013, non-connected fat script), Japanese Tourist (2013), Nouveau Never Dies Free (2013), The Beat Goes On (2012, fifties script), Stencix (2012), Figgins Brute Trash (grunge), Fontaniolo Beveled (2011, ornamental caps), Czech Gotika (2011), Random Dingbats (2011), Victorian Free Ornaments (2011), Rustic (2011), Armorial (2011), Woman Silhouettes (2011), The Nile Song (2010, hieroglyphics), Smith Typewriter (2009), Sign Flags (2010, semaphore dingbats), Senectus Morbus (2010), MesoAmerica (2010, Indian symbols), ClassicSketches (2010, dingbats), Columns (2010, dingbats of Greek and Roman columns), EasyCuneiform (2010), EasyLombardicTwo (2010), EasyOpenFace (2010, blackboard bold style), Egidia (2010), Significante (2010, dingbats with, e.g., gender symbols), WhiteDominoes (2010, domino pieces), Easy Heraldics (2010), Intellecta Heraldics (2010), Heraldic Devices (2011), KidingsFree (2010, dingbats), RoughTuscan (2010), The French (2009, Fleur de Lys dings), AprendizCaligrafico (2010), Volitiva (2006, Trajan caps and chancery lower case, all based on work by Ludovico Vicentino Arrighi), Gaivota (2006), KurrentKupferstichThin (2006), PaulKlein (2010), PaulKleinTwo (2010), PortuguesArcaicoLectura (2005), ReproxScript (2009, based on Jerry Mullen's Repro Script from 1953-1954), RickGearyHomage (2007, scanbats), WestBalaio (2006, ornamental caps), Corto Maltese (2006, scanbats), Renaissance Coiffure (2006), Renaissance Ornaments (2007), Renaissance Shoes (2012, free), TTF Tattoef (2006, tattoo-inspired dingbats), ExperiTypo5 (2006), Lower Metal (2006), Geometric Serif PW (2006), Geometric (2006), Geometric Petras PW (2006), War II Warplanes (2005), Carbono (2005), Times New Vespasian (2005), BoldBold (2005), Vengeance (2005), Doppleganger (2005), Chancelaresca (2005), Cursivo Saxonio (2005), Gotische Minuskel 1269 (2005: a Kanzlei Schrift after Dekan Hermann zu Soest, 1269) and Guto Lacaz (2005, dingbats).
- Richard Gans revival project: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada (2006), Gans Ibarra (2006), Gans Antigua (2006), Gans Antigua Manuscrito (2006), Gans Radio Lumina (2006), Gans Fulgor (2006), Gans Carmem Adornada (2006), Gans Italiana (2006, extensive Italian-style slab serif family), Gans Titania (2007), Gans Titania Adornada (2007), Gans Titular (2007), Gans Gotico Globo (2007: 9 styles by Iza W), Gans Royality (2007: 3 styles by Iza W), Gans Headpieces (2008), Gans Rasgos Escritura (2010: filets---followed in 2011 by Rasgos Escritura Nuevos), Gan Esquinazos (2010, frames), Gans Blasones (2010, shields), Gans Neoclassic Fleurons (2008), Gans Classical Fleurons, Gans Ding.
- Wood-inspired typefaces: Dead Wood Rustic (2007), Taranatiritza (5 wood type styles, after William Hamilton Page), Majestade (2007, by Iza W---two Tuscan style typefaces), Decorative Tuscanian (2007), Concave Tuscan (2010, wood type), Palermo (2007, by Iza W---Tuscan style family), Teatro (2009, Tuscan), Bruce Double Pica (2009, Tuscan; the Beveled weight is free), Antique Extended (2010, slab serif wood type), Dark Wood (2009, gothic), Dark Wood Beveled (2011).
- Charles Bluemlein's script revivals: Bluelmin Kisaburo (2013), Bluelmin Ralph (2012), Bluelmin Ronald (2012), Bluelmin Sandsfort (2012) and Bluelmin Benedict (2012). (2012).
- Blackletter: Salterio (2012, +Trash, +Three, +Gradient, +Shadow, +Shadow Two), Leothric (2011, bastarda), Bruce 532 Blackletter (2011, after George Bruce), Schneider Buch Deutsch (2007, +Trash, +Shadow, +Shadow Two), Schneidler halb fette Deutsch (2009, +Beveled), Schneidler Zierbuchstaben, Hostetler Fette Ultfraktur Ornamental (2007, blackletter caps), Gothic 16 CG (2007), Gothic 16 CG Decorative (2007, blackletter caps), Schneidler Grobe Gotisch (2008, Iza W, T-26), Allerlei Zierat (2008, ornament fonts based on a 1902 catalog of Schelter & Giesecke), Allerlei Zierat Capitals (2007), Psalter Gotisch (2009, a blackletter after the Benjamin Krebs blackletter face by the same name, ca. 1890), Münster-Gotische (2009, a blackletter family after a 1896 typeface by the same created by Schelter&Giesecke), Koberger N24 Schwabacher (2007), Student's Alphabet (2007, blackletter), Like Gutemberg Caps (2007), Nürnberg Schwabacher, Gotische Frame (2007: four framed blackletter styles by Iza W), Gotische (2007: ten ornate blackletter styles by Iza W), Gothic Garbage, Gothic Shadow, Gothic Trashed, Gothic Flourish (2009), Gotica Moderna (octagonal, blackletter), AltDeutsch (2007, four severe blackletter fonts by Iza W), Fin Fraktur, Gotische Bouffard, Heimat RGS, Gothic Handtooled Bastarda (2006), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Gothic Handtooled Bastarda (2006).
- Historical revivals: Pantographia (2010: a digitization, as is, of several alphabets from Edmund Fry's Pantographia, 1799), Caslon2000, Caslon B, Delamotte Large Relief (2010), Figgins Brute (2007: 8 heavy Egyptian styles by Iza W based on Figgins' 1817 specimen book), Erased Figgins Brute (2007), Gras Vibert (2007, a didone family; followed by Gras Vibert Two in 2009).
- Erotic or human alphabets: American Way of Life (2011), Roman Silhouettes (2011), Silvestre Weygel (2007, named after Martin Weygel'a erotic alphabet from 1560, which in turn was based on Peter Flötner's 1534 alphabet), Gravure (caps typeface made of human silhouettes), Innocence (2007, dingbats of girls).
- Medieval chancery hand: Portugues Arcaico (2005, three medieval handwriting styles), Kurrent Kupfertisch (2006, a medieval hand done with Fernanda Salmona), Dovtrina Christam 1622 (authentic old manuscript face), Catania (2007, exquisite medieval caps in 3 styles by Iza W).
- Typewriter typefaces: Remix Typewriter (2012), Smith Trash (2012), Neo Bulletin (2010, +Trash), Remington PW (old typewriter face), Olivetti Linea (old typewriter face), Erased Typewriter 2 (2007: 4 styles by Paulo W), RIP Typewriter (2009), Shadow Typewriter (2007), Underwood Typewriter (by Iza W).
- Calligraphic: Broken Kiss (2015), Derniere Script (2015), Bradstone Parker Script (after Zaner's penmanship), Jan van den Velde Script (2011, based on the penmanship of Jan van den Velde as illustrated in vna den Velde's 1605 book Spieghel der schrijfkonste; developed jointly by Paulo and Iza W), Penabico (2010, with Iza W); Penabico is a free interpretation of the copperplate script styles to be found in the Universal Penman, London, 1741, by George Bickham---it contains over 1500 calligraphic glyphs and 250 ornaments. Samples of Penabico: i, ii, iii, iv, v, vi, vii, viii, ix), Easy Calig, Intellecta Mixed Script (2008), Spencerian Constancia (2008), Calligraphia Latina Soft4 (2010, quilled ornaments), Intellecta Script commercial (2009), Spencerian By Product (2009), Spencerian Palmer Penmanship Pro (2010), Indenture English Penman (2010), Calligraphia Latina (2008-2010, in weights called Soft2, Dense, 3, Soft4, Mixed, Square Edition).
- Victorian, Edwardian: Engel (2007, by Iza W in 15 styles that have a 1870s look), Compendium (Victorian), Costado (2009, a Victorian / Western face).
- Ornamental caps: Campi (2009), Doppel Mittel Lapidar Azure (2012), Musirte Antiqua (2012), The House of Usher (2012), Peterlon (2012), Dolphus Mieg Alphabet (2011, +Two), Dolphus Mieg Monograms (2011), Human Nature (2011), English Arabesque Revival 1900 (2011), Imprenta Royal Nonpareil (2011), XVI Century Shaw Woodcuts (2011), Ichweis Caps (2011), Cherubim Caps (2011), Rara Beleza (2011), Gothic 1880 Revival (2011), Angelicaps (2010), Unnamed Caps Two (2010), VertiCaps (2010) Rebimboca Caps (2010), Rebimboca Beveled (2012, free), Rebimboca Gradient (2012, free), Rebimboca Trash (2012, free), Rebimboca Outlined (2012, free), Republica Presente (2010), Speedball Metropolitan Caps (2010, after a design by Ross F. George), Nice Initials (2010), Morphelic (2010), DurerGotischCapitals (2010), Egmontian (2007, ornamental caps family), Saducismus Triumphatus (ornamental caps), Vogus (Victorian caps), Victorian Ornamental Capitals (2009) and Frompac 1889 Arabesque (2007) [both are classical arabesques published in Ludwig Petzendorfer's Schriften-Atlas. Eine Sammlung der wichtigsten Schreib- und Druckschriften aus alter und neuer Zeit nebst Initialen, Monogrammen, Mappen, Landeskarten und heraldischen Motiven fur die praktischen Zwecke des Kunstgewerbes, 1889], Lettrines Petin (+Ornée), Numa Initials (2006), Gradl Initialen, Vampirevich (2009, ornamental caps), Paulus Franck 1602 (2006, ornate caps), Geodec (2006, baroque caps), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Cadels (2007, ornate caps by Iza W), Manuscript XIV Century (2007, by Iza W--four Lombardic caps), Merona (2007, by Iza W--ten Lombardic caps fonts), Selena (2007, by Iza W---ornate Victorian caps), Leyenda (great Victorian era ornamental caps), Mixed Capital Style (2007, caps), Lenda (2008, capitals), Kidnaped at Old Times (2008, ornamental caps, ransom note style), Mortised Capitals, Is Not ABrazilian Font (hand-printed blackboard bold caps), Robur The Conqueror (2009, ornamental caps), Georgia Capitals (2009), Decadence avec Elegance (exaggerated ornamental caps).
- The American Advertise series: American Advertise No. 9 (2008), American Advertise No. 17 (2007, 19th century caps), American Advertise 018 and 019 (2008), American Advertise Square Series (2007), American Advertise 003 (2012), American Advertise 004 (2010), American Advertise 005 (2010), American Advertise 006 (2010, alphadings), American Advertise 007 (2010, ornamental caps).
- Ornaments, fleurons: Transportation Dings *2015), Cornucopia of Dingbats Eight (2015), Animals Old Cuts Two (2015), Unpublished Ornaments Two (2013), Classix (2012), Cornucopia of Dingbats (2012-2014, +Two, +Three, +Four, +Five, +Six, +Seven), Cornucopia of Ornaments (2013; +Two, +Three, +Four, +Five, +Six, 2014), Cornucopia Caligrafica (2012), Vintage Hands (2012), Human Silhouettes (2012; +Free, 2013; +Two, 2013; +Human Silhouettes Three, 2013; +Four, 2013; +Five, 2014; +Six, 2014; +Seven, 2014; +Eight, 2014; +Nine, 2015), Easy Fleurons (2012), Floreale Two (2012), Neoclassic Fleurons Free (2011), Calligraphic Frames Soft (2011, +Two), Jugendstil Flowers Free (2011), Easy Ornaments (2011), Blasons (2011), Blasons Free (2012), Armorial (2011), Monograms Soft (2010, with Iza W), Easy Tiles (2010), Free Tiles (2010), Rough Fleurons Two (2010), Vegetable Breathe (2010), Corn Pop Plus (2010), Mortised Fleurons (2010), Mortised Ornaments (2011), Mortised Ornaments Free Two (2013), Golden Times (2010), Stahlhelme und Kronen (2010), Rough Fleurons (2006), Nouveau Never Dies (2009, ornaments), GeodecBruceOrnamented6 (2006, after a sample from the Bruce Type Foundry), Grave Ornamental (2006), BlackOrnaments (2008), Hera Hedelix (2009, ornamental tiles), Mortised Ornaments (2009), Soft Fleurons (2007), Half Flower (2007), Frames 1 (2007, by Iza W), Flower Essences, Micro Fleurons (2009), Naturella (2009, leaf and grape dingbats by Iza W), Black Fleurons (2010), Easy Fleurons Two (2011), Intellecta Borders (2008, by Iza W), Intellecta Style (2007, borders).
- Fonts made before 2007: Brute Aldine (2007, Western family), Bad Situation (2007, after a design by Freeman Delamotte from 1864), Benjamin Franklin (2007), Geodec Petras Enhanced (2006), Deutsche Poster (2006), FatFontGrotesk (2006), Orchis (2006, an art deco family by Iza W), Fantis (2006), Frompac (2006, with Iza W), Geodec Fog (2006), Intellecta Modern (2006), Intellecta Modern 2 (2006), Intellecta Romana Humanistica (2006), Advantage (2006, together with Iza W), Biza (2006, together with Iza W), Elegancy (2006, together with Iza W), Estiliza (2006, a sans family together with Iza W), Experitypo 4, Stairway to Heaven, Copperplate PW, Dings PW, Roger Dean, Gliphs PW, Luxeuil, Watchtower Bible 1965, Gabinete Portugues (11 fonts), Elara (2009), Xilografuras (dingbats), Beta, Alta, Paleolitica Nacional, Shakespeare Studs, Copperplate collection (5 fonts), Wine, Ampersamp, James Poem, Leal Conselheiro, Haeckel Enygma, Iza B, Of, Lementa (2006, ornate family), Pirates (dingbats), Wire Clip (2009), Divina Proportione (2009, dingbats), Tharagaverung (2007), Correo (2009, a nice manly bold face), Titivilus (2007, Roman lettering), Pirates De Luxe (2007, dingbats), Geodec Minuskel (2006), Geodec Spyral (2006), Copperplate Decorative (2006), Feosa (2006), Francesco Decorative (2006, Iza W), Geodec Petras Enhanced (2006), Ibarra Flourished (2006), Intellecta Decorative 017 (2006), Intellecta Decorative 018 (2006), Intellecta Slab Bold (2006), Kansas Decorative (2006), Pingente (2006), Sixties Living (2006), Caractere Doublet (2007), DeutschePosterSteinschrift (2007; by Iza W), GP Casual Script (2007), Colonia Portuguesa (2007), Contouration (2007), Deco Experiment 3 (2007), Floresco (2007), Flower Jars (2007, by Iza W---a very nice idea), Frutisis (2007), Intellecta Monograms (2007: 19 monogram fonts by Paulo W), Intellecta Monograms Random Sample (2012-2013: several typefaces), Peloponeso (2007, by Iza W), Porcupine (2007, by Iza W), Southern Flight (2007, by Iza W---condensed), TTF TTTOEF 4 (2007, by Iza W---dingbats), GeodecBruceFlourished, HostetlerNormande, Victorian Ultra Parphernalia (2007), Angels (2007), Angels Free (2013), Mondrongo (2007), Oorlog (2007).
- Fonts in 2008: Das Riese (3d engraved caps, +Shadow), Economica (sans, T26), Antiqua Double 12, Bad Baltimore (+Beveled, +Typewriter), Calligraphia Latina (2008-2009, in weights called Soft2, Dense, 3, Mixed, Square Edition, Free), Fry's Alphabet, Grissom (bug dingbats, by Iza W), Latinish (by Iza W), Lettering Deco (by Iza W), Litho Romana Inland, Quadratta Serif (a slab serif by Fernando Diaz), TTF TATTOEF 7 (by Iza W).
- Fonts made in 2009: Eingraviert (engraved; scans: i, ii, iii), Eingraviert Beveled (2011), Greko Roman Oldstyle, Ortodoxa do oriente, Sans Square, Speedball (by Iza W, Victorian style), Speedball Western Letters (after Ross F. George's lettering), Elara (2009), Intellecta Roman Tall, Force Brute & Ignorance, Sunamy Caps, Starret, The Pilgrim (alphadings), Renaisperian (alphadings), Real Caps Two, Mateus Bold (4 bold styles), Intellecta Crafts (arts and crafts family), Bruce 1490, Bradley Dingies (five dingbat typefaces, after William H. Bradley), Allerlei Zierat Renaissance, Grave Plus, the grungy Monkey series (Victorian Monkey, Monkey Poesy, Monkey Messed Gutenberg Caps, Monkey Was Here, Monkey Insinuation, Monkey In The Middle Ages), Montezuma (dingbats), Grotesque and Arabesque, Calhambeque (old car dingbats), Eiger (2009, a 3d sketched headline face).
- Faces made in 2010: Polen, Pencraft (capitals were inspired in Swagger Capitals, an original design from Carl Stephen Junge, at Barnhart Brothers & Spindler; lowercase based Pencraft Specials, an ornamental variation of the Pencraft Oldstyle series, as displayed in the BBS catalog from 1922), Salamemingoe (children's hand), BarberPoles, Beware the neighbors (scary), BlackInitialText, CaligrafiaDivina, CornPop, CowboyHippie Pro, Grotesca3-D, Nardis, Senzacuore, Speedball Metropolitan Poster (2010, after a design by Ross F. George), TagWood, Tosca, TypographyTribute, Zooland, Bubbleboddy-Fat, bubbleboddylight-Light, Pretoria Gross (a Victorian family done with Iza W), Wood Font Five (wood plank font), Wood Font Four, Herr Foch (art nouveau), Rebimboca, Octagon French (a 3d beveled typeface due to George Nesbitt, 1838), Picuxuxo (retro futuristic, comic book style), Large Old English Riband, Ornamental Riband, Kidings (Dutch dingbats), Hostil (originally done in 2007: a headline family; followed by Hostil Shadow Two (free, 2012) and Hostil Gradient (free, 2012)), Grotesca, Heptagon French, Antiquariaat (condensed), Cortinado, Sanoxio (3d headline face), Violentia (grunge), Swirlies (spiral dings).
- Faces from 2011: Dia de los Muertos (fantastic skeletal masks), Inland Becker, Rasgos Escritura Nuevos, Jaggard (2007, a renaissance penmanship caps typeface modeled after Joachim Romann's Queen (1954-1956, Stempel)), Jaggard Two, Naive Ornaments Black, Augustus (+Beveled: roman letters), Sayonara (oriental simulation face; the Beveled style is free), Trash Barusa (inline ornamental face), Free Ribbons, Black Ornaments Three, Calligraphia Latina Soft 5, Heraldic Devices Premium, Ornate Blackboards, Benjamin Franklin Beveled, Baltimore Typewriter Beveled, Bernardo Beveled, Van den Velde Script (a free interpretation of the work of the famous master penman Jan van den Velde, found in the Spieghel der schrijfkonste, in den welcken ghesien worden veelderhande gheschrifften met hare fondementen ende onderrichtinghe (Haarlen, 1605)), Indenture English Penmanship, Penmanship Birds and Ornaments (2012), Beware The Neighboors Shadow (texture face), White Free (shadow face), Delamotte Large Relief Beveled.
- Typefaces made in 2012: Porosa, Presto, Derradeira (signage script), About Sweet Memories (brush script), Intellecta Ribbons, Irrelevante (beveled caps), Laus Sus Chris (Christian dingbats), Unpublished Ornaments, Heavy Squared Writing (brush face), Mezcla Titan, Sweet About (retro script), Publicité, Hard to read monograms, Free Medieval, Doctor Polidori (initial caps), Mixed Silhouettes (One through Five), Glosilla Castellana Cursiva (inline type family), Sayonax (a textured version of the oriental simulation typeface Sayonara), Wood Stevens (free), Rockabilly (fifties script), Interdite Script (heavy calligraphic face), Prismatica (free), Cristalid (free prismatic face), Zed Leppelin (free), Neo Bulletin Outline (free), Neo Bulletin College (2012), Victorian Free Ornaments (+Two), Spanish Army Shields (+Two), Varius Multiplex, Stephens Heavy Titling.
- Typefaces from 2013: Face of Yesterday (calligraphic script), Ribbon in the sky, Dreamer (a flowing upright semi-connected script), Vorname (blackletter), Barocque Capitals, Close To You (a rabbit-eared script), Wappen (heraldic shields), Eletroz (hand-printed), Morcrepito (blackletter), Metropolitan Poster Black, Animal Silhouettes, Intellecta Pointers and Hands, The Loyalist (script), Vonnegut (a left-leaning script), Perhaps Love (left-leaning script), So Lonely (script), Exposition (upright script), Plaster of Paris (connected script), Volstead (connected script), Versitia (connected script), Porongo (heavy brush script), Fat Fantasy, Das Krieg (soldier dingbats), Corn Pop Two (ornamental corners), Corn Pop Four, Corn Pop Five, Astrodings, Vulnavia Sans (comic book face), Capitular Heraldica, Mirella Initials Ornamntals (a swashy calligraphic script; with Iza W), Carpete (retro script), Free Writer, Round Hand, Exclusivite (fifties script), Hertz Oscillations (fat retro script), Heavy Rock (fifties script), Raindrops (retro script), Ralph Walker (ronde), Exiles (retro signage script), Mr. Richmond Caps (art nouveau alphadings), Berengard Caps Two.
- Typefaces from 2014: Prester John, Animals Old Cuts, Take a Pebble, Corn Pop Five (borders), Kidnapped at German Lands (ransom note font), Kidnapped at German Lands 2, Kidnapped at German Lands 3, Kidnapped at German Lands 4 (finished in 2016).
- Typefaces from 2015: Rogeer (script), Chart Moss, Eliensee, Speedball Ragged, State Bridge, Derniere Script, Grissom Four (dingbats of critters), Das Modern, Zona Pro (a sans family).
- Typefaces from 2016: Doctor Russel (script), Hollandisch Closed (blackletter), Rough Flowers (floral ornaments), Equis (crosses), Mattaaus (a counterless poster font), Holland Morleau (a Kanzlei style blackletter font), Rough Vignettes, Rechnung (a bejeweled didone), Alphabet Fantasie (decorative caps), Phantasinian (blackletter), Loosing Memory (blackletter), Laandbrau (blackletter), Lord Radcliff.
[Jorge Iván Moreno Majul]
Jorge Ivan Moreno Majul is a graduate of Centro de Estudios Gestalt. Based in Veracruz, Mexico, he designed the sans typeface Fresca (2011, Google Fonts) and the multiline layered colored and animated typeface Antorcha (2010). Antorcha, which revives the famous 1968 Mexico Olympics font, won an award at Tipos Latinos 2012. His typeface Wixarica won a prize at Cuarta Bienal de Tipografía Latinoamericana Tipos Latino in 2010.
