TYPE DESIGN INFORMATION PAGE last updated on Wed Dec 11 00:23:10 EST 2013
Neon tube or faux neon typefaces
Waaiberg (1994) was drawn by hand with a very thin pen as some sort of ultimate test for Sandro's bitmap to type 1 conversion program. The pen's thin strokes are well reproduced, and the program handled touching spirals very nicely. Don't ever use this font for anything but titles or slogans. Viandra is a type 3 PostScript font obtained by writing on a magnetic pad and capturing important points of the stroke (not the outline) via a program written by François Belair, a brilliant undergraduate student at McGill. These points are processed by a font generation program written by Luc Devroye. The nib of the pen is selected at will by the user. The special neon effect is done directly in PostScript. [Google] [More] ⦿
Famous type designer born in 1928 in Unterseen, Switzerland. He closely cooperates with Linotype-Hell AG, after having been artistic director at Deberny-Peignot in Paris since 1952. He established his own studio in 1962 with André Gürtler and Bruno Pfaftli. Art director for Editions Hermann, Paris 1957 to 1967. Frutiger now lives near Bern, Switzerland, and is primarily working with woodcuts. In 2009, Heidrun Osterer and Philipp Stamm coedited Adrian Frutiger Typefaces The Complete Works (Birkhäuser Verlag), a 460-page opus based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland. Quote: Helvetica is the jeans, and Univers the dinner jacket. Helvetica is here to stay. He designed over 100 fonts. Here is a partial list:
Italian designer, 1920-1995, who designed most of his faces at Nebiolo in Turin. Until 1975, he made about 30 families at Nebiolo, and after 1975, he produced about 70 further families of fonts. With weights included, he created about 300 fonts. Biography by Sergio Polano. He was very influential, and wrote two important books, Alfa Beta: Lo Studio e il Disegno del Carattere, a study on font design and history (1964), and Il Segno Alfabetico (1971). Essay by Sergio Polano on Novarese. The list of fonts done at Nebiolo:
Italian designer and teacher (b. Turin, 1893, d. Turin, 1959), who spent most of his life designing type at Nebiolo, where he was also art director. He headed Studio Artistico della Nebiolo from 1936-1952. Bio by Gio Fuga in 2010. His typefaces:
Russian creator of the free chess font Chess 7 (2008), the free pixel fonts LED Stadion 7 (2013), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Small Dot Digital 7 (2013), Modern Dot Digital 7 (2013), Square Dot Digital 7 (2013), Bold Dot Digital 7 (2013), Serif Dot Digital 7 (2013), Serif LED Board 7 (2013), Modern LED Board 7 (2013), Half Bold Pixel 7 (2013), Dash Pixel 7 (2013), Serif Pixel 7 (2013), Power Pixel 7 (2013), Enhanced LED Board 7 (2013), Thin Pixel 7 (2013), Smallest Pixel 7 (2013), Modern LCD 7 (2013), Advanced LED Board 7 (2012), Digital 7 (2008, LED face), Post Pixel 7 (2013), Triple Dot Digital 7 (2013), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Dash Digital 7 (2013), Light Pixel 7 (2013), High Pixel 7 (2013), Mini Pixel 7 (2012), Long Pixel 7 (2013), LED Counter 7 (2013), Digital Counter 7 (2013), LED Digital 7 (2013), LED Board 7 (2013), Light LED Board 7 (2013), Advanced LED Board 7 (2013), Printed Circuit Board 7 (2013), Brick LED 7 (2013), Rounded LED Board 7 (2013), Pixel Dingbats 7 (2013), Square Wood 7 (2013), Small Bold Pixel 7 (2013), Rounded Pixel 7 (2013), Line Pixel 7 (2013), Bold LED Board (2013), Narrow Rectangle 7 (2013), Dot Digital 7 (2013, +Advanced), Square Metal 7 (2012), Stencil Pixel 7, Computer Pixel 7 (2012), Small Pixel 7 (2012), LED Counter Plus 7 (2013), LED 7 Display (2012, +Light), Neon Pixel 7 (2012), Old Pixel 7 (2012), Square Stone 7 (2012), Square Pixel 7 (2012), Pixel Font 7 (2012, +Outline), Pixel LCD7 (2012), Advanced Pixel 7 (2012), Ice Pixel 7 (2012), Void Pixel 7 (2012), Dash Dot LCD 7 (2012), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Double Pixel 7 (2012), Advanced Pixel 7, Advanced Dot Digital 7 (2013), ZX Spectrum 7 (2012), Bubble Pixel 7, Cyrillic Pixel 7, Basic Square 7 (2013), Basic Sans Serif 7 (2013), Effective Way 7 (2013), Disco 7 (2013), Elegant Line 7 (2013), Soft Lines 7 (2013), Effective Way 7 (2013), and the free LED display font Digital-7 (2008).
Alf Becker (b. St. Louis, MO) was a sign artist in the 1930's and 40's. Beginning in January 1932, at the request of editor E. Thomas Kelly, Becker supplied the Seventh Day Adventists' Signs of the Times magazine's new Art and Design section with an alphabet a month, a project initially predicted to last only two years. Misjudging the popularity of the series, it instead ran for 27 years, ending finally two months before Becker's death in 1959, for a total of 320 alphabets. In late 1941, just ten years after the first alphabet was published, 100 of those alphabets were compiled and published in book form under the title 100 Alphabets, by Alf R. Becker.
The American Sign Museum shows the following death notice, taken from the April 1959 issue of Signs of the Times: A chapter of almost 27 years of extensive influence upon the development if sign and outdoor advertising lettering came to a close March 10 in the passing of Alf R. Becker, whose alphabets had been presented consistently in Signs of the Times since January, 1932. Death came in St. Petersburg,. FL, where he had been hospitalized since last November. The funeral services were in St. Louis, March 16. Mr. Becker had operated a commercial sign business in East St. Louis, IL., and was widely known for his lettering ability when requested 27 years ago by the late E. Thomas Kelley, then editor of Signs of the Times, to do a series of alphabets for the magazine. They had estimated that 24 alphabets which would be presented in a period of two years would serve the purpose. The series was so enthusiastically received and so many readers urged continuation that it was projected indefinitely to eventually each a total of 320 before failing health of Mr. Becker forced him to give up that creative work. His last alphabet for ST appeared in the January issue this year. Countless are the signmen and women who broadened the horizons of their lettering ability by thorough study of Mr. Becker's alphabet. In 1941, his book, "100 Alphabets" was published by Signs of the Times, and all 3,000 copies that were printed were sold out long ago. Numerous requests have been received for a reprinting, but in view of the changes of time in lettering styles, it has not been considered advisable. Mr. Becker's failing health in 1957 influenced him and Mrs. Becker moving to St. Petersburg, where they bought a home, and where he went into semi-retirement. His love of the sign business was such that he continued his alphabets in spite of the problems of his illness.
Many of his faces have art deco influences. LHF Monogram at Letterhead is a digital version of one of his fonts. Other digitizations include Whomp (2006) and Buffet Script (2006) by Alejandro Paul (Sudtipos) and Daffadowndilly (2007) and Stony Island NF (after Becker's art deco face Chicago Modern) and Shaq Attack NF (2011) by Nick Curtis.
The Fontry (James Stirling and/or Adkins) is undertaking a grand digitization project, and releases free and pay fonts with names that start with ARB, followed by the font number, the font name, and the month and year of issue. In The Fontry's ARB series, we find ARB-187 Moderne Caps AUG-47 (2013, didone), ARB-85 Poster Script (2011, after a 1939 face by Becker), ARB 70 Modern Poster, ARB 93 Steel Moderne, ARB 44 Chicago Modern, ARB 66 Neon (2010, after a 1937 font, +Block, +Line), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), and ARB 67 Modern Roman, and ARB08ExtremeRomanAUG-32CASNormal (2009; the original is from 1932).
Jeff Levine created a number of typefaces based on Becker's work as well: Kanona JNL (2010), Karaoke JNL (2010), Mocombo JNL (2010). John Davis created LHF Pipeline (2012) based on Becker's designs.
Type designer. Not to be confused with "Walden Font", a commercial foundry run by Oliver Weiss. Dafont link. Full list of his work: African (1993; see also here and here for this jungle font), Amelia, Asimov, Beveled, CalculatorItalic, Checkbook (MICR-like font), CrystalItalic, FinalFrontier, FinalFrontierOldStyle, FinalFrontierShipside, Goethe, Japan, Jurassic, Lansbury (1993), Neon Lights, NewYorker, OliviaBrush, StencilExport, Terminator (techno).
Lansbury is a free art nouveau face that mimics the font used in the TV series Murder She Wrote. The actual font used for the title of that series was URW's Art Gothic (specimen). Fletcher Gothic (1992, Casady&Greene) is another free version of it. [Google] [More] ⦿
Alphabet Soup (or: Michael Doret)
Michael Doret is a commercial hand lettering artist in Hollywood, CA, but born in New York in 1946. A graduate of The Cooper Union, he was interviewed by MyFonts in 2011. He worked at PhotoLettering as an assistant of Ed Benguiat. Klingspor link. Behance link. Veer writes: A graduate of the Cooper Union, Michael has run his own design studio for many years - first in New York City - and currently in Hollywood. An eight-time winner of the New York Art Directors Club Silver Award, Michael is a specialist in logos and letterforms. His unique typographic vision blends elements of lettering, illustration and graphic design. The inspiration for his work has come from such diverse sources as matchbook covers, theater marquees, enamel signs, early and mid-20th century packaging, and various other artifacts of this great land of ours. Although for much of his career he executed his work in traditional media, he now works almost exclusively in a digital format. In 2006, he set up his own foundry, Alphabet Soup.
Located in Recife, Brazil, Ana Elisa Ribeiro, a student at UFPE, created Brick (2012, FontStruct: a squarish face), Neon (2012, dot matrix face), Chippendale (2012, informal caps face), Continental (a spiked family based on the lettering for the aguardente by that name). [Google] [More] ⦿
Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:
Graphic designer in London, UK, who seems to specialize in geometric and modular type. His creations include SQ (2010, free at Dafont, a FontStruct font), T2 (2010, a tall multiline face of extraordinary grace), Infographique (2010), Mod Gothic (2010, metal band face), and Pyramid (2010).
In 2012, he made the (free) neon tube font Chrome (+Light, +Black).
Free Latin and Greek fonts: BPLatinNumerals, BPbigHead, BPchildLefty, BPchildFatty, BPchubby, BPchubbyFat, BPdots, BPilialena, BPletterSquares, BPletterSquaresWide, BPmolecules, BPmouse, BPmyhand, BPneon [paperclip face], BPpong [light stencil face], BPsquareHand, BPtall, BP PhD Sans, BP PhD Italic, BP PhD Mono, BP Inktrap, BP Script. These include quite a few handwriting faces. Commercial handwriting fonts at Cannibal: BPPallas, BPOlga, BPMaria, BPHaroula. These fonts were made by George Triantafyllakos (b. 1980) from 2001 to 2005. In 2007, he added BP display black, BP mono and BP mono italics, and BP script. In 2008, BPreplay was created as a correction of MgOpenModata. Creations in 2009 and 2010: BPOApeloig, BPScript, BP Typewrite, BP Imperial (think Impact), BP Dots (30 monospaced dot fonts). In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Dafont link. Fontsquirrel link. [Google] [More] ⦿
Foundry created in 2006 by Virginia Beach, VA-based Harry Warren (b. 1961, Cape Charles). Digitization of the typefaces by Bob Alonso (of BA Graphics).
MyFonts sells Cooper Goodtime (2007, inspired by the lettering used on the CBS-TV variety series The Glen Campbell Goodtime Hour (1969-1972)), Happy Trails (2007, based on the lettering (all upper case) that was used on most Trailways buses from 1936 through the very early 1960s), Jesus Saves (2008), Jesus Heals (2010), Neon Bugler (2008, a neon-light or paperclip font; digital help by John Bomparte; +Neon Bugler Squared), Future Bugler (2008), Future Bugler Upright (2010), Handmade Bugler (2009, digitized by John Bomparte), Southern Nights (2009, disconnected script), Scan (2010, a barcode-themed font), My Left Hand (2011), Minnesota Plaid (2011, a gaspipe family digitized by John Bomparte), Bauhaus Bugler (2013, digitized by John Bomparte: monoline Bauhaus style sans; compare with Qero Nite), and Dime Store (2007).
burodestruct (or: Typedifferent.com)
Lorenz Lopetz Gianfreda's foundry in Bern, Switzerland, est. 1994, called Burodestruct and Typedifferent.com.
Free fonts include(d) the gorgeous GalaQuadra (by Angela Pestalozzi, 1999), Eject Katakana (1998), Dippex (1995, grunge font), Ticket (1995), Rocket 70 (1996), Ratterbit (1995, pixel font), Plakatbau (1995), Lodel Fizler (1996), Flossy (1995), Faxer (1995), Console Remix (1998), Cravt (1998, by "Katrin"), Stereotype (1998, by M. Brunner), Brockelmann (1995, free), Kristallo (1997, very original display face) and Billiet (1996).
Other fonts: Acidboyz (1998), Alustar (1999), BD Asciimax (1999, ascii art font), BD Billding, Bdr_mono (1999), Brick (1996, like Kalendar), Cluster (1996), Console (1997), Doomed (1998), Eject (1998), Electrobazar (1995), Elside (1995), Globus (1996), Fazer (1996), Lofi (1997), Medled (1995), Paccer (1995), Solaris (1998), Spicyfruits_brush_rmx (1998, a nice high-contrast face), Spicyfruits_rmx, Wurst (free, by Heiwid, 2000), Relaunch (2000), Relaunch Katakana (2000, free), Rainbow (2000), DeLaFrance (2000, free, by Heiwid), Electronic Plastic (2000), Colonius (2001), Cash (2001), Cashbox (2001), Bilding (2001), Meter (2001), Mustang (2001), Bankwell (2001), BD Alm (2001), Balduin (2001), Tatami (2001, oriental look font), Hexades (2001, free), Nippori (2002, techno), Jura (2002), Bonbon (2002, free), Band (2002, free), Navyseals (2002, kitchen tile font), Ritmic (2002), BDR Mono (1999, OCR-like font), Mann (2003, ultra fat stencil), Aroma (2003), Zenith (2003), Nebraska (2003), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Wakarimasu (2004, free kana face), BD Bernebeats (2004, futuristic), BD Deckard (2004), BD Spinner (2004), BD Victoria (2004), BD Designer (2004), BD Kalinka (2005, a curly ultra-fat display face), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Varicolor (2005, stencil), BD Chantilly (2005), BD Memory (2005), BD Emerald (2005, beveled), BD Kalinka (2005, Cyrillic simulation), BD Extrwurst (2005), BD Aquatico (2005), BD Mandarin (2005), BD Polo (2005), BD Beans (2005), BD Tiny (2005, pixel face), BD Times New Digital (2006), BD Panzer (2006), BD Jupiter, BD Jupiter Stencil (2006), BD Pipe (2006), BDR Mono 2006 (2006), BD Fimo Outline (2007, free, by Nathalie Birkle), BD Bermuda (2007, experimental and geometric), BD Smoker (2007, psychedelic), BD Radiogram (2007), BD Mother (2007, exaggerated black Egyptian), BD Fimo Regular (2007, free), BD Demon (2007), BD Reithalle (2007, free), BD Halfpipe (2007, free), BD Broadband (2008, free; not to be confused with the much older fonts BroadbandICG or FLOP Design's Broadband), BD Viewmaster and BD Viewmaster Neon (2008), BD Electrobazaar (2008), BD Motra (2008, stencil), BD Virtual (2008), BD Spacy 125 (2008), BD AsciiMax, BD ElAutobus (2004), BD Equipment (2004), BD Ramen (2003), BD Retrocentric (2009), BDR A3MIK (2009, virile Latin and Cyrillic slab), BD HitBit (2009), BD Unicorse (2010, unicase and techno), BD Telegraph (2011), BD Schablone (2012, stencil face), BD Pankow (2013, stencil).
