3type

Shanghai, China-based type foundry, est. 2017, with a foreign office in Berlin. They specialize in multilingual and multiscriptual typography and type matching, in particular for Chinese, Latin, Cyrillic and Arabic. Their font catalog in 2020:

• Astronomer (2018). An attractive Latin / Hanzi text typeface that refers to the Ming Dynasty astronomer / mathematician / scholar Xu Guangqi (aka Paul Siu, 1562-1633).
• Dinkie Bitmap (2018-2020). A pixel typeface for Latin, Arabic, Hebrew, Cyrillic and Chinese by Willie Liu.
• Ellenda (2018). An art deco typeface by Zheng Chuyang.
• Faustina (2010-2018). A poster typeface by Zheng Chuyang, after an idea by Luise Schenker. It covers Latin, Cyrillic and Arabic, including the Persian, Urdu, Uyghur, Kazakh and Kirgiz versions. It also has a rich set of Emojis.
• Freundschafts-Antiqua Neue (2017), by Roman Wilhelm. Covering Latin, Vietnamese, and Hanyu Pinyin, this 6-style typeface family revives the award-winning text typeface Freundschafts-Antiqua made in 1959 by Yu Bingnan.
• Hong Kong Street Face (2015). A Hanzi font by Roman Wilhelm that reflects the character of Hong Kong.
• Xingkai Next (2017). A modern polygonal typeface for Hanzi, by Li Zhiqian. It was derived from cursive handwriting and Chinese calligraphy.
• Ryan Serif (2017). A Latin display typeface by Ryan Lau.
• Weaf Mono (2017-2018). A monospaced monolinear sans family by Zheng Chuyang and Li Zhiqian, covering Latin, Hanzi (Chinese), Arabic, Cyrillic and Devanagari. It also has some emoji characters.
• RVS Basic (2021). A brilliant and bold reverse-contrast typeface with an emphasis on Hanzi. Commercial letterings from the Republic of China and a calligraphic style named Qishu from the Qing Dynasty jointly inspired the typeface. Award winner at 25 TDC in 2022.

4th February
[Sergiy Tkachenko]

Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:

• 2008: the techno typefaces Bladi One 4F, Bladi One Slab 4F, Bladi Two 4F, Abia Wide 4F Thin.
• 2009: Wrongo 4F, Zantiqa (an über-serif), Serifiqo (a (free) thin didone fashion mag display face), Codename Coder 4F (monospace programming font), Droporado 4F (using circles only), Tovstun (futuristic, ultra-fat and rounded), Perfocard 4F, Modularico (five modular typefaces based on a logo from Master Kremenchug a company for which Sergiy worked for 4 years), Boldesqo Serif 4F (a splendid informal fat didone, now with Greek support), Tkachenko Sketch, Unicase Slab (a techno slab), Laftatic, Logofontik 4F (techno), PC.DE Stencil (+Italic; custom stencil font), Stenciliqo 4F, Tiap Liap 4F (handwriting), Nut Kit 4F, Rezzzistor 4F, the inline modular face Grand Hotel, and Bijou 4F.
• 2010: Roboo 4F (a bubblegum typeface family), PädIn (a custom typeface for Pädagogische Initiative e.V.: rounded fat informal face), Fat Quad (in the fatty trend), Veselka (a free multiline face), Smeshariki Black (+ Gleams: a bubble gum font made for an animation company), Republica 4F (a fat family), Rodeqa Slab 4F, ComFi (semi-octagonal), Grotesqa 4F, Nowy Geroy 4F, Fabryka 4F (a monospaced typewriter family), Placarto4F-Italic (an ultra fat art deco), Lavina 4F (a hairline sans with lachrymal terminals).
• 2011: Squartica (octagonal), Decomart (free), Model 4F Unicase (a unicase fat didone released in 2013 only), Fontatigo 4F, Kylie 4F (bilined and geometric), Waldemar 4F (a large didone style fat typeface family), Dinesqo (2011, a monoline sans of utter simplicity), Qargotesk (+Cyrillic) [images: i, ii, iii, iv], Neultica 4F (black unicase family), Squartiqa 4F (2011, constructivist), Clarenta 4F Black (after Clarendon---a great family), Designosaur (free sans), Perfopunto (based on perforated circles and squares), OlaScript 4F, Bayadera 4F (a tamed upright monoline script), Febrotesk4FUnicase (squarish unicase family).
• 2012: Targo 4F (rounded typeface with stencil and non-stencil styles), Myra (free font), Myra 4F Caps (free), Cedra (wide monolined sans face), Fontatica 4F (rounded techno grotesk), Akzentica 4F, Ukraintica 4F Wide (a monoline wide-bowled sans family), Laventa 4F, Sports World (free athletic lettering font), Web Serveroff (free computer geek font), Octin Spraypaint Cyrillic (a rough stencil done exclusively for Ninja Theory).
• 2013: Condesqa (modular sans), Esqadero (an uncomplicated monoline sans), Vanyla 4F Unicase (monoline), Esqadero FF CY (a free wide sans, Cyrillic), Bond (a confident no-frills sans), Attentica (free sans font for Latin and Cyrillic), Cedra 4F Wide Thin.
• Cyrillizations: several typefaces such as Lavoisier (by Alec Julien), Budmo Jiggler (Ray Larabie) and JoAnne Display (Sandy Cerovich), Gnuolane (of a Ray Larabie font), Paranoid Cyrillic (based on Kevin Lo's Paranoid), Movavi Grotesque Black (+Cyrillic; image; numerals), Azoft Sans (made for Azoft, and free here and here).
• Custom fonts: Blue Pill, Sansus Webissimo (since 2011 free at Open Font Library), Minaeff ECT (2011, a free legible family for Latin and Cyrillic, custom-made for and downloadable from WebhostingRating.com), Webhostinggeeks.Com (2011), Web Serveroff, OnlinePharmacyCheck.Com (2011), 1800Flowers.com (2011), DesignStudio.com (2011, free), ArchyStudio.Com (2011, free download, Movavi Grotesque (2011, free), Azoft Sans, PÄd In, Smeshariki, Fat Cow (2010: free condensed sans), ComFi (2010, free), PC.de (2009: free techno family, including a stencil face), League Gothic (2009-2011, The League of Movable Type) Cyrillic, Paranoid Cyrillic, 28 Days Later Cyrillic, Acid Label Cyrillic, Dead Secretary Cyrillic, Rezland Cyrillic, Sweet Leaf Cyrillic, Droid Cyrillic, Jo Anne Display Cyrillic, Gnuolane Free Cyrillic, Bosox Cyrillic, Budmo Jiggler Cyrillic.
• Typefaces from 2014: Laqonic 4F (unicase sans), Cubynets 4F, Blogger Sans (free rounded organic sans), Boncegro (free Western typeface, briefly called Vaquero before a name change), Motor 4F (based on Russian car license plates), Monitorica (a futuristic typeface made for ipHostMonitor.com, free at OFL), Areqo (condensed titling sans), Architect's Daughter Cyrillic (architectural lettering), GetVoIP Grotesque (a free typeface commissioned by GetVoIP), Meeneralca (unicase sans inspired by the logo of the mineral water Borjomi from Georgia), Glasoor (free oil spill or jelly bean font), Robotesqa.
• Typefaces from 2015: Croogla (a circle-based informal sans), Blackentina 4F (free ultra-black squarish typeface), Dart 4F (neo-grotesque), Kent 4F (a layered family for letterpress emulation).
• Typefaces from 2016: Brent 4F (original design going back to 2013), a custom typeface for the labels used in the Ukrainian Armed Forces, Economica Cyrillic Pro (with Vicente Lamonaca).
• Typefaces from 2018: Indi Kazka 4F (Indic simulation).

Abstract Fonts link. Dafont link. Creative Market link. Behance link. Hellofont link. Open Font Library link.

View Sergiy Tkachenko's fonts. [Google] [MyFonts] [More]  ⦿

A Is For (was: Aisforapple)
[Emilie Rigaud]

Émilie Rigaud is a French designer who obtained an MA in typeface design from The University of Reading (2009), based on her typeface Coline, a family of seven typefaces intended for pocket books. Before Reading, at ENSAD, she made the simple monoline sans family La Miss Ulm (2006).

In 2007, she started work under the guidance of Alejandro Lo Celso and Philippe Millot on a revival of the first type printed in France, at the Sorbonne, by Ulrich Gering. This work is based on a 1478 edition of Virgilius.

Grotesque 6 (2009) is based on a typeface published in 1880 by Stephenson Blake.

In 2010, she founded Aisforapple, where she published Jaakko (signage), Coline Cursive, Coline Première, Coline Extrême, Grotesque 6, David (2014) and BTP (polygonally-outlined typeface).

In 2016, the type foundry published Knif Mono Regular, which was designed by Axel Pelletanche-Thévenart under the art direction of Guillaume Grall and Benoit Santiard. It was produced by Emilie Rigaud.

In 2017, Émilie Rigaud published the sharp-edged typeface Tongari, which was modeled after samurai blades. Tongari Display followed in 2020.

In 2018, she designed Naoko, a 7-style wide sans with short descenders, named after astronaut Naoko Yamazaki.

Typefaces from 2020: Pachinko (six rounded almost typewriter styles including many monospaced fonts and italics), Olympe Mono (a monospaced and monolinear typeface revived from an old typewriter).

Speaker at ATypI 2017 in Montreal. Old URL: Mouton Sauvage. Klingspor link. Personal site. [Google] [More]  ⦿

A Survey of Free Math Fonts for TeX and LaTeX
[Stephen G. Hartke]

Article by Stephen Hartke from Urbana, IL, written in 2006. He surveys free math fonts for TeX and LaTeX, with examples, instructions for using LaTeX packages for changing fonts, and links to sources for the fonts and packages. PDF version of the paper. Hartke is a Professor of Mathematics at the University of Illinois at Urbana-Champaign.

He finished a font family called Aurulent Sans and Aurulent Sans Mono (2007), and released the free monospaced font Verily Serif Mono (2006, based on Vera Serif, with same dimensions as Vera Sans Mono). Fontsy link. Alternate URL. Yet another URL. Twentyfour examples of text face/math typeface are showcased. Some are quite disappointing. Here are the better ones (with some text quoted from Hartke's article):

• Computer Modern (by Don Knuth), still my favorite. Type 1 versions of Computer Modern from Blue Sky Research and Y&Y, Inc. have been made freely available by the American Mathematical Society (AMS). Basil K. Malyshev has also released a free Type 1 version of Computer Modern, the BaKoMa fonts. Computer Modern has been extended to include more characters, particularly for non-English European languages. These fonts include European Computer Modern by Jörg Knappen and Norbert Schwarz (METAFONT only), Tt2001 by Peter Szabó (converted into Type 1 format from METAFONT sources using textrace), CM-Super by Vladimir Volovich (also converted using textrace); and Latin Modern by Bogusaw Jackowski and Janusz M. Nowacki (extended from the Blue Sky AMS fonts using MetaType1).
• Concrete text with Euler math, or Concrete text with Concrete math. The Concrete font was created by Knuth for his book Concrete Mathematics. Hermann Zapf was commissioned by the AMS to create the math font Euler for use in Concrete Mathematics. Type 1 versions of Concrete in T1 encoding are available in the CM-Super collection, and Type 1 versions of Euler are available in the Blue Sky collection from the AMS and in the BaKoMa collection. The eulervm package by Walter Schmidt implements virtual fonts for Euler that are more efficient to use with LaTeX. Ulrik Vieth created the Concrete Math fonts to match the Concrete text fonts; the only early free versions are implemented in METAFONT. The ccfonts package by Walter Schmidt changes the text font to Concrete and changes the math font to the Concrete Math fonts if eulervm is not loaded. Note that Concrete Text has no bold, but the Computer Modern Bold does just fine for that. However, in 2022, Daniel Flipo developed a free OpenType font based on Vieth's Metafont, also called Concrete Math.
• Antykwa Poltawskiego text and Computer Modern Math. J. M. Nowacki created the font Antykwa Poltawskiego using the MetaType1 system based on a typeface by Polish typographer Adam Poltawski.
• Antykwa Toruńska text and math. Antykwa Toruńska was created by J. M. Nowacki using the MetaType1 system based on a typeface by the Polish typographer Zygfryd Gardzielewski. The package anttor has complete math support in both TeX and LaTeX.
• Kerkis text and math. Kerkis was created by Antonis Tsolomitis by extending URW Bookman L to include Greek and additional Latin characters. The resulting fonts are stand-alone and can be used by applications outside of TeX. A font of math symbols is included, but not used by the LaTeX package. The package kmath uses txfonts for math symbols and uppercase Greek letters.
• New Century Schoolbook with Millennial math. New Century Schoolbook with Fourier math. The Millennial math font by Stephen Hartke contains Greek letters and other letter-like mathematical symbols. A set of virtual fonts is provided that uses New Century Schoolbook for Latin letters in math, Millennial for Greek and other letter-like symbols, and txfonts and Computer Modern for all other symbols, including binary operators, relations, and large symbols. This font is still in development, but will hopefully be released in 2006. The fouriernc package of Michael Zedler uses New Century Schoolbook for text and Latin letters in mathematics, and the Greek and symbol fonts from the Fourier-GUTenberg package for the remaining mathematical symbols.
• Palatino and pxfonts, Pazo, or mathpple for math symbols. Young Ryu created the pxfonts collection, which contains Greek and other letter-like symbols, as well as a complete set of geometric symbols, including the AMS symbols. Diego Puga created the Pazo math fonts, which include the Greek letters and other letter-like symbols in a style that matches Palatino. The LaTeX package mathpazo (now part of PSNFSS) uses Palatino for Latin letters, Pazo for Greek and other letter-like symbols, and Computer Modern for geometric symbols. The LaTeX package mathpple (also part of PSNFSS) uses Palatino for Latin letters and slanted Euler for Greek and other symbols. Since Hermann Zapf designed both Palatino and Euler, the designs mesh well. An alternate use of Euler is using the eulervm package. Ralf Stubner added small caps and old-style figures to URW Palladio L in the FPL package, and Walter Schmidt extended these fonts in the FPL Neu package.
• Utopia and Fourier or Math Design. Utopia was donated by Adobe for use with X Windows. Michel Bovani created Fourier-GUTenberg as an accompaniment to Utopia and is very complete, containing both Greek letters and standard and AMS symbols. The Math Design fonts for Utopia of Paul Pichaureau are also very complete, including Greek letters and AMS symbols.
• Charter and Math Design. Or URW Garamond and Math Design. Charter was donated by Bitstream for use with X Windows. The Math Design fonts for Charter created by Paul Pichaureau are very complete, including Greek letters, symbols from Computer Modern, and the AMS symbols. Charis SIL might be an alternate source for Greek letters that match Charter more closely. Another possibility for a math font is to use the Euler fonts with the charter and eulervm packages. URW Garamond No. 8 is available under the Aladdin Free Public License as part of the GhostPCL project. The Math Design fonts for URW Garamond created by Paul Pichaureau are very complete, including Greek letters, symbols from Computer Modern, and the AMS symbols.
• Times or Omega Serif, and txfonts, Belleek, mathptmx, or mbtimes. Young Ryu created the txfonts collection, which contains Greek and other letter-like symbols, as well as a complete set of geometric symbols, including the AMS symbols. The txfonts package also includes a very nice typewriter font, txtt. Belleek was created by Richard Kinch and is a drop-in replacement for the commercial fonts required by the mathtime package (now part of PSNFSS). The LaTeX package mathptmx (also part of PSNFSS) uses Times for Latin letters and Symbol for Greek and other symbols. Michel Bovani created the mbtimes package by using Omega Serif for text and Latin and Greek letters in mathematics. mbtimes also includes symbol fonts and a set of calligraphic letters. Omega Serif is the primary font for Omega, a 16-bit extension of TeX by John Plaice and Yannis Haralambous. The STIX fonts project is a collaboration of several academic publishers to create a set of Times-compatible fonts containing every possible glyph needed for mathematical and technical publishing. These fonts are still in development, with a scheduled release in the middle of 2006. Note: When Adobe introduced Postscript in 1984, they defined 35 core fonts (in 10 typefaces) that must be present in all Postscript interpreters. In 1996, URW++ released a replacement set for the core fonts under the GNU General Public License. The URW++ fonts were primarily released for use with Ghostscript, a free Postscript interpreter. For example, Times is Nimbus Roman No. 9 L, Palatino is URW Palladio L, New Century Schoolbook is Century Schoolbook L and Symbol is Standard Symbols L.

Klingspor link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Aaron Bell
[Saja TypeWorks]

[MyFonts] [More]  ⦿

Abdullah Arif

Designer of the monospaced Arabic typeface Kawkab Mono (2015), which is available from Open Font Library. It is paired with Source Code Pro for the non-Arabic glyphs. [Google] [More]  ⦿

Acces Design
[Beate Limbach]

Gifted designer from Epalinges, Lausanne, Switzerland. One of the most talented creators of typefaces with FontStruct.

Typefaces made in 2009: DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.

In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).

In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.

Fonts made in 2012: db Como (a simple monospace sans), db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3, db Drops (fat counterless face), db Quarz Mix, db Soda, db Klacks, db NQ, db Boxer, db Como (monospaced), db Smoothie (fat stencil face), db Quick Cut (stencil), db Karton (stencil), db Frieda.

Typefaces from 2013: db Etroite, db Concierge (hairline serif), db Lineo, db Lucky, db Boxer III, db SIL.

Typefaces from 2014: db Darling. db Oh Darling, db Melitta (a fantastic brush emulation typeface), db Sticker T, db Points Sans Oblique (dot matrix font), db Como Splitt, db Quirlo (fat rounded poster typeface), db Quirlo Mix, db Limo (angular angry anthroposophic sans), db Limo N, db Slow (a German expressionist typeface), db Bargo Condensed, db TwoLines (an inline font).

Typefaces from 2015: DB Caryptis, DB Oleumi, DB Caroli Plain, DB Caroli, DB Seimeins Serif, DB Seimains, DB Sago, DB Sago II, DB Sthlm (+Light), DB Gertrude, DB Track, DB Track Too.

Typefaces from 2016: DB Maquette, DB Largo, DB For You (winner in the 2016 Fontstruct Love competition), DB Bargo Slanted.

Typefaces from 2017: DB Jojo, DB Scrape, DB Tape Noir, DB Tape Slab, DB Tape, DB Pins, DB Monoto Sans, DB Mrs Back n Black, DB Dr. Bob, DB Tilda, DB Rondo Mix, DB Rondo, DB Shop.

Beate set up Acces Design ca. 2017. The typefaces available there are ad Backjumps (stencil), ad Bargo, ad Como, ad Concierge, ad Darling, ad Oh Darling, ad Frieda, ad Klacks, ad Limo, ad Lucky, ad Magritte, ad Melitta, ad Mill, ad Points, ad Quirlo, ad Slow, ad Soda and ad Soda Plex.

Typefaces from 2018: ad Falter (blackletter).

Typefaces from 2019: ad Dorma (sans), ad Flieger, ad Louise, ad Hobby, ad Journal, ad Juli (sans), ad Tape, ad Violetts (handcrafted), ad Tape (sans).

Typefaces from 2020: ad Ander, ad Sticker Mono, ad Juli (sans), ad Magritte (sans and serif; for posters).

Behance link. FontStruct link. [Google] [More]  ⦿

Adam Greasley
[Wearecolt]

[MyFonts] [More]  ⦿

Adam Katyi
[Hungarumlaut (was: Cila Design)]

[MyFonts] [More]  ⦿

Adam Ladd
[Adam McIntyre]

Graphic designer in Cincinnati, OH. FontStructor, who made the octagonal typeface Ladd Block (2011). MyFonts link. His commercial typefaces include Cut Block (2012: white-on-black sketched letters), Tape Back (2012), Inked Balterm (2011, a monoline hand-drawn sans with ball terminals added in) and Inked Classic (2011, blackboard bold).

Free typefaces from 2015: Poster Cut, Poster Line. Poster Cut Neue followed in 2021.

Typefaces from 2016: Oilvare (an 18-style layered font family), Cheddar Gothic (handcrafted letterpress emulation family; followed in 2018 by Cheddar Gothic Rough).

Typefaces from 2017: Neato Serif (followed in 2018 by Neato Serif Rough), Highest Praise (brush script), Citrus Gothic, Bakerie (42 hand-drawn typefaces), Trailmade, Farmhand (Farmhand is a textured, hand drawn, condensed font family featuring serif, sans, inline, italic, and extras styles suited for display titling), Garlic Salt, Likely (brush script), Likely Sans, Active (an upright brush script).

Typefaces from 2018: Config (a condensed geometric sans; see also Config Condensed and Config Ultra in 2019), Config Rounded, Quiche (in Text, Display, Fine and Stencil substyles, for a total of 52 ball terminal-themed fonts), Quiche Sans (Peignotian), Cheddar Gothic Sans Two, Botany, Braisetto (connected signature font).

Typefaces from 2019: Skie (a big gothic sans family with low contrast, small x-height and tall ascenders), Quiche Flare, Magdelin (a 40-style gothic sans), Fractul (a geometric sans characterized by its dramatic squarish "a"), Gopher (a reverse contrast family), Konnect (a geometric sans family).

Typefaces from 2020: Lufga (an 18-style low-contrast sans with large x-height and short ascenders and descenders), Gopher Mono (a 16-style reverse stress monospaced sans), Quiche Display, Neulis (a sans typeface with a script lower case "l" and "s"), Zuume (a high impact condensed all-caps sans family), Zuume Rough, Zuume Soft.

Typefaces from 2021: Serca (a 40-style sans with some tension), Otterco (a condensed geometric sans in 32 styles).

Typefaces from 2022: Zuume Edge (a 32-style high-impact all-caps condensed octagonal typeface), Fromage (a stylish 14-style Peignotian sans).

Fontsquirrel link. [Google] [MyFonts] [More]  ⦿

Adam McIntyre
[Adam Ladd]

[MyFonts] [More]  ⦿

Adrian Frutiger
[Univers Typewriter]

[More]  ⦿

Adrian Smith

When you click on "download", you get Adrian Smith's APL2741 font (1994-1999) in truetype format. It looks like a slanted Courier. Adrian Smith resides in York, UK. He also made Dyalog Std TT, a Courier-like truetype font (1996) for use as a system screen font. Another typewriter font is KAPL (2001). [Google] [More]  ⦿

Adrian Talbot
[Talbot Type]

[MyFonts] [More]  ⦿

Adrien Menard
[Edition Studio]

[More]  ⦿

Adrien Midzic

Fatnobrain was Adrien Midzic's design studio in Paris. Born in 1982, he co-founded Pizza Typefaces with Luc Borho in 2018. Midzic designed these typefaces or type families: Fine (lineal), Blokus (free pixel font, 2009), Cimen (strong sans, designed for Smacl Entraide), Mesquine (lineal), Blitz, Cucha, Stencil Reverse, Huit (2009, a gorgeous didone headline face), Stenha (stencil).

Fonts made in 2010: The ETH family (art deco sans).

Custom typefaces by Midzic: Aquitaine (2013, for Région Aquitaine), Nilka (2013, for his personal identity), No End (2013, a fat didone), Ethon Serif (2013, a perked up serif typeface for Penguin Books), Kasai Est (2011, for the Congo-based Kasai Est Magazine), Festival De Film Documentaire (2011), Nevenka (2011, condensed sans).

In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. It was renamed Vanille FY after a few days. Still in 2014, Adrien Midzic, Jérémie Hornus and Alisa Nowak co-designed the very humanist sans family Saya FY and Saya Semisans FY. Adrien Midzic and Joana Correia co-designed Saya Serif FY (2015).

At the free font cooperative Velvetyne, he published the sans typeface Lack (2014).

In 2015, he made the 3-style sans typeface Suber for an art fair in Paris. The roman transitional typeface Bota Serif (2015), which was inspired by Cochin (designed by Charles Peignot in 1912) is a custom font designed for Hotel des ventes de Poitiers. In 2017, it was finally released for retail.

In 2016, Adrien designed the bold titling typeface Debeo and the modern condensed Latin/Arabic typeface 29LT Adir (with Naji El Mir; at 29 Letters).

In 2017, he published the piano key typeface Mixal, which became a large experiment on variable fonts and is free for everyone.

Typefaces from 2018: Kern, Kern Office (a sans with some Futura features), Forno (sans), VTF Lack (a free single weight monoline geometric sans for Latin, Greek and Cyrillic, published by Velvetyne), Metal (an all caps multi-width variable font originally designed for marché Dauphine), Orelo (a 120-style high-contrast fashion mag font family; +Orelo Hangul, 2020).

Typefaces from 2019: Ultra Solar (experimental), 1871 Mane (a custom sans typeface), Wasa (a tense sans in seven styles), Shrill, Gangster Grotesk (free), Stupid (a hacker / hipster font), Kern (geometric sans).

Typefaces from 2020: Shreck Issue (very tall and ultra-condensed), Metal (brutalist), Version ACT (a two-axis variable font), Debeo (a heavy sans), Dozza (a hybrid family named after ITC Mendoza by Jose Mendoza Almeida), XMX (experimental).

Typefaces from 2021: Campingo (a roundish informal typeface inspired by camping and outdoor life), Bota (with Ines Davodeau: first designed for Boissnot&Tailliez, Bota is a modern interpretation of Georges Peignot's Cochin (2012)), Pleasure (hipsterism pushed to the fringe of addiction), Model Standard (ModelStandard Mono, ModelStandard SemiMono, ModelStandard Sans).

Dafont link. Klingspor link. Behance link. Another Behance link. Hellofont link. Velvetyne link. [Google] [MyFonts] [More]  ⦿

Adrien Zammit
[Formes Vives]

[More]  ⦿

Agaric Type
[B. Agaric]

Designer of the Agave font between 2013 and 2019. He writes: Agave was an attempt at making a small, monospaced, outline font that would be geometrically regular and simple. The endeavor was motivated by a deep adoration of old-school console bitmap fonts, of Consolas, of Pragmata Pro, as well as a novice's curiosity for typographical design. When it came to establishing a "simple" design scheme, the natural inclination was to separate the glyph design concerns into that of "frame" and "trait". By frame, we refer to the naive geometric extent of a glyph and its parts. And by trait, we mean, for example, the "way" in which a stroke curves, or the relationship between one part of a glyph and another. Adhering to personal tastes, bone-deep laziness, and the quirky spirit of old computer terminal fonts, the delineations of frame and trait amounted to two mathematical patterns: the power of two and the golden ratio. That is of course an understatement. This wonderful font has almost 5000 glyphs, half of them useful icons. To be sure, many of these glyphs were added by Ryan McIntyre in his Nerd Fonts version of Agave in 2020.

Earlier (pixel) fonts by Agaric include Autonoe [autonoe is a fixed-width, 7x14, bold-only, unicode, bitmap typeface] and Ino.

Github link. [Google] [More]  ⦿

Agent Demonic Ladybug

FontStructor who made these typefaces in 2010: Tessa (an über fat face), Pomegranate, Archipelago Serif, QQQQQ.

In 2011, these typefaces were created: Barnhaus (+Lite), Not My Font (clone of zalamera eYeFS by Antonio J. Morata), Mission Design Sans, Soundproof, Naturally Blonde, Sector12 (an army stencil face), Industrial Sans Better, Elegantite, Grey Hand (texture face), Ubnshufr II Hellllp, Havoc, Havoc Thin (scratchy face), Pixels Redefined (texture face), Capitas Lite (texture face), Capitals Woodcut, Adl Capitals (hand-printed), Useful Sans, Spirit (tattoo/blackletter face), Wanted 2.0, Detaile, fs Greener Grass (grotesk headline face), Bean (pixelish), Small Sans, Doundproof.

In 2012, Agent Demonic Ladybug made these typefaces: Mechans (upright connected script), Tessa Revived, Minimalist No. 2 (piano key face), Laceys (dot matrix typeface), Roundsclean, Squareup, Barnhaus 2012, Mission Design Sans, Barnhaus (+Lite, +Mono; named after Bauhaus), iFontStruct, Squishypixel, Moredetailes, Who Needs Nonconformity (heavy octagonal), Stuckinneurone Error, Stuckingranite, 220a, Boldish (piano key face), Strategy Bold. [Google] [More]  ⦿

Agi Pramudiman
[Loch Typography]

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Airbus: B612

B612 is a free Google font published in 2018 by a team of designers. They explain: B612 is a highly legible open source font family, designed and tested to be used on aircraft cockpit screens. Its design makes it particularly suitable for degraded contexts (ensuring legibility and readability of data), with a positive effect on reducing visual fatigue and cognitive load. Particular attention was given to the uniformity of the typeface, whether being used for isolated terms, reading information on a map, mixing capital letters and numbers, waypoint lists, long or abbreviated texts, specific terms and data in the aeronautical field. In 2010, Airbus initiated a research collaboration with ENAC and Université de Toulouse III on a prospective study to define and validate an aeronautical font: the challenge was to improve the display of textual data information on all cockpit screens, concerning more specifically legibility, readability and reading comfort, and to enhance the overall cockpit consistency. The typographical research was conducted through iterations from experimentation to design. Two years later, Airbus came to Intactile DESIGN in order to design and develop the eight variants of the font. Baptized B612 in reference to the imaginary asteroid of the aviator Antoine de Saint-Exupéry, the font has been optimised following a calligraphic approach, in order to preserve the readable qualities of humanist typefaces like réales and incises, but also the technical and functional image of sans serif or bitmap. B612 is a two-weight font family including roman and italic styles but also a monospaced variation, B612 Mono. It was designed in 2012 by Nicolas Chauveau, Thomas Paillot and Jonathan Favre-Lamarine from the design agency Intactile DESIGN, and Jean-Luc Vinot from ENAC (French National University of Civil Aviation) Interactive Informatics Team for Laurent Spaggiari from the Airbus Human Factors department---prior research by Jean-Luc Vinot (DGAC/DSNA) and Sylvie Athènes (Université de Toulouse III). In 2017, Airbus agreed to publish the font with an open source license (Eclipse Public License) within the Polarsys project, an industry-oriented project hosted by the Eclipse foundation. B612 project was awarded the Observeur du Design: Industry Star in 2018.

Github link for B612. Google Fonts link for B612 Mono. [Google] [More]  ⦿

A.J. Marx

Aka chickenmeister. Located in Pennsylvania, A.J. Marx created the monospaced programming font Smooth Bunny (2009). [Google] [More]  ⦿

Akbar Rohmanto
[Harmnessless]

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Akemi Aoki

Designer at MvB Design of these fonts: AcmeAnimals (1993), AcmeDinosaurs (1993), AcmeExpressions (1993), AcmeGreenGarden (1994), AcmeSportsGames (1993), AcmeWhatever (1995), Aunt Mildred (1995-2008), MVB Fantabular and MVB Fantabular Sans (2002, a monospaced typewriter family), the HotsyTotsy family (1995-1996, with Mark van Bronkhorst), MVB Pedestria Pict (2002, dingbats), MVB Pedestria (2002, sans family), MVB Grenadine One and Two (2003, sans families).

View Akemi Aoki's typefaces. FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Akufadhl (was: Alternatype, or: Akutype, or: Alterna Type foundry)
[Fadhl Waliy Ul Haqq]

Cairo, Egypt-based designer, who hails from Surakarta, Indonesia, b. 1996. Akufadhl, or Fadhl Waliy Haqq, or Fadhl Waliy Ul Haqq, started Alternatype, then Akutype, then Akufadhl, and finally Eyetype.

Creator of the free brush typeface Bruss (2015), the handcrafted Talisman (2015), Labours (2015) and Summer Time (2015), the vintage sans typeface Manufactur (2015), the vintage titling typeface Kertayasa (2015), the marker typeface Halfway (2015), the watercolor brush face Hale (2015), the free display typeface Biliru (2015), the handcrafted Supreme (2015), and the spurred display typeface Travelo (2015).

Typefaces from 2016: Amarylis, Protea, Geda Brush (thick and inky), Tarquin AT (+Stencil), Macaron (elegant handcrafted style), The Falcone, Supreme (handcrafted), Rolade (rounded sans).

Typefaces from 2017: Labours (handcrafted poster font), Rolade (a rounded condensed sans), Karmilla (upright didone script), Egalite (slab serif).

Typefaces from 2018: Kruda Handcrafted Sans, Serafina (a calligraphic script, attributed to Insannita Muthiahs), Kertayasa (a layered and textured typeface family), Naratif Condensed.

Typefaces from 2019: Generisch Mono, Macaron (a playful take on the blackboard bold genre), Generisch Sans, Hailgen (a reverse contrast text typeface), Genia, Crude Sketch Sans.

Fontspace link. Creatice Market link. Behance link. YWFT link. Creative Market link for Alterna Type. [Google] [MyFonts] [More]  ⦿

Alan Mattano

Milan, Italy-based designer of the rounded monospaced programming font PixelCoding (2013-2015). Alan says that he was inspired by Elysium Film Hex. Behance link. Alan is senior designer at Ferrari and Pininfarina. [Google] [More]  ⦿

Alan Rimmer
[Fatchair]

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Albert Coy

Badalona, Catalunya-based creator of Antibodi (2014), a textured didone display typeface. He also created the monoline monospaced typeface Bended (2015). Behance link. [Google] [More]  ⦿

Albert Pinggera
[Design Buero]

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Alessandro Tartaglia
[FF3300]

[More]  ⦿

Alex Bergin

Graphic designer in Detroit, MI. Designer at FontStruct in 2009 of the extra condensed typeface Vertigo. In 2012, he made Bar Sans, a free headline sans that was inspired by all of the old hand made signage found along Eight Mile Boulevard in Detroit. Good Enough (2012) is a free monospaced programming font. [Google] [More]  ⦿

Alex Chavot
[Apex Type Foundry]

[More]  ⦿

Alex Nelson

In 2015, Alex Nelson (Vancouver, BC) and Ross Milne drew Birds, a custom monospaced typeface created for Vancouver's café, The Birds & The Beets. [Google] [More]  ⦿

Alex Wall Dujet

Geneva-based designer who also does some type design. He is working on Rotative Mono (2012). He created the sans and mono family Rational (2012) in eight cuts. He also did the identity of Fonderie Kugler (2011).

Cofounder in 2007 of the design studio League with Aurélie Vogt and Tony Casimo. [Google] [More]  ⦿

Alexander Aeschbach
[Idealphabet]

[More]  ⦿

Alexander Colby
[xyz.ch]

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Alexander Lubovenko

Talented Russian graphic and type designer who works for ParaType in Moscow. His typefaces:

• In 2015, he and Alexandra Korolkova co-designed Circe Rounded, which is an extension of the Circe typeface (2011), both published by Paratype. Circe is named for the circular nature of many of its glyphs.
• In 2015, Alexandra Korolkova and Alexander Lubovenko published Aphrosine at Paratype, a typeface based on pointed pen script and situated somewhere between handwriting and calligraphy. Many alternatives and smart OpenType features help Aphrosine look like real handwriting.
• Carol Gothic (2015, Alexandra Korolkova and Alexander Lubovenko, Paratype) is a traditional blackletter face closest to Linotype's Old English.
• Liberteen (2015) is a playful tongue-in-cheek take on 19th century slab serifs, including Clarendons. For Latin and Cyrillic, from Thin to Black. Dessert Script (2015, Paratype). A smooth-outlined advertising script for Latin and Cyrillic.
• In 2016, Alexander Lubovenko and Manvel Shmavonyan co-designed the 30-style Latin / Cyrillic workhorse sans typeface family Mediator which was followed in 2017 by Mediator Serif. Later in 2016, Alexander Lubovenko designed the heavy slab serif family Bombarda.
• Hypocrite (2017, Paratype).
• He created some additional styles for Zakhar Yaschin's Mojito script font.
• in 2018, he designed Clincher at Paratype, a set of monospaced and duospaced fonts that were specifically developed for program coding and user interface design.
• Wak (2018). By Aleksander Lubovenko and Viktor Fitzner.
• Journal Sans New (2018).
• Six Hands (2018). This is a collection of six handcrafted typefaces: Black, Brush, Chalk, Marker, Condensed and Rough, by Alexandra Korolkova, Alexander Lubovenko, and the Paratype team.
• Stapel (2020, Paratype). A 57-style Latin / Cyrillic sans family with a sci-fi look and thin stroke joints.
• Vast (2021, Paratype). A 56-style sans family, and three variable fonts, by Manvel Shmavonyan and Alexander Lubovenko. Choices are from thin to black and regular to extra wide.
• In 2021, Paratype designers Isabella Chaeva, Vasily Biryukov and Alexander Lubovenko created DIN 2014 Rounded, an extension of the industrial sans serif DIN 2014. The six-style typeface supports all European languages based on Latin, Cyrillic, and Asian Cyrillic (Tatar, Kazakh and Kyrgyz) and has a variable version.

Alexander Sperl

German designer (aka laynecom) at FontStruct in 2008 of band, blokk_2, maiden, substance, Fette Serif (fat, octagonal), Runde Pixelig, Velvet, Thin Sans, Constr, Clear Serif, Blokk.

Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).

Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).

Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).

From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans typeface ever made by anyone using FontStruct), Bencraft.

Fonts from 2013: Meadow Bold, Lush Capitals, SwiftStroke, Its Slab To Be Square, Mellow Doubt, Ligure Black, Beige Organic, Trafo, Trafo Evolution, Codester Mono (a programming font), Swash Buckle, Nova Thin Extended (a hairline sans), Meson Sans, Burgwald Exquisite Bold Condensed, Editoriale, Coalescimen, A La Carte, Hampton Italic, Baby Elephant (fat grotesque).

Fonts from 2014: Terminal One (a basic sans), Fanomino, Fontris (like Tetris), Schlaraffenland (+Variant: great rounded sans family), Crystalline, Tick Brush, Manuale Neue Bold, Terminal One, Sanspura, Italics Study, Mundane Black Extended, Heavy Grain, Wineshop Stencil, Folds and Rhizones, Viva Las Inline.

Fonts from 2015: Augustine, Coleridge, Framtid, Licht-Sans, Quire-Bold, Quire, Static-Grotesk, Tattoo-Parlour, The-Gift-Serif, Tuileries-Black, Usual-Type, Ziseleur, Zungenschlag, Blackesteverblack.