Typefaces from 2016: Palitroche Sans and Serif. Behance link. [Google]
Gold Coast, Australia-based designer of the prismatic typeface Stripy Hype (2016). [Google]
Wellington, New Zealand-based designer of the prismatic logotype Party Down (2013), which was created for a kiwi lighting company. [Google]
[Jeff Levine: Dingbats and Alphadings]
[Jeff Levine: Additional typefaces]
Jeff Levine: Additional typefaces
This is a list of fonts by Jeff Levine not categorized anywhere else on my pages.
- A: Adelanto JNL (2009), Adhesive Letters JNL (2011), Adhesive Serif Letters JNL (2015), Afternoon Edition JNL (2015), Aisle Seats JNL (2006, based on letters cut by the Redikut Letter Company of Hawthorne, CA), Album Cover JNL (2008), Alleway JNL (2012, a condensed sans), Allograph JNL (2007), Alphacal JNL (2008, outlined, and like Juneway JNL, based on water-applied decals once made by the Duro Decal Company (now Duro Art Industries) of Chicago), Alton JNL (2010: a bold display sans), Amateur Printer JNL (2007, grunge), Ampersorts JNL (2011: ampersands), And So Forth JNL (2011), Anecdote JNL (2009), Arcaro JNL (2013, a calligraphic typeface based on the movie credits of the ABC TV series Naked City, 1958-1963, starring detective Frank Arcaro), Arch Creek JNL (2010, an all caps revival of Beton), Ardball (2006), Art Deco Monograms JNL (2015), Arte Critique JNL (2009), Artist Colony JNL (2009), Arts District JNL (2014), Art Student JNL (2010), Astrospy JNL (2008: techno), Awkward Gothic JNL (2008), Axelby JNL (2013).
- B: Backpage Article JNL (2010), Bal Harbour JNL (2008), Balcony Seats JNL (2007, narrow retro sans), Barricade (2011, a great shadowed caps face), Bayview JNL (2008, based on Inland Type Foundry's Studley), Best Bet JNL (2014, a slab serif redesign of Beton), Bike Decals JNL (2008), Billing and Shipping JNL (2010), Bingo Player JNL (2010), Birch Beer JNL (2008), Bit Player JNL (extra-condensed tall poster font) (2015), Bloktor Mosaik JNL (2007), Blue Parrot (2006), Bluesman JNL (2014: based on the lettering of the the blues album "I'm Jimmy Reed" released on the legendary Vee-Jay label out of Chicago), Bonehead JNL (2013, bones), Box Lunch JNL, Brass Rail JNL (2015), Brazil Nut JNL (2015), Broadcast JNL (2015), Broadletter JNL (2009), Brogado (2006), Brushmark JNL (2011), Bum Steer JNL (2015), Burger Joint (2006), Burger Royale JNL (2007), Business Helpers JNL (2014).
- C: Calendar Blocks JNL (2009), Calling Card JNL (2010), Callouts JNL (2011, in Circle and Square styles; white letters on black background), Canby (2006, a squarish caps face), Candle Wax JNL (2014, based on the movie poster for Bell, Book and Candle starring James Stewart), Cast And Crew JNL (2015, condensed monoline), Cast Shadow JNL (2010), Casual Lunch JNL (2009), Casual Friday JNL (2008, roman lettering), Casual Tune JNL (2015), Catalog Serif JNL (2015), Catch Words JNL (2009), Channel Tuning JNL (1999), Channel Surfing JNL (2010), Charlies Bar BQ JNL (2008, heavy slab serif), Charmer JNL (2014), Chive Turkey JNL (2007), Circuletter JNL (2016), Ciribiribin JNL (2014), Classification JNL (2015), Classroom JNL (2009), Cling Vinyl JNL (2009), Coal Train (2004), Cocktail Hour JNL (2016, a beatnik typeface based on the opening title for the 1962 Blake Edwards film Days of Wine and Roses starring Jack Lemmon and Lee Remick), Coldfield JNL (2008), Commentary JNL (2010, almost typewriter type---easy on the eye), Concierge JNL (2014), Corkboard JNL (2010: a rounded all caps family), Cornfield JNL (2008), Crown Heights JNL (2007, slab serif caps), Cyberglass (2010, techno), Cybrox JNL (2012, grunge).
- D: Dance Hall JNL (2011), Dance Lesson JNL (2015, a wedge serif in the style of Latin Wide), Dangits JNL (2009), Decal (2006), Deco Of Tomorrow JNL (2014), Deconstructed JNL (2012), Decorative Panels JNL (2009), Deerfield JNL (2006, Bank Gothic style), Desk Jockey JNL (2008), Deskplate JNL (2011), Detention JNL (2007, hand-printed), Diamond Jim (2010), Diamondwood JNL (2015, rhombic), Disclaimer JNL (2010, condensed thin headline face), Display Inline JNL (2009), Displayced (2006, LED font), Display Roman JNL (2014), Do It Yourself JNL (2008), Doo Wop Initials JNL (2007), Doowop (2006), Dormitory Decals JNL (2009), Double Take JNL (2008), Duonor JNL (2010), Durable JNL (2016, based on a 1940s cover of a catalog for the Duro Decal Company of Chicago).
- E: Eat More Fruit JNL (2016), Edessa JNL (2009: chiseled stone look, faux Greek), Editorial Comment JNL (2009, grotesk caps-only headline face), Edits and Credits JNL (2008), Elsinor (2006), Endless Journey JNL (2009), Ensemble Inline JNL (2014), Entitled JNL (2007, squarish as in Bank Gothic), Evening Edition JNL (2009), Evening Paper JNL (2015), Expressions (smilies).
- F: Factual JNL (2010,headline face), Fairgrounds (2006), Farragut JNL (2008, hairline geometric), Fastenating JNL (2012, paper clip font), Feltboard JNL (2008), Fence Post JNL (2012), Festival Nights (fancy letters), File Folder JNL (2010, Bank Gothic style family), Film Crew JNL (2009), Fincastle JNL (2011, all caps sans titling face), Flagstaff JNL (2010), Flatbush Beanery (2006), Flipboard JNL (2011), Flivver (2006, a slab-serif display font), Floor Tiles JNL (2009), Florida (2006, retro), Food Vendor JNL (2011), Fordham JNL (2011, all caps slab serif), Frankly Plain JNL and Franky Ornate JNL (2010, all caps typefaces after Franklin Gothic), Frantic Pace JNL (2016, a bouncy retro party font), French Serif Moderne JNL (2009), Freunlaven JNL (2006, psychedelic), Fun and Games (2011, a casual retro typeface redrawn from the lettering found on the cover of a 1935 Speedball Lettering Pen book).
- G: Gene Condensed JNL (2014), Generic Gothic JNL (2013: an interpretation of Franklin Gothic Condensed), Genesee JNL (2010), Gift List JNL (2016), Gift Wrap JNL (2014), Gilbert JNL (2011, after Eric Gill's sans), Go To Town JNL (casual inline type style) (2015), Greenwich Village JNL (2014), Groovy 3D Caps JNL, Groovy Happening JNL (2005, psychedelic, in the style of Action Is), Groovy Summer (2006, a casual sans), Guadalajara JNL (2014, a Mexican party font), GummedAlphabet JNL (2011), Gummed Letters JNL (2010).
- H: Halavah Twist JNL (2007; see also its extension Zydeco JNL in 2009), Hallandale (2006), Halliday JNL (2013: an outlined typeface based on Beton Open Condensed), Handbills And Posters JNL (2015), Handmade Caslon JNL (2015), Handmade Dropshadow JNL (2010), Handmade Gothic JNL (2011, inspired by lettering samples in a 1941 Speedball Lettering Pen instructional booklet), Handmade Roman JNL (2011), Hand Stamped JNL (2006, rubber stamp look), Hanford (2010, a sans headline family), Hash and Beans JNL (2007), Headstone Roman JNL (2015), Hectonoid JL (2008), Highbrow Cafetorium JNL (2009), Home Room JNL (2009), Horse Puckey JNL (2008), Hoxie JNL (2008).
- I-J: Impressionable JNL (2012, based on a rubber stamp set), Industriality JNL (2015), Informational Gothic (2013: The Wood-Regan Instruments Company (Wrico) of New Jersey manufactured for decades a line of lettering kits called the Wrico Sign Maker. With only special ink pens, plastic templates and a template guide anyone could letter clean, clear signs, posters and notices. This typefaces is based on one of those kits), Initial Seals JNL (2012), Inkpad Letters JNL (2011), Inline Lettering JNL (2011, inspired by the opening title of a classic 1940s horror film, The Invisible Man's Revenge), Innerspring JNL (2015), Interoffice Memo (2011), Intrigue JNL (2014, based on the hand-lettered movie titles from one of the William Powell / Myrna Loy Thin Man series of films), Island Time JNL (2015), Jalopy (2014), Jive Jump (2006), Jobseeker JNL (2011: hand-printed), Juneway (2006, modeled after a set of water-applied decals made by the Duro Decal Company of Chicago), Junior Printer JNL (2015).
- K-L: Katydid JNL (2015, a connect-the-dots typeface), Key Largo JNL (2011, all caps slab serif), Lakeland JNL (2013), Kiddie Blokz JNL (2010), Lamp Post JNL (2012, an interpretation of Post Old Style, ca. 1901), Lasting Impression JNL (2008), Late Breaking News JNL (2016, headline sans), Lecture Hall JNL (2012), Lefferts (2006, squarish display face), Les Folies JNL (2009, Victorian), Lettering Pen JNL (2015, hand-crafted), Liebestraum JNL (2014, a decorative caps font), Limited Appeal JNL (2016), Linem Up (2010), Lobby Card JNL (2010), Longbranch Initials (2006, for decorative monograms), Longacre JNL (2013, fat rounded sans), Long And Thin Initials JNL (2015), Loose Leaf JNL (2010), Love Notes JNL (2011: alphadings), Luminum JNL (2007).
- M: Made in Japan (2014), Mailbox Letters JNL (2008), Mainline JNL (2014), Marble Cutter JNL (2015, based on dies used for stamping text into marble headstones or other monuments manufactured by The Vermont Marble Company (Vermarco), which operated from the 1880s until 1976), Margate JNL (2013, based on water-applied decals manufactured in 1962 by the American Decalcomania Company for Goodyear), Marking Device JNL (2014), Maryland JNL (2014), Matchbook JNL (2014: based on lettering on a matchbook from the Carrousel Restaurant in Miami Beach), Mayville JNL (2009), McCadden JNL (2013, inspired by the hand-lettered credits for the George Burns and Gracie Allen Show [1950-1958]), Meal Ticket JNL (2008, squarish), Merchandiser JNL (2010), Merchandising JNL (2014, brush signage script), Millport (2006, squarish display face), Misdirection JNL (2009), Mixed Messages JNL (2007, ransom note), Mocombo JNL (2010, an African look typeface that is a slightly modified version of one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times Magazine during the period of the 1930s through the 1950s), Model Railroad JNL (2015), Moderator JNL (2013), Modern Appliances JNL (2014), Monoline Rounded JNL (2014), Monthly Meeting JNL (2013), Monthly Newsletter JNL (2011), Morning Paper JNL (2015), Morningside Heights JNL (2015), Morningstar JNL (2012, named after Jeff's friend, Estella Dawn Roberts of Stella Roberts Fonts), Movieland JNL (2008), Movie Night JNL (2011), Moving Message JNL (2015, dot matrix typeface), Musical Arrangements JNL (2014), Musical Score JNL (2015).
- N: Naroid Initials JNL (2010, one of the most ultra-compressed sets of initials available in digital type), Narrow Minded JNL (2014), National Spirit JNL (2009), Newark JNL (2014: a strong slab serif), Newsbreak JNL (2008), Newshawk JNL (2007, a condensed sans), Newsprint JNL (2011), Newsreel Caps JNL (2014), Newsworthy JNL (2011: a condensed headline sans), Nightcap JNL (2011), Nighthawk JNL (2009, a retro headline sans), Nondescript JNL (2012), Nouveau Roundcorner JNL (2015), Nouveau Yorke JNL (2015), Now Playing JNL (2010).
- O: Oblogram JNL (2008, techno), Occidental Tourist JNL (2009), Odditype JNL (2006, computer simulation), Off The Wall JNL (2008). Old Bodoni Wide JNL (2016).
- P-Q: Packaged Goods JNL (2016), Park Slope JNL (2014), Parfum de Paris JNL (2014), Paint Store JNL (2006), Parkitechture (2006), Part and Parcel JNL (2009), Partial Eclipse JNL (2012), Patriotica JNL (2011, American flag face), Pavement JNL (2010, based on the extra-condensed lettering used on roadway information signs as revised by the U.S. Government in 2000), Pendraw Roman (2006), Penmanshift JNL (2006, ronde style), Performer JNL (2014, re-drawn from condensed hand lettering found on a piece of vintage sheet music), Personal Note JNL (2011), Picz JNL (2009), Pillow Puff JNL (2008, fluffy and cloud-like lettering), Pistol Twelve JNL (2008), Pitkin JNL (2006, a hand-lettered sans), Plastic Display JNL (2010, sketched from photo examples in an old sales promotion sheet for the Movitex Do-It-Yourself Plastic Sign Kit by Pryor Marking Products of Chicago), Plastic Template JNL (2011), Pleasantville JNL (2012, a condensed slab serif), Pocket Initials JNL (2008), Podunk JNL (2007), Pool Deck JNL (2015), Popstix JNL (2013), Pop Tune JNL (2014), Popularity JNL (2014, after Radiant), Port Of Call JNL (2015), Postal JNL (2009, white on black, as on stamps), Poster Inline JNL (2014), Poster Plain JNL (2012), Prehysteric JNL (2010), Presentation JNL (2011, a slabby family), Press Run JNL (2015, a reinterpretation of the classic typeface Cheltenham Condensed), Pricing Labels JNL (2010), Printed Letters (2006, made from stamped impressions made by a 1940s childrens sign making set), Printing Set JNL (2006, based on a rubber stamp alphabet), Printing Sorts JNL (2009), Prismatiq JNL (2009, shadow face), Promotional Copy JNL (2012), Proofreader JNL (2011, a rounded slab serif face), Prospect Heights JNL (2015), Public Notice JNL (2009), Public Transportation JNL (2008), Public Utility JNL (2012), Public Works JNL (2007: emulates the hand-cut lettering silk screened onto metal), Publication JNL (2010, a revival of DeVinne, 1890), Quick Response JNL (2015, based on QR codes), Quorfid JNL (2010).
- R: Raccoon Coat JNL (2014), Rail Bum JNL (2016, basically Morris Fuller Benton's Hobo with slab serifs added), Record Jacket JNL, Recreation JNL (2013, outlined shadow face), Red Border Labels JNL (2015), Rendering (2011, architectural draftman's lettering), Reprint JNL (2013), Restaurant And Lounge JNL (2015, hand-crafted), Retail Merchant (2006), Retro Resort JNL (2011), Reverberation JNL (2011, horizontally striped face), Reverse Calendar Blocks JNL (2011), Rockaway JNL (2006, titling sans), Roma Initial Caps JNL (2009), Rough Print JNL (2012, rubber stamp lettering), Roundpoint Pen JNL (2011, based on instructional lettering found in an old Speedball Pen textbook), Roughshod (2006), Rural Route JNL (2010), Rustic Inn JNL (2014).
- S: Salad Bar JNL (2013), Sales Pitch JNL (2014), Sales Slip JNL (2013), Same Old English JNL (2010, blackletter), Sandcastle JNL (2011), Sans Poster Bold + 3D, Savings And Loan JNL (2014), School Project JNL (2015, based on self-adhesive poster board letters once made by the E-Z Letter Stencil Company and sold under the name Quik Stik), Sea Cruise JNL (2015), Scoreboard JNL (2014: dot matrix typeface), Screentext JNL (2010, pixel), Second Impression JNL (2008), Sennetarium JNL (2008, after lettering in a Charlie Chaplin movie), Sentzoff Coupon (2006, stitched), Sew What JNL (2010, stitching face), Shareholder JNL (2015), Shelf Numbers JNL (2008), Shicken Zoop JNL (2008, Hebrew), Shipping Carton JNL (2012), Sign and Poster JNL (2009, die-cut letters), Shopkeeper JNL (2010, after a a vintage rubber stamp sign and chart printing set), Short Subject JNL (2016, based on some hand-lettered title cards from various vintage Columbia Pictures two-reel comedies), Sign Template JNL (2015, based on one of the many plastic lettering guides manufactured by the now-defunct Wright-Regan Instrument Company also known as Wrico), Simplicity JNL (2014), Simply Grotesk JNL (2012, Peignotian), Sleuth JNL (2013, after the trailer for the 1936 movie After The Thin Man), Slim Chance JNL (2015, an ultra-narrow font based on an image of vintage packaging for Aquapruf Ear Drum Protectors), Snack Shop JNL (2007, the retro diner look in a bold outline face), Snorkel JNL (2014), Socialite JNL (2009), Soda Fountain JNL (2015, bilined), Solid Serif JNL (2014), Songbook JNL (2014), Song Plugger JNL (2014), Song Publisher JNL (2015), Song Stylist JNL (2016), Southwest Serenade JNL (2015), SplintersJL (2004), Sport Shaded JNL (2009), Spring Fashion JNL (2010), Spur Handlettered JNL (2008), Squarity JNL (2008), Stamp of Approval JNL (2007), Stamped Metal JNL (2012, beveled), Starlight Sans, Stellator JNL (2006, a high-tech modular font), Stonecut JNL (2014), Store Tags JNL (2011), Streeter JNL (2013, based on Beton Bold Condensed), Sunlight JNL, Sunny South JNL (2015), Supporting Cast JNL (2011), Swing Band JNL (2013: inspired by the title lettering from "Hi-De-Ho", a 1930s all-black cast film starring legendary bandleader Cab Calloway).
- T: Tabloid Press JNL (2015), Take Charge JNL (2016, based on the opening title card for the 1936 film The Charge of the Light Brigade starring Errol Flynn, Olivia de Havilland, Donald Crisp and David Niven), Tallahassee Chassis JNL (2007, modeled from a toy rubber stamp set imported from Japan), Tall And Narrow JNL (2015), Tamiami JNL (2009, Victorian, known as "Cuba"), Tea Bag JNL (2013), Tea Time JNL (2014), Technerd JNL (2011, a thin technical/mechanical face), Technopen JNL (2013: a rounded techno sans from a 1929 instructional booklet for the Esterbrook Drawlet Pens), Terrace JNL (2015), Terror JNL, That Stuff JNL (2009), Theater Lights JNL (2014), Theatrics JNL (2009, 3d face), Thin Mint JNL (2011), Thinly Disguised JNL (2016), Three Day Pass JNL (2009), Tiler JNL (2012, a gridded face), Title Block Sans JNL (2011, an avant-garde titling face), Too Much Information JNL (2007), Top Billing JNL (2008, dot matrix), Toucan Tango JNL (2007, multiline face), Tough Guy (2006, shaded titling face), Tough Stuff JNL (2008), Toyprint JNL (2009, grunge), Trade Journal JNL (2010), Trade Printer JNL (2007, Victorian-era sans emulation), Transactive JNL (2007, dot matrix), Tribal Council JNL (2011, jungle lettering), Trilium JNL (2010, triline face), Tropicano JNL (2013, a wavy typeface), Tunesmith JNL (2014, Victorian), Twelve Oaks (2006), Two Cents Plain JNL (2012), Two Reeler JNL (2006; see also its follow-up typeface Positive Vibe JNL, 2007, both modeled after title cards of an early Charlie Chaplin movie), Type Catalog (2011, bilined all caps face), Typesetter JNL (2011), Type Vendor JNL (2012), Typewriter Sans JNL (2015), Type Wronger JNL (2013, old typewriter typeface).
- U-V: Unpretentious JNL (2014), Urmeba JNL (2012, named after amoebas and codesigned with Ray Larabie; a barf font), Used Cars (2012), Utica JNL (2010, squarish all caps face), Vehicle JNL (2010, a condensed block font as for car plates), Vendor JNL (2010, Victorian era ribbon face), Vertical Roundpoint JNL (2011, found in a 1941 edition of the Speedball Lettering Pen instruction book and re-drawn digitally by Jeff Levine), Vintage Designs JNL (2009, dingbat which has some fists), Vintage Price Tags JNL (2015), Vododeo JNL (2014).
- W: Washington Heights JNL (2016), Wavely (2010), Weeneez JNL (2011, wiener-shaped glyhs), Welcome Home JNL (2009), Werble JNL (2010), Whoosh JNL (2007), Wild About Myself JNL (2015), Willoughby JNL (2006, based on 1950s toothpaste lettering), Window Sign JNL (2013), Wine Cellar JNL (2014), Winery JNL (2012: a soft-serifed caps face), Wire Mesh JNL (2009), Work Force JNL (2011), Wynwood JNL (2009).
- X-Y: Yard Sale JNL (2013), Yargo JNL (2009, hand-printed), Yayazout JNL (2008, fun titling face), Yorso Square JNL (2007).
- Z: Zera JNL (2007, intersecting rings), Zodor JNL (2010), Zoning Department JNL (2012), Zydeco JNL (2009).