Stuttgart-based foundry established in 1827, and taken over by D. Stempel in 1970, which in turn became Linotype in the eighties. Their library included Druckhaus Antiqua (1919), Schadow Antiqua (1938), Weber Fraktur (1860) and faces by these designers:
Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her faces can be bought through YouWorkForThem and MyFonts: Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco face loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster face that revives the Harem/Margit face by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic face based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting face Konzept), Puma (2004, brush face based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (high ascender display face after the Morris Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie face based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script face based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation face originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s face Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 face of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, with B. Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine).
Typefaces made in 2005: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script face based on J.J. Sierke's 1964 face Privat), Rhino (revival of Mobil, a 1960 face by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting face based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 bubblegum font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Evolver (2006, a 4-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955). In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. VIP (2007) is a humanist sans serif uppercase and figures combined with a freshly redrawn revival of the classic VGC Contanze initials originally designed by Harry Brodjian in 1970. Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 face for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno face Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall face in the mold of Bernhard Fashion and other era poster or film faces (they say that it is rooted in the film faces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).
Creative Director for Interbrand Australia. For Melbourne Theatre Company (MTC) he created MTC Neon (2013, with Joao Peres). Many of his other corporate identity projects also involve custom-designed typefaces. [Google] [More] ⦿
In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime face to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.
In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.
FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Quirky Serif, Blocktur, Symmetricus (alien writing?).
FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).
Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.
Typefaces made in 2013: Ribbons And Banners, Digital Rome (pixel face), Censorship, Interlock, Bouma, Glaedelig Script, Hand XL Smooth, Vascomat, Spitzschtruct (emulation of Suetterlin), Neonic, Fish Scales, 7:12 Serif, Analogly, Squarific Fraktastic, Metro Sans (pixelish). [Google] [More] ⦿
Free fonts by Swedish designer Martin Fredrikson Core (b. Gothenburg, 1970), whose real name is Martin Lexelius:
Graduate from Cal Arts (1996), who runs CoreyHolms.Com in Fullerton, near Los Angeles. MyFonts link. MyFonts foundry link. Designer of NE10 (2010, a stencil / neon tube typeface), Area (2008, Umbrella Type, an art deco nightclub face; hints of Avant Garde), Mode (2007, experimental modular type, Umbrella), Babbage (2005, Umbrella Type, a capricious typewriter font), Sange (2002, a dot matrix blackletter font), Brea and Brea Light (2004, a dot matrix blackletter family at Umbrella Type), Mince and Mince Shadow (2004, Umbrella Type), DecadesOS (2002, for Decades Inc), Air-Port (1999), Attractor (2001, based on Alexei Tylevich's NoGlow), Granule (2009, fat rounded sans), Cartridge (2001), Claes (2001, based on a Wim Crouwel design), Consume (1996), Den (1998, for the Digital Entertainment Network), Digital (1997, for "The Apartment"), Empire (1995), Fascia (2002), Hobart (2001, a kitchen tile font), Pea (2005, Veer: letters made up of springs), Phia (another kitchen tile font), Progress (2001, for Progress City), Rasputin, RMX, Savante (1999), Sears (2000), Stencil, Thirty, Untitled and WebType (2000). Many of these fonts are futuristic, experimental, logo-inspired or minimalist.
Pablo A. Medina designs all fonts at Cubanica Fonts in New York. He is a Communication Design professor at Parsons the New School for Design and lives in the East Village of New York City. He has also taught at Maryland Institute College of Art. MyFonts page.
Cubanica fonts: Medina Gothic (2005, a clean sans family), Diablitos (2011), Calaveras (2011), Sailor Gothic (2003), Imbalance (2002, an experimental sans), North Bergen (1996, a vernacular sans), Cuba (1996, 3d signage face based on a sign for the restaurant La Flor de Cuba on Bergenline Avenue in Union City, New Jersey), Vitrina (1996, connected lettering signage face), 1st Avenue, Sombra, 24hrs, Union Square (a bold stitching font), Calaveras (2011, based on a signage style in Buenos Aires called Fileteado), and Marquee. At Plazm, he made First Avenue (Plazm, 2000, based on an old metal neon sign) and Vitrina.
Dan M. Zadorozny
Dan X. Solo
Illustrator in Los Angeles. Behance link. He has been creating fonts since 1994. These are mainly grungy, scary and comic book faces. In alphabetic order: BackwaterSaint, BlockoEmpty, BlockoSolid, BlockoSupremo, Bloodsnot, Burnout, CheapFantasy, Cluck, Comic, Creepy, Enchilada, FancyTrashBag, FancyTrashDiamond, FancyTrashJewel, FancyTrashNeon, Fiendish, FonziesErawaxEmporium, Gladwell, GladwellDisintegrated, GoonheadDeluxe, GrafIcks, GreekFreak, IndustrialSpill, IronSpleen, KookyKarakturs, LardoDeluxe, MidnightCoffee, NuggetBoy, Pirate, PortlyShoplifter, SavageBlock, SavageMonsters, Scratch, SlimShoplifter, SpikedPunch, SuggestionBox, UphillBattle, WiggleVision, Zombie. [Google] [More] ⦿
Born in Bay City, MI. New-York based designer of Quicksilver (1976, Letraset), a neon / glass tube chrome all caps display face from the disco era.
He writes: I am Dean Morris, the designer of the typeface "Quicksilver" that came out in 1976 as part of Letraset's Letragraphica range of rub-down fonts, the stylishly aggeressive ones in the yellow pages of the catalog. I named the typeface "Quicksliver" because it looked like bent thermometers - quicksilver being a nickname for mercury (I never meant it to suggest neon), and because "Quicksilver" had some of the cooler letters such as Q, K, E, and R. The name was my second choice, however. Letraset Englishly felt that my first choice, "Polished Sausage", would be "rather unpopular iln foreign markets".
About the genesis, e says: I designed it as a 16 year-old kid in John Glenn High School in Bay City, Michigan, and sent Letraset a xerox of a tight sketch of 3" letters kerned with the heavy outlines slightly overlapping as I originally intended. I drew only the skinny S without an alternate and submitted no punctuation (what did I know?). Letraset must have wanted it real fast (fifties nostalgia and disco were WHITE HOT then, remember), because they did the finished art themselves at 5" high (they can't have known my age, maybe they had no confidence in my technical talent), starting with the E as did I in the design stage. And what a gorgeous rendering job they did in the pre-Mac days of ruling pens, straightedges, and hand-drawn curves (those aren't compass curves)! Letraset stayed very close to my tight sketch, designed the punctuation, and suggested an alternate but wierd wide S, which I approved, figuring there was probably no other decent way to design it. I imagined the punctuation would match the stroke width of the letters but they drew them narrower and slightly oddly, but I figured what the hell. If you wondered, "What was I thinking?" when you looked at the A, B, E, F, K, N, Q, R, and Y, I'll tell you. I was simply trying to describe part of the letter being drawn in the wrong direction. I thought I was so clever. For instance the E cross-stroke goes from right to left rather than from left to right like, oh, any other Roman cap E in history. R and Q diagonals came from waaaaaaaay on the other side, N goes waaaaaaay around the wrong way before starting the diagonal. "Chrome" letters can branch but these "glass tube" letters don't!
And then the seventies ended. Dean: Alas, digitization came along eventually and fontographer technology followed. Crash went sales of rub-down type, and control of artwork was pirated without my knowledge and beyond my control, which I don't condone but I totally understand. The first album cover I saw with Quicksilver was Men At Work's first smash LP, then punk pioneer Stiff Records' logo appeared on 45 rpm labels with a clearly Quicksliver-inspired F. For about ten years I, family, and friends collected food packages, posters, took photos of signs, etc. with Quicksliver from around the world. I think it's about the easiest typeface to mishandle ever. Eventually I stopped trying to keep track of it. Maybe I'm overestimating its popularity now after 30 years (I totally forgot about it for about a decade), but to me seeing it around at all is itself a rave.
Ray Larabie published Tight in 2007 at Typodermic, which is a digital revival of Quicksilver.
Calling himself a design tourist, German designer Henning Brehm makes fonts for films. His company in Berlin is also called Design Tourist. Agitka (2010, 8 styles) contains Latin and Cyrillic characters, in a constructivist theme, and has a Neon sub-style that was used in the film Bourne Ultimatum. This family can be bought at Gestalten. In 2010, he published Kraut, a round outline face, and Koffer (a screen font family).
Pandorum (2012, a spaceship typeface, by Henning Brehm and Alejandro Lecuna) was especially designed for film sets in the science fiction movie Pandorum starring Ben Foster, Antje Traue and Denis Quaid.
At Vette Letters, Henning Brehm created the squarish oriental simulation face VLNL Kimchi: The Kimchi font had its starting point in the making of the film Cloud Atlas, based on the novel by David Mitchell and directed by Lana & Andy Wachowski and Tom Tykwer. A first version of Kimchi was created for Papa Song---an underground fast food restaurant in a futuristic Neo Seoul in the year 2144. It was used for the menus, advertisement and packaging.
Freeware fonts of the grunge type made by Catsu!t (sic) using CorelDraw in the 1990s: Bubble Bath, Sludge Bucket, Sugarfish, Romeo, Psycho Poetry, Grimace, Grotto, Due Date (grungy stencil font), SleepTalk, Aural Sects, White Neon and Acid Bath. [Google] [More] ⦿
Emil Karl Bertell
Erik graduated from Lahti Institute of Design. His fonts include Neon, Mama and Mama Round. Born in Helsinki in 1980, Erik is a type designer for Fenotype, which was founded by his brother Emil Bertell. He holds an MA in graphic design from aalto University in Helsinki. Around 2012, he set up his own foundry, Erik Bertell.
Erik's fonts EB Base Mono (2009, monospaced), EB Futuretro (2002, bilined art deco techno face), EB Neon (2002), EB Boogie Monster (2002, multiline prismatic op art family), EB Vintage Future and EB Humboldt (2002, ultra fat).
EB Martin (2010) is, in his own words, a post modern take on several traditional blackletter types. EB Bellissimo Display (2010) is a rounded monoline geometric sans typeface family. EB Jessica (2011) is part typewriter, part cemetery.
Erik Jarl Bertell
Stephen Knouse (Essqué Productions) is the Alaskan designer in Wasilla (b. 1976) of several free fonts. These include the display face Petal Glyph (2007), Avante Go (2008, avant-garde) and Avante Return (2008, avant-garde). He also created the free comic book fonts Happy Sans (2009) and Happy Serif (2008), Diagano (2012, monoline avant-garde sans), the trekkie face Dark Future (2011), and Neon 80s (2010, a rounded sans in the style of VAG Round but more so a faux neon font).
Spyced (2012) evokes Arabian nights, lava lamps, and Indian mystery.
Fenotype, a Finnish typefoundry, has the original (often techno) designs of Emil Bertell (b. 1983, Helsinki) and his brother Erik Bertell and wife Kea Bertell. Emil has been studying graphic design at University of Art&Industrial Design in Helsinki since 2004. He designed most of his typefaces during 2001-2004, and works as a freelance illustrator. Behance link.
Typefaces made in 2002: Disco (prismatic), Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Cheaptype, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, 0210, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaia 2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon (paperclip face), Mama and Mama Round (paperclip faces). In private email, he calls himself Carl. The foundry evolved from 2theleft.
Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it.
Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Acid Test 2, Acid Test (texture faces), 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL.
In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, FT Blockbuster, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium.
In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats).
MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima.
Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (retro), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display face with mustache dings thrown in), FT Master of Poster (bi-level display face with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a hand-printed rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display face with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna).
Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals).
In 2012, he created Salamander Script, Taiga (connected upright script), Mercury Script (a set of upright connected script typefaces), Slim Tony (a bubblegum retro signage face) and Mercury Ornaments.
Typefaces from 2013: No. Seven (brushy signage or baseball script), Alek and Alek Ornaments (an upright signage script), Voyage (a vintage script), Barracuda Script (brushy signage face), Bonbon (signage script), Bonbon Ornaments, Scaramouche (a playful connected script).
Flashfonts is Leslie Cabarga's Los Angeles-based foundry. Leslie Cabarga is a baby boomer from New Jersey and author of The Lettering and Graphic Design of F.G. Cooper, the Illustrator/Fontographer/Fontlab resource book, Logo Font&Lettering Bible (2004), and Learn Fontlab Fast (2004, with Adam Twardoch). He runs Leslie Cabarga Design in Los Angeles. His lettering prowess is apparent in this drive-in sign for "Betty Boop's Drive-In" (which inspired Nick Curtis to make Drive-Thru NF), FontShop link. MyFonts link.
Japanese site with original fonts by Kato Masashi (b. 1973), who lives in Takasaki (Gunma prefecture, Japan): Parismatch (2004), SAKUalp (2000, handwriting), Steeltype, Broadband, Hivision, Cinematime, Ultracomic, Ice Cream, Be Happy, Summer Beauty, Flyermix, Cheerscript, Breakstyle, Breakfont, Round, H-Five, Natsucomi, Long Vacation, Lovers, Breakfont (2003, graffiti style), Pokkaman, BeHappy, Natsucomi, Momolcan, Seasons Dings, Electron, Round, Lovers, FlyerMix (fifties style), CheerScript (comic book style), Hi-Five (pixel font), Summer Beauty, SummerDrive, White Day, Long Vacation, Amayadori (high contrast kana font), Fuyucomi, Icecream, Pickett, 321, Pingpong, Frontline, Ginza, Yago (nice free dings), Polaris, 321eng, 321kana, APPLE, CLIQUE, Clover (kitchen tile font, 1998), DIGI, Eneneng, Enenhira, FDalp, FDwhie, Hnoodle, Hanko (free black on white stamp font, 1998, see also here), MKCuer, MOOGIRLALP, MOOMILKKANA, Noodle, Origami, Pers, SA0kmh, SA100kmh, SA50kmh, SK0kmh, SK100kmh, SK50kmh, Template6, Tenten, Ami Font, Speedfont, Supercar, Sakura, Regoty, Shopping Famiry, Ticket, Yohic, Recording, Akachan, Wafont, Frontbit7, MusicNetwork, Yakitori (free handwriting font), Ticket, Folkdance (pixelized people), Human Building (dings of famous buildings), Bunny (free), Frontline0, Side5 (pixel font), Side6, Side7. Some pixel fonts, many techno fonts, some kana fonts, and the Japanese kids dingbat font, Folkdance. Some fonts, such as his Latin/Japano font ShoppingFamily (1998), are sold by Font Pavilion. Major Japanese free font links.
In 1999, he published the AMI screen pixel font series in Digitalogue's DPI72 package. Other commercial fonts: Pine Apple, the WM family, Cutie Girl, Astratic, PictPlasma, Minivan, Frontbit 7, Ginza, Zoological.
Free fonts as of 2007: Aiko, a 4-weight rounded sans with support for Latin and kana (see also here). Fonts made in 2007-2008: MobileDisco, AbbeyRoad-Alternative, HighwayStar, Kompakt, AbbeyRoad, Prefuse, Readymade (didone inspired by Corvinus and Giorgio).
Additions in 2009: Kanna W4, Sweet Doughnuts (rounded sans).