Klingspor link. [Google] [More]  ⦿

Alexander Tarbeev
[TFaces]

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Alexandra De Angelis

Roman graphic designer. Creator of these typefaces in 2012: Lounge Curve (a wide monospaced techno sans), World Fashion Channel (ornamental caps), ASN (ornamental caps), and Polytype. [Google] [More]  ⦿

Alexandre Saumier Demers
[Coppers & Brasses]

[More]  ⦿

Alexey Atapin

Web designer in Saint Petersburg, Russia. His typefaces are often experimental and include:

• Svyaz (2020). A modern take on Vyaz, the traditional Cyrillic ornate lettering.
• Practice (2020). A lovely Latin / Cyrillic hipster font in mono and proportional versions.
• Nesovremenny (2019). A free experimental display typeface.
• Dead King (2015). A rhombic font. Polonium (2021; so named to celebrate (?) the 2006 murder of Alexander Litvinenko by the KGB's favorite poison, Polonium 210).

AlfaBravo

Ukrainian outfit. In 2020, AlfaBravo released Monofontis (a monospaced hipster sans in 18 styles; by Kyrylo Tkachov and Maria Weinstein), the sans typeface family Rock Star (Konstantin Golovchenko, Kyrylo Tkachov). Inspired by 20th century Ukrainian modernism, AlfaBravo released the 9-style geometric titling / book cover sans family Almaz (2020: by Kyrylo Tkachov and Serhii Makarenko). [Google] [MyFonts] [More]  ⦿

Alfredo Marco Pradil
[Hanken Studio]

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Allison James
[Chequered Ink]

[More]  ⦿

Almarena
[Jérémie Gauthier]

Almarena is a creative agency founded in 2006 and based in Lyon and Paris. In 2020, they released the retail font Almarena.

Typefaces from 2021: Miju (a sharp-edged display font inspired by Japanese culture), 1769 Display (an elegant and modern serif typeface inspired by the history of France and more particularly the romantic movement (1700s and 1800s): the roundness of its characters and its numerous ligatures reflect the grace, refinement and sensitivity that were omnipresent during the 18th century), Almarena Mono (a hipster sans). [Google] [MyFonts] [More]  ⦿

Alp Eren Tekin

Designer of The Experimental Boredom Mono Type (2018), which was designed on some basic rectangular and circular grids following Josef Albers' methods in the Bauhaus. It was a school project in Istanbul. [Google] [More]  ⦿

Alphabet Innovations International -- TypeSpectra (Was: MM2000)
[Phil Martin]

Born in Dallas in 1923, and retired in Florida, Phil Martin had an exciting life, which started as a bombardier in WWII, and went on as a piano bar singer, publisher, cartoonist, comedian and typographer. He died in October 2005.

Phil established Alphabet Innovations International in 1969 and TypeSpectra in 1974, and designed most of his 400 typefaces (read: film fonts for use in the VGC Photo Typositor) there: Agenda (1976), Americana (1972), Arthur (1970, by Roc Mitchell), Aurora Snug (1969), Avalon (1972), Baskerville (1969), Beacon (1987), Bluejack (1974), Borealis (1970, by Roc Mitchell), Britannic (1973), Bulletin (1971), Celebration (1969, by Roc Mitchell), Century S (1975), Cheltenham (1971), Clearface (1973), Cloister (1975), Corporate (1971, by Roc Mitchell), Corporate Image (1971, by Roc Mitchell), Courier B EF (2004, originally done at Scangraphic), Didoni (1969, a knock-off of Pistilli Roman with swashes added), Dimensia and Dimensia Light (1971, by Roc Mitchell), Dominance (1971), Egyptian (1970), Eightball (1971, some report this incorrectly as a VGC face, which has a different typeface also called Eightball: it was digitized by FontBank as Egbert. Alphabet Innovations' Eightball had other versions called Cueball and Highball, and all three were designed by George Thomas who licensed them to AI), Fat Chance (Rolling Stone) (1971), Fotura Biform (1969), Franklin (1981), Garamond (1975), Globe (1975), Goudy (1969), Harem (1969, aka Margit; digitized and revived in 2006 by Patrick Griffin and Rebecca Alaccari as Johnny), Helserif (1976---I thought this was created by Ed Kelton; anyway, this typeface is just Helvetica with slabs), Helvetica (1969), Introspect (1971, revived in 2012 by SoftMaker as Looking Glass, and by Castcraft as OPTI Looking Glass), Jolly Roger (1970, digitized in 2003 by Steve Jackaman at Red Rooster; Martin says that Jolly Roger and Introspect are his two most original designs), Journal (1987), Kabell (1971), Kabello (1970), King Arthur [+Light, Outline] with Guinevere Alternates (1971, by Roc Mitchell), Legothic (1973), Martinique (1970), Mountie (1970), News (1975), Palateno (1969), Pandora (1969), Pazazzma (1980), Perpetua (1969), Plantin (1973), Polonaise (1977; digital version by Claude Pelletier in 2010, called Chopin Script), Primus Malleable (1972), Quaff (1977), Quixotic (1970), Report (1971), Romana (1972), Scenario (1974), Sledge Hammer (1971), Son of Windsor (1970), Stanza (1971, by Roc Mitchell; this angular typeface was later published by URW), Stark (1970), Supercooper (1970), Swath (1979), Threadgil (1972), Thrust (1971), Timbre (1970), Times (1970), Times Text (1973), Trump (1973), Tuck Roman (1981), Viant (1977), Vixen (1970), Weiss (1973), Wordsworth (1973).

In 1974, he set up TypeSpectra, and created these type families: Adroit (1981), Albert (1974), Analog (1976), Bagatelle (1979), Cartel (1975), Caslon (1979), Criterion (1982), DeVille (1974), Embargo (1975), Heldustry (1978, designed for the video news at the fledgling ABC-Westinghouse 24-hour cable news network in 1978; incorrectly attributed by many to Martin's ex-employee Ed Kelton: download here), Innsbruck (1975: revived in 2018 by Olexa Volochay as Tyrol), Limelight (1977), Oliver (1981), Opulent [Light and Bold] (1975, by George Brian, an amployee at Alphabet Innovations), Quint (1984), Sequel (1979), Spectral (1974), Welby (1982).

His fonts can be bought at MyFonts.com and at Precisiontype. He warns visitors not to mess with his intellectual property rights, but I wonder how he can have escaped the ire of Linotype by using the name Helvetica. In any case, the fonts were originally made for use on photo display devices and phototypesetters. Some are now available in digital format.

Near the end of his life, Phil's web presence was called MM2000 (dead link).

Check his comments on his own typefaces. URW sells these typefaces: URW Adroit, URW Agenda, URW Avernus (after Martin's design from 1972), URW Baskerville AI, URW Beacon, URW Bluejack, URW Cartel, URW Cloister, URW Corporate, URW Criterion, URW Didoni, URW Fat Face, URW Globe, URW Goudy AI, URW Heldustry, URW Helserif, URW Introspect, URW Legothic, URW Martin Gothic, URW Martinique, URW Pandora, URW Polonaise, URW Quint, URW Scenario, URW Souvenir Gothic, Souvenir Gothic Antique (the Souvenit Gothic family was designed by George Brian, an employee of Alphabet Innovations at the time: it was AI's first text family), URW Stanza, URW Stark, URW Timbre, URW Viant, URW Wordsworth.

Interview. Bye Bye Blackbird performed by Phil Martin in Largo, Florida.

The final message on his last web page, posted posthumously read: MARTIN, PHIL, 82, of Largo, died Tuesday (Oct. 4, 2005) at Largo Medical Center. He was born in Dallas and came here after retiring as a writer, singer-songwriter, commercial artist, and comedian. As a high school student, he worked as an assistant artist on the nationally syndicated Ella Cinders, and at 18 wrote and drew Swing Sisson, the Battling Band Leader, for Feature Comics. He was an Army Air Forces veteran of World War II, where he served as a bombardier in Lintz, Austria. On his 28th mission shelling the yards in Lintz, his B-24 was hit and he was listed as missing in action until the war in Europe ended. He was a comedian on The Early Birds Show on WFAA in Dallas. As a commercial artist, he founded two multinational corporations to market typeface designs and is credited for designing 4 percent of all typefaces now used. He also wrote columns and articles for typographic publications. Locally, he sang original lyrics to old pop standards in area piano bars, and in 1999 produced 59 issues of the Web book Millennium Memorandum, changing the title to MM2000 when he issued the first edition of the new Millennium on Jan. 3, 2000. Survivors include his wife, Ann Jones Martin; and a cousin, Lorrie Hankins, Casper, Wyo. National Cremation Society, Largo.

Phil Martin's digital typefaces.

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Amadeus Information Systems
[Phil Chastney]

Amadeus Information Systems Limited / Phil Chastney are the designers of SImPL (1999-2001) and Sixpack Medium (2009), great Courier-like monospace fonts with many diacritics and symbols, filling many of the Unicode pages. The designer is Phil Chastney, who writes One of the design aims of the font was to provide a complete set of all known APL symbols, plus sufficient characters to allow prompts, comments, etc., to be expressed in every European language known to be in current use. Basically, that means the Latin, Greek and Cyrillic alphabets, plus accented and variant letter forms as required for other European languages using these alphabets.. Incidentally, Armenian and Cyrillic are also covered, and the number of mathematical symbols is staggering. [Google] [More]  ⦿

Amazon fonts
[Dalton Maag]

The Amazon fonts can be freely downloaded. They consist of:

• Amazon Ember (2015), a workhorse sans family. Originally developed by Dalton Maag for the Kindle Oasis, released in 2016. Followed in 2017 by Amazon Ember Condensed and Amazon Ember Display, and in 2018 by Amazon Ember Duospace and Amazon Ember Mono.
• Bookerly LCD and Bookerly Display (2015-2017). Also by Dalton Maag, a text typeface for the Fire tablet.
• The Japanese font family Amazon Shin Go developed by Morisawa in 2017.

Downloads:

• The full set, as of March 2020.
• Amazon developer site.
• Earlier versions.
• Local download of the earliest versions.
• Alternate site.

Amin Abedi

Tabriz, Iran-based designer (b. 1990) of these typefaces:

• The paperclip typeface First Shine (2016).
• The outline typeface AAR (2017).
• The programming font Cherry (2017).
• The calligraphic typeface Perfection (2017).
• The monoline Arabic/Latin typefaces Estedad (2017-2018) and Mikhak (2018).
• The monospaced sans typeface AzarMehr Monospaced (2018). For Arabic and Latin. It has a great arched background font.
• The fancy Persian font Fandogh (2017).

Github link. [Google] [More]  ⦿

Ana Maria Burtea

Bucharest, Romania-based designer of an untitled monospaced font in 2014 during her studies at National University of Arts Bucharest. [Google] [More]  ⦿

And Repeat
[Martin Grasser]

And Repeat is an art and design studio based in the Bay Area, founded by Martin Grasser. Grasser's typefaces:

• B Mono is a bespoke typeface created for use in the Braintree identity system. Designed with Josh Finklea (Sharp Type, The Village) B Mono is available in four weights (light, regular, medium and bold).
• Anki (2013-2014). A bespoke rounded sans typeface.
• In 2019, Martin Grasser and Zrinka Buljubasic co-designed 188 Sans for And Repeat / Future Fonts. They write: The Regular weight, based loosely on Frank Hinman Pierpont's Monotype Grotesque, calls to mind early 20th century workhorse sans-serifs.
• Sunnyside (2021, by Martin Grasser and Zrinka Buljubasic). Sunnyside is a slab serif rooted in the aesthetic language of 70's California.

Future Fonts link. [Google] [More]  ⦿

Andre Toet Design (was: SO Design)
[André Toet]

Andre Toet Design (and before that, SO Design is a Dutch studio run by André Toet (b. 1950, Den Haag). He was educated at the KABK under Gerrit Noordzij from 1974 until 1976, and at the Central School of Art and Design in London under Nicolete Gray from 1976 until 1977. From 1979 until 1980, he worked as a designer at Total Design with Jurriaan Schrofer and Wim Crouwel. Andre Toet Design is located in Apeldoorn (was: Amsterdam).

Creator of Artu (2012, monospaced display face), Battersea (multiline face), Billiard (2012), Bloggy (experimental), AT Move Bloggy (2010), Decoupe (experimental), AT Move Decoupé (2012: a modular font based on a French game from 1906), Holborn, Mezzo (mimimalist), AT Move Pipi (2012, a playful textured caps typeface created jointly with Jasper Nijssen), AT Move Mezzo, AT Move Powerplay (1976, and redone in 2011: multilined), Musica, Nath, Powerplay, Tremelo, Wiggle.

Creations from 2012: AT Move Holborn (a 3d outlined neon sign face), AT Move Tremelo (based on the logotype Microtel), Artu, AT Move Wyggle, AT Move Wolfszn, AT Move Skewy (2012), AT Move Specx and AT Move Specx Stencil (a slab serif based on the cover of a 1955 French School-Notebook; help with the design from Jasper Nijssen).

Typefaces made in 2013: AT Move Altera, AT Move Altera, AT Move Herengracht (an inline typeface), AT Move Artu Super Super Heavy, AT Move Bulky (glaz krak font), AT Move Quipo (an amoebic font), AT Move MMM (with Jasper Terra and Jasper Nijssen: a rounded organic sans typeface. They write: The design is based on a old Soap-Powder advertisement. MMM is very useful for headings and/or logotypes.), AT Move Strano (squarish stencil), AT Move Nath (optical illusion typeface first made in 1974 at the Central School of Art and Design in London, and digitized in 2013 with the aid of Jasper Terra).

Typefaces from 2014: AT Move Frutta, AT Move Straw (by André Toet and Jasper Nijssen), AT Move Riff Raff (octagonal, with Jasper Nijssen).

Typefaces from 2015: Bombola.

Typefaces from 2016: AT Move Bombola (elliptical style).

Typefaces from 2017: Tremelo.

Typefaces from 2018: Powerplay (trilined).

Behance link. Another Behance link. [Google] [MyFonts] [More]  ⦿

Andrea Braccaloni
[Leftloft]

[MyFonts] [More]  ⦿

Andrea Tinnes
[Typecuts]

[MyFonts] [More]  ⦿

André Leonhardt

German designer, b. 1977, aka Leo, who studied graphic design at Anhalt University in Dessau in 2005. Between 2010 and 2015 he taught typography at Anhalt University in Dessau. In 2016, he co-founded Interfont with Dennis Michaelis.

After an apprenticeship with Lucas de Groot and Fred Smeijers, he created Neue Sans (2005), a six-weight font that can be freely downloaded from OurType, Fred Smeijers' foundry. Neue Sans Pro (2007) is not free, however.

In 2015, Laura Dreßler (Schauschau, Berlin), André Leonhardt and Dennis Michaelis co-designed the monospaced typewriter typeface family Monoela (published in 2016 by Interfont).

In 2019, Leonhardt released Ideal, a top-heavy sans typeface, at Interfont. Klingspor link. Our Type link. [Google] [MyFonts] [More]  ⦿

André Toet
[Andre Toet Design (was: SO Design)]

[MyFonts] [More]  ⦿

Andreas Dauerer

Graphic designer in Berlin. His typefaces include Asgard Grotesk (2012), Evil Neue (2012, sans), Jjang (2012), Ladro (2012), Schicke (2012, geometric sans), Tano (2012), Sherman Mono (2012), Tsukunft (2012, experimental), Arsene (2012), Decodorant (2012), Kirky (2012), Nordfrost (2012), Sedadda (2012), Sloth (2012, an avant garde sans), Svangard (2012), Yueah Mono (2012), and Kamek (2012, a great feather pen rendering of a Venetian renaissance typeface).

Behance link. [Google] [More]  ⦿

Andreas Larsen

Copenhagen-based designer (b. 1986) of Tal (2014), a full set of numerals in many weights for use on small devices. Tal is advertized as free, but there are no download buttons anywhere.

In 2014, he also created the Open Source fonts Gidole Play (later renamed Gidolinya) and Gidole Sans [micropage], which is patterned after DIN 1451 and uses Euler spirals. Dedicated page for Gidole Sans. Github link for Gidole.

In 2015, he published Gidole Regular and the monoline sans programming font families Monoid and Mono 16, which cover Latin, Greek and Cyrillic. Gidole was forked and extended in 2016 at Open Font Library by Cristiano Sobral as Normung.

He modified the free M+ font to design MonoMusic for chords and tabs.

Behance link. Dafont link. Open Font Library link. Use Modify link. [Google] [More]  ⦿

Andreas Lehmann
[Katwin-Schriften]

[More]  ⦿

Andree Nguyen
[Nguyen Type]

[More]  ⦿

Andreu Balius Planelles
[Type Republic]

[MyFonts] [More]  ⦿

Andrew Bellamy
[Otherwhere Collective (or: Ilott Type, Bellamy Studio)]

[MyFonts] [More]  ⦿

Andrew Tindale
[Tyntyp]

[More]  ⦿

Andrew Vucko

Andrew Vucko is a Canadian design director and animator. He runs an independent studio and builds content for studios, agencies, networks and brands. He has built relationships with local and international clients such as Google, Nike, BMW, YouTube, HP, Mitsubishi, Coca Cola, and Uber while being showcased in publications such as Applied Arts, One Show Annual, and Communication Arts. He is currently based in Toronto, Canada and freelances full time. Designer of the animated monospaced typeface Boomerang (2016). [Google] [More]  ⦿

Andrew Welch

Co-designer with Carl Osterwald and Steve Gilardi of the monospaced typeface ProFontWindows (1997). Free download here. [Google] [More]  ⦿

Andrey Makarov

Russian type designer. He created the free monospaced Anka Coder family in 2010, which was developed for printing of source code. The fonts cover Latin and Cyrillic, among other things. The font names: AnkaCoder-C75-b, AnkaCoder-C75-bi, AnkaCoder-C75-i, AnkaCoder-C75-r, AnkaCoder-C87-b, AnkaCoder-C87-bi, AnkaCoder-C87-i, AnkaCoder-C87-r, AnkaCoder-b, AnkaCoder-bi, AnkaCoder-i, AnkaCoder-r. Download sites: Google Code Archive, Google, Open Font Library. [Google] [More]  ⦿

Andrey Mel'man

Russian designer of the Cyrillic/Latin version of Ray Larabie's fonts Monofonto and Neuropol, and of Newland Black (after Rudolf Koch's Neuland, 1923). He also made OCR B (a Cyrillic version) and Dollar. [Google] [More]  ⦿

Andriy Konstantynov
[Mint Type (was: PDesign 6.0)]

[MyFonts] [More]  ⦿

Android Open Source Project

Free downnloads of Ahem, Clockopia, DroidSans-Bold, DroidSans, DroidSansFallback, DroidSansFallback, DroidSansHebrew, DroidSansJapanese, DroidSansMono, DroidSansThai, DroidSerif-Bold, DroidSerif-BoldItalic, DroidSerif-Italic, DroidSerif, MotoyaLCedar-W3-90ms-RKSJ-H, MotoyaLMaru-W3-90ms-RKSJ-H. Droid (2007) and Clockopia (2009) are by by Google (2007) and Motoya is by Motoya Corporation (2010). Ahem (2010, Todd Fahrner) is for the CSS Samurai's browser testing. Motoya was created for mobile machines. [Google] [More]  ⦿

Andy Clymer

Andy Clymer grew up in Irvine, CA and studied at San Diego State University in 1998. At that time, he was working on Stencil Fraktur (2002). In 2004-2005, he studied type design in the Masters program of the KABK in Den Haag. He joined the typeface development department of Hoefler&Frere-Jones in New York in 2005. He has been an instructor in the Type@Cooper program in New York since 2011.

From 2005 until 2018, Andy worked at the Hoefler&Co. type foundry, where he contributed to the typefaces Vitesse, Forza, Ideal Sans, Archer, Surveyor, and spearheaded the design of Operator and Obsidian (2015: a decorative copperplate engraved emulation typeface---various kinds of 3d illumination in Obsidian were obtained by an algorithmic process.

In 2019, he co-developed Mingei Mono for the Mingei International Museum along with Yomar Augusto.

In 2020, he released Tilt. Tilt is a family of (variable) typefaces inspired by three dimensional lettering found in storefront signage. Subfamilies: Tilt Neon (mimics the construction of neon tube lettering), Tilt Prism (based on prismatic lettering, cast or cut in a material), Tilt Warp (resembles peeling vinyl stickers). The variable fonts have two axes, horizontal rotation and vertical rotation.

Github link. [Google] [More]  ⦿

Anna Pocius
[Artmaker]

[More]  ⦿

Anna-Rae Morris

Auckland, New Zealand-based creator of the monospaced piano key typeface Fat Boy Slim (2012). [Google] [More]  ⦿

Anouk Pennel
[Studio Feed (or: Feedtype)]

[More]  ⦿

Antenah Studio
[Mariano Diez]

Mariano Diez ran Antenah Studio in Rosario, Argentina, and is now associated with the free font foundry Rostype, which is also located in Rosario.

He designed the free minimalist all caps monoline sans typeface Rosarina and the free hipster typeface Spacer in 2016.

Typefaces from 2017: Mold (a geometric vector font), Bulky (blocky).

In 2018, he published the free art deco typeface Rousseau Deco, the free pixel font Game Over (made with FontStruct), the outline color font Mold, the free font MD Tall 2.

Typefaces from 2019: Disket Mono, NY Bricks (free: blackboard bold style).

Typefaces from 2020: Lkdown (a free all caps COVID 19-inspired typeface published by Rostype; Cyrillic characters by Denis Ignatov), Catallina (a free all caps art deco sans typeface published by Rostype; Cyrillic characters by Denis Ignatov).

Typefaces from 2021: Adversal (a futuristic (all caps) display font inspired by the work of Wim Crouwel and the experimentation with grids).

Behance link for Mariano Diez. Behance link for Antenah Studio. [Google] [More]  ⦿

Anthony Damico

Columbus, OH-based designer of the free font Operator (2018), a monospaced font for space cadets that shares some features with OCR. [Google] [More]  ⦿

Anthony Sheret
[The Entente]

[More]  ⦿

Antoine van Waesberge

Strasbourg, France-based designer of Diagonale (2015), Vel Textus Nova (2014, inspired by both Textura and Suetterlin Schrift), the monospaced typeface Wisconsin Monospaced (2014), of Cro-Magnon Antique (sans) and of the maritime sans Fsk (2013).

Behance link. Tumblr link. [Google] [More]  ⦿

Anton Kokoshka

Ukrainian designer and illustrator, b. 1993, Kharkov. In 2021, he released the 42-style monospaced sans typeface Voyager Mono (+Condensed). [Google] [MyFonts] [More]  ⦿

Anurag Gautam

Graphic designer in New Delhi, who, during his studies at the National Institute of Design, proposed a legible sans caps typeface, Krum (2013) to replace the Indian license plate font HSRP (High Security Registration Plates).

At Fontstore / Fontshare, he published the monospaced sans serif RX100 (2017). In 2020, RX100 was released at Indian Type Foundry. [Google] [MyFonts] [More]  ⦿

Aparat
[Domen Fras]

Domen Fras completed his masters at London's Central Saint Martin's College of Art & Design in 2000. In 2002 he founded the type & design studio Aparat in Ljubljana, Slovenia. Since 2011 he is a full-time assistant professor at the Faculty of Natural Sciences at the University of Ljubljana. Speaker at ATypI 2014 in Barcelona. His largely experimental work:

• Brutildo (2006): squarish headline lettering.
• Butalci (1998, a pixel font) is a part of Domen's diploma project at Faculty of Architecture in Ljubljana, supervised by Janez Suhadolc.
• Gyro (1998-2001) is an octagonal monospace font with 3 weights.
• Exlibris (2001-2003) is an experimental face.
• Pozor (1999) is a squarish sans, as for traffic signage.
• Terragni (1998) is an alphabet study based on the floor plan composition analysis of the house 'Casa del Fascio' in Como by the architecta Giuseppe Terragni.
• DinoUnicase (1997) is a variation on DIN Mittelschrift.
• Narod (2003) was made for designing commemorative coins at 60th anniversary of Kocevje Summit.
• JH Luzern (1999) is based on a scan of a hotel room card.
• Pesjan Debu (2011) is a fat angular poster typeface created during TipoBrda 2011.
• Narod Krepak (2010) is an art deco sans titling typeface created during TipoBrda 2010000000

Apex Type Foundry
[Alex Chavot]

Lyon and/or Paris, France-based graphic designer and illustrator. He created the geometric fat counterless Tangoes and the monoline sans faceSlim in 2009.

Aka UnderNoControlTypofoundry.

Creations in 2012 include the free font Modul (OFL), Lavoir (OFL, based on an old art-deco public bath sign in Lyon), Interval (OFL, monospaced) and Modulo (OFL).

In 2016, he designed the delightful fat sans display typeface Marsel Black, and writes: What could have happened if Roger Excoffon and Eric Gill gathered in Marcel Olive's backyard in Marseille to share a few Pastis back in the days? In some way, Marsel could be the result of this hypothetical experiment. A colourful fat sans with uncanny high contrasts and utter personality. While flirting with the strangeness of Gill's Kayo, Marsel primarily stands as a very distant hommage to Excoffon's mythical Antique, a reminiscence of a Latin taste for exuberance.

Typefaces from 2018: Pyros (a didone with Hebrwew influences), Peckham (transitional).

Home page.

Typefaces from 2019: Kellar (a smashing quirky headline didone named after Thomas McKellar).

Typefaces from 2020: Gortex (an agate typeface), Hazel Display Nerw (stencil), Smithee (a condensed American gothic; Alex writes: The basis for Smithee was found in an old French foundry's wood type specimen in the archives of the Musée de l'imprimerie et de la communication graphique, in Lyon), Almeria (a display typeface developed between 2015 and 2020).

Typefaces from 2021: Practical Grotesk (a Swiss sans), Granit Display (based on granite headstone engravings). [Google] [More]  ⦿

APL fonts
[Christopher H. Lee]

Original APL-related fonts: APL2-Italic (IBM, 1994), APL2741Light (Adrian Smith, 1994), APLHELP-Regular (Christopher H. Lee, 1994 at Manugistics Inc; modified by Bill Welch), APLMATHS-Semi-italic (APL2000 Inc, 1999), APLNet (Adrian Smith, 1997), APLPLUS-Regular (Christopher H. Lee, 1994 at Manugistics Inc; modified by Bill Welch), APLPLUSI-Semi-Italic (APL2000 Inc, 1999), Courier-APL2-Bold (IBM, 1995), Courier-APL2 (IBM, 1995), CourierNewPS-ItalicMT (Monotype, 1992), CourierNewPSMT (Monotype, 1994), DyalogStdTT (Adrian Smith, 1996), ISIJRoman (J.K. Tuttle, 1992), LucidaSansUnicode (Bigelow&Holmes, 1993), QTCaligulatype (Qualitype, 1992). Except for the last two fonts, nearly all other fonts are monospaced and Courier-lookalikes. Click on "nouvpolices.zip ancpolices.zip". [Google] [More]  ⦿

Aqilah Emran

Bandar Seri Begawan, Brunei-based student-designer of the free monospaced display typeface Doors (2015). [Google] [More]  ⦿

Archetype Foundry
[Sujan Sundareswaran]

Chennai, India-based designer of the monospaced programming font Dita Grotesk (2018). [Google] [More]  ⦿

Archetypo.xyz

Archetypo.xyz was set up in 2020 by Joaquin Contreras and Miguel Hernandez Montoya, South American type designers based in Germany. Their typefaces:

• AA Actual Mono (2020). Monospaced, in 10 styles.
• CC Accidenz Commons. A free redrawing of Akzidenz Grotesk. One style only.

Architaraz Type (or: Kassymkulov Design)
[Zhalgas Kassymkulov]

Architaraz Type (Kassymkulov Design) is located in Shanghai, China, and Taraz, Kazakhstan. Its type designer, Zhalgas Kassymkulov, was born in 1986 in Kazakhstan. His initial type designs were all done with the help of FontStruct. In 2013, he went commercial as Architaraz Type.

He made a gridded modular typeface called Targeted (2011). Sliced (2011) is a counterless stencil face. Discostructed (sic) (2011) is a texture face. Mono Dot (2011) is a thin dot matrix face. Mono Hor (2011) is a horizontally striped version of it, Mono Ver (2011) a vertically striped version, and Mono Bold (2011) a bold version. Promo (2011) is purely geometric. Semiz (2011) and Semiz Light (experimental) are partly art deco. Audio (2011) is based on the logo of audiojelly. Arro (2011) has letters with arrowed terminals. Hexa (2011) is hexagonal. Happi (2011) is a fat finger face. Semiz Black (2011) is a free fat pixel face.

Creations from 2012: Pearls of Margar, Korgan, Phunni, Carbo, Carbo ii, Lenta, Phunni, Jambul, Extraterrestrial (sci-fi), Rap My Hip-Hop, Armada 1991 (monospaced), Venus (white on black), Garage Garbage (bold avant-garde design), WHAQ, Extra Fontestrial, Algae, A Tasbaqa, Salem (rounded bold typeface), Thaiana Jones, Salem (fat rounded face), Audio 2012, Balapan, Dalmat, Bonn (an art nouveau army stencil face), Mgla, Teris (white on black), Degoratix (curly), Barney Stencil (a fantastic brushy stencil), Lentalicious, Blackway Str, Schengbers (a great piano key stencil family), Tramcar Typo, Mgia, Brushure (a fat curvy display face), Extralien, Serrific Terif, Missinger, Tolkyn, Murt, Twisture, Soliture, Threedure, Antillic, Garage Garbage, Arro, Happi, Schengbergs Hi.

Typefaces from 2013: AT Dombra (psychedelic typeface after Motter Ombra), AT Hoppy (fat letters), AT Liniya (blackboard bold), AT Karagai, Hed Kandi (techno face), AT Traffa Stencil, AT Schema, Naation, AT Nayman, AT Roughin, AT Rooktura Stencil, AT Duba, AT Archistency, AT Liena, AT Bombarda (fat stencil face), AT Sulfur ii, AT Mad Pilot, AT Tasbaqa, Vaia Con Dios, Betaport, Mooltyashka, AT Stincel (a lively stencil font), Millio, Tamshy, Offelia, Jalgas (retro script: a winner in the FontStruct Connected Script Competition), Laffa (connected stencil script), Dlinalys, Diagona, Kitara (psychedelic), Archtitalic, Bonn (bony stencil), Teka 1, Teka 2, Unknownim, Khara (ultra-heavy slab face), Shlab (slab serif), Unknownim (slab serif), Archtalic, Argyn, Linea Runde, Mechatraps (+Plain), Eliksir, Drilliant, Katamaran (art deco), Lagman, Neurojet (experimental), Jazzure (bullet hole display face), Diagon, Aroth, Pharaoh's Delight (piano key / art deco typeface), Cocomi, AT Burshak, AT Sulfur, AT Taspa, AT Affina.

Commercial typefaces done in 2013: KD William, William Shakespears, AT Archistency (piano key stencil face) AT Bombarda (piano key stencil face), AT Audio, AT Argyn.

Typefaces from 2014: AT Sudoku (each letter is actually a sudoku puzzle!), AT Tactica (tic tac toe voard), AT Sudoku+, AT Pixtensans, AT Ayna, AT Kerey, AT Giveaway, AT Lagman, AT Asotika, AT Tugan, AT Yertegi, AT Nudgera, AT Diagona, AT Golovkin (stencil typeface named after middleweight boxer Gennady GGG Golovkin), AT Arachis (stencil), AT Tugan (fat rounded sans), AT Baktera, AT Jumpa Jumpa (stencil), AT Nudgera, AT Digitta, AT Archaus, AT Ladya (ball terminal stencil), AT Yin Yang, At Keste, AT Yazyk (rounded stencil), AT Sulfurian (techno stencil), AT Fasten Your Seatbelts (diagonally cut stencil), AT Buckle Up (like AT Fasten Your Seatbelts), AT Droppix, AT Knitka (knitting font), AT Sagat, AT Wild Archid (african theme font), AT Steglo.

Typefaces from 2015: ATAday, ATArchistruct, ATAttache, ATBogomol, ATCastleryRock, ATChaperon, ATKitay (oriental simulation), ATQuba, ATRaushan, ATRoyal, ATShlanga, ATSkos, ATTrassa, AT Giveaway 4, AT Sherit, AT Ribborn.

Typefaces from 2016: ATArchaus2, ATArchistructOutline, ATDornach, ATDrogo, ATEnschede, ATExtrema, ATGiveawayNo5, ATGiveawayNo6, ATHadamard, ATTwelve, Windows Icon Font.

Typefaces from 2017: ATBals, ATBevelour, ATEsrever, ATHitchook, ATImagiro, ATLauda, ATMigdalia, ATRozalla, ATUniversiade, ATYangster, ATZabor, ATThinnetry.

Typefaces from 2018: KD Eight, KD Tramcar, KD Algae Brush, Forza Juve (inspired by Juventus FC's logo), KD Hachure (a multiline typeface family), KD Half Arc, KD Space Band, KD Hachure (+Inline, +Outline), KDAnniversary, Armiya (army stencil), KD Baba Yaga (multiline).

Typefaces from 2019: KD Para, KD Pempo (a multiline art deco font).

Typefaces from 2021: KD Ziberia (based on Antonio J. Morata's Ziberia typeface from 2011), KD Dekorat (a modular labyrinthine or Maya genre set of capital letters).

FontM link. Behance link. FontStruct link. [Google] [MyFonts] [More]  ⦿

Ardyana Putra
[Ardyana Types]

[MyFonts] [More]  ⦿

Ardyana Types
[Ardyana Putra]

Bali-based designer (b. 1989) of Neon Absolute (2018: Sans, Script), Brusthy (2018: a brush script), Rafttel Script (2018), Tiffany Script (2018), Tiffany Sans (2018), First Script (2017), Jovanka (2018) and Hamilton (2018, a signature script).

Typefaces from 2019: Kallimata Script, Himsomnia, Hollows (a dripping paint horror font), Doogle (a fat finger font), Moonline or Moonllime (a heavy monoline script), Sweet Candy (a monoline script), Domillion Brush, Rosewell Font Collection (script, black, standard, mono), Rapha Talia, Hamillton Two, Just Do It, Bosthon Brush, Fontania (brush), The Brown Wall (cursive script).

Typefaces from 2020: Fomtage Script, Holla Monday (a marker pen font), Paper Works (an all caps cartoon font), Lover Bunny, Bana Chiips, Cathrine, The Domillion, Hello Bunny, Mount Hotham, Lovely, Molitha, Naughty Monster, Romello.

Typefaces from 2021: Fontanio (a 7-style psychedelic font family with reverse stress), Ropers (a warm bold serif in the Windsor genre), Eleganto Sans (a 6-style fashion mag sans), Pumpkin Island (a Halloween font), Classical Romance (a 12-style decorative serif with many swashy alternate glyphs), The Sunmora (a decorative serif with elephant feet; 12 styles), Arabilla Signature, Boldoy (a bold decorative typeface), Moontok (a vernacular script), Breadley Serif, Breadley Sans (a Peignotian sans), Balivia (a 13-style display serif), Kintamani Script (formal calligraphy), Rolling Bold.

Typefaces from 2022: Negaroa (an 8-style slightly wavy display serif), Crabs (a 9-style chunky sans), Austen Aesthetic (an 8-style decorative serif with flared terminals), Ottine Slab. [Google] [MyFonts] [More]  ⦿

Arek Zajac

At Kenneth Academy, Thatcham, United Kingdom-based Arek Zajac designed the free grid-based outlined monospaced all-caps Traveler's Typeface (2018). [Google] [More]  ⦿

Ari Juanda
[Line Creative (or: Line Studio)]

[MyFonts] [More]  ⦿

Arial

Arial is one of the most widely used designs of the digital era. Designed in 1982 by Robin Nicholas and Patricia Saunders for use in an early IBM laser printer, Arial has become a standard font in many font libraries. The design itself was based on Monotype Grotesque (and not Helvetica as many believe). The digital versions of Arial are sold by Ascender, Microsoft and Monotype.

• Arial (Monotype).
• Arial Unicode (Monotype).
• Arial Rounded (Monotype).
• Arial Monospaced (Monotype).
• Arial (Ascender).
• Arial (Microsoft).