Jeff Levine: Dingbats and Alphadings
Before 2006, Jeff Levine was mostly known for his free dingbats, having made over one hundred of them. He keeps making them, but now commercially, and less frequently. The list is long though:
- Dingbats: 50s Yesterdings, Action is the Sequel, ActionIsJL, Alpha Test, Another Dingbat Font JL, Antique Decorations JNL (2012), Antique Embellishments JNL (2009, nice 1800 style dings, including a great fist), Antique Ornaments JNL (2009), Antique Stencils JNL (2013), Apartment-Life-JL, Artsy Parts JL, Attention Getters JNL (2009), Auto-Store-JL, Bachelor Pad, Bank-Visit-JL, Bijou, Boat Decals JNL (2008, squarish), BookshelfTitlesJL, BottomsUp!JL, Buttons-and-Switches-JL, Carnival Days, Cartoon Cavalcade (2014), City-Signs-JL, Classic Clips JNL (2015), Clown Alley JNL (2009, clown typefaces), Cobb-Shinn-Stock-Cuts (7 fonts), Collected-Dings-JL, Columbia Shuttle Memorial Font (2003), CroakersJL, DecoPics, Decorative Arrows JNL (2011), Decorative Elements JL, Dekka Dense, Desk Draswer JNL (2010), Ding Dong Dingbats, Dingdangits JNL, Dingfont100JL, Dingits JNL (2009, flags), DiskettesJL, Doctor's-Dings-JL, Dont Bug Me JNL (2009), Double Nines JNL (2011, a domino tile font), Drug-Store-Items-JL, ElectricalItemsJL, Embossing Seals JNL (2014), Error-MessagesJL, Even More Dings JL, FloorTilePatternsJL, FontCollectingJL (2003), Frantic, FunInTheSunJL, Funny-Faces-JL, Fun Signs JNL (2013: comprises twenty-six humorous signs from a 1930s-era sales list of products manufactured by the Koehler Sign Company of St. Louis, Missouri), Geometric Patterns JNL (2013), GoingPostalJL, Got A Ding For You JL, Graphic Arts JL, Grocery-Items-JL, Handbill JNL, Handy Dandies JNL (2014: fists), Hurricane-Preparations-JL, Ink Spots JNL (2013), It's Your Ding JL, JeffreyPrintJL (8 fonts), JewishCultureJL, Kilroy Was Here JL (very funny), Law-and-Order-JL, Leathercrafter JNL, Letter Delivery JNL (2014), Letterpress Assistants JNL (2015), Letterpress Assortment JNL (2016), Letterpress Cuts JNL (2015), Letterpress Embellishments JNL (2014), Letterpress Illustrations JNL (2015), Letterpressers JNL (2015), Letterpress Extras JNL (2014), Letterpress Helpers (2014), Letterpress Nostalgics JNL (2015), Letterpress Ornamentals JNL (2014), Letterpress Pieces JNL (2015), Letterpress Retro JNL (2015), Letterpress Sorts JNL (2016), Letterpress Stock Cuts JNL (2015), Lifeline, LittleBalerina, Loung-Lizards-Lite-JL, Message Helpers JNL (2014), Messages&Memos JL, Militaria JNL (2014), Miscellany JNL (2012), Mixed Bag O' Dings JL, Monthly Calendar JNL, Mordings JNL (2010: this includes weather dings, snow dingbats, and a beautiful quill), More Antique Stencils JNL (2013), More Printing Helpers JNL (2010, has some fists), Mr.MuellerJL, Old Favorites JNL (2009, fists), One Ding After Another JL, Outer Space JL, OuterSpace, Picnics-&-Parties-JL, Pictora JNL (2009, dings), Point Made JNL (2011, fists and arrows), Point of Sale JNL (2013), Point Taken JNL (2009, fists), Price Tag JNL (2011), Print Art JNL (2013: contains nice fists), Print Assistants JNL (2013), Print Damosel (2013), Print Embellishments JNL (2013), Print Enhancers JNL (2013), Printers Assistants JNL (2015), Printers Decorations JNL (2015), Printers Choice (2014), Printers Dingbats JNL (2015), Printers Drawer JNL (2015), Printers Helpers JNL (2015), Printers Helpmates JNL (2014, with many fists), Printers Impressions (2014), Print Helpers JNL (2013), Printers Leftovers JNL (2013), Printers Lot JNL (2014), Printers Parts JNL (2013), Printers Pictures JNL (2014), Printers Playthings JNL (2014), Printers Playtoys JNL (2014), Print Promoters JNL (2015), Print Sellers JNL (2015), Printers Stock Cuts JNL (2015), Printers Stuff JNL, Print Illustrations JNL (2013), Printing Extras JNL (2009), Printing Press Cuts JNL (2013), Printing Press Designs JLN (2013), Printing Press Elements JNL (2013), Print Marks JNL (2013), Print Oddities JNL (2014), Print Partners JNL (2014), Print Shop Classics JNL (2013), Print Shop Cuts JNL (2015), Print Shop Delights JNL (2015), Print Shop Parts JNL (2012), Print Shop Relics JNL (2014), Print Shop Sorts JNL (2015), Print Shop Treasures JNL (2015), Print Spots (2013), Printy Things JNL (2013), Prismatiq JNL, Rail Line JNL (2014), Ranger Ray's Rocketeers JL, Remnants-JL, Remnant Sorts JNL (2011: contains many nice fists and plumes), Screen Scrawls JL, Sendit Safely JNL (2010), Service Men JNL (2015), Shinn Kickers (2014: after Cobb Shinn's cartoon characters), Shopping Center JL, Sign Helpers JNL (2009, a collection of silhouette images carefully redrawn from two distinct sources, the Webway sogn kits of the Holes-Webway Company of St. Cloud, MN, and the cling vinyl sign kits made in the 1950s and 1960s by the Joseph Struhl Company (now known as Magic Master Industries)), Silhouettes&StuffJL, Silly-Symbology-II, Silly-Symbology-JL, SimplerTimesJL, Sixties Symbols JNL (2009), SmallTalkJL, Son of the Bride of Foo JL, Star Time, Star Time 3 and 4, Star Time Too, Storm-Track-JL, Sunbursts JNL (2013), SunDings, Sundings2JL, SymbologicaJL (2003, has smilies), TaxingMomentsJL, TeeVeeSet, These Foolish Dings JL, Things-Collected-JL, TimePiecesJL, Toddler JNL, Top 40 JL, Trinkets JL, Tune Up JNL (2015: a musical symbol font), Typesetter Helpers JNL (2014), Typesetter Trinkets JNL (2014), Typesetter Treasures JNL (2014), Typesetter Ornaments JNL (2012), Type Toys JNL (2015), Type Warmers JNL (2015), Vintage Stencil Borders JNL (2016), Vintage Stencil Motifs (2014), VitaminShopJL, Whatzis JNL (2009, question marks), Winner-Take-All-JL.
- Alphadings: Looky Here JNL (2009, alphadings), Love Notes JNL (2011), Sensual Initials JNL (2009, alphadings after his own French Art Initials JNL), Suninitials JNL (2008: alphadings), Eurasian Stenciinitials JNL (2010).
Parisian designer. Creator in 2012 of the curly geometric hairline typeface Ipsen for the pharmaceutical lab Ipsen. This is a tour de force, as the user can choose to use between one and seven oparallel lines to compose the glyphs. A beautiful blend from a monoline display typeface to a prismatic wonder. [Google]
[MCKL (was: Mickel Design)]
Graphic design student at Leeds Metropolitan University, UK, in 2012. He currently lives in Chesterfield, UK. Creator of Metria (2012, an experimental prismatic typeface), Rainbow (2012, another prismatic typeface), and Erinnerung (2012, a solemn blackletter typeface).
I especially appreciate the anti-coke poster in his portfolio, which reads: For nine years the 450 workers at the Coca-Cola bottling plant in Guatemala City fought a battle for their jobs, their trade union and their lives. Three times they occupied the plant---on the last occasion for 13 months. Three General Secretaries of their union were murdered and five other workers killed.
To celebrate the Olympics in London in 2012, he created a typeface based on the Olympic rings, using a circular grid system. The typeface is called Olympia (2012).
In 2013, he created Core (an inline simple sans), Rounded Mod (geometric rounded circle-based sans), and Pixel. [Google]
During his studies at the University of Kansas in Lawrence, KS, Jonathan Heter designed a few free fonts in 2014: Barnstormer (a prismatic all caps, display typeface influenced by the stunt pilots of the early 20th century), Dogfighter, Wingwalker. [Google]
Jorge Iván Moreno Majul
José Antonio Garrido Izquierdo
José Antonio Portillo Quispe
Lima, Peru-based designer of the prismatic typeface Toux (2013). [Google]
Rotterdam-based British designer Joseph Parsons, of Joseph Parsons Design, created a beautiful art deco caps alphabet in 2013. He also designed the stylish art deco poster entitled Portfolio (2012).
Behance link. [Google]
Designer (b. 1985, Marburg) at 26-plus Zeichen in Germany, who is based in Köln. He graduated from the University of Applied Sciences in Trier in 2010.
In 2010, he designed Telegraph Sans and Telegraph Serif and Serif (2011), the latter at Die Gestalten. The name Hellschreiber originates from an old Siemens telegraph system (or Hell-Schreiber, named after Dr. Rudolf Hell). Both fonts have the look of typewriter type.
In 2012, Joerg started the Joerg Schmitt Foundry. His first typeface there is the pleasing rounded monospaced typewriter style sans family Ingrid Mono (from Hairline to Bold).
Fansy (2013) is a prismatic typeface. In 2014, he created the (curly) ironwork typeface Snappy.
Klingspor link. Behance link. 36plus Zeichen link. [Google]
Photographer and designer in Krasnodar, Russia, who created the typefaces Olympic80 (2012, prismatic: on the theme of the Olympic circles), Texhnolyze (2012), Masonic (2012, created based on triangles only) and DROP (2012).
In 2013, she created the pixel typeface Com City for a computer store in Krasnodar. [Google]
Auckland, New Zealand-based designer of the multiline art deco typeface [Google]
Warsaw-based designer of the prismatic typeface MyFont (2013). This was a school project for Andrzej Nowaczyk. [Google]
Kai Damian Matthiesen
During his Masters studies at the Royal College of Art in London, Kai Damian Matthiesen created Shadow Font (2014), Frankography (2015, a grungy hybrid typeface), Coercion (2015, prismatic), Snapshots (2015, octagonal textured caps) and Aby Warburg (2015). Behance link. [Google]
[Klingspor (or: Gebrüder Klingspor)]
Lawrence, KS-based designer of the prismatic school project font Parts Make The Whole (2014). [Google]
Henderson, NV-based designer of the prismatic typeface Zen (2015). [Google]
[A New Machine]
[Star Plus Multiply]
Klingspor (or: Gebrüder Klingspor)
German foundry established in 1906 by brothers Karl Klingspor (1868-1950) and Wilhelm Klingspor (1871-1925) in Offenbach am Main. About half of its catalog consists of blackletter types (as listed in 2000 by Harald Süß), and many of its typefaces were designed by German über-designer Rudolf Koch. History (in German, PDF), resummarized here:
That library included typefaces by these designers:
- 1892: Carl Klingspor (1839-1903), the father, buys the Rudhardsche Gießerei in Offenbach am Main in 1892, which was originally founded in 1842 by Johann Peter Nees, Phillip Rudhard and Johann Michael Huck.
- 1899: Heinz König designs Walthari (a light Fraktur font).
- 1900: Otto Eckmann designs the Fraktur font Eckmann Schrift, and Kurt Wanschura (from Leipzig) designs the Fraktur font Offenbacher Schwabacher. Reform appears!
- 1901: Peter Behrens publishes Behrensschrift (art nouveau style). Offenbacher Fraktur appears too.
- 1902: Behrens Schrift by Peter Behrens. Fette Eckmann Schrift und Ziermaterial by Peter Behrens. Vignetten by Emil Doepler d.J., and Schmuck für Bücher und Akzidenzen by Robert Engels, München.
- 1903: Reform Kursiv.
- 1904: Karl and Wilhelm Klingspor become the sole owners of the Rudhardsche Gießerei. As a private typeface, they decide on Munthe Schrift by Norwegian Gerhard Munthe.
- 1905: Heinz König designs König Antiqua. Breitkopf Fraktur is published, based on the original design of Joh. Gottl. Immanuel Breitkopf (1719-1794). Also new is Auszeichnungsschriften für Fraktur, as well as Die Leidensstationen by Robert Engels.
- 1906: The form is renamed Gebr. Klingspor. Otto Hupp makes Liturgisch (another Fraktur font). Jugendschrift is published.
- 1907: Peter Behrens publishes Behrens-Kursiv.
- 1908: Peter Behrens publishes Behrens Antiqua. Otto Hupp makes Neue Anzeigen Schriften. Halbfette Reform is published.
- 1909: Otto Hupp makes Hupp Antiqua (a Basque "A" in here!), Hupp Unziale. Walter Tiemann designs Tiemann Mediäval.
- 1910: Rudolf Koch designs Fette Deutsche Schrift (Fraktur) and Fette Kochschrift (are these not the same?). Hupp Fraktur appears. The company publishes Kalender Bilder by Heinrich Vogeler.
- 1911: Tiemann makes Halbfette Tiemann Mediäval.
- 1912: Tiemann makes Tiemann Mediäval. Kursiv and Tiemann-Kursiv. Koch makes Halbfette Deutsche Schrift and Deutsche Schrägschrift.
- 1913: Peter Behrens publishes Behrens Mediäval. Koch makes Schmale deutsche Schrift.
- 1914: Rudolf Koch publishes Frühling, Maximilian Gotisch, Maximilian-Antiqua and Maximilian. Walter Tiemann makes Peter Schlemihl and Tiemann Fraktur.
- 1915: Klingspor acquires F. W. Aßmann and Wilhelm Gronau in Berlin.
- 1917: Albert Windisch makes Windisch Kursiv.
- 1919: Karl Michel designs Schraffierte Antiqua. Some cooperation is established with D. Stempel AG, which acquires some shares.
- 1920: Tierbilder-Probe is published.
- 1921: Rudolf Koch publishes Deutsche Zierschrift (Fraktur) and Magere deutsche Schrift. Walter Tiemann makes Narziß. The company publishes Elfenschmucjk, as well as Schräge Schwabacher. Leo Wackerle makes Kalender Bilder.
- 1922: Rudolf Koch designs Koch Antiqua and Koch Antiqua Kursiv. Otto Hupp publishes Deutsche Schrägschrift. Ernst Engel designs Mörike Fraktur, a private typeface just created for the Ernst Engel Presse.
- 1923: Rudolf Koch designs Koch Antiqua Kursiv and Neuland. Walter Tiemann designs Tiemann Antiqua.
- 1924: Koch designs Grosse Koch Antiqua, and Tiemann makes Tiemann Gotisch.
- 1925: Wilhelm Klingspor dies. Rudolf Koch designs Wilhelm-Klingspor-Schrift (Fraktur), and Victor Hammer creates an uncial font, Hammerschrift.
- 1926: Tiemann makes Tiemann Antiqua Kursiv and Koch publishes Klingsporschrift.
- 1927: Rudolf Koch designs Kabel.
- 1928: Rudolf Koch designs Neuland Licht. Walter Tiemann makes Kleist Fraktur.
- 1929: Rudolf Koch creates Zeppelin.
- 1930: Rudolf Koch designs Wallau (rotunda) and Jessen-Schrift (Fraktur).
- 1931: Heinrich Maehler makes Salut.
- 1932: Rudolf Koch designs Holla.
- 1934: Walter Tiemann makes Fichte Fraktur.
- 1935: Rudolf Koch creates Koch Kurrent.
- 1937: Rudolf Koch publishes Claudius.
- 1940: Rudo Spemann's Gavotte appears.
- 1944: A bombardment destroys a lot of material and drawings.
- 1950: Karl Klingspor dies. Walter Tiemann makes Offizin. According to Chronik und Stammfolge der Familie Klingspor (1989, Reinhard Klingspor and Gerhard Moisel), Karl Klingspor died on January 1, 1951, but everywhere on the web we find 1950.
- 1951: Karl Hermann Klingspor (1903-1986), son of Wilhelm, takes over the company.
- 1952: Karlgeorg Hoefer makes Salto.
- 1953: Karlgeorg Hoefer publishes Saltino. Victor Hammer makes Hammer Unziale. The Klingspor Museum in Offenbach is created.
- 1954: Hans Kühne designs Andreas Schrift (Fraktur) and Kühne Schrift (Fraktur). Joachim Romann makes Constanze (a formal script) and Queen. Alfred Finsterer designs Duo Licht and Duo Dunkel.
- 1955: Karlgeorg Hoefer makes Monsun.
- 1956: D. Stempel AG buys the remaining shares of Klingspor, and incorporates many of its types in its own catalog.
- H. Kühne: Andreas Schrift (1954, carried by Delbanco and Gerhard Helzel), Kühne Antiqua (1954), Kühne Schrift (1954), Stahl (1933-1939).
- P. Behrens: Behrens Antiqua (1907), Behrensschrift (offered by Intecsas as Sprecher Gothic), Behrens Initialen (called Sprecher Initials at Intecsas).
- Rudolf Koch: Claudius (carried by Delbanco), Deutsche Schrift (1910), Frühling (1917, carried by Delbanco), Deutsche Zierschrift (1921, offered by Delbanco and Gerhard Helzel), Holla (1932), Jessen-Schrift (1924-1929, carried by Delbanco), Kabel (1927, at Linotype now; called Geometric 231 at Bitstream, and Kalten at PrimaFont, and Koch Original at LetterPerfect), Koch Antiqua (1922, published by Linotype now; available from Alphabets Inc as AI Koch Antiqua MM; called Eva Antiqua SG at Spiece Graphics), Zeppelin (1929, available from Agfa now), Koch Kurrent (1935, offered by Delbanco), Koch Fraktur (offered by Delbanco, Gerhard Helzel, and Christian Richter), Marathon (1938), Maximilian (1917, available at Castle Systems, and carried by Delbanco), Maximilian-Gotisch (carried by Gerhard Helzel and by Walden Font), Neuland (1923, available from Linotype; available from Alphabets Inc as AI Koch Neuland, and at Bitstream as Informal 011, and at PrimaFont as Newfish, and at Keystrokes as Neuland inline), Prisma (1928; a multiline typeface revived in 2003 by Dieter Steffmann), Wallau (1926-1934, carried by Delbanco, and called Wal at PrimaFont), Wilhelm Klingspor-Schrift (1925, carried by Delbanco and Linotype; Wilhelm Klingspor-Gotisch is called Wilson at PrimaFont).
- J. Romann: Constanze (1954), Queen (1954, called Ferrante by Intecsas).
- Walter Tiemann: Daphnis (1929), Fichte Fraktur (1934-1939, carried by Delbanco and Gerhard Helzel), Kleist Fraktur (1928, revived by Dieter Steffmann in 2002, and carried by Delbanco), Narziss (1921, available from Font Bureau and Spiece Graphics as Narcissus), Offizin (1952), Peter Schlemihl (revived by Walden Font, and by Dieter Steffmann in 2002), Tiemann Mediäval (carried by Gerhard Helzel), Tiemann Antiqua (1923, now at Linotype).
- A. Finsterer: Duo licht/Duo dunkel (1954).
- O. Eckmann: Eckmann Schrift (1900, called Freeform 710 at Bitstream, and called Eckmann at Elsner&Flake, ScanGraphic, Linotype, URW++, Gerhard Helzel and Delbanco), Eckmann Initialen (called Jan Bent at Intecsas).
- Kurt Wanschura: Offenbacher Schwabacher (1900, Offered at Delbanco).
- H. König: Falstaff (1906).
- H. Schardt: Folkwang (1949).
- R. Spemann: Gavotte (1940, available from Linotype).
- V. Hammer: Hammerschrift (1923, available as Martel at Scriptorium), Hammer Unziale (1953). [Linotype has it as Neue Hammer Unziale. Agfa carries Uncial, which is really Neue Hammer Unziale. The Electric Typographer calls it Electric Uncial. Elsner&Flake have a version called American Uncial.]
- O. H. W. Hadank: Ornata (1943).
- H. Bohn: Orplid (1929).
- O. Hupp: Liturgisch (1906, carried by Gerhard Helzel), Hupp Antiqua (1909).
- F.K. Sallwey: Information breitfett (1958).
- A. Kumlien: Kumlien Antiqua.
- R. Bauer: Magnet (1906).
- K. Hoefer: Monsun (1955), Salto (1952, now at Linotype), Saltino (1953, carried by TypeRevivals), Saltarello (1954).
- H. Maehler: Salut (1931, version available from Agfa).
View the Klingspor typeface library. [Google]
Nove Straseci, Czechia-based designer of prismatic and brush typefaces in 2015. Behance link. [Google]
Designer who became famous because of his work on wayfinding and branding projects, and his designs for massive urban systems, airports, zoos, and museums. Over the course of his career he has created systems for the Mexico 1968 Olympics, Mexico City Metro, National Zoo, American Museum of Natural History, New York Penn Station, National Mall, Minnesota Zoo and Jeddah International Airport. Wyman taught corporate and wayfinding design at Parsons the New School for Design in New York for forty years, from 1973 until 2013. He lectures internationally and is still designing. The first compendium of his work, Lance Wyman: The Monograph, was published by Unit Editions.
Creator of the identity, logos, fonts, and design elements for the Mexico 1968 Olympics in the op-art or prismatic style. The multilined font, called Mexico Olympic, is due to Photoscript Ltd (I think). A digital font inspired by it is Olio Inline (2012, Max Little).
Wyman, who is a branding specialist based in New York City, is known for his many excellent icons and logos for companies and events. Born in Newark, NJ, he is a graduate of Pratt in Brooklyn with a degree in Industrial Design. He made the Tipo Metro font in 1969 for Mexico City's subway, an adaptation of Eurostile. That font was revived later as Metro DF by Harold Lohner. A pixel version of this (by Kemie, is called Balderas).
Creator of the prismatic typeface Moonlight Prism (2014). [Google]
FontStructor who made Geo 11x11 Block (2013), Geo 11x11 Unblock, Geo 9x9 (2013, +Round, +Round Slice), Geo 5x5 Round (2013, +Slice), Geo 5x5 (2013, prismatic), Geo 5x11 (+Round: 2013), Futurebit 2 Pro (2013), Geocircle 5x5 (2013), Geoslice 9x9 (2013), Geoslice 5x5 (2013), Unoriginalpixel (2011) and Geospace (2011, dot matrix face). [Google]
Phototype era American type designer. Jeremy Mickel created a digital version his (prismatic, beveled, roman caps) Trillium typeface in 2011 at the new digital PhotoLettering / House Industries. He also designed Copeland Milo (a connected script) at PhotoLettering Inc.
John Moore says that Copeland's style inspired him when he made Scripta Pro in 2014. [Google]
Fort Lauderdale, FL-based designer of the prismatic Far Out Alphabet (2014) and the circle-based experimental typeface Circle Back (2015). Behance link. [Google]
Hamburg, Germany-based designer of the multiline paperclip style typeface Lumi (2016). [Google]
Madison, WI-based designer of the prismatic typeface Umbrella & Lantern (2015). [Google]
Little Fonts is a type foundry in Norwich, UK, run by Max Little (b. London, 1986). Max Little studied graphic communication at Norwich University.
Inspired by the work of Wim Crouwel, he designed the massive mechanical octagonal super-heavy stencil typeface Mass (2012). Loop and Loopo Stencil (2012) are circle-based stencil typefaces.
Decode (2012) is a gorgeous art deco triplet of typefaces.
Olio Bold (2012) is a geometric retro sans, while the multiline version, Olio Inline (2012) was inspired by the op-art of Lance Wyman's Mexico 1968 Olympic identity.
In 2013, Little designed Spika (a straight-edges geometric monospace typeface). The angular metal rock band typeface We Are Rockstar (2013) is free.
Typefaces from 2014: Note (brush family), Divert (outlined, constructed using the bended paperclip principle).
Typefaces from 2015: Note (rough brush), Hazmat (stencil).
Behance link. Home page. Creative Market link. [Google]
During his studies at ESAG Penninghen, Paris-based Louis Bastelica (b. Toulouse) created a multiline typeface called The White Stripes (2013). [Google]
[Empty Page Studio]
Phoenix, AZ-based designer of an experimental multiline typeface in 2016. [Google]
Mads Haugsted Rasmussen
Art director in Copenhagen. Norwegian creator of the prismatic typeface Seal (2012).
