TYPE DESIGN INFORMATION PAGE last updated on Wed Dec 11 23:29:02 EST 2013
Type design and constructivism
1919 Type Foundry
1919 Type Foundry presents the typographic work of Scott Sullivan, who is currently a graphic design major at Ohio University in Athens, Ohio, scheduled to graduate in 2009. About the name: The year 1919 was the year that the Bauhaus school opened in Weimar, Germany. It was roughly the year 1919 when Modernism and Constructivism were born in Germany and the U.S.S.R., respectively. All fonts are heavily based in geometry, therefore: Dosim OKT, Geovlad (2009, constructivist, based on the posters of Georgii and Vladimir Stenberg), 44X34X (2009, futuristic, free). The Triflig Paradigm is another project of his. There he is developing some fonts such as Moon Man, and one can download Gnashraw-Spaced (2009) and two of his FontStruct (pixel) fonts, pgdm001 and pgdm002 (2009). Designmoo link. [Google] [More] ⦿
Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:
A2-Type (or simply, A2) is a type foundry set up in the autumn of 2010 by the London based design studio A2/SW/HK. The designers are Henrik Kubel and Scott Williams. A2's bespoke type design is mainly the responsibility of Henrik Kubel, though every typeface is developed and approved by both partners. Kubel is self-taught, making his first typefaces while studying at Denmark's Design School from 1992-97. Their typefaces:
At ATypI 2013 in Amsterdam, he speaks about New Transport.
Born in 1945 in Kayseri, Turkey, Abdullah Tasci entered the Fine Arts Academy in 1967 and graduated from the Graphic Department in 1972. In 1982 he became Assistant Professor at Mimar Sinan University, and retired in 2000. In retirement, he designed font families such as Tasci Kursiv (2000, calligraphic), Tasci Kufi, Tasci Calligraphy and Nokta. Kufiz (2000, Latin) was influenced by the engravings of the Ottoman art and Rumi ornamentations. Tasci Kufi (2009) is constructivist. In 2010, he created the Tasci Sans, Serif and Tasci Condensed families.
St. Petersburg, Russia-based foundry. All fonts are by Roman Gornitsky (b. 1986, Leningrad).
Their fonts include Nowie Vremena (2011), Fun City (2010, an extensive family of typefaces designed for multi-layered use; each letter is designed on the same grid, so overlays can create great effects), The Stroke Sans (2010, a computer-generated nibbed pen family), Differentura (2010, grotesk), Krisis Sans (2008), Lawyer Gothic (2008), Littera Plain (2008), Littera Text (2008, an interpretation of the most popular sans family in Russia) and Proto Sans (2008, a 42-style constructivist family). Vremena (2009) and Vremena Grotesk (2009) each has 8 styles, and are their interpretation of Times and Arial, respectively.
Typefaces from 2013: Twentytwelve (in styles Slab N, Sans R, Sans C, Serif C, Sans G, Sans : created at the Jan van Eyck academy in The Netherlands).
Prague-based designer of the avant-garde sans typeface Counter (2013), Wladiwostok (2013, constructivist), Alma (2013, a wavy typeface), Illumination (2013, an alchemic typeface), Ambush (2013, an alchemic typeface) and Play Font (2013). He studied in Pilsen. Behance link. [Google] [More] ⦿
Afrojet Type Foundry
John Skelton is a type designer from St. Paul, MN, b. 1973. Some sources have him located in Portland, OR, though. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts. Cargo Collective link. Behance link. Home page. Dafont link.
FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).
Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).
Fonts made in 2010: Whoopee (piano key face), Prog.
Commercial fonts: Sessions (2009, modular).
Russian codesigner (with Ivan Gladkikh and Alexandr Kalachëv) of Days and Days One (2009, a display sans face), and with Jovanny Lemonad of Metro (2009, constructivist) and Stalin One (2012, constructivist face, free at Google Web Fonts). Behance link. [Google] [More] ⦿
Metra (2012) is a gorgeous techno display face.
Graphic designer in Johannesburg, South Africa. Behance link.
He created some experimental typefaces, alongside some display fonts. Examples: Kokface (a constructivist beauty), a circle-themed stencil face, Revolt, and an octagonal face. In 2012, he made another set of experimental typefaces called Engineering. [Google] [More] ⦿
Aleksandr Mikhailovich Rodtschenko (1891-1956), or rodchenko, emerged in the 1920s as one of the most influential Russian constructivists. Their lettering is always austere and geometrical, and they influenced all visual arts. A typical Cyrillic family of faces was recreated by Tagir Safayev at ParaType in 1996-2002, called PT Rodchenko. Other reincarnations include the Latin&Cyrillic family Rodchenko Constructed ML and Rodchenko Grotesk ML (2010, Tom Wallace). At Gaslight, the Teco Sans and Teco Serif typefaces (2012) are also said to be influenced by Rodchenko. Also, check P22 Constructivist by Richard Kegler (1995).
Alice Savoie, Frenchtype
Graduate student from Estienne in 2006 and the University of Reading in 2007. In 2012, she was a Ph.D. student at the University of Reading. Thesis topic: International cross-currents in typeface design: France, Britain, and the US in the phototypesetting era, 1949-1975.
Pic by Ralph Herrmann. Her typeface Capucine Greek has been awarded as the best text typeface of the Greek alphabet exhibition, taking place during the 3rd international conference on typography and visual communication in Thessaloniki, Greece, 2007. Capucine is a very informal, almost hand-printed family covering both Latin and Greek in many styles. She also made the constructivist face Pozor (2005) and the connected handwriting face Jeanine, done in 2006 at the École Estienne in Paris, where she studied from 2004-2006.
In 2009, she codesigned Ysobel (Monotype; winner of an award at TDC2 2010) with type designers Robin Nicholas, head of type design at Monotype, and Delve Withrington. The sales pitch: According to Nicholas, the idea for the Ysobel faces started when he was asked to create a custom, updated version of the classic Century Schoolbook typeface, which was designed to be an extremely readable typeface - one that made its appearance in school textbooks beginning in the early 1900s.
Brill (2012), codesigned with John hudson for Koninklijke Brill NV, Leiden, The Netherlands, won an award at TDC 2013.
He created Foldgami, Apollo 13 (techno, futuristic), Fatgami, Origamia, Paper Roll, Alt Retro (2010, multilined family), Alt Tiwo (2010, fat counterless), Alt Matey (2010, a family that includes a multiline style; the piano key typeface Alt Matey V2 followed in 2012), ALT Lautus (2010, a minimalistic monoline sans family), Japanese Cities Type Experiment (2010), ALT Alternatice (2010), ALT Vxt11 (2010, a high-contrast art deco octagonal face), ALT Aeon (2010, a unicase but multiline family), Alt Re 32 (2010, techno), ALT Mun (2010, a curlified family), ALT Breo (2011, octagonal family), ALT Exline (2011), Jun Script (2011, connected contemporary upright script), ALT Ayame (2011, condensed squarish family, +Long), Alt UAV31 (2011, an octagonal experiment), Alt Moav (2011, a striking geometric caps face. Images: i, ii, iii), Alt Geko (2011, an art deco caps face), and Archetype (unicase, Bauhaus).
Typefaces made in 2012: DNR001, ALT Kora (for the identity of Drone), ALT Fat (monospaced squarish caps face), ALT Exodus (sci fi face), Alt Wet (2012, a paint splatter face), Alt Sku (2012, ornamental didone face), Alt Robotechnica (pixel face), Exodus (2012, a blackletter style straight-edged typeface), Juk01 (2012, an ornmaental mechanical typeface), Alt Sake (a thin condensed poster typeface), Modu (2013, alchemic), Modu Deco/a> (2013), Bely (a severe-looking almost constructivist Latin/Cyrillic typeface).
During her graphic design studies in Newcastle upon Tyne, UK, Ami Littlefair created Paperclip (2013), Colostic (2013: purely geometric shapes), Backtrack (2013) and Croudi (2013, a stitching typeface). Inspired by the constructivist movement, she created Geometric Typeface (2013) by superposing and juxtaposing geometric solids. Other geometric experiments include Line Alphabet (2013), Diagonal Alphabet (2013, a stitching font), Connecting Alphabet (2013). [Google] [More] ⦿
Russian type designer. Agfa/Monotype designer of the Cyrillic fonts Bodoni Poster Cyrillic, Nevsky (Western style), Pskov (octagonal font), Tatlin (in the style of early Russian constructivism). [Google] [MyFonts] [More] ⦿
Designer at FontStruct in 2008 and 2009 of Birka (pixel), Skipper (octagonal), Skipper Stencil (military), Skipper-Modern, Skipper-Slab, Skipper Cap, Skipper Tight, Peteroque (baroque pixel face), Technocrat Cargo (octagonal stencil), Technocrat (octagonal), Retrograde Pix (pixel face), Retrograde Lux (severe octagonal), abstruct, admiral (dot matrix face), glagol, glagol_script_1, marx_1, Admiral (dot matrix), Glagol Rock (constructivist), Retrograde (octagonal/mecahnical), Technocrat (octagonal), WPA Gothic Cyrillic (another poster font), WPA-Gothic-Deco-Cyrillic. Many fonts have Cyrillic letters and/or Cyrillic influences. He made the heavy mechanical slab serif headline face Colonial (2010) and the pixelized face Skippix (2011, +Mono). Peteroque (2009-2010) are decorated pixel capitals. [Google] [More] ⦿
Antonio J. Morata (Almeria, Spain) is a FontStructor (aka elmoyenique) who used FontStruct to make several modular faces starting in 2010. The typeface names start with z. We list them alphabetically:
Londoner who created the oriental simulation face Japanish (2010). He also got interested in the Russian avant garde period, and made a constructivist family called Potemkin (2010). Behance link. [Google] [More] ⦿
Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal).
Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).
Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical).
Fonts from 2012: Omit (a bilined stencil face).
Aquila Quentin (aka Qkila on the fluid) is a French designer, most likely located in Nimes. Creator of the human face dingbat font Fluid Death Qkila (2011), of Vandal on The Fluid (2011, shadow display face), of Broken Fluid (2011), Fluid Christmas (2011), Fluid Spiral (2011), Rock n Fluid (2011) and of the counterless geometric face Cube Kila (2011).
In 2013, he designed Level 01, Bombing, Quenelles, La Bande en Baskets (baseball script), Super Cube, Smoke The World, Mr. Poppey, Haricot Magique, Moulin Rouge, Slam (a confident script face), Je n'aime pas le lundi, Love You Mom (+Shadow), Felix (brushy script), Carte Postale (neatly hand-printed letters), Dos Campos, Promotion (grungy caps), Shoes Center, Vertige, Sold Out, Chomage (a textured typeface), Origine du Monde, Metropolis, Crazy Cookies (a 3d face), Spectro, Sea&Turtle, Vamos A La Playa, Bad Boy (dingbats), Yo Mama (outlined typeface), Fat & Cap, Miaou, Basscrw, Fluid LCD, Jam Session, and Fluid Maska (grunge), La Chim de 23:50, Milk Shake Fraise, Made in France, Quand Tu N'es Pas La (a shadowed typeface), Souvenir, Filament Galactique, Street Hunter, Eau de Rose, Good Life, Poker Style, Painterz, Spoutnik (constructivist typeface), Jeans de Nîmes, Clothing Brands (script), Moulin Rouge, Mexican Fiesta (Victorian ornamental typeface).
Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:
Bob Alonso (b. Bronx, NY, 1946, d.2007), the founder of BA Graphics in 1994, is an American typographer who designed Damage Control (1993, grunge), Mango Gothic (1991), Pimento (1998), Shooby (1992), Pink Mouse (1992, psychedelic), Tequila (1992, a bouncy play on Didot), Alex (1996, child's hand), Chicken Soup (1993), PC Gothic (2005), Rust Bucket (1994), ITC Aftershock (1996), ITC Outback (1997), ITC Serengetti (1996), ITC Ziggy (1997), Gusto Black (2003), Vinchenso (2003), Blog (2007, 1890's style display egyptian), Nine One One BA (2007, grunge). He also designed the clean handwriting face Zipty Do, Serendipity (2006), CEO Roman (2007), Paladium Gothic (2007, a sans), Snip Tuck (1994, a headline face), Rancho Grande (1995), Radiance Brush (1997, a casual brush script), and Sahara Bodoni (1996). 33 years of experience at NewYork's Photo Lettering, and specializing to some extentv in calligraphic script faces, but not exclusively so. BA Graphics was located in Chester, NY, and later in Toms River, NJ, and now sells its fonts through MyFonts.
The complete list: ITC Aftershock, Alexandra Script (a formal script), Allure, Alons Antique, Alons Classic, Angular, Animated Gothic, Barnboard, Bedrock, Bodoni Roma (1993), Cabernet Sauvignon (2007, a take on Didot---I can't believe BA Graphics trademarked this name!), Cafe Aroma, California Sans, Calafragalistic (1992), Caslon Manuscript (1992), Champ Ultra (1995, Western billboard font), Chunky Monkey, Cookie Dough, Crackers, Crescent, Down Under, Elegante, Elephant Bells, Ellington Manor, Equate (1993), Extreme (chalk writing, 1996), Felicity Script, Flix, Freaky Friday Extreme, French Vanilla, Galactic, Geo (2000), Granny Smith, Gusto Black, Headline Gothic, High Intensity, Island Sans, Italian Didot, Kresson Black, Linear Gothic, Lorraine Script, Mardi Gras, Mega (1993, a fat mini-spurred didone), Milano, Nightmare, ITC Outback, Pecos, Ravenwood, Red Dawg, Relaxed Fit, Richmond Hill, Road Gothic (1996), Robertson, Senegal, ITC Serengetti, Shazam, Sign Gothic Bold Condensed, Slam Dunk, Sleepy Hollow, Swank Gothic, Title Gothic Light, Torino Modern, Triumph Gothic, Vinchenso Regular, Wackado, Yakety Yak (1994), Zany, ITC Ziggy, Zipty Do, Queen of Hearts (1991, script), Steel Magnolias (1995, blackletter family), Steeplechase (1992, wild West saloon font), Waimea (1992, poster font), Black Rising (2006, a black military style face), Summer Nights (1993, script), Sugar Shack (1995, curly script), Beaches and Cream (1996, a sans turned into a connected script), Jr High (1994, sports lettering).
Alonso Flair with its flared pants (2008) and Squat (2011, a stunted black wood style face) were started by Alonso, but finished after his death by John Bomparte, who wrote this obituary: Throughout his career at the legendary Photo-Lettering, Inc. (one that spanned four decades), Bob created original typefaces and tailored type by modifying, revising and filling out families, fashioning pieces of type for hand-lettered jobs, as well as being involved with the updating of a number of well-known logotypes. Bob was blessed with natural teaching abilities; and those in social and professional circles who had the good fortune to know him considered him not just a type designer but a mentor and a friend. As one such person close to him put it, he was a "graphic technician... back when computers were not even in site for graphic arts, he would take on any intricate&complex graphic project that others would shy away from and come up with a solution that achieved a masterpiece. I'll always remember someone saying 'this can't be done' and Bob saying let me see it and a short time later, there it was --done&perfect. I would like to think that attitude rubbed off on me. Along with this gift for teaching and explaining the complex, Bob exhibited a level of professionalism that was unsurpassed. A number of years ago when the need came to make the transition from the traditional to digital way of creating fonts, he rose to the challenge admirably. Towards the last few years of Photo-Lettering, Bob played a vital role in the conversion to digital, of many of the typefaces within the collection, notably those fonts that carry the prefix PL. More recently, Bob Alonso released several fonts through ITC, Adobe and his independent foundry, BA Graphics. Bob was on the cutting edge of his best work, and in the circumstance of his untimely passing, left a measure of unfinished designs. However, the spirit of his typographic talents and his fine sense of humor lives on through the many much-loved, and popular fonts he has left us: fonts such as Cookie Dough, Equate, Elephant Bells and Pink Mouse, to name a few.
The final font listing at MyFonts: ITC Aftershock, Alex, Alexandra Script, Allure, Alons Antique, Alons Classic, Alonso Flair, Angular, Animated Gothic, Bad Boy, Barnboard, Bedrock, Bodoni Roma, Brawn, Cabernet Sauvignon, Cafe Aroma, Calafragalistic, California Sans, Cedar Key, CEO Roman, Champ Ultra, Chardonnay, Chicken Feet, Chicken Soup, Chunky Monkey, Clearmont, Coffee Black, Cookie Dough, Crescent, Deco Inline, Deep Rising (2006, constructivist), Down Under, Elegante, Elephant Bells, Ellington Manor, Equate, Extreme, Fashion Didot, Felicity Script, Flix, Fraggle, Freaky Friday Extreme, French Vanilla, Galactic, Geo, Grandeur, Granny Smith, Gusto Black, Hatari, Headline Gothic, High Intensity, Island Sans, Italian Didot, Jr High, Ka Boink, Ker Pow, Key West, Klingon, Kresson Black, Linear Gothic, Lorraine Script, Malibu Heights, Manchester, Mardi Gras, Mega, Metro Gothic, Milano (2004, a didone face), Mission Hills, National Gothic, Nightmare, Oh Sweet Pea, ITC Out of the Fridge, ITC Outback, Paladium Gothic, PC Gothic, Pecos, Pink Mouse, Queen Of Hearts, Radiance Brush, Rancho Grande, Range Gothic, Ravenwood, Relaxed Fit, Road Gothic, Robertson, Rust Bucket, S&L Gothic, Sahara Bodoni, Senegal, Serendipity, ITC Serengetti, Shadow Gothic, Shangrala, Shazam, Shore Bodoni, Sign Gothic Bold Condensed, Slam Dunk, Sleepy Hollow, Sleezy, Snaggle, Snip Tuck, South Beach, Spice, Steel Magnolias, Steeplechase, Summer Nights, Swank Gothic, Tequila, Thats Amore, Title Gothic Light, Triple Condensed Gothic, Triumph Gothic, Vinchenso Regular, Wackado, Waimea, Wall Street Gothic, Wonka (1996, named after Willy Wonka), Yakety Yak, Zany, ITC Ziggy, Zipty Do.
Also known as Fielding Lucas, Jr., Lucas Bros., H.L. Pelouze&Son, and Chas. J. Cary&Co. Specimen may be found in Convenient Specimen Book of Type, Rules, Borders, and Electrotype Cuts from the Baltimore Type Foundry (Baltimore: Chas. J. Cary&Co., 1888. Banta Book of Types&Typographical Tips. Menasha: George Banta, 1961). The company existed until well into the 20th century, and published a catalog as late as 1957 called Type and Rule Catalogue 13, Baltotype.