Fonts made between 1998 and 2008: 321, AirExpress, AirTickt, AMAYADORI, AMIFONT, APPLE, ASTRA, AYANO, BeHappy, bitneon, BORDER7, BREAKFONT, BroadBand, BUNNY, CALENDER, CheerScript, CinemaTime, CLIQUE, CLOVER, CutieGirl, Departure, DIGIT, ELECTRON, FlyerMix, FolkDance, FOLKDANCE2, FrontBit, FRONTLINE, FRONTLINE01, FUYUCOMI, GINZA, HANKO, HappyEnd, hiFive, HumanBuild, IceCream, ICHIGO, JAPON2, KAKIZOME, KEYMODE, LabLife, LongVacation, LoversMINIMONO, MKCUTTER, MOMOKAN, MooFont, MusicNet, NATSUCOMI, Nenga, Noodele, OnePiece, oneBox, Origami, ParisMatch, Pers, Pickett, PICTdings, PictPlasma, PineApple, PingPong, pokkaman, Polaris, PopStar, Puzzle, Recoya, REGO, ROUND, SAKURA, SAMACAN, Seazons, Shopping, SIDE5, SIDE51byte, SIDE6, SIDE61byte, SIDE7, SPEED, STAMPER, SteelType, SummerBeauty, SummerDrive, SuperCar, Template5, TenTen, Ticket2, UltraComic, WHITEday, Yabako, Yago, Yakitori (handwriting of Mayumi Kakegawa), Yothic, Zoological, Nippondings, Caredings, TraficSignsWLD, TraficSigns, JPN, Kamondings, Kamondings2, Kurashidings, Okonomi, FunnyFace, Hotsuma, Toyokuni, Constellation, SunnyDay, BOXdings, Machinedings, CLICKdings, Berrys, Container Box, Twinkleline, Minivan, Akachan.
Dingbats: Kurashidings, IchigoC, TraficsignsWLD, TraficsignJPN, Nenga, Kamondings2, Kamondings, Breakstyle, Pictdings, Zoological, Caredings, Clickdings, Funnyface, seasons, Pictplasma, Humanbuilding, Nippondings, Yago, Boxdings, Toyokuni, Consentllation (astrological symbols), Machinedings, Hotsuma, Folkdance, Calender.
Japanaese handwriting fonts: Aiko, Haruka, Syuntaro, YUKI, Ryunosuke.
Futuristic/ geometric fonts: MobileDisco, AbbeyRoad-Alternative, HighwayStar, Kompakt, AbbeyRoad, Prefuse.
"Funny" fonts: IchigoR, Ultracomic, Amayadori, Parismatch, hanko, LongVacation, Cinamatime, Natsucomi, Okonomi, IceCream, Yakitori, Cutiegirl, Monokan Wa, Shopping, Lovers, Fuyucomi, Berrys, Akachan, Bunny, Clover, Pokkaman, Pickett, Electron.
Cool fonts: Sunnyday, HiVision AirTicket, Lablife, Flyermix, Popstar, AirExpress, Broadband, Recording, Breakfont, Frontline, Ami, Minivan, Side5, Side6, Summerdrive, Digit, Supercar, Frontline00, BeHappy, Steeltype, Onepiece, Puzzle, Astlatic, Stamper.
German graphic and type designer, b. 1982, Mainz. From 2007-2009, she studied at FH Mainz. At Volcano she created Shine (a multiline connected retro face, a cross between a neon face, a paperclip face, and the Chevrolet logo).
Font Diner (or: Stu's Font Diner)
Stuart Sandler (Minneapolis) runs six foundries: Font Diner (est. 1996), Sideshow, Breaking The Norm, the Tart Workshop, Font Bros (est. 2006), and Filmotype (est. 2006). He runs a handful of other companies and web shops as well, including Mister Retro (est. 2004). He is passionate about retro type. DaFont link for their free fonts. Fontspace link. Interview.
Free fonts: Rickles (2007, script), AirConditioner (2002, fifties style upright script), BahamaSlim (2004), BlackNight (2002, blackletter), BlackWidow, BubbleMan, ChannelTuning, Corrupter, CreakyFrank, DecayingKuntry, FeaturedItem, FontOnAGrain, FontOnAStick, Fontdinerdotcom, FontdinerdotcomHuggable, FontdinerdotcomLoungy, FontdinerdotcomSparkly, Fontdinerdotcom Jazz Dark, Fontdinerdotcom Jazz Light, Hothead, KeeponTruckinFW, Leftovers (2002), MaverickBE (stencil face), Musicals, PickAx, Rickles (2009; upright script), RocketScript (2002, retro script), Schnookums, SinsofRhonda, Spacearella (2002), StencilGothicBE, ThatsSuper, Turnpike (2009), Witless, XerkerFW.
Commercial fonts: Continental Railway (1998, retro connected script), Anastasia, Chatty Cocktails (1998, art deco), El Nino, Guest Check, Hamburger Sandwitch (1998), Jumping Bean (1998, comic book style), Lionel Classic (1998, an art deco all caps face), Milwaukee, Motor Oil, and the greatest of them all, Coffee Shop (1998, exaggerated ascenders), a must! Other typefaces: Permanent Waves (1998, + Expanded: retro connected script), Yarn Sale (curlies), Fat Sam (not bad!), Etiquette, Taylors (1998, another great display font; codesigned with Dan Taylor), Kentucky Fried (1998, comic book / signage style), Beer Wip, Seuss, Jack Bisio and FinerDiner, Shivering, Dry Cleaners (2002), Singlesville Script (2002), Dripping Blood, Bowlorama, Action Is, Automatic, Chicken King (2002), CocktailShaker (2002, at Chank), Concurso Italian and Concurso Moderne (2003), DoggieBagScript, Johnny Lunchpail (2000, comic book style), Kitchenette (connected retro script), Lil Tipsy (2003), Milwaukee Neon (1998), Milwaukee Neon Shadow (1998), Motorcar Atlas (2000), Regulator, Stovetop (2002), Swinger (2002), WARNING (2002, rough stencil), BEBlob, BECROSS, DecayingAlternate, Decaying, EvilBrew, TheBlob, Insane Asylum, Creepy Crawly, Crossover, Fire Baaaad!, Rotten Teeth, Candy Good, EvilOfFrankenstein, HMan, HManPt2, PlasmaRain, Chicken Basket (2004), Chowderhead (2004), Cocktail Script (2004, upright), Country Store (2004, Western style), Dairyland (2004), Emblem Chief (2004, fifties diner script), Motel King (2004), Queen Rosie (2004), Sweet Rosie (2004, blackboard bold), Secret Recipe (2004), Square Meal (+Hearty) (2004), Bahama Slim (2004), Space Immortalizer, Matchbook and BE Streetwalker. Many font have a cool retro/fifties look. The InFlight Meal font set (2001) includes Al's Motor Inn, American Highway, Kiddie Cocktails, Lionel Text, Mosquito Fiesta, New York to Las Vegas, Pink Flamingo, Refreshment Stand, Starlight Hotel, Volcano King. The LasVegas font set: El Ranchero (2002), Hamburger Menu, Hamburger Menu Marquee, Holiday Ranch, International Palms, Lamplighter Marquee, Lamplighter Script, Las Vegas to Rome (stone chisel face), Leisure Script, Leisure Script Marquee, Mirage Bazaar (2002), Mirage Zanzibar (Arabic theme face), Mister Television, StarburstLanes, Starburst Lanes Twinkle, Vegas Caravan. At ITC, he published ITC Kiddie Cocktail (2003), ITC Mosquito Fiesta (2003), ITC Volcano King (2003).
In 2006, Font Diner acquired the Filmotype collection and its trademark, Filmotype. Sandler writes: Filmotype initially manufactured a simple manual phototype machine utilizing display typeface designs on 2-inch filmstrips. Additional films were sold to start-up typesetting companies in order to increase their product selection. Font Diner will create new digital versions of the Filmotype collection, recreating it to meet todays graphic design standards. [...] We intend to release the Filmotype library in OpenType format so the original designs can be fully realized with a dynamic feature set including alternate glyph forms and automatic substitutive ligatures.
In 2007, Font Diner started publishing digitizations of the collection: Glenlake (condensed Bank Gothic, by Mark Simonson), MacBeth (script), Alice (casual script), Zanzibar (calligraphic), La Salle (brush writing originally by Ray Baker in the 1950s, named after Chicago's LaSalle Street), Ginger (Mark Simonson; masculine headline face genetically linked to Futura), Austin (paintbrush), Brooklyn (handprinted), Honey (handlettered script), Jessy (handwriting), Modern, Vanity, Filmotype Ford.
In 2010, Stuart Sandler published a book entitled Filmotype by the Letter, in which he details the company's history.
Free fonts on the Google Directory, dated 2010: Fontdiner, Swanky, Cherry Cream Soda, Permanent Marker, Homemade Apple, Schoolbell.
In 2012, David Cohen and Stuart Sandler published these faces at Neapolitan: Irish Grover Pro (2010, a bouncy face), Satisfy Pro (2011, a connected retro script face), and Slackey Pro (2010, a paper cut out style face). At the same place, he also published Crafty Girls Pro (2010, codesigned with Crystal Kluge). With Crystal Kluge, he also codesigned the flowing connected script typeface Aya Script (2012).
At Sideshow, he published the pen-drawn connected script Mister Brown (2013).
Jolly Lodger (2012, Google Web Fonts) is an informal retro script.
Nearly all (Mac only) fonts at Fontyoufonts.com are made by Henrik Kubel, who works at the London-based design studio A2-GRAPHICS/SW/HK in London, which was founded in 2000 by Royal College of Art graduates Scott Williams and Henrik Kubel. Henrik Kubel is visiting lecturer at Royal College of Art since 2009. In 2010, Kubel and Williams set up A2 Typwe. Kubel's text fonts include FY-Battersea, FY-Klampenborg, FY-Neon, FY-ParsonsGreen, FY-M.Carpenter, FY-Gt.Eastern, FY-Stencil, FY-Typewriter, FY-Centera, FY-Cubitt Fax, FY-S.Staton. The display fonts include FY-Grot-7, FY-Boing, FY-Army, FY-Woodblock, FY-Rodeo, FY-Ornamenta, FY-Italic One, FY-Signsystem, FY-Black, FY-Stencil. There are grid-based/pixel fonts such as FY-Lego-Logo, FY-Bauhaus (a kitchen tile font), FY-Link, FY-Optic, FY-Graduate, FY-MeSoHungry, FY-Buckminster, FY-3D (2001), FY-Dictate, FY-Angel, FY-DotZero, FY-Square. Finally, there are the dingbat fonts FY-Pictogrammes, FY-Early Learning Dingbats. Kubel is also the designer at ACME of 4590, AF-Battersea (1999, a grotesque family), AF-CENTERA, AF-Copenhagen, AF-Klampenborg (1997-1999, grotesque sans, done with Scott Williams), CPH-ArabicNumbers, CPH-Medium, Grot-25. With Margaret Calvert, he updated the British Rail fonts in 2009, adding East European characters, for example. At ATypI 2010 in Dublin, he spoke about New Rail Alphabet, a revival of that typeface, still with Margaret Calvert. During the Expert Type Design Class (2011, Plantin Genootschap, Antwerp), he created the text family called Antwerp. [Google] [More] ⦿
Gilberto Moya Perona
A painter, he was the first director of Nebiolo in Turin (from 1930-1936), and was succeeded in 1936 by Alessandro Butti. All his fonts were published at Nebiolo:
Russian language site with an archive (specializing in calligraphic and display scripts), some original fonts by Ivan Zeifert of Ivan Zeifert Works, tens of free fonts by Alexandra Gophmann, and links to free and commercial font sites. Commercial scripts nearly all by Zeifert, and nearly all are cyrillicized versions of Latin faces. Free scripts: Cansellarist (2003, Ivan Zeifert, cyrillicized version of Cancellaresca Script Plain), ChampagneCyrillic (2005), Copyist (2004, Ivan Zeifert), Drakkar (2004), Figurny (2006, an exaggerated Victorian face, done with Anatole and Alexandra Gophmann), Flibustier-Thin (2005), HeatherScriptOne (2005, Alexandra Gophmann), HeatherScriptTwo (2005, Alexandra Gophmann), KabarettSimple-Thin (2004, a Showboat-style face, cyrillicized by Ivan Zeifert), KabarettDecorDEMO-Thin (2004), Marianna (2006), RockletterSimple (2005), RockletterTransparent (2005), RosamundaOne-Normal (2005, Alexandra Gophmann), RosamundaTwo (2005, Alexandra Gophmann). These are all by Ivan Zeifert: Flibustier-Thin (2005), Twin Brush (2006), Custodian (2006), Acquest Script (2006), Auric Script (2006), Calligraphist, ChampagneCyrillic (2005), Cansellarist (2003, cyrillicized version of Cancellaresca Script Plain), Chancellor, Chaplain, Chromium Plated, Connetable, Counterbalance, Copyist, Countess, Decree Art One and Two, Decree (Narrow, Thin, Wide), Drakkar, Engraver, Forest, Gissmonda, Kabarett Decorated, Kabarett Transparent, Languedoc, Maghreib, Medieval, Neon Italic, Patience, Rockletter Decorated, RockletterSimple (2005), RockletterTransparent (2005), Saloon, Splinter, Twin Brush, Whirlpool, Wooden Ship Decorated, Wooden Ship One and Two. News. [Google] [More] ⦿
Harold Lohner was born in upstate New York in 1958. He received an MFA in printmaking from the University at Albany and is Professor of Visual Arts at Sage College of Albany. He began making fonts in 1997 and starting distributing them the next year through Harold's Fonts. He lives in Albany, NY, with his partner, Al Martino. Originally, most of his typefaces were freeware or shareware, but gradually, he started selling most on his site or via FontBros. His typefaces:
A 2008-2009 project by Ryoichi Tsunekawa, who also runs Flat-It and Propaganda. At Holiday Type, he sells script fonts with a 1950s feel, often connected. These are: HTGelateria, HTLibreria, HTPizzeria, HTTabaccaio, HTCafe, HTCartoleria, HTFiorista, HTEspresso, HTMaison, HTMotel, HTNeon, HTOrologiaio, HTPasticceria, HTProfumeria, HTTrattoria, HTOsteria, HTFarmacia. [Google] [MyFonts] [More] ⦿
British foundry started in 2009 in Sheffield, but now located in London. Their fonts include Nanami (2013, avant-garde sans), Miyagi (2008, a paperclip / neon sign face that revives Letraset's Yagi Link Double, a 1970s typeface of Robert Trogman for Facsimile Fonts) and Taku (2008, Taku stencil), BAQ Outline, BAQ Rounded (like VAG Rounded), Hiruko (geometric sans family, free at Dafont), Hiruko Pro (2013), Ebisu (2010), Sukato (very fat), Aiko, Kata (2009, grandissimo grunge). It seems that this foundry grew out of Alex Haigh's Thinkdust in Nottingham, UK. They have some exclusive typefaces by Si Scott (the curly face Hunter, 2009), Alex Trochut (Neo Deco, 2009), HelloHikimori (Lace, 2009), Luke Lucas (Lukano, 2009), and Jon Burgerman (the hand-drawn fun type Burgerman, 2009).
Born in Philadelphia and a resident of Texas, Dan Zadorozny's creations at Iconian. He is a prolific type designer who specializes in techno and sci-fi typefaces. Dafont link. Fontsy link. Abstract Fonts link. Font Squirrel link. His fonts in alphabetical order:
in the habit
Design firm of Tiziana Haug, a Swiss designer who lives in New York. Tiziana has made some custom type such as Typographica (2001, a circle and crosshair dingbat face) and a folded paper-theme alphabet font in 2007 called ADC Paper Expo. Other faces: Built (2005), Home Sweet Home (2005, stitching face), Trace (2004, Neon light simulation). [Google] [More] ⦿
During his studies in London, James Garbett designed the modular typeface City Type (2013). I believe that the neon light / paperclip typeface Students in Soho (2013) is complete, but I am not sure of that. [Google] [More] ⦿
Jayvee lives in Al-Khobar, Saudi Arabia, and was born in 1996. Known as Grand Chaos, he also calls himself Nippon Central Fontmaster, and uses the abbreviation NC in some of his fonts.
In 2009, he made Reality Pursuit NC.