Cargocollective link. Behance link. [Google]
Barcelona-based designer of Network Type (2012), a multiline prismatic typeface that was influenced by Alex Trochut's Hyper Dunk. [Google]
Margaret Harding Penney
[Hello Creative (or Hello Mart, or Hello Media)]
Maria Magdalena Rybak
Prismatique (2011) is a noncommercial font inspired by the art deco vase Nanking from 1925---a bit in the Futurismo style. Home page at Verine Design in Lodz, Poland. [Google]
Graphic designer in Sydney, Australia, who created a prismatic poster typeface in 2013 called Santos.
Behance link. [Google]
During her graphic design studies at Nottingham Trent University, Mariko Ebine (b. Tokyo) created a typeface family called Circus (2012), which consists of a prismatic typeface that was inspired by beams of light, and an art deco titling typeface. [Google]
Born in Monterrey, Mexico, in 1989, Mario Almaraz designed the prismatic art deco poster typeface New York in 2012.
Behance link. [Google]
Art director in Annecy, France, who created the prismatic all caps typeface Lido (2015). Behance link. [Google]
Match&Kerosene is Alex Sheldon's Detroit-based graphic design and typographic illustration company, est. 2008.
Klingspor link. Behance link.
Typefaces designed by Sheldon (b. Michigan, 1984) include Slab Sheriff (2009), Western, Kerosene Boxley (2009, a multiline art deco revival of a Solotype font; some say that it is based on a pair of 1972 alphabets by Marcia Loeb called Zig Zag and Rainbow), Kerosene Woodtype (2009), Kerosene Retroface, Kerosene Stereo (2009, revival of an Italian typeface from 1869), Kerosene Killowatt, White Wolf (2009, condensed horror movie face).
Typefaces designed in 2011: Quimby (Copperplate Gothic style titling face), Black Bear (2011, straight-edged display family), Swifty (2011), Grizzly Bear (a set of 12 constructivist titling typefaces), Detroit (a modular family for superpositions), Prismatic (another superimposable multi-purpose family), Duotone (2011, Duotone is a layered font system that allows one to title two-tone headlines), Volcano Gothic (+Inline), Volcano Island (jungle look family), Lightyears. [Google]
Graphic designer in Paris, who created the delicate multilined typeface Echo (2012).
Behance link. [Google]
Maurits den Held
Rotterdam-based designer. Home page of Desited Media. Creator of a great multiline / prismatic poster for North Sea Jazz (2012). [Google]
Mauro Paolozzi is Swiss designer and web artist who runs Buildshape. He designed LL Prismaset"> (2006-2013, Prismaset, with James Goggin, Alex Rich, and Raphael Koch, based on Rudolf Koch's Prisma done at Klingspor in 1930).
In 2015, Raphael Koch and Mauro Paolozzi codesigned GT Cinetype at Grilli Type. This typeface has outlines consisting of many short straight line segments, thus mimicking the now obsolete pre-digital age technique of laser printing subtitles in movies. At small sizes, the font looks very smooth, but at larger sizes, the straight segments become apparent.
His custom typefaces include Blindalley (2001), Backdoor (2001), Spins (200) and Panty Boy (2000), Scsibar (2000). [Google]
[Signal Type Foundry]
During her studies at ECV Bordeaux, Maxime Nugues designed the triline typeface Racer (2015). [Google]
MCKL (was: Mickel Design)
Jeremy Mickel runs a design studio in Brooklyn, New York, but lives in Providence, RI. Originally called Mickel Design, the studio and foundry was renamed MCKL in 2012.
He is working on this VAR-Rounded sans serif style face (2007) that was based on plastic cut letters seen in New York's subway. See also here and here. Mickel's typefaces:
- Router (2008, Jeremy Mickel): a rounded sans family.
- Baro (2010, Chester Jenkins and Jeremy Mickel): Baro is inspired by memories of Antique Olive Nord, Roger Excoffon's landmark design originally commissioned for Air France in 1956. Nord, the heaviest weight of Antique Olive, was the starting point, but Baro shares DNA with other Village designs, including Apex New and Mavis.
- Eventide (2009, Jeremy Mickel): octagonal and 3d family based on ideas by Paul Carlyle in the early 1940s. That Carlyle typeface had also made it into the PhotoLettering collection in 1971. Eventide was developed into a family at House Industries under the art direction of Ken Barber and Christian Schwartz, and won an award at TDC2 2011.
- Superior (2010, Jeremy Mickel): a high-contrast transitional "nearly didone" face. Superior Title (2013) is described as a high-contrast missing link between Times and Bodoni. It was designed for fashion publications.
- Shift (2010, Jeremy Mickel): a slab serif family that won an award at TDC2 2011.
- Gonesh (2009, Jeremy Mickel): a great new sans family.
- Aero (2010, Village Type) was developed in cooperation with Chester Jenkins. This poster family, inspired by Excoffon's Antique Olive, was awarded at TDC2 2011.
- Letterboxes (2008). A stencil typeface that was part of a collaborative project with John Caserta at the Design Office.
- Union (2011). A basic sans family, ideal for corporate design.
- Jeremy Mickel created a digital version L.H. Copeland's (prismatic, beveled, roman caps) Trillium typeface [originally done at Photolettering] in 2011 at the new digital Photolettering / House Industries.
- Fort is a sans family published in 2012 by Village.
- Playoff Sans and Palyoff Serif (2015).
Klingspor link. Village link. [Google]
During her studies at St. John's University in Queens, NY, Meagan Driscoll designed the prismatic typeface Handmade (2015). [Google]
Mediumextrabold (or: M XB Foundry)
Commercial typefoundry based in San Francisco. Their typefaces, some of which were made by Philip Cronerud:
- From 2016: Edie Text, Maud (a fashion mag display typeface), Galleri.
- From 2015: Atelier (sans), Blanche, Practice (sans), Everyday (sans), Deursen (sans), North (serifed display typeface), Inkwell (sans).
- From 2014: System (monospaced system font), Wired (a display typeface inspired by Richard Kostelanetz rigorous arrays of lines and grids), Grotezk or MXB Grotesk (a geometric sans), Pavilion (a bespoke prismatic typeface for Printed Pages), Duplex (geometric sans).
Valencia, Spain-based designer of the multiline typeface Pattern Type (2013). [Google]
Mia Ruiz (Quezon City, The Philippines) created an untitled prismatic typeface in 2013. [Google]
Michael Gene Adkins
American graphic designer in Rijeka, Croatia. Designer of the ball terminal face Sumac (2010), the prismatic typeface Aviary (2011), Minor Slab and the self-described badass sans typeface On Ramp (2011, Lost Type), Leaden (2012), Anchor (2012).
Behance link. Creattica link. Devian Tart link. [Google]
Arnhem, The Netherlands-based creator of Mahagony Script (2008, FontStruct), a calligraphic pixel script, and Excellent (2008, FontStruct), a kitchen tile typeface.
In 2014, he created DataBits, Maender (a multicolored font for children's books), and an untitled 3d prismatic typeface. In 2015, he created the grid-based typeface Metric Font.
FontStruct link. [Google]
Miguel Angel Rojas Meraz
Zapopan, Mexico-based designer of Psyco Lover (2011), Hello Kinky Hello Foxy (2011, bubblegum font), Agony Lord (2012, an artsy condensed typeface) and Little Bird (2012, a playful bubble gum typeface). For GPHC Maromaz, he created the Itzel Flow Font (2013). Trantor (2013) is a bilined typeface. Vale (2014) is a brush typeface.
Behance link. [Google]
Agnes Jekli (Momegraphic) is a graphic designer in Budapest, Hungary. She developed an impressive multiline prismatic typeface called Agiko (2012), which was created for a Rubik's cube style puzzle. The letters of the alphabet are put together in a modular fashion by rotating and shifting basic multiline elements. This was done in cooperation with Aniko Köhegyes. She created another geometric typeface in 2012.
Behance link for Agnes Jekli. Behance link for Momegraphic. [Google]
Multiline fonts: Mike Yanega
Mike Yanega has the ultimate listing of multiline fonts. Let me group them for you:
- Agfa/Monotype: Zeppelin.
- From the book Homage to the Alphabet: Churchward Metallic (also Italic), Dektiv, Aki Lines, Maxie Lined, Prismania K, Skin & Bones.
- FontBank: Skinny, Legerdemain (Elektrik), Neptune (Neon).
- George Williams: Mirage, Picadilly..
- Elsner + Flake: Pump Triline (+ Initials).
- ParaType: Dublon.
- Blue Vinyl: Macrame Super.
- T26: Kaa, Maxigroove, F-Groove 76, F-Groove 77, F-Groove 78, F-Groove 79, F-Groove 80, F-Groove 81, 21st Outline (+ Italic).
- DustBust: Dreamland, Vectroid Astro.
- Sparky Fonts: Thri.
- ITC: ITC Neon.
- Font-a-licious: Rolloglide, Supreme, Gemini Outline, Gemini 1972.
- Linotype: Labyrinth.
- Churchward Type: Churchward Design Lines.
- Fontlicker Fonts: Phatburner.
- You Work For Them: Trisect.
- DS4.Sale: DS Lane.
- Typotek: La Chaufferie (Basic, Basic Special, Super, Super Special).
- Fontomas: Mass Striped.
- Fenotype: 79 Retro.
- Nick Curtis: Buenos Aires.
- Ray Larabie: Mexcellent, Mexcellent 3D, Soul Mama, Street Cred.
- Red Rooster: Roller.
- C-Font: Crossbar.
- Fenotype: Automania.
- Miguel Hernandez (Atomic Media): Groobit.
- From a Spanish Letraset catalog: Oxford, Michel (by Michel Waxman), Stack, Stripes (1973), Optex (1970), Yagi Link Double (see picture here), Good Vibrations (1973, Trevor Hatchett).
- Axel Pfaender: Excellence (1997).
- Canada Type: Gala (Biline, Triline).
MyFonts: Multiline typefaces
Top multiline fonts at MyFonts. See also here and here. [Google]
MyFonts: Prismatic fonts
MyFonts pages on prismatic fonts. See also here. [Google]
Designer in Santos, Brazil, whose first typeface is the prismatic Titanium (2013).
Devian Tart link. [Google]
Cardiff, Wales-based illustrator and designer. In 2015, he created the trilined typeface Tokyo, which was influenced by the kanji neon sign of that metropolis. Behance link. [Google]
Nedo Mion Ferrario
Designer and artist, b. Milan, 1926, d. Caracas, 2001. From MyFonts: Several Venezuelan generations had acquired very strong design, typographic and drawing knowledge due to the historical and artistic heritage left by Master Nedo Mion Ferrario. He spent big part of his life teaching and working on design. His passion for impossible figures and geometric optic illusions were the most valuable characteristics of his work. Most of his knowledge was obtained from his father, Emilio Mion Vianello, who dedicated his life to wood carve, a high profile job those day in Italy. Emilio studied in the Brera Academy in Milan and Nedo studied in the Commercial and Technical Institute of Milan between 1936 and 1940, and then in the Fine Arts Academy in the same city. At the end of the Second Word War, both of them decided to leave Italy due to the political situation in those days. Encouraged by the immigration Venezuelan politics they arrived in Caracas in 1950. Wiki.
His work inspired Carlos Camargo Guerrero to create the Escheresque font Denedo (2001-2007). According to Camargo, Denedo is a font based in one of the impossible alphabets created by the Italian graphic designer Nedo Mion Ferrario during the 60's and 70's in Caracas, Venezuela, South America. Michael Parson designed the prismatic typeface Nedo in 2013 based on Ferrario's work.
Klingspor link. [Google]
Vernon Adams (born England, 1967) is a furniture restorer, woodcarver and typeface designer. New Typography is his type design site. Vernon graduated in 2007 with an MA in type design from the University of Reading and lives in California. Fontspace link. Dafont link. Google Plus link. Fontsquirrel link. Klingspor link.
He developed Mako (2007), a type family for text and image in magazines. Earlier, he created AutoPacHousehold. Nobile (2010) is part of the Google font directory. Through the Open Font Library, one can get the source Fontforge code for this open source sans family. About Mako, he writes that he submitted the font to Fontsmith, which sat on it for a while and rejected it, only to publish a few weeks later Lurpak, which according to Vernon is too similar to his rejected design. Free fonts at Google Code by Vernon, as of the end of 2010 include Coda (a heavy elliptical face), Nobile (mentioned above), Corben (a curvy bold typeface in the style of Cooper Black), and Gruppo (a thin sans).
In 2011, he added Coustard (a slab serif family), Damion (connected signage script), Smythe (Victorian), Radley (display face), Oswald (a reworking of the Alternate Gothic style: see this dedicated typeface), Candal (sans), Pacifico (connected signage face), Bangers (comic book face), Anton (heavy sans), Bevan (a reworking of Beton, a traditional slab serif display typeface created by Heinrich Jost in the 1930s), Six Caps (a condensed headline face), Meddon (a display font created from the handwritten script of an Eighteenth century legal document), Rokkitt (an Egyptian), Paytone One (headline face), Holtwood One SC (wood block simulation face), Monofett (white on black), Carter One (casual face), Francois One (gothic sans), Sigmar One (think mid twentieth century pulp magazine advertising), Bigshot One, Metrophobic, Mako, Francois One, Nunito (rounded), Shanti, Sigmar, Muli (minimalist sans), Kameron (an Egyptian), Stardos Stencil, Bowlby One, Bowlby One SC (fat poster face), Tienne (serif), Monoton (a multiline face in the style of Koch's Prisma, 1931), Sancreek (emulating an ornamental wood font), Amatic SC (hand-printed poster family), Sancreek (a Tuscan face), Oswald (in the old Alternate Gothic tradition of sans typefaces), Rammetto (based on the Stephenson Blake uppercase display font Basuto, released in 1926), and Michroma (modeled after Microgramma).
Typefaces made in 2012 include Bench Nine (Google Web Fonts: based on old Stephenson Blake typefaces), Oxygen (a sans typeface available from Google Web Fonts; forked in 2016 at Open Font Library as Comme), Oxygen Mono (Google Web Fonts), Norican (free script font at Google Web Fonts based in part on Stephenson Blake's Glenmoy from the 1920s), Cutive (free at Google Web Fonts, based on the IBM typewriter typefaces Executive and Smith-Premier), Pontano Sans (Google Web Fonts: a light basic sans), Trocchi (Google Web Fonts: derived from Nebiolo's Egiziano, and Caslon & Co's Antique No.4 and Ionic No.2), Seymour One (Google Web Fonts: derived from Sigma One), Anaheim (sans, Google Web Fonts), Cutive and Cutive Mono (Google Web Fonts: based on the typewriter typefaces of IBM's Executive and the older Smith-Premier).
Typefaces from 2013: Mondo (sans), Oswald (grotesque and stencil), Anton (grotesque). [Google]
[Art deco typefaces by Nick Curtis: II]
[Nick Curtis: Typefaces from 2015]
Nick Curtis: Typefaces from 2015
Typefaces made by Nick Curtis in 2015:
- Bothas Ruhm NF. After Blockschrift (1897, Genzsch and Heyse).
- Chiselle NF. A revival of Rustikalis, a typeface designed for the VGC Phototypositor in the 1960s. See Rustikalis DT (1=2007, Malcolm Wooden) for the revival of the bolder version.
- Coins Coupes NF. Modeled after Chamfer, a 19th-century octagonal typeface by Barnhart Bros & Spindler.
- Doright Black NF. Based on Dudley Upright (Dan X. Solo, 1960s).
- Feedbag NF. Based on Horse Tank (Fotostar).
- Inland Edwards NF. Based on Nicholas J. Werner's Edwards (1895, Inland Type Foundry).
- Millrich Grange NF. A revival of the 19th century font Grange by Miller & Richards.
- Mitchell NF. A digital revival of the grotesque all-caps typeface Mitchell (1906, Inland Type Foundry), the bold version of Blair (1900, Inland Type Foundry).
- Newfangle NF. A Victorian typeface based on Newfangle (1892, Hermann Ihlenburg).
- Page Five Fifteen NF. After William H. Page.
- Retrorocket NF. An art deco typeface after D. Duvillé, 1934.
- Rockwall NF. After Aldine by William H. Page.
- Telecomm NF.
- Versacrum NF. A psychedelic / art deco typeface inspired by the lettering of Alfred Roller for the Ver Sacrum magazine in 1903.
- Old Number Ten NF. A revival of a typeface Gothic Number Ten by the Cincinnati Type Foundry.
- Terranova NF. A prismatic typeface based on Earth (Dan X. Solo).
During his studies in Hamburg, Germany, communication designer Nikolai Dobreff created the experimental prismatic typeface Minimalphabetically (2013). Behance link. [Google]
Graduate of York University, who is working as a graphic designer in Toronto. Creator of experimental typefaces such as Slinkyy (2014, prismatic), Workshop (2014, multilined) and Pigment (2014, hairline). Behance link. [Google]
[José Antonio Garrido Izquierdo]
Noem9 Studio is an online studio created by Jose A. Garrido, a graphic designer who was born in Alcañiz, Teruel, Spain, in 1987, lived in Zaragoza. Noem9 is currently based in London.
He created Avanth (2012), a modular experimental typeface that is very useful for logos and titles.
Typefaces from 2012 include Ballege (a partially free athletic lettering font).
Typefaces from 2013: Chronic (a free alchemic / hipster font inspired by native American legends), Essay (a copperplate headline sans published by Avondale).
In 2016, he made the custom prismatic typeface Happy Ending, Ballege (a slab serif family that uses details often seen in college sports and inspired by the film MoneyBall by Bennet Miller), and 36 days of Type (decorative caps). They also published the layered multiline retail typeface family eNeon (2016).
Creattica link. Creative Market link. Behance link. Dafont link. [Google]
Nootype (Nico Inosanto) is a Swiss typefoundry in Neuchatel. Typefaces made in 2013 include Merry Scriptmas (free didone), the geometric sans family Radikal, and Selfico, which is characterized by a symmetric g and y. Selfica (2013) is the sans companion of Selfico.
Fitigraf (2013) is a mix between a classical serif font and graffiti street art.
Agilis (2013) is a free text typeface with bulging glyphs.
Helia (2013) is a 16-style sans family. Helia Core (2013) is a companion typeface.
Dorica (2013) is a 14-style sturdy stocky serif family optimized for small point sizes.
Felice (2013) is a classic text family that defies classification.
Retrostar (2013) is a sans typeface that mixes some humanism wirth art deco.
Typefaces from 2014: Kleide (a scriptish typeface family).
Typefaces from 2016: Stratic Script, Solanel (sans), Devinyl (a potpourri of all caps styles with Inline, Acier, Fold, Inline, Line, Vinyl and Stencil versions), Rubiesque (a mix of humanist and grotesque elements in a sans), Rubis (the serifes companion of Rubiesque).
Behance link. [Google]
Saltillo, Mexico-based designer (b. 1988) of Pistyl (2011) and Rokyodil (2011). In 2014, she designed the prismatic multiline typeface Untrazuko. [Google]
Koprivnice, Czechia-based designer, b. 1989, Bilovec, Czechia. His typefaces include Trendy Roma (2012, sans and slab), Steelovy (2011, art deco prismatic typeface), Inspiration (2011, a thin architectural typeface), and Spock (2011, modular, logical, and mini-slabbed). In 2014, he set up his own typefoundry. In 2014, Ondrej created Zirkel, a geometric sans in 16 weights.
Behance link. [Google]
Page Studio Graphics (or: Pixymbols)
Page Studio Graphics is Roger Vershen's Oro Valley, AZ-based company specializing in symbols and symbol fonts, founded by him in 1986. Roger Vershen died in Tucson, AZ, in 2003.
The fonts (grouped under the name PIXymbols) include ADA symbols v.2.0, Africa, Alphabox, Alphacircle, Ameslan (ASL), Antorff (blackletter), Antorff Fractions, Apothecary, Arrows, Astrology, Backstitch, Boxkey, BoxNLines, Braille grade 2, Casual, Chalk Casual, PIXymbols Chess, Command Key, Courex (typewriter family), Crossword, PIXymbols Deco Glass (2001), Digit&Clocks (+LED symbols), Dingbats&Online, DOSScreen, Fabric Care, FARmarks (Federal Aviation Regulations lettering), Flagman (semaphore), Fractions, Gridmaker, Highway Gothic (U.S. Department of Transportation's Standard Alphabets for Highway Signs), PIXymbols Highway Gothic 2002, Highway Signs (U.S. Department of Transportation), Hospital&Safety, LCD, Linea (2002, prismatic), Luna, Malkoff (calligraphic font), Marina, Meeting, Mejicana (2001, a Mexican party font), Menufonts, Morse, Musica (instruments), Newsdots, Orchestra, Passkey, Patchwork, PCx, Phone, PIXymbolsMusica, Prescott (2001, Western), Penman (2001, connected script), PrimerD (letters with lines), Recycle, Roadsigns, Shadowkey, Signet (family), Signet Shadow, Squared, Strings, Stylekey, Tolerances&Datum, Travel&Hotel, TV List, Unikey, US Map, Vershen (2001), Xcharting, Xstitch. They also sell EPS files of all Arms of Swiss cantons, and many nice initial caps. Look also for Faux Hebrew (simulated Hebrew), as part of the Faux package that also includes Faux Sanskrit, Faux Runic, Faux Hebrew, Faux Japanese, Faux Arabic, Faux Chinese and Faux Chinese Sans.
Alternate URL. Previews at MyFonts. Klingspor link.
View the Page Studio Graphics typeface library. [Google]
Coimbra, Portugal-based designer who created the modular display typeface Tulipa in 2013. Still in 2013, she created the prismatic concentric typeface US Channel. [Google]
Very talented Montreal-based illustrator and digital artist. Home page. He created several modular typefaces in 2011.
In 2012, he created Muse, Gotham Streets (a prismatic typeface), Slinky, Stencil, Tulipe (counterless), Bad Billy (multilined, art deco), The Great Carnival (beveled caps), Web Font (prismatic), Jump Jump Font (octagonal), Fashion (a horizontally striped typeface), OK (prismatic), The Aviator (horizontally striped poster face), La Bonne Aventure (prismatic and slightly art deco), the rope-themed typeface Noeud Marin, the shadowed boat name typeface Bleu Marine, the multiline caps typeface Origami, the moustache-inspired caps typeface Mous Type (ornamental moustache-shaped capitals), the multilined display typeface Empire, the hand-drawn Une Typo Faite A La Main, and the prismatic typeface Anabelypster. After a bout of salmonella, he created Intestino, still in 2012. In Motion (2012) is an awesome prismatic art deco typeface.
Images of his stunning work from 2011: i, ii, ii, iv, v, vi, vii, viii, ix, x.