A selected list of typefaces:
Rich Hopkins, a printing historian, acquired Baltotype ca. 1993. Based on drawings from the 1950s in the Baltotype material, Miranda Roth at P22 designed LTC Athena, a narrow art deco typeface, in 2013. [Google] [More] ⦿
German foundry that had some free offerings by Berlin-based graphic designer, typographer and illustrator, Helge Barske. In 2001, he made Dirty Bitch, Kombuese, Badfag, Gogogogo, Kloezzler, Klozzbats, Krossklozz, Mahoney, Pixelplastique, Plastiquekingdom, Sinner (constructivist), Snowbats, Stanzefett, Suplex. Several dot matrix and pixel fonts. The fonts typically had no punctuation though. At some point, the free font pages disappeared. KingConvex (2009, hairline) was shown at Behance. Schneusel Sans (2010) is a soft octagonal face.
Gifted designer from Lausanne, Switzerland. One of the most talented creators of typefaces with FontStruct.
Typefaces made in 2009: DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.
In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).
In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.
Fonts made in 2012: db Como (a simple monospace sans), db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3, db Drops (fat counterless face), db Quarz Mix, db Soda, db Klacks, db NQ, db Boxer, db Como (monospaced), db Smoothie (fat stencil face), db Quick Cut (stencil), db Karton (stencil), db Frieda.
French designer of these free faces that can be downloaded at Dafont:
During his studies at the University of Kansas, Caleb Newberg designed the monospaced sans serif typeface Astro in 2012. Still at UK, he created the tweetware constructivist typeface family Headcase (2013). [Google] [More] ⦿
Keith Tam writes this: "A fellow of the Society of Graphic Designers of Canada and partner/founder of the design firm Trio, Carole Charette recently exhibited her MA thesis project titled Sixx Styles at the Emily Carr Institute of Art&Design in Vancouver. The exhibit consisted of 12 posters created as reinterpretations of six chosen typographic styles in the twentieth century including Constructivism, De Stijl, Bauhaus, New Typography, International Style and New Functionalism. She gave a fascinating lecture at the institute last Monday titled Zeitgeist and Typography, which was a culmination of her academic research on the cultural study of typographic styles in the twentieth century at Université Laval, Québec City. The lecture included two very engaging multimedia presentations." [Google] [More] ⦿
Designs by Jason Castle from San Rafael, CA, who graduated from Dominican University of California. He does custom font design and sells commercial faces through MyFonts and FontShop. Blog. These include:
Chris E. Lozos
Graphic designer and web developer in Chicago, who moved there from Austin, TX.
Creator of Cannibal (2012, scartchy hand), Die Already (grungy caps), The Dead Saloon (2012, Western caps face), the scratchy scary typeface Dead Bitch (2012), the athletic lettering face No Honor Roll (2012), the grungy Redux (2012), Konquer (2012), Sandy Ravage (2012), and Digital Anarchy (2012), the blood drip typefaces Spiked (2012) and XSpiked (2012), and the brushed typeface GwizsK (2012).
In 2013, he designed The Five One Two (graffiti font), Skidmarked (graffiti font), There Be Monsters, Digital Disorder (a textured typeface), We Are Depraved, The Dead Are Coming (grunge), Barbaric, Welcome To Texas (graffiti font), Chopper City (a spurred constructivist typeface), Maya Rose (a script face), Chaos and Pain (a tattoo font), Abandon (grungy poster face), Virtual Bliss, and Pale Horse (a dagger font), Malevolentz (grungy caps), Shrapnel (grungy caps).
From the wiki: Constructivism was an artistic and architectural movement that originated in Russia from 1919 onward which rejected the idea of "art for art's sake" in favour of art as a practice directed towards social purposes. Constructivism as an active force lasted until around 1934, having a great deal of effect on developments in the art of the Weimar Republic and elsewhere, before being replaced by Socialist Realism. Its motifs have sporadically recurred in other art movements since. The movement covers almost all graphic and architectural arts, and it was centered around people like Aleksandr Rodchenko (1891-1956). The book designs of Rodchenko, El Lissitzky and others such as Solomon Telingater and Anton Lavinsky were a major inspiration for the work of radical designers in the west, particularly Jan Tschichold. Many constructivists worked on the design of posters for everything from film to political propaganda. The former were best represented by the brightly coloured, geometric jazz-age posters of the Stenberg brothers, and the latter by the agitational photomontage work of Gustav Klutsis and Valentina Kulagina. [Google] [More] ⦿
This 20s-30s movement, with lettering and alphabets done by people such as Wladyslaw Strzeminski, Josef Albers, Kurt Schwitters, Jan Tschichold or Herbert Bayer has no decorations, and uses horizontal and vertical edges and arcs of circles make up the shapes. Fonts in this style include ITC Avant Garde, Avenir, Futura, Industria, Insignia, ITC Kabel and some stencil designs. [Google] [More] ⦿
Dan M. Zadorozny
Aleksandra and Daniel Mizielińscy are from Warsaw, where they set up Hipopotam. Together, they created the hand-drawn 3d outline face Bubol (2011), the hand-printed Cartographer (2011), the grungy caps face Mr. Black (2011), the upright connected monoline script face Mrs White (2011), and the constructivist face Olifant (2011).
In 2012, they added Mr. Brown, Mr. Dog Dog (hilarious animal silhouette typeface), Mr. Robot (an octagonal overlay family that can have shadows), Mr. Tiger (eroded woodsy caps), and Mr. Orange (hand-printed).
Typefaces from 2013: Mr. Dodo, Mrs. Lollipop (a hand-drawn layered type system), Mr Lucky (sketched layered family), Mr. Alex, Mr. Happy (hand-drawn), Mr. Cyrk (checkered letters as seen on clowns and in a circus), Mr. Anteater, Mrs. Ant (comic book text faces).
Or danila Orlovsky. Student at the Stroganov Moscow State Academy of Applied and Industrial Arts, 2006-2012. Danya (Danila) is the Moscow-based designer of the constructivist version of Didot called Circus Didot (2010, Paratype).
David Fleming Nalle
Calling himself a design tourist, German designer Henning Brehm makes fonts for films. His company in Berlin is also called Design Tourist. Agitka (2010, 8 styles) contains Latin and Cyrillic characters, in a constructivist theme, and has a Neon sub-style that was used in the film Bourne Ultimatum. This family can be bought at Gestalten. In 2010, he published Kraut, a round outline face, and Koffer (a screen font family).
Pandorum (2012, a spaceship typeface, by Henning Brehm and Alejandro Lecuna) was especially designed for film sets in the science fiction movie Pandorum starring Ben Foster, Antje Traue and Denis Quaid.
At Vette Letters, Henning Brehm created the squarish oriental simulation face VLNL Kimchi: The Kimchi font had its starting point in the making of the film Cloud Atlas, based on the novel by David Mitchell and directed by Lana & Andy Wachowski and Tom Tykwer. A first version of Kimchi was created for Papa Song---an underground fast food restaurant in a futuristic Neo Seoul in the year 2144. It was used for the menus, advertisement and packaging.
Chris Lozos (aka Dezcom and Dezcom Typefaces) is a Washington, DC-based (well, now Falls Church, VA-based) graphic designer and Vietnam veteran, b. 1944, Pittsburgh, PA. He studied Design at Carnegie Mellon University where he earned a BFA in Graphic Design (1966). While at CMU, he studied with calligraphers Arnold Bank and Howard Glasser, who both brought out the love of historic letter-forms and learned to set hot metal type in the Laboratory Press established there by Jack Stauffacher. Chris also was influenced by guest professors Hermann Zapf, Rudy DeHarek, Martin Krampen and Gui Bonnsieppe (of the HfG Ulm). He attended Graduate School in Visual Communication Design at the Ohio State University from 1972 through 1974.
Slovak designer who lives in Bratislava. He created the sans faces Deva Ideal (2007, 10 styles dedicated to the beauty of women! See also here) and Poleno Sans (2007), a great custom face with the broken look of Preissig's old faces and poster type. Poleno was originally designed in 2006 for the Slovak folk dance ensemble Poleno, as a part of their corporate identity. It has 12 styles now. Dezen (2010) is a contemporary, mechanical grotesque typeface family. It includes a Stencil subfamily. Komu (2010) is constructivist.
His graduation project at the Type and Media MA program of KABK was Preto (2009), a multilingual type family which explores the impact of serifs in legibility and readability (+Sans, +Sans Basic). He says: The three core styles that structure the family (sans, semi and serif) are particularly useful in the context of multilingual typesetting to achieve an even colour in equivalent texts written in different languages.
In 2010, he created Rukou, a script that reminds me of Sütterlin.
In 2011, he made Anca (playful rounded monoline sans).
Russian designer in Arzamas (b. 1987) of the free Latin / Cyrillic typeface Juste (2012). Other Latin / Cyrillic typefaces from 2012 include Doux, Font Pont, Firma, Polina, Even (elliptical), Provincial, Jazzy (sans), Frank (curly), Palaver (serifed), Firma, JWH (a didone family), Katomka, and Rustaud.
In 2013, he published Pont (a slab serif typeface) and Woodburn (a Cyrillic constructivist typeface).
Designer in Quezon City, The Philippines, who created the stunning constructivist / architectural typeface Istruktura (2012), with a beautiful poster to illustrate it.
American creator of the constructivist face Back in the USSR (2009: created for issue 4 of Critica Grafica magazine) and the art nouveau typeface Doctor Fibes DEL (2013).
Dunwich Type Founders
Dunwich Type Founders (or: DTF) in New York City run by James Walker Puckett (b. 1978, Virginia), who graduated from the Corcoran College of Art and Design in Washington, DC. Blog. Behance link. Fontspring link. Type Library. Typefaces:
Full name: Lazar Markovich Lissitzky. An early 20th century Russian constructivist artist (1890-1941) whose books revolutionized graphic design. Sample of his work. See also here. He published From Two Quadrants (1921), about which one critic writes: "Typography is a game that leads to communication, and it all began with Lissitzky's tale of two squares." Cover of "Union der Sozialistischen Sowjet-Republiken" (1928). Cover of Broom (1923). [Google] [More] ⦿
Guernsey, UK-based designer of the constructivist face Bigntall (2010, iFontMaker). He also made the hand-printed Notebook Scribble (2010) and SoozieQS (2011). Homepage. He also created this font with iFontMaker on the iPad: Elliotts Comic Gill (2010). In 2010, he started the commercial foundry Mariess, where one can now buy Notebook Scribble. That must be the first iFontMaker font that hits the market. [Google] [MyFonts] [More] ⦿
Erik Mansson (Erotopia) is the FontStructor who made the angular semi-constructivist typeface Mesnika (2012), the prototypical piano key typeface Nakameguro (2012), the modular typeface Karma (2012), and the mechanical typeface Supply (2012). [Google] [More] ⦿
Based in Vladivostok, calligrapher Evgeny Tkhorzhevsky created Braxton (2013, a brush script published by Fontfabric---one style is free), and Construct (2012, a constructivist experiment with geometric solids).
Another alias is Robot Smith.
French designer who graduated in 2011 with a DSAA from ESDRA in Lyon. Creator of Potemkin (constructivist face), Fractions (experimental), Sex Type (fun), Frogs, Glossy Bitch (connected paint simulation face), Western Spaghetto and Face Cachée. [Google] [More] ⦿
Fabrika de typos
Fabrika de typos is a Brazilian fondry run by Marcio Hirosse (b. 1969) in Sao Paulo. He made Destroyer (2007, splatter grunge), Helena (2007), Boogaloo (2006), Casual (2006), Expedito (2006), Impresso (2006), Club (2006), Qualque Coisa (2006), Pig (2006), Boogaloo, Casual, Error (2006), Sherley XXX (2006), Thailandesa (2006, Thai simulation face), Expedito, Impresso, Club (2006, stencil), Ferrugem (2006, grunge), Qualque Coisa (2006), Saco de Pao (2006, grunge), Clean (2006, experimental), Poesie Noire (2006, a great multiline calligraphic face), Fuck You Las Vegas (2005), Serial Killer (2004, bloodied Arial), Tragedia (2004), Font Macabra (2004), Font Abuso (grunge), Font Cartaz (2004, stencil face), and Font Mexicana. He created Ballom (psychedelic), Anarchy, Macabra, Cartaz, Crash, Tragedia, Abuso, Estragou de novo (1999), Sucata Special, Brother Bear, Floppy Disk, Punk Dingbats (2004-2005, destructionist typefaces), Swiss AntiNormal (2005), Jooy (2007, grunge), Deusdeti (2007, double script), Deux ex Machina (2007, blackletter-inspired), Comunista (2007, constructivist), BONDAGE-DEMO-VERSION (2007), CASULO-DEMO (2007), D-E-S-T-R-O-Y-E-R-D-E-M-O-V-E-R-S-I-O-N (2007), GARTEN-VON-DORNEN-BLACK---DEMO-VERSION (2007), GARTEN-VON-DORNEN-DEMO-VERSION (2007), Load (2007, grunge), LYSSA-DEMO-VERSION (2007), MUMIA-DEMO-VERSION (2007), OFF-SET---DEMO-VERSION (2007, grunge), Pig (2007), PLEASURES-DEMO-VERSION (2007), Querencia-Army-DEMO-VERSION (2007), TETARIA (2007), FDT Sodomy (2008, blackletter), FDT Carreto (2008), all freely downloadable.
Commercial faces: Circus de Terror, Rapariga (curly), Indiana, Hard Core, Iemanjai, Disorder, Joy, Deusdeti, Deux ex Machina, Comunista, Destroyer, Off Set, Pleasures Poesie Noire, Helena, Base, Clean, Casulo, Serial killer.
Turkish type designer. His repertoire consists of a number of techno or modular faces, a contructivist face (Attack), some upright connected scripts (like the Arabic simulation face Alibaba), some geometric sans faces, a hexagonal face (Hexa). Scans: I, I, II, III, IV, V, VI, VII, VIII, IX, X, XI. [Google] [More] ⦿
Feliciano Type Foundry
Mário Feliciano (b. 1969, Caldas da Rainha, Portugal) is the principal of Lisbon-based Feliciano Type Foundry, founded in 2001. For a while, he was associated with Enschedé. He began work as a graphic designer for Surf Portugal magazine in 1993. In 1994 he founded his own design studio in Lisbon, Secretonix. He has been heavily involved in type design since. In 2005, he joined the type coop Village. John Berry reviews Mario's oeuvre. His gorgeous creations include the following:
Byelorussian illustrator who fled his country when he was 18 years old. He sold paintings in Moscow and now lives in Amsterdam. His drawings are straight out of the 19th century, ornamental and playful. He is also inspired by the psychedelic lettering of the 1960s. Discussion of his work by Coles. Typefaces, all made or drawn in 2006-2007: Rodopi, Fashion Condensed, Farringdon, Hopkins, Rondell (Western style face), Abramesque (ornamental caps), Mansard Trimmed (19th century emulation), Wedlock, Silverado, Shimmer Wide (cyrillic), Mona (extra-wide slab serif), Flirt Chloe (more 19th century ornamental glyphs), Jubilee (constructivist Cyrillic lettering), Big Cyrillic pixels (many great pixelized alphabets), Cuba, Gingerbread (Victorian), and St. Clair. Alternate URL. Check out his gorgeous country maps designed for the aeroflot in-flight magazine in 2008. [Google] [More] ⦿
Foundry based in London, UK, set up by Lee Henry (b. 1982, Gateshead, UK). Lee studied Graphic Design in Newcastle and first got involved in font design when he designed GOTHFEST for a magazine project. He now works in London as a newspaper designer and continues to produce new and original font designs. Creations include Modernist (2006, a MICR style family), Arctic Chunky (2006), Gothfest (2006), Bogus (2006, in the style of Toolego), Bad Azz (2006, grid-based), Cubist (2006, thin octagonal family), and React (2006, also grid-based), Modernist (2006, monoline sans), 1up (pixel face), Allstar (2009, constructivist), Ole (2009, fat and squarish). [Google] [MyFonts] [More] ⦿
Designer at EF English First. Moscow-based creator of Foxtrot Icon Set (2013), which she calls a constructivist collection of icons. She also made the stocky angular newspaper typeface Virginia Lives (2013) for Latin and Cyrillic. Linkedin link. [Google] [More] ⦿
Ganlo R. Ithsm
Designer at FontStruct, aka Garphynk, located in San Francisco. He created afternoon (condensed pixel face), Blocparty (constructivist poster style), Bloc Party Outline, foldz (dot matrix), tuesday, xtrude (3d shadow face). All fonts made in 2008. In 2011, he added Arrowback, and in 2012 Duffica (counterless). Behance link. Home page. [Google] [More] ⦿
Gilang Purnama Jaya
Gilang Purnama Jaya (GP Typefoundry) is a Bandung, Indonesia-based graphic designer, b. 1987.
He created Nasta Sucks (2008, grunge), the grungy athletic lettering face Bandung Hardcore GP (2010) and the free gothic fonts The Underdog Journey (2010), Minggu Pagi (2010) and Goodbye Alena (2010). Creator of the "broken" constructivist face Gilang Cinta Sabrina (2010), which has only capitals.
In 2013, Decade Typefoundry published Los Santos (a tattoo / graffiti font), Basingstoke (a spurred display typeface by Gilang Purnama Jaya), American Brewery (Decade Typefoundry: a whiskey bottle font), American Brewery Rough, Appleton (a spurred 19th century signage face published by Decade Typefoundry), and Vintage Badges.
Hana is a graphic designer from Belgrade. She made a nice typographic poster called Neandertal (2010). I guess that this goes with her simplistic and almost constructivist squarish typeface Neandertal (2009). She also created Kuka (2010), a simple display sans with both Latin and Cyrillic alphabets. [Google] [More] ⦿
Hanoded is the foundry (est. 2010) of Dutch designer and photographer David Kerkhoff, b. Epe, 1969. In its first year, Hanoded was a free font outfit specializing in handwriting and hand-printed faces. Its creations could be seen at Dafont, Abstract Fonts and Fontspace. Klingspor link.