In 2010, he created the hand-printed faces Retrieve NC, NipCen's Print, NipCen's Handwriting, CartoonicMassive, CartoonicMassive3D, CartoonicMassiveCollage, CartoonicMassiveWacky, Cartonsix NC, and Basic Comical (a take on Comic Sans). Other 2010 faces include Retroville NC (pixel), Matthan Sans (mechanical sans), Monkirta Pursuit NC (squarish face), AeromaticsSmallCapsNC (techno), DynoNC (octagonal, techno), MatrixComplex3DNC (dot matrix face), MatrixComplexNC, MatrixComplexWaveNC, SpotlightTypewriterNC, SuplexmentaryComicNC, Coyotris (handprinted), SMWTextNC (pixel family), and AeromaticsNC (angular face).
In 2011, he made Neon Teocho NC (a techno face), Burbin Casual (2011, a casual sans face), Curse Casual (2011), Squaren Daren NC (2011, constructivisit), Hauracherell NC (2011, a movie lettering font based on "Senorella and the Haurache", 1961), Burvetica (2011, grungy), Allegre Sans (2011), 8bitoperator JVE (2011, pixel face done at FontStruct), The 2K12 (2011, dot matrix face, FontStruct), and Big Bimbo (2011, handprinted).
Typefaces from 2012: Minercraftory, New Era Casual (based on Dom Casual, 1951), Splendid Plan 9 (headline all-caps sans face), Aeromatics (inspired by Plan 9 from Outer Space), Destroyed Aero, Aeromatics Stencil, That's Font Folks (after the famous That's All Folks of Looney Tunes fame, 1930s), Dyno Sans, Stanberry (handprinted), Pixisma (techno), Ander Hedge (octagonal), Jengle Jungallery, Freedom, Freeroad, Receiptional Receipt (dot matrix), Dimbo, Capital Daren, Tepeno Sans, Kemco Smooth, Kemco Pixel, Slabby Pices (an Egyptian), Mattelit (pixel face based on a Mattel game font from 1979), Barthowheel (comic book font), Minecraftory (pixel face).
Typefaces from 2013: Moder DOS 437 (pixel face), Telespania (pixel face: Telespania is a monospaced pixel font, based from Teletext 1.5 for TVE (Television Espanola) in Spain or other services in Austria, Germany and Portugal), Sanidana (squarish), Santitechtro (a sans), Sanitrixie, Soniano Sans (octagonal), Magzetician, Grand9K Pixel (pixel face), Deluxe16 (pixel face), Polentical Neon (octagonal), Nechao Sharp (octagonal face), Magzetician (alien writing simulation), Saniretro. [Google] [More] ⦿
Jeff Levine: Art Deco Faces
Jeff Levine: Signage
Signage typography has also attracted the attention of Jeff Levine. Here are some typefaces in that category: Brushmark JNL, Dubois JNL (2007: DuBois JNL is based on hand lettering designed by Albert DuBois of New York City, and originally titled Round Block, which was found in an old sign painting design book from the early 1900s and has been translated to digital form by Jeff Levine), Eckhardt Brushletter JNL (2011), Eckhardt Casual JNL (2011), Haute Couture JNL (2009; see Signboard JNL for similar lettering), Koehler Sans (2006, a grotesk inspired by a set of cardboard sign kit letters made by the Koehler Sign Company of Missouri in the late 1940 or early 1950s), Laughter JNL (2011), Night Sign JNL (2011, neon sign font), Sheldrake JNL (2006, condensed; the outline version is Sign Decal JNL, 2009), Sign Artist (2006), Sign Crafter JNL (2009, and its reworking, Sign Trade JNL), Sign Crafters JNL (2011), Sign Engraver JNL (2011, a rounded sans), Sign Kit (2006, based on the Webway Font Cabinet sign lettering system), Sign Maker JNL (2009), Sign Project JNL (2011, based on decals by the Meyercord Decal Company of Chicago), Signboard JNL (2008, based on die-cut cardboard display lettering once made by the Duro Decal Company (now Duro Art Industries) of Chicago), Signed JNL (2005), Sign Letterer JNL (2010), Sign Merchant JNL (2013), Sign Painter JNL (2010, based on a sales catalog sheet from the American Decalcomania Company, ca. 1950), Signed Production JNL (2009), Sign Shop JNL (2010, retro), Sign Card JNL (2011, mad by adding slabs to Sign Shop JNL), Sign Designer JNL (2012), Sign Man JNL (2010, hairline face), Sign Writer JNL (2012), Stock Signs JNL (2011), Market JNL (2009), Waite Park JNL (2010, also based on the Webway Font Cabinet sign lettering system), Fountain Service JNL (2010). [Google] [MyFonts] [More] ⦿
He writes: I was born in Suva, Fiji in 1988. I am however, an Australian. My mum is an artist, so I guess I just caught onto the creative bug from an early age. I started out with photography and eventually introduced it into more graphic illustration based design. I studied Fine Art as an A level subject at St Georges School in Switzerland, dealing with the "misplacement of general concepts" which links to surrealism. NEWS!!! I have been accepted into UTS in Sydney Australia studying in Visual Communications, my dream course. [Google] [More] ⦿
Senior designer at Interbrand Sydney who was born in Brazil. For Melbourne Theatre Company (MTC) he created MTC Neon (2013, with Chris Maclean).
John B. Wundes
Monterrey, Mexico-based designer of Antler (2011, a piano key typeface), Fontera (2011) and VUJ (2012, octagonal). Creator of the neon typeface Rech Neon PseudoScript (2012) done for Brazilian film maker Rafael Rech.
Mexican designer of Neon Lights (2013), En Mi Cuadra Nada Cuadra (2013), Mundonick (2010, unicase), Partofme (2012), Moonstone (2011), Princess And The Frog (2011), When the goes sun scene (2011, avant garde), Jessie Normal (2011, grunge face), Grachi (2011, bouncy spiky face, modeled on Fontdiner.com), Anahi (2011, art nouveau), Grachi 2 (2011), Tangled (2011, tattoo face), Femme 2 (2011), and Carly (2011). [Google] [More] ⦿
In 2012, she added the geometric monoline family Neoneon.
Leftloft is a visual communications studio in Milan, founded in 1997 by graphic designer Andrea Braccaloni (b. Bologna, 1973), Francesco Cavalli, Bruno Genovese and David Pasquali. The studio is mainly engaged in corporate identity, and now also has an office in New York. Andrea Braccaloni teaches visual communication at the III Faculty of Architecture/Design at the Politecnico di Milano. At ATypI in Rome in 2002, he spoke about new typefaces he designed the old-fashioned way, as a handicraft. Within the studio, there is a small lab for type design, called "Die kleine Fonderie", at which Andrea Braccaloni and Veronika Burian are active. Designs include LL Egeo (1999, shifted letters), LL Mila (2002, a condensed sans with a trademark "g"), LL Etica (2001-2002, a sans family that derives its name from Helvetica, and has soft strokes and wide apertures---in 2009, Etica Seriffo was published by Type Together as the "trappist type family"), LL Chicane (2001, geometric and experimental, between paperclip and neon sign), LL Impresa (2001, octagonal-themed font), LL SanSiro (masculine sans family), LL EU (a delicate sans), LL Alice ditalunghe (transitional text face), LL Officiel (extreme didone titling face, developed for French fashion magazine L'Officiel, in collaboration with Patricia Sartori), LL Crudo (experimental, now LFT Crudo), LL Ubu Re (2002, made by lines and circles only), Lemon (1998), L'Amante Perduto (1999), Solferino Text (2007, with Luciano Perondi, for Corriere della Sera). [Google] [More] ⦿
Lori LeBeau-Walsh (LLW Studio, Winchester, CA) is an American commercial artist and graphic designer who has a passion for lettering and typography.
In 2010, she made Ocean Beach, Studio Neon, a classical multiline display family. Market Street Neon (2011) is a multiline caps face. Asta (2011), named after the pup in the Thin Man movies from the 1930s and early 1940s, is an art deco / streamline moderne all-caps display font.
Lorenz Lopetz Gianfreda
An orphaned neon tube font that one can download at abfonts. The font's readme says: This font is based on screen capture of the opening title sequence of the 1972 movie Made. The missing letters and numerals were created in the style of existing letters. Alpha-numeric characters were digitized and/or created by C. The alternate numeral 8 in the asterisk key created by T. It is T's fault if you do not like how the font was kerned. [Google] [More] ⦿
Cartago, Costa Rica-based creator of the neon sign font Neonia (2012).
Alsoo enjoy the calligraphic Sakura logo (2012) by the Cartago, Costa Rica-based graphic designer. In 2013, he created Almendra Unicase.
Martin Fredrikson Core
Born in Gothenburg, Sweden, in 1970, Martin Lexelius (aka Core, aka Martin Fredrikson Core) started his career in the 1990s an an artist and freelance illustrator. Then he designed type, publishing at Chank's place, at T4, at Fountain, and at his own outfit, Core, where one can find his free fonts. Martin Fredrikson Core (b. Gothenburg, 1970), whose real name is Martin Lexelius:
Graphic designer in Amsterdam. Creator of the stencil face Geissler Serif (2013), which was named after Heinrich Geissler (1814-1879), the inventor of the Geissler tube, which later led to neon tubes. Behance link. [Google] [More] ⦿
bobistheowl (lower case b) is the Ontario-based designer of the dingbat fonts HaydenPanettiereBats (2007, about 30 headshots of Hayden Panettiere) and LaetitiaBats1 and 2 (2007, based on images of Corsican supermodel Laetitia Casta). He also digitized the Rider-Waite-Smith Tarot (copyright Pamela Colman Smith for The Rider Company, 1909) in 2007 as Gypsy-Tarot-Major-Arcana, Gypsy-Tarot-Minor-Arcana, Gypsy-Tarot-Minor-Arcana-Inverted. Other fonts: Through the Looking Glass (2007, based on images dating from 1871 by Sir John Tenniel for the first Edition of Lewis Carroll's Through the Looking Glass, and What Alice Found There), Alice in Wonderland (2007, based on Sir John Tenniel's 1865 illustrations of Lewis Carroll's Alice in Wonderland), Apoux (2007, a digitization of the naughty all-caps collection of letters by Joseph Apoux, ca. 1880, called Alphabet Pornographique), KleinKarpets (2007, a snake skin-based geometric pattern font dedicated to Manfred Klein), AmyBats 1 though 4 (2008, Amy Winehouse scanbats), JessicasSoftballFont (2008, softball scanbats), GrimNatwickBettyBoop (2008, a Betty Boop dingbat font), Obey (2009---a huge family of scanbats), SINSofBOBCO (2008, a one glyph font made for Bob Dobbs), Woodland Creatures (2008, forest animals), Princess Madeleine of Sweden (2008). In 2010, he added FixCystNeon, a typeface that emulates Terminal, the 1981 IBM systems font.
In 2012, he made MockingJay XL (a single glyph dingbat face), Outstanding (a Victorian caps set that looks like a rounded version of Ernst Voelker's Vineta (1973)), and Beauty Marks (an erotic silhouette scanbat font).
Michael Gene Adkins
Mike Yanega has the ultimate listing of multiline fonts. Let me group them for you:
FontStructor who made many fonts, including the unicase face Nerug (2010, based on the futuristic logo of the TV show Gruen Transfer), the Stringbead family (2010), Silicon Neon Straight (2010), Therlea (2010, an angular fat didone face), Globus (white on black), Miagan (pixel face), Mertinal (2010: a graph theory face), Xharon (2010: a techno stencil), Deebee Dee (2010: like Futura Black), Logoremix (kitchen tile face), Logoremix Thin, Ragett, Ells Split Peas, Barowin, Desert Bean (floral face), Tonkted (knotted face), Belumt, Plink (blocky futuristic face).