His Cathédrale project (2011) starts from a squarish face and transforms it gradually into one that contains the features of a cathedral.
Creations in 2013: Shapes (geometric font), Gold Deco, Dentelle, Twist, Sleek (a thin slab serif), Say Say Say (multiline, prismatic, hypnotic), Metrick (a gridded typeface), Film Noir (an overlay type system), Tam Tam, Diner (a striped all caps typeface), Spot Light Font (prismatic), Flora, Bright Diamond, Incandescent, XVII (multilined display face), Konga (a multiline script), Shiny Diamond, Splash (paint font), Chicago (prismatic neon tube face), Taxi (a wonderful multiline typeface), Papale (religious symbology alphabet made to mock the papal system), Empreinte (pure op-art), Broken Arrow Font (multiline caps face), Liquid Paper Font, Sunset (prismatic), Boogie (Broadway-style art deco family), New Art Deco (prismatic art deco face), Poule de Luxe, Burnout (a prismatic typeface), Marble Maze Font, M Gagnon (ornamental caps influenced by the design work of Denis Gagnon).
FontStruct fonts: Test3 (2012), Jump Jump 2 (2012).
Typefaces made in 2014: Moiré, Decora, Magnetic, Noise (TV noise emulation), Yes (multilined font), Broderie (braided letters), SAS (multilined), Full House, Heart Font (prismatic), 1976 (inspired by the 1976 Olympic Games in Montreal), Gold (prismatic art deco typeface), Lace, Bike.
Typefaces from 2015: Detour, Allie X, Grad Font, Duct Tape, Mint Julep (bilined art deco beauty), Hourglass, Stuntman (prismatic), La Dame de Coeur (playing card font), Fog.
Typefaces from 2016: Joliette, Denis (named after Montreal's mayor, Denis Coderre), Montreal (a prismatic typeface based on the logo of the city of Montreal), Cherry Cola Font, Bro & Co (multilined art deco beauty), Macramee (multilined).
Behance link. Hellofont link (for buying his fonts). [Google]
[Font Studio Four]
Bucharest, Romania-based designer of the multiline decorative caps typeface Molda (2016) which is inspired by traditional weaves and cultural symbols from Eastern Europe. Creative Market link. Behance link. [Google]
As a student at Instituto Politecnico de Tomar in Portugal, Pedro Perfeito created the prismatic and shadowed typeface family Broadway (2016) and the stencil typeface Gotham Rounded Curvas (2016). [Google]
[Mediumextrabold (or: M XB Foundry)]
Type designer who runs Philip Kelly Digital Design in the UK. He worked for Letraset from 1969-1994 as a type designer. His type design work there included Arabic and Hebrew letterforms. From 1994 until 1997, he designed typefaces at Signus, and became an independent designer in 1997. His typefaces:
- Codesigner with Mike Daines of the well-known University Roman (1972, Letraset), which is now offered in a myriad of digital libraries. See University Roman (ITC), University SB (Scangraphic Digital Type Collection), University SH (Scangraphic Digital Type Collection).
- Gillies Gothic Extra Bold Shaded (1982). See Gillies Gothic (ITC) and Gillies Gothic (Linotype).
- Cortez (1977). An exaggerated flashy copperplate. See Cortez (Linotype).
- Pump (1980). This family has rounded simple letterforms including a triline style. See Pump (Linotype) and Pump (ITC).
- Croissant (1978, ITC or Elsner+Flake). Rounded and almost an oriental simulation face. See Croissant SH (Scangraphic Digital Type Collection) and Croissant (Linotype).
- The often copied Algerian (1988). See, e.g., Algerian Condensed (Linotype), Algerian EF (Elsner+Flake) and Algerian SB (Scangraphic).
- Emporium (Letraset). A circus font.
- Spritzer (1987, Letraset). A shadowed face.
- Impress (1983, Letraset).
- Sendai (2010). A gracious copperplate-influenced 6-weight sans family.
- Fantail (2012). An arts and crafts style all caps typeface inspired by an RO monogram used during a Roy Orbison concert at the now defunct Coconut Grove nightclub in Los Angeles.
- Elan Greek and Elan Cyrillic to match ITC Elan (1985, Albert Boton).
- Elegant hand-drawn numeral typefaces based on calligraphic samples by illustrator Sarah Jane Coleman (2009).
- The italics for IR Modena (IR stands for Inland Revenue).
- Calligraphic typefaces done for Mandalay in 2009.
- Sendai (2001-2010).
- Shiosai and Shiosai Calm (2015). Wavy display typefaces.
- Zipper (Letraset). See ITC Zipper (ITC) and Zipper (Linotype).
Linotype link. FontShop link. Klingspor link. Portfolio. Testimonial of Kelly's days at Letraset. View several digital typefaces based on Philip Kelly's designs. [Google]
French graphic designer who lived in Perugia, Italy, and is now in Nantes, France. I would call him an experimental typographer. He likes experimenting, for example, with modular typeforms, as is apparent from his typefaces called Tubular Type, Type Lover, and Fold Type (2009). His Electro (2009) is supposed to look like your hair when you plug your fingers into the socket. Bang Bang type (2009, Western meets organic) and Frak type Abigaëlle (modular blackletter, 2009) and All Slab Western (2009) are further experimental typefaces.
In 2014, he designed the beveled typefaces Vernacolare, Prism Rounded, Prism, and Old Prism, and the circle-based display typeface Neo Quadrata. Terzo (2014) is a compass-and-ruler typeface. Modula (2014) is a minimalist modular typeface.
Behance link. Flickr page, where one can find more experimental types, like AbstractMin (2010), AbstractStruct (2010). Home page. [Google]
A subsidiary/part of House Industries in Yorklyn, DE. I quote: Photo-Lettering was a mainstay of the advertising and design industry in New York City from 1936 to 1997. PLINC, as it was affectionately known to art directors, was one of the earliest and most successful type houses to utilize photo technology in the production of commercial typography and lettering. It employed such design luminaries as Ed Benguiat and sold type drawn by the likes of Herb Lubalin, Milton Glaser and Seymour Chwast as well as countless other unsung lettering greats. The company is best known by most of today's graphic designers for its ubiquitous type catalogs. Physically, the collection takes up about 1500 cubic ft (42 cubic meters) of space and consists of film negatives and positives of most of the 6500 fonts produced in the company's 55 years. There are also countless patterns, cartouches, borders and dingbats, all of which have been preserved in film negative form. Each negative is approximately 28 in (71 cm) by 5 in (13 cm) high. House Industries, a Yorklyn, Delaware-based independent type foundry, purchased the entire physical assets of Photo-Lettering in April of 2003. Through a partnership with Ken Barber, Christian Schwartz and Erik van Blokland, House Industries is carefully digitizing select alphabets from the collection and plans to offer them through a modern web-based interface. The Photo-Lettering interface has allowed us to reach beyond the rigid confines of typography to offer extended features such as layering, color control and multiple master interpolation over six axes. With some of the most talented minds in display typography behind this new display lettering system, users of the system will enjoy the same refined typography as the original Photo-Lettering customers.
A snapshot of their production, as of mid 2012, in alphabetical order:
- Atrax. A Mexican simulation typeface.
- Aztec. A videogame typeface.
- Banjo Playbill. A tear drop typeface.
- PL Barclay Outline.
- BenguiatBuffalo. By Ed Benguiat.
- BenguiatCaslon, BenguiatCaslonOutline, BenguiatCaslonPlain. By Ed Benguiat.
- PL Brazilia (sans).
- PL Britannia.
- Bubblegum, Bubblegum Drop.
- Carlyle Eventide. A 3d titling face.
- CopelandMilo. A connected script by L.H. Copeland.
- CopelandTrilliumFills, CopelandTrilliumOutline. A beveled prismatic typeface by L.H. Copeland.
- DARegatta. A flared didone.
- DAmicoGothic. A casual flared typeface.
- DavisonBaroque. A Western / Tuscan typeface.
- FederalTwelveDiagonal, FederalTwelveHorizontal. These are engraved copperplate typefaces.
- PL Fiorello (squarish sans).
- Galaxy Didot (based on a didone typeface by C.E. Coryn).
- Goliath. A fat Egyptian typeface with a wood style flavor.
- HanoverBold. A nice Fraktur typeface.
- HaslerCircus. A Tuscan circus font.
- HenrionBA. A beveled typeface with several layers.
- HouseGothicWide. A shadowed unicase typeface.
- Housebroken. A two-layer stencil caps face.
- PL Latin.
- Mierop Inline. A bilined art deco typeface.
- Millstein Flourish. A beautiful tall-descender typeface.
- PL Modern Heavy Condensed.
- Neutra Inline, Neutra Thin. Neutra Thin is a phenomenal geometric hairline sans.
- Norton Slapstick. A wood simulation typeface by S.E. Norton.
- Norton Tape. A stencil paper-fold typeface by S.E. Norton.
- Quaint. After an ornamental typeface from 1938 by Paul Carlyle and Gus Oring.
- Quintet. A calligraphic connected script
- Raymund Circus (+Inline, +Outlined).
- Smidgen. A signage face.
- SuperstarScript. A bubblegum typeface.
- SwissTwoTone. A display sans with two layers.
- Tiki Palms.
- TimesSquare. A dot matrix typeface.
- Tuggle. An oil slick typeface.
- Voodoo House.
- PL Westerveldt.
- WestBarnumUltra, WestBarnumUltraDrop. A fat Egyptian typeface by Dave West.
- WestBehemoth, WestBehemothItalic. Egyptian typefaces by Dave West.
- WestEmperorScript. A fat didone by Dave West.
- WestThud. A fat signage typeface by Dave West.
- West Elephant. By Dave West.
- West Italiano. A didone by Dave West.
- West Kerpow. A comic book typeface by Dave West.
- Worthe Numerals.
Dutch creator of the outline typeface Kersse (2012) and the prismatic octagonal typeface Prismakers (2012).
Dafont link. Behance link. [Google]
[Gilberto Moya Perona]
Fine Arts graduate from UCLM (University of Castilla-La Mancha) in Spain, who works as a graphic designer in Cuenca, where he set up the Pisto Casero commercial typefoundry in 2013, after a period of free font production. He worked at DO2 Magazine. Gilberto Moya Perona is the designer of most fonts at Pisto Casero, which in 2014 was based in Brno, Czechia.
Typefaces from 2011: Paper Cube (3d, outlined), the ink spill typeface Sopa de Letras, the fat counterless typeface Minimal, the outline typeface I Am Online With U, the 3d hand-printed outline typeface Indietronica, the stencil pixel typeface Stencil 8Bit, Wet Arial (a beautifully executed type treatment face), and the 3d pixel typeface Chip Tunes.
Typefaces from 2012: Awakened, Corrupted Democrazy (grungy), Czech Tales (a beautiful curly typeface inspired by traditional Czech fairytales), Neon Serif (multilined, prismatic), Democrazy (sans and serif with very tall ascenders).
Typefaces from 2014: I Am Online With You (a connected outline font family).
Typefaces from 2015: Santanelli (an all caps rounded hipster display typeface).
Home page. Fontspace link. Dafont link. [Google]
Graduate of of Vakalo School of Art & Design in Athens and the University of Reading, where she earned the nickname Miss Fontlab. Type designer at POPtype in Athens. In 2013, she joined Type Together as a senior type designer.
Creator of Prisma (2004), a typeface that covers both Latin and Greek.
Creator of Colvert Greek (2012, Typographies.fr). Colvert is a joint effort of Irene Vlachou, Jonathan Perez, Kristyan Sarkis and Natalia Chuvatin.
At Cannibal Fonts, she created the corporate typeface Ballisage Greek (2007), a Hellenization of Ballisage. With Panos Haratzopoulos of Cannibal, she also made the corporate typefaces Esquire Greek and Crank Greek (2004, for Esquire), and Amplitude and Franklin Antiqua Greek (2007, for Autobild).
Designer of Parmigiano Greek (2012-2014), as part of the larger Parmigiano Typographic System of Riccardo Olocco and Jonathan Pierini.
Klingspor link. Cannibal Fonts link. [Google]
Creative designer in Mumbai who designed the prismatic op-art Latin typeface Squoil (2014), the Buds typeface (2014, a modification of Cooper Black), and the decorative dot matrix typeface Bandhani (2014). [Google]
Design director at Frost Design in Sydney and South Africa since 2007. Global Brand Design and Art Director for the London 2012 Olympic Games for Nike. Designer of quite a few (unnamed) typefaces in 2009-2012. These include several modular or experimental designs, a 3D typeface for Mr. Muz in Tasmania, an Escheresque typeface, a prismatic typeface, a didonbe typeface, and an op-art experimental typeface. [Google]
Barcelona-based designer of the alchemic typeface Mana Sans (2011). He writes: A commissioned display font I designed for the Mexican band Maná in late 2011. It was finally used for one of their songs on the new album, as part of the visuals for their live shows on the last tour around South America and USA. Available from Ultra Types.
Other fonts by him from 2012 include Geoda (a geometrically designed font), Modula Mono (a monospaced bold organic caps set, available from Ten Dollar Fonts), Mana (alchemic), and Marina (this three-style text family is his final project for the Masters in Advanced Typography at EINA).
In 2013, he designed the 900-glyph geometric display sans typeface Sifonn Pro (Ultra Types), which is loaded with interlocking pairs. There is a basic tweetware version.
In 2015, he published Yorokobu Isometric for the Yorokobu cover---it is a 3d Escher-style typographic piece. In that year, he also made a set of travel / wayfinding icons called Trippeo, the circle-based Rotula Display.
Typefaces from 2016: 36Dot (colorful 3d caps set), Bosanova (prismatic titling typeface).
Behance link. Home page. [Google]
German designer of the paperclip font Linotype Contacta (1994) and the multiline hypnotic typeface Boogie (2003, Linotype). He worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences.
Boogie won an award at the Linotype International Type Design Contest 2003. Linotype link. Klingspor link. FontShop link. [Google]
Ralph Michael Unger
[RMU (Ralph Michael Unger Typedesign)]
Or Rafael Koch. Raphael Koch (Blokes.ch, Switzerland) graduated in 1999 from Schule für Gestaltung Luzern, Switserland. His Diploma work there, Transport, involved the development of several typefaces, and was part of a team effort by Urs Lehni, Peter Körner, Markus Wohlhüter and Rafael Koch. Koch designed the very original multiline / prismatic typeface family LL Prismaset"> (2006-2013, Lineto, with James Goggin, Alex Rich, and Mauro Paolozzi) and codesigned Lego in 1999 at Lineto with Urs and Juerg Lehni.
In 2015, Raphael Koch and Mauro Paolozzi codesigned GT Cinetype at Grilli Type. This typeface has outlines consisting of many short straight line segments, thus mimicking the now obsolete pre-digital age technique of laser printing subtitles in movies. At small sizes, the font looks very smooth, but at larger sizes, the straight segments become apparent. [Google]
Letterer and designer in Chicago, who created the prismatic op-art typeface Line Letters (2014). Behance link. [Google]
Richard Diaz Granados
[Stereo Type Haus]
Designer in Perth, Australia, who created the prismatic typeface Leading Lines (2014). Behance link. [Google]
RMU (Ralph Michael Unger Typedesign)
[Ralph Michael Unger]
Ralph M. Unger (b. 1953, Thuringia, East Germany) says this about himself at MyFonts: Typesetter from the composing stick via Linotype setting machines to the Mac. Jobs in various Thuringian printeries. Barred further education by Communist authorities due to political reasons. Imprisoned in East Germany. Since 1988 in the state of Baden-Wuerttemberg, former West Germany. Jobs in several newspaper printing houses as advertisement compositor. Own office since 1995, in Aalen, Baden-Wuerttemberg. He lives in Schwaebisch Gmuend, and was a freelance type designer for Profonts and URW++, where he contributed frequently to these libraries between 2002 and 2009. In 2009, he founded RMU. MyFonts link. I split his contributions into two groups, the URW / Profonts group, and the RMU group. The prefix FontForum refers to a subseries of URW++ fonts. Unless specifically mentioned, all the following fonts are at URW++ and/or Profonts:
The list of RMU fonts:
- FontForum Admiral Script (2005): revival of Middleton's Admiral script from 1953.
- Amitié (2009): a garalde family.
- Arabella Pro (2006): after the script by Arnold Drescher from 1936, published at Joh. Wagner.
- Fontforum Atrament (2006): architectural lettering. Do not confuse with a Suitcase Type Foundry font from 2003 by the same name.
- Atze (2010): a comic book family.
- Behrensschrift D (2007): after the jugendstil typeface Behrens Schrift, 1902, by Peter Behrens.
- FontForum Bernhard Script (2005): after Bernhard Script from the 1920s.
- Bradley (2005): blackletter, after the original by William H. Bradley.
- Breite Kanzlei (2007).
- Breitkopf Fraktur (2003): after the original by Johann Gottlob Immanuel Breitkopf, done in 1793.
- Brocken (2011) is a signage typeface inspired by a design of Volker Küster (1960s).
- Profonts Bureau (2010, Profonts): a minimalist rounded sans family.
- FontForum Calypso (2005): a revival of Roger Excoffon's Calypso (1958).
- Card Pro (2006): a decorative display based on Ella Cursief (1916, Sjoerd Hendrik de Roos, Lettergieterij Amsterdam).
- Chaweng (2006, Profonts): an oriental all caps simulation face.
- Civilite URW (2005).
- Compliment (2004, casual script). Based on a 1965 script by Helmu Matheis for Ludwig & Mayer.
- Cranach (2007): a blackletter typeface modeled after Kuenstler Gotisch from the Krebs Foundry.
- Dominante (2007): a serif family based on Johannes Schweitzer's font by that name, 1959.
- Dominique (2010, profonts): an informal typeface.
- FontForum URW Ecsetiras (2005): revival of Ecsetirás (Zoltan Nagy, 1967, a brush face).
- Edda Pro (2008): an art nouveau face that revives a Heinrich Heinz Heune typeface from 1900.
- Energia Pro (2008, Profonts): connected monowidth script, based on Arno Drescher's Energos from 1932.
- Estro (2003, Western lettering). Seems close to Nebiolo's Estro from the 60s.
- Eurobrush Pro (2007, Profonts): handwriting.
- EuroSans (2008).
- Euroscript Pro (2006, Profonts): school script typeface based on his own handwriting.
- Flashes (2007): a revival of Crous-Vidal's Flash, 1953.
- Fox (2007): a brush script based on W. Rebhuhn's original from the 1950s.
- Gamundia (2010): a calligraphic copperplate script inspired by Excoffon's Diane.
- Ganz Grobe Gotisch (2006): a fat blackletter modeled after the original by F.H.E. Schneidler.
- Gmuender Elan Pro (2011) is a 1950s style script face.
- Gradl Nr 1 (2008): based on hand-drawn art nouveau upper case characters by M. J. Gradl, ca. 1900.
- Graphique Pro (2008): shadowed caps face, based on Graphique, which was originally created by Swiss designer Hermann Eidenbenz in 1945, and issued as hot metal font by Haas'sche Schriftgießerei. See also New Graphique Pro (2011).
- Handel Slab (2009): a 6-style extension of Trogram's 1980 typeface Handel Gothic.
- Hanseat (2010): a grotesque family done at Profonts. It was heavily inspired by Germany's official DIN 1451 Engschrift.
- Iova Nova (2007): based on Jowa Script, designed by J. Wagner in 1967.
- Profonts>Impression (2008): art deco.
- Jessen Schrift (2004): after the Rudolf Koch blackletter typeface by that name.
- FontForum URW Konzept Pro (2005): revival of Konzept (1968, Martin Wilke's handprinting face).
- Legende (2002): a script typeface based on the original typeface of Friedrich Hermann Ernst Schneidler (1937).
- Leipziger Antiqua. The original Leipziger Antiqua by Alfred Kapr at Typoart dates from 1971 until 1973. The digital version of Leipziger Antiqua was developed by Ralph M. Unger in 2005.
- Manuskript Antiqua (2005): after Oldrich Meinhart's Manuskript Antiqua.
- The Maszynysta family of heavy industrial sans typefaces (2010) have a textured style (Struktura), a Shadow, and a plain Roman.
- Maxim (2003, Profonts): The heavy brush typeface Maxim was originally designed by Peter Schneidler in 1956 for the Bauer foundry.
- New Bayreuth (2008): after Friedrich Hermann Ernst Schneidler's Bayreuth from 1932.
- Old Borders and Lines (2010). A free font.
- Ornella (2008): Jugendstil.
- Peter Schlemihl (2008, Profonts): a revival of a blackletter by Walter Tiemann.
- Pedell (2009): a casual script.
- Polo (2002): a brush face modeled after Carl Rudolph Pohl's Polo (1960).
- In 2012, Ivana Koudelkova codesigned the grungy headline typeface Retroactive Pro with Ralph M. Unger at Profonts.
- Fontforum Rhapsody (2006): a revival of Ilse Schüle's rotunda face.
- Roberta (2003): art nouveau typeface after obert Trogman's typeface for FotoStar.
- FontForum Signs and Symbols (2006).
- Splendor (2009): a revival of a brush script typeface by Wilhelm Berg, Schriftguss, 1930. See also Splendor Pro (2014).
- Sportowy (2009): an outline face.
- Stanford (2011). A sports lettering face.
- Stiletto (2006): a medieval script.
- Fontforum Stripes (2007): a multistripe op art display typeface based on a Letraset font from 1973 by the same name.
- Fontforum Thalia (2006): retro font.
- Tintoretto (2006): shadow display face based on an origonal by Schelter & Giesecke.
- Tip Top Pro (2008): a Julius Klinkhardt art nouveau typeface revival.
- FontForum Unciala (2005): a revival of Oldrich Menhart's typeface Unciala (1953, Grafotechna).
- Unger Chancery (2005).
- Unger Script (2003): based on H. Matheis' Slogan typeface designed for Ludwig&Mayer in 1957.
- Veltro (2007): after a 1931 original by G. da Milano at Nebiolo.
- Profonts Woodpecker (2008).
- Amati Pro (2010): after Georg Trump's condensed didone face, Amati, 1951.
- Avus Pro (2012). A sans family that extends Gert Wunderlich's Maxima (1970).
- Behrens Kursiv (2013). After a 1906 original by Peter Behrens.
- Bernhard Cursive Extra Bold (2010).
- Borghese (2015). An art nouveau font after a Schelter & Giesecke original from 1904.
- Borgis Pro (2012). A Clarendon-style text family.
- Boulette (2015, a fat creamy script).
- Bravura Pro (2013). After G.G. Lange's Publica.
- Bricklayers (2012). An original fat slab display face.
- Brillant (2009): art nouveau and ultra heavy.
- Butti (2011). A script family paterned after Fluidum (1951, Alessandro Butti, Nebiolo).
- Cable Condensed (2014). Based on Koch's Kabel.