In 2011, he went partially commercial via MyFonts. His typefaces became more diversified and are quite stunning at times:
Aka Sveinsson. Designer from Germany (b. 1982) who created the free constructivist typeface Journey P53 (2012), which is based on the title card of the Video Game "Journey" for PlayStation 3. [Google] [More] ⦿
Italian designer (b. Bologna, 1976) of some deconstructivist fonts such as Kill Your Neighborhood (2000, knife dingbats and scanbats of faces), and the broken stencil font Metal Meltdown (2001). In 2000, he co-founded the magazine Pressure, dedicated to graffiti art. [Google] [More] ⦿
HiH (Hand in Hand)
Tom Wallace's foundry, HiH (est. 2005), was first located in Woodbridge, CT. Subsequently, Tom Wallace (b. 1944) moved from Woodbridge to Naugatuck to Waterbury and finally in 2009 to New Britain, CT. His type designs are based on historical letterforms:
Children's book illustrators Aleksandra and Daniel Mizielińscy are from Warsaw, where they set up Hipopotam. Together, they created the hand-drawn 3d outline face Bubol (2011) and the constructivist face Olifant (2011).
In 2012, they added Mr. Robot (an octagonal overlay family that can have shadows), Mr. Dog Dog (a hilarious animal silhouette typeface), Mr. Brown (a poster font), Mrs Grey, and Mrs Green (a 20-style family of quaint typefaces).
Typefaces from 2013: Mrs. Summer (a wild West typeface), Mr. Alex, Mr. Anteater, Mrs. Ant (comic book text faces).
Hot Russian Pancakes
Adam Katyi, who hails from Sopron, Hungary, has three degrees. He has a BA from the University of West Hungary at Institute of Applied Arts, Sopron in 2010, and with MA from Moholy-Nagy Art and Design University, Budapest in 2012. In 2013, he graduated from the Type & Media program at KABK in Den Haag.
Hungarumlaut is a Hungarian typefoundry run by Adam Katyi. In 2010, he designed a pixel face, and a typeface called Ringua.
His KABK graduation typeface is a large sans typeface family, Westeinde, which has caption, text and display subfamilies, and weights going from hairline to black. The geometric family shows influences from Bauhaus and constructivism. In addition to being drop-dead gorgeous, this family has optical sizes as well.
In 2013, Adam Katyi created Gewaard, an interpretation of Halfvette Aldine, shown in the Lettergieterij Amsterdam specimen of ca. 1906. This didone with bracketed serifs was a revival project at KABK under the guidance of Paul van der Laan.
I Shot The Serif
Original free fonts by American designer Matthew Welch: APLPLUS-Regular, AncientGeekRegular, BlackKnightRegular, CheatinRegular (experimental), College (athletic lettering), CollegeBold, CollegeCondensed, CollegeSemiCondensed, ElectricPickle, ElectricPickleBold, Far East (oriental simulation), Farewell, FatFingerRegular, Free3of9 and Free3of9Extended (1997, see also here and here), FuddRegular (1998, Cyrillic simulation), GoLong, Hit The Road, LEDRealRegular, LocustRegular (dingbats), NeverRegular, NewJobRegular, RushinRegular (1998, Cyrillic simulation font), SecretCode, Tiny (pixel face), TRTL, FrakturModern, KingsGambit, Mattbats, OneFortySevenRegular, WhiteRabbit, OddDog, Geek (Greek).
A Russian architect and artist, Iakov Chernikhov was born in 1889 in Pavlograd, Yekaterinenskav Gubernia, Ukraine (now Dnepropetrovskay Oblast). He died in 1951 in Moscow. He studied at the Odessa Art School, a branch of the St. Petersburg Academy of Arts. In 1914, having graduated from the Art School, he moved to St. Petersburg and entered the Academy of Arts. In 1916 Chernikhov transferred from the painting faculty to the architecture department and graduated in 1925. He became a successful architect, and taught at the Leningrad Institute of Transportation Engineers (after 1933 LIIZhT) in the school of architecture (1928-45), at the Industrial Academy (NKTP) in the course for factory and plant construction (1930-32), at the Stalin Transportation Academy (NKPC) (1930-32), and at the Institute of Engineers of Water Transportation (1929-31). He published Fundamentals of Modern Architecture (1929-1930), Construction of Architectural and Machine Forms (1931), and Architectural Fantasies. 101 Compositions (1933). These classics are all about architectural fantasies. The last work of Iakov Chernikhov, which remained uncompleted, was the book An Analysis of the Construction of Classical Typeface (written in 1945-1951). It was published in 1958, seven years after his death. Iakov Chernikhov used for construction of the types some principles taken from the theory of architectural forms having much in common with the type forms that obey the same regularities. Some of his work looks like the early attempts at regularization by Duerer and Tory, or as found in the Romain du Roi. Wiki page. Scans: I, II, III, IV. Image of his Cyrillic Trajan (1945-1951). [Google] [More] ⦿
FontStructor who created these typefaces in 2013: Ibsen (a dark copperplate style inspred by an Ikea logo), Avenzo, Avenzo Mad Serif, The Code of Honour (constructivist), Yago, Vienna Cafe Big (art nouveau), Castillian (Textura, +SmallCaps), Lumpy, Origami (3d face), Baldur2 (a lava lamp typeface), Trinity (Victorian), Patterns For Everyone, Evangelion, Scriptura, Maverick, Giralda, Freak Fraktur, Vienna Cafe (art nouveau), Sportiva (Small Caps, Deco1, Deco2 [blackboard bold], Sans, Alternates 1, Alternates 2, Alternates 3, Regular), Carmina, Hieronimus (a pixelish typeface inspired by Bauhaus: +Slab, +Stencil). [Google] [More] ⦿
Born in Philadelphia and a resident of Texas, Dan Zadorozny's creations at Iconian. He is a prolific type designer who specializes in techno and sci-fi typefaces. Dafont link. Fontsy link. Abstract Fonts link. Font Squirrel link. His fonts in alphabetical order:
Also written Igor Mustaev. Born in 1982 in Khabarovsk, Mustayev was first an architect. In 2009, he finished the Type and Typography course at the British Higher School of Art and Design, supervised by Ilya Ruderman. Home page. Typoholic link. Behance link.
Designer of the Latin/Cyrillic art deco face Oster-Poster (2009), which was part of his diploma work at the Moscow Department of Higher British Design School. He is currently living in Moscow and working as a freelancer in graphic design, lettering and type design.
Ingofonts is a foundry in Augsburg started by Ingo Zimmermann (b. 1967) in 1994. It offers Fraktur fonts, handwriting fonts, sans serif fonts, Antiqua fonts and some pixel fonts. Full fonts go for 50 USD a piece and up. Some fonts are free. Many fonts are adaptations or revivals of historically important fonts. Ingo also practices calligraphy, and in particular, calligraphy for wine labels. The list:
Foundry run by Klaus Herrmann from Düsseldorf, whose fonts are distributed by Precision Type and FontHaus. Fonts include basically all of David Rakowski's old shareware fonts. Through Intecsas, David Rakowski has finally gone commercial. The fonts are often redrawn, and have complete international character sets. The library contains 500 fonts, of which about 90 are based on David's old shareware fonts. Among the newer fonts, DwigginsFortyEight (1999).
Atomic Type distributes their fonts as well.
Partial font list: Aaaaaaaargh Caps, Aarcover, Adineski, Adine Kernberg Script, Adriana Davidovsky, Air Supply, Alvin Caps, Aminal Initials, Anderson Script, Anne Stone, Avery Jean, Beffle, Bela Drips, Belgian Casual, Bellagio, Benjamin, Bizarro, Blasius, Braille Font, Brandenburger, Brookfield, Brooks Initials, Buffalo Bill, Cardboard Cutout, Carrick, Chalice, Charlotte Tile, Chinese Menu, Christensen Caps, Command Ment, Constructivist, Corsage, Crackling Fire, Crane Initials, Davys Blocks, Davys Dingbats, Davys Key Caps, Davys Big Key Caps, Davys Other Dingbats, Davys Ribbons, DeBellis, Deco Twenty Two, Dewhurst, Dieter Caps, Dilara Caps, Dinderman, Dorothy Initials, Dragonwick, Drawing Pad, Dubiel, Dupuy, Eileen Caps, Elizabeth Ann, Elzevier, Eraser Dust, Even More Face Cuts, Face Cuts, Fetch Scotty, Flicker, Forest, Frisch Script, Garton, Gessele Script, Gouda Old Style, Grab Bag, Gravestone Rubbing, Green Caps, Griffin Dingbats, Ground Hog, Harting (an old typ[ewriter font), Headhunter, Holtzschue, Horror Show, Horst Caps, Hunan Garden, Ian Bent, Jacobs, Jeff Nichols, Joanna Lee, Judy Finckel, Kastner Casual, KidStuff, Kinigstein Caps, Kioko, Konanur Caps, Korf Caps, Koshgarian Light, Kramer, Lee Caps, Legal Vandal, Lemiesz, Lilith, Logger, Lower East Side, Lucy Script, MalakaLaka-LakaLakaLaka, Man About Town, Mary Monroe, McGarey Fractured, More Face Cuts, Multiform, Munchner Initials, Nauert, Nitemare Caps, No More Face Cuts, Octagon, Paris Metro, Party Down, Pavelle, Phonetic, Pixie Font, Pointage, Polo Semiscript, Randolph, Rechtman Script, Relief, Reynolds Caps, Rhodes Roman, Rounded Relief, Rudelsberg Regular, Rumble, Saint Albans, Scratchy Pen, Showboat, Sjlausmann, Sprecher Initials, Starburst, Still More Face Cuts, Sturbridge Twisted, Taiga, Tejaratchi Caps, Thompson Pond, Toletto, Travis Brush, Trench, Trevor Light, Tucker, Tundra, Upper West Side, Varah Caps, Victoria Casual, Wedgie, Wein Initials, Wharmby, What A Relief, Will Harris, Yasmine, Zaleski, Zallman Caps.
At Will-Harris House, we find these fonts by David Rakowski: Cardboard Cutout, Dwiggins 48 (ornamental caps first designed by Dwiggins), Fetch Scotty, Gibbons (a great geometric Bauhaus-style font), Gravestone Rubbing, Greene&Greene (architectral lettering), Davy's Art Nouveau Initials, Gravestone Rubbing, Harting, Handscrifte, Lillith, Lillith Initials, Pointage, Rabbit ears, Rasta Rattin Frattin, Tenderleaf Caps, Tendril, Toletto (toilet paper alphadings), Will-Harris, and Zaleski. [Google] [More] ⦿
J. Randall Harris
James Walker Puckett
Jason was born in Loresho Grove, Kenya, in 1997. He created the free constructivist typeface Booyakasha in 2013. This squarish typeface is based on the Nickelodeon Teenage Mutant Ninja Turtles title. Finger Maniac (2013) was made with FontStruct.
Buffalo, NY-based creator of the logotype face NHL (2013). It includes the logos of all the NHL teams. He also made Break It (2013, a glaz krak face), Kenan&Kel (2013, cartoon font), Merrie Melodies (2013, cartoon font), Zany Sharp (2013), American Dad (2013), Wrestle Mania (2013), Survivor Series (2013), Hogan Mania (2013, gothic), Wrist Tat (2013, spurred constructivist), Destroy Humans (2013, grunge), NHL Wild (2013), Bang 4 Ya Buck (2013, grungy stencil), WWE Raw (2013), Army Rust (2013, a grungy military stencil face), Bad Grunge (2013), NHL Bruins (2013), NHL Flames (2013), NHL Ducks (2013), Royal Rumble (2013, stencil face), Write It Right (2013, fat finger typeface), Exp Font (2013, stencil), NHL Sabres (2013), Battleground (2013), Power Rangers (2013), Papa Grape (2013, hand-printed), How Bout That, EZ Sharpz (2013, angular and octagonal), Payback (2013), High Def (2013, sci-fi), Ridiculousness (2013), Rusto (2013, grunge) and We Wrestle (2013, a scratchy typeface).
Jayvee lives in Al-Khobar, Saudi Arabia, and was born in 1996. Known as Grand Chaos, he also calls himself Nippon Central Fontmaster, and uses the abbreviation NC in some of his fonts.
In 2009, he made Reality Pursuit NC.
In 2010, he created the hand-printed faces Retrieve NC, NipCen's Print, NipCen's Handwriting, CartoonicMassive, CartoonicMassive3D, CartoonicMassiveCollage, CartoonicMassiveWacky, Cartonsix NC, and Basic Comical (a take on Comic Sans). Other 2010 faces include Retroville NC (pixel), Matthan Sans (mechanical sans), Monkirta Pursuit NC (squarish face), AeromaticsSmallCapsNC (techno), DynoNC (octagonal, techno), MatrixComplex3DNC (dot matrix face), MatrixComplexNC, MatrixComplexWaveNC, SpotlightTypewriterNC, SuplexmentaryComicNC, Coyotris (handprinted), SMWTextNC (pixel family), and AeromaticsNC (angular face).
In 2011, he made Neon Teocho NC (a techno face), Burbin Casual (2011, a casual sans face), Curse Casual (2011), Squaren Daren NC (2011, constructivisit), Hauracherell NC (2011, a movie lettering font based on "Senorella and the Haurache", 1961), Burvetica (2011, grungy), Allegre Sans (2011), 8bitoperator JVE (2011, pixel face done at FontStruct), The 2K12 (2011, dot matrix face, FontStruct), and Big Bimbo (2011, handprinted).
Typefaces from 2012: Minercraftory, New Era Casual (based on Dom Casual, 1951), Splendid Plan 9 (headline all-caps sans face), Aeromatics (inspired by Plan 9 from Outer Space), Destroyed Aero, Aeromatics Stencil, That's Font Folks (after the famous That's All Folks of Looney Tunes fame, 1930s), Dyno Sans, Stanberry (handprinted), Pixisma (techno), Ander Hedge (octagonal), Jengle Jungallery, Freedom, Freeroad, Receiptional Receipt (dot matrix), Dimbo, Capital Daren, Tepeno Sans, Kemco Smooth, Kemco Pixel, Slabby Pices (an Egyptian), Mattelit (pixel face based on a Mattel game font from 1979), Barthowheel (comic book font), Minecraftory (pixel face).
Typefaces from 2013: Moder DOS 437 (pixel face), Telespania (pixel face: Telespania is a monospaced pixel font, based from Teletext 1.5 for TVE (Television Espanola) in Spain or other services in Austria, Germany and Portugal), Sanidana (squarish), Santitechtro (a sans), Sanitrixie, Soniano Sans (octagonal), Magzetician, Grand9K Pixel (pixel face), Deluxe16 (pixel face), Polentical Neon (octagonal), Nechao Sharp (octagonal face), Magzetician (alien writing simulation), Saniretro. [Google] [More] ⦿
Swiss typographer at Fontnest (which he cofounded in 2002 with Pierre Schmidt&Fritz Menzer while studying at ECAL) who designed these fonts at Font Nest: Wellkrau (pixel face, with Peirre terrier and Aimée Hoving), TGV, Lafrui (a connected lettering font), Plan De Paris (lettering from an old plan of Paris), ScriptedPix (a connected screen font), Rhizompix (a screen font), Pix2x (an experimental screen font), CPC (screen font), Condpix (a screen font), Angula (angular face), Thin Flower, P-Text (sans; with Pierre Terrier), Handled_Matrix (a dirty screen font), Soul&Funk (2002), Russian (2002, a Cyrillic simulation font), After The Rain, mtrxs (with Sylvain Aerni: a dot matrix font), Helveliga (with Fabian Monod and Sylvain Aerni), Jawut OT (with Pierre Terrier, Franz Hoffmann, and Juerg Lehni), Circulaheute, Courrierbitmap. He is a digital editor and designer. With Pierre Schmidt and Fritz Menzer he created Electronest (a company). In 2008, he created the experimental type family Futura Domus. Alternate URL. Currently, Rigaud is a London-based artist, designer, digital editor and technologist producing both design and art work for companies, collectors, and institutions. He has a continuing interest in going beyond the traditional boundaries of the art, business, science and technology fields through hybrid collaborations. His type design blog. [Google] [More] ⦿
Designer who used FontStruct in 2008 to make the experimental typefaces JKLNo#1 through JLNo#7. JLNo#6 is a pixel face. In 2011, he made the mechanical industrial face Slabber.
In 2012, Locke added the art deco face Broadway Love (and Broadway Love 2), Moscow Berlin (2012, a constructivist or Cyrillic simulation typeface), Rubicone (a stenciled Egyptian), Industry Stencil, Thakur, TipTap Decor, Karma, and Sketch6. [Google] [More] ⦿
Cofounder of Punchcut. Designer of a great series of Cyrillic bitmap pixel faces (2005), Fontclaire, of a beautiful Cyrillic bitmap font without a name, and of the pixel font Pfospfor Serif. Alternate URL. As joepemberton on FontStruct, he created hammer_sickler (2008), a constructivist font inspired by Rodchenko. [Google] [More] ⦿
Joshua M. Smith
German type designer (b. 1965) who was originally a painter and sculptor. He graduated in visual communication from Hochschule Pforzheim in 1996. Creator of the dingbat fonts Linotype Afrika One and Two (1999), Linotype Monday Devils (1999, funny stick people), and Linotype Short Story (1997). Still at Linotype, he made Linotype Textra (with Jochen Schuss---a take on FF Meta), Dassitzt (constructivist, based on his diploma work at Pforzheim) and Dassitzt Pictos in 2003. In 2008, he created the angry all caps display faces Arsen and Arsen Ink (Volcano), Daydream (Volcano), and Logorinth (Volcano). With Andy Jörder and Alois Ganslmeier, he created the ultra-fat constructivist family Coma (Coma, Volcano). Bastion (2011) is along the same lines.
Prolific Russian designer (b. 1986) whose real name is Ivan Gladkikh. Jovanny lives in St. Petersburg. From 2003-2008, he studied audovisual engineering at The Bonch-Bruevich Saint-Petersburg State University of Telecommunications.
His typefaces include Scada Sans Two (2009), Furore (2009, octagonal), Metro (2009, constructivist), Dited (2009, dot matrix: free), Days and Days One (2009, sans), and the attractive display faces Otscookie (2009, geometric and experimental), 20db (2008, high-contrast titling with didone features), Cuprum (2008) and Molot (2008, with Roman Yershov). In 2008, he added to this list the grunge or handwriting faces FFUPuzzle, London (designed with Olga Kozlova) and Neucha (handprinted), as well as the modern black display face 20db. Together with Eric Lebedco, he created the organic face Philosopher (2008). In 2006, he cooperated on the rounded Cyrillic face ZopaCyr. With Oleg Zhuravlev, he created the octagonal family Bender (2009, award winner at Paratype K2009). Creator of the corporate type family Ice and Flame (2009), an organic face based on Philosopher.
CDMA (2010) is a rounded sans for corporate use. Nixie One (2011) is a free thin typewriter style face. Yeseva One (2011, as in "yes, Eva, bring me another beer") is a free ornamental serif face. Numans (2011) is a free wide sans face.