Arief Setyo Wahyudi
[Typia Nesia]

[MyFonts] [More]  ⦿

Ariel di Lisio
[Nodo Type Foundry]

[More]  ⦿

Aring Typeface
[Måns Grebäck]

Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:

• Acryle Script (2014).
• Actonia (2016). A monoline script.
• Adielle (2018).
• Aerofoil (2017). A vintage bottom-heavy script.
• Airways (2016). A signage script.
• Akayla Script (2018). Calligraphic.
• Aliey (2021). A 4-style Victorian copperplate serif.
• Aliment (2018). A sharp geometric sans.
• Amertha (2020). a fat finger font.
• Amplify (2013). A signage script.
• Angars Runes (2019: medieval, with gothic cathedral curves).
• Angilla Tattoo (2013). A connected spurred tattoo typeface. Followed by Angilla Script (2020).
• Antlers (2012). A calligraphic script.
• Aquate Script (2019).
• Arachnids (2011, graffiti face)
• Artely Inks (2016).
• Artisual Deco (2021). Pure art deco.
• Artographie (2020). An all caps art deco typeface family.
• Atelas (2015). Signage type, baseball script.
• Atures (2018). Futuristic and monoline.
• Autograf (2015) and Autografia (2021). Signature typefaces.
• Ave (2016) in styles called Ave Utan, Ave Betwan and Ave Fedan. A family of baseball scripts.
• Avelana. A connected script.
• Backpack (2014). A thick signage script typeface.
• Backyard (2016). A blackletter typeface.
• Barkants (2011, elegantly hand-printed family).
• Barley Script (2017). A signage script.
• Baystar Script (2021).
• Beautiful Trouble (2012). A rabbit-eared upright connected script.
• Beaked Tyrant (2014). A copperplate calligraphic script.
• Beckasin (2011, signage face)
• Before The Rain (2011, calligraphic) Before The Rain Arabic (2016).
• Belladio (2021). An urban script.
• Bellino (2018).
• Bezar (2020). A script.
• Billion Dreams (2020, by Mans Grebäck and Rangga Subekti). A heavy signage script.
• Billion Stars (2013). A tattoo script font.
• Bira (2012). A retro connected brush / signage script.
• Blaak (2019).
• Black Fox (2014). A sirupy brush face.
• Black Signature (2021). A bold signature font.
• Black Larch (2016) and Dark Larch (2016).
• Bloc Boy (2016). Like handwriting.
• Blockography (2011). A sketched typeface.)
• Block Talk (2011, with Zaydek Michels-Gualtieri)
• Blods (2011, a great blotty brush face)
• Blueberry Script (2017; with Noah Kinard).
• Botanink (2011)
• Bouncy (a cartoon font).
• Bourdos2022). A script typeface.
• Brannboll (2011, baseball signage face), Brannboll NY (2013), Brannboll Connect (2020), Brannboll Stencil (a baseball script) (2020).
• Bready (2011). A retro signage script with art nouveau aroma.
• Brev Script (2014). A connected secretary hand from the 19th century.
• Bronze Script (2014).
• Brother Tattoo (2012).
• Bumblebees (2012). A plump curvy script.
• Bunya (2016). A geometric slightly deco sans typeface family.
• Calendary Hands (2012).
• Caligraf (2020).
• Canela Bark (2015, co-designed with Luis Miguel).
• Caneletter Sans and Script (2013). Upright unconnected and connected scripts.
• Cantona Script (2019).
• Canyon (2021). A wide elliptical sans in 18 styles, featuring a coathanger lower case f.
• Capoon (2018). A ten-style sans family.
• Caprica Sans (2014) and Caprica Script. A plump script.
• Caravela (2020). A pirate map script.
• Casat Cap (2017). An all caps brush typeface family.
• Caster (2019). A heavy poster script.
• Castro Script (2012).
• Catchland (2021). A retro baseball script.
• Celebrater (sic) (2012). An oily font.
• Cellos Script (2013).
• Centeria Script (2012).
• Channel (2011, connected upright script)
• Chapel Script (216). For signage.
• Characteristic (2011).
• Chavenir (2011).
• Chinal (2018).
• Choko (2011, released in 2016). Chocolate and cream-themed decorative typeface.
• Christmas Miracle (2018), Christmas Reign (Tuscan, all caps) (2020), and Christmas Sparkle (2018).
• Chrysante (2020). A monoline flowing pen script.
• Clear Line (2012). A fat finger / signage typeface.
• Clipper Script (2011).
• Clothe (2017).
• Coneria Script (2012). A connected script.
• Conture Script (2018). Elegant, classical, and with exaggerated capitals.
• Crackin (2011).
• Crunchy (2016). An upright connected script.
• Cruz Quaste (2020). A handcrafted blackletter typeface.
• Cubest (2021). A squarish monospaced techno family.
• CutScript (2011, connected script).
• Danbury (2022). A speed-emulating sans.
• Dark Crow (2020). a dry brush script.
• Dollie Script (2013).
• Ebbing (2018).
• Echinos Park Script (2012).
• Ederson (2018). A vintage signage script.
• Ekologie Hand (2012).
• Ekorre 2021). Aa vintage decorative serif.
• Elaya Script (2019). A creamy signage script.
• Electronics (2017). A retro signage script.
• Elevate (2016).
• Emiral Script (2017). A baseball script.
• Encina Script (2016). A thin calligraphic typeface.
• Enlighten (2011)
• Delinquente (2012).
• Denigan (2011, hairline)
• Equal Sans (2012).
• Espesor Olas (2011, fine hand-printed calligraphic family)
• Esplanade Script (2015, by Mario Arturo).
• Ethernal (2017). A connected script.
• Europe Underground (2010, geometric sans with a hairline weight).
• Fabulous (2017) and Fabulous Gold (2017). Signage script.
• Falkin Sans (2016), Falkin Script (2016), Falkin Serif (2016).
• Faltura (2011, constructivist), Faltura Alien (grunge), Faltura Guerra (grunge)
• Faltura Animals (2011)
• Feathergraphy Decoration (2011, calligraphic).
• Duera (2016). A variable width sans typeface family.
• Fargo (2021). A cursive script.
• Fat Wandals (2018). A graffiti font.
• Feathergraphy Clean (2011).
• Fibography (2013). A caps typeface composed of fibers.
• Filbert Brush (2012), Filbert Color (2013, a soft brush font).
• Finition (2017). A connected brush script.
• Fireplace (2020). A connected script.
• Firstly (2020). A flowing calligraphic signature script.
• First Lyrics (2011).
• First Reign (2022). A medieval typeface. Second Reign (2022), Third Reign (2022) and Fourth Reign (2022) are further medieval typefaces.
• Flighter (2018). A retro airplane font.
• Fondy Script (2018).
• Frankentype (2013). An all-caps brush typeface for signage.
• From Skyler (2016).
• Funkygraphy (2011, fat and counterless).
• Gecko (2015, a fine creamy signage script).
• Geza Script (2017). A great angular almost Arabic-looking script.
• Ghang (2011, graffiti family).
• Gingo (2020). A script.
• Goatskin Brush (2015). A great brush typeface.
• Golden Hopes (2021). A signature script.
• Gonzi (an 31-style sans). Published in 2021.
• Graced Script (2016). A wide calligraphic connected brush script.
• Grandi (2016). A ten-style display sans.
• Gready (2021). A fat signage script.
• Greback Grotesque (2012). The Thin is very very thin.
• Gretoon (2011, cartoon family)
• Griphite (2018). A rough brush typeface.
• Guld Script (2015).
• Habanero (2016). A fat signage typeface.
• Handtalk (2010, silhouettes)
• Harbell (2013).
• Hard Block (2011, Western slab face).
• Hastafi (2022). An 8-style sharp-edged display serif.
• Haydon Brush (2016).
• Heavy Rain (2021). Decorative initials, and an all caps wedge serif.
• Hemicube (a wide squarish all caps sans) (2020).
• Hemmet (2013). A signage script.
• Hierograf (2016). A layered textured handcrafted poster typeface family.
• Hitalica (2011).
• Honeymoon (2017). A connected script.
• Housegrind (2013, connected script).
• House of the Dragon (blackletter). Published in 2021.
• Hoyle (2020). A slab serif.
• Hundred Miracles (a signage script). Published in 2021.
• Impregnable (2013). A connected script.
• Indiana Script (2017). A baseball script.
• Inked Bones (2019). a hand-painted blackletter font.
• Intrique Script (2013). A baseball script.
• Isle Body (2019), Isle Headline (2019).
• Jacked Eleven (2011), Jacked Eleven Highlight (2011), Jack Pirate (2020: a tattoo blackletter typeface), January Script (2013).
• Jaymont (2018). A sharp-edged wedge serif typeface family.
• Jengotan (2021). A dry brush script.
• Jumper (2021). A 13-style sans. Free download for personal use only.
• Kandira (2018). A sleek sans family.
• Kanvas (2020). A script typeface.
• Kerater (2011, sans)
• Lace 2.0 (2012). A thin connected script co-designed with Matteo Milazzo.
• Lacosta (2020). A signage script.
• Kompar (2018).
• Krinkes (2015, baseball script). A connected swashy signage script.
• Kurri Island (2020).
• Lakesight (2014). A connected script.
• Larch (2016). A crisp script typeface.
• Largelake (2021). A signage script.
• Las Enter (2013). A neon light script.
• Leaders (2020). A blackletter font.
• Ledare (2021). A 14-style bold and expressive sans.
• Letric (2021).
• Let Me Ride (2011)
• Levitee (2011, a lively connected script).
• Lighthouse (2013). A bold high-contrast script face.
• Lina Script (2012). A tattoo script done with Vicky Mardian.
• Lourino (2018).
• Low Casat (2017) and Low Casat Fat (2017).
• Lyrics Movement (2011, tall-ascendered hand).
• Lyster (2020).
• Mandoul Script (2021) and Mandoul Black (2021: a brush script).
• Mainland (2018). A sans family.
• Mainstream (2017). Graffiti style.
• Manofik (a 4-style warm retro serif with a coathanger lower case f; for Latin, Cyrillic and Arabic). Published in 2021.
• Martyric (2014, brush script),
• Masteries (2013). A connected formal script.
• Mastoc (2014).
• Mauritz Caps (brushed) and Mauritz (a great wild script family), both published in 2021. Followed by Mauritz Sans (a brush script with a strong personality and a cartoon vibe) in 2022.
• Mean Casat (2018).
• Medish Script (2018). A great calligraphic handwriting typeface.
• Together with Noah Kinard, he designed the calligraphic typeface Melay Script (2016).
• Middle Ages (2019). A Lomardic blackletter in Regular and Deco styles.
• Milasian Circa (2015) and Milasian. A connected script.
• Merry Christmas (2015). A retro script in Flake and Star styles. Followed in 2017 by the color script font Merry Christmas Color.
• Milkyway Hotel (art deco sans).
• Miraikato Hand (2022) and Miraikato Script (a rustic script) (2022).
• Mistuki (2015). An oriental brush simulation font.
• Mochary (2016). A signage or tattoo script.
• Molly Sans (2019). Caps only.
• Monsta Tag (2013): a graffiti font.
• Motion Picture (2013). A heavy connected retro script.
• Mount (2012).
• MAWNS Graffiti (2010) and MAWNS Serif (2010)
• MAWNS Handwriting (2010).
• Made With B (2011, sketched face).
• Mardian (2012). A calligraphic tattoo script done with Vicky Mardian.
• Markera (2011, marker pen family)
• Many Weatz (2011)
• Mawns Rock (2011)
• Monoment (2011). A fat upright connected script.
• Moneymachine (2022).
• Monosphere (2012-2016). A futuristic monospaced typeface.
• Murality (2022). A readable graffiti or mural typeface.
• Myteri Tattoo (2021) and Myteri Script (2021: a calligraphic script).
• Nacinth (2020). A script.
• Nino Script (2018). A tattoo font.
• Nobella (2021). A retro baseball script.
• Normale (2014). A set of distressed typewriter fonts.
• Notera (2014). A connected handwriting font. Followed by Notera 2 in 2018.
• Odenburgh (2020). A medieval calligraphic typeface.
• Optien (2011, techno face)
• Ordinatum (2011, a severe sans).
• Original Black (2021). A fat blackletter typeface.
• Ornamental Versals (2011, ornamental caps)
• Painter (2016). A sign painting script.
• Patched (2021).
• Pennybridge 1563 (2010, blackletter)
• Pharmount (2014). A calligraphic connected script.
• Phraell (2013). A great italic formal calligraphic script with optional swashes.
• Pigeon (2016).
• Pineapple (2012).
• Plates Napery (2015).
• Plicata (2016).
• Pligo (2016). A balloon or cartoon font.
• Preside (2017).
• Prime Script (2012).
• Prognostic (2011)
• Qaskin (2015). A semi-formal connected script typeface with Black and White (outlined) styles.
• Qhuman (2021). A 6-style Victorian serif.
• Qraxy (2016). Quache Variable (2020) and Quache (2020). A 28-style flexible sans family.
• Quanton (2022). An 8-style angular serif.
• Querino Sans (2019). A very bold sans. Followed by Querino Script (2019).
• Quickier Pro (2012). A swashy calligraphic script face.
• Quincho Script (2016).
• Quintal Script (2021). A retro signage font.
• R-2014 (2011, LED face).
• Rabento (2021). A 6-style condensed display slab serif.
• Race Fever Pro (2015, in Brush and Pen versions) and Race Fever Brush (2015).
• Radio 187.5 (2010, techno family)
• Rakoon (2014). A creamy ultra-fat upright script. Followed by Rough Rakoon in 2016.
• Rangly (2017-2018). A paint roll font.
• Raspberry Script (2017).
• Recorda Script (2013). A formal calligraphic script.
• Reditum (2014). A decorative script.
• Reeler (2014, with Noah Kinard).
• Remachine Script (2013). Retro signage script. In 2020, Mans added Remachine Script Arabic.
• Respective (2011, calligraphic script, +Swashes).
• Respondent (2021). A script.
• Rider (2011, a 30-style "versal" sans family)
• Ringer (circle and arc-based sans)
• Ristella (2017). A baseball script.
• Rivera 2022). A narrow sans in 10 styles.
• Rodrigues (2021). A script typeface.
• Roona Sans (2018: modernist and organic curves).
• Ropest (2018). A rope font.
• Roskrift (2011, calligraphic; + Roskrift Clean).
• Rougant (2021). An organic display font.
• Roughen (2020).
• Rurable (2015).
• Ruthless Wreckin (graffiti typefaces), Ruthless Drippin' (dripping paint family)
• Safir Script (2016). A fat baseball script.
• Saker Sans (2017).
• San Andre (2021) and San Andreas (2021), the free version. A baseball script.
• Santa Claus (2019). A blackletter typeface, accompanied by Santa Claus Deco, a snow crystal font.
• Scantype (2016).
• Sculptor's Hand (2011, connected chancery hand).
• Second Lesson (2022). A wide script.
• Second Lyrics (2011, Treefrog-style handwriting)
• Sequal (2020). Graffiti style.
• Sicret (2020) and Sicret Mono (2020). An all caps family.
• Servin' for Salute (2011)
• Shaded Larch (2016).
• Sharpe (2019). A sharp-edged high-contrast serif typeface family. See also Sharpe Variable (2020).
• Shenandoah (flowing signage script).
• Shimes (2015).
• Shipped Goods (2011). A copperplate calligraphic script.
• Shortbrush (2011)
• Signerica (2011, connected flowing hand)
• Sketchica (2011, sketchy face)
• Skyzhi (2016). An advertising headline typeface.
• Society Editor (2013, connected script).
• Snacker Comic (2013).
• Snowstreet (2013, an octagonal typeface) and Snowy (2013).
• Some Weatz (2011, calligraphic, copperplate; +Swashes)
• Sonika (2018).
• South African (2014). A movie poster brush typeface.
• Southern Aire (2013, connected script face).
• Specify (2016). A 40-style sans family. Download, free for personal use.
• Spoken (2019). A graffiti font.
• Sponger (2021). In the VAG Round genre.
• Square Worm (2011)
• Stackyard (2015). A script.
• Stainy (2013). A signage script.
• Starella Script (2019) and Starella Tattoo (2019).
• Starge (2019).
• Starkey (2020).
• Stormland (2021). A wide monoplinear sans.
• Stormline (2021). All caps, wide and outlined.
• Strawberry Script (2017).
• String Lines (2018).
• Stroke Dimension (2011). A 3d typeface.
• Struck Base (2021). A baseball script.
• Suecos Locos (2011---yummy!).
• Sultan Cafe (2014). An interlocking poster typeface.
• Sunny Sam (2020). A script typeface.
• Sverige Script (2012). Calligraphic wedding font.
• Tall Casat (2018).
• Tamoro Script (2014).
• Taylor Hand (2020). A signature script.
• Tevegraphy (2011, elliptical)
• The Hills (2017).
• The World is Yours (2011, quaint)
• Throwupz (2011)
• Toley Hand (2019).
• Tipbrush Script (2011).
• Tomino (2016).
• Top Comic (2013). A very fat cartoon bubble face.
• Treehouse (2011, upright connected script; +Snowhouse for a snow-covered version)
• Tusch Touch 1 (2011)
• Two and Three (2011: a tattoo parlor blackletter family)
• Typographic Onedalism (2011, graffiti simulation face).
• Undergone (2014). Decorative and calligraphic.
• Unthrift (2015). A pen script.
• Vacer Sans and Vacer Serif (2016). The latter is a slab serif.
• Validity Script (2020, with Misti Hammers).
• Ventography (2013). A bold signage script.
• Vinho De Amora (2021). A vintage all caps wedge serif and a stencil version.
• Waiter (2017).
• Walk Da Walk One
• Wandals (2018). A graffiti font.
• Wankstaberg Battles (2010, a tall fat script)
• White Dream (2021). A retro script.
• White Larch (2016). A connected script typeface.
• Wholecar (2021). An unerground train graffiti typeface family.
• Wild Growth (2011).
• Wildline (2021).
• Winfield Script (2019).
• World Series (2021). A baseball script.
• Xtreem (2012) and Xtreem2 (2014).
• Yanty, Yanty Big, Yanty Script, and Yanty Script Big (2012).
• Yaquote Script (2014).
• Yaty (2019).
• Yoghurt (2011).
• Zoney (2021).

View Mans Grebäck's typefaces.

Abstract Fonts link. Fontspace link. MyFonts link. Another URL. Dafont link. Klingspor link. Buy fonts directly from Måns Grebäck. Old URL. [Google] [MyFonts] [More]  ⦿

Arkpandora
[Gavin Graham]

The author of these free fonts, Gavin Graham, writes: Many people are still getting (by whatever means) the core MS fonts for their Linux Desktop. This project is meant to be as a replacement for some of these main fonts. They have been designed to match similarly with the fonts they replace. The fonts are derived from the Bitstream Vera fonts and are available under the same terms as Vera. With this set, you get Aerial instead of Arial, Tymes instead of Times New Roman and Veranda instead of Verdana. The actual list is: Aerial, AerialBd, AerialBdIt, AerialIt, AerialMono, AerialMonoBd, AerialMonoBdIt, AerialMonoIt, Tymes, TymesBd, Veranda, VerandaBd, VerandaBdIt, VerandaIt. [Google] [More]  ⦿

Arktype (was: Atelier René Knip)
[René Knip]

Dutch type designer located in Bloemendaal. Jan Middendorp wrote about him in A.R.K. Ten Years of Type Related Projects 1994-2004 (2004), summarizing Knip's work at Atelier René Knip, mostly experiments in type design. Knip (b. 1963) is a graduate from the St. Joost Academy in Breda, class of 1990. Since 1992, Knip has operated a design studio in Amsterdam, Atelier René Knip.

Recently, Knip and his brother Edgar formed a new company, Gebroeders Knip, which produces furniture and accessories in which letterforms are integral parts of the objects design.

One of his experiments, a unicase typeface with an Arabic feel, was digitized by Nick Curtis as Turban Hey NF (2008).

In October 2012, Knip and another Dutch designer cofounded Arktype, but by 2020, the other Dutch designer left that company.

Typefaces at Knip's site as of 2020:

• Retail faces in the Arktype collection jointly made by René Knip and that other Dutch designer, described as an architectural set of fonts, including many dot matrix, modular, monospaced and stencil typefaces: Square, Double Dot, Radius, Lineup, Brick Caps, Monoline, Street Stencil, Tangram, Tripple Dot, Laundry, Modular, Connect, Triplet, Body Stencil, Mono Roman, Line Dot, Oblong, Random Stencil, Angular, Curtain, Stretch, Concrete, Brick Roman, Unicase, Wood Stick.
• Custom typefaces: Africa Museum, Alphabets, Ark Stencil, BNO Books, Fryslan, Hema tile, Ijburg, Kunsthal, Lindenberg (squarish), Logotype, Marriage (stencil type), Milk (a squarish stencil), Municipal Office (wayfinding, for Den Haag), Nieuwspoort, Nuqat (a pixel script), Old Church 2, RCO Caps, Stitch, Textiellab, WFO.

Armin Brenner

Partner of Markus John at New Letters, a German design and typography studio cofounded in 2015 by both. In 2013, they co-designed Tilde (2013) and Meriva (2015). Armin also designed Voltaire (2014).

In 2017, Markus John and Armin Brenner designed the high-contrast display and headline antiqua serif typeface Freya and published New Mériva Mono.

In 2017, Markus John and Armin Brenner released their take on Helvetica / Neue Haas Grotesk, called Anais. Like Helvetica, it has horizontal / vertical terminals, but the x-height of Anais dominates.

In 2021, they released the ink-trapped display typeface Kjell. [Google] [More]  ⦿

Artem Velychko
[Precise Creative]

[More]  ⦿

Artmaker
[Anna Pocius]

Anna Pocius (Artmaker, Riga, Latvia) is the creator of Unique (2012), the free fat round monoline monospace sans family VDS and VDS Bold (2011, Open Font Library). She also made Banana Brick Font (2011, free at OFL).

Home page. OFL link. Behance link. [Google] [More]  ⦿

Arve Båtevik
[Store Norske Skriftkompani]

[More]  ⦿

ascii metafont
[R.W.D. Nickalls]

Metafont created by R. Ramasubramanian, R. W. D. Nickalls and M. A. Reed, and based on IBM's Courier. [Google] [More]  ⦿

Ashley McConnell

Auckland, New Zealand-based graphic design student who made the monospaced typeface Paperclip (2012). [Google] [More]  ⦿

Aspect Type
[Lukasz Szpatowicz]

Szczecin, Poland-based graphic designer, who designed the monospaced sans typefaces Tabela in 2017 and Tabela Soft in 2018. [Google] [MyFonts] [More]  ⦿

Astronaut Design
[Slava Kirilenko]

Astronaut Design is located in Almaty, Kazakhstan. It is run by Slava (Vyacheslav) Kirilenko. A graduate of Kazakh National Pedagogical University Abai, Vyacheslav has worked as a graphic designer for Forty Studio, Why Smart Branding Agency, and USP Advertising Agency. In 2013, he won an award in the Granshan competition. He also designs typefaces at the Brownfox type foundry run by Gayaneh Bagdasaryan.

His typefaces from 2012 include the free rounded sans family Static (Fontfabric), 1204 Grotesque, Neue Standart Grotesk, the free font Archive (a rounded sans headline typeface that is also also at Fontfabric: both Latin and Cyrillic), Svalbard Chrome, Cosmographia (sans headline face), Geometria (done with Gayaneh Bagdasaryan, followed by Geometria Narrow in 2016), Terminal Regular (like Courier), and Weimar.

Institut (2013, Brownfox) is an industrial-strength sans typeface designed by Vyacheslav Kirilenko and Gayaneh Bagdasaryan.

Typefaces from 2014: Formular (with Gayaneh Bagdasaryan at Brownfox: a Swiss sans family for Latin and Cyrillic; includes a Mono style), Gerbera (with Gayaneh Bagdasaryan at Brownfox).

Typefaces from 2015: Nolde (a Latin / Cyrillic titling typeface named after german-Danish printer Emil Nolde; by Vyacheslav Kirilenko and Gayaneh Bagdasaryan).

Typefaces from 2016: Wermut (a transitional dagger-serifed Latin / Cyrillic text typeface family by Gayaneh Bagdasaryan and Vyacheslav Kirilenko, published at Brownfox).

Typefaces from 2022: Jet (the authors, Gayaneh Bagdasaryan and Vyacheslav Kirilenko, write: Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go).

Behance link. [Google] [MyFonts] [More]  ⦿

Atelier Olschinsky
[Peter Olschinsky]

Vienna, Austria-based design studio, est. 2002 by Peter Olschinsky and Verena Weiss. They published the type family Ato (2012), which has Sans, Slab and Display (art deco) subfamilies. Outer Space (2012), Sato (2012, a bilined display typeface), Neopolis (2012, futurismo), Deconstruct (2012), Chaos (2012) and Construct (2012) are experimental. Bato (2012) is an alchemic type family. And Vato (2012) is a wonderful brushy poster headline face.

In 2017, he published the bespoke typeface BirdYard, the free AO Grotesk (with poygonal outlines), free display sans typeface family Matol, the free geometric solid typeface AOX, which comes in Stencil and Regular styles, the free polygonal typeface family AO Mono, and the free monospaced Minimal Mono.

Typefaces from 2020: Kaomo (monlinear, monospaced), AO Mono (polygonal).

Behance link. [Google] [More]  ⦿

Atipo

Design studio in Gijon, Spain, set up by Asturian designers Raul Garcia del Pomar and Ismael Gonzalez. One of them studied graphic design in Salamanca. Atipo produced the donationware typeface Cassannet in 2012. This beautiful sans typeface is modeled after art deco lettering by Cassandre. It was adjusted and expanded to six styles in 2016 as Cassannet Plus.

In 2012, they published the free twitterware round sans family Bariol, which has its own dedicated web page. This was followed by the wonderful set of icons called Bariol Icons. In 2015, they published the tweetware / donationware rounded typeface family Bariol Serif.

Typefaces from 2013: Salomé (a fat didone, +Stencil, +Italic, +Deco). Dedicated web page.

The text typeface Calendas (2011, Paula Gutierrez). Additional weights were custom-made for the magazine Town & Country.

They created a bespoke wayfinding font / icon set for London Luton Airport in 2014.

Typefaces from 2015: Geomanist---I guess the name comed from geometric and humanist. In general, I can't imagine a worse marriage but this one actually works.

Typefaces from 2016: Seville (a custom font for Fitbit Blaze, based on Bariol), Semcon (for the Swedish engineering firm Forsman & Bodenfors).

Typefaces from 2017: Archia (a technical / architectural sans family), Noway (Noway was originally designed as a corporate and signage typeface for London Luton Airport. It has 159 icons and five weights, and is an ideal wayfinding font family), Noway Round.

Typefaces from 2018: Solano & Catalan (a corporate typeface), Aceña (a corporate typeface), Silka (a geometric descendant of Futura), Musetta (a fashion mag thin sans), Basier (a Helvetica-style neutral sans family with horizontal and vertical terminals, with a choice of round or square tittles).

Typefaces from 2019: Parking (an all caps art deco by Marc Valli), Basier Mono, Bould, Chaney (caps only, for display).

Typefaces from 2020: Sawton (a 15-style monolinear condensed geometric sans family consisting of Circular, Industrial and Bauhaus subfamilies), Silka Mono, Wotfard (a malleable geometric sans: time for soulful functionality), Argesta (a fashion mag typeface).

Typefaces from 2021: Novela ( a rational serif for use in texts), Izoard and Izoard Soft (a monolinear sans inspired by the text on the monument atop the mythical Col d'Izoard in France which is frequently featured in the Tour de France), Strawford (a 14-style monolinear neo-geometric sans), Scilla Display ( an elegant high-contrast serif typeface inspired by the shapes of the flowers with sharp edges and organic curves).

Typefaces from 2022: N27 (an over-the-top hipster sans classified as avant-garde by Atipo), Stampa (an all caps sans serif typeface inspired by La Stampa's nameplate used by the weekly's sports supplement in Turin in 1902).

Behance link. Bariol site. Interview in 2012 by Unostiposduros. [Google] [More]  ⦿

ATK Studio
[Radinal Riki]

Indonesian designer of these techno display typefaces:

• Tronica Mono. A monospaced pixel typeface.
• Aux Mono (2020). Inspired by airline tickets, airport signs and electronic displays.
• Cosmo (2019) and Cosmo Display (2020: a monolinear display sans).
• Cygnito Mono (2019) and Cygnito Mono Pro (2021: 36 styles). Inspired by modernism and industrial graphic design.
• Elios (2021). A stencil typeface.
• Ligano (2020). A reverse contrast display typeface.
• Moldiv (2020). Octagonal and futuristic.
• Monoska (2019). Monospaced and pixelish.
• Proto Mono (2021). An octagonal typeface.
• Sillium (2019). A techno blackletter.
• Nort Mono (2021). A techno / electric circuit font.
• Porlane (2021).

Atlas Font Foundry
[Christoph Dunst]

Berlin-based foundry, est. 2012 by Christoph Dunst.

Creators of Novel Mono (2012, Christoph Dünst), Novel Sans (2012), Novel Sans Rounded (2012), and Novel Sans Condensed (2012), Novel Sans Office Pro (2013), Novel Sans Hair Pro (2014), Heimat Sans (2010), Heimat (2010), Heimat Mono (2013), Heimat Stencil (2013), Novel Sans Office Pro (2013), Heimat Didone (2014: a 72-style family of high-contrast didones; some styles should be useful for fashion mags), Heimat Display (2015: characterized by an inverted tail of the y), Novel Display (2017), Edit Serif Pro (2017), Edit Serif Cyrillic (2018), Edit Serif Arabic (2018).

Behance link. [Google] [MyFonts] [More]  ⦿

Atypical
[George Triantafyllakos]

George Triantafyllakos was born in Thessaloniki, Greece, in 1980. In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Founder, with Manolis Pratsinakis, of Backpacker. He set up the independent foundry Atypical.

His typefaces at Atypical: Atypical (2014), Burger (2014), Cornelius (2014, art deco), Direct (2014, sans), Donmeh (2016), Friday (2014), JoyD (2015, flared and lapidary), Marx in France (2014), Marx in USA (2014, condensed fashion mag style with teardrops), Monotonous (2014, monoline and monospaced), PhD (2014, squarish), Slab (2014), Vs (2017), Walter (2014, art deco, with Hollow and Stencil styles, and a possibility of layering with patterns).

At the open source type foundry Velvetyne, he added the Greek chracters to Lucas Le Bihan's Sporting Grotesque (2016).

Dafont link. Fontsquirrel link. Klingspor link. Kernest link. iFontMaker link. Cannibal Fonts link. Velvetyne Type Foundry link. [Google] [More]  ⦿

Autodesk

Description of the truetype fonts ISOCPEUR and ISOCTEUR: "The ISOCxEUx fonts were specifically designed for AutoCAD 2000. The proportion and shape of the characters complies with the CAD lettering standard DIN-ISO 3098-5, which specifies that the line width is 1/10th of character height." The 6 MB file at this place has a number of Autodesk truetype fonts produced in 1996: Complex, GDT, GothicE, GothicI, GreekC, GreekS, ISOCPEURItalic, ISOCT, ISOCTEURItalic, Italic, ItalicT, Monotxt, Proxy-1, Proxy-4, Proxy-5, Proxy-6, RomanS, RomanT, ScriptC, ScriptS, Syastro, Symap, Symath, Symeteo, Symusic, Txt. GothicE is also here. [Google] [More]  ⦿

Autograph
[Peter Korsman]

Autograph is Peter Korsman (b. 1982), the 's Hertogenbosch, The Netherlands-based co-founder and former member of Attak Powergestaltung, a creative partnership with Casper Herselman. In May 2016, after almost twelve years, he left Attak and started Autograph. He also teaches at AKV St. Joost. The fonts (which cost the last two digits of the year, so 17 dollars in 2017) at Autograph have the prefix APK and include:

• APK Rigimono (2017). A wonderful monospaced Wim Crouwel / Bauhaus / De Stijl-inspired typeface family.
• APK Reformas (2017). A fifties Swiss style sans.
• APK Katalogue (2017). Aka Korsman's Grotesk.
• APH Galeria (2017).

Behance link. A newer Behance link. [Google] [More]  ⦿

Axel Gustafsson

Self-described as an exile Swede and medieval rockstar currently studying Graphic Design at Westerdals SoC in Oslo, graduating summer 2013.. At Westerdals, he developed Dystopia (2012), a monospaced typeface inspired by retrofuturism and repressive social control systems.

Behance link. [Google] [More]  ⦿

Axel Pelletanche-Thévenart

French designer of

• Knif Mono Regular (2016, Aisforapple). This high-contrast typeface was art directed by Guillaume Grall and Benoit Santiard. It was produced by Emilie Rigaud.
• Trabis (2019, Aisforapple). A typewriter typeface.

Ayres
[Colin Ayres]

Taunton, UK-based designer of Ayres Mono (2020), which includes some music and mathematical symbols. A guitarist and guitar teacher, he also created The Ayres Music Standard font for use in Sibelius and Finale. [Google] [MyFonts] [More]  ⦿

B. Agaric
[Agaric Type]

[More]  ⦿

Backpacker
[George Triantafyllakos]

George Triantafyllakos was born in Thessaloniki, Greece, in 1980. In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Founder, with Manolis Pratsinakis, of Backpacker, where one can find free Latin and Greek typefaces: BPLatinNumerals, BPbigHead, BPchildLefty, BPchildFatty, BPchubby, BPchubbyFat, BPdots, BPilialena, BPletterSquares, BPletterSquaresWide, BPmolecules, BPmouse, BPmyhand, BPneon [paperclip face], BPpong [light stencil face], BPsquareHand, BPtall, BP PhD Sans, BP PhD Italic, BP PhD Mono, BP Inktrap, BP Script. These include quite a few handwriting typefaces. Commercial handwriting fonts at Cannibal (2001-2005): BPPallas, BPOlga, BPMaria, BPHaroula. In 2007, he added BP display black, BP mono and BP mono italics, and BP script. In 2008, BPreplay was created as a correction of MgOpenModata. Creations in 2009 and 2010: BPOApeloig, BPScript, BP Typewrite, BP Imperial (think Impact), BP Dots (30 monospaced dot fonts).

He set up the independent foundry Atypical.

Designer of TapeBold (2015, iFontMaker).

In 2016, he released the free all caps sans typeface Hellenica for Latin, Greek and Cyrillic.

In 2017 he participated in the team of designers who won the competition for the design of the new visual identity of the National Library of Greece (George D. Matthiopoulos, Dimitris Papazoglou, George Triantafyllakos and Axel Peemöller).

Fontsquirrel link. Kernest link. iFontMaker link. Cannibal Fonts link. [Google] [More]  ⦿

Bad Mean Good
[Bjorn Johansson]

Bjorn Johansson (Bad Mean Good) created the monospaced typeface family Camcorder (2008-2015), a typeface inspired by old consumer electronics. Camcorder is being used by Gucci, Pixies and Prada, for example. [Google] [More]  ⦿

Baron von Fonthausen
[Jacques Le Bailly]

Jacques Le Bailly (b. Thionville, France, 1975) is the "Baron von Fonthausen", located in Den Haag, and the self-proclaimed German-French specialist in the fields of both beer and type design. From 1999 to 2003, Le Bailly lived in Berlin, working at Moniteurs graphic design studio and as an independent graphic designer. Having returned to the Netherlands in 2003, Jacques did type production work for The Enschedé Font Foundry. He is now a typographic designer at Bau Winkel's studio in The Hague. He worked for type foundries like Lineto, Monotype, House Industries, and Bold Monday, as well as on custom projects for several brand design agencies. He has been teaching at the WdKA art academy in Rotterdam and Sint Joost in Den Bosch.

He was working on commercial fonts such as TyPress, Ballpoint and B-Day.

Sardines (2008, Vette Letters) is described by Jan Middendorp as an amusing parade of heavyweight characters crammed into squares. In 2010, that monospaced family was expanded to VLNL Neue Sardines (42 styles).

Designer of the pixel font Mekka.

Macula (2010) is a trompe l'oeuil typeface that is available from Bold Monday. It was inspired by Oscar Reutersvärd's impossible perspectives and M.C. Escher's optical illusions.

In 2016, Jacques Le Bailly extended Vernon Adams's Nunito (2011) to a full set of weights, and an accompanying regular non-rounded terminal version, Nunito Sans, which is free at Google Fonts and Open Font Library.

In 2018, he designed the free family Crimson Pro (a major update of Sebastian Kosch's Crimson from 2011) and VLNL Thueringer (at Vette Letters), and wrote: Jacques got inspired by Albrecht Düer's 15th century Fraktur (blackletter) alphabet, and decided to design a contemporary rounded version of it. It's a modern techno-style blackletter with a (beer)truckload of interesting design details.

In 2019, he released the free font Livvic. Livvic is a 16-style custom corporate sans typeface designed by Jacques Le Bailly for LV (Liverpool Victoria Friendly Society Limited), an insurance company based in the UK. The typeface is part of a brand redesign.

In 2020, Jacques Le Bailly, Cereal and Vernon Adams (posthumously) released the sans typeface family Mulish at Google Fonts. Mulish is a minimalist sans, designed for both display and text typography. It was initially drawn in 2011 by Vernon Adams and then refined until 2014. In 2017 the family was updated by Jacques Le Bailly to complete the work started by Vernon after he passed away, in collaboration with his wife Allison, an artist who holds the trademark on the typeface family name. In August 2019, it was updated with a variable font weight axis.

Behance link. Bold Monday link. %Z Liebe Petra, Die Site ist jetzt erstmal dafür gemacht, um Leuten zu zeigen was ich gerade mache. Leider sind die meisten der gezeigten Fonts noch nicht ganz fertig und werden deshalb noch nicht angeboten. neben Schriftgestaltung, mache ich auch noch Grafik-Design. Im Moment arbeite an der Font TyPress, die bei der 1. Ausgabe folgende Schnitte enthalten wird: Roman, Italic, Bold, Bold-Italic, Caps-Roman and Caps-Bold. Unsicher ist noch wo, oder von wem sie vertrieben werden. Der Font B-Day wird 1 Schnitt haben und wenn alles gut geht, wird sie ab Februar 2002 von Lineto (www.lineto.de) verkauft. Wenn Sie interessiert sind an meinen Entwürfen, oder z.B. an Custom-Type, fragen Sie bitte nach. Oder, wenn Sie gerne sehen möchten, wie meine Schriften im Druck aussehen, kann ich Ihnen ein PDF schicken. Freundlichen Grüsse, Greetings, Baron von Fonthausen, auch Jacques Le Bailly [Google] [MyFonts] [More]  ⦿

BARR-Courier

BARR-Courier (1990) is a rather complete Courier clone. The copyright says IBM, but I have no idea if that is true in this case. [Google] [More]  ⦿

Baugasm
[Vasjen Katro]

Visual designer in Tirana, Albania, who specializes in technologically-inspired designs. In 2019, together with Mathieu Desjardins, he created the wonderful typeface Neue Machina, which features deep ink traps in a technical / monospaced / geometric body. Neue Machina is destined to win many major type design awards. [Google] [More]  ⦿

Beata Sosity

Budapest, Hungary-based designer of the dada style monospaced font Locksmith (2017). [Google] [More]  ⦿

Beate Limbach
[Acces Design]

[More]  ⦿

Beatrice D'Agostino

Italian designer of Iki Mono (2020, at CAST) Iki Mono is a multifaceted monospaced typeface designed for publishing and coding. It has two variable styles. [Google] [MyFonts] [More]  ⦿

Beau Williamson

Montreal-based creator of the monospaced negatively tilted futuristic typeface Lights Out Noir (2008). In 2017, he designed the athletic lettering font Beau's Varsity and the show card lettering font Jodler. [Google] [MyFonts] [More]  ⦿

Bela Frank
[Frank Fonts]

[MyFonts] [More]  ⦿

Belleve Invis
[Renzhi Li]

Programmer and font technologist in Hefei, China. He wrote a parametric program that can create fonts. His first adventure is the gorgeous (monoline monospaced) programming font Iosevka (2015), which is completely free: for the source code, see Github. It has 7 weights and 6 styles and is entirely programmed. Belleve says that he was inspired by Pragmata Pro, M+ and PF DIN Mono. Github link to the releases. The font covers Latin, Greek and Cyrillic, and is narrower than many fonts in order to be compatible with CJK characters. A tour de force that deserves an award. The 27-style Iosevka Extended was released in 2020. Jozsika (2015-2017) is a customized version of Iosevka Curly. Github link. Aardvark Sans (2020) by a mystery author is also based on Iosevka.

In 2019, he released the free semi-monospaced font Zapus Sans. It is based on his earlier typeface Iosevka Aile.