Graphic design and art direction studio. They created the custom art deco face Olimpyc (2007). It is a cooperative run from Baltimore and San Francisco by Liam Devowski, Benjamin Domanico, Joyce Kim, and Samuel Ortiz-Payero. [Google] [More] ⦿
The Neon Type Division of Typefounders of Chicago (Castcraft) published a specimen book in 1962 which can be downloaded from Archive.Org in two 1 GB parts: Part I, Part II. See also here and here. [Google] [More] ⦿
Nick Curtis: Typefaces from 2004
Typefaces made by Nick Curtis from 2004, not listed elsewhere on these pages. Bayern Handschrift, De Rigueur NF, Refugio Rustic WBW, Refugio Refined WBW, Ponte Vecchio NF, Brazzaville NF (based on Congo, a 1910 font by Barnhart Brothers \& Spindler), Moonshine Script NF (a casual connected script patterned after an offering from the 1930s chapbook 60 Alphabets by The Hunt Brothers), West Coast Antics (based on a showing from Carl Holmes' 1950s book, ABC of Lettering), Nanki Poo NF (based on Mikado from the Boston Type Foundry), Picture Postcard BF (a Broadway style face based on work by lettering artist Alf Becker), Curly Shuffle NF (described as a mix of Alf Becker's style and Leslie Cabarga's), Hardy Har Har NF (based on Samoa from BB&S, 1900), Krazy Kracks NF (based on the so-called California style of lettering used extensively in travel posters of the 30s to the 50s. This version is based on its interpretation by Carl Holmes in a Walter T. Foster artbook entitled ABC of Lettering), Whoa Nelly NF (a comic book face--based on Dan X. Solo's Funhouse), Bushwacked, Cressida (triline face), New Boston (far West face of the "italian" kind), Rumble Seat, Kartoon Kutz 3&4 NF, Magic Twanger NF, Snoodle Toons NF, Beanie Kopter NF, Delysian NF (based on Greeting card from the 1923 catalog of BB&S), Mazurka NF (based on Swagger Capitals and Gothic Novelty title from the 1923 catalog of BB&S), Jungle Holiday Cuts NF (based on holiday ornaments by Carl S. Junge, 1929), Stone Soup NF (based on lettering for a 1925 Buster Keaton movie), Tintern Abbey NF (based on the lettering for a 1905 poster for the Austrian National Highway by artist Gustav Jahn), Period Borders NF, Parsnip and Parsnip Outline (Will Ransom designed the exemplar for this series for Barnhart Brothers&Spindler in the early 1900s---the typeface was originally named Parsons (1918), after the advertising director of a Chicago department store), Wurstwagen (suggested by a poster for beer, designed by German artist Ludwig Hohlwein around 1920), Jackson Park NF (1920s style), Kenosha Antique NF (from the 1903 Racine typeface of Barnhart Brothers&Spindler), Catty Wumpas (based on lettering of Ross F. George). [Google] [MyFonts] [More] ⦿
Nick Curtis: Typefaces from 2005
Typefaces made by Nick Curtis from 2005, not listed elsewhere on these pages. Chantilly Lace NF (2005: uppercase letters by Bergling and lowercase letters by Roland W. Paul), Edda MorganaNF (medieval English), Gnarly Dude NF (rough script based on material of Ross F. George), Whirled Peas NF (based on a face called Whitestone Scrawl by Dan X. Solo in his "Showcard Alphabets"), Cool Cat Jim NF (based on a 1953 headline by Jim Flora in Park East Magazine), Sulphur Springs WBW (bone font), Grand Rapids (based on a typeface named Archer from the 1905 specimen book from Barnhart Brothers&Spindler), Hasta La Pasta (designed after a typeface from a pre-1900 specimen book from the Central Type Foundry of St. Louis, called Spiral), La Coupole (based on lettering on a 1927 menu by prominent poster artists Razzia), Shadowlands (this is like Wilcox Initials from the 1992 Solotype Catalog), Possum Saltare NF (a Trajan column style caps face), Pismo Clambake NF (a connected formal script face after a Richard Gans handwriting face from 1933, Gloria), Ransom Clearcut NF (an extension of Will Ransom's 1920s caps-only face Clearcut Shaded Caps for BBS), Almost Heaven (sold in the early 1900s as Perfection), Goodbye Crewel World (stitching font), Jimbatz NF (dingbats inspired by album cover artist Jim Flora), Bad Dookie NF (from The Advertising Cartoon Clip Art Book, 1971), Maple Leaf Rag NF (revival of Nova Bold by Continental Typefounders), Surely You Jest NF (called Arbor in the 1890's type specimen catalog from Farmer, Little&Co), Merry Old Soul NF (a display face discovered in one of the many books on sign writing produced by Eric Matthews), Funky Tut NF (205; the caps are based on J.M. Bergling's Morocco (1914), and the lower cases on Bergling's Kermaic Text (1914)), Groove Thang NF (based on a font called Dado), Novadam Obese (geometric black modern face based on a logotype by the same name of Joan Trochut Blanchard, ca. 1940s), Smackeroo NF (2005, engraved US dollar-bill style face based on Steelplate, a monocase face from ca. 1900 by Barnhart Brothers&Spindler), Snooty Fox NF (an elegant face found in Pen&Brush Lettering and Practical Alphabets, Blandford Press, Ltd., London, 1929), Chez Nous (based on Card Italic from a 1930s Mergenthaler Linotype Company specimen book), Slapdash Deco NF (2005, based on a showcard alphabet presented by Cecil Wade in his Manual of Lettering), Rockin Roman NF (from Blandford Press' Pen&Brush Lettering and Practical Alphabets), Kunstgewerbe NF (artsy face after work by J.M. Bergling, 1914), Details Details NF (a geometric design from Pen and Brush Lettering and Practical Alphabets), Escondido NF (inspired by an Austrian travel poster designed by Johann Süssenbek in the 1930s), Ballyhaunis NF (based on Celtic lettering by Laurence Schall, early 1900s), Inglenook Corner NF (based on art nouveau lettering by Laurence Schall, early 1900s), Mohair Sam NF (caps based on letters of Samuel Welo, and lower case based on ATF's Romany Script), Partenkirchen NF (a Basque style display face), Helena Handbasket NF (after Antique Light, found in the 1888 edition of the James Conners Sons United States Type Foundry specimen book), Kudos Kaps NF (2006: five nice ornamental caps and associated alphabet and border sets, including a Lombardic set, an engraved set; they are based on faces from Ludwig&Mayer). [Google] [MyFonts] [More] ⦿
Nick Curtis: Typefaces from 2006
Typefaces made by Nick Curtis from 2006, not listed elsewhere on these pages: Magic Lantern NF, Duly Noted NF (after an ATF face from 1912 called Freeahand), Got That Bling NF (a connected script based on the work of Al Mack, from his Lettering: Brush&Pen in the Single Stroke), Haarlem Nights NF (based on a 1920 Dutch poster for Public Placement Services by Johan Dijsktra), Architectuur NF (based on De Stijl type lettering by H. Th. Wijdeveld, 1925), Gandy Dancer NF (a revival of Tabard, ca. 1912, ATF), Pomfrit Dandy NF (based on Frys Ornamented No. 2 by Stephenson Blake), Smith Premier (Clean and Schmutzy) NF (a typewriter pair after the letters of the Smith Premier No. 3), ed Hot Mama NF (2006), Jumbo Mumbo NF (a revival of Independant done in 1930 by Collette and Dufour), Union Telegraph NF (2006), Major Production NF (which was followed in 2009 by Major Pro Extras NF), Teeny Boppin NF (gleaned from Schrifti Alphabeti, a book of Cyrillic alphabets published in Kiev in 1979), Rutin Tutin NF (based on Wild West lettering found in Schrifti Alphabeti, 1979), Jampact NF (2006, an ultra fat headline face), Beagle Boyz NF (a bouncy face based on a Cyrillic alphabet presented in the book Schrifti Alphabeti, 1979), Midtown Tessie NF and Downtown Tessie NF (mosaic tile faces), Scary Scrimshaw (based on a 1968 poster for a Doors concert), Speedball No1, Speedball No2 SW (2001), Speedball No3 (2001), Bellagio NF (an interpretation of Robert Wiebking's 1917 font Advertisers Gothic, designed for BB&S), High Society NF (2006, a fashion mag face based on an alphabet found in Lettering for the Commercial Artist by Blandford Press, 1946), Osiyo Dohitsu NF (based on letterforms in the Cherokee Syllabary, reputedly devised by Sequoyah in the early nineteenth century; it has petroglyphs as well), Micro Manager NF (pixel face), Paper Caper NF (2006), Shady Grove (a condensed version of Thorne Shaded), American Pi NF (2006: ATF ornaments from the catalogs between 1913-1934, including some designed by Will Bradley, Frederic Goudy and George Trenholm), The Donald NF (a hyper-curly decorative face), Boo Meringue NF (a Halloween font based on Lithotint (1897, ATF)), Lesser Arcana (a mystical type), Zyklop NF (2006), Deux Chasses NF (based on ATF's Thermotype), Bon Mot NF (based on Barnhart Brothers&Spindler's Engravers Upright Script), Munchkin Land NF (based on a work called Thor, issued by Frederic Wesselhoeft Ltd of London in the 1930s), Didgeree Doodle NF (2006, a curly cursive originally released as Bernhard Heavy Antique Cursive by the Bauersche Giesserei by Lucien Bernhard), Kudo Kaps One, Two, Three and Four NF (a total of eight classical initial caps faces), Crane Titling NF (medieval-inspired uppercase letters drawn by famed book illustrator Walter Crane with charming, if somewhat quirky, lowercase letters by J. W. Weekes), DecimoSexto NF (+italic) (includes Spanish Roman letters and Griffo style italics, both hand-drawn by Francisco Lucas in Madrid, 1577), Visillo Adornado (a caps face based on the typeface Vesta, originally designed by Albert Auspurg for H. Berthold AG, Berlin in 1926). [Google] [MyFonts] [More] ⦿
Nick Curtis: Typefaces from 2007
Typefaces made by Nick Curtis from 2007, not listed elsewhere on these pages: Dundee Castle NF (based on lettering by Harvey Hopkins Dunn, 1930), Sheik Of Araby NF (2007), Aethelred NF (a unicase typeface, with alternate characters in several of the lowercase positions, is patterned after Mosaik, designed by Martin Kausche for Schriftgiesserei Stempel in 1954; Sultan (2005, Canada Type) is also based on Mosaik). Cerulean NF (a sans based on Lining Gothic No. 71 (BBS and ATF, 1907)), Rimshot NF (script), Jaunty Gent NF (based on the upright connected script Forelle, aka Rheingold Kräftig, by Erich Mollowitz in 1936-1937 for the Hamburg foundry of J. D. Tennert&Sohn), Baby Cakes NF (a bubblegum face based on a 1974 release by Karlgeorg Hoefer at the Ludwig&Mayer foundry called Big Band), Amper Sans NF (after Hobby, a script designed in 1956 by Werner Rebhuhn for Schriftgießerei Genzsch&Heyse), Wacky Duck NF (2007), By George Titling NF (inspired by silent movie lettering), Dinky Rink NF (partially based on Steile Futura), Fuller Brush NF (a bouncy signage script from The New Lone Pine ABC of Showcard and Ticketwriting by Australian author C. Milnes), Tiddly Winks NF (2007), Iraan (a stars and stripes face based on the ATF face Rodeo), Haut Relief (a 3d face based on a 1960s face called Sculpture), Fiddle Sticks (based on West Banjo (Dave West, 1960s)), Djibouti (an African theme font modeled after African Queen (Dave West, 1960s), Wacky Duck NF (2007), Turing Car NF (2007, a monospaced typeface based on a lineprinter font from the 1960s, the Unisys 0776), Route 66 NF (based on the typefaces used on U.S. Highway signs from the 1930s to the 1950s), Anna Nicole NF (2007, based on the upright semiscript Mirabelle (1926, Wagner&Schmidt); Nick Curtis: Round, firm and fully-packed, it is sure to get attention anywhere it is used.), Keynote Speaker NF (an awkward blocky face patterned after Bloomsbury (1920s, P. M. Shanks&Sons)), Twitty Bird NF (2007, an architectural drawing font based on Dan X. Solo's Conway), Balder Dash NF (the caps are based on Breda-Gotisch (1928, H. Berthold AG) and the lowercase on Goudy Text)), Outer Loop NF (2007), Tutti Paffuti NF (after Stymie Black Flair by Dave West for Photolettering), Weedy Beasties NF (after a variation of Seymour Chwast's Blimp), Bully Pulpit NF (2007), Keepon Truckin NF (a 3d face based on Milton Glaser's Baby Fat). In the 1970s, Vincent Pacella made a Photolettering Egyptian headline face called Blackjack, which was digitized in 2007 by Nick Curtis as Flap Jacks NF. ITC Jeepers and Woodley Park (based on Naudin) won awards at the TDC2 Type Directors Club's Type Design Competition 2002. Artone (Seymour Chwast, 1968) was revived as Loose Caboose NF (2007). Edwin Sisty's upright curly semiscript Belcanto (1970s, Photolettering) was revived in 2007 by Nick Curtis as Glissando NF. F.W. Kleukens' Kleukens Antiqua (1910) was digitized by Nick as Kleukens Antiqua NF (2007). Holo Fernes NF (2007) is based on Christian Heinrich Kleukens' Judith Type (1923), a hookish hell-inspired face. Pudgy Puss (2007) is an ultra-fat modern display type based on Fat Face (Herb Lubalin, Tom Carnase). Omaha Bazoo (2007) is patterned after Viola Flare, issued by Franklin Photolettering in the 1970s. Lateral Incised NF (2007) is an engraved old style face originally released in 1929 as Gravure by the London foundry of C. W. Shortt. Tall Scrawl NF (2007) is an original Curtis hand-printed font. Alfred Riedel's Domino (Ludwig&Mayer, 1954) was revived as Idle Fancy NF (2007). Boxcar Willie NF (2007) is a quaint curly face. [Google] [MyFonts] [More] ⦿
Nick Curtis: Typefaces from 2008
Typefaces made by Nick Curtis from 2008, not listed elsewhere on these pages: Dave West's Nickelodeon was revived by Curtis as Lily Hilo NF (2008). Funky Rundkopf NF (2008) is an adaptation of an LED simulation font of Ray Larabie, called Dignity of Labour. Daffadowndilly NF (2007-2008) is based on art work by Alf Becker from the 1940s. Babes In Toyland NF (2008) has some of the Rennie Mackintosh charm and is based on "Sheet music for Babes in Toyland, USA, 1903". Anagram Shadow NF (2008) is based on handlettering from a 1928 poster for a steamship line by renowned British artist Austin Cooper. Kandinsky NF (2008) is based on shapes found on Kandinsky's painting Succession (1935). An experimental typeface by Jeremy Pettis, illustrating the concept of kangaroo, inspired Pal Joey NF (2008). One of René Knip's experiments, a unicase typeface with an Arab feel, was digitized by Nick Curtis as Turban Hey NF (2008). Calamity Jane (2008) is a stylish Edwardian script based on a 1930s logotype for the Theatre Moderne in Paris. Orion Radio NF (2008) is a 1930s style display face on an African theme. Quinceanera NF (2008) is a a new take on an old dry-transfer standard from the 70s named Barrio. Jobber Wacky NF (2008) is a bouncy handlettering font based on designs of Alan Denney found on greeting cards in the 1950s and 1960s. Franciscan Caps (2008) is based on a 1932 face by Frederic Goudy called Franciscan. Morning Glory (2008) is a simple display face that goes back to the Cleveland Type Foundry, 1893. Tickety Boo (2008) is a take on Goudy Fancy (or: Goudy Black Elongated Swash). Yo Quiero Taquitos uses letters taken from Rotalución Decorativa (Barcelona, 1940s), Disco 79 (2008, multiline), Eclectic Crumpany (2008, multiline monocase neon face based on The Electric Company TV Show), Fire Down Below (2008, block gothic), Joufflou NF (2008, very fat), Bala Cynwyd NF (2001) is an Arts&Crafts style poster face inspired by lettering of Dard Hunter. Csiszarz Latein NF (2008) recreates an old typeface (ca. 1910) of J.V. Csiszarz. Owah Tagu Siam NF (2008) is a faux Thai font. Langoustine Rouge NF (2008) is based on Dan Solo's Sorbonne. Cecil Wade again provided inspiration for Bloc Party NF (2008). My Little Eye NF (2008) is an elegant piano key font. Roundabout NF (2008) is rounded octagonal. Neubank NF (2008) is Nick Curtis's take on Bank Gothic. Warp Three NF (2008) is a Bank Gothic-style family with an uppercase as in Agency Gothic (1932-1933, Morris Fuller Benton) and a lowercase from Square Gothic (1888, James Conner). [Google] [MyFonts] [More] ⦿
Nick Curtis: Typefaces from 2009
Typefaces made by Nick Curtis from 2009, not listed elsewhere on these pages: Society Page NF (semi-script based on Morris Fuller Benton's Announcement, 1916), Glyphix One NF (dingbats), Glyphix Two NF (dingbats), Velveteen Round NF (based on Vellvé's only font, 1971), Steno Stout NF (the venerable Underwood Victoria typewriter on steroids), Diosa Rubia (condensed headline face), Mono Amono NF (octagonal), Turista Flaca NF (based on Baltimore Type Foundry's Tourist Extra Condensed), Boop Boop NF (based on handlettering found on Hallmark Studio Cards of the 1950s), Samosata NF (based on Bernhard Gothic), Waddem Choo NF (based on Tschichold's Transito from 1931), Jane Plain NF (architectural blueprint style), Hacky Sack NF (a zany face based on Ross F. George's Stunt Roman), Free Holeys NF (after the 1972 Letraset font Beans by Dieter Zembsch), Kingstown NF (semiscript), Kudos Kaps NF (2006: five nice ornamental caps and associated alphabet and border sets, including a Lombardic set, an engraved set; they are based on faces from Ludwig&Mayer), Melvin Eustace NF (handlettered), Weekly Bazaar NF (based on Harpers by the Central Type Foundry), Really Big Shoe NF (after a Cleveland Type Foundry face called Oxford), Bellwether Antique NF (after a 1913 face by Georg Belwe), Garmisch Rund NF (inspired by Rundgotisch, Emil Rudolf Weiss, 1937), Whitefriars NF (based on a font from the Blackfriars Type Foundry in London), Society Page NF (a curly serif face based on Morris Fuller Benton's Announcement Roman, designed for American Type Founders in 1917), USA Resolute NF (a unicase headline face based on Morris Fuller Benton's Eagle, ATF, 1934), Saturday Morning Toast (2001, based on the logotype font of the Saturday Evening Post from the 1920s), Examiner NF (based on Dwiggins' Metro from the 1930s). Hans Lijklema's Free Font Index has a CD which contains AirstreamNF-Italic, CalamityJaneNF-Bold, CalamityJaneNF, DaddyLonglegsNF, HamburgerHeavenNF, HeavyTrippNF, HutSutRalstonNF (2001), OrionRadioNF, ParkLaneNF, PhattPhreddyNF, RhumbaScriptNF (a silent movie font), Riot Squad NF (2000, after Otto Heim). [Google] [MyFonts] [More] ⦿