Creations from 2012 include the frees typeface Oranienbaum (an antiqua created with Oleg Pospelov). He produced the free font Prosto (2012), which was designed by Pavel Emelyanov [see also Google Web Fonts]. Russo One (2012, Google Web Fonts) is a macho sans. Stalin One (2012) is a constructivist face codesigned with Alexey Maslov---it is free at Google Web Fonts.
Typefaces from 2013: Imperial One (a free constructivist font based on the corporate font for the game role playing game The Mandate), Underdog (angular), Supermolot (an extension of his 2008 typeface Molot, a modern square grotesk with elements of Soviet style).
He also has a lively type blog (in Russian).
Just My Type
Just My Type is a type foundry that was founded in 2012 by J. Randall (or Randy) Harris (b. 1947, Marion, IN) in Tucson, AZ. Harris is a graphic and type designer who has been making typefaces since 1997. He teaches at the Art Institute of Tucson. His typefaces from 2013: Megatropolis (a stackable deco font system), Historic Warehouse (Victorian).
Typefaces from 2012: Happenstance (a lovely retro-futuristic script), Illuminations Woodcut, Yule Love It (Christmas time dingbats), Gawain (based on the hand of Gawain Douglas), Oaxaca (a Mexican look face), Boxy Code, Channel B (a rounded monoline sans), Curves, Puzzle, Dempsey (based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey), Chilespice, Strata, Deco Donut, Jiminy (a comic book face), Invites (a roundish upright script that intends to recreate the 1920s spirit), Hunky Chunky (an obese poster face), the hand-printed typeface Carissa, Got Milk, Cutting Corners, Astro (retro-futurustic), Dix (2012: a slabby wood style face inspired by the poster for the 1929 film Redskin, and a desire to create a black Edwardian font with an offbeat serif), and the monoline rounded stripped-down sans typeface family Laszlo (2012: the name is an homage to Laszlo Moholy-Nagy of Bauhaus fame).
Kolega (2012) is a constructivist typeface family that consists of Kolega, Kolega Tall, and Kolega Podrobska (fake comrade).
Steampipe (2012) is an ironwork, Jules Verne, wrought iron and time machine font.
Los Muertos (2012) is a Halloween font.
Typefaces from 2013: Megatropolis (a stackable deco font system).
FontStructor (aka JustinOperable) who made the Soviet propaganda (and Cyrillic simulation) faces Red Menace (2009, Latin and Cyrillic) and Red Menace Outline (2008). He also made Troy Thin (2008). [Google] [More] ⦿
Designer at FontStruct in 2008 of the elegant ultra-fat face Gordor, and of the constructivist (condensed titling) caps face Satur. In 2009, he made Pindio and Pindio Round (heavy titling faces), Castrong and Castrong Sans (squarish), City Lights (nice!), and the LED simulation faces Seven Leds and 14 Leds. He also made the fun faces Film (2009, film strip), Fatu (2008), Ratu (2008), Satur (2008), Fute (2008). [Google] [More] ⦿
A pioneer of geometric abstract art and the originator of the avant-garde suprematist movement, Kazimir Severinovich Malevich was born in 1879 in Kiev, and died in 1935 in Leningrad. In 1915, Malevich laid down the foundations of Suprematism when he published his manifesto From Cubism to Suprematism. After the October Revolution (1917), Malevich became a member of the Collegium on the Arts of Narkompros, the Commission for the Protection of Monuments and the Museums Commission (from 1918-1919). He taught at the Vitebsk Practical Art School in Belarus (1919-1922), the Leningrad Academy of Arts (1922-1927), the Kiev State Art Institute (1927-1929), and the House of the Arts in Leningrad (1930). He wrote The World as Non-Objectivity, which was published in Munich in 1926 and translated into English in 1959. In it he outlines his Suprematist theories.
Typefaces based on his work include:
Graduate of the London College of Communication who works in Paris. His list of typefaces:
During her graphic design studies at European Humanities University, Department Of Development And Communications in Lithuania, Ksenya Shtalenkova (Minsk, Belarus) created the constructivist Cyrillic typeface Chipmunk (2013). [Google] [More] ⦿
Kummaeno calls himself an art director, graphic stuntman and fontstructor. He lives in Sweden where he works at Infobahn Reklambyra. He "fontstructed" the pixel/stencil family Soft Cell (2010), and the squarish faces Samizdat (2010, his remix of the constructivist T-26 font "Revolution" by Douglas Carter, 1994), Gearbox (2010), FS Crude (2010, a heavy face inspired by 224MKSD Black by Masayuki Sato), Manifesto (2010, influenced by Donald Beekman's FF Tsunami) and Aegis (2010; think ITC Bolt Bold). Modicum (2010) is a pointy severely angled black sans. Bonfire (2011) is a semi-blackletter face. Soft Cell (2010) is an LED font. About the MICR font MegaSpacer (2010), he says: Inspired by the fantastic "MICR" font set. And the Solaris font design from the nineties by Büro Destruct (ah, those were the days). Old but good ideas brought to Fonstruct. Fun and easy as pie. Basking (2010) looks like Martin Wenzel's FF Marten. Aerostyle (2010) is a techno / Eurostyle face inspired by Masayuki Sato&Tsuyoshi Nagae at Maniackers Design. Kuiper (2010) is a remix of the techno face Straker by Rian Hughes. Gamepad (2010) is an angry fat display face. Piquance (2010) and Quanted (2010) are ultra-fat decorative faces. Jacobine (2010) is a bellbottom face. Bitrate (2010) is a carbon copy (in his words) of Data 90 (Rian Hughes).
FontStructions from 2011: Bayonet is a high-contrast art deco display face. Arbour is a piano key face. Pugilista is a fat boxy face. Pistolera is where the West meets psychedelia. About Syncope he says: You have seen the likes before ("FF HardSoul Ultra" by Donald Beekman or "Loudine" at pintassilgoprints.com). Constructivism with extreme bulk. Ultra-fat retro letter shapes. Ubangi is a hip "remix" of Rian Hughes's Darkside. FS Space Opera is party art deco. FS Rasterbator is a dotty raster halftone exercise. [Google] [More] ⦿
A survey article on La Belle Epoque, with historical data, but also lists of digital fonts that represent vthe various movements. On the history and nomenclature, they write: Influenced by Arts and Crafts, which tried to tear down the boundaries between fine art, design, printing, architecture and goods manufactory, Art Nouveau in Paris and Glasgow, Jugendstil in Munich, Modernisme in Catalunya, the Wiener Sezession in, Vienna ... rejected neoclassicism, embraced aestheticism and stuck two fingers up at industrialisation. It is fundamentally Arts and Crafts and Art Nouveau that we have to blame for both theme pubs and flower children. They continue: In terms of graphic design, La Belle Epoque kicked off in 1891 when the Post Impressionist Toulouse Lautrec made Moulin Rouge and Europe went crazy for posters. Constructivists might call it "The Curve Rejecting The Straight Line." [...] "The Age of the Poster." [...] About a zillion things fed into the Belle Epoque, but some key components were: Arts and Crafts, the Pre-Raphealites, Post-Impressionism, Arabesque, Symbolism, Chromolithography, and Ukiyo-e. [Google] [More] ⦿
Typefaces by Julien Saurin in 2013: The Hand (a hand-printed caps face done with Fanny Coulez), Naive (a curly hand-printed serif typeface done with Fanny Coulez), Insolente (a connected script done with Fanny Coulez), Neo Phoenician (a straight-edged rune simulation font done with Fanny Coulez). [Google] [MyFonts] [More] ⦿
Designer from the UK who created Heliotype (1991, Letraset), a face that was inspired by Soviet constructivist designs.
Legacy of Defeat
This web site, related to Joshua Smith's Hydro 74 foundry in Orlando, FL, offers original creations, both free and commercial. They specialize in vintage signage type, display type, the Western look, scary faces, art nouveau, tattoo type, psychedelic and Victorian styles. The catalog as of 2011: Anarchy Script, Aphex Script, Apocalypse, Avante, Black Mail Sect, Black Mamba, Burial Black, Cadaver Ink, Cadaver Script, Calypso, Catalyst, Cortez, Dayton Black, False Idols, Golden Age, Heresy, Hood Black, Hydro Script, Imperial Black, Iron Fist, Kremlin Ink, Kustom Style, La Calavera Catrina, La Santsima Muerte, Le Venom, Lucky's Flash, Martyr Black, Muerte Black, Napalm Vertigo, Nue Black, Nue Goth, Norway Black, Razor Black, Royal Baron, Sacred Black, Sailor Jerry, Salem Witch Hunt, Sentry Black, Spitfire, Skid Row, Thai Black, The Clique, The Thickness, Thunder Script, Tramp Stamp, Tyranny Gothic, Uber Black, Vahalla, Venice Black, Viper Black, War Machine, West Coast Soul, Wolfstien Electro, Working Class Hero, Zombie Allegiance, Zombie Attack, Slash Black, Suture Set, Corpse, Czar, Proclivity, Uber Black Caps.
Free and commercial typefaces from 2013: Pricks, Ocelot Piss, The Witches, Wizard Tit, Wizard Dick, Riverside, Dirty Sanchez, Corpus Delicti, Warlock, Ghetto Wolves, Spitfire, Cheap Deal, Shwarma (Arabic simulation), Alderaan (alchemic), Surplus (spurred), Goth Bitch (blackletter), Siberian Vodka (alchemic), Bitch Please, Dirty Whore (brush script), Skeleton Key (EPS), Old School (EPS), Forty Thieves (EPS; Arabic simulation), Conquest (EPS), The Sailors Creed (EPS), Achilles (constructivist), Gold Chain (EPS), Bootleggers (Western), Blood Clot (dripping blood face), Hernandez (Latino style), The Order (spurred), Kuso, Pinche Muerte, Chingon, Nomad, Major Jackov, Sinner, Mayhem, Outlaw (Western), Absinthe, Zombie Headshot, Black Diamond, Alcazar, Eastern Star, El Librador (Cuban colonial style), Monniker, Her Majesty, Kobra, Dishonor, Ghetto Hawk, Kings Wrath, Fraternal, Wizard Taint, Rinzler (inspired by TRON), Dream Weave.
Graphic designer and typographer from Copenhagen. His typefaces include Lagen (2007, fat and counterless), Darkcut (2008, like wood cut), Paten (2008, constructivist), and Antiwar (2009, military stencil). Behance link. [Google] [More] ⦿
Letterhead Studio YG
Letterhead is Yuri Gordon's (b. Moscow, 1958) Moscow-based foundry which publishes mainly Cyrillic fonts. Its coowners are Valery Golyzhenkov and Olga Vassilkova and it was established in 1998. It evolved from Garbage Type Foundry. Not to be confused with Chuck Davis' Letterhead. The main designer is Yuri (or: Jury) Gordon, the Moscow-based designer of the Type Directors Club 1999 award-winning designs Dve Kruglyh and FaRer Cyrillic, available from Paratype. URL at Yakovlev's Foundry. Picture. Article in the Moscow Times (2006), in which he proclaims: Better to make five fun and tasty new display fonts than one old, boring (and you thought it would look fresh!) text font. He is a graphic designer, illustrator, type designer, engraver and copyrighter. He is Art Director of several magazines.
Author of the acclaimed 384-page book Book of Letters From to (2007, Art. Lebedev Studio).
Warsaw-based designer, b. Warsaw, 1967. Quoting Adam Twardoch: Rather than to finish high school, he worked as a sound technician and occasionally actor at a children's theatre group, spent a year working as a carpenter helper rebuilding 13th-century churches, he lent his voice and bass guitar skills to the band Dunski Jazz, and worked as a software developer at the Polish patent office. During the first free Polish elections of 1989, he briefly worked as a newsboy for Gazeta Wyborcza, the newly-launched, first independent daily newspaper in the country. A year later, he joined the design department of Gazeta Wyborcza and spent seven years there, co-creating the layouts of the main newspaper and its weekly companion magazine, for which he drew his first typeface. He later worked for several other publishing houses in Warsaw (since 2003 at Axel Springer Polska), designing newspapers and magazines. In the same time, ukasz drew over a dozen typeface families ranging from large Latin and Cyrillic text families to single display styles. Many of these fonts were originally created for a particular newspaper or magazine layout. Some of them went into regular use or were used occasionally (in Poland: Gazeta Wyborcza, Vita, Przyjacióka, Fakt, Lub Czasopismo, Go Niedzielny, Telewiat, Komputer wiat, in Russia: OK!, in Germany: OK! and PAGE), others were never utilized.
In 2007, Lukasz created a three-style Latin and Cyrillic corporate family for empik, one of Poland's largest press and music retail store networks. At the same time, FontShop International released two of Lukasz Dziedzic's families (FF Clan and FF Good).
In 2008, FontFont released FF Clan Italic and FF Pitu. FF Clan is a sans family in seven weights and six widths. FF Good (60 styles in all) is used in the Polish-language tech magazine Komputer Swiat. FF Good Headline followed in 2010. FF Clan Web has 168 styles! But most praise went to the elegant FF Pitu, about which Adam Twardoch writes FF Pitu started off in 2002 as a set of swashy capitals accompanied by lowercase that sits somewhere between a didone italic and a Copperplate script. Its most characteristic features are probably the pronounced stroke modulation and blade-shaped sharp stroke endings, which are slightly softened by generous calligraphic loops with foxtail terminals. Tiffany Wardle drools This is gorgeous. Provocative even. The stems which mimick a sharp nib pen ... well it certainly doesnt shy away from anything. This is what people should think of when they want something that looks opulent, lavish and exclusive. This is a font for a private club with high bench seat and private alcoves with velvet curtains.
Maelle Keita is the second identity of Thomas Boucherie (Montpellier, France). The Maelle persona is a Swiss creator of the free fonts Nenuphar of Venus (2013), There Can Only Be One Breaver Im It (2013: flourishes), Ruskof (2013, grunbgy Cyrillic simulation face), Kawaii Food Font (2013, dingbats), Chouette Alors (2013, owls), Eglantine (2013, upright script), Zentai Itacha (2013), Magnolia (2013), God Bless America (2013), Jack And The Beanstalk (2013, upright connected script), Halloween Trick (2013, dingbats), Noyeux Joel (2013, Christmas dings), Angel of Blood (2013), Matriochkas (2013), My Princess Likes A Frog (2013), Skate or Die (2013, dingbats), Chouette Alors (2013, owls), Sleep on the moon (2013), Animox (2013, teddy bear dingbats), It Was A Good Day (2013, ornaments and filets), Ordre de Depart (dot matrix face), Diane de France (2013, calligraphic), Serval (2013, script), Chicago Eskimo (2013, fat outlined signage face), Quality Street (2013, vintage signage script), From The Moment (2013, frames), Arabia (2013, upright connected script), Hector Le Dragon (2013), Fantom Better (2013), Mont Royal, Coccinelle, Ponctuation, Miel & Abeille, La Petite Puce, Yo te amo pero en secreto, Conjecture (a sketch font), Coloscobik (2013, a marquee face), Ejaculator, This Is Not A Font, Tell Me A Secret (2013), Chocolate Cake (2013, plump outline face), Eglantine (2013), Ornamind (2013, floral dingbats), La Grosse Cochonne (2013), Toyzareux (2013, bubblegum font), Oliver Tue Les Fourmis (2013), Two Fingers King (2013, an ornamental blackletter), Piragniac (2013), Marguerite (upright connected script), Gulliver, Arakphobia (2013, a spiderweb font), Gelatina Elemente (connected script), Zenzai Itacha (oriental simulation), Atlas Eternal 78 (2013), Serial MKV 1 (2013), The Black Manba (2013), Gang Bang Crime (2013, a dripping paint font), La Grenouille Verte Qui Devient Toute Rouge (2013), Aracme Waround (2013), Zoa Elephantesque (2013), Estrela Fulguria 1748 (2013, calligraphic), Cirus Quantum Solace (2013), Paint All Time (2013), Jumbo Burn (2013), Allo t'as pas de shampoing, Helene Queen K (2013, script), Not Only The Quake (2013, script), One Day Before Rain (2013), Bullet Campus (2013), Eternal Call (2013, swashy calligraphic font), Kill The Panda (2013, a textured blackletter face), Trash Butterfly (2013, ornamental caps) and In Secret I Love You (2013, hand-printed), A Sweet Melody My Lady (a circular font), Lady Solarus Queen 1789.
His typefaces include Anna Mono (2010, octagonal).
Margaret Nichol Design
FontStructor who made Hightop (2011, a soft fifties style fat face), Ballon-a-gram (2010), Jellyfish (2010, dotted outline face), Stitch (2010), Liquiglyphs (2010, experimental), The Matmos (2010, more stitched letters), Leaflet (2010), Teenage Rebel (2010, dotted), and the constructivist Republik (2010) and Space Race (2010). [Google] [More] ⦿
Graphic designer in Texas. El Lissitsky's Proun series inspired an ornamental caps font in 2012.
Braga, Portugal-based graphic designer who created the free geometric modular typeface Ligne (2012) and the (free) artsy squarish constructivist typeface Higher (2013). These typefaces were deisgned during the studies towards the Master's Degree in Graphic Design and Editorial Projects at the Faculty of Fine Arts, University of Porto.
Mark van Wageningen
Typefaces designed by Sheldon (b. Michigan, 1984) include Slab Sheriff (2009), Western, Kerosene Boxley (2009, a multiline art deco revival of a Solotype font; some say that it is based on a pair of 1972 alphabets by Marcia Loeb called Zig Zag and Rainbow), Kerosene Woodtype (2009), Kerosene Retroface, Kerosene Stereo (2009, revival of an Italian face from 1869), Kerosene Killowatt, White Wolf (2009, condensed horror movie face).