- Caesar Pro (2011). A flared sans typeface after Caesar Schrift (1913, Georg Schiller, C.F. Rühl).
- Capitol Pro (2012). An art deco typeface based on Capitol (Karl Hermann Schaefer for Schriftguss, 1931).
- Carla Pro (2013). A broad-nibbed script modeled after Ballantines Script (Elsner & Flake, 1974; see also Ballantines Serial by SoftMaker).
- Caslon Gotisch (2009): after the original by William Caslon from 1763.
- Celebration (2009): blackletter.
- Claudius (2010): after a 1937 blackletter font at Klingspor.
- Constanze Pro (2012). A light cursive typeface based on Constanze (1954, Joachim Romann, Klingspor).
- Contact Pro (2010): after Contact, a 1963 font by Helmut Matheis.
- Diamant Pro (2012). A transitional serif face.
- Emilia (2016). Based on Weiss Antiqua (1928) by Emil Rudolf Weiss.
- Neue Echo (2016). Based on Echo for Schriftguss.
- Emilia Gotisch (2016). After Weiss Gotisch (1936) by Emil Rudolf Weiss.
- Erler Titling (2015). After Erler Versalien (1953, Herbert Thannhaeuser for Typoart).
- Eurotech Pro (2011): a slabby techno family.
- Faulkner Pro (2011): a connected heavy signage script based on Alan Meeks's Kestrel.
- Fette Unger Fraktur (2010).
- Forelle Pro (2010): after the original Forelle script typeface by Erich Mollowitz, 1936.
- Frankenberg Pro (2012). An antique script face.
- Gabor Pro (2014). A connected copperplate script.
- Garamond Antiqua Pro (2015).
- Gillray Pro (2015). A copperplate script after Hogarth Script (by Harald Bröder for Typoart).
- Gmuender Gravur (2011). A 3d shadow face. Gmuender Antiqua Pro (2015) is influenced by the metal font Imprimatur (1952-1955, Konrad F. Bauer and Walter Baum).
- Haenel Fraktur (2011), after Haenel Fraktur, ca. 1840 (Haenel'sche Letterfoundry in Berlin).
- Impuls (2010): a brushy typeface based on Paul Zimmermann's Impuls (1945).
- Initials RMU One (2012) consists of revivals of Rudhardsche Initialen (Otto Eckmann, ca. 1900) and Walthari Initials (ca. 1900, Rudhardsche Giesserei). Initials RMU Two (2012) consists of revivals of Jubilaeumsinitialen (by Bauersche) and Augsburger Initialen (by Peter Schnorr, 1901).
- Jobs Gravure (2011). It had to happen---a few days after Steve Jobs' death, Unger released the beveled engraved typeface Jobs Gravure, which is an extension of Trump Gravur (1954, Weber).
- Jolly Polly (2012): a curly non-connected script face.
- Kleist Fraktur (2010): after Walter Tiemann's original.
- Kompress Pro (2013). Two compressed sans typefaces.
- Korpus Pro (2014). A text typeface family. Followed later in 2014 by Korpus Sans Pro.
- Leibniz Fraktur (2012) is modeled after the famous Genzsch & Heyse blackletter font.
- Liliom Pro (2012). A beautiful fat didone typeface based on an original from the Fonderie Française.
- Lipsia Pro (2011). An angular serif family.
- Literatura Pro Book (2012).
- Lutetia Nova (2014). A fresh two-style take on Jan van Krimpen's Lutetia (1924).
- Luxor Pro (2010): a Victorian/Western display face.
- Lyrica (2014). A revival of the informal blackletter typeface Lyrisch (1907, Georg Schiller).
- Manutius Pro (2012).
- Meister Antiqua (2011, +Bold, +Book). A Typoart original from 1951 in the tall flared ascender serif genre, revived and extended.
- Mitropaschrift (2016). An octagonal original.
- Mobil Pro (2011). A semi-script typeface in the fifties style of Matheis.
- Monument (2010): a 3d shadow roman caps face created after Oldrich Menhart's Monument.
- Neue Kurier (2011). Typoart's popular signage script font in a new, completely remastered version.
- Neue Muenchner Fraktur (2010).
- Neue Thannhaeuser (2011).
- Old Towne Pro (2010): a Western font.
- Orbis Pro (2016). A revival of Walter Brudi's shadow typeface Orbis (1953, Stempel).
- Parcival Antiqua (2016). A revival of Parcival Antiqua (1926, Herbert Thannhaeuser).
- Parfum (2013). A low x-height script that was inspired by Howard Allen Trafton's Quick (1933, bauer).
- Parler Gotisch (2011). A blackletter face.
- Plastica Pro (2015, a chiseled typeface inspired by a J. Lehmann design).
- Post Fraktur (2014) and Postillon (2014). After Herbert Post, 1933-1937.
- Primana Pro (2012). A seductive geometric grotesk family.
- Prinzess Gravur (2010): a blackletter typeface modeled after Prinzeß Kupferstichschrift (1905, Berthold).
- Prisma Pro (2011). Revival and extension of Rudolf Koch's multiline typeface Prisma (1931).
- Reklame Fraktur (2016). After Reklame Fraktur by Albert Christoph Auspurg, 1914.
- Reznicek Pro (2011) is a post-Victorian pre-art nouveau typeface named after Ferdinand von Reznicek (1868-1909), one of the leading artists and illustrators of those times.
- Rhythmus Pro (2016). After a Schriftguss AG and Schelter&Giesecke original grotesk, and extended to cover Cyrillic.
- Ridinger Std (2012). Based on Riedingerschrift (Franz Riedinger, 1906, for Benjamin Krebs Succ.).
- Ronde Pro (2011): roundhand script.
- Saskia Pro (2016). Revival of Jan Tschichold's Saskia (1931, Schelter & Giesecke).
- Schmale Anzeigenfraktur (2009): based on Koch's Schmale Deutsche Anzeigenschrift, 1923, Klingspor.
- Schmuckinitialen (2009): an ornamental caps typeface in the art nouveau style based on Walthari Initials [Walthari (1899, Heinz König for the Rudhard'sche Giesserei) in the upper case and Eckmann Initials (ca. 1900, by Otto Eckmann, Germany's chief art nouveau type designer) in the lower case].
- Schwabacher Book (2013).
- Staxx Pro (2013). A prismatic typeface.
- Staufer Gotisch (2015). An engraved blackletter typeface modeled after Herbert Thannhaeuser's Hermann Gotisch (Schriftguss, 1934).
- Steinschrift Pro (2015). A single style condensed sans serif.
- Thannhaeuser Fraktur (2013) is a redesign of Typoart's Thannhaeuser Fraktur.
- Thomasschrift (2014). A rustic typeface that revives and extends Thomas-Schrift by Friedel Thomas (1957-1958, Typoart).
- Titanschrift (2011). A yummy soft and fat display face.
- Trocadero Pro (2010): an extension and revival of Trocadero Kursiv, 1927, Albert Auspurg, Trennert.
- Troubadour Pro (2010): In Medium and Engraved styles.
- Trump Deutsch (2011): a blackletter face, after the 1935 original by Georg Trump.
- Trybuna (2013). Based on Herbert Thannhaeuser's Liberta Antiqua (1958), but completely redrawn.
- Tyton Pro (2013). A brush script after Heinz Schumann's famous 1964 Stentor.
- Typoskript Pro (2010): a revival of Hildegard Korger's Typoskript, first done at TypoArt in 1968.
- Unger Fraktur (2010): after a 1793 design by Johann Friedrich Unger; includes fett and mager.
- Walbaum Antiqua Pro (2013). A revival of Justs Erich Walbaum's didone classic.
- Zentenar Fraktur (2010): mager and halbfett; after the 1937 workhorse by Ernst Schneidler at Bauer.
- Zierfraktur (2010): after Deutsche Zierschrift, an engraved blackletter font that was cut by Rudolf Koch between 1919 and 1921 for Klingspor.
Ralph made some typefaces outside URW/Profonts and RMU, such as Stripes (2014, a prismatic typeface puvlished by Thinkdust).
View Ralph M. Unger's typefaces. [Google]
Robert Lomas (Lomas Design, Manchester, UK) created a multiline prismatic typeface called Groove (2012), and a 3d multiline typeface called Good Vibrations (2012).
Behance link. [Google]
[Page Studio Graphics (or: Pixymbols)]
Athens, Greece and Barcelona-based graphic designer. He created the piano key stencil typeface MAP Stencil (2010, Latin and Greek), the prismatic typeface 3D (2012), and the alchemic typeface Stigma (2012).
In 2013, Rouli designed the tall thin typeface Sentient Adult.
Behance link. [Google]
Ruben Ferreira Duarte
Communication designer in Lisbon, Portugal, who created these typefaces in 2014: Caffein (stencil), Bludaneve (stencil), 2 Bee (monoline rounded sans), Rotas de Portugal (stencil), Arte no Feminino (dot matrix), Lusofonia (chromatic type), Caixa Alta (condensed sans), Horizontes Aventura (brush typeface).
Typefaces from 2015: Crosslines (prismatic mulriline font family), Quarta Parede (origami font), Ponte Romana (sans). Behance link. [Google]
Great German type designer (b. Nürnberg, 1876; d. Frankfurt, 1934) who worked mainly at the Klingspor foundry. He founded the Offenbach Werkstatt in 1921.
Many of his typefaces can be classified as German expressionist. These include Kabel (a sans), and Neuland (an angular poster face). An early Nazi sympathizer and supporter, Koch's fonts were heavily used by the Nazi regime.
This page lists 158 royalty-free Christian symbols drawn by Rudolf Koch, a religious Lutheran, with the collaboration of Fritz Kredel (1900-1973) (see also here).
His typefaces, with notes on digitizations:
In 1984, Wolfgang Hendlmeier discussed the blackletter typefaces in Koch's oeuvre: A, B, C, D, E, F, G. Koch's involvement in handwriting education in Germany led to these Schreibschrift examples from 1930 (also called Deutsche Verkehrsschrift), and to the development by Martin Hermersdorf of the Deutsche Schreibschrift for fourth graders in Bavaria in 1950. His influences as a blackletter designer and illustrator are documented in this brief bio by Wolfgang Hindlmeier (1984). Wood engraving of Koch by Bernard Brussel-Smith.
- Claudius (1931-1934, 1937, D. Stempel AG): His son Paul Koch followed Rudolf's instructions to make one weight in 1931-1934. Klingspor completed it in 1937. Delbanco (as DS-Claudius) and Klaus Burkhardt (1991) digitized it. Based on the latter, Manfred Klein made ClaudiusImperator (2001). Dieter Steffmann made Claudius, ClaudiusAlternate, and ClaudiusHeadline in 2003. Ralph M. Unger published Claudius in 2010.
- Deutsche Anzeigenschrift (1913-1914), Deutsche Anzeigenschrift schmal (1916-1923, D. Stempel AG): See SchmaleAnzeigenschrift (2002) and SchmaleAnzeigenschriftZier (2002) by Dieter Steffmann, and Schmale Anzeigenfraktur (2009) by Ralph Unger.
- Deutsche Anzeigenschrift eng (1923)
- Deutsche Anzeigenschrift breit (1923, D. Stempel AG)
- Deutsche Anzeigen. schmalhf. (1934, D. Stempel AG)
- Deutsche Schrift mager (1918, Gebr. Klingspor)
- Deutsche Schrift halbfett (1912, Gebr. Klingspor): Deutsche Schrift (or: Koch-Fraktur) was revived by Gerhard Helzel as KochFrakturSchmaleHalbfette (2000), by Christian Richter as Rudolf Koch (2003), and by Delbanco as DS Koch Fraktur. It was a popular family, known in England as Oxford. For comparison, here is a phototype version.
- Deutsche Schrift fett (1910, Gebr. Klingspor): Fette Deutsche Schrift was revived by Dieter Steffmann in 2002 (as Fette Deutsche Schrift) and by Alter Littera in 2012 as Deutsche Schrift.
- Deutsche Schrift schmal (1913, Gebr. Klingspor)
- Deutsche Schrägschrift (1912, Gebr. Klingspor).
- Deutsche Werkschrift (1934, D. Stempel AG): This is really the "mager" version of Deutsche Anzeigenschrift. Delbanco revived it digitally as DS Deutsche Werkschrift.
- Deutsche Werkschrift hablfett (1934, D. Stempel AG).
- Deutsche Zierschrift (1921, Gebr. Klingspor): Revived as Zierinitialen by Dieter Steffmann in 2002. See also Delbanco's DS Deutsche Zierschrift (Delbanco).
- Frühling (1913-1917, Gebr. Klingspor) is a blackletter that seems to have been executed with a shaky hand---it is definitely one of Koch's weakest and ugliest designs. Incredibly, the revival gang was still eager to spring into action: it was revived and interpreted by Frantisek Storm in Monarchia. See also Delbanco's DS Frühling. For another revival, see Next Stringtime by Manfred Klein (2003). Frühling is sometimes called Kartenschrift.
- Grotesk Initialen (1933, Gebr. Klingspor): Paul Hayden Duensing made Koch Initials (metal).
- Holla (1932, Gebr. Klingspor): Digitized by Dieter Steffmann in 2001.
- Kabel (1927, Gebr. Klingspor): The most famous digitization of this Koch Sans family is by Victor Caruso in ITC Kabel (1976), and with its exaggerated x-height, much larger than the original, it is a poor bastard. The modern Bitstream version is called Geometric 231. Softmaker calls it Koblenz. Poster by Jorge Martinez. At Linotype, Marc Schütz designed the large family Neue Kabel (2016) that revives Kabel by making it more consistent. This version overshadows all previous digital versions or extensions of Kabel.
- Kabel Kursiv (1929, Gebr. Klingspor)
- Kabel groß (1928, Gebr. Klingspor): LinotypeLibrary
- Kabel Kursiv groß (1930, Gebr. Klingspor)
- Norm Kabel (1930, Gebr. Klingspor): LinotypeLibrary
- Kabel fett (1929, Gebr. Klingspor): LinotypeLibrary
- Kabel schmal (1930, Gebr. Klingspor)
- Kabel schmalhalbfett (1929, Gebr. Klingspor)
- Koch Antiqua (or: Locarno) (1920-1922, Gebr. Klingspor): This gorgeous tall-legged typeface was designed in 1917, but cut in 1922. There exists a multiple master font AIKochAntiqua by Randall Jones (Alphabets Inc). See also LinotypeLibrary, and Astaire Pro (2004, Bergslund Design), as well as KochAltschrift (2004, Moorstation crew), and Locarno (1985, Alan Meeks for Letraset).
- Koch Kursiv (1923, Gebr. Klingspor): Kursiv version of Koch Antiqua.
- Koch Kursiv groß (1929, Gebr. Klingspor)
- Koch Antiqua fett (1926, Gebr. Klingspor). Some give the date 1923-1924. Digital versions include Eva Antiqua, Eva SG (Spiece Graphics), Eva (Monotype), Astaire Pro (Hackberry), Locarno (Letraset), Kuenstler 165 (Bitstream), Koch Antiqua (Adobe, Linotype), Evadare (David Nalle).
- Koch Kurrent (1933, Gebr. Klingspor): This is Koch's version of school scripts, a variant of his earlier proposal, Offenbacher Schrift (1927). It was only cut in 1935. See Rudolf Koch Kurrent at Delbanco
- Koch Schrift (1909) is a Schwabacher first known as Neudeutsch and later as Koch Schrift. It was used by the Deutsche Reichsbahn, ca. 1930. For a digital revival, see, e.g., Koch Schrift (1998, Ingo Zimmermann).
- Marathon (1930-1938, Gebr. Klingspor): Digitized by Linotype in 2003 as Marathon LT (by Ute Harder, aka Frau Jenson), and by Softmaker a bit earlier. The best digital version is by the Koch Memorial team of Petra Heidorn under the name Romantha (a permutation of the letters) in 2003 (it preserves the original x-height better, for example).
- Maximilian (Gotisch) (1914-1917, Gebr. Klingspor): Walden Font has a revival. See also Maximilian at Delbanco. Castletype made MaximilianCS. In 1995, Doug Olena revived it as Maximilian. Dieter Steffmann made Maximilian (2002) and Maximilian Zier (2002). Maximilian (2012) is due to Alter Littera. Drawings for Maximilian-Gotisch. Gerhard Helzel's revival from 1995. Stephen Miggas's revival called Gothicus (2006).
- Maximilian Antiqua (1913-1917, Gebr. Klingspor): Manfred Klein made Maximilian Antiqua (2003) and MaximilianAntiquaSmallCaps (2003). For an initial caps extension, see Typograf's Maximilian Antiqua Initialen (2015).
- Neuland (1923, Gebr. Klingspor): An all caps German expressionist typeface chiseled directly by Koch from metal. Copied by Monotype in 1929 as OthelloMT. Digitized by Linotype Library. Also digitized as Newland Black by Andrey Mel'man. In 1995, Doug Olena (Keystrokes) revived it as FFD Neuland (1995). A lower case and hair-serifed extension was created by Manfred Klein as OnKochsRoots (2002). He also made KochNeu-ExtraBlack (2003). Nick Curtis made Jungle Fever and Jungle Fever Shaded (2008) after Neuland. In 2010, Ian Lynam published yet another update, Neuerland. In 2013, Lazar Dimitrijevic created Cal Neuland Bold.
- Neuland licht (1928, Gebr. Klingspor): This is an outline version of Neuland.
- Neu Fraktur (1933-1934, Gebr. Klingspor): Koch's last Fraktur.
- Offenbach (1928-1934, Gebr. Klingspor): Made for display in church windows, Koch designed the "mager" weight (1931) and an uncial version. His student Hans Kühne finished the "halbfett" and the gothic after his death.
- Peter Jessen Schrift (1924-1929, Gebr. Klingspor): Koch called this his Bibelschrift. See DS-Jessen-Schrift (1998) by Christian Spremberg and Peter Jessen Schrift at Delbanco. For extrapolated interpretations, see JessicaPlus (2002) and JessicaSerif (2003) by Manfred Klein, Peter Jessen Schrift Pro (Softmaker, 2016), and Jessen Schrift (2004) by Ralph M. Unger.
- Prisma (1928-1931, Gebr. Klingspor): A four-lined art deco face. Revived by Dieter Steffmann (2003-2004) as Prisma, and by Ralph Unger as Prisma Pro (2011). See also the 10style typeface family Prismaset (2003-2016, Lineto, by Mauro Paolozzi, James Goggin, Alex Rich, and Raphael Koch).
- Stahl (1933-1939): Done with H. Kühne. Revived by J.F.Y.Daniel Gauthier - GautFonts as StahlSteel (2003) and StahlSteelRiveted (2003).
- Wallau (1924-1932, Gebr. Klingspor): See Wallaby on the SoftMaker MegaFont XXL CD, 2002, or Wallau by Fraktur.de or DS Wallau by Delbanco, or Wallau (2012) by Alter Littera. Pictures by Dan Reynolds about Klingspor's Wallau speciman book (1939). Wallau, which comes in rotunda (Rundgotisch) and uncial, was named after Heinrich Wallau (1852-1925), a printer from Mainz. Originally, the typeface was going to be called Missale.
- Wallau halbfett (1930, Gebr. Klingspor): Revived by Dieter Steffmann as WallauDeutsch-Bold (2002), Wallau Rundgotisch Heavy (2002), Wallau Rundgotisch OsF Heavy (2002), WallauUnzial-Bold (2002) and WallauZierBold (2002). Also digitized by PrimaFont.
- Wallau fett (1935, Gebr. Klingspor)
- Wallau schmal (1934, Gebr. Klingspor).
- Wilhelm-Klingspor-Schrift. (1920-1926, Gebr. Klingspor): This was originally called Missal. To commemorate Wilhelm Klingspor, who died in 1925 from a war injury, it was renamed Wilhelm-Klingspor-Gotisch. Paul Hayden Duensing made a metal version under the latter name. Digitizations by Fraktur.de and Delbanco. See also Wilhelm-Klingspor-Schrift at LinotypeLibary, Wilhelm Klingspor Schrift (2012) by Alter Littera, Wilhelmschrift (2006) by Stephen Miggas, and Missal by Dieter Steffmann (2003). Matching decorative caps were made in 2004 by Paul Lloyd under the name Holzschnitt-Initialen.
- Zeppelin (1929, Gebr. Klingspor): This is a decorative (inline) version of Kabel. Revived as Zeppelin in 2003 by Dieter Steffmann. Imitations abound, see, e.g., Scriptorium's Evadare (1993).
Publications by Rudolf Koch: Die Schriftgießerei im Schattenbild, Offenbach 1918; Das Schreiben als Kunstfertigkeit, Leipzig 1921; Das ABC-Büchlein, Leipzig 1934; Das Schreibbüchlein, Kassel 1939.
References: Georg Haupt: Rudolf Koch der Schreiber, Leipzig 1936; Wilhelm H. Lange: Rudolf Koch, ein deutscher Schreibmeister, Berlin, Leipzig 1938; Oskar Beyer: Rudolf Koch. Mensch, Schriftgestalter und Erneuerer des Handwerks, Berlin 1949; Friedrich Friedl, Nicolaus Ott (Editor), Bernard Stein: Typography An Encyclopedic Survey of Type Design and Techniques Throughout History, Könemann Verlagsgesellschaft mbH.
FontShop link. Klingspor link. Biography by Nicholas Fabian. Bio at Linotype. Bio in German. For an English reference work on his life, check Gerald Cinamon's book Rudolf Koch: Letterer, Type Designer, Teacher (2000, Oak Knoll Press (USA) and The British Library (UK)). The Koch Memorial page offers historical notes and many free revivals of his typefaces.
View digital typefaces based on Rudolf Koch's work. [Google]
Rudolf Koch - Ein virtuelles Denkmal
Extraordinary pages by Petra Heidorn and her group of type designers (Manfred Klein, Dieter Steffmann, Daniel Gauthier, Paul Lloyd, Graham Meade and Harold Lohner) to commemorate the 70th year of Koch's death (1876-1934). The free fonts, revivals and interpretations include, by designer:
- Dieter Steffmann: Claudius, ClaudiusAlternate, ClaudiusHeadline (2003), DeutscheZierschrift (2002), FettedeutscheSchrift (2002), Holla (2001), KochAltschrift-Bold, KochAltschrift, KochAltschriftAlt, KochAltschriftInitialen, KochAltschriftKursiv-Bold, KochAltschriftKursiv (2003), Maximilian (2002), MaximilianZier (2002), Missal (2003), Prisma (2003), SchmaleAnzeigenschrift, SchmaleAnzeigenschriftZier (2002), WallauDeutsch-Bold, WallauRundgotisch-Heavy, WallauRundgotischOsF-Heavy, WallauUnzial-Bold, WallauZierBold (2002), Zeppelin (2003).