Nick Curtis: Typefaces from 2010
Typefaces made in 2010: Conners Corners NF (2010: gleaned from the 1888 specimen books of James Conner's Sons United States Type Foundry), Tumbling Dice NF and Banner Year NF (both were done after scroll typefaces featured in the 1869 MacKellar Smiths and Jordan specimen book), Standing Room Only NF (after Broadway, designed by Morris Fuller Benton for ATF in 1928, originally named Broadway Poster), Proud Mary NF (a plump face based on Joseph Churchward's Marianna), Slapsie Maxi NF (based on a Carl Holmes alphabet found in Holmes's ABC of Lettering), Umbriago NF (trying to do a Cooper Black Swash Italic), Picaro NF (based on Harlequin), Palo Pinto NF (based on Pacella Vega Extended 10, a 1960s face by Vincent Pacella), Cartella NF (a 3d beveled shadow face based on a Morris Fuller Benton 1934 offering for American Type Founders called Poster Gothic), Pracht Antiqua NF (a faithful rendering of the cuddly headline script face Pracht Antiqua Schmallfett, which was designed by Carl Pracht for the Norddeutsche Schriftgießerei in 1942), Gitfiddler NF (a futuristic oblique face based on the lettering on a package of Gibson guitar strings from the 1950s) , Seta Reta NF (after Walter Diethelm's 1965 VGC face Arrow), Kleukens Kursiv NF (after Kleukens Scriptura, 1926 by F.W. Kleukens), Kallilu NF (a display face, after George Piscitelle's VGC face Thomac from the 1960s), Occidental Tourist NF (an avant-garde sans inspired by Dave West's Futura Casual), Schelter Grotesk NF (after Schelter's Breite Grotesk, 1886), Vuvuzela NF (a casual, almost sign-painted, and nearly African display face), Block Party NF (2008,, a 3d face), Cromwell NF (a faithful digitization of Cromwell, 1913, Morris Fuller Benton, ATF), Liguria NF (2010, after a face found in a Nebiolo specimen book, ca. 1900), Pony Express NF (2010, after Palmer and Rey's Courier from 1885), Linndale Square NF (a beefed up version of Geometric, 1885, Cleveland Type Foundry---a typewriter style face), Binghamton NF was inspired by the wedge-serifed angular face Bingham (Vincent Patella, PLINC). Albert Kapr designed Faust in 1959, so Nick's derived sans typeface is called Kaprice NF. Double D NF (2010, +Fill, +Outline) is a 3d beveled face based on Dave Davison's Dimensional from the 1970s. Old Softy NF (2010) is a rounded face based on Round Gothic (Keystone Type Foundry, 1884 catalog). [Google] [MyFonts] [More] ⦿
Nick Curtis: Typefaces from 2011
Typefaces made by Nick Curtis from 2011, not listed elsewhere on these pages: Jersey City NF (modeled after Times Gothic (1905, ATF)), Petty Despot NF (2011, also modeled after Times Gothic, and possibly renamed from Jersey City NF after Berthold---yes, the same Berthold again---complained about the name Jersey since one of its fonts by Gustav Jaeger was named Jersey. This is my educated guess..., and two thumbs up to Nick for picking the appropriate name Petty Despot NF). Olde Megrat NF is patterned after Antikva Margaret, designed by Zoltán Nagy for VGC in the mid-60s. Herkimer Bunrab NF is an upright scriptish face with bunnyears that is based on Hercules (1926, Amsterdam Typefoundry). Blackbarry NF (2011) is a faithful revival of Deutsch Black (1966, Barry Deutsch, VGC), a unicase piano key typeface. Bindlestiff NF (2011), which won the 2011 Devroye Memorial Medal for funniest typeface name, revives Schmallfette Binder Style (1959, Joseph Binder, Stempel AG), a squarish tightly set headline face. Decked Out NF (2011) is a fat inline face modeled on Dektiv in Homage to the Alphabet. Bazoo Tow NF (2011) is a fun fattish headline face that is a faithful reroduction of Basuto (1927, Stanley Baxter for Stephenson Blake). Are You Shaw NF (2011) is an all-caps blackboard bold face inspired by Pygmalion, a face found in Homage to the Aplhabet. Hoodoo U NF (2011) is a roly-poly romp through the alphabet, based on Jürgen Riebling's irrepressible Mr. Big from the 1970s. Big, bold, bubbly and a little brash, it's a natural choice for happy headlines. The handlettered Mikeys Roman NF (2011) has an uppercase based on the work of Mike Stevens, and a lowercase based on the work of Alf Becker. Outgribe NF (2011) is a rough, raw typeface that is based on the lettering in Ben Shahn's iconic poster protesting the execution of Nicolo Sacco and Bartolomeo Vanzetti in 1927. Nellie Kay NF (2011) is a monoline script face, based on an example by Ross F. George. Shaq Attack NF (2011) is a wooden plank style or brushy face inspired by an alphabet of Alf R. Becker. Relampago NF (2011) revives Hans Möhring's bilined face Elegante Lichte (1928). Squirrely Shirley NF (2011) is a bouncy face based on Phoenix (unknown creator) in Schriftatlas. Spread Out NF (2011) is modeled after Ross F. George's Split Caps. Salzburger Plakat NF (2011) is based on an Austrian winter sports festival poster from 1907 by Swiss poster designer Otto Baumberger (1889-1961). Rightly So NF (2011) is a squarish face based on Geometric Gothic (1884, Palmer and Rey)---it is hard to imagine that this almost pixelish style was around at that epoch. Kenotaph NF (2011) is a condensed headline slab serif modeled after Stymie Obelisk (1930s, Morris Fuller Benton). Vasari NF (2011) is based on Ancient Gothic (1891, William W. Jackson, Keystone Type Foundry). Moslem (Boston Type Foundry) was revived as Suffiya NF (2011). Looky Cookie NF (2011) has eyes placed on the glyphs. Iago NF (2011) is a powerful headline sans inspired by two ATF faces from the 1880s, Othello and ATF Black Caps. Big Bag NF (2011) is called an industrial-strength titling face by Nick Curtis---it has design elements of Hans Eduard Meier's Syntax Antigua. Highpoint Gothic NF (after Morris Fuller Benton's 1932-1935 typeface Raleigh Gothic Condensed). Fernburner NF is an all caps shadow face, modeled after Hans Bohn's 1929 typeface Orplid. Planscribe NF is based on types used by the Leroy Automatic Lettering Machine, a tool for architects. [Google] [MyFonts] [More] ⦿
German graphic designer and photographer. His free fonts, all dated 2008: Reclaim (grunge), Space Pez (2008, dot matrix, almost kitchen type), Starry Stitch (stitching font), L-MEN-RAVE-IT (handwriting), Neon (Neon sign font; also reminds me of the logo of the Neon car), Reclaim (stencil), Urban Brush (2008), Urban Rubber, Urban Sketch, Stahlbetontraeger-College (athletic lettering), Stahlbetontrger-Compressed, Stahlbetontrger-Outline, Stahlbetontrger-Stripes (all inspired by Patric Schwarz's original Stahlbeton), Urban-Sketch, Urban-Constructed.
At FontStruct, he made the pixel face SPACE PEZ (2008).
Fonts from 2009: Defatted Milk (condensed sans).
Ukrainian graphic and type designer who lives in Kiev. Behance link. His typefaces include Bricks N Laces (2009), a wonderful art deco face for "jazzy type compositions". His other work is equally experimental, and includes Black Neon, Numberfreak Sans and Numberfreak Serif (all letters are made up from number glyphs). [Google] [More] ⦿
Viennese type designer (aka olewood), illustrator and graphic designer who cooperates at Typisch Beton. Behance link. Designer of Elevador (2010, a tall condensed sans face). He is working on the neon sign face Pharmacia Head (2011). Announcement. [Google] [More] ⦿
Fonts designed by talented Swedish designer Franko Luin (born in Trieste, Italy in 1941, to Slovenian parents). Luin immigrated to Sweden in 1961. After studying at the Grafiska Institutet during the 1960s, Franko Luin spent two decades as a print designer for Ericsson before becoming independent. In the 1990s he was involved in multimedia and typeface design. In 1996, he founded his own typographic studio, Omnibus Typografi. At some point, he led a course in Web Typography at the Berghs School of Communication in Stockholm. Franko Luin passed away on September 15, 2005, in Tyresö, Sweden. Autobiography. Obituary by Dan Reynolds. Linotype pages on Luin.
His typefaces, all at Linotype: Omnibus (1993), Goudy Village (1994),
Pablo A. Medina
Type designer at Canada Type. Wikipedia tells us that Patrick Griffin had been locked away in a mental institution by Carter and Barbara, after he walked in on his mother performing oral sex on Jackie Gleason. He had a nervous breakdown and was sent to a mental hospital, where he came to the conclusion that Gleason was evil because he was fat, leading him to hate fat people. His work is summarized in this 2009 interview by MyFonts. It includes lots of custom work for banks, TV stations, and companies/groups like New York Times, Pixar, Jacquin's, University of Toronto, and the Montreal Airport. His retail fonts include the following.
Very talented Montreal-based illustrator and digital artist. Home page. He created several modular typefaces in 2011.
In 2012, he created Muse, Gotham Streets (a prismatic typeface), Slinky, Stencil, Tulipe (counterless), Bad Billy (multilined, art deco), The Great Carnival (beveled caps), Web Font (prismatic), Jump Jump Font (octagonal), Fashion (a horizontally striped typeface), OK (prismatic), The Aviator (horizontally striped poster face), La Bonne Aventure (prismatic and slightly art deco), the rope-themed typeface Noeud Marin, the shadowed boat name typeface Bleu Marine, the multiline caps face Origami, the moustache-inspired caps face Mous Type (ornamental moustache-shaped capitals), the multilined display face Empire, the handdrawn Une Typo Faite A La Main, and the prismatic typeface Anabelypster. After a bout of salmonella, he created Intestino, still in 2012. In Motion (2012) is an awesome prismatic art deco typeface.
Creations in 2013: Shapes (geometric font), Gold Deco, Dentelle, Twist, Sleek (a thin slab serif), Say Say Say (multiline, prismatic, hypnotic), Metrick (a gridded typeface), Film Noir (an overlay type system), Tam Tam, Diner (a striped all caps typeface), Spot Light Font (prismatic), Flora, Bright Diamond, Incandescent, XVII (multilined display face), Konga (a multiline script), Shiny Diamond, Splash (paint font), Chicago (prismatic neon tube face), Taxi (a wonderful multiline typeface), Papale (religious symbology alphabet made to mock the papal system), Empreinte (pure op-art), Broken Arrow Font (multiline caps face), Liquid Paper Font, Sunset (prismatic), Boogie (Broadway-style art deco family), New Art Deco (prismatic art deco face), Poule de Luxe, Burnout (a prismatic typeface), Marble Maze Font, M Gagnon (ornamental caps influenced by the design work of Denis Gagnon).
Fine Arts graduate from UCLM (University of Castilla-La Mancha) in Spain, who works as a graphic designer in Cuenca, where he set up the Pisto Casero commercial typefoundry in 2013, after a period of free font production. Gilberto Moya Perona is the designer of most fonts here.
Typefaces from 2011: Paper Cube (3d, outlined), the ink spill face Sopa de Letras, the fat counterless face Minimal, the outline face I Am Online With U, the 3d hand-printed outline face Indietronica, the stencil pixel face Stencil 8Bit, Wet Arial (a beautifully executed type treatment face), and the 3d pixel face Chip Tunes.
Typefaces from 2012: Awakened, Corrupted Democrazy (grungy), Czech Tales (a beautiful curly typeface inspired by traditional Czech fairytales), Neon Serif (multilined, prismatic), Democrazy (sans and serif with very tall ascenders).
Q-BO is the foundry of Carlos Matteoli, a type designer, b. 1980, from Santiago del Estero, Argentina.
Aussie company which is into graphic design and branding. They created a number of typefaces such as NAB (for National Australia Bank), Neuglow (neon light face), titling faces for Artichoke Magazine, Noise (2005, a pixel face for the Noise festival), various faces for Riot Magazine (ca. 2006), MTV Tapedeck Bold (2008), MTV Fan vs Band (2009, counterless, techno), Streetmuse (2009), Neon (or Consort) (2009, octagonal, counterless techno), MADC Annual (2009, metal band face). [Google] [More] ⦿
Raihan Nizar (b. 1977) is the Indonesian FontStructor who made Cubos (2011, squarish and geometric), Pixelized Handwriting (2011), Lost in Future (2011, sci-fi face), Valdero (2011), Simplicity (2011, kitchen tile face), Bold Type (2011, octagonal), Fat Cribbo (2011, gridded), Block Out (2011, in the style of the commercial face Pincoya), Smooth (kitchen tile face), Quadro, Minimal (geometric, gridded, almost a kitchen tile face), Zkratchy (scratchy face), Retro Mania (almost a Western face), Techno Light, Blockz, Box Building (3d outline face), Metropol (outline techno face), Space Adventure, Electric City, Cubix, Revolution, Pixel, High Volume, and Letters In The Blocks in 2011. Many of these faces are pixelish.
Typefaces from 2012: Dequatrion (fat stencil face), Konnekto (electrical circuit font), Devoltas, Forsid (cubist painting font), Etnis (squarish), Electro (counterless and octagonal), Mr. Ken (very fat face), Squadlest (squarish), Neonize (dot matrix face), Simplicity (kitchen tile face), Sound System (squarish), High Volume, Bajaj Sans (gaspipe sans), Bulat (fat counterless typeface), Elektro (blocky, counterless), Elektro Forest, The Slabbers (Egyptian), Kotakisme (counterless and geometric), Bhekhathe (thin geometric typeface), Insomnia, Siliko (metal band logo font), Motakku (labyrinthine, op-art).
Creator of the scratchy hand Saji Johnny Kundukulam (2010), Wall painting (2012, mosaic tile face), New York (2012, neon look face), Soak (2011-2012, a textured face), Revolution (2012, a grotesk headline typeface), Revolution II (2012), Builder (2011, pixel face), Cheese Pizza (2011, a caps face with runny joints), Bark (2011, texture face), Radar (2011, roundish face), Richmond (2011, dadaist), Ginger 2971 (2011, grungy), Saint (2011), Who Am I (2011, grungy), Dam (2012, an organic caps face), Mercury (2012, liquid look face), Muddy Tyres (2012), Dodge (2011), Moulded Saji (2011), Nibiru (2011, grunge), ECG Saji (2010), DRAGONFLY Saji (2011, Treefrog-style face), Trash (2011, grunhge), New York (2011, grunge), FACE Saji (2011, scanbats), Save Our Souls Saji (2011), Truck Driver (2011), Dragon (2011, grunge), and Wired Saji (2010).
Santi Vilagran Casanovas
SignDNA is run by Dave Simpson. Commercial sign and display fonts, including many scripts, often by Dave Simpson himself. Other designers:
Skyline Type Foundry
Metal font foundry in Kampsville, IL, est. 2004. Run by Schuyler (Sky) Shipley. As of 2010, their typefaces include Sans Serif Light w. Alts, Egmont Decorative Initials, Park Avenue, McMurtrie Title, Mercury Borders, Bewick Roman, Bradley, Cazxtonian, Cochin, Cooper Ted, Crayonette, Della Robbia, Extended Black, Fournier le Jeune, Glyptic, Hadriano Stone-Cut, Ben Franklin Decorative Initials, John Alden Decorative Initials, Massey Two-Color Initials, Iroquois Condensed, Keynote, Lexington, Narciss, Neon, Neuland, Neuland Inline, Othello, Othello Inline, Paramount, Playbill, Sans Serif Light, Sans Serif Light Italic, Schoeffer Old Style, Trocadero, Worrell Uncial. They also have quite a number of ornamental border fonts. [Google] [More] ⦿
One money font, "tweeker", plus free fonts boomerang monkey, boomerang monkey deluxe, dilate, earthling, five cents, indian poker, internal, neon-like, number one (dingbat), poodle lover, possum droppings, rathole, reverence, space cowboy, special k, sugar, sugar [dissolve], tweed, and wetalmorker. The designer is Jonathan Keene from Dallas, TX, who created these fonts at the young age of 14.
SO Design is a Dutch studio run by André Toet (b. 1950, Den Haag). He was educated at the KABK under Gerrit Noordzij from 1974-1976, and at the Central School of Art and Design in London under Nicolete Gray from 1976-1977. From 1979-1980, he worked as a designer at Total Design with Juriaan Schrofer and Wim Crouwel.
Creator of Artu (2012, monospaced display face), Battersea (multiline face), Billiard (2012), Bloggy (experimental), AT Move Bloggy (2010), Decoupe (experimental), AT Move Decoupé (2012: a modular font based on a French game from 1906), Holborn, Mezzo (mimimalist), AT Move Pipi (2012, a playful textured caps face), AT Move Mezzo, AT Move Powerplay (1976, and redone in 2011: multilined), Musica, Nath, Pipi, Powerplay, Tremelo, Wiggle.