Typefaces designed in 2011: Quimby (Copperplate Gothic style titling face), Black Bear (2011, straight-edged display family), Swifty (2011), Grizzly Bear (a set of 12 constructivist titling faces), Detroit (a modular family for superpositions), Prismatic (another superimposable multi-purpose family), Duotone (2011, Duotone is a layered font system that allows one to title two-tone headlines), Volcano Gothic (+Inline), Volcano Island (jungle look family), Lightyears. [Google] [MyFonts] [More] ⦿
Michael Gene Adkins
Mikus Vanags (b. 1982) is from Riga, Latvia. He designed a 4-style opentype-feature-loaded family called Etno (2010), which has constructivist undertones. He also created a medical icon set for the Hopitaux de Paris in 2010. Aspasia (2010) is an art deco face. Free faces at Dafont include the all-caps no-punctuation faces Liva (2007) and Complexity (2007). The caps-only face Justicia is a contemporary Roman Serif Capitals typeface suited both for editorial and corporate design. It was designed by Mikus Vanags in 2008 for the government and public administration sector and is not publically available. MyFonts foundry page. [Google] [MyFonts] [More] ⦿
Digital photographer in Novi Sad, Serbia, b. 1983. He made LIFAD font Serbia (2010, squarish), LIFAD square Serbia (2010, pixelish), Ich Tu Dir Weh Serbia (2010, pixel face) and Volkerball Serbia (2010, constrctivist). [Google] [More] ⦿
Serbian book illustrator, graphic arts teacher and phototype, woodtype and linocut letter type designer, b. Despotovo, 1931, d. Belgrade, 1999. His sons Rastko and Vukan write about both aspects of his life. His CV: he graduated in 1954 from the Academy of Applied Arts, Belgrade and took his Masters Degree in 1959, under Professor Mihailo S. Petrov. He was professor at the Faculty of Applied Arts, University of Arts, Belgrade from 1964 until 1997. He was Head of the Graphic Department from 1974 to 1975. His publications include Graphic identification 1961-1981 (SKZ, Belgrade, 1982), Graphic communications 1954-1984 (Vajat, Belgrade, 1986), Heraldry 1 (University of Arts, Belgrade, 1983) and Coat-of-Arms of Belgrade, Heraldry 2 (Cicero, Belgrade, 1991). Most of Ćirić's types were for Cyrillic, while some have Latin alphabets as well. Many would be classified today as poster types, type to accompany illustrations. The list of his faces:
ShenZhen/Hong Kong-based photographer, b. 1989, who currently lives in Miami, FL. Alternate URL. Miphol Studio is related to Marica Typographic Design Studio, run by Marica. Creator of the elegant hairline sans family ULT Sans (2007). She says that, inspired by FF Milo and Stainless, it took her over two weeks of straight work just to get the beta out. She also made the squarish stencil face SquareX (2008), the mechanical face Incognita (2008), and the semi-serif face ChanorSans (2008). Her latest: the gorgeous constructivist-marries-didone headline face Modern 9, and Melor (2008, a simple sans family in two styles done for Miphol Studio). [Google] [More] ⦿
More To Come
In 2012, they created Deadman.
UK-based designer. Creator of Ruba (2009-2013, FontStruct), Shanghai (2009), Beijing (2009, rounded octagonal), Beijing Redux, French Electric (2009, a horizontally striped techno face), Team Icaras (2009, futuristic font based on the logo and slogan 'Flying High' for Icaras, a team in the Wipeout series), Intercorp II (2009, techno), Team Feisar (2009-2013, a futuristic font based on the logo and slogan 'The Future Is Euro' for Feisar, a team in the Wipeout series), Team Goteki 45 Font (2009-2013, a futuristic font based on the logo and slogan 'Future Proof' for Goteki 45, a team in the Wipeout series), Xiaku (2009, a techno oriental simulation face), Cutting Edge (2009, poster font), Y.Vlone (2009, techno), Team Qirex (2009, a FontStruct font based on the logo and slogan 'High Speed Revolution' for Qirex, a team in the Wipeout series), and WipeoutHD (2009, techno). Serif Neu (2009) is constructivist. More fonts basded on Wipeout series, all made in 2009, and most but not all based on FontStruct: Team Icaras [also called In Its Right Place, copyright "tople"], Empire, Multiplex, Piranha. Intercorp (2009, +Redux; made with FontStruct) is a futuristic font based in some of The Designer's Republic work. Zeta (2009, FontStruct; +Zeta Redux, 2013) is based on the futuristic logo for Sylva, a fictional company in the Wipeout series. In 2009, he also made a series of blocky fonts such as The Elements Fire, The Elements Water, the Elements Air, and The Elements Earth.
Creations in 2010: Itralia (Lalte, Fitra, Trale: retro, art deco), Alba (angular sans family), Cancranacancarnaca, Intliga family (FontStruct; octagonal), Kiki (geometric family), Chrome (constructivist), Ieil.
Typefaces made in 2012: Arctik (a free sans family in 9 weights).
Typefaces from 2013: Cutting Edge Lightspeed, Cacranacancaraca, Shanghai (techno), Beijing (rounded octagonal face), Beijing Redux, Intercorp Redux (techno), Goteki 45 (octagonal Japo-techno face), Wipeout HD, Wipeout HD Fury (sci-fi, octagonal), Cutting Edge, Qirex, New York.
During his graphic design studies at the University of Huddersfield, UK, Nathan Clark created a typeface called Reflex (2013). It was inspired by Russian constructivism.
Ivan Phillipov (Neogrey, also written as Ivan Filipov) designed the techno faces Research Remix (1993), Neogrey (2004) and Red October (2004, inspired by Soviet poster art; can be used for Cyrillic simulation; followed by Red October Stencil, 2009). Release Yourself (octagonal), Research Remix (rounded octagonal), Arkitech Light, Discophat and Neogrey Medium appeared in 2009. In 2011, he published Artitech Round and Syntha. Neogrey has offices in Plovdiv, Bulgaria and Turkey.
In 2012, the round monoline face Syntha and the techno face Arkitech Medium were published. Multicolore (2012) is a free EPS-format round sans face for coloring (a monochromatic version is free in truetype format).
In 2013, he designed Arkitech Bold.
Nick Curtis: further free faces
This list contains information on Nick Curtis's free faces not discussed or mentioned under other themes. A visual summary of all his free faces: A, B, C, DE, F, G, HIJ, KL, M, NO, P, QR, S, T, UVWXYZ. Generally, Nick Curtis specializes in display type, revivals and interpretations.
no image fonts
Free fonts by Hungarian type and graphic designer Levi Halmos [or: Levente Halmos], made between 1997 and 2001: AlienGhost2, Aliens, Anabolic Spheroid (2001, revived but alas commercialized by Roger S. Nelsson in 2009 as Anabolic Spheroid Pro), Aztec, Baby Universe (2000), Bateman, Bedlam Remix (2001), Bitsumishi (Bitsumishi Pro (2009) appeared at CheapPro Fonts; Bitsumishi Pro v2 followed in 2012), Butch, Byblostie, CHELIVES, Caddy (1996), CelticGaramond, CelticGaramondthe2nd, Chemistry, Coolthreepixels, Crystal Clear, Danube (techno, geometric), DataTransfer, Dredwerkz, ElephantMan, Escape Pod Normal, FUTURE, Faceplant, Finchley (1998), FreakShow, Gagarin (2001, a Cyrillic simulation and constructivist family), GraveDirt, Guevara, Haiku, Helldorado (2001, Western), Hibernate (2000), Iamsimplified, Indochine (2002, oriental letter simulation), IronLeague (2002, a Jonathan Barnbrook style face), Ivanbats, Ivanhoe, KabosGyula, Kalocsai Flowers Pi (2001), Kenzo, KingKikapu, Kozmonauta (2000), Kozmonauta2, Krizia Uomo (1995, art deco; later renamed Krizi Amo Pro in 2011, probably under pressure from Uomo), Leonardo (1996, a constructed face), Lefferts Corner (2001), LicenzPlate, Lousitania (2001, square-serifed), MagyarSerif, MarshGas, MathmosOriginal, Mutter (a stitch font), Niobium [Niobium Pro (2010, with Roger S. Nelsson) is used for signage and wayfinding in the new Mbombela Stadium built for the FIFA World Cup 2010], Nordic (2001; the Pro version appeared in 2010), Nushto (2000), Olympus (Greek simulation face), Peex (dot matrix family), Phatguy, PiratesGold (made commercial in the CheapProFonts collection of Roger S. Nelsson in 2009), Poison Berries (2000), PresidenteTequila (2000), RakettaFromMars (2001, fifties style futurism), Rammstein, RammsteinRemix (2001, constructivist), RedheadGoddess (2000), RedwildoderRotwild, Resurrection, Runningshoe, Sarkozi Line Patterns Pi (2001), Scully (scanbats), ScumoftheEarth (2000), Shazbot, Slither (1998), SmartSexy, SmartandSexy, Snake Venom (2000, Mexican simulation face), SpaceWorm (2000, futuristic), Sporty, Stonebridge, Subatonik, Sulphur (2000, a face influenced by gothic cathedrals), Tank Junior (2001), TerraX, Thrust (2000, Star Trek face), TickyFont, Treasure Island (2001, rounded with a semi-Greek look), TrustThisOne, TwoGunJohann (2000), TypeKnight (2001, with hairline serifs), VicePresidente (2001, Mexican simulation face), VoodooDolls, Voodoo Spirits (2001, wiggly hand), WeepingItalic, WhoulNormal, Zombieball.
Myfonts link. Roger S. Nelsson (Cheapprofonts) and Halmos extended Danube and Celtic Garamond in 2009 as Danube Pro and Celtic Garamond Pro, respectively. Fontspace link. Font Squirrel link. Dafont link.
Novo Typo (was: Atelier van Wageningen)
The display type Stavba (inspired by rodchenko's constructivist lettering) appeared in 1994 as a part of his presentation for his final examination at the Gerrit Rietveld Academie in Amsterdam, and was later renamed Ärst. He continues making display types on his own account. He created the fonts Linotype Cerny (1995, caps only), Linotype Laika and Linotype Sjablony (a roughened stencil font) in 1997.
Fontshop and 2Rebels sell his Gagarin family (2000), which include Anna (constructivist and unicase), Boris, Christa, Dmitri (MICR), Eleno, Fjodor, Gregor, Hektor (stencil), Igor, Youri, Leonora (with Nele Reyniers), Magda (with Nele Reyniers), Ossip and Petrov (LED simulation). As he tells it, four Russians, Gustav Klucis, Vladimir Majakovski, Alexander Rodchenko en Gregory Rasputin each had an affair with Anna Gagarin, and out of all that came forth Boris, Christa, Dimitri, Elena, Fjodor, Gregor, Hektor, Igor, Jouri, Kurt, Leonora, Magda, Nina, Ossip, Petrov, Quirina, Rudolf and Sonia.
Atelier Van Wageningen made the curly face HC type (2010) for packaging.
Typefaces from 2012 include NT Lucien, NT Plakaty (poster font), NT Theo, the NT Gagarin family, NT Zkumavka (rough stencil based on stencils from the 1920s in Russia; first published in 1995-2002 at Two Rebels), NT Cornelia (wood type caps), NT Novo (with Novo Alla, Bila, Cela, Dada, Enno, Fika and Gigo), Louis Douze and Therese Quatorze, Caren (a soft-edged corporate face for a Dutch women's organization, Vrouwen van Nu).
Typefaces from 2013: NT Guru (a layered ornamental type system), Sjiq (with a crazy roofed lower case s), and flower photographic typefaces such as Fall, Lily and Pure. Novo Typo also made several corporate typefaces.
Russian creator (aka A55) at FontStruct in 2009 of Constructivist 1, Index Mono (based on the Russian code grids that was printed on envelopes to standardize the lettering---originally for numbers only), ABC, and Plain Square Mono (+Outline). [Google] [More] ⦿
P22 Type Foundry
Richard Kegler's fun Buffalo-based foundry, which he founded in 1995 together with his wife, Carima El-Behairy. Currently, on staff, we find type designers James Grieshaber and Christina Torre. In 2004, it acquired Lanston Type. P22 has some great unusual, often artsy, fonts.
The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (2003, free), Acropolis Now (1995, a Greek simulation face done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio, Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, P22 Monet Impressionist (1999), Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), FLLWExhibition, FLLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), P22 Woodcut (1996, Richard Kegler: based on the lettering carved out in wood by German expressionists such as Heckel and Kirchner), , Garamouche (2004, +P22 Garamouche Ornaments; all codesigned with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Koch Nueland (2000), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by him as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), Preissig, Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; face by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a free typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre).
In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire).
In-house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé.
At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he will show Making Faces.
This group of Manfred Klein's typefaces draws its inspiration from paintings by Picasso, Miro and others: ArtElements (2007), ModernArtBats (2007), Miros Witches Medium (2006), DadaPeople01 (2006), MouseArt (2006), SurrealismK (2006), OldArtTools (2006), Precassos (2005), Early Surrealism (2005), ArtistsOr (2005), ArtFound (2005), VectorPaintings (2005), ArtDekoParts (2005), ArtistSketches (2005), VasarelyWasHere (2005), Signals, Surrealbats, ArtGoesPixeled, ArteFS, Artefakte, Artests, Artfacts, Artist-Medium, ArtistMedium, Artistiques-Bricks, BulletsMK-Thin, Guernica38Remember, GuernicaMemories, KFirstBricksMirored, KlitschKOtiqua, KlitschKOtiquaRound, KlitschKOtiquaShadow, MankBalloons, MankSans-Medium, MankSans-MediumOblique, MankSans-Oblique, MankSans, MankZieglers, MatisseThree, MatisseTraces, Mirodish (2004), Mirobattz (2005), Mironikas (2006), MontagesSurrealistiques, MouseAsPainter, MouseLearnMiro (2003), PabloInTownA, PabloSansCaps, Pabloesques, PablosChildren, Pointilism-Toolbox, Pointilism, PostConstructivism, PostConstructivismInvers, Postertypes, Romi Petito (2003), RootsOfMatisse, SculpturesMKRL, Sculpturs, SketchesOfSpain, SurReal, TracesOfKandinsky, WacObats, M_ArteFact (2005), MiszellMay (2005), Surrealism (2005), ArtesCocktail (2005), ForgottenArtOne, ForgottenArtTwo (2005), Drawings (2005), FineArts (2005), ArtistsTraces (2005), StillLeben (2005), WhoWasTheArtist (2005), OldArtGallery (2005), Scurile (2005), BlackArt (2006), ScrapArt (2006), Olisillus (2006), MyMaestroMrMiro (2006), CowBats (2006, like Picasso's famous bulls), MatisseTraces2007 (2007), Panique (2007), Sculptures (2007).
The main digital type foundry from Russia. It also develops and distributes font oriented and localization software. Products include FastFont, a simple TrueType builder, ParaNoise, a builder for PostScript fonts with random contours, FontLab, a universal font editor and ScanFont, a font editor with scanning module. Random, customized fonts. Multilingual fonts including, Latin, Cyrillic, Arabic, Greek, Georgian and Hebrew fonts for Macintosh and Windows.
Famous typefaces by Paratype include Academy, Pragmatica, Newton, Courier, Futura, Petersburg, Jakob, Kuenstler 480, ITC Studio Script, ITC Zapf Chancery, Amore CTT (2004, Fridman), Karolla, Inform, Hafiz (Arabic), Kolheti (Georgian), Benzion (Hebrew).
The PT Sans, PT Serif and PT Mono families (2009-2012) are free. PT stands for Public Type. Another download site. PT Sans, for example, consists of PTSans-Bold, PTSans-BoldItalic, PTSans-Caption, PTSans-CaptionBold, PTSans-Italic, PTSans-Narrow, PTSans-NarrowBold, PTSans-Regular.
Type designers include Vladimir Yefimov, Tagir Safayev, Lyubov Kuznetsova, Manvel Schmavonyan and Alexander Tarbeev.
The history of the foundry as told by MyFonts: ParaType was established as a font department of ParaGraph International in 1989 in Moscow, Russia. At that time in the Soviet Union all typeface development was concentrated in one rather small group which belonged to a state research institute, Polygraphmash. It had the most complete and in fact the only one collection of Cyrillic typefaces. The collection included revivals of Cyrillic typefaces developed by Berthold and Lehmann type foundries established at the end of 19th century in St. Petersburg and artworks of Vadim Lazurski, Galina Bannikova, Nikolay Kudryashov and other masters of type and graphic design of Soviet time. ParaType became the first privately-owned type foundry in many years. A license agreement with Polygraphmash allows ParaType to manufacture and distribute their typefaces. Most of Polygraphmash staff designers soon moved to ParaType. In the beginning of 1998 ParaType was separated from the parent company and established two companies: ParaType Inc. in California and ParaType, Ltd. in Russia that inherited typefaces and font software from ParaGraph. Both companies are directed by Emil Yakupov, former head of the font department of ParaGraph. The main directions of ParaType design are: i) new original typefaces for the Russian design and publishing community; ii) revivals of historical Russian typefaces; iii) Cyrillic extensions of the best of Latin typefaces. They continue with this description of the 370+ library: The Russian constructivist and avant garde movements of the early 20th century inspired many ParaType typefaces, including Rodchenko, Quadrat Grotesk, Ariergard, Unovis, Tauern, Dublon and Stroganov. The ParaType library also includes many excellent book and newspaper typefaces such as Octava, Lazurski, Bannikova, Neva or Petersburg. On the other hand, if you need a pretty face to knock your clients dead, meet the ParaType girls: Tatiana, Betina, Hortensia, Irina, Liana, Nataliscript, Nina, Olga and Vesna (also check Zhikharev who is not a girl but still very pretty). ParaType also excels in adding Cyrillic characters to existing Latin typefaces -- if your company is ever going to do business with Eastern Europe, you should make them part of your corporate identity! ParaType created CE and Cyrillic versions of popular typefaces licensed from other foundries, including Bell Gothic, Caslon, English 157, Futura, Original Garamond, Gothic 725, Humanist 531, Kis, Raleigh, and Zapf Elliptical 711.
Finally, ParaType offers a handwriting font service out of its office in Saratoga, CA: 120 dollars a shot.
Parkinson Type Design
Jim Parkinson's Parkinson Type Design is based in Oakland, CA. This prolific type designer was born in 1941 in Richmond, CA, and lives in Oakland, CA. Originally, he was a letterer, but he went digital in 1990. His Keester and Azuza typefaces won awards at the TDC2 Type Directors Club's Type Design Competition 2002. MyFonts on Jim Parkinson and on his Parkinson Foundry. His impressive output:
Artistic director who runs Polmo Corp in Paris. Creator of these typefaces: Polmo Corp (Bold Serif, Regular Sans Serif), My Handwriting (Regular, Alternate), Thin Square, Round Square, Black Dog (blackletter), MyPixel, Propaganda (constructivist), Room 314 (lava lamp font), Deco, XTrem (trekkie font), The First One, Circuit.
Spanish creator (b. 1993) of the octagonal/pixel fonts Limh and Limh II (2009, FontStruct), GameOver (2009), Greek (2009, octagonal Greek simulation face, FontStruct) and 1896 (2009, constructivist). Aka Fodkito, he lives in Córdoba.