- Manfred Klein: ClaudiusImperator (2001), JessicaPlus, JessicaSerif (2003), KochNeu-ExtraBlack (2003), KochWoodcut (2003), Kochfragments (2003), KochsBricksInvers (2004), KochsGries (2003), Kochwood-Light (2003), KochwoodQuill (2003), MaximilianAntiquaSmallCaps (2003), NextSpringtime (2003), OnKochsRoots (2002), RootsKochThree (2001), SacredOldSymbols (2003).
- Paul Lloyd: Holzschnitt-Initialen (2004).
- Daniel Gauthier: StahlSteel, StahlSteelRiveted (2003).
- Graham Meade: Rudolphin (2004), Rudolphin Oblique (2004).
- Graham Meade and Manfred Klein: ABC-LongLegs (2004).
- Harold Lohner: KochRivoli (2000).
- The entire team: Koch-Defrag (2003), Romantha (2003).
Designer in Budapest who created Moiré Type (2012, a multiline prismatic typeface). [Google]
Sarmad Hashmi (Karachi, Pakistan) used the Inception movie title to create a prismatic alphabet in 2012. [Google]
Belize City, Belize and now New York City-based creator of the logotype font Advio (2016), the ribbon or monogram font RibOne (2016), the tech font Line Tech (2016), the curly Wonderscript (2016), the prismatic typeface Lineat (2016, +Lineat III), the plump logotype Airy (2016), the bi-lined typeface Freeline (2016), the robot-inspired Stingo (2016), the display typeface Food Craft (2016), the bilined logo and monogram font Sentaline (2016), the script typefaces Curline (2016) and Article (2016), the children's font Happy Kids (2016), the futuristic font Digitalium (2016, +Condensed), the multiline titling typeface Sentagram (2015), Forest Line (2015, thin squarish headline sans), Sweet Ink (2015), and the ribbon typeface Sentaband (2015). Creative Market link. Behance link. Another Behance link. [Google]
Serj Nikolaev (Moscow) created a prismatic alphabet in 2013. Behance link. [Google]
Signal Type Foundry
Signal Type Foundry & Drawing Office is a type foundry in New York City, est. 2012 by Max Phillips (b. 1957, New York City), a typographer, graphic designer, toy designer, creative director and novelist who developed FF Spinoza Pro (2011), his first type design, over a period of eleven years. FontShop: With the goal of readability in mind, Phillips named the typeface after 17th century rationalist and lens-grinder Baruch Spinoza, a man whose job it was to help people see clearly. The type family is meant as an elegant workhorse, a classic text family with just enough individual character to hold its own in display sizes. It was inspired by mid-century German book typefaces like Trump Mediaeval and Aldus, and by the types of Nicolas Kis. The forms are narrow and economical, with open counters. The line is firm and distinct. Strong, thick strokes and serifs help it grip the page.
Center (2013) is a technical monoline sans typeface with soft lines. It is based on a round rectangle.
He also made the prismatic / hypnotic multilined typeface Vibro (2011), an op-art font that received the Type Directors Club Certificate of Excellence in 2012.
Klingspor link. [Google]
Simon Cozens and his wife Henrietta are missionaries in Japan. Simon designed the garalde typeface Staverton (2015). In 2016, he released the free prismatic disco age font family Sunscreen (in styles called Unscreened, Triline, Pentaline and Septaline), and developed the elliptical sans typeface Coolangatta. Dafont link. [Google]
Graphic designer in Rome, who used Roger Penrose's Penrose tiling in the construction of a set of ornamental numbers in 2013. For the Order Of Architects, P.P.C. of Rome and Province and the Order Of Engineers of Rome, he created a prismatic caps typeface called Seventeen Lines (2012). [Google]
Indonesian creator in Jakarta (b. 1985) of The Amazing Grace (2012), Twofold Uncomplete Design (2012), Alighty Nesia (2012, an open geometric sans family), Gratis (2012, free headline sans), C7Nazara (2012) and Situjuh Hand (2012, a curly typeface).
Typefaces from 2013: Hurufo+Numero (sans family), Yaahowu (a rounded sans family), Gobold, Bryana Aningsih Shara (upright script), Gpkn (circle-based monoline sans).
Typefaces from 2014: Smoolthan (monoline organic sans), Remponk (multilined), Playsir (comic book typeface), Defonarts, Tulisan Tangan 74, Fortheenas_01, Evogria (bold and mechanical), Anysome, Blackplotan, Dotcirful (dot matrix typeface), Handgley, Brokeren (techno sans), Headsome&Modif.
Typefaces from 2015: Manophiser (sans), Theodista Decally (upright connected script), Upbolters (a macho sans caps typeface).
Typefaces from 2016: Cutrims (a polygonal typeface), Xacose.
Dafont link. Web site. [Google]
During his/her studies in Hanoi, Vietnam, "Smile" designed the prismatic Silver Loop Alphabet (2015) and the labyrinthine Golden Labyrimaze Alphabet (2015). [Google]
[Dan X. Solo]
Dover Press sold Oakland's Dan X. Solo's digitizations. Dan Solo (b. 1928, d. 2012) has collected over 13,000 sets of metal fonts, starting when he was 9 years old and growing up in Oakland, CA. Finally, in 2002, he stopped doing that and began converting all of his fonts to computer type. Solotype, his company, was established in Alameda, CA. He printed 30 books on fonts (with Dover), including The Solotype catalog of 4,147 display typefaces, and created hundreds of fonts. In 2007, Dan Solo retired from the font business. He died in 2012.
Robert Trogman writes: I know Dan X. Solo personally. He ran a typographic studio in Berkeley for over 30 years. He had a large collection of film fonts, including some of my own. He created thousands of fonts and is now retired and is an avocational prestigitator. Copyrights have run out on most of his fonts. He also protected himself by creating pseudonyms on the questionable font names. Stuart Sandler confirms that many of the fonts in Solo's Dover books are in fact from the Filmotype collection, which Stuart is digitizing right now.
Gene Gable writes: Dan Solo of Solotype in Berkeley was experimenting with photo type as early as 1945 and started doing optical special effects in the early '60s. And a number of the larger display-type shops developed their own techniques. But in terms of opening up new markets for display type (and giving designers more control over type setting), Visual Graphics and Letraset lead the way. These companies were proud of, and promoted, the fact that that their products could be used by non-typesetters with little training.
Bio. He wrote about himself: Dan X. Solo The Solotype Archive was begun in 1942 when I was 14. I was a kid printer for several years before that. At 16, after a quick three months of training, I dropped out of school and went to work full time as a radio actor and announcer in San Francisco. (Easy to get jobs in those days, due to the war-induced manpower shortage.) In 1949 and 1950, I created a magic show which played West Coast theatres with some success. After that, back to broadcasting. By 1962, I was completely burned out on radio, so I decided to see if I could make a living with my collection of antique types, which numbered about a thousand fonts at that time. In 1962, I sent out 4,000 catalogs showing the type to ad agencies all over the U.S. The timing was perfect (no thanks to me) because there was developing at that time a renewed interest in the old types. Business took off immediately. The Solotype collection was one of four commercial collections at the time, but I seemed to have been more aggressive in marketing than the other chaps. (Well, Morgan Press certainly knew how to market.) Two years into the business, I began to collect alphabets on paper for conversion to photo lettering, which was just becoming mainstream in the type business. We closed the shop for a month every year and went on a type hunt, mostly in Europe where there didn't seem to be much competition among collectors. Other typographers couldn't understand how we could do this, but I believe it made people appreciate the resource we offered even more. Over the years, the collection became quite large. When I closed Solotype a couple of years ago, I got rid of about half the archive (because the fonts were dull, or already digitized, or for a variety of other reasons) leaving me with about 6,000 fonts on paper or film. In 1974, I began to supply Dover Publications with mechanicals for books of 100 alphabets on a particular theme. I did 30 of these books over the years, and 30 more of printers' ornaments, borders, and so forth. Sometime in the 1990s, Dover asked me to digitize books of 24 fonts each, to be sold with a disk in the back. I did 12 of these. The Dover relationship came to an end when Hayward Cirker, the owner and my special friend, died and the company was sold to another publisher. Dover felt that they had covered the type field thoroughly. Now in my old age, my wife and I have a mindreading act that is great fun and good for the ego. Even so, when not traveling, I digitize type for relaxation and enjoyment, but have made no effort to sell it. Until now.
Solo's wood type/Western/ headline/ Victorian collection includes Acantha, Bindweed, Dime Museum (2004, a French Clarendon revived by ATF uin 1933 under the name P.T. Barnum), Egyptian Oldstyle, Excelsis, Extravaganza, Rigney, Assay, Baraboo Banner, Beijing, Brevet (after a Victorian typeface from 1887 by Ernst Lauschke), Brussels, Cathedral, Cleopatra, Cognac, Crossroads, Dainty Lady, Dangerfield, Diablo, Dutch Treat, Grecian, Lord Mayor, Malibu, Minnesota, Moulin Rouge, Penny Arcade (1992, a Victorian face after an 1890 original called Mural by Boston Type Foundry), Trixie, Valerie, Valjean, and Zorro. Alaska is based on an 1890 design of Marder, Luse and co. Arcade imitates an 1888 design of Barnhart Brothers&Spindler. Bamboo (oriental simulation face) is based on a 1889 creation of Barnhart Brothers&Spindler. Behrens Antiqua and Behrens schrift are revival of early 20th century typefaces by Peter Behrens. Eccentric is a digitization of a 1898 arts and crafts typeface by Kingsley/ATF. Hansard is a revival of a display type published in 1887 by MacKellar, Smiths,&Jordan. Pekin is a digitization of a face, first designed by Ernst Lauschke in 1888 and issued by Barnhart Bros.&Spindler foundry in Chicago under the name Dormer, and revived by them in 1923 under the name Pekin. Charles Henry Beeler made a condensed sans serif issued by Mackellar, Smiths&Jordan foundry in 1887: it was digitally revived as Roundhead. Monument is a revival of a 1893 typeface by the Boston Type Foundry, but was also cast at the Central Type Foundry. Vienna Light is a delicate early 1900s type originally created by the German foundry of Schelter&Gieseke. Other designs: Bareback, Campaign (ca. 1970), Cigar Label (1997), Estienne, Farringdon (a western face), Goodfellow (digitization of wood type from 1895 found at Hamilton and probably due to W.H. Page), Harlem Text (blackletter), Houdini (ca. 1992), Memorial, Quadrille 2 (a simplified Tuscan face), Sparticus, Vanities (a Victorian type), Whirligig.
In 2005, MyFonts added Seminary (after a Victorian font from 1885 by Bruce Type Foundry), Margie (formal script based on Marggraff Bold Script by the Dresden foundry vormalig Brüder Butter, 1920s), Fancy Dan, Bamberg (2005, after a condensed wood type from ca. 1850), Fat Face No. 20, French Ionic (quite ugly--based on an 1870 Clarendon derivative by the Cincinnati Type Foundry), Hearst Italic (based on a 1904 typeface by Carl Schraubstadter of the Inland Type Foundry), Hearst Roman (based on a typeface from the Inland Type Foundry allegedly stolen from a hand lettering job done by Goudy, acccording to Goudy himself), Tally Text (early photolettering type of the comic book style), Welcome 1 (based on Van Loey-Nouri's art nouveau typeface from 1900). A list of some digitized fonts:
- Art Deco: Advertisers Gothic Light, Alex, Beverly Hills, Boul Mich, Capone Light, Chic (after Morris Fuller Benton's Chic, 1927), Clyde, Eagle Bold, Eagle Narrow, Eden Bold, Eden Light, French Flash, Gallia, Graybar Book, Grock, Matra, Modernique (art deco), Parasol, Parisian, Phoenix American, Plaza Suite, Publicity Gothic, Salut, Stymie Obelisk, Zeppelin.
- Victorian: Anglo, Arboret, Campanile, Chorus Girl, Fancy Celtic, Ferdinand, Floral Latin, Glorietta, Grant Antique, Gutenberg, Hogarth, Jagged, Katherine Bold, Lafayette, Meisteringer, Olympian, Phidian, Ringlet (1998, a Victorian typeface after an 1882 original by Hermann Ihlenburg), Romanesque, Rubens, Stereopticon, Templar, Wedlock, Zinco.
- Script/Cursive: Amapola, Artists Script, Carpenters Script, Certificate Script, Commercial Script, Conway (an architectural script), Elegance, Engrossing Script, Figaro, Flare, Gloria Script, Hanover, Helvetica Cursive, Holly, Kunsteler Bold, Liberty, Manuscript, Orion Script, Pantagraph Script (+No2, +No3), Park Avenue, Romany Script, Trafton Script, Typo Upright, University Script, Virginia Antique.
- Art Nouveau: Ambrosia, Argus, Artistik, Auriol, Baldur, Bocklin, Cabaret (2003, as in Murder She Wrote), Carmen, Childs, Edda Black, Excelsior, Francomia, Giraldon, Harrington, Isadora, Metropolitan, Murillo, Oceana, Odessa, Orbit Antique, Palmetto (2005; an art nouveau typeface based on a 1887 typeface called Palm from the A.D. Farmer Foundry), Siegfried, Skjald, Spartana, Titania.
- Gothic/Medieval: Academy Text, American Uncial, Antique Black, Becker Bold, Bradley, Castlemar, Celebration Text Fancy, Church Text, Engravers Old English, Frederick Text, Freehand, Hingham Text, Initials-Bradley and Caxton, Kanzlei Light, Lautenbach, Lautenbach Fancy Caps, Libra, Morris Black, Nicholini Broadpen, Rhapsodie Swash Caps, Scottford Uncial, Solemnis, Washington Text, Wedding Text.
- Celtic: Anglo Text, Camden Text, Chappel Text, Cimbrian, Colchester Black, Durer Gothic, Durwent, Fenwick, Genzsch Initials, Gloucester Initials, Gutenberg Gothic, Hansa Gothic, Harrowgate, Kaiser Gothic, Kings Cross, Konisburg, Malvern, Medici Text, Middlesex, Progressive Text, Tudor Text, Warwick, Westminster Gothic, Yonkers.
- Special-Effects Display Fonts: Azteca Condensed, Buddha (oriental simulation face, after a Schelter&Giesecke type), Burst, Campaign (1970), Chinatown (oriental simulation), Cigar Label (1997-2002), Colonial Dame, Contract Banner (2004, a take on Mezzotint from 1880), Direction, Fillet, Filmstar (1999), Firebug, Headhunter, Hollywood Lights, Igloo Solid, Import, Lariat, Needlepoint, Old Glory, Protest, Rustic, Scimitar (Arabic simulation face), Scoreboard, Skyline, Starburst, Sundown Shadow, Tableau, Tonight, Xerxes.
- Other: Acantha, Assay, Baraboo Banner, Beijing, Bindweed, Brevet (after a Victorian original by Ernst Laushke, 1887), Brussels, Cathedral, Cleopatra, Cognac, Crossroads, Dainty Lady, Dangerfield, Diablo, Dime Museum, Dutch Treat, Egyptian Oldstyle, Excelsis, Extravaganza, Grecian, Lord Mayor, Malibu, Minnesota, Moulin Rouge, Penny Arcade, Rigney, Trixie, Valerie, Zorro.
Images of selected typefaces: Agency Gothic, Alpha Midnight, Alpha Twilight, Anita Lightface (1977), Art Deco Display Alphabets, Ashley Crawford, Ashley Inline, Astur, Bamberg, Banco, Beans, Blackline, Bobo Bold, Braggadocio, Broadway Engraved, Busorama Bold, Busorama Light, Bust, Charger, Checkmate, Colonel Hoople, Corral, Dudley P Narrow, Dynamo, Earth (a futuristic / prismatic typeface revived by nick Curtis in 2015 as Terranova NF), Eclipse, Empire, Ewie, Fat Cat, Fatso, Festival, Futura Black, Futura Inline, Gillies Gothic Bold, Greeting Monotone, Grooviest Gothic, Hess Neobold, Hotline, Huxley Vertical, Inkwell Black, Joanna Solotype, Joyce Black, Koloss, Lampoon, Mania, Mania Contour A, Mania Contour B, Margit, Mindy Highlight, Modernistic, Monograms Stencil, Mossman, Neon, Neuland (+Inline), Phosphor, Piccadilly, Pickfair, Polly, Prismania P, Quote, Rhythm Bold, Shady Deal, Sheet Steel, Sinaloa.
The Solotype Catalog is a file with information on Dan Solo's typefaces, annotated with remarks about name equivalences and digitizations. The original file was due to Thibaudeau, but typophiles on alt.binaries.fonts have added to it in 2010. PDF version. Excel version. Text version. See also here.
View Dan Solo's typefaces. Another page on Solotype. Dan Solo's typefaces listed in decreasing order of popularity. View Dan Solo's typefaces. View Dan Solo's typefaces. [Google]
Japanese foundry. They published free fonts such as Honeydripper (2005, gothic), Someshin (futuristic), Bacon (2004, dripping blood letters), Soccer (2004, free soccer dingbats), Beeper (Western style), Ballet (2004, dingbats), Bunbury, Cecily, Fairfax, FairfaxSpottie, Gwendolen, JPhont, Locomo, MoncrieffShadow, Plant, Prism, Plymdale (2005, liquid), Cardew 3, 4 and 6 series (2005, horizontally striped typefaces). Alternate URL. [Google]
Star Plus Multiply
Thai designer (b. 1980) of the alien-look font We Are Alien (2006), the grunge typeface What The Hell (2005) and the multiline prismatic caps typefaces Talie (2007). He also made the handwriting typefaces Beamba (2004), kittyhandwrite01 (2004), Kob (2004), Numwaan (2004), TAZ (2007), Jabjai (2009, hand-printed and 3d), and Voodoodoll (2004).
Aka Mr. Oak, his company is called Star Plus Multiply. All his designs are free and open source.
Dafont link. Klingspor link. [Google]
Stereo Type Haus
[Richard Diaz Granados]
Stereo Type Haus (or STH) is a commercial foundry in Brooklyn, NY, est. 2000, offering fonts by Rick D. Granados ((b. Miami, FL, 1970): Bucks (graffiti font), Bushwick (handwriting), Ballbuster, Bedford (2010, an award-quality dot matrix family inspired by mosaic lettering by Heins&LaFarge, architects of the IRT (Interborough Rapid Transit) in New York City: Bedford hints at the station names on platform walls which date back to 1904 but modernize it through a rigid grid system and rounded corners), Bockhold (2010, a humanist take on DIN), Broadcast (neat stencil face), Konstrukt (stencil), Construkt (2009, a unicase stencil), Falcon, Gran Torino, Roller Girl, Opera (2005, with Ros Knopov), Prisma 2012 (2010, an octagonal multiline face), Radiac (2010, a monoline squarish unicase face), Rukbat, Stylus, Schmearox, Tech Stencil (2000), Noise&Hum, STH Sirena (2006, inspired by hand-painted signage found in "Little Haiti" Miami, Florida), Boris Dworschak (Partisan East, Partisan West, Basic, Gaijin. Other designers include Nikola Djurek (Cornerset (pixel), Aiseman), Luis Valle&R.D. Granados (Lillian, a script face), Arnold Steiner (Statica, Organic Mechanic), Michael Clarke (Paris), Carlos Alfonso (Locut, 2Bit), Denise Wilton (Stereobitz, a stereo dingbat face), Nikola Djurek (Tribeca, Magasine, Soho, Novella) and unnamed author fonts such as Palleta, Rook, STH Kit 1, Stereobytes (audio dingbats), Stereobytes Vintage (hi-fi dings), Nomad (a deconstructivist stencil face).
At FontStruct in 2009, he made the Victorian family Cartelle (+Inline), the pixel family Microdot, and Chico. Granados spends his time between New York City and Austin, Texas.
View Richard Granados's typefaces. [Google]
Stereotypes is Sascha Timplan, a German type and graphic designer from Trier, b. 1979, who studied Communication Design at FH Trier.
He created these typefaces:
- 2009: St Substance, St Booka Shade (purely geometric), ST Moviehead, an ultra-condensed family (Dafont), St. Atmosphere (fat, rounded), St Transmission (free), St Shadowplay, St-Lorie (connected upright script), St Notorious (after the titling font in Hitchcock's Notorious---a beautiful high-legged serif face), St Technique, St Atmos (a commercial ink trap plaything), St Mika, Apfelstücke (a hookish face).
- 2010: St Marie (a nice free typewriter typeface), St Ryde, Fridge (casual sans family), St Frika, Friska.
- 2011: Elsa (sans), Villa Didot (this layered font family was created for the posters of the club VillaWuller).
- 2012: Florence (a swashy poster typeface that was also influenced by VillaWuller), St Transmission (industrial sans), Flenja (a narrow retro didone family), Christmas Numerals.
- 2013: Sarre (sans), Prism (prismatic, multiline typeface, influenced by Rudolf Koch's Prisma and Herb Lubalin's Avant garde).
- 2014: Timplan published a large antiqua family with wedge serifs in the heavier weights, Christel Text excepted, partitioned into three subfamilies, Christel Text, Christel Display, and Christel Poster. His main contribution in 2014 is the great Stereotesque (a grotesque family). Together with Lukas Bischoff, he created the athletic lettering typeface family Atletico.
- In 2016, Sascha Timplan and Lukas Bischoff published the handsome sans typeface family Golden Sans [no relationship with Tarin Yuangtrakul's Golden Sans from 2010 or Heitor Latosinski's Golden Sans from 2013]. Free Golden Sans Light demo.
Behance link. Blog. Klingspor link. Dafont link. Abstract Fonts link. Interview by MyFonts in 2014.
Showcase of Sascha Timplan's fonts. [Google]
Designer in Sydney, Australia, who made the modular counterless display typeface Go (2012), and the elegant multiline bespoke typeface Flip (2012).
In 2013, he created the prismatic typeface Pincer De.
Behance link. Hellofont link. [Google]
Atlanta, GA-based designer of the prismatic caps typeface Rhizome Alphabet Song (2014). [Google]
Graphic designer in Brooklyn, NY, and now in Minneapolis, MN. While working at Mucca Design and under the creative direction of Matteo Bologna, he designed a typeface for the identity of an Atlantic City restaurant called Teplitzky's (2009). He also made the art deco prismatic numerals called Lined Numerals (2009).
Behance link. [Google]
Mehmet Abaci (b. 1978) is based in Istanbul. In 2014, he established Studio Typo, where one can buy his typefaces. Limited forms of the fonts can be downloaded fpr free from the Dafont site.
Creator of the elegantly plump rounded sans typeface Vinyl Cuts (2013), Samatya (2013, a unicase piano key typeface), Boldie (2013), Laundry Day (2013, alphadings), and the wood log typeface Timbers (2013).