Creations from 2012: AT Move Holborn (a 3d outlined neon sign face), AT Move Tremelo (based on the logotype Microtel), Artu, AT Move Wyggle, AT Move Wolfszn, AT Move Skewy (2012), AT Move Specx and AT Move Specx Stencil (a slab serif based on the cover of a 1955 French School-Notebook; help with the design from Jasper Nijssen).
Typefaces made in 2013: AT Move Altera, AT Move Herengracht (an inline typeface), AT Move Artu Super Super Heavy, AT Move Bulky (glaz krak font), AT Move Quipo (an amoebic font), AT Move MMM (with Jasper Terra and Jasper Nijssen: a rounded organic sans typeface. They write: The design is based on a old Soap-Powder advertisement. MMM is very useful for headings and/or logotypes.), AT Move Strano (squarish stencil), AT Move Nath (optical illusion face first made in 1974 at the Central School of Art and Design in London, and digitized in 2013 with the aid of Jasper Terra).
Dover Press sells Oakland's Dan X. Solo's digitizations. Dan Solo (b. 1928, d. 2012) has collected over 13,000 sets of metal fonts, starting when he was 9 years old and growing up in Oakland, CA. Finally, in 2002, he stopped doing that and began converting all of his fonts to computer type. He printed 30 books on fonts (with Dover), [including The solotype catalog of 4,147 display typefaces] and created hundreds of fonts. In 2007, he retired from the font business.
Robert Trogman writes: I know Dan X. Solo personally. He ran a typographic studio in Berkeley for over 30 years. He had a large collection of film fonts, including some of my own. He created thousands of fonts and is now retired and is an avocational prestigitator. Copyrights have run out on most of his fonts. He also protected himself by creating pseudonyms on the questionable font names. Stuart Sandler confirms that many of the fonts in Solo's Dover books are in fact from the Filmotype collection, which Stuart is digitizing right now.
Gene Gable writes: Dan Solo of Solotype in Berkeley was experimenting with photo type as early as 1945 and started doing optical special effects in the early '60s. And a number of the larger display-type shops developed their own techniques. But in terms of opening up new markets for display type (and giving designers more control over type setting), Visual Graphics and Letraset lead the way. These companies were proud of, and promoted, the fact that that their products could be used by non-typesetters with little training.
MyFonts sells these faces under the name Solotype (the company is in Alameda, CA): Acantha, Assay, Baraboo Banner, Beijing, Bindweed, Brevet (after a Victorian original by Ernst Laushke, 1887), Brussels, Cathedral, Cleopatra, Cognac, Crossroads, Dainty Lady, Dangerfield, Diablo, Dime Museum, Dutch Treat, Egyptian Oldstyle, Excelsis, Extravaganza, Grecian, Lord Mayor, Malibu, Minnesota, Moulin Rouge, Penny Arcade, Rigney, Trixie, Valerie, Zorro.
He writes about himself: Dan X. Solo The Solotype Archive was begun in 1942 when I was 14. I was a kid printer for several years before that. At 16, after a quick three months of training, I dropped out of school and went to work full time as a radio actor and announcer in San Francisco. (Easy to get jobs in those days, due to the war-induced manpower shortage.) In 1949 and 1950, I created a magic show which played West Coast theatres with some success. After that, back to broadcasting. By 1962, I was completely burned out on radio, so I decided to see if I could make a living with my collection of antique types, which numbered about a thousand fonts at that time. In 1962, I sent out 4,000 catalogs showing the type to ad agencies all over the U.S. The timing was perfect (no thanks to me) because there was developing at that time a renewed interest in the old types. Business took off immediately. The Solotype collection was one of four commercial collections at the time, but I seemed to have been more aggressive in marketing than the other chaps. (Well, Morgan Press certainly knew how to market.) Two years into the business, I began to collect alphabets on paper for conversion to photo lettering, which was just becoming mainstream in the type business. We closed the shop for a month every year and went on a type hunt, mostly in Europe where there didn't seem to be much competition among collectors. Other typographers couldn't understand how we could do this, but I believe it made people appreciate the resource we offered even more. Over the years, the collection became quite large. When I closed Solotype a couple of years ago, I got rid of about half the archive (because the fonts were dull, or already digitized, or for a variety of other reasons) leaving me with about 6,000 fonts on paper or film. In 1974, I began to supply Dover Publications with mechanicals for books of 100 alphabets on a particular theme. I did 30 of these books over the years, and 30 more of printers' ornaments, borders, and so forth. Sometime in the 1990s, Dover asked me to digitize books of 24 fonts each, to be sold with a disk in the back. I did 12 of these. The Dover relationship came to an end when Haywood Cirker, the owner and my special friend, died and the company was sold to another publisher. Dover felt that they had covered the type field thoroughly. Now in my old age, my wife and I have a mindreading act that is great fun and good for the ego. Even so, when not traveling, I digitize type for relaxation and enjoyment, but have made no effort to sell it. Until now.
A list of some digitized fonts:
The Solotype Catalog is a file with information on Dan Solo's typefaces, annotated with remarks about name equivalences and digitizations. The original file was due to Thibaudeau, but typophiles on alt.binaries.fonts have added to it in 2010. PDF version. Excel version. Text version.
Images of other selected typefaces: Agency Gothic, Alpha Midnight, Alpha Twilight, Anita Lightface (1977), Art Deco Display Alphabets, Ashley Crawford, Ashley Inline, Astur, Bamberg, Banco, Beans, Blackline, Bobo Bold, Braggadocio, Broadway Engraved, Busorama Bold, Busorama Light, Bust, Charger, Checkmate, Colonel Hoople, Corral, Dudley P Narrow, Dynamo, Earth, Eclipse, Empire, Ewie, Fat Cat, Fatso, Festival, Futura Black, Futura Inline, Gillies Gothic Bold, Greeting Monotone, Grooviest Gothic, Hess Neobold, Hotline, Huxley Vertical, Inkwell Black, Joanna Solotype, Joyce Black, Koloss, Lampoon, Mania, Mania Contour A, Mania Contour B, Margit, Mindy Highlight, Modernistic, Monograms Stencil, Mossman, Neon, Neuland (+Inline), Phosphor, Piccadilly, Pickfair, Polly, Prismania P, Quote, Rhythm Bold, Shady Deal, Sheet Steel, Sinaloa. [Google] [MyFonts] [More] ⦿
Stephen M. Knouse
Designer at the Australian foundry Prototype Font Design (which he founded in 1992) of Academy, Baseline, Bodoni Anorexia, Bodoni Catwalk, Fat Neon Inline, Flanger, Funky Reverb, FuzzBox, Galley Family, Gimp, Gimp's Brother, Gimp's Sister, Hardwear Nth, Hardwear Sth, Mezzo Family, National Guard, Next century, Next Times, Pseudo Deco, Spy Force, Tank Gothic, Uni code, X-Kommunicate. Prototype Font Design went out of business some time before 2004. [Google] [More] ⦿
The Fontry is a Watts, OK, based outfit, est. 1992 by Michael Gene Adkins (b. 1965, OK) and James L. Stirling (b. 1964, OK): Digital type for computer-aided signmaking, with fonts designed for signmakers by signmakers.
Since 2009, they have been producing various digitizations of alphabets designed by Alf R. Becker in the 1930s and 1940s. Gene Adkins designed (2013, didone), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), ARB-70 (1995), ARB-67 (1998), ARB-66 Neon (2010, +Block, +Line), ARB-44 (1995), ARB-96 Jitter Display DEC-39 (1999), SCRIPT1 ARB-85 Poster Script Normal (2000), ARB-66 Neonline Block, ARB114 Hillbilly Roman JUN-41 Normal (1999), ARB-187 Moderne Caps AUG-47 CAS family (2009, a beautiful didone display face), the ARB 08 Extreme Roman AUG-32 CAS family (2009), ARB-218 Big Blunt (2010), ARB-218 Neon Blunt.
Another product is the Wild Bunch Pak #3: Danthr Skal, Kastaka, Gas Bumps, Skrawl 613, Sharrpe Gothik, Levo Fraz, Kommerce, Stellar Spice, Infected Hurt.
Wild Bunch Pak #2 (50 USD) has Marbles&Strings, Keetoowah, Peppermint, Ghixm (2008: a retrospective of the horror comics and movie posters of the 1960s and the 1970s), Klash, all outline fonts. In Wild Bunch Pak #1, look for Toxia. Race Pak #1 contains 5 chiseled fonts, including ARB67, Brannt Chiseled, Excursions, JLS Ultra, and Race Checkers. 50 USD. There are also Greek Pak #1 (12 Greek fonts for 25 USD, including GRK Orbit, GRK Universe City, GRK Albert, and GREK Bodnaut) and Signfaces Narrow Pak #1. At Garagefonts, Wild Larra, Wild Ruts, Wild Toxia, Wild Nobody families (1999).
MyFonts sells FTY Garishing Worse (2011---there is a free version at Dafont), SCRIPT1 Team (2010), SCRIPT1 Toon (2010), SCRIPT1 Voodoo Script (1999-2009, signage script), What Sound Pounds (2009), WILD3InfectedHurtNormal (2010), WILD1 Firstvision (1997), WILD1 Larra (1997, grunge), WILD1 Nobod (1997, grunge), WILD1 Ruts (1997), WILD1 Toxia (1997) and the blackletter faces Ironhorse and Ironrider (2007), revivals of classic wood type faces. FontShop link.
In 2008, The Fontry published the Greek Font Set, Copper Penny DTP (after Copperplate Gothic, but with lower case included), Droeming (an eerie family) and Earth A.D. (more eerie stuff, metallic, and with sharp serifs). It then generated a break-away subfoundry that carries fonts solely designed by James Stirling, Fontry West. Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, Greek Font Sets 1 and 2 (not Greek, only Geek-ish, made for fraternity use), and a large Comic Fanboy set which includes glyphs painted with stars and stripes (CFB1 American Patriot, CFB1 Captain Narrow, CFB1 Shielded Avenger, all made by Adkins). The CFB1AmericanPatriot family (2009), and the SCRIPT1 Rager Hevvy family (2009) are free here. JLS Overkill (2009, Bloque, Stencil, Grunge, Champion [athletic lettering], Hammer) is a sturdy family covering everything from SUV-strength stencils to grunge stencils and macho slab serif headline faces. After Disaster (2008), FHA Eccentric French Normal (2008, wood type after an alphabet created by Frank H. Atkinson in 1908), WHATSOUNDPOUNDS?Normal (2009) are free at Dafont. Sinder (2010) is a grunge face. FTY Konkrete (2010) is constructivist, and has a beveled weight. FTY Strategycide (2010) is a similar severe headline sans family. Sinder (2010) and Demon Sker (2011) are free grunge faces. American Purpose (2011) is a grotesk family. American Purpose Casual and American Purpose Stripe (2011) are follow-ups. Garishing Worse (2011) is a casual bold face. Sharpe Gothik (2011) is hand-drawn. American Captain (2011, a manly retro squarish propaganda headline face; see also American Captain Patrius 02 FRE). Deathe Maach (2012) is a sturdy 6-style display family. Avengeance (2012) is a techno typeface. FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) and FHA Nicholson French (2012, art nouveau) are based on Frank H. Atkinson's examples.
Typefaces from 2013: FHA Broken Gothic (a layered chiseled family done with James Stirling, based on Broken Poster by Frank H. Atkinson), FTY SKRADJHUWN (a flared family), Iron Man of War (with layering effects, +001Rivet), Iron Man of War 2 NCV, RACE1 Brannt (prismatic, beveled, art deco), FTY Skorzhen (mini-spurred), FTY Speedy Casual, FTY Skradjhuwn NCV (comic book family).
Lars Bergquist is the Swedish type designer (b. 1936) who runs Timberwolf Type in Sollentuna, just outside Stockholm. Bergquist designed numerous successful text families and display faces, including the free Beryll typeface. Some offerings:
Italian type museum in Cornudo (Treviso), also called Museo del Carattere e della Tipografia. It has a printshop, library and archive, and it organizes casting workshops. The museum has some section devoted to Italian type designers and Italian type. The following types are exhibited:
South-African type designer born in 1939. He started making fonts in the photolettering era, and lived through the transition to digital. Starting in the 60s, he opened Bonder and Carnase Inc, and played a key role in the next two decades. His fonts include:
Antwerp, Kortrijk and now Oostende, Belgium-based desktop publisher. Designer of the connected upright script and dingbat face Candyland (2006), the connected 50s roadster font Coeliakie (2007), the pixel face Micropolis (2007), the stencil and comic book face Pragmatica Nimbus (2006), this simple wide sans face (2007) and the paperclip and neon sign face Shananigan (2006). [Google] [More] ⦿
Quezon City (Philippines)-based designer of revivals and opportunistic typefaces, who is quite active on newsgroups like alt.binaries.fonts. His production is impressive:
Twintype is the company of graphic designer Owen Johnston, who was born in 1979 in New Zealand, and works in the UK. He created several pixel or techno typefaces (no sales, no downloads): Minus (pixel family), Midgit, Frown Box (2010, multilined), Typhoon, Twice (bilined). Double Up is a bilined stencil-like face reminiscent of neon lights. Species is a two-line square techno face. [Google] [More] ⦿
Bilbao-based designer of the experimental typeface Multiply Type (2013) and of the geometric Txaber Logotype (2012).New Neon (2013) is an artistic 3d creation of Taxber---it is a full alphabet rendered in 3d using paint and neon tube themes.
Tal Leming is a graphic designer, type designer and letterer who lived in Wilmington, DE, but moved his stakes to Baltimore, MD. He graduated from Louisiana State University in 1997. An avid RoboFog scripter, he joined Erik van Blokland and Just van Rossum to initiate the RoboFab project in 2003. After graduation in 1997 from the Louisiana State University Graphic Design program, he worked as a designer at two agencies in south Louisiana. In September of 2001, Tal joined the House Industries staff as a designer in the Type Development, Product Promotions and Python Systems Implementation Department. He worked on the Ed Benguiat collection, for example.
In 2005, he left House and started his own company eventually called Type Supply. Type Supply designs typefaces for corporations and publications. Their typefaces:
At ATypI 2008 in St. Petersburg, his talk (shared with Ken Barber) was entitled Pac-Man fever, quantum mechanics and the design of digital type.
Ray Larabie (b. 1970) ran Typodermic in Mississauga, ON, which opened in the Fall of 2001. In 2006, it moved to Vancouver, BC, and in 2009 it moved on to Nagoya, Japan. Dafont page. Of course, Ray Larabie has been making fonts since 1996, but those early fonts were freeware. His pre 2001 fonts are grouped under the label Larabie Fonts. In 2001, he set up Typodermic. Latest additions.
The Typodermic fonts:
Berlin-based FontStruct artist from Stuttgart (b. 1986, Esslingen) who studied at Johannes-Gutenberg-Schule Stuttgart (class of 2007) and is since 2008 enrolled in Esslingen in the Eurpean School of Film and Design. He made the striped techno fonts heavyLOUDedge, heavyLOUDedge_lineH, heavyLOUDedge_lineV, heavyLOUDedge_quad, heavyLOUDedge_raw in 2009. He also made Fat Cowboy (2009, FontStruct), QRcodeX (2009, like those airline ticket codes), Low Down Cut (2009), WebPixel (2009), ScrFibble (2009), ScriptSERIF (ransom note face), and Back To Heavy Coat Fat Ground (white on black family) in 2009.
He set up Typographic Design.
Typefaces from 2010 and later: SKATEBOaRDbraNds (2010, ransom note face), Gothic Hand Dirty (2010), SansLigraphy, Slice n Dice (2009), Riptape, Riptrash (2010, grunge), BackToHeavyCoatFatGround, Curly Lava Bubble (2010, dotted family), Hand Times (2010, a sketched Times Roman), BlockHead (2010), kiddySans (2010), webpixelbitmap (2010), dirtyDeoHandInk (2011), Modern Hand Fraktur (2011), Elegant Hand Script (2011), Wear Fat T Shirt (2011, squarish), Giraffenhals (2011, hand-printed), Phone Scan (2011), Slanted Italic Shift (2011), Neon Club Music (2011), Raw Delta Hand Street (graffiti), India Snake Pixel Labyrinth Game (2012, labyrinthine).