A small very selective but interesting archive. It has SPADORE by Sebastian Boschert (1998, a Novella lookalike), PS Bluegum Forest by Tris Nguyen for Postsadness, 1998: better than Burton's Nightmare, and very close to Solotype's Glorietta), Mayonaise by ¡eM pleH (1998), InfiniteDingbats by Shaun Kardinal (1998), SantasSleigh (a Novella lookalike), and Mayonaise (1998) and Mayo (1998) by ¡eM pleH (1998). Smashing Pumpkins fonts are archived here as well: pick up Graceful Swans by Shaun Kardinal, based on Constructivist from P22, Bank Gothic, BatmanForever, Intimacy, Graphis, LatinExtraCondensed, ElectraCondensed (a Font Bureau Romeo Medium Condensed lookalike also known as FZ Basic---of course, Electra itself is Winkow's original on which Romeo was based), Tonite (Cochin Italic lookalike), Infinit Dingbats (1998) and VI University. [Google] [More] ⦿
Graduate of the University of Tennessee at Knoxville. Alternate URL. Patric started Pretty in Chicago together with Su and Milan. The Pretty fonts sold via MyFonts: Nineteen Eighty Four (2005), Revenant (1995, a redesign of Bad Excuse), Commodity (2003, Thirstype: ten geometric styles), Gia (2007, 5 styles based on the NASA logo font), Automaton (2009, techno).
Patric King also designed Fast Girls (1995), Bad Excuse (1995), Gla, Smile (all available through Thirstype), and the private fonts Blechstreet, Untitled Script, 1984 (2005, constructivist, but also related to the German New Wave), 1985, 1997, Gia (at Thirstype), Atari Baby, Flex, Phoebe, Untitled, DAT, Flourish, Scribner (handwriting), food, Apocalipstick, Superwardudes, Twiggies, Handjob, Smile, Royal street (2013, grotesque).
Born in Edmonton in 1957, David Vereschagin set up Quadrat Communications in Toronto (Quadrat Communications, 18 Grenville Street, Suite 1501, Toronto, Ontario, Canada M4Y 3B3). A graphic designer by profession, he has made a number of carefully crafted font families such as Spike, Ratcaps (free keycaps sample font available), MyAuntCelia, Farquharson, Clear Prairie Ornaments (1992), Clear Prairie Dawn. A free copy of Farquhason is here.
At MyFonts, one can buy Clear Prairie Dawn (Optima-like), Clear Prairie Ornaments, Farquharson (like wood type), My Aunt Celia, Ratcaps, Ratkeys, Spike, Toronto Subway (2004: based on the lettering originally used for station identification and signage in the Toronto subway system, which first opened to the public in 1954. Developed from rubbings of the lettering on station walls and photographs of painted signage.) In 2008, he designed the cool constructivist poster family Kubrick, about the same time as Iconian Fonts' Kubrick family---I hope that they can settle the naming fight amicably. [Google] [MyFonts] [More] ⦿
Designer (b. 1991) of Metropolana (2011) who lives in Tampico, Mexico. This ultra-condensed font was modeled after the 1926 movie Metropolis. He also made a typeface after the Canon logo, called Canon (2011). Roja (2011) is pure constructivism. Nuevo Vago (2011) is handprinted.
Research Studios (was: Research Arts UK)
Neville Brody (b. 1957, North London) is a famous graphic designer who has influenced the practice of design in the 1990s. Iconic posters by him include the Tyson vs Tubs Tokyo poster from 1988. Check also Pat Tmhu's Brody-style Weather Forecast poster (2012). Other people working on Brody's site include Mike Williams and Simon Staines.
Home of all FUSE fonts. Direct access. He did the following FUSE fonts: in FUSE 1, he started with the experimental font State; in FUSE 5, he published Virtual; at FUSE 6, he published Code; at FUSE 7, he drew Crash (Regular and Cameo); in FUSE 8, he showed us Religion (Order, Obidience, Loss of Faith); at FUSE 9, he did F-AutoSuggestion (1994); in FUSE 11, he published Peep, a font only showing parts of letters; in FUSE 13, Ritual, in FUSE 14, CyberStatic, in FUSE 15, F-City Avenue (1997), in FUSE 16, GeneticsSecond Generation, in FUSE 17, Echo Downloaded, Page Three, in FUSE 18, Lies.
Born in 1957 in London, his fonts include FF Autotrace (1994, a sans family progressively distorted by Fontographer's autotrace feature), F Cyber Static (1997, letters based on layered sequences of halftone dots), Arcadia (1990), Industria (1990, readapted in 2012 by Yautja into the free font Instrumenta), Insignia (1990), Blur (1991; FF Blur is from 1992; see poster by Dario Dezfuli Rello), FF Pop (1991, a rectagular font originally made for a German music TV program), FF Dirty (1994), Gothic (1991), Harlem (1991).
In 1993, Neville Brody published the poster font family FF World (FontFont), which used his lettering from his Tyson versus Tubbs Tokyo match poster (1988). This became a free web font in 2010 over at FontFont under the name FF World Wide Web.
In 2006, Neville Brody published Times Modern, designed for The Times. The press release states: The new typeface, called "Times Modern", encapsulates the paper's heritage while adapting to the demands of the new compact format. Like The Times' previous typeface, Times Classic, Times Modern has been designed as a bespoke type family. The Times is the only newspaper to create and use bespoke fonts, all other UK newspapers purchase ready-to-use fonts. The project has been led by Ben Preston, Deputy Editor of The Times, in partnership with Neville Brody, formerly art director of The Face, and lead designer on Actuel, City Limits and Arena magazines. Brody also worked on the redesign of Times2 in 2005. Collaborating with Neville is lead designer Jon Hill supported by Research Studios' Luke Prowse. Jon has worked on many large editorial projects, including the design of supplements for The Guardian, the redesign of Swiss newspaper Le Temps and UK business-to-business magazine Media Week. Twenty-three year old Prowse has created the new Times Modern headline font for the newspaper. That press release has been blasted by the typophiles for being plainly wrong ("The Times is the only newspaper to create and use bespoke fonts, all other UK newspapers purchase ready-to-use fonts." What, and how about The Guardian, for example?) and disrespectful of its designers (you really have to dig through it to learn that Luke Prowse actually did the type work).
And controversy keeps following Neville Brody: in 2009, New Deal, a constructivist typeface, was made for the Micheal Mann film "Public Enemies", starring Johnny Depp and Christian Bale. The bloggers comment that the type is "rubbish" (sic), and that others such as Chank beat him to this type style.
Richard Diaz Granados
Indonesian designer in Bogor, b. 1983. Creator of the squarish caps face Budaya (2012), the angular Banzai (2012), the angular caps typeface Beungeut Sia (2012) and the constructivist Marshal Risk (2012). [Google] [More] ⦿
Graphic designer in Plymouth, UK, where he studies at Plymouth University. He created the constructivist face Bukuju RW (2011), which was influenced by the Imperial Villa in Katsura, Japan.
The Russian constructivists of the 1920s and 1930s include Alexander Rodchenko, Varvara Stepanova, Vladimir and George Stenberg and Gustav Klutsis. Their lettering is always geometrical. A typical Cyrillic family of faces was recreated by Tagir Safayev at ParaType in 1996-2002, called PT Rodchenko. [Google] [More] ⦿
Designer of the multiline labyrinth-look faces Maze, Maze Black, Maze Illegible and Maze Fat (2008, FontStruct) and of the strange Leberkase (2008, FontStruct). Add to that list Myrdle and Myrdle Condensed, constructivist faces. [Google] [More] ⦿
Scott Beaty is a Toronto-based writer and graphic designer. Creator of Wolfkitten Grotesk (2013), which was inspired by the roughhewn letterforms found on constructivist poster art of the early 20th century.. [Google] [More] ⦿
FontStructor (aka Zarvon) who made the octagonal faces Raven Sans, Raven Bold and Raven Slab, the slab face Berthald (inspired by Berthold City), the pixel face Sciptal Pixel, the squarish face Quizzical Pitch (2011), the constructivist Ascention (+Pixel), Neoletter (2011, tattoo face), and the round squarish face The Great Mutato, all done in 2011, mostly using FontStruct.
Scriptorium (Ragnarok Press, Fontcraft)
Dave Nalle was born in Beirut in 1959, but lives and works in Texas. He is currently in Manor, TX. From his wiki page: Dave Nalle is a political writer, game author and font designer who was active in the early history of the development of the internet. He is Chairman of the Republican Liberty Caucus, a group that promotes libertarianism within the Republican Party and is Senior Politics Editor at Blogcritics online magazine and is the CEO of Scriptorium Fonts. A creative and prolific designer, he has made hundreds of beautiful (often historic) fonts. His outfit, Scriptorium (based near Austin, TX, est. 1989), also does custom font and logo design. At some points, Scriptorium was also known as Ragnarok Press and Fontcraft. It specializes in artsy and ancient faces. Some subset of the fonts is made by Michael Scarpitti. Free font demos.
Images of his best selling fonts. Special subpages:
Fonts from 2013: Original Django (after the titling font in Quentin Tarantino's movie Django Unchained).
Russian designer of the Cyrillic/Latin version of Galaxy (a font originally done by Fontalicious), Agitprop (1998-2000, originally from ICG: Latin and Cyrillic constructivist typeface), Prospect (original by ShyWedge), and the Cyrillic/Latin fonts CheapPizza and Macaroni (2000).
Graphic designer in Brisbane, Australia, who completed a Bachelor of Design with a major in Visual Communication Design at the Griffith University Queensland College of Art. She made the Hairy Scary Font (2010). At MyFonts she published the constructivist face Gustov in 2011.
Free font outfit by Bob Wertz that started production in 2009, mostly based on FontStruct: Micro 205 (dot matrix typeface), Scoreboard (athletic lettering), Valdes Poster Sans (2009, a casual hand-printed bold sans done in cooperation with Zoo Valdes), Aiken (art deco done at FontStruct), CerealBox (+Fill), Technobabble, Transmission (+Bold; FontStruct), Psuedoscript (2010, upright connected angular script), Powergrid (constructivist, FontStruct), Substation (constructivist, FontStruct), Dradis (FontStruct, kitchen tile face), Woodrow (FontStruct, octagonal; +Light), Infield (FontStruct), Grande (fat piano key font, FontStruct), Big Thursday (Wild West face, FontStruct), Dingbots and Monsters (pixel dingbat face, FontStruct), Foxtrot Sierra (maritime flags), Cerealbox (+Fill).
Powerlane (2012), his first commercial typeface, is an octagonal constructivist typeface family.
He writes about himself: Bob Wertz is a graphic designer and art director living in Columbia, SC. In addition to working as designer, Bob has been an adjunct professor at the University of South Carolina. He was a founding member of the AIGA South Carolina board, serving as vice president for two years and then as president for two years.
In 2013, he codesigned the grungy tpeface Valdes Clarendon with Marius Valdes.
FontStructor who made Tigre (2010: pure constructivism), and Willow (2010).
Bulgarian illustrator and digital artist in Varna who made the jazz room face Comans (2010, aka Komans). Other typefaces include Road (2010, constructivist), Soryanna (2010, rounded geometric avant garde monoline sans), and Debat (2010, constructivist), Abula (2010, a modular techno face). [Google] [More] ⦿
Aka Stewf. Creator of the Mac version of "Monica", Andy Crewdson's digitization of Monica Lewinsky's handwriting (in notes she wrote for Bill Clinton). He also made Eerostyle (2008) with FontStruct, a parody of Eurostyle. Other fonts there include Pebble Soft, Pebble, Morricone (Far West spoof), Leaflet Gap (kitchen tile), Varsity (athletic lettering), MinimalBloc Gap (kitchen tile), WPA Gothic and WPA Gothic Deco (poster typefaces inspired by posters produced in the 1930s by FDR's WPA (Works Progress Administration) such as this one; similar poster types would include Futura Display, Tourist Gothic, FF Moderne Gothics, Refrigerator, and MVB Solano Gothic), Leaflet Wide Stem, Leaflet Stem and Leaflet. Links to his fonts there: eerostyle, leaflet, leaflet_gap, minimalbloc_gap, morricone, pebble_1, pebble_soft, varsity.
Stephen was a Utah-based graphic designer who used to design layouts for the USLC Chronicle. A typeface identifier with an encyclopedic mind, he runs the successful and lively type blog Typographica with Joshua Lurie-Terrell, Matthew Bardram and Patric King. He was Type Director at FontShop San Francisco from 2004-2010. Stephen is now a writer and typographic consultant, doing work for a variety of foundries and design studios.
Author of The Anatomy of Type: A Graphic Guide to 100 Typefaces (2012, Harper Design) and The Geometry of Type: The Anatomy of 100 Essential Typefaces (2013, Thames & Hudson, UK). Amazon link. [Google] [MyFonts] [More] ⦿
Stereo Type Haus
Stereo Type Haus (or STH) is a commercial foundry in Brooklyn, NY, est. 2000, offering fonts by Rick D. Granados ((b. Miami, FL, 1970): Bucks (graffiti font), Bushwick (handwriting), Ballbuster, Bedford (2010, an award-quality dot matrix family inspired by mosaic lettering by Heins&LaFarge, architects of the IRT (Interborough Rapid Transit) in New York City: Bedford hints at the station names on platform walls which date back to 1904 but modernize it through a rigid grid system and rounded corners), Bockhold (2010, a humanistic take on DIN), Broadcast (neat stencil face), Konstrukt (stencil), Construkt (2009, a unicase stencil), Falcon, Gran Torino, Roller Girl, Opera (2005, with Ros Knopov), Prisma 2012 (2010, an octagonal multiline face), Radiac (2010, a monoline squarish unicase face), Rukbat, Stylus, Schmearox, Tech Stencil (2000), Noise&Hum, STH Sirena (2006, inspired by hand-painted signage found in "Little Haiti" Miami, Florida), Boris Dworschak (Partisan East, Partisan West, Basic, Gaijin. Other designers include Nikola Djurek (Cornerset (pixel), Aiseman), Luis Valle&R.D. Granados (Lillian, a script face), Arnold Steiner (Statica, Organic Mechanic), Michael Clarke (Paris), Carlos Alfonso (Locut, 2Bit), Denise Wilton (Stereobitz, a stereo dingbat face), Nikola Djurek (Tribeca, Magasine, Soho, Novella) and unnamed author fonts such as Palleta, Rook, STH Kit 1, Stereobytes (audio dingbats), Stereobytes Vintage (hi-fi dings), Nomad (a deconstructivist stencil face).
StockBucket was founded in May of 2004 by graphic designers David Phillips and Traci Daberko in Seattle, WA. David Phillip had earler run Radar Design (est. 1995), also in Seattle. One can purchase these creations at MyFonts: B-52 (Italic, Regular, Shadow), Bamboo, Konstruct (2002, Bold, Alternate, Outline, Regular, Shadow, square, Thin), KutOut, Massi, Princess, Sunset, RV Park (Western), Stock Stuff (dingbats). These are mostly display faces.
David Phillips made B-52 (2001, octagonal face inspired by the lettering used on the vehicles of the U.S. military; also, athletic lettering), Bamboo, Konstruct, KutOut (a cut out face, dadaist satyle), Massi, Stock Stuff, Tony's Trees (2003, after a dadaist poster style pioneered by Saul Bass).
Traci Daberko made Sunset, RV Park and Princess.
Senior designer in Banagalore. Creator of the Latin / Cyrillic constructivist typeface Privet (2013). Other fonts by her include Earth Song (2013, a recycling-themed typeface) and Multiplicity (2013, a counterless geometric sans), both done for a commercial project. [Google] [More] ⦿
Type designer at Frank Adebiaye's Velvetyne Type Foundry in France, which is committed to the Open Source movement---all fonts are free. He created Metamorphosis (2011) and Distrikt (2011, a constructivist face). [Google] [More] ⦿
In 2012, he designed these typefaces: Kinghorn 205 (Egyptian), Kinghorn 105, Kamerik105, Kamerik205 (an avant garde type family with many weights, including a hairline), Karben, KarbenMono (a mono-width sans family in the style of DIN), Karben 205 Mono, Karben 205, Karben 105, Karben 105 Mono, Kessel105, Kessel205 (a geometric sans family influenced by Futura), Kettering105, Kettering205 (a slabby almost typewriter typeface influenced by Lubalin and similar avant garde styles), Kiruna (a legible and very open sans family), Kursk105, Kursk205 (constructivist), Kaleko 105 and 205 (Giull Sans-style sans families with large x-heights).
The Fontry is a Watts, OK, based outfit, est. 1992 by Michael Gene Adkins (b. 1965, OK) and James L. Stirling (b. 1964, OK): Digital type for computer-aided signmaking, with fonts designed for signmakers by signmakers.
Since 2009, they have been producing various digitizations of alphabets designed by Alf R. Becker in the 1930s and 1940s. Gene Adkins designed (2013, didone), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), ARB-70 (1995), ARB-67 (1998), ARB-66 Neon (2010, +Block, +Line), ARB-44 (1995), ARB-96 Jitter Display DEC-39 (1999), SCRIPT1 ARB-85 Poster Script Normal (2000), ARB-66 Neonline Block, ARB114 Hillbilly Roman JUN-41 Normal (1999), ARB-187 Moderne Caps AUG-47 CAS family (2009, a beautiful didone display face), the ARB 08 Extreme Roman AUG-32 CAS family (2009), ARB-218 Big Blunt (2010), ARB-218 Neon Blunt.
Another product is the Wild Bunch Pak #3: Danthr Skal, Kastaka, Gas Bumps, Skrawl 613, Sharrpe Gothik, Levo Fraz, Kommerce, Stellar Spice, Infected Hurt.
Wild Bunch Pak #2 (50 USD) has Marbles&Strings, Keetoowah, Peppermint, Ghixm (2008: a retrospective of the horror comics and movie posters of the 1960s and the 1970s), Klash, all outline fonts. In Wild Bunch Pak #1, look for Toxia. Race Pak #1 contains 5 chiseled fonts, including ARB67, Brannt Chiseled, Excursions, JLS Ultra, and Race Checkers. 50 USD. There are also Greek Pak #1 (12 Greek fonts for 25 USD, including GRK Orbit, GRK Universe City, GRK Albert, and GREK Bodnaut) and Signfaces Narrow Pak #1. At Garagefonts, Wild Larra, Wild Ruts, Wild Toxia, Wild Nobody families (1999).
MyFonts sells FTY Garishing Worse (2011---there is a free version at Dafont), SCRIPT1 Team (2010), SCRIPT1 Toon (2010), SCRIPT1 Voodoo Script (1999-2009, signage script), What Sound Pounds (2009), WILD3InfectedHurtNormal (2010), WILD1 Firstvision (1997), WILD1 Larra (1997, grunge), WILD1 Nobod (1997, grunge), WILD1 Ruts (1997), WILD1 Toxia (1997) and the blackletter faces Ironhorse and Ironrider (2007), revivals of classic wood type faces. FontShop link.