Sarasa Gothic (2020) is a CJK programming font based on Iosevka and Source Han Sans.

Github link. [Google] [More]  ⦿

Bellistrami

Terni, Italy-based creator the monospaced alchemic typeface Chroma (2013).

Behance link. [Google] [More]  ⦿

Ben Bold
[Bold Studio (was: Studio BB)]

[MyFonts] [More]  ⦿

Ben Harris

Designer of the multistyle free monospaced octagonal and pixel font family Bedstead (2017), covering, Latin, Greek, Cyrillic, Hebrew, mathematics, and a slew of other things. He explains: Bedstead is an outline font based on the characters produced by the Mullard SAA5050 series of Teletext Character Generators. The SAA5050 is familiar to those of a certain age as the chip that produced the MODE 7 display on the BBC Microcomputer. It generates characters from a 5x9 pixel matrix, smoothing diagonal lines to produce an interlaced 10x18 matrix for each character. Bedstead extends that algorithm to continuity, converting a 5x9 pixel grid into an outline with smooth diagonals. [Google] [More]  ⦿

Ben Wittner

In 2018, Ben Wittner, Sascha Thoma and Timm Hartmann edited Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems (Niggli). Each chapter covers a different language and is written by a graphic designer who is a native speaker of that language. The languages covered are Arabic by Lara Captan & Kristian Sarkis, Cyrillic by Eugene Yukechev, Devanagari by Vaibhav Singh, Greek by Gerry Leonaidas, Hangul (Korean) by Jeongmin Kwon, Hanzi by Keith Tam, Hebrew by Lirion Levi Turkenich & Adi Stern and Kanji/Hiragana/Katakana (Chinese and Japanese) by Mariko Takagi.

Talib (2004) is a type project of eps51, a Berlin-based graphic design studio founded in 2004 by Sascha Thoma and Ben Wittner. They developed these faux Arabic fonts: Talib Old Style (calligraphic), Talib Kulkufi, and Talib Mohandes.

In 2020, Pascal Zoghbi (29LT) and Ben Wittner released the monospaced Arabic / Latin typefaces 29 LT Baseet Variable and 28 LT Zawi Variable. [Google] [More]  ⦿

ben17

FontStructor who made these typefaces in 2014: Sushi (3d), Buzz Wire (paperclip face), Spaghetti, Propeller, Parallel Lines, Slinky, Fineliner, Constellation (connect-the-dots typeface), Dotted Pixels, Folded Pixels, Fish Filled In (fat poster face), Fish, Paper Cut, Three, Orange, Constellation (connect-the-dots), Geometric Script (octagonal, connected, straight-edged), Geometric Script 2, Wire (paperclip font), Cardboard Box (3d and outlined), Fatty, Chamfer (octagonal), Half Moon (inline font), Paper Clips, Square (ultra-fat), Loop de Loop (connected), Rounded Mono.

In 2015, he added Footprint. [Google] [More]  ⦿

BenBenWorld (or: BB Bureau)
[Benoît Bodhuin]

Benoît Bodhuin (aka Ben Ben) lived in Tournai, Belgium, and after a brief spell in "chti" country, i.e., in Villeneuve d'Ascq, France, he relocated to Nantes in France. He studied mathematics and graphic design. Freelance graphic designer since 2004. In 2011, he set up Benben World at MyFonts.

Designer of the pixel fonts Logotix (2004), Latham and 5x7 Negatie Moyenne. In 2010, he made the paperclip typeface Pipo (first published in 2011 by Die Gestalten, and in 2017 by bb-bureau). He created the commercial angular sans typeface S-L (2006) which was originally made for the University of Arts Saint-Luc in Tournai. It was published by Volcano.

Commercial typefaces include S-L Bold (2012, a hexagonal typeface based on his design at St. Luc in 2006), Zigzag (2012, Volcano Type; a font originally made for the Vivat theater), and Marianne (2012, BenBenWorld: an inline and modular typeface family).

In 2013, he published the stencil / fractured typeface Mineral.

In 2014, he designed the experimental triangle-based Bauhaus-inspired Side A typeface.

In 2016, Bodhuin designed the expressive Italian typeface family BB Book A and bb-book Contrasted. He added the wedge serif BB Book B, BB Book Mono and BB Book Text to that series in 2018.

Typefaces from 2017: Brutal, Elastik.

Typefaces from 2019: Grotesk Remix (extended to Grotesk Remix Monospace and Grotesk Remix Variable in 2020), Tme (experimental: an update of Sl drawn in 2006 for the University of Arts Saint-Luc de Tournai), Standard-bb, Pickle Standard (extravagant and thought-provoking).

Typefaces from 2020: Gikit (in Text and Title version, for a perfect gridnik feel), Ballpill (designed for printing at very small sizes).

Typefaces from 2021: Bilibot (an experiment with overlapping strokes), Pimpit (rounded, condensed and with reverse stress), Volcano Type link. View Bodhuin's commercial typefaces. [Google] [MyFonts] [More]  ⦿

Benjamin Critton

Benjamin Critton (b. 1983) is an American designer, typographer, art director, publisher, writer, editor and curator. He lived in New Haven, Connecticut, where he studies towards an MFA in graphic design at the Yale School of Art, and is now based in Brooklyn, NY. In 2010, he joined the British type foundry Colophon.

Raisonné is a contemporary sans-serif typeface, designed by Benjamin Critton over the course of several months during the summer of 2010. It can be bought at Colophon Foundry.

In 2012, Colophon published his Value Serif typeface.

In 2013, the angular typeface Lydia Bold Condensed was published at Colophon: The typeface is a calligraphic sans-serif re-drawn and developed by Benjamin Critton after Warren Chappell's 1938-1946 designs. It is concurrently fluid and sharp; intended to appear wrought by both pen and machine.

In 2016, Critton designed the Google Font typeface family Space Mono, which follows in the footsteps of 1960s headline typefaces such as Microgramma and Eurostile. He also designed the sans typeface Sunset in 2016. Github link. [Google] [More]  ⦿

Benjamin Dennel

Designer in Amiens, France. In 2014, Clio Chaffardon and Benjamin Dennel co-designed the ink-trapped typeface Calico Monospace. [Google] [More]  ⦿

Benjamin Posch

Vienna, Austria-based designer of the monospaced triangulated metro signage-inspired Ooh Bahn (2020). [Google] [More]  ⦿

Benoît Bodhuin
[BenBenWorld (or: BB Bureau)]

[MyFonts] [More]  ⦿

Bera Fonts
[Malte Rosenau]

The Bera type 1 font pack comprises BeraSans-Bold, BeraSans-BoldOblique, BeraSans-Oblique, BeraSans-Roman, BeraSansMono-Bold, BeraSansMono-BoldOb, BeraSansMono-Oblique, BeraSansMono-Roman, BeraSerif-Bold, BeraSerif-Roman, all made in 2004. The developers, Malte Rosenau (University of Göttingen) and Walter Schmidt, write: The fonts were originally designed by Bitstream, Inc in TrueType format under the name "Bitstream Vera". These fonts are available from Gnome.org. Malte Rosenau converted them to the Postscript type1 format. The license required a different name ("Bera") to be assigned to the result. Ulrich Dirr (Art&Satz) reworked the kerning tables of the Bera Sans fonts. [Google] [More]  ⦿

Betatype
[Christian Robertson]

Betatype was established in 2003 by Christian Robertson, and is located in Concord, CA. It offers custom type design services as well as commercial fonts. Christian completed the BFA program in Graphic Design at Brigham Young University in Provo, UT, and was a partner at Mansfield Design Company in American Fork, UT. He joined Google where he presently works.

While at Brigham Young University, he designed Alexandre (2004, a roman influenced by blackletter), Blackletter No.36, Uncial New (2004, an uncial with a unicase feel), Aloe (2003), Betatype No. 28 (2003, a semiserif), Ulysses (2003), Pill Aberration, Raisin Nut, Pill Gothic (2001, a sans family published in 2004 at Umbrella Type/Veer), Beezer Sans, Uncial Slab, Sketch No. 26, Sketch No. 25, Dear Sarah (2004, a contextual handwriting typeface done with great care, available from Umbrella Type), and Factory.

Betatype published these fonts:

• Dear Sarah [Veer, 2004]. Dear Sarah is a contextual font that uses the contextual alternates feature of OpenType in an exemplary way. At the same time, people are complaining why OpenType's RAND feature is not implemented anywhere yet.
• Pill Gothic [Veer, 2004].
• Doublewide [Veer] (2006).
• Apertura [Veer]: a large sans family.
• Grant Avenue [Veer]: a large sans family.
• Zebramond.
• Serif Beta (2009): very promising free serif family!
• Ubuntu Title Font: a free rounded minimalist titling font.
• Uncial Slab (2003): a free unicase face.
• Emporium (2009): a display type inspired by Main Street.
• Roboto (2011). A free typeface developed at Google for its Android 4.0, and declared dead upon arrival by the typophile community since it does not know whether it is a humanist sans or a grotesk face. Roboto Slab followed in 2013. Image of Roboto. Google Web Fonts download link. Google Web Fonts link for Roboto Slab and Roboto Condensed. Google Web Fonts link for Roboto Mono (2015).
• Ubuntu Titling.

Google Plus link. [Google] [MyFonts] [More]  ⦿

Bethany Jennings

During her graphic design studies in Washington, DC, Bethany Jennings created Monogami (2014). [Google] [More]  ⦿

Beware of the Moose
[Hermen Grasman]

Hermen Grasman (b. 1964) graduated from the Academie voor de Beeldende Kunsten in Groningen, The Netherlands, class of 1988. He set up his own design studio in 1992, and is currently located in Haren (Groningen).

Creator of the squarish monospaced modular typeface Memory Square (2020: made using only 25 juxtaposed rectangles), the dot matrix typeface Modulair (2020) and the monolinear rounded organic sans typeface Maisonneuve (2020).

Typefaces from 2021: More Blocks (concentric squares), More Dots (a concentric circle dingbat font). [Google] [MyFonts] [More]  ⦿

Bidi

Typing Arabic for PCOM GDI printing (1997, Latin/Arabic font based on IBM Courier) and Cumberland Heb (Agfa/Monotype version of Courier for Latin and Hebrew). [Google] [More]  ⦿

Bigelow&Holmes
[Charles Bigelow]

Bigelow&Holmes was founded by Charles Bigelow and Kris Holmes. Charles Bigelow (b. 1945, Detroit) is a type designer and teacher, who runs his own studio, Bigelow&Holmes. Bigelow was a colleague of Donald Knuth at Stanford University when Knuth developed his Computer Modern typeface family for TeX. In mid-2006, Bigelow accepted the Melbert B. Cary Distinguished Professorship at Rochester Institute of Technology's School of Print Media. Before that, he taught at Stanford University, Rhode Island School of Design, and other institutions. Typefaces designed by Bigelow:

• The Lucida family (1985). Lucida is used in several scientific publications such as Scientific American. Its origins go back to Computer Modern. I find it more appropriate for screens than paper, but that is just a personal view. The Lucida family contains LucidaConsole (1993), LucidaSansTypewriter (1991), LucidaFax, LucidaCalligraphy, LucidaBright, Lucida Blackletter (1991, a bastarda) and Lucida Handwriting. It has been recently expanded to comply with the Unicode Standard, and includes non-Latin scripts such as Cyrillic, Greek, Arabic and Hebrew. Charles Bigelow created the font families Lucida Math (with Kris Holmes, 1993), Lucida Sans (with Kris Holmes, 1985), Lucida Typewriter Sans (with Kris Holmes, 1985) and Lucida Serif (with Kris Holmes, 1993). The paper by Charles Bigelow and Kris Holmes, The design of a Unicode font (Electronic Publishing, 1993, pp.289-305), explains the design issues such as letter heights, readability studies, and typeface designs for readers versus non-readers of the various scripts.
• Syntax Phonetic.
• Leviathan (1979).
• Apple Chicago (1991), Apple Geneva (1991).
• Microsoft Wingdings (1992).
• For the Go Project, Kris Holmes and Charles Bigelow designed the free typeface families Go Sans and Go Mono in 2016. The font family, called Go (naturally), includes proportional- and fixed-width faces in normal, bold, and italic renderings. The fonts have been tested for technical uses, particularly programming. These fonts are humanist in nature (grotesques being slightly less legible according to recent research) and have an x-height a few percentage points above that of Helvetica or Arial, again to enhance legibility. The name Go refers to the Go Programming Language. CTAN link.

Bitstream: Monospaced fonts

Monospaced fonts at Bitstream include Monospace821BT, OratorBT, Courier10PitchBT, Prestige12PitchBT, OCRAbyBT, OCRB10PitchBT, Pica10PitchBT. [Google] [More]  ⦿

Bitstream Vera Fonts
[Jim Lyles]

The Bitstream Gnome project has released a free no-strings-attached typeface family Vera (2003) for the Linux world. Developed by Bitstream's Jim Lyles, Vera comes in didone Serif, Sans and Sans Mono versions, with Bold, Oblique and Bold Oblique weights. The Sans Mono families have a characteristic dotted zero and an almost Z-shaped lower case l, and are in my view far from optimal. The serif fonts are a bit like Carter's Georgia.

See also here. Download also here or here. Jonathon Delacour complains about the lack of macroned characters, and compares various web browsers and font families.

Alternate download site. Fontspace link. [Google] [More]  ⦿

Bjorn Johansson
[Bad Mean Good]

[More]  ⦿

Black Foundry
[Jérémie Hornus]

Type foundry in Paris, est. 2016 by Jérémie Hornus, who is the design lead. Type designers associated with Black Foundry include Alisa Nowak and Ilya Naumoff. They initially bought the font collection of FontYou. Typefaces not included in the original FontYou collection:

• Angus (2018). A multiplexed rounded sans typeface family by Elliott Amblard that includes a variable font.
• In 2018, Elliott Amblard and Jérémie Hornus co-designed the information design humanist sans typeface family Drive. It is accompanied by the more typewriter-styles families Drive Mono and Drive Prop, and published by Black Foundry. The fiorms in Drive Mono and Prop are great, but all fonts in Drive are too widely spaced (as are several other fonts in the Black Foundry collection).
• Clother (Jeremie Hornus, Julie Soudanne, Ilya Naumoff, 2017). This geometric sans workhorse covers also Cyrillic, Hebrew and Arabic.
• Vesterbro (Jeremie Hornus, Alisa Nowak, Ilya Naumoff, 2017). High-contrast Latin / Cyrillic typeface with a Viking feel that won an award at Granshan 2017.
• Jeremie Hornus, Gregori Vincens, Yoann Minet, and Roxane Gataud (and possibly Riccardo Olocco) designed the free Google web font Atma for Latin (in comic book style) and Bengali. Github link.
• In 2016, Google Fonts published the free Latin / Bengali signage font Galada (2015). It is based on Pablo Impallari's Lobster (for Latin). The Bengali was developed as a studio collaboration by Jeremie Hornus, Yoann Minet, and Juan Bruce at Black Foundry.
• In 2016, Franck Jalleau designed the monospace sans typeface family Aubusson. Initially designed as a custom typeface by Franck Jalleau for the Cité internationale de la tapisserie d'Aubusson, the monowidth proportions are linked to pattern and tiles arrangements used in tapestry. The retail version of Aubusson offers four weights with matching italics. It was published by Black Foundry.
• Drive (2016). A corporate sans serif family.
• Dragon (2016). A clean sans typeface.
• Galien (2019). By the Black Foundry team, a mix with didone elements in the roman and garalde features in the italic. There is also a variable font with a weight axis.
• A custom sans font family for DS Automobiles (2019).
• Finder is a multiscript typeface developed in 2020 at Black Foundry by Jérémie Hornus, Gaëtan Baehr, Changchun Ye and Zhang Miao. This neutral sans is intended for interface design, and covers Arabic, Cyrillic, Greek, Hangul, Hebrew, Japanese, Latin, Simplified Chinese, Thai and Traditional Chinese.
• Screen Sans (2020). A 14-style sans by Jérémie Hornus and Ilya Naumoff published by Indian Type Foundry.
• Alpine Script: a variable font with four axes including boldness, humanity, and irregularity, made for the identity of the French (Renault) Alpine sports cars.
• Maif (2020). A sans family for the corporate identity of the Mutuelle d'Assurance Automobile des Instituteurs de France.
• In 2017, Jérémie Hornus, Théo Guillard, Morgane Pambrun, Alisa Nowak and Joachim Vu co-designed Bespoke Sans, Bespoke Serif and Bespoke Slab at Fontstore / Fontshare. In 2020, Bespoke Stencil was added.
• Egitto (2020). A huge Egyptian (slab serif) family together with a handy variable font. By Jérémie Hornus and Solenn Bordeau.
• Rowton (2021) is a humanist sans in black, regular and hairline weights, named after Arthur Eric Rowton Gill. It is accompanied by two stencil styles.
• NouvelR (2021). A corporate geometric sans typeface for Renault covering Latin, Greek, Cyrillic, Hebrew, Arabic and Korean. Characterized by a totally square lower case r. All terminal angles are 28 degrees, to align with the angle in Renault's logo.
• Enedis (2022). A commissioned sans.

BNF Type Foundry
[Dogu Kaya]

BNF (or: Brave New Fonts) Type Foundry was established by Dogu Kaya as a collaborative venue for new designers in Istanbul in 2015. Its initial fonts, all free and made by Dogu Kaya, include Five Pixel (2011), Type02 (2015, constructivist), Type03 (2015, constructivist stencil), and Kollektif (2015, a free low-contrast geometric sans).

Dogu Kaya is a graphic designer in Istanbul, Turkey, who created Oh My Gosh (2011, fat octagonal), Fil (2011, sans display face), Five Pixel (free), Kasa (octagonal and monospaced, seemingly for computer programs), Rounded (a monospaced face), and Horoz Unicase in 2011. In 2015, he created the free geometric sans typeface family Kollektif.

Behance link. Behance link fr Dogu Kaya. [Google] [More]  ⦿

Bo Berndal

Swedish designer born in 1924 in Stockholm. He says of himself: Compositor, Linotype operator, teacher of typography. Type designer in a small matrix factory 1950-51. Calligrapher, book designer, author, lecturer and trade mark specialist. Now retired, but does type design as a hobby and to special orders for museums, ad agencies, companies and even to private persons. His typefaces:

• Art Gallery (Monotype).
• Batory (T4).
• Batoswash (T4).
• Belltrap (1995, ITC).
• Benedict (uncial).
• Beowulf (uncial).
• Berndal (2003, Linotype).
• Boberia (1994, Linotype). A formidable didone text family with an antique bouquet.
• Boscribe (2005, Monotype).
• Bosis (1991, Monotype). A sans.
• Botobe (2011, T4). An informal script.
• Brigida (Monotype).
• Buccardi (1998, Monotype).
• Byngve (2004, Linotype). In the style of 15th century Italy.
• Caballero Script (2011, T4). Inspired by Spanish handwriting from the 15th and 16th centuries.
• Carl Beck Script (1992 Monotype).
• Cartesius (2006, T4). A beautiful 5-style family done at T4 in a mix of garalde and Venetian fashions.
• Linotype Dala (2002, Linotype). A Fraktur, accompanied by Linotype Dala Pics and Linotype Dala Borders.
• Eknaton (T4).
• Esseltube (Monotype).
• Euclides.
• Exlibris (1998, ITC).
• Frisans (2005, Monotype).
• Geometra (2011, T4).
• Gertrud (2006, T4). Based on 16th century calligraphy).
• Gianpoggio (1992).
• Golota (1998, Agfa).
• Grafilone (1994, Linotype). An avant-garde family that is almost illegible.
• Grantofte (1995, Monotype).
• Hagalind (2011, T4). A calligraphic connected script. Linotype Hieroglyphes One and Two (2002).
• Jerrywi (1994).
• Johabu (Monotype). A blackletter typeface.
• Lacko (Monotype)
• Lebensjoy (1994, Monotype).
• Logoform (Monotype).
• Magellan (1993, Monotype).
• Maricava (Monotype).
• Mixtra Roman (T4).
• Mixtra Sansserif (T4).
• Mixtra Slabserif (T4).
• Moorbacka (Monotype).
• Naniara (1998).
• Nordik (1992, Monotype). A revival of Genzsch Antiqua or Nordische Antiqua (1906, Genzsch & Heyse).
• Olaus Bandus and Olaus Magnus. Medieval scripts.
• Ornabo dingbats.
• Palekin (1994, Monotype).
• Pelegotic (2006, T4). An art deco inspired but minimalist sans.
• Picadyll (2011, T4). Art deco.
• PocketType (1994).
• Promemoria.
• Ringlingje.
• Sabellicus (1997, Monotype).
• Sergel (T4).
• Siseriff (2003, Linotype).
• SpaceKid (Monotype). Runes.
• Swing Bill (Monotype).
• Trotzkopf (1998).
• Tyma Garamont (T4).
• Unotype (1997, Monotype). Monospaced.
• Vadstenakursive (1989, Monotype). a blackletter typeface with almost Lombardic-looking capitals.
• Viger Spa (runes).
• Linotype Zurpreis (Linotype).

Pelle Anderson interviews Bo Berndal. Bitstream write-up. Agfa/Monotype write-up. Author of Typiskt typografiskt (Fisher and co, 1990). MyFonts page. Linotype page. MyFonts interview. FontShop link. Klingspor link. View Bo Berndal's typefaces. [Google] [MyFonts] [More]  ⦿

Bold Decisions
[Mads Wildgaard]

Mads Wildgaard (Bold Decisions, Arnhem and now Amsterdam, The Netherlands) designs type. His typefaces include

• Lars (2014). A neutral sans family. Followed by Lars Mono.
• Sverre (2014-2016). They write: Sverre is a stencil face, loosely drawn up from the Combination Stencil Sheet by Sverre Rian, a Norwegian immigrant, who made it in Darlington, Wisconsin, circa 1920. It is a circle-based monowidth design, but it is not a stencil face in the traditional sense of the word.
• GC15 (2016): GC15 is a monospaced serif typeface which originates from an undated plate, by Eric Gill.
• GC16 (2015-2016): a monospaced serif typeface that goes back to an undated plate by Percy Smith.
• Glossy Display (2018) and Glossy Magazine (2020). A vintage high contrast serif.
• Clip (2015-2017) is a modular typeface, revived by Asger Behncke Jacobsen in 2015, and completed with Mads Wildgaard in 2017.

Bold Monday
[Pieter van Rosmalen]

Bold Monday is an independent font foundry established by Paul van der Laan and Pieter van Rosmalen and based in Eindhoven, The Netherlands (and before that, The Hague). Pieter van Rosmalen (Eindhoven, The Netherlands) studied advertising and graphic design at Sint Lucas in Boxtel and graduated from the postgraduate Type & Media program at the Royal Academy of Art (KABK) in The Hague in 2002. He runs Bold Monday's Eindhoven office.

In 2018, Bold Monday joined The Type Network.

Pieter van Rosmalen has designed retail as well as custom typefaces for clients worldwide, such as NBC Universal, Audi AG, General Electric and KPN. One of Pieter's designs is used for street signs in South Korea. Pieter's retail typefaces in the Bold Monday catalog include

• Aniek (2009: a children's script).
• Bilo (2018: a grotesque).
• Capibara (2007).
• Dico (2004-2020). A varied suite of 45 typefaces by ncompassing eight proportional and monospaced sub-families (Sans, sas Soft, Mono, Code One, Code Two, Typefwriter, Slab, Mono Slab). It circles around a sans-serif van Rosmalen started in 2004 for design studio Teldesign, comprehensively updated and expanded upon in 2020. The monospaced script styles are loosely based on Corinthian Script for the IBM Selectric.
• Nitti (2008: monospaced), Nitti Grotesk (2012-2014), Nitti Mostro (2015, +Stencil, +Disco, a splendid multiline headline typeface), Nitti Typewriter (2009).
• Panno (2008, a sans), Panno Sign, Panno Text (2008-2010). By Van Rosmalen and van der Laan).
• Pinup (fat rounded sans, done in 2008). In 2013, he published Pinup Dotted (a textured typeface).
• Stanley (headline face, done in 2008; includes a stencil).
• Puffin, Puffin Display (rounded informal sans families) and Puffin Arcade (a large bitmap font family).

Bold Monday also has typefaces by other designers. In 2012, Bold Monday published the trompe l'oeuil typeface Macula (Jacques Le Bailly) which is based on designs by Oscar Reutersvärd. Oskar (2002-2013). They write: Oskar, designed by Paul van der Laan, is a typeface inspired by Dutch architectural and advertising lettering from the early 20th century. Particularly the style of lettering that was painted on walls and shopfronts, or executed in metal on buildings. This kind of typography did not exist as metal printing types, but was instead painted manually by sign painters, or drawn by architects. Initially the typeface was designed in 2002 for the lettering of a monumental school in The Hague, designed by architect Jan Duiker in 1929. In 2012, they published the trompe l'oeuil typeface Macula (Jacques Le Bailly) which is based on designs by Oscar Reutersvärd.

Further typefaces include Feisar (techno), Flex (sans), Naomi (1999) and Pixel Package.

GE Inspira Sans and Serif (Mike Abbink, Paul van der Laan and Pieter van Rosmalen, Bold Monday) won an award in the TDC 2015 Type Design competition.

In 2018, Pieter published the experimental pixel-inspired typeface family Alterego.

Typefaces from 2021: Stanley: Bold and broad-shouldered, Stanley is a poster typeface collection in three styles rooted in the first sans-serif designs of the 19th century---the grotesques. Stanley is available in Normal, Stencil, and Stencil Rough.

Pieter designed custom typefaces for worldwide clients amongst others Agis, Audi, Teldesign, KPN, The government of South Korea (road signing), The Ministry of Transport, Public Works and Water Management (OV Chipcard), USA Today (Futura Today, 2012, with Paul van der Laan), and NBC Universal. For Holland Festival in 2014, Paul van der Laan designed the stencil typeface HF Stencil (in collaboration with design studio Thonik, Amsterdam, and Diana Ovezea), a design inspired by Glaser Stencil.

Logo.

FontShop link. Adobe link. Type Network link. [Google] [MyFonts] [More]  ⦿

Bold Studio (was: Studio BB)
[Ben Bold]

Lake Konstanz, Germany-based designer of these typefaces:

• The pixel typeface BB Bitmap (2008, for a rock band).
• The BB Roller Mono Pro typeface family (2013-2017, +Text, +TextSoft +Headline, +HeadlineSoft).
• The octagonal typeface system BB Strata (2015-2018). See also BB Strata Pro (2019).
• BBT Series 2011-2014: Various contributions, including numerals, for clock typography.
• BB Studio Pro (2013-2017). A sans family, with Greek, Cyrillic, Mono and Stencil substyles. See also BB Studio Round Pro (2013-2017).
• BB Torsos Pro (2019). Based on the shape and proportion of the human body. Interpolations between styles are mathematically precise and innovative.
• Noname Pro (2019).
• BB Manual Mono Pro (2020). At 60 fonts, probably the largest monospaced typeface in the world in 2020. The glyphs are organic, monowidth and simple.
• BB Anonym Pro (2020). A rounded version of Noname (2019).
• BB Casual Pro (2020). A 34-style sans.

Bonjour Monde
[Lucas Descroix]

Lucas Descroix is graphic and type designer based in France. After researching at the National Institute for Typographic Research in Nancy, France, and graphic design degrees at Ecole Estienne (2012) and at HEAR (Haute Ecole des Arts du Rhin) in Strasbourg (2015, Masters), he started designing typefaces, books, posters and visual identities. His typefaces:

• The monospaced Nostra (2016, Future Fonts and Type Tomorrow).
• The angular and blackletter typeface family Forje (2016).
• Hernani (2015).
• The ultra-condensed hip-hop sans family Grandmaster (2018, The Designers Foundry).
• The 16-style sans family Odisea (2018).
• The wide sans typeface families Syne (2018) and Syne Mono (2018). The free Syne family was originally designed in 2017 for the Art Center Synesthésie, based in Saint-Denis. Syne became a Google font in 2020. Syne was imagined by Bonjour Monde and designed by Lucas Descroix with help from Arman Mohtadji. The Mono style was distorted using Bonjour Monde's DataFace, written by Arman Mohtadji. There is also Syne Tactile. Gitlab link.

  Fragen (2019). A 16-style hybrid that combines a slab serif with ball terminals and spirited italics (The Designers Foundry).

• Faidherbe (2019). At Future Fonts. Faidherbe was initially based on Ile-de-France by Crous-Vidal for Fonderie Typographique Française (1956-1961).
• Paraiso (2021). Paraiso is a condensed display typeface with a constructed feel, influenced by 19th and early-20th century wood typefaces.
• Custom typefaces by Lucas include the unicase font family ACL Ebène (2018) done for the carpentry shop Atelier Champs Libres, and the display typeface Villa (2018: for the visual identity of Villa Gillet).

Future Fonts link. Gitlab link. Type Tomorrow link. Fontsquirrel link where one can find some free fonts such as Syne. [Google] [More]  ⦿

Boris Brumnjak

Boris Brumnjak (b. Berlin, 1977, d. 2017) was a graphic designer who studied at LetteVerein Berlin until 1999. He designed the monospace retrotech pixel font Facsimile at T-26 in 2001. Since 2000, he ran brumnjak.com / grappa blotto in Berlin, which was involved in corporate design. He practiced design in Berlin, Wuppertal and Chicago.

Obituary by Juergen Siebert. [Google] [MyFonts] [More]  ⦿

Botio Nikoltchev
[Lettersoup]

[MyFonts] [More]  ⦿

Boulevard Lab
[Samuel Glen Hughes]

Or just Sam G. Hughes. An experimental design studio in Edinburgh, Scotland and/or Canada that made some fonts starting in 2019: Avenue (+Mono), Arctic, Sometimes Times, Oatmeal Sans, George Display, Melody Sans, Alt Display.

In 2020, he designed Lothian Sans (with harsh angles to accompany the uniform neo-grotesk design, influenced by the early-20th-century Cubist movement) and Kale Mono. Behance link for Sam G. Hughes. [Google] [More]  ⦿

Bourgeois Bear
[Jason Stewart]

Eubank, KY-based software expert at Eggplant Systems and Design. Creator of the free programming font DaddyTimeMono (20170-2019). [Google] [More]  ⦿

Brae Savva

During his graphic design studies at Norwich University of the Arts, UK, in 2013, Brae Savva designed an unnamed modular monospaced display typeface. [Google] [More]  ⦿

Bramaji Dipa Manggala
[Moonbandit]

[MyFonts] [More]  ⦿

Brandon Shields

Designer of Broad Mono (2017), a free ultra-wide monospaced sans-serif typeface suitable for display and large formats. [Google] [More]  ⦿

Brian Dunn

Designer at Open Font Library of these free fonts: Deja Vu Markup (2016, a modification of Bitstream's free font Deja Vu Sans mono from 2003), Inconsolata LGC Markup (2016, based on Inconsolata LGC (2006, Raph Levien)). [Google] [More]  ⦿

Brian Suda
[Optional Is]

[More]  ⦿

Bridge Postcard Collector's

Truetype download: CourierNewPSMT (East-European font by Monotype), HellasCour (Greek font by Pouliadis Associates, 1992), VPS-Courier-Hoa (VPS font: Vietnamese), VPS-Courier (VPS font: Vietnamese). [Google] [More]  ⦿

British APL Association

APL font links. Some downloads too: from Adrian Smith (York, UK), APL2741PS-APL2 (2002), APL2741x (2000), JSansPS (2000), KAPLPS (1995-2001); from Amadeus Information Systems Limited, the big slab-serifed monospaced font SImPL (1996-2001). [Google] [More]  ⦿

Brownfox
[Gayaneh Bagdasaryan]

A graduate of Moscow State University of Printing Arts, Gayaneh has designed Cyrillic localizations for most major type libraries, including Linotype, Bitstream, The Font Bureau, ITC, Berthold, Typotheque, Emigre, and ParaType. She began her type design career at ParaType in 1996 and started Brownfox (her type foundry) in 2012.

Brownfaox specializes in the design and production of Latin and Cyrillic fonts for print and for screen. They are the organizers of the first Russian international type conference Serebro Nabora. Their first typefaces in 2012, all posted at Google Web Fonts, include Simonetta (readable angular typeface: see here), Sevillana (curly upright script by Olga Umpeleva), Geometria (a geometric sans by Vyacheslav Kirilenko and Gayaneh Bagdasaryan), and Henny Penny (a playful decorative typeface, also by Olga Umpeleva).

In 2013, we also find Super Disco (an art disco layered typeface family by Gayaneh Bagdasaryan). Institut (2013) is an industrial-strength sans typeface designed by Vyacheslav Kirilenko with participation of Gayaneh Bagdasaryan.

In 2013-2014, Gayaneh Bagdasaryan and Dmitry Rastvortsev created the Latin / Cyrillic sans typeface family Brutal Type (Brownfox) that is genetically linked to DIN.

Typefaces from 2014: Gerbera (a sans face co-designed with Vyacheslav Kirilenko), Formular (by Vyacheslav Kirilenko and Gayaneh Bagdasaryan: a Swiss sans family for Latin and Cyrillic), Activist (a minimalist all caps typeface commissioned by the Anticorruption Foundation).

Typefaces from 2015: Nolde (a Latin / Cyrillic titling typeface named after german-Danish printer Emil Nolde; by Vyacheslav Kirilenko and Gayaneh Bagdasaryan).

Typefaces from 2016: Wermut (a dagger-serifed transitional Latin / Cyrillic text typeface family by Gayaneh Bagdasaryan and Vyacheslav Kirilenko, published at Brownfox).

Typefaces from 2017: Aeroport (by Gayaneh Bagdasaryan & Vyacheslav Kirilenko).

Typefaces from 2022: Jet (the authors, Gayaneh Bagdasaryan and Vyacheslav Kirilenko, write: Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go).

Behance link. Fontspace link. [Google] [MyFonts] [More]  ⦿

Browsers and fonts

Alan J. Flavell (Glasgow University) discusses the interface between fonts and browsers. A list of Unicode-compliant fonts is given. There is also information on monospaced fonts. Regarding Webdings, he explains that the font is not Unicode-compliant and thus is inappropriate for web use, as HTML looks for unicode mappings. In other words, the name Webdings is inappropriate. [Google] [More]  ⦿

Bruno Maag
[Dalton Maag]

[MyFonts] [More]  ⦿

Bryce Wilner

New York-based designer of the free sans serif typeface Standard (2017-2019), Counter (2017), Evening (2017: a flared, incised typeface), Section (2017), Half (2016: a rectangular monospaced typeface), TCA (2015: a modular tape font), FontlabFont (2013: a pixel font). Github link.

Library Stack link. [Google] [More]  ⦿

Buero Bauer
[Erwin K. Bauer]

Erwin Bauer is an Austrian type designer, and Buero Bauer is one of Austria's main design studios. At Volcano Type, Erwin Bauer published the art deco era stencil typeface Reklame Stencil (2010, developed jointly with Zaneta Drgová).

In 2021, Erwin Bauer, Mischa Herzog and Daniel Schaffer co-designed Mono To Go, a monospaced typeface with a constructed, grid-based body and a playful spirit. It is entirely based on modular pieces such as circles and other simple geometric shapes.

Erwin Bauer's home page. [Google] [MyFonts] [More]  ⦿

Bureau Brut (was: Extra Brut)
[Yoann Minet]

Bureau Brut was founded in 2015 by Julia Joffre, Yoann Minet and Camille Prandi. In 2017 Bureau Brut opened up Extrabrutshop to sell their typefaces. Both are located in Montreuil, France. The original collection of typefaces were all done by Yoann Minet. They include Droulers, Matorral (2016-2019, with the help of Baptiste Lecanu: Matorral is based on the fiery single-weight bespoke typeface Bureau Brut designed for the identity of Musée de la Poterie de La Borne. It draws inspiration from Fritz H. Ehmcke's Ehmcke Antiqua (Flinsch, 1908: the lower case t) and William F. Capitain's Caxton Old Style (Marder, Luse & Co., 1889: the R), and features an M with a distinctive Marseille vibe as in the monogram of René Dufaure de Montmirail, founder of the Olympique de Marseille football club in 1899), Ostia Antica, Totentanz and Traulha. In 2016, Minet designed the custom ultra-condensed typeface Scories Mono. Dr (2017) was published by Production Type. In 2018, they added the floarting-in-the-wind typeface Bourrasque. In 2020, Bureau Brut released Brut Grotesque (the original design started in 2015), and designed the compressed arts and crafts custom font MySen for the jewelry brand MySen. In 2021, Bureau Brut published the chamfered typeface family Round and the experimental Roman Grotesque without revealing who designed it. [Google] [More]  ⦿

burodestruct (or: Typedifferent.com)
[Lorenz Lopetz Gianfreda]

Lorenz Lopetz Gianfreda's foundry in Bern, Switzerland, est. 1994, called Burodestruct and Typedifferent.com.

Free fonts include(d) the gorgeous GalaQuadra (by Angela Pestalozzi, 1999), Eject Katakana (1998), Dippex (1995, grunge font), Ticket (1995), Rocket 70 (1996), Ratterbit (1995, pixel font), Plakatbau (1995), Lodel Fizler (1996), Flossy (1995), Faxer (1995), Console Remix (1998), Cravt (1998, by "Katrin"), Stereotype (1998, by M. Brunner), Brockelmann (1995, free), Kristallo (1997, very original display face) and Billiet (1996).