Typefaces from 2013: Hand Retro Sketch Times (layered poster headline family), Dirty Bubble Gum Grunge, Hand Skribble Sketch Rock, Hells Kitchen Devil God, Hand Scribble Sketch Times, Shaky Hand Some Comic, RawStreetWall (Volcano Type: grunge), Tag Hand Graffiti Trash, Viktors Littl Creepy Horror. Still in 2013, these commercial typefaces were published: Rip TRASH, Dirty Deo Hand Ink, Elegant Hand Script, Gothic Hand Dirty, Rip TAPE, MODERN Hand Fraktur, Giraffenhals, Raw Delta Hand Street, WEAR FAT SHIRT, Curly Lava Bubble, HeavyLOUDedge, Soul Lotion, Webpixel Bitmap, India Snake Pixel Labyrinth Game, Kiddy Sans, MEGA SLANT LINE, NEON CLUB MUSIC, Slanted ITALIC Shift, Block Head.
Designer from Kiev, Ukraine. Behance link. He created the studio k.love in Kiev in 2002. In 2011, he designed the neon lighting / paperclip face XCLV Neon (+XCLV Neon Pro Cyrillic, 2013). MyFonts link. Foundry link. Klingspor link. [Google] [MyFonts] [More] ⦿
Freelance graphic designer in Berlin, b. 1977. In 2005, he graduated from the Design Akademie Berlin with a thesis entitled Type Attack. His first typeface is the stencil-inspired PTL Attack (2006, Primetype). He also made Ostblock (pixelish) and Modul72 (a modular typeface in the spirit of Meek's FontStruct). Both typefaces were heavily inspired by events and lettering in the former East Germany.
In 2013, Viktor published the large PTL Attention sans serif typeface family over at Primetype. Babetta (2013) is a caps face (with an inline called Babetta Neon) that was inspired by an illuminated vintage shop sign at Karl-Marx-Buchhandlung in Berlin. It has some elements of art deco.
In 2013, he designed the alchemic typeface Lunaria.
Weknow is the foundry of Indonesian type designer Wino Sutarmin Kadir (b. 1979), who is based in Bogor, Jakarta. Weknow produced a large collection of free fonts from 2009-2012. He started making commercial fonts in 2012. Alternate URL. Behance link. Dafont link. Fontspace link. Klingspor link. Fontm link.
Creator of the unicase sans face Weknow (2009) and the roundish MisstyPoland (2009). Most of his faces are experimental.
From 2010: Helenfont (2010), Dennis Vallera (2010), Kasumichan, Karitza, Mozzie, Wings, Sharon, Noakatz, dearladysandra, arachnidlove, Alexandra, Monica (2010), Natalie, Wayner 8088, Anime Queen (2010, pixelized), Nano (2010, pixel face), Glover (2010, circular face), Frozen Pandaman (geometric), Joenine (circular), Fun Record (geometric), Gembira (circular), Gabrielle, Solgas (circular), lifeforfun (2010), znowwhite (2010), Snowmask (2010), Nine (2010), Znowwhite (2010), Cecile (2010, experiment with triangles), Coreldraw (2010, geometric, monoline), DennisVallera (2010, inspired by the vector art of Canadian Dennis Vallera), Helenfont (2010).
Designs from 2011: Michelle (circle-based), Emmilia (circle-based), Raynaliz, Polysoup, Seba, Selfregion (concentric glyphs), Wings of the dragons (octagonal), Spider, The Training Artist, Chewed Kandi, Sandra, Saintfighteraqua (geometric), Alexey (circle-based), Kristina (circle-based), Graphic Dream, Crystalcore (techno), Dominique (fat rounded), Formalart, Henderson (circle-based), Intanputripratiwi (circle-based), Kioshima (geometric), Gitchgitch (geometric), Justta, Dismecha, Self Region (labyrinthine), Alberto (monoline geometric), Abstrasctik (rounded and experimental), Nicole, Robotoc, Laggastic, Masterpanda, Mohr, Maruciel, Gabrielle, Carlos (a circle-based face), Life For Fun (geometric monoline sans), Lois Cesarano (hexagonal), Heather Thomas (circles and lines), Picaee (modular and leafy), Owaikeo (a circle and arc face), Celeste, The World, Future, Lanitta, Earthearth, Basic, Beautiful, Internationalist (monoline rounded sans caps face), Midnight Show, Plastic, Victory, Perfect, Superpower, Katarzyna, Invasion, Block, Wonderfull, Sweetest, Direction, Funrecord, Eternal Flame, Coreldarw, James Glover (circle-based), Superstar, Inside, Parallel, Million, Ocean, Never Ending Maze, Silverbend, Dragon Fly, Whatever You Want, Swinging Swan, Funatic, Soulmate, Superhero, Zetland, Letting The Cable Sleep, Weknow World, Universalisme, Ocean, Smiley Turtle, Family&Friend, Flower in the window, You&Me&Everyone Else, Astonishing, Grass Hopper, Merpati Putih, Extra Hot, Trees of Happiness, Blowing Bubble, Brain Storm, Good Morning, Flower Lover, Honestly, Jaguar, Modern Aristocrat, Pure and Simple Everytime, Ride the lightning, Proffesional (sic), Flight Stewardess, Antique Retro, Natural Technologies, Ethereal Sky, Conversation, Earth Heart.
Free typefaces from 2012: Emerald, Sweater (texture face), Fish Bone, Delicious Ketchup. The Dark Knight, String and Wire, Little Ant, Xtrapower, Standard International, Nice dream come true, Bavaria, Queen of the modern age, Science Fiction, Greatest View, Queen of the Modern Age, Made in earth, Arabian Knight, Emperor of Japan, Bill Gates Windows, Maximum Kilometer, Mineral Oil Resources, Motorcycle (curly caps), Eskimo and Polar Bear, Gladiator Sport, Aero Dynamic, Optical Fiber, High Logic, Generation (a nice all-caps shadow face), My Heart, Play Ground (multiline face), Cartoon Character, Windows in Japan, Quantum Leap (dymo label face), Computer Love, Electric City, and Copper, Valentine In Love, Weknow Windows, Punk, Graphic Design, Billy Jean Style, LMAO (rounded bold sans face), Take and Give, Indonesia Tanah Air, Swimmer Browser, Diamonds are forever (hexagonal and rounded), Tortoise, My Dear, Get Ready, Export Import, Miracle, Digital Ninja, Funtastic Million Moment, Funny and Cute, Samurai in UK, Bookmark, Once Upon A Time, Bird Feather, Respect, Aruna Aira Jasmine, Extra Cheese, Beauty and the beast, Kung Fu Master (oriental simulation typeface), Game Player (art deco), Modern Building, Trade and Mark, Grovy (sic) Kind of Life, King of Font and Typography, ABC (comic book face), Metro City (extended monoline typeface), The Art, Sprout and the bean, Scooter experiment, Sundown Sunrise (a rounded monoline sans), Art Heart, WindowsObject, Authentic Love, Dolphin Ocean Wave, British Pop Music, Master (sci-fi), Sneak Peeks, Like This, Crumble, Zebra Cross, Star Constellation, Water and Gasoline, Autumn, Aviator, So Cute, Crow Chief (bow and arrow font), Beard Rider, Skateboard, Panel, Swallow Sky Night, Hotel Motel (fat finger face), Techno Various, Zooming Track, Robo Cop, Dance Fever, West Java, Ivory Culture, Push The Button (art deco), Highway Patrol (blocked black typeface), Sausage, Little Atom, Mick Jagged, Life Is Final (copperplate), Total Hammer, Cybertooth, Modern Craft, Riding The World, Boarder (counterless), Essential Arrangement, Sensation, Helmet, Smile, Little Think Big Impact, Airplane, Young and Free, The Futurist, Creative Mind, House Builder, Falling in love, My Font (a rounded monoline oblique sans), Proffesional (sic) Edition, Young Forever, Brown Fox, We Know, Prehistoric, Frankenstein Monster, Great Adventure, You Makes Me Happy, The One and Only Me, Wireframe (3d face), Ceramic (3d face), Winner, The Amazing Me, Cycle, Asia Pacific, Written on the hand, Love is blind, Luxurious Sexy, Robotic, Nano (dot matrix face), King Of The World, Roller Blade, Antelope Run, Elemental, Champion Coffee Cup, Bandit, Arcade, Zetland, The Training Artist, Technique, Neon Glow, Fruit Vegetable, Archieve, Experiment Butterfly, French Fries, Remember Memory, Rocksteady, Electro Static Rain, Science Channel (stencil face), Surfing and Play, Umbrella, The Wizard, Great Leader, Bare Knuckle Fight, The Wizard of One Click, Extra Large, Stabilo Spidol, Onion Rings, Strawberry, Lets Do It Again, Modern Script, Amazing Symphony, Psychedelic, Jump Street, The Earth (modular), Brigade Army, Extraordinary, Cobra on Coconut Tree, Natural Beauty, Anything Mean Everything, Smoke on the water, Write A Letter, Everybody, Together, Planting And Seeding, Savior Light Our Way, All Around The World, Think More For Solution, Yesterday, Techno Tech, Prudent, Metamorphosys, Keep quite and simple (sic), India Hair Style, Catalyst, Bamboo Shoot, Global Capitalism, Water Drop, Thunder Jagger, The Science Archaeologist, The Happy Face Smile, Pyramid Inverted, Jailbreak, Game of Life, Fun Raiser, Athletic, Android Robot (sci-fi), Croissant Sandwich, Ocean Free, Thursday, Crochet Pattern, Firework, Futuristic, Pocket (rounded bold sans), Entertainment, Technology (bubblegum face), So This Is It (inline caps face), Everything (circle-based font), Auto Mobile, Futurism, Rhinoceros Break, Enormous (angulat headline face), The Quick (octagonal), Over The Mountain (wavy face), Frame Work, Interplanetary, Antariksa (rounded sans), Airwaves, Strong in the heart, Pure And Simple Everytime (rounded organic sans), Gitchgitch (rounded organic sans), Monica, The Lazy Dog (grunge), True Self Reliant, Think Techno, Street, Symbol (constructivist), Post Rock, Moon Light (plump and round), Jumping Running, Green Avocado, Bunga Melati Putih, Bizzare, World Word, Little Rainy Day (dot matrix), Animaline (animal dingbats), Smart Watch, At Most Sphere, Sweet Lollipop (curly), Painting The Light, Flattered, Earth Aircraft Universe, Daydreamer, Earth Aircraft Universe, Flattered, Welcome to Planet Earth, People Quark, Friendly Robot, Biological, Splashing, Freezer, Ragatnia Clara (a nice script), The Happy Face Return.
Typefaces from 2013: Cat Eyes, Stay True, Where Wolf, The Sound, Royal Jelly, Grumpy Cat, Aku Cinta Kamu, Yellow, Innovation, Invisible Man, Archieve, Electro Magnet, Bamboo Chopsticks, Valentine's Day, True Love, Club Golf, Your Smile, Guitar On Stage, Karate (oriental simulation), Recognition, Sleeping Beauty (plump lettering), Gelombang Radio, Frozen Ice, Sport Center, Reflection, Enjoy The Time, Fillet O Fish (brushed caps), Artistic, Flower Generation (psychedelia), Heart Shaped, Adore You, Jelang (textured typeface), Stargazer, Army Of Me, Xtreme Bike, Atomic, Fancy Curly, Mastermind, Scientist, Brother, Bahasa Indonesia (sans), Cyber, Photography, Super Creative, Black Stallion (script), Cartoon, Exposure (shadow face), The Ticket, Mercury (retro-futuristic), Agriculture (lava lamp typeface), Electronic, Transformation, The Night (gothic typeface), King Cobra, Bionic Heart, Goddess of Fortune, Guitar Acoustic, Magenta Flower, Java Island (lava lamp typeface), Ready Steady Go, Cute Monster, High Speed, Machine Gun, Random Face 1 (dingbats), Dear Diary, Shinobi Ninja, Stranger (octagonal), Discovery, Translation, Japan (oriental simulation), Digital Gothic, Techno, Butterfly (lava lamp typeface), Candlelight (eax drip face), Maverick, Movie Script Ending, Monochrome, Japan, Chunky Bar, The Greatest High (blackboard bold), Featured, Random Thing 1 (cartoon dingbats), Straw Hat, Where Are You, Plant On Lawn, The Innocent Face, Beat of Drum, ASDFA, Creamy Butter, Monster Rock, Plumbing, Mexicano Chili Sauce, Air Show (bubblegum face), This Is True, Fresh Mint, Laser Gun, My Game, Black Mamba, Drako Heart, Children Stories, Play The Game (with a McDonald's M), Let it be, Everlasting Song, Logotype, Blessing Son, Wino Sutarmin Kadir, Bad Boy, Bold and Blue, Quantum (sci-fi face), Oceanography, Elementary, Sailorman, Heart And Love, High Thin Light, Vintage Postcard (spurred), The Bartender (spurred), Inside The Boxes (rhombic type), Herbalism, Happy Home (lava lamp typeface), Wave Zone, Market Leader, The Monkey, Engine Power, Gamer, Story Telling (lava lamp typeface), High Flagship, Back to Nature, The Quick Motorcross (bilined, caps only, with a McDonalds M), Fisherman. [Google] [MyFonts] [More] ⦿
German creator of Neon, a three-dimensional sans-serif alphabet of inline capitals with a deep shadow, designed in 1936 for the C. E. Weber foundry in Germany. Mac McGrew says: [Neon was] copied in the USA by Pittsburgh's National Type Foundry, which later became Neon Type Foundry. Compare Umbra. The left-hand shadow is unusual. [Google] [More] ⦿
Wino Sutarmin Kadir
Wolf Lambert (WLM Fonts) is the designer in Tielt, Belgium, of these free fonts in 2012: Jason's Bowling, Number 19000, Begin From A, Banana, Exodus Gothic, Fixton Gothic, WLM Boring Old Teletext, WLM Connecto, WLM Poster Type, WLM Sketch Cool, WLM Small Caps, WLM Robbe Sans (octagonal), WLM Future Round, WLM Hello Sans, Display Gothic (a large textured or neon sign family), Fondel, WLM Road Sans, Hook Gothic, Festival (marquee typeface family), Headline Gothic (octagonal), Fontstruct Gothic, WLM 1F (octagonal), King Sans (+Stencil: mechanical), WLM Slab Serif, Wood Block One, 4th Street Sans, Ice Sans, WLM Nova Sans (pixelized), WLM Grid Font, WLM The Quick Brown Fox (a chiseled face), WLM Pixel Party (a set of 22 pixel fonts), WLM The Font Troll, Yent Notes, Kilimanjaro One, WLM Happy Icons, Number 18000, Soft Micro (techno font), Let's Go Digital (an LED typeface), Autocars & Rolling Bikes (sans), Cool Book Sans, Midas Script, WLM Smileyface, Silent Film Frame, WLM Black, WLM Idea, Thomas Sans, and Wolf Sans (rounded sans family), Dolores Cortez (brush font), WLM Exvwreff, WLM Web Iconized.
Some of his fonts are made with FontStruct.
Typefaces made in 2013: Perfect Pixel, Script Test, WLM Groovy, WLM Modern Sans, Simonschrift (fat finger typeface), Moonphase (pixel face), WLM Braille, WLM Stencils, Alien Alphabet, Hyperdigital (octagonal family), Wagon Sans (912 styles), WLM Print Failed, Hyperdigital (heavy octagonal face), WLM Poster Rounded, WLM Building, WLM Carton (mechanical/octagonal), WLM Cloudly (pixel face).