In 2008, The Fontry published the Greek Font Set, Copper Penny DTP (after Copperplate Gothic, but with lower case included), Droeming (an eerie family) and Earth A.D. (more eerie stuff, metallic, and with sharp serifs). It then generated a break-away subfoundry that carries fonts solely designed by James Stirling, Fontry West. Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, Greek Font Sets 1 and 2 (not Greek, only Geek-ish, made for fraternity use), and a large Comic Fanboy set which includes glyphs painted with stars and stripes (CFB1 American Patriot, CFB1 Captain Narrow, CFB1 Shielded Avenger, all made by Adkins). The CFB1AmericanPatriot family (2009), and the SCRIPT1 Rager Hevvy family (2009) are free here. JLS Overkill (2009, Bloque, Stencil, Grunge, Champion [athletic lettering], Hammer) is a sturdy family covering everything from SUV-strength stencils to grunge stencils and macho slab serif headline faces. After Disaster (2008), FHA Eccentric French Normal (2008, wood type after an alphabet created by Frank H. Atkinson in 1908), WHATSOUNDPOUNDS?Normal (2009) are free at Dafont. Sinder (2010) is a grunge face. FTY Konkrete (2010) is constructivist, and has a beveled weight. FTY Strategycide (2010) is a similar severe headline sans family. Sinder (2010) and Demon Sker (2011) are free grunge faces. American Purpose (2011) is a grotesk family. American Purpose Casual and American Purpose Stripe (2011) are follow-ups. Garishing Worse (2011) is a casual bold face. Sharpe Gothik (2011) is hand-drawn. American Captain (2011, a manly retro squarish propaganda headline face; see also American Captain Patrius 02 FRE). Deathe Maach (2012) is a sturdy 6-style display family. Avengeance (2012) is a techno typeface. FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) and FHA Nicholson French (2012, art nouveau) are based on Frank H. Atkinson's examples.
Typefaces from 2013: FHA Broken Gothic (a layered chiseled family done with James Stirling, based on Broken Poster by Frank H. Atkinson), FTY SKRADJHUWN (a flared family), Iron Man of War (with layering effects, +001Rivet), Iron Man of War 2 NCV, RACE1 Brannt (prismatic, beveled, art deco), FTY Skorzhen (mini-spurred), FTY Speedy Casual, FTY Skradjhuwn NCV (comic book family).
The Fragile Machine
The Living End
Free fonts made by Huntington Beach, CA-based Lauren Ashpole (b. 1982, Corpus Christi, TX): Kremlinology (2012, constructivist), Bikes (2011, bike dingbats), Forgotten Playbill (2011), Sewing Patterns (2010, silhouette dingbats), Sewing Patterns 2 (2012), OrigamiBats (2010), Thirty-Nine Smooth (1997), A T&Love (1998, curly hand), Publicité d'Epoque (dot matrix face), Candy Randy (1998, party font), Horseshoes&Lemonade (1998, 2009: white on black letters), Horseshoes, Paper Hearts (2001), Scooby Doo (1998), Hecubus (1997, handprinted), Starry Night (1998, 2009), Boo Boo Kitty (1997-1999), Scooby Doo (handprinted), and Southbats (1998, dingbats of heads). Her font 39smooth (1997) can be found here.
In 2011, she went commercial at MyFonts as Lauren Ashpole Foundry, located in Brooklyn, NY. Her fonts there include Starry Night (1998), Sewing Patterns (2010, silhouettes of women), Sewing Patterns 2 (2012), Origami Bats (2010), Horseshoes And Lemonade (1998), Forgotten Playbill (2011), Bikes (2011, dingbats), Paper Hearts (2012, a Valentine's Day font), and Candy Randy (1998).
Budapest-based creator (aka Frodo 7) in 2009 at FontStruct of FontMoot 01 (pixel face), Brego, Magor (minimalist), Andromeda Strain, Elrond (Tengwar font), Oil Stencil, Optill 2A and 2B and 3A and 3B (optical illusion fonts), Rivendell (Celtic weaving), Cubeology (patterned cubes), The Two Towers, Mike Wazowski (emoticon face), Edoras Stencil, Elessar, Earendil, LE Meta (dot matrix), Coccinella (dot matrix), +Two, +TwoB, Picosec, Picosec Rounded (ultra fat retro), Palindrome, Valimar, Fundin Eco, Fundin Regular, Lost Entropy (series of rectangular fonts), Bombs and Men (2009, modular and blocky), Eärendil, Chromosomes, Denethor-Sans (octagonal), Edoras-, Elspeth-, Elspeth-Grey, FontMoot-01 (pixel face), French-Defence-v2 (chess font), French-Defence (chess font), Gilgalad-v2, Gilgalad (octagonal), Hommage-a-Escher-LC1, Hommage-a-Escher-LC2, Legolas-Codex-Stencil, Legolas-Codex (blackletter family), Legolas-Stencil (+v2; art nouveau style), Mirkwood-Regular and Mirkwood Outline (pixel faces), Nimrodel-FS, Faramir (gridded), Faramir Black (octagonal, mechanical), Elessar, Vertebrae, Etudes Pour Noir et Blanc (01, 02, 02 Vertebrae), Eomer FS, Karyotype (horizontal stripes), Snooker Ball, Aragorn, Mirkwood Nano (pixel face), Mirkwood Second Iteration, Mirkwood First Iteration, Haldir (pixel face).
Creations in 2010: Hasta Siempre (military stencil), Hasta Siempre Supplement (Fontstruct rendering of the iconic photograph of Che Guevara by Alberto Korda), Belfalas, Fractal Font, Sierpinski White, Sierpinski Black, Sierpinski Dalmatian, Remolino Stencil, Boikot Stencil, Legolas Pixel, Brego, Vortices (dings), Gamling, Coccinella Two (+B), Cyrillic 02, Waves, Hommage à Escher v2 extLat.
Creations in 2011: Midori Dot (2011, a dotted kana face), Sierpinski Black Initials (a stunning decorative caps face based on Sierpinski triangles), Fontstructivism (constructivist Latin/Cyrillic face), Sierpinski White Initials, Vasarely Squares (experimental---letters based on Victor Vasarely's work), Hurin (counterless, created after Nagasaki by Tom Muller), Strider (an optical illusion 3d multilined face), Dot Dot White (texture face), Dot Dot Black (texture face), Garamond Italic SP (a pixelized version of Garamond Italic), Rohan (+NE01, +NE03: a textured lined 3d logotype family, +NE04, +NE10), Gray Scale (a very interesting texture experiment in which gray scales are "simulated" by simple font mechanisms).
Typefaces frm 2013: the Voxelstorm family (3d, Escher-style), Elendil (3d face), Denethor Sans (strong mechanical sans), Magor (De Stijl typeface), Mirkwood Nano (pixel face), Waves (op art). [Google] [More] ⦿
Tobias Sommer ("Shasta") is the Geneva, Switzerland-based designer (b. 1986) at FontStruct in 2008 of Great Depression (influenced by headline fonts from 1929), Brutto (headline slab serif), Lame Dude (dripping paint), Toytype (an interesting Indic simulation face based on an earlier block font by him called Block On), Teatral and Teatral Fill (gorgeous Western circus style decorative faces), Fickle Mickle, Hard Light (shadow face), Tangram, Tangram Grid, Tangram Grid Rounded (kitchen tile), and Tangram Rounded (octagonal/kitchen tile). In 2009, he added Stylita, Vasyugan, Block On, Cupra, Disparador (mechanical octagonal: +Stencil, +Filled), Exempla Slab Serif, Exempla Sans (Strict, Medium, Ultra Light, Stencil: octagonal family), Stitched Outline, Escheresk (impossible outlines), Capitalia (+Rounded), Vjatka (constructivist), Punched Out (+Fill: pixelish), Cupra.
Additions in 2010: Punchline Filled (athletic lettering), High Voltage, Punchline (ultra heavy octagonal slab; +Filled), Nicotiana (slab serif), Exempla Slab Medium, Punched Out, Exempla Sans Medium (fat octagonal0, Pixel Pandemonium, Tradita, Frostletter (blackletter), Scrambled Script (blackletter), Circle Cult (circle-themed sans).
Typefaces made in 2012: Apodosa (octagonal).
Designer (b. 1972) of Minnesota Winter (2013, blackletter), Screen Door (2013, textured typeface), White Vinegar (2013, a Tuscan wood type revival), Return To Sender (2011, sketched face), 1873 Winchester (2011), Psychotic Robots (2010, exaggerated constructivist face), Tuscan Flies (2010), Whiskey Town (2008, +Buzzed, +Sober, +Drunk, a Western family), free at Dafont. Honest Merchant (2010) is a condensed wood type face based on an early 20th century sample. Tom lives in Le Sueur, Minnesota. [Google] [More] ⦿
Typographic posters from the collection of the National Museum in Poznan, at the Miejska Galeria Sztuki in Lodz, Poland. Featuring type-based posters of five designers, Philippe Apeloig, Takenobu Igarashi, Tadeusz Piechura, Taku Satoh, and Ruedi Wyss. Especially the work of Taku Satoh from the early nineties (neo-ornamentalism) is quite impressive. Letters are constructively worked into futuristic designs and ads. [Google] [More] ⦿
Manfred Klein's typefaces from 2004: Bauernschrift (the original Bauernschrift, published in 1911 by Bauersche Gießerei, had a Jugendstil form and a classical gothic form), ArthritishSpringtime, Declared, DigitsCarpet, FraktKonstruct, GalleriaGeometricaA, GalleriaGeometricaB, Logotrainer, MKLatin-Bold, MKLatin-BoldOblique, MKLatinLight, MkLatinLight-Oblique, OldiesButGoodies, RomaMonumentalBC, SportSatyre-Medium, Uncitronica-Medium, Nasenbear, CircusEarth, FolksXXHeavy, PoliticiansWorking, AlkoInitialsFramed, AlkoInitials, CutAwayOne, FragmentBO4, FragmentF, LetterSoupMainz, MKaos-Regular, Menschenskinder, RodGauApesInitials, StoneCapsIngrid, TangramBlack, TangramWhiteBlack, TixBats, TypoApish, Ubahn-Light, Ubahn, UltraCondensedSansSerif, WalbaumTorsoThree-Regular, ArrowFaces, Associations, AssociationsBirds, DotCapsMK, FrakturaFonteria, GuernicaMemories, MultiCapsOne, MultiCapsTwo, Schwabach, SketchesOfSpain, DotsCapsTwo, KleerikaleConBlack, ManiaK, MonksWriting, MonospaceTypewriter, PablosChildren, RuebenNosesFour, SometimesSmiley, TherapeuticApplications, TraditionellSans-Bold, TraditionellSans-Normal, VForVictory, EuroGyptians, Fabeltiere04, GiambattistaDueMille-Oblique, GiambattistaDueMille, KlillLightCondensed, PhonebookFont, PreColumbus, StrokeBorn-Bold, StrokeBorn, TracesOfKandinsky, Amputation, EarthquakeTypewriter, HandwrittenSlim, MyPrivateZoo, PotatoMonsters, RoundOpArt, Sansumi-DemiBold, Sansumi-Regular, Sansumi-UltraLight, Santana-Black, Santana-BlackCondensed, Santana-Bold, Santana-RegularCondensed, Santana, SantanaXtraCondensed, WacObats, Warlord, AfterAtomWar, AnAlphaBetIsmXtreme, AnalphabetismBats, Eulenspiegel, FlyingWomen, FraktalConPablos, KleinsTypen, Napoleodoni, BackgroundBricks, Decreations, Faustant, Faustitalic, GeoGraphics, GuantanamoHumanism, LipoDVectorized, MKritzeleien, Napoleodoni-Bold, ReadingRailroad3D, ReadingRailroad, SchoenspergerCaps, StageGlyphs, StageGlyphsTwo, CarneVale, Cock-Bold, Cock-Italic, Cock (high ascender face), FranklySpokenTwo, GenManipulated, GenManipulatedRounded, KarlasAndManfreds, Lipsiantiqua-Regular, PostConstructivism, PostConstructivismInvers, SketchedCassiusBroken, SpaceGarbage, WinterCoat, Artistiques-Bricks, DoubleBrokenTextura, GoetheGothic, GoetheGothicBold, GoetheGothicOblique, PabloSansCaps, PreRomanCaps, RodgauHeads, ScribblesCalligraphique, SomeParts, SomePartsAlphabet, WomanWithDoveTwo, WritersFont, Russian, SpikyBrush, TechnoMK, Bastarda-K, LuFraktorso, OldGreekButtons, SchwabachScribbles, ToscanButtons, TrajanusBricks, Couples, LookForLeonardo, Morphes, NanaBallett, Rocky, BeastlyBats, ChildrenSketchings, CloseUp, IdenOfMarch, OrnaRosettes, StrangePeople, SurReal, TrajanSmallCaps, Aprilapril, Confuseyecons, Cucumbers, DuererUnd, Exhumations, MankBalloons, MankZieglers, OptimusPrinceps, OptimusPrincepsSemiBold (roman Trajan style), SlabRomana-Bold, SlabRomana-BoldOblique, SlabRomana-Oblique, SlabRomana, CapsRandomish, CapsRandomishBricks, CondensansPaneurope-Medium, CondensansPaneurope-MediumOblique, CondensansPaneurope-Oblique, CondensansPaneurope, HansSchoenspergerRandomish, HelloSirPeter, MankSans-Medium, MankSans-MediumOblique, MankSans-Oblique, MankSans, StencilBricksMK, StencilBricksRandom, AfriquArtes, EggsOne, EggsTwo, EggsnPills, FaceToFace, KarlasWelt, LookBrokenTypes, Schablonski-LessFat, Schablonski (stencil), BlaxxOnGrid, DancingVampyrish, EmkaSansCondensed-Bold, EmkaSansCondensed, Othermil, OwlsNOtherWitches, PrisonBricks, Renaiss-Italic, Runners, VignettSketches, AbsoluteImprovisations, Aparta, BlackLiving, Blowing, BullerBuPapercut-BoldOblique, BullerBuPapercut, CryArgentina, EnFace, EyeBeings, KidsPhantasies, Klats, Linearus, LinearusCentSix, Monofred-UltraLight, Pabloesques, Planless-Bold, Planless, ScribbleDichFrei, SilhouettesAnimalish, Spontifex, Spontifex, TokyoFrankfurtRound, XamStern, BlackSplinters, Linolphabet, Tomahawked, Typobricks, AmericanInhabitants, HypocriSymbols, LastWit, MK-Symbols, StrokesFonds, ThinkBats, UseBats, Klimes, MonoSpatial, Architypogra, CaslonDadaesque, Cuneate, CuneateCaps, MauMauKlein, FatGrafCalliKlein, CavePaint, Goblins, NudesSilhous, RainyDay, AidaSerifaShadow, BodonisBulemy, SuperSansCondLight, Adonis-Bold, Batmania, CactusBlossom, CrazyCrazySans, Eyeballs, FacesAndCaps, FigaroFigaro, FraxBricKs, LaughBajazzo, M-sKetches, MKGrotesque, MoreMonK, NextGeneration, Orcas, PragRoman, RomanGridCaps, StrangeCharacters, TypoTracesOne, Typotraces-Cinque, Typotraces-Four, Typotraces-Three, Typotraces-Zwo, UmDieEckePlus, Vampyrish, VespasianCaps, VespasiansFlorials, Wacofaces04, ZagzagHeads, Klexalfabeta, GotischeMajuskel, PompejiPetit, Birrrdds, Spontcomic, SprayersSujets, TypoElements, WacoMusish, BemBolz, BrokenRoman-Bold, MarinumBreezed, SansFat, Africaans, AllHands, AlwaysPeople, BauAHaus-Black, DeconstructaWide-ExpandedUltra, GrafFittyPunk, LeArchitect, MiszellenKOne, MiszellenTwo, OhLauri, Shamanbats, TrajanusBriX-Invers, TrajanusBricks, TrajanusBricksXtra, Wenceslas-Oblique, Wenceslas, Monofred Ultralight Update, GenotypiPrototype, VivaBodoni, WhatsHappened, Cancellereska, JuniusIrish, LombardPlattfuß, SketchesDuererInvers, TornielloInitials, Birds-Relaunch, KoeppHeads, MiszellenThree, ImperiumCond, KleinsWrittenCaps, SigismundoDiFanti, Zwiebelfisch, ChildWritten, KleinKallig, GoGo, FantasyBats, KarlasMiszellen, LosAngelesBold, MiszCinque, MiszellenQuattro, MouseTraps, LittleRock, Dinotiqua-Heavy, MountFirtree, FarmFont, Karlas704, MesoFaunaBats, PhaistosAlphabet, Quicktypes, AbstractBats, AztecBats, BienMaya, ForefathersSketches, HumanDeformations, MiszellenJuly, NativeAmericans, OldEgyptGlyphs, PeoplesParts, RainmansWeatherreport, SheAndHe, MKlimesCondensed, SansBlack, WinterthurCondensed, MonoSerifBased70, Rehacles, RustiCalligraphia, ScrapDealer, Vampyriqua, Zebraesq, FracturiaSketched, FracturiaSketchedCaps, OrnamentInitials, CavePeoplePainting, FontBetaOne, HierobatsSketches, PrehistFantasies, Roundlings, VampyrBats, WacoheadsTwo, Cybatiqua, HassianUncial, PittoresqJugendstil, BonFood, PoeticRound, ReligionSpirituality, Running Gnomes, WesternPastHeroes, WritersReaders, AdAstra, Practiqua, DistroyA, DottyShadow, QuickMary, QuickMax, StrokeyHand, EasterIslandsToday, EthnicReconstructions, MotherAfrica, Scherenschnitt, Napoleon, Newspaper, RoundSlabSerif, DisPropBold, FishHooks, VariationsForImre, GoticaBastarda, ImresFraktur (modeled after a blackletter by Reiner), ToskanaCapsRound, KidsStuff, MKDingBats, Offbeats, PeopleSketches, StrangeTypes, WeatherBats, MoldauQua, Postertypes, ThinManGiambattista, AnimalTypeFaces, DoubleFaces, ItalianEvolution, TodayRunes, BeachBats, MiszellenEight, PrettyPeople, ZeroPoints, Scherenschnitt, ScissorThree, Crosses, MayanMexican, MKarlasBats, LimesCondensed, SkiCargo, MonogramsToolbox, SerifCaps, SpaceDreams, TaxTaxation, ArrowsCompetition, Damaged, TypewriterCondensed, AfricanAngels, AfricanArtifacts, AfricanQueens, CaviarBats, CircusClowns, Hands, HelloDoc, MedicoBats, ModernPeace, SchoolStuff, LatinumTall-X, LucaPacioliCaps, LucaPacioliRough, UnclassicQuill-Condensed, ChildrenBats, Sketched, Egypt, SlimSans, WeekdaysRomanSlant, AbcariFond, Gastronom, HalfEnough-Bold, HelloweeniA, Mkristall, Stoerung, WildQuill, Artests, Burlesque, Exercises, FacesFaces, MenFiftyTwo, MSkizzen, BradbOGilvy, Centuriqua-Ultra, Ogirema, Africain, Angelinos, Assoziazione, BadCircumstances, FacesTypes, Gymnastics, HalloweenTwo, KidsStuffAdded, Proportions, Roaring29, ToyToy, WellnessBoom, WoodcutsOne, WoodcutsTwo, Bamboo, SansBlackSmall, FilledABC, FolksInCubes, SprayersTypes, JoeCaxton04, AfricEggs, BusinessPeople, DueMillePix, EarlyMidage, Musicus, NiceBoys, Sculpturs, SilhouettA, WildAnimalsOne, WoodcutAnimals, RomanSerif, RomanSerifOblique, DiskO-LightInverse, GreeKish, BatsDa, Djungle, E-Motions, EyesTests, HalloweensUfos, OldEgyptOne, OldEgyptTwo, RareClothes, SeeItInMuseum, SFAliens, Shamanish, TrafficVehicles, Users, Sansibar-CXCondensed, KidsFirstABC, KleinsKrempelTypes, QuasimodoCaps, VisitCard, ZigZagThree, QuadrataRomaMediumOblique, Climbers, EmkaBats, Homunculus, ReligiousSymbols, Schoolish, GrotesqueBoldTallX, RightSo, RomanWoodcut, Diogenes, HappyBirdsday, ProthesisBlack, StylosCapitale, Kinderkram, ReallyAnimalishOne, ReallyAnimalsTwo, VoteMe, JoaoCond-Light, JoaoImprovisations, LeiterplattenSans, ProthesisCaribiqu, ArmadaPirata, Bikers, DancingPeople, DeepSwimmers, Engel, MusicMuseal, PiratesOne, PiratesTwo, PiratesThree, PiratesSymbols, PreColumbats, RohrschachEtcetera, SciencesBats, Swimming Beautys, TrialNError, TwelveYearsAfter, WintersAbstract, WoodcutsAgain, YoungScene, UglyQua, SchneidlerSolitaires, Bibelschrift (with Petra Heidorn), CircusAir, FreeLife, Mirodish, Pixelsoup, PrositBats, Sports, Unlucky, WorkingClassHero, XmasOne, Zoobats, GeosansLightOblique, HoffmanFL, HamletOrNot (with Petra Heidorn), AstroCalligraphs, AstroDingbats, AtHome, BiblishPictures, BusyPeople, FamousBuildings, Landscapes, MoreDancing, Neighbours, RomansAntePortas, Seefahrer, Shopping, TheaterSymbols, Callimundial, OgiremaSlab, Delitsch Initialen, HartzVier, Hingehudelt, Hingeschludert-Black, MatisseThree, MrKlein, RemiDur, Burgfest, DelitschInitialen, UncialeOrnamentale, UncialeXpressLight, AbermalsAnimals, Buddhism, BuyMe!, LifeEyecons, LifeIcons, Tourists, Wintersports, FourEarsArrows, MensFriends, MKartoonsHeads, OetzisTimesWillCome, SportsTraining, XmasBatzz, ClassicBats, FramesAnd, HistoricMoments, OldFramesSymbols, PabloInTown, RomanArchitectura, Sleep, VeryBusy, BrokenHand, Burtinomatic (blackletter based on Burte Fraktur), MonumentA, Athena, DisPropSans, Zyprian, MiscellenDec04, MiszellenK, MoreBusy, OldTestament, ScienceFictions, Taucher, XmasOnMoon, Weiß Fraktur (with Petra Heidorn), DeutscherSchmuck (with Petra Heidorn, based on Schmuck für Deutsche Druckschrift by E. Ege, 1922), SchmaleGotischMK (after type by Ernst Schneidler), SchmalfetteGotisch (with Petra Heidorn, again based on Ernst Schneidler), SchneidlerSchwabachInitials, Serpentina, Schooltime, HistoricPeople, WYSIWYG, MK-Signatures, TheManyMKFaces. [Google] [MyFonts] [More] ⦿
Ray Larabie (b. 1970) ran Typodermic in Mississauga, ON, which opened in the Fall of 2001. In 2006, it moved to Vancouver, BC, and in 2009 it moved on to Nagoya, Japan. Dafont page. Of course, Ray Larabie has been making fonts since 1996, but those early fonts were freeware. His pre 2001 fonts are grouped under the label Larabie Fonts. In 2001, he set up Typodermic. Latest additions.