Other fonts: Acidboyz (1998), Alustar (1999), BD Asciimax (1999, ascii art font), BD Billding, Bdr_mono (1999), Brick (1996, like Kalendar), Cluster (1996), Console (1997), Doomed (1998), Eject (1998), Electrobazar (1995), Elside (1995), Globus (1996), Fazer (1996), Lofi (1997), Medled (1995), Paccer (1995), Solaris (1998), Spicyfruits_brush_rmx (1998, a nice high-contrast face), Spicyfruits_rmx, Wurst (free, by Heiwid, 2000), Relaunch (2000), Relaunch Katakana (2000, free), Rainbow (2000), DeLaFrance (2000, free, by Heiwid), Electronic Plastic (2000), Colonius (2001), Cash (2001), Cashbox (2001), Bilding (2001), Meter (2001), Mustang (2001), Bankwell (2001), BD Alm (2001), Balduin (2001), Tatami (2001, oriental look font), Hexades (2001, free), Nippori (2002, techno), Jura (2002), Bonbon (2002, free), Band (2002, free), Navyseals (2002, kitchen tile font), Ritmic (2002), BDR Mono (1999, OCR-like font), Mann (2003, ultra fat stencil), Aroma (2003), Zenith (2003), Nebraska (2003), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Wakarimasu (2004, free kana face), BD Bernebeats (2004, futuristic), BD Deckard (2004), BD Spinner (2004), BD Victoria (2004), BD Designer (2004), BD Kalinka (2005, a curly ultra-fat display face), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Varicolor (2005, stencil), BD Chantilly (2005), BD Memory (2005), BD Emerald (2005, beveled), BD Kalinka (2005, Cyrillic simulation), BD Extrwurst (2005), BD Aquatico (2005), BD Mandarin (2005), BD Polo (2005), BD Beans (2005), BD Tiny (2005, pixel face), BD Times New Digital (2006), BD Panzer (2006), BD Jupiter, BD Jupiter Stencil (2006), BD Pipe (2006), BDR Mono 2006 (2006), BD Fimo Outline (2007, free, by Nathalie Birkle), BD Bermuda (2007, experimental and geometric), BD Smoker (2007, psychedelic), BD Radiogram (2007), BD Mother (2007, exaggerated black Egyptian), BD Fimo Regular (2007, free), BD Demon (2007), BD Reithalle (2007, free), BD Halfpipe (2007, free), BD Broadband (2008, free; not to be confused with the much older fonts BroadbandICG or FLOP Design's Broadband), BD Viewmaster and BD Viewmaster Neon (2008), BD Electrobazaar (2008), BD Motra (2008, stencil), BD Virtual (2008), BD Spacy 125 (2008), BD AsciiMax, BD ElAutobus (2004), BD Equipment (2004), BD Ramen (2003), BD Retrocentric (2009), BDR A3MIK (2009, virile Latin and Cyrillic slab), BD HitBit (2009), BD Unicorse (2010, unicase and techno), BD Telegraph (2011), BD Schablone (2012, stencil face), BD Pankow (2013, stencil), BD Algebra (2014), BD Hiragana Kuro (2014), BD Qualle (2014, a fat poster typeface), BD Tribler (2015, a tribal font).

Alphabetical listing of their pre-2015 free typefaces: Algebra, Alm, Apotheke, AsciiMax, Baldrian, Band, Bankwell, Bardust, Beans, Billding, Billiet, Bonbon, Brockelmann, Burner, Cash, Cashbox, Chantilly, Circo, Console, Console Remix, Cravt, Delafrance, Designer, Destination, Dippex, Eject Katakana, ElAutobus, Elmax, Elside, Equipment, Faxer, Fazer, Fimo, Flossy, Fluke, Galaquadra, Geminis, Halfpipe, Hexades, Hiragana Kuro, Jayn Fonta, Kristallo, Lodelfizler, Lofi, Medled, Meter, Mustang, Outline, Paccer, Pipe, Plakatbau, Plankton, Polo, Ragout, Ramen, Ratterbit, Reithalle, Relaunch, Relaunch Ktna, Rocket70, Sirca, Sirca Rmx, Solaris, Spacy125, Spicyfruits, Spinner, Stella, Stencler, Stereotype, Ticket, Times New Digital, TinyFont, Tribler, Unfold, Wakarimasu.

Alphabetical listing of their pre-2015 commercial typefaces: A3mik, Acidboyz, Alustar, Aquatico, Aroma, Balduin, BDR Mono 2006, Bermuda, Bernebeats, Breakbeat, Brick, Broadband, Calamares, Central, Cluster (Corporate), Colonius, Deckard, Demon, Discount, Doomed, Edding850, Eject, Electrobazar 2008, Electronicplastic, Elk, Emerald, Endless, Extrawurst, Fontabello, Globus, Good Wood, Hell, Hitbit, Jupiter, Jura, Kalinka, Kameron, Kinski, Las Palmas, Mandarin, Mann, Memory, Mother, Motra, Naranino (2012: a children;s script), Navyseals, Nebraska, Nippori, Nokio, Orlando, Pankow, Panzer, Qualle, Radiogram, Rainbow, Retrocentric, Ritmic, Robotron, Schablone, Showlong, Smoker, St.Moritz, Stalker, Stonehenge, Sweethome, Tatami, Telegraph, Unexpected, Unicorse, Varicolor, Victoria, Viewmaster, Virtual, Wotka, Wurst, Wurst Directors Cut, Zenith.

In 2015, Gianfreda designed BD Barbeaux (a condensed typeface with the fashionable chic of the French art nouveau or film noir).

Typefaces from 2016: BD Kickrom Mono (LED emulation type).

Typefaces from 2018: BD Westwork.

Typefaces from 2020: BD Aubergin (an experimental poster font with Bauhaus elements), BD Microna (a pixelish variable font), BD Micron Robots (dingbats).

Typefaces from 2021: BD Supper (a food packaging sans), BD Roylac (a stylish poster font that evokes modern furniture), BDRmono 2021 (hipster style techno).

Alternate URL. Dafont link. Behance link.

View the Typedifferent typeface library. [Google] [MyFonts] [More]  ⦿

Büro Dunst
[Christoph Dunst]

Christoph Dunst is a graphic and type designer living and working in Berlin, Germany. He studied at the Royal Academy of Fine Arts in Den Haag, The Netherlands, where he graduated with a degree in graphic and typographic design and a masters in type design. In 2006 he founded the design studio Büro Dunst in Den Haag, which he moved in 2009 to Berlin, lock, stock and barrel. In 2012, he set up Atlas Font Foundry.

Designer of the text family Novel, which won an award at TDC2 2009. He calls his Novel Sans Pro (2011) a new humanist grotesque face---a contradictio in terminis. In 2011, he added Novel Mono Pro, a monospaced grotesk family, and Novel Sans Condensed Pro, a great family for information design. In 2012, Novel Sans Rounded Pro followed. In 2015, Christoph added Novel Sans Rounded Italics Pro.

Other typefaces: Heimat Sans (2010, a monoline sans family), FF DIN Round (2010), Heungkuk Sans (the corporate typeface of the Heungkuk Finance Group, Seoul, South Korea).

Klingspor link. Atlas Font Foundry link. [Google] [MyFonts] [More]  ⦿

Cahya Sofyan
[Studio Sun (or: Sun Brand Co)]

[MyFonts] [More]  ⦿

Caio Kondo

During his studies in Piracicaba, Goiania, Brazil, Caio Kondo designed the sans typeface Goiania (2014), the blackletter typeface York (2016) and the free didone typeface Chamuyo (2018).

In 2019, Caio Kondo designed the custom typeface Wixx Mono.

In 2020, he co-founded Inari Type with Satsuki Arakaki in Campinas, Brazil. With Satsuki Arakaki, he designed Nikkei Maru (2020) and Mori Gothic (2020), a seven-style geometric sans. Nikkei Maru is a tribute to Japanese immigration done typographically. The project started from a collection of photographs of the ships that brought Japanese immigrants to the American continent, and from our interest in researching the history of immigration, fueled by our own ancestry. In addition to the intercontinental transit, the research also addresses the arrival and establishment of Nikkei---Japanese living abroad and their descendants---on the new continent. The immigration process inspired other aspects of typography, such as newspapers from the Nikkei communities that were a reference for the lower case, and different experiences lived by immigrants which are represented in the dingbats.

In 2021, he published the 3-weight decorative serif family PP Eiko at Pangram Pangram. Characterized by sharp triangular serifs, PP Eiko is inspired by the work of Eiko Ishioka, a multitalented Japanese artist. It seeks to convey the spirit of his work in these typographic explorations. It is an original serif font with high contrast, including the syllable alphabet kana (hiragana and katakana), it can be seemlessly paired with Mincho style kanji fonts. [Google] [MyFonts] [More]  ⦿

Caleb Newberg

During his studies at the University of Kansas, Caleb Newberg designed the monospaced sans serif typeface Astro in 2012. Still at UK, he created the tweetware constructivist typeface family Headcase (2013). [Google] [More]  ⦿

Cameron Bagwell

Designer from Easley, SC. He created the perfectly square (and thus monospaced) typeface GridFit (2012), and of the squarish techno typeface Urban Cowboy (2012).

Behance link. [Google] [More]  ⦿

Canonical Design
[Dalton Maag]

Design team that is related to Ubuntu. In 2010, they cooperated with the type design team of Dalton Maag to bring us free fonts for Ubuntu (called Ubuntu). Download the fonts: Ubuntu-Bold, Ubuntu-BoldItalic, Ubuntu-Italic, Ubuntu-Regular. Google Directory link for Ubuntu Mono (2010: free) and for Ubuntu Condensed. Announcement pages. The initial package contains Latin A+B Ext, Greek Polytonic and Cyrillic Extended, but lots of extensions are expected over the next few years.

Andrew Fitzsimon of Canonical Ltd created the font used in the logo of Ubuntu called Ubuntu-Title in 2005.

The package description reads: The Ubuntu Font Family are a set of matching new libre/open fonts in development during 2010-2011. The development is being funded by Canonical Ltd on behalf the wider Free Software community and the Ubuntu project. The technical font design work and implementation is being undertaken by Dalton Maag. Both the final font Truetype/OpenType files and the design files used to produce the font family are distributed under an open licence and you are expressly encouraged to experiment, modify, share and improve. Ralf Herrmann likes the font family but recalls that other typographers find Ubuntu too close to DTL Prokyon.

Dalton Maag's Fontspace link. [Google] [More]  ⦿

Caoca Studio (or: Heroglyphs)
[Olivia Theresa]

Bandung, Indonesia-based type designer specializing in scrapbook fonts.

Typefaces from 2021: Jingle Cookies, Halloween Time, Alpaca Rain, Dingo Nursery, Cheese Sandwich, Charming Winter, Dashing Christmas, Magic Blooms, Dear Love.

Typefaces from 2020: Prune Blossom, Author Junior, Party Festival, Thankful Cookies Font, Christmas Valley, Warm Noodles, Your Summer, Happy House, Back To School, Pink Unicorn Font, Pink Beach, Rolling Film, Chill Time, Holiday Season, The Merry Holiday, Winter Holidays, Chocolate Cheese, Holly Jolly, Some Time.

Typefaces from 2019: The Rudolf Sleigh, Christmas Glee, Pumpkin Halloween, Automono (a rounded monolinear monospaced sans family), Summer Break, Milky Unicorn, Merry Bright, Brain Wash.

Typefaces from 2018: Altocumulus, Great Heart, Jolly Christmas, Winter Story, Romantica Script, Orange Juice, Black Shadows, Baby Seal, Adabame, Ericlaire, Uniquely, Sunday Hawaii, Summer Seas, Pool Party (monoline), The Lettering Font, The Great Circus, Brain Wash, Parents Greet, Monday Lovers (athletic lettering), Moms Note (handcrafted), Meidy, Maldisa, Historia, Laborations (sans stencil), Magic Trick, Kajika, Little Edelweiss, Hello Alpha, Hairmusk (brush), Gallerina, Father and Son (sans), Summer Peach, The Patriot (all caps sans), Vaganza (spurred), The Harison, Twigs (brush script), Valery (vintage), Torberta (spurred), Sants (squarish sans), Out Hill, Super Slayers, Sun Street, Summery, Summer Nude, Retros, Keripik (fat marker font), LaVonn (sans), Happy Valentine's Day (dingbats), Valentine's Edition Dingbats, Irish Green, The Stoothgart, Tying The Knot, San Barley (horizontally hatched), Easton (monoline sans), Pop Fist (condensed sans), Oracles (all caps sans), Pandoura, Popera, Loverstruck.

Typefaces from 2017: Right Brush, Spooky Tricks (halloween font), Treasure Script, Summer Joy, Brave Hearted (outline font), Father And Son, Super Slayers, Earth and Sky, Almondia, Hello People (comic book script), Northern, Looking, Parents Greet, Baker Sweet, Avocados.

Typefaces from 2016: Ineffable (regular and grunge), Saqanone, Salmonberry, Huckleberries, Mongli (a sharp-edged sans), Retros (inline), Andrade (brush style), Amecas (squarish), Queenata (signage script), Ranania (script), Paradise (calligraphic), Valery, The Mastiff, Little Edelweiss (curly informal typeface), Loverstruck, Calamandria, Pulsate (stencil), Peanut, Sedalia (brush script), Delaboean, Rhapsody (blackletter), Chiqarine (connected script), Berretti (a Broadway style art deco typeface), Cupello Sons (a geometric serif), Quella (brush script), Hello Alpha, Historia, Desmosedici. In 2014, during her studies in Bandung, Indonesia, Olivia Theresa created the frilly ornamental caps typeface Sambasa (2014), which was designed on a Georgia skeleton.

Creative Market link. Behance link. Behance link for Olivia Theresa. Creative Market link for Heroglyphs. [Google] [More]  ⦿

Carl Osterwald

Co-designer with Steve Gilardi and Andrew Welch of the monospaced typeface ProFontWindows (1997). Free download here. [Google] [More]  ⦿

Carlo Krüger
[Fontkingz]

[MyFonts] [More]  ⦿

Carrois Type Design
[Ralph du Carrois]

Carrois Type Design (Berlin, Germany) started up officially ca. 2010, although Ralph du Carrois has been designing typefaces since ca. 2002. This dynamic company in Germany has three art directors, Jenny du Carrois, Anja Meiners and Botjo Nikoltchev. All three also design typefaces, as well as Adam Twardoch, Andreas Eigendorf and Ralph du Carrois himself. The company specializes in custom type.

Typefaces (a *very* incomplete list, with apologies, but I can't tell from the web site who made what...):

• Allzweck MvdR (2010-2011), a revival of a sans typeface influenced by Planzkissen by Mies van der Rohe. This was commissioned by Neue Nationalgalerie.
• The corporate typeface Cisco Sans (2010), which is positioned midway between Helvetica and Akzidenz Grotesk.
• Fira Sans (2013, for Firefox; with Erik Spiekermann). Google Web Font link. Mozilla download page. Google web Fonts published Fira Sans Condensed and Fira Sans Extra Condensed (2012-2016) in 2017. CTAN link.
• Krikrikrak and Blumenkohl (2013, children's scripts).
• PTL Manohara (2010, Primetype: a humanist sans by Botio Nikoltchev), Sadgirl(2006, Primetype), and PTL Maurea (2005, Primetype). Ralph du Carrois made many more fonts at Primetype prior to the establishment of Carrois Type design.
• Free Google Web Fonts made in 2012: ABeeZee (Anja Meiners: a sans typeface created to help children), Carrois Gothic, Carrois Gothic SC, Finger Paint (brush face).
• Icon fonts for a number of companies: Bosch (2011), Herzberger Bäckerei (2011), Hybride Iconwelt (2007), Ponce, Russian Rail, Sentres Wettericons, ZDF Nachrichten.
• Several typefaces were created in cooperation with Erik Spiekermann's group between 2007 and 2012. These include work on Meta Serif Pro (2011), Meta Science (2012: done for De Gruyter, it is based on Meta and Meta serif), FF Meta (2008: some thin italic weights), TERN or Trans European Road Network (2007-2008), ZDF Nachrichten (2009, plus many icons), Lautschrift (2012: a phonetic script done for Erik Spiekermann to add to his Meta and Meta Serif families), and Unit Slab Pro (2009).
• Inarea Sans (2003) and Inarea (2003-2005).
• FR Classic (2002). This typeface was used in the redesign of the Frankfurter Rundschau. This didone is based on a reworking of LT Gianotten by Antonio Pace.
• Two condensed sans typefaces done for the subway system in Rome in 2005. Some icons were also made in that project.
• Share (2006). A free techno monospaced family made for the TYPO3 Association.
• An angular grotesk done in 2008 for the Russian Railways. This work was carried out with Dmitri Lavrow, and invloved Andreas Eigendorf and Ralph du Carrois.
• Suzuki (2006) is a corporate gothic font that replaces Franklin Gothic at Suzuki as house style.

About Ralph du Carrois, b. 1975: He graduated at the Staatliche Hochschule für Gestaltung Karlsruhe in 2004 with his first typeface family PTL Maurea. Since 2000 he has worked for different companies or agencies. In 2003 he founded the studio seite4 in Berlin with its main focus on type design and corporate identity design. [Google] [More]  ⦿

Catalin

Bitstream's SAS Monospace truetype font family. [Google] [More]  ⦿

Chang Ki Han
[Ckhans]

[MyFonts] [More]  ⦿

Charles Bigelow
[Bigelow&Holmes]

[MyFonts] [More]  ⦿

Chequered Ink
[Allison James]

Chequered Ink (est. 2015) is a two-man design studio consisting of Daniel Johnston (b. 1993) and Allison James (b. 1991; Allison is a reincarnation of Andrew McCluskey). Their business is based in Bath, England but they currently reside in Newport, Wales. Before 2015, Andrew McCluskey operated as NAL Games. That font collection was merged with Chequered Ink. As of early 2019, they designed 912 fonts, virtually all downloadable at Fontspace. For detailed attributions, we have:

• Fonts by Allison James.
• Fonts by Daniel Johnston.
• Collaborative fonts.

Typefaces from 2015, mostly made with FontStruct: Heartbeat Synchronicity, Sawchain, Man Flu, Ace Adventure, Disco Nectar, Hex Girlfriend, Future Now, Lycra, Rygarde (pixel font), Empire Straight (avant garde caps), Kitty Katastrophe, Gang Wolfik Craze, O.K.Retro, Xxrdcore, the blocky sans serif Horticulture, the modular angular Heartbreaker, Ninja Thing, Fort Brewith, Urgently, Baxter's Slab (heavy octagonal style), Lady Radical (pixel font), Provisionary, Quickfyr, Vermin Vore, Even Stevens.

Typefaces from 2016: Sportscream, Assvssin, Brandsom (ransom note font), BromineCocktail, DestinationMercury, Eviscera, Halloween*Heresy, IReallyReallyReallyReallyReallyReallyLikeFonts, Viadukt, Yetimology, Indocorno, Overdose Sunrise (dry brush), Happy Talk, Camaraderie, Death Hector (sci-fi), Scones And Crossbows, Casual Softcore, Notepads & Roleplay, Order in Chaos, Stencil of Destiny, ViceVersus, Magenta Flow, Prick Habit, Go Faster, BlackboardRovers, Caperput, Chavelite, Lovecraftimus, RawhideRaw2016, SmackLaidethDown2016, SmackLaidethDown2016Oblique, Pelode, The Nineties Called They Want Their Font Back, You Can't Kill Old School, Thoroughbred, Card Shark, Sheeping Dogs, Zen Monolith, The Joy Facade, Cerulean Nights, Pounds of Violence, Altered Quest (octagonal), Thrash Decision (dripping paint font), Afroed Dizzy Yak (handcrafted style), Circulus (octagonal style), 53 Dollars and 92 Cents, Endless Boss Battle (pixel font), Guest Circus Paradiso, Niagaraphobia (sans), Noseblood (squarish italic), Shake Your Plums, The Light Brigade (trekkie font), Beautiful Heartbeat (handcrafted), Poisoned Paradigm (dripping paint font), Development Hell (modular), Energetic Star (stencil), Men Down (display or poster type), Apple Korea (Hangul emulation typeface), Zdyk Capricorn, CQ Mono (a rounded monoline monospaced sans programming font), Pyrsing, Executionist, Mono a Mano (pixel typeface), Toxico, Swiggity (hexagonal), Mono a Mano (pixel font), Dissolved Exchange, Thundercover, Hors d'oeuvres The Garter, Distortion Dos Digital, Acetate, Arcapulse, ChelseaSmile, Headshots, Here&NotFound, IregulaTo, Japers, MidnightsontheShore, RallyBlade, Sothin (a great ultra-condensed squarish typeface), VerminVibes4Helium, 6Cells, DistortionDosAnalogue, SpotMonkey, Summoners, UnderwearProtest (Piano key style), VerminVibes4, Shapeshifters, Puerto Magnifico (Mexican party style font), Zdyk Gemini (intergalactic font), Bones To Your Generic Script Font, Breathe Fire (medieval style), Escalatio (hipster style), Pocket Monka (beatnik style), Jack Frost, Hiruleon, Cfour, CrystalCathedral, DigitalDust (LED font), DotLirium, Griefmachine, KillerCollege, OfMaidsandMen (oriental emulation typeface), Red Dragons, Grimeplex, Iron Amore, Twizzled, ZedSaid, Vermin Vibes, Major League Duty (military stencil), Moist (dripping paint font), Wondertribute, Of the Blue Colour of her Eyes, Anastasia (script).

Typefaces from 2017: Technoma (rounded sans), Gothiqua, Tune Up De Ting, Diary of an 8-bit mage, Night Machine, The Wastes of Space, Nuernberg Messe, Torque Sense, Crevice Stencil, Glitch Slop, Balloonatic, Typist's Pseudonym, Flob Out A Bork, Tumbling Down (grungy), Onomber, Have a Banana (angular style), Not The Far East (oriental simulation font), Electric Shocker, Lady Radical 2 (pixel), AmidVerrion, Basilisk, Beillingsday, Butcher the Baker (a gory brush), CQ-Full-Stretch, Chillit, Diagon, Durmstrong, Embryonoid, Gravedigger, Gridget (gridded), Gridlocked, Hannover-Messe-Sans, Hannover-Messe-Serif (pixel), Ineptic, I Shot the Serif, JesusFrank, Messe Muenchen (slab serif), Ode-to-Idle-Gaming, Punishment (grungy stencil), Rumutocu (squarish), Slitter, Slim Stradiva, Supercarver, Technoma, VitruvianMan, VoiceInMyHead, Riemann Theatre (art deco), The Messenger, Revengeance, Pimlico, North to South, Qui Finn, Oganesson, Xmas Sweater Stitch, Tinsel Christmas, Inky Thin Pixels, Saint Knick Knack, Cookie Cutter Culture, Talking Baseball, Balls of Bastille, Vegan Abattoir, Oxen Crossbow, Thumbs Down, Enter the Harbinger, Im Not Like Most Fonts, We Used To Be Friends, Trendgetter, Strings Theory, Carnival trash, The Life of Flight, Sci Auralieph (rounded sci-fi style), Foreplayer, Pixel or GTFO, Block Stock, Unability, Swore Games (military stencil), Clintwood (Western, spurred), Floral Compass, Skull and Void, Weymouth Ribbon (7 pixel font), Four Mad Dogs, Blaize, Chisholm Heliport, ConfettiWestern, EdgyMarker, Ganymedian, Klein Bottle, LeipzigerMesse, LifeInTheFastLane, Messe-Duesseldorf, MilestoneOutline, Oilrig, QueenofClubs, Peking Assignment, Racetrack-Stencil (trilined typeface), RodentRage, Spoopy Ghost Pixels, SquareRaising, Whisperer, ZdykLibra, Equalize (sci-fi), Helicopta (sci-fi), Saveloy, Hangar Nine, Robo Arriba (a font with Mexican-patterned texture), Clutching Toth, Freestyling Centipede, Idiot Stax, Lorra Lorra Dates (an image font simulated on FontStruct), Rampant, Typingrad (constructivist), Lovesauce (squarish), Scaremonger, Happy Accidents, Aztechno (Mexican Aztec culture emulation typeface), BeastofRage, ComicKhazi, DaisyRoots, DogRough (ink splatter font), Drowsy, FrankfurtMesse-Serif, FrankfurtMesse-Wide, FrontPageSupplement, HipsterHandGrenade, MerrimentHelicopter, OffspringRemorse, PlacktheHanet, RevolutionWillBeHypnotised, SomersetBarnyard, Almond Rocks, Gridking, Rollcage (circle-themed sans), Satire, Some Kinda Madness, Blackletter Buffoonery, Toe the Lineless, Merriment Helicopter, Revolution Will Be Hypnotised, Long Haired Freaky People, Sui Coward, Pirates of Cydonia, Old School Adventures (pixel style), Mersey Cowboy, Disco Everyday Value, Koln Messe-Deutz, Stress Genesis, Vermin Vibesy, Madness Hyperactive, Nebulous Content, Toe The Line, Chunky Felt, Madness Hyperactive, Member Kinglify, Bristol and Bath, Dirty Princess, Modern Bohemian, Chocolate Cavalcade, Capital Clickbait, Frogotype, Ipscrik, Front Page Supplement, Sex Drugs and Fidget Spinners, Pickle Pushing, Thickedy Grunge (crayon font), Knockout Grunge, League of Extraordinary Justice, Thickedy Quick, Avenged for Yourself, Zoon Hoot, Ambidextrose, Thinly Handled, Sketchit Means Sketchit, Return of the Grid, Fierce Brosnan, Chubby Thumbs, Pseudonumb, West End Knights, Cybercrime 2004, Reflecques, Death Knell, Fake News, Zealousy, Aquamarina (rounded sans), Amateur Camcorder, Mighty Squidge, Track & Shield (multilined), Wander Z, Gardenfreude, The Wild Breath of Zelda, Effective Power, Techno Agony, LED Specimen (textured), Projectionist, Splinter Wonderland, Shiny Eyes, Uncopyrightable, Hallowed Grad, Peace and Equality, Steriliser (heavy sans), Electro Shackle, Castforce (titling sans), Butterfly Reflect.

Typefaces from 2018: January Fair, Scared of the Unknown, Teddy Bears, Wicked Jumps, Enter The Grid 2, Chump Change, Take Me Out, Breathe Fire II, Toon Around, Tabloid Scuzzball, The Jjester, Play Pretend, A Friend In Deed, Girlesque, Bumblebear, Joyful Theatre, Snow Deep, Car Lock, Digital Display (an LED font), Game Played, Seldom Scene, The Shape Of Things, Candy Beans, Internal Rainbows, Pride Thusly, Armwarmer, Futuristic Armour, Refresher (dry brush), Brick Shapers, Frostbite Boss, Armed and Traitorous (a rough-edged stencil typeface), Ambystoma Mexixana, The Slug and Lion, Gourmet Hearth, Virtu, Star Doors, Winter Spice Cake, Canvas Bags, Shocking Headline, Tiny Islanders (pixel font), Yumi, Nobody Talks, Finished Sympathy (white on black), One Slice, Somerton Dense, Sunday Afternoon, Close & Open, Another Flight, Kuiper Belt, Platonica, Smoother, Ladders, Cold Warm, Name Smile, Shepherdy, Friend Head, Kevlar Underwear, Scrambled Tofu, Dillydallier, Joy Kim, Office Square, You've Gotta Point, District Four, Scare Arms (grunge), 22 September, Alimony, Xmas Fairy Lights, Segreteria, Leg Hug, Coded Message, Madeleina Sans, Trample Over Beauty, Emerald Grey, Fine Allie, Bottled It, Glee Finder, Pill Anthropic, Achtung! Polizei, Say the Words, Outcome, First In Line, Brain Wants, Green Strand, Die Grinsekatze, Eight Bit Dragon (a pixel typeface), KreepTown, Loudhailer, Progesterone, Insomniax, Quick Fuse, Rowdy Space Pirates, Oestrogen, Whisper Quiet, Zosilla, Construction Lines, Construction Lines, Juxtaposer, Tommi, Under The Weather, Xero's Punishment, Betryal of Mind, Rustic Love Tattoo, Younger Love (heavy octagonal typeface), Gossamer Girls (a pixel font), Dispence, Time Won, Blessings of Babylon, Requires Moonshine, Stroud, Hot Bleb, Nightmare Codehack, Manilla Cellos, Teeny Tiny Pixls, Ava Meridian, Wonders of the Orient, Float The Boat, Cute Zealand, Super Renewables, Lean Foreword, Mister Fisher, Love Nature, Exposure Salary, A Goblin Appears (pixel type), Project H, There Must Be, Charlestoning, Sportsquake, Violet Wasteland (dry brush), Clubbed to Life (sans), Moonwalk Miss, Best Tease, Reach The End (art deco), Slalom, A Grazing Mace, Boomer Tantrum, Disarmer (military stencil), Hell Underwater, Carnival Centenary (Tuscan), Mahalo Brother, Glue Gun, Tyrannothesaurus, Casanova Scotia, Fatherland Faker, Daughter Of A Glitch, Sparkles, Europhonic, Betelgeuze, Goregeous, Supermarketed, All The Way To The Sun, Russia Five, Soccer Scoreboard, Cinqcent, Megan June, Big Old Boldy, 501, Earthshattering, Sheeping Cats, Thousandyard, Closet Dwellers, Clicky Bricks, Painter Decorator, The 27 Club, Adventure ReQuest, Miamagon, Nineteen Ninety Seven, Vermin Verile, Great Attraction, Great Attraction, Zirconia, Oh Beehive (hexagonal), Gofuyo (experimental geometric sans), Wideboy, Im Spiegelland, Battenberg and Custard, Bugfast, Robotic Harlequin, Scouser Ste, Blend Her, Ancient Venusian, Sivereign State (constructivist), Daily Mix 3, Brushstroke Horror, Hellgrazer, Corporation Games (sci-fi), Pride Cometh (dry brush), Squirk (stone cut), Mecklabecka (octagonal), Nineteen Ninety Three (pixel), Dominian (octagonal), Perfectly Together, Super Comic, Nrvsbrkdwn, Bottom Brazil, Don't Delay Act Now, Nu Home, Just My Type, techno at Dusk, Starbirl, Hate Agent, Fool's errand, Bullet Rain, Orchestra of Strings, One Pill Makes You Larger, Interlewd, Fandomonium, Ball Bearing, Jamboree, Hot Thin Roof, No Added Sugar, X Termination, Real Fun Time, Der Neue Spargel, Nineteen Eight Seven (pixel), Bittypix Countdown, Nineteen Ninety Six, Fasterisq, Peekavous, Modest Felt, Im Wunderland, Megarok, Sunk Foal Brother, Skydiver, Chasing Rabbits, Background Noise, Viridian College, Sacred Hertz, Sawyers Whitewash, Brittle, Cupcake Smiles, Machine Gunk, Dubspikes, Onslaughter, Eyes Wide Suicide, Boatycabiners, All Square Now (pixel), Hawking Bowen (octagonal), Style Thief, Tagon (octagonal), Withheld Data (LED font), Dubstep Blackletter, Pixabubble, Hopelelessly in Lurve, Springtime Daydream, Techno Til Dawn, Fluid Lighter, Rush Rush (stencil), Incompetent Landlord, Danger on the Motorway (dot matrix), Hippopotamus Apocalypse (hexagonal), Homunculus, Bittypix Monospace (pixel font), Unicorn Scribbles, Rockout, Truly Madly Dpad, Tincture, Virtual Pet Sans (dot matrix font), How Are You Today (ultra-condensed), Juicebox, Chemical Superior, Organic Teabags, Broadsheet Bubble, Document Two, Slope Opera, Blockbrokers, Off The Haze, Gang Wolfik, Gnorts Mr A, Radiator Falls, Take Me On, Cyberspace Raceway, Rocket Rinder, May We, The Citadels, Life Is Okay, Astrolab, Simple Stitch, Feeding A Moment, Gooseberry Juice, Namso, Rabbit Fire, Texas Drop, Short Xurkit, Maiden Crimes, Hysterix, Introducing Pretentiousness, Lullaby Weight, Slumbers Weight, Vampires, Veal Nerve (a neurotic typeface), Be Kind To Earth, Aardvark Sk8, Ancient Modern Tales (blackletter), Spider Talent (Halloween font), Pooch Doo, Plan G, Rhapsodies (art deco), Lab Pulsar (sci-fi), Hamburg Messe (blackletter), Xide, Scrawling Pad, Bun Ting, Speedeasy, Itty Bity Notebook.

Typefaces from 2019: Hindsight 2020, Provicali, Go Everywhere, Smack Laideth Down 2019, China Fad, Monster Twenty, Into Deep (sci-fi), Mandatory Plaything, Galaxy Girl, San Marino Beach (a shadowed font), Acorn Caravan (a rounded sans stencil), Hairy Beard, Phonograph, Sterelict (futuristic), Egosurf, Bankruptcy, Wayfarer's Toy Box (a pixel font), Fox Cavalier, Heartisan, Modular Amplitude (heavy octagonal, Dolphin with a Massive Shotgun (a glitch font), Jasmine Laslo, Earth Spirit, Nemesis Grant, Daily Mix 4 (an all caps blackboard bold typeface), Uplifting, Ministry of Moron (a heavy sans), Extinction Event, Cut Deep, Q For The Memories, Wozcott, Super Legend Boy (pixelish), Chopsic, Lesotho Beach (octagonal), Illiead, Ten Pin, Isite, Motorstrike, Hwyl Fawr Hello, Undersided, Shut Up and Love Me (shaky letters), Terminal Day, I Am A Designer, Born to Grille (a semi-stencil), Amuse-Bouche, Die Frau, Err Hostess (octagonal), Cthulhu's Calling, Fresh Eaters, Gamma Orionis, Greatsby Gat, Hands Oversaturation (sans), Joy Multiplication, Kotoba, Midnight Champion (an extra tall sans), She Smiles, Read Wharf, Ohno (poster sans), Prodigy Forever (a blood and paint splatter font), Questrian 2 (sans), Nau Sea (squarish), The Macabre, Long Fox, Roll Accurate (stencil), Princess Saves You (pixel font), Clone Machine, Cyberpunk Sealion, Misery Garment, Klimaschutz, Space Obsessed, Serpentire, Squidgy Sweets (fat rounded sans), Yokelvision (fat letters), Coral Colour, None Away From The Moon (counterless), Squidgy Sweets, Yokelvision, Coral Colour, None Away from the Moon, Robot Roc, Figure Things, Gaeilge Kids, FoughtKnight Haymaker, Medical Shape, Revenant (octagonal), Pinch My Ride, Dire Gramme, Assembled from Scratch, Premier 2019 (squarish).

Typefaces from 2020: Hardigan (a titling sans), Petrichor Sublimey, Bardolatry, Star Trebek, Fast Hand (sci-fi), Bonk Robbers, Neuterous, Demoness, Lucid Streams (sci-fi), Fosterama (an elliptical sans), Woman, Shock Mint Fund (octagonal), Milletun (an all caps slab serif), Mille, Vudotronic, Elder Head, Dead Revolution, Charge Off, Asleepytiming, Questrian3, SplendidConfusion, XXIX, Septacharge, Dark Seed, Hawkeye, Dustfine, We Are Survivors, Be A St, Computo Monospace, Dealer Strikes, Zdyk Virgo, Bathrind, Honk, Revamped, Clease Plap, Zdyk Cancer, Cyberway Riders, Memorial Lane, Doubleplus, Ominus (italic), Army Buster (stencil), Tudor Victors (a grungy stencil), Romantic Chemicals, Migraine Machine, Warhead (constructivist), X-Heighting.

Dafont link. Creative Market link. Fontspace link. [Google] [More]  ⦿

Chiawen Tsau

Hong Kong-based type designer who co-designed the 5-style sans family HF HySans in 2020 with Jiying Lee at HyFont Studio. In 2021, Tsau released the 5-style monospaced typeface HF Monorita (2021). [Google] [MyFonts] [More]  ⦿

Chloé Lozano

French graphic designer who graduated from EESAB Rennes in 2020. In 2018, she released the 5-style monospaced typeface Compagnon at Velvetyne. Compagnon---a joint effort of Chloé Lozano, Juliette Duhé, Léa Pradine, Sébastien Riollier, and Valentin Papon---was inspired by the online archives of Typewriter Database specimens and combines different periods of the history of typewriter typefaces. [Google] [More]  ⦿

Chmela Studio
[Peter Chmela]

Chmela is a Bratislava-based design studio founded by brothers Peter & David Chmela. In 2009, Peter created the hand-printed typeface Penis, which can be downloaded from Dafont. In 2013, they designed the display typeface family Genetic. In 2014, Chmela Studio created the hand-drawn rounded monospaced semi-techno typeface Expander and the warm rounded text typeface family Alterno. In 2015, they created the angular typeface family Emporea.

Behance link. [Google] [More]  ⦿

Chris Corbett
[Pixelscript]

[More]  ⦿

Chris Dickinson
[More Type]

[MyFonts] [More]  ⦿

Christian Munk

Danish designer (b. 1991), aka CMunk, who used FontStruct to create most of his typefaces. Dafont link.

In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime typeface to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.

In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.

FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Blocktur, Symmetricus (alien writing?).

FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).

Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.

Typefaces made in 2013: Ribbons And Banners, Digital Rome (pixel face), Censorship, Interlock, Bouma, Glaedelig Script, Hand XL Smooth, Vascomat, Spitzschtruct (emulation of Suetterlin), Neonic, Fish Scales, 7:12 Serif, Analogly, Squarific Fraktastic, Metro Sans (pixelish).

Typefaces from 2014: Word Games, Shadows, Yuuroppuna pixel, Spines, Numbers, Tal Dansk, Zahlen Deutsch, Insular Typewriter, Nudge Nudge (dot matrix), 7:12 Serif (monospaced pixel font), Jovian, Squarafic Fraktastic, Computer Says No, Runic, Fluorescent (neon tube typeface).

Typefaces from 2015: Hexagonia, Kapow (a comic book font), Fauxreign (a Thai emulation font).

Typefaces from 2016: Ziplock (art deco), Vexillum (maritime signal flags).

Typefaces from 2019: Drop Cap (Lombardic), Fun with Cubes (3d). [Google] [More]  ⦿

Christian Robertson
[Betatype]

[MyFonts] [More]  ⦿

Christian Robertson
[Roboto (or: Google Android Design)]

[More]  ⦿

Christian Schwartz

Christian Schwartz was born in 1977 in East Washington, NH, and grew up in a small town in New Hampshire. He attended Carnegie Mellon University in Pittsburgh, Pennsylvania, where he graduated in 1999 with a degree in Communication Design. After graduation, he spent three months as the in-house type designer at MetaDesign Berlin, under the supervision of Erik Spiekermann. In January 2000, he joined Font Bureau. Near the end of 2000, he founded Orange Italic with Chicago-based designer Dino Sanchez, and left Font Bureau in August 2001 to concentrate full-time on developing this company. Orange Italic published the first issue of their online magazine at the end of 2001 and released their first set of typefaces in the beginning of 2002. Presently, he is an independent type designer in New York City, and has operated foundries like Christian Schwartz Design and Commercial Type (the latter since 2009). He has designed commercial fonts for Emigre, FontShop, House Industries and Font Bureau as well as proprietary designs for corporations and publications. In 2005, Orange Italic joined the type coop Village.