Typefaces from 2014: Smush, Slim Fir (athletic lettering), Typonome, Typo Slab, Neons, E-Square (sci-fi typeface), Screamer, Typoline (piano key typeface), Omniblack (flared display face), Papillons (flared caps), Typoster (a great fat geometric slab serif typeface family accompanied by an equally great shadowed outline style), Typo Comica (a family drawn to compete with Comic Sans), Tipo Press, Manyeto (calligraphic), Quatroline (prismatic typeface), Wardoom, Cabold Comic, Digiform, Akaju (oily fat typeface with lighting effects), Almira, Bonebastic, Comic White Rabbit, Sinema (a bit of retro movie art deco), Sober, Cali Brush, Tiny Plate, College Player, Smart Kid, Barbed, Wideroy, Angella (+outline: a poster family), Megi Sans.
Typefaces from 2015: Bro 4D (outlined 3d capitals), Typo GeoSlab, H&B Sketch (a gorgeous sketched didone), Mixiva (a six-style athletic lettering slab serif family), Typo Sketch (sketched font), Malter Sans, Parole Script, Degaws (a great sketch font), Typo Comics, Gribal, Gribal Shadow, Early Times (a sans family), Quizma (an elegant sans family), Super Seven (shaded), Typo Slab Inline, Type Slab Irregular, Geoma (hairline geometric sans), Double Bubble (bubblegum typeface), Mona Bella, Typo Grotesk, Typo Grotesk Rounded, The Matic, Typografix (avant garde sans), Move X (techno family), Savaro Stencil (in the geometric style that is characteristic of Futura Black), MindBlue (sans), A Space.
Typefaces from 2016: The Wireframe, Typo Coillege (athletic lettering), Halftone Poster, Chocolate Bar (oily and gleaming), Type Round (circle-based sans typeface family).
Dafont link. Home page. Fontspace link. [Google]
Creator of the free grotesk font Egill Malt (2011). He also made the free Bifur-like art deco font FanarcStylusDisplay (2012), which is based on Jakob Nylund's vecor alphabet Soraya. ArchitectStylus (2011) is based on vector outlines of the alphabet Architectual Prismatic in signmaker ARKRamos's Catalog 2010. In 2012, he created Victorian Leafy and ITC Fat Face (Swash version). [Google]
Adrian Talbot (b. 1964, Worthing, Sussex, England) heads the type foundry Talbot Type in London. He made the Bauhaus-style Bremner family in 2000 for the visual identity of Mute Records.
In 2012, he designed these typefaces: Kinghorn 205 (Egyptian), Kinghorn 105, Kamerik105 (+Kamerik 105 Cyrillic, 2014), Kamerik205 (an avant garde type family with many weights, including a hairline), Karben, KarbenMono (a mono-width sans family in the style of DIN), Karben 205 Mono, Karben 205, Karben 105, Karben 105 Mono, Kessel105, Kessel205 (a geometric sans family influenced by Futura; see also Kessel 105 Remix, 2016, and Karben 105 Stencil, 2016), Kettering105, Kettering205 (a slabby almost typewriter typeface influenced by Lubalin and similar avant garde styles), Kiruna (a legible and very open sans family), Kursk105, Kursk205 (constructivist), Kaleko 105 and 205 (Gill Sans-style sans families with large x-heights; see also Kaleko 105 Remix (2016) and Kaleko 105 Round Remix (2016)).
Typefaces from 2013: Kilburn (a gothic sans serif), Kroppen Round (a geometric stencil), Kampen (square-spaced family), Kaleko 205 Round, Kaleko 105 Round.
Typefaces from 2014: Kelso (an outline font with outlines that consist of a single continuous line), Klef (a geometric sans influenced by Avant Garde), Kenwyn (a playful bullet-holed Egyptian; +Stencil), Korbin (a semi-geometric grotesque family), Kandel 105 and 205 (geometric, tri-line, display and headline font).
Typefaces from 2015: Kinsey.
Typefaces from 2016: Keith (a sans family with layerable Umbra-like shadow styles), Korto (a geometric sans inspired by Futura and Avant-Garde).
View Adrian Talbot's typefaces. [Google]
During his studies at Tyler School of Art in Philadelphia, PA, Tanner Panetta designed the prismatic multiline typeface Apollo 11 (2016). Behance link. [Google]
Tassiane Castro (b. Porto Alegre, Brazil) studied at PUC Camoinas and at SENAC. In 2014, she created the prismatic typeface Prisma. She is now based in Pelotas, Brazil. [Google]
Toronto-based designer of the prismatic typeface Exodys (2013). [Google]
[Michael Gene Adkins]
The Fontry is a Watts, OK, based outfit, est. 1992 by Michael Gene Adkins (b. 1965, OK) and James L. Stirling (b. 1964, OK): Digital type for computer-aided signmaking, with fonts designed for signmakers by signmakers.
Since 2009, they have been producing various digitizations of alphabets designed by Alf R. Becker in the 1930s and 1940s. Gene Adkins designed ARB-187 Moderne Caps AUG-47 (2013, didone), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), ARB-70 (1995), ARB-67 (1998), ARB-66 Neon (2010, +Block, +Line), ARB-44 (1995), ARB-96 Jitter Display DEC-39 (1999), SCRIPT1 ARB-85 Poster Script Normal (2000), ARB-66 Neonline Block, ARB114 Hillbilly Roman JUN-41 Normal (1999), ARB-187 Moderne Caps AUG-47 CAS family (2009, a beautiful didone display face), the ARB 08 Extreme Roman AUG-32 CAS family (2009), ARB-218 Big Blunt (2010), ARB-218 Neon Blunt.
Another product is the Wild Bunch Pak #3: Danthr Skal, Kastaka, Gas Bumps, Skrawl 613, Sharrpe Gothik, Levo Fraz, Kommerce, Stellar Spice, Infected Hurt.
Wild Bunch Pak #2 (50 USD) has Marbles&Strings, Keetoowah, Peppermint, Ghixm (2008: a retrospective of the horror comics and movie posters of the 1960s and the 1970s), Klash, all outline fonts. In Wild Bunch Pak #1, look for Toxia. Race Pak #1 contains 5 chiseled fonts, including ARB67, Brannt Chiseled, Excursions, JLS Ultra, and Race Checkers. 50 USD. There are also Greek Pak #1 (12 Greek fonts for 25 USD, including GRK Orbit, GRK Universe City, GRK Albert, and GREK Bodnaut) and Signfaces Narrow Pak #1. At Garagefonts, Wild Larra, Wild Ruts, Wild Toxia, Wild Nobody families (1999), Jackport (2014, athletic lettering and Western typeface family).
Adkins also designed the commercial font First Vision at GarageFonts in 1998. Review at &Type. List of the fonts on his CD.
MyFonts sells FTY Garishing Worse (2011---there is a free version at Dafont), SCRIPT1 Team (2010), SCRIPT1 Toon (2010), SCRIPT1 Voodoo Script (1999-2009, signage script), What Sound Pounds (2009), WILD3InfectedHurtNormal (2010), WILD1 Firstvision (1997), WILD1 Larra (1997, grunge), WILD1 Nobod (1997, grunge), WILD1 Ruts (1997), WILD1 Toxia (1997) and the blackletter typefaces Ironhorse and Ironrider (2007), revivals of classic wood type typefaces. FontShop link.
Some fonts are inspired by sign painter Frank H. Atkinson. These include the Broken Poster series done in 2010, FHA Modernized Ideal Classic (2011), and FHA Nicholson French (1999-2014: art nouveau).
In 2008, The Fontry published the Greek Font Set, Copper Penny DTP (after Copperplate Gothic, but with lower case included), Droeming (an eerie family) and Earth A.D. (more eerie stuff, metallic, and with sharp serifs). It then generated a break-away subfoundry that carries fonts solely designed by James Stirling, Fontry West. Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, Greek Font Sets 1 and 2 (not Greek, only Geek-ish, made for fraternity use), and a large Comic Fanboy set which includes glyphs painted with stars and stripes (CFB1 American Patriot, CFB1 Captain Narrow, CFB1 Shielded Avenger, all made by Adkins). The CFB1AmericanPatriot family (2009), and the SCRIPT1 Rager Hevvy family (2009) are free here. JLS Overkill (2009, Bloque, Stencil, Grunge, Champion [athletic lettering], Hammer) is a sturdy family covering everything from SUV-strength stencils to grunge stencils and macho slab serif headline typefaces. After Disaster (2008), FHA Eccentric French Normal (2008, wood type after an alphabet created by Frank H. Atkinson in 1908), WHATSOUNDPOUNDS?Normal (2009) are free at Dafont. Sinder (2010) is a grunge face. FTY Konkrete (2010) is constructivist, and has a beveled weight. FTY Strategycide (2010) is a similar severe headline sans family. Sinder (2010) and Demon Sker (2011) are free grunge typefaces. American Purpose (2011) is a grotesk family. American Purpose Casual and American Purpose Stripe (2011) are follow-ups. Garishing Worse (2011) is a casual bold face. Sharpe Gothik (2011) is hand-drawn. American Captain (2011, a manly retro squarish propaganda headline face; see also American Captain Patrius 02 FRE). Deathe Maach (2012) is a sturdy 6-style display family. Avengeance (2012) is a techno typeface. FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) and FHA Nicholson French (1999-2014, art nouveau) are based on Frank H. Atkinson's examples.
Typefaces from 2013: FHA Broken Gothic (a layered chiseled family done with James Stirling, based on Broken Poster by Frank H. Atkinson), FTY SKRADJHUWN (a flared family), Iron Man of War (with layering effects, +001Rivet), Iron Man of War 2 NCV, RACE1 Brannt (prismatic, beveled, art deco), FTY Skorzhen (mini-spurred), FTY Speedy Casual, FTY Skradjhuwn NCV (comic book family).
Typefaces from 2014: FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling), FTY Varoge Saro Noest.
Typefaces from 2015: FHA Sign DeVinne (after a popular sign painting design by Frank H. Atkinson named aftaer DeVinne).
Typefaces from 2016: FTY Delirium (+Neon), Delirium NCV.
Typefaces made by Fontry West. Typefaces by Mike Adkins.
Fontspace link. Klingspor link. Dafont link. Abstract Fonts link. [Google]
A creative honcho in Washington, DC. Designer of Symfoni (2012), a rhythmic, artsy and curvy display typeface. Echoa (2013) is a prismatic typeface that is prtly op-art.
Behance link. [Google]
Designer of these Letraset phototype fonts:
Graphic designer who studied at the University Of Hertfordshire, UK. Based in London, he designed the prismatic 70s style typeface ELDIN 72 (2013). His description is worth noting: ElDIN '72 gains its inspiration from Letraset's 1972 typeface Stripes designed by Tony Wenman and my obsession with the little flick on the lower case Din 'l'. I must admit this is not an overly intellectual typeface and its inspiration comes from pretty questionable places. I would even go as far to say that majority of things from the 70s should be avoided when looking for design inspiration. However I have to be honest and say I like it. If nothing else I think that it demonstrates my anal attention to detail.
Behance link. [Google]
Typedepot is a small type foundry currently based in Sofia, Bulgaria, founded by MyFonts link and Veronika Slavova in 2009. Graphic designer from Sofia, Bulgaria, b. 1984 (Dimitrovgrad). Creator of the display typefaces Glide (2009, done with Veronika Slavova), Glide Sketch (outline version), and Slide (2009, ultra-condensed). With Veronika Slavova, he designed the multiline (prismatic) family Pista (2010) and the organic Oxo family (2010), which includes a stencil, Corki (2011, a condensed slab serif), and Oxo College Barrister Sans (2010) covers Latin, Greek, Eastern European languages, Cyrillic, Turkish and Baltic. Parallel (2010) is an ultra-condensed typeface for anorexics. Piron (2010, by Nedelev and Slavova) and Matilde (2010, by Nedelev and Slavova) are free. Banda (2011) is a 16-style semi-serif type family characterized by a tall x-height and rounded semi-serifs [one free weight]. Centrale Sans (2011, Slavova and Nedelev) is a modern sans family. Centrale Sans Condensed followed in 2012, and Centrale Sans Rounded in 2013.
Behance link. MyFonts link. Old URL. Dafont link. Klingspor link. [Google]
Typogama is the personal foundry of Swiss designer Michael Parson (b. Geneva, Switzerland, 1979), who published these fonts in 2003 as part of Linotype's Taketype 5 collection: Anlinear LT Std Bold, Anlinear LT Std Light, Anlinear LT Std Regular, Arabdream LT Std (Arabic simulation face), ClassicusTitulus LT Std, Hexatype LT Std Bold, Morocco LT Std, Jan LT Std, Ned LT Std, Pargrid LT Std Cross, Pargrid LT Std Regular, Pargrid LT Std Trash, Piercing LT Std Bold, Piercing LT Std Code, Piercing LT Std Regular, Raclette LT Std.
Most of Parson's fonts cover both Latin and Cyrillic.
In 2004, he made Clans (T-26, blackletter) and Boulas (T-26).
In 2006, he released these at T-26: Boutan (Indic simulation face), Heraldry (dingbats), Palm Icons (dingbats for golf), Wingbat (aircraft dingbats).
In 2007, still at T-26: Heraldry, Thunderbolt 73 through 76 (from techno stencil to techno sans).
In 2008, at T26: Ealing (geometric sans family, with a hairline), Bauhau (6 weights), Jane (a rounded sans in 12 weights), Quean, Halja (blackletter), Faddish (a high-contrast vogue family), Big Boy (11 styles, a slab family from grunge to regular, accompanied by BigSigns, a hand sign font).
Fonts from 2010: Tinsel (condensed), Rusty (Latin / Cyrillic constructivist typeface inspired by snowboarding), Vindaloo (+Outline, T26), Kimbo (octagonal slabby family), Cyrus (for Latin, Greek and Cyrillic), Calvin (a monoline sans family, +Hairline), Checkpoint (rounded display sans that won an award at Modern Cyrillic 2014),Fuera (2011, bilined face, T26).
In 2013, he published Selecta (an organic rounded sans, T26), Thunderbolt (an octagonal army style typeface family with a military stencil, T-26), Xcetera (2011), Ignorance (a calligraphic typeface), Psalta (an octagonal blackletter typeface), Nadsat (a geometric display sans with some interlocking letters), Cobono (organic sans), Prox (sans face), Zurika (a wonderful crazy script face), Faddish (T26: a fashion mag typeface), Heraldry (T26), Cedi (YWFT: a hand-printed typeface family with huge multi-character ligature set to simulate real handwriting), Tcho (T26: a soft rounded sans family that covers Latin, Thai, Arabic, Greek and other scripts), Dejecta (a striking scratched titling face, T26), Nedo (2011, a bold prismatic display typeface inspired by the work of Nedo Mion Ferrario in Venezuela), Quam (2012, an elliptical sans family), Pictypo (2012, a useful icon typeface).
In 2014, he updated the interlocking poster display typeface Tinsel (T26---original from 2010) and published the fantastic cartoon / comic book typeface family Bangbang. Siggy (2014) is a funky typeface. Lale (2014), which won an award in the TDC 2015 Type Design competition, uses the opentype features to set up a font system for flowers. Jane (2014) is a rounded sans typeface family. Vulgat (2014) is a vibrant display typeface based on uncial letterforms. Elsuave is a free fat rounded stencil typeface.
Typefaces from 2015: Chickenz, Framez, Jackazz, Raubam (free), Martinaz (signage script).
Typefaces from 2016: Auro (rounded sans), Dejecta (rough and ragged), Apollonius (a swashy didone), Rosengarten (vintage type influenced by Lucian Barnhard), Deleplace (influenced by didones), Halja (modular blackletter with illuminated caps), Furius (Tuscan style).
Behance link. Klingspor link. Hellofont link. MyFonts link.
View Michael Parson's typefaces. [Google]
Typotheque is an initiative of Peter Bilak and ui42 out of Bratislava (Slovakia): Typotheque is an Internet-based independent type foundry. It offers quality fonts for PC and Macintosh platforms in standard European character set and in CE (central european) character set. All fonts have full (european) character sets, are thoroughly tested and manually kerned.
Typotheque also offers its own type utilities: AccentKernMaker and FontAgent.
Free fonts: Remix Typotheque and RaumSüd.
Commercial fonts: Fedra Sans (2001, 30 weights), Holy Cow (2000), Champollion (2000), Eureka (2000), Eureka Phonetik (2000), Eureka Arrows (2000), Eureka Glyphs (2000), Jigsaw (Light and Stencil, 2000, by Johanna Balusikova), Fedra Mono (2002), Fedra Bitmaps (2002), Fedra Serif (2003, 48 weights, with a characteristic shy female A, toes pointing inwards), Fedra Serif Display (2006), Fedra Arabic (2006) and Greta (2006-2007, Greta Text and Greta Display), a newspaper type family designed for the main Slovak newspaper, SME. Greta Text won an award at TDC2 2007 and is also being used by the Sunday Times (along with Sunday Times Modern by Emtype and Flama by M. Feliciano). Greta Symbol (2012) is a 10-style 1200-glyphs-per-style superfamily of symbols commonly used in newspapers, magazines and online publications. Finally, Greta Mono (by Peter Bilak and Nikola Djurek) saw the light in 2015. Codesigner with Daniel Berkovitz of Greta Sans Hebrew (2015), which won an award at TDC 2016.
In 2005, Collins Fedra Sans and Serif were published for use in the Collins dictionaries. A slightly modified version of Fedra Sans is used by the Czech Railways.
In 2008, Peter Bilak, Eike Dingler, Ondrej Jób, and Ashfaq Niazi created the 21-style family History at Typotheque: Based on a skeleton of Roman inscriptional capitals, History includes 21 layers inspired by the evolution of typography. These 21 independent typefaces share widths and other metric information so that they can be recombined. Thus History has the potential to generate thousands of different unique styles. History 1, e.g., is a hairline sans; History 2 is Peignotian; History 14 is a multiline face; History 15 is a stapler face, and so forth.
In 2009, Bilak published the extensive Irma (Sans, Slab) family, which includes a hairline. Typotheque's other designer is Johanna Balusikova.
Collection of over 90 articles on type design by by Stuart Bailey, Michael Bierut, Peter Bilak, Andrew Blauvelt, Erik van Blokland, Max Bruinsma, David Casacuberta, Andy Crewdson, Paul Elliman, Peter Hall, Jessica Helfand, Steven Heller, Roxane Jubert, Emily King, Robin Kinross, Rosa Llop, Ellen Lupton, Martin Majoor, Rick Poynor, Michael Rock, Stefan Sagmeister, and Dmitri Siegel.
In 2011, he created Julien, a playful geometric display typeface loosely inspired by the early 20th century avant-garde. It is based on elementary shapes and includes multiple variants of each letter. It feels like a mix of Futura, Bauhaus, and geometric modular design.
Julien (2012) is a playful geometric display typeface loosely inspired by the early 20th century avant-garde.
Karloff (2012, Positive, Negative, Neutral) is a didone family explained this way: Karloff explores the idea how two extremes could be combined into a coherent whole. Karloff connects the high contrast Modern type of Bodoni and Didot with the monstrous Italians. The difference between the attractive and repulsive forms lies in a single design parameter, the contrast between the thick and the thin. Neutral, the offspring, looks like a slab face.
Lumin (2013) is a family that includes slab-serif, sans serif, condensed and display typefaces, and no attept is made to make them uniform in style.
Lava (2013) is a magazine typeface originally designed for Works That Work magazine. It was extended to a multilingual workhose typeface family.
For Musée des Confluences in Lyon, France, Typotheuqe designed the custom sans typeface Confluence (2014).
For Buccellati Jewellery and Watches in Milan, Typotheque made the classy sans typeface Buccellati in 2013.
In 2016, Peter Bilak, Nikola Djurek and Hrvoje Zivcic published the Uni Grotesk typeface family at Typotheque. It is based on Grafotechna's 1951 typeface Universal Grotesk, which in turn is based on 1934 design by Vladimir Balthasar. Noteworthy also is the prismatic style Uni Grotesk Display.
In 2016, Peter Bilak designed the wayfinding sans typeface family November or Latin, Greek, Cyrillic and Hebrew.
History won an award at ProtoType in 2016.
Behance link. Typedia link. [Google]
Tzu-yuan "Erik" Yin
Erik Yin (b. 1988) lives in Kaohsiung City, Taiwan. Creator of the gridded rhombic typeface Prism (2013) and the sans headline typeface ERKN (2013). ERKN covers Latin, Greek, Cyrillic, Hebrew, Armenian and Georgian. In 2014, he created the Latin typeface Coward. In 2015, he created the free thin sans typeface Jonah.
Dafont link. Behance link. Home page. [Google]
During her studies at UAL in London, Verity Clarke designed the prismatic typeface Moiré Alpha Slab (2014) and the sheared squarish typeface Left Behind (2015). [Google]
Catalan artist, b. 1932, Barcelona, who works in Mexico. He studied drawing and sculpting. During the Franco persecution, Vicente and his father fled to Mexico City, and fell in love with the city and the country. Exiled Spanish graphic designer Miguel Prieto employed him---together, Vicente and Miguel would go on to have successful careers. In 1953, he became a director at the Instituto Nacional de Bellas Artes. After some socio-political art exhibitions, he became interested in geometric artforms.
For the magazine Plural, Vicente designed a multiline op-art typeface in 1971. A very geometrical bespoke typeface was created in 1971 as well for the Fondo de Cultura Económica.
Revivals of his typefaces include K22 Plural (2013, Toto). [Google]
During her graduate studies at The University of Illinois at urbana-Champaign, Wenjun Wu created the prismatic typeface Meandering Stream (2014). Behance link. [Google]
Fontstructor who made the prismatic typeface Stella (2012), which was inspired by Frank Stella's work. [Google]
[Atelier Telescopique (Fonderie Nordik)]
Lee Schulz (Yes Please, Portland, OR) created these typefaces in 2012: Standard Shaded Sans (+Fill), Standard Shaded Slab (an octagonal set that could be used for athletic lettering), International (multiline, prismatic).
In 2013, he added the baseball script typeface Delicious Pro.
Workaday (2014) is Schulz's take on the classical American sans style. He writes: Inspired by the wildly varied history of early to mid 20th century American signage, aircraft markings and industrial shipping vernaculars, Workaday exudes a timeless, classic flavor packed with a personality perfect for graphic headlines, packaging, copy setting and much more! [Google]
Young Hyun Ahn
Digital artist in Seoul, who created the multilined geometric prismatic art deco Latin typeface Facetype (2012). [Google]
German designer (b. 1983, Ulm) of the zebra-inspired rotor blade typeface Rotor (2009, Avoid Red Arrows). Klingspor link. [Google]
Polish codesigner with Lukasz Kulakowski of the free prismatic multiline typeface Orbits (2012).
Typefaces from 2013 include Rhubarb Display Font (a condensed art deco sans caps family for Latin and Cyrillic done with Lukasz Kulakowski). Free download. [Google]
Zhangzhou, China-based designer of a prismatic Latin typeface in 2014. Behance link. [Google]