The Typodermic fonts:
Eddie Baret was born in 1978 in Marseille. He studied graphic design and typography in Paris, Besançon and Brussels. In 2001, he founded, with Clément Lyonnet, the association Typo.gras.free. Eddie Baret designed the handwriting font FF Eddie (2001). He currently works in Paris as a free-lance graphic designer. The Typograsfree fonts are (were) mostly of the deconstructivist kind:
Urban Pixel (or: UP Font Studio)
Foundry in Montreal, est. 2008 by Michel Troy (b. 1969).
Velvetyne Type Foundry (or: VTF)
Velvetyne Type Foundry (or VTF) is the French foundry of Parisian Frank Adebiaye. It used to be called Velvetyne TypeForgery because he uses FontForge to design all his free fonts, which come complete with FontForge sources.
Author of a book on the life and work of Fran+çois Boltana (2012, with Suzanne Cardinal).
American graphic designer (b. 1982) located in Medway, MA, who has created many free fonts, and some low cost commercial fonts. He is also known for his web comic, Dubmarine. Until 2006, all his fonts were free, but starting in 2006, he started selling them via MyFonts. Fontsy link. Font Squirrel link. Fontspace link. Kernest link . Devian Tart link. FontM link. Dafont link. Urban Fonts link. Aka Xaviera Comics.
In 2004, he created Airstrip Four, AlphaEcho, BostonTraffic (stencil), Breakaway, CarbonType (old typewriter), Corporate HQ, DataControl (nice octagonal face), DataControlUnifon, Delta Echo, Eurocentric, FormerAirline, GangofThree (oriental simulation), Helsinki, IonicCharge (LCD simulation), JamPact, KarmaticArcade, KnowYourProduct (stencil), LandSpeedRecord, MajorSnafu (stencil; Major Snafu Pro (2012) is a cooperation with Cheap Pro Fonts), NervousRex, Osaka-SansSerif (techno), PillboxOpaque (dripping blood face), QuickEndJerk, Refrigeration, SiameseKatsong, Tetroserbogia, Umbrage, Virgo01, Whitehall1212, Xenophone (+Pro version in 2011), Yukarimobile, ZonaArmada. In 2005, he designed FrauleinUnifon, Fraulein, Fraulain II, Fraulein Hex, KarmaticArcade, NukuNuku (oriental simulation face), OffshoreBankingBusiness, PlannedObsolescence, TerryScript, Wunderbar, YachtingType, Zero&Zero-Is, Xerography, FrauleinHex, ICBMSS20, ICBMSS25 (stencil faces), Hydrogen Type, Gumbercules, Kremlin (Cyrillic letter simulation; followed in 2010 by Kremlin Pro at CheapProFonts), Johnny Homicide, Lilac Malaria, Motorway, Offshore Banking Business, Planned Obsolescence, Nuku Nuku Paradiso (Asian simulation), Quadrophonic, Ruth Script, Shoplifter (ransom note font), Under Influence (scratchy face), Viva Allende, KarmaticRevolution (with Mike "Karma" Alkire), RanmorianStd-B (artificial language script) and Ex (kana).
His 2006 additions, still free: Big in America, Maxine Script, Gisele Script, Siamese Katsong (oriental simulation), Pokopen, Grecian Formula (Greek simulation), Edo (brush; this became Edo Pro in 2010), Armalite Rifle (grunge stencil; a Pro version followed in 2010), Ruth Script, Terry Script, Oil Age Heiroglyphs (grunge), Nyamomobile (gorgeous futuristic stencil face), Q-Bert's Funeral, Xtreme Chrome, Fawn Script, Ukiah Caps (a hip all caps face), Banzai (fake Japanese), 106 Beats That, Azudings1, Fawn Script, Freelance Kamchatka, and Daisy Script.
Commercial fonts: Sixpak (2008, pixel face), Jaipur (2007, Indic script simulation), Santa Mensch (2006, brush face), Celonius Mark XIX (2006 geometric design), Argon Type (2006, futuristic), India Echo (2007, futuristic), How to Consume Oxygen (2007, grunge), Statue Of Liberty's Underwear (2007, Russian constructivist style), Moon Corps (2007, katakana), Underwood Champion (2008, distressed typewriter), Heavy Data (2008, computer simulation face). Perlmutter (2008) is a Hebrew and Yiddish font designed for the purpose of legibility at great distance (included are niqqud, letters with dagesh, punctuation, sheqel sign, and aleph-lamed ligature). In 2009, he created Edifice Wrecks (graffiti), Damon Script (comic book face) and Maritime Flags and Curses (dingbat face). Fonts made in 2010: Single Sleeve.
Fonts at FontStruct in 2009: Newhome (LED simulation).
Designer of the free constructivist Cyrillic simulation grunge font VKB KonQa (2006), about which he writes that My typeface was influenced by Communism, Land Politiks, War and Grunge in Afrika. Victor Bagu (b. 1982) lives in Harare, Zimbabwe. Alternate URL. He operates under the label Victorius Graphics. [Google] [More] ⦿
American Fontstructor who also uses Fontspace to display his work. He uses the alias Ganlo R. Ithsm, which is probably a permutation of Logan R. Smith.
Typefaces from 2010: Aztec, Barely, Braille, Digital Watch, Game Serif (+Outline), Serifial, Future Sans Tall, Future Watch Monospaced (LED face), Minimalist Everything, LegiPixel, Outlinecial, Teencial, Technically Pixels, Digital Watch, Minimal, Interest, and a few other pixelish faces.
Typefaces from 2011: LusumTypus (octagonal, mechanical), Italic Dotts, Stretchy (stretched pixel face), Modernistical, Pactim, Elite (constructivist), Shiny Dotts, Game Serif Italic, Garamond Pixelle, Performa (pixel face), Simpole Mono (pixel face), Slaant (angular face), Konsul Mono (pixel face based on Monaco), Thinnest Slats, Thin Slats, Lateral Slats, Kanureed Thys (pixel face), X Marks The Font, Habimo, A Stroke of Geneus (blackletter), Kurcive, Quasoid (kitchen tile, piano key face), Target Aims The Font (dotted), Uncialogo (kitchen tile face), xe Callig Better (blackletter), xe Dotcial (dot matrix face based on American Uncial), xe Dogma, xe Inktrap, xe Inktrap Bold, Koch Black (a remake of one of Koch's blackletter faces), xe Bard (blackletter), xe Micropolis (city dingbats). [Google] [More] ⦿
This is one of the most talented FontStructors. On Behance, he/she is listed as Van Saarland, from Hameenlinna, Finland.
Typefaces from 2011: Teotihuacan (inspired by a Mexican poster), Micra (a monospaced OCR-A font), Fast Driving, Rendez-Vous (a condensed serif font inspired by the cover of "The Essential Jean Michel Jarre"), Carat Condensed, Carat, Wolfen (a copperplate style condensed face), Futuroid (sci-fi), Instrumenta (after Neville Brody's Industria), Modern Vision (based on the opening credits from The Terminator and The Running Man), Future Earth (futuristic: based on a typeface used in The Terminator logo which is also the base for the font "Earth"), Phatprogy (+Extra Phat).
Typefaces from 2012: Modus Operandi, Ikonomi (squarish sans), Genera, Hexathrone, Liquid Crystal Serif, Wulthraesk (constructivist), Electionale, Major (a high contrast didone), Commandant (2012, like Futura Stencil), Comfutur (a beautiful stencil face with a bit of Futura Black), Qode (a retro-futuristic LED style typeface), Graphyto (a heavy slab face), Heavy Royale, Thiage (Thai simuation face), Bravis, Cirquetry, Solidis, Velocifero (bilined), Heavy Royale, Jet Set Groove, Reactor A1 (futuristic stencil), Polymoda (an abstract font), Lino II, Sequencer (+Condensed), Hertzace (square retro-futurist), Cifira (art deco), Saturation (monoline sans), Katana (+Bold, +Condensed), Countura (abstract and minimalist), Stripelane (horizontally striped), Vortexa (in the style of Data 70), In Nomine Matrix, Afterburner, Afterburner Phase II, High Rise (Western typeface), Sulaco, Polaroid, Tech Noir (a dot matrix typeface based on the nightclub sign from The Terminator), Slabbers II, Windician (art deco), Cryptocube, DMC 12, Ken Jp (oriental simulation typeface), PxlSQ, Scorpione, Monotronic, Advancer (dot matrix face), Avico, Discolyde, Film Sequence, Modern Vision (based on an unknown typeface which was used in the opening credits of The Terminator, The Running Man, Class of 1999, and also used on Robert A. Heinlein's book covers (there's a font called Heinlein which is similar)), Cromagnon, Gace, Midora Sans, Squarium (constructivist), Cheque Matte (octagonal), Plusminus, Advancer Lite, Magnetofunk (retro-futuristic), Integrafia (piano key stencil face), Network9, Cechida, Rendez-Vous (condensed square slab face), Rendez-Vous II, Equantum, Karelian Stencil, Cryptocube, Neolexia, Ambiente, Stencilae (stencil), Linearis (horizontally striped), Contrafacia A and B (horizontally striped faces), Stereovision, Hypetron (based on the TRON logo), Degré (hexagonal), Typorabilis, Wunderkind (kitchen tile face), Kiova Captura, Biomehanika.
Typefaces from 2013: Lugar, Siquid (dot matrix face), Devico (constructivist), Meco (based on Meco's logo), Confiant A, Confiant B, Zerusta, Carat, Combonaut, Jet Set Groove, Cifira, Gace, Condensbit, Synditon, Abciria, Vulthraesk, Rendez-Vous (+II), Instrumenta (based on Neville Brody's Industria), Saturation, RndEX, Rewinder, Power Electronics (an octagonal typeface based on the Captain Power logo), Obsidian Deco (a gorgeous fat piano key typeface), Electrone, Plusminus, Connector Module, Scorpione, Perficio, XOX Design, Da Capo (bold slab serif), Gradiator, Phatprogy, Genexus, Finica Sharp Script, Power Electronics (based on the Captain power logo), Aftertouch (a wide sans), Telecharger, Vicenti, Modicea, Submachine (based on Stanley Davis's Amelia), Genera Deux (a computer font), Genexe, Network 9 (connect-the-dots), Square Earth, Future Earth (trekkie font), Cechida, Supernature, Siberiada (a great Russian simulation face with a medieval touch), Defigma (bilined), Carat, Back to the future (based on the movie logo; called Rewinder on FontStruct), Vibrion (techno face), Connector Module, Wunderkind (a tiled typeface), Yaguar, Pacific Serif (slab serif), Aerogenes (wide techno font), Windician, Commandant (a wide art deco stencil face).
YouWorkForThem (was: Cinahaus, or TrueIsTrue)
Michael Cina (Minneapolis) is the cofounder of WeWorkForThem and YouWorkForThem (in 2002), also known as YWFT. Before that, he ran TrueIsTrue, and before that was partner in Test Pilot Collective (which he left in 2001), and before that he ran Cinahaus. YWFT is located in Baltimore, MD.
Cina's fonts include the pixel fonts Caliper (1998), 6x7oct (1998) and BlackGold; the handwriting font Cinahand; Blessed (1999, techno), Cam (1998), CommunityService, Crossover (1998, dot matrix with stars instead of dots), Composite (1998, octagonal), Formation (1999, a big octagonal family), Jute, Maetl (1999, octagonal, angular family), Novum, Pakt, Reversion (1997, squarish), Selector, Selek (1998, pixelish), Service (2001-2002, an octagonal family), Trisect (1999, three-lined family, now also available at Veer), Unisect (1999, organic monoline sans), Ultramagnetic (1998), Ultramagnetic2 (1999), Unfinished. Bastard (1998), Kcap6 (with Matt Desmond), Cheese (1998), Novum (2002), Overcross (2002, unfocused letters), Stem (1998), Testacon (with Kral and Desmond, 1999). Alternate URL. Interview. Other typefaces: Praun (2002, pixel faces), OneCross (2002, pixelish stitching family), Estenceler (2004, a great stencil family), Graphium (2004, octagonal Western style family), Expos (2004, graffiti or poster face), Vox (2007, monoline sans), Militia Sans (2007, like a Russian constructivist stencil), Jupiter (roman), Militia (2007, heavier stencil), Merc (2007, grunge), Guild (2007), Clarendon Text (2007, a complete revival), Jezebel (2007, script), Ambassador Script (2007, a digital revival of Novarese's typeface by that name), Enam (2002, influenced by Crouwel), Enigmatic Hand (2007), Dusty (2007, a Tuscan-eared Western font), Poplock (2007, experimental), Pakt (2007, geometric sans), Sudsy (2007), Black Sabbath (2008, ultra black slab serif, by Stefan Kjartansson), Agostina (2008), Bitwood (2009, pixelish western face), Mullino (2009), Trithart (2008, grunge by Emma Trithart), Tapscott (2008, in the style of Rennie Mackintosh), Habano (2008, script), Amorinda (signage script), Retron (2008, connected script), MD01 (medical-themed dingbats), Adelaide (script), Centennial Script (calligraphic), Alexia (calligraphic), Ultramagnetic (experimental), Nash (1997, grunge), Amber (kitchen tile), Fab (3d), 6x7 Oct (1998, pixels and dots), Wool (2009, stencil), Matter (2009, a wide bold grotesque), Merriam (2009, slab serif).
Graphic designer in Skopje, Macedonia. He created an untitled geometric Cyrillic typeface in 2013. His work has an old Soviet era theme, and includes several constructivist items. Still in 2013, he also designed a minimalist Cyrillic typeface. [Google] [More] ⦿
Nakhon Sawan, Thailand and Melbourne, Australia-based designer of the constructivist Latin/Thai typeface Zood Rangmah (2013), which was influenced by the Cyrillic typeface in Jean-Jacques Arnaud's movie The Enemy. He also made the Latin/Thai typeface Zood Putorn (2013). [Google] [More] ⦿