His presentations. At ATypI 2004 in Prague, he spoke about "The accidental text face". At ATypI 2006 in Lisbon, he and Paul Barnes explained the development of a 200-style font family for the Guardian which includes Guardian Egyptian and Guardian Sans. FontShop's page on his work. Bio at Emigre. At ATypI 2007 in Brighton, he was awarded the Prix Charles Peignot. Jan Middendorp's interview in October 2007. Speaker at ATypI 2009 in Mexico City, where he announced his new type foundry, simply called Commercial.

FontShop link. Font selection at MyFonts.

A partial list of his creations:

• FF Bau (2001-2004): Art direction by Erik Spiekermann. Released by FontShop International. He says: Bau is based on Grotesk, a typeface released by the Schelter&Giesecke type foundry in Leipzig, Germany at the end of the 19th century and used prominently by the designers at the Bauhaus. Each weight was drawn separately, to give the family the irregularity of the original, and the Super is new.
• Neutraface (2002, House Industries) and Neutraface Condensed (2004). Art directed by Ken Barber and Andy Cruz. MyFonts offers Neutraface Slab Text, Neutraface Slab Display, Neutraface Display and Neutraface Text. Schwartz states: Neutraface was an ambitious project to design the most typographically complete geometric sans serif family ever. We didn't have many actual samples of the lettering that the Neutras used on their buildings, so it ended up taking a lot of interpretation. There was no reference for the lowercase, so it's drawn from scratch, looking at Futura, Nobel, and Tempo for reference. Stephen Coles reports: Reminiscent of the recent FB Relay and HTF Gotham, Neutraface is an exaggerated Nobel with nods to Bauhaus and architectural lettering. Yes, and maybe Futura? Maggie Winters, Ioana Dumitrescu, Nico Köckritz, Nico Kockritz and Michelle Regna made great Neutraface posters.
• Neutraface No. 2 (2007), discussed by Stephen Coles: By simply raising Neutrafaces low waist, most of that quaintness is removed in No. 2, moving the whole family (which is completely mixable) toward more versatile, workhorse territory. This release is surely Houses response to seeing so many examples of Neutraface standardized by its users. Also new is an inline version. Who doesn't love inline type? It so vividly recalls WPA posters and other pre-war hand lettering. There are other heavy, inlined sans serifs like Phosphate, but one with a full family of weights and text cuts to back it up is very appealing. A typophile states: Designed by Christian Schwartz for House Industries, Neutraface captures the 1950s stylings of architect Richard Neutra in a beautiful typeface meant for application on the screen, in print, and in metalwork. If you are ever in need of a classy retro face, they don't get any more polished than this.
• At House Industries, Christian Schwartz, Mitja Miklavcic and Ben Kiel co-developed Yorklyn Stencil.
• Farnham (2004, Font Bureau) and Farnham Headline (2006, Schwartzco). Commissioned by Esterson Associates and de Luxe Associates. Winner of an award at TDC2 2004. Based on work by Johannes Fleischman, a German punchcutter who worked for the Enschedé Foundry in Haarlem in the mid-to-late 1700s. Schwartz: Truly part of the transistion from oldstyle (i.e. Garamond) to modern (i.e. Bodoni) Fleischman's romans are remarkable for their energy and "sparkle" on the page, as he took advantage of better tools and harder steel to push the limits of how thin strokes could get. In the 1800s, Fleischman's work fell into obscurity as tastes changed, but interest was renewed in the 1990s as digital revivals were designed by Matthew Carter, the Hoefler Type Foundry, and the Dutch Type Library, each focusing on a different aspect of the source material. I think the DTL version is the most faithful to the source, leaving the bumps and quirks inherent to metal type untouched. I've taken the opposite approach, using the source material as a starting point and trying to design a very contemporary text typeface that uses the basic structure and character of Fleischman without duplicating features that I found outdated, distracting, or unttatractive (i.e., the extra "spikes" on the capital E and F, or the form of the y).
• FF Unit (2003-2004, Fontshop, designed with Erik Spiekermann). A clean and blocky evolution of FF Meta intended as a corporate typeface for the Deutsche Bahn (but subsequently not used).
• Amplitude (2001-2003, Font Bureau), Amplitude Classified and Amplitude Headline. A newspaper-style ink-trapped sans family, unfortunately given the same name as a 2001 font by Aenigma. Winner of an award at TDC2 2004. The typeface selected by the St Louis Post Dispatch in 2005. One of many agates (type for small text) successfully developed by him. This page explains that they've dumped Dutch 811 and Bodoni and Helvetica and Franklin Gothic and News Gothic (whew!) for various weights of Amplitude, Poynter Old Style Display and Poynter Old Style Text. AmplitudeAubi was designed in 2002-2003 by Schwartz and Font Bureau for the German mag AutoBild.
• Simian (2001, House Industries): SimianDisplay-Chimpanzee, SimianDisplay-Gorilla, SimianDisplay-Orangutan, SimianText-Chimpanzee, SimianText-Gorilla, SimianText-Orangutan. Designed at Font Bureau. Art Direction by Ken Barber and Andy Cruz. Schwartz: "Although Simian's roots are in Ed Benguiat's logos for the Planet of the Apes movies, Simian wound up veering off in its own direction. The display styles look very techno, and we really went nuts with the ligatures, since this was one of House's first Opentype releases."
• Publico (2007): A predecessor of Guradian Egyptian. Schwartz writes: During the two year process of designing the typeface that would eventually become Guardian Egyptian, Paul Barnes and I ended up discarding many ideas along the way. Some of them were decent, just not right for the Guardian, including a serif family first called Stockholm, then renamed Hacienda after the legendary club in the Guardian's original home city of Manchester. Everyone involved liked the family well enough, but it didn't fit the paper as the design evolved, and several rounds of reworking left us more and more unsure of what it was supposed to look like. In the summer of 2006, Mark Porter and Esterson Associates were hired to redesign Publico, a major Portuguese daily newspaper, for an early 2007 launch. He asked us to take another look at Hacienda, to see if we might be able to untangle our many rounds of changes, figure out what it was supposed to look like in the first place, and finish it in a very short amount of time. Spending some time away from the typeface did our eyes a world of good. When we looked at it again, it was obvious that it really needed its "sparkle" played up, so we increased the sharpness of the serifs, to play against softer ball terminals, and kept the contrast high as the weight increased, ending up with an elegant and serious family with some humor at its extreme weights. As a Spanish name is not suitable for a typeface for a Portuguese newspaper, Hacienda was renamed once more, finally ending up as Publico. Production and design assistance by Kai Bernau. Commissioned by Mark Porter and Esterson Associates for Publico
• Austin (2003): Designed by Paul Barnes at Schwartzco. Commissioned by Sheila Jack at Harper's&Queen.
• Giorgio (2007): Commissioned by Chris Martinez at T, the New York Times Sunday style magazine. Small size versions produced with Kris Sowersby. Not available for relicensing. A high contrast condensed "modern" display typeface related to Imre Reiner's Corvinus. Ben Kiel raves: Giorgio, like the fashion models that it shares space with in T, the New York Times fashion magazine, is brutal in its demands. It is a shockingly beautiful typeface, one so arresting that I stopped turning the page when I first saw it a Sunday morning about a year ago. [...] Giorgio exudes pure sex and competes with the photographs beside it. The designers at T were clearly unafraid of what it demands from the typographer and, over the past year, kept on finding ways to push Giorgio to its limit. Extremely well drawn in its details, full of tension between contrast and grace, it is a typeface that demands to be given space, to be used with wit and courage, and for the typographer to be unafraid in making it the page.
• Empire State Building (2007): An art deco titling typeface designed with Paul Barnes for Laura Varacchi at Two Twelve Associates. Icons designed by Kevin Dresser at Dresser Johnson. Exclusive to the Empire State Building.
• Guardian (2004-2005): Commissioned by Mark Porter at The Guardian. Designed with Paul Barnes. Not available for relicensing until 2008. Based on an Egyptian, this 200-style family consists of Guardian Egyptian (the main text face), Guardian Sans, Guardian Text Egyptian, Guardian Text Sans and Guardian Agate.
• Houston (2003): Commissioned by Roger Black at Danilo Black, Inc., for the Houston Chronicle. Schwartz: As far as I know, this typeface is the first Venetian Oldstyle ever drawn for newspaper text, and only Roger Black could come up with such a brilliant and bizarre idea. The basic structures are based on British Monotype's Italian Old Style, which was based on William Morris's Golden Type. The italic (particularly the alternate italic used in feature sections) also borrows from Nebiolo Jenson Oldstyle, and there is a hint of ATF Jenson Oldstyle in places as well.
• Popular (2004): Commissioned by Robb Rice at Danilo Black, Inc., for Popular Mechanics. An Egyptian on testosterone.
• Stag (2005): Commissioned by David Curcurito and Darhil Crooks at Esquire. Yet another very masculine slab serif family. Schwartz writes I showed them a range of slab serifs produced by French and German foundries around 1900-1940, and synthesized elements from several of them (notably Beton, Peignot's Egyptienne Noir, Georg Trump's Schadow, and Scarab) into a new typeface with a very large x-height, extremely short ascenders and descenders, and tight spacing. Also, we find Stag Sans (2007, Village) and Stag Dot (2008, Village).
• Plinc Hanover (2009, House Industries). A digitization of a blackletter font by Photo Lettering Inc.
• Fritz (1997, Font Bureau). Schwartz: "Fritz is based on various pieces of handlettering done in the early 20th century by Ozwald Cooper, a type designer and lettering artist best known for the ubiquitous Cooper Black. Galapagos Type foundry's Maiandra and Robusto are based on the same pieces of lettering."
• Latino-Rumba, Latino-Samba (2000, House Industries). Art Direction by Andy Cruz. Designed with Ken Barber. Jazzy letters based on an earlier design of Schwartz, called Atlas (1993).
• Pennsylvania (2000, FontBureau). A monospaed family inspired by Pennsylvanian license plates. Schwartz: "Thai type designer Anuthin Wongsunkakon's Keystone State (1999, T26) is based on the exact same source."
• Plinc Swiss Interlock (by Christian Schwartz and Adam Cruz for House Industries). Based on originals by PhotoLetteringInc.
• Luxury (2002, Orange Italic, co-designed with Dino Sanchez). Gold, Platinum and Diamond are the names of the 1930s headline typefaces made (jokingly) for use with luxury items. The six-weight Luxury family at House Industries in 2006, contains three serif text weights called Luxury Text, as well as three display typefaces, called Platinum (art deco), Gold, and Diamond (all caps with triangular serifs).
• Los Feliz (2002, Emigre). Based on handlettered signs found in LA.
• Unfinished typefaces: Masthead, Reform, Bitmaps, Bilbao, Boyband, Addison, Elektro, Sandbox, Vendôme, Bailey.
• Fonts drawn in high school: Flywheel (1992, FontHaus), Atlas (1993, FontHaus, a "a fairly faithful revival of Potomac Latin, designed in the late 1950s for PhotoLettering, Inc"), Elroy (1993, FontHaus), ElroyExtrasOrnaments, Hairspray (1993, "a revival of Steinweiss Scrawl, designed in the mid-1950s by Alex Steinweiss, best known for his handlettered record covers": HairsprayBlonde, HairsprayBrunette, HairsprayPix, HairsprayRedhead), Twist (1994, Precision Type and Agfa), Zombie (1995, Precision Type and Agfa), Morticia (1995, Agfa/Monotype), Gladys (1996, an unreleased revival of ATF's turn-of-the-century Master Script).
• Ant&Bee&Art Fonts (1994-1995): three dingbat fonts, Baby Boom, C'est la vie, and Raining Cats&Dogs, based on drawings by Christian's aunt, Jill Weber. Released by FontHaus.
• Digitizations done between 1993-1995: Dolmen (Letraset), Latino Elongated (Letraset), Regatta Condensed (Letraset), Fashion Compressed (Letraset), Jack Regular (Jack Tom), Tempto Openface (Tintin Timen).
• Hand-tuned bitmap fonts: Syssy, Zimmer's Egyptian, Elizzzabeth, Newt Gothic, Trags X, Tibia, Fibula, Tino, Digest Cyrillic (based on Tal Leming's Digest). Free downloads of the pixel typefaces Newt Gothic, Tibula and Fibia here.
• At Village and Orange Italic, one can get Local Gothic (2005), now in OpenType, a crazy mix of Helvetica Bold, Futura Extra Bold, Franklin Gothic Condensed and Alternate Gothic No. 2. It is a collection of alternates one can cycle through---thus a for of randomization.
• FF Oxide (2005), a Bank Gothic style stencil family. FF Oxide Light is free!
• Graphik (2008), a sans between geometric and grotesk made for thew Wallpaper mag. Kris sSwersby writes: In a sweltering typographic climate that favours organic look-at-me typefaces bursting with a thousand OpenType tricks, Graphik is a refreshing splash of cool rationality. Its serious, pared-back forms reference classic sans serifs but remain thoroughly modern and never get frigid. Any designer worth their salt needs to turn away from the screen&pick up the latest copy of Wallpaper magazine. There you will find one of the most beautiful, restrained sans serifs designed in a very long time. See also Graphik Wide (2018).
• In 2011, he created a 22-style revival of Helvetica called Neue Haas Grotesk (Linotype), which offers alternates such as a straigt-legged R and a differently-seriffed a. It is based on the original drawings of Miedinger in 1957.

• Houston (2003). Winner of an award at TDC2 2004, a type family done with Roger Black for the Houston Chronicle. Schwartz: This typeface is the first Venetian Oldstyle ever drawn for newspaper text, and only Roger Black could come up with such a brilliant and bizarre idea. The basic structures are based on British Monotype's Italian Old Style, which was based on William Morris's Golden Type.).
• Popular (2004). A thick-slabbed typeface drawn for Popular Mechanics, commissioned by Robb Rice at Danilo Black, Inc.
• FF Meta 3 (2003, hairline versions of type drawn by Richard Lipton and Erik Spiekermann).
• Eero (2003). Based on an unnamed typeface drawn by Eero Saarinen for the Dulles International Airport. Art Directed by Ken Barber and Andy Cruz. Commissioned by House Industries for the Dulles International Airport.
• ITC Officina Display (2003). The Regular, Bold and Black weights of this typeface were originally developed by Ole Schäfer for Erik Spiekermann's redesign of The Economist in 2000 or 2001. The ITC conglomerate decided to release it in 2003. I revised parts of Ole's fonts, and worked with Richard Lipton to adapt the Light from a version of Officina Light that Cyrus Highsmith had drawn several years earlier for a custom client. I also added more arrows and bullets than anyone could possibly need, but they were fun to draw. Released by Agfa.
• Symantec (2003). Designed with Conor Mangat based on News Gothic by Morris Fuller Benton (Sans) and Boehringer Serif by Ole Schäfer, based on Concorde Nova by Günter Gerhard Lange (Serif). Advised by Erik Spiekermann. Commissioned by MetaDesign for Symantec Corporation.
• Harrison (2002). Based on the hand of George Harrison, was commissioned in 2002 by radical.media.
• Chalet Cyrillic (2002, House Industries).
• Benton Modern (2001). Based on Globe Century by Tobias Frere-Jones and Richard Lipton. Commissioned by Font Bureau for the Readability Series. Designed at Font Bureau. Microsite.
• Caslon's Egyptian (2001). Commissioned by Red Herring. Designed at Font Bureau. Around 1816, William Caslon IV printed the first know specimen of a sans serif typeface: W CASLON JUNR LETTERFOUNDER. A complete set of matrices for captials exists in the archives of Stephenson Blake, and Miko McGinty revived these as a project in Tobias Frere-Jones's type design class at Yale. In 1998, Cyrus Highsmith refined Miko's version, giving it a more complete character set for Red Herring magazine. In 2001, they came back for a lowercase and 3 additional weights. I looked at Clarendon and British vernacular lettering (mainly from signs) for inspiration, and came up with a lowercase that does not even pretend to be an accurate or failthful revival.
• David Yurman (2001). Based on a custom typeface by Fabien Baron. Commissioned by Lipman Advertising for David Yurman. Designed at Font Bureau.
• Coop Black lowercase (2001). Based on Coop Black by Ken Barber and Coop. Commissioned by House Industries for Toys R Us. Designed at Font Bureau.
• Interstate Monospaced (2000-2001). Based on Interstate by Tobias Frere-Jones. Commissioned by Citigroup. Designed at Font Bureau.
• Vectora Thin (2000). Based on Vectora by Adrian Frutiger. Commissioned by O Magazine. Not available for licensing. Designed at Font Bureau.
• LaDeeDa (2000). Informal lettering, art directed by Mia Hurley. Commissioned by gURL.com. Designed at Font Bureau.
• Poynter Agate Display (2000). Based on Poynter Agate by David Berlow. Commissioned by the San Jose Mercury News classified section. Designed at Font Bureau.
• FF DIN Condensed (2000). Based on FF DIN by Albert-Jan Pool. Commissioned by Michael Grossman for Harper's Bazaar. Designed at Font Bureau.
• VW Headline Light&VW Heckschrift (1999). Based on Futura by Paul Renner and VW Headline by Lucas de Groot. Art directed by Erik Spiekermann and Stephanie Kurz. Commissioned by MetaDesign Berlin for Volkswagen AG.
• 5608 (1999). Stencil typeface for Double A Clothing.
• Bureau Grotesque (1996-2002). Designed with FB Staff including David Berlow, Tobias Frere-Jones, Jill Pichotta, Richard Lipton, and others. Mostly unreleased. Some styles commissioned by Entertainment Weekly. Designed at Font Bureau.
• Guardian Egyptian (2005). A 200-font family by Schwartz and Paul Barnes for The Guardian.
• In 2007, Schwartz and Spiekermann received a gold medal from the German Design Council for a type system developed for the Deutsche Bahn (German Railway).
• Zizou or Clouseau (2011). A reworking (from memory) of Antique Olive (1960, Roger Excoffon). This was published at the end of 2013 as Duplicate (2013, with Miguel Reyes). In three styles, Slab, Sans and Ionic. Commercial Type writes: Christian Schwartz wanted to see what the result would be if he tried to draw Antique Olive from memory. He was curious whether this could be a route to something that felt contemporary and original, or if the result would be a pale imitation of the original. Most of all, he wanted to see what he would remember correctly and what he would get wrong, and what relationship this would create between the inspiration and the result. Though it shares some structural similarities with Antique Olive and a handful of details, like the shape of the lowercase a, Duplicate Sans is not a revival, but rather a thoroughly contemporary homage to Excoffon. Duplicate Sans was finally finished at the request of Florian Bachleda for his 2011 redesign of Fast Company. Bachleda wanted a slab companion for the sans, so Schwartz decided to take the most direct route: he simply added slabs to the sans in a straightforward manner, doing as little as he could to alter the proportions, contrast, and stylistic details in the process. The bracketed serifs and ball terminals that define the Clarendon genre (also known as Ionic) first emerged in Britain in the middle of the 19th century. While combining these structures with a contemporary interpretation of a mid-20th century French sans serif seems counterintutive, the final result feels suprisingly natural. The romans are a collaboration between Christian Schwartz and Miguel Reyes, but the italic is fully Reyes's creation, departing from the sloped romans seen in Duplicate Sans and Slab with a true cursive. Mark Porter and Simon Esterson were the first to use the family, in their 2013 redesign of the Neue Züricher Zeitung am Sonntag. Because the Ionic genre has ll ong been a common choice for text in newspapers, Duplicate Ionic is a natural choice for long texts. Duplicate Ionic won an award at TDC 2014.
• In 2014, Christian Schwartz and Dino Sanchez co-designed the roman inscriptional typeface Gravitas. The name was already in use by Riccardo de Franceschi (since 2011), Laura Eames (since 2013) and Keith Tricker (since earlier in 2014), so there may be some emails flowing between these type designers. They write: The primary inspiration for Gravitas was Augustea Nova, Aldo Novarese's quirky and spiky Latin interpretation of the Roman inscriptional caps for the Nebiolo Type Foundry, released in a single weight in the 1950s. It's fairly common to see Augustea Open these days, but his lowercase apparently didn't survive the transition to phototype. Many designers have tackled the problem of matching a lowercase to the classical Roman capitals, with decidedly mixed results. The Bold Italic was drawn by Jesse Vega.
• Early in 2014, Christian Schwartz, Paul Barnes and Miguel Reyes joined forces to create the manly didone typeface family Caponi, which is based on the early work of Bodoni, who was at that time greatly influenced by the roccoco style of Pierre Simon Fournier. It is named after Amid Capeci, who commissioned it in 2010 for his twentieth anniversary revamp of Entertainment Weekly. Caponi comes in Display, Slab and Text subfamilies.

  Also in 2014, Christian designed the custom typeface Poets Electra for the American Academy of Poets. It extends and modifies W.A. Dwiggins's Electra (1940).

• Tanja (2016). A dot matrix typeface designed by Christian Schwartz and Paul Barnes and based on the monolinear Marian 1554, Tanja began life as the proposed logo for a German publisher.
• Le Jeune (2016, Greg Gazdowicz, Christian Schwartz and Paul Barnes): a crisp high-contrast fashion mag didone typeface family in Poster, Deck, Text and Hairline sub-styles, with stencils drawn by Gazdowicz. This large typeface family comes in four optical sizes, and was originally developed for Chris Dixon's refresh of Vanity Fair.
• MoMA Sans (2017). For the Museum of Modern Arts.
• Zombie (2022, at FontHaus).

Christoph Dunst
[Atlas Font Foundry]

[MyFonts] [More]  ⦿

Christoph Dunst
[Büro Dunst]

[MyFonts] [More]  ⦿

Christoph Koeberlin

Active type expert and type designer, who created FF Mark in 2013 together with Hannes von Döhren and the FontFont team. This 10-style font family spanning hairline to black is marketed as Ze new Germanetric sans. The FF Mark Ultra weight, published in 2015, is absolutely stunning. One of the weights of FF Mark is free.

In 2016, he designed Fabrikat, which had creative input of Hannes von Döhren. This simple geometric sans serif family is based on the DIN style used in the 20th century by German engineers: It has a plain and precise appearance, and is a textbook example of a compass-and-ruler typeface. The monospaced almost-typewriter version Fabrikat Mono followed in 2017. In 2020, Fabrikat Normal was released at Hans von Doehren Fonts.

In 2020, he released Pangea and Pangea Text at Fontwerk. He writes: Pangea is a symbol of not only living together but of global cooperation. While Gergo Kokai from Hungary supported him in the design of the upright characters, he brought Tanya George from India on board to work on the italics (work in progress). He consulted with Irene Vlachou from Greece and Ilya Ruderman from Russia to ensure the quality of the Greek and Cyrillic characters. The spacing and the kerning of the font would not have been possible without Igino Marini from Italy and his iKern tool. A broad foreign language extension seems obligatory for this omnicultural approach and in fact, extended Latin, Cyrillic, Greek and Vietnamese are already included. Arabic, Hebrew and other languages are to follow. In 2021, he added the free 20-style Pangea Afrikan family with coverage of most of Africa's languages.

In 2016, he set up Sportsfonts, and promptly published the 24,000-glyph 49-font athletic lettering superfamily, Winner.

Behance link. Fontfont link. [Google] [MyFonts] [More]  ⦿

Christopher Bergmann
[Proportionally spaced typefaces with a monospaced appearance]

[More]  ⦿

Christopher H. Lee
[APL fonts]

[More]  ⦿

Christopher Simpkins

Programmer in Baltimore, MD, who designed the free (open source) monospaced typeface Hack (2015) specifically for writing source code.

Dafont link. Open Font Library link. Behance link. Sourcefoundry link. [Google] [More]  ⦿

Christopher Widdowson
[Monospace fonts: Christopher Widdowson]

[More]  ⦿

Ckhans
[Chang Ki Han]

South Korean designer of the rounded sans typeface families Dol and Dol Condensed (2019). In 2020, he published Gridink (a 20-style squarish sans), Boodle (an 18-style rounded grotesk, +the dingbat font Boodle Patterned), Halenoir (a 102-style neo grotesk; +Halenoir Patterned, a fine dingbat font), Brans (a 18-style tall compressed sans family), Virtuose (an 18-style very condensed headline sans), Gravitica (a 27-style tall grotesque), Gravitica Compressed, Gravitica Mono (a 19-style monospaced almost typewriter sans), Gravitica Slab (in 14 styles), Gravitica Rounded, the 21-style layerable font set BKLN and the 42-style geometric sans family Heckney.

Typefaces from 2021: Andante (a 24-style elliptical organic monolinear sans), Helonik (a 23-style grotesk), Helonik Extended, Hoolister (a condensed rounded sans), Urbine (a 16-style rounded sans with an extensive character set that includes many dingbats), Buckin (a 20-style rounded sans), Geonik Pro (a 20-style almost monolinear geometric sans for Latin, Greek and Cyrillic characterized by very short descenders), Geonik.

Typefaces from 2022: Andrial (a 21-style geometric sans). [Google] [MyFonts] [More]  ⦿

Clio Chaffardon

Art director at Studio B C in Amiens, France, and at Mirage Studio in Rome, Italy. In 2014, Clio Chaffardon and Benjamin Dennel co-designed the ink-trapped typeface Calico Monospace. In 2018, she designed the basic monoline sans typeface Bosatlas (2018). [Google] [More]  ⦿

Club 21
[Julian Morey]

The founder of and only designer at Club 21 is Julian Morey, a graphic designer and font creator from London who designed Pacific (1999, an octic typeface influenced by American naval lettering), VMR (1999), SignPlate (a stencil font), Sigma OT (2008, a sans based on a Stephenson Blake grotesque), Skye (2001, a stencil font), Skye Outline [note: Skye used to be called Axis], Checkout, Alpine (2000), Brassplate, Greenwich (2001, a stencil font with fine breaks; used to be called Bronxville), Codex, Electro, Ionia, Jakarta (2000, an octagonal sports/stencil font; was called Jersey), Kathode, Octago (an octagonal stencil face), Liquid, Simpson Typewriter, Preset, Roadworks (1992, stencil font), Thompson Monospaced, Spacer (1999), Paintworks, Portfolio.

FontWorks used to sell their fonts, but now Faces does.

FontShop link. [Google] [More]  ⦿

cmbright: Computer Modern Bright
[Walter Schmidt]

Family of sans serif metafonts based on Donald Knuth's CM font. It is lighter and less obtrusive than CMSS. Together with CM Bright there comes a family of typewriter fonts, CM Typwewriter Light, which look better in combination with CM Bright than the CMTT fonts would do. The whole package is by Walter Schmidt. A commercial-quality type 1 version of these fonts is available from Micropress. Free versions are available, in the cm-super font bundle (the T1 and TS1 encoded part of the set), and in hfbright (the OT1 encoded part, and the maths fonts). Development spanned 1996-2004. [Google] [More]  ⦿

Code Saver
[Ryoichi Tsunekawa]

Code Saver (2018) is a monospaced programming font published by Ryoichi Tsunekawa in 2018. It pays attention to the curvatures, and optimal use of space. Free version at Dafont. [Google] [More]  ⦿

Codeluxe
[Hugo Goeldner]

Hugo Goeldner's German outfit which has a free slab serif pixel font to its credit: Delight (2006). In 2011, he created the monospaced type family for tables and programs called CDLX Mono (YWFT). [Google] [More]  ⦿

Codesign (or: Aviation Partners, or AVP)
[Nicholas Garner]

Nicholas Garner (b. 1949, Windsor) runs Codesign (or: Aviation Partners), a small London-based design firm which has created these commercial type families:

• Cerafino (2005): informal sans.
• Delamere (2005): more classical sans.
• Kensington (2005): titling sans related to Gill Sans.
• Maisee (2005): an open, wide, generous and broadly smiling sans family.
• Tenison (2005): connected formal script.
• Fiendstar (2006, 16 styles; +Cameo (white on black), +Shaded) (after Gill Sans Schoolbook).
• Rosie (2010): a connected cosy script, in the Mistral style.
• Norwich (2006): a grungy version of Tenison. Outrage (2006) is more grunge.
• Cashback (2006).
• Crystal (2006): a slab serif family.
• Autobahn (2011) is a monoline elliptical sans family. Garner writes: Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Autocode (2011) is a monoline monospaced (for programs) elliptical sans based on Autobahn.
• LaCarte (2007): inspired by a series of handwritten menus produced in 1980. Further extended to La Carte Pen in 2010.
• Midas (2007).
• Sky Sans (including hairline weights) (2007).
• Lamoreli (2007).
• Backstage (2007). A stencil face.
• Amy (2010). Nicely hand-printed.
• Atria (2010) An ink-trapped sans-serif.
• Blocksta (2010). A rounded fat sans.
• The elegant script typeface Jacqueline (2010).
• New Fiendstar (2010).
• Omniscript (2010).
• Cambridge (2010). An elegant sans family with a misbehaving lower case q. Accompanied by a Cambridge Round family. It is designed as a schoolbook font, and is useful for dyslexics, since there are no ambiguities between letterforms.
• Central (2011). A rounded geometric sans family. Followed in 2012 by Central Inline.
• Combi (2011). This is a wonderful effort, as described by Garner himself: The Combi collection includes Sans, Sans Oblique, a true Italic, Serif, Serif Oblique and a set of Openface capitals. Combi fonts have 5 compatible weights and metrics allowing them to be used in free combination. Inspiration came from Jan Van Krimpen's Romulus (Enschedé, 1931). In addition to the Roman style, Van Krimpen created a set of open capitals, a simple oblique variant and subsequently, an attractive calligraphic italic, Cancelleresca Bastarda. In addition to Van Krimpen's idea, Combi has been influenced by features from many typefaces including Bembo, Melior and Optima. The object was to create a versatile family of body text and titling typefaces for use in books, magazines and on the web.

  Polaris (2012) is a rounded sans family that reads well in print and on screens.

  Mensa (2012) is a 36-weight large x-height sans body family.

• Beaulieu (2012).
• Clocktime (2012). A dingbat font with clocks.
• Chokey Pro (2012). A tall connected script face.
• Alleyn (2013). A soft geometric sans family. Followed in 2021 by the 12-style Alleyn Pro (2021).
• Corsica (2013). Corsica is an all-purpose geometric sans-serif typeface of visually uniform stroke thickness. The family contains six weights, two widths and three lowercase size options, together with an italic variant for each.
• Intrinseca (2014). An incised sans with some contrast and flaring, but still quite readable thanks to a good x-height.
• Browser Serif and Browser Sans (2014). These families were designed for use on screen.

  Arethusa (2014) and Arethusa Pro (2014) are 12-style transitional typeface families.

• Gimbal Egyptian (2018). Characterized by some asymmetric slabs and curvy italics. It covers Latin and Cyrillic and comes in several widths. See also Gimbal Grotesque (2018).
• Cadmium (2020). A 48-style grotesk family influenced by DIN.
• Varisse (2021). A 60-style superfamily consisting of Baskerville and transitional serifs on one end and Gill Sans-inspired humanist sans typefaces at the other end.
• Fielding (2022). A 12-style confident flared text and titling serif family.

MyFonts site. Klingspor link.

Showcase of Nicholas Garner's typefaces. [Google] [MyFonts] [More]  ⦿

Coji Morishita
[M+ Fonts]

[More]  ⦿

Colin Ayres
[Ayres]

[MyFonts] [More]  ⦿

Collectif MBC (was: MBC Graph)

Graphic design collective in Orchamps near Besançon, France, est. 2012, consisting of graduates in the Masters program of the École des Beaux-Arts de Besançon, i.e., Clément Moussard, Antonin Buchwalter, and Simon-Pierre Chapuis. Their typeface creations:

• From 2013: Juliano (2013, rounded sans for the restaurant Gusti del Gusto).
• From 2014: Plumber (rounded slab serif), Esposito (rounded sans), Polaris (rounded sans), Juliano (2013, rounded sans for the restaurant Gusti del Gusto), Sept Nains (a seven style type system based on Fonderie Olive's Simplex Gras, 1937), Raymond (slab serif), Monolab (monospaced), Aftur (a sans caps typeface that is partly art deco and partly futuristic; influenced by Cassandre's Bifur), Antique Calque (a layered typeface system), Lazy Super (a pixel face) and the variable width and variable height experiment called Expendable.
• Typefaces from 2015: Gnome (a sans done for the Centre Régional du Livre Franche-Comté), Monocle (a sans typeface for Cyclop Jazz Action), Laborio, Ploum (an art nouveau stencil), MFB (an art deco poster typeface family named after Morris Fuller Benton).
• Typefaces from 2016: Saljan, Buck01.

Tumblr link. Behance link. Old URL. Typeface catalog [PDF]. [Google] [More]  ⦿

Colophon Foundry
[Edd Harrington]

Colophon Foundry was a London and Los Angeles-based digital type foundry established in 2009. Its members comprised Benjamin Critton (US), Edd Harrington (UK), and Anthony Sheret (UK). The foundry's commissioned work in type design was complemented by independent and interdependent initiatives in editorial design, publishing, curation, and pedagogy. It grew out of the Brighton-based design studio, The Entente (Anthony Sheret&Edd Harrington) in April 2009. Benjamin Critton (Brooklyn, NY) joined them later. In December 2023, it was acquired by Monotype.

Fonts:

• Aperçu (2010, +Mono), a sans family by Anthony Sheret / The Entente.
• Archive (2013). A text family by Anthony Sheret and Edd Harrington.
• Basis Grotesque (2015). Influenced by Akzidenz Grotesk.
• Burgess (2014). A Times-Roman-like typeface family by The Entente and Benjamin Critton.
• Castledown (2014). A sans family for educational purposes. They write: From 2012-2014 we collaborated closely with Castledown Primary School, Hastings, UK. The project began as a custom typeface commission for the school but soon developed into an initiative to develop and unify typography within primary education. Extended in 2020.
• Central Avenue (2011). By Studio Makgill.
• Coign (2018-2021). An extensive study of ultra condensed forms based on the DeLittle type foundry's Elongated Sans.
• DM Mono (2020). A free 3 weight, 3 style family designed for DeepMind. DM Mono was loosely based off of Jonny Pinhorn's DM Sans, with a reduction in contrast and less geometric proportions. The type design and font development was commissioned from Colophon Foundry, with Creative Direction from the DeepMind team. Design by Edd Harrington and Anthony Sheret. They also developed DM Sans, DM Serif Text and DM Serif Display (2019). The Serif families are derived from Source Serif Pro. The Sans family is derived from Jonny Pinhorn's Poppins (2014-2017). Github link. Google Fonts link.
• Fann Grotesque (2019). A 9-weight sans family inspired by the 19th century British Grotesque types from British type foundries such as Stephenson Blake, Day & Collins and Miller & Richard.
• Fortescue (2009): a text family with triangular serifs commissioned for the identity of artist and printmaker, Jake Spicer.
• La Fabrique Pro (2012-2017). A sans by The Entente.
• Goodall. A 10-style take on the geometric slab serif genre; bringing together a melting pot of 19th century wood type influences and more contemporary reference points such as Memphis (Rudolf Wolf, 1929) and Rockwell (Monotype, 1934).
• Grenette (2020). Colophon writes: Combining influences from Windsor (from Stephenson Blake & Co's Wood Letter Specimen, 1915) and Richmond Old Style (from DeLittle's Wood Type Specimens, 1966), Grenette's imposing serifs contrast with the serif-less interiors of certain forms such as n, h and v.
• Leroy (2012). By Stockholm-based Oscar & Ewan.
• Lisbon (2013, Anthony Burrill). Lisbon is a geometric stencil typeface based on an original metal stencil that Burrill found in a sign makers shop in Lisbon, Portugal. The font was first used in a series of posters commissioned by the British Council for Experimenta cultural biennale in Lisbon (2010).
• Lydia Bold Condensed (2013, Benjamin Critton) revives an angular typeface by Warren Chappell from 1946.
• Mabry (2018, Benjamin Critton): Originally commissioned in 2014 for Los Angeles-based apparel company Nasty Gal---named as such after the 1975 album and song of the same name by influential funk singer Betty Davis (b. Betty Mabry, 1945)---Mabry is the commercial iteration of the former NG Grotesque.
• MAD Sans and MAD Serif (2011-2017) by Dries Wiewauters.
• Marché (2014). By The Entente, inspired by Eurostile.
• Midnight sans (2021). Colophon writes: Midnight Sans was initially drawn for Gary Green's "When Midnight Comes Around", published by our friends at Stanley/Barker in 2020. The condensed-only style embodied a warm but idiosyncratic flavour: a reflection of the publication's photographs, which document the burgeoning downtown alternative music scene of 1970s New York City.
• Monosten (2011). A rounded monospace sans by Anthony Sheret that includes a couple of stencil styles.
• Montefiore (2009): a grotesque with wood type influences.
• One Night Sans (2020). A bespoke typeface for condom manufacturer Durex.
• Pantograph: Pantograph is an authentic redraw of the typeface employed by the British pantograph etching process. Designed by Hamish Makgill in 2009.
• Peggs (2009): typewriter style for the identity of Peggs&Son, designed by Edd Harrington.
• PDU (2010). By Dries Wiewauters. PDU stands for Plaque Découpée Universelle, a stencil system patented in 1876 by Joseph A. David.
• Perçu (2010): a full sans family that is---in their own words---an amalgamation of classic humanist typefaces such as Johnston and Gill Sans with Neuzeit and Franklin Gothic.
• Perfin (2009, by Alison Haigh).
• PIN (2015). By Hoon Kim / Why Not Smile LLC.
• Raisonné (2010). By Benjamin Critton. Raisonné is a 7-weight geometric sans-serif type initially designed in 2010 and subsequently expanded upon, first in 2012 and again in 2018-2019. Colophon writes: The typeface is parodic-serious, intended to be blunt, candid, and affable all at the same time. It outwardly pays homage to noteworthy precedents, among them Rudolf Koch's Kabel (1927) and Victor Caruso's later redrawing for ITC (1976), Joseph Churchward's Crossbred (1970s), Paul Renner's Futura (also 1927), and Herb Lubalin's Avant Garde (1968).
• Reader (2009): Reader is a neo-grotesque typeface initially created in a medium weight, and now re-cut into a base family of six weights with an additional seventh in the form of Reader Black. The typeface itself has been referenced from an RSPB letter dating 1972. The original typeface, which is unknown, was a monospaced, rounded face. It had geometric proportions which felt like they wanted to break free of the restrictions of a monospaced grid.
• Relative (2011). By The Entente: Initially drawn in August 2010 for Outside In by Stephen Gill; a book designed for the Brighton Photo Biennale 2010. Includes monospaced styles.
• System85 (+Mono). A sans family.
• Transcript Pro (2017).
• Value Sans and Value Serif (2012): Value Sans borrows in style and behaviour from precedents like Elegant Grotesk and Granby. Value Serif pays homage to forebears like Plantin Infant and Italian Old Style. The Sans was drawn first by The Entente (Edd Harrington & Anthony Sheret, UK). The Serif was drawn shortly after, by Benjamin Critton (US). Each borrows their geometries from the other, and nuances were finalised by all parties as Colophon Foundry.
• Visuelt (2013-2016, The Entente). Originally created as a bespoke face for the 2013 and 2014 identity for Visuelt, Oslo, Norway, Visuelt spawned from a more considered and constrained version of Aperçu. Visult Pro (2019) covers Cyrillic and Greek as well.

Bespoke projects:

• Battlebridge for the area of King's Cross, London (2016).
• Burberry Apercu Bespoke (2010-2017).
• Chelsea Basis (2015) and Chelsea Basis Chiselled (2018). For FC Chelsea.
• Corona Headline for Corona (2016).
• Europa Nuova & Europa Mono (2016). For UEFA's Europa League.
• Fanta Playful for Fanta (2017).
• Fulham First XI & Substitute XI for Fulham Football Club (2013). Stencil types.
• FQ Value for New Covent Garden Market (2016).
• GF Smith for paper manufacturer and merchant G.F. Smith (2014).
• Grey Goose for the French Vodka Producer (2014).
• Helen for Race Against Dementia (2016).
• Mondial for Rapha's Magazine (2015).
• NG Grotesque for LA-based fashion label, Nasty Gal, with Benjamin Critton (2014).
• Poynings, for printer Generation Press (2014).
• Tesco Modern, Tesco Modern Condensed, Tesco Slab and Tesco Serif for supermarket chain Tesco (2016-2017).
• Ubisoft Sans for French games publisher, Ubisoft (2016).
• Unify for the English Rugby Football Union (2013).
• Wales and Cymru Sans for Visit Wales / Welsh Government (2015).

Comicraft (was: Active Images)
[Richard Starkings]

Comicraft was founded by Richard Starkings and John Roshell in 1992. Located in Santa Monica and Los Angeles, they do lettering and design for the comic book industry and make comic book fonts. At one point they were also called Comic Book Fonts. The current presidents are Rita Simpson and Richard Starkings. Alternate URL. T-26 link. Creative Market link. Some fonts: Sanctum Sanctorum (2003), Grandguignol (2003), MagicalMysticalFour (2003), Smash (2003), Aztech, Joe Kubert, Gobbledygook, Meanwhile, Matinee Idol [Nick Curtis has a much nicer script font by the same name, sold by MyFonts], Manganese (Asian-lookalike by Richard Starkings), Altogether OOky (by John Roshell), AbsolutelyFabulous, Achtung Baby (1997, Richard Starkings: a brutalist typeface), Adamantium, Alchemite, AstroCity, AstroCity International, Bithead, BrontoBurger, CarryOnScreaming, Chills, ClobberinTime, Comicrazy, Destroyer, DivineRight, DoubleBack, DutchCourage (1995, an art deco family), Elsewhere (art nouveau), Flameon, Framistat (2000, JG), Frostbite, GrimlyFiendish, Hooky, Hellshock, IncyWincySpider, JimLee, JoeMad, KissAndTell, KissAndTell International (2000, JG), Meltdown, MonsterMash, PhasesOnStun, PulpFiction, ResistanceIs..., RunningWithScissors, SchoolsOut (1999, John Roshell), SezWho/SezYou, SpookyTooth, Spills, Splashdown, StandBy4Action, Stormtrooper, TheStorySoFar, ToBeContinued, Thrills, WildWords, WildWords International, YuleTideLog, Zoinks, ZAP Pack, Digital Delivery, Jeff Campbell (2000, by JG), Los Vampiros, DeadMansChest, Cutthroat International (2000), Rigor Mortis (2000, John Roshell), DangerGirl, Thingamajig, Red Star, Red Square, Drop Case, Too Much Coffee Man, NearMyth, Stonehenge, Golem and SwordsAndSorcerers (medieval or runes fonts). Their monster fonts collection includes MonsterMash, CarryOnScreaming, Chills, GooseBumps, CreepyCrawly, Grimly Fiendish, IncyWincySpider, SpookyTooth, Meltdown and TrickorTreat dingbats. In 2005, MyFonts started selling their collection. Fonts by Starkings include Achtung Baby, Carry On Screaming, Clobberin Time, Flame On, Goosebumps, Grimly Fiendish, Sez, Splashdown. The full font list: Absolutely Fabulous (1999), Achtung Baby (1997), Adam Kubert (2005), Adamantium (1999), Alchemite (1997), Altogether Ooky (1999, vampire script), Area51 (2005, an octagonal typeface with a military stencil)), Astro City (2005), Astronauts In Trouble (2005), Atomic Wedgie (2005), Aztech (2005), Battle Cry (2005), Battle Scarred (2005), Belly Laugh (2005), Biff Bam Boom (2005), Bithead (1997), Blah Blah Blah (2005), Bronto Burger (1996), Carry On Screaming (1996), Chatterbox (2005), Cheeky Monkey (2005), Cheese And Crackers (2005), Chills (1997), Clobberin Time (1995), Comicrazy (1995), Creepy Crawly (2005), Cutthroat (2005), Danger Girl (2005), Dave Gibbons (2005), Dead Mans (2005), Dear Diary (2005), Designer Genes (2005), Destroyer (1999), Digital Delivery (2005), Divine Right (1998), Doohickey (2005), Double Back (1998), Dreamland (2005), Drop Case (2005), Dutch Courage (1995), Elsewhere (1998), Euphoria (2005), Exterminate (1999), Face Front (2005), Flame On (1997), Forked Tongue (2005), Framistat (2005), Frostbite (1997), Girls Girls Girls (2005), Gobbledygook (2005), Golem (2005), Goosebumps (2005), Grande Guignol (2003), Grimly Fiendish (1998), Hedge Backwards (2005), Hellshock (1997), Hooky (1999), Hush Hush (2005), Hyperdrive (2005), Incy Wincy Spider (1996), Jeff Campbell (2005), Jeff Campbell Sketchbook (2005), Jim Lee (1998), Joe Kubert (2005), Joe Mad (1999), Kiss And Tell (1999), Ladronn (2005), Los Vampiros (1999), Manganese (1999), Matinee Idol (2005), Meanwhile (2005), Meltdown (1997), Mike Wieringo (2005), Monster Mash (1997), Near Myth (2005, a grunge face, since 2007 also at T26), Nuff Said (2005), Overbyte (2005), Paranoid Android (2005), Pascual Ferry (2005), Pass The Port (2005), Phases On Stun (1995), Primal Scream (2005), Pulp Fiction (1996), Red Square (2005), Red Star (2005), Resistance Is (1997), Rigor Mortis (2005), Rumble (1994), Running With Scissors (1997), Sanctum Sanctorum (1998), Santas Little Helpers (2005), Schools Out (1999), Sean Phillips (2005), Sentinel (2005), Sez (1998), Shannon Wheeler (2005), Shannon Wheeler (2005), Smash (2005), Snowmany Snowmen (2005), Soothsayer (2005), Spellcaster (2005), Spills (1997), Splashdown (1997), Spookytooth (2005), Stand By4 Action (1997), Stonehenge (2005), Stormtrooper (1997), Thats All Folks (2005), The Story So Far (1998), Thingamajig (2005), Thrills (1997), Tim Sale (1999), Tim Sale Brush (2005), Tim Sale Lower (2005), Timelord (2005), To Be Continued (2005), Too Much (2005), Tough Talk (2005), Treacherous (2005), Trick Or Treat (2005), Wall Scrawler (2005), Wiccan Sans (1999), Wiccan Serif (1999), Wiccan Special (1999, see also T-26), Wild And Crazy (1997), Wild Words (1995), Yada Yada Yada (2005), Yeah Baby (2005), Yuletide Log (1996), Zoinks (2005), Phil Yeh (2006), Zzzap (2006), Battle Damaged (2007), Speeding Bullet (2006), Foom (2007), Letterbot (2007), Timsale (2007), Cutthroat (2007), Framistat (2007), Area 51 (2007, techno, octagonal), CC Comicraft (2007), Ratatat (2008), Mad Scientist (2008), Monologous (2008, T-26), HolierThanThou (2008, T26), Elephantmen (2008, grunge typeface at T26), Storyline (2008, T-26), Primal Scream (2009, T-26), Spillproof (2009, T-26), Sign Language (2008), Moritat (2009, T-26, by John Roshell), Pass The Port (2009, T-26), Credit Crunch (2009), Elsewhere (2009, art nouveau), Code Monkey (2011, monospaced yet informal), Glitter Girl (2011, hand-printed), Rassum Frassum (2011, comic book face), Rocket Man (2011, a retro futuristic family), Spaghetti Western (2011, signage face), Sunrise Till Sunset (2012), Samaritan and Samaritan Tall (2013, with John Roshell).

In 2014, John Roshell published the school font Dash To School.

Typefaces from 2015: Samaritan Lower (by Richard Starkings and John Roshell), Dusk Till Dawn Buried (expressionist).

Typefaces from 2016: Questionable Things (with John Roshell: a question mark font).

Typefaces from 2017: Evil Schemes (by Richard Starkings and John Roshell), Regeneration, Obey Obey Obey (by Starkings and Roshell).

Typefaces from 2018: Samaritan Tall Lower (by Starkings and Roshell), Blah Blah Upper (by John Roshell and Richard Starkings), Evil Doings (by Richard Starkings and John Roshell).

Typefaces from 2020: Elektrakution (a Greek simulation font family by Richard Starkings and John Roshell), This Man This Monster (by John Roshell and Richard Starkings).

Typefaces from 2021: Richard Starkings Brush (2021; a comic book typeface by Richard Starkings and John Roshell), Scoundrel (a comic book face by Richard Starkings and John Roshell).

Creative Market link. View Comicraft's typefaces. Fontsquirrel link. [Google] [MyFonts] [More]  ⦿

Computer Modern fonts
[Donald E. Knuth]

Donald Knuth's Computer Modern family was developed by Stanford's most famous computer science professor, Don Knuth, in the 1970s and 1980s, with the help of Hermann Zapf and a group of people at Stanford University. It was a monstrous achievement, that started first with the development of the Metafont graphic description language for glyphs. The 72 original fonts are free. They are described by a set of 36 parameters. Each glyph is a carefully crafted computer program written in Metafont. It stands today as the prime example of parametric font design. Many individual fonts were designed using Metafont, but not one came has come close in scope and achievement to the Computer Modern collection.

The Computer Modern fonts, and their derivatives, are the main fonts used by the scientific community thanks to the TeX typesetting system. Derivatives include Lucida (by Knuth's colleague at Stanford, Charles Bigelow). Lucida is used by Scientific American. The commercial MathTime font family originally developed for the American Mathematical Society (AMS) by Michael Spivak, and then extended by Y&Y, and the AMS, includes a large set of mathematical characters.

Included in the CTAN subdirectories, where one can download the fonts and the sources, are now three sets of type 1 PostScript fonts, Basil K. Malyshev's BaKoMa fonts, the American Mathematical Society (or Bluesky) versions, and the Paradissa font collection for Computer Modern, Euler and Computer Modern Cyrillic, also by Basil K. Malyshev. There are also PostScript type 3 versions of the Computer Modern fonts. Doug Henderson made some outline fonts (in metafont). Concrete is a metafont family designed for Knuth's Concrete Mathematics book by Knuth himself between 1987 and 1999. In the three decades that followed the development in the late seventies, only rarely have glyphs been corrected or altered---one such instance was an error in cmmib5.

Truetype version of the fonts are here.

Download Computer Moder Unicode (or CM Unicode) either in PostScript or OTF formats. This family is called CMU (2007) and font names are standardized as CMU Serif, CMU Typewriter Text Regular, CMU Bright Bold Extended, and so forth. This set was created by Alexey V. Panov. [Google] [MyFonts] [More]  ⦿

Computer Modern PostScript Fonts

A choice of three collections: Bakoma, Paradissa and Blue Sky Research (the latest entry). The Bakoma fonts were made by Basil K. Malyshev (1993; read this message by Sebastian Rahtz). Another download site (afm, tfm missing though). See also here. [Google] [More]  ⦿

Computer Modern TT fonts

TrueType versions of the Computer Modern fonts. Check also here. Contains the monospaced typewriter type cmtt. [Google] [More]  ⦿

Connary Fagen

Art director, designer and consultant who grew up in Colorado and is now based in Heber City (was: Park City and before that Salt Lake City), UT. He created the commercial Latin / Cyrillic geometric sans font family Venti CF in 2014---Venti can be purchased here. His second typeface is the geometric / techno typeface Filter CF (2014).

In 2015, he created Waverly (avant garde caps), Articulat CF (an 18-style Swiss sans typeface), Argent CF (a 13-style display serif family), Ironfield (bold husky brutalist display font), Visby CF (geometric sans), Visby Round CF, Quincy CF (a warm serif text face), and Manifold CF (a squarish cold utilitarian sans with 16 styles; extended to the corporate typeface Manifold DSA in 2017). See also Manifold Extended CF (2022; 16 styles).

Typefaces from 2016: Vanguard CF (a strong ultra-compressed sans in 16 styles), Addington CF (a 14-style text typeface family), Cartograph CF (monospaced sans), Greycliff CF (sans), Turismo CF (a wide rounfded open sans inspired by midcentury motorsports, technology, and business).

Typefaces from 2017: Gryffith (angular), Visby Slab CF, Filter v2 CF (hipster style), Couplet CF (humanist sans), Integral CF (an all caps titling font).

Typefaces from 2018: Argent Pixel (free), Artifex CF (a 9-weight serif family), Artifex Hand CF (a flared version of Artifex), Criteria CF (a geometric sans with horizontal and vertical terminal endings), Roxborough CF (a sharp-edged roman typeface).

Typefaces from 2019: Wayfinder CF (a sharp-edged display typeface).

Gumroad site, where one can download free trial versions of many of his fonts, and purchase licenses for the other ones.

Typefaces from 2020: Hexaframe CF, Olivette CF (a sharp-edged angular and contrast-rich typeface family), Ellograph CF (a rounded monoline sans in 16 styles).

Typefaces from 2021: Mielle CF (a monolinear script), Greycliff Thai CF, Greycliff Arabic CF, Greycliff Hebrew CF, Quiverleaf CF (ten flared / lapidary styles).

Typefaces from 2022: Quiverleaf Arabic CF.

Interview by MyFonts in 2021. [Google] [MyFonts] [More]  ⦿

Contrafonts (or: Frutitype; was: Sindicato de la Imagen, or: Cooperativa de Fundicion Tipografica)
[Joaquín (jko) Contreras]

Or Joaquin Contreras Soto. Santiago, Chili-based type cooperative where some free fonts have been produced: CNI (2004, a scary pixel typeface named after the Central Nacional de Información, the notorious Chilean intelligence bureau), CFT Maestro Rosamel, Masapunk (grunge, available from Latinotype), Jara (pixel face, Latinotype), Themo.

Contreras won awards at Tipos Latinos 2008 for Romances (an exquisite calligraphic family) and Epístola. Other typefaces: LTT Jara, LTT Ferretería.

He wrote a thesis at the Faculty of Architecture of the University in Chile in 2007 entitled Diseño de fuentes tipográficas, basadas en los libros integramente caligrafiados por Mauricio Amster en Chile.

In 2011, he cofounded Los Andes Type, and published the octagonal typeface Fierro (2011) there.

Typefaces not mentioned above include TCL Suma (2011), La Chimba (2010) and Nomono (2011, after an alphabet designed by Chilean illustrator Cristobal Schmal).

He founded Contrafonts. Promptly, the medieval / uncial wedge serif all caps typeface CF Santiago won an award at Tipos Latinos 2018.

In 2020, Joaquin Contreras and Miguel Hernandez Montoya set up Archetypo.xyz from their new base in Germany. They co-designed AA Actual Mono (2020: monospaced, in 10 styles).

In 2021, Contreras set up Frutitype in Germany. At Frutitype, he released Cobre (a sans) in 2021.

Old URL. Navajo.org site. [Google] [MyFonts] [More]  ⦿

Coppers & Brasses
[Alexandre Saumier Demers]

Quebec-based type type foundry Coppers & Brasses was set up in 2011 by Alexandre Saumier Demers and Étienne Aubert Bonn in the plateau area of Montreal. Both graduated from the graphic and type design program at UQAM in Montreal and went on do the Type and Media program at KABK in The Hague, The Netherlands.

Creators of these typefaces in 2012: Martha (monospaced slabby grotesque done by both founders), Sardine (fat signage typeface by Bonn), Freitt (blackletter typeface by Bonn). Nicole (2012) is an elegant basic sans typeface by Olivier Mercier-Chan Kane.

In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. In 2014, Alexandre in turn graduated from the Type & Media program at KABK. For his graduation, Alexandre developed the didone typeface family Lewis. He writes: Lewis is a typeface designed for mathematical typesetting, specifically for the TeX typesetting system. It consists of 3 text styles (Roman, Bold, Italic) and 3 math styles (Math Italic, Greek, Blackboard) for use as variables. The text Italic relates to the Roman while the Math Italic stand out with its cursive construction. Likewise, the Greek differentiate easily from Latin characters. The Blackboard inlines are adapted for text sizes with their wide and open cut. Lewis features many size variants and extending shapes, ideal in displayed equations.

The list of their retail and custom fonts:

• Guillon (2016). Manufactured for Studio Feed.
• GSM Grotesque (2016). A custom typeface by Coppers and Brasses and Studio Feed, for GSM Project.
• Caserne (2015). A custom stencil typeface designed with Samuel Larocque for the Montreal-based studio Caserne.
• CCM Grotesk (2015, Latin and Cyrillic). A custom typeface for Canadian sporting goods brand CCM, with a textured version. The Cyrillic was overseen by Russian type designer Maria Doreuli.
• VLNL Wurst (2015, VetteLetters). This wurst-themed typefaces comes in three styles, Brat, Blut and Bier Wurst. The interesting aspect of this font is that Demers developed a special Wurst Schreiber software for drawing segments as sausages in RoboFont.
• Double (2015, Alexandre Saumier Demers and Étienne Aubert Bonn). A retail typeface family from condensed to wide with wedge serifs, a copperplate feel, and slight flaring. Ideal for display work.
• Canal (2015, Étienne Aubert Bonn). A fantastic retail sans typeface family: Canal is a typeface family inspired by the blue collar, hard working people that were the late 19th and early 20th centuries labor force of the new continent. It is a sturdy workhorse with a wink of humanism.
• Martha (2014, Alexandre Saumier Demers and Étienne Aubert Bonn). A retail typeface family with curvy typewriter influences, some monospaced styles and a grotesque to boot.
• Klaus (2014, Étienne Aubert Bonn). Developed for personal web and paper work.
• Théorie (2014, Alexandre Saumier Demers and Étienne Aubert Bonn). A techno stencil typeface commissioned by UQAM's Bureau de Design for the Bâtisseurs of the science faculty award.
• Lewis (2014, Alexandre Saumier Demers). A font system for typesetting mathematics in TeX, developed at KABK.
• Alphonse (2014, Alexandre Saumier Demers). An elegant garalde custom text typeface.
• Nurraq (2013, Étienne Aubert Bonn). Developed as a school project at KABK, Nurraq is a multi-script typeface system that matches a Latin serif text typeface with a Canadian aboriginal syllabics character set for the Inuktitut language.
• Compass (2013, Étienne Aubert Bonn). A revival based on the early drawings of Monotype Plantin series 110 by Frank Hinman Pierpont and Fritz Stelzer.
• MLS Soccer (2012). A handcrafted custom typeface by Alexandre Saumier Demers and Étienne Aubert Bonn, commissioned by Sid Lee.
• Radio Canada (2017). A custom corporate humanist sans typeface for the French TV network in Quebec, co-designed by Charls Daoud and Alexandre Saumier-Demers of Coppers and Brasses. Google Fonts link. Github link.
• Mortier (2021): A typeface inspired by old hand-painted advertisements on brick walls---many of which still exist as ghost signs in cities across the world. This unique style of lettering was influenced by precomputer techniques wherein sign painters would use the brick wall on which they were painting as a reference for laying out their text.

Alexandre spends most of his time since 2016 working on variable font projects for The Type Network (ex-Font Font Bureau). Home page of Alexandre Saumier Demers. Behance link for Coppers and Brasses. [Google] [More]  ⦿

Corentin Noyer
[Corentin Noyer]

Aspet, France-based type designer. His fonts:

• The rounded monospaced monoline typeface family Buro (2018-2021). Partly based on the Olympia De Luxe typewriter type.
• In 2013 and 2014, he and Olivier Raimbaud assisted Damien Gautier with the development of the large sans typeface family Plaak, which was inspired by French street name signage.
• Alfabet Bold (2020-2021). A squarish typeface influenced by De Stijl, and in particular, Theo van Doesburg.
• Bevel Medium (2017-2021). A stencil typeface.

Corentin Noyer
[Corentin Noyer]

[MyFonts] [More]  ⦿

Cornel Windlin
[Lineto]

[MyFonts] [More]  ⦿

Corwin Watts

Coral Springs, FL (formerly Rapid City, SD)-based designer of Jiri Monospaced, Ozme, Maku, Ethne Tribal Font and watc Monospaced Font, all created in 2004. In 2005, he created Bele, Eala, Njallur, Ressl, Rose (a curly upright script updated in 2008), Sante, Santina and Xeto. In 2006, he added Adam and Geu 1.2. In 2008, the Celtic font Santina became Albina. [Google] [More]  ⦿

Cosimo Lorenzo Pancini

Born in Firenze in 1969. Cofounder with Francesco Canovaro and Debora Manetti of the Italian design firm in Firenze called Studio Kmzero. He co-designed some typefaces there such as Arsenale White (2009). In 2002, Pancini developed Targa, TargaMS and TargaMSHand (for comic books?), basing his design on the peculiar sans serif monospace typeface with slightly rounded corners and a geometric, condensed skeleton that Italy had been using for its license plates. In 2022, Francesco Canovaro redesigned this font into a versatile multi-weight typeface, Targa Pro, which includes Targa Pro Mono (which keeps the original monospace widths), Targa Pro Roman (with proportional widths), both in five weights plus italics, the handmade version Targa Hand, and Targa Pro Stencil.

The handwriting of Lord Byron led Pancini to develop the brush script typeface Byron (2013, Zetafonts).

MyFonts credits him with the rounded avant garde sans family Antipasto (2007), but elswhere we read that this typeface is made by Matteo di Iorio, so there is some confusion. It was extended in 2017 by Pancini as Antipasto Pro.

In 2014, Cosimo Lorenzo Pancini and Francesco Canovaro co-designed Amazing Grotesk (+Ultra). He also designed the calm bold geometric rounded sans typeface Cocogoose (2014; replaced by Cocogoose Pro in 2017) and the stylish deco font Offensive Behaviour. Cocogoose Letterpress is free. Cocogoose is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named after fashion icon Coco Chanel. Cocogoose is Coco Gothic for the 1940s. See also Coco Gothic Pro (2021).

In 2015, Pancini published the grand family Coco Gothic. This Latin / Greek / Cyrillic typeface family features a small x-height and sligghtly rounded corners to make the avant garde and geometric sans typefaces in vogue in the 1970s come alive again, ready for 21st century fashion magazines. It comes with substyles that recreate many moods, including art nouveau and arts and crafts (Cocotte), Italian propaganda style and Italian deco (Cocosignum), hipster style (CocoBikeR), or Bauhaus (Cocomat). Coco Gothic was initially developed as a corporate font for Lucca Comics & Games Festival 2013. The rounded geometric sans family Cocomat (by Cosimo Lorenzo Pancini, Deborah Manetti and Francesco Canovaro) was inspired by the style of the twenties and the visions of Italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant'Elia. Updated in 2019 as Cocomat Pro.

Still in 2015, Cosimo and Zetafonts published the connected creamy baseball script Bulletto, the grungy handvetica Neue, and the calligraphic wedding typeface Hello Script. In 2015, at Zetafonts, Cosimo Lorenzo Pancini designed CocoBikeR (2015) to celebrate the hipster and bike cultures. CocoBikeR (for Latin, Greek and Cyrillic) is part of the successful Coco Gothic typeface family. In 2017, Pancini designed the 1930s Italian art deco typeface families Cocosignum Maiuscoletto and Cocosignum Corsivo Italico. In 2021, he published the 48-style (+variable) font family Coco Gothic Pro. This is a redrawn and expanded set of fonts: Inspired by a biography of Coco Chanel and trying to capture the quintessential mood of classical fashion elegance, Cosimo Lorenzo Pancini designed Coco Gothic looking for the effect that the first geometric sans typefaces (like Futura, Kabel or the italian eponyms like Semplicita) had when printed on paper. The crisp modernist shapes acquired in printing charme and warmth through a slight rounding of the corners that is translated digitally in the design of Coco Gothic. [...] A distinguishing feature of Coco Gothic Pro is the inclusion of ten alternate historical sets that allow you to use the typeface as a true typographic time machine, selecting period letterforms that range from art deco and nouveau, to modernism and to eighties' minimalism. Equipped with such an array of historical variants, Coco Gothic Pro becomes an encyclopedia of styles from the last century. There is also attention to Darkmode and there is coverage of Cyrillic and Greek.

Typefaces from 2016: Adlery (a curly brush script), Kitten (Fat, Swash, Swash Monoline, Slant, Bold: signage script family), Adlibitum (a blackletter typeface by Cosimo Lorenzo Pancini and Francesco Canovaro), Morbodoni (a display didone by Cosimo Lorenzo Pancini and Francesco Canovaro).

In 2016, Cosimo Lorenzo Pancini, Andrea Tartarelli, Giulia Ursenna Dorati and Andrea Gaspari co-designed the 1940s vintage brush script typeface Banana Yeti, which is based on an example by Ross George shown in George's Speedball 1947 Textbook Manual. The Zetafonts team extended the original design to six styles and multilingual coverage. The ExtraBold is free. Still in 2016, Pancini designed Calligraphunk, an experimental typeface that mimicks polyrythmic calligraphy, by alternating two sets of lowercase letters to emulate handwriting.

In 2016, Cosimo Lorenzo Pancini, Matteo Chiti, Luca Chiti and Andrea Tartarelli co-designed the retro connected brush script font family Advertising Script, which is based on an example from Ross George's Speedball 1947 Textbook Manual.

Beatrix Antiqua (2016, by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli). This humanist sans-serif typeface is part of the Beatrix family (Beatrix Nova, etc.) that takes its inspiration from the classic Roman monumental capital model. Its capitals are directly derived from the stone carvings in Florence's Santa Croce Cathedral. Beatrix keeps a subtle lapidary swelling at the terminals suggesting a glyphic serif, similar to Hermann Zapf's treatment in Optima.

Amazing Grotesk (2016) is based on a logo designed by Francesco Canovaro.

Studio Gothic (2017, by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli) is an 8-style geometric sans family based on Alessandro Butti's geometric sans classic, Semplicita.

Hello Script and Hello Sans can be used for layering and coloring. The Christmas-themed version is Hello Christmas.

Pancini designed the 64-strong typeface family Body Grotesque and Body Text in 2017-2018, together with Andrea Tartarelli. It was conceived as a contemporary alternative to modernist super-families like Univers or Helvetica.

In 2017, Cosimo Lorenzo Pancini and Andrea Tartarelli co-designed the sans typeface family Kabrio, which gives users four different corner treatment options.

Anaphora (2018). Anaphora is a contemporary serif typeface designed by Francesco Canovaro (roman), Cosimo Lorenzo Pancini (italic) and Andrea Tartarelli. It features a wedge serif design with nine weights from thin to heavy. Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display size. Anaphora covers Latin, Greek and Cyrillic.

Canovaro's Arista served as a basis for the 29-style monolinear rounded sans typeface family Aristotelica (2018) by Cosimo Lorenzo Pancini and Andrea Tartarelli. See also Aristotelica Pro (2020).

In 2018, he designed the italics for Cosimo Lorenzo Pancini's Domotika typeface family. Between 2018 and 2021, Cosimo Lorenzo Pancini and Andrea Tartarelli developed the 8-weight humanist sans typeface Domotika for Latin, Cyrillic and Greek, further into the 18-style Domotika Pro (2021).

In 2018, he published Radcliffe, with Andrea Tartarelli, a Clarendon revival with Text and Casual subfamilies. Radcliffe (a Clarendon revival by Cosimo Lorenzo Pancini and Andrea Tartarelli), and added the layerable condensed Cocogoose Narrows to the Cocogoose family. Codec (2018) by Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli is a geometric sans typeface family in which all terminal cuts are horiontal or vertical. See also Codec Pro (2019).

His Double Bass (2018) is a jazzy 4-style typeface family that pays tribute to Saul Bass's iconic hand lettering for Otto Preminger's The Man with the Golden Arm film title sequence and other movies, Bass's vibrating, almost brutal cut-out aestethics, and the cartoonish lettering and jazzy graphics of the fifties.

In 2018, he published the sharp wedge serif typeface Blacker to pay homage to the 1970s. In 2019, that was followed by Blacker Pro (Cosimo Lorenzo Pancini and Andrea Tartarelli, who write: Blacker Pro is the revised and extended version of the original wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli in 2017. Blacker was developed as a take on the style that Jeremiah Shoaf has defined as the "evil serif" genre: typefaces with high contrast, oldstyle or modern serif proportions and sharp, blade-like triangular serifs). Still in 2018, he designed the swooping polyrhythmic calligraphic typeface Calligraphunk.

In 2018, Cosimo Lorenzo Pancini and Andrea Tartarelli designed Holden, a very Latin cursive sans typeface with pointed brush aesthetics and fluid rhythmic lines.

In 2019, Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli published the monolinear geometric rounded corner amputated "e" sans typeface family Cocogoose Classic, the sans family Aquawax Pro, and the condensed rounded monoline techno sans typeface family Iconic.

In 2019, Cosimo Lorenzo Pancini, Andrea Tartarelli and Maria Chiara Fantini at Zetafonts published a slightly calligraphic Elzevir typeface, Lovelace.

In 2019, the lapidary typeface family Beatrix Antiqua (Francesco Canovaro) was reworked by Cosimo Lorenzo Pancini together with Andrea Tartarelli and Maria Chiara Fantini into a 50-style type system called Monterchi that includes Text, Serif and Sans subfamilies. Monterchi is a custom font for an identity project for a famous fresco in Monterchi, developed under the art directorship of Riccardo Falcinelli.

Tarif (2019) is a typeface family inspired by the multicultural utopia of convivencia---the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, together with Muslim culture and aesthetics. It is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing Latin zest, calligraphic details, extreme inktraps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic version of Tarif, where the humanist shapes and inverted contrast of the Latin letters find a natural connection with modern arabic letterforms.

Late in 2019, Cosimo Lorenzo Pancini released the fun typeface family Hagrid at Zetafonts, which writes: Crypto-typography---the passion for unknown, weird and unusual character shapes---is a disease commonly affecting type designers. Cosimo Lorenzo Pancini has celebrated it in this typeface family, aptly named Hagrid after the half-blood giant with a passion for cryptozoology described by R. K. Rowling in her Harry Potter books. Extreme optical corrections, calligraphic counter-spaces, inverted contrast, over-the-top overshoots: all the inventions that abound in vernacular and experimental typography have been lovingly collected in this mongrel sans serif family, carefully balancing quirky solutions and solid grotesque design.

In 2020, Pancini released Stinger (2020, a 42-style reverse contrast family by Francesco Canovaro, Cosimo Pancini, Andrea Tartarelli and Maria Chiara Fantini) and Boring Sans (a typeface family designed along two variable axis: weight and weirdness). As part of the free font set Quarantype (2020), Cosimo Lorenzo Pancini designed Quarantype Embrace, Quarantype Hangout, Quarantype Hopscotch, Quarantype Joyride, Quarantype Sackrace, and Quarantype Uplift (with Maria Chiara Fantini).

In 2020, Cosimo Lorenzo Pancini and Mario De Libero revived Nebiolo's Carioli (1928) as Cairoli Classic and Cairoli Now at Italian Type / Zetafonts. They extended the original weight and width range and developing both a faithful Classic version and a Now variant. The Cairoli Classic family keeps the original low x-height range, very display-oriented, and normalizes the design while emphasizing the original peculiarities like the hook cuts in curved letters, the high-waisted uppercase R and the squared ovals of the letterforms. Cairoli Now is developed with an higher x-height, more suited for text and digital use, and adds to the original design deeper inktraps and round punctuation, while slightly correcting the curves for a more contemporary look. Cairoli Variable has a weight and width axis.

In 2020, Cosimo Lorenzo Pancini and Mariachiara Fantini---with the help of Solenn Bordeau---released Erotique at Zetafonts. Erotique evolved from Lovelace, an earlier Zetafonts typeface. Zetafonts describe this evil serif as follows: it challenges its romantic curves with the glitchy and fluid aestethic of transmodern neo-brutalist typography. Late in 2020, they added Erotique Sans, the sans version of Erotique, also designed by Cosimo Pancini and Maria Chiara Fantini.

Late in 2020, he co-designed the 46-style font family Eastman Grotesque together with Francesco Canovaro and Andrea Tartarelli. This monolinear sans with a tall x-height comprises an interesting Eastman Grotesque Alternate subfamily with daring and in-your-face glyphs. The typeface evolved from Zetafonts' earlier Bauhaus-inspired typeface Eastman (2020). Later fonts in this family include Eastman Condensed (2021, by Francesco Canovaro, Cosimo Pancini and Andrea Tartarelli).

In 2020, Cosimo Pancini, Andrea Tartarelli and Mario De Libero drew the 60-style Cocogoose Pro Narrows family, which features many compressed typefaces as well as grungy letterpress versions.

Sunshine Pro (2020, Zetafonts) was designed by Cosimo Lorenzo Pancini and Solenn Bordeau expanding the original Sunshine design by Francesco Canovaro, part of the Quarantype collection (2020), which in turn was designed as a typeface for good vibes against Covid-19. Sunshine Pro is an experimental Clarendon-style font with variable contrast along the weight axis---contrast is reversed in light weight, minimized in the regular weight and peaks in the bold and heavy weights.

Coco Sharp (2021) is a 62-style sans feast, with two variable fonts with variable x-height, by Francesco Canovaro, Cosimo Pancini and Andrea Tartarelli.

Co-designer of Heading Now (2021), a 160-strong titling font (+2 variable fonts) by Francesco Canovaro, Cosimo Pancini, Andrea Tartarelli and Mario De Libero that provides an enormous range of widths.

Keratine (2021, Cosimo Pancini, Andrea Tartarelli and Mario De Libero). A German expressionist typeface that exists in a space between these two traditions, mixing the proportions of humanistic typefaces with the strong slabs and fractured handwriting of blackletter calligraphy. Pancini, its main designer, writes that it explores the impossible territory between antiqua and blackletter.

Geppetto (2021) is a frivolous Tuscan font that started out as a revival of a condensed Tuscan wood type family appearing in the 1903 Tubbs Wood Type catalog and which was probably derived from an 1859 typeface by William Hamilton Page. Pancini built a variable font on top of it and calls it a font for fake news.

In 2021, Pancini added Coco Tardis as a variable font with a time travel slider to the Coco Gothic family.

Millard Grotesque (2021) is a true "grot" in the Akzidenz Grotesque sense of the word. This typeface family was designed by Cosimo Lorenzo Pancini and Andrea Tartarelli.

Pancini's Descript (2021) is a variable script font with two axes, slant and speed of writing.

Milligram (2021) is a very tightly set grot by Cosimo Pancini and Andrea Tartarelli. [Google] [MyFonts] [More]  ⦿

CoType Foundry

CoType is the London-based type foundry of Mark Bloom and Joe Leadbeater, est. 2019. Their typefaces include

• Aeonik and Aeonik Pro (2018). A 14-weight sans typeface family by Joe Leadbeater and Mark Bloom. Aeonik supports Latin, Greek and Cyrillic, and is accompanied by a variable font. Followed in 2022 by Aeonik Mono and Aeonik Fono.
• Altform (2021). A low contrast sans family by Mark Bloom. Designed by mixing geometric and grotesque elements, it has many weights and is accompanied by a two-axis (weight, italic tilt) variable font.
• Ambit (2019). A sans by Mark Bloom: Ambit is an eccentric and unique sans serif font inspired by early grotesques, but adapted for the 21st century. It is characterized by the misbehaving curly lower case f and r glyphs.
• Coanda (2019). A techno typeface by Mark Bloom, who writes: Coanda: an ideology of the future, crafted from the past. Coanda honours the ambitious outlook of 20th century designers Wim Crouwel and Mimmo Castellano, and pays respect to the meticulous detail crafted by The Designers Republic.
• Orbikular (2020). A 5-weight modern typeface by Mark Bloom.
• RM Neue (2019). A sans by Mark Bloom. The first iteration of RM was released in 2011, followed by RM Pro in 2016. RM Neue is a completely redrawn and redesigned adaptation of RM Pro, previously available in only three weights. Bloom writes: Inspired by utilitarian neo-grotesques, RM Neue aims to be a timeless addition to each designer's font repertoire and has been designed to be clean and legible at all sizes.
• Betatron (2021). Sci-fi.
• Scandium (2021). a 14-style sans: Scandium is a contemporary sans with open shapes and a technical vibe inspired by the needs of the automotive industry---openness, performance, and style. With its modestly squared curves, high x-height, and vertical terminals, Scandium marries performance with purpose. It includes many icons and some emojis.

Courier Thai

Courier Monothai, Courier Proportional Thai, and EBCDIC Monothai. All free. [Google] [More]  ⦿

Crestaco
[Javier Cos]

Crestaco is a design and software development studio founded by Javier Rodriguez Cos (aka Madonna Mark II, b. 1972, Tarragona, Spain) and located in El Morell, Spain. Javier Cos is a graphic, type, and video game designer. His first typeface is Anvylon (2012), which is monospaced for use in programming and tabular material. Its rounded monoline design is reminiscent of the type used in early video terminals and line printers. Seleniak (2012) is based on the logo of the eponymous MSX video game. [Google] [MyFonts] [More]  ⦿

Cristiano Sobral

Designer of the free font Germano (2016): Germano is based on Open Sans Condensed by Google: it was changed to OpenType CFF curves, and a Bold Oblique weight was added.

In 2016, he published Rising Sun, a further step in the development of the successful free sans typeface family Raleway, initially designed by Matt McInerney as a single thin weight, and then expanded into a 9-weight family by Pablo Impallari and Rodrigo Fuenzalida in 2012 and iKerned by Igino Marini.

In 2016, he extended Andika New Basic (by Victor Gaultney, Annie Olsen and Pablo Ugerman) and published it as the free typeface Quebec. Still in 2016, he extended Hector Gatti's Archive (2012-2015, Omnibus Type), and called it Ushuaia (Open Font Library). Andreas Larsen's DIN emulation typeface Gidole was extended by Cristiano to Normung (2016). One of URW's GhostLib fonts was extended in 2016 by Cristiano to the U001 sans typeface family.

Typefaces from 2017 include Miedinger (a take on Helvetica, actually first conceived in 2015) and Petra Sans (based on Cantarell).

In 2018, he adapted Philipp H. Poll's Libertinus Mono (2012) to add a slashed zero, and called it Corbi Mono S.

In 2020, he published Mulinito, which is based on Vernon Adams's Muli and Nunito Sans. Storia Sans (2020) is a slight modification of Titillium. Metropolitano (2020) tweaks Chris Simpson's Metropolis (2015). [Google] [More]  ⦿

Critzler
[Thomas Bierschenk]

Young Berlin-based type designer who made the Chemo family, Bionic Dynamic, Localizer, Localizer Clones and FF Magda Clean (1997, together with Henning Krause), a monospaced typewriter font related to Cornel Windlin's Magda, all at FontFont. His company is called Critzler Font Investigation. He created the fun Linotype typefaces Linotype Down Town, Linotype Go Tekk and Linotype Mindline in 1997. Before 1990, he was an East-German sign painter. He recently founded Pfadfinderei, an "all-round" agency for visual communication, where he designed the futuristic techno display type family FF TradeMarker (2007), Flomaster (1998, graffiti, done with Jayone), Vinataba Solid (2002), Nicola Zucka (2002, connected cursive script), Franz Jäger (2000, ultra fat, mini-slabbed), and Neo (2002, geometric as in the logo of the Neo car). [Google] [MyFonts] [More]  ⦿

CSDN

This Chinese page compares fonts for coding and for small screens: Courier New, Andale Mono, Monaco, Profont, Monofur, Proggy, Droid Sans Mono, Deja Vu Sans Mono, Consolas and Inconsolata. [Google] [More]  ⦿

culiner.com

40+ font archive. Includes AceCrikey (James Shields, 1998), GraphicAttitudeMono (Antonio Bucu, 1998), AccidentalPresidency (Tepid Monkey Fonts, 2000). [Google] [More]  ⦿

Cuong Lu

Hanoi, Vietnam-based designer of the free typeface Edge Mono (2020). [Google] [More]  ⦿

Cyn Fonts
[Petros Vasiadis]

Petros Vasiadis is a graduate of Vakalo Art & Design College who works in Athens, Greece. Petros Vasiadis set up CYN Fonts in Athens, ca. 2013, and offers these free (mostly brush) fonts for Latin and Greek: CYN Kypselers (hexagonal), Logikfron (grunge), Me Rider (grunge), Banxed (hexagonal), CYN Ypsoma (hand-printed), CYN Unlimited (brush), CYN Ufos (scratchy), CYN U, CYN Pan Shadow, CYN Pan (hand-printed), CYN Nextshift (hand-printed), CYN Goodinside, CYN Forgiven, CYN Filos (brush), CYN Byron, CYN Autozen (nice brush), CYN Autoside (brush), CYN Autopol (scratchy brush), CYN Autolimit (brush), CYN Autofly (brush), CYN 4Uven. In 2015 Cyn Fonts had these typefaces: Actual, Calimera, CYN Pan, CYN Singing, CYN_4Uven, CYN_autofly, CYN_autoLimit, CYN_autoLimit_it, CYN_AutoPOL, CYN_AutoPOL_it, CYN_autoSide, CYN_autoSide_it, CYN_autozen free font, CYN_Byron, CYN_Byron_it, CYN_FILOS, CYN_FILOS_italic, CYN_Forgiven, CYN_Forgiven_italic, CYN_Goodinside_italic, CYN_Goodinside_shadow, CYN_Nextshift, CYN_Nextshift_i2, CYN_U (2011, free brush face), CYN_UFos, CYN_Unlimited, CYN_Unlimited_it, CYN_Unlimited_U, CYN_Ypsoma, CYN_Ypsoma_Bold, CYN_Ypsoma_Bold_it, Gearus, Logikfront, Merider (:Me Rider:), Pagkrati, RighOn.

He cut the serifs and ends off Times Roman to create the sans typeface RighOn, the extended rounded display sans typeface Pagkrati, and the slab serif typeface Calimera in 2013. Free downloads.

In 2014, he created the free font Gearus, the free handwriting font Singing, and the free thin sans display typeface Actual Free Font (2014, Latin and Greek).

In 2015, he published Cyn Filos (free rough brush font), Covalt, the curly typeface Medelsan, the stencil typeface Quaummerce, the interesting 10-weight Latin / Greek sans family Pinaxi (commercial). Its very open forms and organic feel make this ideal for mobile devices. He also made a proposal for a drachma symbol at the height of the Greek Euro crisis in June 2015. Still in 2015, he designed the grunge fonts Studiomast and Typink, the free handwriting font Cyn Goodinside, the calligraphic nibbed typeface Erasty, the nibbed typeface Achieve, the commercial vintage poster typeface Palko, Delyte, Bortrait, Porta, Maternity, The Loom, the handcrafted Tasy and Innosend, the nibbed typefaces Nicky, Relevancy and Applauds, the amoebic Locker, the octagonal Powergo, the inky script typeface Trip, and the monospaced organic sans typeface Bot (Latin and Greek).

Typefaces from 2016: PVF NeuTymes, PVF Clothing, PVF Over, PVF Newtown, PVF Mazzy, PVF Saved, PVF Seventy, PVF Solon (Greek simulation font), PVF Springs, PVF Climax, PVF Tropo, PVF Riding, PVF Spice, PVF Cash, PVF Chock, PVF Presence, PVF Codesk, PVF Saved, PVF Pop, Stroma, Ally, Hutch (tattoo script), Treesign.

Behance link. Blogspot link. Home page. Blogger link. [Google] [More]  ⦿

Cyrillic Fonts Plus

Belarussian site. Arial, Courier and Times in Cyrillic versions. They have the Cyrillic vowels (a,o,u,e,y,ja,jo,ju,je,i) with accents, the Belarussian Latin "u short" and the letter "Jat" added on. [Google] [More]  ⦿

Daan Jesper Kars

Vienna, Austria-based designer of the sans typeface Trias Politica, which comes with sans (Excequi), slab serif (Legis) and monospaced (Judicium) versions. [Google] [More]  ⦿

Dalton Maag
[Amazon fonts]

[More]  ⦿

Dalton Maag
[Canonical Design]

[More]  ⦿

Dalton Maag
[Bruno Maag]

Swiss designer Bruno Maag (b. Zürich) founded Dalton Maag in 1991, and set up shop in Brixton, South London. He serves the corporate market with innovative type designs, but also has a retail font line. Ex-Monotype designer Ron Carpenter designs type for the foundry. In the past, type designers Veronika Burian worked for Dalton Maag. A graduate of the Basel School of Design, who worked at Stempel and was invitedd by Rene Kerfante to Join Monotype to start up a custom type department. After that, he set up Dalton Maag with his wife Liz Dalton. He has built the company into a 40-employee enterprise with offices in London, Boston, Brazil (where the main type designer is Fabio Luiz Haag), Vienna and Hong Kong.

The Dalton Maag team designed these commercial fonts:

• Airbnb Cereal (2018). A sans typeface commissioned by Airbnb. Dalton Maag describes it as playful, open and simple.
• Aktiv Grotesk (2010). Published as an alternative to Helvetica, a typeface Bruno hates with a passion. It also covers Chinese, Japanese and Korean. In 2020, it became a 3-axis (weight, width, italic) variable font.
• Aller Typo.
• Almaq.
• Blenny (2014). A fat face didone by Spike Spondike.
• Bligh (2015). A three-weight sans family.
• Co (2007): a rounded monoline minimalist sans co-designed by Bruno Maag and Ron Carpenter.
• Cordale: a text family.
• Dedica (2007): a didone face.
• Effra and Effra Italic (2007-2009): sans family by Jonas Schudel and Fabio Luiz Haag. Followed in 2013 by Effra Corp.
• Elevon (2012). By Bruno Maag and Marconi Lima.
• Fargo (2004): a humanist sans in 6 weights.
• Foco. A sans family.
• Grueber (2008): a slab serif.
• InterFace (2007): an extensive sans family; one weight is free (2001). See also InterFace Corporate (2007).
• Kings Caslon (2007). By Marc Weymann and Ron Carpenter.
• Lexia (1999, Ron Carpenter and Dalton Maag): a slab serif family (Dalton Maag mentions the date as 2007). In 2019, Dalton Maag added Lexia Mono.
• Magpie (2008). A serifed family by Vincent Connare for Dalton Maag.
• Objektiv.
• Oscine (2014, by Bruno Maag, Ron Carpenter, Fernando Caro and Rafael Saraiva). A rounded organic sans typeface.
• Pan (1996). A text family at 1500 US dollars per style.
• Plume (2004): a display typeface inspired by calligraphy, co-designed with Ron Carpenter.
• Prometo. An organic stressed sans.
• Royalty (1999, +Royalty Obese, 2007): a stunning art deco display family.
• Scope One (2015). A free Google Font. It has a single light weight, whose slab serifs make it useful for headlines.
• Setimo (2015). By Fernando Caro. A distinguished sans.
• Soleto (2014, a simple sans by Bruno Mello, Fabio Haag, Fernando Caro, Rafael Saraiva and Ron Carpenter). Soleto won an award at Tipos Latinos 2014.
• Southampton.
• Sparkasse Serif (2003-2005). A custom typeface.
• Stroudley (2007): a sturdy large counter condensed sans by Bruno Maag, Ron Carpenter and Veronika Burian.
• Tephra (2008): a collaboration with Hamish Muir. This is an experimental multi-layered LED-inspired family.
• Tondo (2007, at Dalton Maag): a rounded information design sans family designed by Veronika Burian for Dalton Maag.
• Tornac (2013). A casual script.
• Ubuntu (2010): this is a team effort---a set of four styles of a free font called Ubuntu. This font supports the Indian rupee symbol. Some work for the Ubuntu Font Family was done by Rodrigo Rivas Costa in 2010. Download via Fontspace.
• Verveine (2009). A casual script by Luce Averous.
• Viato. A simple sans family co-designed by Bruno Maag and Ron Carpenter in 2007. This tapered terminal sans family includes Viato Corp (2007) and Viato Hebrew (2013).

Fonts sold at Fontworks, and through the Bitstream Type Odyssey CD (2001). At the ATypI in 2001 in Copenhagen, he stunned the audience by announcing that he would never again make fonts for the general public. From now on, he would just do custom fonts out of his office in London. And then he delighted us with the world premiere of two custom font families, one for BMW (BMWType, 2000, a softer version of Helvetica, with a more virile "a"; some fonts are called BMWHelvetica), and one for the BMW Mini in 2001 (called MINIType: this family comprises MINITypeRegular-Bold, MINITypeHeadline-Regular, MINITypeHeadline-Bold, MINITypeRegular-Regular).

Other custom typefaces: Tottenham Hotspur (2006), Teletext Signature (by Basten Greenhill Andrews and Dalton Maag), Skoda (Skoda Sans CE by Dalton Maag is based on Skoda Formata by Bernd Möllenstädt and MetaDesign London), UPC Digital, BT (for British Telecommunications), Coop Switzerland (for Coop Schweiz), eircom, Lambeth Council, Tesco (2002), PPP Healthcare, ThyssenKrup (Dalton Maag sold his soul to these notorious arms dealers; TK Type is the name of the house font), Co Headline (2006), Co Text (2006, now a commercial font), Telewest Broadband, Toyota Text and Display (2008), TUIType, HPSans (for Hewlett-Packard, 1997). His custom Vodafone family (sans) (2005) is based on InterFace. In 2011, Dalton Maag created Nokia Pure for Nokia's identity and cellphones, to replace Erik Spiekermann's Nokia Sans (2002). The Nokia Pure typeface has rounder letters, and is simultaneously more legible and more rhythmic.

In 2010, the Dalton Maag team consisted of Bruno Maag and David Marshall as managing and operations directors, and Vincent Connare as production manager. The type designers are Amélie Bonet, Ron Carpenter, Fabio Haag, Lukas Paltram and Malcolm Wooden.

In 2015, Kindle picked the custom serif font Bookerly by Dalton Maag for their typeface. Still in 2015, Dalton Maag custom designed the sans typeface family Amazon Ember for Amazon for use in its Kindle Oasis. Free download of both Amazon Ember and Bookerly.

Dalton Maag created the custom typeface family Facebook Sans in 2017.

Bressay (2016). Stuart Brown led the design and did the engineering for Bressay (design by Tom Foley, Selma Losch, and Spike Spondike, at Dalton Maag, London), which won an award at TDC 2016. Later additions include Bressay Arabic [designers not identified by Adobe] and Bressay Devanagari [designers not mentioned by Adobe].

ATT Aleck is a large custom typeface family designed in 2016.

Netflix Sans (2018): Netflix replaced Gotham to combat spiraling licensing costs and commissioned its own bespoke typeface: Netflix Sans under design lead Noah Nathan. Free download. The family include Netflix Sans Icon (2017). Comments by designers at The Daily Orange.

In 2018, Dalton Maag designed the custom typefaces Itau Display and Itau Text for Itau Unibanco, a large Brazilian bank.

In 2019, Dalton Maag produced a corporate typeface for Air Arabia.

Venn (2019, Bruno Maag). A 5 weight 5 width corporate branding sans typeface, with an option to get Venn Variable.

Typefaces from 2020: Dark Mode VF (a humanist sans designed specifically for digital user interfaces, offering subtle grade adjustments to counteract the effects of setting light type on a dark background, as is common with many dark mode digital reading environments; it has two axis in its variable type format---weight and dark mode), Highgate VF (a variable humanist sans inspired by traditional British stone carving), Goldman Sans (a free clean sans family that includes three variable fonts; Goldman Sachs lets you use it except to criticize the company or any other capitalist pigs).

Interview in 2012 in which he stresses that typefaces should above all be functional.

View the Dalton Maag typeface library. Speaker at ATypI 2016 in Warsaw and at ATypi 2015 in Sao Paulo, where he gave an electrifying talk on type design for dyslexics (with Alessia Nicotra). Speaker at ATypI 2016 in Warsaw. Speaker at ATypI 2017 Montreal and at ATypI 2018 in Antwerp.

Adobe link. [Google] [MyFonts] [More]  ⦿

Damien Guard
[Envy Technologies Ltd]

[More]  ⦿

Dan Mecklenburg

Aka Code Warrior. American creator (b. 1965) of the squarish typeface Smooth Pet (2015), which is based on the font used on the Commodore PET. He also made DEC Terminal Modern (2015), which is based on the font of the Digital Electronics Corp's VT220 video terminal (circa 1983). Dafont link. [Google] [More]  ⦿

Dan Schechner

Designer from Richmond, VA (aka fontcollector) on whom I bestowed the title King of octagonal typefaces. Daniel Herbert Schechner was born in 1946 in Norfolk, VA, and died in 2016 in Richmond, VA.

• He used FontStruct in 2008 to create the ultra fat octagonal typefaces ShortFatStrangerMono and TallDarkStrangerMono after his Bank Gothic-themed series called EZMonoA through EZMonoG. Other creations: MaxiFiveMono, MaxiFiveTallMono, MaxiFiveTooTallMono, CurvedFiveMono, SkinnyMinnieMono (think skinny and octagonal), KaleidoscopeMono (dingbats), NervosaMono (thin, angular and jittery). CourieresqueMono, HeavyMono, SuperHeavyMono, SkinnierMinnierMono, SkinniestMinniestMono, DiamondsMono, and LucDevroyeMono1 (based on my own Yonkaku fonts), PortraitMono (each character on an easel), PortraitText Mono, RollingStockInverseMono (characters on wheels), OctagonoMonoA, OctagonoMonoB, AmazonoMono (a macho octagonal face), BlackboardTallMono (white on black), ScoreBoardInverseMono, VarionoMono, TeflonoMono, SymmetronoMono (geometric patterns), VerticalSlatsMono, VerticalSlatsTallMono, BlackboardMono, BlackboardTallMono, SteepFifteenStretchMono, SteepFifteenSuperStretchMono, SteepFifteenMono, RockSolidMono, RockSolidStretchMono, RockSolidSuperStretchMono, YugoFiveUltraTallMono, KitchenTilesMono, PrimoMono, OctagonoMonoC (+Tall, +ExtraBold), LotsaDotsMono, OvaltinoMono, OctagonoPropC (+Tall).
• Fonts made in 2009: Bevel's Advocate Mono, Mammoth Mono, NovaMono (+Inverse), OctoMono, PortraitMono, GravitonoMono, PortraitTextSteepMono, XLMono, XLProportional, ScallopiniMonoInverse, BrickbatsMono (dingbats), IconoMono (white on black dings), KaleidoscopeMono, DiamondsMono, ShortFatStrangerMono, QuattroMono (+SC), OvaltinoMono, GargantuaMono, EdgeMono, FacetedSuperFiveStretchMono, MegaloMonoGrande, OctagonoMonoExtraBold (+SuperSteep), MegaloMono, KitchenTilesMono (#1, #2, #3), PrimoMonoTall, StereophoneMono (+Inverse), GrecoRomanoMono (+Ultimo), FacetedFiveMono, YugoFiveMono, TopsyCurvy, DiamondLinkMono, RunningOnEmpty.
• Fonts made in 2010-2011: BAP Solid (sturdy octagonal typeface), XLMonoAlt, XLProportionalAlt, Octagonico (octagonal inline face; +Dark), White Elephant 3 (2011, a 3d shadow face), White Rhino (outlined athletic lettering, Black Rhino), Albino Rhino (2011, black on white), Striped Rhino (2011), Curvilino (ultra-condensed), Rondino (2011, similar), BAPSolid (2011, octagonal).
• Fonts from 2012: BAP Outline, Big Hairline (octagonal hairline caps face).
• Fonts from 2013: Rondino Junior, Legibus Rex Mono (octagonal), Little Black Font (octagonal), Legibus Maximus (octagonal), Bevel's Advocate Proportional (prismatic typeface).
• Fonts from 2014: BAP Outline Stencil, BAP Solid Stencil, Curvilno Grande.

Daniel Amor

Stuttgart-based Danny Amor was active in the 1990s. His fonts include Jesse James (2000, Western), Future World (1999, LED simulation), New Kids (3D face), CascadeScript, the monospaced pixel typeface Topaz-8 (1994), and Sarah Bernhardt (1999).

Fontspace link. He used the company name Brainstorm at some point. [Google] [More]  ⦿

Daniel Domonkos

During his studies at the Visual Arts Institute in Eger, Hungary, Daniel Domonkos designed the LED / sci-fi typeface Carrier Mono (2020) and the marker pen font Sticky Papers (2020). [Google] [More]  ⦿

Daniel Feldt
[Great Scott]

[MyFonts] [More]  ⦿

Daniel Gamage

Portland, ME-based designer of the free polka dotted typerface Tilastia (2015).

In 2017, he designed the monospaced typeface family Alloca Mono. Even though it has hipster elements, it could be used as a programming font. Behance link. [Google] [MyFonts] [More]  ⦿

Daniel Gamage

Designer of the monospaced typeface family Alloca Mono (2020). [Google] [MyFonts] [More]  ⦿

Daniel Quisek
[NC Type (or: Netvarec Typefaces)]

[More]  ⦿

Daniel Rebman

A graduate from Savannah College of Art and Design, Daniel Rebman is a designer in Orlando, FL. Creator of the monoline monowidth geometric caps typeface Integral (2012). [Google] [More]  ⦿

Daniel Reed
[DR Foundry]

[More]  ⦿

Daniel Schaffer

Daniel Schaffer studied at the Graphische Wien and works at Buero Bauer in Vienna since 2016. In 2021, Erwin Bauer, Mischa Herzog and Daniel Schaffer co-designed Mono To Go, a monospaced typeface with a constructed, grid-based body and a playful spirit. It is entirely based on modular pieces such as circles and other simple geometric shapes. [Google] [MyFonts] [More]  ⦿

Daniel Sims

Australian designer of the rounded heavy sans typeface Manomono (2019). [Google] [More]  ⦿

Daniel Uzquiano

Designer in Tarragona and now Barcelona, Spain, b. 1978, Barcelona. Since 2006 he teaches graphic design at the School of Art and Design of Tarragona.

Daniel created Goma (a beautiful rounded octagonal monospaced typeface; Goma Mono was published in 2014), Shadow Type and Grom (3d type) in 2013.

In 2014, he created the squarish sans typeface Europa.

In 2017, he designed the ink-trapped grotesque typeface Polar and the fun tall condensed all caps typeface Dinosaur.

Behance link. [Google] [MyFonts] [More]  ⦿

Darren Embry
[Darren Embry's list of monospaced fonts]

[More]  ⦿

Darren Embry's list of monospaced fonts
[Darren Embry]

Darren Embry's list of monospaced fonts. [Google] [More]  ⦿

Darren Rigby
[Darren Rigby]

Refreshing fonts created by Canadian Darren Rigby using High-Logic. The fonts come in truetype format (in 2000): Bayern (fraktur font), Beltane (2002), Brasspounder (2004), Con Jitters (2002, handwriting), Enigmatic, EnigmaticUnicodeRegular, Fitzgerald, GangueOuais (2002), HindsightUnicode (2001, with all European languages, Cyrillic, Armenian, and IPA), HindsightSmallCaps, HindsightRegular, HindsightMonospaceRegular, IntruderAlert, QuicktypeRegular, ThinDime, TorturerUpright, SilverDollar, DontWalkRun, History-Repeating (1999-2000), HistoryHappens, HistoryRepeatingH, HistoryHappens, HistoryRepeatingV, Lemon, Norse-Code (runes), OneEighty, TorturerBound, TorturerCrushed, Daybreaker, Yerevan, Seebreaze, Jareth, Tin Birdhouse, Tin Doghouse, Three-Sixty, Three-Sixty Condensed, Levity (2001, Western font), Gravity, River Avenue, Water Street, Warer Street Detour (unicase), Meridiana, Torquemada, Torquemada Starved, Torquemada Starved Unicode, Radian (2002), All Hooked Up (2002), Brasspounder (2004), Quilljoy (2004). [Google] [More]  ⦿

Darren Rigby
[Darren Rigby]

[More]  ⦿

Dave Rowland
[Eclectotype (was: Schizotype)]

[MyFonts] [More]  ⦿

David B. Lamkins

Designer, with Susan G. Lesch, of a free Mac bitmap font: Anonymous is a nonproportional or monospaced 9 point bitmap font designed for programming, and for distinguishing between characters that can easily be confused in the Macintosh reserved ROM font Monaco 9. Mark Simonson created the freeware monospace truetype version Anonymous (2001). See also here. [Google] [MyFonts] [More]  ⦿

David Einwaller

Salzburg, Austria-based creator of these typefaces:

• Bolivia (2017-2019). This typeface started as an interpretation of Albert Hollenstein's famous Brasilia from 1958. A second version with vertical terminals was drawn in order to let the modernistic feeling collide with a more humanistic expression. The atypical long tails of f, j, r and t are emphasized and accompanied with stylistic alternatives to give it a more contemporary feeling.
• Brubeck (2018). A revival of a vernaciular 1960s jazz album cover sans.
• Bull 5 (2019). A monospaced sans.
• Delphia (2016-2020). Delphia's design references early 20th century Gothics like ATF's Lining Gothic and Gothic No. 545.
• Elaphus (2020). David writes: With great support of Bruce Kennett and others, I was able to get my hands on original drawings of an unfinished typeface by W. A. Dwiggins for Linotype in 1947. I wanted to keep a warm and organic quality within my interpretation for a lively texture, in true with Dwiggins' intent and style. For the italics I went back even further in time, to one of the best punchcutters to ever do it: Robert Granjon and his Gros Romain from ca. 1550. This project is in a very early stage and a display version with a modern twist will soon be the counterpart to this classic, soft text-face.
• Flatspot (2019). A grotesque influenced by Permanent (Karlgeorg Hoefer, 1962-1969).
• Modulo (2020). A monolinear rounded sans influenced by Nebiolo experiments from the 1960s and Nebiolo types like Recta.
• The horseshoe-serifed transitional typeface Morion (2015, The Designers Foundry).
• The 1920s art deco sans typeface Neue Droschke (2013, Ten Dollar Fonts).
• Undo Sans (2020). An inline / neon typeface influenced by the 1970s.

Tumblr link. [Google] [More]  ⦿

David Fleming Nalle
[Scriptorium (Ragnarok Press, Fontcraft)]

[MyFonts] [More]  ⦿

David Jonathan Ross
[DJR Type]

[MyFonts] [More]  ⦿

David Kovalchik
[Typography by Vid the Kid]

[More]  ⦿

David Szebenyi

Budapest-based designer of Hairvetica (2014), which is a tweetware vector format font based on Neue Helvetica. Designer of the (tweetware) hipster typeface Nazaré (2015) and he squarish monospaced typeface Unseen (2015). [Google] [More]  ⦿

David Waschbüsch
[Fontom Type]

[MyFonts] [More]  ⦿

Davide Molinari

Italian type and graphic designer in Genova. His first typeface is Hono (2012), the final project of the Corso di Alta Formazione in Type Design at the Politecnico in Milan. Hono is a 4-font open source system that includes Hono Mono, Hono Sans, Hono Serif and Hono Display. [Google] [More]  ⦿

Daymarius (or: Vasily Daymarius)
[Vasily Draigo]

Kharkiv, Ukraine-based designer of Natural Mono (2020), Neothic (2019: roman caps), Retro Gaming (2019: a pixel typeface), Ponter (2019: a modular sans), Pixeldown (2018), Retron 2000 (2018: a pixel font), Aetherius (2018), Trender (2018), Pixel Force (2018), Neue Pixel Sans (2018), Munistic (2018: modular sans), Trender (2018: a free sans), Rasaine (2018: sans), and Konkretika WIP (2018: modular sans). Creative Fabrica link. Another Creative Fabrica link. [Google] [More]  ⦿

Dear Type
[Veneta Rangelova]

Dear Type is run by Bulgarian type designer Veneta Rangelova, who is based in Sofia. In 2015, she created the creamy signage typeface, the accompanying Lifehack Sans, Lifehack, the casual script typefaces Hello Headline and Brunette, and the bold brush script Renovation.

Typefaces from 2016: Blooms, PhotoWall (casual connected script), BeachBar (a large signage script family), Amberly (a connected script), Amberly Sans, Guess (a connected script set accompanied by an all caps geometric sans family, Guess Sans).

Typefaces from 2017: Galiano (Text, Serif and Regular: the Text is italic, the Regular is a swashy script, and the Serif is a didone), Odds (a casual sans and dingbat family), Moments, Timeout.

Typefaces from 2018: Karlie (script and serif duo).

Typefaces from 2019: Roosk, Fits.

Typefaces from 2020: Romper (rounded, monoline, handcrafted), Skate (a cursive typeface).

Typefaces from 2021: Binomic (a monospaced sans with typewriter slabs for some letters and a swan-shaped lower case ell.

Behance link for Veneta Rangelova. [Google] [MyFonts] [More]  ⦿

Debian xfonts

Free type 1 fonts: Courier (IBM, 1991), Utopia (Adobe, 1991), LuciduxMono, LuciduxSans and LuciduxSerif (Bigelow&Holmes, 2000). [Google] [More]  ⦿

Degarism Studio
[Deni Anggara]

Berlin, Germany and/or Medan, Indonesia and/or Bandung, Indonesia-based designer who set uo first Degarism Studio and, in 2017, Formatype Foundry.

His typefaces from 2016: Formatif Std (sans), Fortika Display (first published by Regario), Mono RGO (an octagonal typeface family first published by Vial Work, it has one free weight), and Metrisch (first designed with Gumpita Rahayu). I have no clue as to who is who in this Indonesian conundrum. I suspect that Deni Anggara only did the artwork and not the fonts, but it would be great if he could say that up front. He designed Fold No.21 Mono and Neutrif Pro.

Typefaces from 2017: Neutrif Studio (a geometric sans), Neurial Grotesk (published in 2018 by Indian Type Foundry), Biotif (grotesque), Folty (a geometric sans), Mono RGO Pro.

Typefaces from 2018: Monorama (a squarish octagoinal caps only typeface family published at Indian Type Foundry), Alliance (an 28-style grotesk sans), Rileno Sans (geometric sans).

Typefaces from 2019: Regio Mono (a great monospaced choice, even as a programming font), Folito (a stylish modernist sans at Indian Type Foundry), Blimone and Blimone Inktrap, Aktifo (a geometric sans by Deni Anggara and Boyan Nurdiansyah). Aktifo, in 28 styles, covers Latin and Cyrillic.

Typefaces from 2020: Bombay Mono (an octagonal typeface at Indian Type Foundry), Fracktif (geometric and grotesk at the same time).

Behance link. Another Behance link. Cargo Collective link. Creative Market link. Old studio Formika link. [Google] [MyFonts] [More]  ⦿

DejaVu Fonts
[Stepan Roh]

The DejaVu fonts form an open source font family based on the Bitstream Vera Fonts. Free download. Its purpose is to provide a wider range of characters (see Current status page for more information) while maintaining the original look and feel through the process of collaborative development. Included are DejaVuSans-Bold, DejaVuSans-BoldOblique, DejaVuSans-Oblique, DejaVuSans, DejaVuSansCondensed-Bold, DejaVuSansCondensed-BoldOblique, DejaVuSansCondensed-Oblique, DejaVuSansCondensed, DejaVuSansMono-Bold, DejaVuSansMono-BoldOb, DejaVuSansMono-Oblique, DejaVuSansMono-Roman, DejaVuSerif-Bold, DejaVuSerif-BoldOblique, DejaVuSerif-Oblique, DejaVuSerif-Roman, DejaVuSerifCondensed-Bold, DejaVuSerifCondensed-BoldOblique, DejaVuSerifCondensed-Oblique, DejaVuSerifCondensed.

Authors and contributors comprise Adrian Schroeter, Ben Laenen, Dafydd Harries, Danilo Segan (Cyrillic), David Jez, David Lawrence Ramsey, Denis Jacquerye, Dwayne Bailey, James Cloos, James Crippen, Keenan Pepper, Mashrab Kuvatov, Misu Moldovan (Romanian), Ognyan Kulev, Ondrej Koala Vacha, Peter Cernák, Sander Vesik, Stepán Roh (project manager; Polish), Tavmjong Bah, Valentin Stoykov, and Vasek Stodulka. The idea is to eventually cover most of unicode. Currently, this is covered: Latin (+supplement, extended A and part of extended B), IPA, Greek, Coptic, Cyrillic, Georgian, Armenian, Hebrew, N'ko, Tifinagh, Lao, Canadian aboriginal syllabics, Ogham, Arabic, math symbols, arrows, Braille, chess, and many dingbats.

Alternate download site. Wiki page with download information.

Fontspace link. Open Font Library link. [Google] [More]  ⦿

Delve Fonts (was: Delve Media Arts)
[Delve Withrington]

Delve Withrington (Alameda, CA; b. 1970, Asheville, NC) studied at Savannah College of Art and Design, designed signage, print projects and web pages in addition to designing custom typefaces, worked for Fontshop, and in 2004, joined the type team at Agfa Monotype, which morphed into Monotype Imaging, Redwood City, CA. From Asheville, NC, he moved around and ended up in San Francisco. In 1996, he founded Delve Fonts in Berkeley, CA (in fact, Delve Media Arts, and later renamed Delve Fonts). He has collected a virtually complete list of books on typography. Author index. MyFonts link. Designer of these typefaces:

• Beleren (2015). A custom typeface for the trading card game Magic: The Gathering (Hasbro).
• Blasphemy Initials: a free (and also commercial...) spooky font.
• Blot Test (1999): a dingbat font inspired by the work of noted German psychologist Hermann Rorschach [1885-1922].
• Cody (1999): an informal comic book face.
• Continuo (1996): an all caps bilined outline face.
• Cortina (2011). A futuristic family by Joachim Müller-Lancé.
• Delve Hand (1996-2003).
• Eucalyptus Regular.
• Eulipia (1997-2003): organic.
• Helfa (2011). Delve writes: Readability is baked in with a generous x-height, fine proportions that have a medium height to width ratio, and reasonable contrast in stroke weight variation.
• Filmotype Washington (for Font Diner). Designer unidentified.
• Muskeg. A combination of German expressionism and brush styles.
• Oktal Mono (2012, a rounded octagonal modular typeface by Joachim Müller-Lancé and Erik Adigard of MAD studio in Sausalito).
• Peso (1999): an octagonal family inspired by a parking sign discovered in Guanajuato, Mexico.
• Quara (2009): a techno sans.
• Smith & Nephew (2003) and Smith & Nephew Cyrillic (2015), rounded sans typefaces in the style of VAG Rounded.
• Tilden Sans (2004-2009): low contrast, large x-height.
• Tome Sans (2020). A 10-weight sans superfamily, with a variable font option.
• Uppercut Angle (2011). A signage typeface by Joachim Müller-Lancé. It was originally developed for the Krav Maga training center of San Francisco.
• Ysobel (2009; winner of an award at TDC2 2010). Delve co-designed the newspaper type family Ysobel (Monotype) with type designers Robin Nicholas, head of type design at Monotype, and Alice Savoie (Frenchtype, Monotype). The sales pitch: According to Nicholas, the idea for the Ysobel typefaces started when he was asked to create a custom, updated version of the classic Century Schoolbook typeface, which was designed to be an extremely readable typeface - one that made its appearance in school textbooks beginning in the early 1900s. See also Ysobel eText Pro (2013).

Adobe link. [Google] [MyFonts] [More]  ⦿

Delve Withrington
[Delve Fonts (was: Delve Media Arts)]

[MyFonts] [More]  ⦿

Demonics
[Mateo Mok]

FontStructor in Los Angeles (and before that, Oakland, CA), who made DM/LM (2012: ultra black), dm Subfour (2012, experimentally vertically striped typeface), dm Streamline (2012), dm Clas (2012), dm New Humanist (2012), dm Blockd (2012), dm Scythe (2012), dmcm Erebus (2012, counterless), dm Kronos (2012), dm Parkway (2012, art deco), dm Parkway 3 (2012, for the Oakland Parkway Theater), dm Parkway 2 (2012), dm Xu (pixel face), dm E dim (2012), dm E light (2012), dm Eiros (2012, +Aliens, +Typicals, +Unrecognisables), dm Pop (2012), dm Informe 00 (2012), dm Solidus (2012), dm Me (2012, stencil), dm Nova (2012), dm Supernova (2012, a condensed piano key face), dm S 1 (sans), dm Spira (2012), dm Minium (2012, a jungle face), and the powerhouse slabs dm Banx10 (2012), dm Banx 11 (2012), dm Metrigue (2012, blackletter), dm Istruct (2012, pixel face), dm Wharf (2012), dm Solidis (2012).

Typefaces from 2013: dm Yes, dm Legimono. Typefaces not mentioned above includePixtalic (pixel), Mecca, No, Silo, Glatajn, Lm, Legimono, Stuckingranite (3d), Solidus, Subfour (piano key stencil), dm-Blockd, dm-Cantilever, dm-Eiros-aliens, dm-Eiros-typicals, dm-Informe-00, dm-Informe-01, dm-Informe-02, dm-Informe-11, dm-Kronos, dm-Me, dm-mecca, dm-Metrigue, dm-Minium, dm-New-Humanist, dm-no, dm-Pop, dm-readable-sans, dm-regulr, dm-Scythe, dm-silo, dm-Solidis, dm-Solidus, dm-Spira, dm-Subfour-Lb, dm-Subfour, dm-Supernova, dm-Xu, dm-Yes-{c}, dm-Yes. [Google] [More]  ⦿

Deni Anggara
[Degarism Studio]

[MyFonts] [More]  ⦿

Denis Gorohovskiy

Kiev, Ukraine-based "designer" of the sans typefaces Axiom (2016) and Equilibrium (2016), Arsenal Slab (2016), Parabola (2016, geometric display font), the hairline avant-garde typeface Amsterdam (2016), the minimal rounded sans typeface family Straus (2016), the sans family Aurora (2016), the condensed sans display typeface Tokiozza Light (2016) and the circle-based display typeface Parabola (2016).

Typefaces from 2017: Arson (sans family), Arthur, Adderley, Ashley, Azalea, Havana (a great super-heavy display sans), Atlas, Alicia, Martin, Apollo, Aroma, Tilt (modern geometric sans), Napster (ultra-condensed sans), Equilibrium, Arizona (condensed rounded sans), Argentina (a smooth high-contrast brush typeface), Aroma, Melony Sans, Argo (rounded monospaced sans), Aura (squarish sans), Bloke, Arnold Thin, Arnold Black (heavy geometric titling sans), Anima (rounded sans), Axiom Sans, Arcadia (minimalistic sans), Diod (a tall minimalist sans), Diod Bold, Aurora Thin, Emerald Modern Serif (a skyline typeface), Aqueduct, Arcanzas (a didone, +3D), Alabama (squarish and tall small caps), Antsy (a slab serif that comes across as a typewriter font), Steady Hand (handcrafted caps). Graphicriver link.

Now, alert typophiles have pointed out that most---if not all---of Gorohovskiy's fonts are renamed and plainly stolen fonts. I leave the images on my site for the historical record. Here is a list of equivalences, as reported by this Italian blog:

• Bebas Neue (Adderley)
• Canter Bold (Alabama)
• Chivo (Arthur)
• Dense (Aroma)
• Gotham with unofficial (pirated corporate) Cyrillic part (Arson Pro)
• Josefin Sans (Arsenal Sans)
• Josefin Slab (Arsenal Slab)
• Long Tall Sally EEN Plain (Emerald)
• Source Sans (Equilibrium)
• TT Chocolates (Arnold)
• Uniform Black by Miller Type Foundry (Tilt)
• Vidaloka (Arcanzas)
• Vollkorn (Martin)